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Hello and welcome to The Code. £3,500 is locked inside the safe. | 0:00:12 | 0:00:18 | |
All our players have to do to open it is crack this three-digit code. | 0:00:18 | 0:00:23 | |
Each time someone fails, though, | 0:00:23 | 0:00:25 | |
more money is added and the jackpot goes up and up. | 0:00:25 | 0:00:28 | |
Last time, we left Sue and Linda on a real cliff-hanger. | 0:00:28 | 0:00:32 | |
They've only got one number in the code left to find. | 0:00:32 | 0:00:35 | |
So, let's welcome them back. | 0:00:35 | 0:00:37 | |
-Sue and Linda, lovely to see you again. -Hi! | 0:00:42 | 0:00:45 | |
-Welcome back, welcome back. -Thank you. | 0:00:45 | 0:00:47 | |
-From Dudley in the West Midlands. -Yes. -And Derbyshire? -Mm-hm. | 0:00:47 | 0:00:51 | |
And domestic goddess was your description of yourself. | 0:00:51 | 0:00:53 | |
-Still standing? -Yes, just about. -Just about! -Yes. | 0:00:53 | 0:00:58 | |
-And volunteer centre manager, Linda, that's what you do? -Yes, yes. | 0:00:58 | 0:01:01 | |
Now, what we saw last time was just how close your friendship is, | 0:01:01 | 0:01:05 | |
which was lovely to see. | 0:01:05 | 0:01:06 | |
-We haven't broken you apart, we haven't split you up yet. -No. | 0:01:06 | 0:01:09 | |
-You are still in it together? -Oh, yes. | 0:01:09 | 0:01:11 | |
How have you done it so far to get so close as this? What's the secret? | 0:01:11 | 0:01:16 | |
We haven't a clue, have we? Not really. | 0:01:16 | 0:01:18 | |
I think we just know an awful lot of things. | 0:01:18 | 0:01:21 | |
-I think you're right, I think you do know a lot. -We don't know we know. | 0:01:21 | 0:01:25 | |
You don't know you know it. You've managed to bury it very, very deep. | 0:01:25 | 0:01:29 | |
-Yes. -Is that unfair? -No. I think we've been lucky. | 0:01:29 | 0:01:32 | |
-You think? -Oh, God, yes. | 0:01:32 | 0:01:35 | |
-Are you ready to carry on? -Yeah, go on. -Yeah, go on, then! | 0:01:35 | 0:01:39 | |
Before we start, let's say hello to Lesley. | 0:01:39 | 0:01:41 | |
Hello, Sue and Linda. I hope the quiz gods are with you again today. | 0:01:41 | 0:01:45 | |
-Hope so. -So, Sue and Linda, we are at the final stage of the game - | 0:01:45 | 0:01:49 | |
only one number remaining to put into the code. | 0:01:49 | 0:01:54 | |
And taking out £3,500. | 0:01:54 | 0:01:57 | |
You will get three answers, as normal, but you're only able to look | 0:01:57 | 0:02:01 | |
at the questions behind them one at a time, make a decision on those. | 0:02:01 | 0:02:06 | |
It is all or nothing - brutal sudden death. Can you cope with that? | 0:02:06 | 0:02:13 | |
-We'll try, won't we? -Yes. -That's all we can do. | 0:02:13 | 0:02:15 | |
-You're not getting too wound up or stressed out for me? -No. -No. | 0:02:15 | 0:02:19 | |
I'm getting that. | 0:02:19 | 0:02:21 | |
Let's have a look at your next three answers. | 0:02:22 | 0:02:25 | |
Only one of them is correct, | 0:02:31 | 0:02:33 | |
that's the one we're trying to find. | 0:02:33 | 0:02:35 | |
The order that you open these in now | 0:02:35 | 0:02:37 | |
-does become very important. -Yes. | 0:02:37 | 0:02:39 | |
-Right. -Shall we go Iceland first? | 0:02:39 | 0:02:41 | |
-Iceland, please. -Iceland first. | 0:02:41 | 0:02:43 | |
Let's see the question behind Iceland. | 0:02:43 | 0:02:46 | |
Do I look blank? | 0:02:56 | 0:02:58 | |
Constantly! | 0:02:58 | 0:02:59 | |
Doesn't ring any bells for you? | 0:03:03 | 0:03:05 | |
-Is it ringing a bell with you? -No. -Right! | 0:03:05 | 0:03:07 | |
But when did we have the suffragettes? | 0:03:07 | 0:03:09 | |
When was it that we got the vote in this country? | 0:03:09 | 0:03:12 | |
-Could it have been then? -First World War, I don't... | 0:03:12 | 0:03:15 | |
Which European country became the first in the world | 0:03:15 | 0:03:17 | |
in which women could both vote and stand for office? | 0:03:17 | 0:03:20 | |
I would say that then probably | 0:03:20 | 0:03:22 | |
-there with the... -Iceland. | 0:03:22 | 0:03:25 | |
..more with-it countries. | 0:03:25 | 0:03:27 | |
Well, I've been, but I wish I knew. | 0:03:27 | 0:03:29 | |
I don't know anything about that at all. | 0:03:31 | 0:03:33 | |
So, what do you want to go for? | 0:03:33 | 0:03:36 | |
-I would plump for no, it's not true. -Right. | 0:03:36 | 0:03:40 | |
But I'm not going, I'm not basing that on... | 0:03:40 | 0:03:43 | |
I'm dreading Rikki-Tikki-Tavvi, | 0:03:44 | 0:03:46 | |
I haven't got a clue on that one! | 0:03:46 | 0:03:48 | |
-What do you think? -Shall we say no, then? -No. -No. | 0:03:48 | 0:03:52 | |
-We want to dismiss this? -Yes. | 0:03:52 | 0:03:54 | |
As an incorrect answer? | 0:03:54 | 0:03:56 | |
Well, you know what? We've had a lovely day. | 0:03:56 | 0:03:58 | |
As long as you've had | 0:03:58 | 0:04:00 | |
a nice day. We have as well, we've loved having you here. | 0:04:00 | 0:04:03 | |
So, however this goes, | 0:04:03 | 0:04:04 | |
can we agree to part as friends? | 0:04:04 | 0:04:06 | |
Yeah. | 0:04:06 | 0:04:08 | |
We want to dismiss | 0:04:09 | 0:04:10 | |
this as an incorrect answer, | 0:04:10 | 0:04:12 | |
we want this to go red. | 0:04:12 | 0:04:13 | |
Oh, dear, please. | 0:04:13 | 0:04:15 | |
Iceland, please don't be so ahead of the curve. | 0:04:15 | 0:04:17 | |
Is this an incorrect answer? | 0:04:17 | 0:04:19 | |
-Do we get to hold on to Sue and Linda for a bit longer? -Oh, no. | 0:04:19 | 0:04:23 | |
So we can look at the other ones. | 0:04:23 | 0:04:25 | |
-Make Iceland go red. -Oh, dear. | 0:04:25 | 0:04:28 | |
I've got an idea it might go red. | 0:04:30 | 0:04:32 | |
-Oh! -Oh, my God. You don't know. | 0:04:32 | 0:04:35 | |
I think you know, I think you know. | 0:04:35 | 0:04:37 | |
But we don't. | 0:04:37 | 0:04:38 | |
-But you don't know you know. -Yeah. | 0:04:38 | 0:04:40 | |
Lesley, please. | 0:04:40 | 0:04:42 | |
Linda, you had an idea that this might be a Scandinavian country | 0:04:42 | 0:04:45 | |
rather than Iceland. | 0:04:45 | 0:04:46 | |
-It's Finland. -Oh. | 0:04:46 | 0:04:48 | |
-I've been there as well. -Right, thank you. | 0:04:48 | 0:04:50 | |
It means we can dismiss that, | 0:04:50 | 0:04:52 | |
-get rid of it. -Oh, my word. | 0:04:52 | 0:04:54 | |
It leaves us with two - nutrients in diet and Rikki-Tikki-Tavvi. | 0:04:54 | 0:04:58 | |
One of them must be correct, | 0:04:58 | 0:05:00 | |
that's the one we're looking for. | 0:05:00 | 0:05:02 | |
Where do you want to go next? | 0:05:02 | 0:05:04 | |
We'll go for nutrients, please. | 0:05:04 | 0:05:05 | |
Let's have a look at the question behind nutrients in diet. | 0:05:05 | 0:05:08 | |
OK, I ought to know this. | 0:05:08 | 0:05:09 | |
-That's right, I think. -You think that's right? -They eat shrimps. | 0:05:15 | 0:05:18 | |
This is as positive as we've been for the whole game. | 0:05:18 | 0:05:21 | |
Well, I know because they've got them in Dudley Zoo. And... | 0:05:21 | 0:05:25 | |
-And they're pink. -They're not, some of them, because I have... | 0:05:25 | 0:05:28 | |
-Seriously, I'm sure it's because they eat shrimps. -Oh, fair enough. | 0:05:28 | 0:05:32 | |
I might be talking out the top of my head here, but I think... | 0:05:32 | 0:05:36 | |
Don't knock it, it's got you this far. | 0:05:36 | 0:05:38 | |
-I'll go with that. -OK, flamingos are pink because of their shrimp diet. | 0:05:38 | 0:05:43 | |
We're going to lock that in as a correct answer. | 0:05:43 | 0:05:46 | |
-Prawns or shrimp? -Prawns or shrimps, whatever. -You think so? | 0:05:46 | 0:05:49 | |
We can't change that now. | 0:05:49 | 0:05:51 | |
-That's your decision. -That's fine. | 0:05:51 | 0:05:52 | |
-It means we can have a look at Rikki-Tikki-Tavvi. -Oh, go on, then. | 0:05:52 | 0:05:55 | |
-See if that makes you feel one way or the other... -Go on, then. | 0:05:55 | 0:05:58 | |
..about the decision you've made. | 0:05:58 | 0:06:00 | |
The question behind Rikki-Tikki-Tavvi is... | 0:06:00 | 0:06:03 | |
Oh, what's that all about? | 0:06:08 | 0:06:10 | |
-Any idea at all there? -No, not at all. | 0:06:10 | 0:06:13 | |
But you're very sure nutrients in diet is the correct answer, | 0:06:13 | 0:06:17 | |
that's why flamingos are pink. | 0:06:17 | 0:06:19 | |
I think so. We're starting to doubt that. | 0:06:19 | 0:06:21 | |
-No, I do believe that. -You think that's right? | 0:06:21 | 0:06:24 | |
So, to give us the chance to put another digit into the code, | 0:06:24 | 0:06:29 | |
and there are only three left, | 0:06:29 | 0:06:31 | |
we want nutrients in diet to be the correct answer. | 0:06:31 | 0:06:35 | |
We want it to go green. | 0:06:35 | 0:06:37 | |
-I'm sorry if it's wrong. -It's all right. | 0:06:39 | 0:06:42 | |
It's right. It's right again. | 0:06:42 | 0:06:45 | |
-Sue! -I knew that. -Oh, my life. | 0:06:45 | 0:06:47 | |
That one, you knew. | 0:06:47 | 0:06:48 | |
-I knew. -And not only that, you knew you knew. -Yes. -Lesley? | 0:06:48 | 0:06:52 | |
Well done, Sue. Flamingo facts direct from Dudley Zoo. | 0:06:52 | 0:06:56 | |
Yes, flamingos do eat shrimp and algae and other things | 0:06:56 | 0:06:59 | |
that contain carotenoids that give them their pink colour. | 0:06:59 | 0:07:02 | |
Brilliant. | 0:07:02 | 0:07:04 | |
And the enemy of Babar is Rataxes, not Rikki-Tikki-Tavvi, who's | 0:07:04 | 0:07:07 | |
-a mongoose from the Jungle Book. -Oh, Babar the elephant, yes! | 0:07:07 | 0:07:09 | |
-Babar the elephant. -There you go. | 0:07:09 | 0:07:12 | |
OK, we have to pick another number to try and be | 0:07:12 | 0:07:16 | |
the last number in your code, so that the locks go back, | 0:07:16 | 0:07:19 | |
the wheel spins, the door opens and we get our hands on £3,500. | 0:07:19 | 0:07:24 | |
What number are we going for next? | 0:07:24 | 0:07:27 | |
I said nine before, didn't I? | 0:07:27 | 0:07:29 | |
Go with it, then. You said nine. | 0:07:29 | 0:07:31 | |
-529. Yes, we'll go nine, shall we? -That feel good to you? 529. | 0:07:31 | 0:07:34 | |
We'll go with nine. | 0:07:34 | 0:07:35 | |
We're going to put nine into the code, | 0:07:35 | 0:07:37 | |
that's the one that you've chosen. | 0:07:37 | 0:07:39 | |
-Who's going to join me to put it into the keypad? -No. -Me, I'll go. | 0:07:39 | 0:07:43 | |
-Sue, join me at the safe. -And then I'll run off if it's wrong! | 0:07:43 | 0:07:47 | |
Oh, no. | 0:07:50 | 0:07:52 | |
Brilliant. Sue and Linda, you've chosen the number nine. | 0:07:52 | 0:07:56 | |
If the last number in your code is nine, | 0:07:56 | 0:08:00 | |
you will go home with £3,500. | 0:08:00 | 0:08:04 | |
-Are you ready? -Yes. | 0:08:04 | 0:08:06 | |
-This is the moment. -Oh, dear. | 0:08:06 | 0:08:08 | |
Sue, punch in the number nine. | 0:08:08 | 0:08:10 | |
Round the numbers spin. | 0:08:13 | 0:08:15 | |
We want the number nine, we want your code to be 529, | 0:08:17 | 0:08:21 | |
so that the door swings open and you take home £3,500. | 0:08:21 | 0:08:26 | |
You have a massive celebration at Dudley Zoo. | 0:08:26 | 0:08:29 | |
-With the flamingo! -That's what we want for you. | 0:08:29 | 0:08:31 | |
Oh, Ecky-Thump. | 0:08:39 | 0:08:40 | |
Ecky-Thump indeed, it's not the number nine. Just two digits left. | 0:08:42 | 0:08:48 | |
-Let's go and rejoin Linda. -You couldn't write it, could you? | 0:08:48 | 0:08:51 | |
Couldn't write this. I can't believe how this is turning out. | 0:08:51 | 0:08:55 | |
But you've played brilliantly, mystically sometimes. | 0:08:55 | 0:08:59 | |
-Almost like magic. And you've only got two numbers left. -Oh, dear. | 0:08:59 | 0:09:03 | |
Number three and number eight. | 0:09:03 | 0:09:04 | |
We might get down to the point where we don't have to | 0:09:04 | 0:09:07 | |
put the number in any more. | 0:09:07 | 0:09:08 | |
Because we know that's what it's going to be. | 0:09:08 | 0:09:11 | |
-Are you ready to see your next three answers? -Yes, please. | 0:09:11 | 0:09:15 | |
-Here they are, Sue and Linda. -Oh, no. -Come on, then. | 0:09:15 | 0:09:19 | |
What?! | 0:09:21 | 0:09:22 | |
-Flaming hell, I don't think we'd better have him. -Why? | 0:09:24 | 0:09:27 | |
-Cos he was a footballer. -He's an actor, isn't he now? | 0:09:27 | 0:09:30 | |
Yeah, but he was a footballer, and they might be asking what sort of... | 0:09:30 | 0:09:33 | |
-Team he played for? -And I ain't got a bloomin' clue. | 0:09:33 | 0:09:36 | |
One of them has to be correct, | 0:09:36 | 0:09:37 | |
that's the one we're looking for. | 0:09:37 | 0:09:38 | |
-This is it now. -Puppetronics. | 0:09:38 | 0:09:41 | |
Shall we go with the Puppetronics? | 0:09:41 | 0:09:43 | |
Yes, Puppetronics, please. | 0:09:43 | 0:09:45 | |
-You want to go for Puppetronics? -Yes, please. | 0:09:45 | 0:09:47 | |
Let's see the question behind Puppetronics. | 0:09:47 | 0:09:50 | |
Is that what he called it? | 0:09:57 | 0:09:58 | |
I don't know, that's the answer we've got to find. Puppetronics. | 0:09:58 | 0:10:02 | |
-Well, he could have done. -No. -What do you mean? | 0:10:05 | 0:10:09 | |
You're turning your nose up | 0:10:09 | 0:10:11 | |
at that one, Sue. Why? | 0:10:11 | 0:10:12 | |
He done it in the 1960s, did they have tronics in the '60s? | 0:10:12 | 0:10:15 | |
-Did they all have string? -They were always like this, weren't they? | 0:10:15 | 0:10:19 | |
"Welcome home!" | 0:10:20 | 0:10:21 | |
You've got it, you've got it. | 0:10:21 | 0:10:23 | |
That's exactly how it was. | 0:10:23 | 0:10:24 | |
Yes, it was. Yeah, "Welcome home." | 0:10:24 | 0:10:27 | |
What was that? That was | 0:10:27 | 0:10:29 | |
Fireball XL5. | 0:10:30 | 0:10:32 | |
-Fireball XL5! -You're showing your age now, Sue. | 0:10:32 | 0:10:36 | |
OK, is it Puppetronics? | 0:10:36 | 0:10:38 | |
I think it might be too early to call it that. | 0:10:38 | 0:10:41 | |
Don't forget, we're talking 50 years ago. | 0:10:43 | 0:10:45 | |
And tronics just seems like a more modern sort of | 0:10:46 | 0:10:51 | |
-a word. -What do you want to do? | 0:10:51 | 0:10:53 | |
I don't know, I'll leave it with you. | 0:10:53 | 0:10:55 | |
-Whatever it is, we ain't going to fall out over it, aren't we? -No. | 0:10:57 | 0:11:00 | |
What do you want to do, guys? | 0:11:00 | 0:11:01 | |
Yes, we'll go with it. | 0:11:01 | 0:11:03 | |
Lock in as the correct answer? | 0:11:03 | 0:11:05 | |
-Yes. -It might be completely... | 0:11:05 | 0:11:07 | |
-Oh, sorry if it's wrong. -Don't be saft. | 0:11:07 | 0:11:10 | |
-I'm sorry if it's wrong. -Let's find out. | 0:11:10 | 0:11:12 | |
If this is correct, | 0:11:12 | 0:11:14 | |
we get the chance to put in one | 0:11:14 | 0:11:17 | |
of the last two digits of your code, | 0:11:17 | 0:11:20 | |
giving you a 50-50 crack at £3,500. | 0:11:20 | 0:11:24 | |
-If it's wrong, I'm afraid you're going home. -Oh, dear. | 0:11:24 | 0:11:27 | |
-Oh. -No. | 0:11:31 | 0:11:33 | |
I can't believe it. | 0:11:33 | 0:11:35 | |
-Sorry. -No, don't be silly. Don't be silly. | 0:11:35 | 0:11:38 | |
I can't believe it. Lesley, | 0:11:38 | 0:11:39 | |
talk us through the answer. | 0:11:39 | 0:11:40 | |
Oh, Sue and Linda, I'm so sorry. | 0:11:40 | 0:11:42 | |
I think when I give you the correct answer, it might ring a bell. | 0:11:42 | 0:11:45 | |
The creator of Thunderbirds called his puppetry technique | 0:11:45 | 0:11:48 | |
Supermarionation. | 0:11:48 | 0:11:49 | |
-Oh! -Oh, right. -Coming from super, marionette and animation. | 0:11:49 | 0:11:55 | |
That's it. | 0:11:55 | 0:11:56 | |
You even remembered Fireball XL5. | 0:11:56 | 0:11:58 | |
Joe 90, another example of the use of that technique. | 0:11:58 | 0:12:02 | |
Let's have a look at the other questions and see | 0:12:02 | 0:12:04 | |
if you would have done any better with | 0:12:04 | 0:12:05 | |
those, not that that helps us now. | 0:12:05 | 0:12:07 | |
The Silk Road, let's have a look at that question. | 0:12:07 | 0:12:09 | |
-Silk Road, that's right. -Is that right? -Yeah. | 0:12:12 | 0:12:15 | |
You would have known that? | 0:12:15 | 0:12:16 | |
I would say that's right. | 0:12:16 | 0:12:18 | |
I mean, I don't know, | 0:12:18 | 0:12:19 | |
but I think that right. | 0:12:19 | 0:12:20 | |
OK, let's have a look at Vinnie Jones as well. | 0:12:20 | 0:12:22 | |
-Was it the...? -No, Eric Cantona. -Cantona, yes. | 0:12:29 | 0:12:31 | |
You think that was Eric Cantona? Lesley? | 0:12:31 | 0:12:33 | |
If you'd opened either of those first, | 0:12:33 | 0:12:35 | |
I think we'd be in a very different position now. | 0:12:35 | 0:12:38 | |
The ancient trade routes linking China to the West | 0:12:38 | 0:12:41 | |
had what collective name? | 0:12:41 | 0:12:42 | |
Yes, it was the Silk Road, | 0:12:42 | 0:12:44 | |
an important network of routes supporting the Chinese silk trade. | 0:12:44 | 0:12:49 | |
And the former footballer, you were absolutely right here, | 0:12:49 | 0:12:52 | |
it is Eric Cantona, not Vinnie Jones, | 0:12:52 | 0:12:54 | |
who also is in films like | 0:12:54 | 0:12:55 | |
Lock, Stock And Two Smoking Barrels and Snatch, for example. | 0:12:55 | 0:12:59 | |
That must be gutting for you. | 0:12:59 | 0:13:00 | |
At the end of the day, it's the luck of the draw, and we didn't know it. | 0:13:00 | 0:13:04 | |
It was much more than luck, though. You played brilliantly. | 0:13:04 | 0:13:06 | |
You battled your way through each and every question | 0:13:06 | 0:13:09 | |
to get yourself within one number of opening the safe. | 0:13:09 | 0:13:13 | |
Honestly, you were absolutely brilliant. | 0:13:13 | 0:13:15 | |
Just for pig iron, tell me which number would you have chosen there? | 0:13:15 | 0:13:19 | |
-You had three and eight left. -I don't want to know. | 0:13:19 | 0:13:21 | |
-You don't want to know? -I do. -I do. -Number eight. | 0:13:21 | 0:13:25 | |
You were going to go for number eight. | 0:13:25 | 0:13:26 | |
Let's see if you would have taken it to the wire. | 0:13:26 | 0:13:29 | |
It was three! We would have gone all the way. | 0:13:32 | 0:13:35 | |
-You would have had to do another question anyway. -That's it. | 0:13:35 | 0:13:37 | |
Do you know what, you've made us laugh so much | 0:13:37 | 0:13:39 | |
and you've given us such a giggle. | 0:13:39 | 0:13:41 | |
She'll not remember this by the morning. | 0:13:41 | 0:13:43 | |
THEY LAUGH | 0:13:43 | 0:13:45 | |
We've got to get home yet. She'll get lost on the train! | 0:13:48 | 0:13:51 | |
I have to say it, I'm afraid you have, | 0:13:51 | 0:13:54 | |
despite coming incredibly close, you've failed to break the code... | 0:13:54 | 0:13:57 | |
I know. | 0:13:57 | 0:13:58 | |
..Sue and Linda, and therefore you have to leave the game | 0:13:58 | 0:14:01 | |
and go back home. | 0:14:01 | 0:14:03 | |
But will you go with our best wishes? | 0:14:03 | 0:14:05 | |
-Thank you, nice to meet you. -Thank you very much, thank you. | 0:14:05 | 0:14:08 | |
-Goodbye, Sue and Linda. -Bye-bye. | 0:14:08 | 0:14:09 | |
-Oh, dear. -Aw. | 0:14:11 | 0:14:12 | |
-Bye-bye! -Oh, I don't know, that just doesn't feel right somehow. | 0:14:14 | 0:14:18 | |
They were so good. But their loss is our next contestants' gain. | 0:14:19 | 0:14:25 | |
Because the jackpot goes up by £500. | 0:14:25 | 0:14:29 | |
So, let's meet the next team hoping to crack the code. | 0:14:29 | 0:14:33 | |
-Good to see you, gentlemen. Rakesh. -Hi. -Nice to meet you, and Nate. | 0:14:37 | 0:14:40 | |
-How you doing? -How are you doing? All right? -Yeah, good thank you. | 0:14:40 | 0:14:43 | |
Now, tell me about yourselves, where do you come from? | 0:14:43 | 0:14:46 | |
So, I come from Sri Lanka originally, | 0:14:46 | 0:14:47 | |
but I live in London now. | 0:14:47 | 0:14:48 | |
And, yeah, I've been in the UK now for just over ten years. | 0:14:48 | 0:14:52 | |
OK, how about you, Nate? | 0:14:52 | 0:14:53 | |
I am from Birmingham originally, via Leeds, now in London. | 0:14:53 | 0:14:56 | |
-OK, bit of a round trip them? -Absolutely. | 0:14:56 | 0:14:58 | |
So, what do you do? | 0:14:58 | 0:15:00 | |
So I'm an engineer by training | 0:15:00 | 0:15:01 | |
and I work now for an electricity supplier in Camden. | 0:15:01 | 0:15:04 | |
-OK. How about you, Nate? -I have my own photography company. | 0:15:04 | 0:15:07 | |
Photograph things like events, weddings, portraits, | 0:15:07 | 0:15:10 | |
stuff like that. | 0:15:10 | 0:15:11 | |
OK, what do you have in common? | 0:15:11 | 0:15:12 | |
What is it that you both get on and do together? | 0:15:12 | 0:15:14 | |
We do get along on the kind of entertainment, tech, food front, | 0:15:14 | 0:15:19 | |
I guess, and gym, fitness things as well. | 0:15:19 | 0:15:22 | |
-Food is a shared love, though, is that right? -Yeah, absolutely. | 0:15:22 | 0:15:25 | |
So, are you a food critic? Is that right? | 0:15:25 | 0:15:27 | |
-I write reviews on restaurants and things that I go to. -You, Rakesh. | 0:15:27 | 0:15:31 | |
-What do you go to? Are you a food critic? -No, I'm just a food lover. | 0:15:31 | 0:15:35 | |
I'm trying to dabble in a bit of stand-up comedy now. | 0:15:35 | 0:15:38 | |
-You know, getting into doing that. -That's hard, isn't it? | 0:15:38 | 0:15:41 | |
Yes, it's the mostly crippling self-doubt that's stopping me | 0:15:41 | 0:15:44 | |
at this point, but I think I'll eventually get over that. | 0:15:44 | 0:15:46 | |
Fantastic stuff. | 0:15:46 | 0:15:47 | |
Previously, Sue and Linda, despite an epic journey, | 0:15:47 | 0:15:53 | |
they failed to crack the code. | 0:15:53 | 0:15:54 | |
-Oh, no. -That means another £500 goes into the safe, | 0:15:54 | 0:15:58 | |
making a total of £4,000, that's £2,000 each. | 0:15:58 | 0:16:03 | |
-That would be useful? -Yeah, it would be very useful. | 0:16:03 | 0:16:06 | |
Rakesh and Nate, are you ready? | 0:16:06 | 0:16:07 | |
-Yes. -Let's reset the code. | 0:16:07 | 0:16:09 | |
There we go, three blanks, we want to turn those into three numbers. | 0:16:11 | 0:16:15 | |
If you do that, you get to open the door, take away £4,000, | 0:16:15 | 0:16:18 | |
that's the way it works. | 0:16:18 | 0:16:20 | |
Let's have a look at your first three answers. | 0:16:20 | 0:16:22 | |
Remember, only one of those is correct, | 0:16:27 | 0:16:29 | |
that's the one that you're trying to find. | 0:16:29 | 0:16:31 | |
And at this point, you can open | 0:16:31 | 0:16:33 | |
all three answers | 0:16:33 | 0:16:35 | |
to reveal the questions. | 0:16:35 | 0:16:37 | |
The order doesn't matter | 0:16:37 | 0:16:38 | |
too much at this stage. | 0:16:38 | 0:16:39 | |
Where do you want to go first? | 0:16:39 | 0:16:41 | |
-Shall we go ten? -Sure. | 0:16:41 | 0:16:42 | |
-Middle for the diddle? -Yes. | 0:16:42 | 0:16:43 | |
Middle for the diddle, says Rakesh. | 0:16:43 | 0:16:45 | |
Let's have a look | 0:16:45 | 0:16:46 | |
at the question behind ten. | 0:16:46 | 0:16:48 | |
I'm not great on films, I'm afraid, | 0:16:57 | 0:16:58 | |
but ten - certainly not from the '50s. | 0:16:58 | 0:17:00 | |
But 10 Angry Men does have a... | 0:17:00 | 0:17:02 | |
It has a nice ring to it, absolutely. | 0:17:02 | 0:17:04 | |
But I don't know if that's one of those things that | 0:17:04 | 0:17:07 | |
it just might be something that's popped into my head just now | 0:17:07 | 0:17:10 | |
and I'm convincing myself that it's right. | 0:17:10 | 0:17:12 | |
-OK, well, we can open all of these, don't forget. -I think that's best. | 0:17:12 | 0:17:15 | |
-Where would you like to go next? -Let's try mercury. | 0:17:15 | 0:17:17 | |
OK, the question behind mercury, please. | 0:17:17 | 0:17:19 | |
Um, I don't... I think we're going | 0:17:27 | 0:17:29 | |
to have to go for Empire here | 0:17:29 | 0:17:30 | |
because that does sound | 0:17:30 | 0:17:32 | |
like a plausible answer again. | 0:17:32 | 0:17:34 | |
OK, Rakesh, Nate, let's have a look | 0:17:34 | 0:17:35 | |
at the question behind Empire. | 0:17:35 | 0:17:38 | |
Yes. | 0:17:41 | 0:17:42 | |
I think that's, yeah, | 0:17:46 | 0:17:47 | |
I think that's the right one. | 0:17:47 | 0:17:49 | |
Of the British Empire, isn't it? | 0:17:49 | 0:17:51 | |
So, is it Master | 0:17:51 | 0:17:52 | |
of the British Empire? | 0:17:52 | 0:17:54 | |
I don't know what the first letter stands for | 0:17:54 | 0:17:56 | |
but I'm pretty sure that BE | 0:17:56 | 0:17:58 | |
is British Empire. | 0:17:58 | 0:17:59 | |
I'm glad that that came up, to be honest, | 0:17:59 | 0:18:01 | |
because it seems like the most logical. | 0:18:01 | 0:18:04 | |
Let's go with Empire. | 0:18:04 | 0:18:05 | |
OK, we're going to lock that in | 0:18:05 | 0:18:07 | |
as our correct answer, the only one | 0:18:07 | 0:18:09 | |
of the three you think | 0:18:09 | 0:18:10 | |
could be correct. | 0:18:10 | 0:18:12 | |
We want it to go green. We want | 0:18:12 | 0:18:13 | |
to give you the best possible start | 0:18:13 | 0:18:15 | |
and a chance to enter | 0:18:15 | 0:18:16 | |
a digit into the code. | 0:18:16 | 0:18:18 | |
Is it the right answer? | 0:18:18 | 0:18:19 | |
-Yeah, well done. -Oh! | 0:18:23 | 0:18:25 | |
Good stuff. Do you know what? | 0:18:25 | 0:18:26 | |
The celebrations to get over the first question | 0:18:26 | 0:18:29 | |
are almost as big as the ones when you win the money. | 0:18:29 | 0:18:31 | |
-I mean, I could just go home now. -Yeah! Lesley? | 0:18:31 | 0:18:33 | |
That's right, Rakesh, you were straight in there, | 0:18:33 | 0:18:35 | |
very confident with your answer to that one. | 0:18:35 | 0:18:38 | |
Empire, as in Officer, | 0:18:38 | 0:18:39 | |
Member or Commander | 0:18:39 | 0:18:40 | |
of the Most Excellent Order | 0:18:40 | 0:18:42 | |
of the British Empire. | 0:18:42 | 0:18:44 | |
Looking at the other questions, | 0:18:44 | 0:18:45 | |
the planet which was identified | 0:18:45 | 0:18:47 | |
by Herschel in 1781. | 0:18:47 | 0:18:49 | |
Well, Mercury has been known since prehistoric times. | 0:18:49 | 0:18:52 | |
It's visible to the naked eye. | 0:18:52 | 0:18:54 | |
The correct answer here is Uranus. | 0:18:54 | 0:18:56 | |
Herschel spent most of his life in Slough, | 0:18:56 | 0:18:58 | |
and there are lots of things in that town named after him. | 0:18:58 | 0:19:01 | |
The Angry Men in the title of the 1957 American film, not ten, | 0:19:01 | 0:19:05 | |
-it refers to jurors trying to reach a unanimous verdict. -Oh. | 0:19:05 | 0:19:08 | |
It's 12. | 0:19:08 | 0:19:09 | |
12 Angry Men. Thank you, Lesley. | 0:19:09 | 0:19:12 | |
Two relieved men, I would say, at this stage, | 0:19:12 | 0:19:15 | |
to get over that first one. | 0:19:15 | 0:19:16 | |
This is the easiest stage of the game. Will it stay that way? | 0:19:16 | 0:19:20 | |
It depends on what happens next. | 0:19:20 | 0:19:22 | |
You need to choose a number to go into the code. | 0:19:22 | 0:19:25 | |
The code is made up of three unique numbers. | 0:19:25 | 0:19:29 | |
-Which one do you want to choose? -I would like to go with nine, please. | 0:19:29 | 0:19:32 | |
The number nine. Is it there? | 0:19:32 | 0:19:34 | |
Is it in the first box? | 0:19:36 | 0:19:38 | |
No. | 0:19:38 | 0:19:39 | |
Is it in the second box? | 0:19:39 | 0:19:41 | |
-No. Is it in the third box? -Go on, go on. | 0:19:43 | 0:19:46 | |
Isn't there a nine? No number nine. | 0:19:47 | 0:19:50 | |
But listen, it's not negative, not entirely. | 0:19:50 | 0:19:52 | |
Because you've counted out the number nine, | 0:19:52 | 0:19:55 | |
you've only got nine numbers left, | 0:19:55 | 0:19:56 | |
and we're still playing the game at its easiest. OK? | 0:19:56 | 0:20:00 | |
-Are you ready for your next three answers? -Yes. -Let's have a look. | 0:20:00 | 0:20:03 | |
Going with the food kind of thread, | 0:20:08 | 0:20:10 | |
-shall we go with lasagne? -Sure. | 0:20:10 | 0:20:12 | |
You said it's one of your strong points, | 0:20:12 | 0:20:14 | |
that's always dangerous! | 0:20:14 | 0:20:15 | |
Let's see the question behind lasagne. | 0:20:15 | 0:20:18 | |
I don't know, I mean, Welsh rarebit | 0:20:25 | 0:20:27 | |
is like cheese on toast | 0:20:27 | 0:20:28 | |
kind of stuff, | 0:20:28 | 0:20:29 | |
so I mean lasagne has cheese, | 0:20:29 | 0:20:31 | |
it has layers but I don't know, | 0:20:31 | 0:20:32 | |
I'd put that in the maybe category. | 0:20:32 | 0:20:34 | |
Well, don't have to make a choice just yet, | 0:20:34 | 0:20:36 | |
you can choose one of the other ones. | 0:20:36 | 0:20:38 | |
-OK. -Beaver? -Let's go for beaver. | 0:20:38 | 0:20:39 | |
Let's have a look at the question behind beaver. | 0:20:39 | 0:20:42 | |
Well, I mean, you would just | 0:20:45 | 0:20:46 | |
associate dams with beavers, | 0:20:46 | 0:20:47 | |
usually, don't you? | 0:20:47 | 0:20:49 | |
And I don't think that where | 0:20:49 | 0:20:51 | |
a beaver seeks refuge is | 0:20:51 | 0:20:52 | |
referred to a nest either. | 0:20:52 | 0:20:54 | |
So, let's go with banana, | 0:20:54 | 0:20:56 | |
see what we've got. | 0:20:56 | 0:20:57 | |
Let's have a look at the question behind banana. | 0:20:57 | 0:20:59 | |
It sounds like a famous person's | 0:21:03 | 0:21:05 | |
child name or something. | 0:21:05 | 0:21:06 | |
But I'm not sure that it's... | 0:21:06 | 0:21:08 | |
-I think, I don't know. -I don't know. | 0:21:08 | 0:21:11 | |
I don't think that | 0:21:11 | 0:21:12 | |
that is more plausible than | 0:21:12 | 0:21:14 | |
the beaver's nest question, | 0:21:14 | 0:21:16 | |
-to be honest. -What have we got here? | 0:21:16 | 0:21:18 | |
You're looking at | 0:21:18 | 0:21:19 | |
all three questions. | 0:21:19 | 0:21:20 | |
Yeah, I think we can definitely | 0:21:20 | 0:21:21 | |
discount the lasagne question. | 0:21:21 | 0:21:23 | |
-You're happy to discount that? -Yes. | 0:21:23 | 0:21:25 | |
Nate, are you happy to discount that? | 0:21:25 | 0:21:26 | |
I think they're all plausible at the moment, | 0:21:26 | 0:21:29 | |
-which I'm finding difficult. -That's dangerous. | 0:21:29 | 0:21:31 | |
We need to find one correct answer. | 0:21:31 | 0:21:33 | |
Could have done with another OBE question here. | 0:21:33 | 0:21:35 | |
In reality, I think, | 0:21:36 | 0:21:38 | |
shall we go with lasagne? | 0:21:38 | 0:21:39 | |
That's the one that I would feel | 0:21:39 | 0:21:42 | |
most comfortable with. | 0:21:42 | 0:21:43 | |
I think in terms of a positive | 0:21:43 | 0:21:45 | |
feeling towards answers, | 0:21:45 | 0:21:47 | |
I've kind of talked myself out of | 0:21:47 | 0:21:48 | |
-the first two in my head. -OK. | 0:21:48 | 0:21:51 | |
-I mean, Banana is a fantastic surname. -It's a good food as well. | 0:21:51 | 0:21:55 | |
I'd love that as a surname. | 0:21:55 | 0:21:56 | |
And beaver's nest called a drey, | 0:21:56 | 0:21:58 | |
I think that's one of those | 0:21:58 | 0:22:00 | |
that have been crafted to look | 0:22:00 | 0:22:01 | |
clever, if you know what I mean? | 0:22:01 | 0:22:03 | |
-It could be right but... -That's it. | 0:22:03 | 0:22:05 | |
I think Italian cheese on toast | 0:22:05 | 0:22:06 | |
is a great way to refer to lasagne, | 0:22:06 | 0:22:08 | |
and I'm going to be taking | 0:22:08 | 0:22:09 | |
-that away regardless. -OK. | 0:22:09 | 0:22:11 | |
So, I think let's lock that one in. | 0:22:11 | 0:22:13 | |
I think so. | 0:22:13 | 0:22:14 | |
We're going to lock in lasagne | 0:22:14 | 0:22:16 | |
as a correct answer. | 0:22:16 | 0:22:18 | |
-Come on. -Could be going home here. | 0:22:18 | 0:22:19 | |
Yeah, second question, | 0:22:19 | 0:22:21 | |
we're not sure about any of them. | 0:22:21 | 0:22:23 | |
But this is our strongest feeling, | 0:22:23 | 0:22:25 | |
Rakesh and Nate. | 0:22:25 | 0:22:26 | |
We want this to go green | 0:22:26 | 0:22:28 | |
to keep the boys in the game. | 0:22:28 | 0:22:30 | |
Is lasagne our correct answer? | 0:22:30 | 0:22:33 | |
-Oh, come on. -Oh, you can do it. | 0:22:34 | 0:22:36 | |
You can do it! | 0:22:36 | 0:22:37 | |
Oh! | 0:22:39 | 0:22:41 | |
I am so sorry, it's not the right answer. | 0:22:41 | 0:22:44 | |
Let's have a look, let's see | 0:22:44 | 0:22:45 | |
which one of those three is correct. | 0:22:45 | 0:22:48 | |
-It's beaver, isn't it? -It's banana! -It's banana. -Cheeky! Oh. | 0:22:48 | 0:22:51 | |
Lesley, talk us through these, please. | 0:22:51 | 0:22:54 | |
Banana? | 0:22:54 | 0:22:55 | |
Yes, Banana, the fabulous surname of Canaan Banana. | 0:22:55 | 0:22:58 | |
That's a great first name as well. | 0:22:58 | 0:23:00 | |
It would be. Banana Banana, wouldn't that be a wonderful name? | 0:23:00 | 0:23:03 | |
As as every other letter. | 0:23:03 | 0:23:04 | |
He passed a law, it's claimed, in 1982 | 0:23:04 | 0:23:06 | |
banning people from mocking his surname. | 0:23:06 | 0:23:09 | |
And the animal with a nest | 0:23:09 | 0:23:11 | |
called a drey, | 0:23:11 | 0:23:12 | |
you didn't recognise this one, nothing ringing a bell. | 0:23:12 | 0:23:14 | |
-Is it like a vole or an otter or something? -It's a squirrel. | 0:23:14 | 0:23:18 | |
-And a beaver, usually we say they live in a lodge. -Right, OK. | 0:23:18 | 0:23:22 | |
Then the food | 0:23:22 | 0:23:23 | |
often marketed when it first came to Britain | 0:23:23 | 0:23:26 | |
as Italian Welsh rarebit, you were on the right lines, both of you, | 0:23:26 | 0:23:29 | |
saying that it was cheese related. | 0:23:29 | 0:23:31 | |
It might be a nice name | 0:23:31 | 0:23:32 | |
that you're going to take home | 0:23:32 | 0:23:33 | |
for calling a lasagne, | 0:23:33 | 0:23:35 | |
but it was a pizza that it was used for | 0:23:35 | 0:23:37 | |
to help people understand this new foreign food. | 0:23:37 | 0:23:40 | |
Pizza was the answer. | 0:23:40 | 0:23:41 | |
We wanted banana, but we had no bananas. | 0:23:41 | 0:23:45 | |
Unfortunately, that is the end of your journey today. | 0:23:45 | 0:23:48 | |
Well, thank you for having us. | 0:23:48 | 0:23:50 | |
It was a very quick visit, but it was lovely to meet you both. | 0:23:50 | 0:23:53 | |
And very good luck with the comedy. | 0:23:53 | 0:23:54 | |
-Thank you. -And also with the food critic-ing. | 0:23:54 | 0:23:56 | |
-Thank you. -OK, really lovely to meet you. | 0:23:56 | 0:23:58 | |
-Rakesh, and Nate. -Cheers. | 0:23:58 | 0:24:00 | |
They've failed to break the code, so on this occasion, goodbye. | 0:24:00 | 0:24:03 | |
Goodbye. Thank you for having us. | 0:24:03 | 0:24:06 | |
Thank you. | 0:24:06 | 0:24:07 | |
Well, a lightning visit there for Rakesh and Nate, but their loss | 0:24:09 | 0:24:13 | |
is our next contestants' gain, because as always, | 0:24:13 | 0:24:16 | |
the money goes up. | 0:24:16 | 0:24:17 | |
So, let's meet the next team hoping to crack the code. | 0:24:17 | 0:24:21 | |
Here they come - Denise, Mary and Craig. Lovely to meet you. | 0:24:26 | 0:24:29 | |
-Nice to meet you, Matt. -The DMC. -Yeah! -Walk this way. | 0:24:29 | 0:24:33 | |
-Here you are, lovely to see you. Two of you are from Birmingham. -Yes. | 0:24:33 | 0:24:38 | |
One of you claims to be posh and come from Worcestershire. | 0:24:38 | 0:24:41 | |
-Who's that? -That would be me, Matt. -That is you, Craig. | 0:24:41 | 0:24:44 | |
So, tell me about how you know each other. | 0:24:44 | 0:24:46 | |
We all work for the same bank. We're in administration. | 0:24:46 | 0:24:51 | |
We're all work colleagues, we're all friends. | 0:24:51 | 0:24:54 | |
Right, so when you say in administration, | 0:24:54 | 0:24:57 | |
not in administration, obviously. | 0:24:57 | 0:24:59 | |
-Not the bank. -I'm so sorry to hear that. | 0:24:59 | 0:25:01 | |
-But can I call you bank clerks? Would that be accurate? -You can. | 0:25:01 | 0:25:05 | |
-You're in the back office. -We're in the back office. | 0:25:05 | 0:25:07 | |
Sorting things out, taking care of business. | 0:25:07 | 0:25:10 | |
Right, well, me tell me about how you come to be here today? | 0:25:10 | 0:25:13 | |
Cos work colleagues don't always get on. | 0:25:13 | 0:25:15 | |
-It was Denise who roped us two into coming along. -Really? | 0:25:15 | 0:25:21 | |
And why did you do that, Denise? Are they good quizzers? | 0:25:21 | 0:25:24 | |
Do you think they'll know their stuff? | 0:25:24 | 0:25:26 | |
I think we're going to be awesome. | 0:25:26 | 0:25:27 | |
Team Awesome. | 0:25:27 | 0:25:29 | |
I won't be, they will, and I'm just here for the share of the money! | 0:25:29 | 0:25:33 | |
OK, if we win some money today, | 0:25:34 | 0:25:36 | |
-presumably you guys would know the best account to put that in? -Yes. | 0:25:36 | 0:25:40 | |
Is that right? | 0:25:40 | 0:25:42 | |
-That would be my account. -That would be, yeah! | 0:25:42 | 0:25:45 | |
Rakesh and Nate, who came before you, they failed, unfortunately. | 0:25:45 | 0:25:50 | |
So, that means another £500 goes in the safe. | 0:25:50 | 0:25:54 | |
Making a total of £4,500. | 0:25:54 | 0:25:57 | |
So, £4,500 is your jackpot, that's what you're looking to win today. | 0:26:00 | 0:26:06 | |
Let's reset the code. | 0:26:06 | 0:26:07 | |
Three blanks. We're looking for three numbers. | 0:26:11 | 0:26:13 | |
That's what you need if you're going to open that door. | 0:26:13 | 0:26:15 | |
-Are we ready, Team Awesome? -Ready. -Team Awesome! | 0:26:15 | 0:26:19 | |
Team Awesome, let's have a look at your first three answers. | 0:26:19 | 0:26:22 | |
As always, you're trying to find | 0:26:26 | 0:26:28 | |
the one correct answer. | 0:26:28 | 0:26:30 | |
At this point though, | 0:26:30 | 0:26:31 | |
you can open all three questions | 0:26:31 | 0:26:33 | |
behind those answers. | 0:26:33 | 0:26:35 | |
Which one do you want to try first? | 0:26:35 | 0:26:37 | |
-Bikini? -Go on, we'll have bikini. | 0:26:37 | 0:26:40 | |
-Shall we go bikini? -It's as good as one as any, so, yes. | 0:26:40 | 0:26:44 | |
Let's have a look behind the bikini. | 0:26:44 | 0:26:46 | |
Woo-hoo! | 0:26:46 | 0:26:48 | |
-I think that one... -I think that one's correct. | 0:26:53 | 0:26:56 | |
I think bikini was named after something to do with nuclear... | 0:26:56 | 0:27:01 | |
-To do with an island. -I'm sure it was. | 0:27:01 | 0:27:03 | |
Where do you want to go next? | 0:27:03 | 0:27:04 | |
-I've always liked sheep. -OK, let's have a look | 0:27:04 | 0:27:07 | |
behind sheep for Denise. | 0:27:07 | 0:27:09 | |
-Isn't that a goat? -Yeah, it's not a sheep. -It's a goat, not a sheep. | 0:27:14 | 0:27:18 | |
-That one's wrong. -Denise, you're pretty confident there. | 0:27:18 | 0:27:21 | |
Confident, we're all in that one. | 0:27:21 | 0:27:22 | |
-All in it together? -We're in it together. | 0:27:22 | 0:27:24 | |
Let's open feathers. | 0:27:24 | 0:27:26 | |
Pangolins, I'm sure... | 0:27:31 | 0:27:32 | |
Is it like a little... | 0:27:34 | 0:27:36 | |
..mouse? | 0:27:38 | 0:27:39 | |
-OK. -No, it's not like a mouse. | 0:27:41 | 0:27:42 | |
Pangolin? | 0:27:42 | 0:27:44 | |
I must admit, I've not heard...of that. | 0:27:44 | 0:27:47 | |
I have, I've heard of a pangolin, but I can't remember where. | 0:27:47 | 0:27:49 | |
We've got three answers there, | 0:27:49 | 0:27:51 | |
one of them must be correct, | 0:27:51 | 0:27:52 | |
that's the one we're after. | 0:27:52 | 0:27:54 | |
It's a small something. | 0:27:54 | 0:27:55 | |
-You're confident on the middle one, though? -I think it's bikini. | 0:27:56 | 0:28:00 | |
I do, I really do. | 0:28:00 | 0:28:01 | |
We'll lock and load bikini as our correct answer. | 0:28:01 | 0:28:05 | |
If it is correct, | 0:28:06 | 0:28:08 | |
it'll turn up green. | 0:28:08 | 0:28:09 | |
It means we have the chance | 0:28:09 | 0:28:11 | |
to put our first digit into the code. | 0:28:11 | 0:28:13 | |
We want bikini to be the correct answer. Is it? | 0:28:13 | 0:28:16 | |
-Yeah! Woo! -Good start. | 0:28:19 | 0:28:23 | |
Well done, Team Awesome. Lesley? | 0:28:23 | 0:28:26 | |
Great instincts, Denise. | 0:28:26 | 0:28:28 | |
You were right to say that bikini was the item of swimwear | 0:28:28 | 0:28:30 | |
-named after the Bikini Atoll. -Yes. | 0:28:30 | 0:28:33 | |
The designer Louis Reard named it so in 1946, | 0:28:33 | 0:28:37 | |
because he hoped it would provoke a similarly explosive reaction. | 0:28:37 | 0:28:40 | |
The kind of animal which is a cashmere from which we get | 0:28:40 | 0:28:42 | |
Cashmere wool. Again, Denise, you were right there, | 0:28:42 | 0:28:45 | |
bang on with goat rather than sheep. | 0:28:45 | 0:28:47 | |
And pangolins all over their bodies, not feathers, but scales. | 0:28:47 | 0:28:52 | |
They're sometimes called the scaly anteater. | 0:28:52 | 0:28:54 | |
Oh, so it's an anteater? | 0:28:54 | 0:28:57 | |
Great work, Team Awesome. | 0:28:57 | 0:28:58 | |
It means we get the chance to put one number into the code | 0:28:58 | 0:29:03 | |
to see if it will stick. | 0:29:03 | 0:29:04 | |
Which one are we going to go for? | 0:29:04 | 0:29:06 | |
The code, remember, made up of three unique numbers. | 0:29:06 | 0:29:09 | |
Which one's it going to be? | 0:29:09 | 0:29:11 | |
We had a discussion already, Matt, and we are going to go for two. | 0:29:11 | 0:29:14 | |
Two is the first number you're going for. | 0:29:14 | 0:29:17 | |
Let's see, is the number two in Team Awesome's code? | 0:29:17 | 0:29:20 | |
Is it in the first box? | 0:29:20 | 0:29:22 | |
-Oh. -No. Is it in the second box? -Yes! | 0:29:24 | 0:29:26 | |
-Oh! -It's not there. | 0:29:28 | 0:29:30 | |
-Is it in the third and final box? -Please. | 0:29:30 | 0:29:32 | |
-Oh! Sorry. -It's not there. But don't worry, don't worry. It's fine. | 0:29:34 | 0:29:38 | |
Because what we're doing is we're knocking out the numbers | 0:29:38 | 0:29:41 | |
early on in the game when we're still playing at the easiest level. | 0:29:41 | 0:29:45 | |
It can really work in your favour to do that | 0:29:45 | 0:29:47 | |
when we get later on in the game. | 0:29:47 | 0:29:49 | |
-Are we ready for our next three answers? -I think so. -Yes. | 0:29:49 | 0:29:54 | |
OK, here we go. | 0:29:54 | 0:29:55 | |
Of course, | 0:30:01 | 0:30:02 | |
we can open them in any order, | 0:30:02 | 0:30:03 | |
it doesn't really matter. | 0:30:03 | 0:30:05 | |
So, where do you want to start? | 0:30:05 | 0:30:06 | |
-Shall we just start at the top? -Yeah, yeah. -OK. | 0:30:06 | 0:30:08 | |
Let's go for the top one, 60 metres, please. | 0:30:08 | 0:30:11 | |
-60 metres, would they? -No, they do in indoor athletics. -Do they? | 0:30:20 | 0:30:25 | |
I was going to say, | 0:30:25 | 0:30:26 | |
I would never have known that. | 0:30:26 | 0:30:28 | |
It's whether it was that time... | 0:30:28 | 0:30:30 | |
-You heard of Maurice Greene? -Yes. | 0:30:30 | 0:30:31 | |
Oh. | 0:30:31 | 0:30:32 | |
-Shall we open another one, would that help? -Yes! -Yes, please. | 0:30:32 | 0:30:35 | |
-Where shall we go next? -Seven seconds? -Seven seconds. | 0:30:35 | 0:30:38 | |
Let's open the question behind seven seconds. | 0:30:38 | 0:30:41 | |
No, that was... # 24 hours ago! # | 0:30:47 | 0:30:50 | |
THEY LAUGH | 0:30:50 | 0:30:52 | |
-I thought it was 21 Seconds. -Oh, is it 21 Seconds? | 0:30:52 | 0:30:55 | |
-I was thinking 21 hours. -I'm sure | 0:30:55 | 0:30:56 | |
it's longer than seven seconds. | 0:30:56 | 0:30:57 | |
Yes, seven seconds to go. | 0:30:57 | 0:30:59 | |
No, definitely wasn't seven seconds, it was 21 something. | 0:30:59 | 0:31:02 | |
-Shall we have a look at the question behind eight hours? -Please. | 0:31:02 | 0:31:04 | |
I'm sure that's eight days. | 0:31:11 | 0:31:13 | |
Was it eight days? | 0:31:13 | 0:31:15 | |
The strongest one there for me would be the top one, | 0:31:15 | 0:31:17 | |
-cos they'd do run 60 metres in indoor athletics. -Lady Jane Grey? | 0:31:17 | 0:31:22 | |
So, I know that the middle one is wrong. | 0:31:22 | 0:31:24 | |
Definitely, the middle one's definitely wrong. | 0:31:24 | 0:31:27 | |
And Lady Jane Grey, wasn't she... | 0:31:27 | 0:31:29 | |
..eight days or something? | 0:31:31 | 0:31:33 | |
Haven't you heard of that? Or am I just dreaming it? | 0:31:33 | 0:31:35 | |
-I've heard of her but... -I'm sure. -Happy if we go with the top one? | 0:31:35 | 0:31:39 | |
Let's just go with the top one. | 0:31:39 | 0:31:40 | |
If you feel more comfortable with the top one. | 0:31:40 | 0:31:42 | |
-And if it's wrong, I'm going to kill you. -Oh, thank you. | 0:31:42 | 0:31:45 | |
Not really! | 0:31:45 | 0:31:47 | |
Already seeing rifts in the group. | 0:31:47 | 0:31:49 | |
-You OK? We're going with me on this one? -What is de facto, first? | 0:31:49 | 0:31:51 | |
To monarch? | 0:31:51 | 0:31:53 | |
De facto means truthful or it's a fact. | 0:31:53 | 0:31:58 | |
-Well, we're OK if I lock in the first one? -The first one. | 0:31:58 | 0:32:01 | |
We're going to lock in 60 metres | 0:32:01 | 0:32:02 | |
as a correct answer. | 0:32:02 | 0:32:04 | |
If it is a correct answer, | 0:32:04 | 0:32:05 | |
we get the chance to have a crack | 0:32:05 | 0:32:08 | |
at another digit on the code. | 0:32:08 | 0:32:10 | |
If not, Team Awesome is going home. | 0:32:10 | 0:32:13 | |
-No! -Is 60 metres our correct answer? | 0:32:15 | 0:32:19 | |
-Yes! Woo! -Good work. | 0:32:22 | 0:32:25 | |
-Big wave of relief. -Good work. | 0:32:25 | 0:32:28 | |
Lesley, | 0:32:28 | 0:32:29 | |
talk us through these answers. | 0:32:29 | 0:32:30 | |
Yes, very well reasoned out. Craig, you were pretty sure about this one. | 0:32:30 | 0:32:34 | |
Maurice Greene set a world record in the 60 metres, | 0:32:34 | 0:32:37 | |
that record still stands. | 0:32:37 | 0:32:39 | |
And the number one UK hit single for So Solid Crew. | 0:32:39 | 0:32:41 | |
Again, Craig, you came right in there with this one. | 0:32:41 | 0:32:45 | |
21 seconds is their hit. | 0:32:45 | 0:32:47 | |
7 Seconds was a hit for Youssou N'Dour and Neneh Cherry. | 0:32:47 | 0:32:51 | |
Lady Jane Grey was de facto monarch. | 0:32:51 | 0:32:53 | |
Denise, you were asking what does de facto mean. | 0:32:53 | 0:32:55 | |
Craig, I heard you say in fact. | 0:32:55 | 0:32:57 | |
It means that she was monarch in practice rather than by law. | 0:32:57 | 0:33:01 | |
Not for eight days, which you said, but for nine days. | 0:33:01 | 0:33:03 | |
That's it, yes. | 0:33:03 | 0:33:04 | |
Right, nine days, there we go. Thank you, Lesley. | 0:33:04 | 0:33:08 | |
Good stuff, guys. | 0:33:08 | 0:33:09 | |
It really is awesome at the moment. | 0:33:09 | 0:33:11 | |
It means you get the chance to pick another digit to go into the code. | 0:33:11 | 0:33:14 | |
Two is gone, nine others left. What's the plan? | 0:33:14 | 0:33:17 | |
-Can we choose six, please? -Come on. | 0:33:17 | 0:33:19 | |
Number six, let's see if it's there in the code for you guys. | 0:33:19 | 0:33:24 | |
-Is it in the first box? -Yes. | 0:33:24 | 0:33:25 | |
No, it's not. | 0:33:27 | 0:33:29 | |
Is it in the second box? | 0:33:29 | 0:33:30 | |
-Oh, my God! -One box left. | 0:33:32 | 0:33:35 | |
-Oh! -There's no number six. -Not doing well, are we? | 0:33:37 | 0:33:39 | |
Two and six both out of the count. DENISE LAUGHS | 0:33:39 | 0:33:43 | |
OK, are you ready for your next three answers? | 0:33:43 | 0:33:45 | |
-Yes. -I think so. -Yep. -Let's have a look. | 0:33:45 | 0:33:47 | |
-Shall we start with Miss Marple? Yeah. -OK. | 0:33:52 | 0:33:55 | |
Let's open the question behind Miss Marple. | 0:33:55 | 0:33:57 | |
It's either her or Poirot. | 0:34:03 | 0:34:05 | |
Mysterious Affair At Styles? | 0:34:05 | 0:34:07 | |
That is... | 0:34:07 | 0:34:09 | |
Have you ever read any? | 0:34:11 | 0:34:12 | |
I think I have read it, but I can't remember any of it, I'm sorry. | 0:34:12 | 0:34:15 | |
-We can open all of the questions at this stage. -Yeah. | 0:34:15 | 0:34:17 | |
-Where do you want to go next? -You've Got Mail? -Second, yes. | 0:34:17 | 0:34:21 | |
Let's have a look behind You've Got Mail. | 0:34:21 | 0:34:23 | |
That's...that's definitely | 0:34:29 | 0:34:30 | |
-Sleepless In Seattle. -OK. | 0:34:30 | 0:34:33 | |
Definitely Sleepless In Seattle? | 0:34:33 | 0:34:34 | |
I think it is, I'm positive. | 0:34:34 | 0:34:37 | |
I love the way... Denise, | 0:34:37 | 0:34:38 | |
you have a habit of being definite | 0:34:38 | 0:34:40 | |
and then shortly afterwards, | 0:34:40 | 0:34:42 | |
not quite as definite. | 0:34:42 | 0:34:43 | |
-Annie Reed, that is Sleepless In Seattle. -OK. | 0:34:43 | 0:34:46 | |
-Happy to open Ireland? -Yeah. | 0:34:46 | 0:34:48 | |
Give yourselves an idea, | 0:34:48 | 0:34:49 | |
-bit more context. -Mary will know this. | 0:34:49 | 0:34:51 | |
Let's open the question behind Ireland. | 0:34:51 | 0:34:54 | |
It's green, white and gold, isn't it for Ireland? | 0:35:01 | 0:35:04 | |
Orange, I'm sure that the Ivory Coast | 0:35:04 | 0:35:06 | |
does have the same colours. | 0:35:06 | 0:35:09 | |
Gold, green and white? | 0:35:09 | 0:35:11 | |
I'm trying to think of the football team, their football strip. | 0:35:11 | 0:35:15 | |
-But you're confident on? -Definitely Sleepless In Seattle. | 0:35:15 | 0:35:19 | |
Mysterious Affair At Styles could be Poirot. | 0:35:19 | 0:35:22 | |
And then that would be right, wouldn't it? | 0:35:22 | 0:35:24 | |
But then again, I can't remember. | 0:35:24 | 0:35:25 | |
I'm sure I've read The Mysterious Affair At Styles, | 0:35:25 | 0:35:28 | |
I'm trying to think what Styles is. Trying to remember the story. | 0:35:28 | 0:35:31 | |
-I can't. -What do we want to do here? -The Mysterious... | 0:35:31 | 0:35:34 | |
One of these must be correct, | 0:35:34 | 0:35:35 | |
that's the one we're looking for. | 0:35:35 | 0:35:37 | |
-You're not certain on the top one then, Denise? -No. | 0:35:37 | 0:35:39 | |
Let's go with the bottom one. | 0:35:39 | 0:35:41 | |
We'll just go with the bottom one, yes, | 0:35:41 | 0:35:43 | |
cos we definite know it's Sleepless In Seattle. | 0:35:43 | 0:35:45 | |
And that could be Poirot. | 0:35:45 | 0:35:46 | |
Tell me which one we're going to lock in. | 0:35:46 | 0:35:48 | |
We'll lock in the bottom answer, please, Matt. Ireland. | 0:35:48 | 0:35:51 | |
We're going to lock in Ireland | 0:35:51 | 0:35:52 | |
as our correct answer. | 0:35:52 | 0:35:56 | |
We want this to go green. | 0:35:56 | 0:35:57 | |
-Yes! -Yes. -Good stuff. -Yes! | 0:36:01 | 0:36:03 | |
Good stuff, do you know what? | 0:36:03 | 0:36:06 | |
You've got like a hive mind? | 0:36:06 | 0:36:08 | |
You're working together | 0:36:08 | 0:36:09 | |
to figure these things out. | 0:36:09 | 0:36:10 | |
You're clearly very good at work. | 0:36:10 | 0:36:13 | |
-I wouldn't say. -Lesley? | 0:36:15 | 0:36:18 | |
Denise, you said you were along for the ride, | 0:36:18 | 0:36:20 | |
but you seem to be driving this. | 0:36:20 | 0:36:21 | |
The Irish flag is green, white, and orange. | 0:36:21 | 0:36:24 | |
The flag of Cote d'Ivoire is orange, white and green, | 0:36:24 | 0:36:26 | |
and the Irish flag is longer. | 0:36:26 | 0:36:28 | |
The Mysterious Affair At Styles was the first novel to feature - | 0:36:28 | 0:36:32 | |
exactly as you said, Denise - Poirot, rather than Miss Marple. | 0:36:32 | 0:36:36 | |
Miss Marple first appeared in The Murder At The Vicarage. | 0:36:36 | 0:36:39 | |
Told you. | 0:36:39 | 0:36:40 | |
And the film in which Tom Hanks and Meg Ryan played Sam Baldwin | 0:36:40 | 0:36:43 | |
and Annie Reed. Again, Denise, you led the way with this. | 0:36:43 | 0:36:46 | |
You knew that the film in the question was Sleepless In Seattle. | 0:36:46 | 0:36:50 | |
Thank you, Lesley. | 0:36:50 | 0:36:51 | |
A mixture of nailed-on knowledge, | 0:36:51 | 0:36:53 | |
hunches and sort of inklings | 0:36:53 | 0:36:56 | |
has got you through another round. | 0:36:56 | 0:36:59 | |
It's bought you the right to enter another digit into your code. | 0:36:59 | 0:37:03 | |
Which one is it going to be? | 0:37:03 | 0:37:05 | |
Yeah, I think we're going to go high, so we'll go for... | 0:37:05 | 0:37:08 | |
-Number nine? -OK. | 0:37:08 | 0:37:09 | |
-Number nine. -Come on! -Is it there in your code? | 0:37:09 | 0:37:12 | |
Is it in the first box? | 0:37:12 | 0:37:14 | |
It's not there. Is it in the second box? | 0:37:16 | 0:37:19 | |
-Oh! -It's not there either. | 0:37:21 | 0:37:23 | |
Is it in our third box? | 0:37:23 | 0:37:25 | |
-Oh, my God! -Oh, no. | 0:37:28 | 0:37:29 | |
Seems to be the master plan is avoiding any numbers in the code. | 0:37:29 | 0:37:33 | |
-Yes. -Are you ready for your next three answers, Team Awesome? | 0:37:33 | 0:37:37 | |
-Yes! -Let's see them. | 0:37:37 | 0:37:38 | |
These look a bit trickier. | 0:37:44 | 0:37:46 | |
Well, we're going to open all of them, aren't we? | 0:37:46 | 0:37:48 | |
Could we just always start at the top and just work down? | 0:37:48 | 0:37:51 | |
It's a good a plan as any, I suppose. | 0:37:51 | 0:37:52 | |
OK, let's open | 0:37:52 | 0:37:53 | |
the question behind titanium. | 0:37:53 | 0:37:55 | |
As good a chance as any, it was only like my last answer. | 0:38:03 | 0:38:07 | |
-It was only four years ago, isn't it? -I don't remember it. | 0:38:07 | 0:38:10 | |
-I think there was. -Shall we open the next one? | 0:38:10 | 0:38:14 | |
Move on? OK. | 0:38:14 | 0:38:15 | |
Let's have a look at the question behind David Hockney. | 0:38:15 | 0:38:19 | |
-David Hockney? -Again, art is not one of my subjects, but... | 0:38:25 | 0:38:28 | |
..I seem to think that he sort of worked more... | 0:38:30 | 0:38:33 | |
I don't think... Does he do landscapes? | 0:38:33 | 0:38:35 | |
I thought he was possibly more of a portrait artist. | 0:38:37 | 0:38:40 | |
See, I didn't think David Hockney... I thought he was a bit more modern. | 0:38:40 | 0:38:44 | |
-I haven't a clue! -Shall we have a look at the...? | 0:38:44 | 0:38:46 | |
Have a look at the last one. | 0:38:46 | 0:38:48 | |
Let's have a look at the last question, six. | 0:38:48 | 0:38:50 | |
What's UFC? | 0:38:55 | 0:38:57 | |
-Ultimate Fighting. -Oh, fighting. | 0:38:57 | 0:38:59 | |
You know, sort of no holds barred. | 0:38:59 | 0:39:01 | |
-Oh, so that's like what cage fighting? -Cage fighting. | 0:39:01 | 0:39:05 | |
I would imagine it to be round, | 0:39:06 | 0:39:07 | |
I don't know why. | 0:39:07 | 0:39:08 | |
-It does have sides but... -Does it? | 0:39:08 | 0:39:10 | |
It's a sport of ultimate fighting. | 0:39:10 | 0:39:13 | |
-OK. -Doesn't feel like | 0:39:13 | 0:39:14 | |
any of these are nailed down. | 0:39:14 | 0:39:16 | |
No. | 0:39:16 | 0:39:18 | |
What's that the really old artist? | 0:39:18 | 0:39:20 | |
-You've covered lots. -Who painted landscapes and he did the hay bay. | 0:39:21 | 0:39:26 | |
-Hay Wain. -Constable. | 0:39:26 | 0:39:27 | |
That was Turner, Constable or Turner. | 0:39:27 | 0:39:30 | |
Yeah, so was that the Essex-Suffolk border? | 0:39:30 | 0:39:33 | |
I thought David Hockney was more of a portrait artist. | 0:39:33 | 0:39:36 | |
So, do we reckon it's not him? | 0:39:36 | 0:39:38 | |
So, it's between the top one... | 0:39:38 | 0:39:39 | |
So, you think there was a recent metallic | 0:39:39 | 0:39:42 | |
UK hit single, Titanium? | 0:39:42 | 0:39:44 | |
I don't recognise that. | 0:39:46 | 0:39:48 | |
I haven't got a clue how many sides this cage has. | 0:39:48 | 0:39:50 | |
Oh, I'm really sad. | 0:39:50 | 0:39:51 | |
If it was like six, it would be sort of a hexagon. | 0:39:51 | 0:39:54 | |
Hexagon but I can't picture. | 0:39:54 | 0:39:55 | |
-But you remember a single? -Well, I think I do. | 0:39:57 | 0:40:00 | |
-Do you want to just go with one? -Let's go. | 0:40:00 | 0:40:02 | |
Are you confident to go with me, Mary? | 0:40:02 | 0:40:04 | |
I'd be sad if this is what we're out on. | 0:40:04 | 0:40:06 | |
Which one do we want to lock in? | 0:40:06 | 0:40:07 | |
Shall we just pick? Yeah. | 0:40:07 | 0:40:09 | |
We're going to lock in the top | 0:40:09 | 0:40:10 | |
answer please, Matt. Titanium. | 0:40:10 | 0:40:11 | |
Want to lock in | 0:40:11 | 0:40:13 | |
Titanium as our correct answer. | 0:40:13 | 0:40:15 | |
If it is correct, you get to choose | 0:40:15 | 0:40:18 | |
another number to go into your code. | 0:40:18 | 0:40:20 | |
Titanium, go green. | 0:40:20 | 0:40:23 | |
-Please, please, please. -Please, please. | 0:40:24 | 0:40:27 | |
-Yes! Well done, Mary! -HE LAUGHS | 0:40:27 | 0:40:30 | |
-Yes! -Well done, team! | 0:40:30 | 0:40:33 | |
Lesley? | 0:40:33 | 0:40:34 | |
Very well worked out. Yes, you remembered that Titanium was a song. | 0:40:34 | 0:40:38 | |
It was a hit for David Guetta, featuring Sia. | 0:40:38 | 0:40:41 | |
Titanium, atomic number 22. | 0:40:41 | 0:40:44 | |
There's another hit with the title that is an element, | 0:40:44 | 0:40:47 | |
Gold by Spandau Ballet. | 0:40:47 | 0:40:48 | |
And for the next question, the paintings of the English artist. | 0:40:48 | 0:40:52 | |
Denise, you began to say Hay Wain. Craig, you came in with Constable. | 0:40:52 | 0:40:55 | |
John Constable is the correct answer to that question. | 0:40:55 | 0:40:58 | |
And in the sport of UFC, that's the Ultimate Fighting Championship, | 0:40:58 | 0:41:02 | |
the cage doesn't have six sides. | 0:41:02 | 0:41:04 | |
It's not a circle, as you were wondering, but it has eight sides. | 0:41:04 | 0:41:07 | |
It's an octagon. | 0:41:07 | 0:41:08 | |
Thank you very much, Lesley. | 0:41:08 | 0:41:10 | |
So, Craig, please pay more attention in your next fight. | 0:41:10 | 0:41:12 | |
I will do, will do! | 0:41:12 | 0:41:14 | |
Well, talking of titanium, you lot are bulletproof, nothing to lose, | 0:41:14 | 0:41:19 | |
to quote the lyrics of the song. It's time to pick another number. | 0:41:19 | 0:41:24 | |
You've gone through three, skilfully avoiding the code. | 0:41:24 | 0:41:28 | |
THEY LAUGH | 0:41:28 | 0:41:30 | |
-What's it going to be next? -Shall we go for five? | 0:41:30 | 0:41:33 | |
Yeah, cos I think you were mentioning that before, so, yes. | 0:41:33 | 0:41:36 | |
Five. We're going to go for number five. | 0:41:36 | 0:41:38 | |
If you manage to avoid the code again, I might chuck you out myself. | 0:41:38 | 0:41:42 | |
Here we go! Is the number five in the first box of your code? | 0:41:43 | 0:41:47 | |
It's not there. Is it in the second box of your code? | 0:41:49 | 0:41:53 | |
-Please, please. -It's not there! | 0:41:54 | 0:41:57 | |
Is number five in the third box of your code? | 0:41:57 | 0:41:59 | |
Oh! | 0:42:02 | 0:42:05 | |
No! | 0:42:05 | 0:42:06 | |
OK, we'll have to call your team Awesome At Answering Questions. | 0:42:06 | 0:42:10 | |
Team Not So Great At Finding Numbers. | 0:42:10 | 0:42:12 | |
Look at the ones we've been through - two, five, six, nine. | 0:42:12 | 0:42:15 | |
None of them in your code. | 0:42:15 | 0:42:17 | |
But that means we get to carry on playing | 0:42:17 | 0:42:19 | |
the game at the easiest level. | 0:42:19 | 0:42:21 | |
It's not a bad way... KLAXON BLARES | 0:42:21 | 0:42:23 | |
That sound means, unfortunately, we have to stop right there. | 0:42:25 | 0:42:29 | |
Just as we were getting going and achieving very little. | 0:42:29 | 0:42:32 | |
THEY LAUGH | 0:42:32 | 0:42:33 | |
But a terrific effort, Team Awesome, so far. | 0:42:35 | 0:42:37 | |
Do you think you can keep it up? | 0:42:37 | 0:42:39 | |
-Yes! -I think so, yes. | 0:42:39 | 0:42:41 | |
Well, let's hope so. Please join us next time. | 0:42:41 | 0:42:44 | |
Thank you very much, Lesley. | 0:42:44 | 0:42:45 | |
-Amazing facts, as always. -You're very welcome. | 0:42:45 | 0:42:47 | |
Please be sure to join us next time, when Denise, Mary and Craig - | 0:42:47 | 0:42:52 | |
Team Awesome - return and we find out | 0:42:52 | 0:42:55 | |
if they have what it takes to crack the code and win the cash. | 0:42:55 | 0:42:58 | |
-Yes! -Thanks for watching. | 0:42:58 | 0:43:00 | |
Goodbye. | 0:43:00 | 0:43:01 |