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Hello, and welcome to The Code. | 0:00:12 | 0:00:14 | |
Locked inside this safe is £3,000. | 0:00:14 | 0:00:17 | |
To open the safe and win the money, | 0:00:17 | 0:00:19 | |
contestants just need to crack a three-digit code. | 0:00:19 | 0:00:23 | |
But each time someone fails, more money goes into the safe | 0:00:23 | 0:00:26 | |
and the jackpot gets higher and higher. | 0:00:26 | 0:00:30 | |
Let's meet our next contestants hoping to crack the code. | 0:00:30 | 0:00:33 | |
Lovely to see you. Come in, come in. Hello, Sarah. How are you? | 0:00:37 | 0:00:40 | |
-Fine, thank you. -And Andy. Nice to meet you. -Nice to meet you. | 0:00:40 | 0:00:43 | |
Now, I understand you're both living in London at the moment, | 0:00:43 | 0:00:45 | |
-but originally from Stockton-on-Tees. -Yeah. | 0:00:45 | 0:00:48 | |
-And Glasgow. -That's right. -Right. OK. | 0:00:48 | 0:00:50 | |
So, you're a couple. Tell me how you met. | 0:00:50 | 0:00:52 | |
We met studying chemistry at Edinburgh University. | 0:00:52 | 0:00:55 | |
Did your eyes meet across a crowded laboratory? | 0:00:55 | 0:00:58 | |
-Is that the way it works? -It was more like a cup of coffee. | 0:00:58 | 0:01:00 | |
OK. And what do you do now? | 0:01:00 | 0:01:01 | |
I'm still studying, actually. I'm just getting to the end of my PhD. | 0:01:01 | 0:01:06 | |
Is that like a lifetime's work, to get to that point? | 0:01:06 | 0:01:09 | |
It's quite a bit of work, yeah. Longer than it should've been. | 0:01:09 | 0:01:11 | |
It feels like a lifetime, yeah. | 0:01:11 | 0:01:13 | |
Go on, run the title past me just in case I understand what it's about. | 0:01:13 | 0:01:16 | |
It's Nanoengineered Polymer Materials | 0:01:16 | 0:01:19 | |
for Targeted Drug Delivery. | 0:01:19 | 0:01:21 | |
Yeah, obviously. I'm all over that. | 0:01:21 | 0:01:23 | |
Andy, how about you? What do you do? | 0:01:23 | 0:01:25 | |
I'm a clinical trial manager for cancer research. | 0:01:25 | 0:01:27 | |
-Right. Serious business. -Yeah. -Good stuff. | 0:01:27 | 0:01:29 | |
And what do you do when you're not working? | 0:01:29 | 0:01:31 | |
We've done a lot of travelling together. | 0:01:31 | 0:01:33 | |
We lived in Australia for a few years, and we've been out to Fiji - | 0:01:33 | 0:01:36 | |
that's probably our favourite. | 0:01:36 | 0:01:38 | |
And while we're travelling, there's a lot of sport to watch as well. | 0:01:38 | 0:01:41 | |
Massive sports fans. | 0:01:41 | 0:01:42 | |
So, when it comes to the subjects that might pop up in the quiz today, | 0:01:42 | 0:01:45 | |
-sport, we think we've got that covered. -Yeah. | 0:01:45 | 0:01:47 | |
It's always dodgy to say something like that, though. | 0:01:47 | 0:01:50 | |
It can be. What else...? I mean, I'm working on the basis | 0:01:50 | 0:01:52 | |
-science might be a strong subject for you? -Hopefully, yeah. | 0:01:52 | 0:01:55 | |
Hopefully not a stumbling block. | 0:01:55 | 0:01:57 | |
-Another potential banana skin, but, yeah. -Right. | 0:01:57 | 0:01:59 | |
OK. Well, we'll see what comes up. | 0:01:59 | 0:02:01 | |
Last time, Terry and Andy from Somerset, from Yeovil, | 0:02:01 | 0:02:04 | |
they cracked the code. They walked away with £6,500. | 0:02:04 | 0:02:09 | |
We now restart the jackpot, therefore, at £3,000. | 0:02:09 | 0:02:13 | |
All you need to do to win the money is enter a three-digit code. | 0:02:20 | 0:02:24 | |
Each time, you just have to pick the correct answer. | 0:02:24 | 0:02:28 | |
Then you get to select a number between zero and nine | 0:02:28 | 0:02:32 | |
and the computer will reveal whether or not it's in the code. | 0:02:32 | 0:02:35 | |
But be warned - if at any point you pick an incorrect answer, | 0:02:35 | 0:02:39 | |
that's it, it's back to your thesis, back to your sport. | 0:02:39 | 0:02:44 | |
It's instant elimination. It's quite brutal like that. | 0:02:44 | 0:02:47 | |
An easy game to play, but quite a hard game to win. | 0:02:47 | 0:02:50 | |
-Are you ready? BOTH: -Yeah. -Good. Let's reset the code. | 0:02:50 | 0:02:53 | |
OK, let's have a look at your first three answers. | 0:02:56 | 0:02:58 | |
Remember only one of | 0:03:02 | 0:03:03 | |
those is correct. That's the one | 0:03:03 | 0:03:04 | |
you're trying to find. | 0:03:04 | 0:03:05 | |
At this point, you can open | 0:03:05 | 0:03:07 | |
all three answers to reveal the questions. | 0:03:07 | 0:03:09 | |
Which one would you like see first? | 0:03:09 | 0:03:11 | |
-Start with the top, yeah? -Yeah. | 0:03:11 | 0:03:13 | |
Nose, please. | 0:03:13 | 0:03:14 | |
Let's have a look at the question behind nose. | 0:03:14 | 0:03:17 | |
What part of the body goes after blue | 0:03:18 | 0:03:20 | |
-in the name of a wireless data exchange method? -Right... | 0:03:20 | 0:03:23 | |
That'd be Bluetooth, yeah. | 0:03:23 | 0:03:24 | |
Sounds like it should be tooth. | 0:03:24 | 0:03:26 | |
So that could be good news. | 0:03:26 | 0:03:28 | |
Could see that. | 0:03:28 | 0:03:29 | |
Do you want to look at orchid? | 0:03:29 | 0:03:31 | |
-Orchid, please. -Yes, please. | 0:03:31 | 0:03:32 | |
Let's reveal the question | 0:03:32 | 0:03:33 | |
behind orchid. | 0:03:33 | 0:03:35 | |
I'm pretty sure that this could be | 0:03:39 | 0:03:40 | |
the correct answer, actually, | 0:03:40 | 0:03:42 | |
because I watched | 0:03:42 | 0:03:44 | |
a programme about gardening | 0:03:44 | 0:03:46 | |
for food, and I think that's a fact | 0:03:46 | 0:03:49 | |
I learnt from that programme | 0:03:49 | 0:03:51 | |
last year. | 0:03:51 | 0:03:52 | |
-You're feeling like that's the one that could go green. -I think so. | 0:03:52 | 0:03:55 | |
-Have a look at the last one anyway. -Yes, please. | 0:03:55 | 0:03:57 | |
Eight's before five, isn't it? | 0:04:04 | 0:04:05 | |
E before F, so that's wrong as well. | 0:04:05 | 0:04:07 | |
-Yeah. -Good stuff. | 0:04:07 | 0:04:08 | |
-OK. Do you want to lock in one of those as correct? -Yeah. | 0:04:08 | 0:04:11 | |
Orchid, yeah? | 0:04:11 | 0:04:12 | |
Lock in orchid as correct. | 0:04:12 | 0:04:14 | |
If it is correct, it'll go green | 0:04:14 | 0:04:17 | |
and it'll give you, Sarah and Andy, | 0:04:17 | 0:04:19 | |
the chance to put your first digit | 0:04:19 | 0:04:20 | |
into the code to see if it sticks. | 0:04:20 | 0:04:22 | |
Is orchid our correct answer? | 0:04:22 | 0:04:25 | |
That's a great start. Well done. | 0:04:26 | 0:04:28 | |
It is green. It is correct. Lesley. | 0:04:28 | 0:04:30 | |
Sarah, you remembered seeing something about orchids | 0:04:30 | 0:04:33 | |
in a TV programme, and that turned out to be right. | 0:04:33 | 0:04:36 | |
Orchids were known by the Aztecs as a way of flavouring things. | 0:04:36 | 0:04:41 | |
The part of the body that goes after blue | 0:04:41 | 0:04:43 | |
in the name of a wireless data exchange method. | 0:04:43 | 0:04:45 | |
Straight away, you recognised that this was Bluetooth, not bluenose. | 0:04:45 | 0:04:49 | |
Named after a 10th-century king of Denmark, Harald Bluetooth. | 0:04:49 | 0:04:53 | |
And if you were to spell out the numbers one to ten, | 0:04:53 | 0:04:55 | |
first alphabetically. | 0:04:55 | 0:04:57 | |
Andy, you were right in there with eight as the correct answer. | 0:04:57 | 0:05:00 | |
-Last in that list would be two. -Very confident. | 0:05:00 | 0:05:03 | |
Buys you the chance to choose one digit | 0:05:03 | 0:05:05 | |
to enter into your code. | 0:05:05 | 0:05:06 | |
The first one. They're all there, zero to nine. | 0:05:06 | 0:05:09 | |
Which one do you want? | 0:05:09 | 0:05:11 | |
-You pick. -I think four for the first one, please. | 0:05:11 | 0:05:14 | |
They're going to try four. Three unique numbers in the code. | 0:05:14 | 0:05:18 | |
Is the number four one of them? | 0:05:18 | 0:05:20 | |
Let's find out if it's in the first box. | 0:05:20 | 0:05:23 | |
No. Is it in the second box? | 0:05:24 | 0:05:26 | |
It's not there. Is it in the third box? | 0:05:28 | 0:05:31 | |
No number four. But it's discounted now. | 0:05:33 | 0:05:35 | |
It's out of commission | 0:05:35 | 0:05:37 | |
and you're still playing the game at the easiest stage | 0:05:37 | 0:05:39 | |
-where you can see all the questions at the same time. -Very true. | 0:05:39 | 0:05:43 | |
Are you ready to see your next three answers? | 0:05:43 | 0:05:45 | |
-Yeah, let's see them. -Yes, please. -Let's have a look. | 0:05:45 | 0:05:47 | |
We'll start with the football, | 0:05:51 | 0:05:53 | |
-then, please. -I thought we might. | 0:05:53 | 0:05:55 | |
I think Q's a music magazine. | 0:06:01 | 0:06:03 | |
I would say it was music, yeah. | 0:06:03 | 0:06:05 | |
-Yeah. -I don't think that's right. | 0:06:05 | 0:06:07 | |
-OK. -We'll see...look at waxing next. | 0:06:07 | 0:06:10 | |
Let's have a look at | 0:06:10 | 0:06:11 | |
the question behind waxing. | 0:06:11 | 0:06:12 | |
I mean, waning suggests... | 0:06:20 | 0:06:22 | |
-Away from. -..dying out, doesn't it? | 0:06:22 | 0:06:23 | |
So maybe if it's approaching | 0:06:23 | 0:06:25 | |
full moon, maybe that's correct. | 0:06:25 | 0:06:27 | |
Yeah, I like the look of that one. | 0:06:27 | 0:06:28 | |
So, pretty sure about the first one. | 0:06:28 | 0:06:30 | |
More than an inkling about | 0:06:30 | 0:06:31 | |
-the second one. A hunch? -A hunch. | 0:06:31 | 0:06:33 | |
I don't know what's bigger. | 0:06:33 | 0:06:34 | |
Is an inkling bigger than a hunch? | 0:06:34 | 0:06:36 | |
-Is that another question? -No, no. | 0:06:36 | 0:06:38 | |
Don't worry. We'll deal with that later. | 0:06:38 | 0:06:40 | |
Shall we look at the question behind silicon? | 0:06:40 | 0:06:41 | |
-Yeah. -Yeah, let's do it. | 0:06:41 | 0:06:43 | |
-No, it's chlorine. -I'm happy with | 0:06:49 | 0:06:51 | |
chlorine for that one, yeah. | 0:06:51 | 0:06:52 | |
We need to choose the one | 0:06:52 | 0:06:54 | |
correct answer there. | 0:06:54 | 0:06:55 | |
We'll lock in waxing, please. | 0:06:55 | 0:06:57 | |
We're going to lock in waxing | 0:06:57 | 0:06:59 | |
as our correct answer. | 0:06:59 | 0:07:01 | |
Based on the fact you think Q | 0:07:01 | 0:07:03 | |
is a music magazine. Your chemistry | 0:07:03 | 0:07:05 | |
degrees are telling you | 0:07:05 | 0:07:07 | |
that silicon doesn't kill | 0:07:07 | 0:07:09 | |
bacteria in swimming pools. | 0:07:09 | 0:07:10 | |
We want it to go green. | 0:07:10 | 0:07:12 | |
Is waxing our correct answer? | 0:07:12 | 0:07:14 | |
-Yes. -Yes. | 0:07:17 | 0:07:18 | |
-Nice one. -Nailed it. | 0:07:18 | 0:07:19 | |
Well done, Sarah. Well done, Andy. | 0:07:19 | 0:07:21 | |
Yes, you fixed on the answer to that one quite quickly. | 0:07:21 | 0:07:23 | |
The word describing the appearance of the moon from Earth | 0:07:23 | 0:07:26 | |
when it's approaching full moon. | 0:07:26 | 0:07:27 | |
As you said, waxing, | 0:07:27 | 0:07:28 | |
not waning, which is when it's moving away. | 0:07:28 | 0:07:31 | |
And the magazines Mojo, Uncut and Q, | 0:07:31 | 0:07:33 | |
you recognised immediately as music magazines | 0:07:33 | 0:07:36 | |
and nothing to do with football. | 0:07:36 | 0:07:38 | |
And the chemical element. | 0:07:38 | 0:07:39 | |
Not silicon, which you might find in swimming pools | 0:07:39 | 0:07:41 | |
in sealants around the tiles, for example, | 0:07:41 | 0:07:43 | |
but atomic number 17, chlorine. | 0:07:43 | 0:07:46 | |
OK, Sarah, Andy, it's time to pick a number. | 0:07:46 | 0:07:48 | |
Four isn't there. We know that. | 0:07:48 | 0:07:50 | |
We still want to find the first number in your code. | 0:07:50 | 0:07:53 | |
Nine left. Which one next? | 0:07:53 | 0:07:55 | |
-You going again? -No, you can choose this time. | 0:07:55 | 0:07:57 | |
Let's have number lucky seven, please. | 0:07:57 | 0:07:59 | |
OK, the number seven. Is it there in our code? | 0:07:59 | 0:08:01 | |
Let's have a look at the first box. | 0:08:01 | 0:08:04 | |
There's no number seven. How about the second box? | 0:08:05 | 0:08:08 | |
It's not there. Is seven in the third box? | 0:08:10 | 0:08:13 | |
No number seven. | 0:08:15 | 0:08:16 | |
So, two numbers down, still nothing in your code, | 0:08:16 | 0:08:19 | |
still at the level of the game where you get to see | 0:08:19 | 0:08:22 | |
all the questions and answers together. | 0:08:22 | 0:08:24 | |
OK, if you're ready, Sarah and Andy, | 0:08:24 | 0:08:25 | |
let's have a look at your next answers. | 0:08:25 | 0:08:28 | |
Start with the top one, as usual? | 0:08:33 | 0:08:35 | |
I do know the song, | 0:08:41 | 0:08:42 | |
but I don't think that's going to | 0:08:42 | 0:08:43 | |
-help us here, like. -No. -OK. | 0:08:43 | 0:08:45 | |
We better move onto its speed. | 0:08:45 | 0:08:47 | |
I think I've seen that number | 0:08:55 | 0:08:58 | |
before on the engines. | 0:08:58 | 0:09:00 | |
I think that is top speed. | 0:09:00 | 0:09:01 | |
It was, like, 125mph. | 0:09:01 | 0:09:03 | |
Seems like...a fast train. | 0:09:03 | 0:09:06 | |
-I think that... -Yeah. -..looks right, | 0:09:06 | 0:09:08 | |
but we'll look at the last one. | 0:09:08 | 0:09:10 | |
Happy to look at the question behind Lenin, please. | 0:09:10 | 0:09:13 | |
Lenin was World War I... | 0:09:18 | 0:09:19 | |
and Stalin was World War II. | 0:09:19 | 0:09:21 | |
So that's definitely wrong. | 0:09:21 | 0:09:22 | |
-Erm... -Right. | 0:09:22 | 0:09:25 | |
What you think about the 125? | 0:09:25 | 0:09:28 | |
I think that might be the way to go, | 0:09:28 | 0:09:29 | |
-because... -Because that's | 0:09:29 | 0:09:31 | |
not the distance between | 0:09:31 | 0:09:33 | |
London and Scotland, is it? | 0:09:33 | 0:09:34 | |
-That's like 400 miles. -No. | 0:09:34 | 0:09:36 | |
And it's not a ludicrously | 0:09:36 | 0:09:37 | |
fast speed either. | 0:09:37 | 0:09:39 | |
And I'm just thinking, wasn't it | 0:09:39 | 0:09:40 | |
Uncle Stephen in Fresh Prince? | 0:09:40 | 0:09:42 | |
-Oh, no, that was Uncle Phil. -Mm-hm. | 0:09:42 | 0:09:45 | |
Do remember Fresh Prince? | 0:09:45 | 0:09:46 | |
I do, yeah. I watched it a lot. | 0:09:46 | 0:09:48 | |
but I just can't think... | 0:09:48 | 0:09:49 | |
I don't remember him ever being | 0:09:49 | 0:09:50 | |
referred to as Steven. | 0:09:50 | 0:09:52 | |
Which way are you guys leaning? | 0:09:52 | 0:09:54 | |
What do you want to do? | 0:09:54 | 0:09:55 | |
-I think the train. -Right. | 0:09:55 | 0:09:57 | |
-The speed one. -OK. | 0:09:57 | 0:09:58 | |
-We'll lock that in. -Yeah. | 0:09:58 | 0:10:00 | |
As the correct answer. | 0:10:00 | 0:10:01 | |
We're going to lock in its speed. | 0:10:01 | 0:10:04 | |
If it's correct, it means | 0:10:06 | 0:10:07 | |
it will turn green and you | 0:10:07 | 0:10:08 | |
get the chance to choose another | 0:10:08 | 0:10:10 | |
number to see if it's there | 0:10:10 | 0:10:12 | |
in your code. | 0:10:12 | 0:10:13 | |
If it's not correct, it goes red | 0:10:13 | 0:10:14 | |
and we have to say goodbye. | 0:10:14 | 0:10:16 | |
-Got it. Well done. -Phew! | 0:10:19 | 0:10:20 | |
That was close. | 0:10:20 | 0:10:21 | |
A little bit of a relief, that one. | 0:10:21 | 0:10:23 | |
-It was a bit, yeah. -Lesley. | 0:10:23 | 0:10:24 | |
A lot less certain that time. | 0:10:24 | 0:10:26 | |
Yes, Andy, you said that you remembered 125 | 0:10:26 | 0:10:29 | |
being on some trains that you'd seen. | 0:10:29 | 0:10:31 | |
You were absolutely right. | 0:10:31 | 0:10:32 | |
The 125, British Rail's high-speed train | 0:10:32 | 0:10:35 | |
which could go higher than 125mph, | 0:10:35 | 0:10:38 | |
but usually operated at those speeds in normal service. | 0:10:38 | 0:10:41 | |
In the Fresh Prince of Bel-Air, | 0:10:41 | 0:10:43 | |
the name of the character played by Will Smith. | 0:10:43 | 0:10:45 | |
He was called Will Smith. | 0:10:45 | 0:10:47 | |
Very fortunate that he got that role. | 0:10:47 | 0:10:49 | |
And the Soviet leader during World War II. Not Lenin. | 0:10:49 | 0:10:53 | |
Andy, you said you thought Lenin was from before this period. | 0:10:53 | 0:10:56 | |
That's correct. The answer is Stalin. | 0:10:56 | 0:10:58 | |
You got that one spot on. Not just knowing it | 0:10:58 | 0:11:01 | |
was wrong, but providing the correct answer | 0:11:01 | 0:11:04 | |
which buys you the chance to choose another digit in your code. | 0:11:04 | 0:11:08 | |
-Where are we going next? -Can I choose? -Yeah, go for it. | 0:11:08 | 0:11:11 | |
-Right, I fancy three this time. -We fancy three. | 0:11:11 | 0:11:13 | |
OK, let's see if three is in the code. | 0:11:13 | 0:11:16 | |
Is it there in the first box? | 0:11:16 | 0:11:18 | |
There is a number three. In the first box. | 0:11:20 | 0:11:23 | |
No messing around there. | 0:11:23 | 0:11:24 | |
That means you have got the first number in your code. | 0:11:24 | 0:11:27 | |
That means we move onto the next level | 0:11:27 | 0:11:29 | |
and things get a little bit harder here. | 0:11:29 | 0:11:31 | |
As before, you will see all three answers. | 0:11:31 | 0:11:35 | |
But this time, you'll only be able to see two questions | 0:11:35 | 0:11:39 | |
before you have to commit and make a decision. | 0:11:39 | 0:11:41 | |
-All clear? -No problem. Yeah. -Yeah. | 0:11:41 | 0:11:43 | |
Let's have a look at your next three answers. | 0:11:43 | 0:11:45 | |
What's caiman again? That's the... | 0:11:50 | 0:11:52 | |
-animal. -A type of crocodile, yeah. | 0:11:52 | 0:11:55 | |
The Shamen, we know who that is. | 0:11:55 | 0:11:56 | |
We know Jens Lehmann. | 0:11:56 | 0:11:58 | |
It does become more important now | 0:11:58 | 0:11:59 | |
which order you choose | 0:11:59 | 0:12:00 | |
-your questions. -Yeah. | 0:12:00 | 0:12:01 | |
We'll take Jens Lehmann first. | 0:12:01 | 0:12:03 | |
Let's have a look at the question behind Jens Lehmann. | 0:12:03 | 0:12:06 | |
Wouldn't it have been Seaman? | 0:12:15 | 0:12:16 | |
Yeah, I think '97/'98 | 0:12:16 | 0:12:18 | |
was Seaman, and then Lehmann | 0:12:18 | 0:12:20 | |
wasn't around till the Invincibles, | 0:12:20 | 0:12:22 | |
till, like, '04. | 0:12:22 | 0:12:24 | |
Or the Double in '02. | 0:12:24 | 0:12:25 | |
I don't think that's right. | 0:12:25 | 0:12:26 | |
-I think David Seaman. -Yeah. OK. -OK. | 0:12:26 | 0:12:29 | |
OK. We can open another one before we have to make | 0:12:29 | 0:12:32 | |
a decision here. | 0:12:32 | 0:12:33 | |
Which one do you want to go for? | 0:12:33 | 0:12:34 | |
The Shamen, please. | 0:12:34 | 0:12:36 | |
I've done a bit of research into | 0:12:44 | 0:12:45 | |
-The Shamen recently. -Have you now? | 0:12:45 | 0:12:48 | |
-How did that come about? -Cursory. | 0:12:48 | 0:12:50 | |
Because one of my colleagues | 0:12:50 | 0:12:52 | |
had never heard the song | 0:12:52 | 0:12:53 | |
-Ebeneezer Goode. -Right. | 0:12:53 | 0:12:55 | |
And she's Italian, | 0:12:55 | 0:12:57 | |
and I introduced it to her. So | 0:12:57 | 0:12:59 | |
there's been a lot of talking about | 0:12:59 | 0:13:00 | |
that. I almost get the feeling... | 0:13:00 | 0:13:02 | |
Is this possibly why your thesis | 0:13:02 | 0:13:03 | |
has been taking so long? | 0:13:03 | 0:13:05 | |
Cos you're researching | 0:13:05 | 0:13:06 | |
-early '90s dance acts? -Possibly, | 0:13:06 | 0:13:08 | |
and not very thoroughly as well. | 0:13:08 | 0:13:10 | |
Because I don't actually know | 0:13:10 | 0:13:12 | |
the answer to this. But I get the | 0:13:12 | 0:13:13 | |
feeling, from what I did find out, | 0:13:13 | 0:13:15 | |
they were pretty one-hit wonder-ish. | 0:13:15 | 0:13:19 | |
-I don't know, though. -I think we | 0:13:20 | 0:13:21 | |
should get rid of Jens Lehmann. And | 0:13:21 | 0:13:23 | |
put The Shamen up against caiman. | 0:13:23 | 0:13:24 | |
We want to reject Jens Lehmann | 0:13:24 | 0:13:26 | |
-as an incorrect answer. -Yeah. | 0:13:26 | 0:13:29 | |
If this is a correct answer, | 0:13:29 | 0:13:30 | |
if Jens Lehmann was that goalie, | 0:13:30 | 0:13:32 | |
'97 to '98, | 0:13:32 | 0:13:34 | |
then I'm afraid you're going home. | 0:13:34 | 0:13:36 | |
Nice one. | 0:13:38 | 0:13:39 | |
-Well done. -Good. | 0:13:39 | 0:13:41 | |
You were saying David Seaman. | 0:13:41 | 0:13:42 | |
-Lesley, is that true? -Absolutely right, Andy. | 0:13:42 | 0:13:45 | |
You said David Seaman. | 0:13:45 | 0:13:46 | |
Safe Hands Seaman was the right answer. | 0:13:46 | 0:13:48 | |
Jens Lehmann was the first choice goalie for the 2003-04 season | 0:13:48 | 0:13:52 | |
when Arsenal were the Invincibles, | 0:13:52 | 0:13:54 | |
undefeated winners of the Premier League. | 0:13:54 | 0:13:56 | |
Thank you, Lesley. That means we can get rid | 0:13:56 | 0:13:59 | |
of that as an incorrect answer. | 0:13:59 | 0:14:01 | |
It leaves us with two, | 0:14:01 | 0:14:02 | |
and we can have a look at the question behind caiman. | 0:14:02 | 0:14:05 | |
Well, we both said crocodile when it came up, didn't we? Now... | 0:14:11 | 0:14:15 | |
The only thing I'm worried about is South America. Is it...? | 0:14:15 | 0:14:18 | |
You don't get... What's the...? | 0:14:20 | 0:14:21 | |
You don't get them in Florida or that? No, that's alligators. | 0:14:21 | 0:14:24 | |
-They are alligators. -Right. Erm... | 0:14:24 | 0:14:27 | |
So going back to The Shamen question, that Out Of Space song. | 0:14:27 | 0:14:31 | |
I think it was The Prodigy, then. It's ringing around in my head. | 0:14:31 | 0:14:34 | |
You know, the one with the big "boing!" Yeah, yeah. | 0:14:34 | 0:14:37 | |
-I'm singing it in my head as well. -Yeah. | 0:14:37 | 0:14:39 | |
The first instinct with the caiman was that it's a small alligator. | 0:14:39 | 0:14:42 | |
-Yeah. -So we'll put that in as correct, yeah? -Yeah. -Right. | 0:14:42 | 0:14:45 | |
-Happy to do that? -Yeah, that's what we're going to do. | 0:14:45 | 0:14:48 | |
We're going to lock in caiman as the correct answer. | 0:14:48 | 0:14:50 | |
We want it to go green. | 0:14:50 | 0:14:52 | |
We want it to give you a chance | 0:14:52 | 0:14:53 | |
to put another digit into the code to see if it sticks. | 0:14:53 | 0:14:56 | |
You've got one there already. | 0:14:56 | 0:14:58 | |
We want another one if we can get it. | 0:14:58 | 0:14:59 | |
-Yes, nice one. -Fantastic. | 0:15:01 | 0:15:03 | |
-Yes. -You've got it. | 0:15:03 | 0:15:04 | |
-You said that as soon as you saw it come up, didn't you? -Yeah. | 0:15:04 | 0:15:06 | |
Yes, your immediate instinct was that | 0:15:06 | 0:15:08 | |
the caiman is a kind of crocodile, and that's absolutely right. | 0:15:08 | 0:15:12 | |
Coming from the same derivation as the Cayman Islands. | 0:15:12 | 0:15:15 | |
And the dance act that had hits in the early '90s. | 0:15:15 | 0:15:17 | |
Sarah, you remembered The Shamen had a hit with Ebeneezer Goode. | 0:15:17 | 0:15:21 | |
They did not have hits with No Good - Start the Dance | 0:15:21 | 0:15:24 | |
and Out of Space, | 0:15:24 | 0:15:25 | |
which belonged to, as Andy said, The Prodigy. | 0:15:25 | 0:15:28 | |
It's the correct answer that | 0:15:28 | 0:15:29 | |
you've chosen. That means you get the chance | 0:15:29 | 0:15:31 | |
to pick another digit for the code. | 0:15:31 | 0:15:33 | |
Which one do you want? | 0:15:33 | 0:15:35 | |
-You can choose. -Me this time? Let's have number five, please. | 0:15:35 | 0:15:37 | |
Number five. Is number five in the code? | 0:15:37 | 0:15:41 | |
Is it there in your second box? | 0:15:41 | 0:15:43 | |
No. Is it there in the third and final box of the code? | 0:15:45 | 0:15:49 | |
It's not there. Four numbers down, though. | 0:15:51 | 0:15:53 | |
Still playing at a relatively easy level of the game. | 0:15:53 | 0:15:56 | |
-Feeling good? -Yeah. -Definitely. -Feeling very good. | 0:15:56 | 0:15:59 | |
If you are ready, let's have a look at the next three answers. | 0:15:59 | 0:16:02 | |
As before, | 0:16:02 | 0:16:04 | |
you can look at two | 0:16:04 | 0:16:05 | |
before you have to make a decision. | 0:16:05 | 0:16:07 | |
Love Never Dies - that's a musical, | 0:16:11 | 0:16:13 | |
-isn't it? -It's like the second | 0:16:13 | 0:16:14 | |
Phantom of the Opera, isn't it? | 0:16:14 | 0:16:16 | |
-But it could be something else. -Could be. | 0:16:16 | 0:16:18 | |
Shock and Awe reminds me of, like, | 0:16:18 | 0:16:20 | |
George Bush, | 0:16:20 | 0:16:21 | |
Afghanistan type things. | 0:16:21 | 0:16:24 | |
What was...? | 0:16:24 | 0:16:25 | |
What was the first Gulf War? | 0:16:25 | 0:16:27 | |
-Desert Storm? -Yeah, yeah. | 0:16:27 | 0:16:29 | |
And almond. | 0:16:29 | 0:16:30 | |
Don't know anything, but... | 0:16:30 | 0:16:32 | |
you use them. | 0:16:32 | 0:16:33 | |
Where do you want to start, then? | 0:16:36 | 0:16:38 | |
Probably start with Love Never Dies. | 0:16:38 | 0:16:40 | |
Please. | 0:16:40 | 0:16:41 | |
Let's open the question behind Love Never Dies. | 0:16:41 | 0:16:43 | |
-The musical. -I remember the musical | 0:16:50 | 0:16:52 | |
being advertised, but I don't | 0:16:52 | 0:16:53 | |
remember the slogan. | 0:16:53 | 0:16:54 | |
Is it jumping out at you, that one? | 0:16:54 | 0:16:56 | |
I don't know. Yeah. | 0:16:56 | 0:16:58 | |
Which one do you want, then? | 0:16:58 | 0:16:59 | |
Oh, I don't know. | 0:16:59 | 0:17:00 | |
-Almond? -Yeah, why not? -OK. | 0:17:02 | 0:17:05 | |
Go with Almond for the next one. | 0:17:05 | 0:17:07 | |
We're going to open | 0:17:07 | 0:17:08 | |
the question behind almond. | 0:17:08 | 0:17:09 | |
Right. Well, I remember the advert. | 0:17:14 | 0:17:16 | |
Do you remember the advert where | 0:17:16 | 0:17:18 | |
they were dancing on someone's desk? | 0:17:18 | 0:17:20 | |
-Yeah. -"Hunky chunky almonds - | 0:17:20 | 0:17:21 | |
"they're the secret of my beauty." | 0:17:21 | 0:17:23 | |
That's a good unearthing of | 0:17:23 | 0:17:25 | |
a bit of knowledge right there. | 0:17:25 | 0:17:26 | |
-So... -OK. -So I think... | 0:17:26 | 0:17:28 | |
Shall we get rid of Love Never Dies | 0:17:28 | 0:17:30 | |
-and look at the other one? -Yeah. | 0:17:30 | 0:17:31 | |
-Yeah, to be on the safe side. -Yeah. | 0:17:31 | 0:17:33 | |
You're happy to reject | 0:17:33 | 0:17:34 | |
Love Never Dies? | 0:17:34 | 0:17:36 | |
-You think it's an incorrect answer? -We think that is incorrect. | 0:17:36 | 0:17:39 | |
OK, we want it to turn red | 0:17:39 | 0:17:40 | |
so we can concentrate on | 0:17:40 | 0:17:41 | |
Shock and Awe. Have a look at | 0:17:41 | 0:17:42 | |
the question behind that. | 0:17:42 | 0:17:43 | |
Is it the incorrect answer? | 0:17:43 | 0:17:46 | |
Got it. | 0:17:49 | 0:17:50 | |
-Nice one. -Brilliant. Lesley. | 0:17:50 | 0:17:52 | |
Yes, it's not Love Never Dies, | 0:17:52 | 0:17:53 | |
-but We Will Rock You being the title and the promise. -Right. | 0:17:53 | 0:17:57 | |
-That's more embarrassing cos we've seen that. -Yeah. | 0:17:57 | 0:18:00 | |
Let's get rid of it. | 0:18:00 | 0:18:01 | |
It's an incorrect answer, | 0:18:01 | 0:18:03 | |
and let's look at the question behind Shock and Awe. | 0:18:03 | 0:18:05 | |
-So we've already said that... -That we think that's Desert Storm. | 0:18:12 | 0:18:16 | |
-Shock and Awe was later than that. -Yeah. | 0:18:16 | 0:18:18 | |
We need to lock in one of those as our correct answer. | 0:18:18 | 0:18:22 | |
-Right. -Almonds, please. -We'd like to lock in almond, please. | 0:18:22 | 0:18:26 | |
Let's lock it in. | 0:18:26 | 0:18:27 | |
If the song is right - or if Sarah's remembered it correctly - it will | 0:18:27 | 0:18:31 | |
turn green. | 0:18:31 | 0:18:32 | |
Is almond our correct answer? | 0:18:32 | 0:18:35 | |
-It is. You remembered it so well. -Well done, Sarah. | 0:18:38 | 0:18:41 | |
Recalling that old advert has led you to the correct answer here. | 0:18:41 | 0:18:45 | |
A lot of people would say it's a hazelnut from the taste, | 0:18:45 | 0:18:48 | |
but it is an almond. The reason | 0:18:48 | 0:18:50 | |
nut's in quotation marks there | 0:18:50 | 0:18:52 | |
is that an almond's not a true nut - it's a drupe. | 0:18:52 | 0:18:55 | |
And the code name of the combat phase in the Gulf War of 1991. | 0:18:55 | 0:18:59 | |
I heard you say this when Shock and Awe came up as an answer, | 0:18:59 | 0:19:02 | |
let alone the question. | 0:19:02 | 0:19:04 | |
Sarah, you said Desert Storm, and that's the right answer to this. | 0:19:04 | 0:19:07 | |
Wow. OK. | 0:19:07 | 0:19:08 | |
-So an almond, not a nut. Who knew. -Who knew. | 0:19:08 | 0:19:11 | |
We now have just six numbers. | 0:19:11 | 0:19:15 | |
-Where do you want to go? -My turn? -Yeah. | 0:19:15 | 0:19:17 | |
-I'll go for number six, please. -Number six. | 0:19:17 | 0:19:21 | |
Is number six there in our code? | 0:19:21 | 0:19:23 | |
Is it in the second box? | 0:19:23 | 0:19:25 | |
It's not there. Is the number six in the third and final box? | 0:19:27 | 0:19:32 | |
-No number six. -No. | 0:19:32 | 0:19:33 | |
OK. So shall we have a look at your next three answers? | 0:19:33 | 0:19:38 | |
-BOTH: -Yes, please. | 0:19:38 | 0:19:39 | |
I'm hoping Hunter's the Gladiator, | 0:19:43 | 0:19:45 | |
cos I remember that show. | 0:19:45 | 0:19:47 | |
They're all pretty generic this time, aren't they? | 0:19:47 | 0:19:50 | |
What you want to start with? | 0:19:50 | 0:19:51 | |
-Keyboard? Yeah. -OK. | 0:19:51 | 0:19:54 | |
Let's have a look at the question behind keyboard. | 0:19:54 | 0:19:56 | |
-Any ideas? -None. | 0:20:02 | 0:20:04 | |
-Me neither. -Not sure about that. -No. | 0:20:04 | 0:20:07 | |
Sounds like it could be a kind of | 0:20:07 | 0:20:09 | |
you know...harpsichord type | 0:20:09 | 0:20:11 | |
-little one. -Yeah. -Could be. | 0:20:11 | 0:20:13 | |
Don't have to decide either way. | 0:20:13 | 0:20:14 | |
We can open another one. | 0:20:14 | 0:20:16 | |
-Hunter? -Yeah, go on, then. | 0:20:16 | 0:20:17 | |
-OK. -Hunter, please. -Let's have | 0:20:17 | 0:20:19 | |
a look at the question behind Hunter. | 0:20:19 | 0:20:20 | |
-That's Wolf. -Is it? -I think. | 0:20:26 | 0:20:29 | |
-Yeah. -Right, OK. Well... | 0:20:29 | 0:20:31 | |
You're thinking that maybe Hunter | 0:20:31 | 0:20:33 | |
is an incorrect answer. | 0:20:33 | 0:20:34 | |
I think we get rid of Hunter. | 0:20:34 | 0:20:36 | |
-Right. -OK? -OK. Yeah. | 0:20:36 | 0:20:37 | |
We're going to reject | 0:20:37 | 0:20:38 | |
Hunter as an incorrect answer. | 0:20:38 | 0:20:41 | |
You think Michael van Wijk, Andy, | 0:20:41 | 0:20:43 | |
was actually Wolf. We're hoping, | 0:20:43 | 0:20:45 | |
we're praying that's the case. | 0:20:45 | 0:20:47 | |
Well done. | 0:20:49 | 0:20:50 | |
-Yes. -Good stuff. -That is a relief. | 0:20:50 | 0:20:52 | |
It wasn't a waste of time watching | 0:20:52 | 0:20:54 | |
Gladiators at all. Lesley. | 0:20:54 | 0:20:56 | |
Well done, Andy. Yes, he is Wolf and not Hunter. | 0:20:56 | 0:21:00 | |
Hunter was James Crossley. | 0:21:00 | 0:21:01 | |
Let's get rid of that as | 0:21:01 | 0:21:03 | |
an incorrect answer, | 0:21:03 | 0:21:04 | |
and let's have a look at the question behind down. | 0:21:04 | 0:21:06 | |
So...the Giant's Causeway is on the coast, the bit nearest Scotland. | 0:21:11 | 0:21:16 | |
That's all I can help you with. I don't know the counties. | 0:21:16 | 0:21:18 | |
Do you know any? What else is there? | 0:21:18 | 0:21:20 | |
-I was expecting something great coming next. -County Antrim. | 0:21:20 | 0:21:23 | |
County...Tyrone. | 0:21:23 | 0:21:26 | |
County Down? Where's that? | 0:21:26 | 0:21:27 | |
Right, back to the other one. The clarinet is a woodwind | 0:21:28 | 0:21:31 | |
instrument, but what kind of instrument is a clavinet? | 0:21:31 | 0:21:33 | |
I don't have anything else for a clavinet. | 0:21:33 | 0:21:37 | |
I don't have any other suggestions. | 0:21:37 | 0:21:40 | |
Could it be a brass instrument? | 0:21:40 | 0:21:42 | |
Could be, couldn't it? Yeah. | 0:21:42 | 0:21:44 | |
We've no idea on Northern Ireland, hey? | 0:21:45 | 0:21:47 | |
-No. -We've got two questions there. | 0:21:49 | 0:21:50 | |
We're pretty much in the dark on both of them. | 0:21:50 | 0:21:52 | |
-Pretty much. -Absolutely. -This is the first time | 0:21:52 | 0:21:54 | |
we've been in that situation, you guys. | 0:21:54 | 0:21:56 | |
It is, yeah. It's not a nice feeling. | 0:21:56 | 0:21:59 | |
You've been so confident up to now. | 0:22:00 | 0:22:02 | |
I think we go with the bottom one. | 0:22:03 | 0:22:05 | |
-The keyboard. -Right, do it. -The keyboard, please. -Lock it in. | 0:22:06 | 0:22:09 | |
We're going to lock in clavinet as being a keyboard. | 0:22:09 | 0:22:12 | |
We want that to be the correct answer. | 0:22:12 | 0:22:14 | |
If Sarah and Andy are going to carry on | 0:22:14 | 0:22:17 | |
this chemistry that's taken them this far, | 0:22:17 | 0:22:20 | |
let's see if it can take them further. | 0:22:20 | 0:22:22 | |
Keyboard must be the correct answer. | 0:22:22 | 0:22:26 | |
-Oh! -It is. -Yes. -Lucky. | 0:22:28 | 0:22:30 | |
-That was lucky. -Phew! -Lucky. Lucky. | 0:22:30 | 0:22:33 | |
-Lesley. -That's right. | 0:22:33 | 0:22:35 | |
A clavinet is a type of electronically amplified clavichord. | 0:22:35 | 0:22:39 | |
And the county of Northern Ireland | 0:22:39 | 0:22:41 | |
in which you'd find the Giant's Causeway. | 0:22:41 | 0:22:44 | |
Andy, you mentioned Antrim. | 0:22:44 | 0:22:45 | |
That's the correct answer. | 0:22:45 | 0:22:47 | |
Legend says that it's a route carved out by an Irish giant | 0:22:47 | 0:22:50 | |
going on his way to fight a Scottish giant. | 0:22:50 | 0:22:52 | |
-It worked. Whatever it was... -We scraped through. | 0:22:52 | 0:22:55 | |
You scraped through that one. And it buys | 0:22:55 | 0:22:58 | |
you the chance to put another digit into the code. | 0:22:58 | 0:23:00 | |
Three's already up there. There are only five left. | 0:23:00 | 0:23:03 | |
-Is it me? -It's you. -Let's have the zero, please. | 0:23:03 | 0:23:06 | |
The zero is going into the code. | 0:23:06 | 0:23:08 | |
Is it there? In the second box? | 0:23:08 | 0:23:10 | |
It's not there. Is it there in the third box? | 0:23:12 | 0:23:15 | |
No zero. But look, here's where we are. | 0:23:16 | 0:23:19 | |
-Only four digits left on the keypad. -Yeah. -Two spots left in the code. | 0:23:19 | 0:23:23 | |
If you can answer four questions correctly, | 0:23:23 | 0:23:26 | |
the jackpot is yours. | 0:23:26 | 0:23:28 | |
Look at it that way and you're very, very close. | 0:23:28 | 0:23:30 | |
-Are you ready to see your next three answers? -Yes, please. | 0:23:30 | 0:23:33 | |
Here they are. | 0:23:33 | 0:23:34 | |
Right. So...Achtung Baby is | 0:23:38 | 0:23:40 | |
-the U2 album. -Yeah. -I don't know | 0:23:40 | 0:23:42 | |
-any more details about it. -No. | 0:23:42 | 0:23:43 | |
-When it was or... -Six. | 0:23:43 | 0:23:46 | |
-Hopefully a king. -A king. | 0:23:46 | 0:23:47 | |
-That would be good. -New Statesman. | 0:23:47 | 0:23:49 | |
There's that Rik Mayall show, | 0:23:49 | 0:23:52 | |
and then... | 0:23:52 | 0:23:53 | |
It's a publication as well, though. | 0:23:53 | 0:23:55 | |
And a publication, of course. | 0:23:55 | 0:23:56 | |
I knew that. | 0:23:56 | 0:23:58 | |
What do you fancy, then? | 0:23:58 | 0:23:59 | |
Start with the six, hey, and see... | 0:23:59 | 0:24:01 | |
-Yeah, yeah. -Yeah. | 0:24:01 | 0:24:02 | |
Start with the number six. | 0:24:02 | 0:24:03 | |
We're going to start | 0:24:03 | 0:24:05 | |
with the number six in Roman numerals. | 0:24:05 | 0:24:06 | |
Four. So that's sorted. | 0:24:11 | 0:24:13 | |
So that's definitely wrong. | 0:24:13 | 0:24:15 | |
So which one do you think? | 0:24:15 | 0:24:18 | |
-Doesn't matter. -Achtung Baby. -Do it. | 0:24:18 | 0:24:20 | |
Let's open the question behind | 0:24:20 | 0:24:21 | |
Achtung Baby. | 0:24:21 | 0:24:22 | |
Do you recognise | 0:24:27 | 0:24:28 | |
the songs? One, Mysterious Ways... | 0:24:28 | 0:24:30 | |
I know One. Yeah. | 0:24:30 | 0:24:32 | |
-Are they recent or...? -No. | 0:24:32 | 0:24:34 | |
Cos Achtung Baby was in the '80s, | 0:24:34 | 0:24:36 | |
-wasn't it? -Yeah. | 0:24:36 | 0:24:37 | |
What was their first...? | 0:24:37 | 0:24:39 | |
Was The Joshua Tree their first one? | 0:24:39 | 0:24:41 | |
Something like that, yeah. | 0:24:41 | 0:24:42 | |
Well, anyway, we can get rid of... | 0:24:42 | 0:24:44 | |
Just double check cos William IV... | 0:24:44 | 0:24:46 | |
So that's definitely wrong. Yeah. | 0:24:46 | 0:24:48 | |
-So six is an incorrect answer. -OK. | 0:24:48 | 0:24:50 | |
We're going to reject | 0:24:50 | 0:24:52 | |
six as an incorrect answer. | 0:24:52 | 0:24:55 | |
We want that | 0:24:55 | 0:24:56 | |
to go red to allow us | 0:24:56 | 0:24:57 | |
to look behind New Statesman. | 0:24:57 | 0:24:59 | |
Got it right. Well done. Lesley. | 0:25:02 | 0:25:03 | |
Yes, Andy, you immediately said the correct answer to this one. | 0:25:03 | 0:25:07 | |
William IV. | 0:25:07 | 0:25:08 | |
William died with no surviving legitimate children, | 0:25:08 | 0:25:11 | |
-so his niece Victoria took the throne. -Good stuff. | 0:25:11 | 0:25:13 | |
We can get rid of that as | 0:25:13 | 0:25:14 | |
an incorrect answer | 0:25:14 | 0:25:16 | |
and look at the question behind New Statesman. | 0:25:16 | 0:25:18 | |
-Not Rik Mayall, unfortunately. -Yeah. | 0:25:26 | 0:25:29 | |
Boris Johnson editing a magazine. Does that...does that ring a bell? | 0:25:29 | 0:25:32 | |
Not to me. I mean, I know he writes columns. | 0:25:32 | 0:25:35 | |
I get the feeling that he probably does edit something, | 0:25:35 | 0:25:38 | |
but...the question's more is it this? | 0:25:38 | 0:25:41 | |
I don't know. | 0:25:41 | 0:25:42 | |
Why does Boris Johnson in The Spectator come to mind? | 0:25:42 | 0:25:46 | |
I don't know. | 0:25:46 | 0:25:48 | |
One of them must be correct. That's the one we're looking for. | 0:25:48 | 0:25:51 | |
So do you think, then, we go that Achtung Baby is the correct answer? | 0:25:51 | 0:25:57 | |
Yeah, I think so. I think so. | 0:25:57 | 0:26:00 | |
Something like that. | 0:26:00 | 0:26:01 | |
-OK. So...shall we go with that, then? -Yeah. -What do we want to do? | 0:26:01 | 0:26:04 | |
-We'll lock in Achtung Baby. -We're going to lock in | 0:26:04 | 0:26:06 | |
Achtung Baby as the correct answer. | 0:26:06 | 0:26:10 | |
We want that to be the correct answer. | 0:26:10 | 0:26:12 | |
If it is, we've only got four numbers left on the keypad. | 0:26:12 | 0:26:15 | |
Is Achtung Baby the correct answer? | 0:26:15 | 0:26:18 | |
-Oh! -Yes! | 0:26:21 | 0:26:23 | |
Yeah, the relief at this stage. | 0:26:25 | 0:26:26 | |
-It's some serious relief. -That one came quicker. | 0:26:26 | 0:26:29 | |
Here's one where I think you knew more about the wrong answer | 0:26:29 | 0:26:32 | |
than the right answer on the board. | 0:26:32 | 0:26:34 | |
One and Mysterious Ways are from Achtung Baby, | 0:26:34 | 0:26:37 | |
which was recorded in Berlin and released in 1991. | 0:26:37 | 0:26:40 | |
It was meant to be inspired by | 0:26:40 | 0:26:42 | |
the reunification of East and West Germany. | 0:26:42 | 0:26:45 | |
And the political magazine edited by | 0:26:45 | 0:26:47 | |
Nigel Lawson, Dominic Lawson, Boris Johnson, now Fraser Nelson. | 0:26:47 | 0:26:51 | |
Andy, you said the right answer to this one. It's The Spectator. | 0:26:51 | 0:26:54 | |
There you go. It was lingering in the recesses of your mind | 0:26:54 | 0:26:58 | |
and you pulled it out at just the right moment. | 0:26:58 | 0:27:00 | |
Now, very exciting. Here we are. Four numbers left on the keypad. | 0:27:00 | 0:27:05 | |
-Where are you going to go next? -Any strong feelings? -No, go for it. | 0:27:05 | 0:27:08 | |
Just want me to choose one? | 0:27:08 | 0:27:09 | |
-Right, let's have number two. -Number two. | 0:27:09 | 0:27:11 | |
If it's there, you're getting very, very close to the £3,000 jackpot. | 0:27:11 | 0:27:17 | |
Sarah and Andy, is the number two in the second box? | 0:27:17 | 0:27:20 | |
No. Is it there in the third box? | 0:27:22 | 0:27:25 | |
-Yes! -It is. -Howay. -You've done it. | 0:27:27 | 0:27:29 | |
Three-blank-two is your code. | 0:27:29 | 0:27:32 | |
Only three numbers left. | 0:27:32 | 0:27:34 | |
You're getting really close to this now. | 0:27:34 | 0:27:36 | |
You're doing brilliantly well through knowledge, | 0:27:36 | 0:27:39 | |
and deduction when you haven't got the knowledge. | 0:27:39 | 0:27:41 | |
Now, it does mean that there's just one number left to find, | 0:27:42 | 0:27:45 | |
and that means the game moves on to the next level. | 0:27:45 | 0:27:48 | |
At that level, things do get more difficult. | 0:27:48 | 0:27:51 | |
Again, you'll see all three answers to start with. | 0:27:51 | 0:27:53 | |
This time, you can only look at one question at a time, yeah? | 0:27:53 | 0:27:58 | |
Before you have to commit | 0:27:58 | 0:28:00 | |
and either say that's the correct answer or reject it. | 0:28:00 | 0:28:03 | |
-Are you ready? -Yeah, let's do it. -As we'll ever be, I think. | 0:28:03 | 0:28:06 | |
We're going to concentrate, we're going to focus, | 0:28:06 | 0:28:08 | |
we're going to have a look at our next three answers. | 0:28:08 | 0:28:10 | |
Of course, the order that you | 0:28:15 | 0:28:17 | |
choose them in now is crucial. | 0:28:17 | 0:28:19 | |
Which one do you fancy the most? | 0:28:19 | 0:28:22 | |
-None of them. -OK. That's good. | 0:28:23 | 0:28:25 | |
-Right. -At least that's honest. | 0:28:25 | 0:28:27 | |
-Let's... -Why, what should we do? | 0:28:27 | 0:28:29 | |
-I think Jersey. -Right. Go Jersey. | 0:28:29 | 0:28:31 | |
-We'll go Jersey. -Yeah. -Let's have | 0:28:31 | 0:28:33 | |
a look at the question behind Jersey. | 0:28:33 | 0:28:34 | |
I'm pretty sure | 0:28:39 | 0:28:40 | |
-they have cars on Jersey. -I've been, | 0:28:40 | 0:28:41 | |
and I think there's cars on Jersey. | 0:28:41 | 0:28:43 | |
I was in a car on Jersey. | 0:28:43 | 0:28:45 | |
I would've thought it would've been | 0:28:45 | 0:28:47 | |
the little ones that have | 0:28:47 | 0:28:48 | |
banned cars, and they were looking | 0:28:48 | 0:28:50 | |
-for the biggest one of those. -Yeah. | 0:28:50 | 0:28:52 | |
I'm happy to say that's incorrect. | 0:28:52 | 0:28:55 | |
OK. We're going to mark that down | 0:28:55 | 0:28:56 | |
as an incorrect answer. | 0:28:56 | 0:28:58 | |
You don't think Jersey's | 0:28:58 | 0:28:59 | |
banned cars. Therefore we want | 0:28:59 | 0:29:01 | |
to see this turn red. | 0:29:01 | 0:29:03 | |
Give us a chance to look at | 0:29:03 | 0:29:04 | |
one of the other two. | 0:29:04 | 0:29:05 | |
-Yes, nice one. -Absolutely right. | 0:29:08 | 0:29:10 | |
You've been in a car on Jersey. | 0:29:10 | 0:29:13 | |
That really helps. | 0:29:13 | 0:29:15 | |
Yes, Sarah and Andy, that certainly helped you out with this one. | 0:29:15 | 0:29:18 | |
Jersey, there are cars there. | 0:29:18 | 0:29:20 | |
The correct answer is Sark. | 0:29:20 | 0:29:22 | |
They do have farm tractors on Sark, but no other vehicles. | 0:29:22 | 0:29:25 | |
People go around in horse and carts and bicycles. | 0:29:25 | 0:29:28 | |
That's great, Sarah and Andy, we can get rid | 0:29:28 | 0:29:30 | |
of that as an incorrect answer. It leaves us with two, one of | 0:29:30 | 0:29:33 | |
which must be correct. | 0:29:33 | 0:29:35 | |
That is the one we're trying to find. | 0:29:35 | 0:29:37 | |
Where do you want to go next? | 0:29:37 | 0:29:38 | |
-I think we've got more of a chance with Basset. -Yeah. | 0:29:38 | 0:29:40 | |
We'll go with Bassett, please. | 0:29:40 | 0:29:42 | |
-The ship was definitely the Beagle. -Yeah. | 0:29:47 | 0:29:50 | |
-And the dog was a beagle. -Yeah. -Good. Nice one. | 0:29:50 | 0:29:53 | |
So we'll put that as incorrect. | 0:29:53 | 0:29:55 | |
OK, we are going to mark that as incorrect. | 0:29:55 | 0:29:57 | |
You've come to a very quick decision. | 0:29:58 | 0:30:00 | |
-Definitely, mate. -OK, it means we can't change our minds, | 0:30:00 | 0:30:03 | |
therefore we can open Bernard and Lydia, | 0:30:03 | 0:30:06 | |
see how it makes you feel - happy, or slightly sick. | 0:30:06 | 0:30:09 | |
It's a while since I've seen that, so I would've been guessing. You? | 0:30:15 | 0:30:20 | |
-Never seen it. -OK. Well, it's academic. | 0:30:20 | 0:30:22 | |
It doesn't matter because you've made your choice. | 0:30:22 | 0:30:25 | |
Is Basset the incorrect answer? | 0:30:25 | 0:30:28 | |
-Nice. -Yes. -Howay. -Well done. | 0:30:32 | 0:30:34 | |
Andy, you said Beagle. | 0:30:34 | 0:30:36 | |
I think you both knew that Beagle was the name of the ship | 0:30:36 | 0:30:39 | |
that took Darwin to the Galapagos and Tahiti. | 0:30:39 | 0:30:42 | |
And Charlie Brown's dog, Snoopy, a beagle. | 0:30:42 | 0:30:45 | |
In Four Weddings And A Funeral, whose is the second wedding? | 0:30:45 | 0:30:48 | |
Well, the first wedding is Angus and Laura, | 0:30:48 | 0:30:50 | |
and Bernard and Lydia get together at that wedding. | 0:30:50 | 0:30:53 | |
The third wedding is Carrie and Hamish. That's in Scotland. | 0:30:53 | 0:30:56 | |
And the fourth is Charles and Duckface Henrietta. | 0:30:56 | 0:30:59 | |
Thank you, Lesley. | 0:30:59 | 0:31:00 | |
"Duckface." How unfortunate. | 0:31:00 | 0:31:03 | |
Only three digits left on the keypad. | 0:31:03 | 0:31:06 | |
Only one space in the code left to fill. | 0:31:06 | 0:31:09 | |
Which number's jumping out at you? Which one do you fancy? | 0:31:09 | 0:31:12 | |
-Is this the one I pick? -Yeah. -Eight. -Eight? Right. | 0:31:12 | 0:31:16 | |
You're going to go for number eight. | 0:31:16 | 0:31:18 | |
Who's going to punch the number in? | 0:31:18 | 0:31:20 | |
Sarah normally takes charge of the money, | 0:31:20 | 0:31:22 | |
so she should take charge of the numbers. | 0:31:22 | 0:31:23 | |
-Sarah, if you're ready... -Yeah. -..let's make our way to the safe. | 0:31:23 | 0:31:28 | |
There's £3,000 in there, Sarah. | 0:31:34 | 0:31:36 | |
Tell me how much difference that money would make to you right now. | 0:31:36 | 0:31:39 | |
Oh, a massive difference. | 0:31:39 | 0:31:41 | |
Yeah, we've got a lot of things coming up. | 0:31:41 | 0:31:43 | |
We're going to a wedding that's handily in Palm Springs, | 0:31:43 | 0:31:46 | |
and we intend to get married at some point ourselves. | 0:31:46 | 0:31:49 | |
-So £3,000 would be extremely helpful. -OK. | 0:31:49 | 0:31:52 | |
Well, let's see if we can help you on your way now. | 0:31:52 | 0:31:55 | |
You've done all the hard work yourself. | 0:31:55 | 0:31:56 | |
All we have to do now is punch in the number eight. | 0:31:56 | 0:32:00 | |
-Right. -Away you go. | 0:32:00 | 0:32:01 | |
Round the numbers spin. | 0:32:05 | 0:32:07 | |
Three-blank-two. | 0:32:07 | 0:32:09 | |
Is it an eight? Is it three-eight-two? | 0:32:09 | 0:32:12 | |
The code that allows Sarah and Andy to take away £3,000. | 0:32:12 | 0:32:17 | |
Let's find out. | 0:32:20 | 0:32:21 | |
-Yes! -Oh, my God! | 0:32:25 | 0:32:26 | |
Brilliant! | 0:32:28 | 0:32:29 | |
-Well done. -Fantastic. -Fantastic work. | 0:32:33 | 0:32:37 | |
-Oh, my God. I can't believe it. -Open the door. | 0:32:37 | 0:32:39 | |
Don't just leave it there. It's waiting. | 0:32:39 | 0:32:42 | |
-In you go. -Look at it. -There we go. | 0:32:42 | 0:32:45 | |
Three grand. There you go, Andy, Sarah. | 0:32:47 | 0:32:50 | |
Let's make our way back there. | 0:32:50 | 0:32:52 | |
-Well done. -Nice one. Thank you very much. | 0:32:52 | 0:32:54 | |
-Well... -I can't believe... I actually can't... | 0:32:54 | 0:32:57 | |
-I can't believe it. -She can't believe it. | 0:32:57 | 0:33:00 | |
-All right, all right. -Which bit can't you believe? | 0:33:00 | 0:33:02 | |
I just came here today thinking, "Oh, it'll be a bit of a laugh." | 0:33:02 | 0:33:05 | |
I honestly did not think we'd get to this point, I really didn't. | 0:33:05 | 0:33:08 | |
-Thank you so much. -We just didn't want to make a fool of ourselves. | 0:33:08 | 0:33:10 | |
Yeah, to not make fools of ourselves. | 0:33:10 | 0:33:12 | |
You did anything but make fools of yourselves. Quite the opposite. | 0:33:12 | 0:33:15 | |
Lesley, I mean, less foolish people, you couldn't see. | 0:33:15 | 0:33:18 | |
Yeah, that's right. | 0:33:18 | 0:33:19 | |
Just the right blend of knowledge and astute guesswork. | 0:33:19 | 0:33:22 | |
-Very, very well done. -BOTH: -Thanks very much. | 0:33:22 | 0:33:25 | |
-Wow. So this is it. Palm Springs, that can happen? -Yeah. | 0:33:25 | 0:33:29 | |
And you guys are getting hitched as well. | 0:33:29 | 0:33:31 | |
-I mean, I can't think of a nicer way to spend the money. -No. | 0:33:31 | 0:33:34 | |
-BOTH: -That'll be fantastic. | 0:33:34 | 0:33:36 | |
Listen, Sarah and Andy, we're so chuffed for you. | 0:33:36 | 0:33:39 | |
-Thank you very much. -Congratulations. -Thank you so much. | 0:33:39 | 0:33:41 | |
-Thank very much. Good man. -Cheers. | 0:33:41 | 0:33:43 | |
And, well, you managed to break the code. | 0:33:43 | 0:33:46 | |
Well done, thanks for playing, and goodbye. | 0:33:46 | 0:33:49 | |
-Bye-bye. -Cheers, Matt. | 0:33:49 | 0:33:51 | |
Well, they couldn't have been more chuffed, could they? | 0:33:55 | 0:33:58 | |
The chemistry was certainly working for Sarah and Andy, | 0:33:58 | 0:34:01 | |
who walk away with £3,000. | 0:34:01 | 0:34:03 | |
The jackpot's been won. | 0:34:03 | 0:34:05 | |
That means a fresh £3,000 goes into the safe. | 0:34:05 | 0:34:08 | |
So, let's find out who's hoping to repeat the success Sarah and Andy | 0:34:16 | 0:34:21 | |
and break that code. | 0:34:21 | 0:34:22 | |
-Ahmed, how you doing? -OK. | 0:34:26 | 0:34:28 | |
-Good to see you. Welcome to the show. -Thank you. | 0:34:28 | 0:34:30 | |
All the way from Liverpool. Is that right? | 0:34:30 | 0:34:32 | |
Originally from Liverpool, but currently living in Hampshire. | 0:34:32 | 0:34:35 | |
And what do you do in Hampshire? | 0:34:35 | 0:34:37 | |
I'm a secondary school teacher in a boarding school. | 0:34:37 | 0:34:39 | |
-Is it mixed or...? -It's mixed, yeah. It's a mixed boarding school. | 0:34:39 | 0:34:42 | |
We take students from 11 to 18, so bags of energy...yeah. | 0:34:42 | 0:34:47 | |
Tell me about yourself. Do you have family? | 0:34:47 | 0:34:49 | |
Yeah, I've got two brothers, older and a younger brother, | 0:34:49 | 0:34:52 | |
and they're all spread out around the world at the moment. | 0:34:52 | 0:34:57 | |
And a younger daughter who's eight months old. | 0:34:57 | 0:35:00 | |
What are your big passions? Apart from, obviously, your daughter. | 0:35:00 | 0:35:04 | |
Definitely football. I like all sports, but football, number one. | 0:35:04 | 0:35:08 | |
-Avid Liverpool fan. -Great stuff. You won't find any problem here. | 0:35:08 | 0:35:12 | |
-Excellent. -OK, Ahmed, it's lovely to have you here, | 0:35:12 | 0:35:14 | |
and we hope you do well. | 0:35:14 | 0:35:16 | |
Always brave trying to crack the code by yourself. | 0:35:16 | 0:35:20 | |
But let's see how you can do. | 0:35:20 | 0:35:21 | |
If you're ready, let's reset the code. | 0:35:21 | 0:35:24 | |
We'll end up with three blanks. | 0:35:25 | 0:35:27 | |
We want to turn those into three numbers. | 0:35:27 | 0:35:29 | |
-OK. -OK. Let's have a look at your first three answers. | 0:35:29 | 0:35:32 | |
Remember, only one of those is | 0:35:37 | 0:35:38 | |
correct. That's the one | 0:35:38 | 0:35:39 | |
you're trying to find. | 0:35:39 | 0:35:41 | |
At this point, you can open all three answers | 0:35:41 | 0:35:43 | |
to reveal the questions. | 0:35:43 | 0:35:44 | |
Where would you like to start first? | 0:35:44 | 0:35:46 | |
Round one, so probably start | 0:35:46 | 0:35:47 | |
-at the top with The Who. -We'll start | 0:35:47 | 0:35:49 | |
with the question for The Who. | 0:35:49 | 0:35:50 | |
The Glimmer Twins is a nickname applied to | 0:35:52 | 0:35:54 | |
the lead singer and the guitarist of which band? | 0:35:54 | 0:35:56 | |
My brother's probably at home | 0:35:56 | 0:35:58 | |
shouting at the screen. | 0:35:58 | 0:35:59 | |
He was an avid musician. | 0:35:59 | 0:36:00 | |
Probably too late | 0:36:00 | 0:36:02 | |
to help you, sadly. | 0:36:02 | 0:36:03 | |
The Who...The Who passed me by. | 0:36:03 | 0:36:04 | |
Well, we get to open | 0:36:04 | 0:36:05 | |
both of the others, so maybe that'll | 0:36:05 | 0:36:07 | |
give you a bit more help. | 0:36:07 | 0:36:09 | |
Where do you want to go next? | 0:36:09 | 0:36:10 | |
-Barbados, please. -OK. | 0:36:10 | 0:36:12 | |
Don't we all? Let's see the | 0:36:12 | 0:36:13 | |
question behind Barbados, please. | 0:36:13 | 0:36:14 | |
You know, I don't think I've ever | 0:36:20 | 0:36:21 | |
come across that term before. | 0:36:21 | 0:36:23 | |
Although I've never been | 0:36:23 | 0:36:24 | |
to the Caribbean. | 0:36:24 | 0:36:25 | |
Let's open Baskin-Robbins, | 0:36:27 | 0:36:28 | |
shed some light on this. | 0:36:28 | 0:36:30 | |
I'd have thought Baskin and Robbins | 0:36:36 | 0:36:37 | |
might have been the surnames | 0:36:37 | 0:36:38 | |
of the founders. | 0:36:38 | 0:36:40 | |
Is Cohen...? Cohen is a first name. | 0:36:40 | 0:36:42 | |
Cohen Baskin. | 0:36:42 | 0:36:43 | |
Is Greenfield a first name? | 0:36:43 | 0:36:45 | |
Greenfield Robbins. | 0:36:45 | 0:36:47 | |
This was my worst nightmare. | 0:36:49 | 0:36:52 | |
-First question out. -First question. | 0:36:52 | 0:36:55 | |
You've got three which are | 0:36:55 | 0:36:56 | |
leaving you a bit in the mire | 0:36:56 | 0:36:58 | |
-at the moment. -Yeah. Let's have a look now. | 0:36:58 | 0:37:00 | |
The Who - I can't think of | 0:37:00 | 0:37:03 | |
twins being in the band. | 0:37:03 | 0:37:04 | |
I'm going to discount The Who. | 0:37:04 | 0:37:06 | |
You don't want that one? | 0:37:06 | 0:37:07 | |
-That feels wrong to you? -Yeah, yeah, it doesn't ring a bell. | 0:37:07 | 0:37:10 | |
A Bajan. | 0:37:11 | 0:37:12 | |
Trying to think of the famous cricketers. | 0:37:14 | 0:37:17 | |
I think people from Barbados | 0:37:17 | 0:37:19 | |
are...Barbadian? | 0:37:19 | 0:37:21 | |
Which way are you leaning, Ahmed? | 0:37:21 | 0:37:23 | |
-I'm not. -Really? | 0:37:23 | 0:37:25 | |
-Stuck between the two of them? -I'm... | 0:37:25 | 0:37:26 | |
We are going to need to lock in | 0:37:26 | 0:37:28 | |
one of them and take a decision. | 0:37:28 | 0:37:30 | |
I'm going to have to go with... | 0:37:30 | 0:37:32 | |
a Bajan would be from Barbados. | 0:37:32 | 0:37:34 | |
Your level of confidence in | 0:37:34 | 0:37:36 | |
that answer in a percentage term? | 0:37:36 | 0:37:38 | |
33.333 reoccurring. | 0:37:38 | 0:37:39 | |
Statistically just probability | 0:37:39 | 0:37:42 | |
and no more than that. OK, | 0:37:42 | 0:37:44 | |
let's lock in Barbados as | 0:37:44 | 0:37:46 | |
the correct answer. | 0:37:46 | 0:37:47 | |
We want Barbados to be | 0:37:47 | 0:37:49 | |
Ahmed's correct answer. | 0:37:49 | 0:37:52 | |
We want it to turn green. | 0:37:52 | 0:37:53 | |
-Oh! -It is correct. | 0:37:55 | 0:37:58 | |
I'm so pleased for you, Ahmed. | 0:37:58 | 0:37:59 | |
-Thank you. -Lesley. | 0:37:59 | 0:38:01 | |
Ahmed, at various points in that, | 0:38:01 | 0:38:02 | |
I thought you were going to go with any one of those. | 0:38:02 | 0:38:05 | |
So did I. | 0:38:05 | 0:38:06 | |
Yeah, someone described as Bajan | 0:38:06 | 0:38:08 | |
is from Barbados. | 0:38:08 | 0:38:09 | |
They can also be called Barbadian, as you mentioned. | 0:38:09 | 0:38:12 | |
You mentioned famous cricketers. | 0:38:12 | 0:38:14 | |
For example, Garfield Sobers, excellent cricketer from Barbados. | 0:38:14 | 0:38:17 | |
The Glimmer Twins are | 0:38:17 | 0:38:19 | |
Keith Richards and Mick Jagger in The Rolling Stones. | 0:38:19 | 0:38:22 | |
The story goes that they were on a cruise | 0:38:22 | 0:38:24 | |
and there was an old couple who couldn't quite recognise them. | 0:38:24 | 0:38:27 | |
Asked them for a glimmer | 0:38:27 | 0:38:29 | |
as to their identities. | 0:38:29 | 0:38:30 | |
-Oh, OK. -They thought | 0:38:30 | 0:38:31 | |
that that was really funny and decided that that would stick. | 0:38:31 | 0:38:34 | |
And Cohen And Greenfield, | 0:38:34 | 0:38:35 | |
the surnames of the two founders | 0:38:35 | 0:38:37 | |
of the ice cream company. | 0:38:37 | 0:38:38 | |
Baskin-Robbins, that's | 0:38:38 | 0:38:39 | |
Burt Baskin and Irv Robbins. | 0:38:39 | 0:38:42 | |
It's Ben Cohen and Jerry Greenfield - Ben and Jerry's. | 0:38:42 | 0:38:46 | |
-OK. Phew! -We're through. | 0:38:46 | 0:38:48 | |
We're through the first one. That's fine. | 0:38:48 | 0:38:50 | |
And it means, Ahmed, you have bought yourself | 0:38:50 | 0:38:52 | |
the right to choose a number from the keypad. | 0:38:52 | 0:38:55 | |
Which one are you going to choose? | 0:38:55 | 0:38:56 | |
I remember when I was younger I read a horoscope, | 0:38:56 | 0:38:59 | |
and on that horoscope, it said my lucky number is three. | 0:38:59 | 0:39:02 | |
-Number three? -No. | 0:39:02 | 0:39:04 | |
It's never done me any luck until now, so I'll go for number five. | 0:39:04 | 0:39:07 | |
We're going to go with number five. | 0:39:07 | 0:39:09 | |
OK. So logic over superstition. | 0:39:09 | 0:39:11 | |
Number five, slap bang in the middle. | 0:39:11 | 0:39:13 | |
Is it there in your code? Let's have a look at the first box. | 0:39:13 | 0:39:16 | |
No number five. How about the second one? | 0:39:17 | 0:39:19 | |
No number five. How about the final box? | 0:39:22 | 0:39:25 | |
-No. -OK. -You can count that out. That's not lucky for you either. | 0:39:25 | 0:39:29 | |
-That's fine. -We know it is not there, | 0:39:29 | 0:39:30 | |
and we carry on playing the game at this level, the easiest level. | 0:39:30 | 0:39:34 | |
-Are you ready for your next three answers? -Yeah. | 0:39:34 | 0:39:37 | |
Let's start with Johnny Cash. | 0:39:41 | 0:39:43 | |
Let's have a look at | 0:39:43 | 0:39:44 | |
the question behind Johnny Cash. | 0:39:44 | 0:39:46 | |
I always tell my students to read around | 0:39:54 | 0:39:56 | |
the subject, and every morning | 0:39:56 | 0:39:58 | |
when I'm getting ready for work, | 0:39:58 | 0:39:59 | |
I read BBC News app. | 0:39:59 | 0:40:02 | |
And I've got a column on there | 0:40:02 | 0:40:03 | |
with science and education. | 0:40:03 | 0:40:05 | |
I'm pretty sure I remember reading this a few weeks back. | 0:40:05 | 0:40:09 | |
Yeah, I want to see the other two | 0:40:09 | 0:40:11 | |
-but... -Of course. | 0:40:11 | 0:40:12 | |
..I'm in a better place than | 0:40:12 | 0:40:14 | |
where I was the last round. | 0:40:14 | 0:40:15 | |
We feel we're better than 33.3% on | 0:40:15 | 0:40:17 | |
-this one. -At least 35 at the moment. | 0:40:17 | 0:40:19 | |
LAUGHING: At least 35% confident. | 0:40:19 | 0:40:21 | |
OK, where do you want to go next? | 0:40:21 | 0:40:22 | |
-Go to Euan. -Let's have a look | 0:40:22 | 0:40:24 | |
at the question behind Euan. | 0:40:24 | 0:40:25 | |
I think Euan's his eldest son. | 0:40:30 | 0:40:32 | |
I think Leo's his youngest son. | 0:40:32 | 0:40:34 | |
That still keeps me on Johnny Cash. | 0:40:34 | 0:40:36 | |
Yeah, I'm happy with that. | 0:40:36 | 0:40:37 | |
Your instinct is that's incorrect. | 0:40:37 | 0:40:39 | |
OK, let's have a look at | 0:40:39 | 0:40:40 | |
the question behind damn. | 0:40:40 | 0:40:41 | |
"Frankly, my dear, | 0:40:46 | 0:40:47 | |
"I don't give a damn." | 0:40:47 | 0:40:48 | |
Don't be like that. | 0:40:48 | 0:40:49 | |
I don't think that's the last... | 0:40:50 | 0:40:52 | |
It's a film | 0:40:52 | 0:40:53 | |
I've never watched, I must admit. | 0:40:53 | 0:40:55 | |
I'm... I think I'm confident. | 0:40:55 | 0:40:58 | |
I'm going to go with | 0:40:58 | 0:41:00 | |
the black tarantula | 0:41:00 | 0:41:03 | |
-called Johnny Cash. -OK. We want Johnny Cash to be our | 0:41:03 | 0:41:05 | |
correct answer. Let's lock it in. | 0:41:05 | 0:41:07 | |
There it is. If Johnny Cash is | 0:41:08 | 0:41:10 | |
the correct answer, then | 0:41:10 | 0:41:13 | |
we can hold our head high. | 0:41:13 | 0:41:15 | |
It's got to turn green, though, | 0:41:15 | 0:41:16 | |
to give us a chance to put | 0:41:16 | 0:41:17 | |
another number into the code. | 0:41:17 | 0:41:19 | |
-Got it. -Well done, Ahmed. | 0:41:22 | 0:41:24 | |
Yes, Folsom Prison, | 0:41:24 | 0:41:25 | |
where Johnny Cash played concerts for the inmates | 0:41:25 | 0:41:27 | |
in the 1960s. | 0:41:27 | 0:41:29 | |
The last word of the classic film | 0:41:29 | 0:41:30 | |
Gone with the Wind. I thought this one might sway you. | 0:41:30 | 0:41:33 | |
You remembered the line, "Frankly, my dear, I don't give a damn." | 0:41:33 | 0:41:36 | |
That wasn't in the book in quite that wording. | 0:41:36 | 0:41:38 | |
They added frankly in the film to give it more strength and emphasis. | 0:41:38 | 0:41:41 | |
The correct answer is day, | 0:41:41 | 0:41:43 | |
as in, "After all, tomorrow is another day." | 0:41:43 | 0:41:46 | |
And the name which links | 0:41:46 | 0:41:48 | |
Tony Blair's father and his youngest child. | 0:41:48 | 0:41:50 | |
You knew immediately that Euan was his eldest child | 0:41:50 | 0:41:53 | |
and that Leo, as you said, was the youngest. | 0:41:53 | 0:41:56 | |
Leo was the first legitimate child | 0:41:56 | 0:41:58 | |
born to a serving prime minister in 150 years. | 0:41:58 | 0:42:02 | |
-OK. -It means it's time to pick | 0:42:02 | 0:42:03 | |
another number. | 0:42:03 | 0:42:04 | |
Five has gone. Nine other numbers remain. | 0:42:04 | 0:42:07 | |
Which one you going to go for next? | 0:42:07 | 0:42:09 | |
Sticking on the line of superstition, I know seven is | 0:42:09 | 0:42:11 | |
a lucky number for a lot of people. | 0:42:11 | 0:42:13 | |
So I'm going to go with eight. | 0:42:14 | 0:42:15 | |
The same inverted logic from Ahmed. | 0:42:15 | 0:42:18 | |
We're going to go with the number eight, | 0:42:18 | 0:42:20 | |
see if it's in our code. | 0:42:20 | 0:42:21 | |
Is it in the first box? | 0:42:21 | 0:42:23 | |
No number eight. Is it in the second box? | 0:42:25 | 0:42:27 | |
There it is. Number eight. Slap bang in the middle, Ahmed. | 0:42:30 | 0:42:35 | |
-You've got your first number in the code. -OK. | 0:42:35 | 0:42:39 | |
That means that we are on to the... SIREN RINGS | 0:42:39 | 0:42:42 | |
Well, I was going to say that's the next level, | 0:42:42 | 0:42:45 | |
but that sound means, unfortunately, Ahmed, we've run out of time. | 0:42:45 | 0:42:49 | |
Feeling much better? | 0:42:49 | 0:42:50 | |
Let's bring on round two, and hopefully the questions are kinder. | 0:42:50 | 0:42:53 | |
-OK. Lesley, thank you very much. -You're welcome. | 0:42:53 | 0:42:56 | |
And please be sure to join us next time. | 0:42:56 | 0:42:58 | |
We'll find out if Ahmed has what it takes | 0:42:58 | 0:43:01 | |
to crack the code and win the cash. | 0:43:01 | 0:43:03 | |
Thanks for watching and goodbye. | 0:43:03 | 0:43:05 |