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This is not about a job any more. I'm the investor and you are going to make me some money. | 0:00:03 | 0:00:09 | |
Heading to London, 16 potential business partners, | 0:00:09 | 0:00:13 | |
all keen to kick-start a company. | 0:00:13 | 0:00:16 | |
Don't try and hide. | 0:00:17 | 0:00:19 | |
Because, you know, we're not playing Where's Wally here. | 0:00:19 | 0:00:22 | |
I'm not looking for Lord Lucan. | 0:00:22 | 0:00:24 | |
I'm looking for somebody who's going to show me | 0:00:24 | 0:00:26 | |
that they've got the business acumen to be my partner. | 0:00:26 | 0:00:30 | |
On offer, a 50/50 deal with the nation's most demanding investor. | 0:00:30 | 0:00:36 | |
That first few lines there, to me, | 0:00:36 | 0:00:39 | |
was you digging a bloody great big hole. | 0:00:39 | 0:00:42 | |
Willing to bankroll new business in tough times, | 0:00:42 | 0:00:45 | |
Lord Sugar is on the hunt for one winning partnership. | 0:00:45 | 0:00:49 | |
Basic business principles went right down the drain on this thing. | 0:00:49 | 0:00:53 | |
You should have all known better. | 0:00:53 | 0:00:55 | |
-Start the car! -It's a deal worth fighting for. | 0:00:55 | 0:00:58 | |
That's not fair. Like, we're taking it in turns. She needs to cop onto herself. | 0:00:58 | 0:01:02 | |
-16 candidates. -It's way outside the box. It's way outside the box. | 0:01:02 | 0:01:06 | |
12 tough weeks. | 0:01:07 | 0:01:09 | |
-Where am I going? -One life-changing opportunity. | 0:01:10 | 0:01:14 | |
You're fired. You're fired. | 0:01:14 | 0:01:16 | |
This is my boardroom and, by the way, this is my money. | 0:01:16 | 0:01:20 | |
You're fired. | 0:01:20 | 0:01:21 | |
Previously on The Apprentice... | 0:01:28 | 0:01:31 | |
You're going to have to source your second-hand stock | 0:01:31 | 0:01:33 | |
and then sell it to the public. | 0:01:33 | 0:01:35 | |
-..the teams set up shop... -Where did you get these from? -Do you love it? | 0:01:35 | 0:01:39 | |
..in trendy East End London. | 0:01:39 | 0:01:42 | |
-What about a chair? -No. | 0:01:42 | 0:01:44 | |
Let's think realistically, how many items are we going to sell? | 0:01:44 | 0:01:48 | |
For project manager Tom, less was more. | 0:01:48 | 0:01:50 | |
I don't think we've got anywhere near enough. | 0:01:50 | 0:01:53 | |
Leaving team-mate Adam to scavenge for stock. | 0:01:53 | 0:01:56 | |
Found some great stuff in the skip. | 0:01:56 | 0:01:58 | |
-We're selling crap and turning it into style. -That is exactly it. | 0:01:59 | 0:02:03 | |
Laura's team set out to turn trash into cash. | 0:02:03 | 0:02:07 | |
-120? -I've got no clue on this. I don't buy this shit. | 0:02:07 | 0:02:11 | |
But Gabrielle's tarted-up tat failed to take off. | 0:02:11 | 0:02:14 | |
Please come and take this furniture off of me! | 0:02:14 | 0:02:17 | |
-In the board room... -Looks like your stinginess paid off here. | 0:02:17 | 0:02:21 | |
-..a win for Tom... -Laura, I don't think you did get it. | 0:02:21 | 0:02:25 | |
..left Laura to defend her big spend. | 0:02:25 | 0:02:28 | |
You bought a lot of stuff and the shop looked like a tip. | 0:02:28 | 0:02:32 | |
Gabrielle kept talking. | 0:02:32 | 0:02:33 | |
I've made lots of decisions and I took on a lot of responsibility. | 0:02:33 | 0:02:36 | |
-What did you do yourself? -Gabrielle, that is so unfair. | 0:02:36 | 0:02:40 | |
But Jane was lost for words. | 0:02:40 | 0:02:43 | |
The thing is, Jane, nothing tells me that you are this great business person. | 0:02:43 | 0:02:47 | |
So on that basis, Jane, you're fired. | 0:02:47 | 0:02:50 | |
She became the fourth casualty of the boardroom. | 0:02:50 | 0:02:54 | |
Now 12 remain to fight for the chance to become Lord Sugar's business partner. | 0:02:54 | 0:03:00 | |
6:15am. | 0:03:10 | 0:03:12 | |
PHONE RINGS | 0:03:12 | 0:03:14 | |
-Good morning. -'Good morning, this is Lord Sugar's office. | 0:03:20 | 0:03:23 | |
'Lord Sugar would like you to meet him at York Hall in east London. | 0:03:23 | 0:03:27 | |
'The cars will be with you in 20 minutes.' | 0:03:27 | 0:03:30 | |
OK, thank you very much. Bye. | 0:03:30 | 0:03:32 | |
KNOCKING ON DOOR | 0:03:32 | 0:03:34 | |
Car's coming in 20 minutes. | 0:03:34 | 0:03:36 | |
-Where are we going? -York Hall. -What is York Hall, Tom? | 0:03:36 | 0:03:40 | |
-Could be a call centre. "Your call". -York Hall is in Yorkshire, isn't it? | 0:03:40 | 0:03:45 | |
Ah, "your call". Oh, right, OK. | 0:03:45 | 0:03:48 | |
Us girls are disappearing like there's no tomorrow. | 0:03:59 | 0:04:03 | |
Have to ship some more in. | 0:04:03 | 0:04:05 | |
This time we are going to smash this and send somebody home from Team Phoenix. | 0:04:07 | 0:04:11 | |
Bethnal Green, east London. | 0:04:14 | 0:04:16 | |
York Hall. | 0:04:17 | 0:04:19 | |
Venue for world-class boxing, sport and leisure. | 0:04:19 | 0:04:23 | |
Keeping cockneys fit for almost 100 years. | 0:04:26 | 0:04:30 | |
And still attracting local heavyweights. | 0:04:30 | 0:04:34 | |
-Good morning. -Good morning, Lord Sugar. | 0:04:40 | 0:04:43 | |
Well, welcome to York Hall. | 0:04:43 | 0:04:45 | |
This is a famous place in the East End of London. | 0:04:45 | 0:04:49 | |
The health and fitness industry is worth a fortune, but what has | 0:04:49 | 0:04:54 | |
become even more popular is the innovation of new fitness trends. | 0:04:54 | 0:05:01 | |
And so your task this week is to come up with a new fitness programme. | 0:05:01 | 0:05:07 | |
And where's the money? Well, I'll tell you where the money is. | 0:05:07 | 0:05:10 | |
You are going to go and try and license your new fitness trend | 0:05:10 | 0:05:15 | |
to some of the country's leading health club chains. | 0:05:15 | 0:05:18 | |
It's got to grab the public's interest | 0:05:18 | 0:05:21 | |
and the fitness industry's investment. | 0:05:21 | 0:05:25 | |
If they like it, they're going to license your class nationally. | 0:05:25 | 0:05:28 | |
The team that makes the most money from sales of the licences will win | 0:05:28 | 0:05:34 | |
and in the losing team one of you will be fired. | 0:05:34 | 0:05:37 | |
-So, everything clear? -Yes, Lord Sugar. -Right. Off you go. | 0:05:37 | 0:05:41 | |
Group exercise is a billion-pound industry. | 0:05:43 | 0:05:46 | |
From dance-based Zumba... | 0:05:47 | 0:05:49 | |
..and Spinning... | 0:05:51 | 0:05:53 | |
to BodyPump, | 0:05:54 | 0:05:56 | |
selling the rights to branded classes can turn movement into money. | 0:05:56 | 0:06:01 | |
Teams have two days to develop new fitness-class concepts | 0:06:02 | 0:06:07 | |
then license the rights to run them. | 0:06:07 | 0:06:09 | |
First job, choose a leader. | 0:06:12 | 0:06:14 | |
Just to speed us up, guys, I do this type of thing day-to-day, | 0:06:14 | 0:06:17 | |
I'm very knowledgeable about what the sector is, I know exactly what is required. | 0:06:17 | 0:06:21 | |
-I think we should just crack on and I'll be the PM. -Yeah. -Let's go. | 0:06:21 | 0:06:25 | |
-Is everyone agreed? -yeah. -Perfect stuff. OK. | 0:06:25 | 0:06:27 | |
I'm the right man for the job, given what I do day to day. | 0:06:27 | 0:06:30 | |
I've been in health and fitness quite a few years now. | 0:06:30 | 0:06:33 | |
'The task itself could be a bit of a banana skin' | 0:06:33 | 0:06:35 | |
because, if we don't win, my neck's purely on the chopping block | 0:06:35 | 0:06:38 | |
and I'm aware of that. | 0:06:38 | 0:06:40 | |
Guys, project manager, I'm going to throw my hat straight in the ring. I want this. | 0:06:40 | 0:06:45 | |
I think this task is ideally suited and I think across the group | 0:06:45 | 0:06:48 | |
everybody's got a different interest in terms of sports and hobbies and I think I can lead this and we'll win. | 0:06:48 | 0:06:53 | |
Can I just put myself forward? | 0:06:53 | 0:06:55 | |
Being a horse rider, competing in showjumping, | 0:06:55 | 0:06:57 | |
I'm quite passionate about being team leader as well. | 0:06:57 | 0:07:00 | |
I think that, looking at who we're pitching to, these major gyms, that's where I work out. | 0:07:00 | 0:07:05 | |
I feel strongly that this is my task. | 0:07:05 | 0:07:08 | |
Shall we vote? All in favour of Ricky... | 0:07:08 | 0:07:11 | |
Outside of work I am a professional wrestler. They call me the Fitness. | 0:07:13 | 0:07:17 | |
I've been the heavyweight champion in wrestling, I'll be the heavyweight champion in business. | 0:07:17 | 0:07:21 | |
You'll always witness the Fitness with Ricky Martin. | 0:07:21 | 0:07:24 | |
It's head-to-head. Health and fitness insider Stephen | 0:07:25 | 0:07:30 | |
facing recruitment manager and lord of the ring Ricky. | 0:07:30 | 0:07:34 | |
We need to look at where the trends lie and follow those trends and give them something new. | 0:07:36 | 0:07:40 | |
Martial arts, dance classes, the kind of Zumba classes. | 0:07:40 | 0:07:43 | |
Body combat to take in that military element, the boot camp type element, they're popular. | 0:07:43 | 0:07:48 | |
I think something like street dancing | 0:07:48 | 0:07:50 | |
and incorporating something with the kickboxing or something. | 0:07:50 | 0:07:54 | |
-Street dance jumps out to everyone? I would agree with that entirely. -Yeah. | 0:07:54 | 0:07:57 | |
I think martial arts and street dance combined, they're our largest potential markets. | 0:07:57 | 0:08:01 | |
-Anybody got a dancing background where they'll know what they're talking about? -I've been a dancer. | 0:08:01 | 0:08:07 | |
On the other team, a different set of ideas. | 0:08:07 | 0:08:10 | |
I deal with gym membership specifically | 0:08:10 | 0:08:12 | |
and within every gym I'm part of there's classes in excess of 90, 100 a week. | 0:08:12 | 0:08:16 | |
In terms of what the fitness centres will be looking for, | 0:08:16 | 0:08:19 | |
they're looking for something completely unique. | 0:08:19 | 0:08:22 | |
-My idea is Fit Skip. Skipping classes. It's original. -OK. | 0:08:22 | 0:08:26 | |
-Makes sense. -Loads of strap lines and names you could use. Fit Skip. Hip To Skip. -Got it. Skip. Love it. | 0:08:26 | 0:08:31 | |
I've got a couple of ideas. | 0:08:32 | 0:08:34 | |
One of them being some sort of dating class. | 0:08:34 | 0:08:39 | |
Speed dating is really popular at the moment | 0:08:39 | 0:08:41 | |
and one of the trends is people meeting someone at a gym. | 0:08:41 | 0:08:44 | |
I don't know exactly how that would work but... | 0:08:44 | 0:08:46 | |
I'd hate to be all hot and sweaty and talking to someone. | 0:08:46 | 0:08:50 | |
-Katie, you have a second idea? -Yeah, I do. | 0:08:50 | 0:08:53 | |
-There's kind of a retro theme, which is equipment you used as a kid. -That's quite cool. | 0:08:53 | 0:08:58 | |
So if we can develop a class that is very '80s and retro, we could look at | 0:08:58 | 0:09:02 | |
what that involves, something completely unique and different. | 0:09:02 | 0:09:04 | |
Yeah, yeah. | 0:09:04 | 0:09:06 | |
London's West End. | 0:09:06 | 0:09:08 | |
Convinced retro is the way forward, | 0:09:10 | 0:09:12 | |
half of Stephen's team head down to an '80s dance troupe. | 0:09:12 | 0:09:16 | |
Fantastic. | 0:09:16 | 0:09:18 | |
# What a feeling | 0:09:18 | 0:09:21 | |
# Keep believing | 0:09:21 | 0:09:25 | |
# I can have it all Now I'm dancing... # | 0:09:25 | 0:09:28 | |
First of all, thanks for your time. We're looking for a bit of inspiration today. | 0:09:28 | 0:09:32 | |
We've actually got to come up with a new class that's going to be in gyms. | 0:09:32 | 0:09:37 | |
-Are you members of gyms at the moment? Do you do classes? -Yeah. | 0:09:37 | 0:09:40 | |
-Do your classes use any kind of equipment? -Yes, weights and things. | 0:09:40 | 0:09:44 | |
-Would you girls skip? Have you skipped, would you skip? -Yeah. | 0:09:44 | 0:09:47 | |
You love it? OK. | 0:09:47 | 0:09:49 | |
Do you know any routines? To get a picture in my mind that you could use these. | 0:09:50 | 0:09:54 | |
-Because in gyms they've got balls very similar to this. -Yes! | 0:09:54 | 0:09:58 | |
-Yeah. Wow. -You can do some workout, core muscle workout. | 0:09:58 | 0:10:02 | |
You're working your upper body, working everything at the same time. | 0:10:04 | 0:10:07 | |
-Take it down to the bum. That tones up your bum. -Yeah. | 0:10:08 | 0:10:12 | |
-Blimey. -So, girls, is there any kind of craze that's hung around? | 0:10:12 | 0:10:16 | |
We don't want a bubble, we want something with shelf life. | 0:10:16 | 0:10:19 | |
If you're thinking dance moves, Michael Jackson, the Thriller moves, | 0:10:19 | 0:10:23 | |
everyone has a go at doing them, even on the dancefloor. | 0:10:23 | 0:10:26 | |
One, two, three, switch, switch. | 0:10:26 | 0:10:30 | |
And then obviously you can lean a bit more into that. | 0:10:30 | 0:10:33 | |
You've got to get that and then more of that. And your arms. | 0:10:33 | 0:10:37 | |
Switch, switch, and then back. | 0:10:37 | 0:10:39 | |
To finish off with, like, reach to one, reach... | 0:10:39 | 0:10:42 | |
And everyone knows where they're up to then. | 0:10:42 | 0:10:44 | |
Workout taking shape and carting some retro kit, it's time to go. | 0:10:44 | 0:10:49 | |
So, Stephen, how do you think it went in there? | 0:10:52 | 0:10:55 | |
To be honest, I'm really excited now. I think we've found something. | 0:10:55 | 0:11:00 | |
LAUGHTER | 0:11:00 | 0:11:02 | |
London's Docklands. | 0:11:02 | 0:11:05 | |
On the other team, it's ringside for wrestler Ricky and his girls. | 0:11:05 | 0:11:10 | |
We're mixing a kind of street dance with a mixed martial arts theme. | 0:11:13 | 0:11:17 | |
Is there a unique move to Thai kickboxing? | 0:11:17 | 0:11:20 | |
We don't want it to look like boxercise. | 0:11:20 | 0:11:22 | |
It's like punch, elbow, this, this. You can do this. This. | 0:11:22 | 0:11:26 | |
'Really, really excited. | 0:11:28 | 0:11:30 | |
'Seeing these mixed martial arts guys has given me some great ideas.' | 0:11:30 | 0:11:32 | |
Jab, jab, foot across, elbow. | 0:11:32 | 0:11:36 | |
It's making sure that it's doing its purpose, getting people fit. | 0:11:36 | 0:11:39 | |
If we can get them dancing and we couple that in with a few simple moves, we've got everything. | 0:11:39 | 0:11:45 | |
Out to blend Ricky's martial arts with street dance, | 0:11:47 | 0:11:50 | |
the rest of his team. | 0:11:50 | 0:11:52 | |
-I'm Duane. -Gabrielle. Nice to meet you, girls. -Nick. | 0:11:52 | 0:11:55 | |
-Hi. You look smart. -Thank you. You all look very cool. | 0:11:55 | 0:11:59 | |
Keeping track, technology entrepreneur Nick. | 0:11:59 | 0:12:02 | |
If you were showing your grandma how to street-dance, | 0:12:02 | 0:12:05 | |
what would be the first moves that you'd show her? | 0:12:05 | 0:12:08 | |
I'd probably show her some new jack swing. | 0:12:08 | 0:12:10 | |
-Basics, yeah. -Could you show us those? -This one. | 0:12:10 | 0:12:13 | |
Right, OK. | 0:12:14 | 0:12:15 | |
'I don't know much about street dancing.' | 0:12:16 | 0:12:19 | |
The girls have shown us some different moves, | 0:12:19 | 0:12:21 | |
we've decided that the swing jack style, or the swing something jack | 0:12:21 | 0:12:26 | |
is probably something that might fit in with our exercise regime. | 0:12:26 | 0:12:29 | |
After you've danced for a while, | 0:12:29 | 0:12:31 | |
what areas of your body ache, in terms of muscle... | 0:12:31 | 0:12:34 | |
-Your back! -Your arms and your legs. Your neck. | 0:12:34 | 0:12:38 | |
An all-over body workout. | 0:12:38 | 0:12:40 | |
Martial arts is a lot more about having discipline, | 0:12:40 | 0:12:43 | |
doing things in a certain way, so if we can combine the two | 0:12:43 | 0:12:46 | |
we could come up with something really good. | 0:12:46 | 0:12:48 | |
-Can I join your group? -Yes! | 0:12:48 | 0:12:51 | |
Regrouping to merge martial arts with street dance, | 0:12:54 | 0:12:58 | |
Ricky and his team. | 0:12:58 | 0:13:00 | |
A lot of it is elbows and knees, whereas boxercise is punches. | 0:13:00 | 0:13:04 | |
The key one was the spinning elbows, so it's jab, jab, step across, elbow behind. | 0:13:04 | 0:13:09 | |
All it needs is a name. | 0:13:09 | 0:13:11 | |
-The idea is, like, Beat Battle, fight to the music, kind of thing. -I quite like Beat Battle. | 0:13:11 | 0:13:15 | |
-Yeah. -Definitely. -Interesting. Yeah. | 0:13:15 | 0:13:17 | |
3pm. | 0:13:19 | 0:13:21 | |
-Hi. -Hiya. -Hello. | 0:13:21 | 0:13:23 | |
Overseen by fitness expert Lindsay... | 0:13:24 | 0:13:26 | |
So have you got any fitness experience? | 0:13:26 | 0:13:29 | |
-I danced when I was younger. -Oh, OK. | 0:13:29 | 0:13:32 | |
..time to create Beat Battle. | 0:13:32 | 0:13:35 | |
-You're the king of the dance, you can... -Yeah, no, it's... | 0:13:35 | 0:13:39 | |
But you need the martial arts as well. | 0:13:39 | 0:13:41 | |
You could start lower down and just sort of work your way up. | 0:13:41 | 0:13:44 | |
And then sort of work it up a way. | 0:13:44 | 0:13:46 | |
I think at the moment they've got so many ideas and they're trying to put so many things in there. | 0:13:46 | 0:13:52 | |
Really think about the different parts of your body, | 0:13:52 | 0:13:54 | |
and warming up every single... Yep. | 0:13:54 | 0:13:56 | |
But actually I thought it was quite a good concept. | 0:13:56 | 0:14:01 | |
< Just a subtle, not too much. Yeah, just a gentle look. > | 0:14:01 | 0:14:04 | |
Look over your shoulder like that. | 0:14:04 | 0:14:06 | |
You don't want to make it too girly and too dancey. | 0:14:06 | 0:14:10 | |
Back at York Hall... | 0:14:10 | 0:14:12 | |
It has to be unique, so the moves are going to be retro. The music takes you on a journey. | 0:14:12 | 0:14:16 | |
..Stephen's retro workout shapes up. | 0:14:16 | 0:14:19 | |
I think that what we should do is look at the props that we've got and then we should assess, right, | 0:14:19 | 0:14:24 | |
the hopper works this muscle and this muscle. | 0:14:24 | 0:14:27 | |
And the skipping is for the cardio. | 0:14:27 | 0:14:30 | |
Then we know that every retro thing we've got has worked everything on the body. | 0:14:30 | 0:14:33 | |
Say we pitched to a gym that has 125 places across the country, | 0:14:33 | 0:14:38 | |
are they going to buy 1,000 Space Hoppers, 500 Skip-Its? | 0:14:38 | 0:14:43 | |
I think that we should concentrate on using conventional gym stuff. | 0:14:43 | 0:14:46 | |
-That's my personal opinion. -That won't be retro. -The only way we'll win this big is to take a risk. | 0:14:46 | 0:14:52 | |
Tom got nervous when they were suggesting incorporating a hopper and a hula hoop, | 0:14:52 | 0:14:56 | |
because where will the gym store all this equipment? | 0:14:56 | 0:14:59 | |
How are they going to afford to buy all this equipment? | 0:14:59 | 0:15:01 | |
They have to start thinking about the ideas they're coming up with. | 0:15:01 | 0:15:04 | |
I've got all your input, OK? | 0:15:04 | 0:15:06 | |
This is what we are doing - very simple. | 0:15:06 | 0:15:09 | |
-We're going for a retro theme. -What about names? | 0:15:09 | 0:15:11 | |
What I thought was a good idea, guys, | 0:15:11 | 0:15:13 | |
something that incorporates "train" and a theme - Groove Train. | 0:15:13 | 0:15:17 | |
-Groove Train. -Riding the Groove Train. | 0:15:17 | 0:15:20 | |
Helping to keep Groove Train on the rails... | 0:15:20 | 0:15:24 | |
-I'm your fitness consultant to help you today. -Nice to meet you. | 0:15:24 | 0:15:27 | |
..fitness expert, Stewart. | 0:15:27 | 0:15:29 | |
We're going for a retro feel. It's got to be fun, number one. | 0:15:29 | 0:15:33 | |
It's got to be intense, number two. | 0:15:33 | 0:15:35 | |
And something that people feel they can have a bit of a laugh in. | 0:15:35 | 0:15:38 | |
OK. | 0:15:38 | 0:15:39 | |
Tell me what you're hoping to achieve from this as well. | 0:15:39 | 0:15:42 | |
With this I'm trying to work out my quads and getting my heart rate going. It's actually a lot of fun. | 0:15:42 | 0:15:46 | |
The muscles are working. When you're down in this position, | 0:15:46 | 0:15:50 | |
you are actually...it's like the middle part of a squat you perform. | 0:15:50 | 0:15:54 | |
While Stephen's half of the team build a retro routine... | 0:15:54 | 0:15:57 | |
-What's this called? Give us a name for it. Hip Groove? -The Swingaling. | 0:15:57 | 0:16:01 | |
-We should write these down so we don't forget. -Yeah. | 0:16:01 | 0:16:04 | |
..the other half plan a video promo to market the concept. | 0:16:04 | 0:16:08 | |
Just so we're all on the same page, | 0:16:08 | 0:16:10 | |
we're doing these five signature moves. | 0:16:10 | 0:16:12 | |
-'80s feel. -OK, maybe you lead them because you know it all. | 0:16:12 | 0:16:15 | |
I don't know it all! I'm saying, are we all on the same page, yeah? | 0:16:15 | 0:16:19 | |
-Because you know about the dances, you lead and we'll observe. -OK, OK. | 0:16:19 | 0:16:24 | |
Casting himself as choreographer, market trader Adam. | 0:16:24 | 0:16:28 | |
-Nice to meet you. -Nice to meet you, Jade. -I'm Tom. Nice to meet you. | 0:16:28 | 0:16:32 | |
We're putting together a new fitness regime | 0:16:32 | 0:16:35 | |
featuring five signature moves. | 0:16:35 | 0:16:37 | |
I'll quickly show you them. | 0:16:37 | 0:16:39 | |
The funky lunge, which is sort of this movement, OK? | 0:16:39 | 0:16:42 | |
-Do you want me to do it with you? -Brilliant, yeah. | 0:16:42 | 0:16:46 | |
And then maybe you can step it up by moving your arms as well or something. | 0:16:46 | 0:16:51 | |
Not really a punch out, it's more like that. OK? | 0:16:51 | 0:16:54 | |
I took the lead role in the casting session. | 0:16:56 | 0:16:58 | |
Jade's supposed to be the creative one, she wasn't being very creative, | 0:16:58 | 0:17:01 | |
so I took on the creative role there. | 0:17:01 | 0:17:03 | |
What we're thinking of is this, you know, with the claws. And then this. | 0:17:03 | 0:17:08 | |
The other two were like, "Well, if you know it all, you do it." | 0:17:08 | 0:17:11 | |
I was like, "It's not a case of who knows it all. | 0:17:11 | 0:17:13 | |
"We should ALL know it all." | 0:17:13 | 0:17:15 | |
And then again throwing it right back. Yeah, OK? | 0:17:15 | 0:17:19 | |
9pm - routines ready, | 0:17:20 | 0:17:22 | |
tomorrow both teams must shoot a promotional video. | 0:17:22 | 0:17:27 | |
Morning, everyone. | 0:17:33 | 0:17:35 | |
Nick, Laura and Duane, you guys are going to be shooting the film | 0:17:35 | 0:17:38 | |
and you're going to be editing it all this afternoon. | 0:17:38 | 0:17:41 | |
-As far as the video goes, you've got me as sub team manager, haven't you? -Correct. | 0:17:41 | 0:17:45 | |
Only because I have done something like this before. | 0:17:45 | 0:17:48 | |
If I'm taking it on I have to have the final decision in some of this. | 0:17:48 | 0:17:51 | |
I'm more than happy, if you need to make a decision like that, you can make that decision. | 0:17:51 | 0:17:54 | |
8am - both teams split. | 0:17:58 | 0:18:00 | |
Half to prepare tomorrow's pitch... | 0:18:02 | 0:18:04 | |
..half to film the video. | 0:18:07 | 0:18:10 | |
Yes! This will work. | 0:18:10 | 0:18:12 | |
Directing Beat Battle, drinks entrepreneur Duane. | 0:18:13 | 0:18:17 | |
Every move that you have put together yesterday, | 0:18:17 | 0:18:20 | |
if we break them up as small as we can, they'll be easier to learn. | 0:18:20 | 0:18:23 | |
But before filming begins, a change to the script. | 0:18:23 | 0:18:27 | |
I'm thinking why not simplify it a bit more | 0:18:27 | 0:18:30 | |
because it will be easier to film, it will be easier to navigate. | 0:18:30 | 0:18:32 | |
Before we miss out a certain step, we need to talk to the PM about it. | 0:18:32 | 0:18:35 | |
I don't think it's that big a deal that we need to ring the PM. | 0:18:35 | 0:18:39 | |
Teaching the moves to their on-screen dancers, | 0:18:39 | 0:18:42 | |
wedding-shop owner Laura. | 0:18:42 | 0:18:44 | |
I think you need a dancey one as well. | 0:18:44 | 0:18:46 | |
I think the butt kick's very dancey with that. | 0:18:46 | 0:18:49 | |
I think, you know, when we talk about the vision of what we think the film will look like, | 0:18:49 | 0:18:52 | |
my big concern now is to make sure that we do create a martial art dance routine, | 0:18:52 | 0:18:56 | |
not just a dance routine. | 0:18:56 | 0:18:58 | |
We are in danger of just creating another dance routine. | 0:18:58 | 0:19:01 | |
..Two, three, four. | 0:19:01 | 0:19:04 | |
The '80s nightclub. | 0:19:08 | 0:19:10 | |
Nice to see you again. You were obviously very good yesterday. | 0:19:10 | 0:19:15 | |
Shooting location for Groove Train. | 0:19:15 | 0:19:18 | |
Congratulations, well done for making the cut. So loads of energy. | 0:19:18 | 0:19:21 | |
Big smiles and let's make a video! | 0:19:21 | 0:19:24 | |
Picked for an on-screen performance, refrigeration entrepreneur Azhar. | 0:19:24 | 0:19:29 | |
-Azhar? You don't very happy. -Pardon? -You don't look very happy. | 0:19:29 | 0:19:33 | |
Those shorts look a bit small to me. | 0:19:33 | 0:19:36 | |
-Just a little bit, I think. -It's very '80s. | 0:19:36 | 0:19:38 | |
You need to sort the shorts out, seriously. | 0:19:40 | 0:19:42 | |
-You look really good. -Mate, that looks the business! | 0:19:42 | 0:19:47 | |
Appointed to direct, Jade. | 0:19:47 | 0:19:50 | |
We'll do the introduction with you. | 0:19:50 | 0:19:52 | |
That's fine. That's on his own, but with these guys behind him. | 0:19:52 | 0:19:55 | |
-What's your role, Adam? -I'm choreographer. -Right. | 0:19:55 | 0:19:58 | |
And, everyone quiet - go. | 0:19:58 | 0:20:01 | |
Do you want to keep fit but most of all have fun? | 0:20:01 | 0:20:03 | |
Burn up to 300 calories? | 0:20:03 | 0:20:06 | |
Shorts are a little bit tight for my personal liking. | 0:20:06 | 0:20:08 | |
To be honest, I wouldn't usually do this on a normal gym, | 0:20:08 | 0:20:11 | |
but the product itself is a niche product. | 0:20:11 | 0:20:13 | |
It is unique, it's a risk. | 0:20:13 | 0:20:15 | |
But it's a risk that could pay off and obviously could be | 0:20:15 | 0:20:18 | |
financially rewarding. | 0:20:18 | 0:20:20 | |
Can I suggest an idea? | 0:20:21 | 0:20:22 | |
When I say "Welcome to the Groove Train," | 0:20:22 | 0:20:25 | |
-you fade in a spinning ball, maybe? -We'll do that in editing. | 0:20:25 | 0:20:27 | |
I need to be involved in all this conversation, guys. | 0:20:27 | 0:20:31 | |
-This is the conversation. -Right, OK. -There you go. | 0:20:31 | 0:20:34 | |
So, that'd your introduction? So rather than everyone speak all at once. | 0:20:34 | 0:20:39 | |
That's what it is. | 0:20:39 | 0:20:41 | |
Everybody quiet, please! | 0:20:41 | 0:20:43 | |
I'm not really sure what Adam's role is today. | 0:20:43 | 0:20:46 | |
It must be hard because he just keeps telling everyone to smile | 0:20:46 | 0:20:50 | |
and they're doing well. | 0:20:50 | 0:20:51 | |
So, dancers, nice and relaxed. Dead easy. | 0:20:51 | 0:20:53 | |
Exactly what we did before. | 0:20:53 | 0:20:55 | |
Loads of energy. | 0:20:55 | 0:20:56 | |
Quite annoying, really. But let's get on with it. | 0:20:56 | 0:20:59 | |
# What a feeling You all know this one... # | 0:20:59 | 0:21:01 | |
2pm. | 0:21:04 | 0:21:06 | |
In full swing, the Beat Battle promo. | 0:21:06 | 0:21:10 | |
One, two, three, four. | 0:21:12 | 0:21:13 | |
A DVD would normally have the instructor facing the camera. | 0:21:13 | 0:21:17 | |
-But you're just wanting to show a class being taught. -As it would be delivered in a class. | 0:21:17 | 0:21:22 | |
-It should be me facing them. -Yeah, OK. Thank you. OK? | 0:21:22 | 0:21:24 | |
-When you're actually teaching them, they see when you go forward. -No. | 0:21:24 | 0:21:29 | |
-No, you usually... -Teach them like this? -Can we agree on that now? | 0:21:29 | 0:21:33 | |
-That's not what we discussed. -You've said it three times now. | 0:21:33 | 0:21:37 | |
In my experience, these sort of tasks where cameras are involved | 0:21:37 | 0:21:41 | |
always end up in a squabble. | 0:21:41 | 0:21:43 | |
-Like I have tried to explain, that first... -Right, I'm sorry. -You keep repeating it. | 0:21:43 | 0:21:47 | |
And I can begin to see fissures appearing in the closely woven team. | 0:21:47 | 0:21:54 | |
You have just done that from a different angle. | 0:21:54 | 0:21:56 | |
That's what a mean. I want it from this angle. | 0:21:56 | 0:21:58 | |
-Laura? Get on. -I was just waiting on you. -That's cool. | 0:21:58 | 0:22:02 | |
The working relationship today started off a little bit icy. | 0:22:04 | 0:22:07 | |
I think Duane came with a storyboard and a plan | 0:22:07 | 0:22:10 | |
and then he was getting quite frustrated just with myself and Nick having an opinion. | 0:22:10 | 0:22:15 | |
I disagree but it doesn't mean... As you say, one person leads it. I am happy to go with it. | 0:22:15 | 0:22:20 | |
I feel like everything's being questioned and it's just making it increasingly difficult. | 0:22:20 | 0:22:24 | |
I don't feel like we're working together, if I'm honest. | 0:22:24 | 0:22:27 | |
To be honest with you, I've taken a step back and I'll just let him get on with it. | 0:22:27 | 0:22:31 | |
And cut. Well done, guys. I believe that's a wrap! | 0:22:31 | 0:22:34 | |
CHEERING AND APPLAUSE | 0:22:34 | 0:22:36 | |
North London. | 0:22:36 | 0:22:39 | |
At the office of a fitness DVD company, Beat Battle gets branded. | 0:22:40 | 0:22:46 | |
Our poster, we're wanting something quite kind of graffiti, like, you know, quite edgy. | 0:22:46 | 0:22:52 | |
-I'm very happy, I am very happy with what we've got here. -Right decisions again today. | 0:22:54 | 0:22:59 | |
Next job - decide what to charge for rights to their class... | 0:22:59 | 0:23:03 | |
We want to know how much it costs, what discount they'll get for the year | 0:23:03 | 0:23:07 | |
and if they book it into more clubs that's what they'll get. | 0:23:07 | 0:23:10 | |
..and rehearse tomorrow's pitch. | 0:23:10 | 0:23:13 | |
My name is Ricky Martin. I am here today on behalf of Team Sterling. | 0:23:13 | 0:23:16 | |
We've tasked ourselves with the objective of coming up with | 0:23:16 | 0:23:19 | |
a unique fitness regime. | 0:23:19 | 0:23:21 | |
It was really good to get a chance to pretty much role-play it | 0:23:21 | 0:23:24 | |
with the girls as well, to put ourselves in that situation. | 0:23:24 | 0:23:26 | |
Because you can never be too prepared. | 0:23:26 | 0:23:29 | |
We're excited to present this fresh, unique and exciting programme to you. | 0:23:29 | 0:23:33 | |
'I'm leading the team.' | 0:23:33 | 0:23:35 | |
And I think everybody would agree with me that it's a motivated team, | 0:23:35 | 0:23:38 | |
the guys are happy, there's no falling outs. | 0:23:38 | 0:23:40 | |
There is no bickering, no arguing. Everybody's really happy. | 0:23:40 | 0:23:43 | |
That was so stressful for me, guys, it was really difficult. | 0:23:45 | 0:23:48 | |
-There was a disagreement at every single stage. -Yep. I agree. | 0:23:48 | 0:23:52 | |
-I thought, I can't even say what I want to say, cos... -Ditto. Ditto. | 0:23:52 | 0:23:56 | |
I felt I couldn't say what I wanted to say either. | 0:23:56 | 0:23:58 | |
Yeah, but to be fair, if you wanted to manage the video, put yourself up for it yesterday. | 0:23:58 | 0:24:02 | |
Don't turn up with all your ideas now. | 0:24:02 | 0:24:04 | |
Now, that's exactly what I'm allowed to do. | 0:24:04 | 0:24:07 | |
It's the same thing happening again, we have an opinion and you just don't like it. | 0:24:07 | 0:24:10 | |
-No, no, no. -It is. Duane, listen, people have an opinion | 0:24:10 | 0:24:14 | |
and you need to listen to them. | 0:24:14 | 0:24:15 | |
I was made to feel stupid... | 0:24:15 | 0:24:16 | |
-Well, you need to harden up a bit then. -I'm not soft. | 0:24:16 | 0:24:19 | |
Well, I'm actually getting a bit pissed off about the fact | 0:24:19 | 0:24:21 | |
that you're trying to make out that I was some sort of disruption today. | 0:24:21 | 0:24:26 | |
-You were to me, to me I felt you were a disruption. -Well, fine. | 0:24:26 | 0:24:29 | |
-There just wasn't time for that. -Well, fine. Good. | 0:24:29 | 0:24:32 | |
OK, I've taken your point on board now, thanks very much. | 0:24:32 | 0:24:35 | |
-Yeah, let's be friends on this. Shake hands guys. -I'm all for... | 0:24:35 | 0:24:39 | |
-Shake hands on this. -No, look, let's not force it. | 0:24:39 | 0:24:42 | |
What should we talk about? | 0:24:47 | 0:24:49 | |
On the other team, nearing the end of its journey... | 0:24:55 | 0:24:58 | |
'Lose up to 300 calories, | 0:24:58 | 0:25:00 | |
'improve stamina and tone muscle...' | 0:25:00 | 0:25:03 | |
..Groove Train. | 0:25:03 | 0:25:04 | |
We're going to have to finish "welcome to the Groove Train" as a close-up. | 0:25:04 | 0:25:08 | |
And one unhappy passenger. | 0:25:10 | 0:25:12 | |
I don't understand why it's in and out so quick, | 0:25:12 | 0:25:15 | |
I believed it was going to pan out, whereas it's like boom, boom! | 0:25:15 | 0:25:19 | |
Do we have any proper slow panning out? | 0:25:19 | 0:25:23 | |
Apparently Jade's the creative one in the group. | 0:25:23 | 0:25:26 | |
I personally haven't witnessed anything, | 0:25:26 | 0:25:28 | |
all she creates is problems. | 0:25:28 | 0:25:31 | |
Can we just try this first cos we can add that pan-out to this. | 0:25:31 | 0:25:35 | |
Have we got any panning out though? | 0:25:35 | 0:25:36 | |
She doesn't shout me down, no-one could do that, | 0:25:36 | 0:25:38 | |
but she just doesn't listen. | 0:25:38 | 0:25:41 | |
I don't know whether she's thick or deaf, | 0:25:41 | 0:25:45 | |
but I'm really struggling at working with her today. | 0:25:45 | 0:25:49 | |
Next door, the fight for Beat Battle goes on. | 0:25:53 | 0:25:55 | |
What's the next part? So as Laura's turned round | 0:25:55 | 0:25:58 | |
-it's like she's giving the instructions to warm up, yeah? -Yeah. | 0:25:58 | 0:26:01 | |
-I feel like you both disagree. -We do, but you know that. | 0:26:01 | 0:26:04 | |
I do feel like if I could have just thrown the team off | 0:26:04 | 0:26:07 | |
and done it myself, at some points I really wanted to do that. | 0:26:07 | 0:26:10 | |
I was just sick and tired of fighting with them all day, I just wanted to get the result. | 0:26:10 | 0:26:14 | |
OK, and then it'll be a logo screen which will be Beat Battle. | 0:26:14 | 0:26:18 | |
But they've got a really good video and I'm really happy with it. | 0:26:18 | 0:26:21 | |
-Have you got something to say? -No. | 0:26:21 | 0:26:24 | |
-Go on, I want to hear it. -I don't have anything to say. | 0:26:24 | 0:26:27 | |
7am. | 0:26:36 | 0:26:37 | |
Today both teams must pitch their fitness-class concept | 0:26:41 | 0:26:44 | |
to three health-club chains. | 0:26:44 | 0:26:47 | |
The team offered the most money for licences to run its class will win. | 0:26:50 | 0:26:55 | |
I really believe we've got a good product, we've come up with | 0:26:55 | 0:26:59 | |
a really good idea. | 0:26:59 | 0:27:00 | |
The video could be the make-or-break of however good the product is. | 0:27:00 | 0:27:03 | |
If the video doesn't sell it, it might not work. | 0:27:03 | 0:27:06 | |
First team into top fitness chain Virgin Active, Beat Battle. | 0:27:07 | 0:27:13 | |
Pitching, project manager Ricky. | 0:27:13 | 0:27:15 | |
Good morning, thank you very much for your time. | 0:27:15 | 0:27:18 | |
My name is Ricky Martin, and we've come up with a new concept, a new class called Beat Battle. | 0:27:18 | 0:27:22 | |
'Hi, let me introduce you to Beat Battle,' | 0:27:22 | 0:27:25 | |
a brand new exercise class combining martial arts and dance. | 0:27:25 | 0:27:29 | |
It's going to help tone and tighten, help with core stability, | 0:27:29 | 0:27:32 | |
but most importantly it's fun! | 0:27:32 | 0:27:35 | |
Let's go! | 0:27:35 | 0:27:37 | |
Five, six, seven, eight! | 0:27:37 | 0:27:40 | |
Beat Battle is a unique combination of dance and mixed martial arts. | 0:27:40 | 0:27:43 | |
Get fit, have fun and burn calories. | 0:27:43 | 0:27:46 | |
Beat Battle, fight to the music. | 0:27:46 | 0:27:49 | |
We're extremely excited about this new class, | 0:27:51 | 0:27:54 | |
we feel like it is innovative, we feel like it is fun, | 0:27:54 | 0:27:57 | |
and for us it's about making the product right so it works for you and works with us. | 0:27:57 | 0:28:01 | |
Lastly, I'd like to discuss the pricing. | 0:28:01 | 0:28:03 | |
I never like to discuss that first because for me | 0:28:03 | 0:28:05 | |
it's about fitness and it's about fun, | 0:28:05 | 0:28:08 | |
but we've come up with an extremely generous pricing strategy | 0:28:08 | 0:28:11 | |
which would be, on a monthly basis, £45 per month for the class. | 0:28:11 | 0:28:15 | |
If you wanted to take it for a yearly basis, we'd offer you | 0:28:18 | 0:28:21 | |
an even better deal which would give you two months free. | 0:28:21 | 0:28:25 | |
You say this product is unique, have you had a look at what else is out there? | 0:28:25 | 0:28:29 | |
We did have a look at other classes, we looked at things like Zumba, things like boxercise. | 0:28:29 | 0:28:32 | |
Very different to boxercise because there's the dance element and it involves | 0:28:32 | 0:28:36 | |
a lot more of your knees and elbows than just your fists. | 0:28:36 | 0:28:39 | |
Looking at the quick demo it looks very similar to me. | 0:28:39 | 0:28:43 | |
ALL: Thank you very much. Thank you very much. | 0:28:45 | 0:28:47 | |
We need to learn about the things they asked for our next pitches. | 0:28:51 | 0:28:53 | |
Things about the concept and idea. | 0:28:53 | 0:28:56 | |
We could show more moves and show more elbows. | 0:28:56 | 0:28:59 | |
Look, it's a shame, he loves his wrestling... | 0:29:03 | 0:29:05 | |
I think he goes out a bit brash, sort of like, "Hey, guys," | 0:29:05 | 0:29:07 | |
I can see him doing that quite well but at the end of the day it's about the product. | 0:29:07 | 0:29:12 | |
And I believe we've got a good product. | 0:29:12 | 0:29:15 | |
-First for Stephen and his team, the UK's biggest chain. -Morning. | 0:29:19 | 0:29:24 | |
Fitness First. | 0:29:24 | 0:29:26 | |
We're here today to present to you a fantastic fitness class that exists nowhere else in your marketplace. | 0:29:26 | 0:29:32 | |
We'll bring the fun back into fitness. | 0:29:32 | 0:29:34 | |
Please allow me to present Groove Train. | 0:29:34 | 0:29:37 | |
Do you want to keep fit but most of all have fun? | 0:29:38 | 0:29:41 | |
Burn up to 300 calories? Improve stamina and tone muscle? | 0:29:41 | 0:29:46 | |
This is the top-to-toe retro express workout about to sweep the nation. | 0:29:46 | 0:29:51 | |
Welcome to the Groove Train. The dancefloor entrance. | 0:29:51 | 0:29:56 | |
Working the shoulders, back and hamstrings. | 0:29:56 | 0:29:59 | |
The hula hoop, working the core abdominal area. | 0:29:59 | 0:30:03 | |
The groove press, working the chest, bis and tris. | 0:30:06 | 0:30:11 | |
The groove swing, working that whole abdominal area. | 0:30:11 | 0:30:16 | |
# What a feeling! # | 0:30:16 | 0:30:18 | |
Top-to-toe express in only 30 minutes. | 0:30:18 | 0:30:21 | |
It looks like you had loads of fun making that video. | 0:30:21 | 0:30:24 | |
So, do you want to talk about the package? | 0:30:24 | 0:30:28 | |
Obviously as this is a new workout class, | 0:30:28 | 0:30:29 | |
we're all very excited about it and hopefully you guys are too, | 0:30:29 | 0:30:32 | |
so we priced it accordingly at £35 per club on a monthly basis. | 0:30:32 | 0:30:37 | |
Obviously we're aware that yourselves | 0:30:37 | 0:30:41 | |
have around 143 clubs here in the UK. The pro-rata cost, | 0:30:41 | 0:30:44 | |
if you wanted to take it nationwide, would be about £15,000 but, again, | 0:30:44 | 0:30:49 | |
obviously wanting to work with you guys | 0:30:49 | 0:30:52 | |
we would reduce that cost to £13,500. | 0:30:52 | 0:30:56 | |
Bearing in mind we've got hula-hoops there and Space Hoppers, what does that do to your studio capacity? | 0:30:56 | 0:31:01 | |
You'd lose probably eight people in that class if that was the case. | 0:31:01 | 0:31:05 | |
Eight people, but we can run very successful 30-minute | 0:31:05 | 0:31:07 | |
functional classes with 30 people and no kit. | 0:31:07 | 0:31:11 | |
Would every participant need a Space Hopper? | 0:31:11 | 0:31:15 | |
As part of the licence agreement you would be supplied with the kit. | 0:31:15 | 0:31:19 | |
Where would we keep them all? | 0:31:19 | 0:31:22 | |
The lady on the right scared the life out of me! | 0:31:22 | 0:31:26 | |
I think the main concerns from their point of view was | 0:31:26 | 0:31:29 | |
space in terms of the balls, but there are many gyms with | 0:31:29 | 0:31:31 | |
twist balls, which are very similar to Space Hoppers - | 0:31:31 | 0:31:33 | |
without the ears basically - no problem. | 0:31:33 | 0:31:36 | |
Next, for Ricky's team, | 0:31:41 | 0:31:44 | |
a fast-expanding low-cost fitness chain. | 0:31:44 | 0:31:47 | |
Good afternoon, thank you very much for your time for meeting with us. | 0:31:47 | 0:31:51 | |
But this time it's live. | 0:31:51 | 0:31:53 | |
So we're going to demonstrate one of the routines | 0:31:53 | 0:31:56 | |
with our presenter in the video, Laura. | 0:31:56 | 0:31:59 | |
You don't need to be an expert in dance or martial arts. | 0:32:01 | 0:32:04 | |
I personally wouldn't just go to a martial arts class or anything | 0:32:04 | 0:32:07 | |
so to be able to incorporate that into a dance class, it's offering something a little bit different. | 0:32:07 | 0:32:12 | |
We do have another volunteer, Duane. | 0:32:12 | 0:32:15 | |
So I'm going to demonstrate the super punch. | 0:32:15 | 0:32:17 | |
Oh, sorry, got that wrong! | 0:32:19 | 0:32:21 | |
As he holds it he'd tuck in all that core area there to keep it tight. | 0:32:25 | 0:32:29 | |
I think that's enough, I know you're struggling there! | 0:32:29 | 0:32:33 | |
The idea of that move is to keep it as true to the mixed martial arts. | 0:32:33 | 0:32:36 | |
I do think it'll appeal to a much wider audience in our market. | 0:32:36 | 0:32:40 | |
Thank you. | 0:32:40 | 0:32:42 | |
-Thought it went awesome. -Well done, Ricky. | 0:32:42 | 0:32:45 | |
They keep on asking us questions about stock | 0:32:47 | 0:32:49 | |
and it's doing my head in. | 0:32:49 | 0:32:50 | |
You're definitely not talking £120 a club. | 0:32:50 | 0:32:53 | |
2,000 Space Hoppers made out of rubber? | 0:32:53 | 0:32:56 | |
Next to pitch, Stephen's team. | 0:32:58 | 0:33:01 | |
How much does all that kit come to for one person, | 0:33:01 | 0:33:04 | |
so one skipping rope, one hula hoop, one hopper, how much? | 0:33:04 | 0:33:09 | |
In terms of costings, the Space Hopper, cost price would be £2. | 0:33:09 | 0:33:13 | |
The hoop itself would be £1 and the skipping rope would be 50p. | 0:33:13 | 0:33:17 | |
They've got themselves in a real mess over this offer of free equipment. | 0:33:18 | 0:33:21 | |
Firstly, the gyms cannot understand how this works in their business model, | 0:33:21 | 0:33:25 | |
and now they're pulling prices, literally, out of the air. | 0:33:25 | 0:33:28 | |
The last hit for Beat Battle. | 0:33:31 | 0:33:34 | |
Beat Battle - fight to the music. | 0:33:34 | 0:33:37 | |
Thank you very much for watching. | 0:33:37 | 0:33:39 | |
Do you think there's a big enough differentiator between typical dance class... | 0:33:39 | 0:33:43 | |
At the moment you've got your options of either going to a dance class or a combat class. | 0:33:43 | 0:33:47 | |
Personally, I look at them both and I wouldn't know what to choose. | 0:33:47 | 0:33:50 | |
I think this would be your... You'd be in the middle. | 0:33:50 | 0:33:52 | |
I mean, if you look at the markets, | 0:33:52 | 0:33:53 | |
the martial arts industry in the last 12 months | 0:33:53 | 0:33:56 | |
has gone from 28% to 39% of people signing up, | 0:33:56 | 0:33:58 | |
the dance in the last two years has increased by 103%. | 0:33:58 | 0:34:01 | |
So for people wanting to get into these markets the demand is there | 0:34:01 | 0:34:05 | |
and it would complement what you've already got. | 0:34:05 | 0:34:07 | |
Thanks for that. That's a good answer, by the way. | 0:34:07 | 0:34:10 | |
I don't think we really used the props at all in your pitch. | 0:34:13 | 0:34:16 | |
We've got the props, let's use them. | 0:34:16 | 0:34:18 | |
Would you even maybe have you sitting on the balls? | 0:34:18 | 0:34:21 | |
Let's not go too far. | 0:34:21 | 0:34:23 | |
Still sporting their retro kit... | 0:34:25 | 0:34:28 | |
OK, with the hoop, you're going round. Not as easy as it looks, excuse me. | 0:34:28 | 0:34:32 | |
..last stop for Groove Train. | 0:34:33 | 0:34:36 | |
OK, if you want to throw in Saturday Night Fever you can, | 0:34:36 | 0:34:38 | |
and they absolutely love it, so there's a fun element to that. | 0:34:38 | 0:34:43 | |
All the props that you see before you today will be included within the licence, | 0:34:43 | 0:34:47 | |
so your clubs will be supplied with the balls, the hoops | 0:34:47 | 0:34:49 | |
and the skipping ropes. | 0:34:49 | 0:34:50 | |
In terms of our target market, we would specifically target it | 0:34:50 | 0:34:53 | |
towards the female market of all ages and ability levels. | 0:34:53 | 0:34:56 | |
Is this not really a kids' class | 0:34:56 | 0:34:58 | |
that you're trying to dress up as an adult class? | 0:34:58 | 0:35:01 | |
In terms of its practicality for children, | 0:35:01 | 0:35:04 | |
it would 100% work. | 0:35:04 | 0:35:06 | |
You know, as soon as I got on a hopper I thought, | 0:35:06 | 0:35:08 | |
"This is great fun." It breaks...you know... | 0:35:08 | 0:35:11 | |
-All boundaries. -Yeah, absolutely. | 0:35:11 | 0:35:12 | |
Fast footwork over... | 0:35:15 | 0:35:16 | |
..figures to Lord Sugar. | 0:35:18 | 0:35:20 | |
Next work-out... | 0:35:22 | 0:35:24 | |
..the boardroom. | 0:35:26 | 0:35:28 | |
You can go through to the boardroom now. | 0:35:38 | 0:35:42 | |
Good afternoon. | 0:36:00 | 0:36:02 | |
ALL: Good afternoon, Lord Sugar. | 0:36:02 | 0:36:04 | |
Right, well, the point of this is, | 0:36:04 | 0:36:07 | |
there's a lot of money to be made | 0:36:07 | 0:36:09 | |
in the licensing to these fitness centres. | 0:36:09 | 0:36:12 | |
£60-odd million one company makes, in licensing alone. | 0:36:12 | 0:36:15 | |
The whole thrust of the exercise was to come up with something special, | 0:36:15 | 0:36:19 | |
a new trend of some kind, yeah? | 0:36:19 | 0:36:24 | |
So I think we'll start off with Sterling. | 0:36:24 | 0:36:28 | |
-Ricky, you were the project manager, yep? -Yes, I was, Lord Sugar. | 0:36:28 | 0:36:31 | |
We quickly came up with the concept | 0:36:31 | 0:36:33 | |
of mixing two popular trends, | 0:36:33 | 0:36:35 | |
which is mixed martial arts with dance. | 0:36:35 | 0:36:39 | |
-So you had two completely different types of... -Which was the idea. | 0:36:39 | 0:36:43 | |
There's concepts on the marketplace | 0:36:43 | 0:36:44 | |
where you can do dance or combat in the gym, | 0:36:44 | 0:36:46 | |
but to mix the two together is quite a unique concept. | 0:36:46 | 0:36:48 | |
So you ended up with something like a punch-up in the disco, then? | 0:36:48 | 0:36:53 | |
-There's probably a nicer way to put it, but along those lines. -Who kind of crafted the video? | 0:36:53 | 0:36:58 | |
The video, actually Duane quite gladly put himself forward. | 0:36:58 | 0:37:02 | |
Do you know anything about making videos? | 0:37:02 | 0:37:04 | |
Yeah, I put together a promotional video myself | 0:37:04 | 0:37:07 | |
for an idea that I had a couple of years back. | 0:37:07 | 0:37:09 | |
Directed it all right, Laura? | 0:37:09 | 0:37:11 | |
Yeah, in the end we ended up with something... | 0:37:11 | 0:37:13 | |
Did you have any input into the production of the video? | 0:37:13 | 0:37:15 | |
Erm, Duane kind of took the lead on the directing of the video. | 0:37:15 | 0:37:18 | |
There was a bit of confusion, wasn't there? | 0:37:18 | 0:37:20 | |
Do you think Duane might have lost his way slightly? | 0:37:20 | 0:37:22 | |
Erm, well, we just wanted to bring our ideas to the table as well, | 0:37:22 | 0:37:26 | |
-so the time constraint... -Who was in charge of making the video? -Duane. | 0:37:26 | 0:37:29 | |
Let's have a look at this video. | 0:37:29 | 0:37:31 | |
SONG: "Moves Like Jagger" | 0:37:31 | 0:37:32 | |
'Hi, let me introduce you to Beat Battle, | 0:37:32 | 0:37:34 | |
'a brand-new exercise class combining martial arts and dance. | 0:37:34 | 0:37:37 | |
'It's going to help tone and tighten, | 0:37:37 | 0:37:40 | |
'help with core stability, | 0:37:40 | 0:37:42 | |
'weight loss, but most importantly, it's fun. | 0:37:42 | 0:37:44 | |
'Let's go! | 0:37:44 | 0:37:45 | |
'Five, six, seven, eight...' | 0:37:45 | 0:37:47 | |
'Beat Battle is a unique combination of dance and mixed martial arts. | 0:37:47 | 0:37:52 | |
'Get fit, have fun and burn calories. | 0:37:52 | 0:37:54 | |
'Bop - for endurance. | 0:37:54 | 0:37:57 | |
'Scissor-kick - will help with weight loss and flexibility. | 0:37:57 | 0:38:01 | |
'Double-punch - for lean muscle. | 0:38:01 | 0:38:05 | |
'Or, to help with your posture, the Super-punch. | 0:38:05 | 0:38:09 | |
'And most importantly, have fun. | 0:38:09 | 0:38:11 | |
'Beat Battle - fight to the music.' | 0:38:11 | 0:38:13 | |
Good. | 0:38:13 | 0:38:15 | |
And then I gave you three fitness centres to pitch to. | 0:38:15 | 0:38:20 | |
Who did the main pitches? | 0:38:20 | 0:38:22 | |
I led all three pitches, Lord Sugar. | 0:38:22 | 0:38:24 | |
Do a good job? | 0:38:24 | 0:38:25 | |
ALL: Yes. | 0:38:25 | 0:38:27 | |
OK. How do you think you did? | 0:38:27 | 0:38:29 | |
We got some very good buying signals, I thought, | 0:38:29 | 0:38:31 | |
particularly from the Fitness First chain, and also from Pure Gym. | 0:38:31 | 0:38:34 | |
All right. OK. | 0:38:34 | 0:38:36 | |
All right, Phoenix, who was the team leader? | 0:38:36 | 0:38:38 | |
-That was myself, Lord Sugar. -And, if I remember rightly, | 0:38:38 | 0:38:41 | |
-you're in this business? -Yeah. | 0:38:41 | 0:38:43 | |
Well, I've often said in this boardroom | 0:38:43 | 0:38:45 | |
that the team leader should be the person that actually comes from it. | 0:38:45 | 0:38:48 | |
Who's better to lead you than somebody who knows about it? So how did you get on? | 0:38:48 | 0:38:52 | |
We came up with "retro" as an overall trend, or overall theme. | 0:38:52 | 0:38:55 | |
The idea being that we actually know pretty much all there is to know | 0:38:55 | 0:38:59 | |
with regards to martial art and dance, | 0:38:59 | 0:39:00 | |
because they're out there at the moment, | 0:39:00 | 0:39:02 | |
and tried to get a completely alternative view. | 0:39:02 | 0:39:05 | |
Right. Who was the kind of... choreographer of it, then? | 0:39:05 | 0:39:09 | |
-That was myself. -No, no, in terms of the sequence. | 0:39:09 | 0:39:11 | |
Oh, sorry, I thought... | 0:39:11 | 0:39:13 | |
I was fast-forwarding then. | 0:39:13 | 0:39:15 | |
I was at the photo... The video shoot. Sorry, Lord Sugar. | 0:39:15 | 0:39:18 | |
Right, so who actually crafted the moves and all that stuff? | 0:39:18 | 0:39:21 | |
I crafted... Well, we worked together. | 0:39:21 | 0:39:23 | |
I ensured the exercises were right. | 0:39:23 | 0:39:25 | |
-So who was the director of the video? -I was the director. -And what was... | 0:39:25 | 0:39:29 | |
You were getting a bit excited then. | 0:39:29 | 0:39:31 | |
-What was your participation? -I was the choreographer, Lord Sugar. | 0:39:31 | 0:39:35 | |
And frustrated director, I think. | 0:39:35 | 0:39:38 | |
Erm, yeah, we had a few ups and downs. | 0:39:38 | 0:39:40 | |
Erm, but we got there in the end. | 0:39:40 | 0:39:43 | |
Let's have a look at it, shall we? | 0:39:43 | 0:39:44 | |
Thank you. | 0:39:44 | 0:39:46 | |
'Do you want to keep fit, but most of all, have fun? Burn up to 300 calories? | 0:39:46 | 0:39:50 | |
'Improve stamina and tone muscle? | 0:39:50 | 0:39:53 | |
'This is a top-to-toe, retro, express work-out | 0:39:53 | 0:39:56 | |
'about to sweep the nation. | 0:39:56 | 0:39:58 | |
'Welcome to the Groove Train. | 0:39:58 | 0:40:00 | |
'The Dance For Endurance - | 0:40:00 | 0:40:02 | |
'working the shoulders, back and hamstrings.' | 0:40:02 | 0:40:05 | |
MUSIC: "Flashdance... What A Feeling" by Irene Cara | 0:40:05 | 0:40:08 | |
'Adam Abs - working the abdominal area. | 0:40:08 | 0:40:12 | |
'The Hula Hoop - working the core abdominal area. | 0:40:15 | 0:40:18 | |
'The Funky Squat - let's work those hamstrings. | 0:40:23 | 0:40:28 | |
'The Groove Train - | 0:40:28 | 0:40:29 | |
'working that core abdominal area. | 0:40:29 | 0:40:32 | |
'So if you're looking to keep fit, have fun, or lose weight, | 0:40:35 | 0:40:39 | |
'it's time to get on the Groove Train - | 0:40:39 | 0:40:41 | |
'the top-to-toe express workout in only 30 minutes.' | 0:40:41 | 0:40:46 | |
Right. Am I missing the point here? Is that "in" then, at this moment? | 0:40:46 | 0:40:50 | |
It is very much "in", Lord Sugar, at the moment. | 0:40:50 | 0:40:53 | |
OK, who done the pitches to the three companies? | 0:40:53 | 0:40:57 | |
That was myself, Lord Sugar. | 0:40:57 | 0:40:59 | |
I heard from Karren that you made some offers | 0:40:59 | 0:41:02 | |
which didn't stack up from a financial point of view. | 0:41:02 | 0:41:05 | |
Yes, as part of the licensing agreement | 0:41:05 | 0:41:08 | |
they would obviously initially require the equipment - | 0:41:08 | 0:41:12 | |
the Space Hoppers, skipping rope and the hoop. | 0:41:12 | 0:41:14 | |
-Who's going to supply that? -We would supply that as part of the licensing agreement. | 0:41:14 | 0:41:17 | |
Do you know how much these hoops cost and all the other things cost, do you? | 0:41:17 | 0:41:21 | |
You plucked out of the air figures - Space Hoppers £2, | 0:41:21 | 0:41:23 | |
skipping ropes were 50p and hula hoops were £1. | 0:41:23 | 0:41:27 | |
I did ask you all to come up with some regime that loses pounds, | 0:41:27 | 0:41:30 | |
I didn't expect it to be my pounds. | 0:41:30 | 0:41:33 | |
If you charge someone, I don't know, 100 quid for a licence | 0:41:33 | 0:41:37 | |
and those things, for example, cost £150, | 0:41:37 | 0:41:39 | |
then it's a flawed business model, is it not? | 0:41:39 | 0:41:45 | |
There was a healthy profit. | 0:41:45 | 0:41:46 | |
If we were to sell the annual licences there was a very healthy profit. | 0:41:46 | 0:41:51 | |
All right, well, let's... | 0:41:51 | 0:41:53 | |
Shall we see how we got on with these three people... Erm... | 0:41:53 | 0:41:57 | |
Nick, Team Sterling with Fitness First? | 0:41:57 | 0:42:02 | |
Right. Well, they didn't want to license it. | 0:42:02 | 0:42:04 | |
But they did see the potential. | 0:42:04 | 0:42:07 | |
And, interestingly, | 0:42:08 | 0:42:10 | |
are prepared to pay a one-off fee to develop the product with you. | 0:42:10 | 0:42:14 | |
How much? | 0:42:16 | 0:42:19 | |
Five grand. | 0:42:19 | 0:42:20 | |
Karren, the same people? | 0:42:22 | 0:42:25 | |
Hated it. No orders. | 0:42:25 | 0:42:28 | |
Erm, Nick, on the Pure Gym? | 0:42:30 | 0:42:33 | |
Well, now... | 0:42:33 | 0:42:35 | |
they were prepared to take licences at £45 per month, | 0:42:35 | 0:42:39 | |
but only on a three-month trial basis across all 22 clubs. | 0:42:39 | 0:42:44 | |
So that gave you sales of £2,970. | 0:42:45 | 0:42:50 | |
And the same people, Karren, for Phoenix? | 0:42:50 | 0:42:53 | |
Didn't like it. No orders. | 0:42:53 | 0:42:54 | |
Erm, and now, Nick, for you on Virgin? | 0:42:58 | 0:43:01 | |
That's a zero. | 0:43:03 | 0:43:04 | |
-And, Karren, Phoenix, for Virgin? -Didn't like it. Erm... | 0:43:07 | 0:43:11 | |
Well, didn't like it for the target market that you were offering at. | 0:43:11 | 0:43:17 | |
But did like it for the family market, | 0:43:17 | 0:43:19 | |
with the Space Hopper and the hula hoops. | 0:43:19 | 0:43:21 | |
Mum can go with child | 0:43:21 | 0:43:23 | |
and that really fits in with their family themes. | 0:43:23 | 0:43:25 | |
Erm... | 0:43:25 | 0:43:26 | |
So they've offered £17.50 per month | 0:43:26 | 0:43:29 | |
for a licence for a six-month trial | 0:43:29 | 0:43:33 | |
across 122 clubs. | 0:43:33 | 0:43:37 | |
Making a total licence order of £12,810. | 0:43:37 | 0:43:43 | |
HE EXHALES | 0:43:43 | 0:43:44 | |
Right. Well, whichever way you look at it, | 0:43:46 | 0:43:49 | |
£12,810 is playing £7,970. | 0:43:49 | 0:43:57 | |
So, Team Phoenix, you seem to have pulled it off. | 0:43:57 | 0:44:01 | |
I think you was lucky that you had someone who's in the business. | 0:44:01 | 0:44:05 | |
I'm not so sure you were so lucky with the choreographer, | 0:44:05 | 0:44:08 | |
but that's another story. | 0:44:08 | 0:44:11 | |
Right. | 0:44:11 | 0:44:12 | |
You're off to an exclusive London spa | 0:44:12 | 0:44:15 | |
where you're going to enjoy yourself with massages and various treatments. | 0:44:15 | 0:44:20 | |
All right, have a good time. I'll see you all on the next task. | 0:44:20 | 0:44:24 | |
THEY LAUGH | 0:44:24 | 0:44:25 | |
Well, go off now and I'll see you back here shortly | 0:44:32 | 0:44:37 | |
and we'll discuss it in a little more detail, OK? | 0:44:37 | 0:44:40 | |
-Wow, look at this, guys! -Look at this! -Not bad, is it? -Lovely. | 0:44:48 | 0:44:52 | |
This is what you get for winning a task. | 0:44:52 | 0:44:53 | |
-This is the life, innit? Could get used to this. -Yeah! | 0:45:00 | 0:45:04 | |
It came off, you know? We're at the health spa, | 0:45:04 | 0:45:06 | |
they're in the boardroom, so another win for Team Phoenix. | 0:45:06 | 0:45:10 | |
Leading the team to a victory | 0:45:10 | 0:45:11 | |
in my industry feels absolutely fantastic. | 0:45:11 | 0:45:14 | |
It was quite a stressful boardroom, but now - amazing. | 0:45:14 | 0:45:16 | |
If there was ever a taste of success, this was it. | 0:45:16 | 0:45:19 | |
What do you reckon, Steve? | 0:45:19 | 0:45:22 | |
SNORING | 0:45:22 | 0:45:25 | |
I'm shocked. | 0:45:40 | 0:45:41 | |
-I'm absolutely shocked. -Disappointed. | 0:45:41 | 0:45:44 | |
The way I see it, from the feedback, | 0:45:44 | 0:45:46 | |
everything they saw, some parts weren't professional enough | 0:45:46 | 0:45:49 | |
or needed further development. | 0:45:49 | 0:45:51 | |
The product wasn't good enough. | 0:45:51 | 0:45:52 | |
Unfortunately, for Ricky, the buck might stop with him. | 0:45:52 | 0:45:56 | |
It will be a hard decision if that is it. | 0:45:56 | 0:45:58 | |
He's managed this team very well | 0:45:58 | 0:46:00 | |
and, you know, I was impressed with him. | 0:46:00 | 0:46:03 | |
We'll have to wait until we get back in there to find out | 0:46:03 | 0:46:05 | |
-where the problem actually lies. -But I'm so gutted. | 0:46:05 | 0:46:08 | |
I'm really, really gutted. | 0:46:08 | 0:46:10 | |
I think we've been cheated, if I'm honest. | 0:46:10 | 0:46:12 | |
It's not going to be nice in the boardroom now. | 0:46:12 | 0:46:15 | |
Normally, there is a person that can take responsibility. | 0:46:15 | 0:46:18 | |
There was difficulties getting video shots, | 0:46:18 | 0:46:21 | |
but the video wasn't what failed the task. | 0:46:21 | 0:46:24 | |
I feel that...it's just tough. | 0:46:24 | 0:46:25 | |
-I'm standing by the fact I don't think it went wrong. -It did, though. | 0:46:25 | 0:46:29 | |
We did lose. | 0:46:29 | 0:46:31 | |
PHONE RINGS | 0:46:39 | 0:46:43 | |
Can you send the candidates in, please? | 0:46:45 | 0:46:48 | |
The headline here is that everyone says, "Yes, a good idea, | 0:47:06 | 0:47:11 | |
"but not executed, erm, properly." | 0:47:11 | 0:47:13 | |
-They said "watered down", the dance. -So it looks pretty... | 0:47:13 | 0:47:17 | |
samey as things that are on the market. Ricky... | 0:47:17 | 0:47:21 | |
-you, Jenna and Laura developed the routine. -We did, yes. | 0:47:21 | 0:47:29 | |
So if you had this idea of the martial arts in this, | 0:47:29 | 0:47:33 | |
surely part and parcel of developing the routine, you would have actually | 0:47:33 | 0:47:36 | |
put your hallmark on it and said, "I want to see more martial arts"? | 0:47:36 | 0:47:41 | |
All of the sequences had martial arts elements. They were very, very clear. | 0:47:41 | 0:47:45 | |
Where the dilution has gone is, when they went on the video, | 0:47:45 | 0:47:48 | |
all we saw was dancing. We didn't see a lot of knees, | 0:47:48 | 0:47:50 | |
we didn't see the elbows and the combat element was missed | 0:47:50 | 0:47:53 | |
in the videoing and I would have to look at the responsibility there | 0:47:53 | 0:47:57 | |
to be with yourself, because you took the sequences into that room and pushed them through | 0:47:57 | 0:48:01 | |
and it was clear your bias was more towards the dance. | 0:48:01 | 0:48:04 | |
Ricky, I don't agree. We very much wanted to combine dance and martial arts | 0:48:04 | 0:48:09 | |
-and it was agreed dance would feature. -I'm saying, dance did feature, | 0:48:09 | 0:48:12 | |
but didn't show Beat Battle. | 0:48:12 | 0:48:14 | |
I'm going to be totally honest. You did a fabulous job, Laura... | 0:48:14 | 0:48:18 | |
I'm not liking the way this is going, to be honest, because... | 0:48:18 | 0:48:22 | |
-Let's see where it goes. -I'd like to speak first, | 0:48:22 | 0:48:24 | |
because, and you can't deny this, I did say I thought you should throw | 0:48:24 | 0:48:30 | |
-some more different kicks and stuff in. Laura felt that more dance moves should go in. -No, I didn't. | 0:48:30 | 0:48:36 | |
-Each sequence... -I'm not having a go at you. -It sounds like you are. | 0:48:36 | 0:48:40 | |
-See, the thing is, your video was your shop window. -Yep. | 0:48:40 | 0:48:44 | |
-That was your selling tool. -OK. -And that's where the negative comments have come from. | 0:48:44 | 0:48:48 | |
-Yeah. -Erm, Duane, | 0:48:48 | 0:48:50 | |
-you were responsible for producing the video. -Absolutely, definitely. | 0:48:50 | 0:48:54 | |
-I did take the lead on the video. -In fairness to the video, | 0:48:54 | 0:48:57 | |
-I think it did show all the major moves. -It absolutely did | 0:48:57 | 0:49:00 | |
-and everything that was featured... -So why didn't they buy it? | 0:49:00 | 0:49:04 | |
Guys, you're missing the point. It showed all of the moves, | 0:49:04 | 0:49:08 | |
but it cut out some of the key bits of the combat element | 0:49:08 | 0:49:11 | |
-and that's why the people didn't buy the licence. -Down to the editing? -The videoing and editing, correct. | 0:49:11 | 0:49:16 | |
Can I ask you a question? When you compare your video | 0:49:16 | 0:49:19 | |
to Phoenix's video, don't you think yours looks a bit dull? | 0:49:19 | 0:49:23 | |
-I also think the other one looks very cheesy. -Yeah. | 0:49:23 | 0:49:26 | |
-I'd be much more inclined to go to the one that we presented. -I think you're missing the point. | 0:49:26 | 0:49:30 | |
-It might have been a bit cheesy, but that's why they bought it. -Yeah. | 0:49:30 | 0:49:36 | |
Can I just go over the pricing? | 0:49:36 | 0:49:38 | |
-A lot of comments from people here that it was a bit expensive. -OK. | 0:49:38 | 0:49:43 | |
I'll take responsibility for the pricing. I was part of that team. | 0:49:43 | 0:49:47 | |
-Do you know what these other people did, really? -I would be keen to hear a little more from Nick. | 0:49:47 | 0:49:52 | |
I did some of the editing. We had quite a few rifts in the group. | 0:49:52 | 0:49:56 | |
That day, I brought the team together quite well. | 0:49:56 | 0:50:00 | |
Listen, Ricky, you have to make a decision as to which two people you're going to bring back here. | 0:50:00 | 0:50:08 | |
I'm looking to bring back Duane with me, for the downfall of the video, | 0:50:08 | 0:50:12 | |
-and I'm looking to bring back Laura, as well, for the dilution of the combat. -Mm-hm. | 0:50:12 | 0:50:17 | |
-The other three of you go back to the house, yeah? -Thank you. | 0:50:17 | 0:50:21 | |
HE EXHALES | 0:50:26 | 0:50:28 | |
I'm going to have a chat, with Nick, in particular, | 0:50:28 | 0:50:32 | |
because he was with you all the time, | 0:50:32 | 0:50:35 | |
so step outside for a while and I'll call you back shortly. | 0:50:35 | 0:50:39 | |
Thank you, Lord Sugar. | 0:50:39 | 0:50:41 | |
-LORD SUGAR: -Do you think the pricing was the killer? | 0:50:44 | 0:50:47 | |
No, I don't think the pricing was the issue, | 0:50:47 | 0:50:49 | |
-because if they loved the product and didn't like the price, they'd negotiate it down. -Mmm. | 0:50:49 | 0:50:54 | |
The unanimous, sort of, reaction of the health clubs to Ricky's pitch | 0:50:54 | 0:50:58 | |
was that he was good. | 0:50:58 | 0:51:00 | |
They just didn't much care for the video. | 0:51:01 | 0:51:04 | |
And Duane, is it his responsibility for the poor editing? Is it Laura? | 0:51:04 | 0:51:09 | |
It would be true to say that Laura delivered the moves, | 0:51:09 | 0:51:14 | |
but on the other hand, Duane directed them. | 0:51:14 | 0:51:17 | |
Mm. | 0:51:17 | 0:51:18 | |
'Send the three of them in, please.' | 0:51:21 | 0:51:23 | |
'Yes, Lord Sugar.' | 0:51:23 | 0:51:25 | |
Ricky, I have to say, the people that actually contributed the most | 0:51:31 | 0:51:38 | |
are the ones that you have chosen to bring in. | 0:51:38 | 0:51:41 | |
-And it may be the ones that did the least get away with it. -Yes. | 0:51:41 | 0:51:46 | |
-Yes? -I think the observation is correct, but I have to consider if the job was done correctly. | 0:51:46 | 0:51:52 | |
Perhaps you can tell me, then, why you brought Laura back? | 0:51:52 | 0:51:56 | |
OK, I brought Laura back because, listening to the feedback, | 0:51:56 | 0:51:59 | |
Laura's element was focused more on the dance and less on the combat. | 0:51:59 | 0:52:03 | |
I was very clear that it's not a dance video, we do need the combat elements, and unfortunately... | 0:52:03 | 0:52:08 | |
-OK. Laura, did you do every single sequence that you were asked to do? -Yes. | 0:52:08 | 0:52:13 | |
Lord Sugar, this is risky, but Laura shouldn't be here. | 0:52:13 | 0:52:16 | |
-She came and delivered. She contributed. -But you must see she was the person | 0:52:16 | 0:52:20 | |
who brought the sequencing across to you and was responsible in ensuring the message was clear. | 0:52:20 | 0:52:24 | |
She was the messenger of the moves that you all put together. | 0:52:24 | 0:52:27 | |
If you didn't like the moves, you should have said in the beginning. | 0:52:27 | 0:52:29 | |
The moves weren't displayed adequately. | 0:52:29 | 0:52:32 | |
They were named incorrectly and they weren't edited right, | 0:52:32 | 0:52:35 | |
so the reason I brought Laura in is because the message we put together | 0:52:35 | 0:52:39 | |
-in the creation did not come apparent when the video was completed. -It was your message. | 0:52:39 | 0:52:44 | |
-Duane, Duane, Duane. If it's not Laura, who DO you think? -It's Ricky. | 0:52:44 | 0:52:49 | |
Ricky is ultimately responsible for the failure of this task. | 0:52:49 | 0:52:52 | |
Don't you think the shop window, the video, was something which you claim that you was in charge of? | 0:52:52 | 0:52:58 | |
-You were the director. -Yes, I was responsible. | 0:52:58 | 0:53:00 | |
There were three people with different opinions, going in different directions. | 0:53:00 | 0:53:03 | |
You said you had directed and edited a fitness video previously, | 0:53:03 | 0:53:07 | |
so I delegated responsibility in the correct places. | 0:53:07 | 0:53:10 | |
-What I'm saying that you're doing is trying to avoid all responsibility. -You're trying to pass the buck. | 0:53:10 | 0:53:14 | |
I'm having to think now, even five weeks into the process, | 0:53:14 | 0:53:18 | |
of people that have the aptitude for what I'm looking for, so why do you think I should consider you? | 0:53:18 | 0:53:25 | |
I know that I am rough, but I do believe there is a lot of potential there to be moulded. | 0:53:25 | 0:53:30 | |
I'm very creative. I've gone out and proved myself and created and launched products before. | 0:53:30 | 0:53:33 | |
What I'm hoping to do is take this opportunity to become something | 0:53:33 | 0:53:36 | |
and be the best. I want to be the next big thing. | 0:53:36 | 0:53:40 | |
-Who do you think should be fired for the failure of this? -I think it should be the project manager. | 0:53:40 | 0:53:44 | |
He's hid away for the first few weeks, he hasn't done anything. | 0:53:44 | 0:53:47 | |
I do take responsibility for the video, I'm not going to try and shy away from it. | 0:53:47 | 0:53:51 | |
-I don't think he's hidden away. Why do you say that? -I don't believe he took responsibility. | 0:53:51 | 0:53:56 | |
Duane, you are doing what you always do. You are getting emotionally involved | 0:53:56 | 0:53:59 | |
and let your passion go in front of the facts. | 0:53:59 | 0:54:01 | |
-I take responsibility. -I've taken responsibility for delegating a task to you, which you failed on. | 0:54:01 | 0:54:05 | |
In fact, the man who said he could do the job underdelivered. | 0:54:05 | 0:54:10 | |
Like Lord Sugar said, at least we put ourselves forward. | 0:54:10 | 0:54:12 | |
If you were so concerned about the message being diluted, you should have gone to the editing. | 0:54:12 | 0:54:18 | |
Ricky, can you tell me why you shouldn't be fired? | 0:54:18 | 0:54:22 | |
I shouldn't be fired because I did look at everybody's skill sets, | 0:54:22 | 0:54:25 | |
I did delegate it in the right places. You are only as good as your weakest team member. | 0:54:25 | 0:54:30 | |
I honestly believe, with the materials I had in place to lead the three pitches, | 0:54:30 | 0:54:34 | |
if I wasn't leading that, we wouldn't even have got the orders that we did. | 0:54:34 | 0:54:37 | |
The feedback for the pitches were quite good. The people thought they were quite good. | 0:54:37 | 0:54:40 | |
-So who should be fired today? -I would say Duane should be, for failing on the video and the editing. | 0:54:40 | 0:54:46 | |
-And Duane? -I think it should be the project manager, Lord Sugar. | 0:54:46 | 0:54:49 | |
Mmm. Do you know what, I think we have gone as far as we can go. I'm going to summarise. | 0:54:49 | 0:54:57 | |
In summarising, I don't want any interference. I'm going to give you it as I see it, OK? | 0:54:57 | 0:55:03 | |
-Erm, Laura, this is the second time for you in the final three. -Yes. | 0:55:03 | 0:55:09 | |
-Last week, it was very touch and go. -Yes. | 0:55:09 | 0:55:12 | |
-I did say, "I will be keeping my eyes closely upon you." -I understand that. | 0:55:12 | 0:55:19 | |
-But I can't really understand what Ricky brought you back in here for. -I can't, either. | 0:55:19 | 0:55:23 | |
What I'm going to say to you, Laura, is, you survive again. | 0:55:23 | 0:55:25 | |
Thank you, Lord Sugar. | 0:55:25 | 0:55:29 | |
Ricky, I think you brought the wrong people back in here. | 0:55:29 | 0:55:32 | |
-I think that's a big lesson I have learned. -It's a lesson you've learnt. | 0:55:32 | 0:55:37 | |
And that's a bad management move, that is. | 0:55:37 | 0:55:40 | |
-A very, very bad management move. -OK. | 0:55:40 | 0:55:45 | |
Duane, you put yourself forward to produce the video. | 0:55:45 | 0:55:51 | |
I, personally, believe that the video was the main cause of the failure of this task. | 0:55:51 | 0:55:56 | |
And, therefore, Duane... | 0:55:56 | 0:56:00 | |
-you're fired. -Thank you, Lord Sugar. Thank you, Karren, thank you, Nick. | 0:56:00 | 0:56:05 | |
Take care. See you later. | 0:56:05 | 0:56:07 | |
You've got Nick and Karren to thank for you staying here today, Ricky. | 0:56:15 | 0:56:20 | |
-Thank you, very much. -They have given me reasonable reports on your performance to date. | 0:56:20 | 0:56:27 | |
If it was solely on today's task, I have got to tell you, you were very close to leaving, also. | 0:56:27 | 0:56:34 | |
-My eyes are still on you. -I know. Thank you, Lord Sugar. -Thank you for the feedback. | 0:56:34 | 0:56:39 | |
Lord Sugar knows what he wants and, unfortunately, this time, it wasn't me. | 0:57:00 | 0:57:04 | |
That's not going to take away from me. I've got a lot to give, a lot to prove, but I'm going to | 0:57:04 | 0:57:07 | |
go out there and do that. I'm hoping that you've not seen the best of me yet. | 0:57:07 | 0:57:11 | |
Duane, 100%, was the right person to go on this task. | 0:57:15 | 0:57:19 | |
-I wasn't worried. -Good. | 0:57:19 | 0:57:23 | |
It could have been any single one of us going in that boardroom, and it is really hard. | 0:57:23 | 0:57:29 | |
Ricky was actually a good PM. He did manage the team well. I don't think he deserves to get fired. | 0:57:29 | 0:57:34 | |
CHEERING AND APPLAUSE | 0:57:35 | 0:57:39 | |
-Well done. -Yay! -You're back! | 0:57:39 | 0:57:42 | |
Lord Sugar knows who I am. He knows what I've got. | 0:57:43 | 0:57:47 | |
Anyone who hasn't been in that bottom three, | 0:57:47 | 0:57:49 | |
he might not know you that well, so you need to make sure you stamp your authority on it. | 0:57:49 | 0:57:53 | |
In the fight for Lord Sugar's quarter-million-pound investment, | 0:57:55 | 0:58:00 | |
11 candidates remain. | 0:58:00 | 0:58:02 | |
Next time... | 0:58:03 | 0:58:06 | |
I'm going to send you up to the culinary capital of Scotland. | 0:58:06 | 0:58:09 | |
..a food fight... | 0:58:09 | 0:58:11 | |
-Battle stations. -These are really small. | 0:58:11 | 0:58:13 | |
-Just roll with it. -Go, go, go, go! | 0:58:13 | 0:58:15 | |
..on the streets of Edinburgh. | 0:58:15 | 0:58:17 | |
-Girls, do you fancy some dinner this evening? -Squirrel! Meatballs! | 0:58:17 | 0:58:20 | |
-He's making a decision on the price. -It's out of the frying pan... | 0:58:20 | 0:58:24 | |
-How many have you sold? -A dozen. -I feel physically sick. | 0:58:24 | 0:58:27 | |
..and into the firing line. | 0:58:27 | 0:58:29 | |
You don't know what you're doing! You're completely out of control. | 0:58:29 | 0:58:32 | |
You're fired. | 0:58:32 | 0:58:34 | |
Subtitles by Red Bee Media Ltd | 0:58:58 | 0:59:01 |