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Useless. Totally, absolutely useless. | 0:00:02 | 0:00:04 | |
I feel so angry. | 0:00:04 | 0:00:06 | |
I can't put up with loose canons. | 0:00:06 | 0:00:08 | |
You're fired. | 0:00:08 | 0:00:09 | |
You're fired. | 0:00:09 | 0:00:10 | |
You're fired. | 0:00:10 | 0:00:12 | |
CHEERING AND APPLAUSE | 0:00:12 | 0:00:14 | |
Ah! | 0:00:23 | 0:00:25 | |
Good evening. Good evening and welcome to You're Fired. | 0:00:27 | 0:00:30 | |
I'm Rhod Gilbert. | 0:00:30 | 0:00:31 | |
In this week's task, | 0:00:31 | 0:00:32 | |
the six remaining candidates competing for | 0:00:32 | 0:00:34 | |
a £250,000 investment from Lord Sugar were tasked with | 0:00:34 | 0:00:37 | |
creating a new gin brand and bringing it to market. | 0:00:37 | 0:00:41 | |
A mammoth task, then, which Grainne managed to sum up perfectly. | 0:00:41 | 0:00:45 | |
I-I keep forgetting I don't want it... I want it to... but I thi-think... | 0:00:45 | 0:00:49 | |
I need to stop drinking this. | 0:00:49 | 0:00:52 | |
In Apprentice news tonight... | 0:00:52 | 0:00:55 | |
BELL CHIMES | 0:00:55 | 0:00:56 | |
The girls go through Claude's man-bag and find his aftershave. | 0:00:56 | 0:01:00 | |
Ooh! | 0:01:00 | 0:01:02 | |
LAUGHTER | 0:01:02 | 0:01:04 | |
Grainne regrets giving her mobile number to Karthik before he was fired. | 0:01:04 | 0:01:08 | |
19 missed calls? | 0:01:08 | 0:01:10 | |
LAUGHTER | 0:01:10 | 0:01:11 | |
And Trishna demonstrates why she lost her job at the library. | 0:01:11 | 0:01:14 | |
What they really want more than anything is | 0:01:14 | 0:01:16 | |
a drink that means something. | 0:01:16 | 0:01:18 | |
It takes them on a journey... | 0:01:18 | 0:01:19 | |
CLATTERING ..of taste, so we've developed a journey of taste for them | 0:01:19 | 0:01:22 | |
within our brand. It's about rejuvenation... | 0:01:22 | 0:01:25 | |
CLATTERING ..excitement and spices. | 0:01:25 | 0:01:27 | |
LAUGHTER | 0:01:27 | 0:01:28 | |
And Karren tries to explain why Donald Trump's face looks that way. | 0:01:28 | 0:01:32 | |
The colouring came from natural orange peel. Well, it didn't. | 0:01:32 | 0:01:35 | |
It was added in as an additive, | 0:01:35 | 0:01:36 | |
to turn it that sort of strange tangerine colour. | 0:01:36 | 0:01:40 | |
And that is tonight's Apprentice news. | 0:01:42 | 0:01:44 | |
CHEERING AND APPLAUSE | 0:01:44 | 0:01:46 | |
Let's meet our panel, ready to distil this week's gin task | 0:01:50 | 0:01:53 | |
until their mouths go dry and their heads hurt. | 0:01:53 | 0:01:55 | |
International entrepreneur Frances Dickens, | 0:01:55 | 0:01:57 | |
broadcaster and Apprentice fan Sara Cox and comedian Nathan Caton. | 0:01:57 | 0:02:00 | |
Welcome to You're Fired. | 0:02:00 | 0:02:02 | |
APPLAUSE | 0:02:02 | 0:02:04 | |
So the latest candidate to get slung out the saloon doors of | 0:02:07 | 0:02:11 | |
the Apprentice was poor Trishna. | 0:02:11 | 0:02:14 | |
Trishna, the failure of this task has a lot to do with the colour, | 0:02:14 | 0:02:18 | |
and that was down to you, | 0:02:18 | 0:02:20 | |
so it is with regret, Trishna, that you're fired. | 0:02:20 | 0:02:24 | |
No problem. | 0:02:25 | 0:02:26 | |
Please welcome Trishna Thakrar. | 0:02:36 | 0:02:38 | |
CHEERING AND APPLAUSE | 0:02:38 | 0:02:40 | |
Listen to that! Listen to that! How amazing. | 0:02:45 | 0:02:48 | |
Have a seat. | 0:02:48 | 0:02:49 | |
What a response! | 0:02:52 | 0:02:54 | |
Listen to that - whoops, cheers...! | 0:02:56 | 0:02:59 | |
-What a response. Hear that? -Yeah, amazing response. Thanks, guys. | 0:02:59 | 0:03:02 | |
That's got to feel quite good, hearing that. | 0:03:02 | 0:03:04 | |
Yeah, amazing, I think. Obviously gutted, but really good response. | 0:03:04 | 0:03:07 | |
Every week I sit here going, | 0:03:07 | 0:03:09 | |
"She said some sensible things," and then here you are. | 0:03:09 | 0:03:11 | |
I didn't expect you to be here. | 0:03:11 | 0:03:13 | |
-I didn't expect to be here, either, to be honest. -No. | 0:03:13 | 0:03:15 | |
I think that I obviously had some suggestions or things | 0:03:15 | 0:03:19 | |
that I thought we should do that didn't quite work out and I think | 0:03:19 | 0:03:21 | |
that was probably ultimately why I got fired, mainly because of the | 0:03:21 | 0:03:24 | |
colour and that was my suggestion so can't really complain in that sense. | 0:03:24 | 0:03:27 | |
-Hm. -But I just feel, like, throughout the process, | 0:03:27 | 0:03:30 | |
I'd done more and shown more | 0:03:30 | 0:03:31 | |
than maybe Grainne, and I felt, like, that... | 0:03:31 | 0:03:33 | |
LAUGHTER | 0:03:33 | 0:03:36 | |
Just pluck a name from the air. | 0:03:36 | 0:03:38 | |
Maybe Grainne, perhaps. | 0:03:38 | 0:03:40 | |
So, yeah, I was disappointed, but looking at it, | 0:03:40 | 0:03:43 | |
-I can see the reasons why I was fired. -Yeah. | 0:03:43 | 0:03:45 | |
Frances, you've been in a lot of boardrooms in your time. | 0:03:45 | 0:03:49 | |
Ever seen one as blame-me as that? It got very blame-me, didn't it? | 0:03:49 | 0:03:53 | |
Yeah, it did, yeah. Well, thankfully, no, I haven't. | 0:03:53 | 0:03:56 | |
These guys are in a really super-heated situation | 0:03:56 | 0:03:59 | |
and they're literally fighting for their lives, but I think, | 0:03:59 | 0:04:02 | |
in the real world, you would definitely try and not let things | 0:04:02 | 0:04:06 | |
-escalate to the level where your boardroom's becoming a complete war zone. -Yeah. | 0:04:06 | 0:04:10 | |
Sara, could you handle that pressure? | 0:04:10 | 0:04:12 | |
I couldn't handle that pressure, no. | 0:04:12 | 0:04:14 | |
I mean, at Radio 2, it's a nice lady smiling at me | 0:04:14 | 0:04:16 | |
through some glass and we might put the kettle on and have a biscuit. | 0:04:16 | 0:04:20 | |
I mean, I couldn't sit in that boardroom... | 0:04:20 | 0:04:22 | |
But you've got five million people listening while you're having a biscuit. | 0:04:22 | 0:04:25 | |
Yeah, but it is relaxing cos you're essentially there just talking to them through a microphone. | 0:04:25 | 0:04:29 | |
You're not seeing the sort of whites of their eyes. | 0:04:29 | 0:04:32 | |
There's been quite a few tears this series, and I'm not surprised, | 0:04:32 | 0:04:35 | |
-cos I think I would dissolve into tears. -I haven't cried. | 0:04:35 | 0:04:39 | |
-You've not cried? -All right. | 0:04:39 | 0:04:41 | |
When Trishna was fired, Nathan, she said, "No problem." | 0:04:41 | 0:04:45 | |
It looked quite casual. How would you feel in that situation? | 0:04:45 | 0:04:48 | |
Er...I think I would've been a bit more...bit more rational. | 0:04:48 | 0:04:50 | |
You know, like, if Lord Sugar went, "Nathan, you're fired," | 0:04:50 | 0:04:53 | |
I would have been like, "Yeah? Your mum's fired!" | 0:04:53 | 0:04:56 | |
LAUGHTER | 0:04:56 | 0:04:58 | |
Very cool. Very cool lady. | 0:04:58 | 0:05:00 | |
Thanks. | 0:05:00 | 0:05:01 | |
Courtney and Nebula had a jolly good knees-up while | 0:05:01 | 0:05:03 | |
Grainne's Titans were left looking like a sticky pub carpet. | 0:05:03 | 0:05:06 | |
Let's see where it went wrong. | 0:05:06 | 0:05:07 | |
Who decided to make it coloured? | 0:05:07 | 0:05:10 | |
-We should look at maybe doing orange as the colour of the gin. -Yeah. | 0:05:10 | 0:05:13 | |
-With the taste of the spices, it will fit really well. -Yeah. | 0:05:13 | 0:05:16 | |
The colour of the liquid looks a bit like, you know, | 0:05:16 | 0:05:19 | |
a Scottish soft drink. | 0:05:19 | 0:05:21 | |
We wouldn't want to take away the colour - that is what the brand is all about. | 0:05:21 | 0:05:24 | |
This colour cost them orders. | 0:05:24 | 0:05:26 | |
If you don't think that what's going to happen is effective, tell her! | 0:05:26 | 0:05:29 | |
I just felt that that pitch didn't go very well because... | 0:05:29 | 0:05:32 | |
Why don't you tell her yourself? | 0:05:32 | 0:05:34 | |
I think the problems with the last pitch, we do need to learn... | 0:05:34 | 0:05:37 | |
-There's an absolute lack of structure. -What? | 0:05:37 | 0:05:39 | |
She really created an atmosphere. | 0:05:39 | 0:05:41 | |
Trishna, bad moods, having the hump...that's not the calibre | 0:05:41 | 0:05:46 | |
of person that I could work with. | 0:05:46 | 0:05:49 | |
Oooh! Bad moods, hump, atmosphere. | 0:05:49 | 0:05:54 | |
On the morning of the second day, Grainne said you were in a honking mood, Karren said you were furious. | 0:05:54 | 0:05:58 | |
What was the situation? | 0:05:58 | 0:06:00 | |
I just think I was...I went into day two feeling like we'd already lost, | 0:06:00 | 0:06:04 | |
and I just feel that that took an affect on my mood | 0:06:04 | 0:06:07 | |
and I just felt that obviously the ingredients didn't go on the bottle | 0:06:07 | 0:06:10 | |
and I just felt that the day didn't go well. | 0:06:10 | 0:06:13 | |
I wasn't sure whether you were frustrated with how things | 0:06:13 | 0:06:16 | |
-were going or whether you were just hungover, to be honest. -Yeah. It just... | 0:06:16 | 0:06:22 | |
-Was there a bit of that? -Maybe! | 0:06:22 | 0:06:24 | |
Do you know, in the supermarket pitch, Frances said, "Oh, we can change the colour." | 0:06:24 | 0:06:29 | |
-Then you said, "Oh, no, the colour is a key element of the brand. We're not changing that." -Yeah. | 0:06:29 | 0:06:35 | |
Did you think that was, in retrospect, perhaps the wrong thing to do, | 0:06:35 | 0:06:38 | |
-to contradict her like that? -I still don't think so. | 0:06:38 | 0:06:41 | |
If you're going to go in with a product that you believe in, that you've created, | 0:06:41 | 0:06:44 | |
you can't just go in to a pitch and say, "If you don't like that, we'll change it." | 0:06:44 | 0:06:48 | |
But once she's already said that, can you then come back... | 0:06:48 | 0:06:51 | |
But the other lady said, "If you're going to change the colour, what's your brand all about?" | 0:06:51 | 0:06:55 | |
Which is right. What have you gone in there to pitch if you're just going to change everything? | 0:06:55 | 0:06:58 | |
So maybe I was wrong, but I think that I still should have said that. | 0:06:58 | 0:07:02 | |
Frances, where do you stand on that one? | 0:07:02 | 0:07:04 | |
You should've spent some time brainstorming what are the things they're likely to ask, | 0:07:04 | 0:07:08 | |
how are we going to deal with it, | 0:07:08 | 0:07:10 | |
and probably more importantly, | 0:07:10 | 0:07:12 | |
-who is going to deal with those kind of questions. -Questions, yeah. | 0:07:12 | 0:07:15 | |
For me, that should have been Grainne. | 0:07:15 | 0:07:17 | |
She's the PM, she should have stepped in and dealt with that. | 0:07:17 | 0:07:20 | |
They were too busy, though, because they had to rehearse their Beyonce thing with... | 0:07:20 | 0:07:23 | |
# Who runs the world? Girls. Who runs the world? Girls. # | 0:07:23 | 0:07:28 | |
Talking of the pitches, Sara, did you enjoy, as I did, | 0:07:28 | 0:07:31 | |
the wonderful comedy sketch of Frances trying to deliver | 0:07:31 | 0:07:35 | |
a pitch while Trishna got...stormed around in the background?! | 0:07:35 | 0:07:38 | |
It was like someone had pushed a drum kit down a flight of stairs. | 0:07:38 | 0:07:42 | |
And also, in a past series of The Apprentice, | 0:07:42 | 0:07:45 | |
does anyone remember when someone was stabbing that microwave meal? | 0:07:45 | 0:07:50 | |
Like tok-tok-tok-tok-tok-tok-tok. Tok-tok-tok. | 0:07:50 | 0:07:55 | |
And it was that similar thing, like, "Really, is this happening?!" It was brilliant. | 0:07:55 | 0:07:58 | |
It was like a one-man band in the background. What was going on back there?! | 0:07:58 | 0:08:02 | |
Cos I opened the ice box, ready to make the cocktail, | 0:08:02 | 0:08:04 | |
which I had to make in time whilst Frances was delivering | 0:08:04 | 0:08:07 | |
her part of the pitch and I opened it, and I'm not joking, | 0:08:07 | 0:08:10 | |
it was like it was coated in duct tape. | 0:08:10 | 0:08:13 | |
The stuff was wrapped so much, I couldn't get it out! | 0:08:13 | 0:08:16 | |
I just couldn't get it out, and I was trying... | 0:08:16 | 0:08:18 | |
By the time I got it out, she'd finished! | 0:08:18 | 0:08:20 | |
You were like two men unloading a truck in the background. | 0:08:20 | 0:08:23 | |
I had such a small space as well, and then I just was trying | 0:08:23 | 0:08:27 | |
to get it out, everything was falling, it was just a catastrophe. | 0:08:27 | 0:08:30 | |
Well, there can only be one winner of The Apprentice, | 0:08:30 | 0:08:32 | |
and tension has been mounting in the house over the last few weeks. | 0:08:32 | 0:08:35 | |
As this bit of unseen footage shows, the candidates have been | 0:08:35 | 0:08:38 | |
employing all sorts of mind games to freak each other out. | 0:08:38 | 0:08:42 | |
LAUGHTER | 0:08:51 | 0:08:53 | |
HE MUTTERS | 0:08:53 | 0:08:55 | |
I mean, that clearly worked on Sofiane. He's gone! | 0:08:59 | 0:09:02 | |
Who was going to be next on your hit li... Was there a lot of pranks? | 0:09:02 | 0:09:05 | |
-Cos we get a very serious side sometimes. -Yeah. | 0:09:05 | 0:09:08 | |
-Is there a lot of fun and games in the house? -Yeah, definitely. | 0:09:08 | 0:09:11 | |
I think the mood and everything came across on that task, but I'm not a moody person at all | 0:09:11 | 0:09:15 | |
and I know how to have a laugh and in the house, yeah, | 0:09:15 | 0:09:17 | |
I was very much a sort of prankster and, yeah, made people laugh. | 0:09:17 | 0:09:20 | |
Right. We're going to talk about your product, the Colony Gin, the famous Colony Gin. | 0:09:20 | 0:09:25 | |
This is it. Um... Why this colour? | 0:09:25 | 0:09:29 | |
I don't know. I don't really know about gin. | 0:09:29 | 0:09:32 | |
If I knew, I probably wouldn't have done that, but I thought it'd make it a bit unique, | 0:09:32 | 0:09:36 | |
stand out and I thought, "Let's make it a colour." It was a suggestion I gave to the project manager, | 0:09:36 | 0:09:40 | |
"Shall we make it a colour?", and she said, "Yeah." So had she been like, "No," we would have been... | 0:09:40 | 0:09:44 | |
-Grainne agreed. -Yeah, she said, "Let's do it." | 0:09:44 | 0:09:47 | |
-I think the time you talked about getting the colour with the spices and the brand and sort of... -Yeah. | 0:09:47 | 0:09:51 | |
We thought there were going to be spices from different parts of the world and things like that, | 0:09:51 | 0:09:55 | |
and I thought it tied in quite well to make it a colour. | 0:09:55 | 0:09:57 | |
Frances, Trishna was, you know, | 0:09:57 | 0:10:00 | |
fired in large part cos of the colour of this, | 0:10:00 | 0:10:02 | |
but there's a lot of sense in what she's saying, isn't there, that you've got the spices, | 0:10:02 | 0:10:05 | |
you've got...you know...why not have to follow through the brand with the colour? Why not? | 0:10:05 | 0:10:10 | |
I think there is. | 0:10:10 | 0:10:12 | |
It's just such a horrible colour, which I hate, | 0:10:12 | 0:10:15 | |
and the other problem is they didn't really follow through. | 0:10:15 | 0:10:18 | |
They talked about having an orange and brown label, as well. | 0:10:18 | 0:10:22 | |
I don't see any orange and brown on that label. | 0:10:22 | 0:10:24 | |
And then I also hated the shape of the bottle, so... | 0:10:24 | 0:10:27 | |
-It's not great so far. -No! | 0:10:29 | 0:10:32 | |
-Sara, you famously enjoyed a party... -Yes. | 0:10:32 | 0:10:37 | |
..in times gone by. | 0:10:37 | 0:10:38 | |
In my 20s, I used to take the odd dry sherry like Emily Bishop on Corrie. | 0:10:38 | 0:10:43 | |
-I do like... -Would that have put you off, the colour? | 0:10:43 | 0:10:45 | |
You know what? I don't like the colour. | 0:10:45 | 0:10:47 | |
It reminds me a little bit of the water that... | 0:10:47 | 0:10:50 | |
If you was to sluice down a spray-tan booth, | 0:10:50 | 0:10:53 | |
I think that would be the water that would be trickling away afterwards. | 0:10:53 | 0:10:57 | |
OK, I've got the other product here. Courtney's team and his "giin". | 0:10:57 | 0:11:02 | |
I found the whole thing a bit odd. | 0:11:02 | 0:11:04 | |
The concept of it was...seemed to be this revolutionary new idea | 0:11:04 | 0:11:08 | |
that it was...a drink that...a gin that you could drink... | 0:11:08 | 0:11:11 | |
I think Jessica said, "Literally with your friends." | 0:11:11 | 0:11:14 | |
-Yeah. -I was thinking, "Is that going to work, like, a social thing?" | 0:11:14 | 0:11:17 | |
What? Hang on a minute. What, like...? | 0:11:17 | 0:11:19 | |
I can't see booze working in that environment. | 0:11:19 | 0:11:21 | |
A gin you can have in the shed on your own, of course! | 0:11:21 | 0:11:24 | |
I use mine in the toilet cistern, drink at work at lunchtimes... | 0:11:24 | 0:11:27 | |
A drink you could literally drink in a social...almost like a pub, really. | 0:11:27 | 0:11:32 | |
Can you see that happening? | 0:11:32 | 0:11:33 | |
Yeah, I never thought of that, so hang on a minute... | 0:11:33 | 0:11:37 | |
Yeah, so you'd be together with your mates and somebody would, | 0:11:37 | 0:11:40 | |
I suppose, say, "Anybody want a drink?" and you'd all go, "Yeah!" | 0:11:40 | 0:11:43 | |
It's new, out there... Have you ever heard of this, Nathan? | 0:11:43 | 0:11:47 | |
Could you imagine a drink taking off in that way in a social environment? | 0:11:47 | 0:11:51 | |
-No. -No. But you like the concept? -Yeah, I liked it. | 0:11:51 | 0:11:56 | |
I think I would have liked it if there were three "I"s, not just two. | 0:11:56 | 0:11:59 | |
Oh, yeah, but then it would've taken all day to pronounce. | 0:11:59 | 0:12:02 | |
It was long enough. "Would you like a giiiiiin? | 0:12:02 | 0:12:05 | |
"What's that? Happy hour's finished? Oh, bugger!" | 0:12:05 | 0:12:08 | |
Get that out the way for the moment. | 0:12:08 | 0:12:10 | |
In hindsight, given that they ended up with | 0:12:10 | 0:12:12 | |
a map of Africa when they were talking about India, | 0:12:12 | 0:12:15 | |
and a slightly controversial brand based on the Colonies, | 0:12:15 | 0:12:19 | |
Nathan, was it a mistake to let Frances do the branding on her own? | 0:12:19 | 0:12:22 | |
She said she got an A-star in Geography, apparently. | 0:12:22 | 0:12:25 | |
INAUDIBLE | 0:12:25 | 0:12:29 | |
It's also the name, as well, it's like, | 0:12:30 | 0:12:33 | |
who was the target audience with that name, Colony? | 0:12:33 | 0:12:35 | |
Cos I can't imagine me and my West Indian family going like, | 0:12:35 | 0:12:38 | |
"Hey, guys, let's have some Colony." | 0:12:38 | 0:12:40 | |
No, I can't imagine you, either. | 0:12:41 | 0:12:44 | |
-This bloke that went round getting these spices from "afar"... -Yeah. | 0:12:47 | 0:12:52 | |
-Was meant to be, like, India, Africa. -Yeah. -But... -Africa, mainly, by the look of it. -Yeah. | 0:12:52 | 0:12:57 | |
Also, it's weird, cos Frances is so young, so the minute she went, | 0:12:59 | 0:13:02 | |
"Colony Gin" it was weird cos you'd expect, like, | 0:13:02 | 0:13:05 | |
a 90-year-old Tory peer to go, "Colony Gin. The good old days." | 0:13:05 | 0:13:11 | |
She's so young, and where did that come from? | 0:13:11 | 0:13:13 | |
It was quite an odd brand for young people to come up with. | 0:13:13 | 0:13:16 | |
-I think the whole thing was very odd, frankly, yeah! -Yeah. | 0:13:16 | 0:13:19 | |
It does stand out. | 0:13:19 | 0:13:20 | |
I mean, it would stand out on the shelf and you might go, | 0:13:20 | 0:13:22 | |
-"Ooh, what's that?" But I'm not sure you're going to want to drink it. -Yeah. | 0:13:22 | 0:13:26 | |
There were just six hardy souls left going into this week's task, | 0:13:26 | 0:13:29 | |
but Frances found herself up against her foe, | 0:13:29 | 0:13:32 | |
more formidable than any Apprentice candidate. | 0:13:32 | 0:13:35 | |
I can honestly put my hands up and say I've tried a lot of gin. | 0:13:35 | 0:13:38 | |
Oh! | 0:13:42 | 0:13:43 | |
I'm going to try my team, see if we can hear from them. | 0:13:44 | 0:13:48 | |
'This is the Vodafone voice...' | 0:13:49 | 0:13:51 | |
PHONE CUTS OUT | 0:13:51 | 0:13:53 | |
That's quite nice, isn't it? | 0:13:53 | 0:13:55 | |
-'This is the Vodaf...' -Why does my team ignore me? | 0:13:55 | 0:14:00 | |
-Oh. That makes you... -No-one's answering my calls whatsoever. | 0:14:01 | 0:14:07 | |
-Really tastes like... -So nice! | 0:14:07 | 0:14:10 | |
'This is the Vodafone...' | 0:14:10 | 0:14:12 | |
No-one's really listening to me today and it's actually starting to really piss me off. | 0:14:12 | 0:14:15 | |
-Can I get a Colony Spice, please? -Make that two. | 0:14:15 | 0:14:18 | |
So there's five minutes going till the deadline, | 0:14:20 | 0:14:22 | |
God knows what they are doing. | 0:14:22 | 0:14:24 | |
19 missed calls? | 0:14:24 | 0:14:25 | |
APPLAUSE DROWNS OUT SPEECH | 0:14:29 | 0:14:31 | |
Let's talk about the product itself, then. | 0:14:31 | 0:14:34 | |
I'll have a Colony Gin, please. I'm going to give it a little whirl. | 0:14:34 | 0:14:38 | |
I've seen how you do gin tasting. | 0:14:38 | 0:14:40 | |
I've watched you and Grainne, the experts. | 0:14:40 | 0:14:43 | |
Ah. It is spicy. Oh, they're from afar, aren't they, the spices? | 0:14:48 | 0:14:52 | |
Oh, definitely... Don't worry! Stop writing. | 0:14:52 | 0:14:54 | |
Put your pens down, Tunbridge Wells. We swapped the bottles. | 0:14:54 | 0:14:58 | |
That is a fizzy Scottish soft drink. | 0:14:58 | 0:15:00 | |
Although it has gone to my head a bit, I'll level with you. | 0:15:00 | 0:15:03 | |
Why didn't you spit it out when you were trying it? The other team... | 0:15:03 | 0:15:06 | |
I don't know if you noticed... | 0:15:06 | 0:15:08 | |
Yeah, I just felt like, unless I swallowed it, | 0:15:08 | 0:15:10 | |
I wasn't going to know how strong it was. | 0:15:10 | 0:15:12 | |
I just thought I'd have to... LAUGHTER | 0:15:12 | 0:15:14 | |
..I'd have to try it. How am I going to know? | 0:15:14 | 0:15:16 | |
There's sort of logic in there somewhere, isn't there? | 0:15:16 | 0:15:19 | |
APPLAUSE | 0:15:19 | 0:15:20 | |
I think I forgot to swap the bottles. | 0:15:20 | 0:15:22 | |
Did you not realise that drinking truckloads of gin would affect | 0:15:24 | 0:15:27 | |
your ability to do the job? | 0:15:27 | 0:15:29 | |
Uh, well, obviously, at the time, no, but looking back on it, | 0:15:29 | 0:15:33 | |
I shouldn't have. | 0:15:33 | 0:15:34 | |
I bet my dad's really upset about this. | 0:15:34 | 0:15:36 | |
Dad, are you upset? | 0:15:37 | 0:15:39 | |
-VOICE FROM AUDIENCE: -No. -No! | 0:15:39 | 0:15:41 | |
But I shouldn't have, I should have been more professional | 0:15:42 | 0:15:45 | |
and not done that, but what can I do? I done it. | 0:15:45 | 0:15:48 | |
Yeah. "What can I do? I done it." | 0:15:48 | 0:15:50 | |
Spiced gin, Nathan, is that your tipple? | 0:15:51 | 0:15:55 | |
-Actually, I used to be a massive gin drinker. -Did you? | 0:15:55 | 0:15:58 | |
Then I had a really bad experience, so I stopped. | 0:15:58 | 0:16:01 | |
Basically, I watched the episode. | 0:16:01 | 0:16:03 | |
That's it, no more gin now. | 0:16:04 | 0:16:06 | |
Well, Trishna may not have been firing on all cylinders this week, | 0:16:07 | 0:16:10 | |
but Karren picked up the slack, | 0:16:10 | 0:16:12 | |
firing on all her own cylinders, and a few more besides. | 0:16:12 | 0:16:15 | |
SINGING: | 0:16:15 | 0:16:18 | |
I don't know about gins. I'm completely... | 0:16:25 | 0:16:27 | |
I don't drink gin, I don't know about gin, | 0:16:27 | 0:16:29 | |
-OK? I try to just come up with suggestions. -You drank enough of it. | 0:16:29 | 0:16:32 | |
LAUGHTER | 0:16:32 | 0:16:35 | |
So, we are down to the final five. | 0:16:41 | 0:16:44 | |
Let's talk about some of the other candidates quickly. Jessica? | 0:16:44 | 0:16:48 | |
Yeah, I love Jessica, I think she's amazing. | 0:16:48 | 0:16:50 | |
I think she can definitely brighten up a room, she's just got | 0:16:50 | 0:16:52 | |
so much positivity, she lifts morale and I think she's a real contender. | 0:16:52 | 0:16:56 | |
Could you see her winning, Frances? | 0:16:56 | 0:16:58 | |
Yeah, absolutely, she's in my top three. | 0:16:58 | 0:17:00 | |
I think she's very strong. | 0:17:00 | 0:17:02 | |
I think she needs to be quite careful in the interviews to listen | 0:17:02 | 0:17:06 | |
and perhaps speak a little bit more cohesively, | 0:17:06 | 0:17:10 | |
but I love her personality, | 0:17:10 | 0:17:12 | |
her positivity and I think she has some great ideas. | 0:17:12 | 0:17:15 | |
-Jessica, Sara, do you think she's a contender? -I do like her. | 0:17:15 | 0:17:19 | |
I think she's like a very beautiful cross between | 0:17:19 | 0:17:23 | |
a labradoodle and Su Pollard, | 0:17:23 | 0:17:26 | |
because I just think she's quite excitable. | 0:17:26 | 0:17:28 | |
I'm sure she'll take that as a massive compliment. | 0:17:28 | 0:17:31 | |
Su Pollardoodle. | 0:17:31 | 0:17:33 | |
But I think she's really likeable and I think she is very warm. | 0:17:33 | 0:17:37 | |
People seem to sort of like her, but I just... | 0:17:37 | 0:17:40 | |
I can't see her with Lord Suges coping | 0:17:40 | 0:17:45 | |
-with her exuberance. -Yeah, is she too exuberant? | 0:17:45 | 0:17:48 | |
Does she wear her heart on her sleeve too much? | 0:17:48 | 0:17:50 | |
Yeah, I think perhaps she does a little bit | 0:17:50 | 0:17:52 | |
and I don't know how long you'd be able to cope with that for. | 0:17:52 | 0:17:54 | |
I think she could win just from exhausting Lord Sugar. | 0:17:54 | 0:17:58 | |
"OK, you're hired, just stop talking. Oh, gosh! | 0:18:00 | 0:18:03 | |
-"Please!" -Just wear him down, you think? -Exactly. | 0:18:03 | 0:18:06 | |
OK. Frances didn't have a great week, again. | 0:18:06 | 0:18:10 | |
How do you rate Frances? | 0:18:10 | 0:18:12 | |
Um, I think out of all the other candidates, | 0:18:12 | 0:18:14 | |
she's probably the most calculated. | 0:18:14 | 0:18:16 | |
I think that she's really worked out how to kind of not be | 0:18:16 | 0:18:18 | |
in the bottom three, she plays to the project manager a lot on tasks. | 0:18:18 | 0:18:22 | |
She's lost eight times out of ten, I think, | 0:18:22 | 0:18:26 | |
but only ended up in the bottom three very few times. | 0:18:26 | 0:18:28 | |
Yeah, and I think that's because she knows what she's doing a little bit | 0:18:28 | 0:18:32 | |
and she kind of plays up to the project manager | 0:18:32 | 0:18:34 | |
to makes sure she doesn't go back in there. | 0:18:34 | 0:18:36 | |
That's why I had to call her up on it on this task, | 0:18:36 | 0:18:38 | |
I just thought she'd done it too much. | 0:18:38 | 0:18:40 | |
Frances, do you think our Frances is in with a chance? | 0:18:40 | 0:18:42 | |
Um, I think she is. She's quite a good all-rounder. | 0:18:42 | 0:18:46 | |
She's quite creative, she presents well, | 0:18:46 | 0:18:49 | |
and she does have some pretty smart business ideas. | 0:18:49 | 0:18:52 | |
Nathan, her stats are the worst of anybody in terms of wins and losses. | 0:18:52 | 0:18:56 | |
Do you still think she can win? | 0:18:56 | 0:18:58 | |
She's probably got a one-in-five chance. | 0:18:58 | 0:19:02 | |
-That's an accurate stat. -Yeah! -I don't know. | 0:19:02 | 0:19:07 | |
I mean, I agree with you, she does play the game quite well, | 0:19:07 | 0:19:09 | |
but I do think there are stronger candidates there, so I think... | 0:19:09 | 0:19:13 | |
-I can't see her winning. -Sara, can you see Frances winning? | 0:19:13 | 0:19:16 | |
The first couple of episodes, I thought, "She's out quick." | 0:19:16 | 0:19:19 | |
It's like when you watch a disaster movie and you think, | 0:19:19 | 0:19:21 | |
"Yeah, she's dead, he's dead, she's going to fall off a building. | 0:19:21 | 0:19:24 | |
"She'll fall down the earthquake," or whatever. | 0:19:24 | 0:19:26 | |
You think, "They're all gone," and she's clung on, she's still here. | 0:19:26 | 0:19:29 | |
Courtney's the last guy in, Nathan. | 0:19:29 | 0:19:32 | |
Oh, he's a cool guy, he's a nice guy, but when he does his pitching, | 0:19:32 | 0:19:37 | |
it's like, "Switch off, man." | 0:19:37 | 0:19:38 | |
He seems to bring the same energy in front of 300 people, | 0:19:38 | 0:19:42 | |
he's exactly the same as if he was making a cup of tea | 0:19:42 | 0:19:45 | |
in his pants at home. | 0:19:45 | 0:19:46 | |
-There's just no difference, he's got one gear, it seems. -Exactly. | 0:19:46 | 0:19:49 | |
But then what made it worse in this week's task is that you had Courtney | 0:19:49 | 0:19:53 | |
and you had Jessica doing the same pitch, so you had two extremes. | 0:19:53 | 0:19:55 | |
You've got Courtney, who's going, "Yeah, uh...uh..." | 0:19:55 | 0:19:58 | |
and you've Jessica kind of just like MCs her way through the pitch. | 0:19:58 | 0:20:01 | |
RAPIDLY: "Da-ba-da-ba-da-ba-da-da-ba-da-ba." | 0:20:01 | 0:20:04 | |
HE CONTINUES GABBERING RAPIDLY | 0:20:04 | 0:20:06 | |
Whoa, whoa, whoa, calm down, girl. | 0:20:06 | 0:20:08 | |
-Courtney has led his team to victory again this week. -Yes. | 0:20:11 | 0:20:14 | |
He's won I think eight, am I right in saying? | 0:20:14 | 0:20:16 | |
I think it's unbelievable that he's done so well. | 0:20:16 | 0:20:18 | |
I mean, he's a nice guy. | 0:20:18 | 0:20:19 | |
I can't help think of him as a member of a boyband. | 0:20:19 | 0:20:22 | |
I think he's kind of run away from a boyband | 0:20:22 | 0:20:24 | |
and found himself on The Apprentice. | 0:20:24 | 0:20:26 | |
There was bits this week where he went... | 0:20:26 | 0:20:28 | |
-IN CHILDLIKE VOICE: -"They like the taste of the gin." | 0:20:28 | 0:20:32 | |
Then he was going, "I want to buy a heli-fopter," | 0:20:32 | 0:20:34 | |
at the end, and it's like he's regressing, | 0:20:34 | 0:20:37 | |
he's like a four-year-old. | 0:20:37 | 0:20:38 | |
It's like Benjamin Button, he's getting younger each week. | 0:20:38 | 0:20:41 | |
Frances, very quickly, Courtney, | 0:20:41 | 0:20:43 | |
-can you sum him up? -I'm sure he's a nice guy and he's quite funny. | 0:20:43 | 0:20:46 | |
-But if he's to... -LAUGHTER | 0:20:46 | 0:20:49 | |
You know, business, you don't have to be good at everything, | 0:20:50 | 0:20:53 | |
but what you do have to do is recognise what your weaknesses are | 0:20:53 | 0:20:56 | |
and mitigate them. | 0:20:56 | 0:20:57 | |
-Don't keep putting yourself up to present. -Yeah. | 0:20:57 | 0:20:59 | |
What about Alana? | 0:20:59 | 0:21:01 | |
I think she's really good. I think that she's been underestimated. | 0:21:01 | 0:21:05 | |
I think she had a tough first few weeks, but as it's gone on, | 0:21:05 | 0:21:08 | |
she's really come into her own and she's not been scared | 0:21:08 | 0:21:11 | |
to say how she feels, she's provided opinions | 0:21:11 | 0:21:13 | |
and I think she's a real, real contender. | 0:21:13 | 0:21:15 | |
She's stood up for herself and been very composed under | 0:21:15 | 0:21:18 | |
-a lot of pressure, I thought. -Yeah, I think she can be really composed. | 0:21:18 | 0:21:21 | |
I think, when she's pitching, | 0:21:21 | 0:21:22 | |
she's really engaging, she's super-relaxed. | 0:21:22 | 0:21:26 | |
When Courtney couldn't get the board up and he's giving it | 0:21:26 | 0:21:28 | |
a touch of the Chuckle Brothers in the background and all that | 0:21:28 | 0:21:31 | |
-and she was like, "Why don't we just pop this on here?" -Yeah. | 0:21:31 | 0:21:34 | |
You instantly relax and you instantly take on what she says | 0:21:34 | 0:21:36 | |
and the same in the boardroom. I think she's really calm | 0:21:36 | 0:21:39 | |
and she's got a really nice way about her. | 0:21:39 | 0:21:41 | |
I think she does sometimes have a touch of the Princess Diana's, | 0:21:41 | 0:21:43 | |
with the under-the-fringe sort of look up kind of thing | 0:21:43 | 0:21:46 | |
that she does quite a lot. | 0:21:46 | 0:21:47 | |
She does that kind of coy thing, which I find a bit strange. | 0:21:47 | 0:21:49 | |
She did step in at the right moment and relax the situation. | 0:21:49 | 0:21:51 | |
She sees things, what's going on. | 0:21:51 | 0:21:53 | |
She got very excited this week when she went, "Final five, final five!" | 0:21:53 | 0:21:57 | |
-Can she win? -Definitely, most definitely. | 0:21:57 | 0:22:00 | |
I think she is definitely one of the strongest in there. | 0:22:00 | 0:22:02 | |
She's got so much to give | 0:22:02 | 0:22:03 | |
and I think that she's started to show that | 0:22:03 | 0:22:05 | |
as we went past the first few weeks, so, yeah, | 0:22:05 | 0:22:07 | |
I definitely think she can win. | 0:22:07 | 0:22:09 | |
Is she too meek, Frances, to be Lord Sugar's business partner? | 0:22:09 | 0:22:11 | |
Uh, I don't think so, no. | 0:22:11 | 0:22:14 | |
I was really heartened this week to see her be a bit more assertive. | 0:22:15 | 0:22:20 | |
She made a pretty passionate pitch for wanting to be PM. | 0:22:20 | 0:22:23 | |
I know she lost out to Courtney, | 0:22:23 | 0:22:25 | |
but that was really a function of Jessica | 0:22:25 | 0:22:27 | |
having worked with him before | 0:22:27 | 0:22:28 | |
and having more confidence in him and sometimes | 0:22:28 | 0:22:31 | |
in business it goes that way, but I think she's really smart, | 0:22:31 | 0:22:35 | |
I think she's engaging, I think she has a smart brain on her | 0:22:35 | 0:22:40 | |
and I'd like to see her in the final for sure. | 0:22:40 | 0:22:43 | |
Well, Trishna, unfortunately, | 0:22:44 | 0:22:46 | |
somebody who won't be in the final... | 0:22:46 | 0:22:48 | |
-is you. -Yeah, cheers, Rhod(!) | 0:22:48 | 0:22:51 | |
That's one thing we do know - Lord Sugar won't, unfortunately, | 0:22:52 | 0:22:55 | |
be investing in you, but he does have this advice for your future. | 0:22:55 | 0:22:58 | |
Trishna - a very bright young lady. | 0:22:59 | 0:23:01 | |
I picked that up because she seems to absorb things very well. | 0:23:01 | 0:23:05 | |
Very good memory. | 0:23:05 | 0:23:07 | |
I think Trishna went wrong in this particular task as they actually | 0:23:07 | 0:23:11 | |
coloured the gin orange and I think it's certainly affected | 0:23:11 | 0:23:15 | |
the level of orders for the product. | 0:23:15 | 0:23:17 | |
My advice to Trishna is get a little bit more technical | 0:23:17 | 0:23:21 | |
in the business that she's doing and become a recognised expert at it. | 0:23:21 | 0:23:25 | |
-Become a recognised expert? -Yeah. | 0:23:29 | 0:23:31 | |
You're going to be recognised now, anyway. | 0:23:31 | 0:23:34 | |
No, I think that's fair. | 0:23:34 | 0:23:36 | |
I definitely will be an expert in my field. | 0:23:36 | 0:23:38 | |
I already am, but I hold information really well. | 0:23:38 | 0:23:41 | |
LAUGHTER | 0:23:41 | 0:23:43 | |
"If I say so myself." | 0:23:43 | 0:23:44 | |
What's your business plan? What would you have done? | 0:23:46 | 0:23:48 | |
It was to set up a specialist IT recruitment business, | 0:23:48 | 0:23:50 | |
something that I'm obviously really experienced in already and, yeah, | 0:23:50 | 0:23:54 | |
I still plan to do that, so watch this space. | 0:23:54 | 0:23:55 | |
Well, Trishna, Lord Sugar made his decision, | 0:23:55 | 0:23:57 | |
but does our panel feel it was the right one? Frances. | 0:23:57 | 0:24:01 | |
Um, I think it's unfortunate. | 0:24:01 | 0:24:02 | |
You definitely weren't firing on all cylinders tonight, so I do, | 0:24:02 | 0:24:06 | |
but I'm surprised that Grainne wasn't hot on your heels | 0:24:06 | 0:24:10 | |
going out the door, as well. | 0:24:10 | 0:24:11 | |
I think the orange was your undoing, which is a real shame, | 0:24:11 | 0:24:15 | |
cos I really, really like you, so with regret, yes, | 0:24:15 | 0:24:18 | |
it was right that you were fired. | 0:24:18 | 0:24:20 | |
-Nathan. -I think you've been one of the strongest candidates | 0:24:21 | 0:24:24 | |
throughout the whole process, so I would have fired Grainne instead. | 0:24:24 | 0:24:27 | |
TRISHNA: Thanks. Thanks, Nathan. | 0:24:27 | 0:24:28 | |
OK, that's what the panel thinks of it. | 0:24:28 | 0:24:30 | |
Let's see what the audience make of everything. | 0:24:30 | 0:24:33 | |
If you agree with Lord Sugar, then hold up "Fired" now, | 0:24:33 | 0:24:38 | |
and if you disagree, then hold up "Hired", please. | 0:24:38 | 0:24:41 | |
That's definitely more "Hired". | 0:24:42 | 0:24:44 | |
LAUGHTER | 0:24:44 | 0:24:46 | |
Waay! Back in your box now. | 0:24:46 | 0:24:47 | |
Ladies and gentlemen, Trishna, you are hired! | 0:24:49 | 0:24:51 | |
Cheers. CHEERING | 0:24:51 | 0:24:53 | |
I mean, you're not, obviously, you're fired, | 0:24:53 | 0:24:55 | |
but, you know... | 0:24:55 | 0:24:57 | |
you're not. | 0:24:57 | 0:24:58 | |
Definitely hired from the audience, | 0:24:58 | 0:25:00 | |
but, unfortunately, it was a red "Fired" from Lord Sugar. | 0:25:00 | 0:25:04 | |
But no-one leaves here, Trishna, empty-handed. | 0:25:04 | 0:25:06 | |
I've got you a rather wonderful gift. | 0:25:06 | 0:25:08 | |
19 missed calls. | 0:25:08 | 0:25:10 | |
Well, never miss a phone call again, Trishna, | 0:25:10 | 0:25:14 | |
with this Apprentice answering machine. | 0:25:14 | 0:25:16 | |
Beautiful, it's got your face on there, it's got Apprentice. | 0:25:18 | 0:25:20 | |
Listen, there's one thing this needs, obviously, | 0:25:20 | 0:25:22 | |
before I give you it. This will need a message. | 0:25:22 | 0:25:24 | |
I'm going to record it for you | 0:25:24 | 0:25:27 | |
so that it comes ready-loaded. Here we go... | 0:25:27 | 0:25:29 | |
-BEEP -This is Rhod Gilbert. | 0:25:30 | 0:25:32 | |
I'm afraid Trishna can't come to the phone right now. | 0:25:32 | 0:25:35 | |
She's getting bladdered on Colony Gin. | 0:25:35 | 0:25:37 | |
Don't bother leaving a message, she's ignored 19 already. Goodbye! | 0:25:37 | 0:25:40 | |
LAUGHTER AND APPLAUSE | 0:25:40 | 0:25:42 | |
Thank you, thank you. | 0:25:42 | 0:25:44 | |
Never miss a phone call again. | 0:25:46 | 0:25:48 | |
You're looking on the back to see if there's anything else - that's it. | 0:25:48 | 0:25:52 | |
"There must be something else on the back, | 0:25:52 | 0:25:54 | |
"perhaps a puppy or a PlayStation." | 0:25:54 | 0:25:55 | |
Nope, that is it, I'm afraid. | 0:25:55 | 0:25:56 | |
Trishna, thanks for coming on the show. | 0:25:56 | 0:25:58 | |
-Thank you. -I hope you've enjoyed yourself. -Absolutely loved it. | 0:25:58 | 0:26:01 | |
Yeah, would recommend it to anyone. | 0:26:01 | 0:26:02 | |
-Cool. -LAUGHTER | 0:26:02 | 0:26:04 | |
They're all saying, "No way!" | 0:26:04 | 0:26:06 | |
-Let's have a look at your highlights. -Thanks. | 0:26:06 | 0:26:08 | |
We need to move really fast. | 0:26:08 | 0:26:10 | |
Strawberry and champagne, £1! | 0:26:13 | 0:26:15 | |
Do we think that the packaging is luxury enough? | 0:26:15 | 0:26:18 | |
If I tell you I love it, I'm lying to you. | 0:26:18 | 0:26:20 | |
Love Trishna to pieces, she's my little soul sister. | 0:26:20 | 0:26:23 | |
Look at the camera. | 0:26:25 | 0:26:26 | |
Trishna - what an absolute legend. | 0:26:28 | 0:26:30 | |
Living with her, being in a room with her, | 0:26:30 | 0:26:32 | |
she actually brought a ray of sunshine to my life. | 0:26:32 | 0:26:34 | |
She can't just get knocked over and they break out | 0:26:34 | 0:26:36 | |
all of a sudden into a dance. | 0:26:36 | 0:26:38 | |
Waaay! Don't worry if, when you go in there, | 0:26:38 | 0:26:40 | |
you don't feel like it's a good price. Just walk out of there. | 0:26:40 | 0:26:42 | |
Thanks very much, Alison. Have a great day. | 0:26:42 | 0:26:44 | |
It's, like, typical Liberty, those scarves. | 0:26:44 | 0:26:46 | |
That woman has got a photographic memory | 0:26:46 | 0:26:49 | |
that I would love to have. | 0:26:49 | 0:26:50 | |
Ladies and gentlemen, Trishna Thakrar. | 0:26:52 | 0:26:54 | |
CHEERING AND APPLAUSE | 0:26:54 | 0:26:56 | |
And, also, please thank tonight's Apprentice fans and guests, | 0:26:58 | 0:27:01 | |
Frances Dickens, Sara Cox and Nathan Caton. | 0:27:01 | 0:27:04 | |
CHEERING | 0:27:04 | 0:27:06 | |
And if you think you have what it takes | 0:27:08 | 0:27:09 | |
to be Lord Sugar's next business partner, | 0:27:09 | 0:27:11 | |
applications are still open to take part in next year's series. | 0:27:11 | 0:27:14 | |
Head over to... | 0:27:14 | 0:27:16 | |
..for more details. | 0:27:17 | 0:27:19 | |
Next week, it's the final five, the interviews, | 0:27:19 | 0:27:22 | |
when our candidates will dust off their business plans | 0:27:22 | 0:27:25 | |
and go in front of Lord Sugar's most trusted aides. | 0:27:25 | 0:27:28 | |
Today is all about your business plans. | 0:27:28 | 0:27:31 | |
I'm genuinely cacking myself now. | 0:27:32 | 0:27:34 | |
-This is like Christmas for Claude. -Yes. | 0:27:36 | 0:27:38 | |
-# It's the most wonderful time... # -This is fast, innit? | 0:27:38 | 0:27:41 | |
-Right. -Hello, I'm Frances. -Hello, there. | 0:27:41 | 0:27:44 | |
Can you just sit back a bit? | 0:27:44 | 0:27:45 | |
-How much profit did you make? -It was a massive loss. | 0:27:45 | 0:27:48 | |
I don't understand why you'd want to do that. | 0:27:48 | 0:27:51 | |
Oh, God. | 0:27:51 | 0:27:52 | |
Very amateurish. | 0:27:52 | 0:27:54 | |
-I don't know what you're doing here. -I think I've been pretty awesome. | 0:27:54 | 0:27:58 | |
How much money did you make? HE MUMBLES | 0:27:58 | 0:28:00 | |
God help us. | 0:28:00 | 0:28:02 | |
I think you're dreaming. | 0:28:02 | 0:28:03 | |
Come on! | 0:28:04 | 0:28:06 | |
HE SIGHS | 0:28:06 | 0:28:07 | |
This is actually worse than childbirth. | 0:28:09 | 0:28:11 | |
Right, we'll leave that alone. | 0:28:11 | 0:28:12 | |
It's a grilling like no other, | 0:28:12 | 0:28:14 | |
but who will come up a lovely, all-over golden brown, | 0:28:14 | 0:28:17 | |
and who'll set off the smoke alarms? | 0:28:17 | 0:28:19 | |
Join me next Thursday at 10pm for more You're Fired. Goodnight. | 0:28:19 | 0:28:21 | |
APPLAUSE | 0:28:22 | 0:28:25 |