Browse content similar to 2012. Check below for episodes and series from the same categories and more!
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Hello. I'm Dara O'Briain. Welcome to the festival haul. We are here | :00:16. | :00:20. | |
for the Arqiva British Academy Television Awards. Welcome to the | :00:20. | :00:28. | |
BAFTAs. Who needs Cannes, when you have the South Bank? This is better | :00:28. | :00:38. | |
:00:38. | :00:43. | ||
For tonight only, London's royal festival haul is awash with stars | :00:44. | :00:48. | |
ready to -- Royal Festival Hall is awash with stars ready to celebrate | :00:48. | :00:58. | |
:00:58. | :01:05. | ||
The world's press is on hand to capture the stars in their red | :01:06. | :01:15. | |
carpet outfits, or in this case Union Jack finery. | :01:15. | :01:21. | |
The fans are out in force, to meet and greet their TV idles and the | :01:21. | :01:31. | |
:01:31. | :01:39. | ||
stars have come suitably dressed It's the most hotly anticipated | :01:39. | :01:42. | |
awards night in television and you are in prime position to catch all | :01:42. | :01:52. | |
:01:52. | :02:00. | ||
So, ladies and gentlemen, please take your seats for the British | :02:01. | :02:04. | |
Academy Television Awards. Ladies and gentlemen, please welcome your | :02:04. | :02:14. | |
:02:14. | :02:20. | ||
host for the evening, Dara O'Briain. Thank you very much. Thank you very | :02:20. | :02:25. | |
much, ladies and gentlemen. Hello and welcome to the Arqiva British | :02:25. | :02:32. | |
Academy Television Awards. One of the few presenters available | :02:32. | :02:37. | |
who is as vast and spaishous as the venue itself -- spacious as the | :02:37. | :02:41. | |
venue itself. I am here while Graham Norton returns from the | :02:41. | :02:48. | |
Eurovision. The BBC is taking his all, you love The Voice, so if you | :02:48. | :02:53. | |
miss Graham, just turn your chair around and I will sound exactly the | :02:53. | :02:58. | |
same! Tonight's mission is to celebrate the very best of British | :02:58. | :03:03. | |
television. I lie - it's not celebrating the very best. It is | :03:03. | :03:06. | |
celebrating the second best in British television talent, because | :03:06. | :03:11. | |
the best is a dog which can walk on its hind legs. Thanks to Pudsey, | :03:11. | :03:17. | |
every single person in this room has moved down one rung. | :03:17. | :03:24. | |
Even you Cumberbatch, even you Harris! | :03:24. | :03:27. | |
And why shouldn't we use dogs instead of people in entertainment? | :03:27. | :03:32. | |
When you look into their big dopey, trusting eyes and pat them on the | :03:32. | :03:38. | |
head and say "I'm sorry, there isn't going to be another series of | :03:38. | :03:43. | |
The Only Way Is Essex." You just know a dog would get it faster! | :03:43. | :03:47. | |
Of course, the man who brought us Pudsey, Simon Cowell, isn't with us | :03:47. | :03:53. | |
tonight. As we look at the award we're | :03:53. | :04:02. | |
handing out today, its unnatural bronzed face... LAUGHTER | :04:03. | :04:08. | |
APPLAUSE I have two more to do! Unchanging with time and devoid of | :04:08. | :04:13. | |
normal human emotion... It's like he's always with us! We're here to | :04:14. | :04:19. | |
celebrate an incredible year. The surprises were the Great British | :04:20. | :04:24. | |
Bake Off and the continued rise in popularity in Scandinavian crime | :04:24. | :04:28. | |
drama. If anyone here has a script about | :04:28. | :04:34. | |
someone being brutly killed, whilst demonstrating how to make a Danish | :04:34. | :04:39. | |
peacetry, they are sitting on a -- pastry they are sitting on a gold | :04:39. | :04:44. | |
mind. We have lined up Sandi Toksvig to host. Another surprise | :04:44. | :04:48. | |
has been The Young Apprentice, which has shown it is OK for TV to | :04:48. | :04:53. | |
exploit young people, so long as you film yourself not paying them. | :04:53. | :04:57. | |
We have seen great performances from some of the biggest stars. | :04:57. | :05:01. | |
Most have done their best work appearing at the Leveson Inquiry. A | :05:01. | :05:06. | |
gig's a gig! If you are going to put a show | :05:07. | :05:11. | |
together for Hugh Grant, do you like Levitan or Love Actually. It | :05:11. | :05:18. | |
has not all been perfect - ITV got into trouble with Ofcom, when a | :05:18. | :05:22. | |
documentary about the IRA used footage from a video game. The bit | :05:22. | :05:25. | |
that gave it away was when a member from the IRA said, the most | :05:25. | :05:28. | |
difficult thing about being in the IRA is putting the angry bird into | :05:28. | :05:34. | |
the ka pa put! -- catapult. | :05:34. | :05:39. | |
We are running to a tight schedule. We've had to make extra space to | :05:39. | :05:42. | |
allow Adele to finish the acceptance speech she started at | :05:42. | :05:47. | |
the BRITS! I didn't expebgtd that to be the | :05:47. | :05:50. | |
response, to be -- expect that to be the response, to be honest. That | :05:50. | :05:55. | |
is a subtle hint to the people who may be winning awards to keep your | :05:55. | :06:04. | |
speeches relatively short. Make them like a vajazzleed bikini line, | :06:04. | :06:11. | |
sparkling, but within tight perimeters. | :06:11. | :06:16. | |
In essence then, this is how the show will work. For each category, | :06:17. | :06:21. | |
I will announce some famous people on to the stage. We will show a VT | :06:21. | :06:25. | |
of the nominees in action. Then the presenters will announce the winner | :06:25. | :06:31. | |
and John Terry will come up and collect the award. | :06:31. | :06:41. | |
:06:41. | :06:48. | ||
APPLAUSE I seen him back stage. He's wearing | :06:48. | :06:53. | |
a Sherlock's uniform. The last 12 months has been a blistering year | :06:53. | :07:03. | |
:07:03. | :07:11. | ||
in television. Here is a lock back You're a good looking little one, | :07:11. | :07:17. | |
aren't you? Health and safety will say you | :07:17. | :07:22. | |
cannot sky dive out of a plane in a wedding dress. There's only one way | :07:22. | :07:32. | |
:07:32. | :07:36. | ||
No-one has ever done a backflip in the cube before. We are glad you | :07:36. | :07:41. | |
have joined us for our first morning here in our new studio in | :07:41. | :07:51. | |
:07:51. | :07:56. | ||
Salford. There is so much potential in you. | :07:56. | :08:00. | |
You still need to get it right and this place is what can do it for | :08:00. | :08:03. | |
you. Will you do me the honour of becoming my wife? | :08:03. | :08:12. | |
Yes! I'm scared. | :08:12. | :08:16. | |
She understands me in a way you lot don't. This is the day he finds out | :08:16. | :08:23. | |
who I am. I'm John.... I'm Edward. I know what I'm doing. Somebody has | :08:23. | :08:27. | |
been beating very hard. The News of the World never opened with a word | :08:27. | :08:32. | |
about me - I would be delighted. This is getting fun, haven't it? | :08:32. | :08:40. | |
The The word of the X Factor is... Well done! | :08:40. | :08:44. | |
I have no idea what's going on though. | :08:44. | :08:54. | |
:08:54. | :09:09. | ||
Oh! I'm gone. Post me my BAFTA!. Our first award is the BAFTA for a | :09:09. | :09:15. | |
Drama Series. To present it a couple of actors, Upstairs | :09:15. | :09:20. | |
Downstairs and Silent Witness, her, would have been left with gaping | :09:20. | :09:27. | |
holes in the shape of Emilia Fox and BAFTA nominee, Dominic West. | :09:27. | :09:37. | |
:09:37. | :09:45. | ||
That's quite an introduction, thank you. I am not sure about the gaping | :09:45. | :09:50. | |
hole line! What do you mean? It is tricky having your name said in the | :09:50. | :09:58. | |
same breath as "gaping hole." LAUGHTER | :09:58. | :10:03. | |
Well, ladies and gentlemen, it's been another vintage year for | :10:04. | :10:08. | |
British television drama series. The nominees are not only some of | :10:08. | :10:13. | |
the most original and captivating dramas. I forgot to bring my | :10:13. | :10:23. | |
:10:23. | :10:26. | ||
glasses! You can say this next bit. The box- | :10:26. | :10:36. | |
:10:36. | :10:40. | ||
sets made ideal presents for those Let's take a look! | :10:40. | :10:46. | |
D Misfits. What's all this about a car? He says he's tapped in the | :10:46. | :10:56. | |
:10:56. | :11:12. | ||
Come on now. Nobody told me we were If either one of you ever, ever | :11:12. | :11:16. | |
lets me down over this, I will come after you and I will kill both of | :11:16. | :11:21. | |
you. I will get away with it because I know how. I'm really | :11:21. | :11:27. | |
sorry, Jill. Good! The Fades. | :11:27. | :11:37. | |
:11:37. | :12:13. | ||
Who'd have thought I could have been Dominic West's understudy. And | :12:13. | :12:23. | |
:12:23. | :12:41. | ||
the BAFTA goes to The Fades. Oh, wow, this is just such a thrill | :12:41. | :12:47. | |
and an honour. The Fades was such a great pleasure for us to work on. | :12:47. | :12:52. | |
It was a passion project, every member of the crew, when we read | :12:52. | :12:59. | |
the scripts. I think the two people we have to thank are Kate and Ben | :12:59. | :13:04. | |
Stevenson, from BBC Drama for encouraging us to take as many | :13:04. | :13:11. | |
risks as we could. A few member of our cast would like to mention our | :13:11. | :13:18. | |
two directors. I am amazed and shocked. This is ridiculous! I wore | :13:18. | :13:23. | |
my lucky socks. The people I want to thank are the script team that | :13:23. | :13:31. | |
supported me through the whole thing, this is amazing. We are so | :13:31. | :13:36. | |
delighted. It is slightly ridiculous. I am shaking. Wicked. | :13:36. | :13:46. | |
:13:46. | :13:58. | ||
Awesome! OK the BAFTA now for a situation | :13:58. | :14:03. | |
comedy. Please welcome two men who have done many things together - | :14:03. | :14:13. | |
:14:13. | :14:24. | ||
shared baths, maybe had the This is the first time we've been | :14:24. | :14:30. | |
on stage together. Yeah, after your behaviour back | :14:30. | :14:36. | |
stage, my darling, it will probably be the last. Get on with it. | :14:36. | :14:46. | |
:14:46. | :14:54. | ||
nominations for Best Situation What's going on. She might be | :14:54. | :15:01. | |
having an overdose. Is she breathing? She must be. She keeps | :15:01. | :15:10. | |
saying "Oh, my God." Relax. I know the recovery position. Do you want | :15:10. | :15:20. | |
:15:20. | :15:34. | ||
Drink that and I'll get you some You are not in the bathroom, are | :15:34. | :15:39. | |
you? The bathroom? No, I'm in the living room. | :15:39. | :15:44. | |
What's that sound? What sound? toilet sound. You aren't like on | :15:44. | :15:54. | |
:15:54. | :16:06. | ||
the loo, are you? Of course, I'm Come on. Come on, Adam. Come on. | :16:06. | :16:16. | |
:16:16. | :16:55. | ||
Mrs Brown's Boys. CHEERING AND APPLAUSE | :16:55. | :17:01. | |
Brendan O'Carroll, Stephen McCrum, Ben Kellett and Martin Delany. | :17:01. | :17:11. | |
:17:11. | :17:23. | ||
CHEERING AND APPLAUSE Thank you. | :17:23. | :17:28. | |
We're a bit pleased! LAUGHTER | :17:28. | :17:33. | |
We brought the family. Thank you so much. This is a - this is amazing. | :17:33. | :17:40. | |
All we wanted to do was make people laugh and it seems to be working. I | :17:40. | :17:50. | |
:17:50. | :17:56. | ||
want to thank Stephen McCrum. He walked into a theatre in Glasgow | :17:56. | :18:05. | |
four years ago on a rainy October night and saw his work and said | :18:05. | :18:12. | |
said "that's comedy." Thank you so much. | :18:12. | :18:22. | |
:18:22. | :18:30. | ||
CHEERING AND APPLAUSE The luck of the Irish there! Now | :18:30. | :18:34. | |
the international BAFTA, but he is Irish so we've just given one | :18:34. | :18:44. | |
:18:44. | :18:45. | ||
international BAFTA out already! Here to announce the nomination of | :18:45. | :18:55. | |
:18:55. | :19:15. | ||
this one, and for his roles in White Heat. Let's hear it for Vicky | :19:15. | :19:19. | |
McClure and Sam Clafin. nominees have been the sort of show | :19:19. | :19:28. | |
that is make you glad you have a massive TV in your living room. | :19:28. | :19:33. | |
So you see the outstanding performances. And it makes it | :19:33. | :19:43. | |
:19:43. | :20:13. | ||
easier to read all those subtitles! On the day before his 40th birthday, | :20:13. | :20:23. | |
:20:23. | :20:23. | ||
with one thing in mind, Connie. For a moment, he was infuriated in the | :20:23. | :20:33. | |
:20:33. | :21:00. | ||
memory of her, but then he made his Nobody can get in. You have me in, | :21:00. | :21:07. | |
but in general. Why are you wearing that sweater with 95 degrees on? | :21:07. | :21:17. | |
:21:17. | :21:23. | ||
is my Christmas sweater. APPLAUSE | :21:23. | :21:28. | |
And the BAFTA goes to Borgen. I can't pronounce these names, but | :21:28. | :21:38. | |
:21:38. | :21:45. | ||
congratulations! CHEERING AND APPLAUSE | :21:45. | :21:54. | |
Congratulations. This was very, very unexpected. My | :21:54. | :22:02. | |
name is Adam Price. I am the show runner of Borgen. I'm standing here | :22:02. | :22:07. | |
with some incredibly talented people. The most beautiful and | :22:07. | :22:17. | |
:22:17. | :22:17. | ||
sexiest Prime Minister I have ever laid my eyes on! Our first and | :22:17. | :22:27. | |
:22:27. | :22:31. | ||
wonderful, director of the show and my great friend and co-writer of | :22:31. | :22:41. | |
:22:41. | :22:42. | ||
the show. APPLAUSE | :22:42. | :22:45. | |
There are some people we want to thank. We would like to thank the | :22:45. | :22:51. | |
BAFTA jury for this great, great honour. We must thank our great | :22:51. | :22:54. | |
colleagues at The Killing for paving the way for Danish | :22:54. | :23:03. | |
television drama. We thank Danish broadcasting for | :23:03. | :23:08. | |
believing in this show. We thank the BBC Four and Arrow Films for | :23:08. | :23:18. | |
:23:18. | :23:20. | ||
bringing the show to the UK. We must thank the producer of Borgen | :23:20. | :23:27. | |
and the cast, crew and wonderful directors of the show. This is | :23:27. | :23:33. | |
really all of your achievement. This belongs to you. Thank you so | :23:33. | :23:43. | |
:23:43. | :23:52. | ||
much. APPLAUSE | :23:52. | :23:55. | |
Here we are at the award for Supporting Actress. To present it a | :23:55. | :23:58. | |
man whose own recent series saw him travelling around Britain in a | :23:58. | :24:03. | |
small boat, and sharing his trials and tribulations with the viewer. | :24:03. | :24:10. | |
Boy that idea is getting pretty old now! | :24:10. | :24:20. | |
:24:20. | :24:24. | ||
Please welcome one of our finest TV and film actors, Timothy Spall. | :24:24. | :24:26. | |
APPLAUSE This is very nice. You are lovely, | :24:26. | :24:36. | |
:24:36. | :24:42. | ||
aren't you? You are so lovely! Anyway... | :24:42. | :24:43. | |
LAUGHTER Everybody is lovely. The actresses | :24:43. | :24:46. | |
nominated for this award each prove that just because you're not | :24:46. | :24:49. | |
playing the lead role doesn't necessarily mean you can't shine as | :24:49. | :24:59. | |
:24:59. | :25:14. | ||
brightly - or perhaps shine even I had this fan once, I treated him | :25:14. | :25:19. | |
like a dog. He was useless at seduction. He married someone else | :25:19. | :25:27. | |
and then I realised it wasn't him Who are you anyway? She is heng us, | :25:27. | :25:37. | |
:25:37. | :25:37. | ||
Mr West. She has no right touching my | :25:37. | :25:47. | |
Did you hear the doctor? It is a brand-new baby and a splendid | :25:47. | :25:54. | |
chance for you. We are here to help and doctors can help most of all. | :25:54. | :26:01. | |
I'm making a show of myself. Not at all. Now, let us start by letting | :26:01. | :26:11. | |
:26:11. | :26:31. | ||
Hello. It is Aunt Violet. APPLAUSE | :26:31. | :26:40. | |
Right they are all brilliant. I have never done this before. The | :26:40. | :26:48. | |
winner of the, mm, sorry, it is Monica Dolan. | :26:48. | :26:58. | |
:26:58. | :27:21. | ||
Oh thank you so much to BAFTA. It was a very special group of | :27:21. | :27:27. | |
people and I feel really privileged to have been part of it. Thanks to | :27:27. | :27:35. | |
many thanks to Julie and ger articled who -- ger ald. Thanks to | :27:35. | :27:45. | |
:27:45. | :27:49. | ||
Jeff Pope, obviously lovely Lisa GillChris. With a piece like this, | :27:49. | :27:54. | |
a large part of the performance depends on the accuracy of your | :27:54. | :28:04. | |
appearance. So I would like to say special thanks to Janice Horsefield, | :28:04. | :28:09. | |
and Stephen Noble and my mum for keeping all her national health | :28:09. | :28:17. | |
glasses since the 80s. Thanks to every actor who worked on this, for | :28:17. | :28:24. | |
for creating the best working environment. I am fort nant to have | :28:24. | :28:30. | |
the lucky to have the best neighbours and my sister for her | :28:30. | :28:36. | |
particular support. She was very wise and kind. Twelve young women | :28:36. | :28:40. | |
and girls that we know of, were lost in the Cromwell Street murders | :28:40. | :28:45. | |
and some of them were taken from their families and some of them | :28:45. | :28:49. | |
were in and out of care and I think the thing that affected me most | :28:49. | :28:53. | |
working on this was not the appalling violence actually, it was | :28:53. | :29:00. | |
the fact that some of those women, some of them, were never reported | :29:00. | :29:05. | |
missing and it seems that some of them, no one noticed that they had | :29:05. | :29:10. | |
gone for 20 years and I would like to live in a world where everyone | :29:10. | :29:20. | |
:29:20. | :29:30. | ||
is missed. Thank you. APPLAUSE | :29:30. | :29:32. | |
Still to come the BAFTA for Entertainment Programme; and the | :29:32. | :29:42. | |
:29:42. | :29:43. | ||
awards for both Female and Male Performance in a Comedy Programme. | :29:43. | :29:46. | |
But first let's get right on to the next award for Soap and Continuing | :29:47. | :29:51. | |
Drama. To present this is a woman who as a co-host of the One Show | :29:51. | :29:58. | |
has shown there is nothing, not a single subject in the world, big or | :29:59. | :30:08. | |
:30:09. | :30:14. | ||
small, badger grooming anyone? Please welcome Alex Jones and Bruno | :30:14. | :30:24. | |
:30:24. | :30:32. | ||
Good evening. Look! Sherlock hopls and Dr Who in the same room. Focus! | :30:32. | :30:40. | |
Now, all the nominees for Soap and Continuing Drama are great examples | :30:40. | :30:46. | |
of this ever popular genre. What? Just like that, you are saying they | :30:46. | :30:55. | |
are all equally as good? equally brilliant. Your insight, | :30:55. | :30:59. | |
your objectivity, your feedback? What am I working with here? Come | :30:59. | :31:06. | |
on, I know you are young and have much to learn. You cannot say they | :31:06. | :31:10. | |
are all simply brilliant! I can and I will. Now shut up. | :31:10. | :31:20. | |
:31:20. | :31:38. | ||
Here are the equally brilliant Get out. | :31:38. | :31:41. | |
I'm DCMalone. Your partner rang us this evening, claiming you had | :31:41. | :31:51. | |
I picked up the child allowance. Went to court, paid the fines and | :31:51. | :32:01. | |
:32:01. | :32:14. | ||
did the shop. Who is this? It's the Look at it! I am familiar with my | :32:14. | :32:21. | |
own tumour. I believe I can fix you. I am sure you'd like nothing more | :32:21. | :32:29. | |
than to take a knife to me. That will not wait around while you make | :32:29. | :32:39. | |
:32:39. | :32:53. | ||
Tan! Tan - what you done? Get off APPLAUSE | :32:53. | :33:03. | |
:33:03. | :33:41. | ||
And the BAFTA goes to... Coronation Thank you very much. I would like | :33:41. | :33:46. | |
to thank the Academy for this very worthy award. Of course, I am very | :33:46. | :33:52. | |
pleased to accept it on behalf of our producer, for the work he did | :33:52. | :33:57. | |
for the 50th anniversary. That was last year. I want to say who well | :33:57. | :34:02. | |
you sustained everything and kept me going. It is a team effort. On | :34:02. | :34:06. | |
behalf of the whole team of Coronation Street, writers, | :34:06. | :34:11. | |
producers, cast, wardrobe, make-up and everybody, thank you very much. | :34:11. | :34:15. | |
And here's the man responsible for it. Thank you. I just wanted to say | :34:15. | :34:24. | |
thank you very much to Peter Finchaam. To Steve November, and | :34:25. | :34:30. | |
others who did such tremendous support. This is for a magnificent | :34:30. | :34:35. | |
cast, crew, bunch of writers who produce two hours of drama every | :34:35. | :34:39. | |
week, which is not easy. Thank you. We are very pleased to take this | :34:39. | :34:49. | |
:34:49. | :34:52. | ||
back. Thank you. We move on to the award for sport | :34:52. | :34:59. | |
and live events. The Olympics could be in this category next year and | :34:59. | :35:04. | |
how well it is going. It the first nation which has let the torch go | :35:04. | :35:11. | |
out before the Games have started. It is probably punishment for | :35:12. | :35:21. | |
:35:22. | :35:22. | ||
carrying it through the wettest drought in history. We have two | :35:22. | :35:32. | |
:35:32. | :35:33. | ||
Olympic gold medallists - Dame kelly Holmes and Jonathan Edwards. | :35:33. | :35:37. | |
Thank you. There are some events and not just sporting ones that | :35:37. | :35:41. | |
bring millions of people together in one shared experience. There's | :35:41. | :35:48. | |
often no better place than to watch them unfold on live television. And | :35:48. | :35:58. | |
:35:58. | :36:28. | ||
All black -- all Blacks, upping the pressure. | :36:28. | :36:32. | |
Runs towards the line and scores. There's one point in it. Finally, | :36:33. | :36:42. | |
:36:43. | :37:09. | ||
finally! Black once again turns to He's trying to get on his wheels. | :37:09. | :37:16. | |
He'll never be as fast as Cavendish. This will Hezbollah third win. Try | :37:16. | :37:26. | |
:37:26. | :37:27. | ||
as they might, he gets... He is special very, very special. | :37:27. | :37:37. | |
:37:37. | :37:37. | ||
Apology for the loss of subtitles for 42 seconds | :37:37. | :38:19. | |
And the BAFTA is awarded to the Well, it does feel very good to | :38:19. | :38:25. | |
accept this award on behalf of a huge and talented team, lead very | :38:25. | :38:34. | |
Ellie by Nick. Directed brilliantly by Clare Popplewell. A big team, | :38:34. | :38:41. | |
studio, make-up, production behind all of that. And the added bonus, | :38:41. | :38:47. | |
on the day of having a huge British television audience with us. It | :38:47. | :38:50. | |
feels very good. Thank you to BAFTA. Thank you very | :38:50. | :39:00. | |
:39:00. | :39:14. | ||
The next is for Best Supporting Actor. | :39:14. | :39:23. | |
Handing it over, an actor who played Cherie Blair not once, but | :39:23. | :39:28. | |
twice. Please welcome Helen McCrory. | :39:28. | :39:38. | |
:39:38. | :39:40. | ||
APPLAUSE Good evening. It's an honour to be | :39:40. | :39:49. | |
here tonight to present the award for Best Supporting Actor. He's | :39:49. | :39:53. | |
probably better than being the lead actor, in fact. | :39:53. | :40:00. | |
You have less promotion to do, never need to go to the gym and you | :40:00. | :40:03. | |
have fewer and better lines to learn. So the nominations for this | :40:03. | :40:13. | |
:40:13. | :40:23. | ||
Tell your husband to contact no-one but his father. Get him to tell | :40:23. | :40:33. | |
:40:33. | :40:42. | ||
Peter I will kill your baby unless There are terror cells - they all | :40:42. | :40:52. | |
:40:52. | :41:30. | ||
My son's not well. OK, I think we're done now. | :41:31. | :41:40. | |
:41:41. | :41:42. | ||
I was a soldier. I killed people. You were a doctor. I had bad days! | :41:42. | :41:52. | |
:41:52. | :41:53. | ||
And the 2012 BAFTA for Best Supporting Actor goes to Andrew | :41:53. | :42:03. | |
:42:03. | :42:17. | ||
Scott. Thank you BAFTA. | :42:17. | :42:23. | |
First of all, I would like to congratulate the other incredible | :42:23. | :42:27. | |
actors in the category, Stephen Rea, Joseph Mawle and of course Mr | :42:27. | :42:32. | |
Martin Freeman. He is a brilliant actor and | :42:32. | :42:40. | |
colleague and human being. I'd like to thank Paul and oh Toby, | :42:40. | :42:47. | |
our directors this year and Stephen Thompson and our brilliant crew and | :42:47. | :42:54. | |
Kate Rose James, for an amazing cast, which has been led by the | :42:54. | :43:00. | |
exceptionally talented Mr Benedict Cumberbatch. | :43:00. | :43:04. | |
Who I feel so proud to have acted opposite. I would like to thank my | :43:04. | :43:11. | |
mum and dad. And Sarah and Hannah and Stephen | :43:11. | :43:17. | |
and lind da King and her -- Linda King and all her team. My friends | :43:17. | :43:23. | |
and family will be screaming at the television. I would like to thank | :43:24. | :43:33. | |
:43:34. | :43:37. | ||
Sue and Elaine Cameron and Stephen Moffat. I was very grateful to be | :43:37. | :43:42. | |
asked to play the part and I am totally thrilled. Thank you so much. | :43:42. | :43:52. | |
:43:52. | :44:01. | ||
Our next award, well it's a big one - it's Entertainment Performance. | :44:01. | :44:07. | |
It is a category so important that those nominated can say "I am a | :44:07. | :44:14. | |
master in my field." Please welcome an international actress who has | :44:14. | :44:24. | |
:44:24. | :44:29. | ||
been from Australian soap to be working in Gray's An natta mi. | :44:29. | :44:38. | |
Anatomy. Hello. Please welcome ladies and | :44:38. | :44:48. | |
gentlemen. It is a great honour to present this award. These are the | :44:48. | :44:53. | |
best performers today. Let's look at Dara O'Briain and three others | :44:53. | :45:03. | |
:45:03. | :45:05. | ||
who could cruelly steal his award The eurozone crisis got worse this | :45:05. | :45:11. | |
week. I have no idea what's going on. You | :45:11. | :45:21. | |
:45:21. | :45:21. | ||
go, "Oh, no." Honestly, people are saying Italy could be faced with a | :45:22. | :45:29. | |
Greek-style double-dip. It sound It is good fun this kite surfing. | :45:29. | :45:39. | |
:45:39. | :45:52. | ||
How long had you had that jacket? don't even remember the jacket. | :45:53. | :45:58. | |
Really? Because you had it a while. Oh no. | :45:58. | :46:08. | |
:46:08. | :46:10. | ||
No, I bought this at an auction, I do not think there is a show that | :46:10. | :46:20. | |
:46:20. | :46:33. | ||
goes out with signing. I have no And the BAFTA is awarding... | :46:33. | :46:41. | |
unbelievable. Graham Norton. The Graham Norton | :46:41. | :46:46. | |
Show. Sorry! Unfortunately, Graham cannot be | :46:46. | :46:51. | |
here tonight as he has been hosting the Eurovision Song Contest, don't | :46:51. | :46:57. | |
laugh! Solicitor we will ensure he -- so we will ensure he gets this. | :46:57. | :47:07. | |
:47:07. | :47:20. | ||
I will put it in your dressing room. APPLAUSE | :47:20. | :47:23. | |
I can't - I can't begrudge Graham Norton, he spent the last 24 hours | :47:23. | :47:25. | |
comforting Engelbert Humperdinck. He is carrying his own cross at the | :47:25. | :47:30. | |
moment! Gold, gold, you would never know how good my speech was going | :47:30. | :47:37. | |
to be! Now the BAFTA for Reality and | :47:37. | :47:40. | |
Constructed Factual, television's exciting new no man's land between | :47:40. | :47:45. | |
unbelievable fact and all too believable fantasy. To present it, | :47:45. | :47:47. | |
a stunning actress who fled the hallowed street of Wetherfield for | :47:47. | :47:57. | |
:47:57. | :47:58. | ||
the bright-lights of Harley Street and Scott and Bailey. Please | :47:58. | :48:08. | |
:48:08. | :48:08. | ||
welcome, Tom Ellis and Suranne Jones. Slightly awkward, Dara, | :48:08. | :48:14. | |
sorry. Slightly regretting the Suede suit | :48:14. | :48:19. | |
because Graham would have been wearing one of those. | :48:19. | :48:22. | |
The next award is for Reality and Constructed Factual - neither | :48:22. | :48:24. | |
straight documentary, nor scripted drama. These are the shows which | :48:24. | :48:29. | |
had the nation talking, tweeting and begging for more. Here is a | :48:29. | :48:39. | |
:48:39. | :48:39. | ||
It is not fun for everyone, is it? Are you having fun? | :48:39. | :48:45. | |
No, I'm not. Or is it just an American thing? Do they have fun | :48:45. | :48:55. | |
:48:55. | :48:56. | ||
better than us? Are you coming round? Having some fun. I don't | :48:56. | :49:06. | |
:49:06. | :49:08. | ||
It is disastrous. I think it is funky. It is sick, babe. | :49:08. | :49:14. | |
I like this one. I like that one. Is that a girl's jacket? Originally, | :49:14. | :49:24. | |
:49:24. | :49:24. | ||
Midday, flowers for the curtain call. Remember we made these for | :49:24. | :49:30. | |
�40 and the minimum profit is �80. Gentlemen, these are your ladies | :49:30. | :49:33. | |
bouquets. Great. | :49:33. | :49:36. | |
Thank you very much. Pleasure doing business with you. | :49:36. | :49:46. | |
:49:46. | :49:48. | ||
Why on on earth would you want someone to do a skydive on their | :49:48. | :49:53. | |
wedding day? Have you not always wanted to do a skydive? Not on my | :49:53. | :49:59. | |
wedding day. Not on my wedding day. Was that amazing? It was amazing | :49:59. | :50:08. | |
and I want to do it again! APPLAUSE | :50:08. | :50:18. | |
:50:18. | :50:18. | ||
Apology for the loss of subtitles for 42 seconds | :50:18. | :51:11. | |
And the BAFTA goes to... The Young Good. I feel a bit of a fool here | :51:11. | :51:15. | |
this evening standing here with the most prestigious award you could | :51:15. | :51:20. | |
get in television because in the audience we have people that have | :51:20. | :51:26. | |
spent the whole of their lives in TV, either acting in it, producing | :51:26. | :51:32. | |
it, directing it, commissioning it and then there is me a businessman | :51:32. | :51:37. | |
that has come along and is standing here with this great award so I can | :51:37. | :51:47. | |
:51:47. | :51:57. | ||
appreciate how some of you maybe feeling. | :51:57. | :51:58. | |
LAUGHTER And to those people I can say, | :51:58. | :52:01. | |
"Bleenin hard luck." In the 80s, I monopolise the computer industry, I | :52:01. | :52:11. | |
:52:11. | :52:17. | ||
didn't ask Apple to come along! LAUGHTER | :52:17. | :52:20. | |
But look, the real heroes here, Michelle Kurland has been the boss | :52:20. | :52:24. | |
of The Apprentice, the senior and the junior. | :52:24. | :52:25. | |
APPLAUSE I have never seen anybody work as | :52:26. | :52:30. | |
hard as her quite frankly. And I can't of course, forget my | :52:30. | :52:36. | |
colleague, Nick Hewer, and Karren that has stood by me throughout the | :52:36. | :52:40. | |
episodes over the years. They are very, very good. They get things | :52:40. | :52:47. | |
wrong occasionally, but what can we do? And all the rest of the team at | :52:47. | :52:55. | |
what is now known as Boundless once known as Talk Back Thames and the | :52:55. | :53:05. | |
:53:05. | :53:10. | ||
BBC. Thank you, BAFTA, for this great award. | :53:10. | :53:12. | |
APPLAUSE Well done to them and thank you, | :53:12. | :53:18. | |
Tom and Suranne. Now it's time to remember those members of our | :53:19. | :53:28. | |
:53:29. | :53:31. | ||
profession and industry whom sadly we have lost this past year. | :53:31. | :53:33. | |
Irreplaceable as friends, colleagues, peers and betters, they | :53:33. | :53:38. | |
are, and will always be greatly missed. My idea of happiness is to | :53:38. | :53:45. | |
sit in a hot garden all day knowing the person I love will come home to | :53:45. | :53:55. | |
:53:55. | :54:04. | ||
Evening. Here we have another word and Frank | :54:04. | :54:14. | |
:54:14. | :54:26. | ||
I like that riding a horse through the newsroom when they are not | :54:26. | :54:30. | |
looking is a wild idea. If you have any wild ideas of your own that you | :54:30. | :54:40. | |
:54:40. | :54:50. | ||
Hissle while you work. Your name will also go on the list. What is | :54:50. | :54:58. | |
Well, I have just been thinking, I hope I look as good as you when I'm | :54:58. | :55:04. | |
your age Well, think harder and perhaps you | :55:04. | :55:09. | |
will remember if you are. I arrest you for kidnap, ago | :55:09. | :55:18. | |
gravated -- ago -- aggravated assault and manslaughter | :55:18. | :55:28. | |
:55:28. | :55:54. | ||
Listen, just one more thing. I know you don't agree, but at least I've | :55:54. | :56:01. | |
convinced my sue per my superiors that Jennifer was murdered. It is | :56:01. | :56:06. | |
funny, isn't it? But after a while, it doesn't seem real. You don't | :56:06. | :56:16. | |
:56:16. | :56:55. | ||
think if you reached up to touch it, The Specialist Factual Award is | :56:55. | :57:05. | |
:57:05. | :57:24. | ||
given to honour of Huw Wheldon. The Please welcome Kayvan Novak and | :57:24. | :57:34. | |
:57:34. | :57:35. | ||
Sofie Grabol. Good evening. Hello. LAUGHTER | :57:35. | :57:41. | |
Don't worry about it. Good evening. I said that. The nominations for - | :57:41. | :57:44. | |
shush. Back a bit. Back a bit. LAUGHTER | :57:44. | :57:49. | |
Thank you. The nominations for Special Factual are programmes that | :57:49. | :57:55. | |
are entertaining, but also are so informative that you can enjoy them | :57:55. | :58:05. | |
:58:05. | :58:08. | ||
completely without guilt. LAUGHTER | :58:08. | :58:11. | |
Sorry, I thought it was subtitled. It is not. These programmes | :58:11. | :58:14. | |
contained some of the most stunning images that television viewers have | :58:14. | :58:20. | |
seen. They are all painstakingly researched, lovingly put together | :58:20. | :58:24. | |
and they can only exist because of the incredible passion of the | :58:24. | :58:28. | |
people who make them. Very good. | :58:28. | :58:38. | |
:58:38. | :58:42. | ||
British Masters. The early years, when new challenges, new | :58:42. | :58:47. | |
technologies, and new conflicts shattered all our certainties, they | :58:47. | :58:57. | |
:58:57. | :58:58. | ||
taught us how to survive in the No bird is more at home in water | :58:58. | :59:08. | |
:59:08. | :59:13. | ||
Penguins are found only in the Southern Hemisphere, they can't fly, | :59:13. | :59:23. | |
:59:23. | :59:24. | ||
but they don't need to. There are no polar bears here. | :59:24. | :59:31. | |
This is mummification, but in a new An ordinary man makes possible an | :59:31. | :59:39. | |
extraordinary experiment. Alan, from Torquay, will be | :59:39. | :59:46. | |
mummified like an Egyptian king of This film is about the stuff that | :59:46. | :59:53. | |
makes us and where it all came from. Because understanding our own | :59:53. | :00:03. | |
:00:03. | :00:17. | ||
origins means understanding the And the BAFTA goes to - ah, this is | :00:17. | :00:27. | |
:00:27. | :00:59. | ||
APPLAUSE I've got a bit of a girl crush. | :00:59. | :01:09. | |
:01:09. | :01:10. | ||
Relax! Well, thank you BAFTA. Thank you so | :01:10. | :01:19. | |
much to Channel 4. What's going on? I would really love to thank | :01:19. | :01:25. | |
Stephen and Maxime and the team behind this experiment. It was very | :01:25. | :01:29. | |
brave of them to let the glare of the camera in on such a sensitive | :01:29. | :01:35. | |
experiment. We would not be standing here if it wasn't for Alan | :01:35. | :01:39. | |
Bilis, the taxi driver from Torquay, who volunteered from this and let | :01:39. | :01:43. | |
us all into his lives at an incredibly difficult time and his | :01:43. | :01:50. | |
wife, Jan, who had to hand her body over to me in the hospital, with no | :01:50. | :01:53. | |
certainty of what was going to happen. I am hugely grateful to | :01:53. | :01:58. | |
them. I really wanted them to be here. They have sent a message to | :01:58. | :02:03. | |
say that most of all, Alan wanted to be remembered by his | :02:03. | :02:07. | |
grandchildren. So, tonight his wish is fulfilled. Thank you very much. | :02:07. | :02:17. | |
:02:17. | :02:28. | ||
We come thousand to the Special Award presented in honour of Dennis | :02:28. | :02:38. | |
:02:38. | :02:40. | ||
Potter. We have two fantastic actors. I am | :02:40. | :02:45. | |
more a beef-cake man myself. Please welcome Matt Smith and Benedict | :02:45. | :02:55. | |
:02:55. | :03:05. | ||
Good evening. Well, ladies and gentlemen, with a title as | :03:05. | :03:11. | |
tantalising as a Special Award, the person we are here to celebrate and | :03:11. | :03:19. | |
Lord and praise: He is someone very special. He is grumpy and his | :03:19. | :03:25. | |
scripts are late, because when they arrive, boom, they are brilliant. | :03:25. | :03:34. | |
When they asked to do this the condition was he would have to | :03:34. | :03:39. | |
recite - but from anyone in a read- through with the man known as the | :03:39. | :03:44. | |
Moffinator, you know that is a walk in the park. Is that an impression? | :03:44. | :03:51. | |
Yes. It was. The man is a word machine. He is Holmes. He has the | :03:51. | :03:59. | |
heart of the doctor, well one at least. He his work spans 20 years. | :03:59. | :04:03. | |
His name is a by-word for entertainment. | :04:04. | :04:08. | |
He has more words than he has hair - which is a lot. He is fond of red | :04:08. | :04:14. | |
wine. He doesn't know who the Beatles were. He is love a loving | :04:14. | :04:24. | |
:04:24. | :04:28. | ||
husband to the equally talented, but more beautiful wife Sue Virtue. | :04:28. | :04:34. | |
What can I embarrass him about. Me and the Hoff, but Scottish and pale. | :04:34. | :04:44. | |
:04:44. | :04:48. | ||
He is a bad, but funny dancer. He has a wonderful way of being can | :04:48. | :04:58. | |
tan -- cantankerous. Without any delay - let's look at the master at | :04:58. | :05:02. | |
work. Don't turn your back. Don't look | :05:02. | :05:10. | |
away and don't blink. From the ground-bressing -- ground | :05:10. | :05:15. | |
skaf breaking Press Gang to Sherlock, Steven Moffat has been | :05:15. | :05:20. | |
writing shows for 20 years. He has delighted audiences since day one. | :05:20. | :05:27. | |
I happen to like comedy drama. I happen to like not being | :05:27. | :05:33. | |
categorised. I think it is perfectly acceptable that humour is | :05:33. | :05:38. | |
a part of life. Tell me - why on earth would you want me to sit on | :05:38. | :05:42. | |
one of these? If you pressed it firmly against your bottom, it | :05:42. | :05:49. | |
might stop you talking. Where, generally speaking are a | :05:49. | :05:55. | |
man's brains located at the time of conception? | :05:55. | :06:02. | |
Now there is an idea. Drugs can kill you. What a headline. Next | :06:02. | :06:10. | |
week, high it's bad to fall off tall buildings! | :06:10. | :06:19. | |
He owes his programme Press Gang to his father. Has anyone told you | :06:19. | :06:28. | |
have a wonderful vocab. He has funny characters, about funny | :06:28. | :06:33. | |
relationships, Chalk and Coupling. The truth, for once, don't tell a | :06:33. | :06:40. | |
stupid lie. I've got a wooden leg. In 2005, | :06:40. | :06:45. | |
Stephen realised a life-long ambition, joining the writing team | :06:45. | :06:55. | |
of the new-look Dr Who. Don't you get tired of doctor? Nine centuries, | :06:55. | :07:01. | |
in I am coping. Trust a time traveller. Something big is coming. | :07:01. | :07:07. | |
The pair brought Sherlock hopls into the 21st century. -- Holmes | :07:07. | :07:12. | |
into the 21st century. It is going to safe the world. I don't know how | :07:12. | :07:16. | |
it can be true. When a fictional character starts to keep secrets | :07:16. | :07:21. | |
from the writer, that is when that character becomes real. You have to | :07:21. | :07:27. | |
admit, that is sexy. How do you get to be so clever? Give reasons for | :07:27. | :07:37. | |
:07:37. | :07:47. | ||
people not to turn off. Ladies and gentlemen, it gives us | :07:47. | :07:53. | |
great pleasure to announce the winner of this year's BAFTA for | :07:53. | :07:58. | |
Special Award goes to Mr Steven Moffat. | :07:58. | :08:08. | |
:08:08. | :08:34. | ||
Sherlock Holmes and Dr Who, giving me an award - that is brilliant. | :08:34. | :08:39. | |
That's all I need to say. When I was first told about this, I start | :08:39. | :08:42. | |
getting interviews because it was announced a short while ago. The | :08:42. | :08:45. | |
first interview I got, the interviewer asked me the best | :08:45. | :08:50. | |
question about this award. He said, wouldn't you rather win a proper | :08:50. | :08:56. | |
BAFTA? To which I entirely failed to reply, | :08:56. | :09:01. | |
no, this is, when I got that letter simply the proudest letter. When I | :09:01. | :09:07. | |
got that letter, I showed it to my son. I couldn't make out that | :09:08. | :09:12. | |
Dennis Potter and me were on the same page. It's a proper, big award. | :09:13. | :09:19. | |
I'm a real writer. I am so inadequate to this award. There are | :09:19. | :09:28. | |
more than the usual number of people to skip. Sandra Hasteing, | :09:28. | :09:34. | |
Ben Stevenson. On Dr Who it was Pearce and Beth, who carried me | :09:34. | :09:42. | |
through the first two years. The thankless task has passed to | :09:42. | :09:48. | |
Skinner. I can memtion my brilliant friend | :09:48. | :09:52. | |
and brilliant collaborator, and in the words of Doyle himself, the | :09:52. | :10:01. | |
best and wiseest man I have ever known, Mark Gettis. | :10:01. | :10:10. | |
APPLAUSE In many ways the least sung, but | :10:10. | :10:17. | |
most deserving hero of Sherlock, the woman, the producer, Sue Virtue, | :10:17. | :10:23. | |
the best and wiseest woman I have ever married. | :10:23. | :10:33. | |
:10:33. | :10:39. | ||
APPLAUSE Thank you all. Thank you BAFTA for | :10:39. | :10:49. | |
:10:49. | :10:53. | ||
APPLAUSE Still to come, we will find out who | :10:53. | :10:59. | |
will carry off the BAFTA for Leading Actor and Leading Actor. | :10:59. | :11:05. | |
And the Fellowship. We go towards the BAFTA for Mini Series. A man | :11:05. | :11:11. | |
who is a BAFTA winner and a decent dapbt of William the Conqueror. | :11:11. | :11:20. | |
With me in the heart of many men, maybe not when dressed as a nun in | :11:20. | :11:22. | |
Call the Midwife, please welcome Jenny Agutter and Alexander | :11:22. | :11:32. | |
:11:32. | :11:38. | ||
Armstrong. This is very exciting. I am so | :11:38. | :11:48. | |
delighted to be here. It's wonderful. It's very posh and | :11:48. | :11:55. | |
lovely to be standing next to one of my all-time favourite actors - | :11:55. | :12:05. | |
:12:05. | :12:08. | ||
definitely my favourite Agutter. Jenny, a great honour. Thank you, | :12:08. | :12:17. | |
Alister. I loved you in Death in Paradise. Yes, that's Ben Miller. | :12:17. | :12:22. | |
I'm the pointless one. Don't be so hard on yourself. You could get | :12:22. | :12:32. | |
:12:32. | :12:33. | ||
better with age. Some do. Now, read your lines and : | :12:33. | :12:40. | |
nominations in this category are all from strong series, brilliantly | :12:40. | :12:50. | |
:12:50. | :12:58. | ||
written and superbly acted. Let's You have to come to hospital with | :12:58. | :13:08. | |
:13:08. | :13:14. | ||
It's Lol. She's took an overdose. You might want to wander over there | :13:15. | :13:24. | |
:13:25. | :13:30. | ||
too, Janet. Ja why Old time's sake. What's so -- Why old time's sake? | :13:30. | :13:40. | |
:13:40. | :13:43. | ||
It's cool this time. If you want to be doing business, | :13:43. | :13:53. | |
:13:53. | :14:00. | ||
What a pleasure to see you again and so soon. I have brought you | :14:00. | :14:05. | |
something. Really? Something I forgot to give you last time. | :14:05. | :14:15. | |
:14:15. | :14:16. | ||
spoil me. And the BAFTA goes to This is | :14:16. | :14:24. | |
England '88. Shane Meadows, Jack Thorne, Mark | :14:24. | :14:34. | |
:14:34. | :15:03. | ||
Thank you. Overwhelmed. Some amazing competition. We're going to | :15:03. | :15:10. | |
wake-up with hair tomorrow! Anyway, I would like to thank | :15:10. | :15:16. | |
everyone involved. Especially Channel 4, the best executives ever. | :15:17. | :15:26. | |
:15:27. | :15:42. | ||
I hand you over to Shane. He has put so much into this. Thank you. | :15:42. | :15:43. | |
APPLAUSE I swear somebody told me who deal | :15:43. | :15:46. | |
with the publicity when you come into events, if nobody takes your | :15:46. | :15:48. | |
photograph, you can get pierced because you're not going win | :15:48. | :15:53. | |
anything. I didn't get a palaroid or a fan or anything. They brought | :15:53. | :15:59. | |
us in here and I didn't get drunk. This is incredibly special. I have | :15:59. | :16:04. | |
my film family and my real family and where this is England, we get a | :16:04. | :16:11. | |
summer holiday once a year or every few years and it is like going back | :16:11. | :16:16. | |
to school and I go back to my wife who gets the dreg of a human being | :16:16. | :16:23. | |
and I want to thank them. I love you all, very, very much. Thank you | :16:23. | :16:33. | |
:16:33. | :16:46. | ||
so much. APPLAUSE | :16:46. | :16:47. | |
The next category is for Entertainment Programme. Her | :16:47. | :16:57. | |
character Becky jetted off to a new life in Barbados. Katherine Kelly | :16:57. | :17:07. | |
:17:07. | :17:14. | ||
and Jeremy Piven. Oh it is such a privilege to be | :17:14. | :17:17. | |
here this evening. Are you having a good night? I am having an amazing | :17:17. | :17:23. | |
time. I have been influenced so much by British culture. Katherine | :17:23. | :17:27. | |
is wearing six inch heels. I am not four foot eleven. | :17:27. | :17:28. | |
And you are sporting a lovely peered. | :17:28. | :17:31. | |
Thank you. I pushed it out in three hours! | :17:31. | :17:41. | |
:17:41. | :17:45. | ||
For a show that we're doing together called Mr Mr Mr Selfridge. | :17:45. | :17:55. | |
:17:55. | :18:17. | ||
This is about us... I think maybe In a few minutes we'll discover | :18:17. | :18:21. | |
whether Chris is prepared to assassinate Stephen Fry after being | :18:21. | :18:26. | |
subjected to hypnotic techniques similar to those that Robert | :18:27. | :18:36. | |
:18:37. | :18:37. | ||
Kennedy's assas assassin and others claim were used on them by the CIA. | :18:37. | :18:41. | |
Jamie was back from his Spanish holiday suitably tanned. | :18:41. | :18:46. | |
Do you want want to see my white bits? I don't even want to see your | :18:46. | :18:56. | |
:18:56. | :18:57. | ||
The people who manage to maintain their glasses on their forehead. | :18:57. | :19:07. | |
How cool are these? They have magnificent eyebrow control. | :19:07. | :19:17. | |
:19:17. | :19:33. | ||
Control. "do you want to see the wine list?" "yes, I will." | :19:34. | :19:35. | |
APPLAUSE And the BAFTA for Best | :19:35. | :19:45. | |
:19:45. | :20:00. | ||
Entertainment Programme goes to Goodness me, thank you very much | :20:00. | :20:06. | |
indeed. This is my long-term director here in the black. | :20:06. | :20:10. | |
APPLAUSE My gorgeous fellow, executive. And | :20:11. | :20:15. | |
my co-writer, and this is my lovely team and there will be more at home. | :20:15. | :20:19. | |
Thank you to everybody in the show and to Channel 4 for being | :20:19. | :20:23. | |
amazingly supportive and just a fantastic home for these shows over | :20:23. | :20:31. | |
the years and if I may just briefly dedicate this award to the | :20:31. | :20:33. | |
unwitting subjects of the four experiments without whom I would | :20:34. | :20:41. | |
have nothing to do, so too Chris Coals who assassinated Stephen Fry | :20:41. | :20:48. | |
and Chris Corbitt who was the victim of a cruel game show, to | :20:48. | :20:58. | |
:20:58. | :21:03. | ||
Jodie, who was led to believe he may have killed a man. Thank you. | :21:03. | :21:05. | |
APPLAUSE Our next award is for Female | :21:05. | :21:11. | |
Performance in a Comedy Programme. To present it a funny man, chat | :21:11. | :21:15. | |
shows, voiceovers and films, is there anything this man won't do | :21:15. | :21:25. | |
:21:25. | :21:29. | ||
for money? No, it is it is it is Rob Bryden. | :21:29. | :21:32. | |
Good evening, ladies and gentlemen. I am delighted to be here to | :21:32. | :21:39. | |
present the award for for Female Performance in a Comedy Programme | :21:39. | :21:43. | |
as happens time and time again in this category the nominees are | :21:43. | :21:47. | |
dominated by women! LAUGHTER | :21:47. | :21:57. | |
:21:57. | :22:06. | ||
Go to your room. Go to my room? I'm not going to go | :22:06. | :22:09. | |
to my room. Go to your room. | :22:09. | :22:15. | |
It is not funny. You go to your room? What? But I don't have a room. | :22:15. | :22:21. | |
Exactly. What do you mean? Mum, I'm not going to my room. This is my | :22:21. | :22:31. | |
:22:31. | :22:32. | ||
The dog is fine. You can have trouble without having a dog. | :22:32. | :22:37. | |
Right, yes, good point. You are just here for a bit. | :22:37. | :22:41. | |
Yeah, probably. I have a lot to do, bloody e-mails. | :22:41. | :22:51. | |
Easy, tiger. What do you think you're doing? Sorry, I just thought | :22:51. | :23:00. | |
the curry, buffet, the music... would take more than a �3 chick | :23:00. | :23:10. | |
:23:10. | :23:13. | ||
chicken tikka to get me into bed. Win down the -- wind down the | :23:13. | :23:23. | |
:23:23. | :23:39. | ||
window. Wind down the window. APPLAUSE | :23:39. | :23:42. | |
Well, three of these nominees are about to give the performance of a | :23:42. | :23:47. | |
lifetime! LAUGHTER | :23:47. | :23:52. | |
And I know which ones they are. It is Jennifer Saunders for Absolutely | :23:52. | :24:02. | |
:24:02. | :24:18. | ||
Fabulous. APPLAUSE | :24:18. | :24:21. | |
Well, that was a bit of a shock. Well, thank you for still finding | :24:22. | :24:27. | |
it funny. Female, good. I really wasn't expecting this. So I will | :24:27. | :24:32. | |
make it short and quick. Thank you everyone who works on the show, for | :24:32. | :24:37. | |
Joanna, June, Julia and Jane who put up with a lot of showing off | :24:37. | :24:44. | |
for my part! Hardly bearable and to Mandy our director and to John, the | :24:44. | :24:54. | |
:24:54. | :25:07. | ||
producer and yeah, well, cheers. Thanks a lot. | :25:08. | :25:09. | |
APPLAUSE Now we move on to the only award | :25:09. | :25:12. | |
tonight voted for by the British public, the YouTube Audience Award. | :25:12. | :25:22. | |
:25:22. | :25:28. | ||
We have two people from last year's winning show The Only Way Is Essex. | :25:28. | :25:34. | |
Childs and Derbidge Could easily be the name of a small town | :25:34. | :25:40. | |
auctioneers. In fact they are the surnames of two of the most | :25:40. | :25:45. | |
flamboyant and indeed heavily made up beauticians. | :25:45. | :25:53. | |
Please welcome Amy Child's and Harry Derbridge. It feels so | :25:53. | :25:57. | |
natural... What's that, babe? BAFTAs. | :25:57. | :26:03. | |
It is nice to be at something posh It is sort of quaint, ain't it | :26:03. | :26:06. | |
babes? It is quaint. The sort of thing that you could dress up for, | :26:06. | :26:11. | |
you know what I mean? I mean we haven't dressed up tonight, babe, | :26:12. | :26:16. | |
but we could have? Yeah. Well, if we wanted to. Anyway, | :26:16. | :26:26. | |
:26:26. | :26:30. | ||
It seems that the cubs already see themselves as fearsome hunters, but | :26:30. | :26:33. | |
they are still young enough to accept their mother's discipline. | :26:33. | :26:43. | |
:26:43. | :26:47. | ||
There is no more next week. This is At the end of these two days, just | :26:47. | :26:57. | |
:26:57. | :26:58. | ||
one of these home bakers... Oh god. Will be crowned the Great British | :26:58. | :27:08. | |
:27:08. | :27:11. | ||
We are never playing that again. Why not? Because it is not possible | :27:11. | :27:21. | |
:27:21. | :27:25. | ||
for the victim to have done it What's cricket? It is a game for | :27:25. | :27:28. | |
people fit enough who don't play darts. | :27:28. | :27:37. | |
Is it dangerous? It can because you You have no idea how much I like | :27:37. | :27:47. | |
:27:47. | :27:48. | ||
And today's kids at the very start of adult life. How you do this year | :27:48. | :27:58. | |
:27:58. | :27:59. | ||
will determine what path you take Right, I have just had a look at my | :27:59. | :28:04. | |
so-called room and I would like to call a little house meeting so | :28:04. | :28:11. | |
house meeting. Right, my room, it is squalid. It is small. It's | :28:11. | :28:21. | |
:28:21. | :28:24. | ||
ridiculously small. I mean, is it a APPLAUSE | :28:24. | :28:34. | |
:28:34. | :28:59. | ||
And the award goes to... Celebrity Juice. | :28:59. | :29:01. | |
APPLAUSE Dreams can come true. | :29:01. | :29:11. | |
:29:11. | :29:13. | ||
It is like gabry like Gabriella when she took that patch away. A | :29:13. | :29:18. | |
tongue for an eye. It is not a proper one, it is not gold. I'm | :29:18. | :29:24. | |
chuffed. Thanks to mam and dad, my wife and family and the kids and | :29:24. | :29:28. | |
some of the kids that I don't know that I got, and thanks to me me | :29:28. | :29:33. | |
girlfriend, that's a bit weird, thanks to ITV, thanks to BAFTA. I | :29:33. | :29:39. | |
never knew who BAFTA is. When I say thank you to BAFTA, who is that? | :29:39. | :29:49. | |
:29:49. | :29:52. | ||
Thanks to ITV, thanks to everyone at my at James Grant Management. | :29:52. | :29:58. | |
Thank you To everyone who voted and thank you - no, up here. To watch - | :29:58. | :30:03. | |
- who watched the show every week and watched us mucking around and | :30:03. | :30:09. | |
him talking about boobs and verbally abusing me and you lovely | :30:09. | :30:14. | |
viewers. Thank you to Talk Back and the amazing team. | :30:14. | :30:19. | |
And James Grant as well. I did James Grant. Did I say Moses? | :30:19. | :30:27. | |
Of the religious characters, he was coolest. | :30:27. | :30:37. | |
:30:37. | :30:46. | ||
APPLAUSE Now, time and momentum have | :30:46. | :30:51. | |
propelled us to Male Performance in a Comedy Programme. | :30:51. | :30:56. | |
A lady TV viewers have taken to, she is one of those rare stars who | :30:56. | :31:06. | |
:31:06. | :31:21. | ||
is identified by one name, so So... Hi. I am so delighted to be | :31:21. | :31:29. | |
presented this award, because there is nothing I enjoy more than an | :31:29. | :31:39. | |
:31:39. | :31:41. | ||
exhilarating male performance. Tonight I have been spoilt for | :31:41. | :31:47. | |
choice because of Dara. Take a look at these exhilarating, funny | :31:47. | :31:57. | |
:31:57. | :32:27. | ||
Shoot. Have you seen yourself. is how men walk. | :32:27. | :32:30. | |
What is happening with tonight's activities? I have planned | :32:30. | :32:34. | |
something special. It will be at my house. I should warn you, there may | :32:34. | :32:39. | |
be some nudity. Don't worry, I think you're man | :32:39. | :32:49. | |
:32:49. | :32:56. | ||
enough for it. Get him some new glass, some new | :32:56. | :33:01. | |
hair. A -- glasses. Some new hair. Get a new guy. With the clock, I'll | :33:01. | :33:06. | |
near a clear explanation of how it works. Something Boris can grasp. I | :33:06. | :33:16. | |
:33:16. | :33:27. | ||
Mince pies, mince pies, they cost �2.90 for six. Can you believe | :33:27. | :33:31. | |
that? Mince pies, mince pies, more mince | :33:31. | :33:41. | |
:33:41. | :33:59. | ||
And the BAFTA goes to Darren Boyd. Well done: Thank you. That is | :33:59. | :34:02. | |
ridiculous. Tom Hollander should have won that | :34:02. | :34:08. | |
for that clip alone, because that was hysterical. This is ridiculous, | :34:08. | :34:14. | |
but I'll take it! Hugh and Tom, you know how much of a fan I am of both | :34:14. | :34:21. | |
of you. This is humbling. I have to thank the show for being created | :34:21. | :34:25. | |
and for letting me put one on its feet. Lucy for having the vision to | :34:25. | :34:35. | |
:34:35. | :34:35. | ||
make the show what it is today. Stuart, and Lucy for carving a part | :34:35. | :34:42. | |
in committed programming. Jimmy for at Hat Trick for employing me a lot. | :34:42. | :34:49. | |
And for being an ally. I am not sure about this sing lar | :34:49. | :34:59. | |
:34:59. | :35:02. | ||
performance - Matt, Jude, Dolly, Tom. I am sharing this with you. Hi | :35:02. | :35:09. | |
to my agent. Hi to my mum and dad - I love you. To my wife, Amanda. | :35:09. | :35:15. | |
It's brilliant. Have a great night. Thank you. | :35:15. | :35:25. | |
:35:25. | :35:28. | ||
The next award is for Leading Actress. Here is the man who will | :35:28. | :35:38. | |
play me in the many films they make about my life, Rupert Henry Jones. | :35:38. | :35:48. | |
:35:48. | :35:54. | ||
Good evening. One of the main things that made me | :35:54. | :35:58. | |
want to become an actor and one of the best things about being an | :35:58. | :36:05. | |
actor is actresses. LAUGHTER | :36:05. | :36:09. | |
And these are four phenomenal actresses. | :36:09. | :36:19. | |
:36:19. | :36:22. | ||
You need to tell the police everything. If you have killed and | :36:22. | :36:27. | |
buried other women, they need to know. The girls' families need to | :36:27. | :36:36. | |
know. You say nothing to Mr Ogden or the police. I'm leaving. Please | :36:36. | :36:46. | |
:36:46. | :36:53. | ||
You here drinking my dad's sweet tea, asking about my brother. Don't | :36:53. | :37:03. | |
:37:03. | :37:08. | ||
It was awful the way I spoke to you. It's understandable. You are under | :37:08. | :37:13. | |
a lot of pressure. I need you to know I'm really sorry | :37:13. | :37:23. | |
:37:23. | :37:28. | ||
about that because I didn't - I What did you tell him? I told him | :37:28. | :37:34. | |
that I loved you. How dare he do this! How dare he do | :37:34. | :37:44. | |
:37:44. | :37:49. | ||
APPLAUSE And the BAFTA goes to... Emily | :37:49. | :37:59. | |
:37:59. | :38:22. | ||
Watson. Oh, blimey! I didn't think that | :38:22. | :38:27. | |
would happen. I haven't really thought of what to | :38:27. | :38:32. | |
say, but I suppose what I should say is when I was first told about | :38:32. | :38:36. | |
this programme, I thought I probably shouldn't do it because of | :38:36. | :38:41. | |
the subject matter. Then I read the script. | :38:41. | :38:49. | |
I have to pay tribute to Adrian for his incredibly scrupulous, | :38:49. | :38:54. | |
intelligent, beautiful approach to this dangerous and difficult | :38:54. | :39:01. | |
subject and that goes for all the programme makers, the director, the | :39:01. | :39:06. | |
producers. I have rarely been surrounded by such a company of | :39:06. | :39:11. | |
actors, Dominic - amazing, amazing performance. | :39:11. | :39:19. | |
Wonderful. And Monica and sil ves ta and Robert and an -- Silvesta | :39:19. | :39:22. | |
and Robert and all of you, it was an honour to be in your company. | :39:22. | :39:28. | |
The person I want to thank the most is my husband. And my children and | :39:28. | :39:38. | |
:39:38. | :39:59. | ||
From Leading Actress, we move to Leading Actor. An actress who is | :39:59. | :40:08. | |
mesmerising in whatever she does. My new first choice to play me in | :40:08. | :40:18. | |
:40:18. | :40:29. | ||
I'm delighted to be here to present the BAFTA for Leading Actor. | :40:29. | :40:33. | |
All the nominees have proven their ability to not just perform a role, | :40:33. | :40:37. | |
but to bring it to life. They are among the best of British talent | :40:37. | :40:47. | |
:40:47. | :40:54. | ||
and at the top of their game. Let's Driver is trying to fix his engine. | :40:54. | :41:00. | |
Didn't know that. And the hiker is looking at the sky. | :41:00. | :41:04. | |
Watching the birds. Any moment now, something will | :41:04. | :41:14. | |
:41:14. | :41:22. | ||
happen. What? The hiker's going to You feel the same way. That's | :41:22. | :41:27. | |
completely irrelevant. It's not, you see. You understand how deep my | :41:27. | :41:37. | |
:41:37. | :41:46. | ||
Put your head on my chest. Like we used to. Watch telly. | :41:46. | :41:56. | |
:41:56. | :41:59. | ||
You can't go in there. Did you have me arrested? This is a | :41:59. | :42:03. | |
private meeting. A week ago I was arrested for no reason. Is that | :42:03. | :42:08. | |
down to you? Why would I do that? My father was investigating you | :42:08. | :42:17. | |
when you were a doctor in the 1970s, at GreenLake. | :42:17. | :42:21. | |
-- Green Lake. And the BAFTA is awarded to Dominic | :42:21. | :42:31. | |
:42:31. | :42:50. | ||
West. Even my sister was rooting for | :42:50. | :42:59. | |
Benedict. She is watching now from Spain with eyes full of tears of | :42:59. | :43:06. | |
disappointment. It is an honour to be on a list as the other guys. | :43:06. | :43:09. | |
Also an honour to work with a crew and cast and production team that | :43:09. | :43:15. | |
took on a subject that required incredible sensitivity and judgment | :43:15. | :43:25. | |
:43:25. | :43:30. | ||
and thank you to ITV and all our producers and especially Julian | :43:30. | :43:40. | |
John Garold, our producer and writer. Janet Leech, the | :43:40. | :43:44. | |
Appropriate Adult of the title, when I first met her she said she | :43:44. | :43:47. | |
hoped the film would bring some closure to the misunderstanding of | :43:47. | :43:54. | |
her role in the case and the pain she suffered as a result of it. I | :43:54. | :43:58. | |
hope she has had some closure and at least I hope she feels we | :43:58. | :44:07. | |
honoured the suffering she endured and the suffering of all of the | :44:07. | :44:12. | |
West victims, living and dead. I would also like to thank my agent | :44:12. | :44:18. | |
and my darling wife and kids who brought me back into the light | :44:18. | :44:28. | |
:44:28. | :44:28. | ||
after playing the role. I am slightly wondering, but... The | :44:29. | :44:33. | |
Fred West crimes were essentially about child sexual exploitation and | :44:33. | :44:37. | |
it is a problem that's getting, as we saw recently, is getting a lot | :44:37. | :44:41. | |
worse in this country and the people are trying to do something | :44:41. | :44:46. | |
about it, the NSPCC and Barnardo's, with their campaign, deserve our | :44:46. | :44:53. | |
support because they are not - it's not a subject people want to | :44:53. | :44:57. | |
discuss or raise money for. So I hope one of the functions of drama | :44:57. | :45:02. | |
is to look into the dark side of human nature and its depravity and | :45:02. | :45:08. | |
I hope this film has brought that discussion back out into the open. | :45:08. | :45:12. | |
And that Barnardo's and organisations like that will be | :45:12. | :45:17. | |
supported so we don't get too many more Fred Wests. | :45:17. | :45:27. | |
:45:27. | :45:30. | ||
We have reached, ladies and gentlemen, the final award of the | :45:30. | :45:40. | |
:45:40. | :45:47. | ||
evening. It is the the ultimate acle aid. To To present it, please | :45:47. | :45:57. | |
:45:57. | :46:10. | ||
Just me and this award winner between you and a drink! | :46:10. | :46:11. | |
LAUGHTER The fellowship is the academy's | :46:11. | :46:14. | |
most prestigious award. It is awarded annually to a person who | :46:14. | :46:20. | |
has shown outstanding achievement in their own particular field. This | :46:20. | :46:27. | |
year's fellowship goes to someone who has many fields. Fields and | :46:27. | :46:33. | |
fields of talent. My parents love this man. I love this man. My | :46:33. | :46:40. | |
children love this man. And I know that my children's children will | :46:40. | :46:48. | |
love this man. He is quite simply been a part of all our lives. He is | :46:48. | :46:58. | |
:46:58. | :47:09. | ||
a musician. LAUGHTER | :47:09. | :47:12. | |
Songwriter, rockstar, TV presenter, yes and he is an MBE, CBE, junior | :47:12. | :47:14. | |
backstroke champion, overseas icon and national British treasure. Yes, | :47:14. | :47:18. | |
have you worked out who it is yet? It was the accent that gave it away. | :47:18. | :47:23. | |
No, it isted fact that -- it is the fact that it is in the programme. | :47:23. | :47:28. | |
Before we meet this legend that is Rolf Harris. Let's sample a brief | :47:28. | :47:38. | |
:47:38. | :47:40. | ||
Hi Rolf. Congratulations. The way that you have come across to me, | :47:40. | :47:46. | |
man, is you are a person who is just born to entertain people and | :47:46. | :47:52. | |
that's a gift and it is a blessing and those of us over the years who | :47:52. | :48:02. | |
:48:02. | :48:13. | ||
have been entertained by you have # I have been everywhere # | :48:13. | :48:18. | |
Has anyone told you that you look like that guy off TV... Rolf Harris. | :48:18. | :48:28. | |
:48:28. | :48:34. | ||
When I think of Rolf, I think of him as top of the bill all-round | :48:34. | :48:39. | |
family entertainer. He made something that everyone wanted to | :48:39. | :48:44. | |
Have you worked out what it is yet? A dog. | :48:44. | :48:47. | |
Animals. Is sounds like something you would get the vet in for. | :48:48. | :48:57. | |
:48:58. | :49:13. | ||
Rolf Harris has become one of Britain's most loved artists for | :49:13. | :49:18. | |
the stuff he did for children's television through until the | :49:18. | :49:25. | |
incredible portrait he did of the Queen. He is immensely popular and | :49:25. | :49:32. | |
look how much his canvasses are going for. | :49:32. | :49:41. | |
In 2005, he painted The Queen. Can you remember what you paid for | :49:41. | :49:51. | |
:49:51. | :49:59. | ||
it? �50. # When we were two little boys # | :49:59. | :50:09. | |
:50:09. | :50:16. | ||
That was lovely. Give yourselves a nice big clap. | :50:16. | :50:17. | |
APPLAUSE Ladies and gentlemen, what else can | :50:17. | :50:27. | |
:50:27. | :51:04. | ||
you say, but Rolf Harris? Well, well, thank you so much. | :51:04. | :51:08. | |
That's very moving. I have been sitting so long, my legs wouldn't | :51:09. | :51:15. | |
work when I got up to try and get up the stairs. How nice to be | :51:15. | :51:19. | |
presented with this from you, Robert and to have somebody as you | :51:19. | :51:24. | |
know as a friend to present it to you, is just the icing on the cake, | :51:24. | :51:30. | |
thank you very much. Thanks, Dara. I was going to say | :51:30. | :51:34. | |
could you tell what it is yet? No, perhaps I won't! | :51:34. | :51:44. | |
:51:44. | :51:45. | ||
I can't begin to tell you just how humbled I am by being here and in | :51:45. | :51:51. | |
this distinguished company. So many previous recipients of this BAFTA | :51:51. | :51:56. | |
Fellowship, I can't believe it. How amazing it is to discover that what | :51:56. | :52:02. | |
you love doing most can become your career, if you are as lucky as I've | :52:02. | :52:09. | |
been. When I was a kid, my dad told me that his father, that was my | :52:09. | :52:15. | |
granddad, who is a Welsh portrait painter, he said to all his sons, | :52:15. | :52:20. | |
he said, "Don't, whatever you do, do what I do. You will never make a | :52:20. | :52:26. | |
descent living. Get a proper job." Well, you will always be broke. | :52:26. | :52:32. | |
That was his advice. Well, I came over here to study art, I ran out | :52:32. | :52:42. | |
:52:42. | :52:44. | ||
of money instantly, gone. And I did an audition, quite a scary audition, | :52:44. | :52:54. | |
:52:54. | :52:55. | ||
because the chap who was doing the audition was a man called Michael | :52:55. | :53:04. | |
West moor and he had a lady filling stuff and I am from Australia and I | :53:04. | :53:12. | |
am trying to sell an idea for a story about an octopus and a shark | :53:12. | :53:18. | |
which I had written. When you are a kid, you don't know, my only | :53:18. | :53:21. | |
descent selling point was that I could draw quickly when I was | :53:21. | :53:27. | |
talking. I could do the drawings. What did I do, I did all the bloody | :53:27. | :53:33. | |
drawings the night before in a book and he went, "Oh, very good." Could | :53:33. | :53:41. | |
you think out, say a, a five minute story about about six drawings and | :53:41. | :53:47. | |
I said, yes, is this for another audition? And he said no, no, we go | :53:47. | :53:56. | |
to air live on Saturday? I almost only said I only do auditions. He | :53:56. | :54:02. | |
scared the living daylights out of me. My thanks go out to Sir George | :54:02. | :54:07. | |
Martin who recorded all my stuff before The Beatles took him over | :54:07. | :54:11. | |
completely. My thanks to the lovely Lorraine Heggessy who put her job | :54:11. | :54:21. | |
:54:21. | :54:22. | ||
on the line for me with Animal Hospital and to Tina Fletcher, to | :54:22. | :54:30. | |
Danny Cowen, control of the BBC, who now takes care of me, thanks to | :54:30. | :54:37. | |
my brother, Bruce Harris and my manager, thank you all so much and | :54:37. | :54:42. | |
thank you to you, to you the public, you have always been so supportive. | :54:43. | :54:46. | |
It is such a delight and such friends. | :54:46. | :54:56. | |
:54:56. | :54:58. | ||
Thank you. APPLAUSE | :54:58. | :55:04. | |
I've got to say that without you, I would be nowhere. It would never | :55:04. | :55:07. | |
have happened without your reaction to me. You have been so supportive, | :55:07. | :55:12. | |
the general public, just wonderful. Just like friends. But I would like | :55:12. | :55:19. | |
to say a big thanks to my daughter, Bindi and her family and my | :55:19. | :55:27. | |
importantly to my incredible, beautiful wife, my soul mate, Alwin. | :55:27. | :55:36. | |
APPLAUSE I am a very lucky man. Thank you. | :55:36. | :55:46. | |
:55:46. | :55:51. | ||
BAFTA, thank you. Thank you so much. APPLAUSE | :55:51. | :55:58. | |
Ladies and gentlemen, Rolf Harris. APPLAUSE | :55:59. | :56:06. | |
And that is I am afraid, the Arqiva British Academy Television Awards | :56:06. | :56:09. | |
for 2012. Our congratulations to the winners and our special | :56:09. | :56:11. | |
congratulations to those who were nominated, but didn't win because | :56:11. | :56:21. | |
:56:21. | :56:23. | ||
your work was just as good and it is just politics! | :56:23. | :56:24. | |
LAUGHTER From all of us at the Royal | :56:24. | :56:28. | |
Festival Hall and from me, Dara O'Briain, thank you very much. | :56:28. | :56:32. | |
APPLAUSE The awards presented earlier. | :56:33. | :56:37. | |
Is it possible for someone like me or like you to arrange for | :56:37. | :56:39. | |
themselves the death that they want? | :56:39. | :56:49. | |
I would like to thank the BBC for allowing us to tackle this | :56:49. | :56:59. | |
:56:59. | :57:11. | ||
Genuinely, shocked at this. Thank you. There was a television series | :57:11. | :57:21. | |
:57:21. | :57:25. | ||
It is the sort of thing if you are in the room, it can be quite | :57:25. | :57:27. | |
exciting, but... LAUGHTER | :57:27. | :57:29. | |
Watching this at home, I imagine it would be terribly tedious. | :57:29. | :57:32. | |
I would like to thank everybody that worked on the series in front | :57:32. | :57:38. | |
of and behind the camera and to everyone in the BBC and in the | :57:38. | :57:42. | |
broadcasting industry generally who lobbied for us to get another go at | :57:42. | :57:52. | |
it. So thank you very much indeed. There is no hospital here. That has | :57:52. | :57:56. | |
gone. So serious injuries must be flown out with the Japanese defence | :57:56. | :58:01. | |
force. We are grateful to the BAFTA judges, | :58:01. | :58:11. | |
:58:11. | :58:22. | ||
to BAFTA itself and to you and you One of the questions. | :58:22. | :58:27. | |
Thank you very much, this is a huge honour and it is a film of which we | :58:27. | :58:35. | |
13 staff have been suspended from the hospital and patients moved to | :58:36. | :58:40. | |
safety. Tonight, we expose a huge failure at the heart of our system | :58:40. | :58:46. | |
of care. Heavens, we owe this film and this | :58:46. | :58:50. | |
prize to some very brave people. To a psychiatric nurse who risked his | :58:50. | :59:00. | |
career to blow the whistle on Winterbourne View. | :59:00. | :59:04. | |
What has happened? You can't see anything. You can't hear anything | :59:04. | :59:07. | |
because of the helicopter and the helicopter sets off and you are | :59:07. | :59:10. | |
lying there and the dust settles and you are looking around. | :59:10. | :59:17. | |
young soldiers who spoke to us, who gave us their footage, and who | :59:17. | :59:22. | |
allowed us to tell their stories took an enormous risk and this | :59:23. | :59:28. | |
award is for as as much them as it is for us. | :59:28. | :59:34. | |
Paul and Mary will have no idea whose cake is whose. | :59:34. | :59:39. | |
Well. There is a lady that mistook me for the wine waiter and I will | :59:39. | :59:43. |