Browse content similar to Episode 22. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, and welcome to The Code. £6,000 is locked inside the safe. | 0:00:12 | 0:00:17 | |
All our players have to do to open it is crack this three-digit code. | 0:00:17 | 0:00:22 | |
Each time someone fails, though, more money is added, | 0:00:22 | 0:00:24 | |
so the jackpot goes up and up. | 0:00:24 | 0:00:27 | |
Last time, Martin, Rob and Phil, from South Wales had picked one | 0:00:27 | 0:00:32 | |
number which wasn't in the code before we ran out of time. | 0:00:32 | 0:00:35 | |
So, let's welcome them back. | 0:00:35 | 0:00:37 | |
Here they are. Good to see you back, | 0:00:40 | 0:00:42 | |
-Rob... -Thanks, Matt. Nice to see you. | 0:00:42 | 0:00:44 | |
..Martin and Phil. | 0:00:44 | 0:00:45 | |
Lovely to have you back in the studio. | 0:00:45 | 0:00:47 | |
We'll remind ourselves, you're from South Wales, | 0:00:47 | 0:00:50 | |
Pencoed and Llanharan. | 0:00:50 | 0:00:51 | |
-Well done, excellent. -Second time, not quite as good as the first. | 0:00:51 | 0:00:55 | |
THEY LAUGH | 0:00:55 | 0:00:56 | |
And a cashier, local government solicitor and business advisor. | 0:00:56 | 0:01:00 | |
-That's correct, yes. -Doing well so far. | 0:01:00 | 0:01:02 | |
Now, I assume, when I see three fine Welshmen like yourselves | 0:01:02 | 0:01:05 | |
together, that there's going to be a song at some point. | 0:01:05 | 0:01:08 | |
Is that part of your repertoire? | 0:01:08 | 0:01:10 | |
No, never has been, never will be and never going to be. | 0:01:10 | 0:01:12 | |
Regardless of what time in the evening it is, no singing. | 0:01:12 | 0:01:16 | |
You think that you resemble The Dreamboys, the dancing troupe... | 0:01:16 | 0:01:20 | |
Dreamboyos. | 0:01:20 | 0:01:21 | |
There we go and that's why we are calling you now The Dreamboyos. | 0:01:21 | 0:01:26 | |
I can live with that. That's fine. | 0:01:26 | 0:01:29 | |
I don't want to see the act, I don't want to see the act. | 0:01:29 | 0:01:31 | |
And we hope the dream can continue for you today | 0:01:31 | 0:01:34 | |
because it's going ever so well. | 0:01:34 | 0:01:36 | |
Before we start, let's say a big hello to Lesley. | 0:01:36 | 0:01:38 | |
-Hiya, Lesley. -Welcome back. | 0:01:38 | 0:01:41 | |
I hope you can open that safe today, cracking that code. | 0:01:41 | 0:01:45 | |
Welsh blood, Lesley? | 0:01:45 | 0:01:46 | |
I have, yes, my dad is Welsh and my mum is part Welsh so... | 0:01:46 | 0:01:50 | |
-Excellent. -Good. -I thought I liked you. | 0:01:50 | 0:01:53 | |
I'm a bit of a gooseberry, here. Right. Right, gentlemen, | 0:01:53 | 0:01:57 | |
if you are ready, let's remind ourselves where we are. | 0:01:57 | 0:02:00 | |
There is the keypad, just the number zero has been taken from that. | 0:02:00 | 0:02:04 | |
Nothing in your code so far. | 0:02:04 | 0:02:06 | |
But the good news is we are at the stage where we get to see all | 0:02:06 | 0:02:09 | |
three questions at the same time. We get the whole picture. | 0:02:09 | 0:02:13 | |
Dreamboyos, £6,000 is locked inside the safe. | 0:02:13 | 0:02:18 | |
Are you ready? | 0:02:18 | 0:02:19 | |
-We're ready. -Let's go for it. | 0:02:19 | 0:02:20 | |
Martin, Rob, Phil, let's have a look at the next three answers. | 0:02:20 | 0:02:23 | |
Only one of those | 0:02:30 | 0:02:31 | |
is correct. | 0:02:31 | 0:02:32 | |
That's the one you're trying to find. | 0:02:32 | 0:02:33 | |
At this point, as we've said, | 0:02:33 | 0:02:35 | |
you can open all three answers to | 0:02:35 | 0:02:37 | |
reveal the questions. | 0:02:37 | 0:02:38 | |
That's palindrome, isn't it? | 0:02:38 | 0:02:40 | |
We know that River Cottage is | 0:02:40 | 0:02:42 | |
something to do with that | 0:02:42 | 0:02:43 | |
-Hugh Fearnley-Whittingstall. -Yeah. | 0:02:43 | 0:02:44 | |
Do you want to take that one first? | 0:02:44 | 0:02:46 | |
And see if it helps. | 0:02:46 | 0:02:47 | |
-Where shall we go first? -We'll | 0:02:47 | 0:02:48 | |
take River Cottage first, please. | 0:02:48 | 0:02:50 | |
Let's have a look at the | 0:02:50 | 0:02:51 | |
question behind River Cottage. | 0:02:51 | 0:02:53 | |
I don't know the answer, but it doesn't seem right. | 0:03:00 | 0:03:02 | |
It's not that, I know the answer. | 0:03:02 | 0:03:04 | |
-That's definitely not right? -No. | 0:03:04 | 0:03:05 | |
Phil's got a feeling about that one. | 0:03:05 | 0:03:07 | |
Which one do we want | 0:03:07 | 0:03:08 | |
-to look at next? -£88.88? £88.88. | 0:03:08 | 0:03:11 | |
Let's reveal the question behind that. | 0:03:11 | 0:03:14 | |
Shall I go through them? | 0:03:19 | 0:03:21 | |
-50, 20. -70. -10. -80. -Five. -85. | 0:03:21 | 0:03:25 | |
-Pound coin. -Pound coin. TWO pound | 0:03:25 | 0:03:27 | |
-coin. -Ooh, yeah. | 0:03:27 | 0:03:28 | |
-87. -Two pound coin. Pound coin. -88. | 0:03:28 | 0:03:32 | |
-50p. -£88.50. -10p. -£88.60. | 0:03:32 | 0:03:37 | |
-5p. -£88.65. -2p. -£85.67. -1p. | 0:03:37 | 0:03:43 | |
£87.68, isn't it? | 0:03:43 | 0:03:45 | |
What about the 20p? | 0:03:45 | 0:03:46 | |
Do it backwards. | 0:03:46 | 0:03:48 | |
£50, £20, that's 70. | 0:03:48 | 0:03:49 | |
£10, 80, 85, 87, 88. | 0:03:49 | 0:03:55 | |
-88.50. -BOTH: -88.70. 88.85. | 0:03:55 | 0:03:59 | |
It's 87, 88, that's right. | 0:03:59 | 0:04:01 | |
That's the correct answer. | 0:04:01 | 0:04:03 | |
We may as well see the last one, | 0:04:03 | 0:04:05 | |
anyway. We'll see the last one. | 0:04:05 | 0:04:06 | |
As long as you're not all fooling | 0:04:06 | 0:04:08 | |
yourselves there. | 0:04:08 | 0:04:09 | |
Let's have a look at Thiswai-thatwai. | 0:04:09 | 0:04:11 | |
-That's wrong, that's wrong. -That's completely wrong. | 0:04:17 | 0:04:19 | |
-It's not River Cottage. -It's the last one, £88.88. | 0:04:19 | 0:04:23 | |
That two-headed animal is | 0:04:23 | 0:04:24 | |
pushmi-pullyu. Correct answer, Rob? | 0:04:24 | 0:04:26 | |
-£88.88. -Let's lock it in as a correct answer. | 0:04:26 | 0:04:30 | |
If it's right, you get to choose another number to see | 0:04:30 | 0:04:33 | |
if it sticks in the code. | 0:04:33 | 0:04:34 | |
If it's wrong, I'm afraid | 0:04:34 | 0:04:36 | |
you're on the way back to the Valleys. | 0:04:36 | 0:04:38 | |
We don't want that. Let's see it go green. | 0:04:38 | 0:04:40 | |
-Got it, got it. Took a little while. -It did. -Sorry about that. | 0:04:42 | 0:04:45 | |
Beautifully worked out, Martin, with all the correct denominations. | 0:04:46 | 0:04:50 | |
There are some commemorative coins with other denominations, | 0:04:50 | 0:04:53 | |
but they are not in normal circulation. | 0:04:53 | 0:04:55 | |
And the fictional character Dr Doolittle is friends, | 0:04:55 | 0:04:58 | |
not with a thiswai-thatwai, but as Martin said, with a pushmi-pullyu. | 0:04:58 | 0:05:02 | |
In the 1967 film, it's shown as a double-headed llama. | 0:05:02 | 0:05:05 | |
Jamie Oliver once worked, not at the River Cottage, | 0:05:05 | 0:05:07 | |
you recognised this straightaway, Phil, | 0:05:07 | 0:05:09 | |
you sussed that that was the wrong answer. | 0:05:09 | 0:05:11 | |
Jamie Oliver worked at the River Cafe in Hammersmith. | 0:05:11 | 0:05:15 | |
The River Cottage is near Axminster | 0:05:15 | 0:05:17 | |
and is associated with Hugh Fearnley-Whittingstall. | 0:05:17 | 0:05:19 | |
OK, and that means | 0:05:19 | 0:05:20 | |
you get to choose a digit to enter into the code. | 0:05:20 | 0:05:23 | |
-Where would you like to go next? -We'll try with number two. -OK. | 0:05:23 | 0:05:28 | |
-Why number two? -It was on the hotel door room. | 0:05:28 | 0:05:31 | |
It seemed as good as anything. | 0:05:31 | 0:05:33 | |
Right, if we are ready, let's have a look. Is number two in your code? | 0:05:33 | 0:05:38 | |
Is it in the first box? | 0:05:39 | 0:05:40 | |
It's not there. Is it in the second box? | 0:05:42 | 0:05:44 | |
No number two. Is there a number two in the third box? | 0:05:46 | 0:05:50 | |
There, that's fine. | 0:05:53 | 0:05:55 | |
It doesn't matter because we get to carry on playing the game here | 0:05:55 | 0:05:58 | |
at its easiest. | 0:05:58 | 0:06:00 | |
Let's see your next three answers. | 0:06:00 | 0:06:02 | |
-I like it. -Good. -Gretl, Hansel and Gretl. Sebastian Vettel. | 0:06:06 | 0:06:12 | |
-Which one shall we go for first? -I think the sport one. | 0:06:12 | 0:06:15 | |
Do you want to take Vettel first? We'll go Vettel first. | 0:06:15 | 0:06:17 | |
OK, we're going to have | 0:06:17 | 0:06:19 | |
a look at the question behind Sebastian Vettel. | 0:06:19 | 0:06:21 | |
'15, '14 was Hamilton. | 0:06:29 | 0:06:31 | |
Before that, it would have been Vettel, wouldn't it? | 0:06:31 | 0:06:33 | |
Yeah. And he did win it four times on the bounce, didn't he? | 0:06:33 | 0:06:37 | |
-OK, let's park it. We'll park that one for a moment. -Let's park it. | 0:06:37 | 0:06:41 | |
Park Sebastian Vettel. Which one do | 0:06:41 | 0:06:43 | |
-you want to try next? -Metal. | 0:06:43 | 0:06:45 | |
-Try metal. -We'll go with metal. -Metal. | 0:06:45 | 0:06:48 | |
Let's see the question behind metal. | 0:06:48 | 0:06:50 | |
-They're not metal, so that's wrong. -They're wood. -Glockenspiel... | 0:06:54 | 0:06:57 | |
Is metal. Xylophone is wood. | 0:06:57 | 0:06:59 | |
Xylophone is from the Greek for xylo, which is wood. | 0:06:59 | 0:07:02 | |
So, that, we can discard that straightaway. | 0:07:02 | 0:07:05 | |
-So that is not the correct answer. -We're happy with that. | 0:07:05 | 0:07:09 | |
Let's have a look at the question behind Gretl. | 0:07:09 | 0:07:12 | |
-Gretl's the youngest, not the oldest. -Yeah, yeah. -So that's wrong. | 0:07:16 | 0:07:20 | |
-She is one of them. -She is one of | 0:07:20 | 0:07:21 | |
them, but she's the youngest. | 0:07:21 | 0:07:23 | |
-It's not the oldest? -Gretl is the youngest child. | 0:07:23 | 0:07:26 | |
Which one is it going to be, then? | 0:07:26 | 0:07:27 | |
-ALL: -Sebastian Vettel, please. | 0:07:27 | 0:07:28 | |
Right. Sebastian Vettel, let's lock it in. | 0:07:28 | 0:07:32 | |
If it is the correct answer, | 0:07:32 | 0:07:34 | |
it's your third chance of choosing | 0:07:34 | 0:07:35 | |
a number from the code. | 0:07:35 | 0:07:38 | |
We want it to go green. | 0:07:38 | 0:07:40 | |
-Fantastic. -No doubt at all in your minds. Lesley. | 0:07:43 | 0:07:46 | |
You were very confident with this one, yes, driving for Red Bull, | 0:07:46 | 0:07:50 | |
Sebastian Vettel, one of the most successful drivers of all time. | 0:07:50 | 0:07:54 | |
Having a look at the other questions, | 0:07:54 | 0:07:56 | |
as soon as xylophone came up, you sussed that out right away. | 0:07:56 | 0:08:00 | |
Martin, you even knew that xylo was Greek for wood. | 0:08:00 | 0:08:03 | |
You also remembered that a glockenspiel is the one with | 0:08:03 | 0:08:05 | |
the metal bars. | 0:08:05 | 0:08:07 | |
Wood, the correct answer, then, instead of metal. | 0:08:07 | 0:08:10 | |
And in The Sound Of Music, the eldest of the Von Trapp children, | 0:08:10 | 0:08:13 | |
-Liesl, was the eldest. -That's the one. | 0:08:13 | 0:08:16 | |
Good stuff, good stuff. | 0:08:16 | 0:08:18 | |
It is impressive, Dreamboyos. | 0:08:18 | 0:08:20 | |
And it buys us the chance to pick another number from the keypad. | 0:08:20 | 0:08:24 | |
Two and zero have gone, eight other digits left. | 0:08:24 | 0:08:27 | |
Why don't we stick with the room number that we had? And hopefully, | 0:08:28 | 0:08:32 | |
that will be a no go either, and we can stick with the easy questions. | 0:08:32 | 0:08:35 | |
-That may be a good strategy, we'll go with that. -245, I was in. | 0:08:35 | 0:08:40 | |
-You were in 245, then? -Which one do you want? | 0:08:40 | 0:08:42 | |
-Do you want go down like you said? -Let's go down to five. | 0:08:42 | 0:08:44 | |
We'll go with five, then. | 0:08:44 | 0:08:46 | |
I want to know why Phil was in a room all by himself. | 0:08:46 | 0:08:48 | |
-He snores like... -He's the tallest. -He's the tallest. | 0:08:48 | 0:08:52 | |
-We had an arm wrestling competition for it, and I won. -You won? | 0:08:52 | 0:08:55 | |
-Yeah. -Right. OK. | 0:08:55 | 0:08:57 | |
Which number are we going to go for next, then? | 0:08:57 | 0:08:59 | |
-Five, please. -We'll go for five. | 0:08:59 | 0:09:01 | |
Number five, says Phil. OK. Is five in the first box? | 0:09:01 | 0:09:04 | |
It's not there. | 0:09:07 | 0:09:08 | |
Is it in the second box? | 0:09:08 | 0:09:10 | |
It's not there. | 0:09:12 | 0:09:13 | |
Is the number five in the third box? | 0:09:13 | 0:09:15 | |
-Game on. -You need to go back and choose different rooms. | 0:09:19 | 0:09:22 | |
Or something like that. | 0:09:22 | 0:09:24 | |
Two, five, zero, none of them are there in your code. So, happy? | 0:09:24 | 0:09:30 | |
-Happy. -Happy. | 0:09:30 | 0:09:31 | |
Brace yourselves, gentlemen, for the next three answers. | 0:09:31 | 0:09:34 | |
Tamagotchi is that little sort of game... The puppy thing, the dog... | 0:09:38 | 0:09:42 | |
-Yeah. -It's a Japanese virtual pet. -A could be anything. | 0:09:42 | 0:09:46 | |
-Bubble & squeak is potato and cabbage, isn't it? -Yeah. | 0:09:46 | 0:09:49 | |
So, shall we go with A just to see what that is? | 0:09:49 | 0:09:52 | |
OK, let's see the question behind A. | 0:09:52 | 0:09:54 | |
-E is a single dot. -That's the ATC | 0:10:00 | 0:10:01 | |
comments with him. | 0:10:01 | 0:10:03 | |
That's the Air Cadets from 40-odd | 0:10:03 | 0:10:05 | |
years ago, that is. | 0:10:05 | 0:10:06 | |
Well, I was in it, but I don't remember. | 0:10:06 | 0:10:09 | |
-Well, Martin was paying attention, apparently. -Obviously. | 0:10:09 | 0:10:12 | |
-That's why he got to sergeant. -I think...I think E is a single dot. | 0:10:12 | 0:10:15 | |
OK. | 0:10:15 | 0:10:16 | |
-Right, we'll hold on to that one. -Yes, we'll hold on to that one. | 0:10:16 | 0:10:19 | |
Which one do you want to look at | 0:10:19 | 0:10:20 | |
-next? -We'll go with bubble & squeak. | 0:10:20 | 0:10:22 | |
Try bubble & squeak. | 0:10:22 | 0:10:23 | |
Yeah, it is similar, actually. | 0:10:28 | 0:10:30 | |
-You're the cook. -Similar, yeah. | 0:10:30 | 0:10:33 | |
-So what's rumbledethumps in Scotland? -Bubble and squeak. | 0:10:33 | 0:10:37 | |
THEY LAUGH | 0:10:37 | 0:10:39 | |
It's potato and swede | 0:10:39 | 0:10:40 | |
and turnips. It's a neeps and tattie-type thing. | 0:10:40 | 0:10:44 | |
OK, so we think we might be on to something with rumblededumps, | 0:10:44 | 0:10:47 | |
as far as Phil's concerned. | 0:10:47 | 0:10:49 | |
We still get to have a look at the question behind Tamagotchi. | 0:10:49 | 0:10:51 | |
Yes, please. | 0:10:51 | 0:10:52 | |
-BOTH: -No, the Cabbage Patch dolls. | 0:10:59 | 0:11:01 | |
We used to have one, didn't we? | 0:11:01 | 0:11:02 | |
We used to have a Cabbage Patch | 0:11:02 | 0:11:04 | |
-doll. -I'm very happy for you both. | 0:11:04 | 0:11:06 | |
Still got the certificate of adoption. | 0:11:06 | 0:11:09 | |
It's probably worth a lot of money | 0:11:09 | 0:11:11 | |
-now. -So we're going to go | 0:11:11 | 0:11:12 | |
with rumblededumps. | 0:11:12 | 0:11:14 | |
Gentlemen, we are going to lock in bubble & squeak. | 0:11:14 | 0:11:18 | |
Is this going to be more progress | 0:11:18 | 0:11:20 | |
with the keypad or will this | 0:11:20 | 0:11:21 | |
be The Dreamboyos' | 0:11:21 | 0:11:23 | |
Last Tango In Powys? | 0:11:23 | 0:11:26 | |
We want it to go green. | 0:11:26 | 0:11:28 | |
-Love it. -Well done, Philip. -Love it, that's all Phil, that was. | 0:11:32 | 0:11:35 | |
-Brilliant work. -I'm not drunk all the time. | 0:11:35 | 0:11:38 | |
Well done, Phil. | 0:11:38 | 0:11:39 | |
You led the way with this one, bubble and squeak, the equivalent. | 0:11:39 | 0:11:43 | |
It's a dish involving, usually, | 0:11:43 | 0:11:45 | |
potatoes, cabbage and other leftovers. | 0:11:45 | 0:11:47 | |
There are equivalents in many different types of cuisine. | 0:11:47 | 0:11:50 | |
And in Morse code, the letter represented by a single dot. | 0:11:50 | 0:11:54 | |
Martin, you not only dismissed A as the wrong answer - | 0:11:54 | 0:11:57 | |
A is a dot and then a dash - | 0:11:57 | 0:11:59 | |
but you also knew that E was the | 0:11:59 | 0:12:01 | |
correct answer. And Matt, | 0:12:01 | 0:12:03 | |
you've got a really interesting musical fact about Morse code. | 0:12:03 | 0:12:06 | |
Well, this is almost my favourite fact. | 0:12:06 | 0:12:08 | |
It's that the theme tune to the | 0:12:08 | 0:12:10 | |
television programme, | 0:12:10 | 0:12:11 | |
Some Mothers Do Have 'Em, | 0:12:11 | 0:12:12 | |
is "some mothers do have them" in Morse code. | 0:12:12 | 0:12:14 | |
Great! | 0:12:14 | 0:12:15 | |
And in Babyland General Hospital, you knew this straightaway, | 0:12:16 | 0:12:19 | |
Phil, you've got your certificate of adoption at home. | 0:12:19 | 0:12:22 | |
They were never sold, they were always put up for adoption, | 0:12:22 | 0:12:25 | |
Cabbage Patch Kids. | 0:12:25 | 0:12:26 | |
Tamagotchi's came from eggs. | 0:12:26 | 0:12:28 | |
Thank you, Lesley. Yes, full marks to Phil there | 0:12:30 | 0:12:32 | |
and a special commendation to Flight Sergeant Oram | 0:12:32 | 0:12:35 | |
for the interesting information we had there. | 0:12:35 | 0:12:37 | |
What we are missing still, though, is any numbers in the code. | 0:12:37 | 0:12:41 | |
Two, five, zero, all gone. Which one are you going to choose next? | 0:12:41 | 0:12:45 | |
Well, the only one which is left from the hotel rooms is four. | 0:12:45 | 0:12:48 | |
We are going to go with four. | 0:12:48 | 0:12:50 | |
Right, number four, is it going to be there? | 0:12:50 | 0:12:53 | |
Is it there in the first box? | 0:12:53 | 0:12:54 | |
No. How about the second box? | 0:12:57 | 0:12:59 | |
-It's there. We've got one. -Oh, right, OK. | 0:13:01 | 0:13:05 | |
Number four, key to the door. | 0:13:05 | 0:13:07 | |
-Our strategy was good. -Well, yes. | 0:13:07 | 0:13:10 | |
Eventually, eventually, we got there. | 0:13:10 | 0:13:12 | |
Right, great stuff. We have got a number four in that middle box. | 0:13:12 | 0:13:16 | |
Four numbers down now, we're making good progress. | 0:13:16 | 0:13:19 | |
But because you've found your first number, | 0:13:19 | 0:13:22 | |
that means we are on to the next level, | 0:13:22 | 0:13:24 | |
where things do get a bit trickier. | 0:13:24 | 0:13:26 | |
As before, you're going to see all three answers, but now | 0:13:26 | 0:13:30 | |
you only get to see two questions at a time, | 0:13:30 | 0:13:33 | |
before you have to commit. | 0:13:33 | 0:13:35 | |
It's going to be a bit more testing. | 0:13:35 | 0:13:37 | |
Are you ready for your next three answers? | 0:13:37 | 0:13:41 | |
It does become important, the | 0:13:47 | 0:13:48 | |
order in which you pick these. | 0:13:48 | 0:13:50 | |
Evil Under The Sun is Hemingway. | 0:13:50 | 0:13:52 | |
OK, what's the other two, do you think? | 0:13:52 | 0:13:54 | |
Madison Square Garden? | 0:13:54 | 0:13:56 | |
What about new bridge? | 0:13:56 | 0:13:58 | |
Look at the way it's done, it's | 0:13:58 | 0:14:00 | |
new bridge. It's not the place name. | 0:14:00 | 0:14:02 | |
No, it's not a name. | 0:14:02 | 0:14:03 | |
It's not a name. | 0:14:03 | 0:14:05 | |
Looks like it could be a bridge. | 0:14:05 | 0:14:08 | |
Something to do with a bridge. | 0:14:08 | 0:14:10 | |
What do you want to look at, then? | 0:14:10 | 0:14:12 | |
Evil Under The Sun, so Hemingway? | 0:14:12 | 0:14:14 | |
Philip's good at literature, | 0:14:14 | 0:14:16 | |
-so shall we go with that? -Yeah. | 0:14:16 | 0:14:17 | |
OK, we'll try Evil Under The Sun, please, Matt. | 0:14:17 | 0:14:20 | |
There's an Agatha Christie novel called Evil Under The Sun? | 0:14:25 | 0:14:29 | |
-Is it, or...? -Is it? | 0:14:29 | 0:14:31 | |
Or is it similar sounding? | 0:14:31 | 0:14:34 | |
-Try another one? -Hm. | 0:14:34 | 0:14:35 | |
Not sure about that at all. | 0:14:35 | 0:14:37 | |
We can still have a look at one | 0:14:37 | 0:14:38 | |
of the others before you have to | 0:14:38 | 0:14:39 | |
dismiss one as incorrect. | 0:14:39 | 0:14:42 | |
OK, we'll go with Madison, then, please. | 0:14:42 | 0:14:44 | |
-I think it is the Madison. -It is the Madison. | 0:14:51 | 0:14:53 | |
Cycling discipline involves riding along behind a motorised | 0:14:53 | 0:14:56 | |
-vehicle... -I think it is called | 0:14:56 | 0:14:57 | |
-the Madison. -It is. | 0:14:57 | 0:14:58 | |
We feel like we might have found | 0:14:58 | 0:15:00 | |
the correct answer. | 0:15:00 | 0:15:01 | |
I think we've got the correct | 0:15:01 | 0:15:02 | |
-answer. -OK. | 0:15:02 | 0:15:03 | |
We are rejecting Evil Under The Sun. | 0:15:03 | 0:15:05 | |
OK, let's get rid of | 0:15:05 | 0:15:07 | |
Evil Under The Sun as an incorrect answer. | 0:15:07 | 0:15:10 | |
If it is incorrect, we get to look | 0:15:10 | 0:15:12 | |
at the question behind new bridge | 0:15:12 | 0:15:14 | |
and we get to carry on playing. | 0:15:14 | 0:15:16 | |
Good stuff. Good stuff. | 0:15:19 | 0:15:20 | |
Well done, Phil. | 0:15:20 | 0:15:22 | |
A great start to this set of questions. | 0:15:22 | 0:15:25 | |
Yes, the correct answer, not Evil Under The Sun which was | 0:15:25 | 0:15:28 | |
set in a secluded Devon hotel, but And Then There Were None. | 0:15:28 | 0:15:32 | |
There was a version shown at Christmas, 2015, by the BBC. | 0:15:33 | 0:15:38 | |
-I remember it, yeah. -We can lose that | 0:15:38 | 0:15:39 | |
as an incorrect answer. We can open up | 0:15:39 | 0:15:42 | |
the question behind new bridge. | 0:15:42 | 0:15:44 | |
What is the bridge, then, across the | 0:15:51 | 0:15:52 | |
-Seine? -Is the Pont Neuf in Paris? | 0:15:52 | 0:15:54 | |
-I'm not sure. -You were fairly | 0:15:54 | 0:15:56 | |
certain about Madison to start with. | 0:15:56 | 0:15:58 | |
-Has that changed now? -Pont Neuf is new. | 0:15:58 | 0:16:01 | |
It means new bridge, doesn't it? | 0:16:01 | 0:16:03 | |
-Is the Madison...? -I'm not sure if the Madison... | 0:16:05 | 0:16:07 | |
There is one with motorised bicycles, but I'm not sure | 0:16:07 | 0:16:09 | |
if it's called the Madison now. | 0:16:09 | 0:16:11 | |
I should know this. | 0:16:11 | 0:16:12 | |
The oldest surviving bridge to cross the Seine in Paris has a name | 0:16:14 | 0:16:17 | |
that means what? New bridge? | 0:16:17 | 0:16:20 | |
Pont Neuf does mean new bridge, doesn't it? | 0:16:20 | 0:16:23 | |
Is that the oldest surviving bridge? Is that the oldest? | 0:16:23 | 0:16:27 | |
We're caught, aren't we? We're stuck between these two here. | 0:16:27 | 0:16:31 | |
-We are caught, very much. -What we need is a Chris Hoy | 0:16:31 | 0:16:33 | |
-on our team at the moment. -There's another one called the Omni. | 0:16:33 | 0:16:37 | |
I think it's the Pont Neuf. | 0:16:38 | 0:16:40 | |
-I've got a feeling it's Paris. -Yeah. | 0:16:42 | 0:16:44 | |
I think... We're feeling it might be Paris. | 0:16:45 | 0:16:49 | |
-You think it's the cycling? -Well, no, I mean... | 0:16:52 | 0:16:55 | |
-You're not sure it's the cycling? -I'm not sure 100%, no. | 0:16:55 | 0:16:57 | |
We know that it's a discipline but... | 0:16:57 | 0:16:59 | |
But I'm also not sure it's the Paris one either. | 0:16:59 | 0:17:02 | |
-This is a rock and a hard place at the minute. -It is. | 0:17:02 | 0:17:06 | |
-But we've got to decide something. -Pont Neuf, I want. | 0:17:06 | 0:17:10 | |
I can go for the bridge. | 0:17:10 | 0:17:11 | |
I think it could be something different, the bike. | 0:17:11 | 0:17:14 | |
-Two to one, we are saying what? -Are we going to go for Paris in the end? | 0:17:14 | 0:17:18 | |
-New bridge, yes. -We're going to go for the new bridge. | 0:17:18 | 0:17:20 | |
You are going to lock in | 0:17:20 | 0:17:22 | |
new bridge as the correct answer. | 0:17:22 | 0:17:24 | |
Whatever happens here, can I just | 0:17:24 | 0:17:27 | |
make sure, you guys... | 0:17:27 | 0:17:28 | |
40 years' friendship doesn't end here, does it? | 0:17:28 | 0:17:31 | |
No. We'll be all right. | 0:17:31 | 0:17:32 | |
Good, good. We're solid. That's all that matters, then. | 0:17:32 | 0:17:36 | |
We desperately want new bridge to be the correct answer. | 0:17:36 | 0:17:40 | |
We want it to go green. Is new bridge the correct answer? | 0:17:40 | 0:17:46 | |
-Yes! -Yes! | 0:17:48 | 0:17:49 | |
THEY LAUGH | 0:17:49 | 0:17:53 | |
Sometimes it's lovely to be overruled, isn't it? | 0:17:53 | 0:17:56 | |
THEY LAUGH | 0:17:56 | 0:17:58 | |
Are you all right there? | 0:17:58 | 0:17:59 | |
You were going through it. You were going through it there, Martin. | 0:17:59 | 0:18:02 | |
-Jeepers creepers. -Well done, Dreamboyos. ALL: -Thank you. | 0:18:02 | 0:18:06 | |
-Lesley. -We're keeping the dream alive. | 0:18:06 | 0:18:10 | |
Yes, I really thought for a moment you were going to | 0:18:10 | 0:18:12 | |
go in the wrong direction there. | 0:18:12 | 0:18:14 | |
Rob, you remembered that Pont Neuf means new bridge in French, | 0:18:14 | 0:18:18 | |
and the oldest surviving bridge, it is, to cross the Seine. | 0:18:18 | 0:18:21 | |
Although when it was first opened in the early 1600s under Henry Navarre, | 0:18:21 | 0:18:24 | |
Henry IV, it was named Pont Neuf to | 0:18:24 | 0:18:26 | |
separate it from two older bridges that crossed that river. | 0:18:26 | 0:18:30 | |
The cycling discipline which involves | 0:18:30 | 0:18:32 | |
riding along behind a motorised vehicle for several laps, | 0:18:32 | 0:18:35 | |
not the Madison, which is a two-person tag team race, | 0:18:35 | 0:18:38 | |
-absolute chaos, but the Keirin. -The Keirin, yes! | 0:18:38 | 0:18:42 | |
-That's the Kierin. -There we saw how a proper | 0:18:42 | 0:18:45 | |
friendship works. Being tough and honest | 0:18:45 | 0:18:47 | |
with each other if you think you've not got it right. | 0:18:47 | 0:18:51 | |
That was lovely to watch, gents. | 0:18:51 | 0:18:53 | |
Now, four numbers on the keypad have gone. | 0:18:53 | 0:18:56 | |
You've got one up there on your code. | 0:18:56 | 0:18:58 | |
Six still to choose from. Where are we going to go next? | 0:18:58 | 0:19:01 | |
So this is the hotel room... | 0:19:01 | 0:19:02 | |
It only had three digits, so that's the end of that. | 0:19:02 | 0:19:05 | |
That's the end of that strategy. | 0:19:05 | 0:19:06 | |
Well, statistically, eight should be one, shouldn't it? In that line, | 0:19:06 | 0:19:10 | |
if we do it by lines, there's a possibility that, | 0:19:10 | 0:19:14 | |
randomised, you're going to get one in each column. | 0:19:14 | 0:19:17 | |
OK, sounds good to me. What do you think, Matt, do you like it? | 0:19:17 | 0:19:20 | |
They're random numbers, they're unique numbers, that's all I know. | 0:19:20 | 0:19:23 | |
But, Phil, if you think you've got a strategy... | 0:19:23 | 0:19:25 | |
-We're going to go with the eight. -Number eight? OK. Let's find out. | 0:19:25 | 0:19:29 | |
Is it in the first box? | 0:19:29 | 0:19:31 | |
No messing. Phil, it worked. | 0:19:33 | 0:19:37 | |
-Good strategy. -Good strategy. | 0:19:38 | 0:19:41 | |
This is getting a bit intense now, isn't it? | 0:19:41 | 0:19:43 | |
We're getting close to £6,000, but we've still got five numbers | 0:19:43 | 0:19:48 | |
up there to try and fit into that slot. | 0:19:48 | 0:19:50 | |
We are at the most difficult level of the game. | 0:19:50 | 0:19:54 | |
One number left to find, but now you get to open just one | 0:19:54 | 0:19:59 | |
question at a time before you have to commit. | 0:19:59 | 0:20:03 | |
As always, three answers, only one of them is correct. | 0:20:03 | 0:20:07 | |
Dreamboyos, are you ready for your next three answers? | 0:20:07 | 0:20:13 | |
Bring it on. | 0:20:13 | 0:20:14 | |
-Parlez-vous francais? -Of course, at this stage... -No. | 0:20:18 | 0:20:21 | |
..this is crucial, | 0:20:21 | 0:20:23 | |
which one you're going to choose first. | 0:20:23 | 0:20:25 | |
-Shall we do...? -No. -What do you want to run with? | 0:20:25 | 0:20:28 | |
-I don't do French. -No, we'll leave that one till last. | 0:20:29 | 0:20:33 | |
-Shall we run with five? -We go five or orange. | 0:20:33 | 0:20:36 | |
-Five... Better go orange. -Orange, was it, | 0:20:36 | 0:20:38 | |
you said? | 0:20:38 | 0:20:39 | |
Either way, because it's one of our five-a-day anyway, isn't it? | 0:20:39 | 0:20:42 | |
-THEY LAUGH -Go with orange. | 0:20:42 | 0:20:45 | |
That's lovely logic. Are we're going to go for orange? | 0:20:45 | 0:20:47 | |
-Yeah, go for orange, yeah. -OK. | 0:20:47 | 0:20:49 | |
-It's not orange, is it? -No. | 0:20:54 | 0:20:56 | |
It's definitely not orange. | 0:20:56 | 0:20:58 | |
-It's red, isn't it? -Yeah. -It's red, isn't it? | 0:20:58 | 0:21:02 | |
We will reject that. | 0:21:02 | 0:21:04 | |
We're going to reject | 0:21:04 | 0:21:05 | |
orange as an incorrect answer. | 0:21:05 | 0:21:08 | |
OK. This is getting tense now. | 0:21:08 | 0:21:11 | |
It's got to go red. | 0:21:11 | 0:21:12 | |
If it goes green, then that is the end. | 0:21:12 | 0:21:15 | |
Is orange an incorrect answer? | 0:21:15 | 0:21:18 | |
-Great stuff. -OK. -Great stuff. | 0:21:25 | 0:21:27 | |
Well done for dismissing orange there. | 0:21:27 | 0:21:29 | |
Yes, the G is blue. In fact, both Gs are blue. | 0:21:29 | 0:21:33 | |
One of the Os is slightly orange. | 0:21:33 | 0:21:35 | |
It used to be yellow, but it shifted to a more orangey yellow | 0:21:35 | 0:21:38 | |
-in recent times. -Right. | 0:21:38 | 0:21:40 | |
Let's get rid of that as an incorrect answer. | 0:21:40 | 0:21:42 | |
Two left. One of them, therefore, | 0:21:42 | 0:21:44 | |
must be correct. You've narrowed the odds. 50-50. | 0:21:44 | 0:21:48 | |
Which one are we going to look at next? | 0:21:48 | 0:21:49 | |
-We'll go with five. -OK. -Five now. | 0:21:49 | 0:21:52 | |
-It's either four or five. -It's not four. | 0:21:58 | 0:22:01 | |
-Are you sure? -Pretty sure it's not four. | 0:22:01 | 0:22:05 | |
I'm pretty sure. It could be more than five. | 0:22:05 | 0:22:08 | |
No, I don't think it's more than five. | 0:22:08 | 0:22:10 | |
Could be six, actually. | 0:22:10 | 0:22:12 | |
I don't think that's the right answer. | 0:22:12 | 0:22:14 | |
-Just... -You think it's wrong anyway? | 0:22:17 | 0:22:20 | |
You think there's more and I think there's less. | 0:22:20 | 0:22:22 | |
So... You think it is five, do you? | 0:22:22 | 0:22:25 | |
I think it could be six, actually. | 0:22:25 | 0:22:27 | |
Picturing it in my mind. | 0:22:28 | 0:22:30 | |
It's either five or six, it's going to be. | 0:22:30 | 0:22:33 | |
This makes the decision for us, obviously. | 0:22:33 | 0:22:35 | |
If this is wrong, French must | 0:22:35 | 0:22:36 | |
be right, if this is right, French must be wrong. | 0:22:36 | 0:22:39 | |
-So what are we going to do? -Reject it. | 0:22:39 | 0:22:41 | |
-We'll reject it. -We'll reject it, Matt. | 0:22:41 | 0:22:42 | |
We're going to reject five as an incorrect answer. | 0:22:42 | 0:22:46 | |
Although, let's face it, I don't think we're terribly sure. | 0:22:46 | 0:22:49 | |
-ALL: -No. -One way or the other. -This could go any way. | 0:22:49 | 0:22:52 | |
It's a bit of a flyer. | 0:22:52 | 0:22:53 | |
-Now, that's locked in. We can't change that. -Yeah, OK. | 0:22:53 | 0:22:56 | |
It does mean we can have a look at the question behind French. | 0:22:56 | 0:22:59 | |
We want this to look like a correct answer. | 0:22:59 | 0:23:02 | |
-Not French. -Not French, is it? -It's not French. | 0:23:07 | 0:23:09 | |
-Definitely not French. -I think it's... -German? | 0:23:09 | 0:23:12 | |
No, I think it's English, cos it was an ex-British Commonwealth country. | 0:23:12 | 0:23:15 | |
-It's not French. -So I think we've got it wrong. -Argh! | 0:23:15 | 0:23:18 | |
OK. We can find out now. | 0:23:18 | 0:23:19 | |
We want five to go red. | 0:23:19 | 0:23:22 | |
-We knew it. We knew. -Absolutely gutted. | 0:23:26 | 0:23:28 | |
If we'd have gone for the French, we'd have been all right, | 0:23:28 | 0:23:31 | |
cos I'd have rejected that straightaway. | 0:23:31 | 0:23:33 | |
I'm so sorry. Four and six. | 0:23:33 | 0:23:35 | |
If you'd split the difference, you would've been there, | 0:23:35 | 0:23:37 | |
but, you know, it was a brave shout, you had to make a decision. Lesley. | 0:23:37 | 0:23:42 | |
I'm really sorry. This is where the game really starts to crunch. | 0:23:42 | 0:23:46 | |
Yes, the rows of benches, there are five. | 0:23:46 | 0:23:48 | |
650 MPs having to squeeze their bottoms onto those seats, | 0:23:48 | 0:23:53 | |
which is why in Prime Minister's Questions | 0:23:53 | 0:23:55 | |
so many have to stand. | 0:23:55 | 0:23:56 | |
And the official national language of Zambia. | 0:23:56 | 0:23:59 | |
Rob, if you'd seen this question to start with, | 0:23:59 | 0:24:01 | |
you would've known cos you remember the history of Zambia | 0:24:01 | 0:24:04 | |
and would've known that it was English, | 0:24:04 | 0:24:05 | |
exactly as you said, which is the official language. | 0:24:05 | 0:24:09 | |
It doesn't help us, I'm afraid, knowing. We know those things now. | 0:24:09 | 0:24:12 | |
It was just a matter of which... | 0:24:12 | 0:24:14 | |
-Order they came out in, yeah. -..order they came out. | 0:24:14 | 0:24:17 | |
And it often is, you know? But you're not to know that. | 0:24:17 | 0:24:19 | |
Those questions are wide open. | 0:24:19 | 0:24:21 | |
OK, you had one number remaining | 0:24:21 | 0:24:23 | |
before you'd get the chance to open the safe. | 0:24:23 | 0:24:25 | |
Phil, you were in charge of the numbers. | 0:24:25 | 0:24:28 | |
Which one would you have chosen next? | 0:24:28 | 0:24:30 | |
-Six. -OK. Let's have a look. | 0:24:30 | 0:24:32 | |
Was your final number six? | 0:24:32 | 0:24:36 | |
Oh. | 0:24:36 | 0:24:38 | |
THEY CHUCKLE | 0:24:38 | 0:24:41 | |
I've got to laugh. I'm so sorry, but that is an absolute sickener. | 0:24:41 | 0:24:45 | |
It was a 50-50, the right number, | 0:24:45 | 0:24:48 | |
the safe would've sprung open and...do you know what? | 0:24:48 | 0:24:52 | |
You can certainly go back to Pencoed and Llanharan | 0:24:52 | 0:24:55 | |
with your heads held SO high because you've done a brilliant job. | 0:24:55 | 0:24:59 | |
And such fun to have in the studio with us. You've worked so hard. | 0:24:59 | 0:25:01 | |
-Really nice people. Thanks, Matt. -Thank you for having us. | 0:25:01 | 0:25:04 | |
Sadly on this occasion, Martin, Rob, Phil, The Dreamboyos. | 0:25:04 | 0:25:08 | |
-It's time to go. -Turned into a nightmare. -Hardly. | 0:25:08 | 0:25:12 | |
The dream has come to an end, though. | 0:25:12 | 0:25:14 | |
You've failed to break the code. We have to wish you goodbye... | 0:25:14 | 0:25:17 | |
-Thanks, Matt. -..but with our best wishes. | 0:25:17 | 0:25:19 | |
-Thank you very much. -Absolute pleasure to meet you. | 0:25:19 | 0:25:22 | |
-Cheers. -Thank you. -Thank you, mate. | 0:25:22 | 0:25:24 | |
HE SIGHS I was so wishing | 0:25:28 | 0:25:30 | |
that didn't go that way. | 0:25:30 | 0:25:32 | |
But it did. | 0:25:32 | 0:25:34 | |
Back to the Valleys. Tonight, not a happy valley, I don't think. | 0:25:34 | 0:25:39 | |
But The Dreamboyos' loss is our next contestants' gain | 0:25:39 | 0:25:43 | |
because the jackpot now goes up by £500. | 0:25:43 | 0:25:47 | |
So let's meet the next team hoping to crack the code. | 0:25:47 | 0:25:51 | |
-Hello, hello. Ann, how are you? -Hello. Very well, thank you. | 0:25:55 | 0:25:58 | |
-Nice to meet you. And Chris. -Hello, Matt. -Good to see you. | 0:25:58 | 0:26:00 | |
-Now, you're both from Boston, in Lincolnshire. BOTH: -We are. | 0:26:00 | 0:26:04 | |
And how do you know each other? How did you meet? | 0:26:04 | 0:26:06 | |
Basically, we've known each other years. | 0:26:06 | 0:26:08 | |
20 years ago we formed a - with other people - | 0:26:08 | 0:26:12 | |
a competition club. | 0:26:12 | 0:26:13 | |
So we meet regularly on that, and I know Chris. | 0:26:13 | 0:26:17 | |
Local gym, we meet there regularly. | 0:26:17 | 0:26:20 | |
-Pump iron? -Oh, yes, we do. -Oh, well...yes. | 0:26:20 | 0:26:22 | |
I don't literally pump iron, but, yes. | 0:26:22 | 0:26:25 | |
-So we've known each other many years. -OK. | 0:26:25 | 0:26:27 | |
And what's your background? | 0:26:27 | 0:26:29 | |
What have you done with yourself over the years? | 0:26:29 | 0:26:31 | |
I've worked in insurance, estate agent, | 0:26:31 | 0:26:34 | |
I've done a part-time hypnotherapy, working for myself, | 0:26:34 | 0:26:38 | |
-and for the last ten years, I've been retired. -Right. | 0:26:38 | 0:26:41 | |
-So a lot of knowledge to bring to us today. -Ooh, well, I hope so. | 0:26:41 | 0:26:45 | |
-How about you, Chris? -Well, after I left college, | 0:26:45 | 0:26:48 | |
I was...I'm a teacher. I was a teacher. | 0:26:48 | 0:26:50 | |
I married a Sri Lankan and went to live in Sri Lanka. | 0:26:50 | 0:26:53 | |
And after we came back, I taught in all kinds of schools | 0:26:53 | 0:26:56 | |
from diplomatic to special needs schools. | 0:26:56 | 0:27:00 | |
And I retired about 15 years ago, | 0:27:00 | 0:27:02 | |
and I just don't know how I found time to go to work. | 0:27:02 | 0:27:05 | |
-True. -You've been busier since you've stopped teaching. | 0:27:05 | 0:27:07 | |
-Very busy, yes. -Fantastic. | 0:27:07 | 0:27:09 | |
It's lovely to have you with us on the show all the way from Boston. | 0:27:09 | 0:27:12 | |
-BOTH: -Yes. -One of my favourite places. | 0:27:12 | 0:27:15 | |
-And Martin, Rob and Phil who went before you... -Right. | 0:27:15 | 0:27:20 | |
Oh, they were so good, they were great guys. | 0:27:20 | 0:27:22 | |
-But unfortunately... -Oh. -..at literally the last hurdle, | 0:27:22 | 0:27:27 | |
they failed to complete the code, which is terrible news for them, | 0:27:27 | 0:27:31 | |
but it is good news for you | 0:27:31 | 0:27:32 | |
because another £500 goes into the safe. | 0:27:32 | 0:27:36 | |
And that means that the jackpot now stands at £6,500. | 0:27:36 | 0:27:43 | |
-Right. -That'll do us. | 0:27:43 | 0:27:44 | |
The first thing we have to do is reset the code. | 0:27:44 | 0:27:47 | |
There we go. Three blanks. | 0:27:50 | 0:27:52 | |
We want to turn those into three unique numbers. | 0:27:52 | 0:27:55 | |
-So, Ann, Chris, are you ready? BOTH: -Yes. | 0:27:55 | 0:27:59 | |
Let's look at your first three answers. | 0:27:59 | 0:28:01 | |
Remember, only one of those | 0:28:07 | 0:28:09 | |
can be correct. | 0:28:09 | 0:28:10 | |
-That's the one that you're trying to find. -Right. | 0:28:10 | 0:28:12 | |
At this point, you can open all three answers to reveal | 0:28:12 | 0:28:15 | |
the questions. Where would you like to start? | 0:28:15 | 0:28:18 | |
We'll start at the top, shall we? | 0:28:18 | 0:28:19 | |
-We'll start at the top and move down. -Sounds a good plan. | 0:28:19 | 0:28:22 | |
What African country has a coast | 0:28:24 | 0:28:25 | |
on both the Atlantic and the Indian Ocean? | 0:28:25 | 0:28:29 | |
The Indian Ocean is on the east, Algeria is on the west of Africa. | 0:28:29 | 0:28:34 | |
-So I think it... -Just Atlantic, then, isn't it? -Yes. -Yes. | 0:28:34 | 0:28:37 | |
-Won't be Algeria. -Only Atlantic. -Don't think so. -OK. | 0:28:37 | 0:28:40 | |
Let's move on. Let's have a look | 0:28:40 | 0:28:41 | |
at one of the other answers. | 0:28:41 | 0:28:43 | |
Let's have a look at Edna. | 0:28:43 | 0:28:45 | |
-Can we see... -Hope it's Edna Everage. | 0:28:45 | 0:28:47 | |
-..the question behind Edna, please? -Yes. | 0:28:47 | 0:28:50 | |
Oh. | 0:28:52 | 0:28:53 | |
Now, I think | 0:28:53 | 0:28:55 | |
that possibly could be right. | 0:28:55 | 0:28:57 | |
My daughter lives in Grantham, so I've | 0:28:57 | 0:28:59 | |
-heard a lot about Margaret Thatcher over the years. -Oh, have you? | 0:28:59 | 0:29:02 | |
-No. We'll have a look at spaghetti. -Yes. -Yes. -OK. | 0:29:02 | 0:29:05 | |
-Now, that is true. -They did... | 0:29:14 | 0:29:15 | |
-Because Richard Dimbleby, on Panorama... -Yes. | 0:29:15 | 0:29:19 | |
..did present a programme, | 0:29:19 | 0:29:21 | |
and it showed you spaghetti hanging down from trees. | 0:29:21 | 0:29:23 | |
-And it was an April fool, and I think we believed it. -It was. | 0:29:23 | 0:29:27 | |
-And... -But Margaret Thatcher... | 0:29:27 | 0:29:30 | |
Margaret Thatcher's middle name was Hilda. | 0:29:30 | 0:29:32 | |
-Oh. -I'm sure it was. Margaret Hilda Thatcher. | 0:29:32 | 0:29:34 | |
-I'm sure about the Panorama one. -Yeah. -OK. | 0:29:34 | 0:29:37 | |
-Are we coming to a decision? -Yes. -We are. | 0:29:37 | 0:29:39 | |
Which one would you like to lock in as the correct answer? | 0:29:39 | 0:29:42 | |
-We'd like to lock... -Spaghetti. | 0:29:42 | 0:29:43 | |
No. No. | 0:29:43 | 0:29:45 | |
It's not correct. Margaret... | 0:29:45 | 0:29:47 | |
Oh, sorry, sorry. Beg your pardon. | 0:29:47 | 0:29:50 | |
-Oh, dear. -Are we clear? | 0:29:50 | 0:29:51 | |
-Yes. -Spaghetti. | 0:29:51 | 0:29:53 | |
We're going to lock in spaghetti as our correct answer | 0:29:53 | 0:29:56 | |
after a tiny wobble at the end there. | 0:29:56 | 0:29:59 | |
Is spaghetti | 0:30:00 | 0:30:02 | |
the correct answer? | 0:30:02 | 0:30:04 | |
-It is. -Yes! | 0:30:07 | 0:30:08 | |
Well done. We are off the blocks. | 0:30:08 | 0:30:10 | |
Yes, Ann and Chris, you remembered the Panorama programme | 0:30:10 | 0:30:14 | |
presented, exactly as you said, by Richard Dimbleby, Ann, | 0:30:14 | 0:30:17 | |
in which spaghetti bushes were harvested to produce spaghetti. | 0:30:17 | 0:30:21 | |
So many people believed it that there were calls to the BBC | 0:30:21 | 0:30:24 | |
asking where people could buy spaghetti bushes | 0:30:24 | 0:30:26 | |
to grow in their own gardens. | 0:30:26 | 0:30:28 | |
And the African country which has a coast | 0:30:28 | 0:30:30 | |
on both the Atlantic and the Indian Ocean. | 0:30:30 | 0:30:32 | |
You immediately dismissed this. | 0:30:32 | 0:30:34 | |
Algeria, coast on the Mediterranean. | 0:30:34 | 0:30:36 | |
The correct answer is South Africa. | 0:30:36 | 0:30:38 | |
And Margaret Thatcher's middle name. | 0:30:38 | 0:30:40 | |
-You had an epiphany, Chris, about this one. -Yes. | 0:30:40 | 0:30:42 | |
Not Edna, but Hilda. | 0:30:42 | 0:30:44 | |
Born Margaret Hilda Roberts in Grantham in Lincolnshire. | 0:30:44 | 0:30:48 | |
Yes, thank you, Lesley. | 0:30:48 | 0:30:49 | |
That was a good question for you guys, geographically, | 0:30:49 | 0:30:51 | |
-being from Boston, Grantham just down the road. -Yes. | 0:30:51 | 0:30:54 | |
It means that you get the chance to put one digit into the code | 0:30:54 | 0:30:58 | |
to see if it sticks. | 0:30:58 | 0:30:59 | |
They're all there at the moment, between zero and nine. | 0:30:59 | 0:31:02 | |
-Which one would you like to start with? -Three. | 0:31:02 | 0:31:05 | |
-They call it the magic number. -They do. | 0:31:05 | 0:31:07 | |
Is it going to be magic for you? Is it there in the first box? | 0:31:07 | 0:31:09 | |
No number three. How about the second box? | 0:31:11 | 0:31:13 | |
No number three there. | 0:31:15 | 0:31:17 | |
Is there a number three in the final box? | 0:31:17 | 0:31:19 | |
-No number three. -No. -Not magic for us today. | 0:31:21 | 0:31:23 | |
Not magic, but it does do a job of work. | 0:31:23 | 0:31:26 | |
-It eliminates it. -You've eliminated it. | 0:31:26 | 0:31:28 | |
You can carry on playing the game at the stage | 0:31:28 | 0:31:30 | |
where you can see all three questions at the same time. | 0:31:30 | 0:31:33 | |
-Shall we have a look at your next three answers? -Yes. | 0:31:33 | 0:31:36 | |
-Shall we go from the top again? -Yes. | 0:31:41 | 0:31:43 | |
Oh, gosh, I'm not a...Doctor Who... | 0:31:49 | 0:31:52 | |
I'm not a Doctor Who... Haven't watched it much. | 0:31:52 | 0:31:54 | |
-Shall we open one of the others? -Yes, please. | 0:31:54 | 0:31:56 | |
-Can we have a look at bingo? -Yeah. | 0:31:56 | 0:31:58 | |
No, it's not Bingo, is it? | 0:32:03 | 0:32:04 | |
I've read them all, and it's so long ago I can't remember. | 0:32:04 | 0:32:07 | |
It's not Bingo. No, it's not Bingo. | 0:32:07 | 0:32:10 | |
You're certain it's not Bingo. | 0:32:10 | 0:32:11 | |
Trying to think of its name, but... | 0:32:11 | 0:32:13 | |
Let's look at the other question. | 0:32:13 | 0:32:15 | |
OK. Let's have a look at the question behind eureka. | 0:32:15 | 0:32:17 | |
It wasn't eureka. | 0:32:27 | 0:32:28 | |
-I thought eureka was... -That was Archimedes. | 0:32:28 | 0:32:30 | |
-..Archimedes. -When he was sat in the bath. | 0:32:30 | 0:32:33 | |
I think it was. | 0:32:33 | 0:32:34 | |
Of the three, possibly the top one is... | 0:32:34 | 0:32:37 | |
I think it's going to be the top because I'm sure bingo is not... | 0:32:37 | 0:32:40 | |
-Doesn't sound... -So it's the process | 0:32:40 | 0:32:43 | |
-of elimination, is it? -It is, really. | 0:32:43 | 0:32:44 | |
You're not certain about Geronimo. | 0:32:44 | 0:32:46 | |
No, we're not certain. But... | 0:32:46 | 0:32:49 | |
I'm almost certain about eureka and Ann is fairly certain about bingo. | 0:32:49 | 0:32:54 | |
I'm certain about...I'm certain about eureka. | 0:32:54 | 0:32:56 | |
So I think we have to go for Geronimo. | 0:32:56 | 0:32:58 | |
We're going to lock in Geronimo as | 0:32:58 | 0:33:01 | |
the correct answer. | 0:33:01 | 0:33:02 | |
We want Geronimo to be the word | 0:33:02 | 0:33:04 | |
linking an American Apache | 0:33:04 | 0:33:06 | |
leader and Matt Smith's Doctor Who. | 0:33:06 | 0:33:08 | |
-Yes! -It's there. Well done, Ann. | 0:33:12 | 0:33:14 | |
Yes, well done. | 0:33:14 | 0:33:15 | |
A classic case here of deciding on the correct answer | 0:33:15 | 0:33:18 | |
because you had information about the wrong ones. | 0:33:18 | 0:33:21 | |
The word which links the Native American Apache leader | 0:33:21 | 0:33:24 | |
who died in 1909 and Matt Smith's Doctor Who is Geronimo. | 0:33:24 | 0:33:28 | |
According to Steven Moffat, the show runner, | 0:33:28 | 0:33:30 | |
Matt Smith just liked the word and kept saying it during filming. | 0:33:30 | 0:33:33 | |
And in Enid Blyton's Famous Five, the name of the dog. | 0:33:33 | 0:33:36 | |
Ann, you remembered having read Enid Blyton books, | 0:33:36 | 0:33:39 | |
and this one didn't ring true for you. | 0:33:39 | 0:33:41 | |
-No. -The correct answer is Timmy. -Of course. | 0:33:41 | 0:33:43 | |
There's also a Scamper in The Secret Seven. | 0:33:43 | 0:33:46 | |
And meaning the die is cast. | 0:33:46 | 0:33:48 | |
You decided immediately, both of you very confident | 0:33:48 | 0:33:50 | |
that eureka was to do with Archimedes. | 0:33:50 | 0:33:52 | |
The correct answer is alea iacta est. | 0:33:52 | 0:33:55 | |
-Oh, yes. -Oh. -Yeah. | 0:33:55 | 0:33:57 | |
Alea iacta est. I'd never heard that before | 0:33:57 | 0:34:00 | |
and certainly never tried to pronounce it. | 0:34:00 | 0:34:02 | |
The right choice, Chris and Ann, | 0:34:02 | 0:34:04 | |
means that you get to choose another number from the keypad. | 0:34:04 | 0:34:08 | |
-Which one would you like next? -I will try number eight, please. | 0:34:08 | 0:34:12 | |
With Ann, she wants number eight. | 0:34:12 | 0:34:14 | |
Is it there in the code? Is it in the first box? | 0:34:14 | 0:34:17 | |
No. Is it in the second box? | 0:34:18 | 0:34:20 | |
-It is. -Oh, good. -We've got one. -Got one. -Brilliant. | 0:34:22 | 0:34:26 | |
The first number in the code, slap bang in the middle, is number eight. | 0:34:26 | 0:34:32 | |
Well done, Ann. | 0:34:32 | 0:34:33 | |
Good choice. You've found your first number. | 0:34:33 | 0:34:35 | |
You're onto the next level of the game, though, | 0:34:35 | 0:34:39 | |
-and it does get a little bit harder. -Yes. | 0:34:39 | 0:34:41 | |
As before, you see all three answers, | 0:34:41 | 0:34:43 | |
but this time you can only see the questions | 0:34:43 | 0:34:46 | |
behind two of them before you have to make a choice. | 0:34:46 | 0:34:49 | |
-Right. -You have to commit. | 0:34:49 | 0:34:50 | |
-Shall we have a look at your next three answers? -Yes. | 0:34:50 | 0:34:53 | |
-Well... -E17, I think, is Leyton or | 0:34:58 | 0:35:01 | |
Leytonstone where I used to live... | 0:35:01 | 0:35:03 | |
-Postcode, are you talking about? -Postcode. -Yes. -There's also, | 0:35:03 | 0:35:07 | |
-I think, a pop group, is there? East 17. -East 17. | 0:35:07 | 0:35:11 | |
Now, at this stage, it does become | 0:35:11 | 0:35:12 | |
more important which one you choose | 0:35:12 | 0:35:14 | |
-first as you go through. -Right. | 0:35:14 | 0:35:16 | |
So where would you like to start? | 0:35:16 | 0:35:18 | |
I know nothing about an E17. So if you've got... | 0:35:18 | 0:35:21 | |
EDDY, we know quite a bit about, we think. | 0:35:21 | 0:35:24 | |
-We think we know a bit... -We'll E17, please. | 0:35:24 | 0:35:27 | |
Let's have a look at the question behind E17. | 0:35:27 | 0:35:29 | |
Now, I'm not sure that Stratford is E17. | 0:35:36 | 0:35:40 | |
I'm not sure about that. | 0:35:40 | 0:35:41 | |
We can open one other one | 0:35:42 | 0:35:44 | |
before we have to make a decision | 0:35:44 | 0:35:45 | |
and reject one. | 0:35:45 | 0:35:46 | |
-Well, I would go with EDDY. -Right. | 0:35:46 | 0:35:49 | |
-Because I don't know much about ET. -No, no. -OK. | 0:35:49 | 0:35:51 | |
Let's open the question behind EDDY. | 0:35:51 | 0:35:53 | |
Edward David maybe. | 0:36:02 | 0:36:03 | |
-No. He wouldn't...he wouldn't be a Yorick or a... -No. -Would he? | 0:36:03 | 0:36:07 | |
-"Alas, poor Yorick..." No. -No. | 0:36:07 | 0:36:10 | |
We have to reject one of those | 0:36:10 | 0:36:11 | |
before we can see the question behind ET. | 0:36:11 | 0:36:14 | |
Well, unlike you, I would reject EDDY. | 0:36:14 | 0:36:17 | |
-Reject EDDY. -Yes, we'll reject EDDY, please. -OK. | 0:36:17 | 0:36:20 | |
We are going to mark down | 0:36:20 | 0:36:22 | |
EDDY as an incorrect answer. | 0:36:22 | 0:36:25 | |
We want that to go red. | 0:36:25 | 0:36:27 | |
We want our Boston belles to carry on | 0:36:27 | 0:36:30 | |
sailing through the code. | 0:36:30 | 0:36:31 | |
-Yes! -Well done. | 0:36:35 | 0:36:36 | |
-Yes. -Great stuff. | 0:36:36 | 0:36:37 | |
Yes, well done, Ann, for spotting that Y would be an unlikely initial. | 0:36:37 | 0:36:41 | |
He is Edward Anthony Richard Louis, spelling E-A-R-L, earl. | 0:36:41 | 0:36:47 | |
Yes, his name is | 0:36:47 | 0:36:48 | |
EARL. And we can get rid of that. It's an incorrect answer. | 0:36:48 | 0:36:52 | |
We don't have to worry about it. | 0:36:52 | 0:36:54 | |
It also means that we can have a look at the question behind ET. | 0:36:54 | 0:36:58 | |
Could possibly. It's so unlikely it could possibly be right. | 0:37:06 | 0:37:10 | |
So, one of these must be the correct answer. | 0:37:11 | 0:37:13 | |
That's the one we're looking for. | 0:37:13 | 0:37:15 | |
I think E17 is Leyton | 0:37:15 | 0:37:18 | |
or Leytonstone. | 0:37:18 | 0:37:20 | |
Not Stratford, | 0:37:20 | 0:37:21 | |
which is where the Olympic Park is. | 0:37:21 | 0:37:23 | |
I'm sure when I... It's a long time since | 0:37:23 | 0:37:26 | |
I lived there, but... | 0:37:26 | 0:37:28 | |
-Well, I'll be happy to go with that, Chris, because... -Right. | 0:37:28 | 0:37:31 | |
We'll reject the top one. | 0:37:31 | 0:37:32 | |
OK, we're looking for the one correct answer. | 0:37:32 | 0:37:35 | |
We think the elderly lady | 0:37:35 | 0:37:38 | |
named Pat Welsh did provide the voice for ET. | 0:37:38 | 0:37:42 | |
OK. We are going to | 0:37:42 | 0:37:44 | |
lock in ET as our correct answer. | 0:37:44 | 0:37:48 | |
We want it to go green. | 0:37:48 | 0:37:51 | |
-Great work. -Yes, very good decision. The elderly lady named Pat Welsh. | 0:37:57 | 0:38:01 | |
Apparently, she had a raspy voice, | 0:38:01 | 0:38:03 | |
supposedly because she was a chain smoker. | 0:38:03 | 0:38:05 | |
And the postcode which | 0:38:05 | 0:38:06 | |
links the fictional Albert Square with the Olympic Park. | 0:38:06 | 0:38:10 | |
Well, Chris, you remembered that | 0:38:10 | 0:38:11 | |
this didn't quite ring true for Stratford. | 0:38:11 | 0:38:13 | |
East 17 is associated with the band from Walthamstow, | 0:38:13 | 0:38:16 | |
and that's indeed the postcode for Walthamstow. | 0:38:16 | 0:38:19 | |
The correct answer is E20. | 0:38:19 | 0:38:21 | |
-The Olympic Park's postcode is E20 2ST. -It means that | 0:38:21 | 0:38:26 | |
we get the chance now to put in another number. | 0:38:26 | 0:38:29 | |
Two slots remaining to fill. Where would we like to go next? | 0:38:29 | 0:38:33 | |
-Four. -The number four. Is it in our code? | 0:38:33 | 0:38:36 | |
Not in the first box. | 0:38:39 | 0:38:40 | |
Is the number four in the third and final box? | 0:38:40 | 0:38:43 | |
-Oh! -It's not there. We've got rid of three now. | 0:38:45 | 0:38:48 | |
We still get to play the game where | 0:38:48 | 0:38:49 | |
you can see two questions at a time before it gets any more difficult. | 0:38:49 | 0:38:54 | |
-OK, are you ready for your next three answers? -Yes. | 0:38:54 | 0:38:58 | |
You're doing brilliantly, ladies. Let's see if we can carry that on. | 0:38:58 | 0:39:01 | |
Here they are. | 0:39:01 | 0:39:02 | |
-Peach is a colour and fruit. -..a peach and a fruit. | 0:39:07 | 0:39:10 | |
Carey Mulligan is an actress. | 0:39:10 | 0:39:13 | |
Far from the Madding Crowd, I saw. She was in that. | 0:39:13 | 0:39:16 | |
-Brands Hatch is the motor racing... -Circuit. | 0:39:16 | 0:39:19 | |
I think it's one of the oldest in Britain, certainly. | 0:39:19 | 0:39:23 | |
-Let's go from the top down. -OK. | 0:39:23 | 0:39:25 | |
We want to look at peach. | 0:39:25 | 0:39:27 | |
-It's not a peach. -It's not a peach, is it? -No. | 0:39:34 | 0:39:36 | |
-It's a plum. -Yeah. | 0:39:36 | 0:39:38 | |
Where would you like to go next? | 0:39:38 | 0:39:39 | |
-Carey Mulligan. -Go Carey Mulligan. We'll go down in order. | 0:39:39 | 0:39:42 | |
I did see it | 0:39:50 | 0:39:51 | |
and I can't remember the young actress' name. | 0:39:51 | 0:39:54 | |
But she was dark haired | 0:39:54 | 0:39:56 | |
and I think she was an American actress. I'm not sure. | 0:39:56 | 0:39:59 | |
Or was that one who played Queen Padme? | 0:39:59 | 0:40:02 | |
All we're looking to do | 0:40:02 | 0:40:03 | |
is eliminate an incorrect answer | 0:40:03 | 0:40:04 | |
at this stage. | 0:40:04 | 0:40:06 | |
That's what will allow us to see behind Brands Hatch. | 0:40:06 | 0:40:08 | |
-Well, the top one... -Yes. -The top one is incorrect. | 0:40:08 | 0:40:11 | |
We're going to eliminate peach. | 0:40:11 | 0:40:13 | |
We're confident that a greengage | 0:40:13 | 0:40:15 | |
is not a type of peach. | 0:40:15 | 0:40:17 | |
We want that to go red. | 0:40:17 | 0:40:18 | |
Good stuff. | 0:40:21 | 0:40:22 | |
-Knew that one. -Well done, Chris. | 0:40:22 | 0:40:23 | |
I heard you say the correct answer to this one as well. | 0:40:23 | 0:40:26 | |
You said plum, and that is right. | 0:40:26 | 0:40:29 | |
Greengages became popular in England | 0:40:29 | 0:40:31 | |
having been imported from France in the 18th century | 0:40:31 | 0:40:34 | |
-by Sir William Gage. -Oh, yes. -Thank you, Lesley. | 0:40:34 | 0:40:37 | |
It means we can eliminate that and discard it as an incorrect answer. | 0:40:37 | 0:40:42 | |
We can also look at the question behind Brands Hatch, | 0:40:42 | 0:40:44 | |
see if that helps us. | 0:40:44 | 0:40:45 | |
I would be inclined to go with Brands Hatch as possibly... | 0:40:53 | 0:40:56 | |
-The right one. -..correct. -Yes. | 0:40:56 | 0:40:58 | |
The face, Carey Mulligan's face | 0:40:58 | 0:41:01 | |
doesn't seem to fit with the character I'm thinking of. | 0:41:01 | 0:41:04 | |
-We'll have to go for Brands Hatch. -There certainly is a Dingle Dell. | 0:41:04 | 0:41:07 | |
-Yes. -I've heard of that. And I've heard of Druids Bend. | 0:41:07 | 0:41:10 | |
-But it could've been... -Yeah. -..another race track. | 0:41:10 | 0:41:12 | |
-We'll go for Brands Hatch. -We'll go for Brands Hatch. | 0:41:12 | 0:41:15 | |
We're going to look in Brands Hatch | 0:41:15 | 0:41:16 | |
as the correct answer. | 0:41:16 | 0:41:18 | |
If it is, we get to put another digit into the code. | 0:41:18 | 0:41:22 | |
Is Brands Hatch our correct answer? We want to see it go green. | 0:41:22 | 0:41:26 | |
Green. Green. Please. | 0:41:26 | 0:41:28 | |
-We are very lucky today. -Aren't we? -You are riding your luck. | 0:41:32 | 0:41:36 | |
-We are. -We are. -We are. | 0:41:36 | 0:41:37 | |
But there's a lot of knowledge there. | 0:41:37 | 0:41:39 | |
-That's not your subject, is it? -No, not at all. | 0:41:39 | 0:41:41 | |
-Absolutely not. -Brilliant work. | 0:41:41 | 0:41:43 | |
Lesley. | 0:41:43 | 0:41:44 | |
Yes, Ann, you recognised some of these features of Brands Hatch. | 0:41:44 | 0:41:49 | |
Brands Hatch hosted the British Grand Prix 12 times | 0:41:49 | 0:41:52 | |
between 1964 and 1986. | 0:41:52 | 0:41:55 | |
And the English actress who played | 0:41:55 | 0:41:57 | |
the handmaiden and decoy of Queen Padme. | 0:41:57 | 0:42:00 | |
Well, straightaway, you identified Carey Mulligan as having been in | 0:42:00 | 0:42:03 | |
Far from the Madding Crowd before you even saw the question. | 0:42:03 | 0:42:06 | |
The correct answer is Keira Knightley. | 0:42:06 | 0:42:09 | |
Keira Knightley played Sabe, the handmaiden and decoy | 0:42:09 | 0:42:12 | |
for Natalie Portman, who was Queen Padme. | 0:42:12 | 0:42:15 | |
It was Natalie Portman I was trying to think of. | 0:42:15 | 0:42:17 | |
Ann and Chris, | 0:42:17 | 0:42:18 | |
which number would you like to choose next? | 0:42:18 | 0:42:20 | |
I will go for number two. | 0:42:20 | 0:42:22 | |
The number two. Is it in Ann and Chris' code? | 0:42:22 | 0:42:25 | |
Is it up there in the first box? | 0:42:25 | 0:42:27 | |
It's not. | 0:42:29 | 0:42:31 | |
Is the number two there in your third and final box? | 0:42:31 | 0:42:35 | |
It's not there either. But the number two has gone. | 0:42:37 | 0:42:41 | |
Two, three, four and eight, all gone from your keypad. | 0:42:41 | 0:42:44 | |
One number in your code. | 0:42:44 | 0:42:46 | |
It just means you have to answer six questions maximum... | 0:42:46 | 0:42:49 | |
KLAXON BLARES | 0:42:49 | 0:42:51 | |
But unfortunately, you won't be doing it today | 0:42:51 | 0:42:54 | |
because that sound means we have run out of time. | 0:42:54 | 0:42:57 | |
You're working really well, good momentum. | 0:42:57 | 0:43:00 | |
No reason why it can't happen. | 0:43:00 | 0:43:02 | |
-Lesley, thank you for your magnificent facts. -You're welcome. | 0:43:02 | 0:43:05 | |
Ann and Chris, I've been really impressed with your clear thinking, | 0:43:05 | 0:43:08 | |
and I'm looking forward to seeing you continue your progress tomorrow. | 0:43:08 | 0:43:11 | |
-BOTH: -Thank you. -Thank you. | 0:43:11 | 0:43:12 | |
Yes, Ann and Chris just two numbers away from opening the safe | 0:43:12 | 0:43:16 | |
and taking home £6,500, | 0:43:16 | 0:43:19 | |
one of the biggest jackpots we've had. | 0:43:19 | 0:43:22 | |
Join us tomorrow to find out if they have | 0:43:22 | 0:43:24 | |
what it takes to crack the code. | 0:43:24 | 0:43:27 | |
Thanks for watching and goodbye. | 0:43:27 | 0:43:29 |