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LORD SUGAR: You haven't used any of your skills, any of the things | 0:00:03 | 0:00:06 | |
that you claim you're experts in. A disgusting result. | 0:00:06 | 0:00:08 | |
I don't want to hear any more from you. You're fired. You're fired. | 0:00:08 | 0:00:12 | |
You're fired. | 0:00:12 | 0:00:14 | |
APPLAUSE | 0:00:14 | 0:00:16 | |
CHEERING | 0:00:22 | 0:00:23 | |
Thank you. Good evening. I'm Jack Dee. | 0:00:23 | 0:00:25 | |
Welcome to The Apprentice You're Fired. | 0:00:25 | 0:00:27 | |
This week's task was to produce a children's book, | 0:00:27 | 0:00:30 | |
so the candidates were extra careful to make sure their language | 0:00:30 | 0:00:33 | |
was suitable for three to five-year-olds. | 0:00:33 | 0:00:35 | |
Party pooper, wee-wee. | 0:00:35 | 0:00:37 | |
Sniffle bottom. | 0:00:37 | 0:00:39 | |
I shit you not, she absolutely put her arse on her hands... | 0:00:39 | 0:00:43 | |
LAUGHTER | 0:00:43 | 0:00:44 | |
Yeah, thanks, Brett. Good luck with that CBeebie's audition, by the way. | 0:00:44 | 0:00:49 | |
Joseph had a tough time. It can't have been easy spending the day being | 0:00:49 | 0:00:52 | |
shadowed by his mysterious Victorian lookalike. | 0:00:52 | 0:00:55 | |
LAUGHTER | 0:00:55 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:01 | |
Yes, that is Lord Sugar's new aid, the Gocompare man. | 0:01:01 | 0:01:04 | |
Meanwhile, April burned Charleine so hard, she became a meme. | 0:01:05 | 0:01:10 | |
Personally, I feel, like, the bee story could be the most adventurous. | 0:01:10 | 0:01:16 | |
What writing skills have you got? | 0:01:16 | 0:01:19 | |
My degree is in creative writing. | 0:01:19 | 0:01:21 | |
GENERIC HIP-HOP MUSIC | 0:01:21 | 0:01:25 | |
And if you don't get that, it's because you're not street, like me. | 0:01:28 | 0:01:32 | |
Joining me to discuss tonight's task, even though it's past their bedtimes, | 0:01:32 | 0:01:36 | |
are author of the How To Train Your Dragon | 0:01:36 | 0:01:39 | |
series of children's books, Cressida Cowell, | 0:01:39 | 0:01:42 | |
broadcaster Gaby Roslin, and he's still only halfway through | 0:01:42 | 0:01:45 | |
Snottydinks, so no spoilers, please, it is Romesh Ranganathan. | 0:01:45 | 0:01:48 | |
Welcome to You're Fired. | 0:01:48 | 0:01:49 | |
Well, in tonight's task, | 0:01:54 | 0:01:55 | |
one candidate was hoping her team's children's book would be | 0:01:55 | 0:01:59 | |
a monster hit, but instead, for her, it was all ogre. | 0:01:59 | 0:02:02 | |
Ha... Sorry. | 0:02:02 | 0:02:04 | |
Sorry, that was a terrible pun. I just said it without thinking. | 0:02:04 | 0:02:08 | |
LORD SUGAR: Natalie, your pitch was terrible. | 0:02:08 | 0:02:11 | |
I'm not sure you think before you speak. | 0:02:11 | 0:02:14 | |
You just haven't shown me enough. On this particular occasion... | 0:02:14 | 0:02:18 | |
..you're fired. | 0:02:18 | 0:02:19 | |
Ladies and gentlemen, please well, Natalie Dean! | 0:02:28 | 0:02:31 | |
APPLAUSE | 0:02:31 | 0:02:33 | |
Come and sit down. Come and sit down. | 0:02:36 | 0:02:39 | |
Natalie, welcome to You're Fired. It's good to see you. | 0:02:42 | 0:02:44 | |
I don't know who was more upset, you or Sam. | 0:02:44 | 0:02:47 | |
I know, he didn't look happy, did he? It was. | 0:02:47 | 0:02:49 | |
How did you feel at the time? | 0:02:49 | 0:02:51 | |
Not as upset as Sam looked, it would appear. | 0:02:51 | 0:02:53 | |
He was. He was really... Because it must be very emotional. | 0:02:53 | 0:02:56 | |
You've all worked and lived together for four or five weeks. | 0:02:56 | 0:02:59 | |
Suddenly, up against each other in the boardroom. And how did that feel? | 0:02:59 | 0:03:03 | |
Well, it was really difficult | 0:03:03 | 0:03:05 | |
because I really like Sam, and got on with him so well, | 0:03:05 | 0:03:07 | |
and to be in that situation with him, it wasn't very nice. | 0:03:07 | 0:03:10 | |
It wasn't nice, was it? Plus, to make things worse, | 0:03:10 | 0:03:13 | |
you'd had a terrible cold that week, which wasn't good. Yeah. | 0:03:13 | 0:03:16 | |
Did that generally affect your... your whole performance, do you feel? | 0:03:16 | 0:03:20 | |
I'd didn't feel great, but I don't know if it would have gone | 0:03:20 | 0:03:22 | |
that much differently if I didn't have a cold, really. | 0:03:22 | 0:03:25 | |
I really think you could have... Because you played it very well. | 0:03:25 | 0:03:28 | |
You set it up, and you said, "I've got a bit of a cough," etc. | 0:03:28 | 0:03:31 | |
And then you said it in the boardroom. | 0:03:31 | 0:03:32 | |
I definitely think you should have done it in the bookshop. | 0:03:32 | 0:03:35 | |
You know, when she said, | 0:03:35 | 0:03:36 | |
"What are your percentages?", you should have just collapsed. | 0:03:36 | 0:03:39 | |
Just had a coughing fit and fallen to the floor. | 0:03:39 | 0:03:42 | |
Maybe I should, yeah. | 0:03:42 | 0:03:43 | |
Well, Lord Sugar said you didn't show him enough | 0:03:43 | 0:03:46 | |
of what you could really do. | 0:03:46 | 0:03:47 | |
Let's have a look at what you did show him. | 0:03:47 | 0:03:49 | |
The key to this is selling, isn't it? | 0:03:49 | 0:03:51 | |
I wanted Natalie and myself to do the pitch | 0:03:51 | 0:03:53 | |
to the national book retailer. | 0:03:53 | 0:03:55 | |
SHE COUGHS | 0:03:55 | 0:03:57 | |
I'm just concerned that if I stand up there to do a pitch | 0:03:57 | 0:03:59 | |
and go croaky or cough, I'm going to look ridiculous. | 0:03:59 | 0:04:02 | |
So, Brett, Scott, and Natalie, you're going to trade. Perfect. | 0:04:02 | 0:04:06 | |
I think I'd feel more comfortable doing that. | 0:04:06 | 0:04:08 | |
Natalie was supposed to lead the pitch, but did a terrible job. | 0:04:08 | 0:04:11 | |
What do you want to know? My discount percentage. | 0:04:11 | 0:04:13 | |
Brett had said he was in charge of the finances | 0:04:13 | 0:04:16 | |
and had been looking after them. | 0:04:16 | 0:04:17 | |
And, so, I was a bit shocked he didn't have that answer. | 0:04:17 | 0:04:20 | |
I supplied you with that information and you went in there with it. Completely disagree. | 0:04:20 | 0:04:23 | |
If you buy under nine or up to nine, it's for ?4.89 per unit. | 0:04:23 | 0:04:28 | |
You're a liar. Yes, I did. | 0:04:28 | 0:04:30 | |
You're an outright liar. | 0:04:30 | 0:04:32 | |
It was a disaster. | 0:04:32 | 0:04:34 | |
So, the bus? | 0:04:34 | 0:04:35 | |
LAUGHTER | 0:04:35 | 0:04:36 | |
Didn't really show a lot, did I? | 0:04:36 | 0:04:38 | |
I've got to ask you, did you get on the same bus, you and Brett? | 0:04:38 | 0:04:41 | |
Or was there a bit of an atmosphere? That task, me and Brett, | 0:04:41 | 0:04:44 | |
we didn't get on well, but I really like Brett. We got on in the house | 0:04:44 | 0:04:47 | |
really well. In the boardroom, Brett called you a liar. | 0:04:47 | 0:04:49 | |
What did you make of that? | 0:04:49 | 0:04:50 | |
I think he got a bit confused. Ah, that's a good answer. | 0:04:50 | 0:04:54 | |
He got confused. I mean, it did get quite heated. | 0:04:54 | 0:04:57 | |
I know that when, in the taxi afterwards, you...you didn't hold | 0:04:57 | 0:05:00 | |
back, cos you said you didn't think he'd stay in the process very long. | 0:05:00 | 0:05:03 | |
You even said you didn't think he was very intelligent. | 0:05:03 | 0:05:05 | |
Do you stand by that now? No, I think he'll do quite well. | 0:05:05 | 0:05:08 | |
I think he's very confident and always says what he thinks, | 0:05:08 | 0:05:11 | |
which I think will probably do him quite well. I like Brett. | 0:05:11 | 0:05:14 | |
I'm glad about that. So, the pitch in the bookshop. | 0:05:14 | 0:05:17 | |
That, the one we saw, was a disaster, wasn't it? It was a disaster. | 0:05:17 | 0:05:21 | |
Why were you so stumped by the figures? | 0:05:21 | 0:05:23 | |
The woman asked us, "What's the price?" I was, like, "Brett, | 0:05:23 | 0:05:26 | |
"you've got the figures." But he didn't have the figures. | 0:05:26 | 0:05:28 | |
Then, I was doing the pitch, I should have had the figures, | 0:05:28 | 0:05:31 | |
I was doing the pitch. OK, that's an honest answer. | 0:05:31 | 0:05:33 | |
It went wrong for you. Cressida, I'll come to you first, cos, you know, | 0:05:33 | 0:05:36 | |
Natalie was finding the bookshop owner very hard. | 0:05:36 | 0:05:39 | |
Now, even at your level of success, you must still have to build | 0:05:39 | 0:05:43 | |
relationships with publishers and film executives, even retailers. | 0:05:43 | 0:05:47 | |
How important is it to have a rapport with these people and maintain it? | 0:05:47 | 0:05:51 | |
Oh, it's immensely important. Hugely important. | 0:05:51 | 0:05:54 | |
I mean, as a children's book author, you're also pitching quite a lot | 0:05:54 | 0:05:58 | |
to children themselves and their parents. | 0:05:58 | 0:06:01 | |
Lord Sugar would love this. | 0:06:01 | 0:06:02 | |
You have a very direct contact with your market. | 0:06:02 | 0:06:06 | |
The children's book industry is phenomenally successful, | 0:06:06 | 0:06:09 | |
considering the competition. Look at the telly nowadays, Xbox. | 0:06:09 | 0:06:13 | |
However, in the last 16 years, | 0:06:13 | 0:06:15 | |
we have doubled the amount of children's books we've sold, | 0:06:15 | 0:06:18 | |
which is extraordinary. And it's partly because authors go out there. | 0:06:18 | 0:06:22 | |
You can't hide away as an author any more. | 0:06:22 | 0:06:25 | |
I've been to so many primary schools, | 0:06:25 | 0:06:27 | |
I could practically be an OFSTED inspector. | 0:06:27 | 0:06:31 | |
I'll come to you now, Gaby. | 0:06:31 | 0:06:33 | |
You know, you're a very successful TV presenter, radio presenter. | 0:06:33 | 0:06:36 | |
You always very quickly establish a relationship with the people | 0:06:36 | 0:06:39 | |
you're interviewing. Is there a nack to that | 0:06:39 | 0:06:42 | |
we could pass on to Natalie? Yes, I did feel | 0:06:42 | 0:06:44 | |
that you weren't getting people's interest straightaway | 0:06:44 | 0:06:47 | |
and you weren't listening to them. | 0:06:47 | 0:06:49 | |
And you weren't giving them something. | 0:06:49 | 0:06:50 | |
I thought you opened yourself up for an attack | 0:06:50 | 0:06:52 | |
when you asked that lady what she liked in a book. | 0:06:52 | 0:06:55 | |
I don't know if you would have been better off saying | 0:06:55 | 0:06:57 | |
what was good about it, rather than opening yourself up, | 0:06:57 | 0:06:59 | |
cos then she said "I like a book that really sells." | 0:06:59 | 0:07:02 | |
And then you went, "We haven't got that, but we've...we've got | 0:07:02 | 0:07:05 | |
"a new book that we think could possibly sell, fingers crossed." | 0:07:05 | 0:07:08 | |
You know what I mean? So, Natalie, Brett said that you were nervous | 0:07:08 | 0:07:11 | |
in the bookshop pitch, | 0:07:11 | 0:07:12 | |
because you had Karren watching you all the time. | 0:07:12 | 0:07:15 | |
How much more nerve-racking is it having Karren or Claude | 0:07:15 | 0:07:18 | |
breathing down your neck? | 0:07:18 | 0:07:20 | |
Generally, when you're trying to pitch a product, | 0:07:20 | 0:07:23 | |
you don't have Karren Brady standing in the corner | 0:07:23 | 0:07:25 | |
making notes and tutting. It is quite a lot of pressure. | 0:07:25 | 0:07:27 | |
Yes, it is, cos you got off to a bad start with her, | 0:07:27 | 0:07:30 | |
didn't you, in week two, with the shampoo? | 0:07:30 | 0:07:32 | |
And you had claimed that people over the age of 46 are scared of change. | 0:07:32 | 0:07:36 | |
LAUGHTER | 0:07:36 | 0:07:38 | |
And she was... she was offended by that. | 0:07:38 | 0:07:40 | |
Did you feel you were carrying a little bit of that on into this task? | 0:07:40 | 0:07:43 | |
So, first of all, I'm very sorry to any women over 40 that I did offend. | 0:07:43 | 0:07:47 | |
It wasn't the intention. | 0:07:47 | 0:07:49 | |
Were you watching that, Gaby, when that happened? Yes! | 0:07:49 | 0:07:51 | |
NATALIE: I'm sorry. | 0:07:51 | 0:07:53 | |
I was and I shouted at the screen. You found it terrifying. | 0:07:53 | 0:07:56 | |
What, the whole thing? | 0:07:56 | 0:07:58 | |
LAUGHTER | 0:07:58 | 0:08:00 | |
Natalie, Lord Sugar said that you don't think before you speak. | 0:08:00 | 0:08:04 | |
Do you think he's right? | 0:08:04 | 0:08:06 | |
Take your time. | 0:08:06 | 0:08:07 | |
LAUGHTER | 0:08:07 | 0:08:09 | |
Thinking before you speak isn't easy, especially | 0:08:09 | 0:08:11 | |
if you don't give yourself time to get a word in edgewise. | 0:08:11 | 0:08:14 | |
Have a look at this. | 0:08:14 | 0:08:15 | |
Natalie talks so quickly, I have never heard anyone speak so fast. | 0:08:15 | 0:08:21 | |
I look after very high-value customers, make sure | 0:08:21 | 0:08:23 | |
they retain with the company and also try and encourage them | 0:08:23 | 0:08:26 | |
to spend more money with us, as well. | 0:08:26 | 0:08:28 | |
I write pitches and present to businesses on a day-to-day business. | 0:08:28 | 0:08:31 | |
I think I'd be really good in a pitch. | 0:08:31 | 0:08:33 | |
Natalie...thinks and talks at a million miles an hour. | 0:08:33 | 0:08:36 | |
I find speaking slow the hardest bit. | 0:08:36 | 0:08:38 | |
Some might have the option of buying it in either country. | 0:08:38 | 0:08:41 | |
We don't want get there and we can't sell it cos it's not safe. | 0:08:41 | 0:08:44 | |
That'd be a nightmare. Everything is bom-bom-bom. We'd failed the task | 0:08:44 | 0:08:47 | |
before the pitch. People will spend money on rabbits. I had a rabbit for years. | 0:08:47 | 0:08:51 | |
I don't think you're passionate about the product | 0:08:51 | 0:08:53 | |
and we could sell it. I can't speak slowly. I'm, like ... | 0:08:53 | 0:08:56 | |
LAUGHTER See, most of those weren't that fast to me. What did you say? | 0:08:56 | 0:09:00 | |
LAUGHTER | 0:09:00 | 0:09:01 | |
Have you ever thought about taking up horse race commentary | 0:09:01 | 0:09:04 | |
or something like that? I probably should, shouldn't I? | 0:09:04 | 0:09:06 | |
OK, let's move on. We'll have a look at the book. Here we are. | 0:09:06 | 0:09:10 | |
That's Snottydink, which is quite appropriate, | 0:09:10 | 0:09:13 | |
considering how ill you were feeling at the time. | 0:09:13 | 0:09:16 | |
So, Cressida, you've got one, as well. Have a little look. | 0:09:16 | 0:09:18 | |
What do you think? What are your first impressions? | 0:09:18 | 0:09:21 | |
Are you impressed by that? | 0:09:21 | 0:09:23 | |
I have to say, in one day, I thought that was REALLY impressive. | 0:09:23 | 0:09:26 | |
I thought it was original. It was really original. | 0:09:26 | 0:09:30 | |
I'm glad you said that. I liked it, as well. | 0:09:30 | 0:09:32 | |
Yes, you bond with the character. Completely. | 0:09:32 | 0:09:35 | |
And the graphics are great, the words are great, the rhymes, | 0:09:35 | 0:09:38 | |
the rhythm, everything. And I would happily read this to my youngest. | 0:09:38 | 0:09:41 | |
I'm not sure about it. My issue with it... I do think it's good. | 0:09:41 | 0:09:46 | |
I think the pictures are good, it looks good, | 0:09:46 | 0:09:48 | |
the covers are good and everything. My biggest issue is the long words. | 0:09:48 | 0:09:51 | |
I know you sold it as a thing that kids should learn new words, | 0:09:51 | 0:09:55 | |
but a kid with an extensive vocabulary is creepy. | 0:09:55 | 0:09:58 | |
You know... If I was in the park with my kid, he said, | 0:09:58 | 0:10:02 | |
"Daddy, look at that moisture-loving plant," | 0:10:02 | 0:10:04 | |
I'd say, "Shut up, you weirdo. | 0:10:04 | 0:10:06 | |
"You sound like a freak." "Daddy, quell your anger." | 0:10:06 | 0:10:08 | |
"You're not helping!" | 0:10:08 | 0:10:10 | |
I got a little bit worried. | 0:10:10 | 0:10:11 | |
I thought maybe you were all drinking a bit too much. | 0:10:11 | 0:10:14 | |
It seems to me that some of the rhymes only work if you're drunk. | 0:10:14 | 0:10:16 | |
This bit. | 0:10:16 | 0:10:18 | |
'The water he blew was not only useful | 0:10:18 | 0:10:21 | |
'He could make things, too, that were bright and byoo-full.' | 0:10:21 | 0:10:24 | |
LAUGHTER | 0:10:24 | 0:10:26 | |
That only works if you had a bottle of wine. I think it does, yeah. | 0:10:26 | 0:10:29 | |
There's nothing wrong, though, with having new words in a book, | 0:10:29 | 0:10:33 | |
are there? Are you conscious of doing that when you're writing? | 0:10:33 | 0:10:36 | |
I do use longer words in my books for 8-12-year-olds, | 0:10:36 | 0:10:39 | |
but I have to say, for three to five, | 0:10:39 | 0:10:42 | |
I would be a bit more careful about using shorter words. | 0:10:42 | 0:10:45 | |
So, what, during the creative stage, | 0:10:45 | 0:10:47 | |
you're coming up with this book, what was it like to be | 0:10:47 | 0:10:50 | |
in the presence of Sam, when he was in his creative frenzy? | 0:10:50 | 0:10:54 | |
How involved were you? Or did you just have to sit back in awe? | 0:10:54 | 0:10:57 | |
I think the problem with Sam was, in this task, he had too many ideas | 0:10:57 | 0:11:01 | |
and he couldn't decide what he actually wanted to do. | 0:11:01 | 0:11:04 | |
So, in the end, it was me who came up with the idea of the story, | 0:11:04 | 0:11:07 | |
what would happen. Then, Elle and Sam wrote it, | 0:11:07 | 0:11:10 | |
because their English is fantastic, both of them. | 0:11:10 | 0:11:12 | |
And Scott drew the pictures, cos he's good at drawing. | 0:11:12 | 0:11:15 | |
So, it was very much a team effort. | 0:11:15 | 0:11:16 | |
Did Scott actually draw the pictures that are in there now? | 0:11:16 | 0:11:19 | |
Well, he... That was his vision? | 0:11:19 | 0:11:21 | |
A graphic designer will make them look more sparkly. | 0:11:21 | 0:11:24 | |
It's impressive, that. | 0:11:24 | 0:11:26 | |
Well, as we've seen, project manager of Connexus was Sam, | 0:11:26 | 0:11:29 | |
who Lord Sugar criticised for not having a very business-like approach. | 0:11:29 | 0:11:32 | |
Let's have a look at him in action. Or not, in his case. | 0:11:32 | 0:11:35 | |
A story dies without good plot. | 0:11:35 | 0:11:38 | |
I mean, obviously, there is | 0:11:38 | 0:11:39 | |
this theory about Aristotle thinking plot is the most important thing. | 0:11:39 | 0:11:42 | |
I don't know how much you can relate, sort of, | 0:11:42 | 0:11:45 | |
a tragedy with children's literature. | 0:11:45 | 0:11:47 | |
At times, I felt I was | 0:11:47 | 0:11:48 | |
watching you try to write the sequel to King Lear. | 0:11:48 | 0:11:51 | |
What I wanted to do was come up with a moral story that included | 0:11:51 | 0:11:54 | |
creatures, or an overcoming the monsters story that included | 0:11:54 | 0:11:56 | |
a bit of a moral, or an adventure story. | 0:11:56 | 0:11:59 | |
The adventure story one, I'm slightly confused on. | 0:11:59 | 0:12:01 | |
They've been in their meeting | 0:12:01 | 0:12:03 | |
for a few hours, but haven't really nailed anything down. | 0:12:03 | 0:12:06 | |
We're going around the houses now. As PM, what do you reckon? | 0:12:06 | 0:12:08 | |
Um... | 0:12:08 | 0:12:09 | |
Now, I... My preference is... What do you think? | 0:12:09 | 0:12:13 | |
Who are you bringing back into this boardroom? | 0:12:13 | 0:12:15 | |
There you are again. | 0:12:21 | 0:12:23 | |
He just takes so long to reach a decision. | 0:12:23 | 0:12:25 | |
See, Natalie, somewhere between you and Sam | 0:12:28 | 0:12:30 | |
is the perfect speed at which to talk. | 0:12:30 | 0:12:33 | |
That's what you want to aim at. What was Sam like as a project manager? | 0:12:33 | 0:12:37 | |
Indecisive. But I think that's because he's so nice, | 0:12:37 | 0:12:39 | |
he wanted to please everybody. Right. Did you feel like he was | 0:12:39 | 0:12:41 | |
under pressure because Lord Sugar had said to him, | 0:12:41 | 0:12:44 | |
"You're an English graduate, you should be good at this," | 0:12:44 | 0:12:46 | |
that he felt he had to create some masterpiece, rather than just getting the book done? | 0:12:46 | 0:12:50 | |
I think he was trying to make it a lot more complex than it | 0:12:50 | 0:12:53 | |
needed to be, because he was so worried about making | 0:12:53 | 0:12:55 | |
a great product for Lord Sugar. Accused of over-intellectualising. | 0:12:55 | 0:12:59 | |
Cressida, is that a fault? Well, no, he didn't call it King Lear, did he? | 0:12:59 | 0:13:02 | |
He called it Snottydink. | 0:13:02 | 0:13:04 | |
King Lear, in fairness, had been taken, that name. | 0:13:04 | 0:13:07 | |
LAUGHTER | 0:13:07 | 0:13:08 | |
He was thinking about it very seriously, but it had a message. | 0:13:08 | 0:13:11 | |
It was about something. | 0:13:11 | 0:13:13 | |
And it was about something much more interesting than the bees story. | 0:13:13 | 0:13:17 | |
I mean, good children's books do have a message. | 0:13:17 | 0:13:20 | |
And sometimes, it's quite a serious message. | 0:13:20 | 0:13:22 | |
In the cafe, Sam immediately apologised | 0:13:22 | 0:13:24 | |
to his team for losing, in a very gallant way, I thought. | 0:13:24 | 0:13:27 | |
That was very nice of him. | 0:13:27 | 0:13:28 | |
And he apologised to you in the boardroom afterwards... | 0:13:28 | 0:13:31 | |
He was actually crying. He was devastated. | 0:13:31 | 0:13:33 | |
I was, like, "You can go now. It's all right, Sam." He wouldn't let go of my hand. | 0:13:33 | 0:13:37 | |
He genuinely felt bad. He's too nice. He's just a lovely guy. | 0:13:37 | 0:13:40 | |
GABY: Can you be too nice? I was going to ask. | 0:13:40 | 0:13:42 | |
Can you combine being a nice guy with being good at business, do you think? | 0:13:42 | 0:13:46 | |
I think you can, surely you can. There are plenty of people who have done it over the years. | 0:13:46 | 0:13:50 | |
I'm trying to think now! | 0:13:50 | 0:13:52 | |
I think he made such a mistake by saying, "I'm sorry," | 0:13:52 | 0:13:54 | |
when they were in the cafe. What you've got to do | 0:13:54 | 0:13:56 | |
is you've got to sit down and go, | 0:13:56 | 0:13:58 | |
"Where do you think you guys went wrong?" | 0:13:58 | 0:13:59 | |
You've got to be on the front foot, in that situation. | 0:13:59 | 0:14:02 | |
When I was teaching, I would do parents' evenings and stuff, | 0:14:02 | 0:14:05 | |
and sometimes, a kid would sit down and I didn't know the kid. | 0:14:05 | 0:14:07 | |
I couldn't remember what they were like. | 0:14:07 | 0:14:09 | |
I'd just say, what do you think I'm going to say about you? | 0:14:09 | 0:14:12 | |
And just let them fill in the blanks. | 0:14:12 | 0:14:14 | |
All the stories I hear about you being a teacher terrify me. | 0:14:14 | 0:14:17 | |
Well, if it makes you feel better, | 0:14:17 | 0:14:19 | |
legally, I'm not allowed to do it any more. | 0:14:19 | 0:14:21 | |
LAUGHTER | 0:14:21 | 0:14:22 | |
Well, let's move on to the winning team, | 0:14:24 | 0:14:26 | |
Team Versatile, and to remind us about their book, here is Claude. | 0:14:26 | 0:14:30 | |
Hello, boys and girls. LAUGHTER | 0:14:31 | 0:14:33 | |
Are you sitting comfortably? I'm going to begin. | 0:14:33 | 0:14:36 | |
This is Bizzie's First Adventure. | 0:14:36 | 0:14:38 | |
Bizzie is a little bee... BIZZIE BUZZES | 0:14:40 | 0:14:43 | |
..who sets out to make some honey. | 0:14:43 | 0:14:46 | |
When he took flight, the wind went whoosh... | 0:14:46 | 0:14:48 | |
..and poor little Bizzie went swoosh. | 0:14:50 | 0:14:52 | |
BIZZIE SQUEAKS IN DISTRESS | 0:14:52 | 0:14:54 | |
Swishing and swooshing, tumbling and turning, | 0:14:54 | 0:14:57 | |
will little Bizzie ever make his honey? | 0:14:57 | 0:15:00 | |
And if your nerves can take it, you can see the full, terrifying | 0:15:01 | 0:15:04 | |
version of both books being read by Karren and Claude on our website. | 0:15:04 | 0:15:08 | |
So, here is their book, which is Bizzie's First Adventure. | 0:15:08 | 0:15:14 | |
I don't know if you have had a chance to look at that - did you see it? | 0:15:14 | 0:15:18 | |
Very briefly. You're already turning up your nose at it. | 0:15:18 | 0:15:21 | |
I just think Snottledink's a lot better. | 0:15:21 | 0:15:23 | |
OK, well, Cressida, what are your first impressions of the book? | 0:15:23 | 0:15:26 | |
I think this is dull. That is the real problem with it. | 0:15:26 | 0:15:30 | |
Even though it doesn't go into pollination in great detail, | 0:15:30 | 0:15:33 | |
it might as well. I mean, it is dull, I'm sorry. | 0:15:33 | 0:15:37 | |
Gaby, do you agree? I've always read to my kids | 0:15:37 | 0:15:40 | |
and I absolutely love it and it is our special time. | 0:15:40 | 0:15:42 | |
This is for a six-month-old. It doesn't scan and it is dull. | 0:15:42 | 0:15:47 | |
You are like one of the mums in the playgroup, who said | 0:15:47 | 0:15:50 | |
she thought it had been written BY a child. | 0:15:50 | 0:15:52 | |
I think, they misunderstood the whole thing. | 0:15:52 | 0:15:54 | |
I think the key thing about a rhyming book is, it has to rhyme. | 0:15:54 | 0:15:58 | |
I'll give you an example here, | 0:15:58 | 0:16:00 | |
'Bizzie was happy all of a sudden | 0:16:00 | 0:16:02 | |
'when he saw the chance to get so much pollen.' | 0:16:02 | 0:16:05 | |
Are you joking? Yeah. Like, that's... | 0:16:05 | 0:16:08 | |
Also, to be honest with you, I'm opposed to the whole idea | 0:16:08 | 0:16:11 | |
of a book about honey anyway. | 0:16:11 | 0:16:13 | |
You know, it is bee slavery. | 0:16:13 | 0:16:14 | |
And, you know, what they need to explain is how the beekeeper | 0:16:16 | 0:16:18 | |
comes along and nicks it, without contributing anything to the | 0:16:18 | 0:16:22 | |
production process and making a profit | 0:16:22 | 0:16:23 | |
after the hard work of the bees. | 0:16:23 | 0:16:25 | |
Let's highlight that. | 0:16:25 | 0:16:26 | |
It's quite a high concept, | 0:16:26 | 0:16:28 | |
but not all households are as much fun as yours, Romesh, evidently. | 0:16:28 | 0:16:32 | |
Would any of you have used this book to teach their children | 0:16:32 | 0:16:35 | |
about the production of honey and what bees are about, in seriousness? | 0:16:35 | 0:16:39 | |
No. You wouldn't? No. | 0:16:39 | 0:16:40 | |
OK, so, mixed reviews for the book and, if it hadn't been for a | 0:16:40 | 0:16:46 | |
last-minute sale, it might have been Charleine in the boardroom this week. | 0:16:46 | 0:16:49 | |
I'd like to put myself forward as project manager for this. | 0:16:52 | 0:16:55 | |
I'm not going to say I have the best vocabulary or best English skills. | 0:16:55 | 0:16:58 | |
Once there was a busy bee who set out on his first adventure | 0:16:58 | 0:17:02 | |
to find some honey. | 0:17:02 | 0:17:03 | |
But that doesn't rhyme. To find a pot of honey. Does it not? | 0:17:03 | 0:17:06 | |
I think it does. | 0:17:06 | 0:17:07 | |
Who am I speaking to? It's Richard. | 0:17:07 | 0:17:10 | |
I want to hear David swishing and swooshing. Just leave us to it. | 0:17:10 | 0:17:13 | |
Please, Charleine, please, can you just let us get on with it, please. | 0:17:13 | 0:17:19 | |
No, can I hear David swishing and swooshing? | 0:17:19 | 0:17:21 | |
Are you going to be pitching? | 0:17:21 | 0:17:23 | |
Yes, I'm going to be pitching. | 0:17:23 | 0:17:24 | |
Are you sure? I'm doing the pitch. Yeah? Yeah. | 0:17:24 | 0:17:26 | |
OK, but the thing is... OK. | 0:17:26 | 0:17:28 | |
Swishing and swooshing, will little Bizzie ever make his honey? | 0:17:28 | 0:17:33 | |
You needed to take your strongest pitcher | 0:17:33 | 0:17:36 | |
to the most professional people that you were pitching to and you didn't. | 0:17:36 | 0:17:40 | |
Bad management decision there, I think. | 0:17:40 | 0:17:42 | |
That look is called schadenfreude - | 0:17:45 | 0:17:47 | |
or to put it in children's book terms - ha-ha-ha-ha-ha. | 0:17:47 | 0:17:50 | |
On the whole, what was Charleine like as project manager? | 0:17:51 | 0:17:55 | |
If Richard was here, obviously, I'd ask David. | 0:17:55 | 0:17:57 | |
What did we think? | 0:17:59 | 0:18:01 | |
I think, if I had to be told what to do by her, it would frustrate me | 0:18:01 | 0:18:05 | |
a bit, as you could tell, people getting very frustrated | 0:18:05 | 0:18:08 | |
with her, because her way was the only way | 0:18:08 | 0:18:10 | |
and she wouldn't listen to everybody else. | 0:18:10 | 0:18:11 | |
Whereas Sam... And everybody said he was indecisive, | 0:18:11 | 0:18:14 | |
but at least he was listening to his team and being kind and warm | 0:18:14 | 0:18:18 | |
and giving, whereas it was about her, I think, a bit. | 0:18:18 | 0:18:21 | |
You think so? Cressida, what did you think? Well... She did, though. | 0:18:21 | 0:18:25 | |
She came up with, actually, a better idea than the bee idea. Yes. | 0:18:25 | 0:18:29 | |
She came up with the idea about the, erm... Comfort blanket. ..the comfort blanket | 0:18:29 | 0:18:34 | |
and I thought that was... Oh, come on, a story about a blanket. | 0:18:34 | 0:18:38 | |
Who wants to see that? It's better than the bee, trust me. | 0:18:38 | 0:18:41 | |
And she did give way, I think, wrongly, probably, there... | 0:18:41 | 0:18:46 | |
She gave way and she was keen on that bouncing and twirling bit. | 0:18:46 | 0:18:51 | |
Swooshing. Swooshing - which was the only lively bit, | 0:18:51 | 0:18:54 | |
so I think she did listen and I think she saved the day, | 0:18:54 | 0:19:00 | |
as well, by selling all those books to the restaurant. | 0:19:00 | 0:19:02 | |
She got lucky, didn't she? It was luck. | 0:19:02 | 0:19:05 | |
It just felt like, at the last minute, they got a really good bit | 0:19:05 | 0:19:08 | |
of good fortune and ended up winning with an inferior product. | 0:19:08 | 0:19:13 | |
It was good for Charleine, because I think if she hadn't made | 0:19:13 | 0:19:16 | |
that sale, they wouldn't have won and she would have been in trouble. | 0:19:16 | 0:19:19 | |
She'd probably be sat here, instead of me. | 0:19:19 | 0:19:21 | |
You could have been what absolutely saved the day for her. Definitely. | 0:19:21 | 0:19:24 | |
The sub-team seemed very frustrated by her interference | 0:19:24 | 0:19:27 | |
and trying to get David to do the swishing and swirling | 0:19:27 | 0:19:30 | |
thing on the phone. | 0:19:30 | 0:19:33 | |
But in fairness, she was the project manager, | 0:19:33 | 0:19:35 | |
isn't that what she is supposed to do? | 0:19:35 | 0:19:37 | |
But she asked for Richard to be her sub and, then, | 0:19:37 | 0:19:40 | |
she wouldn't listen to anything. It was just to keep him happy. | 0:19:40 | 0:19:43 | |
As well as sidelining Richard, by putting him into the sub-team, | 0:19:43 | 0:19:47 | |
Charleine kept him away from the pitch, which he's really good at. | 0:19:47 | 0:19:51 | |
Do think that she is letting her personal feelings interfere | 0:19:51 | 0:19:55 | |
with her business decisions? Absolutely. | 0:19:55 | 0:19:58 | |
Absolutely. Of course he should have done the pitch. | 0:19:58 | 0:20:00 | |
If he had done the pitch - and he would have won - | 0:20:00 | 0:20:02 | |
then she would have been delighted. If he had lost, | 0:20:02 | 0:20:05 | |
then she could have brought him into the boardroom | 0:20:05 | 0:20:07 | |
and gone for him completely. | 0:20:07 | 0:20:09 | |
OK. Well, Mergim came in for some praise this week from Lord Sugar. | 0:20:09 | 0:20:13 | |
He has already been trying to sell fish in a vegan restaurant. | 0:20:13 | 0:20:16 | |
Now, he has sold several copies of his book to mothers in a focus group. | 0:20:16 | 0:20:20 | |
He is emerging as one of these characters that would try | 0:20:20 | 0:20:23 | |
and sell anything if it wasn't bolted down, wouldn't he? | 0:20:23 | 0:20:25 | |
He a force to contend with, surely, in this process? | 0:20:25 | 0:20:29 | |
I like Mergim. He's got a, sort of, an enthusiasm | 0:20:29 | 0:20:34 | |
and an energy about him and he's always... | 0:20:34 | 0:20:36 | |
He throws himself into everything. I do think that he's... | 0:20:36 | 0:20:40 | |
Richard saying that's a deal. It's not a deal, is it? | 0:20:40 | 0:20:43 | |
It's somebody at a nursery offering you a tenner just to leave. | 0:20:43 | 0:20:45 | |
That is not a cool deal. | 0:20:45 | 0:20:47 | |
But I think actually... Generally speaking, I think he's good. | 0:20:47 | 0:20:50 | |
I think he's a good candidate. | 0:20:50 | 0:20:51 | |
Natalie, how was Mergim? did you get on well with him? | 0:20:51 | 0:20:53 | |
I hope you get to see more of him, | 0:20:53 | 0:20:55 | |
cos he is one of the funniest people I've ever met. | 0:20:55 | 0:20:57 | |
In the first task, we were all - "Who is this idiot?" | 0:20:57 | 0:20:59 | |
We were like, "Who is he? What is wrong with him?" | 0:20:59 | 0:21:01 | |
But then he, kind of, grew on everyone and everyone... | 0:21:01 | 0:21:04 | |
He is so funny. He's just hilarious. | 0:21:04 | 0:21:06 | |
He seemed a good... a good person to have around. | 0:21:06 | 0:21:08 | |
He is. He is great have around. | 0:21:08 | 0:21:10 | |
Throughout the series, | 0:21:10 | 0:21:11 | |
Romesh has been looking into what it might be like to be a candidate. | 0:21:11 | 0:21:14 | |
Romesh, what have you been up to this week? | 0:21:14 | 0:21:16 | |
Well, I saw the task that the candidates did this week | 0:21:16 | 0:21:18 | |
and I thought, because I've got children, | 0:21:18 | 0:21:20 | |
I'm an expert in this area. | 0:21:20 | 0:21:22 | |
So, I decided to come up with an innovative book of my own | 0:21:22 | 0:21:26 | |
and I took to some bookshops, to see how many I could sell. | 0:21:26 | 0:21:28 | |
Let's have a look at how you got on. | 0:21:28 | 0:21:30 | |
Hello. Hello. | 0:21:32 | 0:21:34 | |
I think I've got a once in a lifetime opportunity for you here. | 0:21:34 | 0:21:36 | |
Hello, there. I've put together a book. | 0:21:36 | 0:21:40 | |
OK. | 0:21:40 | 0:21:41 | |
It's called - | 0:21:41 | 0:21:42 | |
Santa Isn't Real. | 0:21:42 | 0:21:43 | |
What do you think of that, as a concept? | 0:21:44 | 0:21:46 | |
It's shocking and it looks appalling. | 0:21:46 | 0:21:49 | |
Santa Isn't Real. That's the truth, kids. | 0:21:50 | 0:21:52 | |
Have you seen the film, The Matrix? | 0:21:52 | 0:21:55 | |
And I'm unplugging them from the Santa Matrix. | 0:21:55 | 0:21:59 | |
Right in the middle of the pitch, it seems to be going pretty well. | 0:21:59 | 0:22:02 | |
She is a little bit annoyed that I've stepped outside to talk to you, | 0:22:02 | 0:22:05 | |
but it's just... I'm excited. | 0:22:05 | 0:22:07 | |
Let's just cut to the chase. How many books would you like? | 0:22:07 | 0:22:09 | |
None at all, thank you very much. | 0:22:09 | 0:22:11 | |
Let's say, 20 books to start you off. | 0:22:11 | 0:22:14 | |
It's a deal, it's a done deal. | 0:22:14 | 0:22:16 | |
It's a done deal. You're robbing me. No way. | 0:22:16 | 0:22:18 | |
So, you just want a small order? Erm, no, not really. | 0:22:18 | 0:22:21 | |
What about five, just to get you started? | 0:22:21 | 0:22:23 | |
Erm, no, I don't really think so. | 0:22:23 | 0:22:27 | |
What if I lent you one | 0:22:27 | 0:22:29 | |
and you see if there is any interest in it? | 0:22:29 | 0:22:33 | |
This could be the next | 0:22:33 | 0:22:35 | |
Harry Potter. | 0:22:35 | 0:22:36 | |
What about if you just put one just here? | 0:22:38 | 0:22:40 | |
Absolutely not. Goodbye. | 0:22:40 | 0:22:43 | |
Thank you, but, er, no thank you. | 0:22:43 | 0:22:45 | |
I think you're making a mistake, Simon. | 0:22:45 | 0:22:48 | |
You'll regret this, Geraldine. | 0:22:48 | 0:22:49 | |
I very much doubt it. | 0:22:49 | 0:22:51 | |
LAUGHTER | 0:22:53 | 0:22:55 | |
You could see they were tempted. | 0:22:59 | 0:23:01 | |
I've come up with a whole range, actually. | 0:23:01 | 0:23:03 | |
Just to give kids a real idea of what life is really like. | 0:23:03 | 0:23:07 | |
Here's the next one in the series. | 0:23:07 | 0:23:08 | |
You Will Never Be Truly Happy. | 0:23:08 | 0:23:10 | |
Wow. And then I decided to come up with one that sort of helps | 0:23:12 | 0:23:16 | |
the parents, as well as the kids. | 0:23:16 | 0:23:18 | |
You know you have films that work for parents as well as kids. | 0:23:18 | 0:23:20 | |
It's educational, as well as entertaining. | 0:23:20 | 0:23:23 | |
It's called Mummy, Why Am I So Annoying? | 0:23:23 | 0:23:25 | |
Natalie, what you think of Romesh's book? | 0:23:27 | 0:23:30 | |
Actually, don't tell me in words. I want you to tell me | 0:23:30 | 0:23:33 | |
using one of your famous facial expressions. | 0:23:33 | 0:23:36 | |
So, is it Number 1 - | 0:23:36 | 0:23:37 | |
A bit rubbish, but Romesh is in the room, so I can't really say. | 0:23:37 | 0:23:40 | |
Or Number 2 - I'm glad I don't have to work with him, like you do, Jack. | 0:23:40 | 0:23:44 | |
Or Number 3 - What you mean, the shredder is broken? | 0:23:44 | 0:23:48 | |
It is, kind of, a combination of all three, I'd say. | 0:23:48 | 0:23:51 | |
Yeah, fair comments on that one. | 0:23:51 | 0:23:52 | |
So, Natalie, sadly, Lord Sugar isn't going to be investing | 0:23:52 | 0:23:56 | |
in your business plan, but he has got some advice for you in the future. | 0:23:56 | 0:23:59 | |
Let's have a look at what he has to say. | 0:23:59 | 0:24:01 | |
I do like the way that Natalie sees things and actually sees them | 0:24:02 | 0:24:06 | |
as they are and tells them as they are. | 0:24:06 | 0:24:09 | |
But in some cases, she was a little bit to blunt. | 0:24:09 | 0:24:12 | |
Throughout the period of time that Natalie was in the process, | 0:24:12 | 0:24:15 | |
she claimed she was a great pitcher and presenter | 0:24:15 | 0:24:19 | |
and I think, in the task on selling the books, she was very, very bad. | 0:24:19 | 0:24:24 | |
And it was one of the reasons that led me to let Natalie go. | 0:24:24 | 0:24:29 | |
Looking forwards, I think she really does need to brush up on those | 0:24:29 | 0:24:32 | |
skills and she needs to develop a little bit more diplomacy. | 0:24:32 | 0:24:36 | |
So, Natalie, what do you think? Which parts of that would you | 0:24:38 | 0:24:40 | |
take on board. Which part of that advice would you go for? | 0:24:40 | 0:24:44 | |
Mainly, to be less blunt. Where would you have changed that? | 0:24:44 | 0:24:47 | |
Maybe when I was just responding to questions, I was very closed | 0:24:47 | 0:24:50 | |
with how I responded and I should have been more open, I think, | 0:24:50 | 0:24:53 | |
and look more like I was willing to take on board advice, rather than | 0:24:53 | 0:24:55 | |
be like, "OK, whatever". | 0:24:55 | 0:24:57 | |
It is time to find out whether we agree that Natalie was the right | 0:24:57 | 0:24:59 | |
person to be fired tonight. | 0:24:59 | 0:25:01 | |
Cressida, do you think Lord Sugar was right to fire Natalie at this point? | 0:25:01 | 0:25:04 | |
Well, just because I really didn't want him to fire Sam, | 0:25:06 | 0:25:12 | |
because I thought that it was a good book | 0:25:12 | 0:25:15 | |
and it was a travesty that you lost, your team lost. | 0:25:15 | 0:25:18 | |
So, yes, I would have fired you. | 0:25:18 | 0:25:21 | |
Gaby? | 0:25:21 | 0:25:22 | |
Meeting you in real life, you are a joy and charming | 0:25:22 | 0:25:26 | |
but I'm afraid I do think he was right, because of the pitching. | 0:25:26 | 0:25:29 | |
I do apologise. No, I agree. | 0:25:29 | 0:25:32 | |
And last, but... Well, last - Romesh. | 0:25:32 | 0:25:34 | |
LAUGHTER | 0:25:34 | 0:25:35 | |
I don't think you should have been fired. I'm very surprised. | 0:25:37 | 0:25:40 | |
I think you had a bad pitch, but I thought that Sam... | 0:25:40 | 0:25:43 | |
as much as I like him, I think his poor direction, | 0:25:43 | 0:25:46 | |
in terms of the business side of things, is what let the team down. | 0:25:46 | 0:25:50 | |
Interesting. Good comment. | 0:25:50 | 0:25:51 | |
And so to the audience. Folks, if you agree with Lord Sugar, | 0:25:51 | 0:25:54 | |
hold up Fired. If you disagree, hold up Hired. | 0:25:54 | 0:25:57 | |
DRAMATIC MUSIC | 0:25:57 | 0:25:59 | |
That is looking pretty much like a Fired, Natalie, though... | 0:26:02 | 0:26:06 | |
There is quite a big support group behind you, though. My grandma. | 0:26:06 | 0:26:09 | |
Your grandmother. She has been threatening people on your behalf, has she? | 0:26:09 | 0:26:13 | |
Natalie, we are really sorry to be losing you from The Apprentice, | 0:26:13 | 0:26:16 | |
cos you've been a great candidate | 0:26:16 | 0:26:18 | |
and a great character to follow and a wonderful guest on You're Fired. | 0:26:18 | 0:26:21 | |
As you know, nobody leaves You're Fired empty-handed | 0:26:21 | 0:26:25 | |
and, in the hopes that we could get just maybe one | 0:26:25 | 0:26:28 | |
more of your wonderful facial expressions... Oh, God. | 0:26:28 | 0:26:30 | |
..I prepared this for you. | 0:26:30 | 0:26:32 | |
Good Lord. | 0:26:34 | 0:26:35 | |
Well, I did it. Don't laugh. | 0:26:35 | 0:26:37 | |
I don't really know what to say. | 0:26:37 | 0:26:40 | |
Thanks? That's for you. | 0:26:40 | 0:26:41 | |
Natalie, you have given us some great moments. | 0:26:41 | 0:26:43 | |
Let's have a look at your highlights. | 0:26:43 | 0:26:46 | |
# I really, really, really, really, really like you. # | 0:26:46 | 0:26:49 | |
Lots of people have ideas, but ideas don't move mountains. | 0:26:49 | 0:26:51 | |
It's bulldozers that do that and I'd describe myself as a bulldozer. | 0:26:51 | 0:26:55 | |
Don't pull that face. | 0:26:55 | 0:26:56 | |
She is just so funny, she has got an opinion about everybody, | 0:26:56 | 0:26:59 | |
but does it in a humorous way. Yeah, I really like Natalie. | 0:26:59 | 0:27:03 | |
Quatre. S'il vous plait? | 0:27:03 | 0:27:05 | |
Natalie is the biggest talker I've ever met in my life. | 0:27:05 | 0:27:09 | |
She, literally, goes to bed talking | 0:27:09 | 0:27:11 | |
and, before she is even awake in the morning, | 0:27:11 | 0:27:13 | |
her mouth opens and the words start formulating. It's hilarious. | 0:27:13 | 0:27:16 | |
I made sushi, I never thought I'd do that. | 0:27:16 | 0:27:18 | |
Natalie is cuckoo. | 0:27:18 | 0:27:20 | |
You can tell she is happy. She is a lovely, lovely person. | 0:27:20 | 0:27:23 | |
APPLAUSE | 0:27:27 | 0:27:28 | |
That was nice. Ladies and gentlemen, Natalie Dean. | 0:27:28 | 0:27:31 | |
That's all for tonight, thank you to Cressida, Gaby and of course Romesh. | 0:27:34 | 0:27:37 | |
So, it on to task number six for our candidates. | 0:27:37 | 0:27:41 | |
Any business partner of mine | 0:27:41 | 0:27:42 | |
needs to know that making money involves hard work. | 0:27:42 | 0:27:46 | |
You go like this. Sshhhh. | 0:27:46 | 0:27:48 | |
# I want to build you up. # | 0:27:48 | 0:27:50 | |
I can just about put together some flatpack furniture. Great. | 0:27:50 | 0:27:52 | |
If we get this bid, do we have to do it? | 0:27:52 | 0:27:55 | |
I propose it's easier to just paint the walls, mate. | 0:27:56 | 0:27:58 | |
You've missed the deadline. | 0:27:58 | 0:28:00 | |
We're not arguing about it. Listen, guys, we're cracking on with it. | 0:28:00 | 0:28:03 | |
How much? ?500. How'd you come to that? | 0:28:03 | 0:28:06 | |
What a complete waste of time. | 0:28:06 | 0:28:08 | |
I think they're meant to be like this. | 0:28:08 | 0:28:10 | |
We're just going to gut it out. | 0:28:10 | 0:28:11 | |
There's a fork there which you might find useful. Wow. | 0:28:11 | 0:28:14 | |
It could be a disaster. | 0:28:14 | 0:28:16 | |
I need some help with the weeding. I need some help with the bush, | 0:28:16 | 0:28:19 | |
there's too much bush. Voila. | 0:28:19 | 0:28:20 | |
He's got the right to say, it was an incomplete job, | 0:28:20 | 0:28:23 | |
I'm not going to pay you. | 0:28:23 | 0:28:24 | |
We've painted over somebody's cat. LAUGHTER | 0:28:24 | 0:28:28 | |
I cannot wait and if you missed any episodes of The Apprentice, | 0:28:28 | 0:28:31 | |
Matt Edmondson has made a handy round-up of the series so far | 0:28:31 | 0:28:34 | |
on BBC iPlayer. | 0:28:34 | 0:28:36 | |
We will be back next Wednesday at 10pm, for more You're Fired | 0:28:36 | 0:28:38 | |
when, alongside Romesh, I'll be joined by international | 0:28:38 | 0:28:41 | |
entrepreneur, Lara Morgan and comedian Joe Lycett. Good night. | 0:28:41 | 0:28:44 | |
Battery life on smartphones is the best thing about them, | 0:29:19 | 0:29:22 | |
cos when the battery runs out, then I'll interact with my kids. | 0:29:22 | 0:29:25 | |
We're down the park, I'm like, "Well, that's run out. | 0:29:25 | 0:29:27 | |
"Better find out where they're going with those old men." | 0:29:27 | 0:29:30 |