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I'm not impressed with any of you. This is a bloody shambles. | 0:00:02 | 0:00:04 | |
You didn't follow the money. | 0:00:04 | 0:00:05 | |
I've got two teams here and they're both rubbish. | 0:00:05 | 0:00:08 | |
You're fired. | 0:00:08 | 0:00:09 | |
You're fired. | 0:00:09 | 0:00:10 | |
You're fired. | 0:00:10 | 0:00:11 | |
CHEERING AND APPLAUSE | 0:00:11 | 0:00:14 | |
CHEERING | 0:00:19 | 0:00:21 | |
Good evening, good evening, | 0:00:25 | 0:00:26 | |
and welcome to The Apprentice - You're Fired. | 0:00:26 | 0:00:28 | |
I'm Rhod Gilbert. | 0:00:28 | 0:00:29 | |
This week, the candidates scrambled around in kitchens | 0:00:29 | 0:00:32 | |
to whip up at-home recipe boxes and pitch them to the food industry. | 0:00:32 | 0:00:35 | |
But as James brought his team's cooking demonstration to a close, | 0:00:35 | 0:00:38 | |
disaster almost struck when a fly got in behind Elizabeth's glasses. | 0:00:38 | 0:00:43 | |
A nice, presentable meal that comes together at the end. | 0:00:43 | 0:00:46 | |
Here to help us figure out who was Pret a Manger | 0:00:48 | 0:00:50 | |
and who was PRETTER off going home, | 0:00:50 | 0:00:52 | |
welcome this week's panel of Apprentice fans and guests. | 0:00:52 | 0:00:54 | |
Ad agency managing director | 0:00:54 | 0:00:56 | |
and confidant of Lord Sugar, Claudine Collins... | 0:00:56 | 0:00:58 | |
..Great British Menu judge and restaurateur, Andi Oliver... | 0:00:58 | 0:01:01 | |
..and comedian Ed Gamble. | 0:01:01 | 0:01:03 | |
Welcome to You're Fired. | 0:01:03 | 0:01:04 | |
CHEERING | 0:01:04 | 0:01:06 | |
How do we think it went this week, Claudine? | 0:01:10 | 0:01:13 | |
I loved the James and Elizabeth show - or rather the Elizabeth show. | 0:01:13 | 0:01:17 | |
I wanted to cry at the Jade and Joanna show - | 0:01:17 | 0:01:20 | |
but, actually, I thought that Graphene had it | 0:01:20 | 0:01:23 | |
-up until the point of the pitch. -Andi? | 0:01:23 | 0:01:25 | |
It was... I mean, it was like they'd never seen food before, | 0:01:25 | 0:01:28 | |
which was extraordinary. | 0:01:28 | 0:01:29 | |
Is that what food's meant to look like? | 0:01:29 | 0:01:31 | |
-So fascinating and alarming. -Ed? | 0:01:31 | 0:01:33 | |
I really enjoyed this week's episode, | 0:01:33 | 0:01:36 | |
but unfortunately I can't stick around long, | 0:01:36 | 0:01:38 | |
because Donald Trump's called me over. | 0:01:38 | 0:01:40 | |
-Guys? -You see? | 0:01:42 | 0:01:44 | |
Isn't it funny? In the hands of a comedian, it gets a laugh. | 0:01:44 | 0:01:47 | |
We'll be discussing this week's cooking task in more detail | 0:01:48 | 0:01:51 | |
when we meet tonight's unlucky candidate, but first... | 0:01:51 | 0:01:54 | |
GONG! | 0:01:54 | 0:01:56 | |
In Apprentice News tonight, | 0:01:56 | 0:01:58 | |
Michaela wonders what Claude's bathroom looks like. | 0:01:58 | 0:02:01 | |
It could just be shocking. | 0:02:01 | 0:02:02 | |
James rewrites the lyrics to 12 Days Of Christmas. | 0:02:05 | 0:02:08 | |
Two salmon fillets. | 0:02:08 | 0:02:10 | |
Partridge in a pear tree. I know. | 0:02:12 | 0:02:14 | |
Karren pitches her idea for a new beauty trend. | 0:02:14 | 0:02:18 | |
Toe curling. | 0:02:18 | 0:02:19 | |
Joanna puts everyone's mind at rest as to how they soak the rice. | 0:02:22 | 0:02:27 | |
This first dish that we've got doesn't necessarily have PEE in it. | 0:02:27 | 0:02:31 | |
The girls are easily amused by some seat belts. | 0:02:34 | 0:02:37 | |
Look. | 0:02:37 | 0:02:38 | |
That's tonight's Apprentice News. | 0:02:42 | 0:02:43 | |
So, after dressing up as cracked pepper, | 0:02:48 | 0:02:50 | |
cracking eggs and cracking some cracking one-liners, | 0:02:50 | 0:02:52 | |
Lord Sugar decided the cracks were appearing in Bushra's performance. | 0:02:52 | 0:02:56 | |
Bushra, I don't think you've done much in this last nine weeks, | 0:02:56 | 0:03:00 | |
and it is with regret that you are fired. | 0:03:00 | 0:03:03 | |
Thank you, Lord Sugar, for this opportunity. | 0:03:04 | 0:03:06 | |
Please welcome Bushra Shaikh. | 0:03:15 | 0:03:16 | |
CHEERING AND APPLAUSE | 0:03:16 | 0:03:19 | |
Hello. Hi. | 0:03:27 | 0:03:29 | |
Your family is up there somewhere, I think. | 0:03:30 | 0:03:32 | |
Where's family? Where are they? | 0:03:32 | 0:03:33 | |
There they are. CHEERING | 0:03:33 | 0:03:34 | |
I expect to see greens from you later on in the show. | 0:03:34 | 0:03:37 | |
-Bushra. -Hello. -Hello. -Hi. | 0:03:37 | 0:03:41 | |
Frazzled, fricasseed, boiled? | 0:03:41 | 0:03:44 | |
-I'm gutted. I'm so gutted. -Are you? | 0:03:44 | 0:03:47 | |
-Yeah. -AUDIENCE: -Aw! | 0:03:47 | 0:03:48 | |
I shouldn't be here. | 0:03:48 | 0:03:49 | |
SCATTERED LAUGHTER | 0:03:49 | 0:03:51 | |
Bit more. | 0:03:51 | 0:03:52 | |
LAUGHTER | 0:03:52 | 0:03:55 | |
Did you think you fought hard enough in the boardroom? | 0:03:55 | 0:03:57 | |
Do you know what? I did. | 0:03:57 | 0:03:58 | |
I thought that I'd given it enough, I'd said enough. | 0:03:58 | 0:04:01 | |
I think Elizabeth had done enough to have gone. | 0:04:01 | 0:04:03 | |
Did you think she was going to go? | 0:04:05 | 0:04:07 | |
I did. I think there was a stage when he was talking to her | 0:04:07 | 0:04:10 | |
a lot more, that I felt like she was going to go. | 0:04:10 | 0:04:12 | |
Would you have liked to share a taxi home with Elizabeth? | 0:04:12 | 0:04:14 | |
Do you know what? I get on with everyone. | 0:04:14 | 0:04:16 | |
I would be happy to share that taxi, | 0:04:16 | 0:04:18 | |
but she would probably want to drive it. | 0:04:18 | 0:04:20 | |
LAUGHTER | 0:04:20 | 0:04:21 | |
"Shall I drive, driver? Shall I? | 0:04:26 | 0:04:27 | |
"Shall I drive, driver? Shall I just drive, driver?" | 0:04:27 | 0:04:29 | |
-Claudine, you know Lord Sugar. -Yeah. | 0:04:33 | 0:04:35 | |
Why do you think Bushra went this week? | 0:04:35 | 0:04:38 | |
I think... I'm also gutted, Bushra. | 0:04:38 | 0:04:40 | |
I have to say that I kind of picked you from the beginning | 0:04:40 | 0:04:43 | |
as a strong woman, I could see you going far in the process. | 0:04:43 | 0:04:46 | |
You have gone far. But I think... | 0:04:46 | 0:04:48 | |
I don't know whether as time went on | 0:04:48 | 0:04:49 | |
you got a bit worn down by the process, | 0:04:49 | 0:04:52 | |
cos I saw less and less of you | 0:04:52 | 0:04:54 | |
rather than more and more leadership qualities of you. | 0:04:54 | 0:04:57 | |
I think that when it comes down to this final few people, | 0:04:57 | 0:05:01 | |
he has to look at the people that he thinks are real leaders | 0:05:01 | 0:05:04 | |
that he can work with. | 0:05:04 | 0:05:06 | |
Out of the people left and the people in the boardroom, | 0:05:06 | 0:05:08 | |
I'm afraid he probably thought you had least contribution | 0:05:08 | 0:05:11 | |
than anyone else. | 0:05:11 | 0:05:12 | |
You know what? Thank you, Claudine. | 0:05:12 | 0:05:14 | |
That actually means a lot, because I think towards the end | 0:05:14 | 0:05:16 | |
maybe I was a little bit drained by particular characters. | 0:05:16 | 0:05:19 | |
That sort of showed itself on the task. | 0:05:19 | 0:05:23 | |
You can just say Elizabeth. | 0:05:23 | 0:05:24 | |
Andi, do you think the other two just fought harder? | 0:05:27 | 0:05:29 | |
Do you see that, as well, | 0:05:29 | 0:05:31 | |
that Bushra was perhaps slipping back a little bit? | 0:05:31 | 0:05:33 | |
I, I mean, they obviously all really fought for survival at this point. | 0:05:33 | 0:05:38 | |
I'm sorry that you went, cos I thought you were great, actually. | 0:05:38 | 0:05:40 | |
I thought you were really methodical and you were really careful about... | 0:05:40 | 0:05:44 | |
You had really good attention to detail. | 0:05:44 | 0:05:46 | |
I think that's important, no? | 0:05:46 | 0:05:47 | |
Well, you can't make an omelette without breaking a few eggs. | 0:05:47 | 0:05:50 | |
If Team Graphene are anything to go by, | 0:05:50 | 0:05:52 | |
you can't make a salmon risotto and talk at the same time. | 0:05:52 | 0:05:55 | |
Let's see where it all went wrong. | 0:05:55 | 0:05:57 | |
Well, Bushra, in my opinion, she has been standing back. | 0:05:57 | 0:05:59 | |
I don't think there's any point that I can say | 0:05:59 | 0:06:01 | |
that she's made a significant contribution. | 0:06:01 | 0:06:03 | |
What I thought might be quite interesting is to do, | 0:06:03 | 0:06:05 | |
like, footprints to represent the travel. | 0:06:05 | 0:06:08 | |
I just think something about that, | 0:06:08 | 0:06:10 | |
to me, says dog food. | 0:06:10 | 0:06:11 | |
I do feel that I could probably do the job | 0:06:11 | 0:06:14 | |
just with Pete, the designer. | 0:06:14 | 0:06:15 | |
That picture isn't completely gourmet, | 0:06:15 | 0:06:17 | |
I'm going to be honest. | 0:06:17 | 0:06:18 | |
What would you have done with it? | 0:06:18 | 0:06:20 | |
Bushra just says stuff | 0:06:20 | 0:06:21 | |
for the sake of saying something. | 0:06:21 | 0:06:23 | |
Just so she can sit on the fence with everything. | 0:06:23 | 0:06:25 | |
"Oh, I said that." | 0:06:25 | 0:06:26 | |
You put on this pantomime | 0:06:26 | 0:06:27 | |
with these lead balloon jokes. | 0:06:27 | 0:06:29 | |
We would have loved to have had | 0:06:29 | 0:06:31 | |
Captain Gourmet himself here today, | 0:06:31 | 0:06:33 | |
but unfortunately Donald Trump | 0:06:33 | 0:06:35 | |
called him over. | 0:06:35 | 0:06:36 | |
This was not professional. Forget all the jokes. | 0:06:38 | 0:06:41 | |
I'm so sorry. I'm so sorry, but you know what? | 0:06:43 | 0:06:46 | |
Not to me, to the audience. | 0:06:46 | 0:06:47 | |
LAUGHTER | 0:06:47 | 0:06:49 | |
Do you know what? It was a little bit funny. It wasn't that bad. No?! | 0:06:49 | 0:06:53 | |
-I don't understand it. -I don't understand it, what does it mean? | 0:06:53 | 0:06:57 | |
Well, let me just try and redeem myself a bit here. | 0:06:59 | 0:07:02 | |
Look, the name itself was pretty bad, | 0:07:02 | 0:07:04 | |
so the fact that you were going to call it Gourmet Crusaders | 0:07:04 | 0:07:07 | |
had me a bit worried, so I thought, "You know what? | 0:07:07 | 0:07:09 | |
"Let's bring Donald Trump in, cos everyone talks about him | 0:07:09 | 0:07:11 | |
"and the majority of people don't like him." | 0:07:11 | 0:07:14 | |
So what I tried to do was have a bit of banter | 0:07:14 | 0:07:17 | |
in the pitch, just say, "Well, actually, Gourmet Crusaders | 0:07:17 | 0:07:20 | |
"is there to kind of cook, you can make a nice meal. | 0:07:20 | 0:07:23 | |
"You're actually not going to have a crusader, | 0:07:23 | 0:07:25 | |
"which is what he really wants, to kind of do his thing with." | 0:07:25 | 0:07:27 | |
Can I be rude, Bushra? | 0:07:27 | 0:07:28 | |
That hasn't helped at all. LAUGHTER | 0:07:32 | 0:07:34 | |
-I'll give you that one. -Not at all. | 0:07:38 | 0:07:40 | |
I'll give you that one. | 0:07:40 | 0:07:42 | |
-ED: -Where did Captain Gourmet come from? | 0:07:42 | 0:07:45 | |
He'd not been mentioned for the whole of the task, | 0:07:45 | 0:07:47 | |
and then suddenly Captain Gourmet popped... | 0:07:47 | 0:07:49 | |
Is he like Captain Birdseye's snooty cousin? | 0:07:49 | 0:07:52 | |
You've got to go out of your comfort zone sometimes, | 0:07:54 | 0:07:56 | |
try something different. | 0:07:56 | 0:07:58 | |
I tried, it just didn't pay off that well. | 0:07:58 | 0:08:00 | |
But you were already dressed as a pepper pot. | 0:08:00 | 0:08:02 | |
How far outside of your comfort zone do you need to go? | 0:08:04 | 0:08:06 | |
-Oh, sorry. -Was that the main reason they lost the task, the pitch, | 0:08:06 | 0:08:10 | |
do you think, Claudine? | 0:08:10 | 0:08:11 | |
100%, it was down to the pitch. I mean, the pitch was so awful. | 0:08:11 | 0:08:15 | |
When you go in... I mean, we pitch for business all the time. | 0:08:15 | 0:08:18 | |
You have to be likeable as well. People have to connect with you. | 0:08:18 | 0:08:23 | |
It just was so bad. | 0:08:23 | 0:08:26 | |
I mean, you were never going to win it on a pitch like that. | 0:08:26 | 0:08:29 | |
That's ultimately what they were voting on. | 0:08:29 | 0:08:32 | |
Andi, what makes a good pitch? | 0:08:32 | 0:08:35 | |
Well, I think authenticity. | 0:08:35 | 0:08:36 | |
You have to believe in what you're talking about, | 0:08:36 | 0:08:38 | |
the product has to mean something to you. | 0:08:38 | 0:08:41 | |
Also, if you're going to be on stage with a whole bunch of people, | 0:08:41 | 0:08:43 | |
you've got to feel like a team, | 0:08:43 | 0:08:45 | |
instead of these little disparate sort of groups of one person, | 0:08:45 | 0:08:48 | |
sort of just doing this terrible, terrible communication. | 0:08:48 | 0:08:52 | |
It was awful, actually. | 0:08:52 | 0:08:53 | |
Did they try too hard? | 0:08:53 | 0:08:55 | |
They tried to do stuff, and throw to each other, and over to you... | 0:08:55 | 0:08:58 | |
They tried a bit too hard | 0:08:58 | 0:08:59 | |
and they also didn't really believe in anything that they were saying. | 0:08:59 | 0:09:02 | |
Actually, the food... | 0:09:02 | 0:09:03 | |
Your food was better than the food from the other team. | 0:09:03 | 0:09:06 | |
Way better. | 0:09:06 | 0:09:07 | |
Well, it was before you cooked it. | 0:09:07 | 0:09:11 | |
The first time you cooked it, I thought, | 0:09:11 | 0:09:12 | |
"Oh, that looks quite tasty. It looks quite good." | 0:09:12 | 0:09:15 | |
Team Graphene's pitch may have been a curly toed culinary cringefest, | 0:09:15 | 0:09:19 | |
but at least Karren liked it. | 0:09:19 | 0:09:21 | |
Or did she? | 0:09:21 | 0:09:22 | |
Bushra and James dressed in giant salt and pepper pots, | 0:09:31 | 0:09:34 | |
so I think they felt that they had to be sort of funny and engage in... | 0:09:34 | 0:09:38 | |
But it wasn't funny and it certainly wasn't engaging. | 0:09:38 | 0:09:40 | |
Let's move on. Let's talk about the recipe. | 0:09:47 | 0:09:49 | |
Sarah was your project manager. | 0:09:49 | 0:09:50 | |
She put James and Elizabeth together in the kitchen. | 0:09:50 | 0:09:53 | |
Would you have made that decision? | 0:09:53 | 0:09:55 | |
No. I think what I would have done is probably split them up, | 0:09:55 | 0:09:57 | |
but in fairness, actually, I don't think they were that bad. | 0:09:57 | 0:10:01 | |
I think James tried to hold his own this time, | 0:10:01 | 0:10:03 | |
because he learnt, I think, from the way she acts. | 0:10:03 | 0:10:06 | |
Yeah. He didn't look happy when he was put with... | 0:10:06 | 0:10:09 | |
No, he didn't look happy at all. No. | 0:10:09 | 0:10:11 | |
He did not look happy. The thing is, I do feel for him, as well. | 0:10:11 | 0:10:13 | |
I did feel at that point, maybe if he didn't want to do it with her, | 0:10:13 | 0:10:16 | |
then he should have said something. | 0:10:16 | 0:10:17 | |
Elizabeth certainly looks like she can chop celery. | 0:10:17 | 0:10:20 | |
She can, can't she? | 0:10:20 | 0:10:22 | |
Is Lord Sugar looking for a broader base of skills than that? | 0:10:22 | 0:10:27 | |
I think chopping celery is quite high up on his agenda. | 0:10:27 | 0:10:30 | |
But, no, of course he's looking for something a bit more than that. | 0:10:30 | 0:10:33 | |
I think what he sees in Elizabeth | 0:10:33 | 0:10:36 | |
is she has such a huge amount of passion | 0:10:36 | 0:10:39 | |
and she'll turn her hand to anything and she's positive. | 0:10:39 | 0:10:44 | |
I think, you know, he values that in people. | 0:10:44 | 0:10:47 | |
James has got this thing that I now like to call the Elizabeth Vein. | 0:10:47 | 0:10:51 | |
Like, every time he thinks about Elizabeth or someone says, | 0:10:51 | 0:10:54 | |
"Would you mind going with Elizabeth?", | 0:10:54 | 0:10:56 | |
this vein pops out in the middle of his head. | 0:10:56 | 0:10:58 | |
She brow beats her way through everything. | 0:10:58 | 0:11:01 | |
People just bend to her will. She just eventually gets her way. | 0:11:01 | 0:11:04 | |
It's sort of a mixture between a Jedi mind trick and Reggie Kray. | 0:11:04 | 0:11:08 | |
I think if Lord Sugar makes her his business partner, | 0:11:09 | 0:11:13 | |
next year she'll be hosting The Apprentice. | 0:11:13 | 0:11:15 | |
Well, Lord Sugar has called this the Elizabeth show, | 0:11:22 | 0:11:24 | |
and it does seem that when it comes to... | 0:11:24 | 0:11:26 | |
Well, when it comes to absolutely everything, | 0:11:26 | 0:11:28 | |
Elizabeth does like to have a hand in it, | 0:11:28 | 0:11:30 | |
a finger in every pie and every risotto. | 0:11:30 | 0:11:32 | |
On this week's show, Elizabeth dazzles us | 0:11:39 | 0:11:41 | |
with her top secret recipe for burnt salmon. | 0:11:41 | 0:11:43 | |
Yeah, it's not quite there yet. | 0:11:43 | 0:11:46 | |
She wows us with her use of the most simple kitchen gadgets. | 0:11:46 | 0:11:49 | |
I'm just going to get my cooker to work. | 0:11:49 | 0:11:51 | |
And she teaches us her techniques | 0:11:51 | 0:11:53 | |
for running a relaxed and calm kitchen. | 0:11:53 | 0:11:55 | |
Put it down. Put it down. | 0:11:55 | 0:11:56 | |
-Do you want me to chop an onion? -No, I'll chop the onion, it's fine. | 0:11:56 | 0:11:59 | |
Do you want me to chop it? Why don't I chop the celery? | 0:11:59 | 0:12:01 | |
Yeah? | 0:12:01 | 0:12:03 | |
Yeah? | 0:12:03 | 0:12:04 | |
Andi, food boxes are for a certain type of cook, I guess. | 0:12:12 | 0:12:14 | |
I mean, "mugs" is the word Lord Sugar used. | 0:12:14 | 0:12:17 | |
I guess it's for people who aren't great cooks. | 0:12:17 | 0:12:21 | |
It's really... I would say it's for people who want to learn to cook, | 0:12:21 | 0:12:25 | |
who want to get better. | 0:12:25 | 0:12:26 | |
People who are trying to be a little more adventurous in the kitchen. | 0:12:26 | 0:12:29 | |
They're not people who are just going to have a takeaway, | 0:12:29 | 0:12:31 | |
because they actually want to feel like they've made something | 0:12:31 | 0:12:34 | |
for themselves, and they're a bit independent | 0:12:34 | 0:12:36 | |
-and they can do something well. -But they need a bit of hand holding. | 0:12:36 | 0:12:39 | |
They need a little bit of a mate next to them, just to say, | 0:12:39 | 0:12:41 | |
"Yeah, that's right, you're doing it right. | 0:12:41 | 0:12:43 | |
"Now move on to the next bit, on to the next bit." | 0:12:43 | 0:12:45 | |
How important is getting the recipe right, then? | 0:12:45 | 0:12:47 | |
Well, enormously. It's essential. | 0:12:47 | 0:12:49 | |
If you've given them the wrong recipe, | 0:12:49 | 0:12:52 | |
they're going to lose their confidence straightaway. | 0:12:52 | 0:12:54 | |
They're also not going to buy your brand again, | 0:12:54 | 0:12:56 | |
no matter what recipe you put into it. | 0:12:56 | 0:12:57 | |
Well, they went for a risotto. | 0:12:57 | 0:12:59 | |
I've never made a risotto, cos it looks like a faff to me - | 0:12:59 | 0:13:01 | |
and I quite like cooking, but is that...? | 0:13:01 | 0:13:03 | |
I actually thought risotto was quite a good choice, in fact. | 0:13:03 | 0:13:06 | |
When you made it... | 0:13:06 | 0:13:07 | |
When they made it the first time, it looked quite... | 0:13:07 | 0:13:09 | |
It came out OK. It wasn't... It was fairly decent-looking. | 0:13:09 | 0:13:12 | |
It looked a bit creamy, the fish looked all right on the top, | 0:13:12 | 0:13:15 | |
it looked like something that was absolutely presentable. | 0:13:15 | 0:13:17 | |
The good thing about something like risotto | 0:13:17 | 0:13:19 | |
is that you can use three ingredients and make something | 0:13:19 | 0:13:21 | |
really delicious and feel like you've really achieved something. | 0:13:21 | 0:13:24 | |
-So it was a good choice for that kind of audience? -Yeah, for sure. | 0:13:24 | 0:13:27 | |
Claudine, in terms of the marketing, the concepts that they came up with, | 0:13:27 | 0:13:30 | |
the gourmet, the healthy eating, did either of those | 0:13:30 | 0:13:33 | |
feel like they would grab you on the supermarket shelves? | 0:13:33 | 0:13:35 | |
Both of those concepts actually have both got legs. | 0:13:35 | 0:13:39 | |
I mean, they're both good concepts. | 0:13:39 | 0:13:41 | |
How they were translated was a different matter. | 0:13:41 | 0:13:43 | |
So, Natrofuel. | 0:13:43 | 0:13:46 | |
I mean, it was a cardboard box. | 0:13:46 | 0:13:49 | |
I mean, that's all it was. | 0:13:49 | 0:13:51 | |
Exactly. | 0:13:53 | 0:13:54 | |
I mean, it looks to me like... | 0:13:56 | 0:13:58 | |
You know when you order something dodgy off the internet, | 0:13:58 | 0:14:00 | |
I imagine, Ed, is that what it looks like? | 0:14:00 | 0:14:04 | |
I have to say, if I ordered something dodgy off the internet | 0:14:04 | 0:14:07 | |
and then opened it up and it was the components for a chicken curry... | 0:14:07 | 0:14:10 | |
I'd be very disappointed. | 0:14:10 | 0:14:13 | |
We can see the other team's here. | 0:14:13 | 0:14:15 | |
This is Gourmet Crusaders. There's a lot more going on | 0:14:15 | 0:14:18 | |
-on the packaging, at least. -Yeah. | 0:14:18 | 0:14:22 | |
I'll come on to the name a bit more in a moment - | 0:14:22 | 0:14:24 | |
but were you happy with the gourmet idea? | 0:14:24 | 0:14:28 | |
Yeah, I think it's a really cool idea, | 0:14:28 | 0:14:30 | |
because gourmet you can even make into healthy eating, | 0:14:30 | 0:14:33 | |
as well, if you wanted to, as well. | 0:14:33 | 0:14:34 | |
It just encourages people to cook with ingredients | 0:14:34 | 0:14:37 | |
they maybe don't use at home or have at home. | 0:14:37 | 0:14:39 | |
They will end up expanding what they eat, as well. | 0:14:39 | 0:14:42 | |
I think it's a good... | 0:14:42 | 0:14:43 | |
There was some debate about healthy eating and what it meant, Andi. | 0:14:43 | 0:14:46 | |
It means different things to different people. | 0:14:46 | 0:14:48 | |
Can a chicken curry be healthy? | 0:14:48 | 0:14:49 | |
To me, I would think, "Yes, of course it can, | 0:14:49 | 0:14:52 | |
"if it doesn't use anything particularly unhealthy in it." | 0:14:52 | 0:14:54 | |
But there's not a vegetable in it. | 0:14:54 | 0:14:56 | |
What did you make of the healthy eating? | 0:14:56 | 0:14:58 | |
Healthy eating would normally include vegetables, | 0:14:58 | 0:15:01 | |
just as a sort of base, sort of starting point, really. | 0:15:01 | 0:15:05 | |
I mean, the best bit was the teaspoon of yoghurt. | 0:15:05 | 0:15:08 | |
What is that?! | 0:15:09 | 0:15:11 | |
For me, that is one of the highlights of the series. | 0:15:14 | 0:15:17 | |
Watching Michaela and Harrison trying to decide... | 0:15:17 | 0:15:20 | |
I mean, have they ever...? Let's have a look at it again, please. | 0:15:20 | 0:15:23 | |
Can we remind ourselves? I really enjoyed this bit. | 0:15:23 | 0:15:25 | |
I have no idea what to go in at, to try, | 0:15:25 | 0:15:27 | |
so let's just try something dead small. | 0:15:27 | 0:15:30 | |
Put that in and just see if it will help with... | 0:15:30 | 0:15:33 | |
If you've ever cooked a meal in your life, that's madness, isn't it? | 0:15:39 | 0:15:41 | |
It was like having fish and chips or something and then thinking, | 0:15:41 | 0:15:44 | |
"How can we...? Let's put one mushy pea on this | 0:15:44 | 0:15:46 | |
"and see if that makes a difference." | 0:15:46 | 0:15:50 | |
I think they were thinking yoghurt's healthy. | 0:15:50 | 0:15:52 | |
Well, so put more of it in, then. | 0:15:52 | 0:15:54 | |
You weren't keen on the Gourmet Crusaders... | 0:15:56 | 0:15:59 | |
-Yeah, that's right. -..name. -No. | 0:15:59 | 0:16:01 | |
Sarah sort of overruled you. Should you have fought harder? | 0:16:01 | 0:16:04 | |
I think I did give it... I did tell her enough, I think. | 0:16:04 | 0:16:08 | |
But obviously she said I hadn't. | 0:16:08 | 0:16:11 | |
Being PM, it always comes down to you, | 0:16:11 | 0:16:13 | |
so you have to make that choice, whether you change it | 0:16:13 | 0:16:15 | |
or whether you keep it. She did stick by it. | 0:16:15 | 0:16:17 | |
What did you make of the Gourmet Crusaders name, Claudine? | 0:16:17 | 0:16:21 | |
I think it was such a shame, actually, | 0:16:21 | 0:16:23 | |
that you didn't fight harder, because it was a terrible name. | 0:16:23 | 0:16:26 | |
You came up with World Gourmet Kitchen. | 0:16:26 | 0:16:29 | |
Something around that would have been much better | 0:16:29 | 0:16:31 | |
than Gourmet Crusaders. | 0:16:31 | 0:16:33 | |
You're right, she just cut you dead, | 0:16:33 | 0:16:34 | |
but I wanted you to kind of fight more. | 0:16:34 | 0:16:37 | |
It's not a great connotation to have with anything. | 0:16:37 | 0:16:40 | |
Crusaders sounds like war, it sounds quite expansive, | 0:16:40 | 0:16:43 | |
British Empire. I don't think it would help, Bushra, | 0:16:43 | 0:16:46 | |
with your suggestion of adding an umlaut to it. | 0:16:46 | 0:16:48 | |
That seems to make it slightly more of a problem, I'd say. | 0:16:53 | 0:16:56 | |
Yours was the neat little passport stamp, that was your idea. | 0:16:58 | 0:17:01 | |
-The footprints were perhaps a little paw-like. -Yep. | 0:17:01 | 0:17:04 | |
Human footprints don't make me think of dog food. | 0:17:04 | 0:17:07 | |
-They looked like paw prints. -They did look a bit like paw prints. | 0:17:07 | 0:17:10 | |
What weird dogs have you people got? | 0:17:10 | 0:17:13 | |
Let's talk about some of the other candidates. | 0:17:13 | 0:17:15 | |
Did you get on with Harrison? How did you find working with him? | 0:17:15 | 0:17:18 | |
I did. I actually got on really, really well with Harrison. | 0:17:18 | 0:17:20 | |
He's just him. He's always himself. | 0:17:20 | 0:17:22 | |
He actually gives 100% in everything that he does. | 0:17:22 | 0:17:25 | |
He might have a different approach to things, | 0:17:25 | 0:17:28 | |
-but, yeah, I think he's a strong candidate. -He was project manager. | 0:17:28 | 0:17:31 | |
Why do you think it took him so long to become project manager? | 0:17:31 | 0:17:35 | |
You know what? There was so many strong people there | 0:17:35 | 0:17:37 | |
that even if he wanted to be, he probably couldn't make it, | 0:17:37 | 0:17:40 | |
because there were just so many people who would just jump on it | 0:17:40 | 0:17:43 | |
and actually get it. | 0:17:43 | 0:17:44 | |
I just think, yeah, he just waited. | 0:17:44 | 0:17:45 | |
Also waited for the right task, maybe, as well, | 0:17:45 | 0:17:48 | |
that would maybe interest Lord Sugar at the same time. | 0:17:48 | 0:17:51 | |
Andi, across the whole task, he did quite well. | 0:17:51 | 0:17:53 | |
I thought he did quite well. | 0:17:53 | 0:17:54 | |
There was a certain connection he had when he was doing the pitch | 0:17:54 | 0:17:58 | |
that was quite relaxed, because he believed in what he was saying. | 0:17:58 | 0:18:01 | |
That's the key to those things. | 0:18:01 | 0:18:02 | |
If you believe what you're saying, | 0:18:02 | 0:18:04 | |
you can get people to believe anything, clearly. | 0:18:04 | 0:18:06 | |
He didn't overdo it in the pitch. | 0:18:06 | 0:18:08 | |
No, he was quite relaxed, laid back, | 0:18:08 | 0:18:10 | |
he just sort of put the facts out there and talked about it | 0:18:10 | 0:18:13 | |
in quite a gentle manner, | 0:18:13 | 0:18:15 | |
so he didn't oversell, he didn't undersell. | 0:18:15 | 0:18:17 | |
It was cos he believed himself. | 0:18:17 | 0:18:19 | |
Yeah, he was project manager this week, Claudine, | 0:18:19 | 0:18:22 | |
but a lot of the time he did seem to be slightly influenced by Michaela. | 0:18:22 | 0:18:27 | |
-Slightly influenced. -Slightly influenced. -Yeah. | 0:18:27 | 0:18:30 | |
I don't think he was brilliant as a project manager, | 0:18:30 | 0:18:33 | |
because, as you say, first of all, Joanna had said, "Yeah, I can cook." | 0:18:33 | 0:18:38 | |
When he said, "OK, well, I'll go on to the branding, | 0:18:38 | 0:18:41 | |
"you can do the cooking." | 0:18:41 | 0:18:42 | |
Michaela then piped up with, "Well, I think you should come with me." | 0:18:42 | 0:18:45 | |
Because I think she didn't want to work with either Jade or Joanna | 0:18:45 | 0:18:48 | |
because she knows they're difficult. | 0:18:48 | 0:18:50 | |
She thought, "I'll have an easier time with Harrison | 0:18:50 | 0:18:52 | |
"and he'll do what I say." | 0:18:52 | 0:18:54 | |
When they got in the kitchen, she kind of went, | 0:18:54 | 0:18:56 | |
"Well, I've never made a chicken curry before." | 0:18:56 | 0:18:59 | |
You think, "For goodness' sake." He was quite adamant, | 0:18:59 | 0:19:01 | |
"Hm, I'm not sure chicken curry really is healthy." | 0:19:01 | 0:19:04 | |
"Yeah, we'll go with chicken curry, then, Michaela." | 0:19:04 | 0:19:07 | |
Harrison may have been project manager, but at times, | 0:19:07 | 0:19:09 | |
he didn't have a Michel Roux. | 0:19:09 | 0:19:11 | |
But he certainly wasn't always in control. | 0:19:11 | 0:19:13 | |
Michaela, from what I understand, | 0:19:13 | 0:19:15 | |
you were operating Harrison like a ventriloquist. | 0:19:15 | 0:19:17 | |
-MICHAELA: -I'm absolutely bouncing. | 0:19:19 | 0:19:21 | |
One of the other things that we're throwing out now | 0:19:21 | 0:19:24 | |
was Root Flavour. | 0:19:24 | 0:19:25 | |
We need to be something, like, in the mind. | 0:19:25 | 0:19:27 | |
Use, like, all your worldly knowledge | 0:19:27 | 0:19:29 | |
and think of a different word for mind, | 0:19:29 | 0:19:31 | |
but try and keep it along those lines. | 0:19:31 | 0:19:33 | |
We had a few issues, which was unfortunate. | 0:19:33 | 0:19:36 | |
Do you know what, though? This is seriously, | 0:19:36 | 0:19:38 | |
this is the biggest opportunity of your life. | 0:19:38 | 0:19:40 | |
We're so far on in this. You need to put whatever this is behind you, | 0:19:40 | 0:19:43 | |
because if I lose because of this, honestly, I'm going to be fuming. | 0:19:43 | 0:19:47 | |
I'm absolutely bouncing. | 0:19:48 | 0:19:50 | |
Claudine, Joanna and Jade working together this week. | 0:19:54 | 0:19:57 | |
I use "working together" in the loosest possible... | 0:19:57 | 0:20:00 | |
-It was terrible. -Like a poorly oiled machine. | 0:20:00 | 0:20:02 | |
It really... It really was. They obviously wind each other up anyway, | 0:20:02 | 0:20:07 | |
so why you would put them together is beyond me, | 0:20:07 | 0:20:09 | |
but I think that Joanna... | 0:20:09 | 0:20:11 | |
The problem is, Joanna actually has some good ideas, | 0:20:11 | 0:20:14 | |
but because she's quite whingey and negative, | 0:20:14 | 0:20:16 | |
no-one really listens to her. | 0:20:16 | 0:20:18 | |
They kind of brush her aside. | 0:20:18 | 0:20:20 | |
Jade is so forceful that Joanna just didn't really have a chance - | 0:20:20 | 0:20:24 | |
but I would never have put the two of them together. | 0:20:24 | 0:20:26 | |
There was a lovely moment where Jade said, "Come on, Joanna, | 0:20:26 | 0:20:29 | |
"think about it, it's food, it's for the mind, | 0:20:29 | 0:20:32 | |
"it's for the mind, it's food. | 0:20:32 | 0:20:33 | |
"Food mind." | 0:20:33 | 0:20:34 | |
Well, it's certainly better than Joanna's | 0:20:36 | 0:20:38 | |
suggestion of Root Flavours, | 0:20:38 | 0:20:40 | |
which sounds like a name for a terrible blues musician. | 0:20:40 | 0:20:43 | |
Andi, you're the food expert, Root Flavours, | 0:20:43 | 0:20:45 | |
could you see where she was going with that? | 0:20:45 | 0:20:48 | |
Well, you know, none of the ideas were good at the beginning. | 0:20:48 | 0:20:51 | |
Jade had said to her there's no such thing as a bad idea, | 0:20:51 | 0:20:53 | |
say anything, throw it all out there, we'll bounce it all around. | 0:20:53 | 0:20:56 | |
Absolute nonsense. | 0:20:56 | 0:20:59 | |
Can I just say, Jade? | 0:20:59 | 0:21:00 | |
If you are watching, there are such things as a bad idea. | 0:21:00 | 0:21:02 | |
Food Mind is one. | 0:21:02 | 0:21:04 | |
Joanna seemed bizarrely obsessed with this Root Flavours idea. | 0:21:04 | 0:21:09 | |
You don't think it's a bad idea? | 0:21:09 | 0:21:10 | |
I just... I'm just not really sure where it was coming from. | 0:21:10 | 0:21:13 | |
It's not that it was a bad idea, I just think it's a starting place. | 0:21:13 | 0:21:17 | |
She didn't seem to be able to get anyone to bounce back, | 0:21:17 | 0:21:20 | |
do you know what I mean? | 0:21:20 | 0:21:21 | |
She just kept trying to reposition it and reposition it | 0:21:21 | 0:21:24 | |
and nobody was going for it, but she couldn't let it go. | 0:21:24 | 0:21:27 | |
Have you ever worked with people you don't get on with, Ed? | 0:21:27 | 0:21:29 | |
Not including this show. | 0:21:29 | 0:21:31 | |
I mean, I'm self-employed, I'm a stand-up, | 0:21:31 | 0:21:33 | |
so it's mainly me getting on my own nerves, frankly. | 0:21:33 | 0:21:37 | |
I'm actually on a second written warning. | 0:21:37 | 0:21:40 | |
I might let myself go next week. | 0:21:40 | 0:21:42 | |
It's not a euphemism. | 0:21:43 | 0:21:46 | |
I've got you there, Rhod, it was. | 0:21:46 | 0:21:47 | |
Sarah was project managing Graphene. The team lost, | 0:21:48 | 0:21:51 | |
but were you impressed with her individual performance this week? | 0:21:51 | 0:21:54 | |
Well, yes and no. I think that she's very professional, very calm, | 0:21:54 | 0:21:59 | |
very considered. | 0:21:59 | 0:22:00 | |
She doesn't get involved in arguments, | 0:22:00 | 0:22:02 | |
but I was disappointed | 0:22:02 | 0:22:04 | |
that she didn't listen to Bushra's point of view. | 0:22:04 | 0:22:06 | |
She also, in a very subtle way, did what she wanted to do. | 0:22:06 | 0:22:10 | |
Yeah. She reminds me of you, Ed, a lot. | 0:22:10 | 0:22:12 | |
Very calm, considered, efficient. | 0:22:12 | 0:22:15 | |
You know very well that that is not true about me at all. | 0:22:15 | 0:22:18 | |
You're lucky that I made it here in trousers, quite frankly. | 0:22:18 | 0:22:21 | |
No, but she absolutely said | 0:22:21 | 0:22:23 | |
that you hadn't come up with the bit on the box, | 0:22:23 | 0:22:25 | |
the stamp bit on the box, and you clearly did. | 0:22:25 | 0:22:27 | |
I just thought that that wasn't very fair. | 0:22:27 | 0:22:29 | |
I've just got to add that Sarah and I | 0:22:29 | 0:22:31 | |
genuinely work really well together | 0:22:31 | 0:22:33 | |
and she is actually a really, really nice girl. | 0:22:33 | 0:22:35 | |
She is very good at what she does, | 0:22:35 | 0:22:37 | |
but she's also a tactical game player. | 0:22:37 | 0:22:40 | |
You've come into this process. | 0:22:40 | 0:22:42 | |
I guess people do have that up their sleeves. She did. | 0:22:42 | 0:22:46 | |
Well, Bushra, unfortunately, as you know, | 0:22:46 | 0:22:48 | |
Lord Sugar won't be investing in you, | 0:22:48 | 0:22:51 | |
but he does have this advice for your future. | 0:22:51 | 0:22:53 | |
Now, Bushra has a very interesting business. | 0:22:55 | 0:22:58 | |
It's a ladies' fashion business. | 0:22:58 | 0:23:00 | |
She's very passionate, very intelligent, | 0:23:01 | 0:23:04 | |
but in this particular task, | 0:23:04 | 0:23:06 | |
Bushra got the pitch all wrong, | 0:23:06 | 0:23:08 | |
so my friendly advice to her | 0:23:08 | 0:23:11 | |
is try and work on her presentation | 0:23:11 | 0:23:13 | |
and pitching skills. | 0:23:13 | 0:23:15 | |
If she can add that | 0:23:15 | 0:23:16 | |
to the other business skills she has, | 0:23:16 | 0:23:18 | |
she'll go quite a long way. | 0:23:18 | 0:23:20 | |
-Work on the pitching skills. -Yeah, of course. | 0:23:23 | 0:23:26 | |
You know, I've never, ever pitched before. | 0:23:26 | 0:23:28 | |
I've been really fortunate to do all of my deals, I'd say, over a coffee. | 0:23:28 | 0:23:32 | |
So, coming into this process, I've learned so much about pitching | 0:23:32 | 0:23:35 | |
and I will definitely be taking that with me, as well. | 0:23:35 | 0:23:38 | |
What was your business plan? | 0:23:38 | 0:23:40 | |
So I run an Islamic, faith-driven brand online | 0:23:40 | 0:23:44 | |
and I wanted to grow it. | 0:23:44 | 0:23:46 | |
It's clothing, fashion, all sorts of things like that. | 0:23:46 | 0:23:49 | |
OK. Fabulous. Lord Sugar made his decision, | 0:23:49 | 0:23:52 | |
but does our panel think it was the right one? Claudine? | 0:23:52 | 0:23:55 | |
I think, honestly, | 0:23:55 | 0:23:56 | |
James was quite lucky not to be brought back into the boardroom, | 0:23:56 | 0:23:59 | |
but based on the three that were in the boardroom, | 0:23:59 | 0:24:02 | |
I think he probably did make the right decision. | 0:24:02 | 0:24:05 | |
Andi? | 0:24:05 | 0:24:06 | |
No. No, I don't think he made the right decision, | 0:24:06 | 0:24:09 | |
because I thought that actually... | 0:24:09 | 0:24:11 | |
This is just based on this week, I thought you were methodical, | 0:24:11 | 0:24:13 | |
I thought you were honest, I thought you were straightforward, | 0:24:13 | 0:24:16 | |
and I thought you had a real connection | 0:24:16 | 0:24:18 | |
with what you were trying to do, so I think it was wrong. | 0:24:18 | 0:24:21 | |
I think it should have been Elizabeth. | 0:24:21 | 0:24:23 | |
-Ed? -Based on this week, no, I don't think you should have been fired. | 0:24:23 | 0:24:27 | |
As a whole process, perhaps it might have been your time to go. | 0:24:27 | 0:24:31 | |
Also, I thought he was about to fire Elizabeth, | 0:24:31 | 0:24:34 | |
but then decided the quickest way to shut her up | 0:24:34 | 0:24:37 | |
was just to send her back to the house. | 0:24:37 | 0:24:39 | |
I think if she keeps talking, she could just win this whole thing. | 0:24:39 | 0:24:44 | |
It's time to find out what our audience thinks. | 0:24:44 | 0:24:46 | |
If you agreed with Lord Sugar, hold up Fired. | 0:24:46 | 0:24:48 | |
If you disagree, hold up Hired now, please. | 0:24:48 | 0:24:51 | |
Oh, that is... That's a tough one. | 0:24:53 | 0:24:56 | |
What do you think, Bushra? | 0:24:56 | 0:24:57 | |
I think there's more reds there, | 0:24:57 | 0:24:58 | |
but is that because I'm wearing red today? | 0:24:58 | 0:25:01 | |
It's red. It's red, I'm afraid. | 0:25:01 | 0:25:05 | |
Now, then, Lord Sugar said that you need to work | 0:25:05 | 0:25:07 | |
-on your pitching skills. -OK. | 0:25:07 | 0:25:10 | |
We have got you something that is going to help you | 0:25:10 | 0:25:12 | |
in any pitch that you do in the future. | 0:25:12 | 0:25:14 | |
You did struggle a little bit with the jokes, | 0:25:14 | 0:25:16 | |
so we have got you your very own You're Fired Stand-Up Comedy Guide. | 0:25:16 | 0:25:22 | |
Advanced level! | 0:25:22 | 0:25:24 | |
We recognise it just does need a little bit of tweaking. | 0:25:24 | 0:25:27 | |
Look, this is the kind of thing you can expect inside - | 0:25:27 | 0:25:29 | |
"What did Lord Sugar say to his authentically cooked pizza? | 0:25:29 | 0:25:32 | |
"You're fired." | 0:25:32 | 0:25:33 | |
-That's the kind of great stuff. -That's brilliant. | 0:25:33 | 0:25:37 | |
RHOD READS JOKES | 0:25:37 | 0:25:38 | |
Absolutely right. | 0:26:01 | 0:26:03 | |
That will keep them rolling in the aisles. | 0:26:03 | 0:26:05 | |
-That's brilliant. It's brilliant. -That is yours. | 0:26:05 | 0:26:07 | |
-APPLAUSE -Lovely. | 0:26:07 | 0:26:10 | |
Bushra, I hope you've enjoyed it. | 0:26:10 | 0:26:11 | |
You're a great sport. Thanks for coming on the show. | 0:26:11 | 0:26:13 | |
Let's have a look at your highlights. | 0:26:13 | 0:26:15 | |
I am a strong woman. | 0:26:15 | 0:26:16 | |
It's our last deal of the day. | 0:26:16 | 0:26:18 | |
Bushra always has a calming word | 0:26:18 | 0:26:21 | |
and she never seems too flustered by anything. | 0:26:21 | 0:26:24 | |
Gosh. | 0:26:24 | 0:26:25 | |
Look at the little one! | 0:26:25 | 0:26:27 | |
Yes! | 0:26:27 | 0:26:28 | |
Bushra knows what to say and when to say it. | 0:26:28 | 0:26:31 | |
Get out there and let's smash it. | 0:26:31 | 0:26:32 | |
The boys are going to lose. | 0:26:32 | 0:26:34 | |
CHEERING | 0:26:34 | 0:26:35 | |
That's probably just one obvious... | 0:26:37 | 0:26:39 | |
-ROBOT: -You can show off too. | 0:26:39 | 0:26:40 | |
Bushra's really deep. | 0:26:40 | 0:26:41 | |
Like, really, really deep. | 0:26:41 | 0:26:43 | |
You wear the salt and I'll wear the pepper. | 0:26:43 | 0:26:45 | |
Yay! | 0:26:45 | 0:26:46 | |
Guys, I have to go. | 0:26:46 | 0:26:47 | |
Landscape, greenery, water stone. Bye. | 0:26:47 | 0:26:49 | |
Ladies and gentlemen, Bushra Shaikh. | 0:26:52 | 0:26:54 | |
CHEERING | 0:26:54 | 0:26:56 | |
Also, please thank tonight's Apprentice fans and guests - | 0:26:59 | 0:27:01 | |
Claudine Collins, Andi Oliver and Ed Gamble. | 0:27:01 | 0:27:04 | |
CHEERING | 0:27:04 | 0:27:05 | |
If you think you have what it takes | 0:27:08 | 0:27:09 | |
to be Lord Sugar's next business partner, | 0:27:09 | 0:27:11 | |
applications are still open to take part in next year's series. | 0:27:11 | 0:27:14 | |
Head over to... | 0:27:14 | 0:27:16 | |
..for more details. | 0:27:18 | 0:27:19 | |
Next week sees our candidates attempt to host | 0:27:19 | 0:27:21 | |
their own fashion shows. | 0:27:21 | 0:27:23 | |
Who will Hugo Boss it, and who will be left looking all Heidi Klum? | 0:27:23 | 0:27:28 | |
Your task this week is acting as fashion agents, | 0:27:28 | 0:27:33 | |
and then sell the collections at your very own catwalk show. | 0:27:33 | 0:27:38 | |
Testing, one, two, three. | 0:27:38 | 0:27:39 | |
Cue music. | 0:27:39 | 0:27:40 | |
Do I look catwalk? | 0:27:43 | 0:27:44 | |
I'm going to need my glasses on for this. | 0:27:46 | 0:27:48 | |
Do something like... | 0:27:48 | 0:27:49 | |
Work it. Work every bit. | 0:27:50 | 0:27:52 | |
Do you have a six pack? | 0:27:54 | 0:27:56 | |
They really don't appear to have learnt from their mistake. | 0:27:56 | 0:27:59 | |
Give us a grrr. | 0:27:59 | 0:28:00 | |
What that represents to me is amateur magician. | 0:28:00 | 0:28:03 | |
Gold ghost. | 0:28:03 | 0:28:05 | |
You want me to direct it, let me direct it. | 0:28:05 | 0:28:07 | |
Join me next Wednesday at 10 for more You're Fired. Goodnight. | 0:28:11 | 0:28:13 | |
CHEERING AND APPLAUSE | 0:28:13 | 0:28:16 |