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Hello and welcome to The Code. Locked in this safe is £4,000. | 0:00:12 | 0:00:17 | |
To open the safe and win the money, | 0:00:17 | 0:00:19 | |
contestants just need to crack a three-digit code. | 0:00:19 | 0:00:22 | |
But every time someone fails, | 0:00:22 | 0:00:24 | |
more money goes into the safe and the jackpot gets higher and higher. | 0:00:24 | 0:00:28 | |
So, let's meet our next team hoping to crack the code. | 0:00:28 | 0:00:32 | |
Here they come, lovely to see you. How are you, Jane? | 0:00:38 | 0:00:40 | |
-Hello, I'm very well, thank you. How are you? -Nice to see you, and Rosie? | 0:00:40 | 0:00:43 | |
-Hi. -Good to see you, both from Newbury in Berkshire. -Yes. | 0:00:43 | 0:00:46 | |
-How do you guys know each other? -We're neighbours. | 0:00:46 | 0:00:48 | |
-We met the second day we moved in, we were the last to move in. -Right. | 0:00:48 | 0:00:51 | |
And we had a house-warming party and invited all the neighbours. | 0:00:51 | 0:00:55 | |
So, what do you guys do? | 0:00:55 | 0:00:56 | |
So, I'm a freelance coach and management trainer and I do that | 0:00:56 | 0:00:59 | |
so I can spend a fair amount of time at home | 0:00:59 | 0:01:01 | |
with my two and four-year-old. | 0:01:01 | 0:01:02 | |
OK, what sort of things do you like doing when you're not at work, Jane? | 0:01:02 | 0:01:06 | |
I like gardening and adventure holidays and belly dancing. | 0:01:06 | 0:01:09 | |
-Belly dancing? -Yes! | 0:01:09 | 0:01:11 | |
A beginner's move for someone like myself, if I was going to start? | 0:01:11 | 0:01:14 | |
You could do a figure of eight. So, you have to keep... | 0:01:14 | 0:01:16 | |
-Keep the top very still. -OK. -Keep the top still and do a... | 0:01:16 | 0:01:19 | |
-I'm just moving... -That's amazing. -Is that good? -That's wonderful. | 0:01:19 | 0:01:23 | |
What does it look like from behind, Lesley? | 0:01:23 | 0:01:25 | |
-Really good. She saying that, she's saying nothing. -She's speechless! | 0:01:26 | 0:01:29 | |
That's all we need to know. It looks like a figure of something. | 0:01:29 | 0:01:32 | |
Yes, well, listen, we wish you the very, very best. | 0:01:32 | 0:01:35 | |
Luck didn't hold out, unfortunately, for our last team, | 0:01:35 | 0:01:38 | |
Anthony and Michael. | 0:01:38 | 0:01:39 | |
They failed, but it's good news for you because it means we add | 0:01:39 | 0:01:42 | |
another £500 to the safe, | 0:01:42 | 0:01:45 | |
bringing us to a total of £4,000. | 0:01:45 | 0:01:49 | |
2,000 each, that works out quite well, doesn't it? | 0:01:49 | 0:01:51 | |
OK, to open the safe and win that £4,000, all you need to do | 0:01:51 | 0:01:55 | |
is enter a code, which is made up of three unique numbers. | 0:01:55 | 0:01:59 | |
They're all different, no doubles in there. | 0:01:59 | 0:02:01 | |
Every time you pick the right answer, | 0:02:01 | 0:02:04 | |
then you can select a number, put it into the keypad, | 0:02:04 | 0:02:07 | |
see if it works, find out whether or not it's there in the code. | 0:02:07 | 0:02:11 | |
But be warned, if at any stage you pick the wrong answer, | 0:02:11 | 0:02:14 | |
that's it, you're out of the game. | 0:02:14 | 0:02:16 | |
Instant elimination, I'm afraid. | 0:02:16 | 0:02:18 | |
Pretty brutal. Let's reset the code. | 0:02:18 | 0:02:20 | |
There we go, three blanks. We want to see three numbers in there. | 0:02:23 | 0:02:26 | |
Before we start, let's introduce our resident book smart, Lesley Brewis! | 0:02:26 | 0:02:32 | |
Welcome, Jane and Rosie. | 0:02:32 | 0:02:34 | |
I hope you do well with the questions | 0:02:34 | 0:02:35 | |
-and that you're lucky with the numbers. -Thank you. | 0:02:35 | 0:02:38 | |
Jane and Rosie, let's have a look at your first three answers. | 0:02:38 | 0:02:40 | |
And at this point, | 0:02:46 | 0:02:47 | |
you can open all three answers. | 0:02:47 | 0:02:49 | |
So, let's have a look at the very first one, | 0:02:49 | 0:02:51 | |
the question behind Brazil. | 0:02:51 | 0:02:52 | |
Somebody in a South American country, | 0:02:59 | 0:03:03 | |
and it was a lady, was removed last year. | 0:03:03 | 0:03:06 | |
Whether it was Brazil or not, I don't know. | 0:03:07 | 0:03:09 | |
The beauty at this stage is you can compare it with the others. | 0:03:09 | 0:03:12 | |
Let's have a look at the question behind Jodhpurs. | 0:03:12 | 0:03:15 | |
Um, I think jodhpurs is an Indian name, an Indian word, I think. | 0:03:23 | 0:03:29 | |
-So, that might make sense. -Possibly. | 0:03:30 | 0:03:33 | |
Let's open the question behind Pelmet. | 0:03:33 | 0:03:36 | |
No, that's a riser. | 0:03:40 | 0:03:42 | |
And a pelmet is a curtain, so that's definitely not right. | 0:03:42 | 0:03:46 | |
-You're happy with that one? -That one can go. | 0:03:46 | 0:03:48 | |
We know that that's wrong. | 0:03:48 | 0:03:49 | |
I know that's not right, that one can go. | 0:03:49 | 0:03:51 | |
My instinct with the Brazil was no, | 0:03:51 | 0:03:53 | |
but then, regional items of clothing. | 0:03:53 | 0:03:55 | |
And regional, what does regional mean? | 0:03:55 | 0:03:57 | |
And jodhpurs these days are made of stretchy material, | 0:03:57 | 0:04:00 | |
not necessarily leather. | 0:04:00 | 0:04:01 | |
-But they probably would have been, originally. -Oh! | 0:04:01 | 0:04:05 | |
It can be either of those. I'm happy it's not Pelmet. | 0:04:07 | 0:04:09 | |
The only thing that throws me there with items of clothing. | 0:04:09 | 0:04:12 | |
-Because it's one item. -It's a single one. | 0:04:12 | 0:04:15 | |
Brazil hosted the Olympics. Can you remember anything about | 0:04:15 | 0:04:18 | |
the opening ceremony or anything like that? | 0:04:18 | 0:04:22 | |
It was after that, wasn't it? | 0:04:22 | 0:04:23 | |
-I don't remember it being big news at the time. -OK. | 0:04:23 | 0:04:27 | |
And I would have thought it would be major news | 0:04:27 | 0:04:29 | |
if they'd changed the leader of the country. | 0:04:29 | 0:04:31 | |
Jodhpurs feels more likely but they could... | 0:04:31 | 0:04:34 | |
-Let's do it. -Let's go with Jodhpurs. | 0:04:34 | 0:04:36 | |
We're going to lock in Jodhpurs as our correct answer. | 0:04:36 | 0:04:40 | |
If it goes green, then Jane and Rosie get the chance | 0:04:40 | 0:04:43 | |
to try a number, see if it's there in the code. | 0:04:43 | 0:04:46 | |
If it's not, it's been a very, very quick visit | 0:04:46 | 0:04:49 | |
to see us here on The Code. | 0:04:49 | 0:04:51 | |
We don't want that, we want to keep you for a bit longer. | 0:04:51 | 0:04:54 | |
I need to learn some more belly dancing moves. | 0:04:54 | 0:04:56 | |
I will never learn, unless Jodhpurs is the correct answer. | 0:04:57 | 0:05:01 | |
-Oh! -No. -Oh, no. Oh, no, I'm so sorry. -That was very quick. | 0:05:04 | 0:05:09 | |
I'm so sorry, let's find out the correct answer. | 0:05:09 | 0:05:12 | |
-Oh. -It was Brazil, you had a sneaky feeling, didn't you, Jane? Lesley? | 0:05:13 | 0:05:18 | |
Yes, Jane, you knew the story about the female president of | 0:05:18 | 0:05:23 | |
a South American country, but you weren't quite sure which it was. | 0:05:23 | 0:05:26 | |
She was accused of moving funds between budgets, | 0:05:26 | 0:05:29 | |
which is illegal under Brazilian law. | 0:05:29 | 0:05:31 | |
And the trick with the questions on The Code is always to ask yourself | 0:05:31 | 0:05:34 | |
what is the answer if it's not what I'm seeing on the screen. | 0:05:34 | 0:05:37 | |
And you thought maybe leather breeches, | 0:05:37 | 0:05:40 | |
what could that be in a different language? | 0:05:40 | 0:05:42 | |
-Lederhosen. -Ah. | 0:05:42 | 0:05:44 | |
Or lederhose in singular. Not that anyone would ever wear just one. | 0:05:44 | 0:05:48 | |
And Pelmet, this one you didn't have any trouble with. | 0:05:48 | 0:05:51 | |
You even gave the correct answer, Jane, which is riser. | 0:05:51 | 0:05:54 | |
Pelmets usually the strips of fabric that cover curtain rails. | 0:05:54 | 0:05:57 | |
Thank you, Lesley. What can I say? | 0:05:57 | 0:06:00 | |
We were just getting to know each other. It was going so well. | 0:06:00 | 0:06:02 | |
You are far from the first people ever to go out on the first round, | 0:06:02 | 0:06:05 | |
so please don't be too downhearted. | 0:06:05 | 0:06:07 | |
It just turned out they weren't your questions to start with. | 0:06:07 | 0:06:10 | |
I'm afraid to say you have to go back to Newbury. | 0:06:10 | 0:06:13 | |
On this occasion, Jane and Rosie, you have failed to crack the code. | 0:06:13 | 0:06:18 | |
-And so, we have to wish you goodbye, farewell and good luck. -Thank you. | 0:06:18 | 0:06:21 | |
-Thank you. -Bye-bye. -Thanks, thank you. | 0:06:21 | 0:06:24 | |
A short trip. That was it for Jane and Rosie, unfortunately. | 0:06:26 | 0:06:29 | |
However, their loss is our next team's gain | 0:06:29 | 0:06:32 | |
because the jackpot goes even higher. | 0:06:32 | 0:06:34 | |
So, let's meet the next team hoping to crack the code. | 0:06:34 | 0:06:38 | |
-Excellent, come on down, as they say, Joe. -Thank you. -And Nick. | 0:06:42 | 0:06:46 | |
-Hi, Matt. -How are you? All right? -All right, thank you. | 0:06:46 | 0:06:49 | |
Yeah, good to see you here. | 0:06:49 | 0:06:50 | |
So, tell me a little bit about yourselves. | 0:06:50 | 0:06:52 | |
-I know you're from Staines. -That's right. -And Twickenham? -Yes. | 0:06:52 | 0:06:55 | |
-Not too far apart? -No, that's right. -How did you guys meet? | 0:06:55 | 0:06:58 | |
Well, we used to work for the same company that ran coach trips | 0:06:58 | 0:07:01 | |
to rock concerts on the Continent. | 0:07:01 | 0:07:03 | |
That sounds a bit like the most exciting thing I've ever heard. | 0:07:03 | 0:07:06 | |
-You'd think, wouldn't you? -You didn't go on the trips. | 0:07:06 | 0:07:09 | |
-There were a few hairy moments, though. -Really? | 0:07:09 | 0:07:11 | |
-Food fights in hotels. -Right. | 0:07:11 | 0:07:14 | |
You can imagine a group of heavy metal fans in a posh hotel. | 0:07:14 | 0:07:18 | |
-At the breakfast bar. -They flooded the dining room. -Really? | 0:07:18 | 0:07:22 | |
-It was, in both senses of the word, hairy. -Indeed. | 0:07:22 | 0:07:24 | |
-There was a lot of it going round. -That was Monsters Of Rock. | 0:07:24 | 0:07:27 | |
What do you do now? | 0:07:27 | 0:07:28 | |
I combine my time with DJ work and a bit of football coaching. | 0:07:28 | 0:07:32 | |
What is your guaranteed floor-filler? | 0:07:32 | 0:07:34 | |
What's the one you put on where you go, "I've got to get them dancing." | 0:07:34 | 0:07:37 | |
-Billie Jean, I would think. -Really? -It's going to work for all ages. | 0:07:37 | 0:07:40 | |
-Nice. -I can see Lesley agrees with that. -Yeah, no... | 0:07:40 | 0:07:43 | |
That would definitely get me dancing. | 0:07:43 | 0:07:45 | |
If I see you at a gig, I'll know what to put on. | 0:07:45 | 0:07:47 | |
-Well, listen, it's lovely to have you on the show. -Thank you. | 0:07:47 | 0:07:50 | |
Joe and Nick. The team before you, Jane and Rosie, | 0:07:50 | 0:07:52 | |
unfortunately made a very, very quick departure. | 0:07:52 | 0:07:55 | |
They failed to crack the code. | 0:07:55 | 0:07:57 | |
Bad news for them but terrific news for you. | 0:07:57 | 0:07:59 | |
Because it means another £500 is added to the pot. | 0:07:59 | 0:08:03 | |
Making a total of £4,500. | 0:08:03 | 0:08:06 | |
-I'm sure you'd find a way to divide that between you. -Yes. -Good. | 0:08:06 | 0:08:10 | |
-In half, I'd think. -That's the way. Traditionally, the way it's done. | 0:08:10 | 0:08:13 | |
Let's reset the code. | 0:08:13 | 0:08:15 | |
If you're ready, Joe and Nick, | 0:08:18 | 0:08:20 | |
let's have a look at your first three answers. | 0:08:20 | 0:08:22 | |
Let's reveal the question behind Nelson Mandela. | 0:08:28 | 0:08:31 | |
Not sure, there was a film about his life with Idris Elba, | 0:08:39 | 0:08:42 | |
but I'm not sure about the timing of it. | 0:08:42 | 0:08:44 | |
OK, we'll have a look at the next question, | 0:08:44 | 0:08:46 | |
the one behind Intelligence, please. | 0:08:46 | 0:08:48 | |
No, it's not that. | 0:08:52 | 0:08:53 | |
-I think it's Investigation, I think. -Criminal Investigation... | 0:08:55 | 0:08:59 | |
Investigation Department, I think. | 0:08:59 | 0:09:01 | |
Let's have a look at the question behind Jackpot. | 0:09:01 | 0:09:03 | |
The Power, I think that is. | 0:09:09 | 0:09:11 | |
Right, so where do we stand here, gentlemen? | 0:09:11 | 0:09:13 | |
I'm not good on darts, but I'll trust him. | 0:09:13 | 0:09:15 | |
-It's got to be Mandela, then. -Yeah, it must be. | 0:09:15 | 0:09:18 | |
I'm pretty sure that the others, | 0:09:18 | 0:09:21 | |
that the CID and the darts ones are incorrect answers. | 0:09:21 | 0:09:25 | |
So, initially I would say that | 0:09:25 | 0:09:27 | |
Nelson Mandela must be the correct answer. | 0:09:27 | 0:09:29 | |
-OK, happy to lock in Nelson Mandela? -Lock in Nelson. | 0:09:29 | 0:09:33 | |
There we are. Is Nelson Mandela our correct answer? | 0:09:35 | 0:09:39 | |
Well done, very good start, | 0:09:40 | 0:09:42 | |
over the first bump in the road. Lesley? | 0:09:42 | 0:09:44 | |
Yes, Nelson Mandela the correct answer. | 0:09:44 | 0:09:47 | |
Well done, Joe, you knew a lot about the film, | 0:09:47 | 0:09:49 | |
including that Idris Elba had played Nelson Mandela | 0:09:49 | 0:09:52 | |
in The Long Walk To Freedom, 5th of December, 2013, | 0:09:52 | 0:09:55 | |
the date of his death and that premiere. | 0:09:55 | 0:09:58 | |
Intelligence not the right answer, | 0:09:58 | 0:09:59 | |
you intelligently dismissed that one. | 0:09:59 | 0:10:01 | |
And, Joe, you said the correct answer too, which is investigation. | 0:10:01 | 0:10:05 | |
The Criminal Investigation Department, | 0:10:05 | 0:10:07 | |
the plainclothes department of the police. | 0:10:07 | 0:10:10 | |
And Jackpot not the right answer there. | 0:10:10 | 0:10:12 | |
There is a darts player, Adrian "The Jackpot" Lewis. | 0:10:12 | 0:10:15 | |
Nickname came because apparently he won a jackpot at a casino | 0:10:15 | 0:10:19 | |
in Las Vegas but couldn't claim it because he was too young. | 0:10:19 | 0:10:22 | |
The correct answer, exactly as you said, Phil "The Power" Taylor. | 0:10:22 | 0:10:26 | |
Sid Waddell once said of Phil "The Power" Taylor | 0:10:26 | 0:10:29 | |
that if we had Phil Taylor at Hastings against the Normans, | 0:10:29 | 0:10:32 | |
they'd have gone home. | 0:10:32 | 0:10:33 | |
Yes, well, you certainly have the power early on, | 0:10:34 | 0:10:37 | |
fantastically dismissing, despatching this first round, | 0:10:37 | 0:10:40 | |
finding the right answer. | 0:10:40 | 0:10:42 | |
And that's gets you the chance to choose your first number | 0:10:42 | 0:10:44 | |
from the keypad. | 0:10:44 | 0:10:46 | |
Who's going to choose? What's the idea? | 0:10:46 | 0:10:47 | |
-Is there a plan here? -Three. -Just because you fancy it? -Yeah. -Why not? | 0:10:47 | 0:10:51 | |
Let's see if the number three is there in our code. | 0:10:51 | 0:10:54 | |
Is it there in the first box? | 0:10:54 | 0:10:55 | |
There is no three. How about the second box? | 0:10:57 | 0:10:59 | |
It's not there. How about the third and final box? | 0:11:01 | 0:11:03 | |
-OK, we're happy with that. -No, that's good. | 0:11:07 | 0:11:09 | |
Get rid of the numbers early on. | 0:11:09 | 0:11:12 | |
At the easiest level of the game. Your next three answers. | 0:11:12 | 0:11:14 | |
We get to see all three questions, so we'll start again at the top. | 0:11:20 | 0:11:23 | |
-Wasn't Spanish, was he? -No, I'm pretty sure it's not Spain. | 0:11:28 | 0:11:32 | |
Not entirely sure which country | 0:11:32 | 0:11:34 | |
on the other side of the Atlantic it is. | 0:11:34 | 0:11:36 | |
South America, though. | 0:11:36 | 0:11:37 | |
Was he born in Spain, though? | 0:11:37 | 0:11:39 | |
-Let's wait till we see the others, but... -OK. | 0:11:39 | 0:11:41 | |
Let's open the question behind Red. | 0:11:41 | 0:11:43 | |
-Blue, white, red. -Yeah, I think it's blue, white, red. I think. Yeah. | 0:11:50 | 0:11:54 | |
-But it's not red, white, blue. -No. -Blue is the bigger one. | 0:11:54 | 0:11:58 | |
White is definitely the middle one. | 0:11:58 | 0:12:00 | |
Middle one, so that's probably right, that. | 0:12:00 | 0:12:02 | |
We think that's probably right. | 0:12:02 | 0:12:04 | |
Let's have a look at the question behind Policeman. | 0:12:04 | 0:12:06 | |
I think it's because they resemble a branch of monks, | 0:12:12 | 0:12:17 | |
if that's what you call a group of monks, I'm not sure. Order of monks. | 0:12:17 | 0:12:20 | |
-OK. -Think we'll have to go RAF. | 0:12:20 | 0:12:22 | |
Yes, I think we're erring on the side of RAF, the middle one. | 0:12:22 | 0:12:26 | |
We'd like to lock in Red as our correct answer. | 0:12:26 | 0:12:28 | |
We want it to turn green, though, not red. | 0:12:30 | 0:12:33 | |
So, is Red the correct answer? | 0:12:33 | 0:12:35 | |
-It is, bang on the money. Well done, bull's-eye. -Yes, well done. | 0:12:36 | 0:12:40 | |
You not only knew that Red was the correct answer, | 0:12:40 | 0:12:43 | |
you gave the order too, going from the outside - blue, white, red. | 0:12:43 | 0:12:46 | |
It was a simplified use of the colours in the Union Flag, | 0:12:46 | 0:12:50 | |
so it would be recognised from all angles. | 0:12:50 | 0:12:52 | |
And the Spain question there, Spain not the correct answer. | 0:12:52 | 0:12:55 | |
Che Guevara, born in Argentina. | 0:12:55 | 0:12:58 | |
He met Fidel and Raul Castro in Mexico and then joined them | 0:12:58 | 0:13:02 | |
in the Cuban Revolution. | 0:13:02 | 0:13:04 | |
And it's not Policeman, the correct answer here, Joe, | 0:13:04 | 0:13:06 | |
you lead the way with this one as well. It is monks. | 0:13:06 | 0:13:09 | |
And cappuccino coffee comes from their similarity to monks' attire. | 0:13:09 | 0:13:14 | |
Thank you, Lesley. Great work. | 0:13:14 | 0:13:16 | |
Nothing in your code so far. | 0:13:16 | 0:13:18 | |
One number down from the keypad. Which one is it going to be next? | 0:13:18 | 0:13:22 | |
Let's try number seven. | 0:13:22 | 0:13:24 | |
OK, the number seven, is it there in your code? | 0:13:24 | 0:13:27 | |
Is it there in the first box? | 0:13:27 | 0:13:29 | |
No, is it there in the second box? | 0:13:29 | 0:13:31 | |
No, is it there in the third and final box? | 0:13:33 | 0:13:35 | |
You're skilfully avoiding the numbers in the code! | 0:13:36 | 0:13:40 | |
Eventually, you will have to find some, obviously. | 0:13:40 | 0:13:42 | |
Here we go, next three answers. Let's have a look. | 0:13:42 | 0:13:45 | |
The question behind Ruth Davidson. | 0:13:51 | 0:13:54 | |
-I think she's... -The Tory? | 0:13:58 | 0:14:00 | |
Yeah, I think she's the Conservative leader in Scotland, I think. Yeah? | 0:14:00 | 0:14:04 | |
Is that what you think? | 0:14:04 | 0:14:06 | |
Well, the Conservatives have got a Scottish leader | 0:14:06 | 0:14:09 | |
elected in 20... About then. | 0:14:09 | 0:14:12 | |
-Whether Labour have... No, Labour, it was a guy, wasn't it? -Yeah. | 0:14:12 | 0:14:15 | |
So, I think that's wrong. | 0:14:15 | 0:14:17 | |
I'm pretty sure I remember her on a less enjoyable TV show | 0:14:17 | 0:14:22 | |
disparaging the Labour Party, so... | 0:14:22 | 0:14:24 | |
-Less enjoyable than this? -I know! | 0:14:24 | 0:14:26 | |
It is possible. | 0:14:26 | 0:14:28 | |
I'll ignore that. Let's have a look at the question behind Florence. | 0:14:28 | 0:14:32 | |
-Presumably Uffizio, is that Florence? -Uffizi, yeah. | 0:14:41 | 0:14:44 | |
I think it might be Florence. | 0:14:44 | 0:14:47 | |
If we're thinking right, I think that means the Uffizi. | 0:14:47 | 0:14:50 | |
I have an idea it might be Florence. | 0:14:50 | 0:14:52 | |
More likely to be Florence but... God knows what Goo is. | 0:14:52 | 0:14:56 | |
OK, let's open the question behind Goo and find out. | 0:14:56 | 0:14:59 | |
That doesn't quite ring true to me, | 0:15:08 | 0:15:10 | |
but I can't bring to mind what it actually was. | 0:15:10 | 0:15:12 | |
Was it Tiswas or something, goo? | 0:15:12 | 0:15:14 | |
-Tiswas was slime. -Slime. -But as for Noel's House Party, I'm not sure. | 0:15:14 | 0:15:18 | |
We could be out here, Matt. | 0:15:18 | 0:15:20 | |
I think I would have to go with Florence out of any of those. | 0:15:20 | 0:15:23 | |
-It's not Rome. -I don't think it's Rome. | 0:15:23 | 0:15:26 | |
Rome, Spanish steps, Coliseum... Shall we go Florence? | 0:15:26 | 0:15:30 | |
-At least we know it's...possible. -We know it's an art gallery, yeah. | 0:15:30 | 0:15:34 | |
I'm assuming we've got the translation right. | 0:15:34 | 0:15:37 | |
What do we want to do? You want to lock in one of these? | 0:15:37 | 0:15:39 | |
-Florence? -We'll have to. -OK. -It's been nice knowing you. | 0:15:39 | 0:15:42 | |
We'll have to lock in Florence, I think. | 0:15:42 | 0:15:44 | |
It's been lovely spending time with you. | 0:15:44 | 0:15:46 | |
Let's lock in Florence as our correct answer. | 0:15:46 | 0:15:49 | |
It feels like a best guess. | 0:15:49 | 0:15:51 | |
Is Florence the correct answer? | 0:15:51 | 0:15:54 | |
Yeah. That was it, process of elimination, you did it. Lesley? | 0:15:57 | 0:16:01 | |
Well done, yes. Joe, you even gave the correct answer. | 0:16:01 | 0:16:04 | |
The Uffizi gallery, home to amongst other works of art, | 0:16:04 | 0:16:07 | |
Botticelli's Primavera. | 0:16:07 | 0:16:08 | |
Ruth Davidson didn't because you much trouble because you remembered | 0:16:08 | 0:16:11 | |
that she's the leader of the Conservative Party. | 0:16:11 | 0:16:14 | |
Nick, you said Tory. And, Joe, | 0:16:14 | 0:16:16 | |
you said she's the leader of the Scottish Conservatives. | 0:16:16 | 0:16:19 | |
The correct answer is Kezia Dugdale, | 0:16:19 | 0:16:22 | |
Kezia Dugdale is the leader of the Labour Party in Scotland. | 0:16:22 | 0:16:25 | |
And Goo, the last answer, | 0:16:25 | 0:16:26 | |
you were discussing a couple of different names, like Tiswas. | 0:16:26 | 0:16:30 | |
-The correct answer, not goo, it's gunge. -Gunge! -There you go. | 0:16:30 | 0:16:33 | |
On Nickelodeon, they call it slime. | 0:16:33 | 0:16:35 | |
-Now, I've got a Lesley point available. -Ooh! | 0:16:35 | 0:16:38 | |
Anyone who can tell me, fingers on imaginary buzzers, | 0:16:38 | 0:16:41 | |
what was the name of the village in which Noel's House Party was set? | 0:16:41 | 0:16:45 | |
-Crinkley... -Bottom. | 0:16:45 | 0:16:47 | |
What do we get for a Lesley point? | 0:16:47 | 0:16:50 | |
Pride, that's it, that's all you get. | 0:16:50 | 0:16:52 | |
And you should be proud of what you're doing at the moment | 0:16:52 | 0:16:55 | |
because you are steaming through this early stage of the quiz. | 0:16:55 | 0:16:58 | |
Three and seven have gone there, | 0:16:58 | 0:16:59 | |
this buys you the right to try another digit in the code. | 0:16:59 | 0:17:02 | |
-Where are you going to go next? -Two. -The number two. | 0:17:02 | 0:17:05 | |
Is it there in the first box? | 0:17:07 | 0:17:09 | |
-Oh! -You got one. -Uh-huh. | 0:17:11 | 0:17:14 | |
You've hooked one, the number two is there up in the first position. | 0:17:14 | 0:17:18 | |
You carry on answering questions correctly, | 0:17:18 | 0:17:20 | |
you'll get a number in the code. | 0:17:20 | 0:17:21 | |
So, now, things become a little bit trickier. | 0:17:21 | 0:17:23 | |
As before, you see three answers, but you only get to see | 0:17:23 | 0:17:27 | |
two questions at a time | 0:17:27 | 0:17:29 | |
-before you have to make a decision and commit. -Mm-hm. | 0:17:29 | 0:17:32 | |
Let's have a look at your next three answers. | 0:17:32 | 0:17:34 | |
Now, the order in which you open these up does become important. | 0:17:40 | 0:17:44 | |
Sounds like a Bob Marley song. | 0:17:44 | 0:17:46 | |
-I was thinking songs.... -Happiness. | 0:17:46 | 0:17:49 | |
We've no way of knowing what's behind them. | 0:17:49 | 0:17:51 | |
-I don't have any strong preference, do you? -Love, shall we go Love? | 0:17:51 | 0:17:54 | |
-Let's go with Love. -Yeah? -Love. -It's all you need. | 0:17:54 | 0:17:57 | |
Let's open the question behind Love. | 0:17:57 | 0:17:59 | |
-That's deuce. -Must be deuce. Must be, surely. -OK. -That's wrong. | 0:18:06 | 0:18:11 | |
Well, we don't have to commit just yet, we can open another one. | 0:18:11 | 0:18:13 | |
Happiness, shall we go Happiness? | 0:18:13 | 0:18:15 | |
-Yeah, OK. -OK, question behind Happiness. | 0:18:15 | 0:18:18 | |
Oh! | 0:18:22 | 0:18:23 | |
-I have no idea. That doesn't mean anything at all to me. -No. | 0:18:23 | 0:18:27 | |
It means nothing to me. How do you measure happiness? | 0:18:27 | 0:18:30 | |
Maybe someone's come up with something. | 0:18:30 | 0:18:32 | |
It does sound a little unlikely, but you never know. | 0:18:32 | 0:18:35 | |
Well, we have to lock in one of these as the correct answer. | 0:18:35 | 0:18:38 | |
That's presumably named after somebody called Ulmer | 0:18:38 | 0:18:41 | |
or a place called Ulmer. | 0:18:41 | 0:18:43 | |
I'd be inclined to lock in Life there, what do you think? | 0:18:43 | 0:18:47 | |
Yeah, but...Ulmer could well be happiness, but, yes. I... | 0:18:47 | 0:18:51 | |
-This is a bit of a flyer. Is that what we're on here? -Yeah. | 0:18:51 | 0:18:54 | |
-Yeah, I'm afraid so. -A wing and a prayer. -Yes. | 0:18:54 | 0:18:57 | |
Let's lock in Life as our correct answer. | 0:18:57 | 0:19:00 | |
There we are, it's locked in, we can't change it, | 0:19:00 | 0:19:03 | |
but we can have a look at the question behind it | 0:19:03 | 0:19:05 | |
and see how we feel. | 0:19:05 | 0:19:07 | |
Hopefully not too depressed. | 0:19:07 | 0:19:08 | |
We're in luck! | 0:19:16 | 0:19:18 | |
Well, as a DJ, I'm absolutely gutted I didn't pick that question, | 0:19:20 | 0:19:23 | |
but fortunately, I believe that is correct. I think we've got lucky. | 0:19:23 | 0:19:26 | |
You may not have picked it but you're happy to see it come up. | 0:19:26 | 0:19:29 | |
-We're very high on the Ulmer Scale now. -I'm delighted. | 0:19:29 | 0:19:31 | |
You're happy... Well, no, it's not the Ulmer Scale! | 0:19:31 | 0:19:34 | |
We don't know what that is yet! | 0:19:34 | 0:19:36 | |
We think that Life is a song by Des'ree. | 0:19:36 | 0:19:39 | |
If it's wrong, we are going home. We don't like that. | 0:19:39 | 0:19:44 | |
We enjoy being on tour. We want to stay on the bus. | 0:19:44 | 0:19:47 | |
Is Life the correct answer? | 0:19:48 | 0:19:50 | |
Ooh! Well done. | 0:19:53 | 0:19:55 | |
Well, you didn't know quite what you were doing but it worked, | 0:19:55 | 0:19:59 | |
that's the crucial bit. Lesley? | 0:19:59 | 0:20:00 | |
Yes, Life the correct answer there. | 0:20:00 | 0:20:03 | |
It goes on to say she'd rather watch the evening news. | 0:20:03 | 0:20:06 | |
"Life, oh, life, oh, life, life, oh, life, doo, doo, doo." | 0:20:06 | 0:20:10 | |
Often cited as the worst lyrics of all time. | 0:20:10 | 0:20:13 | |
-I thought that actually was Des'ree there for a moment. -Thank you! | 0:20:13 | 0:20:16 | |
It's like having her in the studio! | 0:20:16 | 0:20:18 | |
And let's look at the other answers on the board. | 0:20:18 | 0:20:20 | |
Love not the correct answer. You knew this one, the answer is deuce. | 0:20:20 | 0:20:24 | |
And deuce comes from a Middle English word for "two". | 0:20:24 | 0:20:27 | |
Now, the Happiness question, you were discussing whether or not | 0:20:27 | 0:20:30 | |
there is a way of measuring happiness. | 0:20:30 | 0:20:32 | |
There are some happiness scales, | 0:20:32 | 0:20:33 | |
a subjective measurement of people's happiness. | 0:20:33 | 0:20:36 | |
But the correct answer here, | 0:20:36 | 0:20:37 | |
the Ulmer Scale measures the bankability of celebrities. | 0:20:37 | 0:20:41 | |
What a terrible idea. Er, thank you very much, Lesley. Sounds awful! | 0:20:41 | 0:20:45 | |
But look, great stuff here, guys. | 0:20:45 | 0:20:47 | |
The tour bus is well and truly rolling now, isn't it? | 0:20:47 | 0:20:50 | |
You know, if we're going to Saint Petersburg, | 0:20:50 | 0:20:53 | |
we're somewhere in Antwerp right now, we're on the road. | 0:20:53 | 0:20:56 | |
Crucially, we have one number in your code, the number two, | 0:20:56 | 0:20:59 | |
two-blank-blank is your code. | 0:20:59 | 0:21:01 | |
Three and seven have been dispatched. | 0:21:01 | 0:21:04 | |
We've got seven other numbers left to choose from. Where next? | 0:21:04 | 0:21:08 | |
-Is it my turn? -It's your turn. | 0:21:08 | 0:21:10 | |
-Let's complete the top row and have number one, please. -Ooh! | 0:21:10 | 0:21:12 | |
Number one. | 0:21:12 | 0:21:14 | |
Is the number one in your code? | 0:21:14 | 0:21:15 | |
Is it there in the second box? | 0:21:17 | 0:21:18 | |
No, is it there in the third and final box? | 0:21:21 | 0:21:24 | |
-Oh! -Look what you've gone and done. | 0:21:25 | 0:21:28 | |
Look what you've gone and done. two-blank-one. | 0:21:29 | 0:21:33 | |
One digit missing from your code now. | 0:21:33 | 0:21:36 | |
Get that and you've got your hands on the jackpot, £4,500. | 0:21:36 | 0:21:42 | |
Now you get to see three answers, | 0:21:42 | 0:21:44 | |
but you only get to see one question at a time | 0:21:44 | 0:21:47 | |
-before you have to make a decision. -Yes. | 0:21:47 | 0:21:49 | |
And that is tricky. Let's find out just how tricky. | 0:21:49 | 0:21:52 | |
Here are your next three answers. | 0:21:52 | 0:21:54 | |
OK, so the order in which you choose | 0:22:01 | 0:22:02 | |
them now is absolutely crucial. | 0:22:02 | 0:22:04 | |
-Captain Bligh? -Oh, is it? OK. -Captain of... | 0:22:06 | 0:22:11 | |
-A ship. -A ship. What's that ship called? -Psycho... | 0:22:12 | 0:22:15 | |
The one with Fletcher Christian on, what's it called? | 0:22:15 | 0:22:17 | |
Psycho would be a film. I presume, the film. | 0:22:17 | 0:22:20 | |
-Could be... -Or Vinnie Jones. -Or another footballer. | 0:22:21 | 0:22:25 | |
Oh, hang on, Psycho was Stuart Pearce. Sorry. | 0:22:25 | 0:22:28 | |
Diabetes, I know a bit about diabetes. | 0:22:28 | 0:22:31 | |
-You do know about that, don't you? -Shall we pick Diabetes? | 0:22:31 | 0:22:33 | |
-Yeah, I'm happy with that. -Yes. -OK, we'll start with Diabetes. | 0:22:33 | 0:22:37 | |
-Oh, dear. -I've never heard it called that. | 0:22:41 | 0:22:44 | |
-Never. -I've never heard of that name for any condition, | 0:22:44 | 0:22:47 | |
whether it be diabetes or anything else. | 0:22:47 | 0:22:50 | |
-But there's two types of diabetes as well. -That's right. | 0:22:50 | 0:22:54 | |
So, I'm inclined to dismiss that. | 0:22:54 | 0:22:56 | |
-Not sure but... -Yeah. -My inclination is... | 0:22:56 | 0:23:00 | |
That's the best we've got on this, I think, so... | 0:23:00 | 0:23:02 | |
-We dismissed Ulmer, so let's dismiss Dalton. -OK. | 0:23:02 | 0:23:06 | |
-Yeah? We're going to discard that as an incorrect answer. -Yes. | 0:23:06 | 0:23:09 | |
There we are, it's out of the game. Can't come back to that now. | 0:23:11 | 0:23:14 | |
It leaves us with William Bligh and Psycho, | 0:23:14 | 0:23:16 | |
so which one do you want to open? | 0:23:16 | 0:23:18 | |
-We don't know much about William Bligh, do we? -No. | 0:23:18 | 0:23:21 | |
So, Psycho. | 0:23:21 | 0:23:23 | |
-The Bounty, that was the ship. -Oh, right, OK. | 0:23:23 | 0:23:25 | |
But how much can there be about that? | 0:23:25 | 0:23:28 | |
Which do we know more about, Psycho or William Bligh? | 0:23:28 | 0:23:30 | |
-Well, it depends what the Psycho refers to. -Yeah. | 0:23:30 | 0:23:33 | |
Well, it might be Stuart Pearce. | 0:23:33 | 0:23:34 | |
It could be, I've got an inkling it might be that. Let's give that a go. | 0:23:34 | 0:23:38 | |
-Let's go Psycho. -Let's try Psycho. | 0:23:38 | 0:23:39 | |
We'll open the question behind Psycho, please. | 0:23:39 | 0:23:42 | |
Oh, well, that's... | 0:23:46 | 0:23:47 | |
-That's a James Bond film. -Is it? -It's the last one, they had a big... | 0:23:52 | 0:23:56 | |
Big thing in Mexico and they've held, | 0:23:57 | 0:24:00 | |
-they've recreated it as an actual event. -Have they? | 0:24:00 | 0:24:03 | |
-Yeah, so Psycho's wrong. -That would be Spectre, would it? | 0:24:03 | 0:24:06 | |
Erm, what was the last one called? Yeah, Spectre. | 0:24:06 | 0:24:10 | |
Fairly confident on that. | 0:24:10 | 0:24:12 | |
Well, I can't remember anything in Psycho to do with Mexico City. | 0:24:12 | 0:24:17 | |
But also, if it's been in October 2016 and the opening of a film, | 0:24:17 | 0:24:23 | |
or the opening scene. Yeah, what's the opening scene in Psycho? | 0:24:23 | 0:24:27 | |
I've no idea, but it's black and white. | 0:24:27 | 0:24:29 | |
-Seems unlikely. -Hotel? Yeah, I think that's wrong. | 0:24:30 | 0:24:34 | |
So, what we're looking for now is the correct answer. | 0:24:34 | 0:24:37 | |
Uh, got to be William Bligh, hasn't it? | 0:24:37 | 0:24:39 | |
-Let's hope for a Desiree moment. -Yeah! -OK. | 0:24:39 | 0:24:43 | |
Well, let's have our Des'ree moment now. Lock it in. | 0:24:43 | 0:24:46 | |
That's locked in now, | 0:24:46 | 0:24:47 | |
we can't change it, but we can have a look at the question and... | 0:24:47 | 0:24:50 | |
-Do we have to? -Hope it makes us feel the way Des'ree did. | 0:24:50 | 0:24:52 | |
We are floundering our way through this. | 0:24:52 | 0:24:54 | |
We are flipping and flopping our way through this. | 0:24:54 | 0:24:56 | |
It doesn't matter, doesn't matter how you get there | 0:24:56 | 0:24:58 | |
as long as you get there. | 0:24:58 | 0:24:59 | |
Let's have a look at the question behind William Bligh. | 0:24:59 | 0:25:02 | |
Needs to be on The Bounty. | 0:25:12 | 0:25:14 | |
If I had seen those three all out like that, | 0:25:14 | 0:25:16 | |
that would have been the one I would have picked. | 0:25:16 | 0:25:18 | |
But it doesn't mean it's right, obviously. | 0:25:18 | 0:25:20 | |
You can't ask for much more than that. | 0:25:20 | 0:25:22 | |
-Is William Bligh the correct answer? -Come on, William. | 0:25:22 | 0:25:25 | |
Come on, Bill. | 0:25:25 | 0:25:27 | |
-Got it! -Oh. | 0:25:29 | 0:25:30 | |
Got it. Wow, long way round. | 0:25:30 | 0:25:33 | |
-Lesley? -Very well done. | 0:25:33 | 0:25:36 | |
Yes, Joe, you had lots of great information about this one. | 0:25:36 | 0:25:38 | |
You remembered that William Bligh was associated with The Bounty. | 0:25:38 | 0:25:41 | |
He was appointed governor in 1805 but took up the post in 1806. | 0:25:41 | 0:25:45 | |
Let's look at the wrong answers on the board. | 0:25:45 | 0:25:48 | |
Psycho, again, great collaboration, lots of great information | 0:25:48 | 0:25:52 | |
and logic that helped to you dismiss this as the wrong answer. | 0:25:52 | 0:25:55 | |
Nick, you remembered that Psycho opens with | 0:25:55 | 0:25:58 | |
a skyline zooming in on a hotel. | 0:25:58 | 0:26:00 | |
I could see that you had that in your mind's eye. | 0:26:00 | 0:26:02 | |
And you also remembered the opening scene of the correct answer | 0:26:02 | 0:26:05 | |
-which is Spectre, the James Bond film. -Well done. | 0:26:05 | 0:26:08 | |
You said James Bond film, Joe, you said Spectre | 0:26:08 | 0:26:10 | |
and that's the correct answer. | 0:26:10 | 0:26:12 | |
Diabetes not correct for Daltonism. | 0:26:12 | 0:26:15 | |
-Daltonism is the red-green form of colour blindness. -Oh. | 0:26:15 | 0:26:18 | |
Spectre, knowing that, Nick, out of nowhere. Really good stuff. | 0:26:18 | 0:26:22 | |
I've only been to the cinema twice in the last ten years, | 0:26:22 | 0:26:25 | |
-that was one of the films. -Well, you picked the right films! | 0:26:25 | 0:26:27 | |
Thank God it wasn't Harry Potter, | 0:26:27 | 0:26:29 | |
otherwise you'd be going home right now. | 0:26:29 | 0:26:31 | |
But you are not, the tour bus continues to roll. | 0:26:31 | 0:26:34 | |
-The rock and roll reprobates... -Where have we reached now, Matt? | 0:26:34 | 0:26:37 | |
-You are at the gates of the stadium. -Oh! Blimey, OK. | 0:26:37 | 0:26:41 | |
You've just got six bouncers there waiting, try to keep you out. | 0:26:41 | 0:26:45 | |
And you have to pick the right one to ask, | 0:26:45 | 0:26:47 | |
to see if you can get into the stadium and put on the show. | 0:26:47 | 0:26:50 | |
Because that's what we want to do, we want to open that safe for you. | 0:26:50 | 0:26:53 | |
But we can't do that without choosing a number | 0:26:53 | 0:26:56 | |
to fit into that slot there - two-blank-one. | 0:26:56 | 0:27:00 | |
Think I'm going to go five. | 0:27:00 | 0:27:02 | |
And who's going to go join me at the safe to try it? | 0:27:02 | 0:27:04 | |
-You picked the number, so... -It's my turn, yes. | 0:27:04 | 0:27:06 | |
OK, Nick, join me at the safe. | 0:27:06 | 0:27:08 | |
Joe and Nick, you've chosen the number five. | 0:27:13 | 0:27:16 | |
If five is the final number, in your code, | 0:27:16 | 0:27:18 | |
you're going to go home today with £4,500. | 0:27:18 | 0:27:23 | |
Nick, are you ready? | 0:27:23 | 0:27:24 | |
-I'm ready, Matt. -Good. | 0:27:24 | 0:27:27 | |
Punch in the number five. | 0:27:27 | 0:27:29 | |
It's a six-to-one shot, this. | 0:27:32 | 0:27:36 | |
Is it going to be 251? | 0:27:36 | 0:27:41 | |
-BOTH: -Aw! | 0:27:48 | 0:27:49 | |
HE LAUGHS | 0:27:49 | 0:27:51 | |
A collective sigh. Let's work our way back. | 0:27:51 | 0:27:54 | |
-Never mind. -Do you know what? | 0:27:54 | 0:27:56 | |
I had a sneaking suspicion you were going to do that. | 0:27:56 | 0:27:59 | |
-I just, I thought for some reason... -Been so jammy so far. | 0:27:59 | 0:28:03 | |
Well, jammy is one for... Certainly relaxed. | 0:28:03 | 0:28:06 | |
You've got a relaxed approach to the quiz, | 0:28:06 | 0:28:08 | |
but it seems to be working. | 0:28:08 | 0:28:09 | |
Let's be positive, what we've got here | 0:28:09 | 0:28:12 | |
is one digit left in the code to find five numbers. | 0:28:12 | 0:28:16 | |
It's got to be one of those - four, six, eight, nine, zero. | 0:28:16 | 0:28:19 | |
It's got to be up there. And when it pops in, the door will open. | 0:28:19 | 0:28:22 | |
We've just got to keep cracking on with these questions. | 0:28:22 | 0:28:24 | |
What you're doing is working. We'll keep doing that, here we go. | 0:28:24 | 0:28:27 | |
Are you ready? Here are your next three answers. | 0:28:27 | 0:28:30 | |
-Wow. -Whistleblower, was it a book? -Wasn't it...? | 0:28:36 | 0:28:39 | |
-Wasn't that to do with Peter Wright? -Might have been. | 0:28:40 | 0:28:42 | |
-The African Queen, well, presumably the film. -It could be Billy Ocean. | 0:28:42 | 0:28:47 | |
-Ooh, yes. -Cos as well as Caribbean Queen, | 0:28:47 | 0:28:49 | |
he also brought out African Queen... | 0:28:49 | 0:28:50 | |
I'm ashamed I didn't come up with that first. | 0:28:50 | 0:28:52 | |
..and European Queen, but only... | 0:28:52 | 0:28:54 | |
-Good point. -Only one of 'em made the charts, but I doubt it. | 0:28:54 | 0:28:57 | |
If I remember rightly, | 0:28:57 | 0:28:58 | |
The African Queen was Bogart's only Oscar. | 0:28:58 | 0:29:01 | |
Everybody thinks it's Casablanca, but... | 0:29:01 | 0:29:03 | |
And Murderball, is that not the name for wheelchair basketball? | 0:29:03 | 0:29:07 | |
Is it? | 0:29:07 | 0:29:09 | |
I thought it was a bit unusual. | 0:29:09 | 0:29:11 | |
I thought... Isn't it rugby? Rugby? | 0:29:11 | 0:29:12 | |
-It could be wheelchair rugby. -Yeah. | 0:29:12 | 0:29:15 | |
-Possibly, yeah. -I was going to say something out of Harry Potter. | 0:29:15 | 0:29:18 | |
-So, we don't really know, basically. -No. | 0:29:18 | 0:29:20 | |
-Well, that hasn't stopped you so far, to be fair. -Absolutely. | 0:29:20 | 0:29:23 | |
We have to choose one of those to open. Which one do you fancy? | 0:29:23 | 0:29:26 | |
Will we go with the one we think we know the most about, or...? | 0:29:26 | 0:29:29 | |
-Which is...? -African Queen. -Yeah, OK, yeah. | 0:29:29 | 0:29:31 | |
Let's see the question behind The African Queen, please. | 0:29:31 | 0:29:34 | |
Was Lauren Bacall in... | 0:29:41 | 0:29:43 | |
-I'm not sure. -..African Queen? No, it was... -No, I don't think... | 0:29:43 | 0:29:48 | |
-Oh, God. -I think it was Katherine Hepburn, wasn't it? | 0:29:48 | 0:29:50 | |
Yes, I think you're right. | 0:29:50 | 0:29:52 | |
But does that mean that she was involved otherwise? | 0:29:52 | 0:29:56 | |
I've got a feeling Lauren Bacall's a little younger than him, | 0:29:56 | 0:29:58 | |
but that necessarily doesn't mean she wasn't his wife. | 0:29:58 | 0:30:01 | |
But I'm pretty sure Katherine Hepburn | 0:30:01 | 0:30:03 | |
was his co-star in it. | 0:30:03 | 0:30:04 | |
Yes, I think you're right, so... | 0:30:04 | 0:30:05 | |
-So... -Off with you, we'll dismiss that one, please. -OK, I love it. | 0:30:05 | 0:30:08 | |
We're going to discard that, with a flick of the wrist... | 0:30:08 | 0:30:11 | |
-It wasn't Billy Ocean, then. -..and take it out of the game. | 0:30:11 | 0:30:14 | |
It wasn't Billy Ocean. | 0:30:14 | 0:30:16 | |
That leaves us with Whistleblower and Murderball. | 0:30:16 | 0:30:18 | |
-Which one do you want to open next? -Up to you. | 0:30:18 | 0:30:21 | |
Can we go Murderball because... | 0:30:21 | 0:30:23 | |
-that's a fairly specific term, isn't it? -And if it's wheelchairs, then... | 0:30:23 | 0:30:26 | |
-Yes. -We're going to open the question behind Murderball. | 0:30:26 | 0:30:30 | |
Shall we go for that one? | 0:30:37 | 0:30:39 | |
Thinking about it, I originally said basketball, but that's not as | 0:30:39 | 0:30:43 | |
-appropriate for Murderball, is it, as rugby would be? -Yeah. | 0:30:43 | 0:30:45 | |
-I'm inclined to say... -Well, I've said wheelchair rugby, | 0:30:45 | 0:30:49 | |
and that says wheelchair rugby, so... | 0:30:49 | 0:30:52 | |
-Shall we lock that one in as the right answer? -Yeah, go on. | 0:30:52 | 0:30:54 | |
Yeah, let's lock that one in as the right answer. | 0:30:54 | 0:30:57 | |
OK, Joe and Nick, we're going to lock that in as our correct answer. | 0:30:57 | 0:31:02 | |
There it is - can't change that now. | 0:31:02 | 0:31:04 | |
It means we can open the question behind Whistleblower, | 0:31:04 | 0:31:07 | |
see how it makes us feel. | 0:31:07 | 0:31:08 | |
Already pretty confident, I think. | 0:31:08 | 0:31:10 | |
-Oh, no. -Which you also mentioned before the question came up. | 0:31:18 | 0:31:21 | |
If that bottom one is wheelchair basketball... | 0:31:21 | 0:31:23 | |
Maybe Whistleblower's someone else. | 0:31:23 | 0:31:26 | |
I think Whistleblower... No, Peter Wright was... | 0:31:26 | 0:31:29 | |
-Might have been Anthony Blunt. -No, no, erm, Whistle... | 0:31:29 | 0:31:32 | |
-It is academic. -Yeah. -It is academic. -True, true. | 0:31:32 | 0:31:36 | |
-So... -Move on. -This is for our chance to put in another number, | 0:31:36 | 0:31:40 | |
our sixth number into the matrix, into the keypad, | 0:31:40 | 0:31:45 | |
to see if it is there in the middle spot of your code. | 0:31:45 | 0:31:49 | |
If it goes red... | 0:31:49 | 0:31:50 | |
..you've got to go home. | 0:31:52 | 0:31:53 | |
-Yeah. -The tour is over. -Can we not go and watch the football in a pub? | 0:31:53 | 0:31:57 | |
You can do that. That's up to you. | 0:31:57 | 0:32:00 | |
But you won't be with us any more. | 0:32:00 | 0:32:03 | |
-Well, you're welcome to join us. -That's very kind, I'm a bit busy. | 0:32:03 | 0:32:07 | |
I'd love to. Is Murderball our correct answer? | 0:32:07 | 0:32:10 | |
-Oh. -Oh! | 0:32:14 | 0:32:15 | |
And again! | 0:32:16 | 0:32:18 | |
I think the surprise is the thing that I'm getting more than anything. | 0:32:18 | 0:32:21 | |
Every time we get a correct answer, | 0:32:21 | 0:32:23 | |
no-one's more surprised than you are! | 0:32:23 | 0:32:25 | |
There was a lot of right logic there, though, wasn't there? | 0:32:25 | 0:32:28 | |
There was a lot of... | 0:32:28 | 0:32:29 | |
-Too much! -Too much logic. | 0:32:29 | 0:32:31 | |
Too much perspective. Lesley. | 0:32:31 | 0:32:34 | |
Yes, the word Murderball really rang bells for you as soon as | 0:32:34 | 0:32:37 | |
you saw it, even more so once you had the question. | 0:32:37 | 0:32:39 | |
You were comfortable that that was a term for wheelchair rugby. | 0:32:39 | 0:32:42 | |
Apparently, they changed it because Murderball | 0:32:42 | 0:32:45 | |
sounds too aggressive, and they wanted something a bit calmer, | 0:32:45 | 0:32:48 | |
so it's now known as wheelchair rugby. Very well done. | 0:32:48 | 0:32:51 | |
Let's look at the wrong answers on the board. | 0:32:51 | 0:32:53 | |
Now, I think if you'd picked Whistleblower before you | 0:32:53 | 0:32:56 | |
picked the others, you may have come unstuck, | 0:32:56 | 0:32:58 | |
because you remembered even before the question came up | 0:32:58 | 0:33:01 | |
the association between Whistleblower and Peter Wright. | 0:33:01 | 0:33:03 | |
There are books called Whistleblower, | 0:33:03 | 0:33:05 | |
but they've got nothing to do with this. | 0:33:05 | 0:33:07 | |
The correct answer is Spycatcher. | 0:33:07 | 0:33:09 | |
-Oh, yes, of course. -Oh, yes. | 0:33:09 | 0:33:11 | |
We didn't even think about that being a possibility, did we? | 0:33:11 | 0:33:13 | |
Well, that's always a good idea on The Code, is to think about | 0:33:13 | 0:33:16 | |
what could be the answer if it's not the one on the board. | 0:33:16 | 0:33:19 | |
Now, The African Queen, you had lots of great information about this one. | 0:33:19 | 0:33:22 | |
Joe, you remembered that The African Queen was | 0:33:22 | 0:33:24 | |
Katherine Hepburn, and you even told us that | 0:33:24 | 0:33:26 | |
Humphrey Bogart won his only acting Oscar for that film. | 0:33:26 | 0:33:30 | |
The correct answer is To Have And Have Not. | 0:33:30 | 0:33:33 | |
-Mm-hm. -Right, we have | 0:33:33 | 0:33:35 | |
four, six, eight, nine, zero. | 0:33:35 | 0:33:37 | |
One of them has to be in that last spot there. | 0:33:37 | 0:33:40 | |
But which one's it going to be next? Which one are we going to try? | 0:33:40 | 0:33:43 | |
Well, I'm a lover of patterns, so I'd probably go with number nine, | 0:33:43 | 0:33:47 | |
I should think, just to... | 0:33:47 | 0:33:48 | |
-To even it all up? -Yeah. -Make it nice and symmetrical? -Absolutely. | 0:33:48 | 0:33:52 | |
-Who's going to join me at the safe? -Er, I think it's my turn, Matt. | 0:33:52 | 0:33:54 | |
-Joe, let's go. -Thank you. | 0:33:54 | 0:33:56 | |
Nick and Joe, you've chosen the number nine. | 0:34:02 | 0:34:04 | |
If the number is there in your code as the final number, | 0:34:04 | 0:34:09 | |
then you will take home £4,500 today. | 0:34:09 | 0:34:12 | |
-Joe, are you ready? -I'm ready, Matt. | 0:34:12 | 0:34:15 | |
-You look ready. -I'm ready, I was born ready. | 0:34:15 | 0:34:17 | |
Hit the number nine. | 0:34:17 | 0:34:19 | |
Here we go, we're looking for 291. | 0:34:23 | 0:34:26 | |
Put these gentlemen out of their misery. | 0:34:26 | 0:34:29 | |
Can it be right? Can it be... | 0:34:29 | 0:34:32 | |
..nine that's missing from the final box of your code? | 0:34:33 | 0:34:36 | |
For £4,500... | 0:34:38 | 0:34:40 | |
THEY CHEER AND LAUGH | 0:34:45 | 0:34:47 | |
-Thank you very much! Thank you very much! -Oh, listen, listen... | 0:34:49 | 0:34:53 | |
-Thank you very much. -Phenomenal effort. | 0:34:53 | 0:34:55 | |
-Can we buy you a drink? -Yes! | 0:34:55 | 0:34:57 | |
Well, you'd better take the money first, you'd better take the money. | 0:34:57 | 0:35:00 | |
Right, reach in, open the safe... | 0:35:00 | 0:35:03 | |
-Have a look in there, what can you see? -Oh, wow! | 0:35:03 | 0:35:06 | |
Er, I can see a lot of cash. | 0:35:06 | 0:35:07 | |
-That's yours, take it! -Thank you very much. | 0:35:07 | 0:35:09 | |
-Come on in, Nick. -All right, OK, thanks. | 0:35:09 | 0:35:11 | |
-There you go. -Look at that. -Right... | 0:35:13 | 0:35:16 | |
-Here we go. -Well done, I'd never have gone for nine. | 0:35:18 | 0:35:21 | |
Just so we're clear, | 0:35:21 | 0:35:23 | |
locked in there all along was your code. | 0:35:23 | 0:35:27 | |
-This is your Derren Brown moment, isn't it? -2-9-1, look at that. | 0:35:27 | 0:35:30 | |
-Yes. -Look! There you go, you can keep that. That's your code. | 0:35:30 | 0:35:34 | |
-How do you feel? -Over the moon! -You got there in six questions. | 0:35:34 | 0:35:38 | |
-Yep. -We're very lucky. -Very lucky. -Very lucky! | 0:35:38 | 0:35:42 | |
That is the shortest we've had this series, so you got there... | 0:35:42 | 0:35:45 | |
The tour bus took a very efficient route, you didn't muck about at all. | 0:35:45 | 0:35:49 | |
It was all planned, obviously. | 0:35:49 | 0:35:51 | |
Yeah, clearly, clearly. Lesley, how about that? | 0:35:51 | 0:35:54 | |
Brilliant, yes, what a journey you've been on | 0:35:54 | 0:35:55 | |
to get to that destination. | 0:35:55 | 0:35:57 | |
-I'm so glad that you've won. -Thank you. -Well, what can I say? | 0:35:57 | 0:36:00 | |
You've rocked and rolled your way to £4,500. | 0:36:00 | 0:36:05 | |
You did it in the most relaxed manner, I think, | 0:36:05 | 0:36:07 | |
of any team we have ever had on the show so far. Congratulations. | 0:36:07 | 0:36:12 | |
-Thank you very much. -I have to say, you have cracked the code. | 0:36:12 | 0:36:15 | |
-You've managed to do it, Joe. -Thank you very much. | 0:36:15 | 0:36:18 | |
-And Nick. -Thank you, Matt. | 0:36:18 | 0:36:19 | |
We wish you all the very best, and we have to say goodbye. Off you pop. | 0:36:19 | 0:36:22 | |
-Thank you very much. -Thank you very much. -Thank you, Matt. | 0:36:22 | 0:36:25 | |
Thank you very much, Lesley. | 0:36:25 | 0:36:26 | |
INAUDIBLE SPEECH | 0:36:26 | 0:36:28 | |
Wow! Big congratulations to our rock and roll reprobates, Joe and Nick, | 0:36:28 | 0:36:33 | |
who walk away with £4,500. | 0:36:33 | 0:36:36 | |
They're our third team of the series to win. | 0:36:36 | 0:36:40 | |
The jackpot's gone. That means a fresh £3,000 goes into the safe. | 0:36:40 | 0:36:44 | |
So, let's see if our next team can do what Joe and Nick have done, | 0:36:47 | 0:36:50 | |
and crack the code. | 0:36:50 | 0:36:51 | |
Here we go. All right there? | 0:36:58 | 0:37:01 | |
-Lovely to see you. Clive, how are you? -I'm good, thanks, I'm good. | 0:37:01 | 0:37:04 | |
-Denise? -Hello. -Good to see you there. | 0:37:04 | 0:37:06 | |
-And Dave. -Hello. -There we go. | 0:37:06 | 0:37:08 | |
Now, tell me, first of all, how do you all know each other? | 0:37:08 | 0:37:11 | |
Erm, we're a family team, | 0:37:11 | 0:37:12 | |
so this is my mum, and this is my dad, | 0:37:12 | 0:37:15 | |
-and I'm obviously their son. -That does make sense. | 0:37:15 | 0:37:17 | |
And where are you guys all from? | 0:37:17 | 0:37:19 | |
Erm, well, I live just on the outskirts of Manchester. | 0:37:19 | 0:37:22 | |
-And we live in Bridlington. -What do you do? | 0:37:22 | 0:37:25 | |
I work at a major airport, and I work in the valet parking operation. | 0:37:25 | 0:37:29 | |
People must be so glad to see you with their keys when they come home. | 0:37:29 | 0:37:33 | |
Absolutely, yeah, picking up, they're always pleased to be, er, | 0:37:33 | 0:37:36 | |
-to be picking up and going home. -I bet, I bet. | 0:37:36 | 0:37:38 | |
And how about you guys? Dave, what do you do? | 0:37:38 | 0:37:40 | |
Er, I'm retired. The best job. | 0:37:40 | 0:37:42 | |
MATT LAUGHS | 0:37:42 | 0:37:44 | |
-What does it free you up to do? -I love dancing. | 0:37:44 | 0:37:46 | |
We ballroom dance together, | 0:37:46 | 0:37:48 | |
and Morris dancing is one of our big interests. | 0:37:48 | 0:37:50 | |
If you were going to sell Morris dancing to me, | 0:37:50 | 0:37:52 | |
what would you say, Denise? | 0:37:52 | 0:37:54 | |
How would you say, "This is what we get from it?" | 0:37:54 | 0:37:56 | |
It's tremendous fun, it's good exercise, | 0:37:56 | 0:37:59 | |
you get to travel to all sorts of places, | 0:37:59 | 0:38:02 | |
and it's just a joy to see people's faces when you're dancing. | 0:38:02 | 0:38:06 | |
-Did you catch the bug at all, Clive? -Not for dancing, no. | 0:38:06 | 0:38:09 | |
I kind of tend to be in the music-related things. | 0:38:09 | 0:38:12 | |
I used to play for the team, but I play bass guitar in a rock band. | 0:38:12 | 0:38:14 | |
Excellent, what's the name of the rock band? | 0:38:14 | 0:38:17 | |
-It's called Crash Landing. -Excellent. Well, look, | 0:38:17 | 0:38:19 | |
you probably noticed two gentlemen staggering past you with £4,500. | 0:38:19 | 0:38:23 | |
That was Nick and Joe, | 0:38:23 | 0:38:27 | |
and they did succeed in taking away the jackpot. | 0:38:27 | 0:38:30 | |
That means we start again with a fresh £3,000. | 0:38:30 | 0:38:33 | |
All you have to do is crack the code. | 0:38:33 | 0:38:36 | |
So, let's reset the code. | 0:38:36 | 0:38:38 | |
Three blanks. You just have to turn those into three numbers. | 0:38:41 | 0:38:45 | |
If you are ready, Clive, Denise and Dave, | 0:38:45 | 0:38:48 | |
let's have a look at your first three answers. | 0:38:48 | 0:38:51 | |
So we'll start at the top, | 0:38:55 | 0:38:57 | |
with the question behind Ponzi Scheme. | 0:38:57 | 0:39:00 | |
Right, I've never heard of Bernie Madoff or Allen Stanford, | 0:39:09 | 0:39:13 | |
but I know exactly what a Ponzi Scheme is. | 0:39:13 | 0:39:15 | |
It is a fraudulent financial investment scheme, erm... | 0:39:15 | 0:39:18 | |
-There is also pyramid selling, though. -Yeah. | 0:39:18 | 0:39:21 | |
Ponzi Scheme was named after Ponzi, who was the first... | 0:39:21 | 0:39:26 | |
And it's something to do with giving the profits back to people, | 0:39:26 | 0:39:29 | |
erm, while taking new investments. | 0:39:29 | 0:39:32 | |
And the new investments pay the profits to the new... | 0:39:32 | 0:39:34 | |
OK, so therefore it could be, couldn't it? | 0:39:34 | 0:39:37 | |
Let's have a look at the question behind Dodgeball. | 0:39:37 | 0:39:40 | |
It's definitely not Dodgeball. | 0:39:47 | 0:39:49 | |
-It's definitely not that, I believe it's swingball. -Swingball. | 0:39:49 | 0:39:51 | |
OK. Let's have a look at the question behind Bed. | 0:39:51 | 0:39:53 | |
Willow! Strip the Willow! | 0:40:01 | 0:40:02 | |
THEY LAUGH | 0:40:02 | 0:40:04 | |
I need from you a correct answer from those three. | 0:40:04 | 0:40:07 | |
-Which one is it going to be to lock in? -We're going to... | 0:40:07 | 0:40:09 | |
I'm confident it's not Dodgeball, I'm confident it's not Bed, | 0:40:09 | 0:40:12 | |
so, erm, I'm confident in what a Ponzi Scheme is, | 0:40:12 | 0:40:16 | |
so I would be happy, Skipper, to go with Ponzi Scheme. | 0:40:16 | 0:40:19 | |
-I think we will be going with Ponzi Scheme. -Dave has given his consent. | 0:40:19 | 0:40:23 | |
OK, we want to lock in Ponzi Scheme as our correct answer. | 0:40:23 | 0:40:26 | |
If it is correct, it will turn green. | 0:40:26 | 0:40:29 | |
It will give you the chance to enter your first number into the code, | 0:40:29 | 0:40:32 | |
see if it's there. If it's incorrect, | 0:40:32 | 0:40:34 | |
I'm afraid it's red and you are dancing all the way home. | 0:40:34 | 0:40:39 | |
Now, is Ponzi Scheme our correct answer? | 0:40:39 | 0:40:42 | |
All the way, never in doubt, well done. Lesley. | 0:40:43 | 0:40:47 | |
Yes, Clive, you led the way with this question. | 0:40:47 | 0:40:49 | |
You remembered that the Ponzi Scheme is named after | 0:40:49 | 0:40:51 | |
Ponzi, Charles Ponzi, who was responsible for | 0:40:51 | 0:40:54 | |
a scheme in 1920 that defrauded its investors of 20 million. | 0:40:54 | 0:41:00 | |
That's not adjusted for inflation, | 0:41:00 | 0:41:02 | |
that was an awful lot of money at the time. | 0:41:02 | 0:41:04 | |
Dodgeball, that's not the right answer. | 0:41:04 | 0:41:05 | |
You gave the correct answer almost in unison there. Swingball. | 0:41:05 | 0:41:09 | |
There's a similar game called Bumblepuppy as well. | 0:41:09 | 0:41:13 | |
And Bed, not the correct answer. I thought you might get this one. | 0:41:13 | 0:41:17 | |
You were very confident, you said the correct answer, that is Willow. | 0:41:17 | 0:41:20 | |
Strip the Willow. | 0:41:20 | 0:41:22 | |
Stripping the bed is a little bit different, | 0:41:22 | 0:41:24 | |
and doesn't usually involve dancing, though sometimes dealing with | 0:41:24 | 0:41:26 | |
the duvet cover can be a bit of a performance. | 0:41:26 | 0:41:29 | |
Thank you so much, Lesley. | 0:41:29 | 0:41:31 | |
Well, listen, a cracking start. | 0:41:31 | 0:41:34 | |
You are off the blocks very well, not just knowing the correct answer | 0:41:34 | 0:41:38 | |
but also finding the answers to the ones that weren't right there. | 0:41:38 | 0:41:42 | |
It now means, here we are, look! | 0:41:42 | 0:41:45 | |
We get the chance to use the keypad to find out if there's | 0:41:45 | 0:41:48 | |
a number in there that's also in our code. What's the plan here? | 0:41:48 | 0:41:52 | |
-Who's selecting? -Apparently it's me. -Right. -They say that I'm more lucky. | 0:41:52 | 0:41:57 | |
-Lucky Dave? -Mm. I'm just going to dive in there. | 0:41:57 | 0:42:00 | |
-OK, which one do you fancy, then? -I am going to go for number five. | 0:42:00 | 0:42:04 | |
The number five. Is Lucky Dave going to choose the right number? | 0:42:04 | 0:42:09 | |
Is it there in our code, in the first box? | 0:42:09 | 0:42:12 | |
No, is it there in the second box? | 0:42:12 | 0:42:14 | |
-Oh. -Oh! -Slap bang in the middle. | 0:42:17 | 0:42:20 | |
That was quite lucky, Dave. | 0:42:20 | 0:42:22 | |
THEY LAUGH | 0:42:22 | 0:42:23 | |
Well done, so you have your first number in the code. | 0:42:23 | 0:42:27 | |
Blank, five, blank. | 0:42:27 | 0:42:29 | |
Off to an absolutely ripping start. | 0:42:29 | 0:42:31 | |
HOOTER BLARES | 0:42:31 | 0:42:33 | |
But sadly, that sound means we have run out of time, | 0:42:33 | 0:42:36 | |
so you won't be cracking the code today, | 0:42:36 | 0:42:40 | |
but please will you come back tomorrow, have another crack? | 0:42:40 | 0:42:42 | |
-Oh, yeah. -Absolutely. -Hope so too. | 0:42:42 | 0:42:44 | |
Thank you, Lesley, for all of your fantastic knowledge. | 0:42:44 | 0:42:48 | |
-You're welcome, and may I say, exemplary hosting, Matt. -Thank you! | 0:42:48 | 0:42:52 | |
-Well, I do my best. -We try. | 0:42:52 | 0:42:54 | |
Please join us again tomorrow and find out if | 0:42:54 | 0:42:57 | |
Clive, Denise and Lucky Dave can work their way to | 0:42:57 | 0:43:01 | |
unlocking that safe and taking home £3,000. | 0:43:01 | 0:43:04 | |
Thank you so much for watching, and goodbye. | 0:43:04 | 0:43:07 |