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Previously on the Celebrity Apprentice... | 0:00:00 | 0:00:03 | |
Sharon Osbourne grew tired of tenacity. | 0:00:03 | 0:00:06 | |
It's not a sweet victory. | 0:00:06 | 0:00:07 | |
I don't like the dynamic of what's going down with the women. | 0:00:07 | 0:00:10 | |
But, with only Bret Michaels | 0:00:10 | 0:00:12 | |
and Curtis Stone left on the men's team, Trump made a surprise move. | 0:00:12 | 0:00:16 | |
Rocksolid, you've hit rock bottom. | 0:00:17 | 0:00:19 | |
Curtis, Maria, Sharon, switch up right now. | 0:00:19 | 0:00:22 | |
Then, the new teams were tasked with creating | 0:00:22 | 0:00:25 | |
and selling a celebrity workout class... | 0:00:25 | 0:00:27 | |
This is a money-raising task, so call all of your friends | 0:00:27 | 0:00:31 | |
and come down. | 0:00:31 | 0:00:32 | |
As project manager, Sharon, cut loose, | 0:00:32 | 0:00:35 | |
putting the rock in Rocksolid. | 0:00:35 | 0:00:37 | |
Bending over and thrusting. | 0:00:37 | 0:00:38 | |
You know you want to. | 0:00:38 | 0:00:40 | |
Pump up the wiener, pump up the wiener. | 0:00:40 | 0:00:43 | |
When we got the rock and roll theme going, it was like, "Yeah." | 0:00:43 | 0:00:48 | |
Under Holly Robinson Peete's leadership, | 0:00:48 | 0:00:50 | |
the new Tenacity took a conservative approach. | 0:00:50 | 0:00:53 | |
Curtis and I really stepped up to create the exercise, mostly | 0:00:53 | 0:00:56 | |
because we have a lot of experience when it comes to exercising. | 0:00:56 | 0:00:59 | |
When it came time to start the classes, | 0:00:59 | 0:01:01 | |
both teams flexed their rolodexes. | 0:01:01 | 0:01:04 | |
Oh thanks, Nick, the Lady Gaga. | 0:01:05 | 0:01:07 | |
10,000 dollars from Piers Morgan! | 0:01:07 | 0:01:11 | |
But neither project manager was feeling confident. | 0:01:11 | 0:01:15 | |
I desperately need that ten grand, | 0:01:15 | 0:01:16 | |
or else I'm probably not going to win this. | 0:01:16 | 0:01:18 | |
I just kept thinking that Sharon was calling, you know, | 0:01:18 | 0:01:20 | |
Sir Elton John and, you know, the Queen of England. | 0:01:20 | 0:01:24 | |
I don't know if I can compete with that. | 0:01:24 | 0:01:26 | |
-I need you to just stand in for people who couldn't be here. -OK. | 0:01:26 | 0:01:29 | |
I'm trying to say politely as possible, | 0:01:29 | 0:01:32 | |
-"Where's that -BLEEP -money? I need your money." | 0:01:32 | 0:01:36 | |
When the totals were counted... | 0:01:36 | 0:01:37 | |
Rocksolid raised 131,803 dollars. | 0:01:37 | 0:01:41 | |
Wow. Don, tell me. | 0:01:41 | 0:01:44 | |
They raised 206,090 dollars. | 0:01:44 | 0:01:49 | |
BLEEP | 0:01:49 | 0:01:50 | |
347,893 dollars, Holly. | 0:01:50 | 0:01:54 | |
Holly proved the strongest of all, | 0:01:54 | 0:01:56 | |
winning the most money for a single task in Apprentice history. | 0:01:56 | 0:02:00 | |
-Can I just say... -Yes. -I'm going to be cutting, directly, | 0:02:00 | 0:02:04 | |
a cheque to Sharon's charity. | 0:02:04 | 0:02:07 | |
For you, I have to. | 0:02:07 | 0:02:08 | |
But Holly wasn't the only one feeling generous. | 0:02:08 | 0:02:11 | |
I'm not going to fire anybody tonight. | 0:02:11 | 0:02:14 | |
Awesome. Woo! | 0:02:14 | 0:02:16 | |
-Wow, that is a lot of money! -Woo! | 0:02:25 | 0:02:30 | |
-Holly, to your charity, my love. -Thank you babe, cheers. | 0:02:31 | 0:02:35 | |
-Incredible job. -Oh, here you go. -To Holly! | 0:02:35 | 0:02:38 | |
What this amount of money can do for the HollyRod Foundation | 0:02:38 | 0:02:41 | |
is tremendous. | 0:02:41 | 0:02:42 | |
I've been away from my children for a while now, | 0:02:46 | 0:02:49 | |
and to be able to call them and tell them that, you know, | 0:02:49 | 0:02:51 | |
Mommy won all this money, I'm just so proud. | 0:02:51 | 0:02:54 | |
Mr Trump, he brings the jerky in every single time. | 0:02:54 | 0:02:58 | |
I knew it when he said to you, "You've lost," | 0:02:58 | 0:03:00 | |
cos he was winding you up. | 0:03:00 | 0:03:01 | |
And then I knew. | 0:03:01 | 0:03:03 | |
I was just gutted when we found out that we'd lost. | 0:03:03 | 0:03:06 | |
It's a tough pill to swallow. We raised a lot of money. | 0:03:06 | 0:03:10 | |
But, if anybody was going to get it, I'm glad that Holly got it. | 0:03:10 | 0:03:15 | |
But am I pissed? Sure, I'm pissed! | 0:03:15 | 0:03:17 | |
# Money, money, money, money | 0:03:24 | 0:03:27 | |
# Money! | 0:03:27 | 0:03:28 | |
# Money, money, money, money | 0:03:28 | 0:03:31 | |
# Money! | 0:03:31 | 0:03:33 | |
# Some people got to have it | 0:03:33 | 0:03:36 | |
# Ye-eah | 0:03:36 | 0:03:38 | |
# Some people really need it | 0:03:38 | 0:03:42 | |
# Hey, listen to me, y'all | 0:03:42 | 0:03:43 | |
# Do things, do things, do things Bad things with it | 0:03:43 | 0:03:49 | |
# Dollar bills, y'all come on | 0:03:50 | 0:03:53 | |
# That mean, oh mean | 0:03:53 | 0:03:57 | |
# Mean green | 0:03:57 | 0:03:58 | |
# Almighty dollar | 0:03:58 | 0:04:02 | |
# You know that money... | 0:04:02 | 0:04:05 | |
# Give me a nickel, brother Can you spare a dime? | 0:04:05 | 0:04:09 | |
# Money can drive some people out of their minds | 0:04:09 | 0:04:15 | |
# Money, money, money, money... # | 0:04:20 | 0:04:25 | |
Hi. | 0:04:35 | 0:04:36 | |
Oh, I miss you honey! | 0:04:36 | 0:04:39 | |
I saw my husband, who I haven't seen in a long time. | 0:04:39 | 0:04:42 | |
He was a sight for sore eyes, and I just was so happy to see him. | 0:04:42 | 0:04:45 | |
-How are you? -I'm good, I have something to tell you. | 0:04:45 | 0:04:47 | |
Now you're making me nervous. What's going on? | 0:04:47 | 0:04:49 | |
You and I made a family decision that | 0:04:49 | 0:04:51 | |
I would leave for an extended period of time. | 0:04:51 | 0:04:54 | |
But, anyway I mean the whole reason is cos of these kids with autism. | 0:04:54 | 0:04:57 | |
I am so thrilled to be playing for the HollyRod Foundation. | 0:04:57 | 0:05:00 | |
We are raising money to help parents and children affected by autism. | 0:05:00 | 0:05:05 | |
Help them access affordable treatment for their children. | 0:05:05 | 0:05:09 | |
So, I was the project manager of the last task. | 0:05:09 | 0:05:13 | |
And I have something to give you. | 0:05:13 | 0:05:15 | |
This is what I got from this task. | 0:05:16 | 0:05:19 | |
-Open it up. -So, you won? -Just open it up. | 0:05:19 | 0:05:21 | |
Just open it, and just see what it is. | 0:05:21 | 0:05:24 | |
347... | 0:05:24 | 0:05:26 | |
I got to see my wife. | 0:05:28 | 0:05:29 | |
I was so excited to see her. And, I watch the show all the time. | 0:05:29 | 0:05:33 | |
And when she was going to be on I was like, "Great, it's going to | 0:05:33 | 0:05:36 | |
"raise money for HollyRod." | 0:05:36 | 0:05:37 | |
But never in my wildest dreams did I think it was going to be | 0:05:37 | 0:05:40 | |
347,000. So, I'm ecstatic right now. | 0:05:40 | 0:05:42 | |
-OK, I have a little surprise for you, too. -What? | 0:05:42 | 0:05:44 | |
I know you've been gone a long time, but... | 0:05:44 | 0:05:46 | |
Hello, sister! | 0:05:46 | 0:05:48 | |
Ah! | 0:05:48 | 0:05:51 | |
That Rodney Peete, he's always surprising me. | 0:05:51 | 0:05:53 | |
Just when I think I'm surprising him, he surprises me. | 0:05:53 | 0:05:56 | |
We've been one-upping each other for our whole marriage. | 0:05:56 | 0:05:59 | |
-Hi, Mom. -Hi, Rodney. | 0:05:59 | 0:06:02 | |
Oh, my God, you guys, I'm so glad to see you! | 0:06:02 | 0:06:04 | |
I miss you guys so much! You happy to see me? | 0:06:04 | 0:06:07 | |
-I want to stay here. -You want to stay with mom? | 0:06:07 | 0:06:09 | |
I started the HollyRod Foundation because, | 0:06:09 | 0:06:11 | |
all of a sudden, out of nowhere, | 0:06:11 | 0:06:12 | |
we get this devastating diagnosis of autism for our oldest son. | 0:06:12 | 0:06:15 | |
It just brought us to our knees, literally, as a family. | 0:06:15 | 0:06:18 | |
-347,893 dollars... -For HollyRod. -...for HollyRod. | 0:06:18 | 0:06:25 | |
So many parents are out there with children with autism | 0:06:25 | 0:06:28 | |
and they don't even have an opportunity or way to treat them. | 0:06:28 | 0:06:31 | |
With 347,000, there's so much we can do, there's so many people | 0:06:31 | 0:06:36 | |
with autism that we can help and families that we can assist. | 0:06:36 | 0:06:38 | |
It was just like a dream come true. | 0:06:38 | 0:06:40 | |
It was probably one of the best days of my life. | 0:06:40 | 0:06:43 | |
-Good morning. -Good morning. | 0:06:58 | 0:07:00 | |
We're standing in the ballroom of Trump Soho, just opening. | 0:07:00 | 0:07:05 | |
This is the last room we have to complete, | 0:07:05 | 0:07:08 | |
and we're very excited about it. | 0:07:08 | 0:07:10 | |
Now, to my left are two great executives, Jim Abrams | 0:07:10 | 0:07:13 | |
and John Young. | 0:07:13 | 0:07:15 | |
They're with Clockwork Home Services. | 0:07:15 | 0:07:17 | |
Tell us about your company. | 0:07:17 | 0:07:19 | |
We're the parent company to three great brands. | 0:07:19 | 0:07:22 | |
Benjamin Franklin, The Punctual Plumber, | 0:07:22 | 0:07:24 | |
One Hour Heating And Air Conditioning | 0:07:24 | 0:07:26 | |
and Mister Sparky, America's On-Time Electrician. | 0:07:26 | 0:07:29 | |
As the co-founders of the company, we made a commitment to build | 0:07:29 | 0:07:33 | |
the world's largest home services company. | 0:07:33 | 0:07:36 | |
And you can help us achieve that goal by creating three | 0:07:36 | 0:07:40 | |
radio commercials, one for each brand. | 0:07:40 | 0:07:43 | |
You're going to be judged on your originality, | 0:07:43 | 0:07:46 | |
the brand integration, and, live performance of the commercials. | 0:07:46 | 0:07:50 | |
All right, pick you project managers, please. | 0:07:50 | 0:07:53 | |
-Summer, you want it? You do? -You want it? | 0:07:53 | 0:07:56 | |
-What do you think? -I think you should do it. | 0:07:56 | 0:07:58 | |
You want me to do it? | 0:07:58 | 0:08:00 | |
-OK, Sharon, who's your project manager? -Bret. | 0:08:00 | 0:08:03 | |
-That would be me. -Really? Wow. | 0:08:03 | 0:08:05 | |
It'll be tough for me cos on time is not my speciality. | 0:08:05 | 0:08:07 | |
-That's true. You've proven that. -I'm going to fix that. | 0:08:07 | 0:08:10 | |
This is not a man that knows about time, fellas. | 0:08:10 | 0:08:12 | |
He could not work for Clockwork. | 0:08:12 | 0:08:15 | |
As soon as Mr Trump presented the task, I felt that I could do this. | 0:08:15 | 0:08:18 | |
I could be project manager. | 0:08:18 | 0:08:20 | |
Singing jingles in a studio, what could possibly go wrong? | 0:08:20 | 0:08:23 | |
-Holly, who's your project manager? -Summer Sanders. -I am. | 0:08:23 | 0:08:26 | |
Very solid player. In fact, she could work for you. | 0:08:26 | 0:08:29 | |
I don't know why I volunteered to be project manager. | 0:08:29 | 0:08:32 | |
I have no experience with recording studios and stuff like that. | 0:08:32 | 0:08:36 | |
But, I've got Cyndi Lauper, obviously proven artist. | 0:08:36 | 0:08:39 | |
Holly Robinson Peete started out as a singer and actress. | 0:08:39 | 0:08:42 | |
So, I knew I had a great support system. | 0:08:42 | 0:08:45 | |
The project manager of the winning team will get | 0:08:45 | 0:08:48 | |
20,000 dollars for your charity. | 0:08:48 | 0:08:51 | |
Mr Trump we'd like to add an additional 20,000 dollars | 0:08:51 | 0:08:54 | |
and match that for this charity. | 0:08:54 | 0:08:56 | |
You heard that. 40,000 dollars. | 0:08:56 | 0:08:59 | |
Yes. | 0:08:59 | 0:09:01 | |
You all escaped at the last boardroom. | 0:09:01 | 0:09:04 | |
I promise you, somebody will be fired at the next boardroom. | 0:09:04 | 0:09:08 | |
And, it could be two. | 0:09:08 | 0:09:10 | |
Whenever you get a free ride from Mr Trump, | 0:09:10 | 0:09:12 | |
there's something waiting on the other end. | 0:09:12 | 0:09:14 | |
So, we're all a little concerned that two of us | 0:09:14 | 0:09:16 | |
are going to get fired at some point. | 0:09:16 | 0:09:18 | |
Now, to my right is Eric Trump. | 0:09:18 | 0:09:21 | |
Eric is my third child, he's a Georgetown graduate, | 0:09:21 | 0:09:24 | |
and he's here for the very first time. | 0:09:24 | 0:09:27 | |
Eric and Ivanka will be my eyes and ears. | 0:09:27 | 0:09:30 | |
Well listen, go out, do a great job. | 0:09:30 | 0:09:33 | |
40,000 dollars to the winning project manager. | 0:09:33 | 0:09:36 | |
-Sounds good to me. -Yes. -Thank you. -Thank you. | 0:09:36 | 0:09:39 | |
Thank you. Thank you. | 0:09:39 | 0:09:40 | |
Awesome, let's do it. | 0:09:40 | 0:09:43 | |
All right. So we got to have fun today | 0:09:48 | 0:09:51 | |
and just think about each one of these and create each one | 0:09:51 | 0:09:53 | |
-with its own little special twist. -Yup. | 0:09:53 | 0:09:56 | |
I honestly think that we work well as a team | 0:09:56 | 0:09:59 | |
because we're all very rock and roll. We all are very similar. | 0:09:59 | 0:10:04 | |
How about this? | 0:10:04 | 0:10:05 | |
My name's Ben Frank and I'm here to say | 0:10:05 | 0:10:07 | |
You got a problem in your toilet? That's OK | 0:10:07 | 0:10:10 | |
Cos I can plunge it out. | 0:10:10 | 0:10:12 | |
For One Hour Air Conditioning And Heating, | 0:10:12 | 0:10:15 | |
"I'm freezing. Help me!" | 0:10:15 | 0:10:17 | |
"I'm freezing and I can't get up!" | 0:10:17 | 0:10:20 | |
-Yes, "I'm freezing and I can't get up." -Baby, I got your hour power. | 0:10:20 | 0:10:23 | |
Let me warm you with this. | 0:10:23 | 0:10:25 | |
On the way over in the van ride, Sharon, Maria and I were losing it. | 0:10:32 | 0:10:36 | |
I mean, we were completely perving out. | 0:10:36 | 0:10:38 | |
Can I suck your plunger Mister Franklin? | 0:10:38 | 0:10:41 | |
Oh, Mister Franklin, can I suck your plunger? | 0:10:41 | 0:10:46 | |
Sharon is funny because sometimes she is completely out there. | 0:10:46 | 0:10:50 | |
I mean, says stuff that blows my mind, | 0:10:50 | 0:10:54 | |
and I thought I've heard it all, right? | 0:10:54 | 0:10:55 | |
-Have you been -BLEEP -up a storm? | 0:10:55 | 0:10:58 | |
Have you got the poops? | 0:10:58 | 0:11:00 | |
FARTING NOISES | 0:11:05 | 0:11:08 | |
No, as you're dialling the number, you know, you can hear farting. | 0:11:08 | 0:11:12 | |
-100. -Wait, wait. | 0:11:12 | 0:11:14 | |
Our job is to create three radio commercials. | 0:11:25 | 0:11:28 | |
My main concern is, if it's funny, it makes them listen. | 0:11:28 | 0:11:33 | |
So that's what I was thinking. | 0:11:33 | 0:11:35 | |
They may, but you know, you never know. I learned that the hard way. | 0:11:35 | 0:11:37 | |
The task is to create three | 0:11:37 | 0:11:39 | |
30-second radio spots for Clockwork Home Services. | 0:11:39 | 0:11:42 | |
I think the task is very exciting. It's creative, it's fun, | 0:11:42 | 0:11:45 | |
and I think everyone of us can bring a little something to it. | 0:11:45 | 0:11:49 | |
Can I just go through like a few tasks, right away? | 0:11:49 | 0:11:52 | |
Cyndi, I want you to do, like, the lyrics and the music | 0:11:52 | 0:11:55 | |
-and we come up with the jingle. -Yeah. | 0:11:55 | 0:11:57 | |
So in this task, Cyndi will play a very important role. | 0:11:57 | 0:12:01 | |
Cyndi is extremely creative, but all over the place. | 0:12:01 | 0:12:05 | |
That's why it's so important for me to keep Cyndi focused. | 0:12:05 | 0:12:08 | |
I would like to do a voiceover and a jingle. | 0:12:08 | 0:12:11 | |
So, maybe you have a voiceover in one of them, | 0:12:11 | 0:12:13 | |
-and a jingle in another. -Yeah, yeah, yeah. | 0:12:13 | 0:12:15 | |
You know, I don't have a problem doing a jingle either. So... | 0:12:15 | 0:12:18 | |
-OK, good. -OK, great. | 0:12:18 | 0:12:19 | |
Cyndi wants to grasp things in her own language. | 0:12:19 | 0:12:21 | |
She sort of marches to her own music. | 0:12:21 | 0:12:25 | |
But, let me tell you something about Cyndi, Cyndi is a creative mind | 0:12:25 | 0:12:28 | |
and creative minds are wired differently. | 0:12:28 | 0:12:30 | |
The key is how Summer manages Cyndi. | 0:12:30 | 0:12:33 | |
-You know what I mean? -Yeah. | 0:12:40 | 0:12:41 | |
Make sure we got everything. | 0:12:47 | 0:12:49 | |
Thank you, Maria-licious. | 0:12:50 | 0:12:52 | |
No problem. | 0:12:52 | 0:12:54 | |
We've got half an hour for our meeting. | 0:12:54 | 0:12:57 | |
Oh, here we go. Look. There's Ben Franklin. | 0:12:57 | 0:13:00 | |
The Punctual Plumber. | 0:13:00 | 0:13:03 | |
On-Time Electrician. | 0:13:03 | 0:13:05 | |
When we first got to rooms at the recording studio, | 0:13:05 | 0:13:08 | |
I realised that we were right across the lobby | 0:13:08 | 0:13:10 | |
from the enemy. | 0:13:10 | 0:13:11 | |
So, I immediately took our posters and huge signs | 0:13:15 | 0:13:19 | |
and moved them into our room. | 0:13:19 | 0:13:20 | |
Yeah, we need those in here. | 0:13:20 | 0:13:22 | |
Please. | 0:13:22 | 0:13:23 | |
Then I accidentally flipped theirs around | 0:13:30 | 0:13:33 | |
so they couldn't see the slogans of the company. | 0:13:33 | 0:13:36 | |
Horrible, horrible man. | 0:13:36 | 0:13:38 | |
How you doing, guys? | 0:13:40 | 0:13:41 | |
-When does our guy come? -Any minute. 10.15 was our time. | 0:13:49 | 0:13:53 | |
-Why, hello. Hi, I'm Holly. -John Young. | 0:13:53 | 0:13:56 | |
Nice to see you, John. | 0:13:56 | 0:13:58 | |
Both Summer and I were excited for the executive meeting. | 0:13:58 | 0:14:00 | |
The executive meetings in these tasks are so key. | 0:14:00 | 0:14:04 | |
I've learned after many tasks to ask specific questions | 0:14:04 | 0:14:08 | |
and watch their body language. | 0:14:08 | 0:14:10 | |
Is humour super important to you? | 0:14:10 | 0:14:13 | |
Or is it more of reality and here's how we work? | 0:14:13 | 0:14:17 | |
I know there's a lot of jokes around plumbers. | 0:14:17 | 0:14:19 | |
-But, you know, these men have families, they have children. -Yeah. | 0:14:19 | 0:14:23 | |
And, their kids are proud of what they do. | 0:14:23 | 0:14:25 | |
So, you know, we represent really a lot of hard-working people | 0:14:25 | 0:14:29 | |
that get in and do things that nobody else wants to do. | 0:14:29 | 0:14:32 | |
Humour at their expense I wouldn't want to see. | 0:14:32 | 0:14:34 | |
'When we got a chance to talk to the executives, | 0:14:34 | 0:14:36 | |
'we pretty much learned that they have very strong values, | 0:14:36 | 0:14:39 | |
'they're really into good service and, most importantly,' | 0:14:39 | 0:14:42 | |
we just knew that we weren't going to push the envelope. | 0:14:42 | 0:14:44 | |
Um... Why Ben Franklin? | 0:14:44 | 0:14:46 | |
Well, Benjamin Franklin's an icon of the country. | 0:14:46 | 0:14:48 | |
And, when he moved from Boston to Philadelphia, | 0:14:48 | 0:14:51 | |
the one thing he took with him was his bathtub. | 0:14:51 | 0:14:53 | |
So, he was thinking plumbing early on. | 0:14:53 | 0:14:55 | |
Because he took a lot of baths in...France. | 0:14:55 | 0:14:59 | |
She is a wealth of knowledge right there. I'm telling you. | 0:15:03 | 0:15:06 | |
It's amazing. | 0:15:06 | 0:15:08 | |
-There was no plumbing there. -Exactly. | 0:15:08 | 0:15:10 | |
He just...there was like buckets of water in a big tub. | 0:15:10 | 0:15:12 | |
-Right. -Early plumbing. | 0:15:12 | 0:15:14 | |
Oh, oh, it is? That's true. | 0:15:14 | 0:15:15 | |
OK, early plumbing. | 0:15:15 | 0:15:17 | |
You know, I saw John Adams on HBO. | 0:15:17 | 0:15:20 | |
Apparently, Ben Franklin enjoyed taking baths | 0:15:20 | 0:15:23 | |
with women and things, you know. | 0:15:23 | 0:15:25 | |
And so, I thought that was funny. | 0:15:25 | 0:15:28 | |
Benjamin Franklin was so key in the revolution that that kind of... | 0:15:28 | 0:15:32 | |
SHE HUMS | 0:15:32 | 0:15:34 | |
..is so... But I don't know if it's ever been used. | 0:15:34 | 0:15:37 | |
'This is my first real time working with Cyndi.' | 0:15:37 | 0:15:39 | |
I think what you need to do with Cyndi is really harness her energy, | 0:15:39 | 0:15:42 | |
and let her excel at what's she's good at. | 0:15:42 | 0:15:44 | |
-I don't have any more questions. -Me neither. -Do you guys? -Thank you so much. -Yeah. | 0:15:44 | 0:15:48 | |
I just want one more time. I remember the old beer commercials. | 0:15:48 | 0:15:51 | |
And then, there's Benjamin Franklin. I think... Oh, well, all right. | 0:15:51 | 0:15:54 | |
But it's nice to know about the tub. | 0:15:54 | 0:15:56 | |
THEY CHUCKLE | 0:15:56 | 0:15:58 | |
-Very good. Awesome. -Thank you very much. | 0:15:58 | 0:16:00 | |
-ALL: Thanks you, guys. -Pleasure to meet you, yeah. | 0:16:00 | 0:16:02 | |
-Very nice to meet you. -Pleasure to meet you. | 0:16:02 | 0:16:05 | |
All I have to say is that their world is going to be rocked | 0:16:05 | 0:16:08 | |
when they go over there to Sharon and Bret. | 0:16:08 | 0:16:10 | |
They're not going to be ready for that. That movie. | 0:16:10 | 0:16:12 | |
'Probably the thing that stuck out the most in the executive meeting | 0:16:12 | 0:16:15 | |
'was that I think it's very key' | 0:16:15 | 0:16:16 | |
for us to not go too far out of the box. | 0:16:16 | 0:16:20 | |
Now, those cats next door in Rocksolid, | 0:16:20 | 0:16:23 | |
they're way too wild for this task. | 0:16:23 | 0:16:25 | |
SHE BLOWS A RASPBERRY | 0:16:25 | 0:16:28 | |
We're going around, and I'm tooting. | 0:16:28 | 0:16:31 | |
HE BLOWS A RASPBERRY | 0:16:31 | 0:16:33 | |
-Here they come. -Hello. | 0:16:34 | 0:16:36 | |
Nice to meet you, I'm Bret. | 0:16:36 | 0:16:37 | |
-Hi there, I'm Maria. -Nice to meet you. | 0:16:37 | 0:16:39 | |
We have lots of great questions. | 0:16:39 | 0:16:41 | |
'When Jim and John came in, the executives from Clockwork,' | 0:16:41 | 0:16:44 | |
I had a gazillion questions. | 0:16:44 | 0:16:45 | |
I wanted to know exactly where they wanted to go, | 0:16:45 | 0:16:48 | |
cos my jingles were getting way too out there. | 0:16:48 | 0:16:50 | |
Are you looking for more of Americana feel, a new ad...? | 0:16:50 | 0:16:53 | |
Right. What we want to do is just grab their mind and say, | 0:16:53 | 0:16:56 | |
"OK, plumbing is Ben Franklin, | 0:16:56 | 0:16:58 | |
"electric's Sparky, and air conditioning is One-Hour." | 0:16:58 | 0:17:01 | |
If we could get that link in their minds so that they, they think, | 0:17:01 | 0:17:04 | |
"This service, this company." | 0:17:04 | 0:17:06 | |
How does humour do in your ads? | 0:17:06 | 0:17:08 | |
Humour is difficult to pull off. | 0:17:08 | 0:17:10 | |
When somebody does hit it, | 0:17:10 | 0:17:13 | |
it's great. | 0:17:13 | 0:17:15 | |
Um... | 0:17:15 | 0:17:16 | |
We don't want to make it where it's offensive humour, | 0:17:16 | 0:17:19 | |
cos that's not what you're looking for. | 0:17:19 | 0:17:21 | |
But, we go out there and then we reel it back in. | 0:17:21 | 0:17:23 | |
The only thing I'd be concerned about is, of course, | 0:17:23 | 0:17:26 | |
plumbers have been kind of the butt of jokes. | 0:17:26 | 0:17:29 | |
THEY CHUCKLE | 0:17:29 | 0:17:31 | |
Humour at their expense, I think, would not be a good thing. | 0:17:31 | 0:17:34 | |
Absolutely. The 800 cash, was that a cash or credit? | 0:17:34 | 0:17:38 | |
-You got cash back... -For Ben Franklin... -For Ben Franklin. -"If it's any delay, it's you we pay." | 0:17:38 | 0:17:42 | |
We pay five dollars for every minute we're late. | 0:17:42 | 0:17:45 | |
The other two services, if we're late, you do not pay for the repair. | 0:17:45 | 0:17:49 | |
Can you imagine a homeowner right now in this economy going, | 0:17:49 | 0:17:51 | |
"If these guys show up late, they're giving me a hundred bucks?" | 0:17:51 | 0:17:54 | |
I'm going to miff my address when you guys come out to my house. | 0:17:54 | 0:17:57 | |
"Yeah, that was 992. Oh, I'm sorry, did I say that wrong?" | 0:17:57 | 0:18:00 | |
THEY LAUGH | 0:18:00 | 0:18:02 | |
'The executives were very corporate. | 0:18:02 | 0:18:04 | |
'They were like as serious as a heart attack.' | 0:18:04 | 0:18:06 | |
There were no laughs coming out of those two. | 0:18:06 | 0:18:09 | |
You know, you want to say, "Lighten up. Lighten up, boys." | 0:18:09 | 0:18:14 | |
Of course, I didn't. | 0:18:14 | 0:18:15 | |
-Thank you for your time, we appreciate it. -Pleasure meeting you. | 0:18:18 | 0:18:21 | |
-Thanks, nice to meet you. -Thank you. -Very nice to meet you. -Nice meeting you. | 0:18:21 | 0:18:24 | |
Thank you. All right. Thanks again, guys. | 0:18:24 | 0:18:26 | |
Oh, this is going to be good. | 0:18:26 | 0:18:28 | |
They'll get rid of the three of us tomorrow. | 0:18:28 | 0:18:30 | |
It's OK. Guys, let's just laugh it off. | 0:18:30 | 0:18:33 | |
THEY LAUGH | 0:18:33 | 0:18:35 | |
Right now, it's about the creative. | 0:18:43 | 0:18:44 | |
So we've got to get the creative, the storyboard basically for each one. | 0:18:44 | 0:18:48 | |
Yeah. OK, so you guys are each doing one of the commercials. | 0:18:48 | 0:18:51 | |
You have Ben Franklin, Punctual Plumber. | 0:18:51 | 0:18:54 | |
And that's yours to work on. | 0:18:54 | 0:18:55 | |
My strategy as project manager was to make sure | 0:18:55 | 0:18:58 | |
that I tasked out each of the commercials. | 0:18:58 | 0:19:01 | |
So I handed Holly a commercial, | 0:19:01 | 0:19:03 | |
I handed Curtis a commercial, | 0:19:03 | 0:19:05 | |
and I handed Cyndi a commercial. And then, I'll make the final approval. | 0:19:05 | 0:19:08 | |
I think it's important to have | 0:19:08 | 0:19:10 | |
some sort of little verbal exchange experience. | 0:19:10 | 0:19:12 | |
-I think it is important to... -Listen. -Yes. | 0:19:12 | 0:19:14 | |
-A lot of people don't know Ben Franklin was punctual. -Right. | 0:19:14 | 0:19:17 | |
So maybe it's Thomas Jefferson going, | 0:19:17 | 0:19:20 | |
"Oh, Ben...Franklin." | 0:19:20 | 0:19:22 | |
"Yes, Thomas Jefferson," or something, you know. | 0:19:22 | 0:19:25 | |
"We...when will you be ready to go to Paris? | 0:19:25 | 0:19:28 | |
"And I heard you want to take your bathtub." | 0:19:28 | 0:19:31 | |
Maybe that's wrong. Or...or...the, the desk. | 0:19:31 | 0:19:35 | |
-Listen, last time I was project manager... -Yeah. | 0:19:35 | 0:19:38 | |
Um... I got in the boardroom, and I threw you under the bus. | 0:19:38 | 0:19:41 | |
So I want to make sure that I'm 100% clear with you. | 0:19:41 | 0:19:44 | |
I love your creativity. | 0:19:44 | 0:19:46 | |
-All right. -I want you to go for it with your creativity, | 0:19:46 | 0:19:49 | |
but I would love for you to listen. | 0:19:49 | 0:19:51 | |
-I am. -To all of us. -I am. | 0:19:51 | 0:19:52 | |
'Cyndi needs to be told exactly what to do. | 0:19:52 | 0:19:55 | |
'I mean, and honestly, that's the way it works in any business.' | 0:19:55 | 0:19:59 | |
A good manager knows how to manage everyone | 0:19:59 | 0:20:01 | |
the way they need to be managed. | 0:20:01 | 0:20:03 | |
So I just want to be clear up front. | 0:20:03 | 0:20:06 | |
You were not feeling any input from us ladies, | 0:20:06 | 0:20:08 | |
and this is very important that you open yourself up to input on it. | 0:20:08 | 0:20:12 | |
So tell me what my task is exactly. | 0:20:12 | 0:20:15 | |
'I did whatever they asked me to do. | 0:20:15 | 0:20:17 | |
'I wasn't the leader, and even if I was, they don't listen to me. | 0:20:17 | 0:20:21 | |
'They don't listen to anyone. They know everything. | 0:20:21 | 0:20:23 | |
'I get tired of the whole people turning their backs on me.' | 0:20:23 | 0:20:26 | |
-BLEEP -that. I am not in high school any more. | 0:20:26 | 0:20:29 | |
Yeah, OK. | 0:20:29 | 0:20:30 | |
You're going to be a bitch by the end of this thing | 0:20:30 | 0:20:33 | |
if your life depends on it. | 0:20:33 | 0:20:35 | |
No, that was very good. Very clear. | 0:20:35 | 0:20:36 | |
Curtis, this is where our issues came before, | 0:20:36 | 0:20:39 | |
-was that she was just all over the place and couldn't redirect her. -Yeah. -Couldn't focus her. | 0:20:39 | 0:20:42 | |
There's a little bit of a different vibe with Tenacity | 0:20:42 | 0:20:45 | |
than there was with Rocksolid. | 0:20:45 | 0:20:47 | |
We have to be very, very close and keep her... | 0:20:47 | 0:20:51 | |
Yeah, you're right. | 0:20:51 | 0:20:52 | |
'Holly and Summer are very methodical and very disciplined | 0:20:52 | 0:20:55 | |
'in the way they go about their tasks.' | 0:20:55 | 0:20:57 | |
And, let's face it, they can be a little bit bitchy. | 0:20:57 | 0:21:00 | |
You are right. | 0:21:00 | 0:21:01 | |
We've got to come up with the jingle, | 0:21:03 | 0:21:05 | |
and we've got to get the concept down. | 0:21:05 | 0:21:07 | |
We've got to make sure we apply the jingle and the actual work. | 0:21:07 | 0:21:11 | |
We have to create three 30-second live radio spots | 0:21:11 | 0:21:15 | |
for Mister Sparky Electric, Benjamin Franklin Plumbing, | 0:21:15 | 0:21:18 | |
and One Hour Heating And Air Conditioning. | 0:21:18 | 0:21:21 | |
Which one do you want to start on first? | 0:21:21 | 0:21:23 | |
One Hour? | 0:21:23 | 0:21:24 | |
Yes. | 0:21:24 | 0:21:25 | |
Air Conditioning And Heating? | 0:21:25 | 0:21:27 | |
No, "Heating And Air Conditioning." | 0:21:27 | 0:21:29 | |
-No, "Air Conditioning And Heating." -Look at mine. "Heating And Air Conditioning." | 0:21:29 | 0:21:33 | |
-Uh-oh. -All right. What does the yellow folder say? | 0:21:33 | 0:21:36 | |
-"Heating And Air Conditioning." -They did it wrong on that truck. | 0:21:36 | 0:21:39 | |
How dare they?! | 0:21:39 | 0:21:40 | |
One Hour Heating And Air Conditioning is a pain in the ass | 0:21:40 | 0:21:45 | |
because it doesn't flow when you say it. | 0:21:45 | 0:21:50 | |
Their logo is, "Always on time or you don't pay a dime." | 0:21:50 | 0:21:55 | |
What if it was something like... OK. | 0:21:55 | 0:21:58 | |
It's hot out... It's hot outside, can I rely on you? | 0:22:00 | 0:22:03 | |
# Yes, we'll be there I'm feeling cold | 0:22:03 | 0:22:06 | |
# We'll get you some hot air Dun, dun, dun... # | 0:22:06 | 0:22:08 | |
-Cos this is time-consuming, this -BLEEP -jingle. | 0:22:08 | 0:22:11 | |
As a project manager, I wanted all three of us | 0:22:11 | 0:22:13 | |
to work on all three jingles all the time. | 0:22:13 | 0:22:16 | |
'It's also a little bit of what slowed us down.' | 0:22:16 | 0:22:18 | |
-So just go with me here. -Right. Go on, go on. -Here, we've got open it up and have fun. | 0:22:18 | 0:22:22 | |
Bling, bling. One Hour Heating And Air Conditioning, | 0:22:22 | 0:22:24 | |
how can we help you? | 0:22:24 | 0:22:25 | |
My goodness, I'm feeling hot and sticky. | 0:22:25 | 0:22:28 | |
One Hour will be there very quickly. | 0:22:28 | 0:22:30 | |
Like... | 0:22:30 | 0:22:32 | |
-Sticky with my little -BLEEP. | 0:22:32 | 0:22:35 | |
No, just, but it's funny, though. | 0:22:35 | 0:22:37 | |
I'm feeling so hot and sticky, right? | 0:22:37 | 0:22:39 | |
'Bret wanted to do something that sounded a bit sexy.' | 0:22:39 | 0:22:43 | |
But, those executives were very, | 0:22:43 | 0:22:45 | |
very corporate. | 0:22:45 | 0:22:48 | |
Very politically correct. | 0:22:48 | 0:22:50 | |
# One Hour, got the power | 0:22:50 | 0:22:52 | |
# Always on time or you don't pay a dime. # | 0:22:52 | 0:22:54 | |
Boom! | 0:22:54 | 0:22:56 | |
# One Hour Heating And Air Conditioning... # | 0:22:56 | 0:22:59 | |
Uh-oh. | 0:23:00 | 0:23:02 | |
I mean, I'm probably a bit weak in the musical department, | 0:23:02 | 0:23:04 | |
-so in terms of... -Well, Cyndi can help you with that. -Yeah. -And Holly too. | 0:23:04 | 0:23:08 | |
So what Summer did was split up these 30-second commercials. | 0:23:08 | 0:23:11 | |
The first 20 seconds or so would be | 0:23:11 | 0:23:13 | |
some kind of written component. | 0:23:13 | 0:23:15 | |
'And the last ten seconds or so would be a jingle.' | 0:23:15 | 0:23:17 | |
OK, so let's see if I can do this in 20. | 0:23:17 | 0:23:19 | |
One Hour Heating And Air Conditioning, how can we save you time? | 0:23:19 | 0:23:22 | |
I need someone to come out and look at my heater. | 0:23:22 | 0:23:24 | |
Would 4-5pm suit you? | 0:23:24 | 0:23:26 | |
But can you really stick to a time, it's just I've got so much on. | 0:23:26 | 0:23:29 | |
There was a problem with Curtis' radio spot | 0:23:29 | 0:23:32 | |
in that he's from Australia. And so they just have | 0:23:32 | 0:23:35 | |
a different way of speaking. | 0:23:35 | 0:23:37 | |
Not just accent, but like, the words that they use. | 0:23:37 | 0:23:39 | |
-I like the concept. -Beautiful. | 0:23:39 | 0:23:42 | |
Thanks, Curtis. | 0:23:42 | 0:23:43 | |
Yeah. | 0:23:43 | 0:23:44 | |
They're words and things in there that are wrong. | 0:23:46 | 0:23:48 | |
"I've got so much on today," or something. | 0:23:48 | 0:23:50 | |
-He's trying to say, "I got a lot going on." He... It needs to be tweaked. -Uh-huh. You're right. | 0:23:50 | 0:23:54 | |
'I think the weakest player on our team was Curtis.' | 0:23:54 | 0:23:58 | |
He doesn't have the ability to create a jingle. | 0:23:58 | 0:24:00 | |
He was very far, far out of his element. | 0:24:00 | 0:24:03 | |
I'm going to change a few of your words, OK? | 0:24:03 | 0:24:05 | |
-Yeah. -Don't take it personally. | 0:24:05 | 0:24:07 | |
All right, let's move on. | 0:24:17 | 0:24:18 | |
-What's our next one? -Should we do Benjamin? | 0:24:18 | 0:24:21 | |
Absolutely. | 0:24:21 | 0:24:22 | |
OK. So it starts with the ring, ring. | 0:24:22 | 0:24:25 | |
# The Punctual Plumber. # | 0:24:25 | 0:24:27 | |
-And the woman is saying that... -# Oooh. # | 0:24:27 | 0:24:29 | |
-..her pipes are blocked. -Right. | 0:24:29 | 0:24:32 | |
HE CHUCKLES | 0:24:32 | 0:24:33 | |
Or frozen. | 0:24:33 | 0:24:34 | |
'The task today is to produce, | 0:24:34 | 0:24:37 | |
'write, and perform three live radio spots' | 0:24:37 | 0:24:41 | |
for the company that has heating and air conditioning. | 0:24:41 | 0:24:46 | |
And also plumbers and electricians. | 0:24:46 | 0:24:50 | |
Bust it out, Benny. | 0:24:50 | 0:24:51 | |
HE BEATBOXES | 0:24:51 | 0:24:53 | |
And just get like a grove going for Benjamin Franklin Plumbing, yeah. | 0:24:53 | 0:24:58 | |
# Bring it, bring it, bring it. # | 0:24:58 | 0:24:59 | |
Like something that's just... Is that pretty good? Or no? | 0:24:59 | 0:25:03 | |
Just go with me on this. | 0:25:03 | 0:25:05 | |
Ring, ring. Right? | 0:25:05 | 0:25:06 | |
Hi, I'm Ben, the Punctual Plumber from Benjamin Franklin Plumbing. | 0:25:06 | 0:25:09 | |
We plumbers know people crack a lot of jokes at our expense. | 0:25:09 | 0:25:12 | |
What the hell? | 0:25:12 | 0:25:14 | |
We know people like to crack a lot of jokes. | 0:25:14 | 0:25:16 | |
-And he's going to go, "CRACK." -You can't! -I think they won't like it. | 0:25:16 | 0:25:19 | |
'It's a very big risk to put that in the radio spot.' | 0:25:19 | 0:25:23 | |
The executives of the company wanted to avoid | 0:25:23 | 0:25:27 | |
any cheap shots at plumbers. | 0:25:27 | 0:25:29 | |
Plumbers' cracks. You know, plumbers' belly. | 0:25:29 | 0:25:33 | |
You know, the butt crack. All of that. | 0:25:33 | 0:25:35 | |
I'm telling you right now, that's the jingle. | 0:25:35 | 0:25:38 | |
-Oh, they won't like that. -They'll love it. | 0:25:38 | 0:25:41 | |
This is so tough to decide what is too far. | 0:25:41 | 0:25:44 | |
I don't think those people will laugh. | 0:25:44 | 0:25:47 | |
You got to do it. | 0:25:47 | 0:25:48 | |
'Sharon and Maria definitely thought | 0:25:48 | 0:25:51 | |
'there should be no line about the crack in there. | 0:25:51 | 0:25:53 | |
'And I said, "You know what, how about this?' | 0:25:53 | 0:25:55 | |
"You fix a problem by addressing a problem." | 0:25:55 | 0:25:58 | |
I'll take the fall. | 0:25:58 | 0:25:59 | |
'Listen, I've possessed some plumber's crack | 0:25:59 | 0:26:02 | |
'a few times in my life' | 0:26:02 | 0:26:03 | |
and I know how hurtful it is when people made fun of me. | 0:26:03 | 0:26:06 | |
So I try never to make fun of plumber's crack. | 0:26:06 | 0:26:09 | |
It's a serious matter. | 0:26:09 | 0:26:11 | |
I will take the fall on this one. If I'm wrong, it's just good. | 0:26:11 | 0:26:13 | |
I'm telling you, I will not throw you under the bus. | 0:26:13 | 0:26:16 | |
I will take the sword. | 0:26:18 | 0:26:20 | |
OK, so that sucker's done. | 0:26:20 | 0:26:23 | |
Benjamin Franklin Plumbing. On time, every time. | 0:26:23 | 0:26:26 | |
# Just call Ben | 0:26:26 | 0:26:28 | |
# Just call eight, seven, seven Ben, 70, 76. # | 0:26:28 | 0:26:30 | |
Yeah, but can you make it faster? | 0:26:30 | 0:26:33 | |
Like, just call eight, seven, seven, 70... Ben. | 0:26:33 | 0:26:35 | |
Whatever. Can you make it a little faster? | 0:26:35 | 0:26:38 | |
-Oh, yeah. -OK, cool. -You can make anything faster as long as it's clear. | 0:26:38 | 0:26:42 | |
-Yeah, yeah, yeah. Exactly. -That's all right. -So... | 0:26:42 | 0:26:44 | |
'Cyndi started doing jingles.' | 0:26:44 | 0:26:46 | |
And, I knew that Cyndi was going | 0:26:46 | 0:26:47 | |
to need a little help getting her script together, | 0:26:47 | 0:26:50 | |
so I did the creative testimonial for her commercial. | 0:26:50 | 0:26:53 | |
"Benjamin Franklin, the Punctual Plumber. | 0:26:53 | 0:26:55 | |
"I woke up Saturday morning to a flooded bathroom. It couldn't have happened on a worse day. | 0:26:55 | 0:26:59 | |
"20 girls were on their way for my daughter's tenth birthday party. | 0:26:59 | 0:27:02 | |
"I called Benjamin Franklin, the Punctual Plumber, | 0:27:02 | 0:27:04 | |
"and with their 24/7, 365 days-a-year service, | 0:27:04 | 0:27:07 | |
"a skilled and courteous professional was at my door in no time." | 0:27:07 | 0:27:10 | |
It's definitely a challenge fitting stuff into 30 seconds. | 0:27:10 | 0:27:12 | |
But I think it was important for us | 0:27:12 | 0:27:14 | |
to include a lot of the points the executives had brought up. | 0:27:14 | 0:27:17 | |
-Ding! -He gave me straightforward pricing, fixed the leak, | 0:27:17 | 0:27:20 | |
and guaranteed his work for two years. | 0:27:20 | 0:27:22 | |
Oh! The birthday party was a huge success thanks to Benjamin Franklin. | 0:27:22 | 0:27:25 | |
I found a plumber for life. | 0:27:25 | 0:27:26 | |
OK, you're at 40 seconds. That's pushing it. | 0:27:26 | 0:27:29 | |
-It's still long, right? -Yeah. | 0:27:29 | 0:27:30 | |
Yeah, I think it's too much information. | 0:27:30 | 0:27:32 | |
I think the more that we can give people about what makes them different is perfect. | 0:27:32 | 0:27:36 | |
Yeah, I just wonder whether it's a little bit rushed. | 0:27:36 | 0:27:39 | |
And I don't... It doesn't really sink in. | 0:27:39 | 0:27:42 | |
I personally don't think so. | 0:27:42 | 0:27:44 | |
That's the kind of pace that we want. And it's straightforward. | 0:27:44 | 0:27:47 | |
'I think that we were copy heavy. | 0:27:47 | 0:27:49 | |
'I think that we tried to fit in too much information.' | 0:27:49 | 0:27:52 | |
Now, I get it - you're paying for 30 seconds, | 0:27:52 | 0:27:54 | |
you want to utilise every last second. | 0:27:54 | 0:27:56 | |
But, you need to understand the gist of what's being spoken, | 0:27:56 | 0:27:59 | |
not all just blurt it out in a couple of seconds. | 0:27:59 | 0:28:02 | |
You don't have to say "the Punctual Plumber." | 0:28:02 | 0:28:04 | |
It's OK. I'll just have to be fast. | 0:28:04 | 0:28:08 | |
# You're afraid of the dark | 0:28:10 | 0:28:12 | |
# I will give you a spark | 0:28:12 | 0:28:15 | |
# That's why I'm Mister Sparky | 0:28:15 | 0:28:19 | |
# Mister Sparky | 0:28:19 | 0:28:22 | |
# Mister Sparky to the rescue. # | 0:28:22 | 0:28:25 | |
'When I'm working creatively, I'm either listening to music | 0:28:25 | 0:28:28 | |
'or humming the thought process out.' | 0:28:28 | 0:28:32 | |
So, I was listening to every idea that was getting thrown out, | 0:28:32 | 0:28:36 | |
and then I was repeating it back with some kind of tone to it. | 0:28:36 | 0:28:39 | |
# Won't you give me a spark Mister Sparky? | 0:28:39 | 0:28:43 | |
# I'm all alone tonight. # | 0:28:43 | 0:28:45 | |
Never happen. | 0:28:45 | 0:28:46 | |
OK, all right. | 0:28:46 | 0:28:49 | |
We've got to be simplistic. | 0:28:50 | 0:28:52 | |
We're getting too "Ah-ah-ah!" | 0:28:52 | 0:28:54 | |
Maria is literally living out a musical. | 0:28:54 | 0:28:57 | |
I feel like I've fallen into a bad musical right now. | 0:28:57 | 0:28:59 | |
She is singing out everything. And I'm like, "Seriously?" | 0:28:59 | 0:29:03 | |
Sharon and me look at each other we're like, "We need a break. You got to stop, now." | 0:29:03 | 0:29:07 | |
I don't think we want everything to be 1930s. | 0:29:07 | 0:29:09 | |
# That's when he gave me a price | 0:29:09 | 0:29:12 | |
# Please fix my lights, Mister Sparky. # | 0:29:12 | 0:29:16 | |
That's Maria. It's like I keep saying, you know, Maria, | 0:29:16 | 0:29:19 | |
you tell her to shut up. | 0:29:19 | 0:29:20 | |
It's like, she's waterproof. | 0:29:20 | 0:29:22 | |
Maria is waterproof. It doesn't penetrate. | 0:29:22 | 0:29:25 | |
She's like, "Oh, yeah... Aaah!" Back again. | 0:29:25 | 0:29:28 | |
I think we're going to lose it. I think we will, | 0:29:28 | 0:29:30 | |
they'll be like, "What time zone are they living in?" We could be like... | 0:29:30 | 0:29:33 | |
HE IMITATES A HIGH HAT | 0:29:33 | 0:29:35 | |
# 88, 88, Sparky. # | 0:29:35 | 0:29:38 | |
# 88, 88, Sparky... # | 0:29:38 | 0:29:40 | |
Maria! | 0:29:40 | 0:29:42 | |
All right, ready? | 0:29:45 | 0:29:47 | |
Mister Sparky... | 0:29:47 | 0:29:49 | |
Hey, Jen, how is that gorgeous new ceiling fan look in your den? | 0:29:49 | 0:29:52 | |
-It's not up yet. -You bought it a month ago. | 0:29:52 | 0:29:54 | |
Harold insists on installing it himself. | 0:29:54 | 0:29:56 | |
So we're being judged on originality, brand integration, | 0:29:56 | 0:29:59 | |
and the overall performance of the 30-second spot. | 0:29:59 | 0:30:02 | |
# We're on time, you will see or the repair is free. # | 0:30:02 | 0:30:05 | |
Call eight, eight, eight, eight, Sparky. | 0:30:05 | 0:30:07 | |
Straightforward. Typical. | 0:30:07 | 0:30:10 | |
Our scenarios right now are really vanilla. | 0:30:10 | 0:30:12 | |
-Yeah. -We already realise that they're not that original. | 0:30:12 | 0:30:15 | |
-Yeah. -So how would we make it more original? | 0:30:15 | 0:30:17 | |
I guess the way to think more out of the box would be, is to say, | 0:30:17 | 0:30:20 | |
"What's a situation that you've been caught in before | 0:30:20 | 0:30:23 | |
"that would be really embarrassing?" | 0:30:23 | 0:30:25 | |
I think that we should probably be | 0:30:25 | 0:30:27 | |
pushing the envelope a little bit more, being a bit more daring. | 0:30:27 | 0:30:30 | |
I mean, that's why this company's come to Celebrity Apprentice, | 0:30:30 | 0:30:32 | |
to try and get a bunch of celebrities to be really creative. | 0:30:32 | 0:30:35 | |
So, I think we could be a bit more edgy. | 0:30:35 | 0:30:37 | |
See, from a guy's perspective, | 0:30:37 | 0:30:39 | |
you're first thought of a plumber going around to your wife's house | 0:30:39 | 0:30:43 | |
when you're not around, is that he's not just fixing the pipes. | 0:30:43 | 0:30:46 | |
-Yeah. -That's always a joke, right? | 0:30:46 | 0:30:48 | |
It's like, "The kid doesn't look anything like you. What's...?" | 0:30:48 | 0:30:51 | |
-Like the pool boy? -You know, like, "What's going on with... The electrician's got brown eyes." | 0:30:51 | 0:30:56 | |
Well, I have to tell you, the first thing I thought of | 0:30:56 | 0:30:58 | |
was how my husband clogs the toilet on a regular. | 0:30:58 | 0:31:02 | |
HE LAUGHS | 0:31:02 | 0:31:03 | |
-I just don't feel like they're going to think it's funny. -Yeah. | 0:31:03 | 0:31:07 | |
-They said no... -They sorted out our house's pipes. | 0:31:07 | 0:31:09 | |
-I wish they could sort out Johnny's pipes. -Yeah. | 0:31:09 | 0:31:12 | |
HE LAUGHS | 0:31:12 | 0:31:13 | |
-That is not going to work. -That is not going to work. | 0:31:13 | 0:31:16 | |
-A lot of things came to my mind, but... -Yeah. | 0:31:16 | 0:31:19 | |
I don't know, I think we're probably good. | 0:31:19 | 0:31:21 | |
Better off being safe, but that's a call you have to make. | 0:31:21 | 0:31:23 | |
Cos at the moment it's just, like, the most obvious route to market, right? | 0:31:23 | 0:31:27 | |
And bland. And not funny. | 0:31:27 | 0:31:30 | |
Well, do you want to take a vote? | 0:31:30 | 0:31:32 | |
I mean, do we make it edgier? | 0:31:32 | 0:31:34 | |
I'm wondering, these things are so subjective. | 0:31:37 | 0:31:39 | |
So I'm like, originality versus core messaging. | 0:31:39 | 0:31:43 | |
You know what? I think starting out with this straightforward | 0:31:43 | 0:31:46 | |
and to the point is better. | 0:31:46 | 0:31:47 | |
The safe is better. I think it is. | 0:31:47 | 0:31:49 | |
'You know what?' | 0:31:49 | 0:31:51 | |
I just have to stick with my decision. And my gut tells me | 0:31:51 | 0:31:54 | |
that conservative is what the executives want. | 0:31:54 | 0:31:56 | |
We're the safer group. They're probably doing something more outrageous and original. | 0:31:56 | 0:32:00 | |
'Oh, my God, these women were just, you know, very serious.' | 0:32:00 | 0:32:04 | |
Who the hell wants to live in that conservative environment? | 0:32:04 | 0:32:07 | |
It's so uncreative, it's not funny. | 0:32:07 | 0:32:10 | |
I was on the Girls Want To Have No Fun At All Team. | 0:32:10 | 0:32:13 | |
Are we having any fun yet? | 0:32:13 | 0:32:15 | |
HE LAUGHS | 0:32:15 | 0:32:17 | |
Wah-wah... | 0:32:17 | 0:32:18 | |
# Three, three, three Call 88, 88 | 0:32:30 | 0:32:33 | |
# Cos we are never late. # | 0:32:33 | 0:32:36 | |
OK. I just, I want...I want to do it as cool as we can. | 0:32:36 | 0:32:41 | |
And we've got to be straight. | 0:32:41 | 0:32:43 | |
But, let's not go all the way into the makes-me-nauseous world. | 0:32:43 | 0:32:46 | |
You know? You know, you have that cheese factor? | 0:32:46 | 0:32:49 | |
-Yeah, yeah, yeah. -All right. | 0:32:49 | 0:32:51 | |
'Now that we have the creative almost dialled in,' | 0:32:51 | 0:32:53 | |
Cyndi will play a very important role | 0:32:53 | 0:32:55 | |
when it comes to working with the band. | 0:32:55 | 0:32:57 | |
Can I work with you? | 0:32:57 | 0:32:58 | |
'I would have been in over my head | 0:32:58 | 0:33:00 | |
'trying to put together music and bands. | 0:33:00 | 0:33:03 | |
'It was really great to watch her work.' | 0:33:03 | 0:33:06 | |
# For One Hour Heating And Air Conditioning | 0:33:06 | 0:33:09 | |
# Call eight, eight, eight Three, three, three... # | 0:33:09 | 0:33:13 | |
'I was horrified I was writing jingles.' | 0:33:13 | 0:33:16 | |
Especially when I started | 0:33:16 | 0:33:18 | |
doing the One Hour Heating And Air Conditioning. | 0:33:18 | 0:33:21 | |
And I thought, "Oh, my God." | 0:33:21 | 0:33:23 | |
# Call eight, eight, eight Three, three, three | 0:33:23 | 0:33:27 | |
# 88, 88, cos we are never late. # | 0:33:27 | 0:33:30 | |
Yeah. | 0:33:30 | 0:33:32 | |
But, really, it's catchy. | 0:33:32 | 0:33:34 | |
Cyndi, you sound awesome. You guys all sound awesome. | 0:33:34 | 0:33:37 | |
OK, but we've got get that revolution song. | 0:33:37 | 0:33:39 | |
-You going to sing the lead? -Yeah. I'll just sing the lead. | 0:33:39 | 0:33:41 | |
-Yeah, cos I can hear Donald going, "How do you not sing the lead?" -I know, I know. | 0:33:41 | 0:33:45 | |
-"You won this many Grammys..." -I know, I know, I know. | 0:33:45 | 0:33:47 | |
Do you like it? Or do you like it the way it was? | 0:33:47 | 0:33:50 | |
I like it. It's good, it's good. We've got to get this right. | 0:33:50 | 0:33:53 | |
'I really like Cyndi. And everything that she does, I think it's gorgeous.' | 0:33:53 | 0:33:56 | |
She brings great creative energy and passion. | 0:33:56 | 0:33:59 | |
I think you've got shut the click off. Let's play it. You guys... | 0:33:59 | 0:34:01 | |
And, you know, watching her bossing around the vocalists, | 0:34:01 | 0:34:05 | |
and bossing around the sound mixer, I think it's great. | 0:34:05 | 0:34:07 | |
# Three, three, three 88, 88 cos we are never late. # | 0:34:07 | 0:34:11 | |
Done. Next. | 0:34:11 | 0:34:13 | |
Just have to hear it. We've got the track, we'll be OK. | 0:34:13 | 0:34:16 | |
# Ben, Ben, Ben | 0:34:16 | 0:34:18 | |
# Ben, Ben, Ben | 0:34:18 | 0:34:20 | |
# Ben, Ben, Ben | 0:34:20 | 0:34:23 | |
# Ben, Ben, Ben | 0:34:23 | 0:34:25 | |
# Ben, Ben, Benjamin Franklin The Punctual Plumber. # | 0:34:25 | 0:34:29 | |
THEY LAUGH | 0:34:29 | 0:34:30 | |
# Ben, Ben, Benjamin Franklin The Punctual Plumber. # | 0:34:30 | 0:34:33 | |
All right. That was really good. | 0:34:33 | 0:34:36 | |
Hold on one second. | 0:34:36 | 0:34:38 | |
-Hi. -Hello, Ivanka, how are you doing? | 0:34:38 | 0:34:40 | |
-Good, how's it going? -Come on in and join us. You want to sing? | 0:34:40 | 0:34:42 | |
-I do not. -I think you would do well. -And no. It's not that I don't want to sing, | 0:34:42 | 0:34:46 | |
it's that none of you guys want to hear me sing. | 0:34:46 | 0:34:48 | |
What if you just went in there and belted it out? You're like, "Waaa." You just... | 0:34:48 | 0:34:52 | |
-So how you guys feeling? -Good. | 0:34:52 | 0:34:54 | |
-It's nice to lose and still all be here, right? -It's great. | 0:34:54 | 0:34:56 | |
It's like a second lease on life, I'm sure. | 0:34:56 | 0:34:58 | |
For me, it's awesome. | 0:34:58 | 0:35:00 | |
We, uh, we're giving Mister Sparky a whole new life right now. | 0:35:00 | 0:35:02 | |
-Yeah. -Mister Sparky, just they start out, "88, 88, Sparky..." | 0:35:02 | 0:35:06 | |
So you hear a big band feel, right? | 0:35:06 | 0:35:08 | |
Are you singing, or are...? | 0:35:08 | 0:35:09 | |
-No, they're singing for now. -He's doing the voiceover. | 0:35:09 | 0:35:12 | |
And then, I do the voiceovers to bring it all back in | 0:35:12 | 0:35:15 | |
to make sure we actually get what they want across. | 0:35:15 | 0:35:17 | |
But, it's one of those hooks that drives you crazy. | 0:35:17 | 0:35:20 | |
And the other one is, "Hi, I'm Ben, the Punctual Plumber from Benjamin Franklin Plumbing. | 0:35:20 | 0:35:24 | |
"We plumbers know people CRACK a lot of jokes at our expense." | 0:35:24 | 0:35:27 | |
Let me guess, that's a play. | 0:35:27 | 0:35:29 | |
No! | 0:35:29 | 0:35:31 | |
-No! -A minor. -No. | 0:35:31 | 0:35:32 | |
-Minor. -They did not, here's what... -They didn't want that sort of thing. | 0:35:32 | 0:35:36 | |
They told you specifically they don't want jokes made at their expense. | 0:35:36 | 0:35:40 | |
You know, it's a bit of a risk. | 0:35:40 | 0:35:41 | |
'They're fully aware of the fact that the executives do not want them | 0:35:41 | 0:35:44 | |
'making stereotypical jokes about plumbers. | 0:35:44 | 0:35:46 | |
'And yet, they chose to integrate the word "crack" into their jingle.' | 0:35:46 | 0:35:52 | |
So, you know. I don't know that I would have made that same decision. | 0:35:52 | 0:35:56 | |
He's definitely taking a risk. | 0:35:56 | 0:35:57 | |
"We plumbers know you crack a lot of jokes at our expense." | 0:35:57 | 0:36:00 | |
-I won't emphasise crack. -No. | 0:36:00 | 0:36:02 | |
"I called Benjamin Franklin, the Punctual Plumber. | 0:36:05 | 0:36:08 | |
"He showed up on time, was clean, friendly, courteous and a total gentleman." | 0:36:08 | 0:36:11 | |
Team Tenacity. | 0:36:11 | 0:36:12 | |
Hi! How are you? | 0:36:12 | 0:36:15 | |
-Doing well. How are you? Summer, as project leader, how's it going? -This team is unbelievable. | 0:36:15 | 0:36:19 | |
'Eric came in to take a look at us, being that he's the eyes and ears.' | 0:36:19 | 0:36:23 | |
And he came in at a great time, cos the singers were there and the band was there. | 0:36:23 | 0:36:27 | |
So, he got a chance to see what we were doing. | 0:36:27 | 0:36:29 | |
What are you guys doing on the creative side? | 0:36:29 | 0:36:31 | |
We got a sense from them that the company is very wholesome. | 0:36:31 | 0:36:34 | |
We asked them if they're into funny. | 0:36:34 | 0:36:36 | |
And they kind of gave us a, "Mmm, not so funny." | 0:36:36 | 0:36:39 | |
But how do you create something that they remember? | 0:36:40 | 0:36:43 | |
We need the jingle to be catchy and short, and that people can remember. | 0:36:43 | 0:36:47 | |
-What's the jingle? Can I hear? -You want to hear it? | 0:36:47 | 0:36:50 | |
-Yeah, I want to hear it. -Let's play it. | 0:36:50 | 0:36:52 | |
All right. From the top. | 0:36:52 | 0:36:53 | |
# Any delay, it's you we pay Call eight, seven, seven, Ben | 0:36:55 | 0:37:00 | |
# 70, 76. # | 0:37:00 | 0:37:02 | |
-Are your other ones similar? -No. The other one's completely different. -Completely different. | 0:37:02 | 0:37:06 | |
-You want to hear that? -Sure. Let me hear one more. | 0:37:06 | 0:37:08 | |
Play the... Yeah, One Hour. | 0:37:08 | 0:37:09 | |
-Here's playback. -OK. | 0:37:09 | 0:37:11 | |
# One Hour Heating And Air Conditioning, | 0:37:11 | 0:37:14 | |
# Call eight, eight, eight Three, three, three... # | 0:37:14 | 0:37:17 | |
'Looking at Tenacity, I think they were doing a great job.' | 0:37:17 | 0:37:20 | |
I think they came up with a good beat. I think it sounded good. | 0:37:20 | 0:37:23 | |
'Is it something that would separate itself from any of the other commercials you hear every morning? | 0:37:23 | 0:37:27 | |
'I don't know if it does.' | 0:37:27 | 0:37:29 | |
I think they did sound a little bit generic. | 0:37:29 | 0:37:32 | |
# ..We're never late. # | 0:37:32 | 0:37:33 | |
Very interesting. | 0:37:33 | 0:37:35 | |
Let me, let me order some food here in a minute. | 0:37:44 | 0:37:47 | |
Everybody's got pizza out there. | 0:37:47 | 0:37:49 | |
Can you steal me a slice of pizza? | 0:37:49 | 0:37:50 | |
-Yes. -Thank you. | 0:37:50 | 0:37:51 | |
You don't see nothing! | 0:38:02 | 0:38:04 | |
'So, I go and I steal a piece of pizza for Bret. | 0:38:04 | 0:38:07 | |
'And Curtis, he's just...' | 0:38:07 | 0:38:08 | |
"I'm Australian. And I'm the greatest. | 0:38:08 | 0:38:11 | |
"And I ordered pizza for just my crew. And..." | 0:38:11 | 0:38:14 | |
Come on! Don't you care about this man's feelings? | 0:38:14 | 0:38:17 | |
Like, you know, what if he passes out? | 0:38:17 | 0:38:19 | |
-Curtis is so mad right now. -No. | 0:38:19 | 0:38:21 | |
For real. | 0:38:21 | 0:38:22 | |
-Oh, is he puffy-chested? -Uh-huh. | 0:38:22 | 0:38:24 | |
Oh, dear. Get a life. | 0:38:24 | 0:38:26 | |
Curtis... | 0:38:26 | 0:38:27 | |
SHE SIGHS | 0:38:27 | 0:38:29 | |
You know, a 33-year-old young guy, | 0:38:29 | 0:38:32 | |
thinks he's so...hot. | 0:38:32 | 0:38:35 | |
Um, that's a put-off for me. | 0:38:35 | 0:38:37 | |
And it's like, "God bless you, kid. | 0:38:37 | 0:38:39 | |
"But I...I've got nothing to say to you." | 0:38:39 | 0:38:42 | |
-That ad will have a chef's hat. -Of course it will. | 0:38:42 | 0:38:45 | |
There'll be something about an apron in there, or a frying pan. | 0:38:45 | 0:38:48 | |
HE LAUGHS | 0:38:48 | 0:38:49 | |
Mr Pastry has his way. | 0:38:49 | 0:38:51 | |
Oh, you're killing me! | 0:38:51 | 0:38:53 | |
THEY LAUGH | 0:38:53 | 0:38:54 | |
All right, let me know when you're ready. | 0:38:54 | 0:38:56 | |
OK. One, two. | 0:38:56 | 0:38:58 | |
One, two. Can you turn me up? One, two. | 0:38:58 | 0:39:01 | |
What is it again? Um, for uh... | 0:39:01 | 0:39:04 | |
# For One Hour Heating And Air Conditioning, call one... # | 0:39:04 | 0:39:08 | |
Oh, excuse me. | 0:39:08 | 0:39:10 | |
# For One Hour Heating And Air Conditioning | 0:39:10 | 0:39:13 | |
# Call one, eight, eight, three... # | 0:39:13 | 0:39:16 | |
All right. OK. OK. | 0:39:16 | 0:39:18 | |
# 88, 88... # | 0:39:18 | 0:39:20 | |
-OK, I'm going to -BLEEP -it up again, and I'm distorting. | 0:39:20 | 0:39:23 | |
Let me just listen to that. My voice is killing me. | 0:39:25 | 0:39:28 | |
Nina, can you sing that better than me? | 0:39:28 | 0:39:30 | |
You have some top end left. | 0:39:30 | 0:39:32 | |
I have no upper partials at all. | 0:39:32 | 0:39:34 | |
-OK. -So... -I'll give it, I'll give it, I'll give it a roll. | 0:39:34 | 0:39:37 | |
'I couldn't sing.' | 0:39:37 | 0:39:38 | |
My voice was killing me. | 0:39:38 | 0:39:41 | |
So, I let one of the singers sing for me. | 0:39:41 | 0:39:43 | |
What do you mean? I'm not going to perform? I don't have a voice. | 0:39:43 | 0:39:46 | |
It was a really hard position for me | 0:39:46 | 0:39:48 | |
being the leader of this task. | 0:39:48 | 0:39:50 | |
And, I didn't want to put Cyndi in an uncomfortable position | 0:39:50 | 0:39:53 | |
if she wasn't 100%. | 0:39:53 | 0:39:54 | |
If anything and you need the extra voice in the backgrounds, I can sing backgrounds. | 0:39:54 | 0:39:58 | |
I was very concerned, | 0:39:58 | 0:40:00 | |
because I felt, is Trump going to say, | 0:40:00 | 0:40:02 | |
"Why in the world didn't you use Cyndi Lauper when you have her on your team?" | 0:40:02 | 0:40:05 | |
I'm so stressed right now. | 0:40:05 | 0:40:07 | |
Here's our thoughts - | 0:40:08 | 0:40:10 | |
we're doing a little Brick House meets a little Jovi. | 0:40:10 | 0:40:12 | |
Know what I mean, in our whole ad. Let's do it. It starts out with the phone call. | 0:40:12 | 0:40:15 | |
TELEPHONE RINGS | 0:40:15 | 0:40:17 | |
MUSIC PLAYS | 0:40:17 | 0:40:19 | |
I want to make One Hour Air Conditioning And Heating | 0:40:19 | 0:40:21 | |
very funky, very cool, very memorable. | 0:40:21 | 0:40:24 | |
It's also the one that is, without a doubt, | 0:40:24 | 0:40:26 | |
um...the most liberal commercial we got going. | 0:40:26 | 0:40:29 | |
All right, here we go. | 0:40:29 | 0:40:31 | |
MUSIC PLAYS | 0:40:31 | 0:40:33 | |
# Air conditioning's out I'm feeling hot and sticky... | 0:40:33 | 0:40:36 | |
# No worries, One Hour Will be there quickly | 0:40:36 | 0:40:39 | |
# Can I rely on you To cool me down on time? # | 0:40:39 | 0:40:41 | |
We came up with just the best music ever. '70s porn music. | 0:40:41 | 0:40:46 | |
One Hour's got the power to safely and effectively handle all your heating and air conditioning needs. | 0:40:46 | 0:40:50 | |
And mixed it with a very good infomercial. | 0:40:50 | 0:40:53 | |
I can't think of a better way to sell heating and air conditioning. | 0:40:53 | 0:40:55 | |
Boom! Yes, I needed that ending. | 0:40:55 | 0:40:59 | |
Thank you, thank you. | 0:40:59 | 0:41:00 | |
I'm just worried that it's going... I don't know, maybe... | 0:41:00 | 0:41:03 | |
I know, I'm worried that it's going to be a bit patchworky. | 0:41:03 | 0:41:06 | |
The music and the bass I'm keeping is very simplistic, | 0:41:06 | 0:41:09 | |
cos we've got to do this live. | 0:41:09 | 0:41:11 | |
Otherwise, this whole thing's a disaster. | 0:41:11 | 0:41:13 | |
That's why if you understand why I'm keeping everything linear and box. | 0:41:13 | 0:41:16 | |
I normally wouldn't do this. | 0:41:16 | 0:41:18 | |
I mean, who literally does a live ad? | 0:41:18 | 0:41:21 | |
SHE HUMS | 0:41:29 | 0:41:31 | |
Um... What's the order of presentation? | 0:41:31 | 0:41:33 | |
That's all determined by us, I believe. | 0:41:33 | 0:41:36 | |
Today is the morning of our presentation to the two executives. | 0:41:36 | 0:41:40 | |
We have three 30-second live feed commercials spots. | 0:41:40 | 0:41:44 | |
'We need to deliver it to time, exactly 30 seconds, | 0:41:44 | 0:41:47 | |
'and everybody needs to be spot on.' | 0:41:47 | 0:41:49 | |
SHE HUMS | 0:41:49 | 0:41:51 | |
So, Curtis, does Bret do this kind of warm up before his singing? | 0:41:55 | 0:41:58 | |
Um... Not really. | 0:41:58 | 0:42:01 | |
I don't know how Cyndi warms up her voice. | 0:42:01 | 0:42:04 | |
I think it had something to do with... | 0:42:04 | 0:42:06 | |
HE HUMS | 0:42:06 | 0:42:08 | |
HE LAUGHS | 0:42:08 | 0:42:09 | |
Something to do with biting her finger and warming her... | 0:42:09 | 0:42:11 | |
I mean, I don't get it. | 0:42:11 | 0:42:13 | |
SHE HUMS | 0:42:13 | 0:42:15 | |
So Cyndi is going to attempt to sing | 0:42:15 | 0:42:18 | |
uh...what the girl sang yesterday. | 0:42:18 | 0:42:20 | |
We're going to give it a shot. | 0:42:20 | 0:42:22 | |
I couldn't figure out why you were warming up. | 0:42:22 | 0:42:24 | |
'So this morning, Cyndi has decided that maybe she'd like to try | 0:42:24 | 0:42:28 | |
'to sing on one of the jingles.' | 0:42:28 | 0:42:30 | |
I mean, she's the one who came up with the jingle, | 0:42:30 | 0:42:32 | |
but still, in the back of my mind, | 0:42:32 | 0:42:33 | |
I wanted to make sure that it sounded right. | 0:42:33 | 0:42:35 | |
-What we're being judged on... -Uh-huh. -..it's all about live performance. | 0:42:35 | 0:42:38 | |
-Yeah. -So... | 0:42:38 | 0:42:40 | |
No, I can do live performances, cos I do it for a living. | 0:42:40 | 0:42:43 | |
Sorry. | 0:42:43 | 0:42:44 | |
They were worried cos I had laryngitis, | 0:42:44 | 0:42:47 | |
but I went back and I slept, and I did steam on my voice. | 0:42:47 | 0:42:51 | |
And then I, um... I did some vocal exercises, | 0:42:51 | 0:42:55 | |
but I really need to try to fix this. | 0:42:55 | 0:42:57 | |
You can... It's doing that live, it's like almost impossible. | 0:42:57 | 0:43:01 | |
I'm kind of worried. | 0:43:01 | 0:43:02 | |
SHE HUMS | 0:43:02 | 0:43:04 | |
I'm in full get-it-done mode. | 0:43:07 | 0:43:09 | |
# 88, 88, Sparky | 0:43:09 | 0:43:11 | |
# 88, 88, Sparky | 0:43:11 | 0:43:13 | |
# On a cool dark night... # | 0:43:13 | 0:43:15 | |
'Today, Maria, Sharon, and I hit the ground running,' | 0:43:15 | 0:43:17 | |
and they could see I had my game face on. | 0:43:17 | 0:43:19 | |
They knew I was there to have fun, but I needed to get it done today. | 0:43:19 | 0:43:22 | |
Which one do you want to start with? | 0:43:22 | 0:43:24 | |
# 88, 88, Sparky... # | 0:43:24 | 0:43:26 | |
-Uh-huh. -And then, when we...the porn one is not as bad | 0:43:26 | 0:43:28 | |
as we thought it was. | 0:43:28 | 0:43:30 | |
I love it, man. I think it's funny. | 0:43:30 | 0:43:32 | |
Listen, like I said, I go on the sword on that one. | 0:43:32 | 0:43:35 | |
I fully understand your concerns. | 0:43:35 | 0:43:37 | |
'Sharon was, uh...pretty reluctant about the '70s porn | 0:43:39 | 0:43:42 | |
'One Hour Heating And Air Conditioning.' | 0:43:42 | 0:43:44 | |
She knew I was really pushing the envelope. | 0:43:44 | 0:43:46 | |
These have attitude. | 0:43:46 | 0:43:48 | |
Without an attitude, and no cojones, what do you got? | 0:43:48 | 0:43:53 | |
Sharon, this is me reeling myself in. | 0:43:53 | 0:43:55 | |
Because if it was me, I'd have had it even...go with me. | 0:43:55 | 0:43:58 | |
You help me, or otherwise I'd have been like, | 0:43:58 | 0:44:01 | |
"Oh, yeah, baby, you've got Sparky..." | 0:44:01 | 0:44:02 | |
HE LAUGHS | 0:44:02 | 0:44:04 | |
Oh, yeah, I'm going to put my plunger up your pipes. | 0:44:04 | 0:44:07 | |
Let's go out big. | 0:44:07 | 0:44:09 | |
Do what your gut tells you. | 0:44:12 | 0:44:14 | |
And then, you go out the way you want to go out. | 0:44:14 | 0:44:18 | |
Exactly. I'm bringing my A-game. | 0:44:18 | 0:44:21 | |
Cyndi, which ones were you wanting to sing on? | 0:44:24 | 0:44:26 | |
-The um... -One hour? -The One Hour. | 0:44:26 | 0:44:28 | |
-OK. -You want to take this moment and... -Yeah, thank you. | 0:44:28 | 0:44:31 | |
So right now I'm just... | 0:44:31 | 0:44:33 | |
I don't think her, um...voice | 0:44:39 | 0:44:41 | |
is mainstream enough for this type of thing. | 0:44:41 | 0:44:44 | |
Check, check, check, check. Yeah. | 0:44:44 | 0:44:46 | |
I'm a little nervous about Cyndi singing live, | 0:44:46 | 0:44:48 | |
because I don't know if she's going to be able to nail it. | 0:44:48 | 0:44:53 | |
All of our voices are a little rusty, | 0:44:53 | 0:44:55 | |
so I think it's important | 0:44:55 | 0:44:56 | |
to let the professionals that do this every single day, | 0:44:56 | 0:44:59 | |
just do their thing. | 0:44:59 | 0:45:00 | |
The best in the business. | 0:45:01 | 0:45:02 | |
# For One Hour Heating and Air Conditioning call... # | 0:45:02 | 0:45:05 | |
-CYNDI: -Wait, stop. Just let me hear that again, the guy. | 0:45:05 | 0:45:09 | |
And the technicians? The best in the business. | 0:45:09 | 0:45:11 | |
# For One Hour Heating and Air Con... # | 0:45:11 | 0:45:13 | |
I think. I... | 0:45:14 | 0:45:17 | |
In my opinion, if you do use her and she doesn't sound so great, | 0:45:23 | 0:45:27 | |
then you won't hear that perfect vocal that your other girl gave you. | 0:45:27 | 0:45:30 | |
-I agree, but it's a tough one. -This is your deal. | 0:45:30 | 0:45:34 | |
The One Hour Heating And Air Conditioning spot was the one | 0:45:34 | 0:45:37 | |
I was the most concerned about. | 0:45:37 | 0:45:38 | |
That was the one where Cyndi decided to sing live at the last minute. | 0:45:38 | 0:45:42 | |
And I was just nervous about her coming in on her cue. | 0:45:42 | 0:45:44 | |
If I were project manager, I would have quickly put the kibosh on that. | 0:45:44 | 0:45:48 | |
Again, just that one part. | 0:45:48 | 0:45:50 | |
Let's just do the music. | 0:45:50 | 0:45:52 | |
'I decided to sing because I was' | 0:45:52 | 0:45:54 | |
in a better voice, not great voice, | 0:45:54 | 0:45:56 | |
but better voice. | 0:45:56 | 0:45:57 | |
And I felt that the sound of my voice | 0:45:57 | 0:46:00 | |
would add character to the jingle. | 0:46:00 | 0:46:04 | |
It's going to be a lot of fun. | 0:46:04 | 0:46:05 | |
I just don't want them to say, "Why didn't you sing? | 0:46:05 | 0:46:08 | |
-"Blah blah blah." -I understand. | 0:46:08 | 0:46:10 | |
-But I think we need to take the boardroom out of it. -I am. | 0:46:10 | 0:46:14 | |
My feeling is that we're working with professionals | 0:46:14 | 0:46:17 | |
who did this yesterday, who had the script practised all night long. | 0:46:17 | 0:46:20 | |
I would prefer to just let them go for it. | 0:46:20 | 0:46:23 | |
No, it's fine. I mean, I know the part. | 0:46:23 | 0:46:25 | |
'Summer and Holly were both very nervous about Cyndi singing live. | 0:46:27 | 0:46:30 | |
'They came to the conclusion that she shouldn't sing the lead. | 0:46:30 | 0:46:33 | |
'And I said, "It's a mistake."' | 0:46:33 | 0:46:34 | |
It's Cyndi Lauper. | 0:46:34 | 0:46:35 | |
You can't give up on that voice. You've got to use her. | 0:46:35 | 0:46:38 | |
'It's crazy not to.' | 0:46:38 | 0:46:39 | |
I think I should sing the lead. | 0:46:39 | 0:46:41 | |
We'll see. | 0:46:41 | 0:46:42 | |
Have a seat. | 0:46:52 | 0:46:53 | |
How are you guys doing today? | 0:46:53 | 0:46:56 | |
Looking forward to hearing the commercials. | 0:46:56 | 0:46:58 | |
# Ben, Ben, Ben | 0:47:00 | 0:47:02 | |
-# Oh, ah... -88-88 Sparky. # | 0:47:02 | 0:47:05 | |
All right, we're ready with the Mister Sparky. | 0:47:05 | 0:47:08 | |
All set, Bret? Kelly, you all set upstairs? | 0:47:08 | 0:47:11 | |
-Sure. -We're on. -Let's rock it. | 0:47:11 | 0:47:13 | |
We're performing three live 30-second spots | 0:47:13 | 0:47:17 | |
for executives in another room. | 0:47:17 | 0:47:19 | |
I feel like I'm in the movie Seabiscuit. You know what I mean? | 0:47:19 | 0:47:21 | |
Like we're making walking sounds while we're singing. | 0:47:21 | 0:47:24 | |
It's so old school, but it's actually kind of fun. | 0:47:24 | 0:47:27 | |
We're ready. OK, everybody, here we go. | 0:47:27 | 0:47:29 | |
Firstly, I want to wish a very good morning to our Clockwork | 0:47:29 | 0:47:31 | |
executives, Jim Abrams and John Young. | 0:47:31 | 0:47:33 | |
Team Rocksolid welcomes you and thanks you for the opportunity | 0:47:33 | 0:47:36 | |
to perform these three live radio spots. | 0:47:36 | 0:47:38 | |
Our first spot is for Mister Sparky, America's On-Time Electrician. | 0:47:38 | 0:47:43 | |
Hit it, Rob. | 0:47:43 | 0:47:44 | |
# 88-88 Sparky 88-88 Sparky | 0:47:49 | 0:47:53 | |
-# On a cold dark night -88-88 Sparky | 0:47:53 | 0:47:55 | |
-# When you have no light -88-88 Sparky | 0:47:55 | 0:47:57 | |
-# You should have no fear -88-88 Sparky | 0:47:57 | 0:48:00 | |
-# Mr Sparky is here -88-88 Sparky... # | 0:48:00 | 0:48:02 | |
That's right. At Mister Sparky's service and repair, | 0:48:02 | 0:48:04 | |
we understand your time is valuable. | 0:48:04 | 0:48:06 | |
That's why we guarantee our work, our service and our commitment | 0:48:06 | 0:48:09 | |
24/7 to being on time, every time, or your repair is free. | 0:48:09 | 0:48:13 | |
Mister Sparky, America's On-Time Electrician. | 0:48:13 | 0:48:16 | |
Call 88-88 Sparky. | 0:48:16 | 0:48:18 | |
'I hated the live feed.' | 0:48:20 | 0:48:22 | |
I'm a performer. | 0:48:22 | 0:48:24 | |
I need to see faces and eyes. | 0:48:24 | 0:48:26 | |
This live performance bit, it's like, "What did they think? | 0:48:26 | 0:48:29 | |
"Oh, we don't know. We don't see their faces. Awesome." | 0:48:29 | 0:48:32 | |
So we won't know until we get in the boardroom. | 0:48:32 | 0:48:34 | |
-Guys, we're on for number two. -We're on for number two. | 0:48:34 | 0:48:37 | |
All right. For Jim and for John, here we go. | 0:48:37 | 0:48:39 | |
We've got a very special second spot for you | 0:48:39 | 0:48:41 | |
for One Hour Heating and Air Conditioning. | 0:48:41 | 0:48:43 | |
Always on time or you don't pay a dime. | 0:48:43 | 0:48:46 | |
PHONE RINGS | 0:48:47 | 0:48:49 | |
SHARON: One Hour Heating And Air Conditioning. How can we help you? | 0:48:49 | 0:48:53 | |
My air conditioning's out. I'm feeling hot and sticky. | 0:48:53 | 0:48:56 | |
No worries. One Hour will be there quickly. | 0:48:56 | 0:48:58 | |
Can I rely on you to cool me down on time? | 0:48:58 | 0:49:01 | |
One Hour ALWAYS on time or you don't pay a dime. | 0:49:01 | 0:49:04 | |
One Hour's got the power to safely and effectively handle | 0:49:04 | 0:49:07 | |
all your heating and air conditioning needs. | 0:49:07 | 0:49:09 | |
Please call us at 888-333-88-88. | 0:49:09 | 0:49:12 | |
Or www.onehourheatandair.com | 0:49:12 | 0:49:15 | |
Remember, One Hour - ALWAYS on time or you don't pay a dime. | 0:49:15 | 0:49:19 | |
Perfect. | 0:49:19 | 0:49:20 | |
Get ready, guys. We're almost doing it. | 0:49:20 | 0:49:23 | |
We're ready. Here we go. Again, Jim and John, here we go. | 0:49:23 | 0:49:26 | |
Our third and final spot is for Benjamin Franklin, | 0:49:26 | 0:49:29 | |
The Punctual Plumber. | 0:49:29 | 0:49:30 | |
-Here we go. -All right. Here it comes. | 0:49:30 | 0:49:32 | |
One, two, three, four... | 0:49:32 | 0:49:34 | |
# Ben, Ben, Ben. # | 0:49:34 | 0:49:36 | |
Hi, I'm Ben, the Punctual Plumber from Benjamin Franklin Plumbing. | 0:49:36 | 0:49:40 | |
We plumbers know people crack a lot of jokes at our expense. | 0:49:40 | 0:49:43 | |
But we at Benjamin Franklin Plumbing take our job very seriously. | 0:49:43 | 0:49:46 | |
We are competent, clean, on time and friendly. | 0:49:46 | 0:49:49 | |
We have the team, the tools | 0:49:49 | 0:49:51 | |
and the know-how to handle your every plumbing problem. | 0:49:51 | 0:49:53 | |
We are neighbourhood friendly and nationwide. It's time to call... | 0:49:53 | 0:49:57 | |
# Ben, Ben, Benjamin Franklin The Punctual Plumber. # | 0:49:57 | 0:50:00 | |
That's 1877-Ben-1776. | 0:50:00 | 0:50:04 | |
If there's any delay, it's you we pay. | 0:50:04 | 0:50:06 | |
Nice job, man. | 0:50:08 | 0:50:09 | |
Oh, those definitely had some originality. | 0:50:09 | 0:50:12 | |
If nothing else we need to hire Bret Michaels as a salesperson, | 0:50:12 | 0:50:15 | |
with the introduction there. | 0:50:15 | 0:50:17 | |
He's definitely passionate about this. | 0:50:17 | 0:50:19 | |
-What did you think of the humour? -We asked them to stay away from that | 0:50:19 | 0:50:22 | |
so that was a disappointment. | 0:50:22 | 0:50:24 | |
I think that time could have been used better to talk | 0:50:24 | 0:50:27 | |
-about something else. -Right. | 0:50:27 | 0:50:28 | |
'I'm very nervous about this, only because of the client.' | 0:50:29 | 0:50:33 | |
I think that they will not get what we've delivered to them. | 0:50:33 | 0:50:37 | |
It is what it is. We've got what we got. | 0:50:37 | 0:50:40 | |
He told us he was going to take it to the edge and come back. | 0:50:40 | 0:50:43 | |
-Perhaps he should have come back a step further. -Yeah. | 0:50:43 | 0:50:46 | |
OK, let's hear Tenacity's commercials. | 0:50:46 | 0:50:49 | |
-Hi, guys. -Hey. Welcome back. | 0:50:50 | 0:50:54 | |
So everybody's going to be in this booth. | 0:50:54 | 0:50:56 | |
'Just before our live performances,' | 0:50:56 | 0:50:58 | |
I got this huge wave of anxiety. I got really nervous. | 0:50:58 | 0:51:01 | |
'Because I realised we get one shot at this. It's a live performance.' | 0:51:01 | 0:51:06 | |
If any of them mess up, it's the difference between winning and losing. | 0:51:06 | 0:51:09 | |
-We're ready to go. -Ready to go? | 0:51:09 | 0:51:11 | |
-Listen to me. -Yeah. | 0:51:11 | 0:51:13 | |
My voice just plain and simple has a little more character, | 0:51:13 | 0:51:17 | |
and I think it sounds better in the lead. | 0:51:17 | 0:51:19 | |
'The only concern I had with Cyndi singing was she might not be 100%.' | 0:51:19 | 0:51:23 | |
I was back and forth, I did not know what to do. | 0:51:23 | 0:51:26 | |
And in the end, I just remember thinking, "It's Cyndi Lauper." | 0:51:26 | 0:51:30 | |
You know? "If she's OK, have her sing it." | 0:51:30 | 0:51:32 | |
-We're about to go, we got our cue. -Tell everybody to focus. | 0:51:32 | 0:51:35 | |
We're on standby. | 0:51:35 | 0:51:37 | |
One Hour Heating And Air Conditioning, | 0:51:37 | 0:51:40 | |
how can we save you time? | 0:51:40 | 0:51:41 | |
My wife usually takes care of this stuff. Our heater broke. | 0:51:41 | 0:51:44 | |
She says you won't make me wait around all day for my appointment. | 0:51:44 | 0:51:47 | |
Absolutely right. We guarantee a window. | 0:51:47 | 0:51:48 | |
We are always on time or you don't pay a dime. | 0:51:48 | 0:51:50 | |
With service like that, what does it cost me? | 0:51:50 | 0:51:52 | |
We give you straightforward pricing. Give us the go-ahead and all our work | 0:51:52 | 0:51:56 | |
-and products are guaranteed. -And the technicians? | 0:51:56 | 0:51:58 | |
-The best in the business. -# One Hour Heating and Air Conditioning | 0:51:58 | 0:52:01 | |
# Call 888-333 | 0:52:01 | 0:52:05 | |
# 88-88 cos we are never late. # | 0:52:05 | 0:52:08 | |
Woo-hoo! | 0:52:08 | 0:52:10 | |
Woo, you guys did such a good job! | 0:52:10 | 0:52:13 | |
You're always thinking in the back of your mind, "I hope the first one | 0:52:13 | 0:52:16 | |
"goes smooth, cos otherwise we're in major trouble." | 0:52:16 | 0:52:18 | |
'But we've got three of these to get through.' | 0:52:18 | 0:52:21 | |
We need to do a really good job on all three. | 0:52:21 | 0:52:23 | |
Ready to go? | 0:52:23 | 0:52:25 | |
We're on, guys. | 0:52:25 | 0:52:26 | |
Here it comes. | 0:52:26 | 0:52:28 | |
As a busy mom, my schedule is packed. | 0:52:28 | 0:52:30 | |
Between school drop off, work and soccer practice, | 0:52:30 | 0:52:32 | |
I don't have time to wait for my plumbing appointment. | 0:52:32 | 0:52:35 | |
My time is important. And Benjamin Franklin, The Punctual Plumber, | 0:52:35 | 0:52:38 | |
understands that. In fact, they guarantee it. | 0:52:38 | 0:52:40 | |
If they're running behind, they'll pay 5 for every minute | 0:52:40 | 0:52:43 | |
the technician is late, up to 300. | 0:52:43 | 0:52:45 | |
You can't lose with Benjamin Franklin. Punctual, safe and loyal. | 0:52:45 | 0:52:48 | |
My plumber for life. | 0:52:48 | 0:52:50 | |
SINGERS WHISTLE | 0:52:50 | 0:52:51 | |
# If there's any delay it's you we pay | 0:52:51 | 0:52:54 | |
# Call 877-Ben-1776. # | 0:52:54 | 0:52:58 | |
That's it. Better. | 0:52:58 | 0:53:00 | |
-We're all done, well done. -That was really, really good. | 0:53:00 | 0:53:04 | |
Mister Sparky is next. | 0:53:04 | 0:53:05 | |
Stand by. | 0:53:05 | 0:53:07 | |
-Ready? -Here it comes. | 0:53:07 | 0:53:09 | |
Hey, how's that new ceiling fan look in your den? | 0:53:11 | 0:53:13 | |
-It's not up yet. -You bought it a month ago. | 0:53:13 | 0:53:15 | |
Harold insists on installing it himself. | 0:53:15 | 0:53:17 | |
He doesn't want to wait for a messy electrician with many hidden costs. | 0:53:17 | 0:53:20 | |
The last thing Harold installed blacked out the entire block. | 0:53:20 | 0:53:23 | |
Look, call Mister Sparky, America's On-Time Electrician. | 0:53:23 | 0:53:26 | |
They're clean, courteous and no surprises at bill time. | 0:53:26 | 0:53:28 | |
Now that's a Mister Sparky promise even Harold will love. | 0:53:28 | 0:53:31 | |
Just call 88-88 Sparky. | 0:53:31 | 0:53:33 | |
# Mister Sparky | 0:53:33 | 0:53:36 | |
# We're on time, you will see Or the repair is free. # | 0:53:36 | 0:53:41 | |
-We're out. -Fantastic. | 0:53:41 | 0:53:44 | |
Woo! | 0:53:44 | 0:53:45 | |
That was fantastic. | 0:53:45 | 0:53:47 | |
Mister Sparky. | 0:53:47 | 0:53:50 | |
'So after our three spots, there was a huge sense of relief.' | 0:53:50 | 0:53:54 | |
I feel really confident that we put on three great live commercials. | 0:53:54 | 0:53:59 | |
It's out of my hands | 0:53:59 | 0:54:00 | |
as to whether or not it's what the executives wanted. | 0:54:00 | 0:54:03 | |
But I know we did a good job. | 0:54:03 | 0:54:04 | |
Well, now that we've heard all three, what did you think? | 0:54:04 | 0:54:08 | |
Well, as far as originality goes, | 0:54:08 | 0:54:10 | |
I did like when the husband was talking about his wife. | 0:54:10 | 0:54:13 | |
-That's a little bit different. -I think it went kind of fast. | 0:54:13 | 0:54:16 | |
I guess 30 seconds is difficult to get that much information in. | 0:54:16 | 0:54:19 | |
Interesting. Definitely covered all bases there, I think. | 0:54:19 | 0:54:22 | |
They also used some humour in there, which I always think is a challenge. | 0:54:22 | 0:54:25 | |
But I think they pulled it off on that one. | 0:54:25 | 0:54:27 | |
So that was good. Well, we've got a lot to think about. | 0:54:27 | 0:54:30 | |
-Shall we go talk to Mr Trump? -Let's go. | 0:54:30 | 0:54:32 | |
So, Eric, did you enjoy it? | 0:55:04 | 0:55:06 | |
I have. I loved it. Interesting. Very interesting. | 0:55:06 | 0:55:09 | |
-But it's been a lot of fun. -Good. Bret, how did you do? | 0:55:09 | 0:55:12 | |
-I think we did really well. -Why? | 0:55:12 | 0:55:14 | |
We came up with a very original concept for each of the songs, | 0:55:14 | 0:55:18 | |
each of the jingles. | 0:55:18 | 0:55:19 | |
And we had a lot of fun doing it. And we got it done, | 0:55:19 | 0:55:23 | |
and we got it done on time. | 0:55:23 | 0:55:24 | |
Good. Sharon, how was Bret as the project manager? | 0:55:24 | 0:55:28 | |
Bret was fantastic. | 0:55:29 | 0:55:31 | |
-You believe that? -Seriously. Seriously. | 0:55:31 | 0:55:33 | |
-What did you think, Maria? -I thought he was very good. | 0:55:33 | 0:55:36 | |
Very good or fantastic? | 0:55:36 | 0:55:37 | |
That's her word so, um, wonderful. I thought he was wonderful. | 0:55:37 | 0:55:41 | |
-You thought he was good. -Yeah. -Bret, you felt comfortable? | 0:55:41 | 0:55:44 | |
I did, I did. I felt comfortable in the studio. | 0:55:44 | 0:55:47 | |
I liked being in the studio. | 0:55:47 | 0:55:48 | |
And we just went in there and had a bazillion ideas | 0:55:48 | 0:55:51 | |
and then they helped me to focus. | 0:55:51 | 0:55:53 | |
They reeled it in, and all of us spit up some great ideas. | 0:55:53 | 0:55:56 | |
An interesting dynamic I observed actually was Sharon reining in | 0:55:56 | 0:56:00 | |
Bret a bit, which I'm sure you're used to over the years, | 0:56:00 | 0:56:02 | |
reining in the rock star. | 0:56:02 | 0:56:04 | |
But you were trying to make it a little more dry, | 0:56:04 | 0:56:07 | |
a little bit more on point, the message. | 0:56:07 | 0:56:09 | |
And maybe take a little bit of the edge out of it. | 0:56:09 | 0:56:12 | |
Is that true? | 0:56:12 | 0:56:13 | |
Yeah, it was interesting cos Bret has all these fantastic ideas, | 0:56:13 | 0:56:17 | |
which are all doable, but we don't have the time. | 0:56:17 | 0:56:20 | |
-So he does have amazing imagination. -A great imagination. | 0:56:20 | 0:56:24 | |
All right, good. | 0:56:24 | 0:56:26 | |
-OK. Summer? -Yes. | 0:56:26 | 0:56:27 | |
-What do you think? -I love my team. | 0:56:27 | 0:56:29 | |
-You think your team won? -Well, I hope our team won. | 0:56:29 | 0:56:32 | |
-Did you like the end product? -I loved our end product. -Why? | 0:56:32 | 0:56:35 | |
I think we listened to what the executives wanted, | 0:56:35 | 0:56:38 | |
asked them great questions and from what we got back from them, | 0:56:38 | 0:56:40 | |
we developed three totally original jingles and commercials. | 0:56:40 | 0:56:45 | |
I thought they were great. | 0:56:45 | 0:56:46 | |
-Who was your weak link? -I didn't have a weak link. | 0:56:46 | 0:56:49 | |
But I had Cyndi Lauper, who knows how to... | 0:56:49 | 0:56:52 | |
-And Cyndi was a strong link? -Very strong link. | 0:56:52 | 0:56:55 | |
-Good. How was Holly? -Holly was amazing. | 0:56:55 | 0:56:57 | |
I gave Holly one of them and she wrote the creative, | 0:56:57 | 0:57:00 | |
she directed it and she was one of our stars. | 0:57:00 | 0:57:03 | |
Curtis, what do you think? How did you do? | 0:57:03 | 0:57:06 | |
-I think we did a good job. -You think you won, Curtis? | 0:57:06 | 0:57:08 | |
-Yeah, I do. -Do you think you did a good job? | 0:57:08 | 0:57:10 | |
Yeah, I do think I did a good job. | 0:57:10 | 0:57:12 | |
I'm looking at Cyndi. Cyndi. | 0:57:17 | 0:57:18 | |
I don't know, it was the straightest... | 0:57:18 | 0:57:20 | |
They were so conservative, these guys. And can I tell you? | 0:57:20 | 0:57:24 | |
-Go ahead. -Well, I said to them, | 0:57:24 | 0:57:27 | |
"So how come you made a Benjamin Franklin Plumbing?" | 0:57:27 | 0:57:31 | |
Cos this is a guy who, you know, discovered electricity, right? | 0:57:31 | 0:57:36 | |
So, you know, with the key and everything, | 0:57:36 | 0:57:38 | |
and you always see him with the kite. | 0:57:38 | 0:57:40 | |
Now he's a plumber. And I asked why. | 0:57:40 | 0:57:42 | |
And he said, "Because, you know, he was kind of into plumbing." | 0:57:42 | 0:57:45 | |
I said, "Really? How?" | 0:57:45 | 0:57:46 | |
He said, "They didn't have plumbing in those days, | 0:57:46 | 0:57:48 | |
"but he took a tub with him wherever he went." | 0:57:48 | 0:57:51 | |
And I said to him, "Well, you know, I saw that John Adams thing | 0:57:51 | 0:57:54 | |
"on HBO, and I saw him in the tub with a lot of French women." | 0:57:54 | 0:57:58 | |
But, no, I left that part out. | 0:57:58 | 0:57:59 | |
I didn't tell him about the French women, but I was thinking, | 0:57:59 | 0:58:02 | |
-I said, "I saw the John Adams thing." -I'm done. | 0:58:02 | 0:58:06 | |
It's very funny. | 0:58:06 | 0:58:07 | |
This is the Cyndi they wanted, not the quiet Cyndi. | 0:58:07 | 0:58:10 | |
No, they said, "No funny stuff." | 0:58:10 | 0:58:13 | |
They said, "We don't want any funny stuff about the plumbers." | 0:58:13 | 0:58:17 | |
Well, Rocksolid didn't seem to pay much attention to that advice. | 0:58:18 | 0:58:22 | |
Why did you use the plumber's crack joke, Bret? | 0:58:22 | 0:58:25 | |
I didn't feel that we actually used it. | 0:58:25 | 0:58:27 | |
I've got to stand up for Sharon and Maria. | 0:58:27 | 0:58:29 | |
They both asked me not to do it. I think if you address something... | 0:58:29 | 0:58:32 | |
So if you lose, should you be fired | 0:58:32 | 0:58:33 | |
if they're telling you not to do something that the executives | 0:58:33 | 0:58:36 | |
are sort of saying, "We don't want you to do"? | 0:58:36 | 0:58:38 | |
I don't want to be fired, but I would own up to that one. | 0:58:38 | 0:58:41 | |
I didn't really get it, I have to be honest, | 0:58:41 | 0:58:42 | |
even when you explained it to me in the moment. | 0:58:42 | 0:58:45 | |
If they explicitly said, | 0:58:45 | 0:58:46 | |
"Don't make jokes at the expense of the plumbers"... | 0:58:46 | 0:58:49 | |
-They said that. -And you integrated it. | 0:58:49 | 0:58:51 | |
I couldn't really understand why you felt the need. | 0:58:51 | 0:58:54 | |
There was another way to make the commercial have a little punch | 0:58:54 | 0:58:56 | |
and a little humour, so why did you have to go that route? | 0:58:56 | 0:58:59 | |
I felt that these commercials, they want something that stands out for their company. | 0:58:59 | 0:59:03 | |
They want something that people will say, "I remember | 0:59:03 | 0:59:05 | |
"that commercial. I stopped on the radio." | 0:59:05 | 0:59:07 | |
When I hear commercials that just jabber the whole time without | 0:59:07 | 0:59:10 | |
any humour. If you make yourself... | 0:59:10 | 0:59:12 | |
Self-deprecation is a form of confidence. | 0:59:12 | 0:59:16 | |
Well, let's hear the commercial. | 0:59:16 | 0:59:18 | |
# Ben, Ben, Ben. # | 0:59:20 | 0:59:22 | |
Hi! I'm Ben, the Punctual Plumber from Benjamin Franklin Plumbing. | 0:59:22 | 0:59:26 | |
We plumbers know people crack a lot of jokes at our expense, but | 0:59:26 | 0:59:29 | |
we here at Benjamin Franklin Plumbing take our job very seriously. | 0:59:29 | 0:59:32 | |
We are competent, clean, on time and friendly. | 0:59:32 | 0:59:35 | |
We have the team, tools and know-how to handle | 0:59:35 | 0:59:37 | |
your plumbing problems. We are neighbourhood friendly | 0:59:37 | 0:59:40 | |
and nationwide. It's time to call - | 0:59:40 | 0:59:42 | |
# Ben, Ben, Benjamin Franklin the Punctual Plumber. # | 0:59:42 | 0:59:46 | |
That's 1877-Ben-1776. | 0:59:46 | 0:59:49 | |
If there's any delay, it's you we pay. | 0:59:49 | 0:59:52 | |
OK, Rocksolid. Let's hear your commercial that they liked the most. | 0:59:52 | 0:59:56 | |
Your Mister Sparky Electric. Let's hear it. | 0:59:56 | 0:59:59 | |
# 88-88 Sparky 88-88 Sparky | 1:00:00 | 1:00:04 | |
-# On a cold dark night -88-88 Sparky | 1:00:04 | 1:00:06 | |
-# When you have no light -88-88 Sparky | 1:00:06 | 1:00:09 | |
-# You should have no fear -88-88 Sparky | 1:00:09 | 1:00:11 | |
# Mister Sparky is here. # | 1:00:11 | 1:00:13 | |
That's right, at Mister Sparky's service and repair we understand | 1:00:13 | 1:00:16 | |
your time is valuable. That's why we guarantee our work... | 1:00:16 | 1:00:18 | |
-There's Bret. -..our service and our commitment 24/7 to being on time, | 1:00:18 | 1:00:22 | |
every time, or your repair is free. | 1:00:22 | 1:00:25 | |
Mister Sparky, America's On-Time Electrician. | 1:00:25 | 1:00:27 | |
Call 88-88-Sparky. | 1:00:27 | 1:00:30 | |
Ivanka, what did the executives think? | 1:00:30 | 1:00:32 | |
They thought that the phone number was extremely memorable. | 1:00:32 | 1:00:36 | |
They thought the message was extremely clear. | 1:00:36 | 1:00:39 | |
Great brand integration. | 1:00:39 | 1:00:41 | |
And, of the three, this was the commercial that they felt | 1:00:41 | 1:00:43 | |
they could put on the air if they needed to. | 1:00:43 | 1:00:45 | |
That's awesome. Thank you. | 1:00:45 | 1:00:47 | |
What did you think, Summer, of their commercials? | 1:00:47 | 1:00:50 | |
I thought they were good. You know, it's hard to compare. | 1:00:50 | 1:00:53 | |
Better than yours? | 1:00:53 | 1:00:54 | |
No, I didn't think so. But ours are very different. | 1:00:54 | 1:00:57 | |
Curtis, what did you think? | 1:00:57 | 1:00:58 | |
I thought they were a little bit inconsistent. | 1:00:58 | 1:01:01 | |
I feel that they were a little off-brand. | 1:01:01 | 1:01:03 | |
One had a catchy jingle, and the other didn't. | 1:01:03 | 1:01:06 | |
Sharon, how do you respond to that? Look at me, Sharon. | 1:01:06 | 1:01:10 | |
-You didn't like his comments? -No, I never do! | 1:01:10 | 1:01:13 | |
-You disagree? -Sorry? | 1:01:13 | 1:01:15 | |
-You disagree with his comments? -Absolutely. | 1:01:15 | 1:01:17 | |
-What do you think, Maria? -I disagree with him. | 1:01:17 | 1:01:20 | |
OK. Eric, do you have anything to say? | 1:01:22 | 1:01:24 | |
Well, as far as Tenacity, | 1:01:24 | 1:01:25 | |
one thing that was said about all of the three commercials is that they | 1:01:25 | 1:01:29 | |
thought you really packed too much into too short of commercials. | 1:01:29 | 1:01:33 | |
They also thought your radio spots really lacked originality, | 1:01:34 | 1:01:38 | |
but what they did like was hearing Cyndi sing. | 1:01:38 | 1:01:40 | |
Well, let's hear the commercial with Cyndi. | 1:01:43 | 1:01:46 | |
One Hour Heating And Air Conditioning, how can we save you time? | 1:01:46 | 1:01:49 | |
My wife usually takes care of this. Our heater broke. | 1:01:49 | 1:01:52 | |
She says I won't have to wait around for my appointment. | 1:01:52 | 1:01:55 | |
We can guarantee a window. We're always on time or you don't pay a dime. | 1:01:55 | 1:01:58 | |
With service like that, what will it cost me? | 1:01:58 | 1:02:00 | |
Once we diagnose the problem, we give you straightforward pricing. | 1:02:00 | 1:02:03 | |
All our work and products are guaranteed. | 1:02:03 | 1:02:05 | |
-And the technicians? -The best in the business. | 1:02:05 | 1:02:07 | |
# For One Hour Heating and Air Conditioning | 1:02:07 | 1:02:10 | |
# Call 888-333 | 1:02:10 | 1:02:14 | |
# 88-88, cos we are never late. # | 1:02:14 | 1:02:17 | |
So the executives felt that you had a lot of words, | 1:02:17 | 1:02:20 | |
and it was hard to understand. | 1:02:20 | 1:02:22 | |
By the way, I have to tell you, I agree with them. | 1:02:22 | 1:02:25 | |
Now, let's hear the one that they liked. | 1:02:25 | 1:02:28 | |
As a busy mom, my schedule is packed. | 1:02:28 | 1:02:31 | |
Between school drop off, work and soccer practice, | 1:02:31 | 1:02:33 | |
I don't have time to sit around and wait for my plumbing appointment. | 1:02:33 | 1:02:36 | |
My time is important and Benjamin Franklin, | 1:02:36 | 1:02:38 | |
The Punctual Plumber, understands that. | 1:02:38 | 1:02:40 | |
In fact, they guarantee it. | 1:02:40 | 1:02:41 | |
If they're running behind, they'll pay 5 for every minute | 1:02:41 | 1:02:44 | |
the technician is late, up to 300. | 1:02:44 | 1:02:46 | |
You can't lose with Benjamin Franklin. Punctual, safe and loyal. | 1:02:46 | 1:02:50 | |
My plumber for life. | 1:02:50 | 1:02:51 | |
# If there's any delay it's you we pay | 1:02:51 | 1:02:54 | |
# Call 877-Ben-1776. # | 1:02:54 | 1:02:59 | |
Eric, what did the executives think? | 1:02:59 | 1:03:01 | |
Well, the executives thought that the music was very good | 1:03:01 | 1:03:04 | |
and you really hit on the brand message of their company. | 1:03:04 | 1:03:07 | |
-OK. Not bad, right, Sharon? -Yeah, very good. Very professional. | 1:03:07 | 1:03:11 | |
-Better than yours? -Um, different. -Would you say better, or no? -No. | 1:03:11 | 1:03:15 | |
What did you think, Maria? | 1:03:15 | 1:03:16 | |
Um, it sounded like a commercial. | 1:03:16 | 1:03:18 | |
You know, and like any other commercial, | 1:03:18 | 1:03:20 | |
I probably would click through it. | 1:03:20 | 1:03:22 | |
And I just thought ours were more musical. | 1:03:22 | 1:03:25 | |
OK. Bret, what do you think? | 1:03:25 | 1:03:27 | |
I think ours had a little more originality. | 1:03:27 | 1:03:30 | |
All right. Let's find out who won. | 1:03:31 | 1:03:34 | |
I thought both teams did a great job. Really a great job. | 1:03:38 | 1:03:43 | |
-Thank you. -I thought it was imaginative, every commercial. | 1:03:43 | 1:03:46 | |
I thought they were really good. | 1:03:46 | 1:03:48 | |
The executives thought one team was OK at best, | 1:03:48 | 1:03:53 | |
and one team was fantastic. | 1:03:53 | 1:03:55 | |
Overall, one team just did a better job with all three commercials. | 1:03:55 | 1:04:00 | |
Summer, what am I going to do? | 1:04:00 | 1:04:03 | |
What do you want me to do, Summer? | 1:04:03 | 1:04:05 | |
I'd like you to say that we won. | 1:04:05 | 1:04:07 | |
Well, I can't do that because you didn't win, Summer. | 1:04:07 | 1:04:11 | |
-Yes! -You didn't win. Rocksolid, you win. | 1:04:11 | 1:04:14 | |
They loved... I have to say this, Sharon. They loved what you did. | 1:04:14 | 1:04:19 | |
# 88-88 Sparky 88-88 Sparky | 1:04:19 | 1:04:22 | |
# 88-88 Sparky... # | 1:04:22 | 1:04:25 | |
They love what they do too, apparently. | 1:04:25 | 1:04:28 | |
Well, you really did. They felt you were fantastic. | 1:04:28 | 1:04:30 | |
They're going to be using it nationwide, all over the place. | 1:04:30 | 1:04:33 | |
Bret, very importantly, 40,000 to your charity. | 1:04:33 | 1:04:36 | |
Yes. Thank you very much. | 1:04:36 | 1:04:37 | |
Once again, what is your charity, Bret? | 1:04:37 | 1:04:39 | |
My charity is the American Diabetes Association | 1:04:39 | 1:04:41 | |
-and the Bret Michaels Fund. -Congratulations. | 1:04:41 | 1:04:44 | |
-Thank you very much. -So your daughter is very happy with you, Bret. | 1:04:44 | 1:04:47 | |
-Thank you. -Very happy. | 1:04:47 | 1:04:48 | |
And I'd be happy to be their spokesperson. | 1:04:48 | 1:04:50 | |
-Hey, Bret, before you leave, before you leave... -Yes? | 1:04:50 | 1:04:53 | |
If you were me, you know these people. | 1:04:53 | 1:04:56 | |
You've gotten to know them well. Who would you fire? | 1:04:56 | 1:04:59 | |
That's tough. | 1:05:02 | 1:05:03 | |
I think I might start... I'd fire Summer cos she's tough. | 1:05:03 | 1:05:07 | |
And I'm not saying that cos she sucks. | 1:05:07 | 1:05:09 | |
You're saying that because you want rid of her? | 1:05:09 | 1:05:11 | |
-Damn straight. -OK. | 1:05:11 | 1:05:12 | |
Sharon, who do you think I should fire? | 1:05:12 | 1:05:16 | |
-Oh, Curtis. God, yes. -You don't like Curtis very much. | 1:05:16 | 1:05:19 | |
-Not a lot. -Why? Just... | 1:05:19 | 1:05:22 | |
Um, he's very smug. He's, um... | 1:05:22 | 1:05:25 | |
He's Australian. | 1:05:26 | 1:05:28 | |
Yeah, I know. I know. Put another shrimp on the barbie. | 1:05:28 | 1:05:31 | |
It's, um... He's just too smug for me and... | 1:05:31 | 1:05:37 | |
-Are Australians like that? -Yeah. Usually, yeah. | 1:05:37 | 1:05:40 | |
Really? I'm surprised to hear that. I think of Curtis as a nice guy. | 1:05:40 | 1:05:44 | |
What do you think of what she's saying, Curtis? | 1:05:44 | 1:05:46 | |
I'm a bit surprised, cos Sharon and I haven't even gotten to work | 1:05:46 | 1:05:49 | |
on the same team yet, so I'm not sure. | 1:05:49 | 1:05:51 | |
I do agree with Sharon on this instance. | 1:05:51 | 1:05:53 | |
I don't know what is. I look at him and I'm like, | 1:05:53 | 1:05:56 | |
"I want to punch you for some reason." | 1:05:56 | 1:05:59 | |
-IVANKA: -This is tough. This is a tough room, Curtis. | 1:05:59 | 1:06:01 | |
What do you say about this, Curtis? | 1:06:01 | 1:06:03 | |
I haven't got to work with Maria either, | 1:06:03 | 1:06:06 | |
so they've obviously formed really strong opinions on me. | 1:06:06 | 1:06:09 | |
They really have. I didn't know people would form... I don't know, | 1:06:09 | 1:06:13 | |
he doesn't seem like that kind of a guy to me. | 1:06:13 | 1:06:15 | |
OK. Let's go, get out. | 1:06:17 | 1:06:19 | |
-Thank you. Congratulations, Sharon. -Thank you very much. | 1:06:19 | 1:06:23 | |
-Good job. -Tell the guys "thank you." -Good job, Bret. Excellent. | 1:06:23 | 1:06:26 | |
-Yes! Come on, let's go party. -40,000, Bret. -Thank you. | 1:06:26 | 1:06:30 | |
- You made my work... - Well done. | 1:06:30 | 1:06:32 | |
I gotta be honest, I couldn't even fake it. | 1:06:32 | 1:06:35 | |
That's awesome. | 1:06:35 | 1:06:36 | |
Aw! Group hug! | 1:06:36 | 1:06:38 | |
OK, Tenacity. Unfortunately, somebody's going to be fired. | 1:06:40 | 1:06:44 | |
All righty then! All righty! | 1:06:53 | 1:06:56 | |
# 88-88 Sparky 88-88 Sparky. # | 1:06:56 | 1:07:00 | |
'Being on Celebrity Apprentice, I got to tell you,' | 1:07:00 | 1:07:02 | |
is such an amazing feeling. I'm proud to be here. | 1:07:02 | 1:07:05 | |
'I'm happy to be here. But it is a lot of hard work. | 1:07:05 | 1:07:07 | |
'And I just keep coming back swinging and fighting.' | 1:07:07 | 1:07:10 | |
And to still be standing here and make all this money | 1:07:10 | 1:07:13 | |
and raise it for diabetes, that's a good day. | 1:07:13 | 1:07:16 | |
All right. Ladies and gentleman, here we go. | 1:07:16 | 1:07:19 | |
So what do you think, Summer? | 1:07:19 | 1:07:21 | |
Well, I'm disappointed. I thought ours sounded great. | 1:07:21 | 1:07:24 | |
But that's the one thing everyone was saying to me, "Are you nervous?" | 1:07:24 | 1:07:28 | |
And I just said, "I'm anxious," because I... | 1:07:28 | 1:07:30 | |
But you sort of get what they were saying, right? | 1:07:30 | 1:07:33 | |
-I actually don't. -What do you think, Holly? | 1:07:33 | 1:07:35 | |
Just based on the fact that their team referred to a plumber's crack | 1:07:35 | 1:07:38 | |
in any way shape or form, | 1:07:38 | 1:07:40 | |
I'm surprised that they would want to use any of those spots. | 1:07:40 | 1:07:42 | |
They were so adamant about "Don't you dare talk about..." | 1:07:42 | 1:07:45 | |
But their commercial was great. | 1:07:45 | 1:07:47 | |
They were very, very specific, which you weren't. | 1:07:47 | 1:07:49 | |
Yours was not as good. Their commercials were so clear. | 1:07:49 | 1:07:52 | |
That was a big advantage, I think. | 1:07:52 | 1:07:55 | |
Holly, how did you fit in? It's interesting, seeing Summer, | 1:07:56 | 1:07:59 | |
you were doing a great job directing. | 1:07:59 | 1:08:01 | |
Cyndi, you were doing a great job with jingles | 1:08:01 | 1:08:03 | |
and coordinating, as I'd expect you to. | 1:08:03 | 1:08:05 | |
But you seemed the most reserved, Holly. | 1:08:05 | 1:08:07 | |
You seemed in the background. | 1:08:07 | 1:08:08 | |
You didn't say a lot to me when I was observing you. | 1:08:08 | 1:08:11 | |
No, I was doing a lot. | 1:08:11 | 1:08:12 | |
I did the entire Mister Sparky spot from top to bottom. | 1:08:12 | 1:08:15 | |
I directed the jingle. And I also wrote all the creative. | 1:08:15 | 1:08:19 | |
Is it fair to say that Cyndi may have carried the team? | 1:08:19 | 1:08:22 | |
It seemed like she had a large part in writing many of these jingles, | 1:08:22 | 1:08:26 | |
or at least directing the tone. | 1:08:26 | 1:08:28 | |
I think it's very fair to say that Cyndi was a huge part of this. | 1:08:28 | 1:08:32 | |
I mean, she was in her element, and I was proud of her | 1:08:32 | 1:08:34 | |
because she was writing inside the box, which she doesn't usually do. | 1:08:34 | 1:08:38 | |
There was no edge to what we were really doing. | 1:08:38 | 1:08:41 | |
It was less... It was less Cyndi than I'd ever seen Cyndi do before. | 1:08:41 | 1:08:44 | |
I was really proud of the way she came out. | 1:08:44 | 1:08:46 | |
Would you say she's the strongest person on the team? | 1:08:46 | 1:08:49 | |
Strongest person on the team? I still would say would be Summer, | 1:08:49 | 1:08:52 | |
because Summer had a unique ability | 1:08:52 | 1:08:54 | |
to diagnose what each one of us could do, | 1:08:54 | 1:08:57 | |
and then delegate that properly. | 1:08:57 | 1:08:59 | |
Summer, can you explain a little bit the rationale behind making | 1:09:01 | 1:09:05 | |
everyone sort of a micro project manager | 1:09:05 | 1:09:07 | |
and delegating to the point where they were | 1:09:07 | 1:09:09 | |
really in charge of the content of each of these different commercials? | 1:09:09 | 1:09:12 | |
I thought it was appropriate since we had four people | 1:09:12 | 1:09:15 | |
that each one could take one of the concepts. | 1:09:15 | 1:09:18 | |
We all wanted to separate so we could think by ourselves | 1:09:18 | 1:09:21 | |
and then come back, then I would take a look at it and make sure it was what we wanted. | 1:09:21 | 1:09:25 | |
You delegated a lot in this task, which may have been smart | 1:09:25 | 1:09:28 | |
strategically, or may have been just the way you thought it was | 1:09:28 | 1:09:31 | |
the most effective, but of the three different commercials, | 1:09:31 | 1:09:35 | |
which was the weakest and which was the strongest, in your opinion? | 1:09:35 | 1:09:38 | |
-And I know you have an opinion. -Yeah, I don't know. | 1:09:38 | 1:09:40 | |
I know our strongest was the One Hour Heating And Air Conditioning. | 1:09:40 | 1:09:43 | |
-Which was Cyndi's. -Mm-hmm. -And which was the weakest? | 1:09:43 | 1:09:46 | |
The other two were kind of the same for me. | 1:09:46 | 1:09:48 | |
I knew that One Hour Heating And Air Conditioning was... | 1:09:48 | 1:09:51 | |
The amazing thing is they felt so strongly. | 1:09:51 | 1:09:53 | |
-They were in love with this group. -Oh, wow. -Right. | 1:09:53 | 1:09:55 | |
It wasn't like, "Oh, gee, I thought they were both good." | 1:09:55 | 1:09:57 | |
And I have that sometimes too, where two teams are almost, like, tied. | 1:09:57 | 1:10:01 | |
-Right. -And I always feel guilty. I feel very guilty firing someone | 1:10:01 | 1:10:05 | |
when they're basically the same. | 1:10:05 | 1:10:07 | |
They felt you were just not nearly as good. | 1:10:07 | 1:10:09 | |
Well, I have to respect that | 1:10:11 | 1:10:13 | |
because they clearly know what their brand is. | 1:10:13 | 1:10:15 | |
That was one of the things I was really worried about. | 1:10:15 | 1:10:17 | |
I wasn't 100% sure that we understood exactly how | 1:10:17 | 1:10:21 | |
conservative they wanted to be. | 1:10:21 | 1:10:22 | |
We were really... I mean, we had long conversations about, | 1:10:22 | 1:10:25 | |
"Should we be edgy at all or should we be conservative?" | 1:10:25 | 1:10:28 | |
So maybe we, you know, maybe we missed the boat on that. | 1:10:28 | 1:10:32 | |
Cyndi, you're a great songwriter. | 1:10:32 | 1:10:34 | |
What did you think of your performance? | 1:10:34 | 1:10:37 | |
Because the executives were surprised because they really | 1:10:38 | 1:10:40 | |
expected to hear more from you, in terms of the voice. | 1:10:40 | 1:10:43 | |
I had, um, no voice. So, for a time expediency... | 1:10:43 | 1:10:47 | |
-You lost your voice? -Yeah. -Does that happen often? | 1:10:47 | 1:10:50 | |
-No. That's what freaked me out. -How did that happen? | 1:10:50 | 1:10:53 | |
Well, I'm allergic to dust, really badly. | 1:10:53 | 1:10:56 | |
When we went to that place in the morning, it had a lot of dust | 1:10:56 | 1:11:00 | |
and that's part of it. And my allergies, and also no sleep. | 1:11:00 | 1:11:04 | |
Kind of like the Survivor course. | 1:11:04 | 1:11:06 | |
You know, the executives really loved your voice. | 1:11:06 | 1:11:09 | |
They just wished they heard more from you. | 1:11:09 | 1:11:12 | |
So, Curtis, who would you fire if you were me? | 1:11:13 | 1:11:16 | |
I would imagine that the onus of responsibility | 1:11:19 | 1:11:23 | |
probably falls on Summer, as project manager. | 1:11:23 | 1:11:25 | |
All right, look. I want three people in this room, not four. | 1:11:27 | 1:11:30 | |
-Mm-hmm. -So you'll have to tell me who should not be fired. | 1:11:30 | 1:11:33 | |
Not an easy chore, but you'll have to do that. | 1:11:33 | 1:11:35 | |
Who should not be fired? | 1:11:35 | 1:11:38 | |
Um... | 1:11:42 | 1:11:44 | |
Come on, Summer. | 1:11:47 | 1:11:49 | |
Holly shouldn't be fired. | 1:11:49 | 1:11:50 | |
-You think Holly was outstanding? -Mm-hmm. | 1:11:52 | 1:11:55 | |
Is that because of past performance or this task? | 1:11:55 | 1:11:58 | |
Um, she was just awesome. I mean, Cyndi was fantastic. | 1:11:58 | 1:12:02 | |
Holly's just... She's consistent. | 1:12:02 | 1:12:04 | |
So, Holly, enjoy your suite at Trump Tower. | 1:12:04 | 1:12:07 | |
The rest of you go out, you'll come back in a minute. | 1:12:07 | 1:12:09 | |
-Somebody will be fired. Thank you. -Thank you. | 1:12:09 | 1:12:12 | |
-Bye. -Bye. Good luck, guys. | 1:12:20 | 1:12:23 | |
-Oh, have fun. -It ain't fun. | 1:12:23 | 1:12:25 | |
Have fun in there. | 1:12:25 | 1:12:26 | |
Please, can I stay with you? I don't want to go with that group. | 1:12:26 | 1:12:30 | |
All right. Who do we think's going to go? | 1:12:32 | 1:12:34 | |
Curtis. | 1:12:34 | 1:12:36 | |
-Hi, babe! -Hey, guys. | 1:12:36 | 1:12:37 | |
-Hello, Holly. Come in. Come in. -Hey. | 1:12:37 | 1:12:40 | |
So, Holly, let's cut to the chase. Who's going? | 1:12:40 | 1:12:43 | |
Who do you think? | 1:12:43 | 1:12:44 | |
You know, I really don't want Summer to go, but I mean, if you have | 1:12:44 | 1:12:47 | |
to look at it, Cyndi was, you know, really in charge of those jingles. | 1:12:47 | 1:12:50 | |
We thought our jingles were hot, but we were so scared to go edgy. | 1:12:50 | 1:12:54 | |
Like, we were so scared of those guys. | 1:12:54 | 1:12:56 | |
I don't know, you guys. Who do you guys think is going home? | 1:12:56 | 1:13:00 | |
-I think, honestly, it's... You know what? -Curtis. | 1:13:00 | 1:13:04 | |
It's either going to be Curtis or Summer. | 1:13:04 | 1:13:06 | |
-I'm so sorry we lost, you guys. -Me too. -Yeah. | 1:13:06 | 1:13:10 | |
I did everything that I was asked. I really tried. | 1:13:10 | 1:13:12 | |
No, I know. You did. | 1:13:12 | 1:13:14 | |
Everybody did. | 1:13:15 | 1:13:16 | |
Eric, what do you think? | 1:13:28 | 1:13:30 | |
I think Summer was a decent leader, but I think ultimately | 1:13:30 | 1:13:32 | |
the responsibility probably falls on her. | 1:13:32 | 1:13:34 | |
-Ivanka? -I think Curtis generally seems to not have the respect | 1:13:34 | 1:13:38 | |
of the people that remain. | 1:13:38 | 1:13:40 | |
Very interesting. OK. | 1:13:40 | 1:13:43 | |
Amanda, let them in. | 1:13:43 | 1:13:44 | |
Mr Trump is ready, you can go back in. | 1:13:44 | 1:13:46 | |
-Thank you. -Thank you. | 1:13:46 | 1:13:48 | |
Sit down, please. | 1:14:00 | 1:14:01 | |
-Hi. -Never a good position to be in. | 1:14:04 | 1:14:06 | |
Oh, I can't stand losing. I don't like it at all. | 1:14:06 | 1:14:10 | |
I'm competitive. I wanted the 40,000 for my charity. | 1:14:10 | 1:14:13 | |
And I thought we had a pretty good product, but apparently not. | 1:14:13 | 1:14:17 | |
Why is it that the other team seems to dislike you so much, Curtis? | 1:14:17 | 1:14:21 | |
You seem like a hell of a nice guy to me, I don't get it. | 1:14:21 | 1:14:24 | |
I'm a bit surprised as well, Mr Trump, to be honest. | 1:14:24 | 1:14:26 | |
I haven't had much to do at all with Maria. | 1:14:26 | 1:14:29 | |
And Sharon and I, | 1:14:29 | 1:14:30 | |
we've exchanged... Maybe it's a colonial joke she's sort of having. | 1:14:30 | 1:14:35 | |
You know, the English and the Aussies go back and forward a bit. | 1:14:35 | 1:14:38 | |
But I get on quite well with Sharon up until right now. | 1:14:38 | 1:14:41 | |
I'm a little bit disappointed in you, though, because they were | 1:14:41 | 1:14:44 | |
really hitting you hard, and you sort of didn't fight back. | 1:14:44 | 1:14:47 | |
I speak really respectfully to women, Mr Trump. | 1:14:47 | 1:14:50 | |
And I didn't think that it was appropriate | 1:14:50 | 1:14:52 | |
that I start screaming across the table at them. | 1:14:52 | 1:14:55 | |
OK. | 1:14:57 | 1:14:59 | |
Summer, who do you think I should fire? | 1:14:59 | 1:15:02 | |
I honestly can't answer that question. We... | 1:15:07 | 1:15:10 | |
-I think you have to. -Really? | 1:15:10 | 1:15:12 | |
Because otherwise you'll get fired. | 1:15:12 | 1:15:14 | |
You're the project manager. | 1:15:14 | 1:15:15 | |
If you can't answer that question, you're going to get fired. | 1:15:15 | 1:15:19 | |
Um, Cyndi did everything that I told her to do. | 1:15:20 | 1:15:23 | |
She worked extremely hard. Um, if you weren't to fire me, | 1:15:23 | 1:15:27 | |
then the only other person to fire would be Curtis. | 1:15:27 | 1:15:30 | |
What does that mean, "If I weren't to fire you"? | 1:15:30 | 1:15:33 | |
Listen, in our group I tasked everybody to do a job. | 1:15:33 | 1:15:38 | |
Holly did a job, that's why I sent her back. She did a great job. | 1:15:38 | 1:15:41 | |
Cyndi did a wonderful job putting our jingles together. | 1:15:41 | 1:15:44 | |
There was... I had to bring two people in here. | 1:15:44 | 1:15:47 | |
But, Summer, who should I fire? | 1:15:47 | 1:15:49 | |
Should I fire you or should I fire Curtis? | 1:15:49 | 1:15:51 | |
I'm not going to fire Cyndi | 1:15:52 | 1:15:54 | |
because she really doesn't come into this equation. | 1:15:54 | 1:15:57 | |
I think. Do you agree? | 1:15:57 | 1:15:58 | |
-I agree. -OK. So, Cyndi, unless you say something really stupid, | 1:15:58 | 1:16:02 | |
which is possible, you're not going to be fired, all right? | 1:16:02 | 1:16:05 | |
In fact, get out of here. You're not going to be fired. Go. | 1:16:05 | 1:16:08 | |
It's down to us. | 1:16:08 | 1:16:10 | |
Curtis, please move over. | 1:16:14 | 1:16:16 | |
What did you think of Summer as the project manager? | 1:16:17 | 1:16:20 | |
Mr Trump, I've got a lot of respect for Summer | 1:16:21 | 1:16:24 | |
and I think that she made some really good decisions. | 1:16:24 | 1:16:27 | |
At every point you have to go left or you have to go right. | 1:16:27 | 1:16:30 | |
We had to stay conservative or we had to be a bit more edgy. | 1:16:30 | 1:16:33 | |
We had that conversation and I was the one that brought it up | 1:16:33 | 1:16:35 | |
and said, "Are you comfortable with where we're at? | 1:16:35 | 1:16:38 | |
"Shouldn't we be a bit edgier or should we be..." | 1:16:38 | 1:16:40 | |
-Did you want to be more edgy? -I just wanted to bring it up and give Summer the option. | 1:16:40 | 1:16:44 | |
-I felt that... -Is that true, Summer? -Yeah, he did. | 1:16:44 | 1:16:47 | |
So he was probably right. | 1:16:47 | 1:16:48 | |
But I completely understand the position Summer was in. | 1:16:48 | 1:16:51 | |
Curtis, don't you think Summer's been a very, very strong player? | 1:16:51 | 1:16:55 | |
And wouldn't you think it would be a shame to fire her at this point? | 1:16:55 | 1:16:58 | |
Absolutely, Mr Trump. She has been a strong player. | 1:16:58 | 1:17:02 | |
She's won one of the challenges and this time she lost one. | 1:17:02 | 1:17:05 | |
I mean, going forward, are you more likely to beat the other team, | 1:17:07 | 1:17:11 | |
-which is quite formidable at this point... -Right. | 1:17:11 | 1:17:13 | |
..or is Curtis? And why? | 1:17:13 | 1:17:15 | |
So, going forward, I do think that I'm a stronger player. Um... | 1:17:16 | 1:17:20 | |
What about in the past? | 1:17:20 | 1:17:21 | |
In the past I think I've been a very strong player. | 1:17:21 | 1:17:24 | |
Curtis, what do you think? | 1:17:24 | 1:17:25 | |
I think you should fire Summer. She was the project manager | 1:17:27 | 1:17:30 | |
so, at the end of the day, the decisions came down to Summer. | 1:17:30 | 1:17:33 | |
-I mean, that is a tough situation, Summer. -I know. | 1:17:33 | 1:17:36 | |
Let's face it. | 1:17:36 | 1:17:37 | |
Curtis, you didn't seem very loud about wanting to make this commercial a little bit more edgy. | 1:17:38 | 1:17:43 | |
In fact, when I saw you guys, | 1:17:43 | 1:17:44 | |
I think you hardly said anything to me. You were very quiet. | 1:17:44 | 1:17:47 | |
And I have to say, to Summer's defence, | 1:17:47 | 1:17:49 | |
she really was front and centre. | 1:17:49 | 1:17:51 | |
She was just... She was there. She was all over the task. | 1:17:51 | 1:17:55 | |
Absolutely. And I think the way that I work is, if I'm not | 1:17:55 | 1:17:58 | |
the project manager, I don't want to derail her agenda. | 1:17:58 | 1:18:00 | |
She has a vision and she wants to achieve that. | 1:18:00 | 1:18:03 | |
I did voice my opinion with Summer and she'd taken it into account... | 1:18:03 | 1:18:06 | |
Curtis, why should I fire Summer over you? | 1:18:06 | 1:18:09 | |
Because I've won a challenge and I was very instrumental | 1:18:09 | 1:18:12 | |
in winning the first one, that was the diner challenge. | 1:18:12 | 1:18:14 | |
-Summer's won one... -Summer, he has been a strong player. | 1:18:14 | 1:18:17 | |
You both have. But he has been a strong player. | 1:18:17 | 1:18:19 | |
He has been a very strong player. | 1:18:19 | 1:18:21 | |
-You're having a hard time with it, right? -Listen... I am. | 1:18:26 | 1:18:29 | |
Summer, you're having a hard time, right? | 1:18:29 | 1:18:32 | |
Who should I fire? | 1:18:33 | 1:18:35 | |
-Well, I'm going to say Curtis. -And why should I fire Curtis? | 1:18:36 | 1:18:40 | |
I was project manager and I tasked people to do things. | 1:18:41 | 1:18:44 | |
It was difficult for Curtis to be involved | 1:18:44 | 1:18:47 | |
because we had our jingle set by Cyndi, our commercials set by Holly. | 1:18:47 | 1:18:54 | |
And what was hard for Curtis was to get the Australian accent | 1:18:55 | 1:18:59 | |
-out of the creative of his jingle. -OK, I understand that. | 1:18:59 | 1:19:03 | |
-I can't fault him for that. -That's not his fault. | 1:19:03 | 1:19:05 | |
Exactly. So nothing is his fault. | 1:19:05 | 1:19:08 | |
I'm saying Curtis because I want to be on this show. | 1:19:08 | 1:19:10 | |
I want to compete for my charity. | 1:19:10 | 1:19:12 | |
That's not a compelling reason, though. | 1:19:12 | 1:19:14 | |
-You haven't been in this boardroom before. -Right. | 1:19:14 | 1:19:17 | |
-Curtis has been here quite a few times. -Right. | 1:19:17 | 1:19:19 | |
-You have been stronger to date. -Right. | 1:19:19 | 1:19:22 | |
You're not saying any of that. | 1:19:22 | 1:19:23 | |
So either you're sort of giving up or you really don't believe anything | 1:19:23 | 1:19:27 | |
you're saying and you think he's stronger than you. | 1:19:27 | 1:19:29 | |
You bring up a good point. I have not been in this boardroom. Every single time the girls... | 1:19:29 | 1:19:33 | |
-YOU should have brought up this point, though! -I should have. | 1:19:33 | 1:19:36 | |
But can I bring it up now? | 1:19:36 | 1:19:37 | |
I think it's a little late for that. | 1:19:41 | 1:19:43 | |
It's a very tough situation, Summer. You're a great player. | 1:19:45 | 1:19:49 | |
You really are a great player. | 1:19:49 | 1:19:51 | |
-But you are the project manager. -Correct. | 1:19:51 | 1:19:54 | |
And you haven't given a very strong argument for you to stay. | 1:19:54 | 1:19:57 | |
Summer, you're fired. | 1:19:57 | 1:19:59 | |
-Thank you. -Thank you very much. -I'm sorry. -That's OK. | 1:20:04 | 1:20:08 | |
-Bye, guys. -Thank you, Summer. -Eric, you did a good job. | 1:20:09 | 1:20:11 | |
-Thank you, Summer. -Bye, Ivanka. -Bye, Summer. Thank you. | 1:20:11 | 1:20:15 | |
-I'm sorry, babe. -That's all right. | 1:20:15 | 1:20:17 | |
I'll get it. I'll get it. | 1:20:17 | 1:20:19 | |
-Good luck, sweetie. -Thank you. | 1:20:21 | 1:20:23 | |
-Give those kids a big squeeze for me. -I will. | 1:20:23 | 1:20:25 | |
Hi. | 1:20:27 | 1:20:29 | |
-Tough decision. -She's a great person. | 1:20:32 | 1:20:35 | |
You don't get better, but she was the project manager - they lost. | 1:20:35 | 1:20:38 | |
I think that's right. She wasn't able to defend herself. | 1:20:38 | 1:20:41 | |
It sucks to be fired. | 1:21:16 | 1:21:17 | |
I'm probably one of the most competitive people out there, | 1:21:17 | 1:21:20 | |
first of all, so I hated losing. | 1:21:20 | 1:21:21 | |
And then to hear the words, "You're fired," is awful. | 1:21:21 | 1:21:25 | |
I've never been fired in my life. I don't want to be fired again. | 1:21:25 | 1:21:28 | |
I realise that somebody had to go. | 1:21:28 | 1:21:30 | |
It's just... it's not fun to hear the words. | 1:21:30 | 1:21:33 | |
Subtitles by Red Bee Media Ltd | 1:22:03 | 1:22:06 |