
Browse content similar to The Final and You're Hired. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Good evening and welcome to a two-hour Apprentice final special. | 0:00:02 | 0:00:04 | |
We discover tonight whether Luisa or Leah is going to be | 0:00:04 | 0:00:07 | |
Lord Sugar's next business partner. | 0:00:07 | 0:00:09 | |
For the last three months, | 0:00:09 | 0:00:10 | |
we've followed the twists and turns of every task | 0:00:10 | 0:00:13 | |
and the change in fortunes of the 16 candidates as they battled it out | 0:00:13 | 0:00:18 | |
for a quarter of a million pound investment. | 0:00:18 | 0:00:20 | |
But within the hour, we'll know the result | 0:00:20 | 0:00:22 | |
and then join me when we'll meet the winner, the runner-up, | 0:00:22 | 0:00:26 | |
Lord Sugar himself and our panel, | 0:00:26 | 0:00:29 | |
including Lorraine Kelly and Hugh Dennis. | 0:00:29 | 0:00:31 | |
But, first, sit back and enjoy Luisa versus Leah | 0:00:31 | 0:00:35 | |
in the final of The Apprentice 2013. | 0:00:35 | 0:00:39 | |
This is an unbelievable opportunity. | 0:00:40 | 0:00:43 | |
Lord Sugar's in the market for a brand-new business partner. | 0:00:44 | 0:00:49 | |
This process is not about a job, it's about me | 0:00:49 | 0:00:52 | |
ploughing £250,000 into a business. | 0:00:52 | 0:00:56 | |
Trust me, there are people in this room that are hungry for this deal. | 0:00:56 | 0:00:59 | |
Here to do battle for his backing, 16 ambitious entrepreneurs. | 0:01:01 | 0:01:07 | |
You told me you can do things, you lot. You can't! | 0:01:07 | 0:01:11 | |
You're all a bloody waste of space! | 0:01:11 | 0:01:13 | |
At stake, a quarter million pound investment. | 0:01:13 | 0:01:17 | |
And a 50/50 partnership with a business icon. | 0:01:17 | 0:01:22 | |
I believe actions speak louder than words. | 0:01:22 | 0:01:25 | |
This is rubbish! This idea is rubbish! | 0:01:25 | 0:01:29 | |
It's a deal worth fighting for. | 0:01:30 | 0:01:33 | |
Jason, will you be quiet! | 0:01:33 | 0:01:35 | |
16 potential business partners. | 0:01:35 | 0:01:38 | |
Caravan, caravan, caravan! | 0:01:38 | 0:01:40 | |
No way! | 0:01:40 | 0:01:41 | |
-Hold me tight! -Get in! | 0:01:41 | 0:01:44 | |
12 tough weeks. | 0:01:45 | 0:01:47 | |
-You can't change the project manager. -No. -Yes, you can. | 0:01:47 | 0:01:50 | |
I'm really worried. | 0:01:50 | 0:01:51 | |
One life changing opportunity. | 0:01:51 | 0:01:53 | |
You're fired. You're fired. | 0:01:53 | 0:01:55 | |
I don't want to see your face any more! You're fired! | 0:01:55 | 0:01:58 | |
Previously on The Apprentice. | 0:02:08 | 0:02:10 | |
I'm going to put you in front of four of my very trusted advisers. | 0:02:10 | 0:02:15 | |
There's no pulling the wool over their eyes. | 0:02:15 | 0:02:18 | |
Business plans got dissected. | 0:02:18 | 0:02:20 | |
I don't know whether I'm not explaining it very clearly. | 0:02:20 | 0:02:22 | |
I hope I'm explaining it clearly how just ludicrous the whole idea is. | 0:02:22 | 0:02:27 | |
Personalities were picked apart. | 0:02:27 | 0:02:30 | |
You came across as boring. | 0:02:30 | 0:02:32 | |
-I'm not boring so... -Your business plan is half baked. | 0:02:32 | 0:02:35 | |
I'd rather give birth again than do this. | 0:02:35 | 0:02:38 | |
You're potentially going to make money out of maybe young | 0:02:38 | 0:02:40 | |
girls not feeling good about themselves. | 0:02:40 | 0:02:43 | |
-I totally challenge that point. -Jordan took a beating. | 0:02:43 | 0:02:46 | |
-You can leave now. -And his time in the boardroom... | 0:02:47 | 0:02:50 | |
-You want me to invest in another business and you don't even own yourself. -..was short. | 0:02:50 | 0:02:54 | |
You're fired. | 0:02:54 | 0:02:56 | |
-Neil was a man without a plan. -It don't work, it don't make sense. -It does. | 0:02:56 | 0:03:00 | |
If this was all about giving someone a job, I'd give you a job tomorrow. | 0:03:00 | 0:03:05 | |
-You're fired. -Then there were three. | 0:03:05 | 0:03:07 | |
Difficult decision here, ladies. | 0:03:07 | 0:03:10 | |
Francesca, you're fired. | 0:03:10 | 0:03:12 | |
Thank you for your time. | 0:03:12 | 0:03:14 | |
Now just two remain to fight for the chance to become Lord Sugar's business partner. | 0:03:14 | 0:03:20 | |
5pm. | 0:03:28 | 0:03:29 | |
After a gruelling 11 week journey... | 0:03:33 | 0:03:36 | |
It's lonely in here. | 0:03:36 | 0:03:38 | |
The two survivors take stock. | 0:03:39 | 0:03:41 | |
I never thought I would be here. | 0:03:43 | 0:03:45 | |
No, I didn't think I'd be here. We just have to show what we're made of now. | 0:03:45 | 0:03:50 | |
PHONE RINGS | 0:03:50 | 0:03:51 | |
Hello. 'Good evening. This is Lord Sugar's office. | 0:03:57 | 0:04:02 | |
'Lord Sugar would like you to meet him at 1, Marylebone. | 0:04:02 | 0:04:06 | |
-'The cars will be with you in 30 minutes.' -OK, thanks. | 0:04:06 | 0:04:09 | |
We've got a task. Half an hour. 1, Marylebone. | 0:04:10 | 0:04:15 | |
There is obviously a lot riding on this last task. | 0:04:17 | 0:04:20 | |
It's our last chance to show Lord Sugar what we can do. | 0:04:20 | 0:04:25 | |
I still haven't really got my head around what it would be like | 0:04:25 | 0:04:28 | |
to be Lord Sugar's business partner. | 0:04:28 | 0:04:31 | |
For me, it would be absolutely life changing. | 0:04:31 | 0:04:34 | |
1, Marylebone. | 0:04:52 | 0:04:55 | |
Top location for high profile events. | 0:04:55 | 0:04:58 | |
Now, the venue for Lord Sugar's final showdown. | 0:05:00 | 0:05:04 | |
-Good evening. -BOTH: Good evening, Lord Sugar. | 0:05:20 | 0:05:23 | |
Well, you two have done very very well getting through to the final. | 0:05:23 | 0:05:28 | |
And now, ladies, this is your opportunity to convince me | 0:05:28 | 0:05:33 | |
that you should be my business partner. | 0:05:33 | 0:05:36 | |
Because your final task this week is I want you to launch your business. | 0:05:36 | 0:05:41 | |
You're going to come up with a brand, | 0:05:42 | 0:05:44 | |
a website and a launch campaign and it is here in a few days' time | 0:05:44 | 0:05:49 | |
you're going to present that to me together with industry experts. | 0:05:49 | 0:05:55 | |
At the end of this whole exercise, | 0:05:55 | 0:05:57 | |
one of you will get my £250,000 investment in OUR new company. | 0:05:57 | 0:06:03 | |
Luisa, you might have a good idea but I hope | 0:06:05 | 0:06:08 | |
your presentation is going to make your business plan much clearer. | 0:06:08 | 0:06:12 | |
As far as you're concerned, Leah, I need you | 0:06:12 | 0:06:15 | |
to convince me that I should be investing in something that is | 0:06:15 | 0:06:19 | |
completely alien to me. | 0:06:19 | 0:06:22 | |
So, good luck, ladies. Off you go and I'll see you in a few days' time. | 0:06:22 | 0:06:28 | |
-Thank you. -Thank you. | 0:06:28 | 0:06:30 | |
To pull off their plans, they'll need to hire some help. | 0:06:32 | 0:06:36 | |
First job for Luisa, scan CVs. | 0:06:38 | 0:06:41 | |
She has some really good ideas. | 0:06:41 | 0:06:44 | |
I do like him, he's just really useless. | 0:06:44 | 0:06:46 | |
But he does do what he's told | 0:06:46 | 0:06:48 | |
so with clear instructions, he'll be fine. | 0:06:48 | 0:06:52 | |
There's nothing wrong with being a strong, direct, | 0:06:52 | 0:06:56 | |
outspoken female in business. | 0:06:56 | 0:06:58 | |
I'm really sick to death now of being called manipulative, | 0:06:58 | 0:07:02 | |
argumentative, intimidating | 0:07:02 | 0:07:04 | |
and I hope Lord Sugar can see I'm not like that. | 0:07:04 | 0:07:07 | |
Hi, Neil, it's Lu. | 0:07:07 | 0:07:09 | |
-'Hi, Lu.' -Listen, I'm in the final. How are you? -'Yeah, not too bad.' | 0:07:09 | 0:07:14 | |
'I'm gutted I'm not there competing against you!' | 0:07:14 | 0:07:18 | |
-I really want you to be on my team. -'100%.' | 0:07:18 | 0:07:21 | |
Hello, Alex, babe, it's Leah. | 0:07:21 | 0:07:23 | |
I'm in the final. I need you to come and help me. | 0:07:23 | 0:07:25 | |
-Racing to build her dream team... -Can you work with me? | 0:07:25 | 0:07:28 | |
-'Yeah, of course I can!' -I'll see soon. Thank you so much. Bye-bye. | 0:07:28 | 0:07:32 | |
..Leah. | 0:07:32 | 0:07:33 | |
Lord Sugar doesn't have any businesses in the medical sector. | 0:07:33 | 0:07:37 | |
-That's potentially something that may put him off investing in me. -'Hello?' | 0:07:37 | 0:07:40 | |
Hello, Francesca. It's Leah. | 0:07:40 | 0:07:42 | |
I know how much money it makes | 0:07:42 | 0:07:43 | |
and the potential is absolutely phenomenal. | 0:07:43 | 0:07:46 | |
-Can you come and work with me? -'Of course I can!' -Great, OK. | 0:07:46 | 0:07:49 | |
-Uz, it's Leah. Will you come and help me? -'Yeah, of course I will.' | 0:07:49 | 0:07:53 | |
-I'm delighted with that team. -Hi, Alex, it's Lu. | 0:07:53 | 0:07:56 | |
-'Hello, Lu.' -Hello, darling. | 0:07:56 | 0:07:57 | |
Listen, I'm in the final and I was wondering if you'd be on my team. | 0:07:57 | 0:08:01 | |
'Congratulations, Lu, but unfortunately I've already been booked.' | 0:08:01 | 0:08:05 | |
OK, bye. Fran, it's Lu. | 0:08:05 | 0:08:08 | |
-'Hi, darling.' -Has Leah just called you? | 0:08:08 | 0:08:12 | |
-'I've been booked by the other team, I'm sorry.' -No worries. | 0:08:12 | 0:08:16 | |
Why is Myles's phone off? | 0:08:16 | 0:08:18 | |
'Welcome to the O2...' | 0:08:18 | 0:08:19 | |
Oh, for God's sake. Which means I'm going to be left with Zee and oh, God... | 0:08:19 | 0:08:24 | |
I really don't want Jason. He'll be detrimental. | 0:08:27 | 0:08:31 | |
-It's not the strongest team that I could have had. -'Hello?' -Hello, Jason. It's Lu. | 0:08:31 | 0:08:36 | |
'Hi, Lu.' | 0:08:36 | 0:08:38 | |
Hello, how are you? | 0:08:38 | 0:08:40 | |
Leah has taken the strong players but as long as I can | 0:08:40 | 0:08:43 | |
communicate my vision to them, I'm certain we'll get it done. | 0:08:43 | 0:08:46 | |
I was wondering if you'd return and be on my team? | 0:08:46 | 0:08:50 | |
'Oh, gosh, what an exciting prospect. Of course I'll come and join you, my dear.' | 0:08:50 | 0:08:53 | |
But definitely I think I edge it slightly over Leah | 0:08:53 | 0:08:57 | |
from a branding, website-building, pitching perspective. | 0:08:57 | 0:09:00 | |
So, she perhaps does need a stronger team around her. | 0:09:00 | 0:09:03 | |
Tonight, back to the house. | 0:09:05 | 0:09:08 | |
Tomorrow, it's down to business. | 0:09:08 | 0:09:12 | |
7am. | 0:09:17 | 0:09:19 | |
Today, Luisa and Leah must build brands for their businesses. | 0:09:21 | 0:09:26 | |
With a little help from old colleagues. | 0:09:26 | 0:09:29 | |
Hello! Thank you so much for coming. | 0:09:31 | 0:09:35 | |
Lovely to see you again. | 0:09:35 | 0:09:38 | |
Guys, thank you all so much for coming back. | 0:09:39 | 0:09:42 | |
You were all my first choice, I didn't have to ring anyone else. | 0:09:42 | 0:09:45 | |
I'm really relieved. | 0:09:45 | 0:09:47 | |
The final task is all about my business. | 0:09:50 | 0:09:54 | |
I'm really really exciting. | 0:09:54 | 0:09:56 | |
My business idea is to create a new baking brand, so cake tins, | 0:09:57 | 0:10:02 | |
utensils, colours. | 0:10:02 | 0:10:04 | |
We are a wholesale company, a traditional wholesale model. | 0:10:04 | 0:10:07 | |
We need to get first of all an initial order with the retailer, | 0:10:07 | 0:10:11 | |
a wholesale order with a retailer but after that they need to be able to sell it... | 0:10:11 | 0:10:16 | |
..to their customer, which is the single person. | 0:10:18 | 0:10:21 | |
Is everyone clear on...? | 0:10:24 | 0:10:26 | |
Um... | 0:10:27 | 0:10:29 | |
Predominately wholesale but once the brand takes off, | 0:10:29 | 0:10:32 | |
-you'll be selling to consumers? -No, it will always be wholesale. | 0:10:32 | 0:10:36 | |
A strange sense of deja vu being back again on a design task with Luisa. | 0:10:36 | 0:10:42 | |
The discussion started off as slightly confused, | 0:10:42 | 0:10:46 | |
are we selling directly to business, are we selling to an end user? | 0:10:46 | 0:10:49 | |
But I'm sure we'll get more clarity as we go along. | 0:10:49 | 0:10:53 | |
-Everything to make a cake, bar the cake. -I see ingredients... | 0:10:53 | 0:10:56 | |
Flour. | 0:10:56 | 0:10:58 | |
Not flour, no. | 0:10:58 | 0:11:00 | |
So, a bit about my business. It's a medical cosmetic clinic. | 0:11:03 | 0:11:06 | |
I want to start a chain across the UK. | 0:11:06 | 0:11:09 | |
We'd be offering anti-ageing treatments, anti-wrinkle injections, | 0:11:09 | 0:11:12 | |
facial fillers and it really will be a professional, ethical service | 0:11:12 | 0:11:18 | |
-and that's what I'm really keen to get across. -I'm bloody vain. | 0:11:18 | 0:11:21 | |
I think I can lend some real empathy to this. | 0:11:21 | 0:11:24 | |
Next job, names. | 0:11:25 | 0:11:28 | |
My first name which I will be going with is skin backwards with the K the wrong way round. | 0:11:28 | 0:11:34 | |
A face in the middle, this circle design - it's catchy, it's current, | 0:11:34 | 0:11:38 | |
it can be medical or high street. | 0:11:38 | 0:11:40 | |
What about Hello, Baker!, with an exclamation? | 0:11:41 | 0:11:47 | |
Bake Me Happy? | 0:11:47 | 0:11:50 | |
Sugarcoated? | 0:11:50 | 0:11:52 | |
No, not keen? That's fine. | 0:11:53 | 0:11:56 | |
Master Bake? | 0:11:56 | 0:11:59 | |
The one which I thought of was Reflections. | 0:11:59 | 0:12:03 | |
The reason I quite liked it is | 0:12:03 | 0:12:04 | |
because it encompasses the brand of what you're doing. | 0:12:04 | 0:12:07 | |
I just love NIKS. | 0:12:07 | 0:12:09 | |
Is this not beautiful, to you? This is beautiful to me. | 0:12:10 | 0:12:14 | |
11.30am. | 0:12:17 | 0:12:18 | |
On today's to-do list - research the market, | 0:12:20 | 0:12:26 | |
design a website and create a brand. | 0:12:26 | 0:12:30 | |
I just think that something a bit more specific like Sugar Central or Baker's Toolbox | 0:12:30 | 0:12:34 | |
lends itself to a bigger brand. | 0:12:34 | 0:12:38 | |
-Still in need of a name, Luisa's company. -Baker's Toolkit, | 0:12:38 | 0:12:43 | |
I love it. I think it's great. | 0:12:43 | 0:12:45 | |
You don't even need a tagline, this explains it, | 0:12:45 | 0:12:47 | |
it says what it is on the tin. | 0:12:47 | 0:12:49 | |
-Baker's Toolkit. -Definitely. | 0:12:49 | 0:12:51 | |
First stop, Belgravia. A boutique bakery. | 0:12:55 | 0:12:58 | |
It's so cute, isn't it, boys? | 0:12:58 | 0:13:01 | |
And a chance to grill baking professional, Peggy Porschen. | 0:13:01 | 0:13:07 | |
-Lovely to meet you. -Lovely to meet you. | 0:13:07 | 0:13:09 | |
We wanted to come to talk to you because I'm pitching a new business idea. | 0:13:09 | 0:13:12 | |
And the idea is to come up with a new baking brand. | 0:13:12 | 0:13:16 | |
So, everything you need to make the cake bar the cake. | 0:13:16 | 0:13:20 | |
So, an online stock ordering system, | 0:13:20 | 0:13:22 | |
you can see quantities, | 0:13:22 | 0:13:24 | |
-I've got a cake shop myself. -Have you? | 0:13:24 | 0:13:27 | |
And the problem I've found is when I'm placing orders to then | 0:13:27 | 0:13:31 | |
supply to my customers they're constantly out of stock. | 0:13:31 | 0:13:34 | |
I know the problem. | 0:13:34 | 0:13:36 | |
You know this problem too, I'm sure. | 0:13:36 | 0:13:38 | |
Luisa and her merry men have come to speak to this absolute expert | 0:13:38 | 0:13:43 | |
to gain information, but what happened was actually Luisa didn't really ask too much. | 0:13:43 | 0:13:49 | |
I know a Wilton 233 nozzle, I cannot get hold of as a supplier. | 0:13:49 | 0:13:52 | |
Sorry, that's really technical! | 0:13:52 | 0:13:57 | |
But what it did show, that Luisa knows this business backwards. | 0:13:57 | 0:14:02 | |
Just before we leave, I don't know whether you wanted to talk about some numbers or something? | 0:14:02 | 0:14:08 | |
-Numbers? -Numbers, I don't know.... | 0:14:08 | 0:14:11 | |
-I'm good on numbers. -You're good, she's good... | 0:14:11 | 0:14:14 | |
-Pushing on with her team... -Reflecting Skin? | 0:14:18 | 0:14:22 | |
And still fixed on NIKS... | 0:14:22 | 0:14:23 | |
I just love NIKS Medical Group. Imagine that on a billboard. | 0:14:23 | 0:14:29 | |
Leah. | 0:14:29 | 0:14:30 | |
-You need clinics or cosmetic in it. -Come on, let's work on this. | 0:14:30 | 0:14:34 | |
NIKS... | 0:14:34 | 0:14:36 | |
Leah, you don't do branding, listen to the two people that do. | 0:14:36 | 0:14:39 | |
This is my brand though. | 0:14:39 | 0:14:40 | |
Lunchtime. | 0:14:42 | 0:14:44 | |
South-west London. | 0:14:44 | 0:14:45 | |
Design base for both teams. | 0:14:47 | 0:14:51 | |
Creative agency, Brave. | 0:14:51 | 0:14:53 | |
So, the name we went for is NIKS - | 0:14:53 | 0:14:56 | |
NIKS with the K backwards. | 0:14:56 | 0:14:58 | |
So, what we'll do is have me in cartoon form maybe holding | 0:15:01 | 0:15:04 | |
a rolling pin. Like girly like because I've got quite big eyes. | 0:15:04 | 0:15:10 | |
For Luisa, a plan to be the face of her brand. | 0:15:10 | 0:15:14 | |
Colours, we were thinking pink. | 0:15:14 | 0:15:18 | |
What kind of pink? | 0:15:18 | 0:15:20 | |
Like more of a pastel shade. | 0:15:20 | 0:15:22 | |
-Zee's shirt pink or lighter? -Zee's socks. | 0:15:22 | 0:15:26 | |
Pitching Luisa's pink palette to some professionals... | 0:15:29 | 0:15:33 | |
Hello, everyone! | 0:15:33 | 0:15:34 | |
Neil and Natalie. | 0:15:34 | 0:15:36 | |
We were going to go with light pastel colours, | 0:15:37 | 0:15:40 | |
we could do the whole thing pink. | 0:15:40 | 0:15:42 | |
-Is that something that would appeal to you? -No. | 0:15:42 | 0:15:45 | |
-It's too gender specific, isn't it? -Absolutely. | 0:15:45 | 0:15:49 | |
So, I've got to be quick... | 0:15:51 | 0:15:54 | |
The things that we've got from it is in terms of the brand they're | 0:15:54 | 0:15:57 | |
attracted to more bold colours rather than pinks and stuff. | 0:15:57 | 0:16:01 | |
OK, our logo is raspberry, almost like a raspberry pink. | 0:16:01 | 0:16:08 | |
They were staying away from the girly feel. | 0:16:08 | 0:16:11 | |
Just have it a little bit more kind of unisex rather than | 0:16:11 | 0:16:15 | |
angled at just women. | 0:16:15 | 0:16:17 | |
Luisa's got a brand that's very confusing. | 0:16:18 | 0:16:22 | |
Baker's Toolkit will be sold essentially into the trade. | 0:16:22 | 0:16:27 | |
What we've got behind me | 0:16:27 | 0:16:29 | |
is a team that is creating something out of Bambi or Barbie. | 0:16:29 | 0:16:33 | |
Is that for the professional shopkeeper? | 0:16:33 | 0:16:35 | |
They are not sure who it is they are selling to. | 0:16:35 | 0:16:38 | |
I really like myself on there. | 0:16:38 | 0:16:40 | |
-Upstairs... -No, it's not clear enough. | 0:16:46 | 0:16:49 | |
I want the S bigger so it draws my eye straight to the end of it. | 0:16:49 | 0:16:51 | |
Standing up for her brand... | 0:16:51 | 0:16:54 | |
-Thinner? -Shorter. -..Leah. | 0:16:54 | 0:16:57 | |
A bit longer, yeah. | 0:16:57 | 0:16:58 | |
Typography is key for logos and stuff, typography is really in. | 0:16:58 | 0:17:03 | |
It says skin. Can we make the I slightly smaller? | 0:17:03 | 0:17:07 | |
Like... This. | 0:17:07 | 0:17:11 | |
You know the MPS medical symbol? Make that the I in medical | 0:17:11 | 0:17:14 | |
which will draw you to the middle of the medical word. | 0:17:14 | 0:17:16 | |
From the crack of dawn this morning, Leah had very firm ideas on branding and website and logo. | 0:17:16 | 0:17:22 | |
I would stick to the dark font on the strapline. | 0:17:22 | 0:17:24 | |
She's been calm, decisive and clear about what she wants to achieve. | 0:17:24 | 0:17:29 | |
Clean, fresh, medical, skin. | 0:17:29 | 0:17:32 | |
She's gone very corporate, very safe. | 0:17:32 | 0:17:35 | |
It is clinical, it's medical. | 0:17:35 | 0:17:37 | |
The only problem is it's all a bit bland. | 0:17:37 | 0:17:40 | |
It's not that trendy or funky but it's very clinical. | 0:17:40 | 0:17:44 | |
-I think it's boring. -Yeah. -I like boring. | 0:17:44 | 0:17:47 | |
6pm. | 0:17:50 | 0:17:51 | |
It looks like it's really blah, like... | 0:17:51 | 0:17:55 | |
Under construction, the Baker's Toolkit website. | 0:17:55 | 0:17:58 | |
Move that over there please. | 0:17:58 | 0:18:01 | |
No, not that. That. | 0:18:01 | 0:18:04 | |
Under pressure, Luisa. | 0:18:04 | 0:18:07 | |
Can you just do it in the order I've asked, sorry. | 0:18:07 | 0:18:10 | |
I want, this, what I've asked for, done. | 0:18:10 | 0:18:14 | |
Just make it so it's been thrown on there. | 0:18:14 | 0:18:17 | |
We can't put that in the middle because we've got text at the top. | 0:18:17 | 0:18:19 | |
We've got 25 minutes left, we should move on to the second page | 0:18:19 | 0:18:22 | |
because this has taken us nearly an hour to do this. | 0:18:22 | 0:18:25 | |
The last time I was with Luisa, it was almost the same situation. | 0:18:25 | 0:18:30 | |
Luisa is bewildering, frankly. That's her character. | 0:18:30 | 0:18:34 | |
I don't hold it against her. | 0:18:34 | 0:18:35 | |
It's a hard task and I'm glad she's sweating a little bit. | 0:18:35 | 0:18:39 | |
Guys, I need you both to be quiet now so I can do this | 0:18:39 | 0:18:43 | |
because we're not going to get it done. | 0:18:43 | 0:18:45 | |
So, the website is looking good. | 0:18:45 | 0:18:47 | |
We've got the structure there, the right structure, a professional website. | 0:18:47 | 0:18:50 | |
Thank you, boys. Very good. | 0:18:50 | 0:18:52 | |
-Thank you very much. -Thank you. | 0:18:52 | 0:18:55 | |
7pm. | 0:18:55 | 0:18:57 | |
-Thanks. -Good day's work. -Yeah. | 0:18:57 | 0:19:02 | |
Last time, Luisa and I were about to pull each other's hairs out. | 0:19:02 | 0:19:06 | |
Both businesses branded. | 0:19:10 | 0:19:13 | |
Tomorrow you've really got to boom, boom, boom. Get it done. | 0:19:13 | 0:19:17 | |
-We have to help Luisa win this task. -Yep. | 0:19:17 | 0:19:21 | |
I think having now, doing this task, something I feel confident is my field. | 0:19:21 | 0:19:25 | |
Today, I feel like every decision I know the answer to. | 0:19:25 | 0:19:30 | |
8am. | 0:19:39 | 0:19:42 | |
For Luisa and Leah, one day left to prepare for launch. | 0:19:42 | 0:19:47 | |
Today, to bring their presentations to life, | 0:19:49 | 0:19:52 | |
both teams must produce a promotional video. | 0:19:52 | 0:19:55 | |
We're creative individuals. | 0:19:55 | 0:19:57 | |
We can help you to ensure that what we produce today is not only | 0:19:57 | 0:20:01 | |
tasteful, it's also professional. | 0:20:01 | 0:20:03 | |
A West London clinic. | 0:20:03 | 0:20:05 | |
-Leah's setting for NIKS - the video. -Hello! | 0:20:05 | 0:20:09 | |
How are you? Leah. Pleasure to meet you. | 0:20:09 | 0:20:12 | |
-Location for Luisa and her Baker's Toolkit... -It's very pink! | 0:20:14 | 0:20:18 | |
A family home. | 0:20:18 | 0:20:20 | |
It's a very pink industry. | 0:20:20 | 0:20:23 | |
Millie, this is Lewis and he's your pretend brother for the day. | 0:20:25 | 0:20:29 | |
For the purposes of this. I'll pretend to be your mum, OK? | 0:20:29 | 0:20:32 | |
Dr Leah's white coat. | 0:20:36 | 0:20:38 | |
On the NIKS set, newly appointed creatives Uzma and Alex. | 0:20:40 | 0:20:44 | |
But I just think that it looks quite nice in the background | 0:20:44 | 0:20:47 | |
because of the height of it. It brings it up. | 0:20:47 | 0:20:50 | |
Talking of making the room look pretty and Leah comes in. | 0:20:50 | 0:20:53 | |
That thing in the background doesn't fit the rest of the decor. | 0:20:53 | 0:20:56 | |
Put that on the other table. | 0:20:56 | 0:20:58 | |
-Does that not look better? -Just imagine that was a cup of tea. | 0:21:00 | 0:21:04 | |
We don't need to discuss it any further. That's what we are doing. Yep. | 0:21:04 | 0:21:07 | |
Leah's on the rampage, trying to make sure things get done. | 0:21:07 | 0:21:10 | |
Do we have a stethoscope? Literally, that I can put my hand on this minute. | 0:21:10 | 0:21:13 | |
Can you get one this very minute. | 0:21:13 | 0:21:15 | |
She doesn't seem to have much confidence in the people around her trying to do the job. | 0:21:15 | 0:21:19 | |
And she is trying to do it all her own way. | 0:21:19 | 0:21:21 | |
Leah is definitely feeling the pressure at the moment. | 0:21:21 | 0:21:23 | |
-She just needs to calm down. -She is a bit stressed. | 0:21:23 | 0:21:25 | |
Sit right back. Don't hunch. Relax. Look happy. | 0:21:25 | 0:21:30 | |
We need a bit of variation. I don't have time to discuss it any more. | 0:21:30 | 0:21:34 | |
Can we clear, a clear shot. | 0:21:34 | 0:21:36 | |
My name is Doctor Leah Totton. Thank you for coming today. | 0:21:36 | 0:21:40 | |
We will practise it a few times, and then we will go with it. Is that OK? | 0:21:40 | 0:21:45 | |
In the family kitchen and ready to roll. | 0:21:45 | 0:21:48 | |
Like many of you, I'm a baker and business owner. | 0:21:48 | 0:21:50 | |
-It's a good start. -Yeah. | 0:21:50 | 0:21:53 | |
-Three, two, one, action. -Hi, I'm Luisa Zissman. | 0:21:54 | 0:21:59 | |
Like many of you, I'm a baker and a business owner and I have been | 0:21:59 | 0:22:02 | |
unable to rely on my supplier. | 0:22:02 | 0:22:04 | |
It's really good. | 0:22:04 | 0:22:06 | |
Very good. Very genuine. Very honest. Yeah. | 0:22:06 | 0:22:10 | |
Can I have Millie and Lewis smiling at this lovely man here, Jason. | 0:22:10 | 0:22:15 | |
It's a new day, teamwork and smiles, that's what this afternoon | 0:22:15 | 0:22:18 | |
has been about and I'm very happy that we've done so well. | 0:22:18 | 0:22:22 | |
-Make us your new wholesaler. -Wholesaler or wholesale supplier? | 0:22:22 | 0:22:26 | |
Wholesale supplier. Make us your new wholesale supplier. | 0:22:26 | 0:22:30 | |
Luisa, who started out in the process as being a bit of a nuisance, not | 0:22:30 | 0:22:35 | |
getting on with the team mates, and in fact, Lord Sugar said, "Are you trouble?" | 0:22:35 | 0:22:39 | |
But here we are, at the very end, she is in the final, and her | 0:22:39 | 0:22:43 | |
team warm to her, she warms to them, they are working as a great unit. | 0:22:43 | 0:22:48 | |
Three, two, one, action. | 0:22:48 | 0:22:50 | |
-We offer you innovative products and great prices. -Brilliant. | 0:22:50 | 0:22:55 | |
It looks great. I think it looks brilliant. | 0:22:55 | 0:22:58 | |
Holborn. | 0:23:00 | 0:23:02 | |
Excuse me, madam, have you got two minutes? We're doing a... | 0:23:02 | 0:23:05 | |
Out to get feedback for Leah's NIKS pitch... | 0:23:05 | 0:23:08 | |
Hello, madam. Have you got... | 0:23:08 | 0:23:10 | |
..Myles and Francesca. | 0:23:10 | 0:23:12 | |
Have you ever had or considered non-surgical cosmetic treatment? | 0:23:12 | 0:23:15 | |
-I'd consider it but I haven't. -Highly trained doctors. | 0:23:15 | 0:23:19 | |
-Is that important or not too important? 8/10? -10/10. -OK. | 0:23:19 | 0:23:24 | |
What about the brand itself, what it's called, how it looks? | 0:23:24 | 0:23:28 | |
-It's important for me. -It's important for you. | 0:23:28 | 0:23:31 | |
We are looking at a name called Niks, which is skin backwards. | 0:23:31 | 0:23:35 | |
-Out of 10, how much do you like that? -One. -One? -Awful. | 0:23:35 | 0:23:39 | |
-OK, why is that? -Do you know why? | 0:23:39 | 0:23:42 | |
-Niks. It sounds like a knife. No. -OK. | 0:23:42 | 0:23:45 | |
That wasn't a brilliant comment. | 0:23:46 | 0:23:49 | |
I just hope, for her sake, she's not going to get slaughtered with that. | 0:23:49 | 0:23:53 | |
At Niks, our staff are highly-trained. | 0:23:54 | 0:23:58 | |
At Niks, our staff, our staff... At Niks, our staff? | 0:23:58 | 0:24:01 | |
I think that's too many words. | 0:24:01 | 0:24:03 | |
At Niks, we offer a professional service in a clinical environment. | 0:24:03 | 0:24:08 | |
MOBILE RINGS | 0:24:08 | 0:24:10 | |
-Hi, Leah! -How are you? | 0:24:10 | 0:24:11 | |
One thing we wanted to feed back before you | 0:24:11 | 0:24:13 | |
carried on is on the sound of the name, I'll let Myles explain. | 0:24:13 | 0:24:17 | |
One lady, for example, said that's a terrible name, | 0:24:17 | 0:24:21 | |
in the sense of, it sounds like cutting. | 0:24:21 | 0:24:25 | |
We just wanted to tell you before you go on | 0:24:25 | 0:24:27 | |
and do all your filming that maybe you go with N-I-K-S instead of Niks. | 0:24:27 | 0:24:31 | |
Yeah. | 0:24:31 | 0:24:33 | |
-Really, really quick, just start again. -Exactly what you've done. | 0:24:33 | 0:24:36 | |
Leah loved the name Niks, skin backwards, | 0:24:36 | 0:24:39 | |
she could visualise it, she could see it. | 0:24:39 | 0:24:41 | |
She forgot to think about the association, | 0:24:41 | 0:24:43 | |
the term "nicks" is more associated with a shaving cut as opposed | 0:24:43 | 0:24:48 | |
to a professional cosmetic name. | 0:24:48 | 0:24:51 | |
Leah's having to reshoot her whole video with N-I-K-S. It's not great. | 0:24:51 | 0:24:58 | |
My name is Dr Leah Totton, | 0:24:58 | 0:25:00 | |
and I am now the founder and clinical director of N-I-K-S Medical. | 0:25:00 | 0:25:05 | |
5pm. The Creative Agency. | 0:25:07 | 0:25:10 | |
Directing is a potential future career to you. | 0:25:10 | 0:25:14 | |
It is on the cards. | 0:25:14 | 0:25:15 | |
On Luisa's team... | 0:25:15 | 0:25:17 | |
Like many of you, I'm a baker and a business owner, | 0:25:17 | 0:25:19 | |
and I've been unable to rely on my supply. | 0:25:19 | 0:25:22 | |
For their promotional video, a private preview. | 0:25:22 | 0:25:26 | |
I created Baker's Toolkit, a new baking brand in wholesale, | 0:25:26 | 0:25:29 | |
and it is here to solve all your problems. | 0:25:29 | 0:25:33 | |
It's a piece of cake. | 0:25:33 | 0:25:34 | |
THEY LAUGH | 0:25:34 | 0:25:36 | |
-I love it. -I love it, that made me really emotional. -It's pretty good. | 0:25:38 | 0:25:42 | |
Do you think the brand is conveyed, explained properly, directing people? | 0:25:42 | 0:25:48 | |
I will tell you one key thing you're really going to excel | 0:25:48 | 0:25:52 | |
at in comparison to Leah, yourself as a person, people liking you. | 0:25:52 | 0:25:57 | |
Your personality, Leah's not going to be able to compete, honestly. | 0:25:57 | 0:26:01 | |
I'm not sure how well I'm going to sleep tonight. | 0:26:01 | 0:26:03 | |
I'm really excited, though. | 0:26:03 | 0:26:05 | |
It was really humbling that everyone is working so incredibly hard for me. | 0:26:05 | 0:26:10 | |
For them, as much as for me, I'm going | 0:26:10 | 0:26:12 | |
to really pull it out of the bag tomorrow. | 0:26:12 | 0:26:15 | |
Still in the edit, and driving her creative team, Leah. | 0:26:16 | 0:26:21 | |
You're seeing half of my face coming into the waiting room, | 0:26:21 | 0:26:24 | |
that's not right. | 0:26:24 | 0:26:25 | |
I've been much more harsh on the team than | 0:26:25 | 0:26:28 | |
I have been in previous tasks. | 0:26:28 | 0:26:30 | |
I'm not saying this again, cut that scene. | 0:26:30 | 0:26:34 | |
At times I have been quite short with them. | 0:26:34 | 0:26:36 | |
That is far too near to getting, literally injecting her eye. | 0:26:36 | 0:26:39 | |
Stop, stop. Oh, gosh. | 0:26:39 | 0:26:41 | |
I do feel nervous and I do feel apprehensive. | 0:26:41 | 0:26:44 | |
I'm 24, I've never done anything like this in the past, | 0:26:44 | 0:26:46 | |
and I think they appreciate that. | 0:26:46 | 0:26:48 | |
There needs to be something on the screen. | 0:26:48 | 0:26:50 | |
Can someone who is creative please find an ending that is strong? | 0:26:50 | 0:26:54 | |
Tonight, last-minute tweaks. | 0:26:58 | 0:27:00 | |
Tomorrow, for both businesses, the launch. | 0:27:02 | 0:27:07 | |
11am. | 0:27:16 | 0:27:17 | |
Later today, Leah and Luisa must launch their business concepts. | 0:27:24 | 0:27:29 | |
Facing them will be 100 industry experts and Lord Sugar. | 0:27:30 | 0:27:36 | |
-Oh, yeah. -Look at the room, this is all yours. | 0:27:39 | 0:27:43 | |
But before that, time to fine-tune both presentations. | 0:27:43 | 0:27:48 | |
I would also like to show you the first draft whilst | 0:27:48 | 0:27:51 | |
I talk you through the brand. | 0:27:51 | 0:27:53 | |
It's for Luisa, I think, to win this or lose this now. | 0:27:53 | 0:27:57 | |
We're doing a lot of preparation, we're setting the backdrop, | 0:27:57 | 0:28:01 | |
but this is the backdrop to the pitch, and if the pitch is | 0:28:01 | 0:28:04 | |
not pitch perfect, that's what is going to lose it for her. | 0:28:04 | 0:28:08 | |
We want everything to look really pretty, really girly. Oh, guys! | 0:28:08 | 0:28:14 | |
That is so cool! | 0:28:14 | 0:28:17 | |
I think it's really pink. We're very on-brand, everyone. | 0:28:17 | 0:28:21 | |
The brand is a lot pinker than I expected, | 0:28:21 | 0:28:22 | |
but that is what she wants, that is what it is. | 0:28:22 | 0:28:25 | |
I'm the founder and clinical director of NIKS Medical. | 0:28:26 | 0:28:30 | |
I would like to thank you all for attending this evening. | 0:28:30 | 0:28:33 | |
For Leah, last chance to practise her pitch. | 0:28:35 | 0:28:39 | |
NIKS Medical are a new chain of medical cosmetic | 0:28:39 | 0:28:42 | |
-clinics across the UK. -Make sure you don't break between that point there. | 0:28:42 | 0:28:46 | |
I'm a fully-qualified medical doctor. | 0:28:46 | 0:28:50 | |
On Baker's Toolkit... | 0:28:50 | 0:28:52 | |
We need to get out our cake stands. | 0:28:52 | 0:28:56 | |
Priority for Luisa - piping. | 0:28:56 | 0:28:58 | |
This isn't going to work. God's sake. | 0:29:03 | 0:29:06 | |
Here we are, time is marching on, where is Luisa? Is she practising? | 0:29:07 | 0:29:11 | |
-No. She's icing cakes. -You need to put glitter on those. | 0:29:11 | 0:29:16 | |
'The whole success of this venture, Baker's Toolkit,' | 0:29:16 | 0:29:20 | |
will hinge on the business idea. | 0:29:20 | 0:29:23 | |
Secondly, on the way that she presents tonight, and as | 0:29:23 | 0:29:26 | |
we all know, failing to prepare that presentation is preparing to fail. | 0:29:26 | 0:29:32 | |
7pm. Doors open to welcome top names from British industry, | 0:29:37 | 0:29:43 | |
including experts from the worlds of baking and cosmetic medicine. | 0:29:45 | 0:29:51 | |
It's a huge day, so I am feeling nervous. | 0:29:53 | 0:29:56 | |
I think I am quite a clinical person, so sometimes it may | 0:29:56 | 0:30:00 | |
come across as though I am not as passionate as I potentially am. | 0:30:00 | 0:30:02 | |
I'm keen to get that warmth of my personality across tonight. | 0:30:02 | 0:30:06 | |
I really believe in my business plan, I really believe in the brand that I | 0:30:13 | 0:30:17 | |
created, and perhaps the edge that I have over Leah is my big personality. | 0:30:17 | 0:30:25 | |
I'm a pretty confident person and I know my own abilities, | 0:30:25 | 0:30:29 | |
and I think this is playing to them very well. | 0:30:29 | 0:30:33 | |
-Good luck, yeah? -OK, thanks. | 0:30:33 | 0:30:36 | |
First up, Luisa's big idea. Baker's Toolkit. | 0:30:42 | 0:30:45 | |
APPLAUSE | 0:30:45 | 0:30:49 | |
Hello, everybody. | 0:30:56 | 0:30:58 | |
I'm Luisa Zissman, and I'm so excited to introduce to you | 0:30:58 | 0:31:02 | |
Baker's Toolkit - a new baking brand and wholesaler. | 0:31:02 | 0:31:05 | |
The name Baker's Toolkit stands for everything that a home | 0:31:07 | 0:31:11 | |
and professional, and professional baker needs, | 0:31:11 | 0:31:14 | |
from the smallest pot of gil... Sorry. | 0:31:14 | 0:31:17 | |
From the smallest pot of glitter, to the...big professional rolling | 0:31:17 | 0:31:21 | |
pins that are used throughout bakeries in the UK. | 0:31:21 | 0:31:24 | |
We want to offer an online ordering system | 0:31:24 | 0:31:26 | |
and a guaranteed three-day delivery service. | 0:31:26 | 0:31:30 | |
This is something our competitors don't currently offer. | 0:31:30 | 0:31:33 | |
In year one, we expect to turn over just under £1 million, | 0:31:33 | 0:31:37 | |
growing to £3.2 million in year three. | 0:31:37 | 0:31:41 | |
This may seem ambitious, however, I believe these are realistic figures. | 0:31:41 | 0:31:45 | |
I've created a short promotional video for | 0:31:45 | 0:31:49 | |
when Baker's Toolkit comes to market, and I'd love to show it to you now. | 0:31:49 | 0:31:53 | |
I'm Luisa Zissman. | 0:31:54 | 0:31:56 | |
Like many of you, I'm a baker and a business owner, | 0:31:56 | 0:31:58 | |
and I've been unable to rely on my suppliers. | 0:31:58 | 0:32:02 | |
So I created Baker's Toolkit, a new baking brand | 0:32:02 | 0:32:07 | |
and wholesaler that's here to solve all your problems. | 0:32:07 | 0:32:09 | |
Innovative products with great prices. | 0:32:09 | 0:32:11 | |
Online ordering with visible stock levels | 0:32:11 | 0:32:14 | |
and a guaranteed three-day delivery service. | 0:32:14 | 0:32:17 | |
Make Baker's Toolkit your new wholesale supplier. | 0:32:17 | 0:32:21 | |
Baking shouldn't be a struggle. It's a piece of cake. | 0:32:21 | 0:32:24 | |
APPLAUSE | 0:32:24 | 0:32:29 | |
-Hi, Luisa. I really loved the passion for your product. -Thank you. | 0:32:33 | 0:32:37 | |
Very pink, very female-orientated, | 0:32:37 | 0:32:39 | |
do you not think you're losing a big section of the market? | 0:32:39 | 0:32:42 | |
I know that this industry is still dominated by females | 0:32:42 | 0:32:47 | |
and I didn't want to shy away from that. | 0:32:47 | 0:32:49 | |
I think the strength of the brand will not put bakers who are male | 0:32:49 | 0:32:54 | |
off coming to us, because the quality of the products will be really good. | 0:32:54 | 0:32:59 | |
Very impressive numbers in year one and year three. | 0:32:59 | 0:33:03 | |
Do you have a longer-term view of what those numbers are going | 0:33:03 | 0:33:05 | |
to look like? | 0:33:05 | 0:33:07 | |
In five years' time, honestly, | 0:33:07 | 0:33:09 | |
I haven't thought past that far yet, but I'd expect in five years to be | 0:33:09 | 0:33:13 | |
turning over an extra million a year, so, | 0:33:13 | 0:33:16 | |
five million with a gross profit of... | 0:33:16 | 0:33:22 | |
I can't answer that, I'd just be lying to you. | 0:33:22 | 0:33:24 | |
I need to go back and look at that, | 0:33:24 | 0:33:27 | |
but I would expect to turn over £5 million in year five. | 0:33:27 | 0:33:29 | |
Thank you very much. | 0:33:29 | 0:33:31 | |
APPLAUSE | 0:33:31 | 0:33:35 | |
-It was awful! -It wasn't awful. | 0:33:39 | 0:33:42 | |
I was standing right at the back, it was brilliant, honestly. | 0:33:42 | 0:33:44 | |
-SHE CRIES It was really bad. -Come on, you've done a brilliant job. | 0:33:44 | 0:33:47 | |
You should be really proud of yourself. Really proud. | 0:33:47 | 0:33:49 | |
You're doing great, so don't be upset about it, you should be happy. | 0:33:49 | 0:33:53 | |
-You should be happy. -It went really, really well. -Please don't be upset. | 0:33:53 | 0:33:58 | |
I know how it went, I was standing there, | 0:33:58 | 0:34:01 | |
I know how it went and it didn't go well. | 0:34:01 | 0:34:04 | |
You came across so well, honestly. | 0:34:04 | 0:34:06 | |
For Lord Sugar, feedback from the experts. | 0:34:10 | 0:34:14 | |
-I felt the brand was very strong. -The brand name, Baker's Toolkit? | 0:34:14 | 0:34:19 | |
I think it rides well with the renaissance in baking, | 0:34:19 | 0:34:21 | |
I thought what Luisa did very well was to really impart her | 0:34:21 | 0:34:25 | |
vision for creating a personable business. | 0:34:25 | 0:34:29 | |
I think the concept has definitely got the bones of something, | 0:34:29 | 0:34:32 | |
but I think it needs some more refined thinking as to | 0:34:32 | 0:34:34 | |
actually who she is targeting this at. | 0:34:34 | 0:34:37 | |
I felt the brand was very strong from an identity point of view, | 0:34:38 | 0:34:42 | |
but I think it was wrong if it's a trade supplies website. | 0:34:42 | 0:34:45 | |
'Ladies and gentlemen, welcome to the launch of NIKS Medical.' | 0:34:50 | 0:34:56 | |
Next up, Leah's face-firming brand. | 0:34:56 | 0:35:01 | |
"ORINOCO FLOW" BY ENYA PLAYS OVER SPEAKERS | 0:35:01 | 0:35:04 | |
APPLAUSE | 0:35:16 | 0:35:19 | |
Good evening, hello, and welcome. | 0:35:21 | 0:35:23 | |
My name is Leah, and I'm the founder and clinical director of NIKS Medical. | 0:35:23 | 0:35:29 | |
NIKS Medical are a new chain of medical cosmetic clinics. | 0:35:30 | 0:35:35 | |
The name itself NIKS Medical is a play on skin, on reflecting skin | 0:35:35 | 0:35:42 | |
and on turning back time on your skin. | 0:35:42 | 0:35:45 | |
But what is unique is that we will be focusing on only three key treatments. | 0:35:45 | 0:35:51 | |
Antiwrinkle injections, facial fillers, and skin peels. | 0:35:51 | 0:35:56 | |
The business model itself is simple. | 0:35:56 | 0:36:01 | |
To establish a clinic I require an aesthetic medical practitioner | 0:36:01 | 0:36:05 | |
who will act as clinic manager, | 0:36:05 | 0:36:07 | |
and I myself will spend four months training that | 0:36:07 | 0:36:10 | |
person before moving onto the next clinic and training the next | 0:36:10 | 0:36:14 | |
clinic manager in a rollout scheme across three years | 0:36:14 | 0:36:17 | |
and targeting three geographical areas within the UK. | 0:36:17 | 0:36:20 | |
I would like to show you a brief corporate promotional video which | 0:36:20 | 0:36:26 | |
I prepared with my team yesterday. | 0:36:26 | 0:36:30 | |
My name is Dr Leah Totton. | 0:36:33 | 0:36:34 | |
I am a clinical doctor and also an aesthetic medicine practitioner. | 0:36:34 | 0:36:38 | |
I am extremely passionate about bringing clinical excellence to | 0:36:38 | 0:36:41 | |
the aesthetic medicine field. As a clinician | 0:36:41 | 0:36:44 | |
I know just how important a clinical environment, | 0:36:44 | 0:36:47 | |
highly trained staff, and safe and reliable treatments are to | 0:36:47 | 0:36:50 | |
my clients. At NIKS Medical that is exactly what we deliver. | 0:36:50 | 0:36:54 | |
I personally know how important your skin is. We are about making you | 0:36:54 | 0:36:59 | |
feel comfortable in your own skin. | 0:36:59 | 0:37:01 | |
I'm a qualified medical doctor. I trained privately as an aesthetic | 0:37:05 | 0:37:10 | |
medicine practitioner | 0:37:10 | 0:37:12 | |
and I am passionate about bringing clinical excellence to this sector. | 0:37:12 | 0:37:17 | |
Hello, my name is Dr Tracy Mountford. My first question | 0:37:17 | 0:37:21 | |
is about the training of your staff. | 0:37:21 | 0:37:23 | |
How are you going to monitor the expertise because people will come for you? | 0:37:23 | 0:37:31 | |
Yes. I think the answer is key staff and excellent training. I think that will | 0:37:31 | 0:37:36 | |
ensure they are delivering genuinely high quality excellent client care. | 0:37:36 | 0:37:42 | |
I don't understand why you are restricting your offering to | 0:37:42 | 0:37:45 | |
such basic treatments in a market with more increasingly | 0:37:45 | 0:37:49 | |
sophisticated consumers. | 0:37:49 | 0:37:51 | |
I don't know that you do actually understand the market as well as you think you do. | 0:37:51 | 0:37:56 | |
My feeling would be that I do. | 0:37:56 | 0:37:59 | |
The key thing which I was keen to do here is make absolutely sure | 0:37:59 | 0:38:03 | |
that we were only offering treatments that have a low side effect profile - | 0:38:03 | 0:38:09 | |
the treatments which are the most established | 0:38:09 | 0:38:11 | |
and have the most clinical grounding. | 0:38:11 | 0:38:13 | |
I can assure you they are the most popular treatments at the minute. | 0:38:13 | 0:38:17 | |
Thank you very much for your time this evening. It has been a pleasure. | 0:38:17 | 0:38:21 | |
APPLAUSE | 0:38:21 | 0:38:23 | |
-How was it? -Such a bad question and answer. That was so hard. | 0:38:30 | 0:38:34 | |
What do you think of the brand name? | 0:38:37 | 0:38:38 | |
You've almost got to explain it which makes it difficult for people | 0:38:38 | 0:38:41 | |
to understand and as soon as you have to start explaining something | 0:38:41 | 0:38:44 | |
you are already one step behind. | 0:38:44 | 0:38:46 | |
-It's very subtle. -It's a hugely competitive market. | 0:38:46 | 0:38:50 | |
She's got to stand head and shoulders above the competition. | 0:38:50 | 0:38:55 | |
Very strong presentation style. Very strong business proposition. | 0:38:55 | 0:38:59 | |
We all know that market is expanding hugely | 0:38:59 | 0:39:03 | |
and it's only going to go one way. | 0:39:03 | 0:39:05 | |
Tonight nothing more can be done. | 0:39:10 | 0:39:13 | |
Tomorrow the final boardroom. | 0:39:21 | 0:39:24 | |
I really believe in my business plan. | 0:39:37 | 0:39:39 | |
I really believe in the brand that I created, | 0:39:39 | 0:39:43 | |
but I feel like I really let the brand down and let the team down | 0:39:43 | 0:39:48 | |
in the delivery of the pitch. | 0:39:48 | 0:39:50 | |
It's going to be completely out of Lord Sugar's comfort zone | 0:39:53 | 0:39:56 | |
if he does go with me. He needs to trust and believe in me. | 0:39:56 | 0:39:59 | |
I hope I have shown him enough throughout | 0:39:59 | 0:40:01 | |
the process to show that I really am the right person for that investment. | 0:40:01 | 0:40:05 | |
You can go through to the boardroom now. | 0:40:29 | 0:40:31 | |
Good afternoon. | 0:40:55 | 0:40:57 | |
ALL: Afternoon, Lord Sugar. | 0:40:57 | 0:40:58 | |
Welcome back to the past candidates. Thanks for your cooperation. | 0:41:01 | 0:41:06 | |
This as you know is the final run in | 0:41:06 | 0:41:10 | |
where one of these ladies will get my investment. | 0:41:10 | 0:41:14 | |
Let's start off with Luisa's team. | 0:41:14 | 0:41:18 | |
I feel like I got a really good team together. | 0:41:18 | 0:41:22 | |
I wanted Neil on my team because he's such a strong candidate. | 0:41:22 | 0:41:25 | |
I have a lot of respect for him. I enjoyed working with Jason again. | 0:41:25 | 0:41:30 | |
It gave me a chance to redeem myself. | 0:41:30 | 0:41:32 | |
Can we just get round to the name first of all? | 0:41:34 | 0:41:36 | |
Zee, I think you came up with... | 0:41:36 | 0:41:39 | |
Uh, well... ahem, you said you wanted to be famous so... | 0:41:39 | 0:41:43 | |
you will go down as the first man in history that Luisa's listened to - maybe. | 0:41:43 | 0:41:48 | |
-That's a good achievement. -Yeah. | 0:41:48 | 0:41:50 | |
So, go on, now you've split the team up and tell me what you did then. | 0:41:50 | 0:41:53 | |
Jason, Z and myself went to speak to Peggy Porschen the industry expert. | 0:41:53 | 0:41:57 | |
What did you glean from Peggy? | 0:41:58 | 0:42:00 | |
Um, she confirmed what I already knew about the industry that there | 0:42:00 | 0:42:03 | |
is a really disjointed supply and demand at the moment. | 0:42:03 | 0:42:05 | |
Did you feel you gave her much of an opportunity to have a chat to you, | 0:42:05 | 0:42:10 | |
or were you explaining what you knew about the industry, which is a great deal. | 0:42:10 | 0:42:13 | |
Are you trying to say politely that she never got a word in edgeways? | 0:42:13 | 0:42:17 | |
I think three or four words in edgeways. | 0:42:17 | 0:42:19 | |
She was agreeing with a lot of what I said. | 0:42:19 | 0:42:22 | |
Cos she was in agreement, she didn't then really have a lot to offer me. | 0:42:22 | 0:42:26 | |
Who went to this focus group? | 0:42:26 | 0:42:29 | |
Erm, Neil and Natalie went to the focus group for me. | 0:42:29 | 0:42:32 | |
From what I can understand in the focus group, we got | 0:42:32 | 0:42:37 | |
-a bit of negative feedback about pink, did we not? -The feedback | 0:42:37 | 0:42:41 | |
we got was there is more males that are now coming into the market. | 0:42:41 | 0:42:45 | |
Myself and Natalie asked quite a lot of questions, | 0:42:45 | 0:42:48 | |
gave a lot of feedback back. | 0:42:48 | 0:42:50 | |
It obviously didn't get listened to | 0:42:50 | 0:42:51 | |
because the presentation was very pink. | 0:42:51 | 0:42:55 | |
I had with me yesterday, a couple of people from the industry you are in, | 0:42:55 | 0:42:58 | |
they were a little bit confused - | 0:42:58 | 0:43:00 | |
is it for consumers or is it for the trade? | 0:43:00 | 0:43:04 | |
I have always had the end user in my mind when doing this. | 0:43:04 | 0:43:07 | |
The message should be really focused, straight to the trade. | 0:43:07 | 0:43:12 | |
I think I did convey the key USPs very clearly in the video, actually. | 0:43:12 | 0:43:16 | |
-How do you think your pitch went? -Not great. I lost my way on my cue cards that | 0:43:16 | 0:43:19 | |
were in front of me and then, pretty much ad-libbed. | 0:43:19 | 0:43:23 | |
I didn't notice you lost your way. | 0:43:23 | 0:43:25 | |
I think you came across very well as far as I was concerned. Erm, right. | 0:43:25 | 0:43:30 | |
Listen, you four people that came across Luisa throughout | 0:43:30 | 0:43:33 | |
the course of the process, how did you find her as a manager of people? | 0:43:33 | 0:43:38 | |
Yeah, I think that Luisa has changed through the process. | 0:43:38 | 0:43:41 | |
Initially, you just wanted to do it your way, | 0:43:41 | 0:43:44 | |
but from this kind of experience, she was taking control | 0:43:44 | 0:43:48 | |
-but taking on board everyone's opinion. -Good. | 0:43:48 | 0:43:51 | |
Jason, the events of earlier in the process of the abdication, | 0:43:51 | 0:43:53 | |
no signs of that on this? | 0:43:53 | 0:43:56 | |
No, I think the dynamics of this task were quite different because | 0:43:56 | 0:43:58 | |
this was Luisa's vision and Luisa was in control. | 0:43:58 | 0:44:01 | |
We worked perfectly together. LAUGHTER | 0:44:01 | 0:44:05 | |
I mean I was very touched that she actually called me and asked me to help her. | 0:44:05 | 0:44:09 | |
OK. Leah, perhaps you can kick off. | 0:44:11 | 0:44:14 | |
Might I say before you do, a very good dance from you there, | 0:44:14 | 0:44:19 | |
Francesca. | 0:44:19 | 0:44:20 | |
You went out your way to help your project manager in this case, | 0:44:20 | 0:44:25 | |
-is that right? -It was for Leah, she'd asked me to. | 0:44:25 | 0:44:27 | |
Well, good, that's very nice of you. | 0:44:27 | 0:44:30 | |
So, Leah. Alex, Myles, Francesca and Uzma, how'd that work? | 0:44:30 | 0:44:35 | |
Yeah, fantastic. They were my first four choices. I got all four. | 0:44:35 | 0:44:40 | |
Throughout the task, they were all absolutely exceptional. | 0:44:40 | 0:44:44 | |
Can we talk about the name first of all, when did the name come out? | 0:44:44 | 0:44:47 | |
I came up with NIKS Medical, the group came up with the other names | 0:44:47 | 0:44:50 | |
and then I picked my name. | 0:44:50 | 0:44:52 | |
-So this NI... -LAUGHTER | 0:44:52 | 0:44:55 | |
-NIKS? -Yeah. | 0:44:55 | 0:44:57 | |
NIKS is how it would be pronounced but NICKS is how it would be read. | 0:44:57 | 0:45:01 | |
-Erm, it's SKIN backwards. -Sounds like Mr Hugh has opened a wine bar. | 0:45:01 | 0:45:04 | |
LAUGHTER | 0:45:04 | 0:45:07 | |
I wish. | 0:45:07 | 0:45:09 | |
Originally, you were going to call the company NICKS. LEAH: Yeah. | 0:45:09 | 0:45:13 | |
When people said shaving cuts, needles, nicks of the skin... | 0:45:13 | 0:45:18 | |
you decided you would change it to NIKS. | 0:45:18 | 0:45:21 | |
-They didn't like NICKS, did they? -No. -Did you feed that back to Leah? | 0:45:21 | 0:45:25 | |
-Yes, we did. -And she didn't care still. | 0:45:25 | 0:45:28 | |
I think to be fair, the point you're making is that we had a concern | 0:45:28 | 0:45:30 | |
and fed that information back and so Leah from that point on in the video | 0:45:30 | 0:45:34 | |
and the presentation referred to it as NIKS and not NICKS to answer the question. | 0:45:34 | 0:45:38 | |
It will always henceforth be known as NICKS. | 0:45:38 | 0:45:41 | |
-Yeah, It will. -I don't think NICKS is bad, it's a | 0:45:41 | 0:45:43 | |
play on the irony that we're actually not cutting anything. | 0:45:43 | 0:45:46 | |
I think that's good. | 0:45:46 | 0:45:47 | |
-Do you? -Well, it's not great but that is how you would spin it. | 0:45:47 | 0:45:51 | |
But anyway, so, I'm sitting next to the experts. | 0:45:51 | 0:45:55 | |
They seem to think that individuals that want these treatments done, | 0:45:55 | 0:46:00 | |
tend to want to stick and go to the person they always go to. | 0:46:00 | 0:46:03 | |
If they want to go to Leah for example... | 0:46:03 | 0:46:06 | |
I really disagree with that. I can't get across to you, | 0:46:06 | 0:46:09 | |
the person who is leading this field by an absolute mile, is a brand. | 0:46:09 | 0:46:12 | |
There is no face of that company. | 0:46:12 | 0:46:14 | |
The reason that she does have a chance to counter the argument you're saying, Lord Sugar, | 0:46:14 | 0:46:18 | |
is she is focusing on three key treatments only. | 0:46:18 | 0:46:21 | |
So her stuff can be brilliant... | 0:46:21 | 0:46:23 | |
That, Miles, is again, | 0:46:23 | 0:46:24 | |
is another negative that was brought up by those people. | 0:46:24 | 0:46:28 | |
I totally disagreed with that lady, that is not right. | 0:46:28 | 0:46:31 | |
You've been disagreeing with the industry leaders all night | 0:46:31 | 0:46:34 | |
long, which is not a good thing to do. OK? | 0:46:34 | 0:46:37 | |
You've pointed out that you are interested in going into business | 0:46:37 | 0:46:41 | |
with me and what will I bring to the business, well, I can bring my name. | 0:46:41 | 0:46:44 | |
You probably don't need my face, that's for sure. | 0:46:44 | 0:46:47 | |
But what I do have is an array of friends of a similar age group to me, | 0:46:47 | 0:46:53 | |
without a question of a doubt, all of those people that have had | 0:46:53 | 0:46:58 | |
all of these treatments over the years | 0:46:58 | 0:47:01 | |
-stick to their one favourite person. -Mm-hm. | 0:47:01 | 0:47:06 | |
They do not flit around and the criteria of why | 0:47:06 | 0:47:10 | |
they stick to that person is very simple, "Who done your face?" | 0:47:10 | 0:47:14 | |
"Done a good job. Get me an appointment there." | 0:47:14 | 0:47:18 | |
That's how they deal with it. | 0:47:18 | 0:47:20 | |
It's not like changing a tyre on a car. | 0:47:20 | 0:47:22 | |
I totally agree that you follow who you trust. | 0:47:22 | 0:47:24 | |
Her background in medicine brings a personal side to it | 0:47:24 | 0:47:27 | |
-and having her face leading it... -I agree. | 0:47:27 | 0:47:29 | |
-..leads the brand. -I agree 100%. | 0:47:29 | 0:47:30 | |
On the basis of her campaigning it's all Luisa, | 0:47:30 | 0:47:33 | |
I don't particularly agree with that. | 0:47:33 | 0:47:36 | |
I think it should all be the product. This is all about her. | 0:47:36 | 0:47:39 | |
My favoured name for this business is "Dr Leah". | 0:47:39 | 0:47:43 | |
I don't like that... | 0:47:43 | 0:47:44 | |
LAUGHTER | 0:47:44 | 0:47:46 | |
Change your name. | 0:47:46 | 0:47:47 | |
All right, so | 0:47:47 | 0:47:49 | |
everybody happy with how Leah did here? | 0:47:49 | 0:47:51 | |
I think Leah got the best from everyone | 0:47:51 | 0:47:53 | |
in a way that actually, this whole brand | 0:47:53 | 0:47:56 | |
and her concept of business | 0:47:56 | 0:47:58 | |
very much became our babies. | 0:47:58 | 0:47:59 | |
Because she was knowledgeable and passionate about the product, | 0:47:59 | 0:48:02 | |
she WAS making decisive decisions. | 0:48:02 | 0:48:04 | |
All Leah's key skills came through. | 0:48:04 | 0:48:06 | |
And she managed us very well. | 0:48:06 | 0:48:08 | |
As far as the candidates that came back, | 0:48:08 | 0:48:11 | |
thank you for your assistance. | 0:48:11 | 0:48:13 | |
We'll see you later, most probably, yeah? | 0:48:13 | 0:48:16 | |
ALL: Thank you. | 0:48:16 | 0:48:18 | |
-Best of luck. -Thank you. | 0:48:18 | 0:48:20 | |
Thank you. | 0:48:20 | 0:48:21 | |
I can only invest in one of you... | 0:48:24 | 0:48:27 | |
..unfortunately, | 0:48:27 | 0:48:30 | |
and I'll go on | 0:48:30 | 0:48:33 | |
to speak to you a little more and make that final decision shortly, so | 0:48:33 | 0:48:36 | |
if you wouldn't mind stepping outside, | 0:48:36 | 0:48:39 | |
I'll consult a bit more with Karren and Nick and call you back in later. | 0:48:39 | 0:48:42 | |
Thank you. | 0:48:42 | 0:48:44 | |
Two completely different business models. | 0:48:55 | 0:48:57 | |
As far as Leah is concerned, | 0:48:57 | 0:49:00 | |
she doesn't look like she wants to listen. | 0:49:00 | 0:49:03 | |
It's all very well being adamant | 0:49:03 | 0:49:06 | |
in what you want to do, but she'll need to listen. | 0:49:06 | 0:49:10 | |
I have to say, having observed her closely, | 0:49:10 | 0:49:12 | |
-she's an incredibly bright young woman. -Mm. | 0:49:12 | 0:49:14 | |
She really does know what she's talking about | 0:49:14 | 0:49:17 | |
and actually, she's shown | 0:49:17 | 0:49:20 | |
that she can take a gift that she has | 0:49:20 | 0:49:24 | |
and use that to create a business. | 0:49:24 | 0:49:26 | |
I think that shows a really unique skill. | 0:49:26 | 0:49:28 | |
Under "Leah", I have "stubborn". | 0:49:28 | 0:49:30 | |
And under "Luisa", I have "less stubborn". | 0:49:30 | 0:49:33 | |
Earlier on in the process, Luisa came across as a bit... | 0:49:33 | 0:49:38 | |
-difficult, I suppose. -Hot-headed. | 0:49:38 | 0:49:40 | |
I definitely was worried at one point, | 0:49:40 | 0:49:42 | |
if there was a business woman behind all that | 0:49:42 | 0:49:45 | |
persona that she puts across. | 0:49:45 | 0:49:47 | |
-All the pink stuff. -All the pink, yes. | 0:49:47 | 0:49:50 | |
But I think she's proved | 0:49:50 | 0:49:51 | |
that actually she understands the business, | 0:49:51 | 0:49:53 | |
she's got a proposition that's investable, | 0:49:53 | 0:49:55 | |
AND that she's learnt from what you told her.. | 0:49:55 | 0:49:58 | |
-Mm. -..And she's changed and adapted her style. | 0:49:58 | 0:50:02 | |
Yeah, well, we have two very investable candidates here. | 0:50:02 | 0:50:05 | |
It's not going to be an easy decision. | 0:50:05 | 0:50:08 | |
PHONE RINGS | 0:50:11 | 0:50:12 | |
Yes, Lord Sugar? | 0:50:14 | 0:50:15 | |
Can you send the two of them in, please? | 0:50:15 | 0:50:17 | |
'Yes, Lord Sugar.' | 0:50:17 | 0:50:18 | |
Lord Sugar will see you now. | 0:50:18 | 0:50:21 | |
Well, ladies, this is the most important meeting | 0:50:47 | 0:50:50 | |
that we'll have in this process here. | 0:50:50 | 0:50:53 | |
It's the most difficult for me | 0:50:53 | 0:50:56 | |
because we do have two very, very credible business plans. | 0:50:56 | 0:51:00 | |
I'd like to give you a last-time opportunity | 0:51:00 | 0:51:02 | |
of explaining to me | 0:51:02 | 0:51:04 | |
why you think you should be my business partner. | 0:51:04 | 0:51:08 | |
Luisa? | 0:51:08 | 0:51:09 | |
I think I should be your business partner. | 0:51:09 | 0:51:11 | |
The business I'm pitching, I know will be profitable. | 0:51:11 | 0:51:14 | |
Also, as a person, | 0:51:14 | 0:51:16 | |
I have a lot of business experience | 0:51:16 | 0:51:19 | |
of starting and running businesses | 0:51:19 | 0:51:21 | |
and I'd love to have you as my business partner. | 0:51:21 | 0:51:23 | |
And Leah? | 0:51:23 | 0:51:25 | |
I think that I am, first of all, pitching a fantastic business opportunity, | 0:51:25 | 0:51:28 | |
completely unique. | 0:51:28 | 0:51:30 | |
and it's extremely lucrative. | 0:51:30 | 0:51:32 | |
And also, you're investing in me as a person | 0:51:32 | 0:51:35 | |
and I genuinely think I am a dependable, | 0:51:35 | 0:51:37 | |
-trustworthy person to invest in. -Mm. | 0:51:37 | 0:51:40 | |
And I really think this is a fantastic opportunity | 0:51:40 | 0:51:43 | |
for you and myself. | 0:51:43 | 0:51:45 | |
You have an exit plan, don't you? | 0:51:45 | 0:51:48 | |
Yeah, I would aim to sell nine clinics after year five, | 0:51:48 | 0:51:51 | |
for a value of approximately eight million - | 0:51:51 | 0:51:54 | |
that's an extremely conservative estimate. | 0:51:54 | 0:51:56 | |
Any exit plan for you? | 0:51:56 | 0:51:58 | |
No, I want to make it big and I want to stay in this industry. | 0:51:58 | 0:52:02 | |
I want to become a big baking market leader. | 0:52:02 | 0:52:04 | |
-Well, right now you claim to have three businesses, right? -Yeah. | 0:52:04 | 0:52:09 | |
What are we going to do about all these other businesses | 0:52:09 | 0:52:13 | |
if I decide to go into business with you? | 0:52:13 | 0:52:15 | |
-My shop looks after itself... -How can a business look after itself?! | 0:52:15 | 0:52:19 | |
I have people that run it, so I look from the high level. | 0:52:19 | 0:52:23 | |
The day-to-day running of those businesses | 0:52:23 | 0:52:25 | |
is taken care of, I'm ready for the.. | 0:52:25 | 0:52:27 | |
I have a problem with all that stuff, I got to tell you. | 0:52:27 | 0:52:30 | |
Of all the 16 candidates that have come into this process, | 0:52:30 | 0:52:35 | |
they came here under no illusion | 0:52:35 | 0:52:37 | |
that they were all going to be entering into a business with me. | 0:52:37 | 0:52:40 | |
And I, maybe naively, believed | 0:52:40 | 0:52:42 | |
that they were going to give me their 100% attention. | 0:52:42 | 0:52:46 | |
I have the utmost respect for you | 0:52:46 | 0:52:48 | |
and will always have my ears wide open | 0:52:48 | 0:52:50 | |
to any feedback and critique that you will give me. | 0:52:50 | 0:52:53 | |
Luisa the person, this is another thing. | 0:52:53 | 0:52:56 | |
When you came into this process, | 0:52:56 | 0:52:57 | |
there was hints of game-playing, | 0:52:57 | 0:53:00 | |
being manipulative, getting your own way. | 0:53:00 | 0:53:02 | |
My concern is whether you're going to listen. | 0:53:02 | 0:53:05 | |
I'm wondering whether you've ever really had | 0:53:05 | 0:53:08 | |
a business partner that has actually got | 0:53:08 | 0:53:10 | |
as much say in the business as you? | 0:53:10 | 0:53:13 | |
I think that I have... | 0:53:13 | 0:53:15 | |
been in this process and when you come into this, | 0:53:15 | 0:53:18 | |
you are with 16 other people who think they | 0:53:18 | 0:53:20 | |
are better than you are. | 0:53:20 | 0:53:22 | |
I definitely believe that I was better than them | 0:53:22 | 0:53:26 | |
and wasn't shy about putting it across. | 0:53:26 | 0:53:27 | |
However, I do believe | 0:53:27 | 0:53:30 | |
that I've learnt such a lot about myself | 0:53:30 | 0:53:32 | |
and I now know that sometimes it's OK | 0:53:32 | 0:53:34 | |
to shut your mouth and listen to someone else | 0:53:34 | 0:53:37 | |
and I feel like I'm, if anyone in this process, | 0:53:37 | 0:53:40 | |
one of the people that has learnt the most. | 0:53:40 | 0:53:42 | |
OK. Leah. | 0:53:42 | 0:53:44 | |
Her business there, I can ask myself, | 0:53:44 | 0:53:47 | |
"How much trouble can I get in with cupcakes? | 0:53:47 | 0:53:49 | |
"What can they accuse me of - making people fat?" | 0:53:49 | 0:53:52 | |
That's about the worst they can do. | 0:53:52 | 0:53:55 | |
-Yeah. -But your business, I get a little bit concerned. | 0:53:55 | 0:53:58 | |
Not about you. | 0:53:58 | 0:53:59 | |
Let me make this perfectly clear. | 0:53:59 | 0:54:01 | |
I have no problem with you. | 0:54:01 | 0:54:03 | |
No problem with your morals | 0:54:03 | 0:54:05 | |
and your abilities and your qualifications | 0:54:05 | 0:54:08 | |
and all that stuff, | 0:54:08 | 0:54:09 | |
but I'm in this big world that you haven't been in. | 0:54:09 | 0:54:12 | |
-Yeah. -I'm afraid it is a bit of a nasty world out there. | 0:54:12 | 0:54:16 | |
If you can imagine a dartboard, | 0:54:16 | 0:54:19 | |
and I am the bull'seye, | 0:54:19 | 0:54:22 | |
and this, this business | 0:54:22 | 0:54:26 | |
is like as if I'm leaning out there with my chin, | 0:54:26 | 0:54:29 | |
waiting to get a smack on it, OK? | 0:54:29 | 0:54:32 | |
I actually think you're completely right. | 0:54:32 | 0:54:34 | |
If you were going to go into this business with anyone, | 0:54:34 | 0:54:37 | |
I would say don't do it unless it's me. | 0:54:37 | 0:54:38 | |
HE LAUGHS | 0:54:38 | 0:54:40 | |
You need to think, as well, how many pots of edible glitter | 0:54:40 | 0:54:42 | |
do you need to sell in order to make the same sort of money | 0:54:42 | 0:54:45 | |
that you'll be making from my business? | 0:54:45 | 0:54:46 | |
Yeah, that's a very, very fair comment. | 0:54:46 | 0:54:48 | |
The margins in your business, if it's run properly - | 0:54:48 | 0:54:51 | |
IF it's run properly - | 0:54:51 | 0:54:53 | |
are amazing, and the margins in your business | 0:54:53 | 0:54:55 | |
-are going to be a tough ride. -Yeah. -It's going to be down to volume... -Yeah. -..It's a simple as that. | 0:54:55 | 0:55:00 | |
Completely different end of the rainbow, | 0:55:00 | 0:55:02 | |
-but safer. -Yeah. | 0:55:02 | 0:55:05 | |
In an earlier boardroom today, | 0:55:05 | 0:55:07 | |
you said no quite a lot. | 0:55:07 | 0:55:09 | |
You disagreed with Lord Sugar quite a lot. | 0:55:09 | 0:55:12 | |
How stubborn are you? | 0:55:12 | 0:55:14 | |
I'm normally a very compliant person. | 0:55:14 | 0:55:17 | |
I know I barely spoke until about task six. | 0:55:17 | 0:55:20 | |
I really am, it's just this is something I feel I have specific expertise in. | 0:55:20 | 0:55:23 | |
I'm extremely passionate about it and I want it to be done right. | 0:55:23 | 0:55:26 | |
Well, look, ladies, | 0:55:34 | 0:55:35 | |
I've heard what you've got to say. | 0:55:35 | 0:55:38 | |
It's a very, very difficult decision, | 0:55:38 | 0:55:40 | |
but here's how I see it. | 0:55:40 | 0:55:43 | |
It's tough, it is very, very tough. | 0:55:47 | 0:55:49 | |
Leah, you are definitely | 0:55:56 | 0:55:58 | |
an expert in this field | 0:55:58 | 0:56:01 | |
and I do trust what you're saying | 0:56:01 | 0:56:03 | |
as far as morals are concerned. | 0:56:03 | 0:56:06 | |
But... | 0:56:08 | 0:56:10 | |
it's... | 0:56:10 | 0:56:11 | |
a very hard choice I've got to make here. Her business | 0:56:11 | 0:56:14 | |
is much easier, less risk, | 0:56:14 | 0:56:17 | |
more in line with what I've done in the past. | 0:56:17 | 0:56:20 | |
It's selling a product and yours is something completely alien. | 0:56:20 | 0:56:24 | |
Luisa... | 0:56:27 | 0:56:30 | |
..I know that you are a business person. | 0:56:30 | 0:56:33 | |
I'm convinced of that. | 0:56:33 | 0:56:35 | |
I've observed you over the past 12 weeks. | 0:56:37 | 0:56:41 | |
I do believe that you have | 0:56:41 | 0:56:43 | |
changed your ways a little bit. | 0:56:43 | 0:56:46 | |
I am still concerned whether I'm going to get your 100% attention | 0:56:46 | 0:56:52 | |
because you've got other businesses. | 0:56:52 | 0:56:55 | |
But... | 0:56:57 | 0:56:59 | |
..Leah... | 0:56:59 | 0:57:01 | |
..it really boils down to | 0:57:01 | 0:57:03 | |
where am I now, you know? | 0:57:03 | 0:57:06 | |
66-years-old. | 0:57:06 | 0:57:09 | |
Do I need another load of aggravation? | 0:57:09 | 0:57:11 | |
And that's where | 0:57:11 | 0:57:14 | |
I get a little bit concerned. | 0:57:14 | 0:57:16 | |
So... | 0:57:20 | 0:57:22 | |
..on balance, I think I've made my mind up now. | 0:57:28 | 0:57:31 | |
At the end of the day... | 0:57:48 | 0:57:49 | |
..a bit of devil in me has got to take the risk. | 0:57:49 | 0:57:53 | |
Leah, you're going to be my business partner. | 0:57:53 | 0:57:56 | |
Oh! Oh, my God. Thank you. | 0:57:58 | 0:58:01 | |
Well, ladies, it's been a very long journey. | 0:58:04 | 0:58:07 | |
I know you're disappointed, | 0:58:07 | 0:58:10 | |
Luisa, | 0:58:10 | 0:58:12 | |
-I do wish you the best of luck. -Thank you. | 0:58:12 | 0:58:14 | |
I'll be seeing you shortly, OK? | 0:58:14 | 0:58:17 | |
Off you go. | 0:58:17 | 0:58:19 | |
Thank you. | 0:58:19 | 0:58:20 | |
To have Lord Sugar show this faith in me | 0:58:49 | 0:58:51 | |
is absolutely unbelievable. It's amazing. | 0:58:51 | 0:58:54 | |
I had much less experience than the other candidates in business, coming in to the process | 0:58:54 | 0:58:59 | |
and I really can't believe I've got this far | 0:58:59 | 0:59:02 | |
and that I've actually won it! I can't believe it! | 0:59:02 | 0:59:07 | |
I'm really going to do everything I can | 0:59:07 | 0:59:09 | |
to prove that he has made the right decision | 0:59:09 | 0:59:11 | |
and I won't let him down. | 0:59:11 | 0:59:13 | |
16 candidates. | 0:59:15 | 0:59:18 | |
One winner. | 0:59:18 | 0:59:21 | |
Lord Sugar's search for his new business partner | 0:59:21 | 0:59:23 | |
is over. | 0:59:23 | 0:59:25 | |
APPLAUSE AND CHEERING | 0:59:26 | 0:59:29 | |
And so we have our result. | 0:59:31 | 0:59:35 | |
Leah is Lord Sugar's new business partner. | 0:59:35 | 0:59:37 | |
Welcome to The Apprentice - You're Hired. | 0:59:37 | 0:59:40 | |
The candidates are here, along with Nick and Karren. | 0:59:40 | 0:59:43 | |
In a moment, we'll be meeting Luisa, followed later by Leah and Lord Sugar. | 0:59:43 | 0:59:46 | |
But first, let me introduce our panel. | 0:59:46 | 0:59:48 | |
Entrepreneur and Moshi Monsters creator Michael Acton Smith, | 0:59:48 | 0:59:51 | |
TV presenter and columnist Lorraine Kelly | 0:59:51 | 0:59:54 | |
and comedian Hugh Dennis, welcome to You're Hired. | 0:59:54 | 0:59:56 | |
CHEERING | 0:59:56 | 0:59:59 | |
She has been a powerful presence throughout this process, | 1:00:03 | 1:00:06 | |
but, tonight, her Apprentice dreams were dashed. | 1:00:06 | 1:00:09 | |
Leah, you're going to be my business partner. | 1:00:13 | 1:00:16 | |
Please welcome the runner up in The Apprentice 2013, Luisa Zissman. | 1:00:19 | 1:00:23 | |
CHEERING | 1:00:23 | 1:00:25 | |
CHEERING DROWNS OUT SPEECH | 1:00:29 | 1:00:31 | |
Hello! | 1:00:39 | 1:00:41 | |
Luisa, it's that awkward thing of congratulating you on having done so well | 1:00:41 | 1:00:44 | |
but also commiserating with you for having nearly got it. | 1:00:44 | 1:00:47 | |
Were you disappointed? Are you gutted? | 1:00:47 | 1:00:49 | |
I'm disappointed, | 1:00:49 | 1:00:51 | |
but I couldn't think of losing to anyone other than Leah. | 1:00:51 | 1:00:54 | |
The two of you grew quite close? | 1:00:54 | 1:00:56 | |
We're very close and she's an amazing girl. Amazing. | 1:00:56 | 1:00:59 | |
And I'm so happy for her. | 1:00:59 | 1:01:01 | |
You have been known for saying, though, | 1:01:01 | 1:01:03 | |
-you always get what you want. -I do and I haven't. | 1:01:03 | 1:01:06 | |
-Lord Sugar. -Is this a moment? | 1:01:06 | 1:01:08 | |
The first man to ever say no. No. | 1:01:08 | 1:01:11 | |
LAUGHTER | 1:01:11 | 1:01:13 | |
OK. Let's have a look at what happened on this final task. | 1:01:13 | 1:01:17 | |
In the focus group, we got negative feedback about pink. | 1:01:17 | 1:01:21 | |
The whole thing pink. Was that something that would appeal to you? | 1:01:21 | 1:01:24 | |
-No. -OK. | 1:01:24 | 1:01:25 | |
Stay away from the girly kind of feel. | 1:01:25 | 1:01:27 | |
NICK: Baker's Toolkit will be sold, essentially, into the trade. | 1:01:27 | 1:01:32 | |
What we've got behind me | 1:01:32 | 1:01:33 | |
is something out of Barbie. | 1:01:33 | 1:01:35 | |
LUISA: I really like myself in there. | 1:01:35 | 1:01:38 | |
NICK: Here we are, time is marching on. | 1:01:38 | 1:01:40 | |
Where's Luisa? Is she practising? | 1:01:40 | 1:01:42 | |
No. She's icing cakes. | 1:01:42 | 1:01:44 | |
Very pink, very female orientated. | 1:01:45 | 1:01:47 | |
Do you not think you're losing | 1:01:47 | 1:01:49 | |
a big section of the market? | 1:01:49 | 1:01:51 | |
This industry is still | 1:01:51 | 1:01:52 | |
dominated by females. | 1:01:52 | 1:01:54 | |
I think it needs some more refined thinking as to actually who | 1:01:54 | 1:01:57 | |
she is targeting this at. | 1:01:57 | 1:01:58 | |
From the smallest pot of... Sorry. | 1:01:58 | 1:02:01 | |
I totally lost my way on my cue cards | 1:02:01 | 1:02:03 | |
that were in front of me. | 1:02:03 | 1:02:05 | |
-It went aw... -It wasn't awful. | 1:02:05 | 1:02:07 | |
SOBS: It was really bad! | 1:02:07 | 1:02:09 | |
I didn't notice you lost your way. | 1:02:09 | 1:02:11 | |
I think you came across very well. | 1:02:11 | 1:02:13 | |
What Luisa did very well was to really impart her | 1:02:13 | 1:02:16 | |
vision for creating quite a personable business. | 1:02:16 | 1:02:19 | |
I do believe that I've learnt such a lot about myself and I now know | 1:02:19 | 1:02:23 | |
sometimes it's OK to shut your mouth and listen to someone else. | 1:02:23 | 1:02:28 | |
And I feel like I'm, of anyone in this process, | 1:02:28 | 1:02:31 | |
one of the people that has learnt the most. | 1:02:31 | 1:02:34 | |
That... | 1:02:34 | 1:02:35 | |
You know, your tears afterwards, did you think you'd fluffed it? | 1:02:35 | 1:02:39 | |
I think it's so overwhelming when you go out there and there's | 1:02:39 | 1:02:44 | |
so much riding on that pitch, ultimately. | 1:02:44 | 1:02:47 | |
My whole team, we'd been working so hard and, you know, | 1:02:47 | 1:02:50 | |
I did practise, but the nerves. | 1:02:50 | 1:02:53 | |
You know, I'm not normally that nervous. | 1:02:53 | 1:02:56 | |
But the nerves just got the better of me | 1:02:56 | 1:02:58 | |
and I was so overwhelmed and then my cue cards. | 1:02:58 | 1:03:01 | |
It was just a release of emotion, I think. And disappointment in myself. | 1:03:01 | 1:03:05 | |
I was really disappointed. | 1:03:05 | 1:03:06 | |
I know, but we've all had bad gigs. We've all had tough ones. | 1:03:06 | 1:03:09 | |
You observed the first rule which is don't cry till you get offstage. | 1:03:09 | 1:03:12 | |
LAUGHTER | 1:03:12 | 1:03:14 | |
Many a night I've done the show and I've wept to myself just back there. | 1:03:14 | 1:03:17 | |
I've just gone, "No, I didn't really get inside who Alex truly was!" | 1:03:17 | 1:03:21 | |
LAUGHTER | 1:03:21 | 1:03:23 | |
-Have you done a difficult pitch every so often? -Yes. Many, many. | 1:03:23 | 1:03:26 | |
Screwed lots up. | 1:03:26 | 1:03:27 | |
But you only need to get one or two right to make everything work out. | 1:03:27 | 1:03:30 | |
-Bad gigs? -Absolutely. | 1:03:30 | 1:03:31 | |
But it was so interesting to see you vulnerable, | 1:03:31 | 1:03:35 | |
because up until then, you're a bit of a nippy sweetie. | 1:03:35 | 1:03:38 | |
You know, you just... | 1:03:38 | 1:03:39 | |
You wouldn't really listen to anybody. | 1:03:39 | 1:03:41 | |
To see you breaking down like that, you were so, so hard on yourself. | 1:03:41 | 1:03:44 | |
There was no need to be. | 1:03:44 | 1:03:46 | |
Because you actually did a really good job. | 1:03:46 | 1:03:47 | |
Yeah, it could have been better. | 1:03:47 | 1:03:49 | |
-HUGH: -You didn't lose it on that, anyway, did you? | 1:03:49 | 1:03:51 | |
What I found interesting about it | 1:03:51 | 1:03:53 | |
actually, in the end, you lost it because it wasn't risky enough | 1:03:53 | 1:03:56 | |
and I wondered whether you | 1:03:56 | 1:03:57 | |
should have made it sound riskier. | 1:03:57 | 1:03:59 | |
Say that the baking trays were really sharp. | 1:03:59 | 1:04:01 | |
LAUGHTER | 1:04:01 | 1:04:02 | |
They'll set you on fire! | 1:04:02 | 1:04:03 | |
The sprinkles will be radioactive. | 1:04:03 | 1:04:05 | |
LAUGHTER | 1:04:05 | 1:04:07 | |
By the way, let's get the business plan clear, though. | 1:04:07 | 1:04:09 | |
It is a business to business idea | 1:04:09 | 1:04:11 | |
that you were to buy the entire sweet. | 1:04:11 | 1:04:14 | |
Like, is it industrial strength? | 1:04:14 | 1:04:16 | |
-Shall I explain it? -Yes, please. -So... -Really, that works better, | 1:04:16 | 1:04:19 | |
in terms of it being your business. Go on. | 1:04:19 | 1:04:21 | |
So, basically, it's a wholesale baking brand. | 1:04:21 | 1:04:26 | |
So I'd be creating a brand that would be sold into shops, | 1:04:26 | 1:04:30 | |
online retailers, | 1:04:30 | 1:04:32 | |
supermarkets and bakeries. | 1:04:32 | 1:04:34 | |
So, if they needed edible sprinkles, | 1:04:34 | 1:04:37 | |
they'd buy them from our brand. | 1:04:37 | 1:04:39 | |
So it's business to business. | 1:04:39 | 1:04:41 | |
But, you know, when you do a business like that, | 1:04:41 | 1:04:43 | |
you have to think of your end consumer, | 1:04:43 | 1:04:45 | |
because your retailer, they might place an order with you, but if | 1:04:45 | 1:04:48 | |
none of the customers buy it, you're never going to get an order again. | 1:04:48 | 1:04:52 | |
So, it was a real... | 1:04:52 | 1:04:53 | |
There was confusion, because I always had to have the end | 1:04:53 | 1:04:56 | |
consumer in my mind, if the brand wasn't attractive to them. | 1:04:56 | 1:04:59 | |
Well, the pink that makes more sense in that situation. | 1:04:59 | 1:05:02 | |
It's one of my favourite quotes, by the way. | 1:05:02 | 1:05:04 | |
This is the image that was done for you. It's great, lovely. | 1:05:04 | 1:05:07 | |
-Do you like yourself on that? -I love me. | 1:05:07 | 1:05:10 | |
LAUGHTER | 1:05:10 | 1:05:11 | |
-Who bakes here? -I don't bake, but I think it's great branding. | 1:05:11 | 1:05:14 | |
It's fun, colourful and memorable | 1:05:14 | 1:05:16 | |
and I think it was very smart putting your face to it, as well. | 1:05:16 | 1:05:19 | |
You know, some of the biggest brands in the world are built by | 1:05:19 | 1:05:22 | |
real firebrand entrepreneurs. | 1:05:22 | 1:05:24 | |
Richard Branson, Oprah Winfrey, Donald Trump. | 1:05:24 | 1:05:27 | |
You could be the Donald Trump of baking. | 1:05:27 | 1:05:29 | |
-LAUGHTER -Maybe not, that's a bad idea. | 1:05:29 | 1:05:31 | |
-You, of course, are the face of the Megabus. -I am. | 1:05:31 | 1:05:34 | |
LAUGHTER | 1:05:34 | 1:05:36 | |
Mutually very profitable arrangements, that. | 1:05:36 | 1:05:40 | |
Did you enjoy the brand? Did you think it was a good brand? | 1:05:40 | 1:05:42 | |
I thought it was a really good brand. I don't bake myself. | 1:05:42 | 1:05:45 | |
I mean, I can melt chocolate and throws some Rice Krispies in it, | 1:05:45 | 1:05:48 | |
but that's as far as it goes. But I thought you were really good on camera. | 1:05:48 | 1:05:51 | |
When you were selling something that you really believed in. | 1:05:51 | 1:05:54 | |
You looked fantastic and you sounded really natural | 1:05:54 | 1:05:56 | |
and not in any way stilted. | 1:05:56 | 1:05:58 | |
And I think that came over really, really well. | 1:05:58 | 1:06:00 | |
I think you are the best person to sell you. | 1:06:00 | 1:06:04 | |
-And you did look fantastic. -Thank you. | 1:06:04 | 1:06:06 | |
By the way, we're going to get a little bit more positive feedback, I believe. | 1:06:06 | 1:06:09 | |
Your parents are here. | 1:06:09 | 1:06:10 | |
-I've been looking. -They are here somewhere. | 1:06:10 | 1:06:13 | |
Christina and Zo Kalozois. | 1:06:13 | 1:06:14 | |
-Hello! -Hello to the two of you. How are you? | 1:06:14 | 1:06:17 | |
This, I presume, is disappointing news, | 1:06:17 | 1:06:19 | |
-but she's done very, very well. -She's done exceptionally well. | 1:06:19 | 1:06:22 | |
One of the things that Luisa set out to do was not to ever hear, | 1:06:22 | 1:06:25 | |
"You're fired," and she hasn't heard that. So, I'm so proud of her. | 1:06:25 | 1:06:29 | |
She's worked really hard, very, very proud | 1:06:29 | 1:06:32 | |
and she will still go ahead and be very, very successful | 1:06:32 | 1:06:35 | |
in whatever venture she goes into. Very proud of her. | 1:06:35 | 1:06:38 | |
-No-one like your mum, is there? -I know! | 1:06:38 | 1:06:40 | |
LAUGHTER | 1:06:40 | 1:06:41 | |
Let's see what your dad... Cos your dad clearly... | 1:06:41 | 1:06:44 | |
No, you do the talking. I don't want to talk. | 1:06:44 | 1:06:46 | |
You're good at this. I don't like doing this type of stuff. | 1:06:46 | 1:06:48 | |
-Hello sir, how are you? -I'm very well. | 1:06:48 | 1:06:51 | |
And, yes, between mother and daughter, | 1:06:51 | 1:06:53 | |
I do sometimes manage to get a word in. | 1:06:53 | 1:06:56 | |
So, on this occasion, I think Luisa's done very well | 1:06:56 | 1:07:00 | |
and, you know, I love you to bits. | 1:07:00 | 1:07:02 | |
You're going to go very far. | 1:07:02 | 1:07:03 | |
-Thank you. -So, well done, darling. | 1:07:03 | 1:07:05 | |
APPLAUSE | 1:07:05 | 1:07:09 | |
We've been following you over the last... | 1:07:12 | 1:07:14 | |
You have been one of the standout characters. For good and bad... | 1:07:14 | 1:07:18 | |
Look at the face on you now. Wait for me to give idea... | 1:07:18 | 1:07:21 | |
Give it to me, Dara. Come on! | 1:07:21 | 1:07:23 | |
I'm just saying, there have been moments where we've been going, | 1:07:23 | 1:07:26 | |
"Oh, that Luisa..." | 1:07:26 | 1:07:28 | |
You've given us plenty to talk about over the last few months. | 1:07:28 | 1:07:31 | |
Let's have a look. | 1:07:31 | 1:07:32 | |
-LEAH: -I really think I should do the next deal. | 1:07:32 | 1:07:34 | |
I'm know most about the costs. | 1:07:34 | 1:07:36 | |
No offence, you're a doctor. | 1:07:36 | 1:07:37 | |
How dare you? You cannot possibly say that. | 1:07:37 | 1:07:40 | |
Don't go crazy on corn on the cob. Maybe buy six. | 1:07:40 | 1:07:43 | |
We're not going to dress the whole store with six cobs. | 1:07:43 | 1:07:45 | |
Engage brain. | 1:07:45 | 1:07:46 | |
I can't speak to her any more. | 1:07:46 | 1:07:48 | |
NICK: Luisa nipped at his heels like a little terrier nipping | 1:07:48 | 1:07:52 | |
the heels of a bewildered sheep. | 1:07:52 | 1:07:54 | |
LUISA: Make a decision. Make a decision and stick with it. | 1:07:54 | 1:07:57 | |
Next week, I'd like to follow Luisa. | 1:07:57 | 1:08:01 | |
LAUGHTER | 1:08:01 | 1:08:03 | |
You were very outspoken, though. | 1:08:06 | 1:08:08 | |
-I am outspoken. I think I'm still outspoken. -Yes. | 1:08:08 | 1:08:12 | |
I think, also, when you come into this process, | 1:08:12 | 1:08:15 | |
one of the hardest things for me was the other candidates. | 1:08:15 | 1:08:18 | |
It was working with other people. When you're so used to... | 1:08:18 | 1:08:20 | |
I've been self-employed pretty much my whole life | 1:08:20 | 1:08:24 | |
and I've always carved my own way in life. | 1:08:24 | 1:08:26 | |
And to then meet people that were like, "Hang on, you're not right. | 1:08:26 | 1:08:30 | |
"This is the way to I think we should do it." And I'm like, "Hello? | 1:08:30 | 1:08:33 | |
"I do it my way always. So, back off." | 1:08:33 | 1:08:36 | |
It was tough. It was really tough. | 1:08:36 | 1:08:38 | |
But then you learn as you go on to listen to others | 1:08:38 | 1:08:41 | |
and you gain that respect for the other candidates. | 1:08:41 | 1:08:44 | |
I think they gain the respect for you. | 1:08:44 | 1:08:46 | |
And then, you know, as you see, as the process goes on, | 1:08:46 | 1:08:49 | |
everyone just works a lot smoother together. | 1:08:49 | 1:08:51 | |
Things work better. | 1:08:51 | 1:08:53 | |
Did you know that you do that lip curl thing? | 1:08:53 | 1:08:55 | |
-Did you know you had the little... -No! | 1:08:55 | 1:08:57 | |
-A little... -I don't do that! | 1:08:57 | 1:08:59 | |
Elvis. I'm maybe playing it up a bit. But you're like... | 1:08:59 | 1:09:02 | |
LAUGHTER | 1:09:02 | 1:09:04 | |
There! That! That! | 1:09:04 | 1:09:05 | |
LAUGHTER | 1:09:05 | 1:09:07 | |
And that comment to Leah in week one? | 1:09:07 | 1:09:08 | |
I just think it's hilarious Leah can now turn around to me and go, | 1:09:08 | 1:09:11 | |
"No offence, I'm the apprentice." | 1:09:11 | 1:09:13 | |
LAUGHTER | 1:09:13 | 1:09:15 | |
Very true. We saw a lot... | 1:09:15 | 1:09:17 | |
-Lorraine, we saw a lot of strong behaviour from this lady. -We did. | 1:09:17 | 1:09:21 | |
How could you? Poor wee Jason. | 1:09:21 | 1:09:23 | |
Goodness me, it was like sort of attacking a puppy dog. You know? | 1:09:23 | 1:09:26 | |
Giving him a good kicking. | 1:09:26 | 1:09:28 | |
I could understand that you were, you know, getting really | 1:09:28 | 1:09:30 | |
frustrated with him, very, very frustrated with him, but you just... | 1:09:30 | 1:09:33 | |
-Oh, look at that wee face! -Where is he? | 1:09:33 | 1:09:36 | |
LAUGHTER | 1:09:36 | 1:09:37 | |
It's adorable. How could you? | 1:09:37 | 1:09:39 | |
But I think you needed to in the end, didn't you? | 1:09:39 | 1:09:42 | |
I think so, didn't I...? No, Jason's a lovely... | 1:09:42 | 1:09:44 | |
Not so vociferously but... | 1:09:44 | 1:09:46 | |
Jason is actually one of the funniest, | 1:09:46 | 1:09:49 | |
sweetest people I've ever met | 1:09:49 | 1:09:51 | |
and I would love to go out for a drink with him, | 1:09:51 | 1:09:54 | |
I'd be friends with him, but I wouldn't work with him. | 1:09:54 | 1:09:57 | |
LAUGHTER | 1:09:57 | 1:10:00 | |
I'm getting the impression of a two-way street... | 1:10:00 | 1:10:04 | |
Although, I have to say, on the final task, | 1:10:04 | 1:10:07 | |
my team were amazing and Jason was on my team. | 1:10:07 | 1:10:10 | |
I wanted to have the opportunity to redeem myself slightly with him | 1:10:10 | 1:10:13 | |
and show him, you know, I'm not going to be mean to you... | 1:10:13 | 1:10:16 | |
You didn't really want him, though, did you? | 1:10:16 | 1:10:18 | |
I didn't... No, I didn't say I didn't want Jason. | 1:10:18 | 1:10:21 | |
-HUGH: -Well, you sort of did. | 1:10:21 | 1:10:22 | |
There was a fantastic... | 1:10:22 | 1:10:24 | |
LAUGHTER | 1:10:24 | 1:10:25 | |
There was a fantastic moment where Jason says, | 1:10:25 | 1:10:27 | |
"I'm absolutely delighted and flattered that she has asked me back." | 1:10:27 | 1:10:30 | |
And all of us were thinking, | 1:10:30 | 1:10:32 | |
"Well, he won't be once he's seen the episode." | 1:10:32 | 1:10:34 | |
LAUGHTER | 1:10:34 | 1:10:35 | |
Did you find Luisa a difficult character to take... | 1:10:36 | 1:10:40 | |
You know, I think it was fascinating, | 1:10:40 | 1:10:43 | |
the evolution over the different shows. | 1:10:43 | 1:10:45 | |
Started quite harsh and then softened | 1:10:45 | 1:10:47 | |
as it went on and we definitely saw that | 1:10:47 | 1:10:48 | |
emotional side at the end when you came off stage crying | 1:10:48 | 1:10:51 | |
and I think the audience definitely warmed more to that. | 1:10:51 | 1:10:54 | |
We've had a number of firsts in this series. | 1:10:54 | 1:10:56 | |
The first Welshman, Alex. Jordan offering shares in a company | 1:10:56 | 1:10:58 | |
he didn't actually own, that was a first. | 1:10:58 | 1:11:01 | |
But in programme eight we had proper history. | 1:11:01 | 1:11:03 | |
FANFARE | 1:11:03 | 1:11:05 | |
-SUGAR: -Why did you give up | 1:11:10 | 1:11:11 | |
the project manager's position? | 1:11:11 | 1:11:13 | |
If I was in charge of a sinking ship, | 1:11:13 | 1:11:15 | |
my first concern would be the women and children... | 1:11:15 | 1:11:17 | |
LAUGHTER | 1:11:17 | 1:11:18 | |
The team and the victory were the first and most important thing | 1:11:18 | 1:11:21 | |
and I think that Luisa does have that commanding voice. | 1:11:21 | 1:11:25 | |
-NEIL: You can't change a project manager. -No. -LUISA: Yes, you can. | 1:11:25 | 1:11:28 | |
NEIL: Am I hearing this? | 1:11:28 | 1:11:29 | |
LUISA: I would like to be project manager. | 1:11:29 | 1:11:31 | |
I'm in a nest of vipers. | 1:11:31 | 1:11:32 | |
Everybody here has blood on their lips. | 1:11:32 | 1:11:35 | |
I took the courageous decision to make sure... | 1:11:37 | 1:11:39 | |
That's courageous? | 1:11:39 | 1:11:41 | |
I think that courage comes in many forms. | 1:11:41 | 1:11:43 | |
NEIL: Jason, I think you've lost it. | 1:11:43 | 1:11:45 | |
Luisa, you're project manager from here on in. | 1:11:45 | 1:11:48 | |
Congratulations, because this is the first time | 1:11:48 | 1:11:52 | |
we've had an abdication of a project manager | 1:11:52 | 1:11:55 | |
in all the years that I've been in this boardroom. | 1:11:55 | 1:11:58 | |
Total bloody mess. | 1:11:58 | 1:11:59 | |
APPLAUSE | 1:12:02 | 1:12:04 | |
Jason, looking back now, do the wounds still sting? | 1:12:08 | 1:12:12 | |
-Does it still hurt? -Not at all, no. | 1:12:12 | 1:12:14 | |
I mean, the moment Luisa called me up and said, | 1:12:14 | 1:12:17 | |
"I want you to be on my team," | 1:12:17 | 1:12:19 | |
even after she'd look through the Yellow Pages and thought, | 1:12:19 | 1:12:22 | |
"Oh, there! Jason." | 1:12:22 | 1:12:23 | |
You know, I was 100% behind her. | 1:12:23 | 1:12:27 | |
No. I think... Bygones, bygones. | 1:12:27 | 1:12:30 | |
Could you have done it a bit differently? | 1:12:30 | 1:12:33 | |
Yes, definitely. | 1:12:33 | 1:12:34 | |
I think I just didn't realise at the time how awful I was to you. | 1:12:34 | 1:12:39 | |
And I'm really sorry. | 1:12:39 | 1:12:40 | |
I think, until I saw it back, I just... | 1:12:40 | 1:12:44 | |
You know, in my nature, I get so frustrated. | 1:12:44 | 1:12:48 | |
And I do regret treating you like that. | 1:12:48 | 1:12:50 | |
And I would like to apologise. | 1:12:50 | 1:12:53 | |
And I've learnt since then, when my mother saw it and she says to me, | 1:12:53 | 1:12:56 | |
"You never do that, Luisa!" | 1:12:56 | 1:12:58 | |
You know, "You praise in public and you reprimand in private. | 1:12:58 | 1:13:01 | |
"That's really bad of you." | 1:13:01 | 1:13:02 | |
And I was like, "Yeah, it was really bad." And I am really sorry. | 1:13:02 | 1:13:06 | |
It was disgraceful behaviour. | 1:13:06 | 1:13:08 | |
Nick was right and I am very sorry. | 1:13:08 | 1:13:11 | |
APPLAUSE | 1:13:11 | 1:13:13 | |
Luisa, that's very, very gracious of you. | 1:13:18 | 1:13:21 | |
Can I offer one small opinion, though? | 1:13:21 | 1:13:23 | |
He was actually rubbish. | 1:13:23 | 1:13:24 | |
LAUGHTER AND GROANING | 1:13:24 | 1:13:27 | |
-You know, that whole... -That is so mean! | 1:13:27 | 1:13:29 | |
"Can we try it with the purple, | 1:13:29 | 1:13:30 | |
"maybe slightly less pinky, that purple. | 1:13:30 | 1:13:33 | |
"And we'll try it different..." | 1:13:33 | 1:13:34 | |
I think, you know what, it was painful, but there was... | 1:13:34 | 1:13:37 | |
LAUGHTER | 1:13:37 | 1:13:38 | |
I still shouldn't... I could have gone about things in a different way. | 1:13:38 | 1:13:42 | |
-Possibly, yes. -Probably. | 1:13:42 | 1:13:43 | |
Sometimes difficult decisions have to be taken. | 1:13:43 | 1:13:46 | |
Absolutely. Business is complicated and you make mistakes | 1:13:46 | 1:13:49 | |
and I think Luisa has admitted she made a mistake there. | 1:13:49 | 1:13:51 | |
And Jason was very gracious. And a lot of people assume, as well, | 1:13:51 | 1:13:54 | |
you have to be a real ball-buster and really nasty to succeed | 1:13:54 | 1:13:58 | |
in business and Jason is a great example of someone that is nice | 1:13:58 | 1:14:02 | |
and I think he is going to go on to have a lot of success, as well. | 1:14:02 | 1:14:05 | |
-HUGH: -But what is fantastic about it, actually, was watching it across | 1:14:05 | 1:14:08 | |
the 12 weeks, was right at the end, | 1:14:08 | 1:14:10 | |
your team were absolutely behind you. | 1:14:10 | 1:14:13 | |
My team were incredible. | 1:14:13 | 1:14:15 | |
They absolutely loved you. And they would do anything for you | 1:14:15 | 1:14:18 | |
in that last task. It was great. | 1:14:18 | 1:14:19 | |
-Thank you. -Says it all. | 1:14:19 | 1:14:21 | |
You were giving a stirring talking to in programme eight and credit | 1:14:21 | 1:14:24 | |
where it's due, you were a lot more of a team player from then on. | 1:14:24 | 1:14:27 | |
This is funky, this is contemporary, | 1:14:27 | 1:14:29 | |
-it plays exactly to our target market. -It really does. | 1:14:29 | 1:14:32 | |
I think I am finally beginning to see a serious businesswoman emerge. | 1:14:32 | 1:14:36 | |
Going for quantity. | 1:14:36 | 1:14:37 | |
Stack them high, sell it cheap. | 1:14:37 | 1:14:39 | |
She is a retailer and she's doing well. | 1:14:39 | 1:14:42 | |
Finally, the girls win. | 1:14:42 | 1:14:44 | |
She's very streetwise, she is very bright. | 1:14:44 | 1:14:46 | |
I have no doubt that she will make a success. | 1:14:46 | 1:14:49 | |
Hi, I'm Luisa Zissman. | 1:14:49 | 1:14:51 | |
Luisa started out as being actually a bit of a nuisance, | 1:14:51 | 1:14:53 | |
not getting on with her team-mates | 1:14:53 | 1:14:55 | |
but here we are at the very end and her team warmed to her. | 1:14:55 | 1:15:00 | |
Teamwork and smiles, that's what this afternoon has been about. | 1:15:00 | 1:15:03 | |
It's a piece of cake. | 1:15:03 | 1:15:05 | |
So, was there one particular moment when you thought, | 1:15:05 | 1:15:07 | |
"Right, I'm going to have to listen more than I'm talking?" | 1:15:07 | 1:15:09 | |
I don't think there was, you know, kind of a light bulb moment. | 1:15:09 | 1:15:13 | |
I think that you just go on | 1:15:13 | 1:15:14 | |
and we all sort of settled into the process | 1:15:14 | 1:15:16 | |
and I think I really started to settle and really wanted to | 1:15:16 | 1:15:20 | |
listen to other people and work with them rather than continuing... | 1:15:20 | 1:15:23 | |
I mean, it was really tiring the first few weeks and then | 1:15:23 | 1:15:26 | |
I just thought, "You know what? Just let it go. | 1:15:26 | 1:15:28 | |
"Just breathe and let it go and go with it." | 1:15:28 | 1:15:30 | |
And I did and it obviously worked out. | 1:15:30 | 1:15:32 | |
That retail task, though. That retail task was pretty impressive. | 1:15:32 | 1:15:35 | |
That task was massively suited to me. | 1:15:35 | 1:15:38 | |
As Nick said, that's what I do, that's, you know, | 1:15:38 | 1:15:41 | |
all I've ever known, really, from when I started working for myself. | 1:15:41 | 1:15:45 | |
I knew that I had to win that. I knew that if we didn't win that task, | 1:15:45 | 1:15:49 | |
when we lost, I was a goner because I had so much to prove then | 1:15:49 | 1:15:53 | |
and I really wanted to prove, "You know what, Lord Sugar? | 1:15:53 | 1:15:56 | |
"This is me. This is what I do and I can really do this." | 1:15:56 | 1:15:59 | |
-Did your opinion of Luisa change over those few weeks? -Most definitely. | 1:15:59 | 1:16:02 | |
Absolutely. I started off when I watched you, I thought, "Oh-oh." | 1:16:02 | 1:16:05 | |
Quite repelled as a viewer but also I wanted to see more of you. | 1:16:05 | 1:16:08 | |
LAUGHTER | 1:16:08 | 1:16:09 | |
But I still thought you were fascinating, really interesting. | 1:16:09 | 1:16:12 | |
Not a woman's woman, I thought, | 1:16:12 | 1:16:14 | |
but watching you and the friendships that you have got | 1:16:14 | 1:16:16 | |
with the other candidates and how they all, at the end, banded | 1:16:16 | 1:16:20 | |
together for you and when you were upset really genuinely | 1:16:20 | 1:16:22 | |
worried about you and were saying, "No, you did a really good job. | 1:16:22 | 1:16:25 | |
"You were absolutely fine." So, my opinion has totally changed. | 1:16:25 | 1:16:27 | |
-I think you're fantastic. -Thank you. That's very kind. | 1:16:27 | 1:16:30 | |
Yeah, I completely agree | 1:16:30 | 1:16:32 | |
and I think everyone watching would say the same. | 1:16:32 | 1:16:34 | |
So do I but I actually quite liked you the whole way through, actually. | 1:16:34 | 1:16:37 | |
LAUGHTER | 1:16:37 | 1:16:39 | |
I liked the sort of feistiness of it. It was great. | 1:16:39 | 1:16:42 | |
Karren Brady is with us. | 1:16:42 | 1:16:43 | |
It's a pleasure to have you here again, Karren. | 1:16:43 | 1:16:45 | |
Now, you watched Luisa at close quarters and, as we saw, | 1:16:45 | 1:16:48 | |
you wanted to follow her specifically in week nine to see | 1:16:48 | 1:16:50 | |
if there was a businesswoman underneath all that bluster. | 1:16:50 | 1:16:53 | |
How would you sum up Luisa's Apprentice journey? | 1:16:53 | 1:16:56 | |
Well, the reason I asked to watch Luisa is | 1:16:56 | 1:16:59 | |
I hadn't seen her close up and I kept hearing words | 1:16:59 | 1:17:01 | |
in the boardroom like manipulative, stubborn, big personality | 1:17:01 | 1:17:06 | |
and I thought, "I'll have a look, see what's behind all that. | 1:17:06 | 1:17:09 | |
And I'm pleased to say that what | 1:17:09 | 1:17:10 | |
I did see was a very capable, very strong businesswoman | 1:17:10 | 1:17:15 | |
and somebody, actually, who works on their intuition, | 1:17:15 | 1:17:18 | |
who really understands certain parts of business | 1:17:18 | 1:17:21 | |
and I think, Luisa, you're going to go on to be really successful. | 1:17:21 | 1:17:24 | |
Thank you. | 1:17:24 | 1:17:25 | |
APPLAUSE | 1:17:25 | 1:17:27 | |
I love Karren. | 1:17:30 | 1:17:31 | |
You have also said, by the way, | 1:17:34 | 1:17:35 | |
you are delighted that Lord Sugar's business partner would be a woman. | 1:17:35 | 1:17:39 | |
Now, this mustn't have seemed very likely by week three | 1:17:39 | 1:17:42 | |
when the woman's team were tearing themselves apart. | 1:17:42 | 1:17:44 | |
I was getting a bit worried after the first few tasks | 1:17:44 | 1:17:48 | |
but I think you could see in the two final candidates that they | 1:17:48 | 1:17:52 | |
were both really articulate, really bright, | 1:17:52 | 1:17:55 | |
had fantastic business plans, understood the market | 1:17:55 | 1:17:59 | |
they were going in and really conveyed themselves as very | 1:17:59 | 1:18:02 | |
investable people and I was really proud | 1:18:02 | 1:18:05 | |
and pleased to see them both do so very well indeed. | 1:18:05 | 1:18:08 | |
Very, very good. Now, Karren, as ever, we have enjoyed | 1:18:08 | 1:18:10 | |
watching you watching them. Here are your highlights. | 1:18:10 | 1:18:13 | |
It's going to be a very, very long night. It's mayhem. | 1:18:13 | 1:18:17 | |
I've never seen anything like it. Urgh! | 1:18:17 | 1:18:20 | |
It takes everyone's input to make one thing happen. | 1:18:22 | 1:18:24 | |
Do you believe what you're saying? Can you hear it? | 1:18:24 | 1:18:27 | |
-Can you hear what you're saying? -I thought it was just me. | 1:18:27 | 1:18:29 | |
Have you guys made a decision? | 1:18:29 | 1:18:32 | |
Who sold the most stock? | 1:18:32 | 1:18:33 | |
But it's not a competition. We're a team. | 1:18:33 | 1:18:35 | |
I've had a whole day of this. | 1:18:35 | 1:18:36 | |
LAUGHTER | 1:18:36 | 1:18:38 | |
A bit of a problem between you two? | 1:18:40 | 1:18:43 | |
You know what women are like. | 1:18:43 | 1:18:44 | |
Excuse me? | 1:18:44 | 1:18:45 | |
I am a strong, sexually liberated and high-powered woman. | 1:18:45 | 1:18:49 | |
-Don't scare the kids. -Morning. | 1:18:49 | 1:18:52 | |
They really loved your pitch. | 1:18:52 | 1:18:53 | |
And they really liked you guys. | 1:18:55 | 1:18:57 | |
But they hated the product. | 1:18:58 | 1:19:00 | |
Ladies and gentlemen, Karren Brady. | 1:19:05 | 1:19:08 | |
Now, Lorraine, Hugh and I | 1:19:14 | 1:19:15 | |
have been choosing some of our favourite moments from this series. | 1:19:15 | 1:19:18 | |
Now, Lorraine, I know that you and I can't get enough | 1:19:18 | 1:19:20 | |
of this particular gem. | 1:19:20 | 1:19:22 | |
How not to help your team-mate during a difficult pitch. | 1:19:22 | 1:19:25 | |
We are really passionate about what we have created. | 1:19:25 | 1:19:27 | |
REPEATED SNAPPING NOISE | 1:19:27 | 1:19:29 | |
We're here. We're so happy to show you what we've got. | 1:19:29 | 1:19:31 | |
SNAPPING CONTINUES | 1:19:31 | 1:19:33 | |
And the industry itself, it really does seem to have gone through | 1:19:33 | 1:19:36 | |
a bit of a revolution over the last few years. | 1:19:36 | 1:19:38 | |
It's... SNAPPING CONTINUES | 1:19:38 | 1:19:40 | |
Excuse the noise in the background. | 1:19:40 | 1:19:42 | |
He is just preparing, by the way, for you, something nice to eat. | 1:19:42 | 1:19:45 | |
Sorry. I think this has been part of fuelling the market. | 1:19:45 | 1:19:50 | |
-The microwave is not on. -Press the big button at the bottom. | 1:19:50 | 1:19:53 | |
-See if that works. -This is the start, is it? -Yeah. | 1:19:53 | 1:19:55 | |
MICROWAVE WHIRS NOISILY | 1:19:55 | 1:19:56 | |
We also looked at vegetarians... | 1:19:56 | 1:19:58 | |
SPEECH DROWNED OUT | 1:19:58 | 1:19:59 | |
BEEPING | 1:19:59 | 1:20:01 | |
LAUGHTER | 1:20:01 | 1:20:03 | |
The normally unflappable Myles been taken apart there. | 1:20:11 | 1:20:15 | |
Nobody could have done that pitch with all that going on. | 1:20:15 | 1:20:17 | |
It was hilarious. | 1:20:17 | 1:20:18 | |
And "popty ping" - I think it's the only Welsh word I know | 1:20:18 | 1:20:21 | |
-but it's genius for microwaves, isn't it? -Yes. | 1:20:21 | 1:20:23 | |
But he should have gone, Alex should have gone with his original idea. | 1:20:23 | 1:20:26 | |
We all think he should have. | 1:20:26 | 1:20:27 | |
But there's no way, with all that going on in the background, | 1:20:27 | 1:20:30 | |
nobody, nobody could have done that. | 1:20:30 | 1:20:32 | |
And we love it because we had a big chat about it at the time. | 1:20:32 | 1:20:34 | |
He popped and popped... You do it, like, once, twice. | 1:20:34 | 1:20:36 | |
I thought, "How many is he putting in?" | 1:20:36 | 1:20:40 | |
I am going to show this cellophane lid. I am going to make this... | 1:20:40 | 1:20:44 | |
And he couldn't work it! It's genius. Absolute genius. I loved it. | 1:20:44 | 1:20:49 | |
Did you have a particular favourite? | 1:20:49 | 1:20:51 | |
I love the Dubai episode - looking for the falcon hood. | 1:20:51 | 1:20:55 | |
That I found tremendous. | 1:20:55 | 1:20:58 | |
Hugh is a fan of the quintessential Englishman abroad as Jason | 1:20:58 | 1:21:01 | |
tried to communicate with the natives. | 1:21:01 | 1:21:03 | |
You put a hat on it so it does not see. | 1:21:05 | 1:21:09 | |
Like an eagle. A big bird. | 1:21:09 | 1:21:12 | |
You put it on your arm and it flies away. And it hunts. | 1:21:12 | 1:21:15 | |
Don't worry. Don't worry. | 1:21:15 | 1:21:17 | |
APPLAUSE | 1:21:18 | 1:21:20 | |
Four days after that, I found myself walking around the house going, | 1:21:25 | 1:21:29 | |
"It's like an eagle. It hunts. It hunts." But it's just the idea. | 1:21:29 | 1:21:34 | |
It just idea that a very posh shopping mall, you know, | 1:21:34 | 1:21:38 | |
like Brent Cross, essentially, would sell a hood for a falcon | 1:21:38 | 1:21:43 | |
and how anybody thought that would be just the... | 1:21:43 | 1:21:46 | |
You know, like their version of JD Sports would sell... | 1:21:46 | 1:21:50 | |
You want Falcons 'R' Us. | 1:21:50 | 1:21:54 | |
There is a huge branch of that around the corner. | 1:21:54 | 1:21:57 | |
Now, Jordan was stopped in his tracks last week but at the start | 1:21:59 | 1:22:02 | |
of this process he was full of energy and excitement. | 1:22:02 | 1:22:06 | |
Let's look at some of the numbers here. | 1:22:06 | 1:22:09 | |
-KARREN: -Your total is 1,167.90. | 1:22:09 | 1:22:12 | |
LOUD THUD | 1:22:13 | 1:22:15 | |
JORDAN: Get in! | 1:22:15 | 1:22:16 | |
NICK: £1,147. | 1:22:17 | 1:22:20 | |
LOUD THUDS | 1:22:20 | 1:22:23 | |
Get in! | 1:22:23 | 1:22:24 | |
LOUD THUDS | 1:22:24 | 1:22:27 | |
-LORD SUGAR: -And for the girls? | 1:22:27 | 1:22:29 | |
-KARREN: -They hated the product. | 1:22:29 | 1:22:30 | |
CARTOON PUNCH | 1:22:30 | 1:22:32 | |
LAUGHTER | 1:22:32 | 1:22:33 | |
LOUD THUDS | 1:22:33 | 1:22:34 | |
-LORD SUGAR: -Nick, how about Evolve? | 1:22:37 | 1:22:39 | |
NICK: A profit of 631.52. | 1:22:39 | 1:22:41 | |
LOUD CRUNCH | 1:22:41 | 1:22:42 | |
LOUD THUD | 1:22:42 | 1:22:44 | |
Come on! | 1:22:44 | 1:22:45 | |
LAUGHTER | 1:22:45 | 1:22:48 | |
Come on! | 1:22:48 | 1:22:49 | |
Can I just remind you this is not a football match? | 1:22:50 | 1:22:53 | |
-Sorry, Lord Sugar. I am pleased to win. -Right. | 1:22:53 | 1:22:56 | |
OK. Let's have a word with someone who has been watching | 1:23:03 | 1:23:05 | |
The Apprentice candidates particularly closely | 1:23:05 | 1:23:08 | |
for nine years now - Lord Sugar's aide Nick Hewer. Nick, how are you? | 1:23:08 | 1:23:12 | |
-I am very well. Very well. -How many is it now? It must be... | 1:23:12 | 1:23:15 | |
Well, since episode one, over 100. We have handled over 100. | 1:23:15 | 1:23:21 | |
And what have you made of this year's crop? | 1:23:21 | 1:23:23 | |
Well, do you know, I think they were the best, most clear-cut group? | 1:23:23 | 1:23:28 | |
It has been, I think, probably the best series ever. | 1:23:28 | 1:23:31 | |
They are bright, intel... Look at the two finalists - brilliant. | 1:23:31 | 1:23:34 | |
Brilliant young couple. | 1:23:34 | 1:23:36 | |
And I know that we all have a good laugh during the series | 1:23:36 | 1:23:39 | |
but, actually, could any of us do it at their age? | 1:23:39 | 1:23:43 | |
I certainly couldn't have done. | 1:23:43 | 1:23:44 | |
So don't let's think they're mugs because they're not. | 1:23:44 | 1:23:47 | |
Now, there are some perks to The Apprentice for you, Nick. | 1:23:47 | 1:23:50 | |
We have seen you often tucking into a tasty morsel or two during | 1:23:50 | 1:23:55 | |
the tasks but this year it was a new product that caught your eye. | 1:23:55 | 1:23:58 | |
NICK: That's all right. | 1:23:58 | 1:23:59 | |
That's quite a nice, actually. Beep-beep! | 1:23:59 | 1:24:02 | |
LAUGHTER | 1:24:02 | 1:24:04 | |
Beep-beep! | 1:24:04 | 1:24:05 | |
I quite like the idea of these things. | 1:24:05 | 1:24:07 | |
MUSIC: "Ace Of Spades" by Motorhead | 1:24:09 | 1:24:12 | |
ENGINE REVVING | 1:24:12 | 1:24:14 | |
Ladies and gentlemen, Nick Hewer. | 1:24:20 | 1:24:22 | |
Congratulations on being this year's runner-up. | 1:24:28 | 1:24:30 | |
It's huge to even have got that far. | 1:24:30 | 1:24:32 | |
I know it must be irritating to have come so close but nonetheless | 1:24:32 | 1:24:36 | |
we can't let you leave empty-handed so we want to give you a gift. | 1:24:36 | 1:24:39 | |
I mean, we had a number of choices to do. | 1:24:39 | 1:24:41 | |
One of the things, obviously, is because of your small part | 1:24:41 | 1:24:44 | |
in history that we felt that you should have some | 1:24:44 | 1:24:46 | |
permanent record of it but we thought we'd make it nice and pink. | 1:24:46 | 1:24:50 | |
So this is... Excuse me. This is the abdication. | 1:24:50 | 1:24:52 | |
We have replaced your picture with the picture of the cartoon you. | 1:24:52 | 1:24:56 | |
That was our first plan, that it would be a sweet thing to do. | 1:24:56 | 1:25:00 | |
But also, we really thought what we should do is give you | 1:25:00 | 1:25:04 | |
the cupcake queen. | 1:25:04 | 1:25:05 | |
So that is the largest cupcake we could find to give | 1:25:05 | 1:25:08 | |
you as a congratulations. That's for you. 12 fantastic weeks, Luisa. | 1:25:08 | 1:25:13 | |
Here are your highlights. | 1:25:13 | 1:25:14 | |
I am not one for being a quiet, little flower in the corner. | 1:25:16 | 1:25:19 | |
Hello, everybody. Hello! | 1:25:19 | 1:25:21 | |
Ready, steady, go! | 1:25:26 | 1:25:27 | |
We have got some really funky leggings. | 1:25:27 | 1:25:31 | |
Really determined. | 1:25:31 | 1:25:32 | |
Like a dog with a bone. | 1:25:32 | 1:25:33 | |
I know you're on the job but we've got berets for a fiver. | 1:25:33 | 1:25:36 | |
I'm going to pretend to be your mum. | 1:25:36 | 1:25:39 | |
Oh, you're so cute. | 1:25:39 | 1:25:41 | |
I'm just generally a cool person to be around. | 1:25:41 | 1:25:43 | |
I am full of love. | 1:25:43 | 1:25:44 | |
She is really warm, she's bubbly. | 1:25:44 | 1:25:46 | |
She probably is my favourite candidate. | 1:25:46 | 1:25:48 | |
You can't go through life not having fun. | 1:25:48 | 1:25:50 | |
SHE SQUEALS | 1:25:50 | 1:25:51 | |
Laters, loser! | 1:25:51 | 1:25:53 | |
SHE SCREAMS | 1:25:53 | 1:25:55 | |
Bye, everyone. | 1:25:58 | 1:26:00 | |
I like being happy. It's good. | 1:26:00 | 1:26:02 | |
Ladies and gentlemen, Luisa Zissman. | 1:26:03 | 1:26:06 | |
CHEERING | 1:26:06 | 1:26:07 | |
And so to our winner. | 1:26:19 | 1:26:20 | |
This is the moment we discovered who was going to the Lord Sugar's | 1:26:20 | 1:26:23 | |
new business partner. | 1:26:23 | 1:26:24 | |
Leah, you're going to be my business partner. | 1:26:28 | 1:26:31 | |
Oh. Oh, my God. Thank you. | 1:26:34 | 1:26:36 | |
Ladies and gentlemen, | 1:26:38 | 1:26:39 | |
please welcome the winner of The Apprentice 2013, Leah Totton. | 1:26:39 | 1:26:43 | |
CHEERING | 1:26:43 | 1:26:45 | |
Dr Leah, congratulations. | 1:27:00 | 1:27:02 | |
May I first say how voluminous your hair is looking? | 1:27:02 | 1:27:05 | |
More than any of the other candidates. | 1:27:05 | 1:27:07 | |
At the end of programme 11, | 1:27:07 | 1:27:08 | |
you said you couldn't believe you'd be in the final. | 1:27:08 | 1:27:10 | |
-Can you believe that you have won it? -I can't. I really... | 1:27:10 | 1:27:13 | |
It hasn't sunk in at all. I can't believe it. | 1:27:13 | 1:27:16 | |
I never expected, entering the process, | 1:27:16 | 1:27:18 | |
that I would be the one who won and I still don't. | 1:27:18 | 1:27:21 | |
I still don't believe it. I'm completely in shock. | 1:27:21 | 1:27:23 | |
Let's meet your new business partner. Please welcome Lord Sugar. | 1:27:23 | 1:27:27 | |
CHEERING | 1:27:27 | 1:27:28 | |
It's a pleasure to have you here. You are very happy with this result? | 1:27:45 | 1:27:48 | |
-Before you start, let's get this over with. -All right, go on. | 1:27:48 | 1:27:52 | |
Go on, then, you'd best hurry up. | 1:27:52 | 1:27:53 | |
"Are you going to be the first one to have a treatment on your face?" | 1:27:53 | 1:27:57 | |
-I was never presuming that you... -Beauty and the beast. Come on. | 1:27:57 | 1:28:01 | |
Like I am ever going to judge you on physical appearance. | 1:28:01 | 1:28:05 | |
Look, you've got a finer head of hair than I've had about 12 years. | 1:28:05 | 1:28:09 | |
Well, I've been thinking of that. Leah. | 1:28:09 | 1:28:11 | |
This. This. From other parts and then we'll shape it and, yeah. | 1:28:11 | 1:28:18 | |
I don't think we should... | 1:28:18 | 1:28:19 | |
We're not really the people at the forefront of this technology. | 1:28:19 | 1:28:22 | |
Not really, no. | 1:28:22 | 1:28:23 | |
I'm going to go in looking like me | 1:28:23 | 1:28:24 | |
and coming out looking like Justin Bieber. | 1:28:24 | 1:28:26 | |
LAUGHTER | 1:28:26 | 1:28:28 | |
People expect miracles, you know. | 1:28:28 | 1:28:30 | |
People are expecting miracles in this situation. | 1:28:30 | 1:28:32 | |
Why did you choose Leah? | 1:28:32 | 1:28:34 | |
I think it's... | 1:28:35 | 1:28:37 | |
We had two great candidates in the final, in the last two. | 1:28:37 | 1:28:43 | |
I think that in the case of Luisa, for example, | 1:28:43 | 1:28:48 | |
she has got these three businesses already. | 1:28:48 | 1:28:52 | |
The business that she was proposing to me | 1:28:52 | 1:28:54 | |
is very much what she is already doing | 1:28:54 | 1:28:58 | |
and I didn't feel guilty in any way or form | 1:28:58 | 1:29:01 | |
in choosing Leah over Luisa because I don't have to worry about, really. | 1:29:01 | 1:29:06 | |
She is going to do OK. | 1:29:06 | 1:29:07 | |
As far as Leah is concerned, she is a very determined young lady | 1:29:07 | 1:29:12 | |
and this is an interesting industry. | 1:29:12 | 1:29:15 | |
One which the business margins are very good | 1:29:15 | 1:29:20 | |
and I think that she was the most interesting candidate | 1:29:20 | 1:29:25 | |
as far as I was concerned and had the most interesting | 1:29:25 | 1:29:28 | |
business proposition. So it's quite exciting. | 1:29:28 | 1:29:31 | |
OK, well, let's see what took you past the winning post tonight. | 1:29:31 | 1:29:34 | |
The name, first of all. When did the name come out. | 1:29:34 | 1:29:37 | |
"Skin" backwards with the K the wrong way round, | 1:29:37 | 1:29:39 | |
a face in the middle. | 1:29:39 | 1:29:42 | |
Is this not beautiful to you? It's beautiful to me. I think that's good. | 1:29:42 | 1:29:46 | |
-Do you? -Imagine that on a billboard. | 1:29:46 | 1:29:48 | |
-It sounds like a knife. -That wasn't a brilliant comment. | 1:29:50 | 1:29:52 | |
Shaving cuts, nicks of the skin. | 1:29:52 | 1:29:55 | |
-Did you feed that back? -Yes. | 1:29:55 | 1:29:57 | |
-May be go with NIKS. -Yeah. | 1:29:57 | 1:30:00 | |
NIKS Medical. We will be focusing on only three key treatments. | 1:30:02 | 1:30:07 | |
I don't understand why you're restricting your offering to | 1:30:07 | 1:30:11 | |
such basic treatments. | 1:30:11 | 1:30:12 | |
I disagree with that lady. | 1:30:12 | 1:30:14 | |
You've been disagreeing with the industry leaders all night long. | 1:30:14 | 1:30:18 | |
I can assure you they are the most popular treatments of the minute. | 1:30:18 | 1:30:21 | |
We all know that market is expanding hugely. | 1:30:21 | 1:30:23 | |
It's only going to go one way. | 1:30:23 | 1:30:26 | |
She's shown she can take a gift that she has | 1:30:26 | 1:30:29 | |
and use that to create a business. | 1:30:29 | 1:30:31 | |
In your business, I'd get a little bit concerned. | 1:30:31 | 1:30:33 | |
You're investing in me as a person and I genuinely think I'm | 1:30:33 | 1:30:36 | |
a dependable, trustworthy person to invest in. | 1:30:36 | 1:30:40 | |
I think together we will be absolutely dynamic. | 1:30:40 | 1:30:43 | |
APPLAUSE | 1:30:43 | 1:30:45 | |
Let's address a number of issues. NIKS, right? | 1:30:50 | 1:30:53 | |
Nick's is the name of a pool hall. | 1:30:53 | 1:30:55 | |
Nick's is the name of a bar in Casablanca where all | 1:30:55 | 1:31:01 | |
the clashes occur. Nick is the name of the doctor in The Simpsons. | 1:31:01 | 1:31:06 | |
There's a crazy doctor. Did you not notice any of these? | 1:31:07 | 1:31:11 | |
At the time, I was thinking of it more visually. | 1:31:11 | 1:31:14 | |
I had the strap line, turning back time on your skin. | 1:31:14 | 1:31:16 | |
I think it worked really well as an actual image. But I take on board. | 1:31:16 | 1:31:21 | |
This is... I'm sorry. | 1:31:21 | 1:31:23 | |
We should find a smaller version of this | 1:31:23 | 1:31:25 | |
because it looks slightly undignified. Yes. | 1:31:25 | 1:31:29 | |
I take it we're not keeping the name NIKS? | 1:31:30 | 1:31:33 | |
No. | 1:31:33 | 1:31:35 | |
Do you have a name in mind? | 1:31:36 | 1:31:38 | |
We do. The name is what I suggested and that is Dr Leah. | 1:31:38 | 1:31:42 | |
Were you saying that I don't like the name at all? | 1:31:42 | 1:31:44 | |
I've had a change of heart. | 1:31:44 | 1:31:46 | |
LAUGHTER AND APPLAUSE | 1:31:46 | 1:31:47 | |
But you're quite focused on making it clinical, | 1:31:55 | 1:31:58 | |
making it clean looking. | 1:31:58 | 1:32:00 | |
Yeah. I think it should reflect my personality. | 1:32:00 | 1:32:03 | |
I'm passionate about making sure that clinical excellence is | 1:32:03 | 1:32:07 | |
the ethos of our entire brand. | 1:32:07 | 1:32:09 | |
I want these treatments done in a clinical environment | 1:32:09 | 1:32:11 | |
by trained doctors. I think that should be reflected in the brand. | 1:32:11 | 1:32:15 | |
I've been strong on that. | 1:32:15 | 1:32:17 | |
I think we're in agreement, anyway, that it will be a very clean cut, | 1:32:17 | 1:32:20 | |
bring medical brand. | 1:32:20 | 1:32:22 | |
We'll come to our panel in a second. | 1:32:22 | 1:32:24 | |
There are certain issues, moral and ethical to raise. | 1:32:24 | 1:32:27 | |
This is not something anyone should be able to set up on the high street? | 1:32:27 | 1:32:30 | |
No, completely not. I see my role in this industry as a medical influence in this industry. | 1:32:30 | 1:32:35 | |
I feel it's what the industry needs. | 1:32:35 | 1:32:37 | |
I'm really trying to bring regulation to this industry | 1:32:37 | 1:32:40 | |
and these treatments which, in my opinion are medical treatments, | 1:32:40 | 1:32:44 | |
are carried out in a clinical environment by properly-trained health care practitioners. | 1:32:44 | 1:32:49 | |
And is also an issue now... Some people would say it takes money to train a doctor. | 1:32:49 | 1:32:54 | |
We may feel we're owed a few more years of you in the NHS | 1:32:54 | 1:32:56 | |
before you go private. | 1:32:56 | 1:32:58 | |
At this stage, how to address the criticism that you're leaving | 1:32:58 | 1:33:01 | |
-that service to early evening? -Yeah. | 1:33:01 | 1:33:04 | |
I would have taken a career break anyway to pursue academia | 1:33:04 | 1:33:07 | |
and continue the research I'm involved in. | 1:33:07 | 1:33:09 | |
I've by no means left the NHS. | 1:33:09 | 1:33:12 | |
I'm continuing research whilst I'm away from actual day-to-day | 1:33:12 | 1:33:15 | |
NHS practice with the hope of returning to the NHS. I'm so young. | 1:33:15 | 1:33:18 | |
I've got 40 years to give to the NHS. | 1:33:18 | 1:33:22 | |
I spent seven years training to become a clinician. | 1:33:22 | 1:33:26 | |
I've no intention of leaving clinical practice. | 1:33:27 | 1:33:31 | |
OK, let's turn it over to yourselves. | 1:33:31 | 1:33:33 | |
Generally about how this all came about. | 1:33:33 | 1:33:35 | |
Lorraine, this kind of industry's huge and growing. | 1:33:35 | 1:33:38 | |
It is huge and growing and I do have a bit of a problem with it. | 1:33:38 | 1:33:40 | |
I'm really glad that it looks like it's going to be regulated. | 1:33:40 | 1:33:44 | |
I know you are qualified. I wonder what it was. | 1:33:44 | 1:33:47 | |
Was it the money that made you interested in this particular area? | 1:33:47 | 1:33:50 | |
Not at all. Obviously, I'm a young woman. I'm interested in appearance. | 1:33:50 | 1:33:53 | |
I'm interested in how I look. I'm the first to admit that. | 1:33:53 | 1:33:56 | |
It saddened me and it worried me, Lorraine, to see that these procedures | 1:33:58 | 1:34:01 | |
that some people I know, | 1:34:01 | 1:34:03 | |
friends' mums even, were having these procedures done by people | 1:34:03 | 1:34:07 | |
who are not, in my opinion, adequately trained. | 1:34:07 | 1:34:10 | |
There is a real need for medical influence in this environment. | 1:34:10 | 1:34:14 | |
It's good to hear that. | 1:34:14 | 1:34:16 | |
I've interviewed a lot of women who have had botched treatments | 1:34:16 | 1:34:19 | |
and they look terrible. | 1:34:19 | 1:34:21 | |
It causes devastation to them. | 1:34:21 | 1:34:23 | |
Completely. | 1:34:23 | 1:34:24 | |
We need to be clear that I'm not going into this to encourage women | 1:34:24 | 1:34:26 | |
to have these procedures. The fact is the demand is there. | 1:34:26 | 1:34:29 | |
What we are about is providing a clinical, | 1:34:29 | 1:34:31 | |
safe environment for women to have these treatments, should they so desire. | 1:34:31 | 1:34:36 | |
It's a different form of due diligence for you. | 1:34:36 | 1:34:37 | |
It's not just checking the fundamentals of business | 1:34:37 | 1:34:40 | |
but actually there is a philosophical element to it | 1:34:40 | 1:34:41 | |
that you create an evidence basis, as people say medicine now | 1:34:41 | 1:34:44 | |
that this stuff is done as correctly as possible. | 1:34:44 | 1:34:47 | |
I think the thing is regulation and we welcome regulation. | 1:34:47 | 1:34:51 | |
I've been in various industries over the years, which were | 1:34:52 | 1:34:56 | |
unregulated and when I was a younger person, I was annoyed when | 1:34:56 | 1:35:02 | |
Government and departments started to poke their nose into | 1:35:02 | 1:35:05 | |
and regulate them. But when I look back, I realise that they've done... | 1:35:05 | 1:35:11 | |
It was the correct thing to do. | 1:35:11 | 1:35:13 | |
This industry needs to be regulated. | 1:35:13 | 1:35:14 | |
It clearly needs to be regulated for the points that Lorraine has raised. | 1:35:14 | 1:35:19 | |
There is absolutely no way that the service that Dr Leah is going | 1:35:19 | 1:35:24 | |
to provide will in any way be dangerous or immoral or whatever. | 1:35:24 | 1:35:31 | |
It would be done correctly. | 1:35:31 | 1:35:34 | |
I believe that it will be controlled and all the rest of it. | 1:35:34 | 1:35:37 | |
There were two moments at which I thought you were particularly impressive. | 1:35:37 | 1:35:40 | |
One, when you are told that the name NIKS really wasn't working, | 1:35:40 | 1:35:44 | |
at which point you decided, at that moment, | 1:35:44 | 1:35:47 | |
you would change it to NIKS medical. | 1:35:47 | 1:35:50 | |
Which unfortunately does sound like an American cop show, | 1:35:50 | 1:35:52 | |
where they find lots of dead bodies everywhere. | 1:35:52 | 1:35:57 | |
But that's by the by. | 1:35:57 | 1:35:58 | |
The other point was when Lord Sugar said I am 66 and well done for resisting, | 1:35:58 | 1:36:04 | |
"I take ten years off you." | 1:36:04 | 1:36:05 | |
-Mark, were you impressed? -I was. It was a very impressive final episode. | 1:36:08 | 1:36:12 | |
The presentation was incredibly confident. | 1:36:12 | 1:36:15 | |
I love the way whenever anyone pushes you and challenges you, | 1:36:15 | 1:36:17 | |
you're straight back at them. You need that confidence in business. | 1:36:17 | 1:36:22 | |
Yeah. Thumbs up. I admired the very professional way you're tackling this. | 1:36:22 | 1:36:27 | |
This area. This business. | 1:36:27 | 1:36:28 | |
On the whole, you've been cool | 1:36:28 | 1:36:30 | |
and calm and collected. You've radiated that kind of authority. | 1:36:30 | 1:36:33 | |
But the pressure at some points tonight did start to show. | 1:36:33 | 1:36:36 | |
I think I've been much more harsh on the team | 1:36:37 | 1:36:39 | |
than in previous tasks. | 1:36:39 | 1:36:41 | |
That doesn't fit the rest of the decor. | 1:36:41 | 1:36:43 | |
We don't need to discuss it any further. That is what we are doing. | 1:36:43 | 1:36:46 | |
Leah is definitely on a rampage now. Trying to make sure things get done. | 1:36:46 | 1:36:49 | |
Can you get one this very minute? | 1:36:49 | 1:36:50 | |
Definitely feeling the pressure of the moment. Just needs to calm down. | 1:36:50 | 1:36:54 | |
We'll it sort out. | 1:36:54 | 1:36:55 | |
Relax. Look happy. | 1:36:55 | 1:36:57 | |
I do feel... I'm 24 . I never done anything like this in the past. | 1:36:57 | 1:37:00 | |
I don't have time to discuss it. Just start. Ready. Clear shot. | 1:37:00 | 1:37:04 | |
At times I have been quite short with him. | 1:37:04 | 1:37:07 | |
There needs to be something on the screen. | 1:37:07 | 1:37:09 | |
Can someone who is creative please find an ending that is strong? | 1:37:09 | 1:37:12 | |
My name is Dr Leah Totton. | 1:37:13 | 1:37:14 | |
My favourite name for this business is up to Leah. | 1:37:14 | 1:37:17 | |
I don't like that. | 1:37:17 | 1:37:20 | |
LAUGHTER | 1:37:20 | 1:37:22 | |
Change your name! | 1:37:22 | 1:37:23 | |
APPLAUSE | 1:37:26 | 1:37:29 | |
You have a clear vision. | 1:37:34 | 1:37:35 | |
When you have a clear vision, you really just let it out | 1:37:35 | 1:37:38 | |
and you don't care. It's strong, it's proud, it's L-O-U-D. | 1:37:38 | 1:37:42 | |
Poor old Alex and his potpourri! | 1:37:45 | 1:37:48 | |
I know! The pressure, honestly. You're in that situation. | 1:37:48 | 1:37:52 | |
You've got so little time. The pressure is phenomenal. You want it so much. | 1:37:52 | 1:37:56 | |
You've tried so hard. And his thing of potpourri in the reception room. | 1:37:56 | 1:38:00 | |
You're like, "No!" | 1:38:00 | 1:38:03 | |
What was the thing? You got very upset you said half my head is coming through the door? | 1:38:03 | 1:38:07 | |
What was that about? | 1:38:07 | 1:38:08 | |
We were trying to put together all the shots. I'm by no means an editor. | 1:38:08 | 1:38:13 | |
The man who was editing kept putting my head coming through the shot. | 1:38:13 | 1:38:16 | |
It looked like an alien. It was intimidating for the audience. | 1:38:16 | 1:38:20 | |
It was over the shoulder of the patient. It wasn't right. | 1:38:20 | 1:38:23 | |
Was it just that every so often you were peering like that? | 1:38:24 | 1:38:28 | |
LAUGHTER DROWNS SPEECH | 1:38:28 | 1:38:31 | |
I was over the shoulder. My head was coming into the shot. | 1:38:31 | 1:38:35 | |
That would be fantastic. Later, just coming down from above. | 1:38:35 | 1:38:40 | |
Popping up everywhere. | 1:38:40 | 1:38:42 | |
My face was just everywhere. | 1:38:42 | 1:38:45 | |
Were you impressed by the fact that this has to happen I want this done now? | 1:38:45 | 1:38:49 | |
These people are under a lot of pressure. | 1:38:49 | 1:38:51 | |
They are under a tremendous amount of pressure. | 1:38:51 | 1:38:53 | |
Leah under pressure in the boardroom, | 1:38:53 | 1:38:56 | |
she came back very very quickly and responded very very well | 1:38:56 | 1:39:01 | |
when I critiqued anything she had to do. | 1:39:01 | 1:39:04 | |
Sometimes, quite fast, I felt like I had to press the rewind button | 1:39:04 | 1:39:10 | |
and slow it down. A bit like you. You know how you talk very fast. | 1:39:10 | 1:39:15 | |
I don't know if it's an Irish trait. | 1:39:16 | 1:39:18 | |
Have you ever worked with a woman from Derry before? | 1:39:18 | 1:39:22 | |
Er, no. | 1:39:22 | 1:39:23 | |
Oh, good luck with this! | 1:39:24 | 1:39:27 | |
A famously fierce brand of woman. They are fantastic. They are great. | 1:39:27 | 1:39:30 | |
When you were in the final boardroom on the ready meal task, | 1:39:30 | 1:39:33 | |
Lord Sugar commented that you'd said more in ten minutes than | 1:39:33 | 1:39:36 | |
you had said in the previous nine weeks. | 1:39:36 | 1:39:38 | |
Last week, we saw you in full flow for a different reason. | 1:39:38 | 1:39:42 | |
My rent will be £30,000 a year for a receptionist to begin with | 1:39:45 | 1:39:47 | |
paying her £16,000 a year. The cost will be under £2,000 a year, | 1:39:47 | 1:39:51 | |
which includes everything, bar electricity. | 1:39:51 | 1:39:53 | |
I'll have a cleaner for 8,000. | 1:39:53 | 1:39:54 | |
To tell you the truth, I'll do that myself, if need be. | 1:39:54 | 1:39:58 | |
LAUGHTER DROWNS SPEECH | 1:39:58 | 1:40:00 | |
Someone who will probably a nurse practitioner, | 1:40:00 | 1:40:02 | |
trained in aesthetic medicine, to come in as a clinical manager. | 1:40:02 | 1:40:04 | |
After two-month shadowing period, which will be | 1:40:04 | 1:40:05 | |
the end of my four-month period, I will then leave the clinic. | 1:40:05 | 1:40:08 | |
You will also have doctors who are trained in aesthetic medicine | 1:40:08 | 1:40:10 | |
or nurses to do one five-hour clinic per week. | 1:40:10 | 1:40:14 | |
You speak very quickly, don't you? You're a fast talker. | 1:40:14 | 1:40:17 | |
I've got so much I need to explain. | 1:40:17 | 1:40:19 | |
I'm the combination of business flair with a medical... | 1:40:19 | 1:40:22 | |
LAUGHTER DROWNS SPEECH | 1:40:22 | 1:40:24 | |
APPLAUSE | 1:40:24 | 1:40:26 | |
Erm. | 1:40:34 | 1:40:35 | |
I would strongly suggest she wouldn't be an air traffic controller. | 1:40:35 | 1:40:39 | |
She would be spectacularly bad as a speaking clock. | 1:40:40 | 1:40:43 | |
Your parents are in the audience tonight. Lorraine and Trevor. | 1:40:45 | 1:40:49 | |
Hello, how are you? You didn't know until you saw it here. | 1:40:49 | 1:40:54 | |
What's your reaction? | 1:40:54 | 1:40:55 | |
My goodness! I'm really still shocked. Absolutely. | 1:40:55 | 1:41:00 | |
The pressure has been awful for us parents as well. | 1:41:00 | 1:41:05 | |
She has done brilliant. We are so proud. Absolutely delighted. | 1:41:05 | 1:41:09 | |
I do know that you will give 100% to Lord Sugar. | 1:41:09 | 1:41:12 | |
And Dad. Proud? | 1:41:13 | 1:41:14 | |
Same as the wife was saying. She's been fantastic from day one. | 1:41:14 | 1:41:19 | |
She'll make it. It'll be successful, believe me. | 1:41:19 | 1:41:23 | |
What does your mum do? | 1:41:23 | 1:41:25 | |
Your mum looks about five years older than you. Excellent genes! | 1:41:25 | 1:41:29 | |
Very good. Your dad, bless him. | 1:41:29 | 1:41:32 | |
Sorry! | 1:41:33 | 1:41:34 | |
LAUGHTER DROWNS SPEECH | 1:41:34 | 1:41:37 | |
Lord Sugar, you'd like to talk about some of the other candidates, | 1:41:37 | 1:41:39 | |
particularly those in the final five. Shall we begin with Jordan? | 1:41:39 | 1:41:42 | |
Yeah. | 1:41:42 | 1:41:43 | |
To get in the final five of this process is no mean task. | 1:41:46 | 1:41:50 | |
Jordan is a highly-intelligent person. I think he... | 1:41:51 | 1:41:56 | |
He held the record for not being in the losing team too many times? | 1:41:56 | 1:42:03 | |
Seven out of ten wins. | 1:42:03 | 1:42:05 | |
That's quite high. Also, he got the respect from the other candidates. | 1:42:05 | 1:42:09 | |
That's something I noticed throughout the course of the process. | 1:42:09 | 1:42:12 | |
When the other candidates are happy to have | 1:42:12 | 1:42:15 | |
someone like Jordan on their team. | 1:42:15 | 1:42:17 | |
It's unfortunate that the business plan didn't work. | 1:42:18 | 1:42:24 | |
As far as I was concerned, | 1:42:24 | 1:42:25 | |
his interpretation of the equity share was something which | 1:42:25 | 1:42:29 | |
I could never ever agree to. Never in 1 million years agree to. | 1:42:29 | 1:42:33 | |
Unfortunately, Jordan gave me nowhere to go. It's a simple as that. | 1:42:33 | 1:42:38 | |
I know he's going to do well in the future. As will some of the others. | 1:42:38 | 1:42:42 | |
Moving to Francesca. | 1:42:42 | 1:42:45 | |
She will be scaling up her dance studios, exercise studios. | 1:42:45 | 1:42:49 | |
My only problem with Francesca was the scaling-up issue. | 1:42:49 | 1:42:54 | |
I might be wrong. | 1:42:54 | 1:42:55 | |
I think I said that when I let Francesca go because we ended up | 1:42:55 | 1:43:00 | |
with three ladies left there, to the delight of Karren. | 1:43:00 | 1:43:05 | |
I said I think I might be making a mistake here. | 1:43:09 | 1:43:11 | |
Maybe I misunderstood the dance and the zumba-wumba stuff, | 1:43:11 | 1:43:15 | |
whatever it is. And the popularity of it. I don't know. | 1:43:15 | 1:43:20 | |
My wife Jenny gave me a good slapping last week, saying to me, | 1:43:20 | 1:43:23 | |
you idiot, it is quite a popular thing these days. | 1:43:23 | 1:43:30 | |
I'm not always right. | 1:43:30 | 1:43:33 | |
Once I thought I was wrong but I was mistaken. | 1:43:33 | 1:43:38 | |
And maybe on this occasion I was mistaken also. | 1:43:40 | 1:43:43 | |
I think if she can scale up her business, | 1:43:43 | 1:43:46 | |
and popularise it in the correct way, it could be successful. | 1:43:46 | 1:43:51 | |
Hello, Francesca. Good to see you. | 1:43:51 | 1:43:54 | |
May I compliment you on your dancing in the show tonight. | 1:43:54 | 1:43:58 | |
As well as that, | 1:43:58 | 1:43:59 | |
you have other businesses as well as this, don't you? | 1:43:59 | 1:44:01 | |
What are the other businesses that you have? | 1:44:01 | 1:44:04 | |
I have a lookalikes agency and a dance agency. | 1:44:04 | 1:44:06 | |
And the lookalikes agency features on its books, this man, who look's... | 1:44:06 | 1:44:12 | |
Like George Clooney. | 1:44:16 | 1:44:18 | |
Who works both Alan sugar and George Clooney, | 1:44:18 | 1:44:20 | |
depending on what your party needs at any given time. | 1:44:20 | 1:44:23 | |
Are you impressed with that? | 1:44:23 | 1:44:26 | |
She charges less for me than Branson. | 1:44:26 | 1:44:29 | |
-Have you seen the Branson? -No, I don't want to see it. | 1:44:30 | 1:44:33 | |
You've got to see the Branson. Let's have a look. There's the Branson. | 1:44:33 | 1:44:37 | |
-He does full length and everything. -The other bloke wasn't worth much more than him, surely? | 1:44:37 | 1:44:42 | |
Why are you having a go at yourself at 300 quid...? | 1:44:42 | 1:44:44 | |
He looks much... | 1:44:44 | 1:44:47 | |
Of course we come then to Neil. | 1:44:47 | 1:44:49 | |
Neil was the subject of some regret for you. | 1:44:49 | 1:44:52 | |
Cloughie, who was an exceptional candidate. | 1:44:52 | 1:44:56 | |
Sadly, the business plan is not a fully formed plan | 1:44:56 | 1:45:00 | |
in any way at all. | 1:45:00 | 1:45:01 | |
This is disappointing. This is disappointing. | 1:45:07 | 1:45:10 | |
I'm sorry for you, Alan, cos I know you're genuinely disappointed. | 1:45:10 | 1:45:13 | |
He spent 10 weeks being very determined. | 1:45:13 | 1:45:17 | |
This is disheartening for me. I am shocked. | 1:45:17 | 1:45:22 | |
I tell you, I am totally, absolutely shocked. | 1:45:22 | 1:45:26 | |
No, no. | 1:45:26 | 1:45:28 | |
No. | 1:45:28 | 1:45:29 | |
No. | 1:45:29 | 1:45:30 | |
I don't get it, it doesn't make sense. It's sickening. | 1:45:32 | 1:45:36 | |
-I'm asking for the opportunity to do it. -No, Neil, my friend, I'm sorry. | 1:45:36 | 1:45:41 | |
The right man, but the wrong plan. | 1:45:41 | 1:45:43 | |
APPLAUSE | 1:45:43 | 1:45:47 | |
Apart from leaping across the table and getting him around the neck, | 1:45:55 | 1:46:01 | |
and strangling him, he would not budge from his position. | 1:46:01 | 1:46:05 | |
And I don't know whether that's something he's going to pick up | 1:46:05 | 1:46:08 | |
and learn because there couldn't have been a stronger message | 1:46:08 | 1:46:12 | |
that what he was proposing that did not work. | 1:46:12 | 1:46:14 | |
And it was kind of like saying, | 1:46:14 | 1:46:16 | |
"Come on, give me something that does work." | 1:46:16 | 1:46:20 | |
But, nevertheless, he stuck to his guns and he left me nowhere to go. | 1:46:20 | 1:46:24 | |
-Lorraine, out of the final five, who impressed you? -Oh, I loved Neil. | 1:46:24 | 1:46:27 | |
I thought Neil was fantastic and I was shouting at the television | 1:46:27 | 1:46:30 | |
and just saying, "Just change, get a plan from somewhere. | 1:46:30 | 1:46:33 | |
"It doesn't matter, just pluck one from the air." | 1:46:33 | 1:46:36 | |
When he did that motivational speech, it was so from the heart | 1:46:36 | 1:46:39 | |
and often times a lot of the candidates were often talking | 1:46:39 | 1:46:42 | |
a bit of gobbledygook. And that really was from the heart. | 1:46:42 | 1:46:45 | |
And that's when I thought this was a really good guy you wanted to watch. | 1:46:45 | 1:46:48 | |
It was a shame he fell at the final hurdle, but I totally agree | 1:46:48 | 1:46:51 | |
with Lord Sugar that whatever he does he's going to be a massive success. | 1:46:51 | 1:46:55 | |
OK, you've enjoyed some moments from the series as well. | 1:46:55 | 1:46:59 | |
Who could forget this magical moment in task three? | 1:46:59 | 1:47:02 | |
-I take it, gentlemen, this is yours. -Yes, Lord Sugar. | 1:47:07 | 1:47:10 | |
That converts into a table. | 1:47:10 | 1:47:12 | |
Alex, this is one of the best products that I've | 1:47:12 | 1:47:15 | |
seen in all the years at being in this boardroom. Very good indeed. | 1:47:15 | 1:47:18 | |
Thank you, Lord Sugar. | 1:47:18 | 1:47:20 | |
The chair sits proud over our studio. Alan, an excellent product. | 1:47:31 | 1:47:35 | |
-Simple idea. -I'm telling you, | 1:47:35 | 1:47:37 | |
you do not understand the pressure people are under in this thing. | 1:47:37 | 1:47:41 | |
In two or three days, to come up with a conceptual idea | 1:47:41 | 1:47:45 | |
as he did there is an engineering feat, because, of course, | 1:47:45 | 1:47:50 | |
it's not something that could be marketed in a mass production basis. | 1:47:50 | 1:47:55 | |
But something like that would be the seed of an idea | 1:47:55 | 1:47:58 | |
and then you would enhance it a bit by changing some of the design | 1:47:58 | 1:48:02 | |
to get it perfect. But to do it in the period of time he did it, | 1:48:02 | 1:48:05 | |
-I was absolutely impressed. -Michael, you are a product man. | 1:48:05 | 1:48:09 | |
-You were impressed with that. -Yes, creating products is tough. | 1:48:09 | 1:48:12 | |
As Lord Sugar said, the time it took to put that together | 1:48:12 | 1:48:15 | |
and produce such a great product. | 1:48:15 | 1:48:17 | |
But also having the mechanical mind also | 1:48:17 | 1:48:20 | |
in the way that it collapsed down and the way it folded. | 1:48:20 | 1:48:24 | |
That is no mean task, I can assure you. | 1:48:24 | 1:48:27 | |
-Making sure fingers don't get chopped off. -Things like that. No mean task. | 1:48:27 | 1:48:31 | |
That is a great product. | 1:48:31 | 1:48:33 | |
-Better than that... -Let's not... It's not worth bringing up. | 1:48:33 | 1:48:37 | |
No, but you will. | 1:48:37 | 1:48:39 | |
In a universe of balance, you must have yin and yang. | 1:48:39 | 1:48:42 | |
For everything that is great, there is the Tidy-Sidey. | 1:48:42 | 1:48:47 | |
Let's just enjoy the nadir of design. | 1:48:47 | 1:48:51 | |
That doesn't look good. | 1:48:51 | 1:48:53 | |
Tidy-Sidey? Wishy-washy, poxy-boxy. | 1:48:53 | 1:48:57 | |
Did you disagree that the design makes it? | 1:48:57 | 1:48:59 | |
Yes, it does, it looks lovely. | 1:48:59 | 1:49:00 | |
The designs on the side make it look like a garden planter. | 1:49:00 | 1:49:03 | |
-Isn't it just a box on wheels? -It got to look nice in a room. | 1:49:03 | 1:49:07 | |
Part of the house you can't see maybe. | 1:49:07 | 1:49:08 | |
You are in a time warp if that's what you call keeping up to date. | 1:49:08 | 1:49:11 | |
I did not design that. | 1:49:11 | 1:49:12 | |
What you did say was the product had to be glueless. | 1:49:12 | 1:49:16 | |
Glueless? More like bloody clueless. | 1:49:16 | 1:49:18 | |
Were you sitting in the room with the box | 1:49:26 | 1:49:29 | |
and then you saw his neatly folding innovative chair/table idea | 1:49:29 | 1:49:33 | |
and you went, "We've got a box on wheels"? | 1:49:33 | 1:49:36 | |
Yes, I mean, we all looked at it when it first arrived | 1:49:36 | 1:49:40 | |
and I think everyone suddenly thought it wasn't the strongest. | 1:49:40 | 1:49:44 | |
But we just tried to be positive. You've got that, you got to sell it. | 1:49:44 | 1:49:48 | |
-Did you sell some of them? -Yes, I sold 100, | 1:49:48 | 1:49:51 | |
Fran sold some as well. | 1:49:51 | 1:49:53 | |
So, you know, with the right people behind it, | 1:49:53 | 1:49:56 | |
we managed to shift a few, but it was by no means a great product. | 1:49:56 | 1:50:00 | |
And Alex's invention with the chair really put us to shame. | 1:50:00 | 1:50:04 | |
It has the advantage, a box on wheels, that you can throw it away much more easily. | 1:50:04 | 1:50:09 | |
Take it straight down to the bin. And recycle it. | 1:50:09 | 1:50:15 | |
-No place for it in your home? -No, it looks even worse in real life. | 1:50:15 | 1:50:19 | |
I think the television gave it a glow, but when you see it, | 1:50:19 | 1:50:23 | |
good grief, that is just a box. | 1:50:23 | 1:50:25 | |
Actually, it's not in a shadowy area. | 1:50:25 | 1:50:27 | |
If you put it anywhere, light won't go there. | 1:50:27 | 1:50:30 | |
Yes, Alex's invention was fantastic. | 1:50:31 | 1:50:33 | |
It's not the only innovation he's had. | 1:50:33 | 1:50:36 | |
He's made a bid in this process for taking on an Apprentice legend. | 1:50:36 | 1:50:40 | |
My eyebrows are perfection. | 1:50:48 | 1:50:50 | |
Now, we have two... | 1:50:58 | 1:51:01 | |
LAUGHTER AND APPLAUSE | 1:51:01 | 1:51:04 | |
We have two previous winners of The Apprentice in our audience tonight, | 1:51:08 | 1:51:11 | |
Tom Pellereau and Ricky Martin, both running companies with you at the moment. | 1:51:11 | 1:51:15 | |
We heard from Ricky a couple of weeks ago. | 1:51:15 | 1:51:17 | |
-Tom, how is it going for you? -Good evening, Dara. | 1:51:17 | 1:51:20 | |
In the last year, I've launched three new products of the Stylfile range. | 1:51:20 | 1:51:24 | |
The bestselling range. | 1:51:24 | 1:51:25 | |
A Trim Without The Ping nail clipper. | 1:51:25 | 1:51:27 | |
The world's first curved foot file and exfoliator. | 1:51:27 | 1:51:31 | |
And most recently, to go with the launch...birth of my child, baby, | 1:51:31 | 1:51:35 | |
the Nipper Clipper, which has this little safety spy hole | 1:51:35 | 1:51:40 | |
so you can see exactly what you are seeing there | 1:51:40 | 1:51:42 | |
so there's no chance of clipping the baby's finger by mistake. | 1:51:42 | 1:51:46 | |
I can't believe it, I now have seven products | 1:51:46 | 1:51:48 | |
in over 3,000 of the biggest retailers in this country. | 1:51:48 | 1:51:52 | |
When I walk into Sainsbury's, I go, "That's my business with Lord Sugar." | 1:51:52 | 1:51:57 | |
-It's been amazing. -That's really sweet. | 1:51:57 | 1:51:59 | |
When you see your child, you go, "I launched that as well." | 1:51:59 | 1:52:02 | |
LAUGHTER AND APPLAUSE | 1:52:02 | 1:52:05 | |
They've both done very well, | 1:52:13 | 1:52:15 | |
-they're employing half a dozen people each. -It's a win-win situation. | 1:52:15 | 1:52:19 | |
What we have here is my years of experience in business | 1:52:19 | 1:52:23 | |
keeping them focused on the numbers and on the business itself | 1:52:23 | 1:52:29 | |
and letting them get on with they're good at doing. | 1:52:29 | 1:52:32 | |
So what they're good at doing, in the case of Tom, is coming up with | 1:52:32 | 1:52:36 | |
products, getting them made and he's done exceptionally well, | 1:52:36 | 1:52:40 | |
breaking into all these major retailers. | 1:52:40 | 1:52:43 | |
Ricky on the other hand, his business is completely different. | 1:52:43 | 1:52:46 | |
It's not a product, it's a service he provides to a very specialised industry. | 1:52:46 | 1:52:50 | |
The pharmaceutical industry, recruiting people to the pharmaceutical industry. | 1:52:50 | 1:52:55 | |
Now, fortunately, it's turning a profit. So very, very good stuff. | 1:52:55 | 1:53:01 | |
I get a lot of pleasure out of this. | 1:53:01 | 1:53:03 | |
The size of these businesses is small | 1:53:03 | 1:53:05 | |
in the overall scheme of things, OK? | 1:53:05 | 1:53:08 | |
But so many of the youngsters have grown up | 1:53:08 | 1:53:11 | |
in the past 10 or 15 years thinking they're all Zuckerbergs | 1:53:11 | 1:53:16 | |
or Klonkenbergs or whatever their bloody name is. | 1:53:16 | 1:53:19 | |
And they're going to go shooting straight up there. | 1:53:19 | 1:53:22 | |
There's a need for people to understand that you start from scratch. | 1:53:22 | 1:53:25 | |
Are you not slightly worried with the name that Nipper Clipper | 1:53:25 | 1:53:29 | |
sounds like a man going, "Are you a child?" "Yes." | 1:53:29 | 1:53:31 | |
LAUGHTER | 1:53:31 | 1:53:34 | |
Yes, thank you very much, Tom Pellereau. | 1:53:34 | 1:53:36 | |
APPLAUSE | 1:53:36 | 1:53:39 | |
Leah, you have won the quarter of a million pounds. | 1:53:43 | 1:53:46 | |
That is obviously as great a prize as any | 1:53:46 | 1:53:48 | |
and there's nothing we could do that could usurp that. | 1:53:48 | 1:53:51 | |
So some quiet corner of your first office, we would like to give you | 1:53:51 | 1:53:55 | |
something that wouldn't look out of place in a doctor's office. | 1:53:55 | 1:53:59 | |
We have done for you, for the first time, a scroll | 1:53:59 | 1:54:03 | |
that you can quietly put up there. | 1:54:03 | 1:54:05 | |
It is marked from the Lord Sugar School of Entrepreneurial Medicine. | 1:54:05 | 1:54:09 | |
This is to formally certify that Dr Leah Totton, MBBS, | 1:54:09 | 1:54:14 | |
has qualified as the winner of The Apprentice 2013, | 1:54:14 | 1:54:18 | |
and is qualified to own 50% of this business. | 1:54:18 | 1:54:20 | |
Point people to this thing. | 1:54:20 | 1:54:22 | |
Also qualified in dating video production, sale of hats | 1:54:22 | 1:54:26 | |
and leggings, almost selling a caravan. | 1:54:26 | 1:54:28 | |
-That is for you to display. -Thank you. | 1:54:30 | 1:54:33 | |
You made it all the way, Leah. | 1:54:37 | 1:54:41 | |
Here are your highlights. | 1:54:41 | 1:54:44 | |
-Leah? -Hello. | 1:54:44 | 1:54:45 | |
-I understand we have a doctor in the house, is that right? -Yes. | 1:54:45 | 1:54:48 | |
My name is Officer Leah, welcome to my training academy today. | 1:54:48 | 1:54:53 | |
I got to where I am today through hard work, honesty and integrity. | 1:54:53 | 1:54:58 | |
It is lovely, it's really lovely. | 1:54:58 | 1:55:01 | |
Deadly dinners, healthy horrible fruits. | 1:55:01 | 1:55:04 | |
I can bring a touch of class and a touch of glamour. | 1:55:04 | 1:55:06 | |
She's always smiling and I really enjoy working with her. | 1:55:09 | 1:55:13 | |
Oud, O-U-D. Oud. | 1:55:15 | 1:55:18 | |
She's really logical. | 1:55:18 | 1:55:20 | |
She's focused, she's articulate. | 1:55:20 | 1:55:21 | |
She's also very intelligent. | 1:55:21 | 1:55:23 | |
And really kind. | 1:55:23 | 1:55:25 | |
I can sell you two at £90 per cask. | 1:55:25 | 1:55:27 | |
-I'll do that. -Fantastic. -Oh, legend! | 1:55:27 | 1:55:29 | |
Amazing, well done. | 1:55:29 | 1:55:31 | |
Well done, guys. | 1:55:31 | 1:55:32 | |
Ladies and gentlemen, the winner of The Apprentice 2013, Leah Totton. | 1:55:34 | 1:55:39 | |
CHEERING AND APPLAUSE | 1:55:39 | 1:55:41 | |
Now, Lord Sugar, we couldn't let this occasion pass without | 1:55:50 | 1:55:54 | |
looking at some of your most memorable moments. | 1:55:54 | 1:55:56 | |
First, I want to take you back to the briefing for task three. | 1:55:56 | 1:55:59 | |
We know the candidates all look up to you | 1:55:59 | 1:56:01 | |
but this was probably taking things too far. | 1:56:01 | 1:56:04 | |
-Good evening. Good evening. -Good evening, Lord Sugar. | 1:56:34 | 1:56:36 | |
Yes, as ever, Lord Sugar, | 1:56:39 | 1:56:40 | |
you haven't disappointed throughout the series. | 1:56:40 | 1:56:42 | |
And here are your highlights. | 1:56:42 | 1:56:44 | |
I am Lord Sugar, I am the greatest entrepreneur since sliced bread. | 1:56:44 | 1:56:48 | |
I think outside the box, inside the bleeding box. | 1:56:48 | 1:56:51 | |
Good looking, good design, what was the other thing? | 1:56:51 | 1:56:54 | |
PHONE RINGS | 1:56:54 | 1:56:56 | |
Comedy, yes, yes. | 1:56:56 | 1:56:58 | |
Look, this is like a microwave meal, it is getting a bit heated, | 1:57:00 | 1:57:04 | |
but we're going round in circles. | 1:57:04 | 1:57:06 | |
Like Lethal Lasagne, Homicidal Hummous, thank God I never | 1:57:06 | 1:57:09 | |
sent you out to get 20 cows, you'd come back with a packet of fags. | 1:57:09 | 1:57:12 | |
I mean, Murphy's Mobile Experience. | 1:57:12 | 1:57:14 | |
I thought that's when you dropped your phone in the loo. | 1:57:14 | 1:57:17 | |
He is as dry as a cream cracker in the bleeding Sahara Desert. | 1:57:17 | 1:57:20 | |
It was plain deception, Lord Sugar. | 1:57:20 | 1:57:22 | |
Are you from the Office of Fair Trading? | 1:57:22 | 1:57:25 | |
-Lord Sugar, can I just...? -You've won, so shut up. | 1:57:25 | 1:57:28 | |
Ladies and gentlemen, Lord Sugar. | 1:57:33 | 1:57:35 | |
CHEERING AND APPLAUSE | 1:57:35 | 1:57:37 | |
And that is it for this year. Thank you to all of my guests. | 1:57:45 | 1:57:48 | |
There is no more Apprentice until 2014, | 1:57:48 | 1:57:50 | |
but if you've got a great business idea | 1:57:50 | 1:57:51 | |
and would like to be in with a chance of being | 1:57:51 | 1:57:53 | |
a winner like Leah, now is the time to do something about it. | 1:57:53 | 1:57:56 | |
Please go to our website where you will find all | 1:57:56 | 1:58:01 | |
you need to know on how to apply. | 1:58:01 | 1:58:03 | |
It's a fantastic way of getting your business idea off to a flying start. | 1:58:03 | 1:58:06 | |
From all of us, here for now, good night. | 1:58:06 | 1:58:10 | |
Subtitles by Red Bee Media Ltd | 1:58:46 | 1:58:47 |