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This programme contains some strong language | 0:00:02 | 0:00:06 | |
Ladies and gentlemen, we have a winner! | 0:00:06 | 0:00:08 | |
Alana will be Lord Sugar's next business partner, | 0:00:08 | 0:00:11 | |
which means I can say for the first time this series, | 0:00:11 | 0:00:13 | |
"I'm Rhod Gilbert, welcome to The Apprentice: You're Hired." | 0:00:13 | 0:00:17 | |
A titanic struggle right to the end, then, and at last, | 0:00:17 | 0:00:20 | |
after spending 12 weeks together, Frances can now finally | 0:00:20 | 0:00:23 | |
tell the difference between Alana and a cake stand. | 0:00:23 | 0:00:27 | |
That is not Alana. | 0:00:29 | 0:00:31 | |
In the studio tonight... | 0:00:34 | 0:00:36 | |
Actually, I'm feeling a bit lacklustre this evening. | 0:00:36 | 0:00:38 | |
Is Karthik around? Karthik, can I borrow you? | 0:00:38 | 0:00:41 | |
Can you try that technique out that you used on Courtney in the pitch, | 0:00:41 | 0:00:44 | |
just to put a bit of energy into this? | 0:00:44 | 0:00:46 | |
I'm just feeling like I haven't got the... That's better, go on. | 0:00:46 | 0:00:49 | |
OK, that's... In the studio tonight, Claude joins me, Courtney will be | 0:00:49 | 0:00:53 | |
here later on, winner Alana and Lord Sugar himself will be dropping by. | 0:00:53 | 0:00:56 | |
And of course, we're joined by this year's candidates. | 0:00:56 | 0:00:58 | |
Take a bow, you lot. There they are. | 0:00:58 | 0:01:00 | |
CHEERING | 0:01:00 | 0:01:02 | |
Karthik, you can get off me now. | 0:01:08 | 0:01:10 | |
You can leave me now. I'm in the zone. Thanks very much. | 0:01:10 | 0:01:12 | |
Karthik, ladies and gentlemen! You can go and sit with them. | 0:01:12 | 0:01:14 | |
CHEERING | 0:01:14 | 0:01:16 | |
But first, for the last time this series, let's see | 0:01:20 | 0:01:23 | |
what made The Apprentice News. | 0:01:23 | 0:01:25 | |
BONG! | 0:01:25 | 0:01:28 | |
Jessica accidentally drinks 19 double espressos. | 0:01:28 | 0:01:31 | |
SHE SHRIEKS | 0:01:31 | 0:01:34 | |
Oliver shows Alana one of his capable hands. | 0:01:37 | 0:01:41 | |
I'm going to leave it in Oliver's capable hands. Thank you very much. | 0:01:41 | 0:01:44 | |
Paul describes the full range of emotions he's experienced | 0:01:49 | 0:01:53 | |
on this series of The Apprentice. | 0:01:53 | 0:01:55 | |
I'm just pissed off. | 0:01:55 | 0:01:56 | |
Bottom line, I'm pissed off. | 0:01:56 | 0:01:58 | |
Karren gives a damning assessment of Karthik's monobrow reduction pills. | 0:01:58 | 0:02:03 | |
He's relied on them, and I think in some respects they've let him down. | 0:02:03 | 0:02:07 | |
And that is tonight's Apprentice News. | 0:02:12 | 0:02:15 | |
CHEERING AND APPLAUSE | 0:02:15 | 0:02:18 | |
Let's meet our panel, ready to bask in the reflected glow of | 0:02:18 | 0:02:21 | |
this year's finalists until their noses peel. | 0:02:21 | 0:02:24 | |
Aide to Lord Sugar, our very own Claude Littner, | 0:02:24 | 0:02:26 | |
TV presenter and Apprentice fan Myleene Klass | 0:02:26 | 0:02:28 | |
and comedian Hal Cruttenden, welcome to You're Hired. | 0:02:28 | 0:02:31 | |
CHEERING AND APPLAUSE | 0:02:31 | 0:02:32 | |
Well, he streaked ahead on the winning team | 0:02:39 | 0:02:41 | |
on eight out of ten tasks and made it through the interview stage, | 0:02:41 | 0:02:44 | |
only to fall yards from the line. | 0:02:44 | 0:02:47 | |
-LORD SUGAR: -It's a tough one. | 0:02:47 | 0:02:48 | |
But I've got to make a decision, and I've got to go with my gut feeling, | 0:02:51 | 0:02:56 | |
so... | 0:02:56 | 0:02:57 | |
..Alana, | 0:03:01 | 0:03:02 | |
you're going to be my business partner. | 0:03:02 | 0:03:04 | |
-(Well done.) -(Thanks.) | 0:03:09 | 0:03:11 | |
Please welcome the runner-up of The Apprentice 2016, Courtney Wood! | 0:03:17 | 0:03:22 | |
CHEERING | 0:03:22 | 0:03:24 | |
How you doing? Good to see you, mate. | 0:03:25 | 0:03:28 | |
Cheers, fella. | 0:03:29 | 0:03:30 | |
CHEERING | 0:03:32 | 0:03:34 | |
Soak it up, mate, soak it up! Soak it up! | 0:03:39 | 0:03:41 | |
Not a bad response, is it? | 0:03:41 | 0:03:43 | |
Soak it up! Yeah. How does it feel, watching that back? | 0:03:43 | 0:03:45 | |
-Yeah, it's mixed emotions... -Yeah. -..really. | 0:03:45 | 0:03:48 | |
Obviously disappointed, | 0:03:48 | 0:03:50 | |
but at the same time really pleased for Alana. I think she deserves it. | 0:03:50 | 0:03:53 | |
She's come a long way in the process and she's done really well | 0:03:53 | 0:03:56 | |
and she's got a great business plan so, yeah, I'm pleased for her. | 0:03:56 | 0:03:59 | |
Can I just say, just straight off the bat, | 0:03:59 | 0:04:01 | |
that I think you've acquitted yourself incredibly well | 0:04:01 | 0:04:04 | |
through 12 weeks in really tough, testing conditions? | 0:04:04 | 0:04:07 | |
I think you've come across as a really, really, really decent bloke. | 0:04:07 | 0:04:10 | |
Don't you? All the way through. Start to finish. | 0:04:10 | 0:04:12 | |
So close, though. | 0:04:14 | 0:04:16 | |
Eight out of ten wins, as you've never stopped reminding us. | 0:04:16 | 0:04:19 | |
-Er, yeah. -All the way through, banging on, | 0:04:19 | 0:04:22 | |
"I'm a winner, I've won every week," all of that. | 0:04:22 | 0:04:24 | |
Did you feel like you had it in the bag, or were you messing about? | 0:04:24 | 0:04:27 | |
No, it was all just a bit of banter, really, with the other candidates. | 0:04:27 | 0:04:31 | |
But for me, it was... I felt like I played a key part in every task. | 0:04:31 | 0:04:36 | |
There wasn't any luck involved with it. | 0:04:36 | 0:04:38 | |
I made sure I placed myself in the team | 0:04:38 | 0:04:41 | |
so I could help contribute and get that team to that winning line. | 0:04:41 | 0:04:43 | |
-Yeah. -So, yeah, for me, it was all about playing | 0:04:43 | 0:04:46 | |
a team game and getting the team to work together and win. | 0:04:46 | 0:04:49 | |
Let's see what the guys here thought. | 0:04:49 | 0:04:50 | |
Hal, did you have Courtney down to win this? | 0:04:50 | 0:04:53 | |
No, I thought he was rubbish. No, sorry, no! | 0:04:53 | 0:04:56 | |
Honestly, I thought you had the thing where you... | 0:04:56 | 0:04:59 | |
You are obviously really smart and you weren't good at pitching, | 0:04:59 | 0:05:03 | |
but then got really good at pitching by the end. | 0:05:03 | 0:05:05 | |
And I think as long as you've got somebody behind you holding on | 0:05:05 | 0:05:09 | |
to your waist, being dragged along... | 0:05:09 | 0:05:11 | |
I've got to say one thing. I was at drama school for three years | 0:05:11 | 0:05:14 | |
and I've never seen that technique. | 0:05:14 | 0:05:15 | |
So are you sure that guy wasn't just somebody passing...RADA and went, | 0:05:15 | 0:05:19 | |
"Oh, I'll have a go on this"? But it works, obviously. | 0:05:19 | 0:05:22 | |
It was brilliant. I thought you really transformed. Really good. | 0:05:22 | 0:05:25 | |
Claude, you've followed Courtney from day one. | 0:05:25 | 0:05:27 | |
Well, I think that Courtney really did well on every single task, | 0:05:27 | 0:05:30 | |
as he said, he tried his best, and actually, he persevered, | 0:05:30 | 0:05:34 | |
and you were the star of every single programme in terms of | 0:05:34 | 0:05:37 | |
applying yourself, understanding what the task was about | 0:05:37 | 0:05:39 | |
and succeeding. There's no doubt about that. | 0:05:39 | 0:05:41 | |
I think that your business plan did strike a chord with everybody. | 0:05:41 | 0:05:44 | |
Also, it's a business that Lord Sugar understands, | 0:05:44 | 0:05:47 | |
and so it must have been pretty close, | 0:05:47 | 0:05:50 | |
and I suspect that Alana got the nod simply because Alan decided to be | 0:05:50 | 0:05:54 | |
a bit adventurous and go for something he knows nothing about. | 0:05:54 | 0:05:57 | |
Damn it! | 0:05:57 | 0:05:59 | |
You should have gone for cakes! | 0:05:59 | 0:06:02 | |
Alana did get the nod. Were you surprised that that was the result? | 0:06:02 | 0:06:05 | |
Did you think Courtney was in with a shout? | 0:06:05 | 0:06:08 | |
I thought that Courtney had a really strong chance, | 0:06:08 | 0:06:10 | |
especially after your pitch. | 0:06:10 | 0:06:12 | |
I think everyone was cheering you on | 0:06:12 | 0:06:14 | |
because you'd progressed so much. | 0:06:14 | 0:06:16 | |
It was almost, like, unrecognisable from the Courtney | 0:06:16 | 0:06:18 | |
that we'd first been introduced to. You should be super proud of that. | 0:06:18 | 0:06:21 | |
But I think something that's really worth remembering in business - | 0:06:21 | 0:06:24 | |
there are so many disappointments at so many different phases | 0:06:24 | 0:06:28 | |
along the way, and this could just potentially... | 0:06:28 | 0:06:31 | |
Well, this SHOULD just potentially be a phase... | 0:06:31 | 0:06:34 | |
You've had a fantastic opportunity to show what you can create, | 0:06:34 | 0:06:38 | |
and this platform is just the beginning. | 0:06:38 | 0:06:40 | |
-Yeah, I agree. -You're both winners. You're both winners. | 0:06:40 | 0:06:43 | |
She's a bigger winner, but you're both winners. | 0:06:43 | 0:06:47 | |
Well, Courtney, you didn't quite get there | 0:06:47 | 0:06:48 | |
with your novelty gifts business plan, | 0:06:48 | 0:06:50 | |
but let's see what happened on this final task. | 0:06:50 | 0:06:53 | |
Courtney, you're going to need to convince me | 0:06:53 | 0:06:55 | |
that you can design and sell novelty stuff in very big volume. | 0:06:55 | 0:07:00 | |
The brand name needs to be fun, cheeky. | 0:07:00 | 0:07:03 | |
-What's your favourite animal? -Whale. -And what's your favourite colour? | 0:07:03 | 0:07:06 | |
Purple. There we go. Purple Whale. | 0:07:06 | 0:07:10 | |
I'd want to put Jessica in charge, | 0:07:10 | 0:07:12 | |
and then Paul and Sofiane will be with you. | 0:07:12 | 0:07:15 | |
-You go... -Sofiane, look, you're distracting. It's going off-course. | 0:07:16 | 0:07:19 | |
We've got limited time. Let's just get on with it. | 0:07:19 | 0:07:21 | |
-He wants it to be cheeky, remember. -I tell you what... | 0:07:21 | 0:07:23 | |
He wants it to be cheeky. | 0:07:23 | 0:07:24 | |
When put in the limelight, I get a bit nervous. | 0:07:24 | 0:07:28 | |
Hello, ladies and gentlemen. My name is Courtney Wood. | 0:07:28 | 0:07:31 | |
I'm here today to present to you a new brand of novelty gifts, | 0:07:31 | 0:07:35 | |
Purple Whale. | 0:07:35 | 0:07:37 | |
I think he's a really exciting talent. | 0:07:37 | 0:07:39 | |
What we have here is a trophy baby beaker. | 0:07:39 | 0:07:43 | |
He needs a guiding hand. | 0:07:43 | 0:07:44 | |
-Thank you. -APPLAUSE | 0:07:44 | 0:07:46 | |
20 million people in the UK do buy novelty items, so I believe | 0:07:49 | 0:07:52 | |
the market's there, and I think this new product I've created | 0:07:52 | 0:07:54 | |
has the potential to be a killer product. | 0:07:54 | 0:07:57 | |
CHEERING | 0:07:58 | 0:08:01 | |
-All right, innit? -All right, innit? It's all right. | 0:08:01 | 0:08:04 | |
Let's talk about that pitch you did, though, because the pitch... | 0:08:04 | 0:08:07 | |
I think anybody watching would have been going, | 0:08:07 | 0:08:09 | |
"Oh, God, the pitch. How is Courtney...?" | 0:08:09 | 0:08:11 | |
-It hasn't been your strongest... -No. | 0:08:11 | 0:08:13 | |
..thing, as you've freely admitted throughout the series. | 0:08:13 | 0:08:16 | |
And you did turn it around there, totally. | 0:08:16 | 0:08:18 | |
But I think collectively, as a nation, we were bricking it for you. | 0:08:18 | 0:08:22 | |
-So was I! -You were as well? -Course I was! | 0:08:22 | 0:08:24 | |
As soon as I got to the final and I realised I had to pitch | 0:08:24 | 0:08:27 | |
in front of 250 people, I was like, | 0:08:27 | 0:08:29 | |
"How the hell am I going to do that?" | 0:08:29 | 0:08:31 | |
-Yeah, that's exactly what I was thinking. -"I'm going to muck it up." | 0:08:31 | 0:08:34 | |
So... Yeah, luckily, I went and did the drama course training, | 0:08:34 | 0:08:39 | |
which helped, but at the same time, I was talking about my business, | 0:08:39 | 0:08:42 | |
which I've been running for the last four years, so I know it | 0:08:42 | 0:08:45 | |
inside out, and so I'm not nervous or worried talking about that, | 0:08:45 | 0:08:48 | |
whereas when I've created a brand of Giin or an Astro Badger | 0:08:48 | 0:08:50 | |
over 24 hours, yeah... | 0:08:50 | 0:08:52 | |
So you were feeling more confident anyway? | 0:08:52 | 0:08:54 | |
-Yeah. -Even without the training, you were feeling on home ground? | 0:08:54 | 0:08:57 | |
The training helped, | 0:08:57 | 0:08:58 | |
because it helped push you outside your comfort zone | 0:08:58 | 0:09:00 | |
before you go on and pitch, and so you don't feel stupid. | 0:09:00 | 0:09:03 | |
-Yeah. -So, yeah, I think it'd be a combination of the two. | 0:09:03 | 0:09:07 | |
Yeah. It was still low-energy... But it was a different... | 0:09:07 | 0:09:10 | |
You said it was a different Courtney. | 0:09:10 | 0:09:12 | |
It was a different Courtney. Still low-energy. | 0:09:12 | 0:09:14 | |
As Claude says, I'm incredibly boring, so... | 0:09:14 | 0:09:17 | |
LAUGHTER | 0:09:17 | 0:09:19 | |
Yeah, Claude, you said Courtney was incredibly boring! | 0:09:19 | 0:09:21 | |
-Are you sure about that? -Twice, I think. | 0:09:21 | 0:09:24 | |
My friends like to remind me of it! | 0:09:24 | 0:09:26 | |
That kind of thing sticks in a young man's head, that. | 0:09:26 | 0:09:28 | |
In that case, I'd like to retract that. | 0:09:28 | 0:09:30 | |
-Thank you. -AUDIENCE: -Awwww! | 0:09:30 | 0:09:32 | |
First retraction from Claude Littner on The Apprentice - official. | 0:09:32 | 0:09:35 | |
I mean, I'll go further, | 0:09:35 | 0:09:36 | |
I would say you were bordering on entertaining in that pitch. | 0:09:36 | 0:09:39 | |
-I wouldn't go that far. -No, let's not go that far. | 0:09:39 | 0:09:42 | |
Why novelty gifts, though? | 0:09:42 | 0:09:45 | |
This was your...sippy cup, I think you were calling it. | 0:09:45 | 0:09:48 | |
Yeah, the baby beaker. You know what? When I was a kid, | 0:09:48 | 0:09:52 | |
I used to love flicking through the Argos book, | 0:09:52 | 0:09:54 | |
and you'd find, like, the gift pages, and they sell, like, | 0:09:54 | 0:09:57 | |
lava lamps and stuff like that. | 0:09:57 | 0:09:59 | |
And I would always ask for them kind of presents for Christmas | 0:09:59 | 0:10:02 | |
and loved, like, having these little stocking-fillers on your desk. | 0:10:02 | 0:10:06 | |
Painting quite a sad childhood picture of you alone. | 0:10:06 | 0:10:09 | |
They just threw the whole catalogue at you and went, "He'll be happy. | 0:10:09 | 0:10:13 | |
"Doesn't need proper toys." You were obviously broody. I can tell. | 0:10:13 | 0:10:16 | |
-LAUGHTER -No, cos... | 0:10:16 | 0:10:18 | |
-Hasn't he got loads of stuff for kids?! -They're all kids' things. | 0:10:18 | 0:10:21 | |
His kid is going to be so spoilt, yeah. | 0:10:21 | 0:10:24 | |
-What was the last novelty gift you bought? -I bought a... | 0:10:24 | 0:10:27 | |
I was on tour with Rob Bryden, who I happen to think | 0:10:27 | 0:10:30 | |
is the greatest comedian to ever come out of Wales. Um... He... | 0:10:30 | 0:10:34 | |
I'll go further. He's the only comedian... | 0:10:35 | 0:10:38 | |
And I was on tour with him, and I bought him... | 0:10:38 | 0:10:40 | |
It was the end of the tour, | 0:10:40 | 0:10:41 | |
and we're sort of men and we didn't think you'd buy stuff, | 0:10:41 | 0:10:44 | |
big stuff, for the end of the tour. | 0:10:44 | 0:10:45 | |
And I bought him a little sort of fun golf set thing that you | 0:10:45 | 0:10:48 | |
could have on your table and build a little golf course. | 0:10:48 | 0:10:50 | |
A really silly little thing. | 0:10:50 | 0:10:51 | |
And he bought me a complete CD set of classic Beatles albums. | 0:10:51 | 0:10:57 | |
It was a collector's item. And I've never worked for him since. | 0:10:57 | 0:11:01 | |
So, yeah, I got the golf course... | 0:11:01 | 0:11:02 | |
-There are other Welsh acts you can come and work for. -Yes. | 0:11:02 | 0:11:05 | |
-Yes, there are. I would! -Just bring better gifts. -I would! | 0:11:05 | 0:11:08 | |
Lord Sugar was saying that Courtney was going to have to prove | 0:11:08 | 0:11:12 | |
that he could sell these kind of novelty gifts in large numbers, | 0:11:12 | 0:11:14 | |
that Lord Sugar was interested in. Did he do that in the final? | 0:11:14 | 0:11:17 | |
Well, he certainly came out of his shell in the final, | 0:11:17 | 0:11:19 | |
so I think you did really well, and no doubt it was my helping you | 0:11:19 | 0:11:22 | |
in the interview phase that did that, | 0:11:22 | 0:11:24 | |
so I'll take some credit for it. | 0:11:24 | 0:11:26 | |
But you did show a certain amount of confidence, and that's right, | 0:11:26 | 0:11:29 | |
when you're talking about something that you're passionate about, | 0:11:29 | 0:11:32 | |
you know about, you do actually produce | 0:11:32 | 0:11:34 | |
and present yourself pretty well. | 0:11:34 | 0:11:35 | |
It's just a shame that you didn't do it kind of every single week. | 0:11:35 | 0:11:39 | |
But that's completely understandable. | 0:11:39 | 0:11:41 | |
Yeah. Myleene, would you buy something like this for your kids? | 0:11:41 | 0:11:44 | |
I've got two children, and I know that... | 0:11:44 | 0:11:46 | |
I mean, they're past the weaning stage and they're on their | 0:11:46 | 0:11:48 | |
second set of teeth, but they like to put things in there already. | 0:11:48 | 0:11:52 | |
But I actually have a children's range where I manufacture clothes | 0:11:52 | 0:11:55 | |
and goods, and I think what's so special about Courtney, actually, | 0:11:55 | 0:11:59 | |
is that he's unique. He IS the ideas. | 0:11:59 | 0:12:02 | |
So this is something, again, that you can certainly grow with. | 0:12:02 | 0:12:05 | |
You'll have a company that can maybe come in and help you with | 0:12:05 | 0:12:07 | |
the heath and safety elements of it and anything that is to do | 0:12:07 | 0:12:10 | |
with children's production, but ultimately, | 0:12:10 | 0:12:12 | |
what you have is something that so many people actually just don't. | 0:12:12 | 0:12:16 | |
Courtney may have felt that he'd given his all during this process, | 0:12:16 | 0:12:19 | |
but there was one man who clearly felt he was keeping something back | 0:12:19 | 0:12:23 | |
and seemed determined to squeeze more juice out of Courtney's lemon. | 0:12:23 | 0:12:27 | |
Seriously, I look in your eyes and I think, "Where's the energy? | 0:12:28 | 0:12:31 | |
-"Where's the passion?" -What makes you think that? | 0:12:31 | 0:12:33 | |
-IMITATES HIM: -"What makes you think that?" Your demeanour. | 0:12:33 | 0:12:36 | |
-Come on! -I personally do feel | 0:12:36 | 0:12:39 | |
that my company is underperforming. | 0:12:39 | 0:12:41 | |
-Why's it underperforming? -It's not due to my demeanour, I can tell you. | 0:12:41 | 0:12:44 | |
I work my bollocks off, to be honest with you. | 0:12:44 | 0:12:46 | |
I haven't paid myself a proper wage. I've given up everything. | 0:12:46 | 0:12:49 | |
I could have had a nice house. | 0:12:49 | 0:12:51 | |
I didn't. I wanted to spend my money on setting up my own business. | 0:12:51 | 0:12:53 | |
-Come on, Courtney, yes! -I've worked for everything that I've got. | 0:12:53 | 0:12:57 | |
I've built the foundations and I feel like I'm on the cusp of | 0:12:57 | 0:13:00 | |
-something good. -Yes! Yes! | 0:13:00 | 0:13:03 | |
-Come on, Courtney! -Come on! -Come on! Yes! Yes! | 0:13:05 | 0:13:10 | |
Claude, I mean, I realise what you were trying to do. | 0:13:10 | 0:13:12 | |
You were trying to get Courtney to show a bit more oomph, | 0:13:12 | 0:13:14 | |
but that was an unconventional technique. | 0:13:14 | 0:13:16 | |
As opposed to what, putting electrodes on him or something? | 0:13:16 | 0:13:20 | |
That would have been more unconventional. | 0:13:20 | 0:13:22 | |
Claude, with Courtney, it was almost like a father figure, | 0:13:22 | 0:13:26 | |
the way you were sort of... Do you see something of yourself in him? | 0:13:26 | 0:13:29 | |
I did almost expect you to be going, "And I'm your father!" | 0:13:29 | 0:13:32 | |
Star Wars sort of.. | 0:13:34 | 0:13:35 | |
Yeah, you did get that feeling that you were really rooting for him. | 0:13:35 | 0:13:38 | |
Let me tell you, Hal, before you admit to being Courtney's father... | 0:13:38 | 0:13:43 | |
But what a bombshell that would be! | 0:13:43 | 0:13:45 | |
-It would be for Courtney's bloody father. He's up there! -Oh, sorry. | 0:13:45 | 0:13:49 | |
Mother's looking worried! | 0:13:49 | 0:13:52 | |
-Years ago... -"I hate to break it to you, Dad...!" | 0:13:52 | 0:13:56 | |
Steve and Maureen, who claimed to be your parents, Courtney, | 0:13:56 | 0:13:59 | |
before this shocking revelation exclusive here on You're Hired. | 0:13:59 | 0:14:03 | |
Steve and Maureen... | 0:14:03 | 0:14:04 | |
A big round of applause, ladies and gentlemen, for Courtney's parents. | 0:14:04 | 0:14:07 | |
See you later, Maureen. | 0:14:11 | 0:14:13 | |
Stop hitting on my mum, Claude. | 0:14:15 | 0:14:17 | |
-Did you expect him to get this far? -Yes. | 0:14:17 | 0:14:22 | |
-Definitely. -Dad took a bit longer there to think about it. | 0:14:22 | 0:14:26 | |
From the moment he came home from the first audition, | 0:14:26 | 0:14:28 | |
we discussed it and I thought, "He's going to go all the way." | 0:14:28 | 0:14:32 | |
"We discussed it, we decided he was going to win. That was it." | 0:14:32 | 0:14:36 | |
-Did you really? Honestly, you thought right from the...? -Yes. | 0:14:36 | 0:14:39 | |
-There was no doubt in my mind. -Right. | 0:14:39 | 0:14:40 | |
Where does he get his business acumen from? | 0:14:40 | 0:14:44 | |
It beats me. | 0:14:44 | 0:14:46 | |
-Maureen? -From me! The mother! | 0:14:46 | 0:14:48 | |
My father. | 0:14:48 | 0:14:50 | |
LAUGHTER AND APPLAUSE | 0:14:50 | 0:14:52 | |
And it's the end of the series, so throughout this evening, | 0:14:59 | 0:15:02 | |
we'll be presenting a host of awards to candidates who have | 0:15:02 | 0:15:04 | |
shown extraordinary pluck and endeavour, the You're Fired | 0:15:04 | 0:15:07 | |
Excellence In Business Awards, or YFEBAs, for short. | 0:15:07 | 0:15:11 | |
Our first award tonight recognises that the workplace can be | 0:15:11 | 0:15:14 | |
a minefield of social etiquette, | 0:15:14 | 0:15:16 | |
so this YFEBA is for Awkward Hug Of The Series. | 0:15:16 | 0:15:20 | |
And the nominations are... | 0:15:20 | 0:15:21 | |
FANFARE | 0:15:21 | 0:15:24 | |
Mukai and his reluctant one-armed bandit on Grainne. | 0:15:24 | 0:15:27 | |
The "I don't like you enough to bother lifting my other arm" hug. | 0:15:27 | 0:15:31 | |
Sorry, dude. | 0:15:34 | 0:15:35 | |
Let's see that again. The full hug looks on. | 0:15:37 | 0:15:39 | |
"Oh, no, I can't be arsed." | 0:15:39 | 0:15:41 | |
Our next nominees are Paul and Oliver | 0:15:44 | 0:15:46 | |
for their thumping collider hug. | 0:15:46 | 0:15:48 | |
Part collision, part hug. A wrestling smackdown in hug form. | 0:15:48 | 0:15:52 | |
Take care. It's been wonderful. | 0:15:54 | 0:15:56 | |
Let's see that again. Ooh! | 0:16:00 | 0:16:02 | |
Right in the mush. | 0:16:04 | 0:16:05 | |
And the final nomination is Dillon and his incredible | 0:16:06 | 0:16:09 | |
disappearing hug trick, a breathtaking switcheroo, | 0:16:09 | 0:16:12 | |
the old "now you hug me, now you don't", on Alana. | 0:16:12 | 0:16:15 | |
SHE GIGGLES | 0:16:17 | 0:16:19 | |
Here it is again. Oh, hug cancelled! | 0:16:20 | 0:16:23 | |
-Hal, you have the envelope there. Could you tell us...? -I do. | 0:16:27 | 0:16:30 | |
Could you tell us who the winner is, please? | 0:16:30 | 0:16:33 | |
The YFEBA goes to, for their collide-o-hug... | 0:16:34 | 0:16:38 | |
It's Paul and Oliver! | 0:16:38 | 0:16:40 | |
CHEERING | 0:16:40 | 0:16:42 | |
Come on down, Paul and Oliver, come and join us on stage. | 0:16:42 | 0:16:45 | |
Well done. | 0:16:49 | 0:16:50 | |
Congratulations, Paul and Oliver. Oliver, did that hurt? Did it hurt? | 0:16:54 | 0:16:57 | |
Literally, Rhod, I didn't feel a thing. | 0:16:57 | 0:17:00 | |
I mean, the boardroom was more brutal than anything like that, | 0:17:00 | 0:17:02 | |
Paul. No. And we're great pals. | 0:17:02 | 0:17:04 | |
-Paul, have you ever hospitalised anyone with a hug before? -No. | 0:17:04 | 0:17:07 | |
No, a first? Ladies and gentlemen, Paul and Oliver. | 0:17:07 | 0:17:09 | |
Give it up! APPLAUSE | 0:17:09 | 0:17:11 | |
Now, in case you haven't noticed, it's Christmas, | 0:17:16 | 0:17:18 | |
and I thought it'd be nice for each of our panel to get | 0:17:18 | 0:17:20 | |
a small thank you for coming on the show. | 0:17:20 | 0:17:22 | |
I've got your gifts here, Hal, Myleene, Claude. | 0:17:22 | 0:17:26 | |
I'm going to give them out. Claude, that's for you. | 0:17:26 | 0:17:28 | |
Myleene, that's yours. | 0:17:28 | 0:17:29 | |
-Thanks for coming on the show. -Thank you. -Merry Christmas. | 0:17:29 | 0:17:32 | |
Hal, perhaps if you'd like to open yours first. | 0:17:32 | 0:17:34 | |
-See what you've got. -OK. -A very merry Christmas. -Ooh. | 0:17:34 | 0:17:38 | |
This is exciting, isn't it, eh? | 0:17:38 | 0:17:40 | |
It looks like it's... Is that...whisky, brandy? | 0:17:40 | 0:17:43 | |
-No, it's Colony Gin! -It is! | 0:17:43 | 0:17:45 | |
A bottle of beautiful Colony Gin. | 0:17:45 | 0:17:47 | |
Are you a gin drinker, Hal? | 0:17:49 | 0:17:51 | |
I am. | 0:17:51 | 0:17:53 | |
I do like gin. When it's the right colour and doesn't remind me | 0:17:53 | 0:17:57 | |
of our dodgy colonial past, I'm fine with it. | 0:17:57 | 0:18:00 | |
-Should have gave him a Giin. -I should have given you a Giin! | 0:18:00 | 0:18:03 | |
I know, but that was quite a decent brand. It wouldn't have been funny. | 0:18:03 | 0:18:06 | |
Trishna, you were responsible, really, | 0:18:06 | 0:18:08 | |
for the creation of this nightmare brand. | 0:18:08 | 0:18:12 | |
-What have you got to say for yourself? -Orange is the new black. | 0:18:12 | 0:18:16 | |
-That would only work if gin was black. -Yeah! | 0:18:16 | 0:18:20 | |
Claude, what have you got, I wonder? | 0:18:22 | 0:18:24 | |
-Tension. -Claude, happy memories from Brighton and the candy task? | 0:18:26 | 0:18:30 | |
-Memories. -Yeah. | 0:18:30 | 0:18:32 | |
Myleene, merry Christmas to you. What have you got? | 0:18:33 | 0:18:36 | |
-Yeah, thank you very much. -Pleasure. What have you got, Myleene? | 0:18:36 | 0:18:39 | |
How exciting! | 0:18:39 | 0:18:40 | |
What's going on? It's a tin of soup. I clearly ordered soap! | 0:18:40 | 0:18:44 | |
I clearly, clearly stated... | 0:18:46 | 0:18:49 | |
I mean... | 0:18:50 | 0:18:51 | |
I clearly asked for some black African soap. | 0:18:54 | 0:18:56 | |
I didn't do it myself, obviously. | 0:18:56 | 0:18:58 | |
I asked Rebecca to get the gift for me. | 0:18:58 | 0:19:00 | |
Ladies and gentleman, a big round of applause for our panel | 0:19:00 | 0:19:02 | |
and their Christmas treats. | 0:19:02 | 0:19:04 | |
APPLAUSE Thanks for coming on the show! | 0:19:04 | 0:19:07 | |
-Courtney, an interesting choice of team you picked for the final. -Yeah. | 0:19:07 | 0:19:12 | |
-Talk us through it. -I wanted strong team members that | 0:19:12 | 0:19:15 | |
would all contribute to help me win, | 0:19:15 | 0:19:18 | |
so Jessica's an expert in branding, | 0:19:18 | 0:19:20 | |
Karthik, I knew he could help me with the pitching, | 0:19:20 | 0:19:23 | |
Sofiane and Paul, great guys, | 0:19:23 | 0:19:25 | |
I knew they'd contribute loads to the task. | 0:19:25 | 0:19:27 | |
So, yeah, that's why I chose them. | 0:19:27 | 0:19:29 | |
Claude, I mean, just hearing that list of names together in one list | 0:19:29 | 0:19:33 | |
-of names... -Frightening, isn't it? -Sofiane, Paul, Karthik, Jessica. | 0:19:33 | 0:19:36 | |
Was that wise or totally mad? | 0:19:36 | 0:19:39 | |
Well, individually, they're all great, but put together | 0:19:39 | 0:19:41 | |
and I think you've got an explosive situation. | 0:19:41 | 0:19:43 | |
-So I think it's probably... -Mad? | 0:19:43 | 0:19:46 | |
Yeah. Well, I didn't win, did I? So maybe it was. | 0:19:46 | 0:19:50 | |
-Shall we blame the team? It was all their fault! -Yes. | 0:19:50 | 0:19:53 | |
-It was a high-risk strategy, that's for sure. -Yeah. | 0:19:53 | 0:19:56 | |
You guys are all up there. | 0:19:56 | 0:19:57 | |
I'm not sure if you've been seated together tonight. I imagine not. | 0:19:57 | 0:20:00 | |
-We've got more sense than you, Courtney. -No, you haven't. | 0:20:00 | 0:20:03 | |
-They're all together. -Are they all together? Oh, not again! | 0:20:03 | 0:20:06 | |
Did you manage to pull it together as a team for the final, though? | 0:20:06 | 0:20:08 | |
-Yeah. -Yeah. -Oh, sorry! -Yeah, yeah. | 0:20:08 | 0:20:11 | |
I think Courtney was the focus for all of us, | 0:20:11 | 0:20:13 | |
even if we didn't get along doing it. | 0:20:13 | 0:20:15 | |
-But, yeah, we all wanted Courtney to win. -I think we delivered all right. | 0:20:15 | 0:20:18 | |
I think Courtney's done well as well. | 0:20:18 | 0:20:20 | |
But, yeah, sorry for letting you down, Court. | 0:20:20 | 0:20:22 | |
No-one let me down on that team, to be honest. | 0:20:22 | 0:20:24 | |
-Like, I couldn't have been happier. -Aww! That's really sweet. | 0:20:24 | 0:20:28 | |
Now, across the series, Karren has been keeping an eye | 0:20:28 | 0:20:31 | |
on our candidates, offering up her pithy one-liners. | 0:20:31 | 0:20:34 | |
Always harsh, but always fair. | 0:20:34 | 0:20:36 | |
But it took the Apprentice final for her to deliver her best. | 0:20:36 | 0:20:40 | |
A one-word withering Karren-slam to end the series in style. | 0:20:40 | 0:20:45 | |
UPBEAT MUSIC PLAYS | 0:20:45 | 0:20:47 | |
I thought Courtney's business was an online shop, | 0:20:54 | 0:20:58 | |
not a phone-up mail order business. | 0:20:58 | 0:21:01 | |
Why isn't he ordering it online? | 0:21:01 | 0:21:03 | |
I think the thought process behind it, a lot of people, | 0:21:04 | 0:21:07 | |
they order things now on the phone rather than the laptop. | 0:21:07 | 0:21:10 | |
Really? | 0:21:10 | 0:21:12 | |
LAUGHTER | 0:21:12 | 0:21:14 | |
Really? | 0:21:16 | 0:21:17 | |
Really? | 0:21:19 | 0:21:21 | |
Are you going to miss having Karren, and Claude, | 0:21:21 | 0:21:25 | |
-following your every move? -No. | 0:21:25 | 0:21:28 | |
You know what? They're two people I hugely respect. | 0:21:28 | 0:21:32 | |
What they've achieved in business is amazing. | 0:21:32 | 0:21:35 | |
But they're standing there and they're, like, breathing over you. | 0:21:35 | 0:21:37 | |
They're like meerkats, just, like, looking at you, just ready to... | 0:21:37 | 0:21:41 | |
You know they're going to take down notes and they're going to hit you | 0:21:41 | 0:21:45 | |
with something in the boardroom | 0:21:45 | 0:21:46 | |
that's going to completely destroy you. | 0:21:46 | 0:21:48 | |
So, yeah, it's kind of... | 0:21:48 | 0:21:50 | |
It's hard having him watch over your every move. | 0:21:50 | 0:21:53 | |
-Yeah. -Almost like a father. | 0:21:53 | 0:21:55 | |
Sorry. Stop it. Stop it. | 0:21:57 | 0:21:59 | |
So, 12 weeks, Courtney. 12 long weeks. | 0:22:02 | 0:22:06 | |
A long process. Did you manage to enjoy it? | 0:22:06 | 0:22:09 | |
-I loved every moment of it. -Did you? -Yeah, I absolutely loved it. | 0:22:09 | 0:22:12 | |
There's not a single day I didn't like. | 0:22:12 | 0:22:14 | |
Well, the interviews was tough. | 0:22:14 | 0:22:16 | |
But, yeah, if I could just do tasks for the rest of my life, | 0:22:16 | 0:22:19 | |
every week, I'd happily do it. I loved it. | 0:22:19 | 0:22:22 | |
-Just Monday to Friday, do a task, treat on the weekend. Yeah. -Yeah? | 0:22:22 | 0:22:25 | |
-Definitely. -And how was it sharing with everyone in the house? | 0:22:25 | 0:22:28 | |
Because it must be weird as it dwindles down, and by the end, | 0:22:28 | 0:22:30 | |
it's just two of you rattling around in there. | 0:22:30 | 0:22:33 | |
Yeah, it is strange to lose someone each week. | 0:22:33 | 0:22:36 | |
With a few weeks to go, I had a whole floor to myself so, yeah, | 0:22:36 | 0:22:39 | |
I could walk around naked and do some lunges on the balcony and... | 0:22:39 | 0:22:43 | |
Hang on a minute, mate, that doesn't quite work. | 0:22:43 | 0:22:45 | |
You had the whole place to yourself, I understand, | 0:22:45 | 0:22:47 | |
you can walk around naked, I understand. | 0:22:47 | 0:22:49 | |
But once you're on the balcony, | 0:22:49 | 0:22:50 | |
you do know you're kind of in public view? | 0:22:50 | 0:22:52 | |
Time now for another YFEBA. | 0:22:54 | 0:22:56 | |
FANFARE | 0:22:56 | 0:23:00 | |
The Apprentice is a long, tiring process, | 0:23:00 | 0:23:02 | |
and candidates can often struggle to summon the necessary oomph | 0:23:02 | 0:23:05 | |
required to carry off a task. | 0:23:05 | 0:23:07 | |
So our second award is for Half-arsed Commitment To A Task. | 0:23:07 | 0:23:12 | |
And our first nomination is Aleksandra | 0:23:12 | 0:23:14 | |
and her half-arsed commitment to winning The Apprentice series 12. | 0:23:14 | 0:23:18 | |
Guys, I just have to say something. I... | 0:23:20 | 0:23:23 | |
-I'm going to leave the process. Good luck, guys. -Good luck. -Sorry. | 0:23:23 | 0:23:27 | |
Our next nomination is Courtney, channelling more Hugh Grant | 0:23:33 | 0:23:37 | |
than Blackbeard, and failing to curdle any blood whatsoever. | 0:23:37 | 0:23:40 | |
Oh-hoy there. | 0:23:46 | 0:23:47 | |
You needed Karthik round your waist, mate. | 0:23:53 | 0:23:55 | |
And the final nomination is JD and his worrying lack of | 0:23:55 | 0:23:58 | |
commitment to personal hygiene in a food preparation area. | 0:23:58 | 0:24:02 | |
Pretty sure I've got a massive sweat patch on my bum right now. | 0:24:04 | 0:24:07 | |
Well, Courtney, I'm going to give you the envelope. | 0:24:10 | 0:24:12 | |
I'm going to let you read who the winner is. | 0:24:12 | 0:24:16 | |
The YFEBA for the Half-arsed Commitment To A Role goes to... | 0:24:16 | 0:24:19 | |
-Yes, Courtney, yes! -I've had drama training. | 0:24:19 | 0:24:22 | |
Yes! A bit more oomph, give it a bit more. Come on, Courtney! | 0:24:22 | 0:24:25 | |
-..is... -Come on! | 0:24:25 | 0:24:27 | |
..me for my Hugh Grant pirate. | 0:24:27 | 0:24:28 | |
Congratulations! | 0:24:31 | 0:24:33 | |
Does that make up for not winning the 250 grand investment? | 0:24:36 | 0:24:39 | |
That's got to make up for it in some small part. | 0:24:39 | 0:24:42 | |
-Yeah. -LAUGHTER | 0:24:43 | 0:24:44 | |
Courtney, thanks for coming on the show. | 0:24:44 | 0:24:46 | |
Massive congratulations for being runner-up. | 0:24:46 | 0:24:48 | |
Thanks for being a good sport. Let's have a look at your highlights. | 0:24:48 | 0:24:52 | |
I've never been fired in my life | 0:24:52 | 0:24:53 | |
and it's not going to start happening now. | 0:24:53 | 0:24:56 | |
Oh-hoy there. | 0:24:56 | 0:24:57 | |
China and glassware, everything must go today! | 0:24:57 | 0:24:59 | |
It's hard work making things look easy. | 0:24:59 | 0:25:01 | |
Do I look cool? | 0:25:01 | 0:25:03 | |
Courtney's very talented at what he does, | 0:25:03 | 0:25:05 | |
really easy to work with, | 0:25:05 | 0:25:07 | |
gives out really good decisions and ideas. | 0:25:07 | 0:25:10 | |
-Do you like the badger now? -Yeah, I do! | 0:25:10 | 0:25:12 | |
Cats are on trend. Cats are cool. | 0:25:12 | 0:25:14 | |
This might be the first-ever meeting | 0:25:14 | 0:25:16 | |
I've done in my dressing gown. | 0:25:16 | 0:25:17 | |
You cheeky little bastard. | 0:25:17 | 0:25:19 | |
He's showing that he's very, very smart. | 0:25:19 | 0:25:21 | |
He's very creative. | 0:25:21 | 0:25:22 | |
So, Giin, the double 'i', to represent two people. | 0:25:22 | 0:25:25 | |
We should be done by 3am at this rate. | 0:25:25 | 0:25:28 | |
You model yourself on Leonardo DiCaprio... | 0:25:28 | 0:25:31 | |
as an Oscar winner. | 0:25:31 | 0:25:33 | |
Well, Courtney, unfortunately, | 0:25:34 | 0:25:37 | |
Lord Sugar won't be investing in you, didn't choose you | 0:25:37 | 0:25:40 | |
as his business partner, but nobody goes away empty-handed. | 0:25:40 | 0:25:43 | |
You've already got your YFEBA. "What? Can there be more?" you ask. | 0:25:43 | 0:25:45 | |
Yes, there is. You've dressed up a lot on this series. | 0:25:45 | 0:25:48 | |
-A few times. -Haven't you? You've dressed up a few times. | 0:25:48 | 0:25:50 | |
Spaceman. Pirate was my favourite, | 0:25:50 | 0:25:52 | |
I have to say, your bloodcurdling pirate with his terrifying cries. | 0:25:52 | 0:25:56 | |
I thought I would get you something to remind you of that event. | 0:25:56 | 0:26:00 | |
This is... We have made | 0:26:00 | 0:26:02 | |
a Courtney pirate doll. | 0:26:02 | 0:26:04 | |
-Aww. -That is yours. | 0:26:04 | 0:26:06 | |
Have you taken a member of One Direction? | 0:26:06 | 0:26:08 | |
May have. | 0:26:10 | 0:26:12 | |
That is yours, Courtney, to keep, to take with you. That is yours. | 0:26:12 | 0:26:15 | |
Enjoy it at your leisure. | 0:26:15 | 0:26:16 | |
Ladies and gentlemen, Courtney Wood, the runner-up! | 0:26:16 | 0:26:19 | |
Hal and Myleene, you're going to stay with us | 0:26:25 | 0:26:27 | |
but, Claude, unfortunately, is leaving us, ladies and gentlemen. | 0:26:27 | 0:26:31 | |
That can only mean one thing, | 0:26:31 | 0:26:32 | |
because Claude does not give up his seat easily, I tell you that. | 0:26:32 | 0:26:35 | |
He's going to be making way for Lord Sugar himself. | 0:26:35 | 0:26:38 | |
-AUDIENCE: -Ooh! | 0:26:38 | 0:26:40 | |
Please give it up for our very own Claude Littner! | 0:26:40 | 0:26:42 | |
CHEERING | 0:26:42 | 0:26:44 | |
And so to our winner, this is the moment they discovered | 0:26:46 | 0:26:49 | |
who's going to be Lord Sugar's new business partner. | 0:26:49 | 0:26:53 | |
It's a tough one. | 0:26:53 | 0:26:54 | |
But I've got to make a decision. I've got to go with my gut feeling. | 0:26:57 | 0:27:01 | |
So... | 0:27:01 | 0:27:03 | |
..Alana, you're going to be my business partner. | 0:27:07 | 0:27:10 | |
Oh, my God, I will work so hard. | 0:27:12 | 0:27:14 | |
(Well done.) | 0:27:14 | 0:27:16 | |
Thank you. | 0:27:19 | 0:27:21 | |
Please welcome the winner of The Apprentice 2016, Alana Spencer. | 0:27:21 | 0:27:25 | |
CHEERING | 0:27:25 | 0:27:27 | |
APPLAUSE DROWNS SPEECH | 0:27:31 | 0:27:34 | |
Congratulations! | 0:27:34 | 0:27:36 | |
The first Welsh winner of The Apprentice, ladies and gentlemen. | 0:27:44 | 0:27:49 | |
HE SPEAKS WELSH | 0:27:49 | 0:27:51 | |
We're celebrating in Wales. | 0:27:53 | 0:27:55 | |
You've done us all so proud, us Welsh, Alana. | 0:27:55 | 0:27:58 | |
-Has it sunk in yet? -No. | 0:27:58 | 0:27:59 | |
I... I'm in shock. I'm in shock. It's amazing, yeah. | 0:27:59 | 0:28:03 | |
-I think it's going to take... -Take a moment. Take a moment. | 0:28:03 | 0:28:05 | |
I think it's going to take a while. | 0:28:05 | 0:28:06 | |
-Yeah. We haven't got that long, but... -No. | 0:28:06 | 0:28:10 | |
At what point did you think, though, "I could win this"? | 0:28:10 | 0:28:14 | |
-When I applied, I thought I had a good chance. -Yeah. | 0:28:14 | 0:28:18 | |
Um... I'd say... | 0:28:18 | 0:28:21 | |
week one, I thought, "OK, this is looking a little bit less likely." | 0:28:21 | 0:28:25 | |
-Yeah. -Week two, I mean, I've got no chance. | 0:28:25 | 0:28:28 | |
Are you going to take us through every single week, like that? | 0:28:28 | 0:28:31 | |
-No, no. -"On week nine, I felt a little less than week eight." | 0:28:31 | 0:28:35 | |
Week three onwards, I think I thought I could. | 0:28:35 | 0:28:40 | |
Because I think you've been a massively sort of quiet | 0:28:40 | 0:28:42 | |
voice of reason and real sense... | 0:28:42 | 0:28:44 | |
People haven't listened often, have they? | 0:28:44 | 0:28:47 | |
No, maybe not, but I understand everyone's trying to get their | 0:28:47 | 0:28:51 | |
voice heard and I think, you know, maybe if I'd done it differently, | 0:28:51 | 0:28:55 | |
then I wouldn't be sat here | 0:28:55 | 0:28:57 | |
so, you know, I wouldn't change a thing. | 0:28:57 | 0:28:59 | |
-Don't change anything now, for God's sake. -No. -No. | 0:28:59 | 0:29:02 | |
Did you enjoy the whole process or was it just the ending? | 0:29:02 | 0:29:05 | |
-No, I did enjoy it all. -Did you? | 0:29:05 | 0:29:06 | |
I don't think my face looked like I was enjoying it at all. | 0:29:06 | 0:29:09 | |
-Oh, God, your face looked like all sorts of things. -I know. | 0:29:09 | 0:29:12 | |
-I need to work on that. -What a face. -What a face. -What a wonderful face. | 0:29:12 | 0:29:16 | |
Myleene, did you see this coming? Did you see Alana winning? | 0:29:16 | 0:29:19 | |
-When did you...? -I think the beauty of Alana's win is that nobody... | 0:29:19 | 0:29:22 | |
And please, I don't mean this in any other way other than | 0:29:22 | 0:29:25 | |
nobody necessarily saw it coming. | 0:29:25 | 0:29:27 | |
-No. -You just surprised everyone, | 0:29:27 | 0:29:29 | |
but it was wonderful to watch you blossom, | 0:29:29 | 0:29:32 | |
so every single week, you grew in your confidence, | 0:29:32 | 0:29:34 | |
and then to see how you spoke so eloquently in the boardroom, | 0:29:34 | 0:29:38 | |
you had that confidence. Suddenly, we saw a different Alana, | 0:29:38 | 0:29:40 | |
and by the time that you stood up and you pitched, | 0:29:40 | 0:29:43 | |
it felt like YOU actually believed what you were saying | 0:29:43 | 0:29:46 | |
and so we all believed it, and hence you're sitting there now. | 0:29:46 | 0:29:49 | |
-Hal... -Yeah... -Did you see Alana winning? | 0:29:49 | 0:29:52 | |
No, not at the beginning, because it was | 0:29:52 | 0:29:54 | |
a dreadful first couple of weeks, | 0:29:54 | 0:29:56 | |
and they all underestimated her a bit, | 0:29:56 | 0:29:58 | |
because even... I think it was week five when Karthik forgot her name. | 0:29:58 | 0:30:01 | |
Do you remember that? You should go and stand over him now, | 0:30:01 | 0:30:04 | |
going, "What's my name, bitch?!" | 0:30:04 | 0:30:06 | |
Because... He actually forgot. You know. | 0:30:06 | 0:30:09 | |
It was week five and people were still sort of forgetting about her. | 0:30:09 | 0:30:15 | |
But I think... You just did that thing, you know, you were quiet, | 0:30:15 | 0:30:18 | |
you were quiet when you needed to be, but you stood up for yourself | 0:30:18 | 0:30:20 | |
when you needed to be and you didn't say silly things, | 0:30:20 | 0:30:22 | |
you backed up everything, you didn't say stuff like, you know, | 0:30:22 | 0:30:25 | |
"I'm an emperor and a leader and give me a laptop and I'll make you | 0:30:25 | 0:30:27 | |
"a billion-dollar company." Sorry, Karthik. | 0:30:27 | 0:30:30 | |
They're classics, you should market those. | 0:30:30 | 0:30:33 | |
But they say that in business | 0:30:33 | 0:30:34 | |
there's two different kind of characters, if you like. | 0:30:34 | 0:30:37 | |
You get your creative and you get the more sort of structured | 0:30:37 | 0:30:40 | |
business mind, and I think you learnt to be more of the latter | 0:30:40 | 0:30:44 | |
towards the end, so to marry the two has been - urgh! - | 0:30:44 | 0:30:48 | |
perfect ingredients. | 0:30:48 | 0:30:50 | |
I didn't plan that! No, but I feel like you did... | 0:30:50 | 0:30:53 | |
I feel like we were able to watch you learn so much. | 0:30:53 | 0:30:57 | |
Well, Alana, let's meet your new business partner. | 0:30:57 | 0:31:00 | |
Ladies and gentlemen, please welcome Lord Sugar. | 0:31:00 | 0:31:03 | |
CHEERING | 0:31:03 | 0:31:05 | |
Welcome. Welcome to the show. | 0:31:09 | 0:31:12 | |
Lord Sugar, ladies and gents. Lord Sugar. | 0:31:12 | 0:31:15 | |
Welcome, welcome, welcome. | 0:31:20 | 0:31:22 | |
Thank you. Thank you. | 0:31:22 | 0:31:24 | |
Great to have you here. Straight in, | 0:31:24 | 0:31:25 | |
I'm going to ask you why you chose Alana. | 0:31:25 | 0:31:29 | |
Well, I chose her because she went on a great journey. | 0:31:29 | 0:31:35 | |
I've heard you refer already to the fact that, you know, week one, | 0:31:35 | 0:31:40 | |
week two, it looked like she was dead meat. | 0:31:40 | 0:31:43 | |
But this is what The Apprentice is about, | 0:31:46 | 0:31:49 | |
people pick it up as they go along, yeah? | 0:31:49 | 0:31:52 | |
And she did pick it up as we went along, | 0:31:52 | 0:31:57 | |
and also her determination | 0:31:57 | 0:32:00 | |
and her business plan turned out to be the best, | 0:32:00 | 0:32:05 | |
and she's a very bubbly young lady, very intelligent young lady, | 0:32:05 | 0:32:10 | |
and I know that she got little bit intimidated when Lord Sugar here | 0:32:10 | 0:32:15 | |
spoke to her a few times in the boardroom, | 0:32:15 | 0:32:18 | |
but she came through very, very well, yeah. | 0:32:18 | 0:32:20 | |
I have to ask you, now that you're business partners, are you going to | 0:32:20 | 0:32:24 | |
be sticking a pinny on, heading to Wales and doing the baking? | 0:32:24 | 0:32:26 | |
No, no, they're thinking of... | 0:32:26 | 0:32:28 | |
Channel 4's thinking of taking me instead of Mary Berry, actually. | 0:32:28 | 0:32:33 | |
-You've got a good baking name, Lord Sugar. -Yeah. | 0:32:33 | 0:32:35 | |
And you are ridiculously rich. | 0:32:35 | 0:32:37 | |
APPLAUSE | 0:32:37 | 0:32:39 | |
You're made for it. Perfect for each other. | 0:32:39 | 0:32:42 | |
So what's the plan? | 0:32:46 | 0:32:47 | |
In all seriousness, what's the plan now? You two, business partners - | 0:32:47 | 0:32:50 | |
everybody at home, I guess, wants to know what happens now. | 0:32:50 | 0:32:52 | |
Well, I heard... I mean, Claude picked up on something that I said | 0:32:52 | 0:32:56 | |
at the tail end of the boardroom, that I should stick to what I know. | 0:32:56 | 0:33:02 | |
Obviously, I don't know much about cakes, that's for sure. | 0:33:02 | 0:33:05 | |
What I've done all of my life is manufacture. | 0:33:05 | 0:33:09 | |
And he's right... | 0:33:09 | 0:33:12 | |
in the sense that this is a challenge, a new challenge, | 0:33:12 | 0:33:15 | |
I like a challenge, and it occurred to me... | 0:33:15 | 0:33:18 | |
You heard me use the terminology scaling up, right, quite a lot. | 0:33:18 | 0:33:24 | |
This £250,000 investment is no joke, as some of the winners over there | 0:33:24 | 0:33:30 | |
will tell you, because they make a lot of money, | 0:33:30 | 0:33:34 | |
a lot of money, and we're in this for the money, OK? | 0:33:34 | 0:33:38 | |
And what she was doing initially was making a nice living for herself | 0:33:38 | 0:33:42 | |
and the key was how we're going to take that and scale it up. | 0:33:42 | 0:33:46 | |
Can I just rewind up a little bit? | 0:33:46 | 0:33:48 | |
Because you did say quite a few times | 0:33:48 | 0:33:50 | |
that Courtney's business model, that kind of paradigm, | 0:33:50 | 0:33:52 | |
you understood that very well, and when you were saying that, | 0:33:52 | 0:33:55 | |
-I was kind of thinking maybe you were going to go that way. -Right. | 0:33:55 | 0:33:58 | |
My background is manufacturing. | 0:33:58 | 0:34:00 | |
Courtney designed something, which is what I used to do, | 0:34:00 | 0:34:06 | |
he then gets it tooled up, he then makes it, | 0:34:06 | 0:34:09 | |
he then goes and sells it, and so it was very much in line with what | 0:34:09 | 0:34:14 | |
I had done, and I mentioned that in the end of the programme. | 0:34:14 | 0:34:19 | |
The issue with Courtney at the moment is that the items | 0:34:19 | 0:34:26 | |
in question that he makes at the moment, | 0:34:26 | 0:34:29 | |
at this particular time, are very low-cost, and I couldn't see | 0:34:29 | 0:34:33 | |
a kind of a scaling-up version of it at the moment, | 0:34:33 | 0:34:36 | |
and that's really it, so I decided to be a little bit adventurous | 0:34:36 | 0:34:43 | |
and come into the Mr Kipling area, you know? | 0:34:43 | 0:34:47 | |
Well, Lord Sugar clearly felt Alana's baking business plan | 0:34:47 | 0:34:50 | |
had risen to the top, so let's have a look at how she won. | 0:34:50 | 0:34:53 | |
Alana, well, I will need convincing that your new business can grow | 0:34:53 | 0:34:57 | |
into a giant brand. | 0:34:57 | 0:34:59 | |
-The peanut butter's quite rich, isn't it? -It's ridiculously rich, yeah. | 0:34:59 | 0:35:03 | |
When you said it, it sounded really cute. | 0:35:03 | 0:35:05 | |
The problem about the name they've chosen | 0:35:05 | 0:35:07 | |
-is it has no unique selling point. -That is not Alana. | 0:35:07 | 0:35:12 | |
What are you feeling that you are going to achieve | 0:35:12 | 0:35:14 | |
by digging something out that we've already created? | 0:35:14 | 0:35:16 | |
We just wanted to tell you. | 0:35:16 | 0:35:17 | |
All I'm suggesting is just about what is, yeah, | 0:35:17 | 0:35:21 | |
the uniqueness of you. | 0:35:21 | 0:35:22 | |
You could have on the box my signature. | 0:35:22 | 0:35:25 | |
It's your seal of approval. | 0:35:25 | 0:35:26 | |
Get rid of the cake stand and put in a bit of ownership. | 0:35:26 | 0:35:30 | |
Hello, everyone. | 0:35:30 | 0:35:32 | |
I'd like to introduce you to my brand, Ridiculously Rich. | 0:35:32 | 0:35:35 | |
I think, you know, small, artisan, | 0:35:35 | 0:35:37 | |
handmade, luxury, Wales - | 0:35:37 | 0:35:39 | |
I think it's a terrific story. | 0:35:39 | 0:35:41 | |
You were brilliant. | 0:35:42 | 0:35:45 | |
I turn over, a year, less than you do, | 0:35:45 | 0:35:47 | |
however, my profits are much higher, and business, | 0:35:47 | 0:35:51 | |
in my opinion, is all about | 0:35:51 | 0:35:52 | |
making as much profit as you can. | 0:35:52 | 0:35:54 | |
Cakes are something that people buy as a treat, | 0:35:54 | 0:35:56 | |
possibly every day. | 0:35:56 | 0:35:58 | |
CHEERING | 0:35:58 | 0:36:00 | |
You got quite cut-throat there, didn't you? Cut-throat Alana. | 0:36:03 | 0:36:06 | |
-It is there. -Yeah, it is there, it is. You were fighting there. -Deep down, it's there, yeah. | 0:36:06 | 0:36:10 | |
All about profit... I want to talk to you about the pitch, though, because that's the bit... | 0:36:10 | 0:36:13 | |
I guess it's because I'm a stand-up and I, every night, go out in front | 0:36:13 | 0:36:16 | |
of... Hal will recognise this. You go out in front of people and, you know, you perform, | 0:36:16 | 0:36:20 | |
public speaking, but that pitch, nonetheless, even to us, looks terrifying. | 0:36:20 | 0:36:25 | |
Yeah, petrifying. Walk down the longest staircase ever as well, | 0:36:25 | 0:36:28 | |
-just to make it that little bit worse. -Ramp it up. -Yeah. | 0:36:28 | 0:36:32 | |
-Yeah. -What was going through your mind on that long walk down? | 0:36:32 | 0:36:35 | |
I think mainly, "Don't trip," | 0:36:35 | 0:36:36 | |
because that just would've been awful. | 0:36:36 | 0:36:38 | |
But just everything that you've prepared is going round | 0:36:38 | 0:36:43 | |
and round in your head, and I think you get down there and then | 0:36:43 | 0:36:46 | |
-everything you've prepared just goes. -You're going round and round, | 0:36:46 | 0:36:48 | |
-that's going round and round in your head. -Both different ways, cancels each other out. | 0:36:48 | 0:36:52 | |
Grainne was right, though, you totally nailed it. | 0:36:52 | 0:36:54 | |
-Her prediction that you'd nail it came true. -Yes, yes. (Love Grainne.) | 0:36:54 | 0:36:58 | |
What Courtney says is interesting, though, about the fact that | 0:36:58 | 0:37:00 | |
it's easier to do that pitch | 0:37:00 | 0:37:02 | |
when it was for something that you cared about. | 0:37:02 | 0:37:04 | |
-Yes, definitely. -Because what amazed me... I was almost more impressed | 0:37:04 | 0:37:07 | |
when you all used to pitch to people when you knew it was rubbish. | 0:37:07 | 0:37:10 | |
Well, you did, you were sort of going, "No, it's going to be great," | 0:37:10 | 0:37:13 | |
but you knew you just wanted to go, "Oh, it's Colony Gin. | 0:37:13 | 0:37:16 | |
"I know it shouldn't be orange." But you just gave it your all. | 0:37:16 | 0:37:19 | |
-I truly, truly believed in Giin. -Oh, did you? -Yeah, I did. | 0:37:19 | 0:37:22 | |
-You were Giin, yeah. -Yeah, yeah. -Silly name, though. | 0:37:22 | 0:37:25 | |
Let's have a look at your product just quickly. | 0:37:25 | 0:37:28 | |
This is luxury handmade cakes, Ridiculously Rich by Alana. | 0:37:28 | 0:37:33 | |
Lord Sugar, you... | 0:37:33 | 0:37:35 | |
There was a lot of talk at the pitch and other places about Alana putting | 0:37:35 | 0:37:39 | |
herself in the brand and that she is the brand and what makes the brand | 0:37:39 | 0:37:41 | |
special is her, but we can kind of all say that. | 0:37:41 | 0:37:44 | |
We're all unique, what's special about me is me and you is you | 0:37:44 | 0:37:47 | |
and Myleene is Myleene and Hal not so much, but you know... | 0:37:47 | 0:37:49 | |
But you know what I mean? | 0:37:49 | 0:37:51 | |
Everybody's unique, so what is it about her that makes... | 0:37:51 | 0:37:54 | |
that goes into this, that makes this special? | 0:37:54 | 0:37:56 | |
Well, it's her business, right, and her name should be on it | 0:37:56 | 0:38:00 | |
and we will go forward promoting this product. | 0:38:00 | 0:38:05 | |
So it's Ridiculously Rich by Alana | 0:38:05 | 0:38:08 | |
is the brand name that she has chosen, and I think it's a great brand name. | 0:38:08 | 0:38:12 | |
You've got to have a brand name. | 0:38:12 | 0:38:13 | |
You can't just put on there "Cake", can you? | 0:38:13 | 0:38:16 | |
"Cake. Buy a cake. | 0:38:16 | 0:38:19 | |
"Have a cake. Black cake, brown cake, green cake." | 0:38:19 | 0:38:24 | |
You've got to have a name. | 0:38:24 | 0:38:26 | |
Lord Sugar won't be doing any baking. | 0:38:26 | 0:38:29 | |
Myleene, this was Alana's vision, | 0:38:29 | 0:38:31 | |
but it was a team effort in that final, wasn't it? | 0:38:31 | 0:38:34 | |
I think her team served her very well. | 0:38:34 | 0:38:36 | |
I think you should take the credit. You did lead from the front | 0:38:36 | 0:38:39 | |
and you are right to take ownership of your brand | 0:38:39 | 0:38:41 | |
and it's interesting what you talk about... | 0:38:41 | 0:38:43 | |
or what makes you unique is that Alana is leading from the front. | 0:38:43 | 0:38:46 | |
Often there is so much substance behind a brand | 0:38:46 | 0:38:48 | |
that the person who is at the forefront doesn't necessarily | 0:38:48 | 0:38:51 | |
even know about what's going on behind the scenes. | 0:38:51 | 0:38:53 | |
I think it's very much a different set of rules with Alana. | 0:38:53 | 0:38:56 | |
She is leading and I think some of the group went renegade | 0:38:56 | 0:39:02 | |
and I think, normally, if you go rogue when you've been given | 0:39:02 | 0:39:06 | |
a set of instructions, like Oliver... | 0:39:06 | 0:39:09 | |
Well, let's talk about that, Myleene, | 0:39:09 | 0:39:11 | |
because I was going to ask you about the handmade in Wales thing, | 0:39:11 | 0:39:14 | |
you said it was so, so important in the pitch, | 0:39:14 | 0:39:17 | |
-but it was all Oliver's idea. -Mm-hm. | 0:39:17 | 0:39:19 | |
-He made me see that it was so, so important. -I see. -Yeah. | 0:39:19 | 0:39:23 | |
And I think this is a great day for Wales also, because... | 0:39:23 | 0:39:26 | |
No, no, seriously, because, you know, Alana's from Wales, | 0:39:26 | 0:39:32 | |
the product is branded in Wales, | 0:39:32 | 0:39:34 | |
the business model is going to be based in Wales. | 0:39:34 | 0:39:37 | |
I mean, it is a proud moment for Wales, really, it really is, | 0:39:37 | 0:39:41 | |
and let's not play that down. | 0:39:41 | 0:39:43 | |
I'm not saying that because of you. | 0:39:43 | 0:39:45 | |
LAUGHTER | 0:39:45 | 0:39:46 | |
In the interviews last week, | 0:39:46 | 0:39:48 | |
Alana very thoughtfully wrapped up | 0:39:48 | 0:39:50 | |
some samples of her cakes for all the interviewers, | 0:39:50 | 0:39:52 | |
but they were too busy being mean to taste them. | 0:39:52 | 0:39:54 | |
But eventually, she managed to crack even the toughest nut. | 0:39:54 | 0:39:59 | |
Claude, would you like to try a cake? | 0:40:05 | 0:40:06 | |
Oh, no, definitely not. | 0:40:06 | 0:40:08 | |
-Yeah, I'll try all of them. -THEY LAUGH | 0:40:12 | 0:40:15 | |
-Better than Giin. -Sorry, what are those...? | 0:40:17 | 0:40:20 | |
This one? Sorry. | 0:40:20 | 0:40:21 | |
Claude's going to eat them all! | 0:40:21 | 0:40:23 | |
-OK, so I'm going to start... -It's all right, we'll share this. | 0:40:23 | 0:40:26 | |
I want that back. OK. | 0:40:26 | 0:40:29 | |
The pressure. | 0:40:31 | 0:40:34 | |
-Not bad. -Delish? | 0:40:34 | 0:40:36 | |
Mm. | 0:40:40 | 0:40:41 | |
You tried to bribe Claude with cakes at the interview stage, | 0:40:51 | 0:40:55 | |
-that didn't go quite so well. -No, that one didn't, no. | 0:40:55 | 0:40:57 | |
He wasn't quite so receptive at that stage. | 0:40:57 | 0:40:59 | |
No, I think he told me to take them with me. | 0:40:59 | 0:41:01 | |
How did that feel when you'd brought them? | 0:41:01 | 0:41:04 | |
Yeah, I was just like, "OK, I'll try again at the end," and I went, | 0:41:04 | 0:41:07 | |
"Do you want me to leave them?" | 0:41:07 | 0:41:08 | |
He was like, "No, take them with you." | 0:41:08 | 0:41:10 | |
-"And sit back, would you?" -Yeah. | 0:41:10 | 0:41:13 | |
So, your family are here, I understand, Alana. | 0:41:13 | 0:41:17 | |
Where are your family? Have they managed to all come along? | 0:41:17 | 0:41:20 | |
How many have we got there? Blimey! | 0:41:20 | 0:41:22 | |
I know we've got Mum and Dad, James. Sarah, James, are you up there? | 0:41:22 | 0:41:25 | |
-Yeah. -Boyfriend Bart, are you there? | 0:41:25 | 0:41:29 | |
You've just found out she's won. | 0:41:29 | 0:41:30 | |
-Just, yeah. It's incredible. -How does that feel? | 0:41:30 | 0:41:34 | |
Oh, it's surreal, it's like it's a dream. | 0:41:34 | 0:41:37 | |
-It's not. -I know. -It's real. -It's fantastic. | 0:41:37 | 0:41:40 | |
-Wake up. Wake up. -Yeah! | 0:41:40 | 0:41:42 | |
How long is it going to take for this to sink in, do you think? | 0:41:42 | 0:41:45 | |
Well, I think we're very pleased to hear about this outsourcing. | 0:41:45 | 0:41:48 | |
We're finally going to get our kitchen back after six years. | 0:41:48 | 0:41:52 | |
-Is that Dad, James? -Yeah. -Hello. -Hello. -Hiya. | 0:41:52 | 0:41:56 | |
So did it all start in your kitchen? Is that what happened? | 0:41:56 | 0:42:01 | |
It started originally in our kitchen. | 0:42:01 | 0:42:04 | |
After coming home from work every day and finding every surface | 0:42:04 | 0:42:06 | |
coated in chocolate, every pan coated in chocolate, the floor | 0:42:06 | 0:42:11 | |
and ceiling coated in chocolate, | 0:42:11 | 0:42:13 | |
we decided we'd build her a kitchen of her own. | 0:42:13 | 0:42:15 | |
Oompa Loompas everywhere. | 0:42:15 | 0:42:17 | |
-That's a bit harsh. -LAUGHTER | 0:42:19 | 0:42:22 | |
So how quickly did it turn from that into a business? | 0:42:22 | 0:42:27 | |
She'd grown the business steadily and, you know, | 0:42:27 | 0:42:31 | |
she's shown amazing tenacity to get it to where it is now, | 0:42:31 | 0:42:36 | |
and we're just so excited to see what happens next | 0:42:36 | 0:42:39 | |
with this fantastic opportunity that she's been given. | 0:42:39 | 0:42:42 | |
-Did you think she would win? -Of course we did. -Really? | 0:42:42 | 0:42:47 | |
-Yeah. -Oh. | 0:42:47 | 0:42:49 | |
-Cocky. -Sorry. | 0:42:49 | 0:42:51 | |
Bart, was that the way to your heart, through your stomach? | 0:42:51 | 0:42:54 | |
-Absolutely. -Was it? -Yeah, quickest way. -OK. | 0:42:54 | 0:42:58 | |
Ladies and gentlemen, Alana's family, Sarah, James, | 0:42:58 | 0:43:01 | |
boyfriend Bart and all the rest... | 0:43:01 | 0:43:04 | |
all the rest of the Spencers. | 0:43:04 | 0:43:07 | |
Thanks for coming. | 0:43:07 | 0:43:10 | |
Right, it's YFEBA time once again. FANFARE | 0:43:10 | 0:43:14 | |
Now, throughout this 12th series, | 0:43:14 | 0:43:15 | |
Karren's been in fine slam-down form, | 0:43:15 | 0:43:18 | |
dropping verbal truth bombs left, right and centre, | 0:43:18 | 0:43:20 | |
and our candidates' silent reactions have been a joy to behold. | 0:43:20 | 0:43:24 | |
So our next award is Best Facial Response To A Karren Slam. | 0:43:24 | 0:43:27 | |
And the nominations are... | 0:43:27 | 0:43:29 | |
Dillon, for his confused haddock face. | 0:43:29 | 0:43:32 | |
In Samuel's defence, I have seen him sell, | 0:43:34 | 0:43:35 | |
and he is always passionate, he's always engaging. | 0:43:35 | 0:43:38 | |
What are you, his spokesperson? | 0:43:38 | 0:43:39 | |
No, I just thought I would give my input. | 0:43:39 | 0:43:42 | |
Why don't you talk about yourself? | 0:43:42 | 0:43:44 | |
RHOD LAUGHS | 0:43:46 | 0:43:48 | |
Our second nominee is JD, | 0:43:48 | 0:43:50 | |
with his classic, old school, "you've got me bang to rights" face. | 0:43:50 | 0:43:53 | |
We tried to, but they said they didn't want us there. | 0:43:55 | 0:43:57 | |
So what? You're project manager, go and check. | 0:43:57 | 0:43:59 | |
That's what you do when you run a business. | 0:43:59 | 0:44:01 | |
And the final nomination is Natalie and her "What?! Sod off!" face. | 0:44:05 | 0:44:10 | |
Basically, I done the models' hair. Like, cleaned up and... | 0:44:12 | 0:44:16 | |
Cleaning and hairdressing? | 0:44:16 | 0:44:18 | |
Not skills Lord Sugar's looking for, Natalie. | 0:44:18 | 0:44:20 | |
Myleene, you have the envelope there. | 0:44:24 | 0:44:26 | |
Could you tell us who the winner is, please? | 0:44:26 | 0:44:28 | |
OK, the YFEBA for Best Facial Response To A Karren Slam goes to... | 0:44:28 | 0:44:32 | |
..for his classic, old school, "you've got me bang to rights" face, | 0:44:34 | 0:44:37 | |
-it's JD. -CHEERING | 0:44:37 | 0:44:39 | |
JD, come and join me on stage. | 0:44:39 | 0:44:41 | |
A punch of the air in celebration! | 0:44:41 | 0:44:43 | |
He's a happy man. | 0:44:43 | 0:44:45 | |
JD. | 0:44:45 | 0:44:47 | |
CHEERING | 0:44:47 | 0:44:48 | |
A popular winner. A popular winner. | 0:44:48 | 0:44:51 | |
-Take your award. -That's amazing, thank you. | 0:44:51 | 0:44:54 | |
Karren, sometimes a good cop, sometimes a bad cop, | 0:44:54 | 0:44:56 | |
but that was a FAIR cop. | 0:44:56 | 0:44:58 | |
Yeah, it was a bad cop, but fair cop, yeah. | 0:44:58 | 0:45:01 | |
Congratulations, JD. Ladies and gentlemen, JD O'Brien. | 0:45:01 | 0:45:05 | |
CHEERING | 0:45:05 | 0:45:07 | |
Winner of the Best Facial Response To A Karren Slam. | 0:45:09 | 0:45:14 | |
The team that you put together, what were you looking for in your team? | 0:45:14 | 0:45:18 | |
I had organisation, branding, food | 0:45:18 | 0:45:21 | |
and Grainne. | 0:45:21 | 0:45:22 | |
LAUGHTER | 0:45:22 | 0:45:24 | |
And Grainne is just incredible. That was by no means a criticism. | 0:45:24 | 0:45:28 | |
The dream team were back together, Frances and Grainne. | 0:45:28 | 0:45:31 | |
Frances, you dressed up as a cupcake there, I think. | 0:45:31 | 0:45:34 | |
Yeah, it screamed luxury, right? | 0:45:34 | 0:45:36 | |
Yeah, Alana wasn't too sure about that initially. | 0:45:36 | 0:45:40 | |
No, no. I hope she's forgiven us now. | 0:45:40 | 0:45:42 | |
It worked, though. It really did work. | 0:45:42 | 0:45:44 | |
-No, I loved it. -Yeah, it really worked. | 0:45:44 | 0:45:46 | |
We thought the food fight would bring in attention | 0:45:46 | 0:45:48 | |
in the middle of Westfield. | 0:45:48 | 0:45:49 | |
What, for the digital advert, the throwing flour in Frances' face? | 0:45:49 | 0:45:52 | |
-Yeah. I quite enjoyed it. -I wasn't sure about that at first. | 0:45:52 | 0:45:54 | |
I quite enjoyed doing it to her, | 0:45:54 | 0:45:56 | |
cos I honestly had to do it about three or four times. | 0:45:56 | 0:45:58 | |
I was like... | 0:45:58 | 0:45:59 | |
"Yes! Frances!" | 0:45:59 | 0:46:01 | |
I wasn't sure about that at first, Alana. | 0:46:01 | 0:46:04 | |
-You weren't sure about that at first either. -No, not initially. | 0:46:04 | 0:46:07 | |
I think I lost my temper a little, didn't I? | 0:46:07 | 0:46:10 | |
Only a little. | 0:46:10 | 0:46:11 | |
-Only a little, but it was a lot of pressure. -Yes, exactly. | 0:46:11 | 0:46:14 | |
But that's a huge responsibility, because you're doing things | 0:46:14 | 0:46:16 | |
on behalf of the finalist, and their investment is relying on it. | 0:46:16 | 0:46:19 | |
-And it's left to you. -I think it's a really good lesson in business, | 0:46:19 | 0:46:22 | |
cos that's essentially how a business works. | 0:46:22 | 0:46:24 | |
You know, you're not playing at it any more, you're actually doing it. | 0:46:24 | 0:46:27 | |
-So when you then... -I guess not every day | 0:46:27 | 0:46:29 | |
there's 250 grand for somebody else relying on it. | 0:46:29 | 0:46:31 | |
Well, I think Lord Sugar's actually hoping | 0:46:31 | 0:46:33 | |
there's going to be more than that, so... | 0:46:33 | 0:46:36 | |
The issue is, of course, | 0:46:36 | 0:46:37 | |
is that part of the skill of the process is that having worked | 0:46:37 | 0:46:41 | |
with those people the 12 weeks, it's selecting the people... | 0:46:41 | 0:46:47 | |
that you think are going to be best for your business. | 0:46:47 | 0:46:51 | |
And that is... In general, that's what you do in business - | 0:46:51 | 0:46:54 | |
you select the right kind of employees. | 0:46:54 | 0:46:57 | |
So I think that she chose her team, | 0:46:57 | 0:47:00 | |
and that's also part of learning in the process, | 0:47:00 | 0:47:03 | |
learning about the people, | 0:47:03 | 0:47:05 | |
and I say from day one that you need to deploy the people | 0:47:05 | 0:47:09 | |
that have a skill in that particular subject. | 0:47:09 | 0:47:11 | |
I think so many people pay such strong attention to, | 0:47:11 | 0:47:14 | |
"Well, The Apprentice, they choose these characters." | 0:47:14 | 0:47:17 | |
No, actually, what they're doing is they're hand-picking people | 0:47:17 | 0:47:19 | |
who've got a certain skill set and strength in different places, | 0:47:19 | 0:47:23 | |
and that's what you see come to the forefront. | 0:47:23 | 0:47:25 | |
So what all looks like a bit of a game... | 0:47:25 | 0:47:26 | |
Actually, in the world of business, you want your creative team, | 0:47:26 | 0:47:29 | |
you want your administrative, | 0:47:29 | 0:47:30 | |
you want the people who are going to be able to delegate well, | 0:47:30 | 0:47:33 | |
and you want the striker who's going to lead from the front. | 0:47:33 | 0:47:36 | |
-The striker! -I like that. | 0:47:36 | 0:47:37 | |
I suppose in a team, Paul is the manager, | 0:47:37 | 0:47:39 | |
shouting on the sidelines, going, "Your rubbish!" | 0:47:39 | 0:47:42 | |
-It's just a joke, Paul. You're massive. -Oi! | 0:47:45 | 0:47:47 | |
Well, Alana heads back to her Welsh kitchen | 0:47:49 | 0:47:51 | |
with a £250,000 investment, | 0:47:51 | 0:47:53 | |
ridiculously rich in confidence and a whole wealth of experience. | 0:47:53 | 0:47:57 | |
A far cry from the frightened rabbit who stepped up nervously | 0:47:57 | 0:48:00 | |
to project manage a candy task just a few short weeks ago. | 0:48:00 | 0:48:04 | |
Now, Alana, you need to be the project manager on this task. | 0:48:04 | 0:48:08 | |
MUSIC: Theme from Ironside by Quincy Jones | 0:48:08 | 0:48:11 | |
Your machine seems to be broken. | 0:48:11 | 0:48:14 | |
We can't use this batch. It's come out too light. | 0:48:14 | 0:48:16 | |
SHE SNIFFS | 0:48:16 | 0:48:17 | |
MUSIC CONTINUES | 0:48:17 | 0:48:19 | |
We need you here, it's mad busy. | 0:48:19 | 0:48:21 | |
I need to go back to the hotel and grab the last box of toffee. | 0:48:21 | 0:48:23 | |
No! We need you here. | 0:48:23 | 0:48:24 | |
Let's not go to the hotel, that's a waste of time. | 0:48:24 | 0:48:27 | |
MUSIC CONTINUES | 0:48:27 | 0:48:29 | |
Being project manager is so stressful. | 0:48:29 | 0:48:32 | |
Claude, perhaps you'd like to rattle off Titan's figures. | 0:48:32 | 0:48:35 | |
Total profit, £785.66. | 0:48:35 | 0:48:39 | |
Titans, you've done it. | 0:48:41 | 0:48:43 | |
It was a really amazing task, and I'm super happy. | 0:48:44 | 0:48:47 | |
CORK POPS | 0:48:47 | 0:48:49 | |
CHEERING | 0:48:49 | 0:48:52 | |
So expressive, your face, even when you didn't say much. | 0:48:52 | 0:48:55 | |
The first few weeks, you didn't say a hell of a lot but, my God, | 0:48:55 | 0:48:57 | |
did you communicate it through that... Such an expressive face. | 0:48:57 | 0:49:00 | |
We have felt every... | 0:49:00 | 0:49:01 | |
-I'm guessing you're not a poker player? -No! -No. -No. | 0:49:01 | 0:49:04 | |
Let's talk to some of the previous winners up there. | 0:49:04 | 0:49:07 | |
-Joseph, how are you doing? -I'm very well, thanks. Yourself? | 0:49:07 | 0:49:10 | |
I'm very well, mate. | 0:49:10 | 0:49:11 | |
What's Lord Sugar really like as a business partner? | 0:49:11 | 0:49:13 | |
Well, he's not gone out and fitted any boilers | 0:49:13 | 0:49:15 | |
like he promised me at the start, but... | 0:49:15 | 0:49:18 | |
I think that's just as well, mate, to be honest. | 0:49:18 | 0:49:20 | |
I think you've got to be registered in some capacity. | 0:49:20 | 0:49:22 | |
It's the mentorship and the advice that is very, very important, | 0:49:22 | 0:49:25 | |
and I've gained a wealth of knowledge and experience this year. | 0:49:25 | 0:49:28 | |
And, for me, having Lord Sugar associated to the business | 0:49:28 | 0:49:32 | |
and the brand is more valuable than the £250,000 investment | 0:49:32 | 0:49:36 | |
and, yeah, it's been a great, great experience. | 0:49:36 | 0:49:40 | |
-Mark. -Hello. -So you've been working together for a couple of years? | 0:49:40 | 0:49:44 | |
-Just gone two years today, yeah. -What's...? I've always wondered, | 0:49:44 | 0:49:47 | |
what's the Christmas party like with you and Lord Sugar? | 0:49:47 | 0:49:49 | |
-Is it any good? -It is. It's a bit of a rave, really. | 0:49:49 | 0:49:51 | |
LAUGHTER | 0:49:51 | 0:49:53 | |
But to echo what Joe has said, | 0:49:53 | 0:49:55 | |
I think we get carried away talking about the £250,000, | 0:49:55 | 0:49:59 | |
but the mentorship from Lord Sugar and the team he places around you | 0:49:59 | 0:50:03 | |
teaches you how to make a successful business, | 0:50:03 | 0:50:05 | |
no matter what you're going to go off and do. | 0:50:05 | 0:50:08 | |
And, you know, in two years... | 0:50:08 | 0:50:09 | |
My company's opening its third office last week. | 0:50:09 | 0:50:12 | |
And I was walking around the offices and I saw all the staff | 0:50:12 | 0:50:15 | |
and all the customers, | 0:50:15 | 0:50:16 | |
and I couldn't believe that I was the Apprentice winner, | 0:50:16 | 0:50:18 | |
that I was business partners with Lord Sugar. | 0:50:18 | 0:50:20 | |
And I'm two years after you, Alana, | 0:50:20 | 0:50:22 | |
and it's just a life-changing, incredible experience, | 0:50:22 | 0:50:25 | |
and you're going to have an amazing time, and we'll look after you. | 0:50:25 | 0:50:29 | |
Aww. Deserves a round of applause, I think. | 0:50:29 | 0:50:31 | |
Lord Sugar, good advice for your new business partner | 0:50:36 | 0:50:39 | |
-from existing business partners, people who've been there. -Yeah. | 0:50:39 | 0:50:42 | |
Well, you know, those guys there, they're like a family, really. | 0:50:42 | 0:50:47 | |
They do, they all help each other. | 0:50:47 | 0:50:49 | |
The easiest way to describe it is that... | 0:50:49 | 0:50:52 | |
She's just going to concentrate on doing what she knows best - | 0:50:52 | 0:50:56 | |
baking, making the product, marketing. | 0:50:56 | 0:51:00 | |
We don't expect them to make money in the first year. | 0:51:00 | 0:51:03 | |
-No? -No, not really, no. -Nice. Chill out. | 0:51:03 | 0:51:06 | |
No, no, no. It's quite normal. I say "we don't expect", but you will! | 0:51:06 | 0:51:11 | |
LAUGHTER | 0:51:11 | 0:51:13 | |
And... And they have. | 0:51:13 | 0:51:16 | |
And, yeah, we've got to scale up her business, that's the point. | 0:51:16 | 0:51:21 | |
And that scaling-up period is going to take quite a while | 0:51:21 | 0:51:25 | |
in development of the infrastructure, | 0:51:25 | 0:51:27 | |
on how we're going to ship out stuff to her customers | 0:51:27 | 0:51:30 | |
and all that type of stuff. | 0:51:30 | 0:51:31 | |
I don't want a bore you, cos it's all boring stuff. | 0:51:31 | 0:51:34 | |
But it's going to take three or four months to get the thing going. | 0:51:34 | 0:51:38 | |
-Exciting, though? -So exciting! So exciting! -So exciting! | 0:51:38 | 0:51:41 | |
Well, it's time for another YFEBA. | 0:51:41 | 0:51:43 | |
FANFARE | 0:51:43 | 0:51:45 | |
This next award recognises that | 0:51:46 | 0:51:48 | |
while our candidates are mere mortals, | 0:51:48 | 0:51:50 | |
sometimes they seem to possess special powers. | 0:51:50 | 0:51:53 | |
Yes, this YFEBA is for Underwhelming Superpower Of The Series. | 0:51:53 | 0:51:57 | |
And the nominations are... | 0:51:57 | 0:51:59 | |
Rebecca and her uncanny ability | 0:51:59 | 0:52:01 | |
to identify the front of someone's head. | 0:52:01 | 0:52:03 | |
-Wow! I can see your face! -Look at me. | 0:52:05 | 0:52:07 | |
Our next nominee is Michelle and her almost supernatural ability | 0:52:10 | 0:52:14 | |
to project her thoughts onto a T-shirt 20 metres away. | 0:52:14 | 0:52:18 | |
-25. -Lovely. | 0:52:20 | 0:52:21 | |
Guys, you've just been going through this for ten minutes, | 0:52:21 | 0:52:24 | |
going through every piece, | 0:52:24 | 0:52:25 | |
and then you've just come in and said, "25 quid." | 0:52:25 | 0:52:27 | |
-What would you have charged? -I'd have got it at 50. | 0:52:27 | 0:52:29 | |
Our next nominee is Natalie and her superhuman ability | 0:52:30 | 0:52:33 | |
to drop the F-bomb in the boardroom and get away with it. | 0:52:33 | 0:52:37 | |
-Who sold those green vases? -Me. | 0:52:38 | 0:52:40 | |
-You did? And you sold them for...? -£15. -£15? -Mm-hm. | 0:52:40 | 0:52:44 | |
-Do you know how much they were valued for? -No. | 0:52:44 | 0:52:48 | |
300. | 0:52:48 | 0:52:49 | |
(Fuck.) | 0:52:49 | 0:52:50 | |
Sorry. | 0:52:50 | 0:52:51 | |
Hal, you have the envelope there. | 0:52:54 | 0:52:56 | |
-Could you tell us who the winner is, please? -I will, yes. | 0:52:56 | 0:52:59 | |
Good luck, everyone. | 0:52:59 | 0:53:01 | |
Oh, it's this way. | 0:53:01 | 0:53:02 | |
The YFEBA for Underwhelming Superpower Of The Series goes to... | 0:53:02 | 0:53:05 | |
for her face-spotting superpower, it's Rebecca! | 0:53:05 | 0:53:08 | |
CHEERING AND APPLAUSE | 0:53:08 | 0:53:09 | |
Rebecca, come and join me. Rebecca, ladies and gentlemen! | 0:53:09 | 0:53:12 | |
CHEERING | 0:53:14 | 0:53:16 | |
-Thank you! Can I get a hug? -Well done, congratulations. | 0:53:18 | 0:53:22 | |
Wow, I'm really excited. Thank you. | 0:53:22 | 0:53:24 | |
Have you always been able to spot | 0:53:24 | 0:53:26 | |
the front of someone's head like that, instantly? Instantly? | 0:53:26 | 0:53:29 | |
I've always been able to see people's faces, yes. Always. | 0:53:29 | 0:53:31 | |
You're a very talented lady. | 0:53:31 | 0:53:33 | |
Superpower Of The Series - ladies and gentlemen, it's Rebecca! | 0:53:33 | 0:53:35 | |
CHEERING | 0:53:35 | 0:53:38 | |
So it's the final, and everyone gets a highlights reel, | 0:53:41 | 0:53:44 | |
and Lord Sugar is no different. | 0:53:44 | 0:53:45 | |
-So, Lord Sugar, here are your highlights. -Mm. | 0:53:45 | 0:53:49 | |
MUSIC: Here Comes The Hotstepper by Ini Kamoze | 0:53:49 | 0:53:52 | |
-Good morning. -ALL: -Good morning, Lord Sugar. | 0:53:57 | 0:54:00 | |
Well, they say that sugar is bad for you, | 0:54:01 | 0:54:03 | |
and this Sugar's going to be very bad | 0:54:03 | 0:54:05 | |
for one of you today, that's for sure. | 0:54:05 | 0:54:07 | |
-Can I ask you something, Lord Sugar? -No. | 0:54:07 | 0:54:09 | |
If you want to moan, | 0:54:09 | 0:54:10 | |
you can send me an e-mail at LordSugar@IDon'tCare.com. | 0:54:10 | 0:54:14 | |
Now we're going to mix the teams up a little bit. | 0:54:14 | 0:54:16 | |
And I want you to tell me who's going to be project manager | 0:54:16 | 0:54:20 | |
for this task. | 0:54:20 | 0:54:21 | |
At least one of you will be fired. | 0:54:21 | 0:54:24 | |
Or...hung out to dry. | 0:54:24 | 0:54:26 | |
Anything can happen. | 0:54:27 | 0:54:29 | |
The process is not personal, it's business. | 0:54:32 | 0:54:35 | |
You can call me K. | 0:54:35 | 0:54:37 | |
I might be calling you something else, actually. | 0:54:37 | 0:54:39 | |
-Did you know what all the items were? -We didn't know rambutan. | 0:54:39 | 0:54:43 | |
It's spiky and hard on the outside, but soft and sweet on the inside. | 0:54:43 | 0:54:48 | |
Does it sound like someone you know? | 0:54:48 | 0:54:50 | |
There's only one you. | 0:54:50 | 0:54:51 | |
Thanks a lot and, well, good luck to you all. | 0:54:51 | 0:54:55 | |
CHEERING AND APPLAUSE | 0:54:55 | 0:54:59 | |
So, Alana, Alana, Alana, Alana, | 0:55:02 | 0:55:06 | |
we've loved watching you on the show. | 0:55:06 | 0:55:08 | |
Even though you've now got a £250,000 investment, | 0:55:08 | 0:55:12 | |
-you still have to have a gift. -Yeah? -Nobody can leave here empty-handed. | 0:55:12 | 0:55:16 | |
I know you're going to keep in touch with many of the other candidates, | 0:55:16 | 0:55:19 | |
but we did think... | 0:55:19 | 0:55:21 | |
Well, you're obviously going to see Lord Sugar. | 0:55:21 | 0:55:23 | |
But we did think, "What about Karren and Claude? | 0:55:23 | 0:55:25 | |
"Aren't you going to miss them?" | 0:55:25 | 0:55:26 | |
I have got for you possibly the best gift we've ever got anyone. | 0:55:26 | 0:55:30 | |
So that you don't need... | 0:55:30 | 0:55:31 | |
You never need to miss Karren and Claude again, | 0:55:31 | 0:55:34 | |
peering over your shoulder. | 0:55:34 | 0:55:36 | |
This is quite unique. | 0:55:36 | 0:55:38 | |
I have got you... What we have made you... | 0:55:38 | 0:55:42 | |
-This is the called the portable KarreClaude. -Wow. | 0:55:42 | 0:55:45 | |
-This is so that... -Shall I put it on now? -Yeah, if you'd like to stand up | 0:55:45 | 0:55:48 | |
and I will slip it over your shoulders, Alana. | 0:55:48 | 0:55:50 | |
This is so you can have them peering over your shoulder, | 0:55:50 | 0:55:52 | |
-scrutinising your every move from now on. -I can't get it on. | 0:55:52 | 0:55:56 | |
-You can't get it on? It is quite difficult. -It's on. | 0:55:56 | 0:55:58 | |
It's the only one... LAUGHTER | 0:55:58 | 0:56:01 | |
That is the portable KarreClaude. | 0:56:01 | 0:56:04 | |
It's the Karren and Claude observation yoke. | 0:56:04 | 0:56:07 | |
Absolutely lovely. It's absolutely lovely. | 0:56:07 | 0:56:11 | |
And you can wear that at home, you can wear it in meetings, | 0:56:11 | 0:56:14 | |
so that you can feel that slight tension you have constantly | 0:56:14 | 0:56:16 | |
as they look over your shoulder. | 0:56:16 | 0:56:18 | |
It's the observation yoke. | 0:56:18 | 0:56:20 | |
If you'd like to take a seat and we will have a look at your highlights. | 0:56:20 | 0:56:23 | |
All I've ever been interested in | 0:56:23 | 0:56:24 | |
is having as much money and as much power as I can. | 0:56:24 | 0:56:27 | |
-Do a bag, mix it. Do a bag, mix it. -No worries. | 0:56:27 | 0:56:29 | |
I think it's really cool. | 0:56:29 | 0:56:31 | |
Sweet! | 0:56:31 | 0:56:32 | |
They look like particularly good cigars. | 0:56:32 | 0:56:35 | |
I love this woman. | 0:56:38 | 0:56:40 | |
When she came into this process | 0:56:40 | 0:56:41 | |
and I first met her, you know, | 0:56:41 | 0:56:43 | |
she was very quiet, very timid. | 0:56:43 | 0:56:44 | |
Then you could see this woman, | 0:56:44 | 0:56:46 | |
this girl changing into this WOMAN. | 0:56:46 | 0:56:48 | |
I could see the confidence and the personality, | 0:56:48 | 0:56:50 | |
everything coming out. | 0:56:50 | 0:56:51 | |
I think I'm, like, really | 0:56:51 | 0:56:53 | |
underestimated in this process. | 0:56:53 | 0:56:54 | |
She's young, she's accomplished a lot | 0:56:54 | 0:56:56 | |
in such a short space of time. | 0:56:56 | 0:56:57 | |
She's done really well for herself, and I hope... | 0:56:57 | 0:56:59 | |
I wish her all the best in the rest of her career. | 0:56:59 | 0:57:02 | |
I think we should stick at what we've just written down, | 0:57:02 | 0:57:04 | |
but be very happy to take lower offers. | 0:57:04 | 0:57:06 | |
Don't change the price. | 0:57:06 | 0:57:08 | |
That was a bloody waffle-off. | 0:57:08 | 0:57:10 | |
I'm super happy. | 0:57:10 | 0:57:11 | |
Alana, you're going to be my business partner. | 0:57:13 | 0:57:16 | |
Thank you. | 0:57:16 | 0:57:18 | |
-AUDIENCE: -Aww. | 0:57:18 | 0:57:19 | |
Ladies and gentlemen, the winner of The Apprentice 2016, Alana Spencer! | 0:57:19 | 0:57:23 | |
CHEERING AND APPLAUSE | 0:57:23 | 0:57:25 | |
So that's it for this year, and if you think you have | 0:57:28 | 0:57:31 | |
what it takes to be Lord Sugar's business partner, | 0:57:31 | 0:57:33 | |
applications are still open to take part in next year's series. | 0:57:33 | 0:57:36 | |
Head over to... | 0:57:36 | 0:57:37 | |
..for more details. | 0:57:39 | 0:57:40 | |
Thank you to my guests, Claude Littner, Myleene Klass, | 0:57:40 | 0:57:43 | |
Hal Cruttenden and, of course, Lord Sugar. | 0:57:43 | 0:57:44 | |
And congratulations to all of this year's candidates, | 0:57:44 | 0:57:47 | |
to our runner-up, Courtney Wood, | 0:57:47 | 0:57:49 | |
and finally, Lord Sugar's new business partner, Alana Spencer. | 0:57:49 | 0:57:53 | |
CHEERING AND APPLAUSE | 0:57:53 | 0:57:56 | |
Thank you, have a merry Christmas, happy New Year. | 0:57:56 | 0:57:59 | |
Goodnight! | 0:57:59 | 0:58:00 |