Browse content similar to Junk Shops. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'This is not about a job any more.' | 0:00:03 | 0:00:05 | |
I'm the investor and you're going to make me some money. | 0:00:05 | 0:00:09 | |
Heading to London, 16 potential business partners | 0:00:09 | 0:00:13 | |
all keen to kick-start a company. | 0:00:13 | 0:00:16 | |
Don't try and hide, because we're not playing Where's Wally? | 0:00:17 | 0:00:22 | |
I'm not looking for Lord Lucan, | 0:00:22 | 0:00:24 | |
I'm looking for somebody who's going to show me | 0:00:24 | 0:00:26 | |
that they have got the business acumen to be my partner. | 0:00:26 | 0:00:30 | |
On offer - a 50/50 deal | 0:00:30 | 0:00:32 | |
with the nation's most demanding investor. | 0:00:32 | 0:00:36 | |
That first few lines there, | 0:00:36 | 0:00:37 | |
to me, was you digging a bloody great big hole. | 0:00:37 | 0:00:41 | |
Willing to bankroll new business in tough times, | 0:00:41 | 0:00:45 | |
Lord Sugar is on the hunt for one winning partnership. | 0:00:45 | 0:00:49 | |
Basic business principles went right down the drain on this thing. | 0:00:49 | 0:00:52 | |
You should've all known better. | 0:00:52 | 0:00:55 | |
-Start the car! -It's a deal worth fighting for. | 0:00:55 | 0:00:58 | |
That's not fair, we're taking it in turns. | 0:00:58 | 0:01:00 | |
She needs to cop on to herself. | 0:01:00 | 0:01:02 | |
16 candidates... | 0:01:02 | 0:01:04 | |
-It's way outside the box. It's way outside the box. -Go, go, go, go, go! | 0:01:04 | 0:01:08 | |
-..12 tough weeks... -GLASS SMASHES | 0:01:08 | 0:01:10 | |
Where am I going?! | 0:01:10 | 0:01:12 | |
..one life-changing opportunity. | 0:01:12 | 0:01:14 | |
You're fired. You're fired. | 0:01:14 | 0:01:16 | |
This is my boardroom, and by the way, this is my money. | 0:01:16 | 0:01:19 | |
You're fired. | 0:01:19 | 0:01:20 | |
Previously on The Apprentice... | 0:01:28 | 0:01:31 | |
The task today is all about making a new condiment. | 0:01:31 | 0:01:35 | |
GROANING | 0:01:35 | 0:01:36 | |
The teams got saucy, | 0:01:36 | 0:01:38 | |
with mixed results. | 0:01:38 | 0:01:40 | |
Can I suggest we taste it? | 0:01:41 | 0:01:43 | |
Duane's chutney bit back... | 0:01:43 | 0:01:45 | |
-Oh, my God. -HE COUGHS | 0:01:46 | 0:01:49 | |
-Something's not right. Something's missing. -..and Katie's ketchup cost a lot. | 0:01:49 | 0:01:53 | |
The recommended retail price for that is 3.99. | 0:01:54 | 0:01:57 | |
We definitely couldn't do it for 1.95. | 0:01:57 | 0:01:59 | |
We're left with 23 bottles. | 0:01:59 | 0:02:01 | |
-What? Left? -In the boardroom chutney was champ, | 0:02:01 | 0:02:04 | |
and a third loss for Katie | 0:02:04 | 0:02:07 | |
left plenty on her plate. | 0:02:07 | 0:02:10 | |
What is this? I can't see a lorry driver in a greasy spoon | 0:02:10 | 0:02:14 | |
asking, "'Ere, Harry, pass us the Belissimo." | 0:02:14 | 0:02:16 | |
-It was never made crystal clear to us what our target market was. -Ricky spread the blame. | 0:02:16 | 0:02:21 | |
You absolutely underdelivered. You sold rubbish figures. | 0:02:21 | 0:02:24 | |
It was very hard to sell at the prices we were given. | 0:02:24 | 0:02:26 | |
But it was Michael who failed to cut the mustard. | 0:02:26 | 0:02:29 | |
-Do you think you're out of your depth? -Not at all. | 0:02:29 | 0:02:32 | |
-Not at all. -Well, I don't know what you were doing. You're fired. | 0:02:32 | 0:02:35 | |
Thank you for the opportunity, Lord Sugar. | 0:02:35 | 0:02:37 | |
He became the third casualty of the boardroom. | 0:02:37 | 0:02:41 | |
Now 13 remain to fight | 0:02:41 | 0:02:43 | |
for the chance to become Lord Sugar's business partner. | 0:02:43 | 0:02:47 | |
Bayswater. West London. | 0:02:52 | 0:02:55 | |
For the candidates, a morning off. | 0:02:59 | 0:03:02 | |
PHONE RINGS | 0:03:05 | 0:03:07 | |
-Go on, then! -Maybe Lord Sugar fancied a game of ping pong! | 0:03:07 | 0:03:11 | |
LAUGHTER | 0:03:11 | 0:03:13 | |
-Good morning. -'This is Lord Sugar's office. | 0:03:13 | 0:03:16 | |
'Lord Sugar would like you to meet him at the Old Cinema in Chiswick. | 0:03:16 | 0:03:20 | |
-'The cars will be with you in 30 minutes.' -OK, thank you. | 0:03:20 | 0:03:23 | |
Old Cinema in Chiswick. Cars will be pick us up in 30 minutes. | 0:03:23 | 0:03:27 | |
Go, go, go! | 0:03:27 | 0:03:28 | |
-What clue's in cinema? I feel for some reason it might be about the adverts. -Yeah. | 0:03:34 | 0:03:39 | |
Saying it's an old cinema. Is it actually functional? | 0:03:39 | 0:03:42 | |
Let's face it, we'll be producing our own trailer, aren't we? | 0:03:42 | 0:03:45 | |
They've won a task, they think they're at the top. | 0:03:50 | 0:03:53 | |
Are they taking it seriously? | 0:03:53 | 0:03:54 | |
-Duane and Nick need a bit of bringing back down to earth. -Yeah. | 0:03:54 | 0:03:57 | |
-People who weren't working their hardest... -They've gone. | 0:03:57 | 0:04:00 | |
-..have been fired. -I don't think everyone's pulling their weight. | 0:04:00 | 0:04:03 | |
I don't think they're contributing. | 0:04:03 | 0:04:05 | |
I think there's maybe a few people I'd like to see get exposed, if I'm honest. | 0:04:05 | 0:04:09 | |
Chiswick. | 0:04:13 | 0:04:15 | |
A converted cinema, packed with vintage furniture - | 0:04:19 | 0:04:24 | |
and high-end second hand goods. | 0:04:24 | 0:04:26 | |
Good afternoon. | 0:04:46 | 0:04:48 | |
-ALL: -Good afternoon, Lord Sugar. | 0:04:48 | 0:04:50 | |
There's a famous saying - one man's junk is another man's treasure. | 0:04:50 | 0:04:54 | |
There's been the rag and bone man, the car boot sales, | 0:04:54 | 0:04:58 | |
we've got the charity shops, | 0:04:58 | 0:05:00 | |
all of these people make money by taking things that people discard | 0:05:00 | 0:05:06 | |
and then make it into something that someone wants to buy. | 0:05:06 | 0:05:10 | |
That's what this task is all about. You're going to have to source your second-hand stock | 0:05:10 | 0:05:14 | |
and then you're going sell it to the public. | 0:05:14 | 0:05:16 | |
So what I've laid on for you is a couple of shops | 0:05:18 | 0:05:21 | |
in the East End of London | 0:05:21 | 0:05:23 | |
where this kind of retro stuff is selling in big volume. | 0:05:23 | 0:05:26 | |
Yeah? | 0:05:26 | 0:05:27 | |
So I'm going to mix the teams up a bit more here. | 0:05:27 | 0:05:30 | |
Ricky, you go to Sterling, | 0:05:30 | 0:05:33 | |
and Jade, you go to Phoenix. | 0:05:33 | 0:05:35 | |
The team that makes the most amount of profit will win, | 0:05:37 | 0:05:40 | |
and in the losing team | 0:05:40 | 0:05:42 | |
one of you will be fired. | 0:05:42 | 0:05:44 | |
-OK, everything clear? ALL: -Yes, Lord Sugar. | 0:05:45 | 0:05:48 | |
Good luck. I'll see you back in the boardroom in a few days' time, yeah? | 0:05:48 | 0:05:51 | |
-Off you go. ALL: -Thank you, Lord Sugar. | 0:05:51 | 0:05:53 | |
Worth over £2 billion a year, | 0:05:55 | 0:05:57 | |
the UK's market for second-hand goods is on the up. | 0:05:57 | 0:06:01 | |
From genuine antiques to re-purposed scrap... | 0:06:01 | 0:06:05 | |
-What can you do with these? -I think people just put them on the wall. | 0:06:05 | 0:06:08 | |
..there's plenty of profit in pre-owned goods. | 0:06:08 | 0:06:12 | |
600 quid! | 0:06:12 | 0:06:13 | |
And re-furbishing or upcycling old items can add big mark-ups. | 0:06:15 | 0:06:18 | |
Bins are quite good, because if we can buy a bin, we can funk it up to be a funky bin. | 0:06:18 | 0:06:22 | |
Both teams have £1,000 and two days to source | 0:06:25 | 0:06:29 | |
and sell on second-hand stock. | 0:06:29 | 0:06:31 | |
But first, new leaders are needed. | 0:06:33 | 0:06:35 | |
Bidding to repeat last week's win, drinks distributor Duane. | 0:06:36 | 0:06:40 | |
I would put myself forward as project manager again - ultimately, it's buying and selling. | 0:06:40 | 0:06:44 | |
If we can all apply logics to it, we can get this task won. | 0:06:44 | 0:06:48 | |
I wouldn't mind putting myself forward | 0:06:48 | 0:06:51 | |
for project manager purely because I have set up a retail unit before. | 0:06:51 | 0:06:56 | |
Right, OK. Who votes for myself? | 0:06:58 | 0:07:00 | |
Thanks, guys(!) | 0:07:05 | 0:07:06 | |
Who votes for Laura? | 0:07:08 | 0:07:10 | |
-I vote for Laura, because you've set up a retail unit. -That's four. That's it then. | 0:07:10 | 0:07:14 | |
OK. OK? Fantastic. | 0:07:14 | 0:07:16 | |
Thank you very much. OK. | 0:07:16 | 0:07:18 | |
Being an attractive businesswoman can have its ups and downs, | 0:07:18 | 0:07:22 | |
but people shouldn't be fooled by that | 0:07:22 | 0:07:25 | |
because I have also been described as a Rottweiler in the past! | 0:07:25 | 0:07:28 | |
The type of area, we are Brick Lane, this trendy area. | 0:07:28 | 0:07:32 | |
People will be very judgmental in the way the shop looks. | 0:07:32 | 0:07:35 | |
Heading up the other team, fine wine investor, Tom. | 0:07:35 | 0:07:38 | |
I'm only 23 years old. The very special thing about me | 0:07:38 | 0:07:41 | |
is I'm a very well-rounded individual. | 0:07:41 | 0:07:43 | |
'My leadership style is laid-back. You'd be foolish | 0:07:43 | 0:07:46 | |
'to go into any situation thinking you'll agree with everyone.' | 0:07:46 | 0:07:49 | |
How you deal with them is most important. | 0:07:49 | 0:07:51 | |
Are we going less is more? Minimalistic? | 0:07:51 | 0:07:54 | |
-Fill it high, sell it cheap? -In terms of strategy for buying, | 0:07:54 | 0:07:57 | |
we've got £1,000, but I want quality over quantity. | 0:07:57 | 0:08:00 | |
We could just buy five items here and try to make a fortune. | 0:08:01 | 0:08:04 | |
Yeah, the idea is to spend as little as possible. | 0:08:04 | 0:08:07 | |
There's no point starting with loads and not being able to sell it. | 0:08:07 | 0:08:10 | |
'Tom's strategy is a bit wrong.' | 0:08:10 | 0:08:12 | |
We want to fill this shop and we don't want it looking empty so let's buy as much as we can. | 0:08:12 | 0:08:17 | |
Let's fill these vans and let's get it and sell it. | 0:08:17 | 0:08:20 | |
A 700 square foot unit with a table and chairs in, it's going to look stupid. | 0:08:20 | 0:08:23 | |
While for Tom less is more, | 0:08:23 | 0:08:27 | |
Laura's team focus on turning trash into cash. | 0:08:27 | 0:08:31 | |
We need to very cost-conscious - get to houses and charity places, | 0:08:31 | 0:08:34 | |
get as much crap for next to nothing. That's what we're doing, | 0:08:34 | 0:08:38 | |
-we're selling crap and turning it into style. -That's exactly it. | 0:08:38 | 0:08:41 | |
It's all about adding the value to the product. | 0:08:41 | 0:08:44 | |
We get a product, add a lot of value, make it stylish. | 0:08:44 | 0:08:46 | |
This is something I love doing, I love taking old furniture | 0:08:46 | 0:08:51 | |
and tarting them up. | 0:08:51 | 0:08:52 | |
I've sold chairs for, like, £250, saying "limited edition". | 0:08:52 | 0:08:55 | |
And they buy it, even if it's like a Union Jack on it, | 0:08:55 | 0:08:59 | |
-something really funky. -Union Jack seems to be quite in now. | 0:08:59 | 0:09:02 | |
Gabrielle, I think you should lead the front creatively. | 0:09:02 | 0:09:06 | |
-Is everybody happy for that? -Absolutely agree. -OK, fantastic. Thank you very much. | 0:09:06 | 0:09:09 | |
Project managers picked. Plans in place. | 0:09:11 | 0:09:14 | |
Facing an early morning start, it's back to the house. | 0:09:14 | 0:09:17 | |
6:30am. | 0:09:21 | 0:09:23 | |
Today, both teams must seek out their stock. | 0:09:26 | 0:09:29 | |
Use your money to pick up additional stuff that we can use | 0:09:29 | 0:09:32 | |
to basically tart up our materials as well. Buttons, you might be able to find really cheap stuff | 0:09:32 | 0:09:37 | |
that we can start ripping apart for customisation as well. | 0:09:37 | 0:09:40 | |
Tomorrow, their shops must open for business. | 0:09:40 | 0:09:43 | |
Let's think realistically how many items we'll sell. | 0:09:43 | 0:09:46 | |
Maybe 50-70 items will be a good target. | 0:09:46 | 0:09:49 | |
I'll give you £200, but I want you to spend as little as possible. Be very selective. Is that OK? | 0:09:49 | 0:09:54 | |
Just keep in touch and let's get going. OK, then. | 0:09:54 | 0:09:57 | |
Tom's sort of strategy or briefing to us was to give us £200 | 0:10:07 | 0:10:12 | |
-and tell us not to spend it. -SHE CHUCKLES | 0:10:12 | 0:10:15 | |
A sales floor to fill, you know, we're not miracle workers, | 0:10:15 | 0:10:18 | |
we're good negotiators and good salespeople, not miracle workers. | 0:10:18 | 0:10:21 | |
Greenwich. An auction house stacked with bric-a-brac. | 0:10:24 | 0:10:27 | |
Lot 65, a book rack. 25 over there. | 0:10:29 | 0:10:32 | |
Bidding on Tom's tight budget - | 0:10:32 | 0:10:34 | |
Adam, Stephen and Katie. | 0:10:34 | 0:10:37 | |
60, £60, 65 I need. | 0:10:37 | 0:10:39 | |
-Have we got the money for that? -Looking for 80? Are we all done? | 0:10:39 | 0:10:43 | |
At £75. | 0:10:43 | 0:10:45 | |
Lot 54, honey oak three-drawer serving table. | 0:10:45 | 0:10:48 | |
-Are we going for it? -No. | 0:10:48 | 0:10:52 | |
110, 120, 130, 140. I'll take 145. | 0:10:52 | 0:10:55 | |
-You won't set up a shop for £200. It's silly. -It's ridiculous. | 0:10:55 | 0:10:59 | |
Lot 148, good quality vintage 20th-century clocks. | 0:10:59 | 0:11:02 | |
-I like this, I do like this. -'This team has committed' | 0:11:02 | 0:11:05 | |
a number of mortal sins. Firstly, | 0:11:05 | 0:11:07 | |
they didn't argue about | 0:11:07 | 0:11:09 | |
the small amount of money they were given. | 0:11:09 | 0:11:12 | |
'They only got £200 of the £1,000 seed money | 0:11:12 | 0:11:16 | |
'and then they come to an auction. They bid for four lots, won three.' | 0:11:16 | 0:11:20 | |
Three things?! | 0:11:20 | 0:11:22 | |
All done at 50. | 0:11:22 | 0:11:24 | |
-Could buy that. -That's just foolish! | 0:11:24 | 0:11:26 | |
I'm happy with what we've bought, but I don't think we've got enough. | 0:11:26 | 0:11:29 | |
This is it. | 0:11:29 | 0:11:31 | |
For Adam, a final bid for stock... | 0:11:31 | 0:11:35 | |
in the auction house bins. | 0:11:35 | 0:11:36 | |
-Steve? Steve? -Yeah? | 0:11:39 | 0:11:42 | |
Found some great stuff in the skip. | 0:11:42 | 0:11:44 | |
Another wine rack. A bench. | 0:11:44 | 0:11:46 | |
-This in the skip? -Yeah. | 0:11:47 | 0:11:48 | |
The stuff's falling down. | 0:11:50 | 0:11:52 | |
PAN CLATTERS TO GROUND | 0:11:56 | 0:11:58 | |
Tom seems to be wanting to lose the task, I find. | 0:12:05 | 0:12:07 | |
We're trying to negotiate, get as many products as possible, | 0:12:07 | 0:12:11 | |
-he's given us a tight budget. -We need to throw more money at this. | 0:12:11 | 0:12:15 | |
My whole attitude is prepare to win and he's preparing to fail. | 0:12:15 | 0:12:18 | |
Tooting. South London. | 0:12:18 | 0:12:20 | |
How you doing, mate? Are you well? | 0:12:21 | 0:12:23 | |
Set on adding value to vintage cast-offs... | 0:12:24 | 0:12:28 | |
-What about that chest in the window? -The trunk? -Yeah. | 0:12:28 | 0:12:32 | |
..Laura's team is on the hunt for products with potential. | 0:12:32 | 0:12:35 | |
Upholster that. | 0:12:35 | 0:12:37 | |
You can paint those bits and pieces. | 0:12:37 | 0:12:39 | |
How much do you sell these legs for? Can we take them? | 0:12:39 | 0:12:42 | |
The interesting pieces are your two suitcases at the top. | 0:12:42 | 0:12:45 | |
-The two top ones? -Yeah. DUANE: I like that suitcase. | 0:12:45 | 0:12:48 | |
I could do the leather trunk for 10. | 0:12:48 | 0:12:50 | |
The camel stool, side tables, the trunk and this retro table | 0:12:50 | 0:12:53 | |
-with the chair and the glass table which matches this. -Yeah. | 0:12:53 | 0:12:57 | |
-And the four stools plus one. -The broken table in the back as well. | 0:12:57 | 0:13:01 | |
-OK. -There's 100, mate. -Thank you. | 0:13:01 | 0:13:04 | |
-Just give me a quick tally. -18, 19, 19 plus frames. | 0:13:07 | 0:13:10 | |
We've bought a hell of a lot of stuff, haven't we? | 0:13:10 | 0:13:13 | |
Right, we'd better get going. | 0:13:13 | 0:13:15 | |
Got a lot more than we thought we'd get. | 0:13:18 | 0:13:20 | |
I did like the items we took. There's nothing there that I think I won't be able to sell. | 0:13:20 | 0:13:24 | |
Oh, this is nice. | 0:13:26 | 0:13:27 | |
For project manager Tom and his team, a car boot sale. | 0:13:29 | 0:13:32 | |
-What do you reckon about these chairs? -That's quite cool. | 0:13:32 | 0:13:35 | |
The perfect place to bulk buy bargains. | 0:13:35 | 0:13:38 | |
That's a bit damaged, though. | 0:13:38 | 0:13:41 | |
-Can we fix that? -It's not buy any old rubbish, though. | 0:13:41 | 0:13:44 | |
-I think this is worth £7. -I don't like it. | 0:13:44 | 0:13:46 | |
I think that's a cool retro mirror. | 0:13:48 | 0:13:50 | |
It's damaged, though, isn't it, on the mirror again. | 0:13:50 | 0:13:52 | |
It's important not just to buy any old stuff to go in a shop. | 0:13:52 | 0:13:55 | |
It needs to be something that's desirable for buyers | 0:13:55 | 0:13:57 | |
so we've been selective. | 0:13:57 | 0:13:59 | |
-That's quite cool. -Hmm. | 0:13:59 | 0:14:02 | |
Just need to buy enough stuff to fill the shop, that's the problem. | 0:14:02 | 0:14:05 | |
-We will, but I don't like it. -OK, cool. | 0:14:05 | 0:14:07 | |
Here we are in an enormous car boot sale, full of everything that you can imagine. | 0:14:07 | 0:14:12 | |
The point is find the right thing here to take to Brick Lane, | 0:14:12 | 0:14:17 | |
home to the young trendy with the gelled hair. | 0:14:17 | 0:14:20 | |
-In terms of the colouring of it... -That's perfect. | 0:14:20 | 0:14:23 | |
-It's quite a nice piece. -And they've only bought a few little items. It's nuts! | 0:14:23 | 0:14:27 | |
But they've got to fill that shop tomorrow. | 0:14:27 | 0:14:29 | |
I don't want to walk into an empty shell of a shop! | 0:14:29 | 0:14:32 | |
-You reckon put records in it? -We'd have to sand it down. | 0:14:32 | 0:14:34 | |
My concern is the condition it's in. | 0:14:34 | 0:14:37 | |
GLASS SMASHES | 0:14:37 | 0:14:38 | |
SHE GASPS | 0:14:38 | 0:14:40 | |
Oh, my God! Erm, OK, let's not do it. | 0:14:40 | 0:14:43 | |
Sorry about smashing it! | 0:14:43 | 0:14:45 | |
Brick Lane. | 0:14:47 | 0:14:49 | |
Heart of London's fashionable East End. | 0:14:51 | 0:14:54 | |
Bursting with vintage and retro retail | 0:14:54 | 0:14:58 | |
and cool customers. | 0:14:58 | 0:15:00 | |
This is it, guys. | 0:15:00 | 0:15:01 | |
-Cool. -This is good, I think we need to get on with making stuff. | 0:15:01 | 0:15:04 | |
-20 quid. -Bargain. | 0:15:06 | 0:15:07 | |
For Laura's team, a truck-load of stock in need of a makeover. | 0:15:07 | 0:15:13 | |
What I think we need to think about now is a plan of action. | 0:15:13 | 0:15:16 | |
There's things here that cannot be sold as they are. | 0:15:16 | 0:15:20 | |
I think these would be great with the shabby chic effect. | 0:15:20 | 0:15:22 | |
Paint as shabby chic. | 0:15:22 | 0:15:24 | |
Again in... | 0:15:24 | 0:15:25 | |
I'm not quite sure what the shabby chic stands for. | 0:15:25 | 0:15:28 | |
Ideally, we want to upcycle as many items as we can, | 0:15:33 | 0:15:36 | |
because this is the idea, we're adding value | 0:15:36 | 0:15:38 | |
to what is potentially someone else's junk, | 0:15:38 | 0:15:40 | |
to try and make it attractive to someone else. | 0:15:40 | 0:15:43 | |
I would like ideally to have a stamp on everything - that's our brand. | 0:15:43 | 0:15:48 | |
Charged with turning second-hand stock into a pretty penny - | 0:15:48 | 0:15:51 | |
Gabrielle. | 0:15:51 | 0:15:54 | |
So we need cushions, we need fabric, we need candles. | 0:15:54 | 0:15:57 | |
Can I order two metres in the striped fabric... | 0:15:57 | 0:16:01 | |
Actually, no, get four metres of that. | 0:16:01 | 0:16:04 | |
Can I have four metres in the orange suede? | 0:16:04 | 0:16:07 | |
Two packs of the castors... | 0:16:07 | 0:16:10 | |
No, eight, four packs, four packs. | 0:16:10 | 0:16:12 | |
Four packs of the castor wheels. | 0:16:12 | 0:16:14 | |
Sterling seem to think they have to upcycle everything. | 0:16:14 | 0:16:17 | |
That takes a lot of time and a lot of expertise, | 0:16:17 | 0:16:20 | |
and most importantly, a lot of materials, and materials cost money. | 0:16:20 | 0:16:24 | |
-12 of these and two of these. -£4 each. | 0:16:24 | 0:16:28 | |
-We've got loads left. -Yeah, come on, guys. -OK, then. | 0:16:28 | 0:16:32 | |
So can I order the doorknobs at £4 each. | 0:16:32 | 0:16:35 | |
At the other end of Brick Lane, | 0:16:39 | 0:16:42 | |
Jade, Tom and Azhar get a first look at their retail space. | 0:16:42 | 0:16:46 | |
To be honest, this is quite a big shop. | 0:16:47 | 0:16:50 | |
Obviously, the size of it looks quite big. | 0:16:50 | 0:16:54 | |
Going to have to get a few more items to fill it up. | 0:16:55 | 0:16:58 | |
South London. | 0:17:00 | 0:17:03 | |
-Hello. -Hi, I'm Adam. Nice to meet you. | 0:17:03 | 0:17:05 | |
Low on stock and short of cash, | 0:17:05 | 0:17:07 | |
the rest of Tom's team hunt for hidden gems in a junk shop. | 0:17:07 | 0:17:12 | |
That wine rack, definitely. | 0:17:14 | 0:17:17 | |
That lampshade. | 0:17:17 | 0:17:18 | |
What do you do with that? | 0:17:18 | 0:17:20 | |
Spray it up, know what I mean, 10p, innit. | 0:17:20 | 0:17:23 | |
Chair like this, and I think the suitcase as well are the two things I'd pick out. | 0:17:23 | 0:17:27 | |
What do you want to do, a price on the lot? | 0:17:27 | 0:17:29 | |
-Just tell us what you can do. -50 quid the lot. | 0:17:29 | 0:17:33 | |
We haven't got it. | 0:17:33 | 0:17:34 | |
-Stop it, you'll have me crying. -We've only got literally 25 quid. | 0:17:34 | 0:17:38 | |
35 quid, I'll throw the books in. | 0:17:38 | 0:17:41 | |
-There's profit there. -Tell you what we'll do, we'll meet in the middle, | 0:17:41 | 0:17:44 | |
say 30 from a north Londoner to the south Londoner. | 0:17:44 | 0:17:47 | |
-Go on, then. Go on. -£30. -You've had me pants down. | 0:17:47 | 0:17:50 | |
Cor, dear, I don't know! | 0:17:50 | 0:17:52 | |
See you later, guys. | 0:17:52 | 0:17:53 | |
'They didn't do very well. There's a lot of things here' | 0:17:54 | 0:17:57 | |
that would have made a good profit, and they've missed every single piece, | 0:17:57 | 0:18:01 | |
and instead they've rummaged through a pile of junk, | 0:18:01 | 0:18:03 | |
ended up with two old metal chairs, | 0:18:03 | 0:18:05 | |
which aren't even worth the money in scrap. | 0:18:05 | 0:18:08 | |
They picked absolute rubbish. | 0:18:08 | 0:18:11 | |
We found all the good stuff right at the back, | 0:18:13 | 0:18:15 | |
so if we could give him a bit of advice, he should probably start again. | 0:18:15 | 0:18:18 | |
He probably doesn't know how much gold is in that shop, | 0:18:18 | 0:18:21 | |
-because we've just took all the best stuff. -I agree. | 0:18:21 | 0:18:24 | |
4pm. | 0:18:25 | 0:18:26 | |
North London. | 0:18:26 | 0:18:28 | |
Is this it here? | 0:18:28 | 0:18:30 | |
Next for Laura and her boys, a house clearance. | 0:18:31 | 0:18:35 | |
God, it smells vintage, that's for sure! | 0:18:35 | 0:18:37 | |
Why is everything going, what's the clearance for? | 0:18:39 | 0:18:41 | |
Someone's passed away. | 0:18:41 | 0:18:43 | |
OK. Can we take what we like? | 0:18:43 | 0:18:45 | |
Is it possible that we can take the curtains? | 0:18:48 | 0:18:50 | |
What about the carpet, can we rip some of this carpet up? | 0:18:50 | 0:18:53 | |
Some of this stuff, I can't imagine buying personally. | 0:18:54 | 0:18:57 | |
Is that a bit TOO retro? | 0:18:57 | 0:18:59 | |
It'll be a challenge to see if we can sell it, | 0:19:00 | 0:19:02 | |
but nothing ventured, nothing gained, and there is a well-known expression, | 0:19:02 | 0:19:06 | |
don't look a gift horse in the eye. | 0:19:06 | 0:19:08 | |
I think once we've got the items scrubbed up, | 0:19:12 | 0:19:15 | |
I'm really hoping that we go back and the guys have done some pretty impressive stuff. | 0:19:15 | 0:19:20 | |
I love that. | 0:19:30 | 0:19:31 | |
They're all mini tables. | 0:19:35 | 0:19:37 | |
Do people buy this kind of stuff as mini tables? | 0:19:37 | 0:19:40 | |
£60, you'd pay for something like this. | 0:19:40 | 0:19:43 | |
That's a see-saw, perhaps. | 0:19:44 | 0:19:45 | |
I still think it looks like a box on a ladder. | 0:19:45 | 0:19:49 | |
I'm not 100% sure that all the items are going to end up looking better, | 0:19:49 | 0:19:53 | |
but Gabrielle's got that... underhand. | 0:19:53 | 0:19:57 | |
I actually really like that. | 0:19:57 | 0:19:59 | |
7pm. | 0:20:02 | 0:20:03 | |
-For the other team... -It's definitely minimalistic. | 0:20:03 | 0:20:08 | |
Tom's vision takes shape. | 0:20:08 | 0:20:10 | |
Maybe bring that table a little bit further forward. | 0:20:10 | 0:20:13 | |
What chair would go best with that table, that chair there? | 0:20:16 | 0:20:19 | |
I'd put it a bit more further out, I think we need to fill up more space here. | 0:20:19 | 0:20:24 | |
No, I would put it... this a bit further out. | 0:20:26 | 0:20:29 | |
Well, that's two drinks tables. | 0:20:29 | 0:20:32 | |
'I feel it looks very, very bare. | 0:20:34 | 0:20:36 | |
'It's a big retail unit,' | 0:20:36 | 0:20:38 | |
have we got enough stuff? | 0:20:38 | 0:20:40 | |
I don't think we have. | 0:20:40 | 0:20:42 | |
Still sprucing up their stock, Laura's team. | 0:20:52 | 0:20:56 | |
So tell us what was next on your list and we'll get started on it. | 0:20:56 | 0:20:59 | |
All these items here are waiting for the red paint. | 0:20:59 | 0:21:02 | |
All the stuff in there still needs work on it. | 0:21:02 | 0:21:04 | |
The team have got a long night ahead of them, I think. | 0:21:06 | 0:21:09 | |
They've got a real desire to paint everything, to change everything. | 0:21:09 | 0:21:12 | |
And I'm not sure whether that actually detracts from the value | 0:21:15 | 0:21:18 | |
or adds any value. | 0:21:18 | 0:21:20 | |
I tell you what I'm not 100% keen on so far, the Union Jacks. | 0:21:20 | 0:21:24 | |
-It looks like -I -painted it, and I can't paint. | 0:21:24 | 0:21:26 | |
'What the hell is a Union Jack doing on our products?' | 0:21:26 | 0:21:29 | |
How creative is a Union Jack? | 0:21:29 | 0:21:32 | |
The idea of that was trying to get a similar language between all of our products. | 0:21:32 | 0:21:37 | |
I don't get it, if you think someone would buy that... | 0:21:37 | 0:21:41 | |
It's more of a retro look, which I feel works well. | 0:21:41 | 0:21:45 | |
-So you're confident, then? -Yeah. | 0:21:45 | 0:21:47 | |
7.30am. | 0:21:56 | 0:21:58 | |
Ten hours to make a cool profit on the streets of East London. | 0:22:00 | 0:22:04 | |
What are you wearing? | 0:22:04 | 0:22:06 | |
I'm going to try and fit in with the Brick Lane crew, | 0:22:06 | 0:22:08 | |
-so I'm going to wear something really old and doesn't fit. -Yeah? | 0:22:08 | 0:22:11 | |
The choice of clothes is a bit of an issue. | 0:22:12 | 0:22:15 | |
I don't hang around Brick Lane too much. | 0:22:15 | 0:22:17 | |
But in my mind, I know it's quite hip. | 0:22:17 | 0:22:18 | |
I'm trying to pull off as hip as I can | 0:22:18 | 0:22:20 | |
and not look like a complete prat. | 0:22:20 | 0:22:22 | |
If I can just undo my shirt, my buttons here, | 0:22:22 | 0:22:24 | |
and look a bit arty, I can get into it. | 0:22:24 | 0:22:26 | |
The only concern is that people like what we've done. | 0:22:30 | 0:22:34 | |
I mean, especially on the upcycling side of things as well. | 0:22:34 | 0:22:37 | |
I'm more confident we'll sell those than the plainer furniture | 0:22:37 | 0:22:42 | |
just because Union Jacks and that kind of thing | 0:22:42 | 0:22:44 | |
at the moment is quite in. | 0:22:44 | 0:22:46 | |
9am. | 0:22:48 | 0:22:49 | |
Brick Lane. | 0:22:49 | 0:22:51 | |
Has this been messed up overnight or did we leave it like this?! | 0:22:52 | 0:22:55 | |
We left it like this. | 0:22:55 | 0:22:57 | |
Right. Let's go. Let's go. | 0:22:57 | 0:22:59 | |
At Laura's shop, Vintage Gold, | 0:22:59 | 0:23:02 | |
it's all hands on deck to get the place ship-shape. | 0:23:02 | 0:23:05 | |
-So Union Jack stuff... -Uh-huh. | 0:23:05 | 0:23:08 | |
..all suitcases, shabby chic can be priced. | 0:23:08 | 0:23:10 | |
-I just need to sort this out. -OK. That's fine. | 0:23:10 | 0:23:13 | |
What I'm concerned about is this. | 0:23:13 | 0:23:14 | |
Here we are. Back again. | 0:23:17 | 0:23:18 | |
On Tom's team... | 0:23:18 | 0:23:20 | |
It's looking nice, isn't it? | 0:23:20 | 0:23:21 | |
..last-minute tweaks for his minimal Retro Station. | 0:23:21 | 0:23:24 | |
Looks fresh, looks clean. | 0:23:24 | 0:23:27 | |
-Hi, there. Just having a look round? -Is that all right? | 0:23:35 | 0:23:38 | |
Of course you can. Absolutely. | 0:23:38 | 0:23:39 | |
We're just opening so please do have a look. | 0:23:39 | 0:23:41 | |
This hole punch... | 0:23:43 | 0:23:44 | |
I didn't even know that you could get hold punches like that. | 0:23:44 | 0:23:46 | |
-No, me neither! -Absolutely fantastic. | 0:23:46 | 0:23:48 | |
-How long have you guys been here? -One day. This is it. One day only. | 0:23:48 | 0:23:52 | |
-Would you take eight on it then? £8? -Yeah, I'd take eight on that. | 0:23:55 | 0:23:58 | |
I'll cash that up for you. | 0:23:58 | 0:24:00 | |
There's your receipt. | 0:24:00 | 0:24:02 | |
-I'm going to get that too. Then I won't get anything else. -All right. No worries. | 0:24:03 | 0:24:07 | |
'I actually really liked the shop.' | 0:24:07 | 0:24:08 | |
It didn't have that many things in it, not too cluttered, | 0:24:08 | 0:24:11 | |
but everything that was there was pretty special. | 0:24:11 | 0:24:14 | |
-Could we have some leaves coming in, like a path? -Of leaves? -Yeah. | 0:24:14 | 0:24:18 | |
Adding character to its clutter | 0:24:18 | 0:24:21 | |
and running late, Laura's team. | 0:24:21 | 0:24:24 | |
This chair alone, I would say, | 0:24:24 | 0:24:26 | |
-at least 140. -Yeah? -Yeah. | 0:24:26 | 0:24:28 | |
We paid £25 for it. | 0:24:28 | 0:24:30 | |
-You're sure that we can get that? -Yeah. | 0:24:30 | 0:24:32 | |
120. | 0:24:34 | 0:24:35 | |
I've got no clue in this. | 0:24:35 | 0:24:37 | |
I don't buy this shit. | 0:24:37 | 0:24:38 | |
With Vintage Gold open, time to rustle up some customers. | 0:24:40 | 0:24:44 | |
Morning, guys. We've got a vintage shop here. | 0:24:44 | 0:24:46 | |
Got vintage goods from around London. It's only open for one day | 0:24:46 | 0:24:49 | |
and we've got some of the best antique pieces from around London. | 0:24:49 | 0:24:52 | |
Some of them have been upcycled. Would you like a quick look around? | 0:24:52 | 0:24:55 | |
-HE LAUGHS -It's OK, thank you. -Are you sure? | 0:24:55 | 0:24:57 | |
-I was interested in these shelves. -Ah, good choice, good choice. | 0:25:01 | 0:25:04 | |
-Yes. -Yes? | 0:25:04 | 0:25:05 | |
At Retro Station, Tom's hand-picked products are a hit. | 0:25:05 | 0:25:10 | |
Vintage hole punch and obviously the weighing scales for £40, OK? | 0:25:12 | 0:25:16 | |
But while sales are brisk... | 0:25:16 | 0:25:19 | |
stock is low. | 0:25:19 | 0:25:21 | |
There's a difference between minimalism | 0:25:21 | 0:25:23 | |
and emptiness. | 0:25:23 | 0:25:25 | |
And I think they need to really get some stuff in there. | 0:25:25 | 0:25:29 | |
-I think it's going really well. -It is, yeah. | 0:25:29 | 0:25:32 | |
The only thing is stock. | 0:25:32 | 0:25:33 | |
Do we take this last opportunity to get some more stock? | 0:25:33 | 0:25:36 | |
Erm, stock... | 0:25:36 | 0:25:37 | |
Stock... | 0:25:37 | 0:25:39 | |
It's not just furniture. We've got little clocks, little cabinets, | 0:25:39 | 0:25:42 | |
candleholders, crockery... | 0:25:42 | 0:25:43 | |
On the other side of Brick lane, | 0:25:43 | 0:25:46 | |
Laura's Vintage Gold... | 0:25:46 | 0:25:47 | |
-It's worth being here. -Definitely. You might see something else you quite like here. | 0:25:47 | 0:25:51 | |
..pushing its brand of retro-chic to style-conscious locals. | 0:25:51 | 0:25:56 | |
This is actually my favourite bit in here. I love... | 0:25:56 | 0:25:59 | |
This one's big and this one's small but... | 0:25:59 | 0:26:01 | |
You'd have to be really cool. Clearly, you are. | 0:26:02 | 0:26:04 | |
Don't miss out. You're not going to find a piece like that again. | 0:26:04 | 0:26:07 | |
Strange. | 0:26:07 | 0:26:09 | |
-Where did you get these from? -Do you love it? | 0:26:09 | 0:26:11 | |
-It's like '80s. -They're kind of '80s, isn't it? | 0:26:11 | 0:26:14 | |
Do you want to sit down in it? | 0:26:17 | 0:26:19 | |
What if we did a deal on it for you? | 0:26:19 | 0:26:21 | |
Are you sure? | 0:26:21 | 0:26:22 | |
It's not a hugely easy sale | 0:26:22 | 0:26:25 | |
for any of the items. You've really got to sell hard. | 0:26:25 | 0:26:28 | |
They're actually lampshades from the 1970s. | 0:26:28 | 0:26:30 | |
-I'll have a look around and get back to you. -OK. | 0:26:30 | 0:26:33 | |
You have to be quite pushy and really try to convince them. | 0:26:33 | 0:26:35 | |
Hi. Do you want to have a look in our pop-up vintage store? | 0:26:35 | 0:26:38 | |
We're literally only here for today. Really funky stuff. | 0:26:38 | 0:26:41 | |
There's lots of different sales techniques going on | 0:26:41 | 0:26:44 | |
here at the shop, but Jane's I find the most uncomfortable. | 0:26:44 | 0:26:47 | |
Do you want to have a quick look? | 0:26:47 | 0:26:48 | |
She's very pushy, she's very aggressive with the customers | 0:26:48 | 0:26:52 | |
and they don't really like it. | 0:26:52 | 0:26:54 | |
-What about a chair? -No! | 0:26:54 | 0:26:56 | |
Midday at Retro Station... | 0:27:00 | 0:27:03 | |
How retro can you get? | 0:27:03 | 0:27:05 | |
-I'll take this book. -Thank you. | 0:27:05 | 0:27:08 | |
Everything's going well so far. | 0:27:08 | 0:27:10 | |
We've sold a number of items | 0:27:10 | 0:27:11 | |
'but the shop looks empty. Are we going to have enough stock for the rest of the day?' | 0:27:11 | 0:27:15 | |
Hi, Tom, mate. It's Steve. | 0:27:17 | 0:27:20 | |
In terms of stock, one simple question. | 0:27:20 | 0:27:22 | |
Do you need more stock? | 0:27:22 | 0:27:23 | |
I think we do need a few more items. | 0:27:23 | 0:27:25 | |
All right, pal. | 0:27:25 | 0:27:26 | |
Battersea, South London. | 0:27:26 | 0:27:29 | |
With just a few hours to go, | 0:27:29 | 0:27:31 | |
Jade, Adam and Stephen hunt for tat | 0:27:31 | 0:27:33 | |
that might turn a profit. | 0:27:33 | 0:27:35 | |
-How much do you want for the cameras? 50p? -Yes. | 0:27:35 | 0:27:37 | |
Yeah, is that all right? There you go. £1 for the two. Cheers. | 0:27:37 | 0:27:40 | |
-Nine pounds. -It's a deal. -Thank you. | 0:27:40 | 0:27:43 | |
-Three quid is all I've got. -I've had to buy them myself so... | 0:27:43 | 0:27:45 | |
-Of course. -£3.50 for the four and we'll do the deal. | 0:27:45 | 0:27:49 | |
OK, go on. | 0:27:49 | 0:27:51 | |
We could pay a pound for it but I can't pay more. | 0:27:51 | 0:27:53 | |
I can allow you a pay a pound for that, Jade, but that's... | 0:27:53 | 0:27:55 | |
-You can have it for a pound. -Yeah? -As long as you promise you'll go away. | 0:27:55 | 0:27:58 | |
-Well done. -I think she'll regret that. | 0:27:58 | 0:28:02 | |
She would have sold that for three or four quid in an hour. You can't get more retro than that. | 0:28:02 | 0:28:05 | |
At Vintage Gold... | 0:28:07 | 0:28:09 | |
I know you want a chair, right? | 0:28:09 | 0:28:11 | |
Oh, don't leave! | 0:28:11 | 0:28:13 | |
With stock still high, | 0:28:13 | 0:28:15 | |
a plan from project manager, Laura. | 0:28:15 | 0:28:17 | |
We've got our leaflets so let's get these out and try | 0:28:17 | 0:28:19 | |
and push a little bit of traffic more our way. | 0:28:19 | 0:28:21 | |
There's too many of us to sell to everyone | 0:28:21 | 0:28:23 | |
so I want to utilise the three of you better. | 0:28:23 | 0:28:26 | |
-You know what you're doing? -Super, yes. -Just do your best, guys. -Yeah, of course. | 0:28:26 | 0:28:29 | |
We've got a pop-up vintage store around the corner | 0:28:29 | 0:28:33 | |
and we've got a 10% discount with this flyer. | 0:28:33 | 0:28:35 | |
Can I give you a flyer? We've got a sale on. | 0:28:35 | 0:28:38 | |
Flyers, an extra 10% off with flyers. | 0:28:38 | 0:28:40 | |
Give you one of these, mate! | 0:28:40 | 0:28:41 | |
Got a vintage sale on, just round the corner. | 0:28:43 | 0:28:46 | |
With its promotional team drumming-up trade... | 0:28:46 | 0:28:49 | |
Fantastic. That's £10. | 0:28:49 | 0:28:50 | |
..a mid-afternoon rush for Vintage Gold. | 0:28:50 | 0:28:53 | |
I'm really excited. | 0:28:53 | 0:28:56 | |
People are literally just walking in, grabbing stuff, paying for it | 0:28:56 | 0:28:59 | |
and walking out. I think we're doing really well. | 0:28:59 | 0:29:01 | |
Considering the fact of the amount of stock we had, | 0:29:01 | 0:29:04 | |
the guys are working so hard. | 0:29:04 | 0:29:06 | |
Open it up. You can put all of your stuff, your newspapers, | 0:29:06 | 0:29:08 | |
magazines, whatever else. | 0:29:08 | 0:29:09 | |
I actually think we'll be pleasantly surprised when we start doing | 0:29:09 | 0:29:12 | |
the tallying up of how much profit we've made. | 0:29:12 | 0:29:14 | |
Man, thank you. | 0:29:14 | 0:29:16 | |
Armed with more stock, | 0:29:16 | 0:29:18 | |
Retro Station's reinforcements arrive. | 0:29:18 | 0:29:21 | |
-I like them. These are cool. -£10 each, Tom? | 0:29:23 | 0:29:25 | |
-We've got to get these out as quickly as possible. -OK. Cool. -Yeah? | 0:29:25 | 0:29:29 | |
They're doing well. | 0:29:30 | 0:29:32 | |
I may well have sneered a little bit yesterday | 0:29:32 | 0:29:36 | |
and I apologise because I thought their product selection was poor. | 0:29:36 | 0:29:39 | |
What do I know? | 0:29:39 | 0:29:41 | |
That's a bit crap, isn't it? | 0:29:44 | 0:29:45 | |
There's your receipt. | 0:29:45 | 0:29:47 | |
-You just put that in the bag. -Oh, did I? I just put it in there. | 0:29:47 | 0:29:50 | |
Shit. Whoops. | 0:29:51 | 0:29:52 | |
We've tried to create a bit of a retro feel. | 0:29:52 | 0:29:54 | |
It's aimed at the kind of people that are living around here. | 0:29:54 | 0:29:57 | |
I've put some stuff like this on the skip! | 0:29:57 | 0:30:00 | |
5pm. | 0:30:03 | 0:30:04 | |
One hour to go | 0:30:05 | 0:30:06 | |
before takings must be totted-up. | 0:30:06 | 0:30:09 | |
You like the chair? Do you... | 0:30:10 | 0:30:12 | |
If I do you a deal on it, do you want to buy it? | 0:30:12 | 0:30:14 | |
The Union Jack stuff isn't selling well. | 0:30:14 | 0:30:16 | |
We've got all the chairs, fabric chairs, wooden chairs. | 0:30:16 | 0:30:19 | |
My initial impressions were | 0:30:19 | 0:30:21 | |
it wouldn't be the first thing to go off the shelves. | 0:30:21 | 0:30:24 | |
I'm optimistic that we're going to shift it. | 0:30:24 | 0:30:26 | |
It's just what price we shift it for I think is the question. | 0:30:26 | 0:30:29 | |
We literally sanded them all down, painted them, | 0:30:29 | 0:30:32 | |
tried to give them an identity, not just a piece of furniture, | 0:30:32 | 0:30:35 | |
but a piece of art as well. | 0:30:35 | 0:30:36 | |
I think things with flags on them just look a little silly. | 0:30:36 | 0:30:39 | |
It didn't really seem vintage in the way that you would think of, | 0:30:39 | 0:30:42 | |
as sort of classic or elegant. | 0:30:42 | 0:30:44 | |
To me, it just was a bit... | 0:30:44 | 0:30:47 | |
almost cheap or tacky. | 0:30:47 | 0:30:48 | |
We do have still quite a lot to shift. | 0:30:48 | 0:30:51 | |
Please, come and take this furniture off me! | 0:30:52 | 0:30:54 | |
With both teams' money tied-up in unsold stock... | 0:30:56 | 0:31:01 | |
Vintage shop! Vintage prices! | 0:31:01 | 0:31:02 | |
We've got the last few bits now for you guys. | 0:31:02 | 0:31:04 | |
..last chance to convert it into cash. | 0:31:04 | 0:31:07 | |
Cheers. Thanks for that. | 0:31:07 | 0:31:09 | |
Mind your backs, now. | 0:31:09 | 0:31:10 | |
Go on. | 0:31:10 | 0:31:11 | |
-Where am I going? -Just keep running! | 0:31:11 | 0:31:13 | |
Lampshades for a pound! | 0:31:14 | 0:31:16 | |
Nick, we're going to sell this now. | 0:31:16 | 0:31:18 | |
-9.50 and you've got yourself a deal. -Nine. -9.50. -9.25. | 0:31:18 | 0:31:21 | |
-9.50. -9.25. | 0:31:21 | 0:31:23 | |
-I was selling them at 40 quid. -OK, I'm going to go then... | 0:31:23 | 0:31:26 | |
-9.25. It's 25p. -9.30. | 0:31:26 | 0:31:28 | |
-9.25. -All right, 9.25. You've got yourself a deal. | 0:31:28 | 0:31:31 | |
Come and take it. One pound! | 0:31:31 | 0:31:33 | |
Are you just wanting two? | 0:31:33 | 0:31:35 | |
I've just given a lady a ridiculous deal. | 0:31:35 | 0:31:37 | |
Two vases, were going for 60 quid... | 0:31:37 | 0:31:39 | |
£2.50. | 0:31:39 | 0:31:40 | |
I'm literally giving it to you. One pound. | 0:31:40 | 0:31:43 | |
Look. Feel the weight of it. Solid glass table. | 0:31:43 | 0:31:45 | |
Yes, but my house is too far! | 0:31:45 | 0:31:48 | |
Worry about that afterwards. It's a pound! | 0:31:48 | 0:31:51 | |
I can sell you that chair that goes with this table for one pound. | 0:31:51 | 0:31:54 | |
-No... -Wait, wait, wait, wait. Hang on. | 0:31:54 | 0:31:56 | |
No, no. I finished my pounds. | 0:31:56 | 0:31:59 | |
-One pound! -I know, it's too much, I'm sorry. | 0:31:59 | 0:32:02 | |
6pm... | 0:32:08 | 0:32:09 | |
-That's it. Done. -Closed. | 0:32:09 | 0:32:11 | |
OK, guys. We're closed! | 0:32:11 | 0:32:13 | |
..closing time. | 0:32:13 | 0:32:14 | |
Oh, yes! Oh, yes! | 0:32:18 | 0:32:21 | |
Guys, come on! | 0:32:21 | 0:32:23 | |
That is really good. | 0:32:23 | 0:32:24 | |
Tomorrow, the boardroom. | 0:32:24 | 0:32:27 | |
You can go through to the boardroom now. | 0:33:08 | 0:33:12 | |
-Good afternoon. -ALL: Good afternoon, Lord Sugar. | 0:33:28 | 0:33:31 | |
Well, I would have found this a very interesting task, | 0:33:33 | 0:33:37 | |
interesting in the sense that | 0:33:37 | 0:33:38 | |
the product definition was actually undefined. | 0:33:38 | 0:33:43 | |
It wasn't as if I was actually saying, | 0:33:43 | 0:33:45 | |
go and make something specific, | 0:33:45 | 0:33:46 | |
or buy something specific, it was anything. | 0:33:46 | 0:33:49 | |
And I'll be interested to hear how we got on here. | 0:33:49 | 0:33:53 | |
Sterling, let's start here. | 0:33:53 | 0:33:55 | |
-Team leader? -Yes, that was myself, Lord Sugar. | 0:33:55 | 0:33:58 | |
-How did that come about? -I put myself forward quite strongly, actually. | 0:33:58 | 0:34:02 | |
I was very keen to really put myself on your radar | 0:34:02 | 0:34:05 | |
and start stepping out of the crowd, if I'm honest with you. | 0:34:05 | 0:34:07 | |
You're in the wedding dress business? | 0:34:07 | 0:34:10 | |
-Yes, I have my own shop. -So you're used to dressing things up, | 0:34:10 | 0:34:12 | |
making it look better then, yeah? | 0:34:12 | 0:34:15 | |
You could put it that way, yeah. | 0:34:15 | 0:34:16 | |
-OK. Well, go on then. -Really, it was quite foreign territory to most of us | 0:34:16 | 0:34:21 | |
in terms of retro, vintage... | 0:34:21 | 0:34:24 | |
We had a little bit of an advantage because we had Gabrielle on our team. | 0:34:24 | 0:34:28 | |
We started to get some ideas on the table. | 0:34:28 | 0:34:30 | |
Some very popular ideas to start with was the shabby chic look. | 0:34:30 | 0:34:34 | |
-What? -Shabby chic furniture. Basically... | 0:34:34 | 0:34:37 | |
-Shabby chic? -Yes. | 0:34:37 | 0:34:39 | |
You get some old furniture, paint it and then sand it down | 0:34:39 | 0:34:42 | |
so that it looks a little bit... | 0:34:42 | 0:34:43 | |
-Ah, right. -..rustic. | 0:34:43 | 0:34:45 | |
Who started working on the refurbishment or the upcycling? | 0:34:45 | 0:34:48 | |
-The girls and Nick. -The three of us... -The three of us and Nick. | 0:34:48 | 0:34:52 | |
-Yeah. What did that entail then? -Painting, reupholstering... | 0:34:52 | 0:34:56 | |
-Reupholstering?! -Yes. | 0:34:56 | 0:34:57 | |
-Well, reupholstering involves material and a staple gun. -Yes. | 0:34:57 | 0:35:01 | |
More shabby than chic. | 0:35:01 | 0:35:02 | |
Hmmm. What style do you think your shop was? | 0:35:02 | 0:35:06 | |
It was probably more down the route of vintage than retro... | 0:35:06 | 0:35:09 | |
What did it look like? I heard there were dead leaves on the floor, | 0:35:09 | 0:35:12 | |
like an Oxfam shop in the middle of a hurricane or something. | 0:35:12 | 0:35:15 | |
The customers said it looked quite arty when they came in. | 0:35:15 | 0:35:18 | |
-They liked the leaves on the floor. -All right. Who was good at selling? | 0:35:18 | 0:35:21 | |
To be fair to everyone, I think we all had a fair crack at it, | 0:35:21 | 0:35:24 | |
to be honest with you. | 0:35:24 | 0:35:25 | |
I don't actually know what the individual sales figures were but... | 0:35:25 | 0:35:28 | |
Who was like... | 0:35:28 | 0:35:30 | |
got in the mood of the particular shop? | 0:35:30 | 0:35:33 | |
I mean, there's selling, you know... | 0:35:33 | 0:35:36 | |
Del Boy selling off a stall. | 0:35:36 | 0:35:38 | |
But there are times when you have to take on | 0:35:38 | 0:35:42 | |
a different type of posture with the particular clientele | 0:35:42 | 0:35:46 | |
-you're dealing with. -I was quite impressed with myself, to be honest with you. -OK. | 0:35:46 | 0:35:50 | |
And, so, a good team leader? | 0:35:50 | 0:35:52 | |
She did a very good job as project manager. Yeah, I was very impressed. | 0:35:52 | 0:35:56 | |
-All right. I've got it. I've got it. -Good. | 0:35:56 | 0:35:58 | |
OK, Phoenix. So, Tom? | 0:35:58 | 0:36:00 | |
-Yeah, it was myself. -How did that come about, Tom? | 0:36:00 | 0:36:03 | |
After you spoke to us, definitely a task I was really excited about | 0:36:03 | 0:36:06 | |
and wanted to take the opportunity to be project manager. | 0:36:06 | 0:36:08 | |
Did you have a strategy? | 0:36:08 | 0:36:10 | |
Yes, I was cautious about what we should be going out and buying. | 0:36:10 | 0:36:14 | |
I said to the guys, look, let's really drive a hard bargain, | 0:36:14 | 0:36:16 | |
let's really negotiate down so our costs are low. | 0:36:16 | 0:36:19 | |
But I think everyone was happy with the strategy we were going for. | 0:36:19 | 0:36:22 | |
-How was your team split up? -I wanted Jade by my side because I think we've probably | 0:36:22 | 0:36:25 | |
got the best eye for design and also I wanted to be in the shop | 0:36:25 | 0:36:28 | |
to get a feel for the size of it, how we were going to lay things out. | 0:36:28 | 0:36:31 | |
The other team, what were they tasked with? | 0:36:31 | 0:36:33 | |
OK, the other team was the stock buying team. | 0:36:33 | 0:36:35 | |
So for me, I wanted to get the strongest negotiators on that side of the task. | 0:36:35 | 0:36:39 | |
-Stock buying, from the dealers? -Yeah, from the dealers. -Right. | 0:36:39 | 0:36:42 | |
Very, very simple remit. Obviously, the key to this task was profit. | 0:36:42 | 0:36:45 | |
And in terms of items we were selecting, we were quite cautious | 0:36:45 | 0:36:47 | |
in everything we selected cos the bottom line is, | 0:36:47 | 0:36:50 | |
if people don't like it, they're not going to buy it. | 0:36:50 | 0:36:53 | |
So we went to the dealership and we found a nice room out the back. | 0:36:53 | 0:36:56 | |
Why would he have all this stuff out the back if it wasn't for sale? | 0:36:56 | 0:36:59 | |
It was there that long that it had become retro. | 0:36:59 | 0:37:01 | |
I don't think it was retro initially. | 0:37:01 | 0:37:03 | |
We actually bought a couple of suitcases | 0:37:03 | 0:37:05 | |
that are quite in at the moment. | 0:37:05 | 0:37:06 | |
We also bought a couple of chairs that we could use... | 0:37:06 | 0:37:09 | |
So he must have been delighted. He must have thought | 0:37:09 | 0:37:12 | |
he'd found a right bunch of idiots. So, were you given free rein | 0:37:12 | 0:37:15 | |
on how much you could spend? | 0:37:15 | 0:37:17 | |
I gave them £200 to go out with initially. | 0:37:17 | 0:37:20 | |
So was that the deliberate thing on your behalf, was it? | 0:37:20 | 0:37:23 | |
-Yeah... -You didn't want them to get carried away? | 0:37:23 | 0:37:26 | |
-Yeah, and we also had the whole of day two... -Damage limitation or what? | 0:37:26 | 0:37:29 | |
-They could only blow 200 quid? -Yeah. | 0:37:29 | 0:37:31 | |
Lord Sugar, I mentioned several times that | 0:37:31 | 0:37:33 | |
the shop for me from the outside, which is where you should judge a shop, | 0:37:33 | 0:37:36 | |
not when you're stood on the inside, looked bare. | 0:37:36 | 0:37:39 | |
But I didn't know whether we were going for minimalistic... | 0:37:39 | 0:37:41 | |
But you do get these arty farty people that just have a big white shop | 0:37:41 | 0:37:45 | |
and one thing in the middle... | 0:37:45 | 0:37:47 | |
The Brick Lane area, it's not my expertise. | 0:37:47 | 0:37:49 | |
It had been set out in a good way. We did the best with what it was. | 0:37:49 | 0:37:53 | |
-So, how was Tom? Good? -Good. -Good team leader? | 0:37:53 | 0:37:55 | |
Tom overall was very good. | 0:37:55 | 0:37:57 | |
-And you got good cooperation from all the people? -Absolutely fantastic. | 0:37:57 | 0:38:00 | |
I haven't got a bad word to say about anyone in my team for the last two days. | 0:38:00 | 0:38:04 | |
Good. | 0:38:04 | 0:38:05 | |
Brave statement but good. | 0:38:05 | 0:38:08 | |
Now, I think I've heard enough now so I think | 0:38:08 | 0:38:11 | |
we need to get down to the numbers | 0:38:11 | 0:38:13 | |
and let's hear how we did, see how much money we made. | 0:38:13 | 0:38:16 | |
I'll start with you, Nick. | 0:38:16 | 0:38:19 | |
-Have you got some numbers there that I can write down? -Yeah. Phoenix... | 0:38:19 | 0:38:23 | |
total sales of £1,423.50. | 0:38:23 | 0:38:27 | |
Minus the total spend of £360.10 | 0:38:29 | 0:38:32 | |
generated a profit... | 0:38:32 | 0:38:34 | |
of £1,063.40. | 0:38:34 | 0:38:38 | |
That's not bad for a few days' work, a thousand pounds. | 0:38:38 | 0:38:41 | |
Karen, how about your team? | 0:38:41 | 0:38:44 | |
We did better on sales... | 0:38:44 | 0:38:46 | |
£1,444.25. | 0:38:46 | 0:38:49 | |
But we spent more. | 0:38:51 | 0:38:53 | |
£660.76... | 0:38:53 | 0:38:56 | |
making a profit of £783.49. | 0:38:56 | 0:39:00 | |
Right, well, well done, Phoenix. | 0:39:00 | 0:39:02 | |
You came in with £1,063 profit | 0:39:04 | 0:39:07 | |
playing £783 so that's very good. | 0:39:07 | 0:39:11 | |
Looks like your stinginess paid off here | 0:39:11 | 0:39:13 | |
because you spent £360 compared to their £660. | 0:39:13 | 0:39:18 | |
-So very, very good. -Thank you. | 0:39:18 | 0:39:20 | |
Keeping in the spirit of things, | 0:39:20 | 0:39:22 | |
I'm going to set up a '40s vintage party for you. | 0:39:22 | 0:39:25 | |
And here's the good news. | 0:39:25 | 0:39:27 | |
You're going to learn how to swing dance. | 0:39:27 | 0:39:29 | |
-Fantastic. Fantastic. -Good. | 0:39:29 | 0:39:31 | |
Have a nice time and I'll see you on the next task. | 0:39:31 | 0:39:33 | |
-Thank you. -Well done. | 0:39:33 | 0:39:35 | |
Winning team! | 0:39:40 | 0:39:41 | |
Yes! | 0:39:41 | 0:39:43 | |
I thought we'd lost! | 0:39:46 | 0:39:48 | |
Well, same kind of sales figure | 0:39:49 | 0:39:53 | |
and clearly you spent more money. | 0:39:53 | 0:39:55 | |
That's it, really. But I think... | 0:39:55 | 0:39:57 | |
you were there on the day, so you need to go | 0:39:57 | 0:40:00 | |
and talk about this amongst yourself and I'll see you back here shortly. | 0:40:00 | 0:40:04 | |
Off you go. | 0:40:04 | 0:40:05 | |
1940s SWING MUSIC PLAYS | 0:40:17 | 0:40:21 | |
-Cheers, guys! -Team Phoenix! -Team Phoenix! -And to a good PM! | 0:40:24 | 0:40:27 | |
-Good job, Tom. -Very good job, Tom. -Excellent. | 0:40:27 | 0:40:30 | |
CHEERING | 0:40:30 | 0:40:32 | |
My name's Simon, this is Nicky | 0:40:32 | 0:40:34 | |
and our job is to get you swinging. | 0:40:34 | 0:40:38 | |
My God! | 0:40:38 | 0:40:40 | |
Here you go. Push. Turn... | 0:40:40 | 0:40:42 | |
'Finally a win' | 0:40:42 | 0:40:43 | |
and I think well-deserved. | 0:40:43 | 0:40:45 | |
'Tom was a very strong PM. I'm not necessarily sure he was a good PM.' | 0:40:45 | 0:40:48 | |
He chose a risky strategy but it paid off. | 0:40:48 | 0:40:51 | |
And out. | 0:40:51 | 0:40:52 | |
'Because of my age, I think it makes...' | 0:40:52 | 0:40:54 | |
It can be quite difficult for some people to take orders from myself. | 0:40:54 | 0:40:57 | |
But every time I asked someone to do something, | 0:40:57 | 0:41:00 | |
they did it without questions. | 0:41:00 | 0:41:01 | |
Big team, big win. Cheers. | 0:41:01 | 0:41:03 | |
-Cheers, guys. -Cheers! | 0:41:03 | 0:41:06 | |
-It's unfortunate, guys. -I think the task... | 0:41:16 | 0:41:19 | |
there's two sides to it. | 0:41:19 | 0:41:21 | |
Primarily, the costs. | 0:41:21 | 0:41:22 | |
The secondary thing, if we'd had higher sales, | 0:41:22 | 0:41:24 | |
that wouldn't have been an issue either. | 0:41:24 | 0:41:26 | |
'The costings has absolutely crippled us for this task. | 0:41:26 | 0:41:31 | |
'I also feel that some of the items we upcycled,' | 0:41:31 | 0:41:33 | |
we upcycled them with the wrong design. | 0:41:33 | 0:41:35 | |
I don't want a row to erupt over the table, | 0:41:35 | 0:41:38 | |
but a third of it was spent on the materials. | 0:41:38 | 0:41:41 | |
I feel blame shouldn't just be on the materials. | 0:41:41 | 0:41:44 | |
I think where the problem lies is maybe we bought the actual items | 0:41:44 | 0:41:48 | |
themselves that were slightly too extensive. | 0:41:48 | 0:41:50 | |
'I'm not too concerned about' | 0:41:50 | 0:41:52 | |
the right choices of stock. | 0:41:52 | 0:41:54 | |
Ultimately, that was guesswork. | 0:41:54 | 0:41:56 | |
'But what we could have watched ourselves on was' | 0:41:56 | 0:41:58 | |
the purchasing of the materials. | 0:41:58 | 0:42:00 | |
PHONE RINGS | 0:42:13 | 0:42:14 | |
-Can you send the candidates in, please? -Yes, Lord Sugar. | 0:42:16 | 0:42:19 | |
You can go through to the boardroom now. | 0:42:19 | 0:42:21 | |
I'd be interested to hear your analysis as to | 0:42:31 | 0:42:35 | |
why you lost to the other team. | 0:42:35 | 0:42:38 | |
Can I try and attempt to give an answer to this? | 0:42:38 | 0:42:41 | |
-Yeah. You were the project manager, so... -Exactly. | 0:42:41 | 0:42:45 | |
My main concern on the spending front was that a third of this budget | 0:42:45 | 0:42:51 | |
-that we had was spent on the upcycling. -Let's get in on this materials here. -Mm-hmm. | 0:42:51 | 0:42:56 | |
-Go and buy some stuff that needs upcycling, yeah? -Yes. | 0:42:58 | 0:43:02 | |
So who did you put in charge of the converting of the stuff | 0:43:03 | 0:43:07 | |
to finished product? | 0:43:07 | 0:43:09 | |
The present I allocated the material job to, | 0:43:09 | 0:43:12 | |
basically what we needed and how much, was Gabrielle. | 0:43:12 | 0:43:15 | |
OK, so someone took a flying leap at, in order to convert all of that, | 0:43:15 | 0:43:21 | |
-I need to spend £232 on materials to convert them all, yeah? -Yes. | 0:43:21 | 0:43:27 | |
-And that was you? -Yes, on the direction as well of other members of the team | 0:43:27 | 0:43:31 | |
who said, this should be done, this should be done... | 0:43:31 | 0:43:33 | |
To be clear, when you had the list, you were a bit like kids in a sweet shop. | 0:43:33 | 0:43:38 | |
"We'll have some of this, some of that, some legs, some wheels." | 0:43:38 | 0:43:41 | |
None of you actually knew how much you'd spent. You hadn't calculated what you'd buy very carefully. | 0:43:41 | 0:43:46 | |
Gabrielle was shouting out to Jenna, "Buy some of this and that." | 0:43:46 | 0:43:48 | |
Jenna was ordering it and that's how it went. | 0:43:48 | 0:43:51 | |
I literally was given products and told to make it look good. I think in the end | 0:43:51 | 0:43:55 | |
we bought too much stuff that needed to be upcycled. | 0:43:55 | 0:43:59 | |
-That's why we had to buy so much material. -No, you didn't use it all. | 0:43:59 | 0:44:03 | |
-No, we did. -Five chairs we upcycled were done with the sacks. -Mm-hmm. | 0:44:03 | 0:44:06 | |
Four were done with the orange velvet. We had some material on the footstools, that's not a lot. | 0:44:06 | 0:44:11 | |
We did not use £200 worth of material. | 0:44:11 | 0:44:14 | |
What amount of material did you buy, Gabrielle, | 0:44:14 | 0:44:16 | |
-and where did it get used? -No, no, we used... -Or paint? | 0:44:16 | 0:44:19 | |
-What? How? -We needed paint, we needed the wheels which were used. | 0:44:19 | 0:44:23 | |
-We basically had no strategy on what we should buy. -None at all. | 0:44:23 | 0:44:28 | |
-No strategy on what limit we had. -You were in charge. -We had no strategy. | 0:44:28 | 0:44:32 | |
You were given £300 for the day which you did go over anyway | 0:44:32 | 0:44:35 | |
which shows to me that you weren't | 0:44:35 | 0:44:37 | |
-being careful. -Can I stop you there? -No, can I just... | 0:44:37 | 0:44:39 | |
-No, because this is just going into... -No, it's not. | 0:44:39 | 0:44:42 | |
-You gave us £300 to spend. -Uh-huh. -And as my sub-team can clarify, | 0:44:42 | 0:44:48 | |
materials needed to be bought to upcycle what we were buying. | 0:44:48 | 0:44:51 | |
We were never given a budget on how much... None of us, including yourself, | 0:44:51 | 0:44:54 | |
no-one knew there was a budget to be spent on any materials. | 0:44:54 | 0:44:57 | |
Why did you have to order £200 of material? | 0:44:57 | 0:44:59 | |
We didn't, we actually ordered 178 at first because you wanted us to do the shabby chic look. | 0:44:59 | 0:45:03 | |
-Then... -I'm trying to ask you... -Let me finish. | 0:45:03 | 0:45:05 | |
-Tell me... -I'll tell you now. -Individually. -I'll tell you what we ordered. -OK. -The material. | 0:45:05 | 0:45:09 | |
-Um, um, ladies, ladies, ladies. -Stop shouting. -Ladies, ladies, ladies. | 0:45:09 | 0:45:14 | |
Um, I hear on the other side from Karren that | 0:45:14 | 0:45:19 | |
you didn't get a plot on what to buy. | 0:45:19 | 0:45:21 | |
You bought a lot of stuff and the shop looked like a tip. | 0:45:21 | 0:45:26 | |
Who chose the majority of the stuff from the dealers | 0:45:26 | 0:45:29 | |
-and places like that? -That was myself, Ricky and Duane. | 0:45:29 | 0:45:33 | |
Do you know that your team had 200-plus items? | 0:45:33 | 0:45:37 | |
-In total. -And Tom's team had 50. | 0:45:37 | 0:45:40 | |
-That's a big difference. -Er, yeah! -Yeah. | 0:45:40 | 0:45:44 | |
Do you think you messed up the theme of it? | 0:45:44 | 0:45:47 | |
One thing we didn't do, Lord Sugar, which is what's caused this, we didn't do the market research. | 0:45:47 | 0:45:51 | |
Gabrielle, you said you know the local market, bought from it. | 0:45:51 | 0:45:54 | |
-No, I said I'd been there a couple of times. -In fairness, I think the creative team took that as gospel. | 0:45:54 | 0:45:59 | |
I don't think the Union Jack particularly is Brick Lane, it's not that demographic. | 0:45:59 | 0:46:02 | |
I wanted something that when people go by, it doesn't look like | 0:46:02 | 0:46:05 | |
a junkyard. It looks like maybe some thought's been put into it. | 0:46:05 | 0:46:08 | |
I saw how much Union Jack stuff had been plastered around, I was concerned. | 0:46:08 | 0:46:13 | |
I've made a lot of decisions and took on a lot of responsibility | 0:46:13 | 0:46:17 | |
and a lot of stuff is coming my way. | 0:46:17 | 0:46:19 | |
But if I'm taking responsibility for a lot of this stuff, | 0:46:19 | 0:46:22 | |
what did you take responsibility for? | 0:46:22 | 0:46:25 | |
OK, OK, OK. Let's get off the Union Jack for a minute. | 0:46:25 | 0:46:27 | |
Let's get on to sales here. You see, Gabrielle was the biggest seller. | 0:46:27 | 0:46:34 | |
She sold £414 worth of stuff, 28 items. | 0:46:34 | 0:46:38 | |
Jenna was the next biggest seller, £407 worth of items. | 0:46:38 | 0:46:42 | |
Jane, you're the businesswoman here and you sold £10 worth of stuff. | 0:46:42 | 0:46:48 | |
I did find, Jane, that your sales technique went between | 0:46:48 | 0:46:53 | |
a bit desperate and a bit aggressive. | 0:46:53 | 0:46:55 | |
Possibly I was overenthusiastic. | 0:46:55 | 0:46:58 | |
I apologise if I was but I tried my best to make sure that | 0:46:58 | 0:47:01 | |
as many people as possible went into that shop. | 0:47:01 | 0:47:04 | |
Right. I mean, Laura, I'm sitting here listening. | 0:47:07 | 0:47:10 | |
I've sat here and I'm getting bored now. | 0:47:10 | 0:47:12 | |
I can't get to where the problem lays. | 0:47:12 | 0:47:16 | |
We've spent too much money on materials. | 0:47:16 | 0:47:19 | |
We've bought 200 items, you know, | 0:47:19 | 0:47:22 | |
and not been very selective on the right category of products. | 0:47:22 | 0:47:26 | |
Where do you think the responsibility lays, you two? | 0:47:26 | 0:47:30 | |
I think responsibility lies on the creative team. | 0:47:30 | 0:47:32 | |
I think, Gabrielle, you come up with some ideas which weren't selling on the day. | 0:47:32 | 0:47:36 | |
You did sell extremely well but... | 0:47:36 | 0:47:38 | |
She sold more than you. | 0:47:38 | 0:47:40 | |
She did sell more than me. I wasn't on the sales team... | 0:47:40 | 0:47:42 | |
I think... | 0:47:42 | 0:47:43 | |
OK, listen. Laura. | 0:47:43 | 0:47:45 | |
Who is responsible for the ultimate failure of the task? | 0:47:45 | 0:47:50 | |
I do feel a lot of the blame lies on Gabrielle. | 0:47:50 | 0:47:52 | |
And who else? | 0:47:52 | 0:47:53 | |
I think after hearing that Jane only sold £10, | 0:47:53 | 0:47:57 | |
I'll have to bring Jane back in with me. | 0:47:57 | 0:47:59 | |
Right. | 0:48:01 | 0:48:02 | |
Rest of you, go back to the house. | 0:48:02 | 0:48:05 | |
Right. I'm going to consult with Karren a little longer, | 0:48:15 | 0:48:19 | |
and also Nick who's been listening on this, | 0:48:19 | 0:48:21 | |
so if you three step outside, please. | 0:48:21 | 0:48:23 | |
Laura's got a lot to answer to because everybody I asked | 0:48:37 | 0:48:42 | |
don't seem to know, you know, what the steer was from day one. | 0:48:42 | 0:48:47 | |
Jane is clearly a very successful, very able businesswoman. | 0:48:47 | 0:48:52 | |
Her CV points to some extraordinary things that she's achieved. | 0:48:52 | 0:48:56 | |
But actually I can't put my hand on my heart | 0:48:56 | 0:48:58 | |
and tell you that I've witnessed anything remarkable from her | 0:48:58 | 0:49:02 | |
in any of the tasks that I've been following her on. | 0:49:02 | 0:49:05 | |
Gabrielle seems to be the one which everyone's blaming | 0:49:05 | 0:49:09 | |
for spending far too much money on the refurbishment materials, | 0:49:09 | 0:49:12 | |
but I tell you what, she makes a very good point. | 0:49:12 | 0:49:15 | |
"OK, all right, let's say I did, but what did you do?" | 0:49:15 | 0:49:19 | |
And I haven't been able to get out of anybody else what they did. | 0:49:19 | 0:49:22 | |
PHONE RINGS | 0:49:24 | 0:49:25 | |
Could you send the three of them in, please? | 0:49:25 | 0:49:27 | |
Yes, Lord Sugar. | 0:49:27 | 0:49:28 | |
Lord Sugar will see you now. | 0:49:28 | 0:49:30 | |
So, Gabrielle made the point in the last session. | 0:49:39 | 0:49:45 | |
She said she's sitting here taking a load of flack, | 0:49:45 | 0:49:48 | |
but yet she asked you, "What did you do?" | 0:49:48 | 0:49:50 | |
-I thought it was a good question. -I did do a good job. | 0:49:51 | 0:49:55 | |
The sales force was motivated. | 0:49:55 | 0:49:57 | |
I mean, they were incredibly motivated, and we did sell. | 0:49:57 | 0:50:00 | |
Ultimately, what I did do, was I did manage the team well, | 0:50:00 | 0:50:04 | |
there was a clear direction, Gabrielle. | 0:50:04 | 0:50:06 | |
-Spend as little... -They say not, they say not. | 0:50:06 | 0:50:08 | |
As the project manager, why didn't you say to them, | 0:50:08 | 0:50:12 | |
"I only want 50 quid spent on materials." | 0:50:12 | 0:50:14 | |
But you didn't. You just let them go. | 0:50:14 | 0:50:16 | |
What raving lunatic would ever think that it didn't matter how much you spent? | 0:50:16 | 0:50:21 | |
But I was hoping a small amount of common sense would prevail. | 0:50:21 | 0:50:24 | |
As a project manager, some of the common sense should have come from you, also. | 0:50:24 | 0:50:29 | |
I feel there was actually no strategy. | 0:50:29 | 0:50:31 | |
Yes, there was good morale, | 0:50:31 | 0:50:32 | |
but when we asked you about materials and what we should buy, there was no budget. | 0:50:32 | 0:50:36 | |
You gave us £300. In fact, you didn't even specify that we should buy with that. | 0:50:36 | 0:50:40 | |
It did not make sense what was ordered. | 0:50:40 | 0:50:42 | |
I took responsibility and I do not shy away from it, and that's fine. | 0:50:42 | 0:50:47 | |
But I took on a lot of stuff, and what did you do apart from, | 0:50:47 | 0:50:51 | |
you gave a good speech now and again, but if I ask you, | 0:50:51 | 0:50:54 | |
"What did you do that contributed to this?" Go ahead. | 0:50:54 | 0:50:57 | |
Gabrielle, that's a very good speech as well, that's commendable. | 0:50:57 | 0:51:01 | |
Thank you very much. I'm not denying your work ethic, OK? | 0:51:01 | 0:51:05 | |
Yes, I know you put some masking tape on a window. Well done for that. | 0:51:05 | 0:51:09 | |
-Yes. -And the signage, and the board? -No, look, listen. | 0:51:09 | 0:51:13 | |
The bottom line is, you, as Karren said, | 0:51:13 | 0:51:15 | |
were like a kid in a sweetie shop buying the materials. | 0:51:15 | 0:51:19 | |
At the end of the day, I was at the centre of everything. | 0:51:19 | 0:51:24 | |
Was she at the centre of everything? | 0:51:24 | 0:51:25 | |
Well, obviously not, because if she was at the centre of everything | 0:51:25 | 0:51:28 | |
-then there would have been a budget for the materials. -If you was at the centre, | 0:51:28 | 0:51:32 | |
would you have not known how much you was going to spend? | 0:51:32 | 0:51:34 | |
OK, the point is, you have to delegate. | 0:51:34 | 0:51:37 | |
-That's what your position was. -Yeah, that's great, | 0:51:37 | 0:51:39 | |
I'm asking, what did you delegate? | 0:51:39 | 0:51:41 | |
-I delegated to you... -Apart from splitting the teams up? -That is so unfair, | 0:51:41 | 0:51:44 | |
because I was doing the selling and the purchasing. | 0:51:44 | 0:51:48 | |
Yes, we may have had some larger items and we may have bought a lot of stock, but we sold it all. | 0:51:48 | 0:51:52 | |
The sales were not a problem for the team apart from for Jane, obviously. | 0:51:52 | 0:51:55 | |
-No, hold on a second. I asked, did you want me out on the street? -I didn't tell you to be outside! | 0:51:55 | 0:52:00 | |
-Then you came out to the street and asked me to do flyering. -Yes, I did ask her to do flyering. | 0:52:00 | 0:52:04 | |
So why are you saying that? Never once did you ask me to go back into the shop, never once. | 0:52:04 | 0:52:09 | |
-Jane. -You know? So why are you trying to...? -OK, ladies, ladies, ladies. | 0:52:09 | 0:52:14 | |
I can see that there's a complete conflict here. | 0:52:14 | 0:52:17 | |
Jane, I've looked at your application here. | 0:52:17 | 0:52:21 | |
And you and your husband have a very substantial business. | 0:52:21 | 0:52:23 | |
Yes, Lord Sugar. | 0:52:23 | 0:52:25 | |
I mean, it's very, very good. Very commendable. | 0:52:25 | 0:52:27 | |
So some of your colleagues in the house may be in awe of you | 0:52:27 | 0:52:32 | |
or possibly even concerned that you are a contender. | 0:52:32 | 0:52:36 | |
The only thing is, they might feel that about you, I don't, | 0:52:36 | 0:52:40 | |
cos I ain't seen anything to make me feel that way. | 0:52:40 | 0:52:44 | |
So... | 0:52:44 | 0:52:46 | |
OK, Lord Sugar, just to clarify about the sales. | 0:52:47 | 0:52:52 | |
Yeah, I was out in the street for most of the day, | 0:52:52 | 0:52:54 | |
but I can genuinely say that I worked extremely hard. | 0:52:54 | 0:52:58 | |
I'm quite a serious person. | 0:52:58 | 0:53:00 | |
Not a market trader, I haven't done that before. | 0:53:00 | 0:53:03 | |
I am more comfortable in the business to business environment. | 0:53:03 | 0:53:07 | |
-You know, I... -Mm-hmm. Right. | 0:53:07 | 0:53:09 | |
Laura. | 0:53:11 | 0:53:13 | |
Why do you feel that you deserve the opportunity of getting | 0:53:13 | 0:53:16 | |
an investment of £250,000 from me? | 0:53:16 | 0:53:19 | |
I have been successful in everything I have ever done, | 0:53:19 | 0:53:23 | |
and I'm ready to, I mean... | 0:53:23 | 0:53:25 | |
You weren't successful this week, was you? | 0:53:25 | 0:53:27 | |
Who should be fired in this particular task, do you think, this week? | 0:53:27 | 0:53:31 | |
Unfortunately, I still feel it's Gabrielle. | 0:53:31 | 0:53:34 | |
Laura should be fired. | 0:53:36 | 0:53:38 | |
And Jane? | 0:53:39 | 0:53:41 | |
I believe Laura should be fired. | 0:53:41 | 0:53:42 | |
Mmm. It's a tough one. | 0:53:42 | 0:53:44 | |
It's down to this particular task, and did you get a plot? | 0:53:46 | 0:53:52 | |
And Laura, I don't think you did get a plot in this task. | 0:53:52 | 0:53:56 | |
Gabrielle, you got blamed for spending too much money, | 0:53:58 | 0:54:03 | |
but I admire your enthusiasm. | 0:54:03 | 0:54:07 | |
And on this particular occasion, | 0:54:09 | 0:54:11 | |
I'm going to let you stay in the process, OK? | 0:54:11 | 0:54:13 | |
Thank you, Lord Sugar. | 0:54:13 | 0:54:15 | |
And it leaves me with just having to make a decision about you two ladies here. | 0:54:16 | 0:54:21 | |
-And... -Lord Sugar... -No, I don't want to hear anymore, actually. -OK. | 0:54:21 | 0:54:27 | |
This is one of the most difficult ones I've had to deal with. Erm... | 0:54:27 | 0:54:31 | |
I have to judge it on the person that's got most potential | 0:54:31 | 0:54:34 | |
in coming into business with me, yeah? | 0:54:34 | 0:54:37 | |
Laura, you lost the plot. | 0:54:39 | 0:54:43 | |
And you didn't run the team very well. | 0:54:43 | 0:54:46 | |
But I have a bigger concern with you, Jane. | 0:54:50 | 0:54:52 | |
You've been in the losing team | 0:54:54 | 0:54:57 | |
three times out of four weeks, yeah? | 0:54:57 | 0:55:00 | |
And nothing I have seen yet | 0:55:02 | 0:55:06 | |
tells me that you are this great business person, | 0:55:06 | 0:55:08 | |
so on that basis, Jane, you're fired. | 0:55:08 | 0:55:12 | |
OK. Thank you anyway. Thank you. | 0:55:12 | 0:55:14 | |
Now, walking out that door, there, | 0:55:25 | 0:55:28 | |
may be a great business partner for me. | 0:55:28 | 0:55:31 | |
But I have got a gut feeling. | 0:55:31 | 0:55:34 | |
And you, Gabrielle, the reason you're staying here today | 0:55:34 | 0:55:37 | |
is because I think you've been unfairly picked upon. | 0:55:37 | 0:55:40 | |
OK, off you go. | 0:55:40 | 0:55:41 | |
-Thank you, Lord Sugar. -Thank you very much. | 0:55:41 | 0:55:44 | |
I don't think you have to worry about Jane. | 0:55:59 | 0:56:01 | |
She's obviously a very clever businesswoman. | 0:56:01 | 0:56:04 | |
The application, on paper, is unbelievable. | 0:56:04 | 0:56:07 | |
All I can say is that I didn't see anything in the past four weeks. | 0:56:07 | 0:56:11 | |
And that's my gut feeling, this is my boardroom, | 0:56:11 | 0:56:15 | |
this is my process, this is my money. | 0:56:15 | 0:56:17 | |
Lord Sugar mightn't have wanted me, | 0:56:36 | 0:56:39 | |
but I will be extremely successful in everything that I do. | 0:56:39 | 0:56:42 | |
And hopefully in a few years' time he'll look back and say, | 0:56:42 | 0:56:45 | |
"I shouldn't have fired her." | 0:56:45 | 0:56:47 | |
I think everything on paper should be that Laura should go, | 0:56:47 | 0:56:50 | |
but I think that Lord Sugar will send Jane home. | 0:56:50 | 0:56:53 | |
I personally think Jane. | 0:56:53 | 0:56:55 | |
-Laura was a good motivator, in that respect, she was. -Yeah, no, I thought really well of Laura. | 0:56:55 | 0:56:59 | |
But we did make some strategic mistakes. I think Laura should get fired. | 0:56:59 | 0:57:03 | |
CHEERING AND APPLAUSE | 0:57:07 | 0:57:10 | |
Well done, well done! | 0:57:10 | 0:57:13 | |
We did not know who was going, and he ripped every one of us to shreds. | 0:57:13 | 0:57:17 | |
-What happened to Jane? -Basically, what he said, was, he did say he had this feeling in his gut. | 0:57:17 | 0:57:22 | |
He said, "I've got to think about who I want to go into business with." | 0:57:22 | 0:57:25 | |
But she was also shocked, because she did believe she did a good job. | 0:57:25 | 0:57:29 | |
So, you know, for her I think it was a complete, like, "where did that come from?" | 0:57:29 | 0:57:33 | |
-And she wasn't prepared. -It wasn't pleasant. | 0:57:33 | 0:57:35 | |
In the fight for Lord Sugar's quarter million pound investment, | 0:57:38 | 0:57:42 | |
12 candidates remain. | 0:57:42 | 0:57:45 | |
Next time... | 0:57:47 | 0:57:48 | |
Your task this week is to come up with a new fitness programme. | 0:57:48 | 0:57:53 | |
You jab, jab, foot across, elbow. | 0:57:53 | 0:57:55 | |
It's survival of the fittest... | 0:57:55 | 0:57:58 | |
-So what's this called? Give us a name for it. -"Hip Groove." -"The Swing-a-ling." | 0:57:58 | 0:58:02 | |
..and loudest. | 0:58:02 | 0:58:03 | |
-It's the same thing again, we have an opinion and you just don't like it. -No, no, no, no. | 0:58:03 | 0:58:07 | |
But in the boardroom, one's unfit for business. | 0:58:07 | 0:58:11 | |
I did warn you about doing that, and that's a bad management move, that is. | 0:58:11 | 0:58:14 | |
You're fired. | 0:58:14 | 0:58:16 | |
Subtitles by Red Bee Media Ltd | 0:58:18 | 0:58:21 |