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This is my boardroom, this is my money. The product sucks. | 0:00:02 | 0:00:06 | |
You screwed it up. Who's the waste of space? | 0:00:06 | 0:00:08 | |
You're fired. | 0:00:08 | 0:00:09 | |
You're fired. | 0:00:09 | 0:00:11 | |
You're fired. | 0:00:11 | 0:00:12 | |
CHEERING AND APPLAUSE | 0:00:15 | 0:00:18 | |
Good evening and welcome to The Apprentice - You're Fired. | 0:00:24 | 0:00:28 | |
It's hard to believe we're now three-quarters of the way through | 0:00:28 | 0:00:31 | |
Lord Sugar's gruelling search for his business partner. | 0:00:31 | 0:00:33 | |
This week, we saw a glimpse of what it was like in the playground | 0:00:33 | 0:00:37 | |
back in school for Adam, when he got to pick the best player | 0:00:37 | 0:00:40 | |
for his football team. | 0:00:40 | 0:00:42 | |
THEY CONFER | 0:00:42 | 0:00:44 | |
Nick. | 0:00:44 | 0:00:45 | |
Nick, you're very popular. | 0:00:45 | 0:00:47 | |
Welcome. Welcome back, mate. | 0:00:47 | 0:00:49 | |
As ever, we've a sparkling mix of panellists - | 0:00:51 | 0:00:54 | |
marketing entrepreneur Lucy Jackson, comedian Andy Parsons | 0:00:54 | 0:00:58 | |
and from Radio One, DJ Sara Cox. Welcome to You're Fired. | 0:00:58 | 0:01:00 | |
CHEERING AND APPLAUSE | 0:01:00 | 0:01:02 | |
Tonight's task of promoting English sparkling wine, | 0:01:06 | 0:01:09 | |
left one candidate feeling rather flat. | 0:01:09 | 0:01:12 | |
Jenna, you take sole responsibility for the disastrous | 0:01:12 | 0:01:15 | |
video that we have on this occasion here. | 0:01:15 | 0:01:17 | |
It's not just the disastrous video that worries me. | 0:01:17 | 0:01:20 | |
It is, with regret, | 0:01:20 | 0:01:22 | |
that I'm going to have to say, despite all the hard work, | 0:01:22 | 0:01:25 | |
Jenna, I'm sending you home. | 0:01:25 | 0:01:27 | |
-You're fired. -Thank you, Lord Sugar. | 0:01:27 | 0:01:30 | |
Please welcome Jenna Whittingham. | 0:01:32 | 0:01:35 | |
CHEERING AND APPLAUSE | 0:01:35 | 0:01:38 | |
Jenna, it seemed difficult to know which drink | 0:01:51 | 0:01:53 | |
with which to commemorate this particular moment. | 0:01:53 | 0:01:56 | |
Have you tried champagne? It's a fantastic thing. | 0:01:56 | 0:02:00 | |
Disappointed to be turfed out like this? | 0:02:00 | 0:02:02 | |
Yeah, disappointed, really disappointed. | 0:02:02 | 0:02:04 | |
I actually, because I had a couple of good weeks being project manager | 0:02:04 | 0:02:08 | |
and then winning the task | 0:02:08 | 0:02:10 | |
and then doing my Essex tan, you know, they all loved it in Essex. | 0:02:10 | 0:02:13 | |
I thought I was on a good run. I did think it was quite good. | 0:02:13 | 0:02:17 | |
I was going with the bridezilla - she was disgusted at her wedding day, | 0:02:17 | 0:02:21 | |
but obviously, didn't really go down very well. | 0:02:21 | 0:02:23 | |
Did you not think that an ad that basically said, | 0:02:23 | 0:02:25 | |
"English sparkling wine - because your wife's a bitch!" | 0:02:25 | 0:02:29 | |
..might be the wrong attitude to have? | 0:02:31 | 0:02:33 | |
Well, I thought we'd go with a bit of humour because, as you saw, | 0:02:33 | 0:02:37 | |
it was a bit boring, so when we watched it in the boardroom, | 0:02:37 | 0:02:41 | |
I was like, "No, actually I think he might like the humour one", | 0:02:41 | 0:02:44 | |
but obviously he didn't. | 0:02:44 | 0:02:45 | |
OK, let's have a look at where it went wrong. | 0:02:45 | 0:02:49 | |
You're going to be like, "What is this?" | 0:02:49 | 0:02:52 | |
and you're going to be like Basil Fawlty - | 0:02:52 | 0:02:54 | |
Fawlty Towers. "No! Oh, no!" | 0:02:54 | 0:02:58 | |
And then you're like, "No!" | 0:02:58 | 0:02:59 | |
The groom shouts, "No!" | 0:02:59 | 0:03:01 | |
"No!", like a crazy bridezilla. | 0:03:01 | 0:03:05 | |
Spielberg can rest easy, that's for sure(!) | 0:03:06 | 0:03:09 | |
I just don't want it to be too cheesy. | 0:03:09 | 0:03:11 | |
No, it won't be. | 0:03:11 | 0:03:12 | |
SHE SPLUTTERS | 0:03:12 | 0:03:15 | |
Great! This video is going to be you either love it or hate it. | 0:03:15 | 0:03:18 | |
Horrible! | 0:03:18 | 0:03:20 | |
It was a risky choice to go with it, but we wanted something different. | 0:03:20 | 0:03:24 | |
You didn't realise that this was a high-quality product | 0:03:24 | 0:03:28 | |
and you shouldn't have been making a humorous video in the beginning. | 0:03:28 | 0:03:33 | |
You see I watched it and went, "No!" | 0:03:33 | 0:03:37 | |
In that regard it was... | 0:03:37 | 0:03:39 | |
I wanted to, like... he'd come in panicking, | 0:03:39 | 0:03:43 | |
he's always panicking. "The bride's not got what she wants." | 0:03:43 | 0:03:46 | |
He'd be panicking. | 0:03:46 | 0:03:48 | |
There was a strapline as well? Basically you went, | 0:03:48 | 0:03:50 | |
"What she needs is English sparkling wine." | 0:03:50 | 0:03:53 | |
You don't want any line that goes, | 0:03:53 | 0:03:55 | |
"What she needs is a bloody good sparkling, that's what she needs! | 0:03:55 | 0:03:59 | |
"That would sort her out." | 0:03:59 | 0:04:01 | |
It's a better strapline than... what was the one you had? | 0:04:01 | 0:04:03 | |
Was it, "Oozing, oozing..." | 0:04:03 | 0:04:05 | |
Oozing luxury in every pore. | 0:04:05 | 0:04:07 | |
-It sounds comparing... -Oozing luxury from every pore? | 0:04:07 | 0:04:10 | |
That was Stephen. He was quite good at the lines, Stephen. | 0:04:10 | 0:04:13 | |
Do you know what you ooze from your pore? | 0:04:13 | 0:04:15 | |
Comparing it to perspiration. | 0:04:15 | 0:04:17 | |
Not only can you drink it, but you can sweat it as well! | 0:04:17 | 0:04:21 | |
I like the saltiness of it! | 0:04:21 | 0:04:25 | |
I think in any advert, oozing and pouring should be kept | 0:04:25 | 0:04:27 | |
to teenage face wash and that's it. | 0:04:27 | 0:04:31 | |
Pores just don't really work as a thing. | 0:04:31 | 0:04:34 | |
I think the problem was that your cheese radar is kaput. | 0:04:34 | 0:04:37 | |
I'm a big fan of yours, but I think the whole thing of, | 0:04:37 | 0:04:40 | |
"No, it's not remotely cheesy" | 0:04:40 | 0:04:41 | |
and then it's, "Action!" and Johnny Ball randomly | 0:04:41 | 0:04:44 | |
seemed to be there going, "Less fizz, more sparkle." | 0:04:44 | 0:04:47 | |
Hysterical bride. What's going on? | 0:04:47 | 0:04:50 | |
Lucy, on a proper branding note, how much of a missed step was this? | 0:04:50 | 0:04:55 | |
I think it's really hard to do humour for a premium brand | 0:04:55 | 0:04:58 | |
and I think that's what really got missed. | 0:04:58 | 0:05:00 | |
English sparkling wine is rivalling champagne in terms of quality | 0:05:00 | 0:05:03 | |
and price point. I don't think you'd ever see a champagne house | 0:05:03 | 0:05:07 | |
like Don Perignon putting something together that was | 0:05:07 | 0:05:09 | |
of that kind of quality with that humour. I don't think it worked. | 0:05:09 | 0:05:13 | |
Any other second takes you wanted? Any direction you should have gone? | 0:05:13 | 0:05:16 | |
They were going to go with Mr Fizz and Mrs Sparkle. | 0:05:16 | 0:05:20 | |
That was going to be one. | 0:05:20 | 0:05:21 | |
That was thrown on the board. | 0:05:21 | 0:05:25 | |
That sounds like an advert for bathroom cleaner. | 0:05:25 | 0:05:28 | |
That wasn't my idea, but I was going with it | 0:05:28 | 0:05:30 | |
and we were going to go with Mr Fizz and Mrs Sparkle. | 0:05:30 | 0:05:33 | |
Then I just thought... | 0:05:33 | 0:05:35 | |
I was trying to go with the approach of a disgusted bride, really. | 0:05:35 | 0:05:38 | |
You want the best on your wedding day, so she was disgusted | 0:05:38 | 0:05:41 | |
because English sparkling wine was the best. | 0:05:41 | 0:05:44 | |
But I could maybe have chose my actors better. | 0:05:44 | 0:05:46 | |
Let's not blame the actors! | 0:05:46 | 0:05:49 | |
-That's who should have got fired - the actors! -You can't bring them in. | 0:05:49 | 0:05:53 | |
"Playing the role of Jenna is the actors from the bride scene." | 0:05:53 | 0:05:57 | |
Were you not given enough of a steer? | 0:05:57 | 0:06:01 | |
I think, what had happened, maybe Ricky should have gone | 0:06:01 | 0:06:05 | |
in more of the video because obviously, we went to | 0:06:05 | 0:06:07 | |
the vineyards and I didn't really know much about how | 0:06:07 | 0:06:10 | |
English sparking wine was made. It's really interesting. | 0:06:10 | 0:06:13 | |
But I thought my point in the boardroom was | 0:06:13 | 0:06:15 | |
that no-one really stopped. | 0:06:15 | 0:06:17 | |
We kept telling them all the time, "We're going to be doing this, | 0:06:17 | 0:06:19 | |
"it's going to have this comedy, you're going to be disgusted." | 0:06:19 | 0:06:22 | |
No-one said, "No, we're not having that, this is the way it'll be." | 0:06:22 | 0:06:25 | |
So I suppose I was getting a bit excited, thinking, | 0:06:25 | 0:06:28 | |
-"I'm the director, let's go with it." -Fair enough. The key thing here, | 0:06:28 | 0:06:31 | |
obviously is "we", in this situation, because you were the one | 0:06:31 | 0:06:34 | |
who bit the dust, but there was another who didn't sparkle. | 0:06:34 | 0:06:37 | |
# Da-de-diddle-de-de-de-de. # | 0:06:38 | 0:06:41 | |
Another word that springs to mind for me that represents quality | 0:06:41 | 0:06:44 | |
excellence, Britishness, grandeur. | 0:06:44 | 0:06:47 | |
It's a French word. | 0:06:47 | 0:06:50 | |
I like chink. | 0:06:50 | 0:06:52 | |
He's so clever. He's watching Jenna make a terrible advert. | 0:06:52 | 0:06:56 | |
-What's to stop him stepping in? -That's a very good point. | 0:06:56 | 0:06:59 | |
-Let's go with that. -Sparkling sun. | 0:06:59 | 0:07:02 | |
Down to a sparkling conversation. | 0:07:02 | 0:07:04 | |
She obviously needs English sparkling wine. | 0:07:04 | 0:07:07 | |
I didn't tell you to make a Carry On Boozing movie - "Ooh, maitre d'! | 0:07:07 | 0:07:10 | |
"Where's me grandeur gone? Someone's nicked my grandeur!" | 0:07:10 | 0:07:13 | |
I like the sound of that. | 0:07:13 | 0:07:15 | |
Stephen, you are this close to going outside that door. | 0:07:15 | 0:07:20 | |
Do you think Stephen should have gone? | 0:07:20 | 0:07:22 | |
I do think Stephen should have gone | 0:07:22 | 0:07:25 | |
in a sense that, yeah, he was with me and no-one stopped me | 0:07:25 | 0:07:28 | |
and I think, out of the three of us, | 0:07:28 | 0:07:30 | |
I think I had a better... | 0:07:30 | 0:07:32 | |
over the process, I had achieved more, | 0:07:32 | 0:07:35 | |
I had done better than him, I won as project manager, | 0:07:35 | 0:07:38 | |
I was always the top seller, | 0:07:38 | 0:07:40 | |
I had a better report to give to the table, | 0:07:40 | 0:07:43 | |
but I think when you're so far in the stage, | 0:07:43 | 0:07:45 | |
one little mistake, you might not see, | 0:07:45 | 0:07:47 | |
"Well, she's tripped up there, she should be on the ball." | 0:07:47 | 0:07:50 | |
OK. Lucy, what do you think? Stephen should have gone? | 0:07:50 | 0:07:53 | |
I do think Stephen should have gone. I think he definitely should take | 0:07:53 | 0:07:56 | |
some responsibility. Ricky should take some responsibility too. | 0:07:56 | 0:07:59 | |
As Jenna was saying, he kept spouting this quality message | 0:07:59 | 0:08:02 | |
which was so important, but then he should have vetoed the concept | 0:08:02 | 0:08:05 | |
of humour in the first place on that basis, rather than just saying, | 0:08:05 | 0:08:09 | |
"As long as it's not cheesy." I don't think he was directing you. | 0:08:09 | 0:08:12 | |
And you interpreted that differently and produced a film he wasn't happy with. | 0:08:12 | 0:08:16 | |
Stephen, I think, he doesn't listen. He likes to say what he thinks. | 0:08:16 | 0:08:20 | |
Specifics, please. | 0:08:20 | 0:08:21 | |
LAUGHTER | 0:08:21 | 0:08:24 | |
-Quite the power move, that, wasn't it? -You shocked me for a moment! | 0:08:30 | 0:08:34 | |
-Sorry. -It's all right. | 0:08:34 | 0:08:36 | |
In the boardroom, he does stuff like that. | 0:08:36 | 0:08:40 | |
And he's got that classic salesman thing going, | 0:08:40 | 0:08:42 | |
which obviously works in his job, but I find quite irritating | 0:08:42 | 0:08:45 | |
in certain situations, where someone will say something to him | 0:08:45 | 0:08:48 | |
and he'll not listen, he'll just say, "I love that, good point." | 0:08:48 | 0:08:52 | |
But he hasn't listened to what the point was and moves on to something completely separate, | 0:08:52 | 0:08:56 | |
so even though Ricky was saying the quality message | 0:08:56 | 0:08:58 | |
and you both heard that, in Stephen's head it's gone | 0:08:58 | 0:09:01 | |
straight out the window and he'll do what he wants to. | 0:09:01 | 0:09:03 | |
Stephen, in the boardroom, he wriggled a bit? | 0:09:03 | 0:09:06 | |
I think he was very definitely lucky to be the one that got away. | 0:09:06 | 0:09:10 | |
The thing that I love about Stephen is his various facial expressions. | 0:09:10 | 0:09:15 | |
When he gets blamed for something, | 0:09:15 | 0:09:17 | |
like when he gets brought back into the boardroom | 0:09:17 | 0:09:20 | |
or any gets blamed for something he does a face of, like, | 0:09:20 | 0:09:22 | |
"Unusual decision. | 0:09:22 | 0:09:25 | |
"Not one I'd have gone with, blaming me, but if that's what..." | 0:09:25 | 0:09:29 | |
I imagine him using that as a good defence mechanism, like in court, | 0:09:29 | 0:09:33 | |
"You're guilty of murder." | 0:09:33 | 0:09:34 | |
"Unusual, but if that's what you want to go with." | 0:09:34 | 0:09:37 | |
Or his wife - "I'm leaving you." | 0:09:37 | 0:09:39 | |
"Really? Not what I'd have done. But if you want to do that, OK." | 0:09:39 | 0:09:43 | |
It is to your credit you can't do the full Stephen "Beaker", | 0:09:43 | 0:09:46 | |
as I call it, face, which is the ma-ma-ma-ma! | 0:09:46 | 0:09:48 | |
-I'm taking it on tour! -Properly curves down on both sides. | 0:09:48 | 0:09:52 | |
Mmm-mm-mmm-mmm. Sorry, Andy. | 0:09:52 | 0:09:56 | |
I think Jenna took too much risk on herself. | 0:09:56 | 0:09:58 | |
She was going, "I'm a risk taker." | 0:09:58 | 0:10:00 | |
The risk was taking responsibility for that task | 0:10:00 | 0:10:03 | |
and deflecting enough of it on Stephen. You kept going, | 0:10:03 | 0:10:06 | |
"I'm a risk taker. Yes, I booked the lion. | 0:10:06 | 0:10:09 | |
"Yes, I've never worked with lions before | 0:10:09 | 0:10:12 | |
"but I'm a risk taker. | 0:10:12 | 0:10:15 | |
"OK, the lion bit me, but hell!" | 0:10:15 | 0:10:18 | |
What I wanted to show him... I was a girl, I've set up my own business, | 0:10:18 | 0:10:22 | |
it's all very new, a very small shop, not like... | 0:10:22 | 0:10:25 | |
You're up against some high-flyers in there | 0:10:25 | 0:10:28 | |
with good businesses, high jobs. | 0:10:28 | 0:10:30 | |
I wanted to show him whatever he threw me into, I could do it. | 0:10:30 | 0:10:34 | |
Whereas Stephen would be, like, | 0:10:34 | 0:10:36 | |
"That's a good question. I've got a good answer for you." | 0:10:36 | 0:10:39 | |
Whereas I'd be, like, "No, we'll do this. We'll go with it." | 0:10:39 | 0:10:43 | |
I wanted to show him I had the confidence to drive with the decision. | 0:10:43 | 0:10:47 | |
It's honourable to admit when you've made a mistake | 0:10:47 | 0:10:51 | |
but you want to be known for making less mistakes | 0:10:51 | 0:10:54 | |
rather than messing up and admitting it | 0:10:54 | 0:10:57 | |
even though it's nice that you admit it. | 0:10:57 | 0:10:59 | |
It wouldn't work in all jobs. If you were a surgeon, | 0:10:59 | 0:11:02 | |
you can't be, like, "I've removed the wrong lung. Hands up. Sorry. | 0:11:02 | 0:11:06 | |
-"I've learned from it." -I took a risk. | 0:11:06 | 0:11:08 | |
There's two of them. 50-50. What are you going to do?! | 0:11:08 | 0:11:12 | |
How did I know it was his left, not my left, we wanted? | 0:11:12 | 0:11:15 | |
Easy mistake to make. | 0:11:15 | 0:11:17 | |
We're always on the lookout for relationships between candidates. | 0:11:17 | 0:11:21 | |
We've found one which involves you and your new BFF. | 0:11:21 | 0:11:24 | |
My best friend of all time is Jenna, the lovely Jenna. | 0:11:24 | 0:11:28 | |
Gabrielle is so funny. She's always laughing. | 0:11:28 | 0:11:33 | |
She'll laugh at nothing. All you need to say to her is | 0:11:33 | 0:11:35 | |
"I'm getting a brew" and she'll laugh. | 0:11:35 | 0:11:37 | |
She is a bit nutty. Just the way she does it is hilarious. | 0:11:37 | 0:11:41 | |
Gabrielle. | 0:11:41 | 0:11:43 | |
We have a good giggle together. | 0:11:43 | 0:11:45 | |
She's on my wavelength. | 0:11:45 | 0:11:47 | |
If Jenna left, I would be devastated. | 0:11:47 | 0:11:50 | |
I think she is my Siamese twin. | 0:11:50 | 0:11:53 | |
I love Jenna to bits. | 0:11:53 | 0:11:54 | |
She is always laughing. | 0:11:54 | 0:11:57 | |
ALL TALK AT ONCE | 0:11:57 | 0:11:58 | |
She is my all-time favourite girl. | 0:11:58 | 0:12:00 | |
A little bezzie there. AUDIENCE: Ah! | 0:12:02 | 0:12:04 | |
-That's very sweet. -She's lovely, Gabrielle. | 0:12:04 | 0:12:07 | |
She will... Throughout any task, she will always motivate you. | 0:12:07 | 0:12:11 | |
She motivates the team. She hasn't got a nasty bone in her body. | 0:12:11 | 0:12:17 | |
She won't get in the boardroom. | 0:12:17 | 0:12:19 | |
She'll say it the way it is. | 0:12:19 | 0:12:21 | |
-She's really really lovely. -Ah. It's very nice. -A southerner. | 0:12:21 | 0:12:26 | |
-A southerner and northerner. -Across the great divide. Fantastic. | 0:12:26 | 0:12:30 | |
That's how we spread the word. Eventually, we'll gain control. | 0:12:30 | 0:12:36 | |
Gabrielle's got this weird thing. When she's not in the last three, | 0:12:36 | 0:12:40 | |
when she goes out, she taps the other people on the shoulder. | 0:12:40 | 0:12:44 | |
And sometimes you think... You presume she's being nice | 0:12:44 | 0:12:48 | |
but you think maybe she's trying to give a signal to Lord Sugar, | 0:12:48 | 0:12:52 | |
mafia style. This is the one to go. This one. | 0:12:52 | 0:12:56 | |
Maybe she's hypnotised them all. | 0:12:56 | 0:12:59 | |
When you feel the tap on the shoulder. And you're out. | 0:12:59 | 0:13:02 | |
Where is she? | 0:13:02 | 0:13:04 | |
The contestant walks out and goes... | 0:13:04 | 0:13:06 | |
INDISTINCT | 0:13:06 | 0:13:08 | |
That is the thing. What did you think of Gabrielle? | 0:13:08 | 0:13:12 | |
I liked Gabrielle. She's a contender, | 0:13:12 | 0:13:14 | |
she's a good all-rounder. | 0:13:14 | 0:13:17 | |
She's a team player and that counts for a lot, being a nice person. | 0:13:17 | 0:13:21 | |
She's a nice person. | 0:13:21 | 0:13:23 | |
If Lord Sugar has to think about who he'd work with... | 0:13:23 | 0:13:26 | |
Actually, you're getting so near the end of the series, | 0:13:26 | 0:13:29 | |
he's got to be considering that in more of a sense than, | 0:13:29 | 0:13:32 | |
"I'm not going to give her loads of time to see how she does, | 0:13:32 | 0:13:36 | |
I need to start deciding now, is there someone I can work with? | 0:13:36 | 0:13:39 | |
I think you could. She's a nice girl. | 0:13:39 | 0:13:41 | |
The one thing of the whole process that nailed it | 0:13:41 | 0:13:43 | |
was that wine glass in the shape of a rose. | 0:13:43 | 0:13:46 | |
That was really good. I thought it was really clever. | 0:13:46 | 0:13:48 | |
That showed her creativity. | 0:13:48 | 0:13:50 | |
That showed she can come up with some great ideas. | 0:13:50 | 0:13:53 | |
She has throughout the process. She's one to watch, really. | 0:13:53 | 0:13:57 | |
She wasn't sure if it was going to go down well. | 0:13:57 | 0:14:00 | |
-I know. -She was a bit like... "I did that. Oh, I did that. | 0:14:00 | 0:14:03 | |
"Yes. That was mine. I'm sorry." | 0:14:03 | 0:14:06 | |
We might as well have a look back at your Apprentice career | 0:14:07 | 0:14:11 | |
and your triumph in week six in the street food test. | 0:14:11 | 0:14:15 | |
Jenna, you'll be the team leader of Sterling. | 0:14:15 | 0:14:18 | |
I can't cook but I've worked in the restaurant trade. | 0:14:18 | 0:14:22 | |
There's a bit of pressure but I can handle it. | 0:14:22 | 0:14:24 | |
You took the quality and gourmet thing seriously. | 0:14:24 | 0:14:27 | |
It had to be gourmet, best-quality ingredients. | 0:14:27 | 0:14:29 | |
Sterling spent an awful lot more, £268. | 0:14:29 | 0:14:33 | |
-Risky. -I think meatier the better. Why don't you have a smell? | 0:14:33 | 0:14:36 | |
-That will warm you up. -Gorgeous! | 0:14:36 | 0:14:39 | |
I'm pleased to say that Sterling generated a profit | 0:14:39 | 0:14:42 | |
of £319.78. | 0:14:42 | 0:14:46 | |
-Phew! -Well done. | 0:14:46 | 0:14:48 | |
APPLAUSE | 0:14:48 | 0:14:52 | |
They set you a gourmet task, you went for gourmet food It would have been irritating | 0:14:56 | 0:15:00 | |
if you'd been beaten by Adam's cheap, rancid pasta. | 0:15:00 | 0:15:05 | |
It was like the battle of the northerners on that task, | 0:15:06 | 0:15:09 | |
me and Adam. | 0:15:09 | 0:15:12 | |
Yeah. Battle of northerners who'd never gone | 0:15:12 | 0:15:14 | |
further north than where you're from. | 0:15:14 | 0:15:16 | |
We might get back to that. Were you impressed with Jenna on that task? | 0:15:16 | 0:15:20 | |
Definitely. You understood the brief really well and created something gourmet. The name was brilliant. | 0:15:20 | 0:15:25 | |
You were enthusiastic and nice to be around. | 0:15:25 | 0:15:28 | |
You did a great job. | 0:15:28 | 0:15:30 | |
You're definitely a people person. Your warmth came across. | 0:15:30 | 0:15:34 | |
People were drawn to you and your enthusiasm. You did brilliantly. | 0:15:34 | 0:15:38 | |
Thank you. | 0:15:38 | 0:15:39 | |
That fake tan selling was incredible, wasn't it? | 0:15:39 | 0:15:42 | |
All the people that bought from you | 0:15:42 | 0:15:44 | |
they'll know that they're on national TV | 0:15:44 | 0:15:47 | |
having paid a tenner for something that you paid | 0:15:47 | 0:15:49 | |
two quid for from a cash and carry. | 0:15:49 | 0:15:52 | |
They'll be embarrassed, but you won't see it in their faces. | 0:15:52 | 0:15:57 | |
The joy of the food task was taking you even more north than you'd normally be | 0:15:58 | 0:16:04 | |
and you did give away a certain lack of... | 0:16:04 | 0:16:07 | |
because you did well but it was despite your concerns about | 0:16:07 | 0:16:10 | |
there being a potential language difference. | 0:16:10 | 0:16:13 | |
Do you think people speak a Scottish language? | 0:16:13 | 0:16:16 | |
A pure Scottish language? | 0:16:16 | 0:16:18 | |
What if someone comes to the stand and speaks Scottish? | 0:16:20 | 0:16:23 | |
-Will you be able to understand what they are saying? -Stop! | 0:16:23 | 0:16:26 | |
Have you been to Scotland? | 0:16:28 | 0:16:29 | |
There is a language and it's Gaelic. | 0:16:29 | 0:16:32 | |
-Scot's Gaelic. -Och aye the noo. That is Scottish. | 0:16:32 | 0:16:35 | |
I was hoping someone was gonna go och aye the noo to me! | 0:16:35 | 0:16:39 | |
-Och aye the noo?! -Don't ask me what it means, but... | 0:16:39 | 0:16:43 | |
LAUGHTER | 0:16:43 | 0:16:44 | |
What would you have done if somebody had said, "Och aye..." | 0:16:44 | 0:16:47 | |
Would you have been scanning their eyes? | 0:16:47 | 0:16:50 | |
Is this meant as an erotic gesture? Is it meant as a fighting thing? | 0:16:50 | 0:16:55 | |
I would have said, "Have a free casserole." | 0:16:55 | 0:16:58 | |
LAUGHTER AND APPLAUSE | 0:16:58 | 0:17:02 | |
The thing about that Jenna charm, though, | 0:17:04 | 0:17:05 | |
it can be switched off just as quickly as it's switched on. | 0:17:05 | 0:17:09 | |
LAUGHTER | 0:17:12 | 0:17:14 | |
-Can I interest you in a chutney? -No, I won't, thank you. -OK. | 0:17:16 | 0:17:19 | |
LAUGHTER AND APPLAUSE | 0:17:22 | 0:17:26 | |
I don't want to put my face straight now! | 0:17:30 | 0:17:34 | |
Yeah, that's a bit of the charm. | 0:17:34 | 0:17:36 | |
DARA LAUGHS | 0:17:36 | 0:17:39 | |
I was going into the next thought process. | 0:17:39 | 0:17:41 | |
"I'll go with someone else, they seem a bit happier." | 0:17:41 | 0:17:44 | |
And switch it back on. It's hard to keep up the charm all the time. | 0:17:44 | 0:17:47 | |
You weren't keeping up the charm all the time! | 0:17:47 | 0:17:49 | |
The point of what we showed you is the charm went...voom, gone. | 0:17:49 | 0:17:52 | |
You waited to unleash the charm, which is carefully rationed by you. | 0:17:52 | 0:17:57 | |
And then, "No, you're not getting my charm any more. | 0:17:57 | 0:18:01 | |
"You don't want our chutney, so no charm for you." | 0:18:01 | 0:18:03 | |
She's smiling now but when she'd done this show, | 0:18:03 | 0:18:07 | |
she'll be going, "Bastard! Bastard"! | 0:18:07 | 0:18:09 | |
Let's find out what Lord Sugar and your former colleagues | 0:18:11 | 0:18:15 | |
have to say about you. | 0:18:15 | 0:18:17 | |
Jenna totally missed the plot on this task. | 0:18:18 | 0:18:21 | |
She created a stupid video. Nothing wrong with a bit of humour | 0:18:21 | 0:18:25 | |
but went too far, degraded the product, | 0:18:25 | 0:18:29 | |
Finally, we have our fine English sparkling wine. | 0:18:29 | 0:18:33 | |
Jenna told me it was classy. It certainly wasn't classy. | 0:18:33 | 0:18:35 | |
She took responsibility for the video. | 0:18:35 | 0:18:38 | |
She has to finish a point. If it's in her head | 0:18:38 | 0:18:40 | |
she will bulldoze through whoever's speaking. | 0:18:40 | 0:18:44 | |
She was totally responsible | 0:18:44 | 0:18:47 | |
for this terrible video | 0:18:47 | 0:18:49 | |
that she produced and it showed me | 0:18:49 | 0:18:51 | |
that she had a lack of understanding | 0:18:51 | 0:18:54 | |
of the project and that's why I fired Jenna. | 0:18:54 | 0:18:57 | |
AUDIENCE: Ah! | 0:18:59 | 0:19:00 | |
At least it was only with that task. | 0:19:00 | 0:19:03 | |
What have you learned from the process? | 0:19:03 | 0:19:05 | |
I've learned a lot. I'd do it again, | 0:19:05 | 0:19:07 | |
which sounds mad cos it's the most stressful thing. | 0:19:07 | 0:19:09 | |
It's an amazing experience and I've learned if I do have an idea, | 0:19:09 | 0:19:15 | |
not to be a risk taker and go too much. | 0:19:15 | 0:19:17 | |
If I had an idea, I'd go with it now. | 0:19:17 | 0:19:20 | |
Although I'm disappointed I didn't get to the final, | 0:19:20 | 0:19:23 | |
cos I did want Lord Sugar to be my partner | 0:19:23 | 0:19:26 | |
and I was ready to give him my idea and go into business with him, | 0:19:26 | 0:19:29 | |
now it's made me more determined to do it on my own and get there. | 0:19:29 | 0:19:33 | |
OK. Lucy, how did you set up your business? | 0:19:33 | 0:19:37 | |
It was a happy accident. | 0:19:37 | 0:19:39 | |
I wasn't intending to have my own company. | 0:19:39 | 0:19:41 | |
I was quite young - I was a student at the time. | 0:19:41 | 0:19:44 | |
I was working at lots of events and I was promoting | 0:19:44 | 0:19:46 | |
a new luxury vodka that had just come to the UK. | 0:19:46 | 0:19:50 | |
This guy came up to me and chatted about the product and said, | 0:19:50 | 0:19:53 | |
"What do you think about this brand | 0:19:53 | 0:19:56 | |
"and what we're doing at this event and the sponsorship?" | 0:19:56 | 0:19:58 | |
And I said, "Oh, I think it's fine, I think it's great, | 0:19:58 | 0:20:01 | |
"but if it was my brand I probably would have considered X, Y, Z. | 0:20:01 | 0:20:04 | |
"I might have been a bit more creative, | 0:20:04 | 0:20:07 | |
"I would have tried to have made it more of a luxury experience," | 0:20:07 | 0:20:10 | |
and, you know, was continuing blagging and saying what I thought. | 0:20:10 | 0:20:14 | |
And he said, "Oh, you seem to have quite a lot to say for yourself. | 0:20:14 | 0:20:17 | |
"This is actually my brand." | 0:20:17 | 0:20:20 | |
So I was like, "OK, let's just turn this into an opportunity." | 0:20:20 | 0:20:24 | |
So I said, "Oh, really? Perhaps we could have a discussion, | 0:20:24 | 0:20:27 | |
"because I'm just about to set up my own agency doing marketing | 0:20:27 | 0:20:30 | |
"specifically for luxury drinks brands." | 0:20:30 | 0:20:33 | |
And he was like, "OK, that's very interesting." | 0:20:33 | 0:20:35 | |
Immediately went home and registered a domain on the internet | 0:20:35 | 0:20:38 | |
to get a professional-sounding email address, and shot him an email | 0:20:38 | 0:20:41 | |
saying, "There's a great opportunity I think you should be involved in," | 0:20:41 | 0:20:44 | |
a prestigious event I knew was coming up, | 0:20:44 | 0:20:46 | |
"Why don't you let me negotiate some sponsorship for you | 0:20:46 | 0:20:48 | |
"and run that for you, because I'd do a really good job for the brand." | 0:20:48 | 0:20:52 | |
And he said, "All right, give it a go, and we'll see what happens." | 0:20:52 | 0:20:55 | |
They were my first clients. | 0:20:55 | 0:20:57 | |
It grew from there, and then attention to detail, | 0:20:57 | 0:21:01 | |
hard work, did a good job and lots of clients started coming my way. | 0:21:01 | 0:21:05 | |
Work begets work, I suppose. | 0:21:05 | 0:21:08 | |
APPLAUSE | 0:21:08 | 0:21:10 | |
Adam picks up skills every week in this process, even if | 0:21:13 | 0:21:15 | |
sometimes it's not entirely clear that he understands the job titles. | 0:21:15 | 0:21:19 | |
My role and responsibility is choreographer once again. | 0:21:19 | 0:21:22 | |
I'm choreographer. | 0:21:22 | 0:21:24 | |
Adam's suddenly become an expert | 0:21:25 | 0:21:27 | |
on wine tasting, wine pouring, wine holding, | 0:21:27 | 0:21:30 | |
glass holding. | 0:21:30 | 0:21:31 | |
They all hold by the stem and the base. We don't want any of this. | 0:21:31 | 0:21:35 | |
It's not this, it's not this, it's not here - it's this. | 0:21:35 | 0:21:38 | |
OK? | 0:21:38 | 0:21:40 | |
Yeah, I do have to bite my tongue, | 0:21:40 | 0:21:41 | |
but I'm not going to work with him forever, so it's fine. | 0:21:41 | 0:21:44 | |
That's going to upset people. | 0:21:44 | 0:21:46 | |
Move it there, cos you can still see it in the reflection. I hate that. | 0:21:46 | 0:21:50 | |
'He's decided he's a choreographer,' | 0:21:50 | 0:21:51 | |
which is quite funny cos there's no dancing. | 0:21:51 | 0:21:54 | |
Cheers. If you ever need any choreography doing, any directing. | 0:21:54 | 0:21:57 | |
-I do know all about him. -See you now. | 0:21:57 | 0:22:00 | |
Do you know what choreography means? | 0:22:00 | 0:22:02 | |
It means making sure everyone's in the right place and knows what they're doing. | 0:22:02 | 0:22:05 | |
-It does! -No it doesn't! -I've checked with everyone. | 0:22:05 | 0:22:08 | |
LAUGHTER AND APPLAUSE | 0:22:08 | 0:22:10 | |
Every week there's another new, exciting experience for Adam. | 0:22:15 | 0:22:21 | |
A whole world that he wasn't aware even existed. | 0:22:21 | 0:22:23 | |
Have you been impressed, Andy? | 0:22:23 | 0:22:25 | |
He's a life choreographer, that's what he is. | 0:22:25 | 0:22:28 | |
If he doesn't win, he goes back to being a market trader, | 0:22:28 | 0:22:32 | |
he won't call himself a market trader. | 0:22:32 | 0:22:33 | |
He'll be a fruit and veg choreographer, | 0:22:33 | 0:22:36 | |
and he'll be there going, "Anybody for grapes? | 0:22:36 | 0:22:38 | |
Anybody for grapes?" "I've got a melon! I've got a melon!" | 0:22:38 | 0:22:43 | |
I think most of the candidates are out of their comfort zones | 0:22:43 | 0:22:46 | |
a lot of the time, cos it's not their business, | 0:22:46 | 0:22:48 | |
but sometimes as a Northerner you can feel more intimidated | 0:22:48 | 0:22:51 | |
so he has to get it out there | 0:22:51 | 0:22:52 | |
cos he imagines people are thinking it anyway. | 0:22:52 | 0:22:55 | |
I mean, but he did really well with the art task last week, | 0:22:55 | 0:22:58 | |
he sort of threw himself into it. | 0:22:58 | 0:23:01 | |
And this time with the wine-tasting, I loved it. He's having a sip - | 0:23:01 | 0:23:04 | |
"Ooh, Granny Smiths, Christmas cake..." | 0:23:04 | 0:23:06 | |
It was a stream of consciousness. "Roller skates, mattresses, cats..." | 0:23:06 | 0:23:11 | |
He was just saying words. But good on you, mate - at least he had a go. | 0:23:11 | 0:23:15 | |
I like that he always has a go. He's a hard worker, | 0:23:15 | 0:23:18 | |
and a nice guy, I think, at the end of the day. | 0:23:18 | 0:23:20 | |
I'm kind of warming to him. | 0:23:20 | 0:23:22 | |
Some of the tasks I've just thought, "What are you doing?!" | 0:23:22 | 0:23:25 | |
But his heart's in the right place and he makes an effort. | 0:23:25 | 0:23:28 | |
He's had an arc, as they say, | 0:23:28 | 0:23:31 | |
a narrative arc from when all women hated him to this point | 0:23:31 | 0:23:35 | |
where he's at now where people are kind of like, "Yeah..." | 0:23:35 | 0:23:38 | |
He's been put into more and more things to which he goes, | 0:23:38 | 0:23:40 | |
"I don't understand!" | 0:23:40 | 0:23:42 | |
There seems to be a lot of sexual tension | 0:23:42 | 0:23:44 | |
between him and Jade at the moment. | 0:23:44 | 0:23:45 | |
You're wondering if the two of them should just get it on. | 0:23:45 | 0:23:49 | |
Next time they get sent out of the boardroom together... | 0:23:49 | 0:23:52 | |
Trouble is, you could never have a threesome with Jade, could you, | 0:23:52 | 0:23:55 | |
cos she'd never be able to decide who else to bring into the bedroom. | 0:23:55 | 0:23:58 | |
We deal... | 0:24:00 | 0:24:02 | |
LAUGHTER | 0:24:02 | 0:24:03 | |
Is that mental image not playing well with your mind, there? | 0:24:03 | 0:24:07 | |
It's nothing to do with Jade, but Adam... | 0:24:07 | 0:24:09 | |
And also, if you're going to have sex with Adam, | 0:24:10 | 0:24:13 | |
he'd probably do that thing he did earlier - | 0:24:13 | 0:24:15 | |
"Are you sure you can have sex? It's very complicated." | 0:24:15 | 0:24:18 | |
I'd almost do it to Adam just to go, | 0:24:19 | 0:24:22 | |
"You're out of your comfort zone now, eh?" | 0:24:22 | 0:24:25 | |
LAUGHTER AND APPLAUSE | 0:24:25 | 0:24:26 | |
We were going to show you one sequence of images, but there are | 0:24:30 | 0:24:34 | |
broadcasting regulations that you have to be responsible | 0:24:34 | 0:24:37 | |
in the portrayal of a lifestyle that could be mimicked by people. | 0:24:37 | 0:24:41 | |
You can't show that this is in any way aspirational, | 0:24:41 | 0:24:44 | |
that it would make you more socially successful. | 0:24:44 | 0:24:46 | |
Basically alcohol consumption, when represented on television, | 0:24:46 | 0:24:49 | |
has to be done with a great deal of responsibility. | 0:24:49 | 0:24:52 | |
So it's with a heavy heart we present Adam And Tom's Big Day Out. | 0:24:52 | 0:24:56 | |
If you just take a glass each. | 0:24:58 | 0:25:00 | |
It's been a great day. Me and Adam have had a lot of fun. | 0:25:11 | 0:25:14 | |
HE GIGGLES | 0:25:14 | 0:25:16 | |
Should the project manager be having fun? | 0:25:17 | 0:25:19 | |
NICK: If you do that too vigorously, it will go down the wrong way. | 0:25:19 | 0:25:24 | |
Strat... Strategy. Hang on. Too much wine. | 0:25:24 | 0:25:29 | |
We've really got to grips with the English wine sparkling... Sorry. | 0:25:30 | 0:25:34 | |
We've really got to grips with English wine...sparking... | 0:25:34 | 0:25:37 | |
I've had a few glasses of wine, so I'm looking forward to | 0:25:37 | 0:25:40 | |
going home tonight and having a good night's sleep. | 0:25:40 | 0:25:42 | |
-Cheers, Tom, mate. You're a legend. -Well done. | 0:25:42 | 0:25:45 | |
Went down really well, that. | 0:25:45 | 0:25:47 | |
APPLAUSE | 0:25:52 | 0:25:54 | |
I love the "Cheers, Tom, mate." | 0:25:59 | 0:26:01 | |
He's just stopped from going, "I love you. You're my best friend!" | 0:26:01 | 0:26:05 | |
Tom does that for a living. You've a feeling he's like that every night. | 0:26:05 | 0:26:09 | |
Cos whenever you see him in the morning at 6am, | 0:26:09 | 0:26:11 | |
he's always struggling to get up. | 0:26:11 | 0:26:13 | |
Now we know why, don't we? | 0:26:13 | 0:26:15 | |
Every show starts with his head coming from underneath. | 0:26:15 | 0:26:18 | |
"Is it half five? Hammered again!" | 0:26:18 | 0:26:21 | |
"And Adam's in my bed!" | 0:26:21 | 0:26:23 | |
Which two candidates would you like to see make the final? | 0:26:26 | 0:26:29 | |
I'd like to see Tom, I think he's a really good all-rounder, | 0:26:29 | 0:26:32 | |
and obviously we don't know what their business concepts are, | 0:26:32 | 0:26:35 | |
but I think he's quite strong. | 0:26:35 | 0:26:37 | |
And also Nick. I think he's quite a dark horse. | 0:26:37 | 0:26:41 | |
He reminds me of Boris Johnson - he's quite foppish and quite funny. | 0:26:41 | 0:26:46 | |
-I'd like to see him get to the end. -Andy, you the same? | 0:26:46 | 0:26:49 | |
Well, I think Nick got chosen, didn't he? | 0:26:49 | 0:26:52 | |
He was chosen by the other team to come over, | 0:26:52 | 0:26:55 | |
so he's got to be doing quite well at the moment. | 0:26:55 | 0:26:57 | |
I'd like to see Ricky do all right, myself. | 0:26:57 | 0:27:00 | |
-Sara? -For me, I think it's Tom and Gabby, | 0:27:00 | 0:27:03 | |
because they've both got the right amounts of creativeness, | 0:27:03 | 0:27:08 | |
-and they're smart but they've got their heads screwed on as well. -OK, grand. | 0:27:08 | 0:27:11 | |
Now, as for the vote itself, with regard to yourself, Lucy, | 0:27:11 | 0:27:15 | |
-do you agree with Lord Sugar's decision? -I don't, | 0:27:15 | 0:27:18 | |
-I wouldn't have fired Jenna. -Aww, thanks! | 0:27:18 | 0:27:20 | |
I would have fired Stephen, purely on the basis | 0:27:20 | 0:27:22 | |
that I can't imagine working with him. | 0:27:22 | 0:27:25 | |
I can't imagine Lord Sugar thinking he could work with him. | 0:27:25 | 0:27:29 | |
-So I think yeah, Jenna, you'd have stayed. -Thank you. -Andy? | 0:27:29 | 0:27:33 | |
Well, Dara, I'm a risk-taker. | 0:27:33 | 0:27:35 | |
I'm going to take a risk even though Jenna's in the building, | 0:27:35 | 0:27:38 | |
and say that not deflecting enough of the blame on to Stephen, | 0:27:38 | 0:27:41 | |
I think Jenna should have gone. | 0:27:41 | 0:27:43 | |
-OK. Sara? -I think Jenna should have stayed | 0:27:43 | 0:27:46 | |
and I think Stephen should have gone, for similar reasons. | 0:27:46 | 0:27:50 | |
I think he'll do Lord Sugar's nut in | 0:27:50 | 0:27:52 | |
if they have to have much more contact, | 0:27:52 | 0:27:55 | |
-which makes it really exciting for next week's episode. -Really, yeah. | 0:27:55 | 0:27:58 | |
Cos he's got to put his money where his mouth is. Well, his mouth is usually here. | 0:27:58 | 0:28:02 | |
OK, let's throw it to yourselves. Very, very simple. | 0:28:03 | 0:28:07 | |
If you agree with Lord Sugar hold up "Fired", | 0:28:07 | 0:28:09 | |
if you disagree hold up "Hired". | 0:28:09 | 0:28:11 | |
That's a pretty solid "Hired" there, congratulations. | 0:28:13 | 0:28:15 | |
They're the Northerners, aren't they? They like that. | 0:28:15 | 0:28:19 | |
Cross-Britain support here. | 0:28:20 | 0:28:22 | |
As you know, we always like to | 0:28:22 | 0:28:24 | |
give a gift to candidates before they leave, something we think | 0:28:24 | 0:28:27 | |
they'll find useful and enjoy | 0:28:27 | 0:28:28 | |
and that will be of use in their life as they move ahead. | 0:28:28 | 0:28:32 | |
For you we think the most obvious thing was that next time | 0:28:32 | 0:28:35 | |
you're up in Scotland... | 0:28:35 | 0:28:36 | |
LAUGHTER | 0:28:36 | 0:28:38 | |
..that you can have that. | 0:28:38 | 0:28:39 | |
APPLAUSE | 0:28:39 | 0:28:40 | |
"Och" - an expression of surprise, | 0:28:45 | 0:28:47 | |
contempt, annoyance, impatience or disagreement. | 0:28:47 | 0:28:50 | |
"Och aye the noo." Occasionally mispronounced as "hochindenin". | 0:28:50 | 0:28:54 | |
-That's for you. -Thank you very much. | 0:28:54 | 0:28:58 | |
CHEERING AND APPLAUSE | 0:28:58 | 0:29:00 | |
Congratulations for making it to week nine. Here are your highlights. | 0:29:04 | 0:29:09 | |
Jenna, how does it feel? | 0:29:09 | 0:29:10 | |
I feel, like, very important. | 0:29:10 | 0:29:12 | |
# I got a girl they call the queen of the hop... # | 0:29:12 | 0:29:15 | |
Hi! | 0:29:15 | 0:29:16 | |
I am witty, charming, high sense of humour. | 0:29:16 | 0:29:20 | |
I'm too lovable to be intimidating. | 0:29:23 | 0:29:25 | |
I'm up for anything. | 0:29:25 | 0:29:26 | |
Yeah? | 0:29:26 | 0:29:28 | |
# ...Everybody knows I love my queen of the hop... # | 0:29:28 | 0:29:32 | |
Are we doing video now? | 0:29:32 | 0:29:33 | |
Go go go go! Let's hope it's a win. | 0:29:33 | 0:29:35 | |
Let's see who's going to be the Stig after this. | 0:29:36 | 0:29:39 | |
I nearly died! | 0:29:40 | 0:29:42 | |
But I'm alive! | 0:29:42 | 0:29:43 | |
Sterling. Cheers. | 0:29:43 | 0:29:45 | |
Yeah. That's about me. | 0:29:45 | 0:29:47 | |
Ladies and gentlemen, Jenna Whittingham. | 0:29:47 | 0:29:48 | |
Thank you! | 0:29:48 | 0:29:51 | |
CHEERING AND APPLAUSE | 0:29:51 | 0:29:53 | |
That's all for tonight. Thanks to all my guests. | 0:29:55 | 0:29:57 | |
Jenna will be on BBC Breakfast tomorrow morning, | 0:29:57 | 0:30:00 | |
and don't forget to go to our website at bbc.co.uk/apprentice | 0:30:00 | 0:30:03 | |
for Matt Edmondson's funny bits. | 0:30:03 | 0:30:06 | |
Next week, the teams have to secure competitive deals at luxury venues, | 0:30:06 | 0:30:09 | |
but who will end up being discounted? | 0:30:09 | 0:30:11 | |
We aim for the higher end of the market. | 0:30:11 | 0:30:13 | |
Is that Thai massage and steam? | 0:30:13 | 0:30:15 | |
-Every Tom, Dick and Harry is selling it. -At a discount. | 0:30:15 | 0:30:19 | |
-How did they get on? -They drew a blank. -Not even a pound off. | 0:30:19 | 0:30:21 | |
-Not a fantastic start! -Er...yeah. -I think that was a whorehouse. | 0:30:21 | 0:30:27 | |
Oh, Jesus, it's horrible! Oh, my God. | 0:30:27 | 0:30:29 | |
This is the most passionate I've seen you in the whole process. | 0:30:29 | 0:30:33 | |
-I feel a bit of pressure. -You should have negotiated for more. | 0:30:33 | 0:30:36 | |
-Can't do it. -No. -We couldn't do it. | 0:30:36 | 0:30:38 | |
You were running around like headless chickens. | 0:30:38 | 0:30:41 | |
-Stop being so condescending. -God. -You lost. | 0:30:41 | 0:30:45 | |
See you next week. Good night. | 0:30:45 | 0:30:47 | |
CHEERING AND APPLAUSE | 0:30:47 | 0:30:49 | |
Subtitles by Red Bee Media Ltd | 0:31:05 | 0:31:08 |