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This programme contains some strong language | 0:00:02 | 0:00:05 | |
I'm not looking for sales people. I'm looking for someone | 0:00:05 | 0:00:07 | |
who's got a brain that's going to start a business with me. | 0:00:07 | 0:00:09 | |
Heading to London, 16 of Britain's | 0:00:09 | 0:00:12 | |
entrepreneurial elite, keen to start a company. | 0:00:12 | 0:00:17 | |
I'm going to inject £250,000 into a business. Your business. | 0:00:19 | 0:00:25 | |
And you're going to run it. | 0:00:25 | 0:00:27 | |
On offer, a 50-50 partnership with the nation's toughest investor. | 0:00:27 | 0:00:32 | |
If you sit around for three hours and do nothing, | 0:00:32 | 0:00:35 | |
or three weeks, or three months, | 0:00:35 | 0:00:37 | |
I ain't going to be a very happy bunny. | 0:00:37 | 0:00:39 | |
Passionate about new money-spinning ventures, Lord Sugar's on the hunt | 0:00:39 | 0:00:43 | |
-for a winning business partner. -This is all about courage, | 0:00:43 | 0:00:47 | |
whether you've got the balls to smell what is going on in business. | 0:00:47 | 0:00:51 | |
It's what I'm looking for in you lot. | 0:00:51 | 0:00:53 | |
-We can do that, we can do it. -'It's a deal worth fighting for.' | 0:00:53 | 0:00:56 | |
Everybody stop. We're not making money here. | 0:00:59 | 0:01:01 | |
-'16 candidates.' -Can you please just let me finish? | 0:01:01 | 0:01:05 | |
-Susie, let's not argue about this. -OK, fine. | 0:01:05 | 0:01:07 | |
12 tough weeks. | 0:01:07 | 0:01:09 | |
For the purpose of this task, I'm now focusing. | 0:01:09 | 0:01:12 | |
One life-changing opportunity. | 0:01:12 | 0:01:15 | |
You're fired. You're fired. | 0:01:15 | 0:01:16 | |
I don't think I could go into business with you. You're fired. | 0:01:16 | 0:01:20 | |
Previously, on The Apprentice... | 0:01:28 | 0:01:31 | |
Beauty is a massive business. | 0:01:31 | 0:01:33 | |
You're going to set up your own beauty treatment service. | 0:01:33 | 0:01:36 | |
Destination Birmingham. | 0:01:36 | 0:01:40 | |
"Going to Selfridges for a massage and curl your hair." | 0:01:40 | 0:01:43 | |
To rub lotions on the locals. | 0:01:43 | 0:01:45 | |
Are you interested in any spa treatments today? | 0:01:45 | 0:01:47 | |
We're going to cool your feet down. | 0:01:47 | 0:01:49 | |
For project manager Zoe, it was hands on. | 0:01:49 | 0:01:53 | |
Ooh, can I come back tomorrow? | 0:01:53 | 0:01:55 | |
But Susan's cosmetic expertise... | 0:01:55 | 0:01:57 | |
I'm more than confident we will sell out of all of these products. | 0:01:57 | 0:02:01 | |
Had no foundation. | 0:02:01 | 0:02:03 | |
You came up with these optimistic numbers, you're in skincare anyway. | 0:02:03 | 0:02:06 | |
This is so unfair, Zoe. | 0:02:06 | 0:02:08 | |
It's not, Susie. You've made your bed and you've got to lie in it. | 0:02:08 | 0:02:12 | |
With nothing doing in the treatment room... | 0:02:12 | 0:02:15 | |
-You haven't done any hair or any massages yet? -No, nothing. | 0:02:15 | 0:02:18 | |
Rival team leader Felicity tied herself in knots. | 0:02:18 | 0:02:22 | |
Do you want to look at some Lady Gaga hair clips here? | 0:02:22 | 0:02:25 | |
It's like a pet hamster really, isn't it, a little bit? | 0:02:25 | 0:02:27 | |
-I don't think it suits me. -'And in the boardroom...' | 0:02:27 | 0:02:30 | |
A loss. No contest there, then. | 0:02:30 | 0:02:32 | |
A cold shower for her team. | 0:02:32 | 0:02:35 | |
This was all about treatments. | 0:02:35 | 0:02:37 | |
And you didn't do any treatments, or hardly any treatments, at all. | 0:02:37 | 0:02:41 | |
Things got ugly for Ellie. | 0:02:41 | 0:02:43 | |
Spent more time moaning than she did do anything else while working. | 0:02:43 | 0:02:47 | |
With no chance to make up, the project manager smelled defeat. | 0:02:47 | 0:02:52 | |
This was a disastrous task. Felicity, you're fired. | 0:02:52 | 0:02:56 | |
Felicity became the fourth casualty of the boardroom. | 0:02:56 | 0:03:00 | |
Now 12 remain to fight it out | 0:03:00 | 0:03:02 | |
to become Lord Sugar's business partner. | 0:03:02 | 0:03:05 | |
6am. | 0:03:10 | 0:03:12 | |
PHONE RINGS | 0:03:14 | 0:03:16 | |
-Hello? -Good morning. | 0:03:20 | 0:03:22 | |
Lord Sugar wants to meet you at a creative agency in Fitzrovia. | 0:03:22 | 0:03:27 | |
The cars will be outside in 30 minutes. | 0:03:27 | 0:03:31 | |
OK. Thank you. | 0:03:31 | 0:03:32 | |
Guys, we've got half an hour. | 0:03:32 | 0:03:35 | |
We're going to Fitzrovia in London. | 0:03:35 | 0:03:38 | |
If you're going to a creative agency, do you wear a suit? | 0:03:40 | 0:03:44 | |
I definitely need to up my game after last week, being in the boardroom. | 0:03:44 | 0:03:48 | |
I'll be working very hard today. | 0:03:48 | 0:03:50 | |
It's going to be creative. | 0:04:01 | 0:04:03 | |
I love this, this is my cup of tea. | 0:04:03 | 0:04:05 | |
-Really? -I'm a designer. We just get given a spec and we have to create. | 0:04:05 | 0:04:09 | |
I do that on a day-to-day basis. | 0:04:09 | 0:04:12 | |
I'm going to be proper gutted if we don't win today. | 0:04:13 | 0:04:17 | |
But I am going to win today, Ellie. | 0:04:17 | 0:04:18 | |
You know what they say, fifth time lucky. | 0:04:18 | 0:04:21 | |
Central London. | 0:04:26 | 0:04:28 | |
Advertising agency TBWA. | 0:04:28 | 0:04:31 | |
Karren, Nick. | 0:04:32 | 0:04:34 | |
And today, larger than life, Lord Sugar. | 0:04:34 | 0:04:38 | |
You're standing in the lobby of one of the UK's most | 0:04:38 | 0:04:41 | |
awarded advertising agencies. | 0:04:41 | 0:04:44 | |
And I've sought their expertise | 0:04:44 | 0:04:46 | |
because they look after some of the biggest pet food brands. | 0:04:46 | 0:04:50 | |
Now, the pet food industry is a very crowded market. | 0:04:50 | 0:04:54 | |
You don't just need a great advertising campaign, | 0:04:54 | 0:04:57 | |
you've got to come up with a very innovative product. | 0:04:57 | 0:05:01 | |
So, your task is, I want you to make and brand your own unique pet food. | 0:05:01 | 0:05:07 | |
And then you're going to make a TV advert to sell it. | 0:05:07 | 0:05:11 | |
In two days' time, you'll be pitching your campaign | 0:05:11 | 0:05:15 | |
to the advertising agency, together with some industry experts. | 0:05:15 | 0:05:20 | |
The team that delivers the best campaign wins. | 0:05:20 | 0:05:22 | |
In the losing team, one of you will be fired. | 0:05:22 | 0:05:26 | |
I'll see you in the boardroom in a few days' time. | 0:05:28 | 0:05:31 | |
Karren and I spoke to Lord Sugar earlier this morning | 0:05:31 | 0:05:34 | |
on the subject of team leaders. On Logic, Vincent. | 0:05:34 | 0:05:38 | |
This one's for you. | 0:05:38 | 0:05:41 | |
On Venture, Glenn, you're in charge. | 0:05:41 | 0:05:45 | |
Lord Sugar has given the teams three days to show they mean business | 0:05:46 | 0:05:50 | |
by creating, branding and pitching a new pet food | 0:05:50 | 0:05:53 | |
to take on the big players. | 0:05:53 | 0:05:56 | |
With 17 million cats and dogs eating 1.2 million tonnes of food a year, | 0:05:57 | 0:06:02 | |
it's a massive market. | 0:06:02 | 0:06:05 | |
So, first job for the teams - pick which part of the market to target. | 0:06:06 | 0:06:12 | |
-OK, who's got a dog? -I've got a dog. -My parents have got a dog. | 0:06:12 | 0:06:16 | |
Ellie, have you got anything? You said you were good with the ideas. | 0:06:16 | 0:06:18 | |
Names-wise, something like Gnashers, | 0:06:18 | 0:06:21 | |
if we do something to do with dental hygiene. | 0:06:21 | 0:06:23 | |
I like, from my ideas, Pet-eats, healthy treats. | 0:06:23 | 0:06:26 | |
No, we need to go pet food, not treats. | 0:06:26 | 0:06:29 | |
But wet food can still be a treat. | 0:06:29 | 0:06:31 | |
Well, treats are an occasional thing. | 0:06:31 | 0:06:34 | |
I think the best way to work this out is to get some ideas very quickly. | 0:06:34 | 0:06:38 | |
My confidence and charisma... | 0:06:38 | 0:06:40 | |
I'm talking about ideas in terms of... | 0:06:40 | 0:06:42 | |
'Can overpower certain people.' | 0:06:42 | 0:06:44 | |
There may be other people that are good, but I think I'm better. | 0:06:44 | 0:06:48 | |
I thought what we could have some sort of advert, | 0:06:48 | 0:06:50 | |
where you've got the old school Labrador that everybody loves. | 0:06:50 | 0:06:52 | |
You've got the it boy, the pug. | 0:06:52 | 0:06:54 | |
They're together, don't like each other too much. | 0:06:54 | 0:06:57 | |
But at the end they become pals. | 0:06:57 | 0:06:59 | |
And that will be the name of the brand, Pals. | 0:06:59 | 0:07:02 | |
-Pal is already a name. -What's it got to do with the food? | 0:07:02 | 0:07:06 | |
-It's the second biggest dog brand in the world. -Is it? -If not the first. | 0:07:06 | 0:07:09 | |
-Right, Jim. -Owners love their pets. If you're promoting a healthy coat, | 0:07:12 | 0:07:16 | |
I was thinking Fur-play. | 0:07:16 | 0:07:19 | |
-That's quite good. -You could have the dogs in a play scenario. Fur-play. | 0:07:19 | 0:07:23 | |
Who are we trying to appeal to? | 0:07:23 | 0:07:25 | |
We're creating a product that has appeal to everybody, | 0:07:25 | 0:07:28 | |
-because it tackles everybody who has a dog. -Just put everything out there. | 0:07:28 | 0:07:32 | |
I want all your ideas. Don't be afraid of anything. | 0:07:32 | 0:07:34 | |
Don't be concerned about your ideas cos they're a bit bold, | 0:07:34 | 0:07:37 | |
-I want to hear them. -You could do a love story, you know? | 0:07:37 | 0:07:39 | |
For Glenn's tea, it's cats. | 0:07:39 | 0:07:41 | |
-How about getting them in a Ferrari and calling it Purrari? -Purrari? | 0:07:41 | 0:07:45 | |
I kind of like that. | 0:07:45 | 0:07:47 | |
What type of cat has lots of fur that's quite long, | 0:07:47 | 0:07:50 | |
and we can put rollers in it? | 0:07:50 | 0:07:52 | |
OK, this is good. Keep it coming though. | 0:07:52 | 0:07:55 | |
Could you do it that the cats are taking over the world? | 0:07:55 | 0:07:58 | |
Like going to a ball, it's going to a wedding, getting married. | 0:07:58 | 0:08:02 | |
Sort of like a spa day for a cat? | 0:08:02 | 0:08:04 | |
I'm better than anyone else here. | 0:08:04 | 0:08:06 | |
I can design, I can create, I bring ideas. I'm a catalyst. | 0:08:06 | 0:08:09 | |
That's what a project leader needs to do. | 0:08:09 | 0:08:11 | |
We could do the cat's world, where the cats have their own lives, their | 0:08:11 | 0:08:13 | |
own house, their own mortgage, their own weddings and do it like that. | 0:08:13 | 0:08:17 | |
Are we not concentrating on food? I'm confused. | 0:08:17 | 0:08:20 | |
So we're moving away from the slimming? | 0:08:20 | 0:08:23 | |
Glenn suggests... | 0:08:27 | 0:08:28 | |
Well, he says he's a creative person. That what he does for a living. | 0:08:28 | 0:08:31 | |
But I think the brainstorm is coming from so many different angles, | 0:08:31 | 0:08:34 | |
I'm not quite sure we're clear about what we're trying to brainstorm on. | 0:08:34 | 0:08:40 | |
One thing I want to say about this task and everything, guys - | 0:08:40 | 0:08:43 | |
no guts, no glory. | 0:08:43 | 0:08:44 | |
I want everyone to put everything into this. | 0:08:44 | 0:08:47 | |
The teams split. | 0:08:48 | 0:08:50 | |
To manufacture the food, half head for Lincolnshire. | 0:08:50 | 0:08:54 | |
The rest stay in London to build a brand. | 0:08:55 | 0:08:58 | |
How about hungry for better? | 0:08:58 | 0:09:01 | |
I don't want to go into the boardroom saying we've | 0:09:01 | 0:09:04 | |
developed a product and it's only available for small dogs or big dogs. | 0:09:04 | 0:09:09 | |
We're trying to hit everything. | 0:09:09 | 0:09:11 | |
I've written down the word 'every', actually. | 0:09:11 | 0:09:14 | |
-Every day, every dog. -Total Dog? | 0:09:14 | 0:09:16 | |
Or... | 0:09:16 | 0:09:18 | |
For every day, there's Everydog. | 0:09:18 | 0:09:21 | |
Everydog. | 0:09:21 | 0:09:22 | |
I like it. | 0:09:22 | 0:09:24 | |
Everydog. | 0:09:24 | 0:09:25 | |
11am. | 0:09:29 | 0:09:31 | |
Focus group for Vincent's team, the target demographic. | 0:09:33 | 0:09:37 | |
Every dog. | 0:09:37 | 0:09:38 | |
Ted, pack it up. | 0:09:38 | 0:09:40 | |
Ted, chill out, would you. You're standing on my suit, Ted. | 0:09:40 | 0:09:43 | |
TED GROWLS | 0:09:43 | 0:09:45 | |
Questions, initial questions... | 0:09:45 | 0:09:47 | |
Speaking for the assembled consumers, dog walkers and a vet. | 0:09:47 | 0:09:51 | |
-Do you buy the same dog food for all the dogs that you have? -No. | 0:09:51 | 0:09:56 | |
The reason you don't feed the same food to everybody is that you have | 0:09:56 | 0:10:01 | |
size differences, breed differences. | 0:10:01 | 0:10:03 | |
To pack all of that into one tin is almost impossible. | 0:10:03 | 0:10:07 | |
The thing is, I don't want to say | 0:10:07 | 0:10:10 | |
this food is just for a particular size of dog. | 0:10:10 | 0:10:12 | |
I want a food that will fit the majority of dogs. | 0:10:12 | 0:10:16 | |
Cheers. | 0:10:16 | 0:10:18 | |
-Hi, it's Melody. -Melody. Hi, speak. | 0:10:23 | 0:10:25 | |
-OK, Vincent, we've come up with a few ideas. -Hold on. | 0:10:25 | 0:10:29 | |
I've got a really good one for you. | 0:10:29 | 0:10:31 | |
We've come up with, initially it was Jim's idea, the name Everydog. | 0:10:31 | 0:10:37 | |
-Everydog? Yeah? -For every day, there's Everydog. | 0:10:37 | 0:10:41 | |
-Yeah... -And you can spin that around, | 0:10:41 | 0:10:43 | |
you can have the brand as Every. | 0:10:43 | 0:10:45 | |
Everyfish, Everycat. That's where we're going with it. | 0:10:45 | 0:10:48 | |
-I do have to say something to you now, OK? -Go on. | 0:10:48 | 0:10:52 | |
I'm very concerned about the fact that we're going for Every, | 0:10:52 | 0:10:56 | |
in the fact that we're trying to create... | 0:10:56 | 0:11:00 | |
We're just going for every single dog. | 0:11:00 | 0:11:01 | |
We got no niche that we're aiming at in any way, shape or form. | 0:11:01 | 0:11:05 | |
I'm going to take a decision on that. | 0:11:05 | 0:11:08 | |
I like Everycat, Everyanimal, Every-whatever you want. | 0:11:08 | 0:11:12 | |
It's brilliant. | 0:11:12 | 0:11:13 | |
Retailers will be like, "Why do we need this?" | 0:11:16 | 0:11:20 | |
Give your cat a break. | 0:11:20 | 0:11:22 | |
I'm not so keen on that one. I like the other one. | 0:11:23 | 0:11:26 | |
Because cats can choose... | 0:11:26 | 0:11:28 | |
Branding for Glenn's team, Leon, Zoe and Helen. | 0:11:28 | 0:11:31 | |
You ready? Lucky Fish. | 0:11:32 | 0:11:35 | |
The catch of the day. | 0:11:35 | 0:11:37 | |
-That's pretty good. -Catch of the day. -That's pretty good. | 0:11:37 | 0:11:40 | |
You know what, guys? Shall I just become The Apprentice? | 0:11:40 | 0:11:45 | |
Oh, for God's sake. | 0:11:45 | 0:11:47 | |
South of the river, a pet rescue centre. | 0:11:47 | 0:11:50 | |
And a cross-section of cat lovers for Leon's Lucky Fish concept. | 0:11:50 | 0:11:56 | |
We were thinking about a cat | 0:11:56 | 0:12:00 | |
and a goldfish idea. | 0:12:00 | 0:12:01 | |
So you've got a goldfish in a bowl | 0:12:01 | 0:12:04 | |
and he's basically, because we developed | 0:12:04 | 0:12:07 | |
this fantastic new cat food, it would detract the cat from the goldfish. | 0:12:07 | 0:12:12 | |
Give the goldfish a break, basically. | 0:12:12 | 0:12:15 | |
Lead it away from temptation? | 0:12:15 | 0:12:16 | |
-Yeah. -I quite like that. | 0:12:16 | 0:12:18 | |
-We were going to call it Lucky Fish. -I like that a lot. | 0:12:18 | 0:12:21 | |
And the cat's lucky to get fish, you know? Oh, lucky, fish. | 0:12:21 | 0:12:26 | |
-Do you like that name? -Yeah, I do. I think it's a good name. -Cool. | 0:12:26 | 0:12:29 | |
And it's quite a simple idea. | 0:12:30 | 0:12:33 | |
On the road, a creative spark from design engineer Glenn. | 0:12:36 | 0:12:42 | |
You know like how you have cat's-eyes? | 0:12:42 | 0:12:44 | |
Cat's-eyes on the road came from cat's eyes. | 0:12:44 | 0:12:46 | |
-My head's on the creative front in terms of... -Yeah. | 0:12:46 | 0:12:49 | |
Is there anything that can come out of that? | 0:12:49 | 0:12:52 | |
Cat-size. | 0:12:52 | 0:12:55 | |
Talking about Cat-size, as in them losing weight | 0:12:55 | 0:12:58 | |
and being fit and healthy. | 0:12:58 | 0:13:00 | |
So that's what we're going for? We're going for dietary? | 0:13:00 | 0:13:02 | |
We're saying its nutritional, keeping up the Joneses. | 0:13:02 | 0:13:05 | |
"Ooh, that cat next door, she's lost weight. Look at her. | 0:13:05 | 0:13:08 | |
"She's on that Cat-size stuff." | 0:13:08 | 0:13:10 | |
In I've gone with the tag-line, "See their light." | 0:13:10 | 0:13:13 | |
As in, you know, they are a lighter cat. | 0:13:13 | 0:13:16 | |
But see the light in their eyes? | 0:13:16 | 0:13:18 | |
-Cat-size, see their light? -You know, like the light of life. | 0:13:18 | 0:13:23 | |
-The light inside. -I see. | 0:13:23 | 0:13:25 | |
In London... | 0:13:26 | 0:13:28 | |
This is Caddie. He's a standard poodle and border collie cross. | 0:13:28 | 0:13:32 | |
Casting the perfect pooch.... | 0:13:32 | 0:13:34 | |
-Not the type of dog I wanted. -Isn't he? -No. Next! | 0:13:34 | 0:13:37 | |
-For Everydog, the commercial. -Beautiful dog. Labrador? | 0:13:37 | 0:13:41 | |
-Golden retriever. -Golden retriever? OK. | 0:13:41 | 0:13:44 | |
-Popular dog? -Yes. -OK, we'll have a look at the next one. | 0:13:45 | 0:13:48 | |
Thank you for your time. | 0:13:48 | 0:13:50 | |
-Cheers. -Take care, bye-bye. | 0:13:50 | 0:13:53 | |
-Pug? -Correct. -Name? | 0:13:53 | 0:13:57 | |
-Mabel. -I'm thinking, healthy heart, healthy joints. | 0:13:57 | 0:14:00 | |
Can he stand on the back hind legs? | 0:14:00 | 0:14:02 | |
-No. -Can he jump? -No. | 0:14:02 | 0:14:05 | |
No, he's not for us. | 0:14:05 | 0:14:07 | |
Next, please. | 0:14:07 | 0:14:09 | |
This is Scramble. He's a Parson Russell Terrier. | 0:14:09 | 0:14:12 | |
What sort of acting experience has your dog had? | 0:14:12 | 0:14:15 | |
-Lots of adverts, Midsomer Murders, the usual kind of... -OK. | 0:14:15 | 0:14:18 | |
We're focusing on the hearts and joints. | 0:14:18 | 0:14:21 | |
Can he do anything amusing? | 0:14:21 | 0:14:23 | |
-He's good at jumping up and down. -That's good, actually, that jump. | 0:14:23 | 0:14:27 | |
Real vitality there. | 0:14:27 | 0:14:28 | |
-These are the two that we'd like to cast in our advert. -Good. Lovely! | 0:14:28 | 0:14:32 | |
Britain's biggest pet food maker. | 0:14:32 | 0:14:34 | |
In the lab, Vincent's manufacturing team. | 0:14:36 | 0:14:39 | |
-50% chicken. -Yeah. | 0:14:39 | 0:14:42 | |
The job? Develop a dish every dog will eat. | 0:14:42 | 0:14:45 | |
Do we want fish oil in it? It's got Omega 3 in it. | 0:14:45 | 0:14:48 | |
What about flax seed oil? | 0:14:48 | 0:14:50 | |
I don't know what dog food's meant to look like, but it's colourful. | 0:14:50 | 0:14:54 | |
-Are we happy? -Yes. -Yes. I think we got the right ingredients in there. | 0:14:55 | 0:14:59 | |
-It looks really, really nice. -We made a dog's dinner out of it! | 0:14:59 | 0:15:03 | |
For Glenn's manufacturing team... | 0:15:04 | 0:15:06 | |
Guys, at last! | 0:15:06 | 0:15:08 | |
Feedback from the feline focus group. | 0:15:08 | 0:15:12 | |
'OK, the brand's going to be...' | 0:15:12 | 0:15:14 | |
Well, we'd like the brand to be called Lucky Fish. | 0:15:14 | 0:15:16 | |
Lucky Fish on a cat food can? | 0:15:19 | 0:15:22 | |
It's not right. 'I don't think it's right.' | 0:15:23 | 0:15:27 | |
One I've come up with... | 0:15:27 | 0:15:29 | |
The name's Catsize, spelt cat, C-A-T, S-I-Z-E, right? Catsize. | 0:15:29 | 0:15:34 | |
-I need your opinion. Do you like it? Give me a yes or no. -Catsize, no. | 0:15:34 | 0:15:39 | |
-No. -Glenn, we've done the whole thing on this Lucky Fish | 0:15:39 | 0:15:42 | |
and we've come to that and we've all bought into it. | 0:15:42 | 0:15:45 | |
It was taken really well, actually. | 0:15:45 | 0:15:46 | |
If a focus group says yes, go with it, why would we not roll with it? | 0:15:46 | 0:15:52 | |
Everyone, I'm making a decision now, so I would like... | 0:15:52 | 0:15:55 | |
-Which one do you like? -I like Catsize. That's the one I like most. | 0:15:56 | 0:16:00 | |
-Right. Is that it? -Yeah. That'll do. Done. | 0:16:00 | 0:16:04 | |
Why did we bother going to a focus group? | 0:16:04 | 0:16:07 | |
I'm feeling deflated and annoyed about the task. | 0:16:07 | 0:16:09 | |
We've said it went through the focus group, they liked it. | 0:16:09 | 0:16:13 | |
We've wasted the morning. | 0:16:13 | 0:16:15 | |
For us to have spent all morning coming up with ideas, | 0:16:15 | 0:16:18 | |
then for Glenn to go, "no way," I think it's a silly move by him. | 0:16:18 | 0:16:23 | |
0.5 grams of tomato powder. | 0:16:25 | 0:16:27 | |
After baring his claws over the name, | 0:16:27 | 0:16:30 | |
Glenn gets to grips with his health-conscious recipe. | 0:16:30 | 0:16:33 | |
-That looks absolutely revolting. -It's perfect. | 0:16:33 | 0:16:37 | |
-We want Catsize on the top. -Next, Glenn's favourite job, design. | 0:16:37 | 0:16:42 | |
Then just the tag line at the bottom, "See their light." | 0:16:42 | 0:16:45 | |
I like it, guys. I think it looks pretty goddamn good. | 0:16:47 | 0:16:51 | |
-It's got everything we want on the box. -Yeah. | 0:16:51 | 0:16:53 | |
So the small dog first, please. | 0:16:53 | 0:16:56 | |
Snapping the cast of Everydog, Jim, for team leader Vincent. | 0:16:56 | 0:17:00 | |
-That's a really good one. -Yeah. -Really like that one, Jim. | 0:17:00 | 0:17:05 | |
That's nice. | 0:17:05 | 0:17:06 | |
Can you have the dog on all fours? | 0:17:06 | 0:17:07 | |
-On all fours? -On fours rather than sitting down. -Standing up, you mean? | 0:17:07 | 0:17:12 | |
Standing up, yeah. | 0:17:12 | 0:17:13 | |
-That's better. -Perfect. Go from a different angle, Jim. That's good. | 0:17:13 | 0:17:18 | |
That's a happy looking dog. | 0:17:18 | 0:17:21 | |
-That's a big smile, isn't it? -Do you know why it's got a big smile? | 0:17:21 | 0:17:25 | |
Because he loves, er, Everydog. | 0:17:25 | 0:17:28 | |
I'm a bit intrigued, because although Vincent's project manager, | 0:17:28 | 0:17:32 | |
he's got a team of five, a focus group, | 0:17:32 | 0:17:35 | |
he seems to be leaning on Jim rather a lot. | 0:17:35 | 0:17:37 | |
You know, it's almost a sort of a Batman, Robin thing. | 0:17:37 | 0:17:40 | |
"OK with you, Batman?" | 0:17:40 | 0:17:42 | |
We want to put it in really big, you know, "for joints and hearts." | 0:17:44 | 0:17:47 | |
-Does it look premium to you? -I think the logo looks pretty good. | 0:17:47 | 0:17:53 | |
In London, a casting call for the fluffy face of Catsize. | 0:17:53 | 0:17:58 | |
This is Lola, and she's a sphinx cat. | 0:17:58 | 0:18:01 | |
-No fur? -No fur. They're made this way. | 0:18:01 | 0:18:04 | |
I'm not sure if she's going to be mainstream enough. | 0:18:04 | 0:18:07 | |
-It has some bearings a bit like a chicken. Sorry! -It doesn't! | 0:18:07 | 0:18:10 | |
Just the wrinkly skin! Anyway, um, I don't know, guys. | 0:18:10 | 0:18:14 | |
I don't think it's going to fit the bill, to be honest, | 0:18:14 | 0:18:18 | |
for the photo shoot. | 0:18:18 | 0:18:20 | |
So I guess we'll have to look at some more. | 0:18:22 | 0:18:26 | |
PHONE RINGS | 0:18:27 | 0:18:28 | |
-Hiya, Glenn. -The slogan we're going with, | 0:18:28 | 0:18:32 | |
it's "Catsize, see their light." | 0:18:32 | 0:18:35 | |
-See their what? -Light. L-I-G-H-T. | 0:18:35 | 0:18:38 | |
THEY LAUGH | 0:18:38 | 0:18:39 | |
You can have either spelling, it doesn't matter. | 0:18:39 | 0:18:43 | |
What did they think it was? | 0:18:43 | 0:18:45 | |
-What're you laughing at? -Do they have a torch with them? | 0:18:45 | 0:18:50 | |
Their size, they've lost, you know, their weight! Or their light as in | 0:18:50 | 0:18:54 | |
the light in their eyes. Cat's eyes, do you get it? | 0:18:54 | 0:18:57 | |
Yeah. Well, we don't get it, but we have got it written down. | 0:18:57 | 0:19:01 | |
Get on with it, yeah? Blimey. | 0:19:01 | 0:19:03 | |
That's made it 100% worse. | 0:19:03 | 0:19:05 | |
Let's get out of here. | 0:19:06 | 0:19:09 | |
The sub-team seem to be thinking this is a bit of a joke. | 0:19:09 | 0:19:12 | |
We thought it was awful when it was "See they're light"! | 0:19:12 | 0:19:16 | |
I know, and now it's got ten times worse. | 0:19:16 | 0:19:18 | |
They need to be put back in their place, | 0:19:18 | 0:19:20 | |
remember that I'm a project manager, and when you're a manager, | 0:19:20 | 0:19:24 | |
you deserve respect. | 0:19:24 | 0:19:26 | |
I'm going to be firm but fair | 0:19:28 | 0:19:29 | |
and make them realise, don't mess with me. | 0:19:29 | 0:19:33 | |
Recipes fixed. | 0:19:33 | 0:19:36 | |
Branding agreed. | 0:19:36 | 0:19:38 | |
Casting complete. | 0:19:38 | 0:19:41 | |
It's back to the house. | 0:19:41 | 0:19:45 | |
Little thing I need to say to you guys. | 0:19:46 | 0:19:49 | |
I don't appreciate you laughing at the other end, OK? | 0:19:49 | 0:19:52 | |
This is business and it needs to be professional. | 0:19:52 | 0:19:55 | |
If you don't like my ideas, I need constructive criticism, | 0:19:55 | 0:19:59 | |
not a joke and a rolling of the eyes, OK? | 0:19:59 | 0:20:02 | |
Similarly, Glenn, respect works two ways, | 0:20:02 | 0:20:04 | |
and when we've spent the morning coming up with an entire concept | 0:20:04 | 0:20:08 | |
with a research group, as you told us to do, then cut us off dead | 0:20:08 | 0:20:11 | |
within two minutes... You earn respect, that's how it's done. | 0:20:11 | 0:20:17 | |
Sorry, Zoe, just before that... Zoe, Zoe, Zoe, just before... | 0:20:17 | 0:20:22 | |
-Zoe, please. -Thank you very much. See you later. | 0:20:22 | 0:20:25 | |
8 am. | 0:20:39 | 0:20:40 | |
Packaged and labelled overnight, samples of the teams' pet food. | 0:20:40 | 0:20:45 | |
Cheers. | 0:20:47 | 0:20:48 | |
-Guys, what is this? -Are you ready for our masterpiece that is dog food? | 0:20:50 | 0:20:54 | |
Der-der-der-der-der! | 0:20:54 | 0:20:58 | |
-What do you reckon? -That looks pretty professional. | 0:20:58 | 0:21:01 | |
-Do you like that? -That's good. I think you've done a good job. | 0:21:01 | 0:21:05 | |
-I really like it. Really like the colour. -Do you like that? -Yeah. | 0:21:05 | 0:21:08 | |
It's a very simple task. Need to think about the four Ps. | 0:21:08 | 0:21:13 | |
Product, place, promotion, price. | 0:21:13 | 0:21:17 | |
Tomorrow, the teams pitch their products | 0:21:17 | 0:21:19 | |
to a panel of ad men and pet food experts. | 0:21:19 | 0:21:22 | |
I've decided Melody, I'm sure you'll agree, to do our pitch. | 0:21:22 | 0:21:25 | |
I support that. | 0:21:25 | 0:21:27 | |
Melody, you'll have no problem conveying this, but high passion, | 0:21:27 | 0:21:31 | |
you know, we're selling something to them, so keep that in mind. | 0:21:31 | 0:21:36 | |
Oh yeah, definitely. You have to be passionate. | 0:21:36 | 0:21:39 | |
It's about delivering the brand and the image. | 0:21:39 | 0:21:41 | |
I want us to win this task. | 0:21:41 | 0:21:44 | |
The only way that'll happen is when we're all on board and all enjoy it. | 0:21:44 | 0:21:50 | |
-So is everyone with me? -Absolutely. -Definitely, yeah. | 0:21:50 | 0:21:53 | |
Shall we get going or do we have to wait here..? | 0:21:53 | 0:21:56 | |
-We need to think about who's going to do the pitch. -Yeah. | 0:21:56 | 0:22:00 | |
Um... | 0:22:00 | 0:22:02 | |
Leon, if you could take care and lead the pitch. | 0:22:02 | 0:22:06 | |
Um, I wouldn't feel too comfortable talking for 20 minutes. | 0:22:06 | 0:22:10 | |
I can do a pitch, no problem, | 0:22:10 | 0:22:12 | |
but I don't want to be battling for 20 minutes. | 0:22:12 | 0:22:15 | |
It needs to be broken into sections and you need to fill 20 minutes. | 0:22:15 | 0:22:19 | |
Hope everyone's happy and we should get off and get this done. | 0:22:19 | 0:22:23 | |
Today, both teams must produce TV commercials. | 0:22:25 | 0:22:29 | |
Set for the cat food movie, an upmarket kitchen in Kew. | 0:22:32 | 0:22:37 | |
Ruby'll come in, hopefully, she'll swirl around your legs. | 0:22:37 | 0:22:42 | |
Starring in her white fur coat, Ruby. | 0:22:43 | 0:22:45 | |
Looking good today, Ruby. | 0:22:45 | 0:22:48 | |
Take one. | 0:22:48 | 0:22:50 | |
Are we ready? Are we all set and rolling? Let Ruby go. | 0:22:51 | 0:22:54 | |
-And, Anne, when she comes in, follow... Oh! -Do it again. | 0:22:54 | 0:22:58 | |
-That was a good walk up there. -Yeah, it was. | 0:22:58 | 0:23:00 | |
-Animals and children! -Yeah! -We're going this way, down there. | 0:23:00 | 0:23:05 | |
OK. Try that again. | 0:23:05 | 0:23:06 | |
Take two. | 0:23:06 | 0:23:08 | |
-OK, zoom out now. -Come here. | 0:23:08 | 0:23:11 | |
-Cut. -Perfect! -That was absolutely wicked! | 0:23:14 | 0:23:19 | |
Can we have a run back now quickly? I want to see everything we've shot. | 0:23:19 | 0:23:22 | |
12 noon. | 0:23:23 | 0:23:25 | |
Charged with writing their Catsize pitch, | 0:23:26 | 0:23:29 | |
Leon, Edna and Susan have a whole day to get it right. | 0:23:29 | 0:23:33 | |
You all right, guys? What's up? | 0:23:36 | 0:23:38 | |
You're doing a lot of the tasks today. | 0:23:38 | 0:23:42 | |
-Did you realise you were taking on that much? -Yeah. | 0:23:42 | 0:23:45 | |
I think we're OK with it. | 0:23:45 | 0:23:47 | |
The continuity of doing the advert as one team will pay dividends, | 0:23:47 | 0:23:52 | |
as opposed to splitting it up. | 0:23:52 | 0:23:53 | |
Dude, I'm happy to write a pitch, | 0:23:53 | 0:23:55 | |
but I'm not happy to spend five hours on it, for 20 minutes of talking. | 0:23:55 | 0:23:58 | |
Just take advantage of the time, and make sure that the pitch is nailed. | 0:23:58 | 0:24:04 | |
-Speak to you in a bit. -See you in a bit. | 0:24:04 | 0:24:06 | |
I wonder if...it's speculation, | 0:24:06 | 0:24:08 | |
but I wonder if it's a strategic move that I'm doing this pitch. | 0:24:08 | 0:24:13 | |
-I think Glenn put you as the pitcher because... -He has faith in you. | 0:24:15 | 0:24:20 | |
He's not going to choose you if he doesn't think that you're the best. | 0:24:20 | 0:24:24 | |
So, just have faith. | 0:24:24 | 0:24:26 | |
-Next for Vincent's team. -OK, we need a heart beating now. | 0:24:30 | 0:24:34 | |
Lay down some tracks for Everydog. | 0:24:34 | 0:24:37 | |
-It's good. -Do you want a faster heart? | 0:24:38 | 0:24:41 | |
I'll do some press-ups to get a faster heart. | 0:24:41 | 0:24:44 | |
Is he really doing press-ups? | 0:24:46 | 0:24:48 | |
-Is that all right? -Good effort! | 0:24:51 | 0:24:53 | |
Everydog, playing the part for joints and heart. | 0:24:53 | 0:24:56 | |
HE BARKS | 0:24:57 | 0:24:59 | |
Ealing, West London. | 0:25:00 | 0:25:02 | |
A house for Everydog. | 0:25:02 | 0:25:05 | |
You're really excited, you want the new food. | 0:25:05 | 0:25:09 | |
Calling the shots, Natasha. | 0:25:09 | 0:25:11 | |
We need him to come in this general direction. | 0:25:11 | 0:25:14 | |
I think we need him over in the far corner. | 0:25:14 | 0:25:16 | |
-If I were going to run into the kitchen... -Yeah, yeah. | 0:25:16 | 0:25:20 | |
That's enough of a run. | 0:25:20 | 0:25:21 | |
-Action! -Buster! Buster, Buster! Buster! | 0:25:21 | 0:25:26 | |
Buster, Buster! | 0:25:26 | 0:25:28 | |
Action. | 0:25:28 | 0:25:29 | |
Do you think that Scramble's fancying it? | 0:25:34 | 0:25:37 | |
OK, guys, what I want is I want complete silence after I said action. | 0:25:37 | 0:25:42 | |
-Yeah? Cos we might need. -OK. -OK, action. | 0:25:42 | 0:25:45 | |
I think that the point is that when his feet land, | 0:25:45 | 0:25:51 | |
the food can't be there, because it wasn't there when he took off. | 0:25:51 | 0:25:55 | |
Which is why we're going to do a shot, yeah, with it in shot. | 0:25:55 | 0:25:58 | |
And I'm taking your comments on board, right, | 0:25:58 | 0:26:01 | |
and it's valuable, yeah? | 0:26:01 | 0:26:02 | |
But what I'm trying to do is make sure I keep my vision clear, | 0:26:02 | 0:26:06 | |
but we do take on board what you're saying. Yeah? All right? | 0:26:06 | 0:26:09 | |
'There's a lot of strong characters in this process.' | 0:26:09 | 0:26:14 | |
It's annoying and frustrating | 0:26:14 | 0:26:16 | |
that my voice is not being heard. | 0:26:16 | 0:26:18 | |
Action. | 0:26:18 | 0:26:20 | |
Perfect. | 0:26:20 | 0:26:21 | |
Booked for the Catsize soundtrack, a voice for glamourpuss Ruby. | 0:26:25 | 0:26:32 | |
We want it in a sort of cartoon sultry female voice, | 0:26:32 | 0:26:36 | |
if you can do that. | 0:26:36 | 0:26:37 | |
-Female? -Yeah. -OK! | 0:26:37 | 0:26:40 | |
So, you know, like a female... | 0:26:40 | 0:26:41 | |
-IN A HIGH-PITCHED VOICE: -Hi! | 0:26:41 | 0:26:43 | |
-My name is... But better than that. -I don't get it. Do more! -No! | 0:26:43 | 0:26:48 | |
Catsize. I've got the ammunition for 100% nutrition. | 0:26:48 | 0:26:53 | |
-Very slightly higher? -Yeah. Higher. More falsetto. | 0:26:53 | 0:26:58 | |
-Catsize. -Yeah. -Catsize. | 0:26:58 | 0:27:01 | |
I've got the ammunition for 100% nutrition. | 0:27:01 | 0:27:06 | |
I'm not being funny, that's pretty good! | 0:27:06 | 0:27:08 | |
I thought that was really good. | 0:27:08 | 0:27:10 | |
Three long years of drama school. | 0:27:11 | 0:27:14 | |
You watch your weight. Watch theirs, too. See their light. | 0:27:15 | 0:27:19 | |
-I hate that "see their light" thing. -We're going with it. | 0:27:20 | 0:27:24 | |
-Yeah, but can we just whisper that? -No. -OK. | 0:27:24 | 0:27:27 | |
Sticking with it. | 0:27:27 | 0:27:29 | |
6.45pm. | 0:27:32 | 0:27:36 | |
Everydog, the final cut. | 0:27:37 | 0:27:39 | |
-Hello! -Hi! | 0:27:43 | 0:27:44 | |
-How're you doing? -You been busy, busy, busy? | 0:27:44 | 0:27:49 | |
We are 100% happy with what we've achieved. You'll see it. | 0:27:49 | 0:27:53 | |
Sit down. Let these three sit at the front. | 0:27:53 | 0:27:58 | |
'For every day, there's Everydog. | 0:27:58 | 0:28:00 | |
'With Omega 3. | 0:28:00 | 0:28:02 | |
'Everydog. Playing the part for joints and heart.' | 0:28:07 | 0:28:10 | |
-That's it. Like it? Good, innit? -It's very good. -That is brilliant. | 0:28:10 | 0:28:16 | |
Guys, it's a bold statement, but I think as this task went, | 0:28:16 | 0:28:20 | |
there's been a wee bit of, hope this comes together. | 0:28:20 | 0:28:23 | |
This has come together. | 0:28:23 | 0:28:25 | |
The morning of the pitch. | 0:28:35 | 0:28:38 | |
-Just remember, relax, enjoy yourself. -Pitch. -Enjoy yourself. | 0:28:42 | 0:28:47 | |
I am, I'm going to enjoy the whole experience. | 0:28:47 | 0:28:49 | |
It's all you've got to do. | 0:28:49 | 0:28:52 | |
It's a pitch, it's 20 minutes at the end of the day. | 0:28:59 | 0:29:02 | |
Let's hope that we win. | 0:29:02 | 0:29:04 | |
First one for you. | 0:29:04 | 0:29:06 | |
At the agency | 0:29:10 | 0:29:12 | |
in-house experts, UK president Robert Harwood Matthews | 0:29:13 | 0:29:17 | |
and creative director Mark Hunter. | 0:29:17 | 0:29:20 | |
And from market leaders Mars Petcare, | 0:29:20 | 0:29:24 | |
Mark Johnson and Susan Blount. | 0:29:24 | 0:29:26 | |
Good morning, ladies and gentlemen of TBWA. | 0:29:34 | 0:29:38 | |
Mr Harwood Matthews. My name is Melody Hossaini and I give you | 0:29:38 | 0:29:41 | |
Everydog, ladies and gentlemen. | 0:29:41 | 0:29:43 | |
We're marketing it at eight million in the UK. What we're trying to | 0:29:43 | 0:29:46 | |
present to you is a clear concept. It's an idea, it's something | 0:29:46 | 0:29:51 | |
that's pushing boundaries in terms of going for every. | 0:29:51 | 0:29:54 | |
That quite a bold decision and we did think long and hard about that. | 0:29:54 | 0:29:57 | |
We were bold enough to do that as long as we have | 0:29:57 | 0:30:00 | |
a very, very clear purpose. | 0:30:00 | 0:30:03 | |
And we feel that we do. We feel that it's a product that can be developed. | 0:30:03 | 0:30:07 | |
So with that, I will show you our 30-second ad. | 0:30:07 | 0:30:10 | |
For every day, there's Everydog...with omega 3. | 0:30:10 | 0:30:14 | |
LAUGHTER | 0:30:19 | 0:30:23 | |
Everydog - playing the part for joints and heart. | 0:30:25 | 0:30:28 | |
Given that most dog owners think as their pet as very unique and | 0:30:28 | 0:30:32 | |
a member of the family, are you not worried that an name | 0:30:32 | 0:30:35 | |
like Everydog sends entirely the the | 0:30:35 | 0:30:37 | |
first message, ie, your dog is not special? | 0:30:37 | 0:30:40 | |
Everydog is all encompassing. It's actually a crowded marketplace | 0:30:40 | 0:30:43 | |
and when there's a small tin and there's a pouch and there's | 0:30:43 | 0:30:46 | |
dry food and wet food and there's complete and there's complementary, | 0:30:46 | 0:30:50 | |
this is one product where almost the one-size-fits-all all makes it easier | 0:30:50 | 0:30:55 | |
for people in that crowded space to make an informed decision. | 0:30:55 | 0:30:58 | |
Thank you so much, ladies and gentlemen. Thank you. | 0:30:58 | 0:31:01 | |
Bye-bye. | 0:31:01 | 0:31:03 | |
-Well done, darling. -We did well. think we did well out there. | 0:31:05 | 0:31:08 | |
We really loved the brand and our passion came across. | 0:31:08 | 0:31:12 | |
A blinding job. | 0:31:12 | 0:31:14 | |
THEY MIMIC DOGS BARKING | 0:31:14 | 0:31:15 | |
Next, Leon. | 0:31:21 | 0:31:24 | |
Morning. | 0:31:28 | 0:31:29 | |
So first of all, we've come up with an idea. | 0:31:31 | 0:31:34 | |
We found out that over half the cat population are overweight. | 0:31:34 | 0:31:38 | |
So we identified that if 4 million cats are overweight, | 0:31:38 | 0:31:42 | |
there may well be a product out there for us to focus on and start selling. | 0:31:42 | 0:31:45 | |
We decided to put the cat size food in this | 0:31:45 | 0:31:50 | |
foil pouch. | 0:31:50 | 0:31:52 | |
Also, the tape measure just indicates that it's all about maybe | 0:31:52 | 0:31:55 | |
losing a bit of weight, or staying on the right side of healthy, | 0:31:55 | 0:32:00 | |
and underweight. | 0:32:00 | 0:32:02 | |
Not underweight, overweight. The omega 3s and 6s are better for | 0:32:02 | 0:32:07 | |
the joints in the cat's movements and also the brain. | 0:32:07 | 0:32:11 | |
Sort of just, you know, aids...the brain. Sorry about that. | 0:32:11 | 0:32:15 | |
We've also got see their light as a slogan to show | 0:32:15 | 0:32:20 | |
the glowing reference after they've been using the dietary food | 0:32:20 | 0:32:22 | |
and everything is perfect for them so they're going to glow | 0:32:22 | 0:32:25 | |
and look good afterwards. | 0:32:25 | 0:32:26 | |
This is a TV advert that we hope to run. | 0:32:26 | 0:32:30 | |
Catsize - I've got the ammunition for a 100% nutrition. | 0:32:30 | 0:32:33 | |
It's rich in the omegas with vits and mins for divas. | 0:32:33 | 0:32:38 | |
It's perfect for your weight, so put some on my plate. | 0:32:38 | 0:32:42 | |
Catsize - slimline for your feline. | 0:32:42 | 0:32:45 | |
Looking good, Ruby! | 0:32:45 | 0:32:47 | |
Catsize - see their light. | 0:32:49 | 0:32:53 | |
-OK. -I'd like to ask a question about the name. | 0:32:54 | 0:32:57 | |
Do you think it's as clear as it possibly could be? | 0:32:57 | 0:32:59 | |
Well, Catsize is basic in a reference to the size of the cat. | 0:32:59 | 0:33:04 | |
We've used the tag-line see their light, as in see they | 0:33:04 | 0:33:08 | |
are light as in lighter in weight, and also focusing on the pun of | 0:33:08 | 0:33:10 | |
cat's eyes - see their light, given away from cat's eyes on the road. | 0:33:10 | 0:33:17 | |
-So you're using a play on words. -Thank you very much indeed. | 0:33:17 | 0:33:22 | |
INAUDIBLE | 0:33:24 | 0:33:29 | |
Gruelling! | 0:33:29 | 0:33:30 | |
-No-one's actually said how well I did. -You did very well, mate. | 0:33:30 | 0:33:34 | |
Was it a bit jumpy, or? | 0:33:34 | 0:33:36 | |
-No, no. You remembered all your key messages. -Excellent. | 0:33:36 | 0:33:40 | |
Time for the experts to feed back to the master. | 0:33:42 | 0:33:45 | |
We thought the pitch made an attempt to engage us in a way that | 0:33:45 | 0:33:49 | |
the other group patronised slightly. | 0:33:49 | 0:33:51 | |
'So tell me about the actual advert, the TV advert itself.' | 0:33:51 | 0:33:54 | |
The imagery they had, they could have used a much better effect | 0:33:54 | 0:33:57 | |
to get the message across. | 0:33:57 | 0:33:58 | |
As a proposition, I don't think it's an engaging proposition. | 0:33:58 | 0:34:02 | |
So you have a bit of a dilemma then? | 0:34:02 | 0:34:04 | |
I think the short story on it is they both made the same mistakes of | 0:34:04 | 0:34:08 | |
playing into the usual conventions. | 0:34:08 | 0:34:11 | |
You can go through to the boardroom now. | 0:34:27 | 0:34:29 | |
Um, well, advertising - one of my favourite topics. | 0:34:55 | 0:35:01 | |
I'm going to start with Logic. How was Vincent as a team leader, folks? | 0:35:01 | 0:35:06 | |
-I thought he was very, very good. -Do you think he divvied you up well? | 0:35:06 | 0:35:09 | |
Yeah? | 0:35:09 | 0:35:10 | |
Talk me through the basics of | 0:35:10 | 0:35:12 | |
what your campaign was about then we'll run the advert and see. | 0:35:12 | 0:35:14 | |
I can see your poster up there. | 0:35:14 | 0:35:15 | |
Yep. | 0:35:15 | 0:35:18 | |
We looked to create something new. We wanted to create something that | 0:35:18 | 0:35:21 | |
wasn't niche to a particular dog. | 0:35:21 | 0:35:24 | |
So we created this every brand for every pet, | 0:35:24 | 0:35:25 | |
and in effect the first thing we would do is create the Everydog. | 0:35:25 | 0:35:30 | |
With your track record at Logic, | 0:35:30 | 0:35:32 | |
I suppose Winalot was not on the agenda really? | 0:35:32 | 0:35:34 | |
No, it wasn't. No, no. So, you know, we can't do everything in one go. | 0:35:34 | 0:35:38 | |
We realise that, | 0:35:38 | 0:35:41 | |
but what we did realise is that there wasn't | 0:35:41 | 0:35:43 | |
a specific product that kit dog and cat and fish and everything else. | 0:35:43 | 0:35:44 | |
-It's a bit like the famous airline with the... -Indeed. -Yeah, so you see | 0:35:44 | 0:35:48 | |
that this every might be applied to other parts. | 0:35:48 | 0:35:49 | |
-Correct. -Well, I'll tell you what, before we go on any more, | 0:35:49 | 0:35:52 | |
let me have a look at this advert. | 0:35:52 | 0:35:54 | |
For every day, there's Everydog...with omega 3. | 0:35:54 | 0:35:59 | |
Everydog - playing the part for joints and heart. | 0:36:07 | 0:36:10 | |
Yeah. It's quite funny with the little dog | 0:36:12 | 0:36:14 | |
jumping up and down, isn't it? | 0:36:14 | 0:36:17 | |
Yeah. Did you starve the other poor dog? | 0:36:17 | 0:36:19 | |
They actually really enjoyed the food. | 0:36:19 | 0:36:21 | |
So, how did you come up with the name Everydog? Who's idea was that? | 0:36:21 | 0:36:27 | |
Well, we threw a lot of ideas into the bowl... | 0:36:27 | 0:36:29 | |
-It was my name. -Your idea? | 0:36:29 | 0:36:31 | |
Yeah. Basically, Vincent was... | 0:36:31 | 0:36:33 | |
We did a brainstorming and there was lots of different ideas. | 0:36:33 | 0:36:35 | |
Well I mentioned every and Jim said, well, in fact, we actually | 0:36:35 | 0:36:37 | |
had every dog on the list. | 0:36:37 | 0:36:39 | |
So I said let's go with that. | 0:36:39 | 0:36:41 | |
I just want to clarify. Sure. It was Jim's idea... | 0:36:41 | 0:36:44 | |
It was completely Jim's idea, in terms of the name. | 0:36:44 | 0:36:45 | |
All right. Fair enough. | 0:36:45 | 0:36:47 | |
Venture. Glenn - team leader. How did you end up with Catsize then? | 0:36:47 | 0:36:52 | |
Well basically, I looked at USP, a market that we could go for, | 0:36:52 | 0:36:56 | |
and that was the fact that half of the cats in this country | 0:36:56 | 0:37:00 | |
-are overweight and obese. -What's with the cat's eyes? | 0:37:00 | 0:37:02 | |
Well, it's a double entendre. | 0:37:02 | 0:37:04 | |
Cat's eyes - you can see by the spelling we've changed it to Catsize | 0:37:04 | 0:37:08 | |
-as opposed to... -I got that. | 0:37:08 | 0:37:10 | |
-..cat's eyes. -What I'm trying to... see their light?! | 0:37:10 | 0:37:13 | |
See their light as in see they are light, as in they are lighter. | 0:37:13 | 0:37:16 | |
Well, I'll tell you what, for me to have a greater understanding, | 0:37:16 | 0:37:19 | |
let's have a look at it, shall we? | 0:37:19 | 0:37:21 | |
Catsize. I've got the ammunition for 100% nutrition. | 0:37:21 | 0:37:26 | |
It's rich in the omegas, with vits and mins for divas. | 0:37:26 | 0:37:30 | |
It's perfect for your weight, so put some on my plate. | 0:37:30 | 0:37:33 | |
Catsize - slimline for your feline. | 0:37:33 | 0:37:37 | |
Looking good, Ruby! | 0:37:37 | 0:37:39 | |
Catsize provides balanced weight maintenance for your cat. | 0:37:39 | 0:37:44 | |
You watch your weight, watch theirs, too. Catsize - see their light. | 0:37:44 | 0:37:47 | |
OK. I've got it. | 0:37:48 | 0:37:50 | |
So basically, your whole scheme is about healthier cats, | 0:37:50 | 0:37:54 | |
cats not getting too fat. | 0:37:54 | 0:37:56 | |
Listening to that there, | 0:37:56 | 0:37:58 | |
it's more like a radio advert than a TV advert. | 0:37:58 | 0:38:01 | |
I'm listening to the voiceover. There's not much to see there. | 0:38:01 | 0:38:04 | |
Look, I'll tell you why I'm in a bit of a quandary here. | 0:38:08 | 0:38:13 | |
Venture, from a marketing point of view, I said to you, | 0:38:13 | 0:38:16 | |
come up with a USP. | 0:38:16 | 0:38:18 | |
You're one was slimline cat food. | 0:38:18 | 0:38:20 | |
They say that it been well thought through. | 0:38:20 | 0:38:22 | |
Very, very well thought through. | 0:38:22 | 0:38:25 | |
They think the advert actually wasn't that well executed. | 0:38:27 | 0:38:32 | |
However, they said that this product and the way it's been packed and all | 0:38:32 | 0:38:37 | |
that stuff could actually go on the shelves. | 0:38:37 | 0:38:39 | |
In your case, over here, we have another problem. | 0:38:41 | 0:38:44 | |
They say that your advert's funny, the dog jumping up and down... | 0:38:44 | 0:38:49 | |
But what they do say is that your marketing idea was flawed. | 0:38:50 | 0:38:54 | |
Totally flawed. | 0:38:54 | 0:38:56 | |
The brand name Everydog is not right. | 0:38:59 | 0:39:02 | |
You're insinuating that food is good for any dog. | 0:39:02 | 0:39:06 | |
It don't work like that and it might be insulting to the actual pet owner. | 0:39:06 | 0:39:11 | |
But they said your advert was better so there you are. | 0:39:12 | 0:39:15 | |
But as I've told you before, the final decision lays with me, yeah? | 0:39:20 | 0:39:23 | |
I'm going to say this, and I think well deservedly, that because | 0:39:28 | 0:39:31 | |
it follows through consistently, | 0:39:31 | 0:39:34 | |
the product, the television advert, packaging, | 0:39:34 | 0:39:38 | |
I think that the Venture campaign, | 0:39:38 | 0:39:42 | |
start to finish, is the better of the two campaigns. | 0:39:42 | 0:39:45 | |
-Very good. Very well done. Very well done. -Thank you. | 0:39:50 | 0:39:53 | |
So, as a treat, I'm going to send you off to meet a friend of mine, | 0:39:53 | 0:39:56 | |
Pat Cash, down at Queen's Club | 0:39:56 | 0:39:59 | |
and you're going to knock a few balls around with him | 0:39:59 | 0:40:01 | |
and play a bit of tennis, OK? | 0:40:01 | 0:40:06 | |
-So off you go. -Thank you. | 0:40:06 | 0:40:07 | |
-Give him my regards. -We will do. | 0:40:07 | 0:40:10 | |
A little faith, guys. That's all we need, a little faith. | 0:40:16 | 0:40:18 | |
I told you I'd get you through this. I told you! | 0:40:18 | 0:40:20 | |
The flaw on this product | 0:40:25 | 0:40:27 | |
is that you got the marketing wrong. | 0:40:27 | 0:40:29 | |
The name Everydog and the theme - one food for all dogs - | 0:40:31 | 0:40:37 | |
is the killer here and you need to go away and talk amongst yourselves | 0:40:37 | 0:40:41 | |
and find out who's responsible for driving that through, OK? Off you go. | 0:40:41 | 0:40:45 | |
-How are you? -Pat Cash, it's an absolute honour. | 0:40:59 | 0:41:01 | |
So all right. Let's have a swing. | 0:41:01 | 0:41:04 | |
Great shot. There you go. Here we go. Next! | 0:41:04 | 0:41:06 | |
Full-hand volley. Oh. Whoo! | 0:41:07 | 0:41:10 | |
Here we go. Yep. | 0:41:11 | 0:41:13 | |
Oh! | 0:41:13 | 0:41:15 | |
Go for it. You've got it! | 0:41:15 | 0:41:17 | |
Kill it. Go on! Well done. I'm not saying | 0:41:17 | 0:41:19 | |
we'll see you at Wimbledon in the near future, | 0:41:19 | 0:41:21 | |
but you did really well. | 0:41:21 | 0:41:23 | |
And a smash! | 0:41:23 | 0:41:24 | |
In many ways I've never hated | 0:41:37 | 0:41:40 | |
being right so much. | 0:41:40 | 0:41:41 | |
For the fifth time I'm on the losing team. | 0:41:41 | 0:41:43 | |
The problem was we committed marketing suicide. | 0:41:43 | 0:41:47 | |
We went into the face of everything that the market has done. | 0:41:47 | 0:41:49 | |
OK, we didn't hone in on one thing, but it was, everything was there. | 0:41:49 | 0:41:52 | |
The only thing you can criticise was the fact that we called it Everydog. | 0:41:52 | 0:41:54 | |
-Yeah. -The point is, as project manager, | 0:41:54 | 0:41:57 | |
I've done a very good job and all the team have agreed. | 0:41:57 | 0:42:02 | |
There was a few people that said | 0:42:02 | 0:42:04 | |
actually, every is a little bit too general. | 0:42:04 | 0:42:08 | |
Quite clearly, the arrow is pointed at Jim. | 0:42:08 | 0:42:11 | |
If Vincent plays the hand of choosing personal friendships over | 0:42:11 | 0:42:15 | |
a business decision then he'll put himself in the firing line. | 0:42:15 | 0:42:19 | |
PHONE RINGS | 0:42:33 | 0:42:34 | |
-Hello. -Yes. Could you send them in, please? -'Yes, Lord Sugar.' | 0:42:34 | 0:42:38 | |
You can go through to the boardroom now. | 0:42:38 | 0:42:41 | |
You know, I had this dream recently | 0:42:56 | 0:42:59 | |
that one day I walk into this boardroom and you lot are not here. | 0:42:59 | 0:43:02 | |
Never mind Logic, you should be branded Tragic. | 0:43:02 | 0:43:07 | |
Vincent, Tom, you've lost every single task. | 0:43:09 | 0:43:12 | |
-Sure. -Yes, sir. | 0:43:12 | 0:43:14 | |
What's gone wrong here? | 0:43:14 | 0:43:16 | |
The first thing I think needs to | 0:43:16 | 0:43:18 | |
be pointed out, and it was clearly identified when you asked the team, | 0:43:18 | 0:43:21 | |
did Vincent do a good job as project manager? Everyone said yes. | 0:43:21 | 0:43:26 | |
Team's have a tendency of changing | 0:43:26 | 0:43:28 | |
-their minds when they're back in the boardroom... -Sure. I appreciate that. | 0:43:28 | 0:43:31 | |
..once they know they've lost. | 0:43:31 | 0:43:33 | |
What we were trying to do, and everybody agreed at the time, | 0:43:33 | 0:43:36 | |
is we wanted to create a mass product. That was the whole idea. | 0:43:36 | 0:43:40 | |
It was to produce something that we could hit all the market. | 0:43:40 | 0:43:42 | |
But, you know, the point is is that the focus group that you went to | 0:43:42 | 0:43:47 | |
and also the vet, from what I can understand, told you don't try that. | 0:43:47 | 0:43:50 | |
-Really? -OK. | 0:43:50 | 0:43:52 | |
But then... | 0:43:52 | 0:43:53 | |
But then the vet said, universal dog food, | 0:43:53 | 0:43:55 | |
it's against everything we believe in. | 0:43:55 | 0:43:58 | |
-Sure. -Did he say that? | 0:43:58 | 0:44:02 | |
Abs... I've got a note! It was the clearest steer I've ever heard. | 0:44:02 | 0:44:05 | |
-You weren't there, then? -No, I was never told that. When we got | 0:44:05 | 0:44:09 | |
the call about Everydog, it was full guns ahead, it's brilliant, | 0:44:09 | 0:44:12 | |
everyone loved it, our focus group, Everydog will really work. | 0:44:12 | 0:44:14 | |
You guys said that according to the vet, the focus group, that | 0:44:14 | 0:44:18 | |
the Everydog was suitable. Now, we're hearing something different. | 0:44:18 | 0:44:22 | |
The point of the Everydog, we were trying to be really clever to say | 0:44:22 | 0:44:24 | |
Everydog, and we thought, well, you can have every cat, fish, whatever. | 0:44:24 | 0:44:28 | |
But that's the point, isn't it? Pets are special to their owners. | 0:44:28 | 0:44:30 | |
-Indeed. -You might well have called it Any Old Dog. -Indeed. | 0:44:30 | 0:44:33 | |
I personally believe we made a good ad, a good billboard, | 0:44:33 | 0:44:38 | |
a good product, but that our marketing strategy was bad. | 0:44:38 | 0:44:41 | |
I was told, Tom, that you | 0:44:41 | 0:44:43 | |
spoke up and said that the strategy was too broad. | 0:44:43 | 0:44:46 | |
Exactly. And I suggested... | 0:44:46 | 0:44:49 | |
How did you do that, did you whisper that? | 0:44:49 | 0:44:51 | |
Did you forcefully impose it on your team-mates? | 0:44:51 | 0:44:54 | |
I did, I put my neck completely on the line. I absolutely went for it. | 0:44:54 | 0:44:58 | |
-So you were shouted down? -Yes, I tried to persuade Vince that | 0:44:58 | 0:45:00 | |
where we were going to was the wrong direction. | 0:45:00 | 0:45:02 | |
Right, OK. | 0:45:02 | 0:45:05 | |
Now, Natasha - you directed the advert. | 0:45:05 | 0:45:09 | |
I did. In my commercial, I actually tried to divert away from the | 0:45:09 | 0:45:15 | |
Everydog because it was too general, I had nothing to work with. | 0:45:15 | 0:45:17 | |
It was boring, it was non-inspirational. | 0:45:17 | 0:45:21 | |
I didn't know what direction I needed to go down, so I really had to | 0:45:21 | 0:45:23 | |
concentrate on our USP, which was heart and joints. | 0:45:23 | 0:45:28 | |
I took no inspiration from Everydog. | 0:45:28 | 0:45:31 | |
The phone call I remember is... | 0:45:31 | 0:45:33 | |
Tom, one second - I think Natasha is overstating her position. | 0:45:33 | 0:45:36 | |
-She put her hand up for Everydog... -Hold on. | 0:45:36 | 0:45:39 | |
Jim, you nearly leapt out of your chair when I asked, | 0:45:39 | 0:45:42 | |
whose name was the Everydog thing? | 0:45:42 | 0:45:44 | |
Lord Sugar, with the greatest of respect, that's an exaggeration. | 0:45:44 | 0:45:47 | |
I came up with the name, but | 0:45:47 | 0:45:48 | |
not in association with the way that we branded this exercise. | 0:45:48 | 0:45:52 | |
I came up with the name in a brainstorming session, Lord Sugar. | 0:45:52 | 0:45:54 | |
But that is the name, the name is the branding. | 0:45:54 | 0:45:56 | |
I came up with a name, Lord Sugar, | 0:45:56 | 0:45:58 | |
and we ran with it, every single one of us ran with it, Lord Sugar. | 0:45:58 | 0:46:03 | |
It's the name that the PM | 0:46:03 | 0:46:05 | |
-and everyone else endorsed. -But it is your name, isn't it? | 0:46:05 | 0:46:07 | |
-Listen to this... -Is it your name, yes or no? | 0:46:07 | 0:46:11 | |
In future tasks, Karen, do you want me to sit mute and not | 0:46:11 | 0:46:13 | |
contribute any creativity? Because that's not what I'm going to do. | 0:46:13 | 0:46:17 | |
You don't have to sit mute, but you've got to be conscious | 0:46:17 | 0:46:20 | |
that when you do open your mouth, you stick by what you actually said. | 0:46:20 | 0:46:24 | |
You were there in this task, you were there in this task, | 0:46:24 | 0:46:29 | |
and you've heard now, there was a | 0:46:29 | 0:46:32 | |
big, big flaw in this Everydog thing. | 0:46:32 | 0:46:36 | |
And what I don't like about people is when they try and talk themselves | 0:46:36 | 0:46:40 | |
out of it. You're either there, you take responsibility, or not. | 0:46:40 | 0:46:43 | |
I'm not taking responsibility for | 0:46:43 | 0:46:44 | |
the overall marketing strategy of Everydog. | 0:46:44 | 0:46:47 | |
Whose fault is it? | 0:46:47 | 0:46:49 | |
Well, it was endorsed by the project manager and everybody else | 0:46:49 | 0:46:51 | |
in the group. | 0:46:51 | 0:46:53 | |
If I give a dog a bone, they don't have to eat it. | 0:46:53 | 0:46:56 | |
Jim, in the old days, there was always rumours about actually what | 0:46:56 | 0:46:59 | |
went into to make dog food. I don't know what you're made of, mate. | 0:46:59 | 0:47:04 | |
Is it brains or bollocks? | 0:47:04 | 0:47:06 | |
-OK, well, I'll give you the brains, OK? -Yeah... | 0:47:06 | 0:47:08 | |
The brains of the matter is that the creative coming up with a name | 0:47:08 | 0:47:10 | |
is a process, we all came up with names when we brainstormed them. | 0:47:10 | 0:47:13 | |
We actually all agreed on | 0:47:13 | 0:47:15 | |
the Everydog thing from when we came out from the marketing room. | 0:47:15 | 0:47:17 | |
-Yeah, so it's a midpoint... -Vincent... | 0:47:17 | 0:47:20 | |
The only one you seem to be in agreement with for the last few | 0:47:20 | 0:47:23 | |
weeks is Jim sitting next to you. Is this some kind of camaraderie here? | 0:47:23 | 0:47:26 | |
Is it that you look up to him too much as a better contender than you? | 0:47:26 | 0:47:30 | |
-This isn't a personality contest. -I don't need you to tell me that. -No, | 0:47:30 | 0:47:33 | |
-it's not that, it's that... -I'll tell you something, Vincent - | 0:47:33 | 0:47:36 | |
if you see someone else in this | 0:47:36 | 0:47:39 | |
process that you think is superior to you, you might as well go home. | 0:47:39 | 0:47:42 | |
Because at the end of the day, one day you'll come up | 0:47:42 | 0:47:44 | |
-against whoever that person is. -Sure. -Do you understand? | 0:47:44 | 0:47:46 | |
I completely understand. And I don't think he's better than me, but I just | 0:47:46 | 0:47:51 | |
think he's better than some of these people that are sat here in front of | 0:47:51 | 0:47:53 | |
you, and one of them's not me, but I think he is strong in certain areas. | 0:47:53 | 0:47:56 | |
The issue I've got is, | 0:47:56 | 0:47:58 | |
do I try and do something tactical and bring people in here | 0:47:58 | 0:48:01 | |
who I don't think deserve to be in here, or do I...? | 0:48:01 | 0:48:04 | |
Excuse me, can I clarify one thing? | 0:48:04 | 0:48:07 | |
-OK, fine. -I'm not looking at any of you to do my job for me. | 0:48:07 | 0:48:11 | |
I want you to focus on this task. | 0:48:11 | 0:48:14 | |
Sure. | 0:48:14 | 0:48:16 | |
Jim, you've already mentioned that you | 0:48:16 | 0:48:19 | |
think the team leader is responsible for the failure of the task. | 0:48:19 | 0:48:22 | |
I didn't categorically say that. | 0:48:22 | 0:48:23 | |
Given the opportunity that I am now, | 0:48:23 | 0:48:25 | |
I will say, we all backed this, folks, 100%. | 0:48:25 | 0:48:28 | |
Once we'd decided, once I'd been voted down... | 0:48:28 | 0:48:32 | |
Once we'd gone with it, of course we did. | 0:48:32 | 0:48:35 | |
I think the PM is faced with who's weak and | 0:48:35 | 0:48:37 | |
who doesn't contribute to this task. | 0:48:37 | 0:48:42 | |
For many, many years I've been in his boardroom and I've seen | 0:48:42 | 0:48:44 | |
certain people kind of suck up to the project manager | 0:48:44 | 0:48:47 | |
to make sure they're not being brought back in. | 0:48:47 | 0:48:50 | |
I like people to focus on the task, really, not on their arse. | 0:48:50 | 0:48:54 | |
I've focused 100% on every task I'm involved in. | 0:48:54 | 0:48:58 | |
I'm not here to win friends. | 0:48:58 | 0:49:00 | |
You be quiet at the moment and I'll carry on talking to Vincent, because | 0:49:00 | 0:49:04 | |
he's going to have to decide who's coming back into this boardroom. | 0:49:04 | 0:49:07 | |
Ellie...and Natasha. | 0:49:10 | 0:49:13 | |
Right. | 0:49:13 | 0:49:15 | |
OK. | 0:49:18 | 0:49:19 | |
The rest of you, go back to the house. | 0:49:21 | 0:49:24 | |
Lord Sugar, before I do, can I make | 0:49:24 | 0:49:26 | |
a request, on the next task, you make me PM... | 0:49:26 | 0:49:28 | |
Jim, I've got your card marked, son. | 0:49:28 | 0:49:30 | |
I've had various reviews | 0:49:30 | 0:49:33 | |
about you from Nick and Karen, and I have your card marked. | 0:49:33 | 0:49:37 | |
When it's your time, I will | 0:49:37 | 0:49:38 | |
decide when you will be the team leader. | 0:49:38 | 0:49:40 | |
Go back to the house. The other three of you, | 0:49:40 | 0:49:43 | |
go and wait outside and I'll call you back in shortly. | 0:49:43 | 0:49:47 | |
This fella Jim, he seems to have some kind of control | 0:49:51 | 0:49:53 | |
over people, I don't know why. | 0:49:53 | 0:49:55 | |
I think Vincent's scared of him. | 0:49:55 | 0:49:57 | |
He thought if you brought him in here, Jim would kill him, | 0:49:57 | 0:49:59 | |
he could never stand up to Jim. | 0:49:59 | 0:50:03 | |
Ellie, I'm sorry, | 0:50:03 | 0:50:04 | |
you told me, you told me, you haven't seen much of her. | 0:50:04 | 0:50:08 | |
Natasha's advert was executed well, | 0:50:08 | 0:50:10 | |
the advertising agency did say the advert was good. | 0:50:10 | 0:50:13 | |
You have to question Vincent's decision-making process. | 0:50:13 | 0:50:15 | |
I think he's put himself at a lot of risk here, Vincent. | 0:50:15 | 0:50:18 | |
PHONE RINGS | 0:50:23 | 0:50:24 | |
Could you send the three of them in, please? | 0:50:24 | 0:50:25 | |
'Yes, Lord Sugar.' | 0:50:25 | 0:50:28 | |
Lord Sugar will see you now. | 0:50:28 | 0:50:30 | |
Vincent, I'd like the logic behind why you brought these two people in. | 0:50:44 | 0:50:51 | |
The reason why I brought Ellie in on this occasion was because she knows | 0:50:51 | 0:50:54 | |
dog food, she buys dog food, and from my view | 0:50:54 | 0:50:57 | |
within this task, I haven't had anything in terms of creation, ideas, | 0:50:57 | 0:51:06 | |
that have come directly from Ellie. A dog owner knows about the product... | 0:51:06 | 0:51:09 | |
I did bring a lot but you just didn't listen to me. | 0:51:09 | 0:51:11 | |
..a dog owner who doesn't bring anything to the table... | 0:51:11 | 0:51:12 | |
-I've said it plenty of times but you just didn't listen to me. -OK... | 0:51:12 | 0:51:14 | |
-I don't get anything from Ellie. -Ellie, what have you got to say? | 0:51:14 | 0:51:16 | |
I came up with ideas for the advert, I was | 0:51:16 | 0:51:18 | |
keen to be on board with the advert. | 0:51:18 | 0:51:20 | |
I think I had quite a few good ideas. I knew this would be one | 0:51:20 | 0:51:24 | |
of my weakest ideas, but actually, I surprised myself with how many ideas | 0:51:24 | 0:51:28 | |
I came up with and how much involvement I had with the advert. | 0:51:28 | 0:51:30 | |
I haven't seen much involvement. | 0:51:30 | 0:51:32 | |
We're here in this fifth week, and nothing leaps off the page | 0:51:32 | 0:51:35 | |
at me, really. | 0:51:35 | 0:51:37 | |
Yeah, I agree, maybe my voice isn't as heard us some of the other | 0:51:37 | 0:51:40 | |
people, and I need to make sure that that does happen. | 0:51:40 | 0:51:43 | |
Natasha, what do you think you're doing here? | 0:51:43 | 0:51:46 | |
To be fair, Lord Sugar, I'm unsure. | 0:51:46 | 0:51:48 | |
You made a clear point that you thought our advert was stronger | 0:51:48 | 0:51:52 | |
than the opposite team's, so, | 0:51:52 | 0:51:54 | |
in my view, I did a good job. | 0:51:54 | 0:51:56 | |
During this process, Natasha didn't ask many questions. | 0:51:56 | 0:51:59 | |
Natasha also didn't have... | 0:51:59 | 0:52:02 | |
I'm not lying, I'm telling you how it is. | 0:52:02 | 0:52:03 | |
It's one of these situations where you don't have any opinion, | 0:52:03 | 0:52:06 | |
you don't throw anything out. However, when somebody else does... | 0:52:06 | 0:52:09 | |
Did Jim have such an opinion? | 0:52:09 | 0:52:11 | |
Well, Jim was there... | 0:52:11 | 0:52:13 | |
Did you see him put his hand up when we first met today... | 0:52:13 | 0:52:16 | |
"It was me, it was me? It was my idea!" | 0:52:16 | 0:52:19 | |
-Sure. -And yet he's sitting back at the house now. | 0:52:19 | 0:52:22 | |
And he doesn't give a damn about you, I can promise you, | 0:52:22 | 0:52:25 | |
-I've seen that type before. -I can appreciate what you're saying... | 0:52:25 | 0:52:27 | |
I've seen that had before, don't you worry. | 0:52:27 | 0:52:29 | |
I admire him, really, because he's here in this process, understanding | 0:52:29 | 0:52:34 | |
that it's, well, sorry to use the pun, but it's dog eat dog, really. | 0:52:34 | 0:52:38 | |
-In my view, he was your right-hand man. -That's not correct. | 0:52:38 | 0:52:40 | |
Tom's voice wasn't heard. | 0:52:40 | 0:52:42 | |
-That's not correct. -Tom's voice was not heard, Vincent, because you | 0:52:42 | 0:52:45 | |
were so far up Jim's behind that you couldn't see the wood for the trees. | 0:52:45 | 0:52:49 | |
That's inaccurate, and the thing about Jim, I'm not up his arse. | 0:52:49 | 0:52:55 | |
What he does do is, he participates. | 0:52:55 | 0:52:57 | |
He might be wrong or right, but at least he puts something into the | 0:52:57 | 0:53:00 | |
melting pot. Neither of you came up with any ideas, you were... | 0:53:00 | 0:53:04 | |
-That's not true. -We came up with loads of ideas, we just | 0:53:04 | 0:53:06 | |
weren't heard enough, that's all. | 0:53:06 | 0:53:08 | |
If you came up with an idea, we brought nothing. | 0:53:08 | 0:53:11 | |
The only decision that was made... | 0:53:11 | 0:53:13 | |
-Because you chose not to listen. -You heard everything that was said. | 0:53:13 | 0:53:16 | |
-You then sat in the car with us... -How many times did I have | 0:53:16 | 0:53:19 | |
to say, please may I put my point across, Vincent? Unfortunately... | 0:53:19 | 0:53:21 | |
I'm not going to argue with you because you've got to stay calm. | 0:53:21 | 0:53:24 | |
The situation here is that | 0:53:24 | 0:53:27 | |
we're getting off of the fact that she was told to make the advert. | 0:53:27 | 0:53:32 | |
The advertising agency said that of the two adverts, that | 0:53:32 | 0:53:35 | |
-was the better advert. -Sure. | 0:53:35 | 0:53:38 | |
So, effectively, she'd done her job. | 0:53:38 | 0:53:40 | |
-I'm not complaining. -What are you complaining about then? | 0:53:40 | 0:53:43 | |
What I'm saying is, when it suits Natasha, she will pipe up. | 0:53:43 | 0:53:48 | |
I don't for the life of me understand why Natasha's | 0:53:51 | 0:53:55 | |
in this room, to be honest with you, I do not understand it at all. | 0:53:55 | 0:53:59 | |
Ellie, you seem to pipe up at the wrong time, I'm afraid to say. | 0:54:00 | 0:54:07 | |
You're kind of forceful here, when you're in the firing line. What I | 0:54:07 | 0:54:10 | |
haven't seen from you is being forceful when we're on the task. | 0:54:10 | 0:54:14 | |
Vincent, this was a real mess. | 0:54:16 | 0:54:19 | |
It didn't have to be if you'd have listened to other people. | 0:54:21 | 0:54:24 | |
These two are saying that it's down to you. | 0:54:26 | 0:54:29 | |
I'm finding it difficult to disagree. | 0:54:31 | 0:54:33 | |
I have to start thinking about who I'm going to go into business with. | 0:54:36 | 0:54:39 | |
I haven't seen much of you, Ellie. | 0:54:42 | 0:54:45 | |
And I don't think I could | 0:54:48 | 0:54:50 | |
go into business with you. | 0:54:50 | 0:54:53 | |
So, I'm going to tell you that you're fired. | 0:54:53 | 0:54:56 | |
OK. | 0:54:57 | 0:54:58 | |
Erm, Vincent - | 0:55:10 | 0:55:13 | |
I got the feeling that you're too in awe of other people, and that you | 0:55:13 | 0:55:17 | |
are playing a bit of a risky game in strategising, by bringing | 0:55:17 | 0:55:23 | |
the wrong people in here. So, I think a message needs to go back - | 0:55:23 | 0:55:28 | |
so, Vincent, you're also fired. | 0:55:28 | 0:55:31 | |
Natasha, you've stood up, you did the work, albeit on a false errand. | 0:55:44 | 0:55:49 | |
I'll see you on the next task. Off you go. | 0:55:49 | 0:55:52 | |
-Vincent - best of luck for the future. -Cheers. | 0:55:58 | 0:55:59 | |
All the best to you, yeah? | 0:55:59 | 0:56:01 | |
Take care. | 0:56:01 | 0:56:03 | |
As far as Vincent was concerned, I've had it with him. | 0:56:03 | 0:56:06 | |
I like straight-talking people. Vincent, he brought the wrong people | 0:56:06 | 0:56:10 | |
into this boardroom this time, and he did it for the wrong reasons. | 0:56:10 | 0:56:14 | |
Ellie, she's been here five weeks, I haven't seen anything from her. | 0:56:14 | 0:56:19 | |
To be honest, I don't want to be something that I'm not. | 0:56:28 | 0:56:31 | |
I'm not a forceful, in-your-face person, so, if that's what he's | 0:56:31 | 0:56:35 | |
looking for, then I'm not the right person for him. | 0:56:35 | 0:56:38 | |
I'm very surprised that Lord Sugar fired me. | 0:56:39 | 0:56:42 | |
I felt that we were just in our infancy in terms of what | 0:56:42 | 0:56:45 | |
I was capable to show Lord Sugar. Perhaps I should have brought Jim in. | 0:56:45 | 0:56:48 | |
If I'd brought Jim in there, I wouldn't be in this position now. | 0:56:48 | 0:56:52 | |
It was difficult to establish where the blame lay. | 0:56:55 | 0:56:57 | |
I laid it out flat and I laid it out very firmly, because | 0:56:57 | 0:57:01 | |
a name I thought of got attached to the concept | 0:57:01 | 0:57:04 | |
that the PM wanted to go with, so who do you point the finger at? | 0:57:04 | 0:57:07 | |
It's back to that one, the buck has to stop with the PM. | 0:57:07 | 0:57:10 | |
Project manager... | 0:57:10 | 0:57:14 | |
Who have we got? | 0:57:14 | 0:57:15 | |
-What happened? -Have two gone? | 0:57:20 | 0:57:22 | |
-I'm on my own. -Are you serious? -I'm on my own. -Two have gone? | 0:57:22 | 0:57:25 | |
-Two have been fired. -Vince and...? | 0:57:25 | 0:57:28 | |
-Ellie and Vincent have been fired. -No way! | 0:57:28 | 0:57:30 | |
Lord Sugar pretty much said that Vincent sacrificed himself for Jim, | 0:57:30 | 0:57:35 | |
and he made the wrong decision there. I have no idea | 0:57:35 | 0:57:38 | |
how or what you did to convince | 0:57:38 | 0:57:42 | |
-Vincent... -I think Vince sees him as a strong threat. | 0:57:42 | 0:57:44 | |
Natasha, you know in terms of contribution to the task... | 0:57:44 | 0:57:47 | |
-Yep. -..yours and mine I would say | 0:57:47 | 0:57:49 | |
was absolutely equal, so you were no better than me in that task. | 0:57:49 | 0:57:53 | |
In the fight for Lord Sugar's quarter million pound investment, | 0:57:55 | 0:57:59 | |
ten candidates remain. | 0:57:59 | 0:58:01 | |
-Next time... -I just want to prove to you that you can make money from | 0:58:02 | 0:58:05 | |
-just about anything. -Where there's muck... -Oh! Push! | 0:58:05 | 0:58:10 | |
-This is heavy! -..there's brass. | 0:58:10 | 0:58:13 | |
-You've got a good deal, I reckon. -I wouldn't swear at you. | 0:58:13 | 0:58:15 | |
You've changed the deal, you've added to the load... | 0:58:15 | 0:58:18 | |
And for one, it's the scrapheap. | 0:58:18 | 0:58:21 | |
I know, work with me here... | 0:58:21 | 0:58:24 | |
Are you not understanding what I'm saying here? | 0:58:24 | 0:58:25 | |
I don't think you're understanding what I'm saying... | 0:58:25 | 0:58:27 | |
My disposals get taken away in the back of a taxi. You're fired. | 0:58:27 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:31 | 0:58:34 | |
E-mail [email protected] | 0:58:34 | 0:58:38 |