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This is my boardroom. This is my money. The product sucks. Who's the | :00:53. | :01:03. | |
:01:03. | :01:12. | ||
waste of space? You're fired! Good evening and welcome to The | :01:12. | :01:17. | |
Apprentice: You're Fired. It's a week four in Lord Sugar's search | :01:17. | :01:22. | |
for his new business partner. And we are here to rake over the leaves | :01:22. | :01:25. | |
after tonight's task and meet the one who's sold short. This week was | :01:25. | :01:28. | |
all about taking something old and well worn and giving it an | :01:28. | :01:32. | |
unexpected twist, like this. There is a well-known expression, don't | :01:32. | :01:35. | |
look a gift horse in the eye. A well-known expression because if | :01:35. | :01:40. | |
you are looking it in the eye, how can you look it in the mouth? | :01:40. | :01:43. | |
ever, we've an insightful panel in the form of Lord Sugar's aide, Nick | :01:43. | :01:45. | |
Hewer, interior design guru Kelly Hoppen and comedian Sean Lock. | :01:46. | :01:54. | |
Turning second-hand junk into must- have gems left one candidate on the | :01:54. | :02:01. | |
shelf. Jane, you've been in the losing team three times out of four | :02:01. | :02:05. | |
weeks. And nothing I have seen yet tells | :02:05. | :02:09. | |
me that you are this great business person. So on that basis, Jane, | :02:09. | :02:19. | |
:02:19. | :02:39. | ||
How are you? Good. Good to have you here. I didn't see that coming and, | :02:39. | :02:43. | |
judging by your reaction in the taxi at the time, neither did you. | :02:43. | :02:47. | |
Shocked by it? I wasn't. I actually did see it coming from the | :02:47. | :02:52. | |
boardroom, I did see he wanted to bring me back in. It was kind of | :02:52. | :03:00. | |
mixed emotions. I wanted to go home and I wanted to win and... It was a | :03:00. | :03:06. | |
mixture of everything. I think when I was fired and I got into the taxi | :03:06. | :03:10. | |
I was, like, aaah! We can unpick a lot of that. First, let's take a | :03:10. | :03:18. | |
Jane, you are the business woman here and you've sold 10 quid's | :03:18. | :03:22. | |
worth of stuff. I did find, Jane, that your sales technique went | :03:22. | :03:26. | |
between being a bit desperate and a bit aggressive. It's not a hugely | :03:26. | :03:29. | |
easy sale. We are literally only here for today. Really funky stuff | :03:29. | :03:38. | |
- look. You have to be quite pushy and try to convince them. What | :03:38. | :03:43. | |
about a chair? No. Are you sure? Jane, you and your husband have a | :03:43. | :03:46. | |
very substantial business. It's very, very good. So some of your | :03:46. | :03:49. | |
colleagues in the house may be in awe of you. They might feel that | :03:49. | :03:56. | |
about you. I don't because I ain't seen anything. Do you think that | :03:56. | :03:59. | |
you're desperate sales technique was because you were selling shite? | :03:59. | :04:03. | |
A large part of it. That wicker chair with stuff just painted onto | :04:03. | :04:09. | |
it, no one would buy that. really funny, I actually can't sell | :04:09. | :04:14. | |
something that I'm not passionate about. Are you telling me that the | :04:14. | :04:17. | |
stuff that was taken from skips and dead people's houses, that you | :04:17. | :04:21. | |
couldn't get behind that? I felt guilty. I was kind of going, I'm | :04:21. | :04:25. | |
looking for money from people for this. But anyway, no, I just... I | :04:25. | :04:28. | |
spent the majority of the day out into the street trying to get | :04:28. | :04:33. | |
people in. But it's an easy rod with which to | :04:33. | :04:36. | |
beat somebody, you had �10 worth of sales. Was that like a tactical | :04:36. | :04:40. | |
flaw for you to give your opponents that kind of... Yeah, it probably | :04:40. | :04:45. | |
was. But I have to say I didn't actually go into the show with any | :04:45. | :04:47. | |
particular tactic, which might sound really stupid, but I just | :04:47. | :04:53. | |
said, I'll be me, he'll either like me or he won't. He didn't, but... I | :04:53. | :04:58. | |
thought that the PR of the actual project was really important. I | :04:58. | :05:01. | |
thought it was really important to get the people in, because if we | :05:01. | :05:04. | |
didn't get them into the shop then we weren't going to sell the | :05:04. | :05:08. | |
product. When I did go out, I did get the people in, a lot of people | :05:08. | :05:13. | |
in. And then they were coming out saying it was crap. Nick, how do | :05:13. | :05:17. | |
you think Jane did? I think two things sunk her. The sales, will | :05:17. | :05:22. | |
talk about that later on. But Karen. Karen carries a fair amount of | :05:22. | :05:32. | |
:05:32. | :05:40. | ||
But her opinions... Her opinions carry a lot of weight. And you will | :05:40. | :05:43. | |
remember in that boardroom she said, "I haven't seen a great deal about | :05:43. | :05:47. | |
Jane right through." He picked it up. She lit a fuse, it blew up at | :05:47. | :05:51. | |
the perfect time. Not, sadly, for you. Kelly, what did you think of | :05:51. | :05:56. | |
Jane in this task? I think you didn't come across like you were | :05:56. | :05:59. | |
selling a great deal. I get what you are saying, that it's important | :05:59. | :06:04. | |
to be passionate about what you are selling. But I think when you go | :06:04. | :06:07. | |
into a show like this, you have to be slightly diverse and be able to | :06:07. | :06:11. | |
do a lot of different things. I think that all you girls were just | :06:11. | :06:14. | |
at each other's throats the whole time. Whereas if you'd had more | :06:14. | :06:17. | |
passion just about going out there and doing the deed that you had to | :06:18. | :06:23. | |
do, you would have achieved a lot more. Sean? I thought the sales | :06:23. | :06:26. | |
technique was certainly wrong for the area. It was a bit like what | :06:26. | :06:29. | |
you'd expect outside a paella restaurant on the Mediterranean | :06:29. | :06:32. | |
resort. Come in, come in, just come in! Just try it! That doesn't | :06:32. | :06:37. | |
really work in the trendy heart of the East End. But I also think you | :06:37. | :06:40. | |
suffer as a sales person from a lack of facial expressions. You've | :06:40. | :06:48. | |
And it stays there for about 15 minutes. That's personally. What | :06:48. | :06:56. | |
emotions - fear, anger? Mystery. Intrigue. Possibilities. That's | :06:56. | :07:03. | |
just one, I've got 11 possibility faces. I just thought you were a | :07:03. | :07:07. | |
bit desperate to get people in, and that doesn't really work in that | :07:07. | :07:10. | |
part of London. I think the best sales technique there at that point, | :07:10. | :07:13. | |
because there was a load of rubbish, was to say to people, "Look, 20 | :07:13. | :07:17. | |
quid, you can smash the lot up." I think that's a business that would | :07:17. | :07:24. | |
work. You know your business, right, you are very successful. You have a | :07:24. | :07:26. | |
15,000 square-foot factory, but it's business-to-business you sell, | :07:26. | :07:32. | |
not business to hipsters in bicycle shorts and baseball caps. Yes, I | :07:32. | :07:36. | |
suppose if you can take that as my comfort zone, you had me way over | :07:36. | :07:41. | |
here. Yeah. It was, but that's not an excuse. I suppose what we do in | :07:41. | :07:44. | |
our business, we manufacture own- brand products, so it's own-brand | :07:44. | :07:48. | |
food. I'm really passionate about that, I'm really proud of our | :07:48. | :07:55. | |
products, I'm really proud of it on the shelf. I suppose we can sell | :07:55. | :08:00. | |
that because we love it. Yeah, I mightn't be the best sales person | :08:00. | :08:04. | |
of junk but I can sell that. There were others, one person in | :08:04. | :08:14. | |
particular, who had quite a close Laura. Did you get the plot? I have | :08:14. | :08:19. | |
been successful in everything I have ever done. Period. You weren't | :08:19. | :08:26. | |
successful this week, were you? There's 100, mate. 19 plus frames. | :08:26. | :08:32. | |
We've got a hell of a lot of stuff, haven't we? Do you know that your | :08:32. | :08:37. | |
team had 200 plus items? You bought a lot of stuff. And the shop looked | :08:37. | :08:44. | |
like a tip. Some of this stuff I can't imagine buying personally. | :08:44. | :08:48. | |
Laura, I don't think you did get the plot. You didn't run the team | :08:48. | :08:52. | |
very well in this task. For someone who came so close, she wasn't | :08:52. | :08:57. | |
burdened with self-doubt in the boardroom. Who was good at selling? | :08:58. | :09:03. | |
Who was, like... Got in the mood? was quite impressed with myself, to | :09:03. | :09:08. | |
be honest. Kelly, were you as impressed with Laura as Laura was | :09:08. | :09:13. | |
impressed with Laura? No, not really. I found her irritating. I | :09:13. | :09:17. | |
found her digging at people the whole time. She spoke a lot but | :09:17. | :09:22. | |
didn't put the wally behind it, if you like. That annoyed me. Sean, | :09:22. | :09:27. | |
were you impressed with Laura? largely, no. I think she's just | :09:27. | :09:33. | |
waiting for the bridal challenge. I think when that comes in - the | :09:33. | :09:40. | |
wedding dress shop challenge - she's going to clean up. Nick? | :09:40. | :09:44. | |
think she was lucky to get away with it. No control over budget, | :09:44. | :09:47. | |
crammed all that rubbish into the shop, spread leaves about - it was | :09:47. | :09:53. | |
a bit of a muddle, quite frankly. That was arty. No, I was not | :09:53. | :09:58. | |
impressed. How did you find Laura to work with? Personally, I really | :09:58. | :10:03. | |
like Laura. I would agree with what Kelly was saying. There was a lot | :10:03. | :10:06. | |
of kind of, come on, we'll get going or whatever, but there wasn't | :10:06. | :10:10. | |
a strict strategy. There wasn't, right, OK, I want you to do this | :10:10. | :10:15. | |
and that. From that point of view, she didn't... She wasn't great, but | :10:15. | :10:22. | |
she's a lovely girl. OK. Some of the girls were given a chance to | :10:22. | :10:27. | |
spend in the middle of the task and went crazy with it. To be clear, | :10:27. | :10:32. | |
when you had the list you were a bit like kids in a sweetshop. We | :10:32. | :10:36. | |
need cushions, we need fabric, we need candles. Two metres in the | :10:36. | :10:42. | |
striped fabric. Can I have two metres... Get four metres. Can I | :10:42. | :10:46. | |
have four metres in the orange suede? Two packs of the castors. | :10:46. | :10:53. | |
eight. 12 of these and two of these. We've got loads left. The doorknobs | :10:53. | :11:00. | |
at �4 each. Clearly, you spent more money. That's it really. One thing | :11:00. | :11:03. | |
is, even if they hadn't spent any of this money, they still would | :11:03. | :11:07. | |
have lost the task. Right. So it's not just purely because of this but | :11:08. | :11:11. | |
it was a general trend that they were spending and spending. | :11:11. | :11:15. | |
Completely. She was saying, "Two metres, no, make it six." It was | :11:15. | :11:20. | |
adding up in her mind. I loved the passion she had, that came through, | :11:20. | :11:23. | |
but at the end of the day they should have gone out and bought | :11:23. | :11:26. | |
pieces that were vintage, rather than trying to change them into | :11:26. | :11:33. | |
this shabby chic look. What do all of these words mean? Shabby chic is | :11:33. | :11:37. | |
quite cool. I'd like to say when it's done well. So are flags and | :11:38. | :11:43. | |
the Union Jack and all of that. But they were rushing. They had to get | :11:44. | :11:46. | |
so much done because they were sanding and painting and | :11:46. | :11:50. | |
upholstering and doing all of this stuff. Whereas the others just kind | :11:50. | :11:54. | |
of laid out all this vintage stuff, and that's what Brick Lane is about. | :11:54. | :11:57. | |
People go there to buy that old telephone that doesn't work. That's | :11:57. | :12:03. | |
what it's about. Yeah. I live round there. I thought before you do | :12:03. | :12:09. | |
upholstering, I thought you had to go on a course. You do. Not buy a | :12:09. | :12:13. | |
stapler. I thought it was six weeks or something but it turns out you | :12:13. | :12:16. | |
can just start going, bang, bang! The Union Jack thing, I thought it | :12:16. | :12:19. | |
was funny when they were questioning, some of the team were | :12:19. | :12:23. | |
questioning the Union Jack and saying, is this right, is this in? | :12:23. | :12:28. | |
The Union Jack is always in until we get invaded, and then it's very | :12:28. | :12:31. | |
much out. I've got the idea that you in your flat have a load of | :12:31. | :12:34. | |
Chinese flags just waiting until China eventually comes in, and then | :12:34. | :12:40. | |
you will open a shop. I've got a tattoo! I think it's different in | :12:40. | :12:44. | |
the Union Jack for this and the Union Jack like they did on the | :12:44. | :12:47. | |
bears they sold to the South Bank, which is clearly tourist tat. I | :12:47. | :12:52. | |
think it's supposed to be ironic or an appropriation of it. I think | :12:52. | :12:56. | |
it's cool, though. The Union Jack thing is cool. It just wasn't... I | :12:56. | :13:00. | |
think they wasted time and money. I think the other team showed the | :13:00. | :13:06. | |
right way it should have been done. Does it add value or take it away? | :13:06. | :13:09. | |
I think it takes the value away because people want the vintage | :13:09. | :13:13. | |
look to make it eclectic, to say, "Where did you get that?" "I got it | :13:13. | :13:16. | |
in Brick Lane and it's old and it's cool." Whereas they are ripping | :13:16. | :13:20. | |
everything off, and a lot of what they bought was tat and they | :13:20. | :13:23. | |
shouldn't have bought it. They should have had less and made it | :13:23. | :13:27. | |
look cooler. I think that's where the problem really lay. It was more | :13:27. | :13:31. | |
that what we bought was absolute rubbish. In terms of vintage or | :13:31. | :13:34. | |
retro or shabby chic, or any of these terms that were bandied | :13:34. | :13:40. | |
around. Upcycling. Upcycling is one of those. Which of those do you | :13:40. | :13:50. | |
:13:50. | :13:56. | ||
Kelly, educate me in the ways of design. I know this is probably | :13:56. | :14:01. | |
vintage, but I'm not sure if this is retro or possibly shabby chic. | :14:01. | :14:05. | |
This looks like it's about to walk off the table. Bedknobs & | :14:05. | :14:11. | |
Broomsticks! It's something you'd have a nightmare about. HE HUMS THE | :14:11. | :14:20. | |
You could actually scare a child if you put that in the room. Did you | :14:20. | :14:25. | |
sell one of these? Actually, a lady came up to me and she wanted a | :14:25. | :14:29. | |
suitcase and was going to give me �20 for it, but she wanted the legs | :14:29. | :14:36. | |
off. I think the legs come off quite easily! I think a fly lands | :14:36. | :14:43. | |
on it and the legs just go - boomf! Is that... There was something | :14:43. | :14:48. | |
about that as a crazy art table. The only thing about it is we are | :14:48. | :14:52. | |
talking about it. It's pretty awful. It just looks like a woman's legs | :14:52. | :15:02. | |
:15:02. | :15:16. | ||
A four-legged woman. Do you know I know what I meant. On all fours? | :15:16. | :15:26. | |
:15:26. | :15:26. | ||
Iefs worried it will - I was worried it will start a trend. | :15:26. | :15:32. | |
you want cheap material it helps if you find something that literally | :15:32. | :15:39. | |
grows on trees. Leaves have been a trend. If we can find a big tree | :15:39. | :15:47. | |
with leaves blown off, we could collect leaves. Hyde Park has | :15:47. | :15:54. | |
leaves! There is some nice leave ts -- leaves on top. Some twigs. | :15:54. | :16:00. | |
have only got half an hour. I think having dead leaves over the shop is | :16:00. | :16:06. | |
artistic x but to me it looks dirty. I heard there was a load of dead | :16:06. | :16:11. | |
leaves on the floor. The customers said it was dead arty. If you want | :16:11. | :16:17. | |
to buy the leaves you can, but you can get them for free. It was like | :16:17. | :16:26. | |
an occasion familiar shop in a hurricane. -- Oxfam shop in a | :16:26. | :16:32. | |
hurricane. Just to create the atmosphere, how should, how best to | :16:32. | :16:39. | |
handle my leaf display. It is not a competition. But all design is. Is | :16:39. | :16:45. | |
there a less is more element? think. I would be lining them up in | :16:45. | :16:55. | |
:16:55. | :16:56. | ||
a row. Oh! I just dumped them! I'm just making a pile. I'm building a | :16:57. | :17:03. | |
pyramid of leaves. In fact I might make two pyramids. I'm going to | :17:03. | :17:12. | |
build a fort! There is genuinely bugs on this! What is it April? | :17:13. | :17:19. | |
Somebody picked these last week and let them die. Making more of a job | :17:19. | :17:25. | |
for myself than you. Yes. I have seen tramps doing this in the park, | :17:25. | :17:31. | |
when they have run out of Tennents. I have lost me pen in this. It does | :17:31. | :17:41. | |
:17:41. | :17:42. | ||
add a certain... Musty, rotten smell! Would you be? I've seen it | :17:42. | :17:49. | |
in B and Q, but when they're selling leaf blowers. You have been | :17:49. | :17:53. | |
visible in the whole thing and you have had ups and downs. Let's have | :17:53. | :17:58. | |
a look at a couple. If I want to sell something, I want to sell a | :17:58. | :18:04. | |
brand. How much will this cost? We need to work out what we will | :18:04. | :18:14. | |
charge people. You took charge. needed to be done. What did you ask | :18:14. | :18:24. | |
them for? If you war were to order a million units. A million units? | :18:24. | :18:32. | |
can't fault you for dreaming. But on margin front, it was, you were | :18:32. | :18:36. | |
the only one doing that, when they were making cartoon pictures of | :18:36. | :18:42. | |
penguins, you were the only one who was scribbling down stuff. It was | :18:42. | :18:46. | |
scary, there was no plan as to what we were going to buy. How long it | :18:46. | :18:51. | |
was going to take to produce that product. And you know there was no | :18:51. | :18:55. | |
point in buying a thousand T-shirts and not having time to produce them. | :18:55. | :19:00. | |
I was working that out and working out what we could make on the | :19:00. | :19:04. | |
product. So yeah, it needed to be done and it wasn't being done. I | :19:04. | :19:11. | |
tried to do it. You were impressed with that? She did well and grass | :19:11. | :19:19. | |
ped the nettle and knocked it into shape. She did well. -- grasped. | :19:19. | :19:25. | |
week two you dared to dream a dream that an online retailer that the | :19:25. | :19:31. | |
world needed a million tiny riot shields. That is an amazing product. | :19:31. | :19:37. | |
A bit of water and you stick those on, lots of fun. Stop trying to | :19:37. | :19:45. | |
sell the damn thing. Too much? A million? Not in the history of man | :19:45. | :19:52. | |
ever a million. The way I saw it, I wasn't insulting them. I supposed I | :19:52. | :19:56. | |
was flattering them in offering them, I thought they could take | :19:56. | :20:03. | |
that many units. Maybe it was a bit ambitious. But it's done now. | :20:03. | :20:13. | |
have got to admire that for the daring. I was oh no, why did you | :20:13. | :20:21. | |
say that, but you have got balls. That is actually an insult! As a | :20:21. | :20:27. | |
wam -- woman in business to say, sell a million, you believed in the | :20:27. | :20:31. | |
product, and you tried to sell it. But you didn't believe in the | :20:31. | :20:34. | |
vintage furniture and there was a big difference. When the pressure | :20:34. | :20:42. | |
was on, you can make chutney. Something which Nick was grateful | :20:42. | :20:52. | |
:20:52. | :21:26. | ||
Do you enjoy the chutney, or was it just any food stall. No, it was | :21:26. | :21:30. | |
good, eventually. That was down to Jane, who knocked that sort of | :21:30. | :21:35. | |
production line into shape. Without Jane, it would have been a duss aer | :21:35. | :21:40. | |
the. That was your theying to your strength. -- would have been a | :21:40. | :21:45. | |
disaster. I was like, I'm home. It was comfortable for me and I was | :21:45. | :21:51. | |
getting my batches on and I got my secondary burn on my chest. I had | :21:51. | :21:57. | |
blisters from chutney. Really? you not wearing anything? I always | :21:57. | :22:04. | |
wear something protective when I make something. You could have had | :22:04. | :22:14. | |
:22:14. | :22:19. | ||
this! All your products link in together. I know, I try to do that. | :22:19. | :22:29. | |
:22:29. | :22:34. | ||
The chutney shield. Sounds like a terrible yuefism. -- euphemism. | :22:34. | :22:39. | |
Hear what is Lord Sugar said about you. In this task, you would expect | :22:39. | :22:44. | |
from a person with their own business, they would be on the | :22:44. | :22:49. | |
forefront selling. She hardly sold anything. Where's that from a | :22:49. | :22:52. | |
business person. Although she was in a key selling position, she was | :22:53. | :22:57. | |
pulling people in, I felt she might have been able to get on the shop | :22:57. | :23:02. | |
floor and make more sales. wouldn't say she has been a stand | :23:02. | :23:06. | |
out player. She has coasted by. Jane has got some ability, but she | :23:06. | :23:10. | |
never showed it to me. I wouldn't have been confident in going into | :23:10. | :23:16. | |
business with her. And that is why I fired Jane. Disappointed you | :23:17. | :23:24. | |
didn't get to show more of your skills? Yeah. But look, that... It | :23:24. | :23:28. | |
was a great experience, but it's about going forward and hopefully I | :23:28. | :23:33. | |
will prove it to him in my sales of my product. That is what it is | :23:33. | :23:37. | |
about. You get kicked in the teeth and you get back up and fight on | :23:37. | :23:47. | |
and you just prove him wrng. Good for you. -- wrong. You can go home | :23:47. | :23:52. | |
to your 15,000 square foot factory and cry there. Kell you started in | :23:52. | :23:56. | |
business and you have done this climb up. How tough is that I was | :23:56. | :24:01. | |
16 and a half when I started and I was very young and you're fearless | :24:01. | :24:05. | |
at that age. I don't think it was hard, because I believed in myself | :24:06. | :24:11. | |
and I'm tenacious. I think when you are like that and you're an | :24:11. | :24:13. | |
entrepreneur, when something goes wrong, you stand up and start again. | :24:13. | :24:17. | |
You don't think about the things that go wrong. You have to believe | :24:17. | :24:23. | |
in what you do. So I understand why you didn't sell the product. Let's | :24:23. | :24:27. | |
look at the winning team and a difference of opinion between Adam | :24:27. | :24:34. | |
and Tom. Adam, if he has a princele he sticks to it. We have a thousand | :24:34. | :24:38. | |
pound. Want quality over quantity. His strategy is wrong. We want to | :24:38. | :24:44. | |
fill the shop. Let's buy as much as we can. Let's try and spend as | :24:44. | :24:48. | |
little as possible. We need to throw more money at this. I was | :24:48. | :24:54. | |
cautious about what we should buy. We could have done with more stock. | :24:54. | :25:04. | |
Well done Phoenix. You spent �360 compared to their �660. Tom your | :25:04. | :25:10. | |
stinginess paid off. I I was the only one who grasped the meaning of | :25:10. | :25:16. | |
the task. I wan this task for the team. -- won this task for the team. | :25:16. | :25:26. | |
He did. He is a tell seller. Yes he was fantastic. That whole team | :25:26. | :25:30. | |
impressed me, but I was looking at from it an artistic side, more Nan | :25:31. | :25:34. | |
a business side. I was getting excited about the pieces they were | :25:34. | :25:39. | |
picking up and the way they laid out the shop. That I suppose | :25:39. | :25:46. | |
impressed me. It was Tom's decision, his choices. He decided on the | :25:46. | :25:50. | |
strategy and nobody was going to rock him away from it. Adam or | :25:50. | :25:53. | |
nobody. And it was a winner. I didn't think he had enough in there. | :25:54. | :25:58. | |
In a sense, I was right, because he had to get more stock. But Adam | :25:58. | :26:04. | |
would have screwed it upment Tom got it right. I thought I was | :26:04. | :26:07. | |
impressed with Tom. He is the only person I have seen on the show | :26:07. | :26:13. | |
never to raise his voice. He never raised his voice one. He kept | :26:13. | :26:17. | |
chatting awa and there was never a point where he went, just go and | :26:17. | :26:24. | |
get the thing! There is always a bit when somebody goes, for God's | :26:24. | :26:29. | |
sake! He was going, put it over there please. That is quite a | :26:29. | :26:35. | |
quality, that staying calm. For a 23-year-old it is extraordinary. | :26:35. | :26:44. | |
The buying team of aTam and Katie turned up some unexpected items. | :26:44. | :26:54. | |
:26:54. | :26:54. | ||
Wombling free, the Wombles of Wimbledon common are we! What did | :26:54. | :26:59. | |
you find in the back that they didn't have in the front. Load | :26:59. | :27:07. | |
obvious stuff. Ten P? Why would you buy that? He must have been | :27:07. | :27:13. | |
delighted and thought he had a right bunch of idiots. An old | :27:13. | :27:16. | |
washing machine. They have gone through a pile of junk. They didn't | :27:16. | :27:20. | |
do very well. There is a lot of thing here that would have made a | :27:20. | :27:25. | |
good profit and they have missed every single piece. We took all the | :27:25. | :27:31. | |
best stuff. They picked absolute rubbish. We don't know if they took | :27:31. | :27:39. | |
the vibrator. But if you stick o' a Union Jack on it! To the vote. Did | :27:39. | :27:44. | |
you think Lord Sugar was right? Close call. I think maybe, maybe he | :27:44. | :27:49. | |
should have given you another shot. Kelly stkph I think he made a | :27:49. | :27:54. | |
mistake. I really do. I think Laura should have got the chop. But I | :27:54. | :28:01. | |
think you know as Nick said, it was a close call. Sean? Lord Sugar is | :28:01. | :28:11. | |
:28:11. | :28:20. | ||
always right. That is why he is called Lord Sugar and not Alan! | :28:20. | :28:25. | |
let's throw it to the audience. If you agree with Lord Sugar hold up | :28:25. | :28:35. | |
Fire, if not, hold up Hired. That is definitely hired. So our | :28:35. | :28:42. | |
commiserations. It is your farewell, brief but tumultuous appearance on | :28:42. | :28:46. | |
The Apprentice. We always gave parting gift. I'm sure you're | :28:46. | :28:53. | |
excited. I am. Well the only thing we could really think would be this. | :28:53. | :28:58. | |
But because you're not from round here, we thought instead it is an | :28:58. | :29:08. | |
:29:08. | :29:13. | ||
Irish flag! It is fine. Please no, take it. Don't put anything of any | :29:13. | :29:21. | |
weight on it. Don't lean against it. It is four weeks with you. Here are | :29:21. | :29:25. | |
your highlights. I mean business, I always want the win. I have a drive | :29:25. | :29:33. | |
within me that wants to succeed. I really love working. They're | :29:33. | :29:38. | |
flashing away. I can say I hand made the batches. I'm not afraid to | :29:38. | :29:45. |