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It's the final of Gareth Malone's contest | 0:00:02 | 0:00:05 | |
to find Britain's most entertaining amateur choir. | 0:00:05 | 0:00:08 | |
# La, la, la, la, la, la, la, la, la, la! # | 0:00:08 | 0:00:12 | |
-I loved it! -HE LAUGHS | 0:00:12 | 0:00:14 | |
Hundreds applied... | 0:00:14 | 0:00:16 | |
# I want to be the only one... # | 0:00:16 | 0:00:17 | |
..and Gareth scoured Britain hosting nationwide auditions... | 0:00:17 | 0:00:21 | |
# We'll haul away we'll haul away, Joe! # | 0:00:21 | 0:00:25 | |
..and fiercely contested sing offs... | 0:00:25 | 0:00:27 | |
# Ooh, ooh, ooh, ah! # | 0:00:27 | 0:00:29 | |
..before picking four regional champions. | 0:00:29 | 0:00:32 | |
I would really like to take you through | 0:00:32 | 0:00:34 | |
-to the next stage of the contest. -THEY SCREAM AND CHEER | 0:00:34 | 0:00:36 | |
After a gruelling bootcamp... | 0:00:42 | 0:00:44 | |
# Ahhh! # | 0:00:44 | 0:00:45 | |
How are we going to get this to performance level? | 0:00:45 | 0:00:48 | |
This is bloody rehearsing. This is what we're here to do. | 0:00:48 | 0:00:51 | |
..the semifinal sing-off sent one group home. | 0:00:51 | 0:00:55 | |
I'm sorry! Oh! | 0:00:57 | 0:00:59 | |
This is probably one of our finest hours, | 0:00:59 | 0:01:02 | |
it's been one of the best days we've ever had. | 0:01:02 | 0:01:05 | |
Now just three groups remain. | 0:01:05 | 0:01:07 | |
From Exeter University, all male a capella group Semi-Toned. | 0:01:08 | 0:01:12 | |
Being in the final is huge for us. | 0:01:12 | 0:01:15 | |
It's pretty much the biggest that's ever happened for us | 0:01:15 | 0:01:17 | |
and we are so, so excited to be here. | 0:01:17 | 0:01:20 | |
From Leicester, gospel singers EAGA. | 0:01:20 | 0:01:23 | |
We are winners and we're going to win this competition. | 0:01:23 | 0:01:27 | |
And Reading school choir, The Bulmershe Ensemble. | 0:01:27 | 0:01:31 | |
We're schoolkids. | 0:01:31 | 0:01:33 | |
To even be in the final just is insane. | 0:01:33 | 0:01:36 | |
They'll compete one final time in front of their biggest audience yet. | 0:01:36 | 0:01:41 | |
Good evening, London! | 0:01:41 | 0:01:44 | |
And the jury. | 0:01:46 | 0:01:47 | |
It was brilliant, I had goose bumps all over. | 0:01:48 | 0:01:52 | |
There are two of them that I'm like which way? Which way should I go? | 0:01:52 | 0:01:56 | |
Tonight, their votes will decide which choir | 0:01:56 | 0:01:58 | |
will be crowned the series champion. | 0:01:58 | 0:02:01 | |
The winner is... | 0:02:01 | 0:02:03 | |
What a perfect place! Fantastic. Hello! | 0:02:18 | 0:02:23 | |
Nestled amongst some of London's most famous landmarks, | 0:02:23 | 0:02:26 | |
Gareth's chosen venue for the contest final | 0:02:26 | 0:02:29 | |
is Central Hall Westminster. | 0:02:29 | 0:02:32 | |
It's an epic venue. It's huge! | 0:02:33 | 0:02:35 | |
There will be hundreds and hundreds and hundreds of people | 0:02:35 | 0:02:38 | |
in here staring at them, expecting the best. | 0:02:38 | 0:02:40 | |
These are the finalists, they've got to produce something | 0:02:40 | 0:02:43 | |
the like of which they have not produced before. | 0:02:43 | 0:02:45 | |
-Wow! And that'll be your stage. That'll be you down there. -Wow. | 0:02:47 | 0:02:52 | |
I'm kind of still shocked that we've come this far | 0:02:52 | 0:02:55 | |
so I'm kind of just like, what's going to happen next? | 0:02:55 | 0:02:57 | |
Like, I have no idea. | 0:02:57 | 0:02:59 | |
-Wow, wow, wow. -That is some work of art. | 0:02:59 | 0:03:02 | |
This is something big, man! It's big! | 0:03:02 | 0:03:04 | |
-This is it, boys. -Yeah! -We did it, we made it. | 0:03:06 | 0:03:10 | |
I'm feeling nervous about the prospect of what Gareth has in | 0:03:10 | 0:03:13 | |
store for us but I'm looking forward to seeing what we can come up with. | 0:03:13 | 0:03:17 | |
I've been in every nook and cranny of the country looking | 0:03:21 | 0:03:23 | |
for interesting choirs and I've whittled them all down to three. | 0:03:23 | 0:03:27 | |
It's very exciting. | 0:03:27 | 0:03:28 | |
They're all extremely different and they've learnt so much. | 0:03:28 | 0:03:30 | |
They're going to have to put all of that into their final | 0:03:30 | 0:03:33 | |
performance if they want to win. | 0:03:33 | 0:03:34 | |
I predict great things. | 0:03:35 | 0:03:38 | |
THEY CHEER | 0:03:38 | 0:03:40 | |
Hello! | 0:03:41 | 0:03:43 | |
Huge congratulations! | 0:03:45 | 0:03:47 | |
Hundreds applied for this contest and now it comes down to just | 0:03:47 | 0:03:52 | |
you three groups, so very, very well done. | 0:03:52 | 0:03:54 | |
There's now just one performance left. | 0:03:54 | 0:03:56 | |
One final performance to determine which of you will emerge | 0:03:56 | 0:04:01 | |
triumphant as my overall winner. | 0:04:01 | 0:04:04 | |
In just ten days' time, | 0:04:05 | 0:04:08 | |
you will be performing right here in this magnificent building, | 0:04:08 | 0:04:12 | |
on this stage in front of a packed audience of 2,000 people. | 0:04:12 | 0:04:17 | |
THEY LAUGH NERVOUSLY | 0:04:17 | 0:04:19 | |
And you will be performing not just one song, but two songs. | 0:04:19 | 0:04:25 | |
OK... | 0:04:27 | 0:04:28 | |
The first song, I have chosen for you. | 0:04:28 | 0:04:31 | |
The second song will be chosen by one of your competitors. | 0:04:31 | 0:04:36 | |
THEY LAUGH | 0:04:36 | 0:04:38 | |
Oh, no! | 0:04:41 | 0:04:42 | |
Wow. | 0:04:43 | 0:04:45 | |
When choosing a song for your competitor, | 0:04:45 | 0:04:47 | |
don't be too mean but remember, you do want to challenge them. | 0:04:47 | 0:04:52 | |
THEY LAUGH | 0:04:52 | 0:04:53 | |
You have just 30 minutes to make your choices. | 0:04:53 | 0:04:57 | |
Off you go and good luck. | 0:04:57 | 0:04:59 | |
GROUPS: Thank you. | 0:04:59 | 0:05:00 | |
Two in ten days. | 0:05:04 | 0:05:06 | |
-This is worse than boot camp! -I know. | 0:05:06 | 0:05:09 | |
Generally in music competitions, | 0:05:09 | 0:05:10 | |
you are asked to sing more than one song, | 0:05:10 | 0:05:12 | |
and they have to be contrasting songs, | 0:05:12 | 0:05:15 | |
songs that really show versatility and range, | 0:05:15 | 0:05:17 | |
and they've got little time to do it, | 0:05:17 | 0:05:19 | |
but I think it will really show who is the worthiest winner. | 0:05:19 | 0:05:21 | |
THEY SING SOFTLY | 0:05:21 | 0:05:23 | |
I don't know. | 0:05:23 | 0:05:25 | |
Give them German or something! | 0:05:25 | 0:05:27 | |
Gospel group EAGA are choosing a song | 0:05:27 | 0:05:30 | |
for university a cappella group Semi-Toned. | 0:05:30 | 0:05:33 | |
-Are we trying to choose a song that they'll have, like... -A struggle. | 0:05:33 | 0:05:36 | |
-A challenge. -A challenge. | 0:05:36 | 0:05:38 | |
Give them gospel. | 0:05:38 | 0:05:39 | |
# YMCA! # | 0:05:41 | 0:05:43 | |
What do we think EAGA's problem areas would be? | 0:05:43 | 0:05:46 | |
What are they going to find difficult? | 0:05:46 | 0:05:48 | |
I think maybe something not gospel. | 0:05:48 | 0:05:50 | |
So, something not gospel. That's important. | 0:05:50 | 0:05:52 | |
-Oops!... I Did It Again by Britney Spears? -Oh, my gosh! | 0:05:52 | 0:05:55 | |
It's too nice, though. We need to be mean. | 0:05:55 | 0:05:58 | |
Choosing a song for school choir Bulmershe Ensemble | 0:05:58 | 0:06:02 | |
are all-male a cappella group Semi-Toned. | 0:06:02 | 0:06:04 | |
I think we should choose something super cringeworthy. | 0:06:04 | 0:06:07 | |
If we pick a soppy ballad that's so hard to do in that genuine way... | 0:06:07 | 0:06:11 | |
So hard to do sincerely. | 0:06:11 | 0:06:12 | |
-..then that's the test, and it's going to be so hard. -Yes! | 0:06:12 | 0:06:15 | |
That's the one. | 0:06:15 | 0:06:16 | |
So, what have you got? | 0:06:18 | 0:06:19 | |
One of our ideas was I Believe In A Thing Called Love. | 0:06:19 | 0:06:21 | |
# Touching me-ee-ee! # | 0:06:21 | 0:06:23 | |
The other one we had was Ice Ice Baby. | 0:06:23 | 0:06:26 | |
Oh, that's a good one! | 0:06:26 | 0:06:27 | |
# Stop Collaborate and listen... # | 0:06:27 | 0:06:30 | |
I'd say only sort of level five mean. | 0:06:30 | 0:06:32 | |
-They're not the meanest I've ever heard in my life. -Good. | 0:06:32 | 0:06:34 | |
-We didn't want to be mean mean. -I think you can challenge them. | 0:06:34 | 0:06:37 | |
You know, you may well find yourselves getting challenged. | 0:06:37 | 0:06:41 | |
Now, I just cannot imagine that you're being horrible. Are you? | 0:06:41 | 0:06:44 | |
-ALL: -No. | 0:06:44 | 0:06:46 | |
We want to stick in the drama of gospel. | 0:06:46 | 0:06:49 | |
OK, that's good. | 0:06:49 | 0:06:52 | |
With gospel, it's always about who you're singing to, | 0:06:52 | 0:06:54 | |
so I think although it's a challenge, | 0:06:54 | 0:06:56 | |
it will still help them in terms of emotional connection. | 0:06:56 | 0:06:59 | |
Is it a gift in sheep's clothing? | 0:06:59 | 0:07:01 | |
LAUGHTER | 0:07:01 | 0:07:03 | |
An iron fist wrapped in velvet! | 0:07:03 | 0:07:06 | |
I think they're going to hate us. | 0:07:08 | 0:07:11 | |
It will take them out of their comfort zone, | 0:07:12 | 0:07:15 | |
dive them in the deep end. | 0:07:15 | 0:07:16 | |
Come on, talk to the people. Draw them in. | 0:07:16 | 0:07:19 | |
We've given them a challenge, | 0:07:19 | 0:07:20 | |
and I guess it's on them to make it work, really. | 0:07:20 | 0:07:23 | |
While the choirs might be thrown a curveball | 0:07:23 | 0:07:26 | |
by their opponent's song choice, | 0:07:26 | 0:07:28 | |
Gareth selected tracks to play to their strengths. | 0:07:28 | 0:07:31 | |
Here it is! | 0:07:31 | 0:07:32 | |
OK! | 0:07:32 | 0:07:34 | |
-Are you ready? -MURMUR OF AGREEMENT | 0:07:34 | 0:07:36 | |
Let's have a look, shall we? | 0:07:36 | 0:07:37 | |
OK, "Bulmershe Ensemble, the song Gareth has chosen for you | 0:07:37 | 0:07:41 | |
"is It's Time by Imagine Dragons." | 0:07:41 | 0:07:44 | |
-Nice. -Good song? -It's one of my favourite songs. | 0:07:44 | 0:07:46 | |
Oh, good. I thought I knew you fairly well. | 0:07:46 | 0:07:48 | |
"And the song your opponents have chosen for you | 0:07:48 | 0:07:50 | |
"is You're Beautiful by James Blunt." | 0:07:50 | 0:07:52 | |
-EXCLAMATIONS -Really? | 0:07:52 | 0:07:54 | |
-Is that your jam? -I love that song. -You love that song? -James Blunt! | 0:07:54 | 0:07:57 | |
# She smiled at me on the subway... # | 0:07:57 | 0:08:00 | |
That's a good impression. Carry on. | 0:08:00 | 0:08:02 | |
# She was with another man... # | 0:08:02 | 0:08:04 | |
You've got James Blunt in your group! | 0:08:04 | 0:08:06 | |
CHEERING | 0:08:06 | 0:08:08 | |
"The song Gareth chose for you is... | 0:08:09 | 0:08:13 | |
"Guide Me, O Thou Great Redeemer." | 0:08:13 | 0:08:15 | |
It's the one... # Bread of heaven, bread of heaven | 0:08:15 | 0:08:19 | |
# Feed me till... # | 0:08:19 | 0:08:21 | |
GARETH SINGS TUNE | 0:08:21 | 0:08:23 | |
-Happy with that choice? -ALL: -Yes. | 0:08:23 | 0:08:25 | |
Let's look at the next one. | 0:08:25 | 0:08:28 | |
"Especially For You by Kylie Minogue and Jason Donovan." | 0:08:28 | 0:08:33 | |
Does anyone know that? | 0:08:33 | 0:08:35 | |
I know Kylie. | 0:08:35 | 0:08:36 | |
All right, here's the song. | 0:08:36 | 0:08:38 | |
# Especially for you | 0:08:38 | 0:08:42 | |
# I wanna let you know what I was going through | 0:08:42 | 0:08:48 | |
# All the time we were apart... # | 0:08:48 | 0:08:50 | |
It is very, very cheesy. It's plastic pop from another era. | 0:08:50 | 0:08:54 | |
Start watching old episodes of Neighbours, perhaps, | 0:08:54 | 0:08:57 | |
for inspiration. | 0:08:57 | 0:08:58 | |
I'll see you soon. Bye. Good luck. | 0:08:58 | 0:09:01 | |
"Semi-Toned, the song Gareth has chosen for you is... | 0:09:03 | 0:09:07 | |
"Senorita by Justin Timberlake." | 0:09:07 | 0:09:09 | |
LAUGHTER | 0:09:09 | 0:09:11 | |
It's a gift. However... | 0:09:11 | 0:09:13 | |
"Your opponents have chosen for you... | 0:09:13 | 0:09:16 | |
"Anthem Of Praise by Richard Smallwood." | 0:09:16 | 0:09:19 | |
I thought you might not know this, so I've got it here. | 0:09:19 | 0:09:21 | |
-Would you like to have a listen? -MURMUR OF ASSENT | 0:09:21 | 0:09:23 | |
SONG PLAYS | 0:09:23 | 0:09:26 | |
# Praise him with the timbrel and dance | 0:09:26 | 0:09:28 | |
# Praise him with the sound of the trumpet | 0:09:28 | 0:09:30 | |
# Praise him with the psaltery and harp... # | 0:09:30 | 0:09:32 | |
Anthem Of Praise is renowned in gospel circles | 0:09:32 | 0:09:35 | |
for its complexity and power. | 0:09:35 | 0:09:37 | |
# ..On the high-sounding cymbals | 0:09:37 | 0:09:39 | |
# Praise him with string instruments | 0:09:39 | 0:09:41 | |
# Let everything that hath breath praise the Lord... # | 0:09:41 | 0:09:44 | |
If you can make it convincing, | 0:09:44 | 0:09:46 | |
you know, then I think you're onto a winner. | 0:09:46 | 0:09:48 | |
-But you've got to go to the next level with this. -Yeah. | 0:09:48 | 0:09:52 | |
As soon as I read "Anthem Of Praise", | 0:09:56 | 0:09:57 | |
I immediately thought, "Right, this is a gospel song," | 0:09:57 | 0:10:00 | |
and I started to panic. | 0:10:00 | 0:10:02 | |
I'm very, very happy! | 0:10:02 | 0:10:04 | |
When we are in that zone, anyone in the way, watch out, | 0:10:06 | 0:10:11 | |
because we are coming full force. | 0:10:11 | 0:10:13 | |
The choirs now have just ten days to perfect their performances | 0:10:13 | 0:10:18 | |
and artfully weave their two given songs into a mini-medley. | 0:10:18 | 0:10:21 | |
-Bye! -Bye. | 0:10:21 | 0:10:23 | |
We're going to have to work really hard. | 0:10:23 | 0:10:25 | |
These are difficult song choices for them all. | 0:10:25 | 0:10:26 | |
Nobody's got an easy ride. | 0:10:26 | 0:10:28 | |
-Weird to be back at school. -It is, it is. | 0:10:38 | 0:10:41 | |
Summer term might be over, but in Reading, | 0:10:41 | 0:10:44 | |
the Bulmershe Ensemble are back in school for rehearsals. | 0:10:44 | 0:10:48 | |
It is nice, cos I'm in familiar surroundings, | 0:10:48 | 0:10:50 | |
and we're more comfortable here, | 0:10:50 | 0:10:52 | |
but then it's early morning, and I could be at home in bed, so... | 0:10:52 | 0:10:56 | |
You know, it's mixed feelings. | 0:10:56 | 0:10:57 | |
Morning. Oh, sorry, guys. | 0:10:57 | 0:10:59 | |
It's my last day! | 0:10:59 | 0:11:01 | |
This week, I'm getting married, so today is my last day. | 0:11:01 | 0:11:05 | |
I'm feeling pretty euphoric about this. I'm pretty happy. | 0:11:05 | 0:11:08 | |
With teacher Sarah on honeymoon when the final takes place, | 0:11:08 | 0:11:12 | |
it will fall to one of the students to step up as leader. | 0:11:12 | 0:11:15 | |
LAUGHTER | 0:11:15 | 0:11:16 | |
New musical director is Abby. | 0:11:16 | 0:11:19 | |
No surprises there. | 0:11:19 | 0:11:21 | |
As well as becoming their musical director, | 0:11:21 | 0:11:23 | |
17-year-old student Abby | 0:11:23 | 0:11:25 | |
will be responsible for arranging the choir's medley. | 0:11:25 | 0:11:28 | |
I managed to get quite a lot of You're Beautiful done, | 0:11:28 | 0:11:31 | |
and so I think it's going to be really good | 0:11:31 | 0:11:33 | |
to show Gareth that today. | 0:11:33 | 0:11:35 | |
I feel like Bulmershe are in a great place. | 0:11:36 | 0:11:38 | |
They've just been handed two really good songs. | 0:11:38 | 0:11:41 | |
They all seem quite gelled as a unit. | 0:11:41 | 0:11:43 | |
I wait to see with interest | 0:11:43 | 0:11:46 | |
what happens when their teacher goes away. | 0:11:46 | 0:11:48 | |
-Let's hear you sing. -Great. | 0:11:48 | 0:11:50 | |
Do your James Blunt impression for me again, | 0:11:50 | 0:11:52 | |
just you on the guitar. | 0:11:52 | 0:11:53 | |
-AS JAMES BLUNT: -# My life is brilliant | 0:11:53 | 0:11:56 | |
# My love is pure... # | 0:11:56 | 0:11:58 | |
Let's just hear other people sing that solo. | 0:11:58 | 0:12:01 | |
# My life is brilliant... # | 0:12:01 | 0:12:03 | |
-That is a... -# My love is pure... # | 0:12:03 | 0:12:06 | |
It's a female James Blunt. | 0:12:06 | 0:12:08 | |
LAUGHTER | 0:12:08 | 0:12:09 | |
No criticism, but you sounded like... I could hear... | 0:12:09 | 0:12:11 | |
-Yeah, I can hear just, like, in my head... -Yeah. | 0:12:11 | 0:12:14 | |
Try and do it differently. | 0:12:14 | 0:12:16 | |
# I saw an angel... # | 0:12:16 | 0:12:18 | |
It's the ghost of James Blunt. | 0:12:18 | 0:12:19 | |
-# She smiled on the subway... # -Go away, Blunt! | 0:12:19 | 0:12:23 | |
CHATTER | 0:12:23 | 0:12:25 | |
Mine always goes R&B. | 0:12:25 | 0:12:26 | |
OK, good. Do me R&B. | 0:12:26 | 0:12:28 | |
-R&B-STYLE: -# My life is brilliant | 0:12:28 | 0:12:31 | |
# My love is pure | 0:12:31 | 0:12:34 | |
# I saw an angel | 0:12:34 | 0:12:36 | |
# Of that I'm sure... # | 0:12:36 | 0:12:38 | |
Get in your box, James Blunt. Abhishek is here. | 0:12:38 | 0:12:42 | |
Yeah. All right. Charlie? | 0:12:42 | 0:12:44 | |
# My life is brilliant | 0:12:44 | 0:12:47 | |
# My love is pure | 0:12:47 | 0:12:50 | |
# I saw an angel | 0:12:51 | 0:12:54 | |
# Of that I'm sure... # | 0:12:54 | 0:12:56 | |
# She smiled at me on the subway | 0:12:56 | 0:12:59 | |
-# She was with another man -Oooh... # | 0:12:59 | 0:13:03 | |
This is good. This is good. | 0:13:03 | 0:13:05 | |
-# ..Cos I've got a plan... # -Together. Ahh! | 0:13:05 | 0:13:09 | |
SQUEALING | 0:13:09 | 0:13:11 | |
I think that... Immediately I'm hearing it afresh | 0:13:11 | 0:13:14 | |
and it doesn't sound like the record. | 0:13:14 | 0:13:16 | |
I like you starting it. That's beautiful. | 0:13:16 | 0:13:18 | |
But then I love you coming in all R&B. | 0:13:18 | 0:13:20 | |
I think we may have just cooked up a winner. | 0:13:20 | 0:13:24 | |
It's lovely to see you all smiling and happy. | 0:13:24 | 0:13:26 | |
You're in the final. You've done incredibly well. | 0:13:26 | 0:13:29 | |
You're the youngest in the competition, | 0:13:29 | 0:13:30 | |
but you are by no means the underdog. | 0:13:30 | 0:13:33 | |
Well done. | 0:13:33 | 0:13:34 | |
Honestly, I think they've been handed a gift with James Blunt. | 0:13:34 | 0:13:37 | |
I don't think anyone could have predicted | 0:13:37 | 0:13:39 | |
that Abhishek and Charlie together would be so good. | 0:13:39 | 0:13:41 | |
It feels... | 0:13:41 | 0:13:43 | |
Today, I feel really positive about Bulmershe. | 0:13:43 | 0:13:46 | |
I am happy about getting the solo. | 0:13:46 | 0:13:48 | |
I mean, it's something that I've been hoping | 0:13:48 | 0:13:50 | |
that I get the chance to sing, especially cos I start it off, | 0:13:50 | 0:13:53 | |
so it's just kind of really exciting. | 0:13:53 | 0:13:55 | |
-I have a solo! -Really? -Oh, wow. | 0:14:03 | 0:14:06 | |
17-year-old soloist Charlie | 0:14:06 | 0:14:09 | |
lives at home with her mum, stepdad and three brothers. | 0:14:09 | 0:14:13 | |
Just think to yourself in your head when you're singing, | 0:14:13 | 0:14:17 | |
"I'm not great... | 0:14:17 | 0:14:18 | |
"I'm just not great. I'm amazing." | 0:14:18 | 0:14:20 | |
LAUGHTER | 0:14:20 | 0:14:23 | |
I wouldn't have done any of this if I didn't have their support, | 0:14:23 | 0:14:26 | |
if I didn't have the encouragement from them. | 0:14:26 | 0:14:28 | |
It just means so much to me that they're able to see me perform. | 0:14:28 | 0:14:32 | |
They're just an amazing bunch of people, | 0:14:32 | 0:14:35 | |
and I'm so glad that I have them. | 0:14:35 | 0:14:36 | |
Charlie was a very quiet little girl growing up. | 0:14:36 | 0:14:40 | |
She wasn't a people person, she was a bit of an introvert, | 0:14:40 | 0:14:43 | |
and since joining the choir, she's come right out of her shell. | 0:14:43 | 0:14:46 | |
-Clap your hands! -Sing with me! | 0:14:46 | 0:14:49 | |
Whoohoo! Good job. | 0:14:49 | 0:14:51 | |
I am overwhelmed, actually, at how far you've come. | 0:14:51 | 0:14:55 | |
You've turned from this young girl into a young lady, young woman, | 0:14:55 | 0:14:59 | |
and I'm really pleased that you've got the solo, | 0:14:59 | 0:15:02 | |
and I can't wait to see you shine. | 0:15:02 | 0:15:04 | |
Hello! | 0:15:13 | 0:15:14 | |
Determined to devote every available minute to rehearsals, | 0:15:14 | 0:15:18 | |
university group Semi-Toned are shutting themselves away | 0:15:18 | 0:15:21 | |
in choir member Charlie's house in Surrey. | 0:15:21 | 0:15:24 | |
Shotgun the double bed. | 0:15:24 | 0:15:25 | |
I don't mind the idea of living here for ten days. | 0:15:25 | 0:15:28 | |
I'm going to be on this side, and Duncan's going to be over there. | 0:15:28 | 0:15:31 | |
And Duncan's the big spoon. | 0:15:31 | 0:15:33 | |
And under this is my neatly folded clothes. Thank you, Mummy. | 0:15:33 | 0:15:37 | |
Semi-Toned is the brainchild of Eddie, who, like many of the group, | 0:15:37 | 0:15:41 | |
is leaving university and the choir behind them this year. | 0:15:41 | 0:15:44 | |
It's so good to be able to live with the guys for the next ten days, | 0:15:44 | 0:15:49 | |
so we can eat, sleep, drink the song. | 0:15:49 | 0:15:53 | |
-RECORDING: -'# Who-o-o-oa Praise him... #' | 0:15:53 | 0:15:57 | |
One of the main things we've got to tackle this week is really | 0:15:58 | 0:16:01 | |
getting behind the song. | 0:16:01 | 0:16:03 | |
It's just unquestionably about the Lord God and praising him | 0:16:03 | 0:16:06 | |
-and worshipping him, it says nearly every single line, doesn't it? -Yeah. | 0:16:06 | 0:16:09 | |
We're not religious so the words mean less to us than EAGA. | 0:16:09 | 0:16:13 | |
'# Let us exalt his name together... #' | 0:16:13 | 0:16:16 | |
It's probably one of the toughest, | 0:16:16 | 0:16:18 | |
if not the toughest piece we've ever had to learn. | 0:16:18 | 0:16:20 | |
The arrangement we've made complex but hopefully | 0:16:20 | 0:16:22 | |
that will pay off and it'll be really impressive. | 0:16:22 | 0:16:24 | |
The song that I gave them, Justin Timberlake, easy. | 0:16:27 | 0:16:30 | |
They'll eat that for dinner. | 0:16:30 | 0:16:31 | |
But EAGA have given them a really quite serious gospel piece, | 0:16:31 | 0:16:35 | |
and I think they're going to find it difficult. | 0:16:35 | 0:16:38 | |
-Hello! -Hi, Gareth, how are you? -Very well, you? | 0:16:38 | 0:16:40 | |
-Good to see you. -Please come in. -Thank you very much. | 0:16:40 | 0:16:42 | |
OK, why don't you sing it? | 0:16:42 | 0:16:44 | |
One, two, three, four. | 0:16:44 | 0:16:46 | |
# Praise him with the timbrel and dance | 0:16:46 | 0:16:48 | |
# Praise him with the sound of the trumpet | 0:16:48 | 0:16:50 | |
# Praise him with string instruments | 0:16:50 | 0:16:52 | |
# Let every breath praise the Lord | 0:16:52 | 0:16:54 | |
# Oh, magnify the Lord | 0:16:54 | 0:16:56 | |
# Magnify the Lord with me | 0:16:56 | 0:16:58 | |
# Magnify the Lord | 0:16:58 | 0:17:00 | |
# Whoa, magnify the Lord with me | 0:17:00 | 0:17:02 | |
# Magnify the Lord Let us exalt his name together... # | 0:17:02 | 0:17:05 | |
Wow! OK. Um... | 0:17:05 | 0:17:08 | |
It's very busy. | 0:17:08 | 0:17:10 | |
I think that's my main feeling. | 0:17:10 | 0:17:11 | |
So, a little bit of an assault. | 0:17:13 | 0:17:15 | |
Religious ecstasy is what we're after. | 0:17:16 | 0:17:19 | |
That's what I'm seriously missing because it's just so...ahhhh! | 0:17:19 | 0:17:23 | |
# Praise him with the sound of the trumpet! # | 0:17:23 | 0:17:26 | |
You know, it needs to be that kind of really expressive singing. | 0:17:26 | 0:17:30 | |
So, could you just sing those chords, and then could you, Ted, | 0:17:30 | 0:17:33 | |
just do that freestyle? | 0:17:33 | 0:17:35 | |
As if you were the preacher. | 0:17:35 | 0:17:37 | |
# Praise him with the timbrel and dance | 0:17:37 | 0:17:39 | |
# Praise him with the sound of the trumpet | 0:17:39 | 0:17:41 | |
# Praise him with the psaltery and harp | 0:17:41 | 0:17:43 | |
# Let everything that hath breath praise the Lord... # | 0:17:43 | 0:17:47 | |
It's still a long way from actually feeling like | 0:17:47 | 0:17:49 | |
a gospel performance, because you're inhibited. | 0:17:49 | 0:17:52 | |
I don't want to listen to a group of, sort of... | 0:17:52 | 0:17:55 | |
-FLATLY: -# Be joyful. # ..choristers. | 0:17:55 | 0:17:57 | |
You've got to go there. Don't be afraid of it. | 0:17:57 | 0:18:00 | |
It's like big dogs, you've just got to stand your ground, | 0:18:00 | 0:18:03 | |
show it who's boss. | 0:18:03 | 0:18:04 | |
I am nervous, but with the amount of work and the amount of support | 0:18:04 | 0:18:08 | |
that all the guys have been giving each other, it's, you know, | 0:18:08 | 0:18:12 | |
we'll eventually come up with something we'll be proud of. | 0:18:12 | 0:18:15 | |
I actually don't know whether Ted can do it or not. | 0:18:15 | 0:18:19 | |
He's got the notes, but has he got the style? | 0:18:19 | 0:18:22 | |
I don't know if I could do it. | 0:18:24 | 0:18:25 | |
I'm back in Leicester to see EAGA, which actually gladdens my heart | 0:18:32 | 0:18:35 | |
because they are a really lovely bunch of people. | 0:18:35 | 0:18:37 | |
And when they really let rip, | 0:18:37 | 0:18:39 | |
it is so fantastic and so energetic, it's quite infectious. | 0:18:39 | 0:18:42 | |
So I'm looking forward to seeing them. | 0:18:42 | 0:18:43 | |
I hope that they are, I hope they're getting on with it. | 0:18:43 | 0:18:46 | |
# I've got to say | 0:18:46 | 0:18:49 | |
# Take my eyes off you... # | 0:18:49 | 0:18:53 | |
You want to get everything done in time, and it's the finals, | 0:18:53 | 0:18:56 | |
so we have to be, you know, on point. | 0:18:56 | 0:18:58 | |
Have to get everything correct. | 0:18:58 | 0:19:00 | |
And hopefully Gareth will like our ideas. | 0:19:00 | 0:19:03 | |
# Yo-o-o-ou... # | 0:19:03 | 0:19:07 | |
Founded by Bishop Mark 13 years ago, | 0:19:07 | 0:19:09 | |
EAGA is a group brought together | 0:19:09 | 0:19:12 | |
by a shared faith as well as a shared love of music. | 0:19:12 | 0:19:15 | |
# I still feel the same... # | 0:19:15 | 0:19:17 | |
We go places and we sing gospel music, | 0:19:17 | 0:19:21 | |
and we see cloudy faces, people, just become like the sun. | 0:19:21 | 0:19:27 | |
Cos gospel music leads you back to God, | 0:19:27 | 0:19:29 | |
so it all makes us think about one thing, | 0:19:29 | 0:19:31 | |
and that one thing is God, that has brought us together. | 0:19:31 | 0:19:34 | |
And I think that's what keeps us smiling with each other. | 0:19:34 | 0:19:38 | |
-# Never change... # -Can hear them already. | 0:19:38 | 0:19:41 | |
-# I still feel the same -I still feel the same... # | 0:19:41 | 0:19:45 | |
-It's Kylie and Jason! Hello. -Hello. | 0:19:46 | 0:19:49 | |
Are you liking Kylie and Jason? | 0:19:49 | 0:19:52 | |
-The message is nice. -The message is nice. Are you a romantic? | 0:19:52 | 0:19:56 | |
THEY LAUGH | 0:19:56 | 0:19:59 | |
Can we hear it again, and then let me just have a few thoughts? | 0:19:59 | 0:20:02 | |
-# No more dreaming about tomorrow -Yeah, yeah | 0:20:02 | 0:20:09 | |
# Forget the loneliness and the sorrow | 0:20:09 | 0:20:12 | |
# I got to say... # | 0:20:12 | 0:20:14 | |
Can you do it in octaves? | 0:20:14 | 0:20:16 | |
HE SINGS HIGH NOTES | 0:20:16 | 0:20:18 | |
Do his line an octave above? | 0:20:18 | 0:20:19 | |
# And the sorrow... # | 0:20:19 | 0:20:21 | |
If we could get a few more people involved in that, | 0:20:21 | 0:20:23 | |
then it would really go somewhere. | 0:20:23 | 0:20:25 | |
One more time. | 0:20:25 | 0:20:26 | |
# Forget the loneliness and the sorrow... # | 0:20:26 | 0:20:30 | |
Yeah, yeah, that works, doesn't it? | 0:20:30 | 0:20:32 | |
It's a rainbow! It's a sign... | 0:20:32 | 0:20:36 | |
that we're going in the right direction! | 0:20:36 | 0:20:39 | |
So, now we've got a big gaping hole, haven't we? What happens next? | 0:20:39 | 0:20:42 | |
We've got nothing. Have you got anything? | 0:20:42 | 0:20:45 | |
Let's try and get this done, because time is ticking, | 0:20:45 | 0:20:47 | |
there's one week before you perform. | 0:20:47 | 0:20:49 | |
I think this is a good direction, | 0:20:49 | 0:20:51 | |
I want to make sure you actually get it finished. | 0:20:51 | 0:20:53 | |
They take their time, I get it, it's a slow creative process | 0:20:53 | 0:20:58 | |
and they all have to believe in it and it's very sort of democratic. | 0:20:58 | 0:21:01 | |
But they've a lot of work to do and they have only got seven days. | 0:21:01 | 0:21:06 | |
We cannot be happy with his good comments that he gave us | 0:21:06 | 0:21:08 | |
on the first song, there's still a lot of work to be done. | 0:21:08 | 0:21:11 | |
Taking the lead vocals in EGEA's crucial final performance | 0:21:15 | 0:21:19 | |
is 22-year-old Kosi. | 0:21:19 | 0:21:21 | |
SHE SINGS PASSIONATELY | 0:21:21 | 0:21:25 | |
Ever since Gareth first auditioned the choir, | 0:21:25 | 0:21:27 | |
he's been impressed by her talent. | 0:21:27 | 0:21:30 | |
# When I pray I will be up there | 0:21:30 | 0:21:34 | |
# Ah... | 0:21:34 | 0:21:39 | |
# Men! # | 0:21:41 | 0:21:45 | |
You brought a little tear to my eye, I have to say. | 0:21:48 | 0:21:51 | |
-Particularly Kosi's solo. You went for it. -Thank you. | 0:21:51 | 0:21:55 | |
Have you enjoyed your studies, or are you...? | 0:21:55 | 0:21:57 | |
-Enjoyed, that's not the word I would use for it. -Endured. -Yes! | 0:21:57 | 0:22:02 | |
Kosi has just finished an MA in finance, | 0:22:02 | 0:22:04 | |
but music has always been her true passion. | 0:22:04 | 0:22:08 | |
Is this something you're just sort of waking up to, thinking, | 0:22:08 | 0:22:10 | |
actually, music is... | 0:22:10 | 0:22:12 | |
No, I've always wanted to go into music since I was young. | 0:22:12 | 0:22:15 | |
I actually wanted to do it as a degree before. My parents said no. | 0:22:15 | 0:22:19 | |
So it's always been there. | 0:22:19 | 0:22:21 | |
So I think, right now, I'm, like, in between both, | 0:22:21 | 0:22:23 | |
-does that makes sense? -A foot in both camps. -Yeah. | 0:22:23 | 0:22:26 | |
I would love to see you consider this over the next week. | 0:22:26 | 0:22:29 | |
So that when you're in that final, you kind of go, right, | 0:22:29 | 0:22:32 | |
this is the moment for me to really explore what this feels like | 0:22:32 | 0:22:35 | |
for me to be a proper singer. | 0:22:35 | 0:22:36 | |
You're going to be on a stage in front of 2,000 people, | 0:22:36 | 0:22:39 | |
with a great choir backing you up. Let's see it. | 0:22:39 | 0:22:42 | |
-I definitely will show that next week. -Yeah? -Yes. | 0:22:42 | 0:22:45 | |
'I need to be really strong in my decision to go into music' | 0:22:45 | 0:22:49 | |
and I have to be more confident in myself, especially vocally, | 0:22:49 | 0:22:53 | |
because now I know what I'm able to do. | 0:22:53 | 0:22:56 | |
And I just need to continue believing in myself, I can do it. | 0:22:56 | 0:22:59 | |
-I, Sarah Jane Lant... -I, Sarah Jane Lant. | 0:23:07 | 0:23:11 | |
Take you, Nicholas Charles Sharp. | 0:23:11 | 0:23:12 | |
To have and to hold from this day forward. | 0:23:12 | 0:23:15 | |
You are now husband and wife. | 0:23:15 | 0:23:17 | |
CHEERING | 0:23:17 | 0:23:20 | |
# Oooh, baby | 0:23:22 | 0:23:25 | |
# Here I am, signed, sealed delivered, I'm yours. # | 0:23:25 | 0:23:29 | |
It was just an amazing experience, | 0:23:33 | 0:23:34 | |
and it was just lovely to be here for her. | 0:23:34 | 0:23:36 | |
Yeah. And she looked so happy. | 0:23:36 | 0:23:38 | |
CHEERING | 0:23:38 | 0:23:40 | |
The singing was amazing, it was great, I was loving it. | 0:23:40 | 0:23:43 | |
I loved Signed, Sealed, Delivered. | 0:23:43 | 0:23:44 | |
I could hear it from the room out the back and I was dancing away. | 0:23:44 | 0:23:47 | |
Nick was like, "I'm not dancing down the aisle," I was like, "Yeah, you are!" | 0:23:47 | 0:23:50 | |
It was such an amazing service. | 0:23:50 | 0:23:53 | |
When they started singing, I was like, oh, my God, I'm going to go. | 0:23:53 | 0:23:56 | |
My dad was like, "Hold it together." OK, fine, I've got it, got it. | 0:23:56 | 0:23:59 | |
And then I just beamed all the way down the aisle. | 0:23:59 | 0:24:01 | |
They want me gone now, they're ready to do this by themselves. | 0:24:01 | 0:24:05 | |
I'll be proud of them whatever happens. But I think they're going to win. | 0:24:05 | 0:24:08 | |
Thank you so much, guys. Everybody thinks you are awesome. | 0:24:08 | 0:24:12 | |
-Hands in, ready? One, two, three. -ALL: Bulmershe! | 0:24:12 | 0:24:16 | |
Just three days until the grand final, when the choirs must wow | 0:24:20 | 0:24:24 | |
a 2,000-strong crowd and win the votes of the all-important jury. | 0:24:24 | 0:24:29 | |
They've got to have great soloists, backed up by a flawless ensemble, | 0:24:29 | 0:24:32 | |
they've got to have their harmonies completely perfect. | 0:24:32 | 0:24:35 | |
The arrangement's got to be varied, | 0:24:35 | 0:24:36 | |
they're going to have to switch it up. I need to be surprised. | 0:24:36 | 0:24:39 | |
Their combined expertise covers choreography | 0:24:39 | 0:24:43 | |
and a diverse mix of musical genres. | 0:24:43 | 0:24:46 | |
Including classical, modern a cappella, | 0:24:46 | 0:24:48 | |
pop, and gospel. | 0:24:48 | 0:24:51 | |
Gospel means good news. | 0:24:51 | 0:24:52 | |
So what I will be looking for is | 0:24:52 | 0:24:54 | |
how well do they communicate that, | 0:24:54 | 0:24:57 | |
within the restrictions that they've been given. | 0:24:57 | 0:24:59 | |
What you want to make the audience feel is that they were | 0:24:59 | 0:25:01 | |
on the stage with you. | 0:25:01 | 0:25:03 | |
You're drawing them in to your performance. Very, very important. | 0:25:03 | 0:25:07 | |
THEY PERFORM VOCAL WARM-UP | 0:25:13 | 0:25:15 | |
We've worked seriously hard, haven't we? | 0:25:15 | 0:25:17 | |
And I think we're in a good place. | 0:25:17 | 0:25:19 | |
We just need to get over the hill, so to speak. | 0:25:19 | 0:25:21 | |
Up in the Surrey hills, | 0:25:21 | 0:25:23 | |
Semi-Toned are taking time out before Gareth's last visit. | 0:25:23 | 0:25:27 | |
I think we're all starting to really realise the magnitude | 0:25:27 | 0:25:30 | |
of what it is we're doing. | 0:25:30 | 0:25:31 | |
This is just the biggest thing that the group has ever done. | 0:25:31 | 0:25:34 | |
It's exciting, but I think now the nerves are starting to kick in. | 0:25:34 | 0:25:38 | |
I think it's going to be really tough, and I think I'm feeling | 0:25:38 | 0:25:42 | |
less confident about the final than I was the semifinal. | 0:25:42 | 0:25:45 | |
Just because of the song. | 0:25:45 | 0:25:47 | |
-# Bow-bow-bow -Oh, baby, baby... # | 0:25:47 | 0:25:49 | |
In the early stages of the contest, | 0:25:49 | 0:25:52 | |
Semi-Toned stood out thanks to their blend of camp comedy | 0:25:52 | 0:25:57 | |
and tongue-in-cheek choreography. | 0:25:57 | 0:25:59 | |
# Then you look into my eyes | 0:25:59 | 0:26:02 | |
# Lord knows, to my surprise... # | 0:26:02 | 0:26:04 | |
But they struggled to replace archness with sincerity. | 0:26:04 | 0:26:08 | |
-Stop, did you make it? -I don't know. I don't think I expressed it. | 0:26:08 | 0:26:12 | |
Until a breakthrough semifinal performance, | 0:26:12 | 0:26:15 | |
powered by an emotional solo from maths student Michael. | 0:26:15 | 0:26:19 | |
# And I would have liked to know you | 0:26:19 | 0:26:22 | |
# But I was just a kid | 0:26:22 | 0:26:24 | |
# Your candle burned out long before | 0:26:24 | 0:26:28 | |
# Your legend never did. # | 0:26:28 | 0:26:31 | |
APPLAUSE AND CHEERING | 0:26:31 | 0:26:33 | |
For the final, success again depends on their soloist, | 0:26:35 | 0:26:39 | |
but this time, the crucial role falls to Ted. | 0:26:39 | 0:26:43 | |
I am pretty nervous about the solo at the beginning. | 0:26:43 | 0:26:46 | |
When I'm out there, opening the song, it's going to be... | 0:26:46 | 0:26:49 | |
Yeah, it's going to be quite tough. | 0:26:49 | 0:26:52 | |
21-year-old Ted lives in Norfolk with his mum, dad and two brothers. | 0:26:56 | 0:27:02 | |
When I was younger, I was quite a nervous, shy kid. | 0:27:02 | 0:27:06 | |
My parents made me have singing lessons and that's something | 0:27:06 | 0:27:09 | |
that really boosted my confidence. | 0:27:09 | 0:27:11 | |
He was quite shy, | 0:27:11 | 0:27:12 | |
and he would never put his hand up in the class and answer a question. | 0:27:12 | 0:27:16 | |
The problem we were trying to find is, what is the thing | 0:27:16 | 0:27:19 | |
that's going to give him that feeling that you get | 0:27:19 | 0:27:22 | |
-when you know you're loving what you're doing. -Yeah. | 0:27:22 | 0:27:24 | |
And Alex succeeded in that when she got him into acting and singing. | 0:27:24 | 0:27:29 | |
Citizens of Hamley. | 0:27:29 | 0:27:32 | |
As your elected mayor... | 0:27:32 | 0:27:34 | |
You could see from the performing and the singing | 0:27:34 | 0:27:38 | |
that everything in life became easier, | 0:27:38 | 0:27:40 | |
but it started by this confidence he got from performing. | 0:27:40 | 0:27:43 | |
I think that's what I get most out of it, | 0:27:43 | 0:27:46 | |
is the fact that he looks so happy when he's doing it. | 0:27:46 | 0:27:49 | |
And that's the thing. Yeah. | 0:27:49 | 0:27:53 | |
Oh! | 0:27:54 | 0:27:55 | |
Eddie has got a lot of belief in me to kind of deliver, | 0:27:57 | 0:28:01 | |
so whether that's well-placed or not, we'll see. | 0:28:01 | 0:28:04 | |
No pressure. | 0:28:04 | 0:28:05 | |
Last time I saw Semi-Toned, | 0:28:09 | 0:28:10 | |
I felt like they were really struggling with the gospel song. | 0:28:10 | 0:28:13 | |
And they're going head-to-head with gospel choir. | 0:28:13 | 0:28:16 | |
Yeah, I don't think Semi-Toned are flying at the moment. | 0:28:16 | 0:28:19 | |
Ready. Wow me. | 0:28:23 | 0:28:25 | |
# Praise him with the timbrel and dance | 0:28:27 | 0:28:31 | |
# Praise him with the sound of the trumpet | 0:28:31 | 0:28:36 | |
# Let everything that hath breath | 0:28:36 | 0:28:39 | |
# Praise the Lord. # | 0:28:40 | 0:28:47 | |
Oh, it's almost it, and I think, | 0:28:47 | 0:28:50 | |
I'd say the same thing to every single one of you, | 0:28:50 | 0:28:53 | |
it's just the gospel thing, you just look slightly unconvinced. | 0:28:53 | 0:28:57 | |
Ted, at the beginning, I get the sense that you're not, | 0:28:58 | 0:29:01 | |
-like, 100% comfortable. -I'm more comfortable now.. -More, but not. | 0:29:01 | 0:29:05 | |
It's not just Ted that needs to change his approach. | 0:29:05 | 0:29:09 | |
Everyone needs to embrace it a little bit more. | 0:29:09 | 0:29:11 | |
Can you stand in the middle of the circle, and let's get round him? | 0:29:11 | 0:29:14 | |
And now do all the those hums but really smile at him. | 0:29:14 | 0:29:17 | |
# Praise him! # | 0:29:17 | 0:29:19 | |
Oh, I know what you are, I mean, you're Jesus and the disciples. | 0:29:19 | 0:29:23 | |
And you LOVE him. | 0:29:23 | 0:29:25 | |
# Praise him with the timbrel and dance | 0:29:28 | 0:29:33 | |
# Praise him with the sound of the trumpet | 0:29:33 | 0:29:38 | |
# Praise him with the psaltery and harp | 0:29:38 | 0:29:44 | |
# Let everything that hath breath | 0:29:44 | 0:29:47 | |
# Praise the Lord... | 0:29:49 | 0:29:53 | |
# Dum-da-da-da | 0:29:53 | 0:29:56 | |
# Whoa, magnify the Lord | 0:29:56 | 0:29:58 | |
-# Yeah! # -# Magnify the Lord with me | 0:29:58 | 0:30:01 | |
# Magnify the Lord | 0:30:01 | 0:30:03 | |
-# Magnify the Lord with me -Yeah! | 0:30:03 | 0:30:05 | |
# Magnify the Lord | 0:30:05 | 0:30:06 | |
-# Magnify the Lord with me -Yeah! | 0:30:06 | 0:30:09 | |
# Magnify the Lord | 0:30:09 | 0:30:10 | |
# Let us exalt His name together. # | 0:30:10 | 0:30:12 | |
ALL TALK AT ONCE | 0:30:12 | 0:30:15 | |
OK, now I feel it! | 0:30:15 | 0:30:17 | |
No, that was beautiful. It was like Jesus Christ Superstar. | 0:30:17 | 0:30:21 | |
But, it entirely relies, this sort of thing, | 0:30:21 | 0:30:25 | |
on your support and your commitment, you know? | 0:30:25 | 0:30:27 | |
Then it's really exciting! | 0:30:27 | 0:30:29 | |
There's a real contest here. If they do that in front of the jury, | 0:30:31 | 0:30:36 | |
they've got a real chance. | 0:30:36 | 0:30:38 | |
How're you feeling now you're looking back, cos it's weird, | 0:30:38 | 0:30:41 | |
isn't it? This experience is very intense. | 0:30:41 | 0:30:43 | |
As a group, for the most part we just get so excited, | 0:30:43 | 0:30:46 | |
and we just hype each other up, and it's so amazing | 0:30:46 | 0:30:49 | |
to have that camaraderie and that brotherhood going on stage. | 0:30:49 | 0:30:51 | |
-You're going to miss it, right? -I'm going to seriously miss it. Um... | 0:30:51 | 0:30:55 | |
The challenges, the fun, spending so much time together - | 0:30:55 | 0:30:58 | |
it's...it's going to be really, really hard, I think. | 0:30:58 | 0:31:01 | |
It's going to be difficult. | 0:31:01 | 0:31:02 | |
The biggest benefit of being in a group like this is just... | 0:31:02 | 0:31:05 | |
having all of these guys around you, 24/7, | 0:31:05 | 0:31:07 | |
and just going to all these amazing places singing these amazing songs | 0:31:07 | 0:31:11 | |
and just...having the time of my life, really. | 0:31:11 | 0:31:13 | |
I mean, I wouldn't have it any other way. | 0:31:13 | 0:31:15 | |
I don't want to go home now. | 0:31:15 | 0:31:18 | |
A toast to all of you, but mostly especially to Ted, | 0:31:18 | 0:31:20 | |
who's got to lead the charge, so... | 0:31:20 | 0:31:23 | |
-Cheers! -Cheers. | 0:31:23 | 0:31:26 | |
They are sweet, sweet boys, and they really love this. | 0:31:26 | 0:31:31 | |
It means absolutely the world to them. | 0:31:31 | 0:31:33 | |
I don't think they consider it that often. They don't... | 0:31:33 | 0:31:35 | |
Because they think it's going to go on for ever, | 0:31:35 | 0:31:37 | |
because they're young, and it isn't going to go on for ever, | 0:31:37 | 0:31:40 | |
it's going to finish really soon and they're going to be | 0:31:40 | 0:31:43 | |
absolutely bereft because it's special, what they do together. | 0:31:43 | 0:31:47 | |
# Ba da da da dum yeah! # | 0:31:47 | 0:31:50 | |
We just really, really want to thank God for each and every person | 0:31:57 | 0:32:02 | |
that has come this morning. | 0:32:02 | 0:32:04 | |
It's Sunday, and in Leicester, before their last rehearsal | 0:32:04 | 0:32:07 | |
with Gareth, EAGA have something to celebrate. | 0:32:07 | 0:32:10 | |
This is the first time we've had active worship in this place, | 0:32:10 | 0:32:14 | |
so we are really, really buzzing about that and really | 0:32:14 | 0:32:18 | |
thanking God for such greatness that he has given to us. | 0:32:18 | 0:32:24 | |
Family, friends and the local community have turned out in force. | 0:32:26 | 0:32:30 | |
-# Hallelujah -Hallelujah -Hallelujah -Hallelujah | 0:32:30 | 0:32:35 | |
-# Hallelujah -Hallelujah. -# | 0:32:35 | 0:32:37 | |
Hallelujah! | 0:32:37 | 0:32:42 | |
Glory to Jesus. | 0:32:43 | 0:32:45 | |
It is really special because we've been using a leisure centre. | 0:32:45 | 0:32:49 | |
You're walking in with people walking around in bathing costumes | 0:32:49 | 0:32:52 | |
and coming from the gym, so now to actually come into | 0:32:52 | 0:32:55 | |
our church building, it's been really amazing. | 0:32:55 | 0:32:58 | |
Today's service has given us that extra push. | 0:32:58 | 0:33:01 | |
We really want to make our city proud. It's giving us drive. | 0:33:01 | 0:33:05 | |
No rest for us! | 0:33:05 | 0:33:07 | |
I'm definitely hoping to see two songs today, | 0:33:08 | 0:33:11 | |
because last time I'd only seen one. I think they know that. | 0:33:11 | 0:33:14 | |
I think they know me well enough by now. I mean, you get one chance. | 0:33:14 | 0:33:17 | |
They had a very difficult time last time I saw them. | 0:33:17 | 0:33:19 | |
If it's not sorted now... I'm ready for them. | 0:33:19 | 0:33:24 | |
-# Feed me till I want -Feed me till I want | 0:33:28 | 0:33:32 | |
# Feed me till I want no more | 0:33:32 | 0:33:34 | |
# Yes yes my Jesus | 0:33:34 | 0:33:37 | |
# My Lord God. # | 0:33:37 | 0:33:41 | |
SHE SINGS | 0:33:41 | 0:33:43 | |
Good! Well done. This has come on a long way. Are you happy with it? | 0:33:43 | 0:33:47 | |
-Nearly. -Nearly. What are we missing? -Just a bit more life. -OK. | 0:33:47 | 0:33:51 | |
More confidence. | 0:33:51 | 0:33:53 | |
This bit to me feels like the African bit, so all of these... | 0:33:53 | 0:33:57 | |
# Come come, oh, oh... # They're more African-sounding. | 0:33:57 | 0:34:01 | |
# Brr brr brr brr. # | 0:34:01 | 0:34:02 | |
That one. Yeah. Give me a range of sounds. What could we... | 0:34:02 | 0:34:05 | |
# Wa-a-a-a-a-a-a-a-a-ah! # | 0:34:05 | 0:34:07 | |
Yeah. And what else? | 0:34:07 | 0:34:08 | |
# Grrrrrrrrrrroooo. # | 0:34:08 | 0:34:09 | |
# Grrrrrrrrrrroooo. # It's great. | 0:34:09 | 0:34:12 | |
HE VOCALISES | 0:34:12 | 0:34:14 | |
It gets me really excited. | 0:34:14 | 0:34:17 | |
Let's try it like that. Ready? So we go... | 0:34:17 | 0:34:20 | |
# Come come | 0:34:20 | 0:34:21 | |
# My Jesus | 0:34:21 | 0:34:23 | |
# Quickly come Vanity is all I see | 0:34:23 | 0:34:26 | |
# Come come | 0:34:26 | 0:34:28 | |
-# Wa-a-a-a-a-a-a-a-ah -# My Jesus | 0:34:28 | 0:34:30 | |
# Quickly come Vanity is all I see. # | 0:34:30 | 0:34:33 | |
-Two, three. -# My Jesus. # -That's all we need of that. | 0:34:33 | 0:34:38 | |
The big question for me about the whole thing is, | 0:34:38 | 0:34:42 | |
is it going to really explode? | 0:34:42 | 0:34:44 | |
Are you going to have the courage to take everyone who's in London | 0:34:44 | 0:34:48 | |
and bring them right here in their minds? | 0:34:48 | 0:34:51 | |
Are you going to be a gospel choir? That's why I chose you. | 0:34:51 | 0:34:55 | |
It's why I came here. I saw this amazing spirit. | 0:34:55 | 0:34:59 | |
If you've got that energy, I think you could do it. That's it. | 0:34:59 | 0:35:03 | |
Thank you very much. | 0:35:03 | 0:35:04 | |
-Good luck. -Thank you. | 0:35:04 | 0:35:06 | |
While other students are enjoying a break from school, | 0:35:14 | 0:35:17 | |
the Bulmershe Ensemble have been coming in all day, every day. | 0:35:17 | 0:35:21 | |
Three days out from the final, Abby is the choir's fully-fledged leader. | 0:35:25 | 0:35:31 | |
Abby's doing really well. She's really good at teaching us. | 0:35:31 | 0:35:35 | |
Let's try that again. | 0:35:35 | 0:35:38 | |
We have worked this hard before, | 0:35:38 | 0:35:39 | |
but not for so many consecutive days, | 0:35:39 | 0:35:42 | |
like there's usually breaks in-between and we do our own thing, | 0:35:42 | 0:35:46 | |
but it's been six days plus a wedding of just singing. | 0:35:46 | 0:35:49 | |
This is probably the hardest I've ever worked. | 0:35:49 | 0:35:53 | |
I've never even worked this hard in school, so...yeah. | 0:35:53 | 0:35:57 | |
Hands. | 0:36:00 | 0:36:01 | |
# Aaaaah | 0:36:01 | 0:36:02 | |
# I won't lose sleep on that | 0:36:02 | 0:36:04 | |
# I've got a plan. # | 0:36:04 | 0:36:06 | |
And. | 0:36:06 | 0:36:07 | |
-# You're beautiful. # -Energy. And more. | 0:36:07 | 0:36:10 | |
-# You're beautiful. # -How beautiful am I? | 0:36:10 | 0:36:13 | |
-# You're beautiful It's true. # -Sure is. | 0:36:13 | 0:36:16 | |
And. | 0:36:16 | 0:36:18 | |
# I saw your face | 0:36:18 | 0:36:20 | |
# In a crowded pla-ace | 0:36:20 | 0:36:25 | |
SOFTLY: # And I don't know what to do. # | 0:36:25 | 0:36:28 | |
It's all gone a bit haaaa, little bit misty. | 0:36:28 | 0:36:31 | |
A soft song needs twice as much energy. | 0:36:31 | 0:36:34 | |
# And I don't know what to do. # Actually sing it, OK? | 0:36:34 | 0:36:38 | |
It just needs a little bite. | 0:36:38 | 0:36:40 | |
-Who are you up against? -Big groups that are really good. | 0:36:40 | 0:36:44 | |
-Do the gospel choir move? -Oh, yeah. -Oh, yeah! They go, yeah! | 0:36:44 | 0:36:49 | |
You know, they're going to be going massive, | 0:36:49 | 0:36:51 | |
and if you're stood there going # Oooh... # it will look silly. | 0:36:51 | 0:36:56 | |
I won't say I'm missing Miss Lant, but you sort of realise | 0:36:56 | 0:36:59 | |
what her role is in the choir and how, like, she motivates us. | 0:36:59 | 0:37:01 | |
I think at one point she'd probably have been there like, "Come on, guys, step it up." | 0:37:01 | 0:37:05 | |
No-one, cos we're all singing, we can't do that, cos we're focusing on what we're singing. | 0:37:05 | 0:37:09 | |
-You OK, Abby? -Yeah. -It's good! It's good. | 0:37:09 | 0:37:13 | |
-It's good. What's the matter? -I feel like I'm doubting myself. -Why? | 0:37:13 | 0:37:19 | |
You're in the final! You're in the final! | 0:37:20 | 0:37:24 | |
You can't expect me to come here and let you give it 40%. | 0:37:24 | 0:37:28 | |
Yeah, exactly, so I should've made them do it before. | 0:37:28 | 0:37:31 | |
-Yeah, but you're... How old are you? -17. -17. | 0:37:31 | 0:37:35 | |
You've done a cracking arrangement, sounds really good. | 0:37:35 | 0:37:39 | |
I'm building on what you've done already. | 0:37:39 | 0:37:42 | |
-It's got the right sort of energy - you just need more of it. -Yeah. | 0:37:42 | 0:37:45 | |
-We're in a good place, Abby. Don't be despondent. -OK. -OK? | 0:37:47 | 0:37:50 | |
I think it's something in the nature of being a teenager. | 0:37:51 | 0:37:54 | |
Up one minute, down the other. | 0:37:54 | 0:37:56 | |
Abby is having a crisis of confidence and the whole group suffers as a result. | 0:37:56 | 0:38:02 | |
They need to just pick each other up and run for the finish line. | 0:38:02 | 0:38:06 | |
I think we just need to give it everything we've got, | 0:38:08 | 0:38:10 | |
because we've got nothing left to lose and it might be our last performance together, | 0:38:10 | 0:38:14 | |
so we just need to go out there and just enjoy it. | 0:38:14 | 0:38:17 | |
-What if we, like, actually win? -I think we could. | 0:38:17 | 0:38:20 | |
CHEERING | 0:38:20 | 0:38:21 | |
It's the day of the grand final. All three groups are back in London. | 0:38:33 | 0:38:38 | |
I think they're going to be really nervous walking out here | 0:38:42 | 0:38:45 | |
cos there'll be 2,000 people in this room. | 0:38:45 | 0:38:47 | |
And everything they do on this stage matters and there will be | 0:38:47 | 0:38:52 | |
that silence, that pause when the lights come up on their faces... | 0:38:52 | 0:38:56 | |
It's heart-stopping, that kind of thing. | 0:38:56 | 0:38:59 | |
It is definitely the big day today. I think we are prepared. | 0:38:59 | 0:39:04 | |
-I'm really nervous about my solo. -I think we are ready. | 0:39:04 | 0:39:07 | |
All we need to do is make sure we breathe. | 0:39:07 | 0:39:10 | |
A nice atmosphere, a churchy-gospel atmosphere, | 0:39:10 | 0:39:13 | |
into the audience so everybody just feels happy. | 0:39:13 | 0:39:16 | |
Once I'm out there, it'll all be good. | 0:39:16 | 0:39:19 | |
It's just the waiting that kind of gets to me. | 0:39:19 | 0:39:21 | |
I guess I am a little bit sad that it is the last time that I'm going | 0:39:21 | 0:39:24 | |
to be performing with the group, cos it's become a part of my life. | 0:39:24 | 0:39:28 | |
Now just the idea of leaving the group and taking | 0:39:28 | 0:39:31 | |
a big step is also a little bit scary. | 0:39:31 | 0:39:34 | |
There are three groups going on that stage that are all good. | 0:39:34 | 0:39:37 | |
They've all got something very different to offer. | 0:39:37 | 0:39:40 | |
The group that wins today will be the group that can under | 0:39:40 | 0:39:43 | |
the white heat of people looking at them and listening to them | 0:39:43 | 0:39:47 | |
will actually give their best. | 0:39:47 | 0:39:48 | |
The stage is now set, | 0:39:52 | 0:39:54 | |
and a 2,000-strong crowd are filling up Westminster's Central Hall. | 0:39:54 | 0:39:59 | |
In among them, the groups' friends and family. | 0:39:59 | 0:40:02 | |
Immensely proud. She'll do us proud today, I know she will. | 0:40:02 | 0:40:05 | |
Very excited. There's a big gang of us here and we're going to go mad. | 0:40:06 | 0:40:10 | |
She's following her dreams. | 0:40:11 | 0:40:13 | |
It makes my heart very joyful. | 0:40:13 | 0:40:16 | |
As the final few people take their seats, the jury arrive, | 0:40:20 | 0:40:24 | |
set to make the most important decision of the contest. | 0:40:24 | 0:40:28 | |
The expectations are very high tonight. | 0:40:28 | 0:40:31 | |
It means they will be even more nervous. How will they cope, | 0:40:31 | 0:40:34 | |
especially with two completely different songs? | 0:40:34 | 0:40:37 | |
It's going to be very difficult for them. | 0:40:37 | 0:40:39 | |
Their choice of winner all hinges on how well each choir delivers | 0:40:39 | 0:40:44 | |
their two-song medley. | 0:40:44 | 0:40:46 | |
I want to see inventive and song-appropriate choreography | 0:40:46 | 0:40:49 | |
performed with confidence and huge amounts of stage presence. | 0:40:49 | 0:40:52 | |
They have to draw together everything they've learnt | 0:40:52 | 0:40:55 | |
and put on a performance that is the best they've ever done | 0:40:55 | 0:40:58 | |
in every department. | 0:40:58 | 0:41:00 | |
What could possibly go wrong? | 0:41:00 | 0:41:02 | |
One final performance is all that now stands between the choirs | 0:41:04 | 0:41:08 | |
and victory in the contest. | 0:41:08 | 0:41:10 | |
Good evening, London! | 0:41:13 | 0:41:16 | |
Hello! Hello! | 0:41:21 | 0:41:24 | |
We have some absolutely fantastic performances for you tonight. | 0:41:24 | 0:41:28 | |
Three incredible groups who have worked so very, very, very hard. | 0:41:28 | 0:41:33 | |
Up first it's a gospel group all the way from Leicester. | 0:41:33 | 0:41:37 | |
Please welcome a group I've had the privilege of working with | 0:41:37 | 0:41:40 | |
for the last three months - | 0:41:40 | 0:41:41 | |
The Emmanuel Apostolic Gospel Academy! | 0:41:41 | 0:41:44 | |
Come on, Kosy. Find the spirit. | 0:41:53 | 0:41:56 | |
# Especially for you | 0:41:57 | 0:42:03 | |
# I wanna mention all that I was going through | 0:42:03 | 0:42:08 | |
# All the time we were apart I thought of you | 0:42:10 | 0:42:14 | |
# You were in my heart | 0:42:15 | 0:42:19 | |
# My love never changed | 0:42:19 | 0:42:22 | |
-# I still feel the same -I still feel the same | 0:42:22 | 0:42:26 | |
# Oh oh oh | 0:42:26 | 0:42:28 | |
# No more dreaming about tomorrow | 0:42:28 | 0:42:34 | |
# Forget the loneliness and the sorrow | 0:42:35 | 0:42:40 | |
-# I've got to say -I've got to say | 0:42:40 | 0:42:46 | |
# It's all because of you | 0:42:46 | 0:42:49 | |
# Guide me O thou great redeemer | 0:42:54 | 0:43:05 | |
# Pilgrim through this barren land | 0:43:05 | 0:43:13 | |
-# I am weak but thou art mighty -Thou art mighty | 0:43:13 | 0:43:18 | |
-# Hold me with thy powerful hand -Hold me with thy powerful hand | 0:43:18 | 0:43:22 | |
# Bread of heaven | 0:43:22 | 0:43:24 | |
-# Feed me till I want no more -Feed me till I want | 0:43:24 | 0:43:26 | |
# Feed me till I want no more | 0:43:26 | 0:43:27 | |
-# Feed me till I want -no more | 0:43:27 | 0:43:30 | |
# Feed me till I want no more # Feed me till I want no more | 0:43:30 | 0:43:36 | |
# Open now the crystal fountain | 0:43:36 | 0:43:40 | |
# Whence the healing stream doth flow | 0:43:40 | 0:43:44 | |
# Strong deliverer Strong deliverer | 0:43:44 | 0:43:48 | |
# Be thou still my strength and shield | 0:43:48 | 0:43:51 | |
# Come come | 0:43:51 | 0:43:53 | |
# My Jesus | 0:43:53 | 0:43:55 | |
# Quickly come Vanity is all I see | 0:43:55 | 0:43:58 | |
# W-a-a-a-a-a-a-ah! | 0:43:58 | 0:44:00 | |
# Come come | 0:44:00 | 0:44:01 | |
# My Jesus | 0:44:01 | 0:44:03 | |
# Quickly come Vanity is all I see... # | 0:44:03 | 0:44:07 | |
ALL SING AT ONCE | 0:44:07 | 0:44:12 | |
# Vanity is all I see | 0:44:12 | 0:44:14 | |
# Come come | 0:44:15 | 0:44:17 | |
# My Jesus | 0:44:17 | 0:44:19 | |
# Vanity is all I see | 0:44:19 | 0:44:22 | |
# Feed me | 0:44:24 | 0:44:26 | |
# Till I want no more | 0:44:26 | 0:44:27 | |
-# Feed me. # -Aren't they good? -# Till I want no more | 0:44:27 | 0:44:31 | |
# Feed me | 0:44:31 | 0:44:32 | |
# Till I want no more | 0:44:32 | 0:44:35 | |
# Feed me till I want no more. # | 0:44:35 | 0:44:43 | |
CHEERING AND APPLAUSE | 0:44:43 | 0:44:46 | |
They definitely have the crowd on side. It was really fun. | 0:44:50 | 0:44:55 | |
Whoo! | 0:45:02 | 0:45:04 | |
-It was amazing. It was the best feeling in the world. -Yeah. | 0:45:04 | 0:45:08 | |
It was good. | 0:45:08 | 0:45:11 | |
-Happy. -Yeah. -Yeah. | 0:45:11 | 0:45:13 | |
HE LAUGHS | 0:45:13 | 0:45:15 | |
It is with great pride and pleasure that I introduce you to the | 0:45:15 | 0:45:18 | |
youngest competitors in our contest, representing the South-East, | 0:45:18 | 0:45:23 | |
a school choir from Reading | 0:45:23 | 0:45:25 | |
who go by the name of the Bulmershe Ensemble! | 0:45:25 | 0:45:27 | |
CHEERING | 0:45:27 | 0:45:29 | |
Come on! | 0:45:35 | 0:45:36 | |
# My life's brilliant | 0:45:39 | 0:45:43 | |
# My love is pure | 0:45:43 | 0:45:47 | |
# I saw an angel | 0:45:47 | 0:45:50 | |
# Of that I'm sure | 0:45:50 | 0:45:52 | |
# She smiled at me on the subway | 0:45:52 | 0:45:55 | |
# She was with another man | 0:45:55 | 0:45:59 | |
-BOTH: -# But I won't lose no sleep on that | 0:45:59 | 0:46:02 | |
# Cos I've got a plan | 0:46:02 | 0:46:05 | |
ALL: # You're beautiful | 0:46:05 | 0:46:07 | |
# You're beautiful | 0:46:09 | 0:46:12 | |
# You're beautiful, it's true | 0:46:12 | 0:46:17 | |
# I saw your face | 0:46:17 | 0:46:21 | |
# In a crowded place | 0:46:21 | 0:46:25 | |
# And I don't know what to do | 0:46:26 | 0:46:31 | |
# Cos I'll never be with you. # | 0:46:32 | 0:46:37 | |
THEY VOCALISE | 0:46:37 | 0:46:39 | |
# So this is what you meant | 0:46:45 | 0:46:47 | |
# When you said that you were spent | 0:46:47 | 0:46:48 | |
# Said that you were spent | 0:46:48 | 0:46:50 | |
# And now it's time to build from the bottom of the pit | 0:46:50 | 0:46:53 | |
# Right to the top | 0:46:53 | 0:46:55 | |
# Don't hold back | 0:46:55 | 0:46:58 | |
# Packing my bags and giving the academy a rain check | 0:46:58 | 0:47:04 | |
# I don't ever want to let you down | 0:47:04 | 0:47:07 | |
# I don't ever want to leave this town | 0:47:09 | 0:47:12 | |
# Cos after all | 0:47:14 | 0:47:17 | |
# The city never sleeps at night | 0:47:17 | 0:47:19 | |
# It's time to begin, isn't it? | 0:47:19 | 0:47:22 | |
# I get a little bit bigger and then I'll admit... # | 0:47:22 | 0:47:26 | |
They're settling into it. | 0:47:26 | 0:47:28 | |
# ..I was | 0:47:28 | 0:47:30 | |
# Now don't you understand? | 0:47:30 | 0:47:34 | |
# I'm never changing who I am | 0:47:34 | 0:47:36 | |
# It's time to begin, isn't it? | 0:47:36 | 0:47:38 | |
# I get a little bit bigger and then I'll admit | 0:47:38 | 0:47:43 | |
# I'm just the same as I was | 0:47:43 | 0:47:47 | |
# Now don't you understand? | 0:47:47 | 0:47:50 | |
# I'm never changing who I am. # | 0:47:50 | 0:47:53 | |
CHEERING | 0:47:57 | 0:47:59 | |
They relaxed into it. The soloists were good. It just wasn't perfect. | 0:48:06 | 0:48:11 | |
THEY SHOUT WITH JOY | 0:48:14 | 0:48:16 | |
It was amazing! | 0:48:16 | 0:48:19 | |
It was so good! | 0:48:19 | 0:48:22 | |
I'm so proud of you! | 0:48:22 | 0:48:25 | |
Now it is time for the last of our finalists. | 0:48:25 | 0:48:29 | |
Representing the South-West, | 0:48:29 | 0:48:31 | |
it's a group who found friendship through music at Exeter University. | 0:48:31 | 0:48:35 | |
Please welcome to the stage Semi-Toned! | 0:48:35 | 0:48:39 | |
CHEERING | 0:48:39 | 0:48:40 | |
# Praise Him with the timbrel and dance | 0:48:50 | 0:48:55 | |
# Praise Him with the sound of the trumpet | 0:48:55 | 0:49:00 | |
# Praise Him with the psaltery and harp | 0:49:00 | 0:49:06 | |
-# Let everything that hath... -ALL: ..breath | 0:49:06 | 0:49:09 | |
# ..praise the Lord... # | 0:49:11 | 0:49:15 | |
THEY VOCALISE | 0:49:15 | 0:49:16 | |
It's a good start. | 0:49:16 | 0:49:18 | |
ALL: # Whoa, magnify the Lord | 0:49:18 | 0:49:20 | |
# Magnify the Lord with me | 0:49:20 | 0:49:22 | |
# Magnify the Lord | 0:49:22 | 0:49:24 | |
# Whoa, magnify the Lord with me | 0:49:24 | 0:49:26 | |
# Magnify the Lord | 0:49:26 | 0:49:28 | |
# Magnify the Lord with me | 0:49:28 | 0:49:30 | |
# Magnify the Lord | 0:49:30 | 0:49:32 | |
# Let us exalt his name together | 0:49:32 | 0:49:34 | |
# Oh, be joyful, all ye people | 0:49:34 | 0:49:36 | |
# Oh, be joyful and clap your hands | 0:49:36 | 0:49:38 | |
# Oh, be joyful, all ye people | 0:49:38 | 0:49:40 | |
# Oh, be joyful and clap your hands | 0:49:40 | 0:49:42 | |
# Oh, be joyful, all ye people | 0:49:42 | 0:49:43 | |
# Oh, be joyful and clap your... # | 0:49:43 | 0:49:45 | |
THEY VOCALISE | 0:49:45 | 0:49:47 | |
# Praise Him! | 0:49:49 | 0:49:50 | |
# Praise Him! | 0:49:52 | 0:49:54 | |
# Praise him! # | 0:49:56 | 0:49:58 | |
# On that sunny day | 0:50:05 | 0:50:08 | |
# Didn't know I'd meet | 0:50:08 | 0:50:10 | |
# Such a beautiful girl | 0:50:10 | 0:50:13 | |
# Walking down the street... # | 0:50:13 | 0:50:15 | |
A little bit sketchy. | 0:50:15 | 0:50:17 | |
# Senorita, I feel for you | 0:50:17 | 0:50:20 | |
# You deal with things | 0:50:20 | 0:50:22 | |
# That you don't have to | 0:50:22 | 0:50:25 | |
# He doesn't love you | 0:50:25 | 0:50:26 | |
# I can tell by his charm | 0:50:26 | 0:50:29 | |
# But you can have this free love | 0:50:29 | 0:50:32 | |
# If you just lay in my arms | 0:50:32 | 0:50:38 | |
# Oh, now, come on | 0:50:38 | 0:50:42 | |
# Let me hear you sing | 0:50:42 | 0:50:44 | |
# Come on! | 0:50:49 | 0:50:51 | |
# One more time. # | 0:50:51 | 0:50:53 | |
# Lift him up! | 0:50:55 | 0:50:57 | |
-# Lift Him up -Lift Him up | 0:50:57 | 0:50:59 | |
-# Lift Him up -Lift Him up | 0:50:59 | 0:51:01 | |
-# Lift Him up -Lift Him up | 0:51:01 | 0:51:03 | |
-# Lift Him up -Lift Him up | 0:51:03 | 0:51:05 | |
# Let everything that hath breath praise Him | 0:51:05 | 0:51:06 | |
# Let everything that hath breath praise Him | 0:51:06 | 0:51:08 | |
# Let everything that hath breath... | 0:51:08 | 0:51:11 | |
# ..praise the Lord. # | 0:51:11 | 0:51:18 | |
CHEERING | 0:51:19 | 0:51:22 | |
Loads of heart. Loads of effort. | 0:51:28 | 0:51:31 | |
They deserve the reaction that they've got. | 0:51:31 | 0:51:34 | |
The best, most fun I've had performing ever in my life. | 0:51:39 | 0:51:43 | |
Just seeing everyone that we know and love on their feet... | 0:51:43 | 0:51:47 | |
They've supported us for so long. | 0:51:47 | 0:51:49 | |
Getting up and cheering for us... Just...unbelievable. | 0:51:50 | 0:51:54 | |
The decision on who will emerge as the contest winner now lies | 0:51:57 | 0:52:02 | |
solely in the hands of the jury. | 0:52:02 | 0:52:05 | |
EAGA was a very strong performance, an amazing show, actually. | 0:52:05 | 0:52:11 | |
-I started clapping, moving. -Yeah! I loved the party of it all. | 0:52:11 | 0:52:15 | |
I wanted to get up there with them, and I just thought that was joyful. | 0:52:15 | 0:52:19 | |
I was swept up in the colours, I was swept up in the sounds, | 0:52:19 | 0:52:21 | |
I was swept up in the exuberance of the whole thing. | 0:52:21 | 0:52:24 | |
It almost felt like I was watching Sister Act or something. | 0:52:24 | 0:52:28 | |
-Great! -It felt... -What's wrong with that? -Exactly! | 0:52:28 | 0:52:32 | |
-The only choir that moved me tonight was EAGA. -And that's very lovely, | 0:52:32 | 0:52:37 | |
we're really happy for you, but actually... | 0:52:37 | 0:52:40 | |
It felt like we went from nought to 60 and then to nought, | 0:52:40 | 0:52:44 | |
and it felt really quite clunky. | 0:52:44 | 0:52:47 | |
Bulmershe, I was genuinely moved by them. | 0:52:47 | 0:52:50 | |
What they do have is this amazing ensemble togetherness. | 0:52:50 | 0:52:53 | |
-I loved the choreography. That's what I will say. -Amazing. | 0:52:53 | 0:52:57 | |
As a group, as a choir, nah... | 0:52:57 | 0:53:00 | |
LAUGHTER | 0:53:00 | 0:53:02 | |
Yes, they did have some pitchy moments, | 0:53:03 | 0:53:04 | |
but I think overall they gave us a great performance. | 0:53:04 | 0:53:07 | |
I really liked it. I think that they brought it, I really do. | 0:53:07 | 0:53:10 | |
Semi-Toned, for me... | 0:53:10 | 0:53:13 | |
I absolutely loved them. | 0:53:15 | 0:53:17 | |
I have to say that they had the wow factor, for me. | 0:53:17 | 0:53:20 | |
I actually put down my pen and I sat back, and my mouth, | 0:53:20 | 0:53:24 | |
I'm sure it was hanging open. | 0:53:24 | 0:53:25 | |
And I think that my eyes were very wide indeed. It was brilliant! | 0:53:25 | 0:53:28 | |
Honestly, I had goose bumps all over. | 0:53:28 | 0:53:32 | |
I went into the auditorium tonight with high expectations of | 0:53:32 | 0:53:35 | |
-Semi-Toned and I was a little disappointed. -Me too. | 0:53:35 | 0:53:38 | |
When we got to their second song, Senorita, I felt like there | 0:53:38 | 0:53:43 | |
was however many there are in the choir dad-dancing in front of me. | 0:53:43 | 0:53:48 | |
That sort of slightly geeky dancing, that's kind of vintage a cappella. | 0:53:48 | 0:53:52 | |
I was like, "Ooh, God!" My toes were curling. | 0:53:52 | 0:53:55 | |
All of the groups have a lot going for them. | 0:53:55 | 0:53:57 | |
It's a question of what we all think is the most important. | 0:53:57 | 0:54:00 | |
There are two of them. They're like, "Which way? Which way should I go?" | 0:54:00 | 0:54:04 | |
I enjoyed EAGA, | 0:54:04 | 0:54:05 | |
I was impressed by Semi-Toned, but I was moved by Bulmershe, and I | 0:54:05 | 0:54:08 | |
did come into this competition saying that was what I wanted. | 0:54:08 | 0:54:10 | |
I don't know what I'm going to decide. | 0:54:10 | 0:54:13 | |
And that's the truth. | 0:54:13 | 0:54:15 | |
OK, everyone, it's time to vote. | 0:54:15 | 0:54:17 | |
So! | 0:54:28 | 0:54:29 | |
Thank you, ladies and gentlemen, | 0:54:29 | 0:54:31 | |
and welcome back to the members of the jury. | 0:54:31 | 0:54:34 | |
I have the results. | 0:54:34 | 0:54:36 | |
I'm going to start by revealing the act in third place this evening. | 0:54:37 | 0:54:42 | |
This group is... | 0:54:45 | 0:54:47 | |
..the Bulmershe Ensemble. | 0:54:56 | 0:54:57 | |
CHEERING AND APPLAUSE | 0:54:57 | 0:55:00 | |
You have been absolutely fantastic contestants, | 0:55:06 | 0:55:08 | |
and at such a young age, to have achieved so much is fantastic. | 0:55:08 | 0:55:12 | |
Give them a huge round of applause. | 0:55:12 | 0:55:13 | |
CHEERING AND APPLAUSE | 0:55:13 | 0:55:15 | |
So, that means that the title of series champion will be going | 0:55:20 | 0:55:23 | |
to one of two groups, EAGA or Semi-Toned. | 0:55:23 | 0:55:28 | |
EAGA, the jury thought that you delivered a joyous, vibrant | 0:55:29 | 0:55:34 | |
performance that clearly connected with the audience in the room. | 0:55:34 | 0:55:38 | |
Semi-Toned, the jury said that your arrangement was ambitious and | 0:55:38 | 0:55:42 | |
you put in a performance that was technically accomplished | 0:55:42 | 0:55:45 | |
with some impressive vocal gymnastics. | 0:55:45 | 0:55:48 | |
They also wanted to stress that, as ever, this has been an extremely | 0:55:48 | 0:55:52 | |
difficult decision to make, but they have selected a champion. | 0:55:52 | 0:55:56 | |
The winner is... | 0:55:58 | 0:55:59 | |
..Semi-Toned! | 0:56:15 | 0:56:17 | |
CHEERING AND APPLAUSE | 0:56:17 | 0:56:19 | |
EAGA, I love you guys so much. | 0:56:33 | 0:56:37 | |
You've been so generous with your time, with your fun, | 0:56:37 | 0:56:40 | |
with your adventure. We've had such a good time together. | 0:56:40 | 0:56:42 | |
I'm really proud of you for what you did tonight. Thank you so much. | 0:56:42 | 0:56:46 | |
I'm sorry, you were just beaten today, but nonetheless, | 0:56:46 | 0:56:48 | |
it takes nothing away from a great achievement. | 0:56:48 | 0:56:50 | |
Ladies and gentlemen, EAGA! | 0:56:50 | 0:56:52 | |
CHEERING AND APPLAUSE | 0:56:52 | 0:56:54 | |
As for Semi-Toned, this is a hugely special moment for you. How are you? | 0:57:00 | 0:57:04 | |
Are you OK? Eddie? | 0:57:04 | 0:57:07 | |
This is possibly one of the best moments of my life. | 0:57:07 | 0:57:09 | |
And to go through it with my best friends in the world and | 0:57:09 | 0:57:12 | |
all my other best friends in the world watching is just amazing. | 0:57:12 | 0:57:15 | |
This means so much to me, and it means so much to the group. | 0:57:15 | 0:57:18 | |
CHEERING AND APPLAUSE | 0:57:18 | 0:57:20 | |
Well done to you all. It's so well deserved. | 0:57:24 | 0:57:26 | |
Ladies and gentlemen, I give you Semi-Toned! | 0:57:26 | 0:57:30 | |
CHEERING AND APPLAUSE | 0:57:30 | 0:57:32 | |
Yay! | 0:57:32 | 0:57:33 | |
Music is for making people feel. | 0:57:47 | 0:57:50 | |
It's for lifting hearts and making life better, | 0:57:50 | 0:57:53 | |
and I think that Semi-Toned made us all feel | 0:57:53 | 0:57:56 | |
a little better tonight, and that's worth something. | 0:57:56 | 0:58:00 | |
I'm so happy, and the guys are so happy, | 0:58:00 | 0:58:03 | |
I'm so... I'm so... Oh, it's the best feeling. | 0:58:03 | 0:58:07 | |
Well done, you! Well done, you! | 0:58:07 | 0:58:09 | |
I'm absolutely over the moon that we won. | 0:58:09 | 0:58:12 | |
Goodness gracious, I'm absolutely speechless. | 0:58:12 | 0:58:16 | |
There's so many people doing this every night of the week, | 0:58:16 | 0:58:20 | |
going out, joining choirs, sharing in each other's company. | 0:58:20 | 0:58:24 | |
It's a wonderful, wonderful privilege to be involved in | 0:58:24 | 0:58:26 | |
music, and I shall do this till my dying day. | 0:58:26 | 0:58:29 |