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Hello and welcome to The Code. | 0:00:12 | 0:00:14 | |
Locked in this safe is £6,000. | 0:00:14 | 0:00:17 | |
To open the safe and win the money, | 0:00:17 | 0:00:19 | |
contestants just need to crack a three-digit code. | 0:00:19 | 0:00:22 | |
But, every time someone fails, more money goes into the safe and | 0:00:22 | 0:00:26 | |
the jackpot gets higher and higher. | 0:00:26 | 0:00:29 | |
Last time, pilot Paul was going great guns and found one number, | 0:00:29 | 0:00:33 | |
the number 6, before we ran out of time. | 0:00:33 | 0:00:36 | |
So, let's welcome him back. | 0:00:36 | 0:00:38 | |
Guiding you in, Paul. Sorry. It's obvious, isn't it? | 0:00:43 | 0:00:46 | |
How are you, Paul? | 0:00:46 | 0:00:47 | |
-Very well, thank you. How are you? -Good to see you back. | 0:00:47 | 0:00:49 | |
Have you spent the time in between the shows cramming wildly? | 0:00:49 | 0:00:52 | |
-Of course. -Of course. We know you're an airline pilot. | 0:00:52 | 0:00:56 | |
-Correct. -Are you long haul or short haul? | 0:00:56 | 0:00:59 | |
Long haul, I've always flown long haul. | 0:00:59 | 0:01:01 | |
I'm in my 28th year as a long haul pilot now | 0:01:01 | 0:01:04 | |
-and I love every single minute of it. -You are Long Haul Paul. | 0:01:04 | 0:01:07 | |
Long Haul Paul. I've not heard that before. | 0:01:07 | 0:01:10 | |
OK, well, there's a first time for everything! | 0:01:10 | 0:01:12 | |
-And crosswords, I know, are a big part of your life as well. -Indeed. | 0:01:12 | 0:01:15 | |
I absolutely love the cryptic crossword. Yes. | 0:01:15 | 0:01:17 | |
Paul, it's fantastic having you on the show. | 0:01:17 | 0:01:20 | |
Before we get cracking, though, let's reintroduce our | 0:01:20 | 0:01:22 | |
mistress of quiz, Lesley Brewis. How are you, Lesley? | 0:01:22 | 0:01:26 | |
I'm very well, thank you, and welcome back to the show, Paul. | 0:01:26 | 0:01:29 | |
And pilots need to be very precise, | 0:01:29 | 0:01:31 | |
very calculating and what I liked about your play last time was | 0:01:31 | 0:01:35 | |
that you examined every element of every question to help you to | 0:01:35 | 0:01:38 | |
settle on the correct question-and-answer pair. | 0:01:38 | 0:01:40 | |
-Keep up the good work. -Thank you. -Let's remind ourselves where we are. | 0:01:40 | 0:01:44 | |
There, in the middle of your code, the number 6 sitting proudly, and | 0:01:44 | 0:01:49 | |
on the keypad we can see that 1, 3 and 0 have all gone. | 0:01:49 | 0:01:53 | |
That means we have six digits left. | 0:01:53 | 0:01:56 | |
If you answer six questions correctly, then, Paul, | 0:01:56 | 0:01:59 | |
it's very straightforward. You will be taking home the jackpot today. | 0:01:59 | 0:02:02 | |
Now, we are at the stage where things become a little bit trickier. | 0:02:02 | 0:02:05 | |
Now, as before, we will see three answers, but | 0:02:05 | 0:02:09 | |
we'll only see two questions before you have to decide, Paul, | 0:02:09 | 0:02:13 | |
-which one is the correct answer. Is that clear? -It is, yes. -Got it. | 0:02:13 | 0:02:18 | |
OK. Let's crack on, then, and see your next three answers. | 0:02:18 | 0:02:21 | |
Of course, at this stage, it becomes | 0:02:27 | 0:02:29 | |
much more important which order you | 0:02:29 | 0:02:30 | |
choose to see those questions in. | 0:02:30 | 0:02:32 | |
OK, I might live to regret this, but | 0:02:32 | 0:02:34 | |
I think I might see Bagpuss first. | 0:02:34 | 0:02:37 | |
Let's have a look at the | 0:02:37 | 0:02:38 | |
question behind Bagpuss. | 0:02:38 | 0:02:40 | |
Since Bagpuss was more or less my kind of era when I was a kid, | 0:02:52 | 0:02:57 | |
I think it was before 1981. | 0:02:57 | 0:03:00 | |
Ken Barrie, the name rings a bell but I can't think what he did. | 0:03:00 | 0:03:03 | |
I don't think it's him. | 0:03:03 | 0:03:05 | |
OK. Well, we don't have to decide just yet, | 0:03:05 | 0:03:07 | |
we can choose one of the other two. | 0:03:07 | 0:03:09 | |
Amethyst, well... | 0:03:09 | 0:03:11 | |
And Nick Easter, I think I know who Nick Easter is. | 0:03:11 | 0:03:14 | |
I'm going to go with amethyst for the simple reason that I'm | 0:03:14 | 0:03:16 | |
-not sure what you can ask about that, either. -OK. | 0:03:16 | 0:03:19 | |
Let's have a look at the question behind amethyst. | 0:03:19 | 0:03:22 | |
Not intoxicated... There has to be | 0:03:31 | 0:03:32 | |
one, obviously, that is like that. | 0:03:32 | 0:03:35 | |
It's probably going to begin | 0:03:35 | 0:03:36 | |
with an A, isn't it? | 0:03:36 | 0:03:38 | |
Because I think, in Greek words, you | 0:03:38 | 0:03:40 | |
have, like, AM, A-M, is "without", | 0:03:40 | 0:03:43 | |
if I remember correctly. I think I'm | 0:03:43 | 0:03:45 | |
definitely dismissing Bagpuss. | 0:03:45 | 0:03:47 | |
Do you know what? | 0:03:47 | 0:03:49 | |
I'm talking myself into that. | 0:03:49 | 0:03:50 | |
The "A" bit, I think is Greek for | 0:03:50 | 0:03:52 | |
"it's not something." | 0:03:52 | 0:03:54 | |
I always thought it was "Ana-", | 0:03:54 | 0:03:55 | |
but it might just be the "A" bit. | 0:03:55 | 0:03:57 | |
And the "methy," | 0:03:57 | 0:03:58 | |
the methylated spirit, I'm not | 0:03:58 | 0:04:00 | |
sure why methylated comes in but | 0:04:00 | 0:04:02 | |
that's kind of the | 0:04:02 | 0:04:04 | |
idea of an alcohol. | 0:04:04 | 0:04:06 | |
So, not alcohol, not intoxicated, | 0:04:06 | 0:04:09 | |
I think, as a deduction, | 0:04:09 | 0:04:12 | |
I think I might have to go for that | 0:04:12 | 0:04:14 | |
-as being the correct answer. -OK. | 0:04:14 | 0:04:16 | |
We're going to lock in amethyst as | 0:04:16 | 0:04:19 | |
our correct answer. | 0:04:19 | 0:04:21 | |
It's locked in. | 0:04:21 | 0:04:22 | |
That means we can have a look at | 0:04:22 | 0:04:24 | |
the question behind Nick Easter | 0:04:24 | 0:04:25 | |
and I hope it makes you feel better. | 0:04:25 | 0:04:27 | |
-Oh, I hope so too. -Here we go. | 0:04:27 | 0:04:29 | |
Would not have a clue, I'm afraid. | 0:04:36 | 0:04:37 | |
Rugby is something I know | 0:04:37 | 0:04:38 | |
absolutely nothing about. | 0:04:38 | 0:04:40 | |
OK, so that doesn't make you feel | 0:04:40 | 0:04:42 | |
one way or the other. | 0:04:42 | 0:04:43 | |
-I'm afraid not. -OK. | 0:04:43 | 0:04:44 | |
You've locked in amethyst | 0:04:44 | 0:04:46 | |
as your correct answer, | 0:04:46 | 0:04:47 | |
and that is the one we want to see | 0:04:47 | 0:04:49 | |
turn green, not red. | 0:04:49 | 0:04:50 | |
Is amethyst our correct answer? | 0:04:50 | 0:04:53 | |
-Wow. -Well done. | 0:04:57 | 0:04:59 | |
That felt to me, Lesley, like a terrific piece of deduction. | 0:04:59 | 0:05:02 | |
It really was. Amethyst - coming, exactly as you suggested, from | 0:05:02 | 0:05:06 | |
"A" meaning "not", and "Methystos" meaning intoxicated. | 0:05:06 | 0:05:09 | |
So, you got there in the end with excellent reasoning. | 0:05:09 | 0:05:11 | |
Let's look at the wrong answers. | 0:05:11 | 0:05:13 | |
Bagpuss is from 1974, so a little bit earlier than the correct | 0:05:13 | 0:05:16 | |
answer, which is Postman Pat. | 0:05:16 | 0:05:19 | |
Ken Barrie known not only as Postman Pat but also for singing the | 0:05:19 | 0:05:22 | |
theme tune to TV programmes such as Charlie Chalk. | 0:05:22 | 0:05:25 | |
Nick Easter is currently the coach of the Harlequins, | 0:05:25 | 0:05:28 | |
the correct answer is Ben Ryan. | 0:05:28 | 0:05:30 | |
Ben Ryan also coached England Sevens team. | 0:05:30 | 0:05:33 | |
-Very, very well done. Excellent work. -Thank you. | 0:05:33 | 0:05:36 | |
Thank you, Lesley. Yeah, Paul, you picked that apart just like | 0:05:36 | 0:05:40 | |
a cryptic crossword clue in reverse, anyway, didn't you? | 0:05:40 | 0:05:44 | |
And, now, we're at the stage where we get to choose another number | 0:05:44 | 0:05:47 | |
to see if it's there in our code. | 0:05:47 | 0:05:49 | |
6 is already up there. 1, 3 and 0, we've discounted. | 0:05:49 | 0:05:53 | |
Which one is it going to be next? | 0:05:53 | 0:05:55 | |
Well, let's flip 6 on its head and pair it up with number 9, please. | 0:05:55 | 0:05:58 | |
Number 9. Is 9 there in our code? | 0:05:58 | 0:06:03 | |
Is it there in our first box? | 0:06:03 | 0:06:05 | |
It's not. | 0:06:05 | 0:06:07 | |
Is it there in our third and final box? | 0:06:07 | 0:06:10 | |
No number 9. | 0:06:10 | 0:06:12 | |
Probably not a bad thing at this stage. | 0:06:12 | 0:06:15 | |
You could get to the final stage where you only see them one at | 0:06:15 | 0:06:18 | |
a time and you have all the numbers stacked up against you. | 0:06:18 | 0:06:21 | |
-Then that properly is the long haul. -Sure. -Yeah. | 0:06:21 | 0:06:23 | |
-Are you ready for your next three answers? -Indeed. Yes, please. | 0:06:23 | 0:06:26 | |
OK, let's see them. | 0:06:26 | 0:06:28 | |
Well, if I get the question wrong on The Clash, once again, | 0:06:33 | 0:06:36 | |
I'll be ridiculed by a few of my mates - I grew up with bands like | 0:06:36 | 0:06:39 | |
The Clash, so I would | 0:06:39 | 0:06:41 | |
definitely have to see the one for The Clash first. | 0:06:41 | 0:06:43 | |
You've again nailed your colours to the mast in a very dangerous way. | 0:06:43 | 0:06:47 | |
-It is, very much. -OK, | 0:06:47 | 0:06:49 | |
let's find out the question behind The Clash. | 0:06:49 | 0:06:51 | |
Well, this one, I know. | 0:06:56 | 0:06:58 | |
I saw them just a few weeks ago playing in | 0:06:58 | 0:07:01 | |
a little place down in Southampton. | 0:07:01 | 0:07:04 | |
Although Rat Scabies is retired from the band, they play for the Dammed. | 0:07:04 | 0:07:08 | |
Captain Sensible, famously for the Dammed, | 0:07:08 | 0:07:10 | |
so I know that is definitely not the answer. | 0:07:10 | 0:07:13 | |
Which one next, then? | 0:07:13 | 0:07:14 | |
Montgomery Clift seems to ring to me... | 0:07:14 | 0:07:16 | |
I should know who that is, but I don't. | 0:07:16 | 0:07:19 | |
It's not coming to my mind, so I think I shall have to go with | 0:07:19 | 0:07:21 | |
honey and just hope that something decent comes up. | 0:07:21 | 0:07:25 | |
Let's keep our fingers crossed as we open the question behind honey. | 0:07:25 | 0:07:30 | |
Well, I think I chose well, there | 0:07:36 | 0:07:38 | |
because, that one, I do know. | 0:07:38 | 0:07:40 | |
Mead is a honey-based alcoholic | 0:07:40 | 0:07:42 | |
drink from the medieval period | 0:07:42 | 0:07:44 | |
so I'd have to lock in honey. | 0:07:44 | 0:07:46 | |
We're going to lock in honey | 0:07:46 | 0:07:48 | |
as our correct answer. | 0:07:48 | 0:07:50 | |
Which means we can have a look at the question behind Montgomery Clift | 0:07:50 | 0:07:53 | |
and hopefully that confirms the way you were feeling already. | 0:07:53 | 0:07:57 | |
I would imagine that would | 0:08:05 | 0:08:07 | |
-be Paul Newman. -OK. | 0:08:07 | 0:08:09 | |
So you're happy with that answer as | 0:08:09 | 0:08:10 | |
an incorrect answer as well? | 0:08:10 | 0:08:12 | |
-Correct, yeah. -Good stuff, OK. | 0:08:12 | 0:08:13 | |
Let's see if that's the case. | 0:08:13 | 0:08:16 | |
Is honey our correct answer? | 0:08:16 | 0:08:18 | |
-Yes. -There's a relief. -Of course, yes. Lesley. | 0:08:20 | 0:08:23 | |
Yes, well done, Paul. You knew that honey is used to make mead, | 0:08:23 | 0:08:27 | |
and there is evidence that mead production goes back | 0:08:27 | 0:08:29 | |
several thousand years. | 0:08:29 | 0:08:30 | |
Let's look at the wrong answers up there. | 0:08:30 | 0:08:33 | |
When The Clash came up, you knew straightaway that that's the wrong | 0:08:33 | 0:08:36 | |
answer, having seen The Damned | 0:08:36 | 0:08:37 | |
- which is the correct answer - performing live. | 0:08:37 | 0:08:40 | |
That helped quite a lot in that one. | 0:08:40 | 0:08:42 | |
Captain Sensible has had hits in his own right, Happy Talk, for example. | 0:08:42 | 0:08:47 | |
Now, Montgomery Clift, | 0:08:47 | 0:08:49 | |
an interesting inclusion here, because Montgomery Clift is | 0:08:49 | 0:08:52 | |
-referenced in a Clash song called The Right Profile. -OK. | 0:08:52 | 0:08:56 | |
The correct answer, Hud, Cool Hand Luke, | 0:08:56 | 0:08:59 | |
Paul Newman - which you said. | 0:08:59 | 0:09:00 | |
You knew that when the question came up so very well done. | 0:09:00 | 0:09:03 | |
Paul Newman was nominated in five different decades for acting Oscars. | 0:09:03 | 0:09:07 | |
-Wow. -Good work again, there, Paul. Fantastic. | 0:09:07 | 0:09:10 | |
Gives you the chance to choose another digit from the keypad. | 0:09:10 | 0:09:14 | |
Half the numbers now gone. Which one is it going to be next? | 0:09:14 | 0:09:18 | |
Well, just to make a kind of little question mark | 0:09:18 | 0:09:21 | |
pattern around the top, how about going for number 2? | 0:09:21 | 0:09:23 | |
Nice. I like the way you're working there. | 0:09:23 | 0:09:26 | |
Is the number 2 there in our code? Is it there in the first box? | 0:09:26 | 0:09:29 | |
No, it's not. Is it there in the third and final box? | 0:09:31 | 0:09:35 | |
No number 2. | 0:09:35 | 0:09:36 | |
-OK. -But a lovely question mark shape. | 0:09:36 | 0:09:39 | |
So, Paul, you're doing brilliantly. | 0:09:39 | 0:09:41 | |
Are all of your flights like this? Do they always go this smoothly? | 0:09:41 | 0:09:45 | |
-Of course. -OK. Well, let's hope it carries on going this smoothly. | 0:09:45 | 0:09:49 | |
Let's have a look at your next three answers. | 0:09:49 | 0:09:51 | |
Which one do you want to choose first? | 0:09:57 | 0:09:59 | |
I used to be a huge John Cleese fan, | 0:09:59 | 0:10:01 | |
remembering the Pythons when they were around, | 0:10:01 | 0:10:03 | |
so let's go with John Cleese and see what that's all about. | 0:10:03 | 0:10:06 | |
The question behind John Cleese. | 0:10:06 | 0:10:07 | |
Well, John Cleese definitely went to one of them, | 0:10:14 | 0:10:16 | |
I can't remember if it was Oxford or Cambridge. | 0:10:16 | 0:10:19 | |
I've got a feeling he was Oxford. But it could have been Cambridge, | 0:10:19 | 0:10:22 | |
but he definitely went to one of | 0:10:22 | 0:10:24 | |
those two, so I think we can dismiss that. | 0:10:24 | 0:10:26 | |
OK, which one next? | 0:10:26 | 0:10:28 | |
Let's go with Michelangelo. | 0:10:28 | 0:10:29 | |
The question behind Michelangelo, please. | 0:10:29 | 0:10:32 | |
Michelangelo Caravaggio. | 0:10:37 | 0:10:39 | |
I think that is correct. | 0:10:42 | 0:10:43 | |
There was an artist commonly known as Caravaggio, had what first name? | 0:10:43 | 0:10:47 | |
Right, so Caravaggio being the surname, | 0:10:47 | 0:10:49 | |
so Michelangelo Caravaggio, what else could it have been? | 0:10:49 | 0:10:52 | |
No, I think I'm going to go with | 0:10:53 | 0:10:55 | |
my gut instinct and go with Michelangelo. | 0:10:55 | 0:10:57 | |
-We want to lock that in as our correct answer? -Yes, please. | 0:10:57 | 0:11:00 | |
Let's do it. | 0:11:00 | 0:11:02 | |
Now, we can have a look at the question behind six. | 0:11:02 | 0:11:04 | |
Although I am a decimal boy, | 0:11:09 | 0:11:11 | |
I do remember before decimals | 0:11:11 | 0:11:14 | |
and all that kind of stuff, | 0:11:14 | 0:11:15 | |
all the imperial measures, and | 0:11:15 | 0:11:17 | |
I believe it's eight furlongs | 0:11:17 | 0:11:19 | |
in a mile, so I'm quite happy with | 0:11:19 | 0:11:21 | |
the Michelangelo choice now. | 0:11:21 | 0:11:22 | |
This is getting serious now, | 0:11:22 | 0:11:25 | |
there's only four numbers | 0:11:25 | 0:11:26 | |
left on the keypad. | 0:11:26 | 0:11:28 | |
-Are you ready? -I'm ready. | 0:11:28 | 0:11:29 | |
Is Michelangelo our correct answer? | 0:11:29 | 0:11:34 | |
-Wahey! -He's got it. He's got it. Well done, Paul. | 0:11:36 | 0:11:39 | |
-That's a bit of a relief as well. -Lesley. | 0:11:39 | 0:11:41 | |
Yes, very well done, good decision, | 0:11:41 | 0:11:42 | |
Michelangelo was the correct answer. | 0:11:42 | 0:11:45 | |
Michelangelo Merisi da Caravaggio. | 0:11:45 | 0:11:47 | |
Literally, from Caravaggio, a place in Lombardy in Italy. | 0:11:47 | 0:11:50 | |
When you saw the question about the furlongs come up, | 0:11:50 | 0:11:53 | |
you knew straightaway that it's not six, but eight - based on an old | 0:11:53 | 0:11:56 | |
measurement of an average ploughed furrow. | 0:11:56 | 0:11:59 | |
And the John Cleese question. | 0:11:59 | 0:12:01 | |
John Cleese went to Cambridge, as did Eric Idle | 0:12:01 | 0:12:03 | |
and Graham Chapman. | 0:12:03 | 0:12:05 | |
Terry Jones and Michael Palin went to Oxford. | 0:12:05 | 0:12:08 | |
The correct answer is Terry Gilliam. He was at college in California. | 0:12:08 | 0:12:12 | |
Thank you, Lesley. And it's the answer we were looking for as well, | 0:12:12 | 0:12:16 | |
was to give us the chance to choose another digit to put into the code. | 0:12:16 | 0:12:20 | |
4, 5, 7 and 8. | 0:12:20 | 0:12:23 | |
Two of those have to be up there. | 0:12:23 | 0:12:26 | |
-Which one do you want next? -Well, I did say | 0:12:26 | 0:12:28 | |
I was making a question mark, last time. | 0:12:28 | 0:12:30 | |
And to make a perfect question mark would be number 8. | 0:12:30 | 0:12:33 | |
You need the number 8, right there at the bottom. | 0:12:33 | 0:12:35 | |
OK, is 8 there in our code? | 0:12:35 | 0:12:38 | |
Is it there in the first box of the code? | 0:12:38 | 0:12:41 | |
It's not. Is it there in the third and final box? | 0:12:42 | 0:12:46 | |
There it is. Blank-6-8. | 0:12:47 | 0:12:52 | |
Paul, how are you feeling right now? | 0:12:52 | 0:12:54 | |
I was hoping it was going to go red so I can maybe have | 0:12:54 | 0:12:57 | |
a slightly easier round but, hey. | 0:12:57 | 0:12:59 | |
-You genuinely wanted to be here for the long haul. -I did. | 0:12:59 | 0:13:02 | |
Long Haul Paul. | 0:13:02 | 0:13:04 | |
Well, I tell you what, only three digits left on the keypad. | 0:13:04 | 0:13:07 | |
But it does mean now we're at the trickiest part of the quiz. | 0:13:07 | 0:13:10 | |
This is where, yes, you see all three answers, but this time, | 0:13:10 | 0:13:14 | |
only one of the questions at a time before you have to commit | 0:13:14 | 0:13:18 | |
-to whether it's right or wrong. -OK. | 0:13:18 | 0:13:20 | |
OK, that's the way it's going to work. | 0:13:20 | 0:13:22 | |
Are you ready for your next three answers? | 0:13:22 | 0:13:24 | |
-Ready as I'll ever be. -Here they come. | 0:13:24 | 0:13:26 | |
Obviously, at this stage, | 0:13:32 | 0:13:34 | |
-the order in which you choose these is absolutely critical. -Sure. | 0:13:34 | 0:13:37 | |
Looking at those, Igor Sikorsky, being a flying boy, | 0:13:37 | 0:13:41 | |
he's about helicopters. | 0:13:41 | 0:13:43 | |
The Winter's Tale, | 0:13:43 | 0:13:45 | |
I've never seen it, but there's a couple of bits of trivia about | 0:13:45 | 0:13:48 | |
Winter's Tale which I do know, I'm hoping one of those might come up. | 0:13:48 | 0:13:52 | |
And the Pennine Way, well, I've never walked it, | 0:13:52 | 0:13:57 | |
used to have a holiday home when I was a young lad up in the Pennines. | 0:13:57 | 0:14:01 | |
Whether I know anything about the Pennine Way, or not, I don't know. | 0:14:01 | 0:14:04 | |
So, on that basis, | 0:14:04 | 0:14:06 | |
I'm going to go for The Winter's Tale and hope the two bits of trivia | 0:14:06 | 0:14:09 | |
that I know about The Winter's Tale might very well come up. | 0:14:09 | 0:14:12 | |
OK, let's have a look at the question behind The Winter's Tale. | 0:14:12 | 0:14:15 | |
Well, I'm quite happy with that | 0:14:23 | 0:14:24 | |
because I know The Winter's Tale | 0:14:24 | 0:14:26 | |
was set in Bohemia. | 0:14:26 | 0:14:28 | |
Illyria, I think, | 0:14:28 | 0:14:29 | |
was Troilus and Cressida | 0:14:29 | 0:14:31 | |
so I'm definitely going | 0:14:31 | 0:14:33 | |
to discard that one. | 0:14:33 | 0:14:35 | |
OK, we're going to | 0:14:35 | 0:14:36 | |
discard that question. | 0:14:36 | 0:14:39 | |
That's out of the game now. Which question do you want to select next? | 0:14:39 | 0:14:42 | |
Bearing in mind that I probably would know nothing about the Pennine | 0:14:42 | 0:14:45 | |
Way and I knew that Igor Sikorsky | 0:14:45 | 0:14:47 | |
is known as the father of helicopters, | 0:14:47 | 0:14:49 | |
I think I'll go with Igor Sikorsky. | 0:14:49 | 0:14:51 | |
OK, let's have a look at the question behind Igor Sikorsky. | 0:14:51 | 0:14:55 | |
Well, that one I do know. The AK-47 | 0:15:03 | 0:15:05 | |
is also known as the Kalashnikov. | 0:15:05 | 0:15:07 | |
And he was the Russian inventor | 0:15:07 | 0:15:09 | |
that invented it, had his name. | 0:15:09 | 0:15:10 | |
So Sikorsky invented the helicopter and, yeah, | 0:15:10 | 0:15:14 | |
I can discard that one as well. | 0:15:14 | 0:15:16 | |
OK, so we have to select one of these now as the correct | 0:15:16 | 0:15:19 | |
answer to lock in. | 0:15:19 | 0:15:20 | |
The correct answer would have to be, | 0:15:20 | 0:15:22 | |
by default, the Pennine Way. | 0:15:22 | 0:15:24 | |
OK, let's lock in the Pennine Way. | 0:15:24 | 0:15:27 | |
It's locked in. We can't change it. Means we can have a look | 0:15:27 | 0:15:30 | |
-at the question behind it. -OK. | 0:15:30 | 0:15:31 | |
-How does that feel? -Kind of makes sense. | 0:15:38 | 0:15:40 | |
It feels right. Combined with the other two, | 0:15:40 | 0:15:42 | |
-you think you've made the right choice there? -I think I have, yeah. | 0:15:42 | 0:15:45 | |
So, you've got a one in three shot, if this is right, | 0:15:45 | 0:15:48 | |
to choose a number which could be in your code | 0:15:48 | 0:15:50 | |
and unlock the door on £6,000. | 0:15:50 | 0:15:53 | |
What would you do with that money, Paul? | 0:15:53 | 0:15:55 | |
I've been married for 22, 23 years. | 0:15:55 | 0:15:58 | |
I've learned, in that time, | 0:15:58 | 0:15:59 | |
probably best to let my wife make that decision. | 0:15:59 | 0:16:02 | |
-And what's your wife's name? -Wife is Penny. -OK, so this is for Penny. | 0:16:02 | 0:16:05 | |
This is for Penny. | 0:16:05 | 0:16:07 | |
In for a penny, in for £6,000, possibly. | 0:16:07 | 0:16:11 | |
Is the Pennine Way... | 0:16:11 | 0:16:13 | |
a correct answer? | 0:16:13 | 0:16:14 | |
-Great stuff. -That's for you, Penny. | 0:16:18 | 0:16:20 | |
Well done, Paul. Well done, Paul. Lesley. | 0:16:20 | 0:16:23 | |
Yes, the Pennine Way, the back bone of England. | 0:16:23 | 0:16:25 | |
The end point is The Border Hotel in Kirk Yetholm | 0:16:25 | 0:16:29 | |
and walkers who complete the Pennine Way | 0:16:29 | 0:16:31 | |
get a free half pint and a certificate at The Border Hotel. | 0:16:31 | 0:16:34 | |
-A half pint(!) -A half pint. Yes. -OK. | 0:16:34 | 0:16:37 | |
-I think they probably have to go... -You have to go both ways, yeah. | 0:16:37 | 0:16:40 | |
..twice, yeah, to get the full pint. | 0:16:40 | 0:16:41 | |
Igor Sikorsky, when you saw that, you knew that it was something | 0:16:41 | 0:16:44 | |
to do with helicopters. | 0:16:44 | 0:16:45 | |
Yes, he is associated with the earliest types of helicopter. | 0:16:45 | 0:16:48 | |
The correct answer, exactly as you said, | 0:16:48 | 0:16:51 | |
Kalashnikov, Mikhail Kalashnikov, | 0:16:51 | 0:16:53 | |
the inventor of the Automatic Kalashnikov 47. | 0:16:53 | 0:16:56 | |
47 coming from the year 1947. | 0:16:56 | 0:16:59 | |
And The Winter's Tale, not the right answer. | 0:16:59 | 0:17:01 | |
You knew that The Winter's Tale is set on the coast of Bohemia. | 0:17:01 | 0:17:04 | |
The correct answer, Illyria, is in Twelfth Night. | 0:17:04 | 0:17:08 | |
-Oh, is that right? Oh, wow. -Thank you, Lesley. | 0:17:08 | 0:17:10 | |
Now, here we go. This is exciting. | 0:17:10 | 0:17:13 | |
We have three digits left on the keypad. | 0:17:13 | 0:17:17 | |
There is only one slot left - | 0:17:17 | 0:17:19 | |
four, five, and seven. | 0:17:19 | 0:17:21 | |
Which one is it going to be? | 0:17:21 | 0:17:23 | |
-Let's go for lucky seven. -Lucky seven. | 0:17:23 | 0:17:25 | |
OK, Paul, let's make our way to the safe. | 0:17:25 | 0:17:27 | |
Paul... | 0:17:32 | 0:17:34 | |
Long Haul Paul. | 0:17:34 | 0:17:36 | |
-You've chosen the number 7. -Yes. | 0:17:37 | 0:17:39 | |
If the number 7 is the final number in your code, | 0:17:39 | 0:17:43 | |
you will go home today to Penny with £6,000. | 0:17:43 | 0:17:47 | |
Well, she will be pleased. | 0:17:47 | 0:17:49 | |
-Well, we've got to make it happen first. -Yes. | 0:17:49 | 0:17:52 | |
-Are you ready? -I'm ready. I'm hoping it's number 7. | 0:17:52 | 0:17:55 | |
Punch in the number 7. | 0:17:55 | 0:17:57 | |
The final number in our code. | 0:18:00 | 0:18:02 | |
Is it the code - 7-6-8? | 0:18:02 | 0:18:05 | |
If it turns up, | 0:18:05 | 0:18:06 | |
then Paul is flying back to Penny with £6,000. | 0:18:06 | 0:18:12 | |
-Ah! -It's not 7. -Sorry, Penny. -It's not 7. | 0:18:19 | 0:18:23 | |
-OK. -OK, let's make our way back. | 0:18:23 | 0:18:25 | |
Paul, it almost feels like someone needs to provide us with | 0:18:26 | 0:18:30 | |
a light meal of some sort... PAUL LAUGHS | 0:18:30 | 0:18:33 | |
..of some sort to get us through this. | 0:18:33 | 0:18:35 | |
Let's refuel, let's continue. | 0:18:35 | 0:18:38 | |
Are you ready for your next three answers? | 0:18:38 | 0:18:41 | |
-Let's go. -OK, here we go. | 0:18:41 | 0:18:42 | |
I've been to Kenya many times, | 0:18:50 | 0:18:52 | |
but I'm sure it's not going to be about my visiting. | 0:18:52 | 0:18:54 | |
BB King, I listened to a lot of his music when I was younger. | 0:18:54 | 0:18:58 | |
Bow Street Runners... | 0:18:58 | 0:19:00 | |
-Yeah, let's go for Bow Street runners. -OK. | 0:19:01 | 0:19:04 | |
Let's have a look at the question behind Bow Street Runners. | 0:19:04 | 0:19:07 | |
The Bow Street Runners were | 0:19:14 | 0:19:15 | |
basically the precursor of... | 0:19:15 | 0:19:18 | |
..of the police. | 0:19:19 | 0:19:20 | |
I've got a feeling they were the first ones. | 0:19:22 | 0:19:24 | |
I also have a feeling | 0:19:25 | 0:19:27 | |
that Henry Fielding did it. | 0:19:27 | 0:19:28 | |
I think I might be lucky. | 0:19:30 | 0:19:31 | |
I can't think what else it could be. | 0:19:33 | 0:19:36 | |
And I think, in the back of my mind, I think that it is true. | 0:19:36 | 0:19:39 | |
Yeah, I think that's the correct answer. | 0:19:40 | 0:19:43 | |
Have you completed all your checks? | 0:19:43 | 0:19:45 | |
Checks complete, captain. | 0:19:45 | 0:19:47 | |
Tell me, what do you want to do with that answer? | 0:19:47 | 0:19:49 | |
I'm going to lock that in as the correct answer. | 0:19:49 | 0:19:51 | |
There we go. We can't go back, | 0:19:52 | 0:19:54 | |
but what we can do now is have a look at other two questions. | 0:19:54 | 0:19:59 | |
-Let's start with the question behind Kenya or Keen-ya. -This is torture. | 0:19:59 | 0:20:03 | |
That, I would not have a clue. | 0:20:12 | 0:20:13 | |
It's a possibility. | 0:20:13 | 0:20:15 | |
-Wouldn't have been one that you'd want to open first? -Definitely not. | 0:20:15 | 0:20:18 | |
OK. Let's have a look at the question behind BB King. | 0:20:18 | 0:20:20 | |
Well, even though I listened to a lot of BB King and Howlin' Wolf and | 0:20:28 | 0:20:31 | |
all that kind of stuff in my youth, | 0:20:31 | 0:20:33 | |
I can't remember any of the titles. | 0:20:33 | 0:20:35 | |
So, that doesn't help me either, I'm afraid. | 0:20:35 | 0:20:38 | |
Well, it's academic. | 0:20:38 | 0:20:39 | |
What we have is a locked-in answer, the Bow Street Runners. | 0:20:39 | 0:20:43 | |
It is Bow Street Runners the correct answer? | 0:20:43 | 0:20:46 | |
That is a relief. | 0:20:50 | 0:20:52 | |
-Well done. Well done. -Thank you. | 0:20:52 | 0:20:53 | |
You are doing absolutely brilliantly. | 0:20:53 | 0:20:55 | |
Very well done, yes. | 0:20:55 | 0:20:57 | |
Paul, you've joined an elite group of players | 0:20:57 | 0:20:59 | |
-who have got to nine questions successfully. -Oh, wow! | 0:20:59 | 0:21:02 | |
The Bow Street Runners is the correct answer. | 0:21:02 | 0:21:04 | |
They were regarded as the first British police force, | 0:21:04 | 0:21:07 | |
started as half a dozen men. | 0:21:07 | 0:21:09 | |
And Kenya, that's not the right answer. | 0:21:09 | 0:21:11 | |
The Kenyan national anthem has a version in Swahili | 0:21:11 | 0:21:14 | |
and another in English. | 0:21:14 | 0:21:15 | |
The correct answer is South Africa. | 0:21:15 | 0:21:17 | |
And BB King not the right answer there. | 0:21:17 | 0:21:19 | |
-The correct answer is Robert Johnson. -Oh. -Well done. | 0:21:19 | 0:21:23 | |
Paul, you have one digit remaining in the code and two to choose from. | 0:21:23 | 0:21:29 | |
The crucial question is - which number are you going to go for? | 0:21:29 | 0:21:32 | |
I think - I was making patterns earlier, wasn't I? | 0:21:34 | 0:21:36 | |
-and that seemed to be OK for my strategy. -Yes. | 0:21:36 | 0:21:39 | |
The pattern I would make there, I think, would be number 4. | 0:21:39 | 0:21:42 | |
In that case, Paul, join me at the safe. | 0:21:42 | 0:21:45 | |
Thank you. | 0:21:45 | 0:21:46 | |
Paul, you've chosen the number 4. | 0:21:51 | 0:21:54 | |
If the number 4 is the final number in your code, | 0:21:54 | 0:21:58 | |
then the door will swing open | 0:21:58 | 0:22:01 | |
and you will be walking home with £6,000 today. | 0:22:01 | 0:22:05 | |
Paul, punch in the number 4. | 0:22:06 | 0:22:08 | |
Are we going to see the number 4 pop up here? | 0:22:14 | 0:22:17 | |
Or are we really in this for the long haul? | 0:22:17 | 0:22:20 | |
Are we going to take this all the way | 0:22:20 | 0:22:22 | |
with all ten numbers on the keypad? | 0:22:22 | 0:22:24 | |
Come on, come on. | 0:22:24 | 0:22:26 | |
We've never had to press all ten numbers before. | 0:22:26 | 0:22:29 | |
Is it number 4? | 0:22:29 | 0:22:32 | |
Come on. | 0:22:32 | 0:22:33 | |
THEY LAUGH | 0:22:35 | 0:22:38 | |
-OK, well, let's...let's... -I wonder what number it could be. | 0:22:39 | 0:22:43 | |
I wonder. I wonder, I wonder. | 0:22:43 | 0:22:45 | |
We know our code now. 5-6-8. That's it. | 0:22:48 | 0:22:50 | |
The big question is - can we make it through one more question? | 0:22:50 | 0:22:54 | |
All ten questions and you will truly be crowned Long Haul Paul then. | 0:22:54 | 0:23:00 | |
-No-one has ever done it this long way round. -OK. | 0:23:00 | 0:23:04 | |
Get this question right and you will open the safe | 0:23:04 | 0:23:07 | |
and you will take away £6,000. | 0:23:07 | 0:23:10 | |
It's that simple, so let's see... | 0:23:10 | 0:23:13 | |
our last three answers. | 0:23:13 | 0:23:16 | |
Oh, my word. Angers could be anything. | 0:23:24 | 0:23:26 | |
I presume it's French, but... | 0:23:26 | 0:23:29 | |
You are thinking that's a French... | 0:23:29 | 0:23:31 | |
-Angers. -Right. | 0:23:31 | 0:23:33 | |
I think I'll have to start with croquet | 0:23:34 | 0:23:36 | |
and hope I know some of the rules of croquet. | 0:23:36 | 0:23:38 | |
We are going to open croquet and have a look | 0:23:38 | 0:23:41 | |
at the question behind it. | 0:23:41 | 0:23:42 | |
I think I remember seeing this picture. | 0:23:53 | 0:23:55 | |
I've got a big history interest | 0:23:55 | 0:23:57 | |
and I subscribe to a history magazine | 0:23:57 | 0:23:59 | |
which shall remain nameless | 0:23:59 | 0:24:00 | |
and they had this picture in there | 0:24:00 | 0:24:02 | |
and it was something very surprising where you think, "What?" | 0:24:02 | 0:24:06 | |
I've got a feeling it could very well be croquet. | 0:24:06 | 0:24:08 | |
I'm just trying to cast my mind back to the picture. | 0:24:09 | 0:24:12 | |
There's a grainy, black-and-white picture, and he was there, | 0:24:12 | 0:24:15 | |
I think with something over his shoulder, | 0:24:15 | 0:24:18 | |
which could be a croquet mallet. | 0:24:18 | 0:24:20 | |
I think if you got that gut instinct | 0:24:20 | 0:24:22 | |
which thinks, "I've seen the picture," | 0:24:22 | 0:24:24 | |
and I know at the time I had that kind of... | 0:24:24 | 0:24:27 | |
"What?!" kind of reaction. "How could Billy the Kid play croquet?" | 0:24:27 | 0:24:31 | |
I can't dismiss that if that's the kind of memory that I have. | 0:24:31 | 0:24:35 | |
How much is the subscription you pay for that magazine? | 0:24:35 | 0:24:37 | |
25 quid a year, something like that. | 0:24:37 | 0:24:39 | |
So, it could be quite worthwhile, couldn't it? | 0:24:39 | 0:24:41 | |
It would be worth every penny to you and Penny | 0:24:41 | 0:24:44 | |
IF it turned out to be the source for the information | 0:24:44 | 0:24:47 | |
-that gave you the right answer here. -Mm. | 0:24:47 | 0:24:50 | |
I'm going to lock that in as the correct answer. | 0:24:50 | 0:24:52 | |
Let's lock it in. | 0:24:52 | 0:24:53 | |
OK, croquet is locked in as our correct answer. | 0:24:55 | 0:24:58 | |
The one answer which could now give us - automatically - £6,000. | 0:24:58 | 0:25:04 | |
Let's have a look at the question behind Angers. | 0:25:04 | 0:25:07 | |
I've flown over Brittany many times. I should have looked down. | 0:25:12 | 0:25:16 | |
I don't think it's Angers. | 0:25:16 | 0:25:17 | |
OK, let's have a look at the question behind Kew Gardener. | 0:25:17 | 0:25:20 | |
The same magazine, I believe, | 0:25:33 | 0:25:35 | |
had the same kind of information. | 0:25:35 | 0:25:39 | |
I don't remember Kew Gardener being an answer. | 0:25:39 | 0:25:42 | |
Neither of those has shaken your confidence in your original answer. | 0:25:42 | 0:25:45 | |
Your original thought was that croquet was the correct answer. | 0:25:45 | 0:25:49 | |
If I was given all those three answers as they stand now, | 0:25:49 | 0:25:52 | |
I would still probably go for that top one. | 0:25:52 | 0:25:55 | |
-OK, well, you can't ask for much more than that. -Indeed. | 0:25:55 | 0:25:58 | |
OK, this is it. This is the moment of truth. | 0:25:58 | 0:26:01 | |
We don't need to worry about the keypad any more. | 0:26:01 | 0:26:04 | |
We know what the code is. It has to be 5-6-8. | 0:26:04 | 0:26:06 | |
All we need to know now is that croquet is the correct answer, | 0:26:06 | 0:26:11 | |
that it's going to go green and that you will be walking away | 0:26:11 | 0:26:13 | |
with £6,000 for yourself and for Penny back in Farnham. | 0:26:13 | 0:26:19 | |
Is croquet the correct answer? | 0:26:19 | 0:26:22 | |
-LAUGHS: -Yes! | 0:26:26 | 0:26:28 | |
I'm so pleased for you. | 0:26:30 | 0:26:32 | |
That was great, great work. | 0:26:32 | 0:26:34 | |
Come on! Join me down at the safe | 0:26:34 | 0:26:37 | |
where, without worrying about a thing, | 0:26:37 | 0:26:40 | |
you can hit the number five and you can know exactly | 0:26:40 | 0:26:43 | |
-what is going to happen. There it goes. -Is it? | 0:26:43 | 0:26:46 | |
Cos we know it's going to be a five. | 0:26:46 | 0:26:49 | |
The safe opens, reach in there, grab the handle, Paul, open it up. | 0:26:49 | 0:26:54 | |
And take the money. It's all yours. It's all yours. | 0:26:56 | 0:27:00 | |
-Woohoo! -Take that away. | 0:27:00 | 0:27:03 | |
This is for me. | 0:27:03 | 0:27:05 | |
And join me back at the beginning, where it all started. | 0:27:05 | 0:27:08 | |
-Indeed. A long time ago. -Right. | 0:27:08 | 0:27:11 | |
Just to confirm, here we are, as we now know | 0:27:11 | 0:27:14 | |
by the very lengthy process of elimination, | 0:27:14 | 0:27:18 | |
the code was 5-6-8. | 0:27:18 | 0:27:21 | |
What can I say? £6,000, it's going back to Penny | 0:27:21 | 0:27:24 | |
with our best regards. You won't see a penny of it... | 0:27:24 | 0:27:27 | |
-Probably not, no. -She will decide what goes on with all of it. | 0:27:27 | 0:27:31 | |
-What do you think, Lesley? -Phew! Congratulations. | 0:27:31 | 0:27:34 | |
-Thank you. -Really, really pleased - | 0:27:34 | 0:27:36 | |
and that's the first time anyone has had to go through ten questions | 0:27:36 | 0:27:39 | |
to open that safe and take the cash. | 0:27:39 | 0:27:40 | |
I'm absolutely delighted. | 0:27:40 | 0:27:42 | |
Let's look at the answers. You were very fortunate to pick croquet | 0:27:42 | 0:27:45 | |
as your first option. That's the correct option answer there. | 0:27:45 | 0:27:48 | |
Angers, not that this matters now, but Rennes is the capital Brittany, | 0:27:48 | 0:27:51 | |
-which you didn't notice when you were flying over. -Yes. | 0:27:51 | 0:27:54 | |
They don't have a big sign saying "Rennes" | 0:27:54 | 0:27:56 | |
that's visible from the air. | 0:27:56 | 0:27:57 | |
And Kew Gardener, not the correct answer. | 0:27:57 | 0:28:00 | |
This is the story about "I see no ships." | 0:28:00 | 0:28:02 | |
The correct answer being Hyde Parker. | 0:28:02 | 0:28:04 | |
-I'm delighted for you. -Thank you very much. | 0:28:04 | 0:28:07 | |
Do you know what? You are our second solo winner, | 0:28:07 | 0:28:09 | |
second winner of this series, | 0:28:09 | 0:28:10 | |
but our second solo winner. | 0:28:10 | 0:28:12 | |
-You have cracked the code. -Thank you. | 0:28:12 | 0:28:14 | |
And we have to send you on your way now, as a winner, with your cash. | 0:28:14 | 0:28:18 | |
-Thank you very much. -Thank you so much for joining us. | 0:28:18 | 0:28:20 | |
Wow! Well, big congratulations to Paul, who walks away with £6,000. | 0:28:24 | 0:28:31 | |
The jackpot has been won, | 0:28:31 | 0:28:33 | |
which means a fresh £3,000 | 0:28:33 | 0:28:35 | |
goes into the safe. | 0:28:35 | 0:28:36 | |
Let's see if our next team can do what Paul has done | 0:28:40 | 0:28:43 | |
and crack the code. | 0:28:43 | 0:28:44 | |
-Here they are. Good to see you. How are you, Nick? -Hi. Good, thanks. | 0:28:50 | 0:28:53 | |
-Waheeza. -Hi. -And Matt. -Matt. | 0:28:53 | 0:28:55 | |
Good to see you. Right, tell me, whereabouts are you all from? | 0:28:55 | 0:28:58 | |
-I live in Staffordshire. -And we're both Northampton-based. | 0:28:58 | 0:29:01 | |
And how do you know each other? | 0:29:01 | 0:29:02 | |
We are all on the marketing team | 0:29:02 | 0:29:04 | |
-for our builders' merchants. -A builders' merchants? | 0:29:04 | 0:29:07 | |
-That's it. Yeah. -OK, so you are building the country for us. | 0:29:07 | 0:29:10 | |
-We are indeed, yeah. -One brick at a time. Do you sell bricks? -Yes. | 0:29:10 | 0:29:14 | |
We sell anything on the ground and in the ground. | 0:29:14 | 0:29:16 | |
So then, tell me, what is the most popular thing that you sell? | 0:29:16 | 0:29:19 | |
What do you sell the most of? | 0:29:19 | 0:29:20 | |
Poo pipes and manholes. | 0:29:20 | 0:29:22 | |
Poo pipes and manholes. | 0:29:22 | 0:29:24 | |
That's right. We look after sewers and drainage. | 0:29:24 | 0:29:26 | |
Marvellous stuff. | 0:29:26 | 0:29:27 | |
OK, so you saw Paul staggering away with £6,000. | 0:29:27 | 0:29:31 | |
-He was pretty amazing, wasn't he? ALL: -Yes. | 0:29:31 | 0:29:33 | |
For you guys, that means we have to start again from scratch. | 0:29:33 | 0:29:36 | |
We put a fresh £3,000 into the safe. | 0:29:36 | 0:29:39 | |
£1,000 each, works very nicely indeed. | 0:29:39 | 0:29:42 | |
Now, we are going to reset the code. | 0:29:42 | 0:29:44 | |
-Are you ready? ALL: -Yes. | 0:29:48 | 0:29:50 | |
Let's have a look at your first three answers. | 0:29:50 | 0:29:52 | |
Oh, pink. | 0:29:54 | 0:29:56 | |
Only one of those answer is correct. | 0:29:57 | 0:29:59 | |
That's the one we're trying to identify. | 0:29:59 | 0:30:01 | |
At this point in the game, | 0:30:01 | 0:30:02 | |
you get to open all three questions | 0:30:02 | 0:30:04 | |
to have a look at them. | 0:30:04 | 0:30:05 | |
So, let's start at the top, | 0:30:05 | 0:30:06 | |
the question behind 15th. | 0:30:06 | 0:30:08 | |
On which day of February is Valentine's Day celebrated | 0:30:09 | 0:30:13 | |
in the UK? | 0:30:13 | 0:30:14 | |
-It's not the 15th. -I think my wife would kill me if I got that wrong. | 0:30:14 | 0:30:17 | |
OK, so we can move on from that one straightaway. | 0:30:17 | 0:30:20 | |
Let's have a look at the question behind Pink. | 0:30:20 | 0:30:22 | |
-They are yellow. -Yellow. | 0:30:28 | 0:30:29 | |
Happy with that one, as well. | 0:30:29 | 0:30:31 | |
The question behind Bus. | 0:30:31 | 0:30:32 | |
I think we can go with Bus on that one. | 0:30:40 | 0:30:42 | |
Yeah, that's quite a common phrase. | 0:30:42 | 0:30:44 | |
OK, we are in absolute agreement here, unanimous. | 0:30:44 | 0:30:47 | |
We want to lock in Bus as our correct answer. | 0:30:47 | 0:30:49 | |
Is Bus our correct answer? | 0:30:51 | 0:30:53 | |
Absolutely. No doubt about that at all. Lesley. | 0:30:56 | 0:30:59 | |
Synchronised quizzing. | 0:30:59 | 0:31:01 | |
You knew all of the answers there, | 0:31:01 | 0:31:03 | |
saying them at almost exactly the same time. | 0:31:03 | 0:31:05 | |
Jose Mourinho once remarked about a 0-0 draw, | 0:31:05 | 0:31:08 | |
Chelsea versus Spurs, "As we say in Portugal, | 0:31:08 | 0:31:11 | |
"they brought the bus | 0:31:11 | 0:31:13 | |
"and they left the bus in front of the goal." | 0:31:13 | 0:31:15 | |
Let's look at the others. | 0:31:15 | 0:31:16 | |
You knew immediately 15th wasn't right here. | 0:31:16 | 0:31:19 | |
And Nick, thank goodness, knows that, | 0:31:19 | 0:31:21 | |
otherwise he'd be in trouble with his wife. | 0:31:21 | 0:31:23 | |
It's the 14th of February. | 0:31:23 | 0:31:24 | |
And Pink, you all said that at the same time - no, that's yellow. | 0:31:24 | 0:31:27 | |
The Minions have been in their own film, Minions, from 2015. | 0:31:27 | 0:31:30 | |
Yes, our team is laying the foundations... | 0:31:30 | 0:31:33 | |
..for a very easy run here, | 0:31:36 | 0:31:37 | |
because now, in no time at all, | 0:31:37 | 0:31:39 | |
we have the chance to put our first number from the keypad | 0:31:39 | 0:31:42 | |
into the code. | 0:31:42 | 0:31:44 | |
What number? | 0:31:44 | 0:31:45 | |
-0? -Did you agree this beforehand? | 0:31:45 | 0:31:47 | |
-Yes. -Yes. -0? -0. | 0:31:47 | 0:31:49 | |
Going to start at the bottom with 0. Is it there in our code? | 0:31:49 | 0:31:53 | |
Let's have a look at the first box. | 0:31:53 | 0:31:55 | |
-Oh! -Oh. -Oh, let's not muck about! | 0:31:56 | 0:31:59 | |
-Have you got somewhere to be?! -No. | 0:31:59 | 0:32:02 | |
0, the first number in the code. | 0:32:02 | 0:32:04 | |
0, blank, blank. | 0:32:04 | 0:32:06 | |
No team has ever completed the code in three questions. | 0:32:06 | 0:32:10 | |
-Could be us. -Could be us. | 0:32:10 | 0:32:11 | |
Yeah, the slight bad news is that it's not always the best thing. | 0:32:11 | 0:32:15 | |
-No. -There are nine digits left there | 0:32:15 | 0:32:17 | |
and we're now at a trickier stage of the quiz | 0:32:17 | 0:32:19 | |
where, yes, you get the three answers | 0:32:19 | 0:32:22 | |
but, unfortunately, now you only see two questions | 0:32:22 | 0:32:25 | |
before you have to make a decision about which one is correct. | 0:32:25 | 0:32:28 | |
Let's see the next three answers. | 0:32:28 | 0:32:30 | |
-Let's go celebrity squares. -Yeah. | 0:32:35 | 0:32:37 | |
The question behind celebrity squares. | 0:32:37 | 0:32:39 | |
-That's Take Me Out. -Take Me Out. | 0:32:43 | 0:32:45 | |
OK. You can open one other now | 0:32:47 | 0:32:49 | |
before we have to make a decision. | 0:32:49 | 0:32:52 | |
-Let's go Il Divo. -Let's go Il Divo. | 0:32:52 | 0:32:55 | |
The question behind Il Divo. | 0:32:55 | 0:32:57 | |
All I know is that Il Divo... | 0:33:08 | 0:33:09 | |
I think they have mixed nationalities. | 0:33:09 | 0:33:12 | |
Which is why that one's looking quite good. | 0:33:12 | 0:33:14 | |
Either we go for Il Divo, or we go blind and Belgium. | 0:33:14 | 0:33:18 | |
Shall we go...? | 0:33:18 | 0:33:20 | |
-For me it seems sensible, given it's a mixed nationality. -Yeah? | 0:33:20 | 0:33:24 | |
-To go Il Divo? -Yep, right, let's go for it. | 0:33:24 | 0:33:26 | |
We'll go for Il Divo. | 0:33:26 | 0:33:28 | |
-Lock that one in. -We're going to lock in Il Divo as a correct answer. | 0:33:28 | 0:33:32 | |
OK. It means now we can have a look at the question behind Belgium. | 0:33:36 | 0:33:39 | |
I don't know. | 0:33:48 | 0:33:49 | |
Feel like we should know. | 0:33:49 | 0:33:51 | |
It is academic at the end of the day, | 0:33:51 | 0:33:53 | |
because Il Divo is locked in, | 0:33:53 | 0:33:55 | |
and that's the one we need to be our correct answer, | 0:33:55 | 0:33:57 | |
if we're going to have another chance | 0:33:57 | 0:33:59 | |
to continue this rapid progress | 0:33:59 | 0:34:01 | |
that we're making. | 0:34:01 | 0:34:02 | |
Is Il Divo our correct answer? | 0:34:02 | 0:34:06 | |
-Hey! -Hey, that's good. | 0:34:09 | 0:34:12 | |
It was good, Waheeza, if you say it yourself. | 0:34:12 | 0:34:14 | |
Lesley. | 0:34:14 | 0:34:16 | |
Yes, well done. | 0:34:16 | 0:34:17 | |
I think what helped you here | 0:34:17 | 0:34:18 | |
was remembering that Il Divo is an international group. | 0:34:18 | 0:34:21 | |
They're from Switzerland, France, | 0:34:21 | 0:34:23 | |
Spain and the United States of America. | 0:34:23 | 0:34:25 | |
Let's look at the wrong answers on the board. | 0:34:25 | 0:34:26 | |
Belgium, not correct. | 0:34:26 | 0:34:28 | |
Belgium joined the UN in 1945. | 0:34:28 | 0:34:30 | |
The correct answer is Switzerland. | 0:34:30 | 0:34:32 | |
And Celebrity squares - you knew straightaway | 0:34:32 | 0:34:34 | |
that "No likey, no lighty", as well as, "Let the hanky see the panky" | 0:34:34 | 0:34:38 | |
and other such phrases are from Take Me Out. | 0:34:38 | 0:34:42 | |
It's good. Maybe we need a catchphrase. Maybe that's... | 0:34:42 | 0:34:45 | |
If you think up one, do let us know. | 0:34:45 | 0:34:47 | |
-No codey, no winny. -No codey, no winny. | 0:34:47 | 0:34:49 | |
-No, I don't like that one. -That's not going to work. | 0:34:49 | 0:34:52 | |
OK, fantastic work. | 0:34:52 | 0:34:53 | |
It means you've got the chance to put in another digit into the code | 0:34:53 | 0:34:56 | |
to see if it's there. | 0:34:56 | 0:34:57 | |
0, wow. | 0:34:57 | 0:34:58 | |
Well, you hit the bull's-eye with that. | 0:34:58 | 0:35:00 | |
What's the plan, what's the next one? | 0:35:00 | 0:35:02 | |
-We'll go 8. -8. | 0:35:02 | 0:35:03 | |
8. This is part of a plan? | 0:35:03 | 0:35:05 | |
Love it. The number 8. | 0:35:05 | 0:35:07 | |
-THEY LAUGH -I don't know! | 0:35:07 | 0:35:09 | |
Is it there in your code? | 0:35:09 | 0:35:11 | |
Let's have a look in the second box. | 0:35:11 | 0:35:14 | |
No number 8. | 0:35:14 | 0:35:16 | |
Is it there in the third and final box? | 0:35:16 | 0:35:18 | |
No, no number 8. | 0:35:20 | 0:35:21 | |
0, blip, blip - but you're getting rid of numbers | 0:35:21 | 0:35:25 | |
at this slightly easier stage of the game. | 0:35:25 | 0:35:27 | |
Your next three answers - let's have a look. | 0:35:27 | 0:35:29 | |
Oh...! | 0:35:33 | 0:35:34 | |
Yes, it reads as a sentence. | 0:35:37 | 0:35:39 | |
The order in which you open these - very important. | 0:35:39 | 0:35:41 | |
I've watched a lot of snooker, | 0:35:41 | 0:35:42 | |
particularly when Steve Davis was winning in the '80s, | 0:35:42 | 0:35:45 | |
so, yeah, be quite good at that one, I think. | 0:35:45 | 0:35:48 | |
Happy with Steve Davis? All right, go. | 0:35:48 | 0:35:50 | |
Do you feel like you have a lot in common with Steve Davis, Nick? | 0:35:50 | 0:35:53 | |
My dad looks like him. | 0:35:53 | 0:35:54 | |
Your dad looks like Steve Davis. | 0:35:54 | 0:35:56 | |
These are all perfectly acceptable reasons to choose it. | 0:35:56 | 0:35:59 | |
Is he called Steve as well? | 0:35:59 | 0:36:01 | |
He is, yeah. | 0:36:01 | 0:36:02 | |
-Is your dad in fact Steve Davis? -He might be, yeah! | 0:36:02 | 0:36:04 | |
And maybe that's the question? | 0:36:04 | 0:36:06 | |
Let's find out. | 0:36:06 | 0:36:07 | |
I have read he might actually play poker, | 0:36:13 | 0:36:15 | |
now he's finished his playing career, | 0:36:15 | 0:36:18 | |
but I'm not sure if he's won it, | 0:36:18 | 0:36:20 | |
-that competition, twice. -OK. | 0:36:20 | 0:36:23 | |
Well, we don't have to make a decision just yet, | 0:36:23 | 0:36:25 | |
we can have a look at another question | 0:36:25 | 0:36:27 | |
and see what we've got. Which one next? | 0:36:27 | 0:36:29 | |
-Try five times. -Five times. | 0:36:29 | 0:36:31 | |
The question behind five times, please. | 0:36:31 | 0:36:34 | |
I'm kind of thinking that you might read them out once for each family. | 0:36:42 | 0:36:46 | |
At least... | 0:36:47 | 0:36:49 | |
I remember when my mum and stepdad got married, | 0:36:49 | 0:36:52 | |
being dragged out of bed early on a Sunday morning | 0:36:52 | 0:36:55 | |
to have the Banns read, multiple times. | 0:36:55 | 0:36:58 | |
How many multiple times? | 0:36:58 | 0:36:59 | |
Was it five?! | 0:36:59 | 0:37:00 | |
Five seems a lot. | 0:37:00 | 0:37:02 | |
I think it might be three times for the Banns. | 0:37:02 | 0:37:05 | |
Right, so did Steve Davis win the European Poker Tour twice? | 0:37:05 | 0:37:10 | |
I know he plays poker but I don't know if he's won it twice, so... | 0:37:10 | 0:37:13 | |
When would he have quit or retired from playing snooker? | 0:37:13 | 0:37:16 | |
Three or four years ago, I think he stopped playing professionally. | 0:37:16 | 0:37:19 | |
Would he have then won it twice in 2014? By 2014? | 0:37:19 | 0:37:23 | |
So, I think, do we have to go blind and go for Rubbing Body Parts? | 0:37:23 | 0:37:26 | |
Are we going Rubbing Body Parts? | 0:37:26 | 0:37:28 | |
We're going to go blind, with Rubbing Body Parts. | 0:37:28 | 0:37:31 | |
We will lock in Rubbing Body Parts as our correct answer. | 0:37:31 | 0:37:34 | |
OK, we've seen the other two, we're not happy with those. | 0:37:35 | 0:37:38 | |
Will we be happy with the question behind this? | 0:37:38 | 0:37:41 | |
Let's have a look. | 0:37:41 | 0:37:42 | |
What does stridulating mean? | 0:37:47 | 0:37:49 | |
What do you think of that? | 0:37:49 | 0:37:51 | |
-They rub their legs. -I think they rub the back of their legs together. | 0:37:51 | 0:37:54 | |
So, given that you didn't like the other two questions, | 0:37:54 | 0:37:58 | |
didn't really feel anything, | 0:37:58 | 0:37:59 | |
-has that made you feel much more confident? -Yes. -A bit. | 0:37:59 | 0:38:02 | |
I'm happy for you. | 0:38:02 | 0:38:04 | |
We want you to be happy. | 0:38:04 | 0:38:06 | |
Is Rubbing Body Parts our correct answer? | 0:38:06 | 0:38:09 | |
Fantastic. Well done, team. | 0:38:12 | 0:38:16 | |
-Good decision. -Very brave. Lesley. | 0:38:16 | 0:38:18 | |
Good decision to pick the answer | 0:38:18 | 0:38:19 | |
to which you could not see the question there. | 0:38:19 | 0:38:21 | |
Yes, Rubbing Body Parts is correct. | 0:38:21 | 0:38:23 | |
But crickets, you said they rub their legs - | 0:38:23 | 0:38:25 | |
it's actually their wings they rub together to make that noise. | 0:38:25 | 0:38:28 | |
It's commonly thought to be their legs. | 0:38:28 | 0:38:30 | |
Steve Davis - not the right answer. | 0:38:30 | 0:38:31 | |
You were discussing when he retired from snooker - | 0:38:31 | 0:38:34 | |
that was in 2016, having failed to qualify | 0:38:34 | 0:38:36 | |
for the World Snooker Championships. | 0:38:36 | 0:38:38 | |
The correct answer is Victoria Coren Mitchell. | 0:38:38 | 0:38:41 | |
Victoria Coren Mitchell, | 0:38:41 | 0:38:43 | |
presenter, amongst other things, of Only Connect. | 0:38:43 | 0:38:45 | |
Five times - not the right answer. | 0:38:45 | 0:38:47 | |
Matt, you said the correct answer to this one - three times. | 0:38:47 | 0:38:50 | |
The Banns should be read out three times | 0:38:50 | 0:38:52 | |
over the course of three months, | 0:38:52 | 0:38:54 | |
giving people a chance to object. | 0:38:54 | 0:38:56 | |
Thank you, Lesley. No reason to object to that, though. | 0:38:56 | 0:38:58 | |
You are doing fantastically well, | 0:38:58 | 0:39:00 | |
and it's bought you the chance to choose another digit. | 0:39:00 | 0:39:03 | |
0 and 8 have gone. | 0:39:03 | 0:39:05 | |
Eight other digits remain. | 0:39:05 | 0:39:06 | |
Where are we going next? | 0:39:06 | 0:39:08 | |
Shall we go 1? | 0:39:08 | 0:39:09 | |
I like the idea of 1. Let's try 1. | 0:39:09 | 0:39:11 | |
We like the idea of 1. Is it up there in the code, | 0:39:11 | 0:39:15 | |
in the second box? | 0:39:15 | 0:39:16 | |
No number 1 there. | 0:39:18 | 0:39:19 | |
How about in the third and final box? | 0:39:19 | 0:39:22 | |
-Ah. -Oh. -OK. -No, it's not. | 0:39:22 | 0:39:24 | |
We are whittling away the numbers, | 0:39:24 | 0:39:26 | |
and that will only help you in the long term. | 0:39:26 | 0:39:28 | |
Let's look at your next three answers. | 0:39:28 | 0:39:30 | |
-Milton Keynes? -Milton Keynes. | 0:39:37 | 0:39:38 | |
OK, let's open the questions behind Milton Keynes. | 0:39:38 | 0:39:41 | |
That's Bletchley Park, that is. | 0:39:50 | 0:39:52 | |
Bletchley is in Milton Keynes, | 0:39:52 | 0:39:53 | |
-it's down the road from my mum and dad's house. -OK. | 0:39:53 | 0:39:56 | |
-Which one would you like to open next? -Your Holiness. | 0:39:56 | 0:39:59 | |
-Yes. -Let's do that. | 0:39:59 | 0:40:00 | |
Let's do Your Holiness. | 0:40:00 | 0:40:01 | |
Let's open the question behind Your Holiness. | 0:40:01 | 0:40:03 | |
It sounds like it could be true. | 0:40:09 | 0:40:11 | |
I'd probably call a reverend Your Holiness. | 0:40:11 | 0:40:14 | |
We have to now, given that two of those are open, | 0:40:14 | 0:40:17 | |
we have to choose one of those | 0:40:17 | 0:40:18 | |
as the correct answer. | 0:40:18 | 0:40:19 | |
Which one do you fancy? | 0:40:19 | 0:40:21 | |
Milton Keynes. | 0:40:21 | 0:40:22 | |
OK, let's lock in Milton Keynes. | 0:40:22 | 0:40:24 | |
I don't think you could be much more confident. | 0:40:24 | 0:40:28 | |
We can have a look | 0:40:28 | 0:40:29 | |
at the question behind Caligula. | 0:40:29 | 0:40:31 | |
-We wouldn't have known that. -No. -No? | 0:40:36 | 0:40:38 | |
Doesn't make any difference to the way you feel? OK. | 0:40:38 | 0:40:41 | |
Is Milton Keynes the correct answer? | 0:40:41 | 0:40:43 | |
Well done. Good stuff. | 0:40:46 | 0:40:48 | |
I'm so glad there's not another Bletchley. | 0:40:48 | 0:40:49 | |
Lesley. | 0:40:49 | 0:40:50 | |
Yes, Milton Keynes, the home | 0:40:50 | 0:40:52 | |
of the National Museum of Computing at Bletchley. | 0:40:52 | 0:40:55 | |
Bletchley used to be on the Varsity line | 0:40:55 | 0:40:57 | |
that connected Oxford and Cambridge, now defunct. | 0:40:57 | 0:40:59 | |
Caligula was the question that you couldn't see. | 0:40:59 | 0:41:02 | |
Caligula was Nero's uncle, | 0:41:02 | 0:41:04 | |
said to be fiddling while Rome burned - | 0:41:04 | 0:41:07 | |
fiddling in the sense of playing a violin. | 0:41:07 | 0:41:09 | |
Probably not true, especially since violins didn't exist at the time, | 0:41:09 | 0:41:13 | |
though it may have been another instrument. | 0:41:13 | 0:41:15 | |
And Your Holiness - usually Your Holiness is reserved for the Pope. | 0:41:15 | 0:41:18 | |
There are other church leaders that use that term. | 0:41:18 | 0:41:21 | |
But the Reverend Adam Smallbone was known as Vicarage, | 0:41:21 | 0:41:25 | |
and his wife Mrs Vicarage. | 0:41:25 | 0:41:27 | |
Very well done. Nicely worked out. | 0:41:27 | 0:41:30 | |
Yes, absolutely. Well, that one landed in your lap a little bit. | 0:41:30 | 0:41:33 | |
They aren't all like that, but it doesn't make any difference, | 0:41:33 | 0:41:37 | |
because one way or the other it buys you the right | 0:41:37 | 0:41:39 | |
to choose another digit from the keypad | 0:41:39 | 0:41:41 | |
and see if it's in the code. | 0:41:41 | 0:41:43 | |
-3? -Yeah, go on, then. | 0:41:43 | 0:41:45 | |
-3. Go for 3. -The number 3. | 0:41:45 | 0:41:47 | |
Is the number 3 there in the code? | 0:41:47 | 0:41:50 | |
Is it there in the second box? | 0:41:50 | 0:41:51 | |
Oh. | 0:41:54 | 0:41:56 | |
OK. | 0:41:56 | 0:41:58 | |
Fantastic. | 0:41:58 | 0:41:59 | |
So, now, look - we have in our code 0,3...and something. | 0:41:59 | 0:42:04 | |
And that something's what we need to find out | 0:42:04 | 0:42:07 | |
if we're going to get our hands | 0:42:07 | 0:42:09 | |
on a £3,000 jackpot. | 0:42:09 | 0:42:10 | |
But you are making quite smart work of this. | 0:42:10 | 0:42:12 | |
KLAXON | 0:42:12 | 0:42:14 | |
-Ooh. -Now, that sound means that, unfortunately, | 0:42:14 | 0:42:16 | |
we have run out of time. | 0:42:16 | 0:42:18 | |
So our team will not be cracking the code today, | 0:42:18 | 0:42:21 | |
although you are making short work of this. | 0:42:21 | 0:42:24 | |
You are that close now, that close. | 0:42:24 | 0:42:27 | |
Just one digit away from £3,000 between you. | 0:42:27 | 0:42:30 | |
So, we'll carry that on tomorrow. | 0:42:30 | 0:42:32 | |
-Make sure you do a bit of cramming over night. -OK. | 0:42:32 | 0:42:34 | |
-We'll try. -And, Lesley, thank you so much | 0:42:34 | 0:42:36 | |
for all the knowledge you've shared with us today. | 0:42:36 | 0:42:39 | |
You're very welcome. | 0:42:39 | 0:42:40 | |
I've really enjoyed the show today. | 0:42:40 | 0:42:42 | |
We saw Long Haul Paul earlier walk away with the £6,000. | 0:42:42 | 0:42:45 | |
And now you are playing perfectly. Well done. | 0:42:45 | 0:42:48 | |
Now, please join us tomorrow | 0:42:48 | 0:42:50 | |
and find out if Nick, Waheeza and Matt | 0:42:50 | 0:42:53 | |
can work their way to unlocking the safe and taking home £3,000. | 0:42:53 | 0:42:56 | |
Thank you so much for watching, and goodbye. | 0:42:56 | 0:42:59 |