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I'm not impressed with any of you. This is a bloody shambles. | 0:00:02 | 0:00:04 | |
You didn't follow the money. | 0:00:04 | 0:00:06 | |
I've got two teams here and they're both rubbish. | 0:00:06 | 0:00:08 | |
You're fired. | 0:00:08 | 0:00:09 | |
You're fired. | 0:00:09 | 0:00:10 | |
You're fired. | 0:00:10 | 0:00:11 | |
CHEERING AND APPLAUSE | 0:00:16 | 0:00:19 | |
Good evening, good evening, and welcome to The Apprentice: You're Fired. | 0:00:23 | 0:00:26 | |
I'm Rhod Gilbert. | 0:00:26 | 0:00:27 | |
This week, the candidates took on the world of high fashion, | 0:00:27 | 0:00:30 | |
tasked with choosing a designer | 0:00:30 | 0:00:31 | |
and putting on a fashion show to showcase their talents. | 0:00:31 | 0:00:34 | |
After the task, bored with sending fired candidates | 0:00:34 | 0:00:37 | |
home in a black cab, Lord Sugar tried out a new idea. | 0:00:37 | 0:00:40 | |
LAUGHTER | 0:00:42 | 0:00:44 | |
Here to help us figure out who was haute couture | 0:00:45 | 0:00:47 | |
and who was HAUTE of their depth, | 0:00:47 | 0:00:49 | |
please welcome this week's panel of Apprentice fans and guests. | 0:00:49 | 0:00:53 | |
Creative Director of bespoke tailor Norton & Sons, Patrick Grant. | 0:00:53 | 0:00:56 | |
Stylist, fashion journalist and TV presenter, Angela Scanlon, | 0:00:56 | 0:00:59 | |
and comedian Dane Baptise, welcome to You're Fired. | 0:00:59 | 0:01:02 | |
Thank you! | 0:01:02 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:06 | |
Patrick, how do you think it went this week? | 0:01:09 | 0:01:10 | |
Well, you know, it's nice to see fashion represented. | 0:01:10 | 0:01:13 | |
It's a big industry, employs lots of people. | 0:01:13 | 0:01:15 | |
This was a simple marketing task, and I don't think many of them | 0:01:15 | 0:01:18 | |
emerged from this with very much credit, I have to say. | 0:01:18 | 0:01:21 | |
-Right. Angela? -Yeah, surprising, across the board. | 0:01:21 | 0:01:25 | |
I think the people I thought would sail through didn't, and those | 0:01:25 | 0:01:29 | |
who I thought would get it in the neck managed to dodge a bullet. | 0:01:29 | 0:01:32 | |
Intriguing. Dane? | 0:01:32 | 0:01:34 | |
I think, yeah, really good episode. | 0:01:34 | 0:01:36 | |
Interesting that there would be an episode about fashion, cos | 0:01:36 | 0:01:40 | |
I notice that a lot of candidates tend to wear blue suits everywhere. | 0:01:40 | 0:01:43 | |
LAUGHTER | 0:01:43 | 0:01:44 | |
So I didn't know how fashion-savvy they were going to be. | 0:01:44 | 0:01:46 | |
We'll be discussing this week's shock double-firing | 0:01:46 | 0:01:49 | |
when we chat to both the fired candidates a little later on. | 0:01:49 | 0:01:51 | |
But first... | 0:01:51 | 0:01:53 | |
CLOCK CHIMES | 0:01:53 | 0:01:55 | |
..in Apprentice news tonight... | 0:01:55 | 0:01:57 | |
..there's high drama as, just before she heads into the boardroom, | 0:01:57 | 0:02:00 | |
a live crab gets stuck in Michaela's shoe. | 0:02:00 | 0:02:02 | |
LAUGHTER | 0:02:05 | 0:02:07 | |
A cruel hypnotist makes Harrison feel an electric shock every | 0:02:07 | 0:02:10 | |
time someone mentions his name. | 0:02:10 | 0:02:12 | |
I'd have to say that Harrison didn't contribute anywhere near as much... | 0:02:12 | 0:02:15 | |
LAUGHTER | 0:02:15 | 0:02:16 | |
Claude goes undercover... | 0:02:18 | 0:02:20 | |
Some of them... | 0:02:20 | 0:02:21 | |
LAUGHTER | 0:02:21 | 0:02:23 | |
..and James finds that trying to have a meeting | 0:02:23 | 0:02:26 | |
while standing on a record player isn't easy. | 0:02:26 | 0:02:28 | |
Right. God, that was stressful! | 0:02:28 | 0:02:31 | |
LAUGHTER | 0:02:31 | 0:02:32 | |
That's tonight's Apprentice news. | 0:02:32 | 0:02:34 | |
APPLAUSE | 0:02:34 | 0:02:36 | |
So, after strutting no stuff whatsoever in the fashion | 0:02:37 | 0:02:41 | |
industry, Lord Sugar decided that Harrison didn't measure up | 0:02:41 | 0:02:44 | |
and showed him the CHRISTIAN DIOR. | 0:02:44 | 0:02:47 | |
Harrison, I don't know what you did on this task. | 0:02:47 | 0:02:49 | |
In fact, I've had a bit of a problem understanding what you | 0:02:49 | 0:02:52 | |
did on other tasks. | 0:02:52 | 0:02:54 | |
It is with regret, Harrison, you're fired. | 0:02:54 | 0:02:57 | |
Cheers. | 0:02:59 | 0:03:00 | |
Thanks for the opportunity. | 0:03:00 | 0:03:01 | |
Please welcome Harrison Jones! | 0:03:06 | 0:03:08 | |
APPLAUSE AND CHEERING | 0:03:08 | 0:03:10 | |
-You all right? -Yeah, good, man, thank you. -Grab a seat. | 0:03:12 | 0:03:15 | |
It's Harrison, ladies and gentlemen, it's Harrison! | 0:03:15 | 0:03:18 | |
CHEERING | 0:03:18 | 0:03:19 | |
Look at that! | 0:03:19 | 0:03:20 | |
-Listen to that! -Nice welcome. | 0:03:20 | 0:03:22 | |
What a welcome. | 0:03:22 | 0:03:24 | |
IN COCKNEY ACCENT: Harrison, Harrison, Harrison. What happened, mate? | 0:03:24 | 0:03:27 | |
LAUGHTER | 0:03:27 | 0:03:28 | |
I messed up, didn't I? Big time. | 0:03:28 | 0:03:30 | |
IN OWN ACCENT: How long are we going to carry this voice on for? No, it's actually my voice. | 0:03:30 | 0:03:33 | |
-Oh, I know. -Oh, right, yeah. | 0:03:33 | 0:03:35 | |
Go on, tell me what happened. | 0:03:35 | 0:03:36 | |
Well, I didn't know a great deal about women's fashion, um... | 0:03:36 | 0:03:39 | |
I think, yeah, evidently I got fired, so... | 0:03:39 | 0:03:42 | |
-Didn't go too well, to be honest. -I was hoping for a bit more insight than that! | 0:03:42 | 0:03:45 | |
LAUGHTER | 0:03:45 | 0:03:47 | |
The word "grafter" comes up quite a lot. | 0:03:47 | 0:03:50 | |
Perhaps you're not, you weren't quite versatile enough this week, that showed that, perhaps. | 0:03:50 | 0:03:54 | |
I think I was versatile throughout the whole process. | 0:03:54 | 0:03:56 | |
I mean, I've gone from picking up dog poo to singing, | 0:03:56 | 0:04:00 | |
to running a catwalk show, to painting a wall yellow, so... | 0:04:00 | 0:04:04 | |
Yeah, no, I think I've... | 0:04:04 | 0:04:06 | |
That's quite an array of skills you've got there. | 0:04:06 | 0:04:08 | |
LAUGHTER | 0:04:08 | 0:04:09 | |
-It really is. -Think I've been pretty versatile, to be fair. | 0:04:09 | 0:04:11 | |
Harrison was in the boardroom with Jade and Sarah, Patrick. | 0:04:11 | 0:04:14 | |
Did you anticipate the double-firing? | 0:04:14 | 0:04:17 | |
Well, I didn't anticipate it, but I can't say I'm entirely surprised. | 0:04:17 | 0:04:21 | |
You know, you seemed to just, | 0:04:21 | 0:04:23 | |
kind of, decide that you weren't that interested and you were | 0:04:23 | 0:04:26 | |
sort of a, you know, in the best possible way, | 0:04:26 | 0:04:28 | |
sort of, a wet lettuce throughout the entire thing. | 0:04:28 | 0:04:30 | |
LAUGHTER | 0:04:30 | 0:04:31 | |
It was like, you just, you just dodged it. | 0:04:31 | 0:04:33 | |
Angela, were you surprised that Sarah didn't go, as well? | 0:04:33 | 0:04:36 | |
Definitely. She doesn't really do anything for me, | 0:04:36 | 0:04:39 | |
and, yeah, I think she should have gone... | 0:04:39 | 0:04:41 | |
-..before the other two. -OK. -Yeah. | 0:04:41 | 0:04:44 | |
-You made a last-minute appeal... -Yeah. Yeah, yeah. | 0:04:44 | 0:04:47 | |
..to Lord Sugar. AS HARRISON: "No-one will graft harder than me!" | 0:04:47 | 0:04:50 | |
LAUGHTER | 0:04:50 | 0:04:51 | |
"My drive and determination are second to none, Lord Sugar!" | 0:04:51 | 0:04:54 | |
Yeah, had to be done. | 0:04:54 | 0:04:55 | |
Did you think that was going to work, Dane, | 0:04:55 | 0:04:57 | |
do you think, that appeal at the last minute? | 0:04:57 | 0:04:59 | |
I think if I was in your position, the first thing I would be like, | 0:04:59 | 0:05:02 | |
"I've picked up dog poo for you, Lord Sugar!" | 0:05:02 | 0:05:04 | |
LAUGHTER | 0:05:04 | 0:05:05 | |
If someone's not prepared to accept you're going to pick up dog poo to win a task... | 0:05:05 | 0:05:08 | |
-Exactly, yeah. -..then maybe it's just, yeah, just creative differences. | 0:05:08 | 0:05:12 | |
LAUGHTER | 0:05:12 | 0:05:13 | |
Unfortunately, when it came to the catwalk, | 0:05:13 | 0:05:15 | |
Harrison was less walking cat and more nodding dog, | 0:05:15 | 0:05:18 | |
-as he let Sarah and Jade make all the ISSEY MIYAKE decisions. -Ooh! | 0:05:18 | 0:05:24 | |
Ah! Beautiful! | 0:05:24 | 0:05:25 | |
LAUGHTER | 0:05:25 | 0:05:26 | |
Let's see where it all went wrong. | 0:05:26 | 0:05:28 | |
Harrison, you say that your best ability is to adapt | 0:05:28 | 0:05:32 | |
to your surroundings. | 0:05:32 | 0:05:33 | |
I threw you in this fashion business. | 0:05:33 | 0:05:35 | |
You didn't adapt to it, did you? | 0:05:35 | 0:05:37 | |
I won't be putting myself forward for project manager as you're | 0:05:39 | 0:05:42 | |
going to have more experience of women's fashion. | 0:05:42 | 0:05:44 | |
What on Lord's green earth is it?! | 0:05:44 | 0:05:45 | |
LAUGHTER | 0:05:45 | 0:05:47 | |
I'm not really here to try and shine. | 0:05:47 | 0:05:49 | |
I'm not putting a business plan that involves anything to do | 0:05:49 | 0:05:51 | |
with catwalking. Yeah, whatever. | 0:05:51 | 0:05:53 | |
It reminds me of one of those things when you're | 0:05:53 | 0:05:55 | |
freezing cold, the paramedics put over you. | 0:05:55 | 0:05:57 | |
I worry for Harrison, cos there's nothing he's done on | 0:05:57 | 0:05:59 | |
this task that has made any difference. | 0:05:59 | 0:06:01 | |
He's really just an assistant. | 0:06:01 | 0:06:03 | |
Oh, he's just brought back the dress for you. | 0:06:03 | 0:06:05 | |
What use were you? I mean, they had enough mannequins. | 0:06:05 | 0:06:08 | |
So they obviously didn't use you for that. | 0:06:08 | 0:06:10 | |
-LAUGHTER -Aw! | 0:06:11 | 0:06:13 | |
-That was a bit harsh, Karren saying you did nothing. You carried the dress over. -It was heavy, as well! | 0:06:13 | 0:06:17 | |
LAUGHTER | 0:06:17 | 0:06:18 | |
Looked heavy! You carried that over. You put the chairs out... | 0:06:18 | 0:06:21 | |
-Exactly. Very straight lines as well, so... -Is that what you went for? | 0:06:21 | 0:06:24 | |
Yeah, they had like, wooden lines | 0:06:24 | 0:06:25 | |
-and I made sure all the fronts were up against them. So... -Did you? -Yeah. | 0:06:25 | 0:06:28 | |
-And then people go, people say you do nothing! -Exactly! | 0:06:28 | 0:06:31 | |
LAUGHTER | 0:06:31 | 0:06:32 | |
It did seem like you sort of... I mean, rabbit in the headlights. | 0:06:32 | 0:06:34 | |
-That's what you looked... -Is that what I looked like? | 0:06:34 | 0:06:36 | |
-That's what you were. -That's fair enough. | 0:06:36 | 0:06:38 | |
No, to be fair, when I opened that box and I saw, like, | 0:06:38 | 0:06:40 | |
a tinfoil, what, like overcoat... | 0:06:40 | 0:06:42 | |
RHOD LAUGHS | 0:06:42 | 0:06:43 | |
..um, yeah, I've never seen anything like it, so, yeah, | 0:06:43 | 0:06:46 | |
-it was a bit of a shock. -Yeah. -Mmm. | 0:06:46 | 0:06:48 | |
Angela, do you think he could have thrown himself in a little bit more than he did? | 0:06:48 | 0:06:52 | |
I think he could have got stuck in a bit more. | 0:06:52 | 0:06:54 | |
I mean, the choice of designer | 0:06:54 | 0:06:56 | |
by Jade made it quite difficult. | 0:06:56 | 0:06:58 | |
Those clothes... | 0:06:58 | 0:07:00 | |
I think I would find it difficult, | 0:07:00 | 0:07:02 | |
and I'm a pretty good saleswoman. | 0:07:02 | 0:07:04 | |
-But, if all else fails, LOOK busy! -Mmm. | 0:07:04 | 0:07:07 | |
LAUGHTER | 0:07:07 | 0:07:08 | |
Let's talk about the designs a bit. | 0:07:08 | 0:07:10 | |
It looks really good, and Stylist magazine got behind you. | 0:07:10 | 0:07:13 | |
How much easier would you have found it if Jade had picked a more | 0:07:13 | 0:07:17 | |
high street, kind of, less high-end, less, sort of, avant-garde designer? | 0:07:17 | 0:07:21 | |
Um... Well, yeah, it would have changed the whole task, definitely, | 0:07:21 | 0:07:24 | |
so yeah, it would, everything would have changed, | 0:07:24 | 0:07:26 | |
cos not a lot of people will buy lots of £1,000 dresses. | 0:07:26 | 0:07:30 | |
So, yeah, I think a low, a low level item would have done better. | 0:07:30 | 0:07:34 | |
Dane, I'm sure you've spotted, as I did, the futuristic, regal, | 0:07:34 | 0:07:37 | |
rock and roll, gothic theme across the collection. | 0:07:37 | 0:07:39 | |
LAUGHTER | 0:07:39 | 0:07:40 | |
The designer even mentioned it was kind of post-apocalyptic. | 0:07:40 | 0:07:43 | |
Like, if there's any advice... | 0:07:43 | 0:07:44 | |
If you hear the word "apocalypse" in a product, | 0:07:44 | 0:07:46 | |
probably should leave it, in a task. | 0:07:46 | 0:07:48 | |
LAUGHTER | 0:07:48 | 0:07:49 | |
Er, Patrick, the task was all about commission. | 0:07:49 | 0:07:51 | |
Was it, Jade going for a high-end designer, is that more of a gamble? | 0:07:51 | 0:07:54 | |
That was where this, that was the big failure in this task. I mean, | 0:07:54 | 0:07:57 | |
yeah, how many people in this room spend more | 0:07:57 | 0:07:59 | |
than 150 quid on a garment on a regular basis? | 0:07:59 | 0:08:01 | |
Not, you know, that's MOST of us. | 0:08:01 | 0:08:03 | |
The market for contemporary fashion is enormous. | 0:08:03 | 0:08:06 | |
The market for high-end fashion is incredibly small. | 0:08:06 | 0:08:10 | |
And that was the big error. | 0:08:10 | 0:08:12 | |
I mean, they could have had 40% commission | 0:08:12 | 0:08:13 | |
-and they would not have won this task. -Yeah. | 0:08:13 | 0:08:16 | |
Well, as any budding model or fashion student knows, | 0:08:16 | 0:08:19 | |
there's nothing like top tips from experts. | 0:08:19 | 0:08:21 | |
And this week was nothing like that. | 0:08:21 | 0:08:23 | |
Do YOU want to be the next top model? | 0:08:23 | 0:08:26 | |
Then join the... | 0:08:26 | 0:08:28 | |
OK, work it. Work it. Work every bit. | 0:08:29 | 0:08:32 | |
Our experienced models will teach you all you need to know about... | 0:08:32 | 0:08:35 | |
LAUGHTER | 0:08:35 | 0:08:36 | |
What that represents to me is, sort of, amateur magician. | 0:08:36 | 0:08:39 | |
As in, she could be like this. | 0:08:40 | 0:08:42 | |
She's posing as a teapot. | 0:08:42 | 0:08:44 | |
And learn about high-end fashion from our expert, Harrison! | 0:08:44 | 0:08:47 | |
Yeah, whatever. | 0:08:47 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:50 | |
APPLAUSE | 0:08:52 | 0:08:53 | |
-Oh, I do love that "whatever". I do love that "whatever". -Ah. | 0:08:53 | 0:08:56 | |
We're down to the final five. | 0:08:58 | 0:08:59 | |
Last guy in the process, James, I can tell you, I've got the stats. | 0:08:59 | 0:09:04 | |
Ten tasks, so far. He's won five, lost five. | 0:09:04 | 0:09:06 | |
What's he like to work with? | 0:09:06 | 0:09:08 | |
Yeah, yeah, James is good. | 0:09:08 | 0:09:10 | |
I'd say he's got, like, an all-round skillset, | 0:09:10 | 0:09:13 | |
so I'm quite confident that he's going to go a bit further. | 0:09:13 | 0:09:16 | |
Well, he definitely has gone further, but, I mean, further than that. | 0:09:16 | 0:09:19 | |
LAUGHTER | 0:09:19 | 0:09:21 | |
But, yeah, no, he's good at business, definitely. | 0:09:21 | 0:09:23 | |
This is James' cover, of course. | 0:09:23 | 0:09:24 | |
LAUGHTER | 0:09:24 | 0:09:26 | |
There's James on the... | 0:09:26 | 0:09:28 | |
LAUGHTER | 0:09:28 | 0:09:29 | |
..on the front cover. | 0:09:29 | 0:09:30 | |
Patrick, how did he do as an amateur model? | 0:09:30 | 0:09:32 | |
I don't understand this idea of taking | 0:09:32 | 0:09:34 | |
one for the team by being a model. | 0:09:34 | 0:09:36 | |
They, surely that's doing your team a massive disservice. | 0:09:36 | 0:09:38 | |
There were professional models offered to you. | 0:09:38 | 0:09:40 | |
Take them. | 0:09:40 | 0:09:41 | |
Angela, can you see him going all the way? | 0:09:41 | 0:09:43 | |
-Do you think he'll be in the final? -I think he will go through the interview stage | 0:09:43 | 0:09:47 | |
and I think he'll get to the final. | 0:09:47 | 0:09:48 | |
I don't know that he can win it, | 0:09:49 | 0:09:51 | |
but I really enjoy watching him, he's very positive. | 0:09:51 | 0:09:53 | |
He's got a good energy. He takes risks, you know? | 0:09:53 | 0:09:56 | |
He kind of does throw himself into it. | 0:09:56 | 0:09:59 | |
And he's got amazing teeth... | 0:09:59 | 0:10:01 | |
LAUGHTER | 0:10:01 | 0:10:02 | |
..which I think Lord Sugar appreciates, a good set of... | 0:10:02 | 0:10:04 | |
It's important, especially if you're working | 0:10:04 | 0:10:06 | |
for someone with the surname Sugar, and you have good teeth, that's... | 0:10:06 | 0:10:09 | |
LAUGHTER | 0:10:09 | 0:10:10 | |
-Lord Sugar said he looked constipated. -Yeah. | 0:10:10 | 0:10:12 | |
Think it's a constipated, kind of, like, a haemorrhoid chic kind of look. | 0:10:12 | 0:10:15 | |
LAUGHTER | 0:10:15 | 0:10:16 | |
He looks very pensive. | 0:10:16 | 0:10:18 | |
He was kind of like, "Do I...proceed with business or get laxatives?" | 0:10:18 | 0:10:21 | |
LAUGHTER | 0:10:21 | 0:10:22 | |
Let's talk about Elizabeth. | 0:10:22 | 0:10:24 | |
She's been on the winning team seven times. | 0:10:24 | 0:10:27 | |
The one time she was project manager, she won it. | 0:10:27 | 0:10:29 | |
-Is she a contender, Patrick? -I think she has good instinct. | 0:10:29 | 0:10:32 | |
You know, I think she makes good decisions | 0:10:32 | 0:10:34 | |
and she undermines them all by being completely | 0:10:34 | 0:10:37 | |
incapable of dealing with human beings in a very human way. | 0:10:37 | 0:10:41 | |
And that's a fundamental part of business. | 0:10:41 | 0:10:43 | |
You know, it's about working with other people | 0:10:43 | 0:10:45 | |
and getting the best out of other people. | 0:10:45 | 0:10:47 | |
And, you know, if she could be in a business of one I think | 0:10:47 | 0:10:50 | |
she would absolutely thrive, | 0:10:50 | 0:10:51 | |
but I don't suspect Lord Sugar's looking for a business that size. | 0:10:51 | 0:10:54 | |
I love her. I think she's... | 0:10:54 | 0:10:56 | |
-You're a fan of... -..absolutely bonkers. | 0:10:56 | 0:10:58 | |
I think she's misunderstood, actually. | 0:10:58 | 0:11:01 | |
And...Lord Sugar has a soft spot for her. | 0:11:01 | 0:11:05 | |
That's my read of the situation. | 0:11:05 | 0:11:07 | |
-Yeah. -So you think she might... | 0:11:07 | 0:11:08 | |
So I think she'll definitely be in the final and I think she's a good chance of winning it. | 0:11:08 | 0:11:12 | |
Elizabeth was chuffed to be on the winning team this week, | 0:11:12 | 0:11:15 | |
but as this bit of unseen footage shows, | 0:11:15 | 0:11:17 | |
she isn't one to make a song and dance about it. | 0:11:17 | 0:11:19 | |
LAUGHTER | 0:11:26 | 0:11:28 | |
£25,000 for our client! | 0:11:28 | 0:11:31 | |
LAUGHTER AND APPLAUSE | 0:11:32 | 0:11:34 | |
Sarah - six wins, four losses for Sarah. | 0:11:38 | 0:11:41 | |
She's been back in the boardroom three times. | 0:11:41 | 0:11:43 | |
I'm not surprised Sarah's in the final five. | 0:11:43 | 0:11:46 | |
On the whole, she seems pretty sound. | 0:11:46 | 0:11:48 | |
-I think she's a competent individual. -Yeah. | 0:11:48 | 0:11:51 | |
I think she makes decent decisions. | 0:11:51 | 0:11:52 | |
I think, you know, she's also an honest person. | 0:11:52 | 0:11:55 | |
If she's cocked something up, she'll admit it. She won't try... | 0:11:55 | 0:11:58 | |
You know, she won't add lies to lies and unravel herself. | 0:11:58 | 0:12:02 | |
She's not outstanding, but she's definitely, | 0:12:02 | 0:12:05 | |
-sort of, dependable, is my read. -Yeah. | 0:12:05 | 0:12:07 | |
Er, so, Harrison, unfortunately Lord Sugar won't be investing in you, | 0:12:07 | 0:12:10 | |
but he does have this advice for your future. | 0:12:10 | 0:12:12 | |
Now, Harrison is a hard working fellow. | 0:12:14 | 0:12:16 | |
Didn't shirk any of the responsibilities in the tasks. | 0:12:16 | 0:12:19 | |
He even, actually, sung at Wembley. | 0:12:19 | 0:12:21 | |
But the problem in this particular task was | 0:12:21 | 0:12:24 | |
he threw his hands in the air because it was women's fashion. | 0:12:24 | 0:12:28 | |
And he didn't know anything about it. | 0:12:28 | 0:12:29 | |
But the business essence of it was sales, promotion, | 0:12:29 | 0:12:34 | |
presentation and marketing. | 0:12:34 | 0:12:36 | |
And, anyway, fundamentally, he's | 0:12:36 | 0:12:38 | |
so likeable that he's going to go a long way in business. | 0:12:38 | 0:12:40 | |
-That's nice. -Yeah, I love that. | 0:12:43 | 0:12:45 | |
And what was your business plan? | 0:12:45 | 0:12:46 | |
I'm launching a healthy eating brand | 0:12:46 | 0:12:49 | |
starting with meal prep and launching in January, so... | 0:12:49 | 0:12:52 | |
-Good luck. -..keep your eyes peeled. Thank you. | 0:12:52 | 0:12:54 | |
Er, well, Lord Sugar made his decision, | 0:12:54 | 0:12:57 | |
but does our panel feel it was the right one? | 0:12:57 | 0:12:59 | |
Patrick. | 0:12:59 | 0:13:00 | |
I think, throughout, | 0:13:00 | 0:13:01 | |
you've shown yourself to be a really decent guy, and... | 0:13:01 | 0:13:04 | |
..but this week you just shirked it, | 0:13:04 | 0:13:06 | |
-so I think it was the right decision. -Cheers. | 0:13:06 | 0:13:08 | |
Similar. Extremely likeable, everyone gets on with him. | 0:13:08 | 0:13:11 | |
I think Lord Sugar would love to work with him, but, yeah, | 0:13:11 | 0:13:13 | |
no hiding this week. | 0:13:13 | 0:13:15 | |
-Thanks. -OK. Dane? | 0:13:15 | 0:13:17 | |
I'm afraid I'm going to have to agree with the other panellists. | 0:13:17 | 0:13:20 | |
Think you've been good through the competition, but, yeah, as Lord Sugar said, in this particular task, | 0:13:20 | 0:13:24 | |
kind of threw your hands in the air, | 0:13:24 | 0:13:26 | |
kind of left your own fate in the hands of others. | 0:13:26 | 0:13:29 | |
-Whatever, innit? -Whatever. -Whatever! | 0:13:29 | 0:13:31 | |
LAUGHTER | 0:13:31 | 0:13:33 | |
It's time to find out what our audience thinks. | 0:13:33 | 0:13:35 | |
If you agree with Lord Sugar, hold up "Fired". | 0:13:35 | 0:13:38 | |
If you disagree, hold up "Hired" now, please. | 0:13:38 | 0:13:40 | |
Ooh! | 0:13:42 | 0:13:45 | |
-Harrison, I'm afraid... -It's a landslide. -..it is red. | 0:13:45 | 0:13:47 | |
Now, er, Karren, at one point, | 0:13:47 | 0:13:49 | |
said that you were your own one-man fan club. | 0:13:49 | 0:13:52 | |
Ah! | 0:13:52 | 0:13:53 | |
So we have signed you up for a 12-month subscription to the | 0:13:53 | 0:13:57 | |
Harrison One-Man Fan Club. | 0:13:57 | 0:13:59 | |
Member one of one. | 0:13:59 | 0:14:00 | |
You've got your own hat, mate, with "I Love Harrison" on the front. | 0:14:00 | 0:14:03 | |
-Lovely. Cheers. -Got a lovely T-shirt for you. | 0:14:03 | 0:14:05 | |
LAUGHTER | 0:14:05 | 0:14:07 | |
And of course, what fan club would | 0:14:07 | 0:14:09 | |
be complete without a newsletter? | 0:14:09 | 0:14:12 | |
This has got... | 0:14:12 | 0:14:13 | |
Look, it's got Harrison's fashion tips, where's that? | 0:14:13 | 0:14:15 | |
Let's have a look. Oh, that's blank. | 0:14:15 | 0:14:17 | |
LAUGHTER | 0:14:17 | 0:14:19 | |
It's even got a little letter to yourself from the editor, of course. | 0:14:20 | 0:14:23 | |
There's a picture of you, the editor. | 0:14:23 | 0:14:25 | |
"Dear Harrison, welcome to the first | 0:14:25 | 0:14:27 | |
"edition of the Harrison One-Man Fan Club newsletter. | 0:14:27 | 0:14:30 | |
"You may be wondering what I've been up to lately. | 0:14:30 | 0:14:32 | |
"Just been fired, so it's a bit quiet, to be honest." | 0:14:32 | 0:14:34 | |
LAUGHTER | 0:14:34 | 0:14:36 | |
-That is yours to keep, Harrison. -Thank you. | 0:14:36 | 0:14:38 | |
-The only one-man fan club in the world. -Cheers, thank you very much. | 0:14:38 | 0:14:40 | |
CHEERING AND APPLAUSE | 0:14:40 | 0:14:42 | |
Been a great sport. Thanks for coming. Glad you really enjoyed it. | 0:14:42 | 0:14:44 | |
-Lovely. -Let's have a look at your highlights. -Thanks. | 0:14:44 | 0:14:46 | |
I've just been born. | 0:14:46 | 0:14:48 | |
Harrison, nice to meet you. | 0:14:48 | 0:14:50 | |
Harrison's a super nice guy. I've | 0:14:50 | 0:14:52 | |
never met anybody as warm as him. | 0:14:52 | 0:14:54 | |
-Two for 15, then. -Yeah? Perfect. | 0:14:54 | 0:14:56 | |
-Cos you've smiled. -Thank you! | 0:14:56 | 0:14:57 | |
-Well... -There you go. -..there we go. | 0:14:57 | 0:14:59 | |
-Other paw? -Oh! -Yay! | 0:14:59 | 0:15:00 | |
-Well done, we performed. -Yeah. -Well done, everybody. | 0:15:00 | 0:15:02 | |
He's kind, he's got a huge heart, | 0:15:02 | 0:15:04 | |
and he's a gentleman, as well. | 0:15:04 | 0:15:06 | |
I take a lot of positives from that. | 0:15:06 | 0:15:07 | |
I'm happy to go two packs each. | 0:15:07 | 0:15:09 | |
Thank you very much. | 0:15:09 | 0:15:10 | |
The way they've mixed in new buildings | 0:15:10 | 0:15:12 | |
with the old is literally ingenious. | 0:15:12 | 0:15:14 | |
Healthy, kicking, chicken curry. | 0:15:14 | 0:15:16 | |
I think gold ghost. | 0:15:16 | 0:15:18 | |
That's my main concern at the moment, chickens, funnily enough. | 0:15:18 | 0:15:20 | |
# I did it... | 0:15:20 | 0:15:21 | |
# My way. # | 0:15:21 | 0:15:25 | |
Harrison's the greatest gentleman in the house. | 0:15:25 | 0:15:27 | |
He's polite, kind and courteous, | 0:15:27 | 0:15:29 | |
and his mother should be proud of him. | 0:15:29 | 0:15:31 | |
-AUDIENCE: -Aw... | 0:15:31 | 0:15:33 | |
Ladies and gentlemen, Harrison Jones! | 0:15:36 | 0:15:38 | |
Hot on Harrison's Louboutin heels, the second candidate to get | 0:15:41 | 0:15:44 | |
Kate Moss to ride out of the process was poor Jade. | 0:15:44 | 0:15:47 | |
Jade, this was a big mess-up. | 0:15:47 | 0:15:51 | |
I've definitely been able to prove myself on the other tasks, though. | 0:15:51 | 0:15:54 | |
-And the business plan... -Yeah, Jade, I don't want to hear any more. | 0:15:54 | 0:15:57 | |
I'm sorry. You're fired. | 0:15:57 | 0:15:59 | |
Thank you for the opportunity, it's been unbelievable. Thank you. | 0:15:59 | 0:16:02 | |
Please welcome Jade English! | 0:16:10 | 0:16:12 | |
CHEERING AND APPLAUSE | 0:16:12 | 0:16:13 | |
Hello. | 0:16:20 | 0:16:21 | |
How are you feeling, Jade? | 0:16:23 | 0:16:25 | |
Oh, I'm gutted that I'm not there in the final five but, yeah, | 0:16:25 | 0:16:29 | |
it was such an amazing experience. | 0:16:29 | 0:16:31 | |
Did you think you'd be in the final five? | 0:16:31 | 0:16:34 | |
Do you know what, I thought after I'd project managed, | 0:16:34 | 0:16:36 | |
I got the highest win of the series, | 0:16:36 | 0:16:38 | |
I was, like, absolutely, I've bossed it, of course I'm going to make it. | 0:16:38 | 0:16:41 | |
And then when I didn't... | 0:16:41 | 0:16:43 | |
Yeah, I was really gutted, to be fair. | 0:16:43 | 0:16:45 | |
You lost by 3,000 quid. | 0:16:45 | 0:16:48 | |
-I know! -You don't muck about. | 0:16:48 | 0:16:50 | |
-When you lose, you lose. -Yeah, but when I win, I win, right? | 0:16:50 | 0:16:53 | |
That's it. You win big, you lose big. | 0:16:53 | 0:16:56 | |
Patrick, you're our fashion expert. | 0:16:56 | 0:16:58 | |
-Is she unlucky to be sat here or not? -I think she's unlucky. | 0:16:58 | 0:17:01 | |
I think she got chucked under the bus royally by her team-mates, | 0:17:01 | 0:17:05 | |
who had no intention of taking this task on. | 0:17:05 | 0:17:08 | |
I think you made a decision at the beginning which I think | 0:17:08 | 0:17:12 | |
a lot of people would have made. | 0:17:12 | 0:17:13 | |
You were lured into the sort of glitz | 0:17:13 | 0:17:16 | |
and glamour of the high ticket fashion which I think | 0:17:16 | 0:17:18 | |
a lot of people would have made the same mistake. | 0:17:18 | 0:17:20 | |
That was the undoing of the entire task. | 0:17:20 | 0:17:22 | |
After that, there was nothing that could have been done to win it, | 0:17:22 | 0:17:25 | |
-I don't think. -Dane, if you got fired, what would your exit be? | 0:17:25 | 0:17:28 | |
Would you go quietly? | 0:17:28 | 0:17:30 | |
I'll be honest, I think you handled that in a very dignified manner, | 0:17:30 | 0:17:33 | |
Jade, cos if I was fired, I'd have been going mental. | 0:17:33 | 0:17:36 | |
I'd have personally been going crazy, been very vocal | 0:17:36 | 0:17:39 | |
and been like, "I'll tell you something else, | 0:17:39 | 0:17:41 | |
"Alan Sugar, most of these people owned a Commodore. | 0:17:41 | 0:17:43 | |
"I had an Amstrad." And then maybe, | 0:17:43 | 0:17:45 | |
as I was being dragged out by security, | 0:17:45 | 0:17:47 | |
I'd be like, "Well, you know something, Lord Sugar? | 0:17:47 | 0:17:49 | |
"I support Arsenal anyway." | 0:17:49 | 0:17:51 | |
So, despite her passion for fashion, Jade managed to lead her team | 0:17:52 | 0:17:55 | |
all the way down the catwalk and straight into its litter tray. | 0:17:55 | 0:17:59 | |
Let's see where it all went wrong. | 0:17:59 | 0:18:01 | |
Jade, I mean, she has admitted she made a mistake on this, | 0:18:01 | 0:18:05 | |
-made a mistake on that. -We can ask if we could offer a discount. | 0:18:05 | 0:18:08 | |
-Discount to the buyer? -Yeah. | 0:18:08 | 0:18:09 | |
We can't offer any discounts because we haven't... | 0:18:09 | 0:18:12 | |
Well, I haven't negotiated that. | 0:18:12 | 0:18:14 | |
It says Hellavagirl, is that who you're talking about? | 0:18:14 | 0:18:16 | |
When we've spoken to her, she'd wanted to put Helen Woollams. | 0:18:16 | 0:18:19 | |
OK, fine. | 0:18:19 | 0:18:21 | |
My only issue is it's Helen Woollams as opposed to Hellavagirl. | 0:18:21 | 0:18:24 | |
I think, as project manager, Jade took on a lot | 0:18:25 | 0:18:28 | |
of the responsibility | 0:18:28 | 0:18:29 | |
and she wasn't strong enough to see it through. | 0:18:29 | 0:18:31 | |
You're not going to be able to get this | 0:18:31 | 0:18:33 | |
anywhere else, and have | 0:18:33 | 0:18:35 | |
that really quality-based ingredient. | 0:18:35 | 0:18:38 | |
I have no idea what Jade's talking about. | 0:18:38 | 0:18:41 | |
I don't think they do, either. | 0:18:41 | 0:18:43 | |
Jade, you admitted all of the errors | 0:18:43 | 0:18:47 | |
and mistakes that were made in this task. | 0:18:47 | 0:18:50 | |
Lots to talk about there but let's start from the beginning. | 0:18:50 | 0:18:53 | |
You chose the designer. | 0:18:53 | 0:18:54 | |
Difficult clothes, I guess, if you're not an expert to sell, | 0:18:54 | 0:18:57 | |
-to describe. -Yeah, definitely. | 0:18:57 | 0:19:00 | |
So, I think that was the most uncomfortable part for me | 0:19:00 | 0:19:04 | |
because I didn't necessarily know what each piece was about. | 0:19:04 | 0:19:08 | |
-So I had to make it up as I went along. -Yeah. | 0:19:08 | 0:19:11 | |
It was painful, wasn't it? | 0:19:11 | 0:19:13 | |
"Look at these, ladies and gentlemen, | 0:19:13 | 0:19:15 | |
"fresh, quality ingredients." | 0:19:15 | 0:19:17 | |
I know, when I said "ingredients," | 0:19:17 | 0:19:19 | |
-I was thinking, "Oh, that was last week's task." -Last week's food task. | 0:19:19 | 0:19:24 | |
The other team had it so easy, didn't they? | 0:19:24 | 0:19:26 | |
The other team were, like, "Here we go, a pair of trousers. | 0:19:26 | 0:19:29 | |
"Oh, look, a top." | 0:19:29 | 0:19:31 | |
Angela, if you had to represent a designer, | 0:19:31 | 0:19:33 | |
would you have gone for that kind of thing, or...? | 0:19:33 | 0:19:36 | |
This is going to sound terrible, | 0:19:36 | 0:19:38 | |
would you have gone for something a bit more low-end? | 0:19:38 | 0:19:40 | |
I think somewhere in the middle. | 0:19:40 | 0:19:42 | |
You don't want to go to kind of too low where you're competing | 0:19:42 | 0:19:45 | |
with the high street, cos you can never compete | 0:19:45 | 0:19:48 | |
with the high street, in terms of pricing. | 0:19:48 | 0:19:50 | |
But, yeah, somewhere in the middle, | 0:19:50 | 0:19:52 | |
somewhere that has a good origin story, that has a collaboration, | 0:19:52 | 0:19:54 | |
that has something interesting to talk about, maybe a new fabric. | 0:19:54 | 0:19:58 | |
But it's really difficult to sell at that price point | 0:19:58 | 0:20:02 | |
and it's quite intimidating. | 0:20:02 | 0:20:03 | |
I think for you, even in terms of describing it and selling it, | 0:20:03 | 0:20:06 | |
and the language that surrounds it, and then the audience looked... | 0:20:06 | 0:20:11 | |
-slightly dumbfounded. -You're surrounded by people like Patrick | 0:20:11 | 0:20:14 | |
who know this industry. It must have been so intimidating. | 0:20:14 | 0:20:16 | |
You know, you didn't pick up on the fact that she went by this | 0:20:16 | 0:20:19 | |
brand Hellavagirl and that's what she wanted to be promoted as. | 0:20:19 | 0:20:22 | |
You sort of got away with it. | 0:20:22 | 0:20:23 | |
There was a lovely moment where you sort of fudged it, said, | 0:20:23 | 0:20:26 | |
"Oh, we're trying to promote the designer, go beyond the brand." | 0:20:26 | 0:20:29 | |
-I mean, total bollocks, wasn't it? -A little bit. | 0:20:29 | 0:20:32 | |
So, when they brought that up in the pitch, at Stylist, I think | 0:20:32 | 0:20:36 | |
you could see on my face thinking... | 0:20:36 | 0:20:38 | |
"Oh... Oh, no. What has happened here?" | 0:20:38 | 0:20:41 | |
So, moving forward, when Helen came up to me, I thought, right... | 0:20:41 | 0:20:45 | |
Yeah, I mean, I've got put my hands up here. | 0:20:46 | 0:20:49 | |
-Take those balloons down right now. -Jade got sort of... | 0:20:49 | 0:20:52 | |
They sort of got away with it, the designer took it very well, | 0:20:52 | 0:20:54 | |
and quite good at lying. I mean, creative excuses. | 0:20:54 | 0:20:59 | |
Would you have been good in that environment, could you have | 0:20:59 | 0:21:01 | |
come up with something there? | 0:21:01 | 0:21:02 | |
I would have definitely come up with some creative excuses. | 0:21:02 | 0:21:05 | |
I'm someone, Jade, I never tell lies. I always tell the truth. | 0:21:05 | 0:21:07 | |
Doesn't mean that my truthful answer is the answer | 0:21:07 | 0:21:09 | |
to your question at the time, but it's always the truth. | 0:21:09 | 0:21:12 | |
Like, for example, "Hey, Dane, why are you late for work?" | 0:21:12 | 0:21:14 | |
"My grandad died." | 0:21:14 | 0:21:15 | |
That happened in 1997. But, still... | 0:21:15 | 0:21:18 | |
Therefore it's not a lie. | 0:21:18 | 0:21:20 | |
Well, Jade may not have got everything right this week but it's | 0:21:20 | 0:21:24 | |
not easy when you're essentially operating as a one-woman sub team. | 0:21:24 | 0:21:28 | |
# All by myself... # | 0:21:32 | 0:21:37 | |
Oh. There we go. | 0:21:37 | 0:21:40 | |
You made Harrison's day. | 0:21:40 | 0:21:42 | |
# Don't want to live | 0:21:42 | 0:21:44 | |
# All by myself... # | 0:21:44 | 0:21:48 | |
Yes, Elizabeth! | 0:21:48 | 0:21:49 | |
# Celebrate good times, come on! # | 0:21:49 | 0:21:51 | |
# ..any more | 0:21:51 | 0:21:53 | |
# All by myself... # | 0:21:55 | 0:21:56 | |
APPLAUSE | 0:21:56 | 0:21:58 | |
So, let's talk about the final five a little bit. | 0:22:00 | 0:22:02 | |
Joanna is the candidate I can tell you with the strongest record. | 0:22:02 | 0:22:06 | |
Statistically, out of 10, she's got eight wins. | 0:22:06 | 0:22:09 | |
You and Joanna, famously, you've had your ups and downs. | 0:22:09 | 0:22:13 | |
I can't remember any ups. | 0:22:13 | 0:22:14 | |
Was it hard to be beaten by her this week? | 0:22:14 | 0:22:17 | |
Do you know what, I think we're both just quite similar people in | 0:22:17 | 0:22:20 | |
the fact that we're both fighting for the same ambition, | 0:22:20 | 0:22:24 | |
and we do have strong personalities | 0:22:24 | 0:22:25 | |
and sometimes you can't get on with everybody in business. And it sucks. | 0:22:25 | 0:22:29 | |
I would have loved to have got on with everybody in the process | 0:22:29 | 0:22:32 | |
but you can't. And I wish her all the best. So, there you go. | 0:22:32 | 0:22:36 | |
Angela, would you like to see Joanna in the final? | 0:22:36 | 0:22:38 | |
No. | 0:22:38 | 0:22:39 | |
LAUGHTER | 0:22:39 | 0:22:41 | |
No, I really want to bring her home and give her a cup of tea. | 0:22:41 | 0:22:45 | |
She looks like she's going to cry every time I look at her. | 0:22:45 | 0:22:48 | |
She may buckle under the interrogation in the interview | 0:22:48 | 0:22:50 | |
stage. I just can't see her ploughing through that. | 0:22:50 | 0:22:53 | |
What do you think, Patrick? Joanna at the interview stage. | 0:22:53 | 0:22:56 | |
Yeah, I think she definitely appears a little fragile. And... | 0:22:56 | 0:23:01 | |
You know, I haven't seen much of her that I've been madly impressed by. | 0:23:01 | 0:23:06 | |
I think she seems like a perfectly nice person but I can't... | 0:23:06 | 0:23:10 | |
I can't see where the fire is. | 0:23:10 | 0:23:13 | |
Michaela? Four losses, six wins. | 0:23:13 | 0:23:15 | |
You know, I think the way she dealt with...with a customer who... | 0:23:15 | 0:23:19 | |
..who said no wasn't entirely the most professional. | 0:23:19 | 0:23:24 | |
But I like her. She is a straight talker, | 0:23:24 | 0:23:27 | |
she looks like she wants to roll her sleeves up and get stuck in. | 0:23:27 | 0:23:30 | |
She's all about the hustle and she's all about the graft, | 0:23:30 | 0:23:33 | |
and I think Lord Sugar really responds to that sort of ethic. | 0:23:33 | 0:23:35 | |
Can you see her going through the interview stage? | 0:23:35 | 0:23:38 | |
I think she has a really good chance, yeah. | 0:23:38 | 0:23:40 | |
So, Jade, unfortunately, Lord Sugar will not be investing in you | 0:23:40 | 0:23:44 | |
but he does have this advice for your future. | 0:23:44 | 0:23:46 | |
Now, Jade has been an avid seller throughout the whole of the process. | 0:23:47 | 0:23:51 | |
She's been very enthusiastic and always got stuck into sales. | 0:23:51 | 0:23:55 | |
Now, sometimes her enthusiasm detracts her from | 0:23:55 | 0:23:59 | |
working on the detail. | 0:23:59 | 0:24:01 | |
In this particular task, for example, she focused | 0:24:01 | 0:24:05 | |
on the designer's name | 0:24:05 | 0:24:06 | |
rather than the designer's brand name. | 0:24:06 | 0:24:09 | |
In business, the devil is always in the detail. | 0:24:09 | 0:24:12 | |
And Jade needs to focus on detail, I think, in future. | 0:24:12 | 0:24:16 | |
And, if she does that, she should do very well in her business career. | 0:24:16 | 0:24:20 | |
What was your business plan, Jade? | 0:24:22 | 0:24:24 | |
It's a revolutionary website that will help people | 0:24:24 | 0:24:26 | |
fulfil their career dreams. | 0:24:26 | 0:24:28 | |
However, I'm going to follow up with my broadcast journalism degree | 0:24:28 | 0:24:32 | |
while seeking investment in my business still. | 0:24:32 | 0:24:34 | |
-OK, good luck with that. -Thank you. -Well, Lord Sugar made his decision | 0:24:34 | 0:24:37 | |
but does our panel feel it was the right one? Patrick? | 0:24:37 | 0:24:40 | |
Despite a bit of a clanger this time, I think | 0:24:40 | 0:24:42 | |
throughout the process you've been one of the stronger candidates, | 0:24:42 | 0:24:46 | |
and I would have hired you. | 0:24:46 | 0:24:47 | |
-Angela? -I agree. | 0:24:47 | 0:24:49 | |
I think Lord Sugar should have given Jade a break this week. | 0:24:49 | 0:24:52 | |
There were definitely weaker candidates on both teams | 0:24:52 | 0:24:55 | |
-and she just got a little bit unlucky, I think. -Dane? | 0:24:55 | 0:24:58 | |
I feel like, in this instance, he made a good decision | 0:24:58 | 0:25:01 | |
but when you juxtapose the decision for that week with | 0:25:01 | 0:25:04 | |
all of your previous work, I don't think it was particularly fair. | 0:25:04 | 0:25:07 | |
Well, it's time to find out what our audience thinks. | 0:25:07 | 0:25:09 | |
If you agree with Lord Sugar, hold up "Fired". | 0:25:09 | 0:25:11 | |
-If you disagree, hold up "Hired". -I can see you all. | 0:25:11 | 0:25:14 | |
-Look at that. I think that's green. -Yeah, definitely hired! | 0:25:17 | 0:25:22 | |
It is definitely green, you are hired! | 0:25:22 | 0:25:24 | |
CHEERING AND APPLAUSE | 0:25:24 | 0:25:26 | |
Well, Jade, nobody leaves here empty-handed, | 0:25:27 | 0:25:30 | |
so I thought I'd get you a beautiful dress. | 0:25:30 | 0:25:32 | |
Unfortunately, I'm not a very good negotiator. And I only negotiated... | 0:25:32 | 0:25:37 | |
..10% of a dress. | 0:25:37 | 0:25:39 | |
If you'd like to stand up, Jade. | 0:25:41 | 0:25:43 | |
-I mean, the dress was fantastic that this sleeve came off. -I love it. | 0:25:43 | 0:25:48 | |
If you'd like to pop that on... | 0:25:48 | 0:25:50 | |
-So chic. -There. That is it. | 0:25:50 | 0:25:52 | |
How about that, ladies and gentlemen? | 0:25:52 | 0:25:54 | |
10% of a beautiful dress. | 0:25:54 | 0:25:56 | |
Jade, thanks for coming on the show, you've been a great sport, | 0:25:56 | 0:25:59 | |
let's have a look at your highlights. | 0:25:59 | 0:26:01 | |
Jade, nice to meet you. | 0:26:01 | 0:26:02 | |
This is so much fun! | 0:26:02 | 0:26:04 | |
Thank you, Tom! | 0:26:04 | 0:26:05 | |
Action! | 0:26:05 | 0:26:06 | |
Jade is kind. Jade is giving. | 0:26:06 | 0:26:09 | |
Jade is funny. | 0:26:09 | 0:26:10 | |
-I've just done his bottom. -Have you? | 0:26:10 | 0:26:13 | |
But, more to the point, Jade's very talented. | 0:26:13 | 0:26:15 | |
One...two... | 0:26:15 | 0:26:17 | |
I know I'm handsy but that's handsy. | 0:26:17 | 0:26:19 | |
Turn a negative into a positive. | 0:26:19 | 0:26:21 | |
And I'm going to pitch my bum off. | 0:26:21 | 0:26:23 | |
Thank you very much. Thank you. | 0:26:23 | 0:26:25 | |
Jade's fantastic and, | 0:26:25 | 0:26:26 | |
yeah, she's just got a real energy about her. | 0:26:26 | 0:26:29 | |
SHE SCREAMS | 0:26:29 | 0:26:30 | |
Give us a "Grr!" | 0:26:30 | 0:26:31 | |
Jade is, in every way, | 0:26:31 | 0:26:33 | |
a fabulous human being. | 0:26:33 | 0:26:35 | |
Cheers! | 0:26:36 | 0:26:37 | |
Ladies and gentlemen, Jade English! | 0:26:41 | 0:26:44 | |
CHEERING AND APPLAUSE | 0:26:44 | 0:26:45 | |
And, also, please thank tonight's Apprentice fans and guests, | 0:26:48 | 0:26:51 | |
Patrick Grant, Angela Scanlon, and Dane Baptiste. | 0:26:51 | 0:26:54 | |
And if you think you have what it takes to be Lord Sugar's business | 0:26:58 | 0:27:00 | |
partner, applications are still open to take part in next year's series. | 0:27:00 | 0:27:04 | |
Head over to: | 0:27:04 | 0:27:07 | |
for more details. | 0:27:07 | 0:27:08 | |
Next week, our five remaining candidates | 0:27:08 | 0:27:10 | |
take on their toughest task yet. | 0:27:10 | 0:27:12 | |
Head-to-head interviews with Lord Sugar's most trusted aides. | 0:27:12 | 0:27:15 | |
An experience so harsh it makes the boardroom | 0:27:15 | 0:27:18 | |
look like an episode of the Antiques Roadshow. | 0:27:18 | 0:27:20 | |
I've asked four of my most trusted business advisers to go | 0:27:20 | 0:27:24 | |
over your plans. So you better hope everything is in order. | 0:27:24 | 0:27:29 | |
Just get through it, don't be sick. | 0:27:29 | 0:27:31 | |
My business structure is very, very... Um... | 0:27:31 | 0:27:34 | |
How do you feel about confrontation? | 0:27:35 | 0:27:37 | |
Fine. | 0:27:37 | 0:27:38 | |
This makes you look like a rank amateur. | 0:27:38 | 0:27:42 | |
# The final countdown... # | 0:27:42 | 0:27:45 | |
You've got no product. | 0:27:45 | 0:27:47 | |
Nobody's perfect. I'm sure there's things | 0:27:47 | 0:27:48 | |
-that you're not good at, Claude. -Really? | 0:27:48 | 0:27:50 | |
Much of it simply didn't work. | 0:27:50 | 0:27:53 | |
-Your flowers don't look that special to me. -Well, I thank you for that. | 0:27:53 | 0:27:56 | |
Oh, my God. | 0:27:56 | 0:27:58 | |
-You don't know how much you don't know because you don't know. -Yeah. | 0:27:58 | 0:28:02 | |
-Did they sack you? -They did, yeah. | 0:28:02 | 0:28:04 | |
I think you should take your tone down. | 0:28:04 | 0:28:07 | |
HE GRUNTS | 0:28:07 | 0:28:09 | |
Thought you said she was nice! | 0:28:10 | 0:28:11 | |
SHE SIGHS | 0:28:11 | 0:28:12 | |
Join me next Wednesday at 10pm for more You're Fired. Goodnight. | 0:28:12 | 0:28:16 |