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Hello and welcome to The Code. | 0:00:11 | 0:00:14 | |
Locked in this safe is £4,500. | 0:00:14 | 0:00:18 | |
To open the safe and win the money, contestants just need to crack | 0:00:18 | 0:00:22 | |
a three-digit code. | 0:00:22 | 0:00:23 | |
But every time someone fails, more money goes into the safe | 0:00:23 | 0:00:27 | |
and the jackpot gets higher and higher. | 0:00:27 | 0:00:30 | |
So, let's meet our next team hoping to crack the code. | 0:00:30 | 0:00:34 | |
Here they come. | 0:00:40 | 0:00:42 | |
-Lovely to see you. Pauline? -Hello, lovely to see you. | 0:00:42 | 0:00:45 | |
-And you, and Paul? -Pleased to meet you, Matt. -Hey, how are you? | 0:00:45 | 0:00:47 | |
So, where did you come from, you guys? | 0:00:47 | 0:00:49 | |
-We've come from Middlesbrough. -From Middlesbrough? | 0:00:49 | 0:00:51 | |
-And tell me how you know each other. -We met about 16, 17 years ago, Matt. | 0:00:51 | 0:00:55 | |
We worked for the same company | 0:00:55 | 0:00:57 | |
that provided photographic packages and we worked in the call centre. | 0:00:57 | 0:01:01 | |
I understand that you are a collector | 0:01:01 | 0:01:03 | |
of something in particular? | 0:01:03 | 0:01:05 | |
Yes, well, I do like to buy a lot of shoes. | 0:01:05 | 0:01:08 | |
So, how many are we talking about, Pauline? How many pairs? | 0:01:08 | 0:01:11 | |
Well, the last time I counted, there was, | 0:01:11 | 0:01:13 | |
counting with boots as well, 73 pairs. | 0:01:13 | 0:01:16 | |
Are you now ready for anything? If the right pair comes along, | 0:01:16 | 0:01:19 | |
would you buy another pair? | 0:01:19 | 0:01:21 | |
Well, I thought I was ready for everything | 0:01:21 | 0:01:24 | |
but when I came to the show, when I got my suitcase out, | 0:01:24 | 0:01:28 | |
I'd come with one shoe. | 0:01:28 | 0:01:30 | |
-So, you had to buy another pair of shoes? -I had to dash to the shops! | 0:01:30 | 0:01:33 | |
How about you, Paul? Did you buy new shoes for this show? | 0:01:33 | 0:01:36 | |
I've got to be honest, Matt. No, I didn't! | 0:01:36 | 0:01:39 | |
Fantastic, well, you may have seen our last team, | 0:01:39 | 0:01:41 | |
Stewart, David and Jonathan. | 0:01:41 | 0:01:43 | |
They came on, they failed to crack the code, | 0:01:43 | 0:01:46 | |
which is not such great news for them | 0:01:46 | 0:01:48 | |
but it is terrific news for you. | 0:01:48 | 0:01:50 | |
Because it means that we add another £500 to the pot. | 0:01:50 | 0:01:55 | |
And that means the jackpot now stands at £4,500. | 0:01:55 | 0:02:00 | |
-We wish you all the very best. -Thank you. | 0:02:00 | 0:02:02 | |
Now, to open the safe and win £4,500, | 0:02:02 | 0:02:06 | |
you need to enter a three-digit code up there. | 0:02:06 | 0:02:10 | |
Three unique numbers, OK? No doubles. | 0:02:10 | 0:02:13 | |
Every time you pick the right answer | 0:02:13 | 0:02:16 | |
from the three that are being offered, | 0:02:16 | 0:02:17 | |
you can select a number from the keypad there. | 0:02:17 | 0:02:20 | |
The computer will reveal whether or not it's in the code, but be warned. | 0:02:20 | 0:02:24 | |
If at any stage, you pick a wrong answer, that's it, | 0:02:24 | 0:02:29 | |
you're out of the game, instant elimination. | 0:02:29 | 0:02:31 | |
Let's reset the code. | 0:02:31 | 0:02:33 | |
There we go. | 0:02:35 | 0:02:36 | |
Before we go any further, let me introduce our bright spark, | 0:02:36 | 0:02:40 | |
Lesley Brewis. | 0:02:40 | 0:02:41 | |
Hello, welcome to The Code. This is my key piece of advice. | 0:02:41 | 0:02:44 | |
Can't be said often enough. Read the questions carefully, | 0:02:44 | 0:02:47 | |
you'll often find words in there, | 0:02:47 | 0:02:48 | |
information that will lead you in the right direction. Good luck. | 0:02:48 | 0:02:52 | |
-Thank you. -Let's have a look at your first three answers. | 0:02:52 | 0:02:55 | |
At this stage, you get to open all of the questions with them. | 0:03:00 | 0:03:04 | |
The question behind Halfpenny, please. | 0:03:04 | 0:03:06 | |
Right. I have a feeling... | 0:03:14 | 0:03:17 | |
I have a feeling as well. | 0:03:17 | 0:03:18 | |
I have a feeling, we were in fact just going through some cards | 0:03:18 | 0:03:22 | |
last night and I'm positive that that question was on it. | 0:03:22 | 0:03:24 | |
-OK, you feel like you've swatted for that one? -Yes! | 0:03:24 | 0:03:27 | |
Let's look anyway because we get to compare it | 0:03:27 | 0:03:29 | |
-with the other two as well. -OK. | 0:03:29 | 0:03:31 | |
The question behind Bhutanese, please. | 0:03:31 | 0:03:33 | |
Right, well... | 0:03:39 | 0:03:41 | |
I don't think they're Bhutanese, I think they're from Nepal. | 0:03:41 | 0:03:43 | |
I think they're Nepalese, yes, I agree, Pauline. | 0:03:43 | 0:03:47 | |
We think that one's incorrect. | 0:03:47 | 0:03:49 | |
The question behind The Crucible, please. | 0:03:49 | 0:03:51 | |
Well, one of them is at Frimley Green, | 0:03:57 | 0:04:00 | |
but the Crucible is where the | 0:04:00 | 0:04:02 | |
snooker takes place. | 0:04:02 | 0:04:04 | |
OK, where does that leave us? Where does that leave us? | 0:04:04 | 0:04:07 | |
That leaves us with the...? | 0:04:07 | 0:04:08 | |
We think the Halfpenny is correct. | 0:04:08 | 0:04:11 | |
There it is, locked in. | 0:04:12 | 0:04:14 | |
Halfpenny or "ha'penny" in old money. | 0:04:14 | 0:04:18 | |
Is Halfpenny the correct answer? | 0:04:18 | 0:04:21 | |
-Great start! -Yes! | 0:04:24 | 0:04:26 | |
Well done, very confident, we like that. Lesley? | 0:04:26 | 0:04:29 | |
Your pre-quiz swotting worked. | 0:04:29 | 0:04:31 | |
Well done, yes, Halfpenny the correct answer. | 0:04:31 | 0:04:33 | |
And let's look at the wrong answers on the board. | 0:04:33 | 0:04:36 | |
Bhutanese, the incorrect answer there. | 0:04:36 | 0:04:38 | |
Pauline, you gave the correct answer to this question | 0:04:38 | 0:04:40 | |
as well as knowing that one was wrong. They are Nepalese. | 0:04:40 | 0:04:43 | |
And the last one, The Crucible. Paul, you led the way with this one. | 0:04:43 | 0:04:47 | |
You remembered that The Crucible is the venue for snooker in Sheffield. | 0:04:47 | 0:04:51 | |
The correct answer is Alexandra Palace. | 0:04:51 | 0:04:53 | |
Thank you, Lesley. | 0:04:53 | 0:04:54 | |
And a halfpenny is all you need to buy yourself | 0:04:54 | 0:04:57 | |
the chance to put in a number into the code and see if it sticks. | 0:04:57 | 0:05:01 | |
I've just got this feeling, Matt, | 0:05:01 | 0:05:03 | |
that number 4 is going to be in the code, for no particular reason. | 0:05:03 | 0:05:07 | |
So, can we start with number 4, please? | 0:05:07 | 0:05:09 | |
The number 4, we feel, we have a feeling in our bones. | 0:05:09 | 0:05:13 | |
Is it there in the first box? | 0:05:13 | 0:05:15 | |
No number 4, is it there in the second box? | 0:05:17 | 0:05:19 | |
-Yes! -You're feeling was absolutely right, Paul. | 0:05:22 | 0:05:25 | |
Well done. There it is. | 0:05:25 | 0:05:27 | |
Blank-4-blank makes up your code so far. | 0:05:27 | 0:05:31 | |
Yes, it's good. | 0:05:31 | 0:05:32 | |
You have to get numbers in the code if you're going to win. | 0:05:32 | 0:05:35 | |
But at the same time, | 0:05:35 | 0:05:37 | |
the quiz does become a little bit trickier now | 0:05:37 | 0:05:39 | |
because we see all three answers as before, | 0:05:39 | 0:05:41 | |
but only two questions will be revealed | 0:05:41 | 0:05:43 | |
-before you have to make a decision. -Yeah. | 0:05:43 | 0:05:45 | |
So, you won't have the full picture. | 0:05:45 | 0:05:47 | |
Let's see your next three answers. | 0:05:47 | 0:05:49 | |
Any thoughts, Pauline? | 0:05:54 | 0:05:56 | |
Well, you travelled to Glasgow | 0:05:56 | 0:05:57 | |
quite a few times! | 0:05:57 | 0:05:59 | |
I knew you were going to say that. | 0:05:59 | 0:06:00 | |
Quite often, so, Glasgow | 0:06:00 | 0:06:02 | |
-would be a... -Yeah, I agree. | 0:06:02 | 0:06:03 | |
-A good choice. -We'll go with Glasgow on that, please. | 0:06:03 | 0:06:06 | |
I don't know Easterhouse and Hillhead. | 0:06:14 | 0:06:17 | |
But I'm pretty sure that Anniesland is an area in Glasgow. | 0:06:18 | 0:06:24 | |
-Which one would you like to look at next? -Erm... | 0:06:24 | 0:06:26 | |
-Accents? -Accents. | 0:06:26 | 0:06:28 | |
OK, yeah, we'll try Accents. | 0:06:28 | 0:06:30 | |
Let's have a look at the question behind Accents, please. | 0:06:30 | 0:06:33 | |
I don't know but A History | 0:06:44 | 0:06:45 | |
Of The World In 100 Accents | 0:06:45 | 0:06:47 | |
just doesn't sound right to me. | 0:06:47 | 0:06:50 | |
It doesn't, no. | 0:06:50 | 0:06:52 | |
I have a feeling that out of the two, | 0:06:52 | 0:06:54 | |
that the Glasgow one | 0:06:54 | 0:06:56 | |
may be the better option. | 0:06:56 | 0:06:57 | |
Well, you've been to Glasgow | 0:06:57 | 0:06:59 | |
-quite a few times. -Yes, yes. | 0:06:59 | 0:07:01 | |
So, yes, I agree with you. | 0:07:01 | 0:07:02 | |
-Are we OK with that? -Yes. | 0:07:02 | 0:07:04 | |
OK, we need to lock in what we think is the correct answer. | 0:07:04 | 0:07:06 | |
Any one of those three. | 0:07:06 | 0:07:07 | |
-Can we lock in the Glasgow answer, please, Matt? -OK. | 0:07:07 | 0:07:12 | |
There it is. | 0:07:12 | 0:07:13 | |
It's bright orange, we can't change it. | 0:07:13 | 0:07:16 | |
But we can have a look at the question behind Broad. | 0:07:16 | 0:07:19 | |
Oh! | 0:07:23 | 0:07:25 | |
-BOTH: -That's haricot. -Yes! | 0:07:25 | 0:07:28 | |
-Feeling happy about that? -Yes, definitely. | 0:07:28 | 0:07:30 | |
Up to now, yes. | 0:07:30 | 0:07:31 | |
You feel like we've made | 0:07:31 | 0:07:32 | |
the right choice in Glasgow. | 0:07:32 | 0:07:34 | |
Is Glasgow our correct answer? | 0:07:34 | 0:07:36 | |
-Yes! -Fantastic. -Yes! | 0:07:38 | 0:07:40 | |
-Well worth travelling to Glasgow. -Yes. | 0:07:40 | 0:07:43 | |
Yes, well done. | 0:07:43 | 0:07:44 | |
Taking my advice, reading each question very carefully. | 0:07:44 | 0:07:47 | |
Glasgow the correct answer there. | 0:07:47 | 0:07:49 | |
Anniesland and Hillhead are in the west and Easterhouse is in the east. | 0:07:49 | 0:07:54 | |
Let's look at the wrong answers. | 0:07:54 | 0:07:56 | |
Broad, when this came up, you knew the correct answer. | 0:07:56 | 0:07:58 | |
Haricot, or some people say "hari-coh" beans. | 0:07:58 | 0:08:01 | |
And for the last question, | 0:08:01 | 0:08:02 | |
you correctly and quickly dismissed Accents as not making sense | 0:08:02 | 0:08:06 | |
as A History Of The World In 100 Accents. | 0:08:06 | 0:08:08 | |
The correct answer there is Objects, 100 Objects. | 0:08:08 | 0:08:12 | |
Going back 2 million years to the present day | 0:08:12 | 0:08:14 | |
and object number 100 is a solar-powered lamp and charger. | 0:08:14 | 0:08:19 | |
-Very well done, nice work. -Thank you. -Thank you, Lesley. | 0:08:19 | 0:08:21 | |
-Thank goodness you didn't have to know that! -No! | 0:08:21 | 0:08:24 | |
Working through just your instincts, really, on the others got you there, | 0:08:24 | 0:08:27 | |
and has now bought you a second chance. | 0:08:27 | 0:08:30 | |
The chance to put a second number in and see if it's in the code. | 0:08:30 | 0:08:33 | |
Who's going to have a go? | 0:08:33 | 0:08:35 | |
-Well, I have a feeling... -I have a feeling, too. | 0:08:35 | 0:08:38 | |
And I think one of the other numbers we thought of was number 7. | 0:08:38 | 0:08:43 | |
We're going to try lucky 7. | 0:08:43 | 0:08:45 | |
Is it there in our first box? | 0:08:46 | 0:08:47 | |
No number 7 there. | 0:08:49 | 0:08:50 | |
Is there a number 7 in the third and final box? | 0:08:50 | 0:08:54 | |
-Oh! -No number 7. | 0:08:56 | 0:08:58 | |
But look, we're answering questions correctly, | 0:08:58 | 0:09:00 | |
we are discounting the numbers. | 0:09:00 | 0:09:01 | |
-Are you ready for your next three answers? -Yes. | 0:09:01 | 0:09:04 | |
-Yes, we're ready. -Here they come. | 0:09:04 | 0:09:05 | |
THEY LAUGH | 0:09:09 | 0:09:10 | |
They're not linked. | 0:09:10 | 0:09:12 | |
But there are three answers there, only one of them can be correct. | 0:09:12 | 0:09:15 | |
Paul's strong subject is football, | 0:09:15 | 0:09:17 | |
so I think Kevin Keegan would be... | 0:09:17 | 0:09:19 | |
-Yeah, we'll go with Kevin Keegan, please. -OK. | 0:09:19 | 0:09:21 | |
-Was he still playing then...? -I... | 0:09:32 | 0:09:34 | |
In 2001. | 0:09:34 | 0:09:36 | |
He ages with me, Kevin Keegan. | 0:09:36 | 0:09:37 | |
That's a good point that, Pauline. | 0:09:37 | 0:09:39 | |
He ages with me, virtually. | 0:09:39 | 0:09:41 | |
So, that means he's 65, so obviously he wasn't playing, then. | 0:09:41 | 0:09:45 | |
OK, great. We get to open another one | 0:09:45 | 0:09:47 | |
before we have to commit to anything. | 0:09:47 | 0:09:49 | |
Where would you like to go next? | 0:09:49 | 0:09:50 | |
I think I probably know more about perms than poodles. | 0:09:50 | 0:09:53 | |
OK, so we'll go Perms. | 0:09:53 | 0:09:55 | |
We'd like to look at the question behind Perm, please. | 0:09:55 | 0:09:57 | |
Right, that's a toughy, isn't it? | 0:10:07 | 0:10:09 | |
We know that it's a term | 0:10:09 | 0:10:11 | |
for a hairstyle. | 0:10:11 | 0:10:13 | |
I haven't come across a Russian city | 0:10:13 | 0:10:16 | |
by the name of Perm but it doesn't mean to say that it's not right. | 0:10:16 | 0:10:20 | |
So, on that basis, are we better to... | 0:10:20 | 0:10:23 | |
..go with the Perm rather than | 0:10:24 | 0:10:26 | |
be blind with the Poodle? | 0:10:26 | 0:10:28 | |
Poodle, what could it be, the question? | 0:10:28 | 0:10:30 | |
It could be anything | 0:10:30 | 0:10:31 | |
but irrespective of what it is, | 0:10:31 | 0:10:33 | |
we're not going to know the legitimacy of it, are we? | 0:10:33 | 0:10:37 | |
I just have a feeling, | 0:10:37 | 0:10:38 | |
I know we have to agree, | 0:10:38 | 0:10:40 | |
but if we went for Poodle | 0:10:40 | 0:10:41 | |
and it turned out to be Perm, | 0:10:41 | 0:10:43 | |
I reckon we'd be kicking ourselves. | 0:10:43 | 0:10:45 | |
We would. | 0:10:45 | 0:10:46 | |
If we go for Perm and it's Poodle, | 0:10:46 | 0:10:47 | |
we haven't seen the question, | 0:10:47 | 0:10:49 | |
so I think although it would be | 0:10:49 | 0:10:50 | |
disappointing, we'd feel less, | 0:10:50 | 0:10:53 | |
we wouldn't be kicking ourselves | 0:10:53 | 0:10:54 | |
-quite so hard, if that makes sense. -Right. | 0:10:54 | 0:10:57 | |
I think we should go in with the Perm | 0:10:57 | 0:10:58 | |
because we know it's half right. | 0:10:58 | 0:11:00 | |
-Agreed, are we agreed on that? -Yes. | 0:11:00 | 0:11:01 | |
Can we lock in Perm, please, Matt? | 0:11:01 | 0:11:03 | |
We certainly can. Let's lock in Perm as our correct answer. | 0:11:03 | 0:11:06 | |
There it is, we can't change that but we can have a look now | 0:11:08 | 0:11:12 | |
at the question behind Poodle. | 0:11:12 | 0:11:14 | |
And I'm hoping, for your sake, | 0:11:14 | 0:11:16 | |
it rings really false. | 0:11:16 | 0:11:18 | |
I think that's probably a Labrador. | 0:11:23 | 0:11:25 | |
Yeah, I think poodles are quite popular but I think | 0:11:25 | 0:11:28 | |
I've heard somewhere that it's another dog, | 0:11:28 | 0:11:30 | |
maybe some kind of terrier or something like that. | 0:11:30 | 0:11:32 | |
So, having seen that... | 0:11:32 | 0:11:34 | |
-I'm quite happy. -..I'm a little bit encouraged | 0:11:34 | 0:11:37 | |
that we've maybe made the right choice. | 0:11:37 | 0:11:39 | |
-Good, if you're happy, I'm happy. -Right. | 0:11:39 | 0:11:41 | |
That's what we want! OK. | 0:11:41 | 0:11:43 | |
Is Perm our correct answer? | 0:11:44 | 0:11:47 | |
-Oh! -Yes! | 0:11:50 | 0:11:51 | |
Fantastic, what a great bit of work that was. Genuinely. Lesley? | 0:11:51 | 0:11:55 | |
Yes, that was excellent. | 0:11:55 | 0:11:56 | |
You used the information you had and you read the questions | 0:11:56 | 0:11:59 | |
carefully and that led you to the correct answer, Perm. | 0:11:59 | 0:12:02 | |
Perm, yes, it is a treatment that results in | 0:12:02 | 0:12:05 | |
a distinctive hairstyle, as sported by Kevin Keegan. | 0:12:05 | 0:12:08 | |
Kevin Keegan definitely not still playing in 2001. | 0:12:08 | 0:12:12 | |
The correct answer, | 0:12:12 | 0:12:14 | |
Michael Owen in 2001 was the winner of European Footballer Of The Year. | 0:12:14 | 0:12:19 | |
Kevin Keegan had won it in 1979. | 0:12:19 | 0:12:22 | |
And the next question, the Poodle one. | 0:12:22 | 0:12:24 | |
Pauline, you came in here with the correct answer, | 0:12:24 | 0:12:27 | |
that's the Labrador Retriever. | 0:12:27 | 0:12:28 | |
Poodles don't even make it into the top ten. | 0:12:28 | 0:12:31 | |
Thank you, Lesley. Well, no waifs and strays here. | 0:12:31 | 0:12:34 | |
We are all on track and that answer there gives you the chance | 0:12:34 | 0:12:39 | |
to enter another digit into the keypad | 0:12:39 | 0:12:42 | |
to see if it's there in the code. | 0:12:42 | 0:12:45 | |
-What about number 1? -OK. | 0:12:45 | 0:12:46 | |
-Got a feeling about number 1. -Number 1. | 0:12:46 | 0:12:48 | |
-OK, we have a feeling about number 1. -Number 1, please. | 0:12:48 | 0:12:51 | |
Let's see if that is there, up in the code, in the first box. | 0:12:51 | 0:12:55 | |
No number 1 there, how about the third and final box? | 0:12:56 | 0:12:59 | |
No number 1 there either. | 0:13:03 | 0:13:05 | |
But yet again, we're counting these numbers out, | 0:13:05 | 0:13:07 | |
now there's only seven left to choose from. | 0:13:07 | 0:13:09 | |
Are you ready for your next three answers? | 0:13:09 | 0:13:11 | |
-Yes. -We're ready, Matt. | 0:13:11 | 0:13:12 | |
Super, you're playing absolutely brilliantly. Let's have a look. | 0:13:12 | 0:13:15 | |
Goldfinger. | 0:13:22 | 0:13:23 | |
-Bond villain? -Jaws. | 0:13:23 | 0:13:26 | |
-Yeah. Catamarans are... -Sailing. | 0:13:26 | 0:13:30 | |
Yes, and it has so many holes, | 0:13:30 | 0:13:32 | |
catamarans, is it two or three? | 0:13:32 | 0:13:34 | |
-Maybe the Goldfinger? -Yes. | 0:13:34 | 0:13:36 | |
Maybe know a little bit about Bond, | 0:13:36 | 0:13:38 | |
-don't we? -Bit more. | 0:13:38 | 0:13:40 | |
Let's have a look at the question behind Goldfinger. | 0:13:40 | 0:13:42 | |
The Goldfinger guy, I'm sure he was quite a portly guy | 0:13:50 | 0:13:53 | |
with a bald head, whose name I don't know. | 0:13:53 | 0:13:55 | |
-So... -Could it be Gert Frobe? | 0:13:55 | 0:13:57 | |
I'm just working out that | 0:13:57 | 0:13:59 | |
because I don't know who that Bond villain is, | 0:13:59 | 0:14:01 | |
is it Gert Frobe? | 0:14:01 | 0:14:02 | |
-Shall we try Defence Secretary? -Yes. | 0:14:02 | 0:14:05 | |
OK, we will open Defence Secretary | 0:14:05 | 0:14:08 | |
and have a look at the question. | 0:14:08 | 0:14:09 | |
Right, I seem to remember John Major maybe being Chancellor. | 0:14:19 | 0:14:22 | |
He may have been Home Secretary but | 0:14:22 | 0:14:25 | |
I don't think that's correct either. | 0:14:25 | 0:14:27 | |
If I had to put him in a position, | 0:14:27 | 0:14:28 | |
I would say that he was maybe Chancellor. | 0:14:28 | 0:14:30 | |
I have no recollection at all | 0:14:30 | 0:14:32 | |
of John Major ever being Defence Secretary. | 0:14:32 | 0:14:35 | |
-It is a bit of a specialist position. -Hmm. | 0:14:35 | 0:14:38 | |
And I don't think he was ever involved in defence. | 0:14:38 | 0:14:41 | |
That's my gut feeling. | 0:14:41 | 0:14:43 | |
So, I would maybe think the Goldfinger or the Catamaran | 0:14:44 | 0:14:48 | |
may be correct and the more I look at this Gert Frobe... | 0:14:48 | 0:14:51 | |
A modernist architect, | 0:14:52 | 0:14:54 | |
would a modernist architect be called Goldfinger? | 0:14:54 | 0:14:56 | |
Maybe he does specific designs that involve gold or... | 0:14:56 | 0:14:59 | |
I think Goldfinger looks more likely | 0:14:59 | 0:15:02 | |
than Defence Secretary. | 0:15:02 | 0:15:04 | |
And rule out, take the Catamaran | 0:15:04 | 0:15:06 | |
as being the wrong answer as well. | 0:15:06 | 0:15:09 | |
-Hmm. -Without seeing it. | 0:15:09 | 0:15:10 | |
Are we happy to go Goldfinger? | 0:15:10 | 0:15:12 | |
I'll let you decide. | 0:15:12 | 0:15:14 | |
I-I've a leaning towards | 0:15:14 | 0:15:15 | |
-the Goldfinger. -You do? -OK. | 0:15:15 | 0:15:18 | |
OK, we'll go with Goldfinger. | 0:15:18 | 0:15:20 | |
Locking in Goldfinger as our correct answer. | 0:15:20 | 0:15:23 | |
OK, now let's look at the question behind Catamaran. | 0:15:25 | 0:15:27 | |
Well, I don't think a catamaran is a high-speed passenger vessel, is it? | 0:15:36 | 0:15:40 | |
It's much more sedate. | 0:15:40 | 0:15:41 | |
I don't actually think it is a high-speed passenger vessel, | 0:15:41 | 0:15:44 | |
so I'm quite please with that. | 0:15:44 | 0:15:45 | |
How are you feeling, Pauline? | 0:15:45 | 0:15:47 | |
I'm not sure. Not sure! | 0:15:47 | 0:15:48 | |
OK, well, anyway, it's academic. | 0:15:48 | 0:15:50 | |
Is Goldfinger our correct answer? | 0:15:50 | 0:15:53 | |
Yes! Well done. | 0:15:56 | 0:15:58 | |
Well done, team. | 0:15:58 | 0:15:59 | |
Absolutely, I'm not sure that was Goldfinger, | 0:15:59 | 0:16:01 | |
that was more like crossed fingers! | 0:16:01 | 0:16:03 | |
Wasn't it? Lesley? | 0:16:03 | 0:16:04 | |
I'm very glad that you settled on that one. | 0:16:04 | 0:16:06 | |
I thought you were going to talk yourselves out of it for a moment. | 0:16:06 | 0:16:09 | |
Goldfinger the correct answer. | 0:16:09 | 0:16:11 | |
Erno Goldfinger the architect, | 0:16:11 | 0:16:13 | |
Auric Goldfinger, the Bond villain. | 0:16:13 | 0:16:15 | |
The latter named after the former. | 0:16:15 | 0:16:17 | |
Catamaran not the right answer for the next one, | 0:16:17 | 0:16:20 | |
that is the hovercraft. | 0:16:20 | 0:16:22 | |
You can get high-speed catamarans and indeed, | 0:16:22 | 0:16:24 | |
they replaced hovercrafts when they went out of service. | 0:16:24 | 0:16:27 | |
And the Defence Secretary question, you got through this very well | 0:16:27 | 0:16:31 | |
by knowing that John Major had been the Chancellor. | 0:16:31 | 0:16:35 | |
The Defence Secretary around that time was Tom King, | 0:16:35 | 0:16:37 | |
he'd taken up that position after the 1989 reshuffle. | 0:16:37 | 0:16:41 | |
Well done, good progress. | 0:16:41 | 0:16:43 | |
-Thanks. -Yes, steady progress. | 0:16:43 | 0:16:45 | |
Steady progress but it's doesn't matter if it gets the right result. | 0:16:45 | 0:16:48 | |
And it certainly has, because we get the chance now to put in | 0:16:48 | 0:16:52 | |
a fourth digit into the code, see if it's there. | 0:16:52 | 0:16:55 | |
1, 4 and 7 have all gone. | 0:16:55 | 0:16:57 | |
There are seven remaining. | 0:16:57 | 0:16:59 | |
I think I'd like to go for number 9. | 0:16:59 | 0:17:01 | |
Number 9, let's find out if Pauline's number 9 is there | 0:17:01 | 0:17:05 | |
in the code. | 0:17:05 | 0:17:06 | |
Is it in the first box? | 0:17:06 | 0:17:07 | |
No. Is it there in the third and final box? | 0:17:08 | 0:17:11 | |
No number 9. | 0:17:13 | 0:17:15 | |
No number 9, but that's fine. | 0:17:15 | 0:17:18 | |
Pauline and Paul, are you ready for your next three answers? | 0:17:18 | 0:17:20 | |
-We're ready, Matt. -Yes, we're ready. -Here they are. | 0:17:20 | 0:17:22 | |
We've always started with something that we feel | 0:17:28 | 0:17:31 | |
as if we know a little bit about. | 0:17:31 | 0:17:32 | |
A bit about. | 0:17:32 | 0:17:33 | |
Although I'm not an expert | 0:17:33 | 0:17:35 | |
-on Marcel Marceau, but...! -No, or goat's cheese. | 0:17:35 | 0:17:37 | |
Maybe we should stick with the same thing | 0:17:37 | 0:17:39 | |
because although I'm tempted to think I'd like to know | 0:17:39 | 0:17:42 | |
what's behind Front Row, if we break what we've been doing, | 0:17:42 | 0:17:44 | |
like with Kevin Keegan, should we go with something that we've...? | 0:17:44 | 0:17:47 | |
All I know about Marcel Marceau | 0:17:47 | 0:17:49 | |
is he mimed. | 0:17:49 | 0:17:50 | |
-Shall we try it? -Yeah. | 0:17:50 | 0:17:52 | |
OK, we'll go with Marcel Marceau. | 0:17:52 | 0:17:53 | |
The question behind Marcel Marceau, please. | 0:17:53 | 0:17:55 | |
I was going to say there was a guy who did this, | 0:18:06 | 0:18:08 | |
but obviously there was. | 0:18:08 | 0:18:09 | |
But would somebody who was a mime artist | 0:18:10 | 0:18:13 | |
suddenly get up on a tightrope? | 0:18:13 | 0:18:17 | |
And he's walking between the Twin Towers, | 0:18:17 | 0:18:18 | |
so it's not as though he's a few feet off the ground. | 0:18:18 | 0:18:21 | |
It's something specialist. | 0:18:21 | 0:18:23 | |
So, was he a mime artist and a tightrope walker? | 0:18:23 | 0:18:26 | |
I would tend to think that wasn't, that was false. | 0:18:26 | 0:18:28 | |
I think we'd know about him if... | 0:18:28 | 0:18:29 | |
Yes, what shall we try next? | 0:18:29 | 0:18:31 | |
-Goat's cheese? -Goat's cheese. | 0:18:31 | 0:18:33 | |
Unless we try Front Row, what could be behind Front Row? | 0:18:33 | 0:18:36 | |
Second row. | 0:18:36 | 0:18:38 | |
I got that, Pauline! | 0:18:38 | 0:18:41 | |
-He was too slow. -I was with you. | 0:18:41 | 0:18:42 | |
Sorry, I was very... I was somewhere else. | 0:18:42 | 0:18:44 | |
I was up on the tightrope between the Twin Towers. | 0:18:44 | 0:18:47 | |
-We'll try the Front Row. -Yeah, go on, we'll go Front Row. | 0:18:48 | 0:18:51 | |
Please reveal the question behind Front Row. | 0:18:51 | 0:18:54 | |
Well, I know Ned Sherrin. Did he do something like...? | 0:19:02 | 0:19:05 | |
That doesn't ring a bell | 0:19:05 | 0:19:06 | |
but I'm not an expert on radio shows or Ned Sherrin. | 0:19:06 | 0:19:09 | |
Did he do something like Ask Me A Question or...? | 0:19:09 | 0:19:13 | |
I can't see an obvious reason for having a radio show | 0:19:13 | 0:19:17 | |
hosted by Ned Sherrin, who was like a wit and raconteur, wasn't he? | 0:19:17 | 0:19:21 | |
And called Front Row. | 0:19:21 | 0:19:23 | |
-Mm-hm. -I honestly don't know, Pauline, | 0:19:23 | 0:19:26 | |
but I think Ned Sherrin and Front Row, not sure. | 0:19:26 | 0:19:29 | |
Shall we go for goat's cheese? | 0:19:29 | 0:19:30 | |
If you're happy with that. | 0:19:30 | 0:19:32 | |
I'm happy. | 0:19:32 | 0:19:33 | |
I mean, we are in a difficult position, so we've got to choose. | 0:19:33 | 0:19:36 | |
-Which one shall we lock in? -We'll lock in | 0:19:36 | 0:19:38 | |
the goat's cheese, please, Matt. | 0:19:38 | 0:19:40 | |
Let's lock it in. | 0:19:40 | 0:19:41 | |
There we go. | 0:19:42 | 0:19:43 | |
Flying blind, locking in an answer | 0:19:43 | 0:19:45 | |
where we don't know | 0:19:45 | 0:19:47 | |
what the question is at all. | 0:19:47 | 0:19:49 | |
-Does that help us? -Well... | 0:19:58 | 0:20:00 | |
No! No, it doesn't. | 0:20:00 | 0:20:02 | |
Chevre does sound a bit | 0:20:02 | 0:20:03 | |
like cheese, doesn't it? | 0:20:03 | 0:20:05 | |
The chevre may be referring | 0:20:05 | 0:20:06 | |
more to the goat's cheese | 0:20:06 | 0:20:07 | |
rather than just cheese itself. | 0:20:07 | 0:20:10 | |
It is academic, it's locked in now. | 0:20:10 | 0:20:12 | |
-That's it. -Exactly. | 0:20:12 | 0:20:13 | |
If it doesn't make you feel one way or the other, | 0:20:13 | 0:20:16 | |
how does goat's cheese make you feel? | 0:20:16 | 0:20:17 | |
I love the stuff, it's not for everybody. | 0:20:17 | 0:20:19 | |
But on this occasion, I want it to give me a nice, warm feeling. | 0:20:19 | 0:20:23 | |
Is goat's cheese our correct answer? | 0:20:23 | 0:20:25 | |
-Oh! -I can't believe it. | 0:20:28 | 0:20:30 | |
Well, what about that? Lesley? | 0:20:30 | 0:20:32 | |
Yes, excellent reasoning on display here and you were right to say | 0:20:32 | 0:20:36 | |
that chevre refers to the goat, | 0:20:36 | 0:20:38 | |
it's a female goat in French. | 0:20:38 | 0:20:40 | |
The Front Row question, | 0:20:40 | 0:20:41 | |
you debated this one very carefully with excellent reasoning. | 0:20:41 | 0:20:44 | |
Your idea that a chat show wouldn't be called Front Row | 0:20:44 | 0:20:46 | |
was a great one because that's not the right answer here. | 0:20:46 | 0:20:49 | |
It's Loose Ends. | 0:20:49 | 0:20:50 | |
Front Row is an arts show, Loose Ends a chat show. | 0:20:50 | 0:20:54 | |
Used to be hosted, as it says, by Ned Sherrin. | 0:20:54 | 0:20:56 | |
Currently hosted by Clive Anderson. | 0:20:56 | 0:20:58 | |
And the other one, Marcel Marceau, you decided Marcel Marceau | 0:20:58 | 0:21:02 | |
might be on the old side in 1974, he would have been in his 50s. | 0:21:02 | 0:21:06 | |
The correct answer is Philippe Petit, | 0:21:06 | 0:21:08 | |
who was 29 when he walked between the Twin Towers. | 0:21:08 | 0:21:12 | |
So, excellent information, | 0:21:12 | 0:21:13 | |
good reasoning leading you to the correct answer. Good work. | 0:21:13 | 0:21:16 | |
Now, the numbers in the code, blank-4-blank, | 0:21:16 | 0:21:20 | |
1, 4, 7, 9 have all been counted out. | 0:21:20 | 0:21:23 | |
Which one are you going to go for next? | 0:21:23 | 0:21:25 | |
-Got a feeling about 8. -OK, then. -Got a feeling about 8? | 0:21:25 | 0:21:29 | |
Here we go. The number 8, is it there in our first box? | 0:21:29 | 0:21:33 | |
Not there. Is it there in our third and final box? | 0:21:35 | 0:21:38 | |
No number 8. | 0:21:41 | 0:21:42 | |
-Ooh, five left! -But look, | 0:21:42 | 0:21:44 | |
just five numbers left. | 0:21:44 | 0:21:46 | |
Let's have a look at your next three answers. | 0:21:46 | 0:21:49 | |
France, Kidney, what could that be? | 0:21:55 | 0:21:57 | |
I know there was a pink one. | 0:21:57 | 0:21:59 | |
Is that related to the human body? | 0:21:59 | 0:22:01 | |
There's two of them and what they do, | 0:22:01 | 0:22:03 | |
they filter certain things, don't they? | 0:22:03 | 0:22:05 | |
You're quite good | 0:22:05 | 0:22:06 | |
on parts of the body. | 0:22:06 | 0:22:07 | |
-Shall we try Kidney? -Yes. | 0:22:07 | 0:22:09 | |
-Mm-hm. -Kidney. | 0:22:09 | 0:22:10 | |
Try Kidney, Matt, please. | 0:22:10 | 0:22:11 | |
Let's have a look at the question behind Kidney. | 0:22:11 | 0:22:13 | |
Now, I did read something the other day | 0:22:20 | 0:22:22 | |
about someone who'd | 0:22:22 | 0:22:24 | |
done a transplant. | 0:22:24 | 0:22:26 | |
Not sure whether it was kidney or not | 0:22:26 | 0:22:28 | |
but it was before the heart transplant. | 0:22:28 | 0:22:30 | |
Transplant. | 0:22:30 | 0:22:31 | |
Which you'd assume anyway | 0:22:31 | 0:22:32 | |
because a heart transplant's | 0:22:32 | 0:22:34 | |
really risky, difficult. | 0:22:34 | 0:22:36 | |
-Shall we open another one? -Yeah! | 0:22:36 | 0:22:37 | |
And then maybe we can compare and contrast. Which one? | 0:22:37 | 0:22:40 | |
I think we should go France. | 0:22:41 | 0:22:43 | |
OK, that's fine with me. | 0:22:43 | 0:22:44 | |
The question behind France, please. | 0:22:44 | 0:22:45 | |
The Suriname, I don't know, it just rings a bell about France. | 0:22:52 | 0:22:55 | |
But it's so tenuous, that... | 0:22:55 | 0:22:58 | |
I wouldn't have the confidence to sort of pitch in with it, you know. | 0:22:58 | 0:23:01 | |
If you think the Kidney, | 0:23:01 | 0:23:03 | |
we're ruling out what the Power Rangers one is. | 0:23:03 | 0:23:06 | |
See, kidney, you could experiment with that early | 0:23:06 | 0:23:08 | |
because people are still left with one. | 0:23:08 | 0:23:10 | |
It's not so crucial if you lose one. | 0:23:10 | 0:23:12 | |
-Yeah. -Whereas liver and that would be dangerous. | 0:23:12 | 0:23:16 | |
So, that's another thing that | 0:23:16 | 0:23:17 | |
makes me think more about Kidney. | 0:23:17 | 0:23:19 | |
If you...yeah. | 0:23:19 | 0:23:21 | |
-Are we going with Kidney? -I think you're right, yes. | 0:23:21 | 0:23:23 | |
Rather tenuously, Matt, we're going for Kidney. | 0:23:23 | 0:23:26 | |
-We're not completely sure, by any means! -No! | 0:23:26 | 0:23:28 | |
But we're going to lock in Kidney. | 0:23:28 | 0:23:30 | |
On the basis that we've got two. | 0:23:30 | 0:23:33 | |
Let's have a look now, though, at the question behind Power Rangers. | 0:23:33 | 0:23:37 | |
I don't recognise the name | 0:23:45 | 0:23:46 | |
Ash Ketchum at all. | 0:23:46 | 0:23:48 | |
It is academic anyway. If you don't recognise it... | 0:23:48 | 0:23:50 | |
-I've never heard the name. -No. | 0:23:50 | 0:23:52 | |
Just as well we didn't pick that one early on, then. | 0:23:52 | 0:23:54 | |
So, is Kidney our correct answer? | 0:23:54 | 0:23:57 | |
-Oh! -MATT LAUGHS | 0:23:59 | 0:24:01 | |
You look absolutely astonished. | 0:24:01 | 0:24:04 | |
Lesley? | 0:24:04 | 0:24:05 | |
You were by no means certain of that one. | 0:24:05 | 0:24:08 | |
I can see your relief that kidney is indeed the correct answer. | 0:24:08 | 0:24:12 | |
That was in 1954 between living patients. | 0:24:12 | 0:24:14 | |
They were twins, one therefore saving the other's life. | 0:24:14 | 0:24:18 | |
France, the wrong answer to the top question. | 0:24:18 | 0:24:20 | |
You weren't sure about this one. | 0:24:20 | 0:24:22 | |
The correct answer there is the Netherlands. | 0:24:22 | 0:24:24 | |
The official language in Suriname is Dutch. | 0:24:24 | 0:24:28 | |
And the Power Rangers question, I think if you'd chosen | 0:24:28 | 0:24:30 | |
this question first, you may have run into trouble. | 0:24:30 | 0:24:33 | |
The correct answer, not Power Rangers, | 0:24:33 | 0:24:34 | |
which was a live-action TV series, not animated. This is... | 0:24:34 | 0:24:38 | |
Anyone like to give me the answer for a Lesley point? | 0:24:38 | 0:24:41 | |
-Matthew's got his hand up. -Is it Pokemon? -It is Pokemon. | 0:24:41 | 0:24:44 | |
I'm going to write down a little point here for you. | 0:24:44 | 0:24:46 | |
Pokemon the correct answer. | 0:24:46 | 0:24:48 | |
Ash Ketchum's name coming from "catch 'em", | 0:24:48 | 0:24:50 | |
as in, "got to catch 'em all." | 0:24:50 | 0:24:52 | |
Yes, thank you, Lesley, and well done, Pauline and Paul. Fantastic. | 0:24:52 | 0:24:56 | |
Only five figures remaining on the keypad. | 0:24:56 | 0:24:59 | |
We're doing well, we are now getting to the point where your odds | 0:24:59 | 0:25:03 | |
are getting very short of finding the next one in there. | 0:25:03 | 0:25:05 | |
-Which one's it's going to be? -Number 2. | 0:25:05 | 0:25:07 | |
Is the number 2 there in our code? Let's have a look. | 0:25:07 | 0:25:10 | |
In the first box... | 0:25:10 | 0:25:11 | |
-Ooh! -Yeah! | 0:25:13 | 0:25:16 | |
2-4-blank. | 0:25:16 | 0:25:18 | |
We have only one digit left to find in the code now. | 0:25:18 | 0:25:22 | |
But there is the slight problem | 0:25:22 | 0:25:24 | |
that now we're at the trickiest bit of the quiz. | 0:25:24 | 0:25:27 | |
This time, we only get to see one question at a time | 0:25:27 | 0:25:31 | |
before we have to make a decision. It's much, much more difficult. | 0:25:31 | 0:25:35 | |
Pauline, Paul, here are your next three answers. | 0:25:35 | 0:25:39 | |
-Zambezi's a river. -Mm-hm. | 0:25:46 | 0:25:48 | |
It was also a hit. | 0:25:48 | 0:25:49 | |
A hit song, wasn't it? | 0:25:49 | 0:25:51 | |
-# Zambezi, ta-dum...? # -Yeah. | 0:25:51 | 0:25:52 | |
-Erm... -The Birds, the Hitchcock film? | 0:25:52 | 0:25:55 | |
The Birds, yes, it could well be the Hitchcock film. | 0:25:55 | 0:25:58 | |
-Mm-hm. -Tippi Hedren and Ron... | 0:25:58 | 0:26:00 | |
Tippi Hedren and if I saw | 0:26:00 | 0:26:01 | |
the actor's name, I would know it. | 0:26:01 | 0:26:03 | |
I think she was in it, Tippi Hedren. | 0:26:03 | 0:26:05 | |
-Tippi Hedren? -Yeah, might be who it was directed by | 0:26:05 | 0:26:07 | |
-or something like that. -Yeah. | 0:26:07 | 0:26:09 | |
Cypress Hill, now I've heard of that. | 0:26:09 | 0:26:10 | |
Was it a TV series or something? | 0:26:10 | 0:26:12 | |
I've never heard of Cypress Hill. | 0:26:12 | 0:26:13 | |
Or was it...? I've heard of it. | 0:26:13 | 0:26:15 | |
Do you think we should go for The Birds? | 0:26:15 | 0:26:17 | |
Yes, I agree, The Birds. | 0:26:17 | 0:26:18 | |
We'll go with The Birds, please, Matt. | 0:26:18 | 0:26:20 | |
The question behind The Birds, please. | 0:26:20 | 0:26:22 | |
Aristophanes, it sounds as if | 0:26:30 | 0:26:32 | |
he's some Greek philosopher | 0:26:32 | 0:26:34 | |
going back a long time. | 0:26:34 | 0:26:36 | |
Features a kingdom in the air, | 0:26:36 | 0:26:38 | |
Cloud-cuckooland, which is... | 0:26:38 | 0:26:39 | |
People refer to that, don't they? | 0:26:39 | 0:26:41 | |
But I don't know. | 0:26:41 | 0:26:43 | |
I just think that The Birds, | 0:26:43 | 0:26:44 | |
being a Hitchcock film, which is | 0:26:44 | 0:26:46 | |
the first thing we thought of. | 0:26:46 | 0:26:47 | |
The Birds seems such a basic title | 0:26:47 | 0:26:51 | |
for something like that, The Birds. | 0:26:51 | 0:26:53 | |
-You know? -OK. | 0:26:53 | 0:26:54 | |
We're saying that that's incorrect. | 0:26:54 | 0:26:56 | |
We'd like to discard that as an incorrect answer? | 0:26:56 | 0:26:59 | |
-Discard, that's the word I was looking for. -OK. | 0:26:59 | 0:27:01 | |
-Consider it done. -Oh! | 0:27:01 | 0:27:03 | |
Your wish, my command. It is out of the game now. | 0:27:03 | 0:27:07 | |
Zambezi and Cypress Hill remain. | 0:27:07 | 0:27:10 | |
Which one of those would you like to open next? | 0:27:10 | 0:27:13 | |
What's going to be more | 0:27:13 | 0:27:14 | |
revealing, do you think? | 0:27:14 | 0:27:15 | |
-I think Zambezi. -OK. | 0:27:15 | 0:27:17 | |
It could be about the song. | 0:27:17 | 0:27:19 | |
-Yeah... -Could be about the river, | 0:27:19 | 0:27:21 | |
which countries it flows through. | 0:27:21 | 0:27:23 | |
-Yeah, do we know that? -No. | 0:27:23 | 0:27:24 | |
-Which one do you want to open? -We'll open... | 0:27:24 | 0:27:27 | |
-Cypress Hill. -Cypress Hill. | 0:27:27 | 0:27:29 | |
OK, let's open the question behind Cypress Hill, please. | 0:27:29 | 0:27:32 | |
-Right... -Cypress Hill... | 0:27:39 | 0:27:41 | |
Now I've seen that... | 0:27:41 | 0:27:43 | |
That Cypress Hill could be a group, | 0:27:43 | 0:27:45 | |
I said I'd heard of it. | 0:27:45 | 0:27:46 | |
Was it an area? Was it something...? | 0:27:46 | 0:27:48 | |
There is a Cypress Hill, | 0:27:48 | 0:27:50 | |
but whether they're American | 0:27:50 | 0:27:52 | |
and whether they're a rap band... | 0:27:52 | 0:27:54 | |
-Cypress Hill... -..I don't know. | 0:27:54 | 0:27:56 | |
Oof! This is dodgy, isn't it? | 0:27:56 | 0:27:58 | |
See, it was a UK hit... | 0:27:58 | 0:27:59 | |
so there's a chance that | 0:27:59 | 0:28:00 | |
we might have heard of it. | 0:28:00 | 0:28:02 | |
It wasn't over in the States. | 0:28:02 | 0:28:04 | |
Do we take a chance on Cypress Hill? | 0:28:04 | 0:28:05 | |
Shall we? Yeah. | 0:28:05 | 0:28:07 | |
With even less confidence | 0:28:07 | 0:28:09 | |
than previously, Matt, | 0:28:09 | 0:28:10 | |
we'll take a chance with Cypress Hill. | 0:28:10 | 0:28:12 | |
You want to lock in Cypress Hill | 0:28:12 | 0:28:14 | |
as your correct answer? | 0:28:14 | 0:28:15 | |
We're locking in Cypress Hill and... | 0:28:15 | 0:28:17 | |
And everything will be crossed. THEY LAUGH | 0:28:17 | 0:28:20 | |
If it is the correct answer, | 0:28:21 | 0:28:22 | |
we will indeed jump around. | 0:28:22 | 0:28:24 | |
I'll be over that table. | 0:28:24 | 0:28:26 | |
But it means we can have a look | 0:28:27 | 0:28:28 | |
at the question behind Zambezi | 0:28:28 | 0:28:30 | |
and hope desperately | 0:28:30 | 0:28:31 | |
it feels all wrong, in so many different ways. | 0:28:31 | 0:28:34 | |
Geography is not my strong point. | 0:28:41 | 0:28:43 | |
I mean, if you looked at that, | 0:28:43 | 0:28:44 | |
you could think it would be the Zambezi, but... | 0:28:44 | 0:28:46 | |
It does sound right, doesn't it? | 0:28:46 | 0:28:48 | |
If it is, is it a bit obvious? | 0:28:48 | 0:28:50 | |
The next digit that you choose | 0:28:50 | 0:28:53 | |
will be standing at the safe. | 0:28:53 | 0:28:56 | |
I'd forgotten about that bit. | 0:28:56 | 0:28:57 | |
Let's not forget, | 0:28:57 | 0:28:59 | |
you are very close now | 0:28:59 | 0:29:00 | |
to having a stab at £4,500. | 0:29:00 | 0:29:03 | |
Is Cypress Hill our correct answer? | 0:29:03 | 0:29:06 | |
-Oh! -Oh! | 0:29:10 | 0:29:12 | |
I thought we were there. | 0:29:12 | 0:29:13 | |
-Yeah, just rang a bell. -I thought we were all the way there. | 0:29:13 | 0:29:16 | |
-Just rang a bell. -Let's look at the correct answer. | 0:29:16 | 0:29:20 | |
-It's going to be Zambezi, isn't it? -Probably. | 0:29:20 | 0:29:22 | |
It was The Birds. | 0:29:22 | 0:29:23 | |
The Birds! Ahh! | 0:29:23 | 0:29:25 | |
Well, in a way, I'm happy about that, | 0:29:25 | 0:29:27 | |
cos we dismissed that out of hand, virtually. | 0:29:27 | 0:29:29 | |
-I would have as well. -Yeah. | 0:29:29 | 0:29:31 | |
-I would have been straight out with that. -Yeah. | 0:29:31 | 0:29:33 | |
Wow. It was The Birds. | 0:29:33 | 0:29:35 | |
Lesley, what a shocker. | 0:29:35 | 0:29:37 | |
I know. You were doing very, very well. | 0:29:37 | 0:29:40 | |
The Birds was the correct answer. | 0:29:40 | 0:29:42 | |
You were talking yourselves out of that one | 0:29:42 | 0:29:44 | |
on the ground that you thought The Birds | 0:29:44 | 0:29:46 | |
wasn't the sort of title | 0:29:46 | 0:29:47 | |
that Aristophanes would have selected for his work. | 0:29:47 | 0:29:49 | |
Other Aristophanes titles include | 0:29:49 | 0:29:52 | |
The Clouds, The Wasps, The Frogs. | 0:29:52 | 0:29:54 | |
Very similar, short titles. | 0:29:54 | 0:29:56 | |
And Zambezi there, the wrong answer. | 0:29:56 | 0:29:58 | |
I think if you'd picked this one, | 0:29:58 | 0:29:59 | |
you may have been on slightly safer ground. | 0:29:59 | 0:30:02 | |
The Zambezi flows through | 0:30:02 | 0:30:04 | |
or near the border of | 0:30:04 | 0:30:05 | |
Angola, Namibia, Botswana, | 0:30:05 | 0:30:07 | |
Zambia, Zimbabwe and Mozambique. | 0:30:07 | 0:30:10 | |
The correct answer here is the Limpopo. | 0:30:10 | 0:30:13 | |
And the last question there, | 0:30:13 | 0:30:14 | |
Cypress Hill is a group, | 0:30:14 | 0:30:16 | |
but they're not responsible for Jump Around - | 0:30:16 | 0:30:18 | |
though the producer, DJ Muggs, | 0:30:18 | 0:30:21 | |
is part of Cypress Hill. | 0:30:21 | 0:30:22 | |
The correct answer is House Of Pain. | 0:30:22 | 0:30:25 | |
Wow, what can I say? | 0:30:25 | 0:30:27 | |
A house of pain is exactly where we are, | 0:30:27 | 0:30:30 | |
-having come so far. -Yeah. | 0:30:30 | 0:30:32 | |
Let down by a lack of knowledge of rap music, | 0:30:32 | 0:30:36 | |
for which you should feel terribly, terribly ashamed. | 0:30:36 | 0:30:39 | |
-Go home straightaway. -We are. | 0:30:39 | 0:30:40 | |
Go home straightaway and listen to some Cypress Hill. | 0:30:40 | 0:30:43 | |
Be educated. No, what can I say? | 0:30:43 | 0:30:45 | |
Paul and Pauline, we ought to have a look at the code. | 0:30:45 | 0:30:47 | |
Now, what was the next number | 0:30:47 | 0:30:48 | |
you were going to choose? | 0:30:48 | 0:30:50 | |
-3. -Number 3. | 0:30:50 | 0:30:52 | |
Yeah, we were both thinking 3. | 0:30:52 | 0:30:53 | |
We were looking for 2-4-3. | 0:30:53 | 0:30:55 | |
If that is the final number in your code, | 0:30:55 | 0:30:58 | |
well, we'll be kicking ourselves | 0:30:58 | 0:31:00 | |
cos you would have been opening the door. | 0:31:00 | 0:31:02 | |
Is it 2-4-3? | 0:31:02 | 0:31:04 | |
-Oh! -Oh, no. | 0:31:04 | 0:31:07 | |
You were one question away. | 0:31:07 | 0:31:10 | |
Oh, I'm so sorry | 0:31:10 | 0:31:11 | |
but, listen, please don't feel sad | 0:31:11 | 0:31:14 | |
because what you've done is fantastic. | 0:31:14 | 0:31:16 | |
You know, you've made Middlesbrough proud. | 0:31:16 | 0:31:18 | |
You should be very proud of yourselves | 0:31:18 | 0:31:20 | |
and so will your families be. | 0:31:20 | 0:31:21 | |
But I'm afraid it just wasn't enough and, on this occasion, | 0:31:21 | 0:31:24 | |
Pauline and Paul, you've failed to break the code | 0:31:24 | 0:31:27 | |
and so we have to say goodbye to you. | 0:31:27 | 0:31:29 | |
I'm so sorry. | 0:31:29 | 0:31:30 | |
-Lovely to meet you, Pauline. -Thank you. | 0:31:30 | 0:31:32 | |
Thanks very much, Matt. Pleasure to meet you. | 0:31:32 | 0:31:34 | |
-Take care. -Thanks, Lesley. | 0:31:34 | 0:31:36 | |
Well, that is just about as close | 0:31:36 | 0:31:39 | |
as you can get to cracking the code. | 0:31:39 | 0:31:42 | |
One question away, that's all it was, | 0:31:42 | 0:31:44 | |
but Paul and Pauline's loss | 0:31:44 | 0:31:46 | |
is our next team's gain | 0:31:46 | 0:31:47 | |
because the jackpot now goes higher. | 0:31:47 | 0:31:49 | |
So, let's meet the next team | 0:31:49 | 0:31:51 | |
hoping to crack the code. | 0:31:51 | 0:31:52 | |
Here they come. | 0:31:56 | 0:31:57 | |
Good to see you, chaps. | 0:31:57 | 0:31:58 | |
-Hello. -Hello. | 0:31:58 | 0:31:59 | |
-Matt... -Nice to meet you. -..and Paul. -Nice to meet you. | 0:31:59 | 0:32:01 | |
How are you? So, you guys are from Basingstoke, is that right? | 0:32:01 | 0:32:05 | |
-Yeah. -And Newcastle, originally? | 0:32:05 | 0:32:07 | |
Now living in Reading. | 0:32:07 | 0:32:08 | |
Now living in Reading? | 0:32:08 | 0:32:09 | |
-Which you're fairly familiar with. -My home town. | 0:32:09 | 0:32:12 | |
So, how do you guys know each other then? | 0:32:12 | 0:32:14 | |
I'm an IT technician, | 0:32:14 | 0:32:15 | |
I generally fix the stuff that Paul breaks. | 0:32:15 | 0:32:18 | |
So, you break it and you fix it? | 0:32:18 | 0:32:20 | |
I spend a lot of time planning, | 0:32:20 | 0:32:22 | |
and breaking things, | 0:32:22 | 0:32:23 | |
and I send Matt out to site to repair it. | 0:32:23 | 0:32:26 | |
Right, OK, that works. Why not just not break them in the first place? | 0:32:26 | 0:32:29 | |
That's not progress. | 0:32:29 | 0:32:30 | |
-Otherwise you'd have nothing to do. -Yep. | 0:32:30 | 0:32:32 | |
Now, I couldn't help notice, Matt, | 0:32:32 | 0:32:34 | |
that you describe yourself as Jedi. | 0:32:34 | 0:32:37 | |
Is that right? | 0:32:37 | 0:32:38 | |
Do you see yourself as a Jedi or is that part of your characteristic? | 0:32:38 | 0:32:41 | |
It's the whole sort of, "There is no anger, | 0:32:41 | 0:32:43 | |
"it's all peace and calm, and tranquillity." | 0:32:43 | 0:32:46 | |
And I've got a beard and long hair, | 0:32:46 | 0:32:48 | |
so it kind of fits in with the territory. | 0:32:48 | 0:32:50 | |
Any particular Jedi that you associate yourself with? | 0:32:50 | 0:32:52 | |
Probably Qui-Gon Jinn from the first one. | 0:32:52 | 0:32:54 | |
I remember him well. | 0:32:54 | 0:32:55 | |
He was responsible for everything, at the end of the day. | 0:32:55 | 0:32:57 | |
It was all his fault. | 0:32:57 | 0:32:59 | |
-But it didn't end well for him... -No. -..sadly. | 0:32:59 | 0:33:01 | |
Now, our last team, | 0:33:01 | 0:33:02 | |
despite their best efforts, | 0:33:02 | 0:33:04 | |
and they genuinely came very, very close, | 0:33:04 | 0:33:07 | |
didn't win the jackpot. | 0:33:07 | 0:33:09 | |
Bad news for them, but good news for you | 0:33:09 | 0:33:11 | |
because it means another £500 is added to the safe, | 0:33:11 | 0:33:15 | |
making a total of... | 0:33:15 | 0:33:16 | |
Nice round number for the two of you to split, | 0:33:18 | 0:33:21 | |
if it should come to that. Let's hope so. | 0:33:21 | 0:33:23 | |
Let's reset the code. | 0:33:23 | 0:33:25 | |
And, Matt and Paul, | 0:33:27 | 0:33:28 | |
if you're ready, let's have a look at your first three answers. | 0:33:28 | 0:33:32 | |
Remember, only one of those is correct. | 0:33:37 | 0:33:38 | |
That's the one you're trying to find. | 0:33:38 | 0:33:40 | |
At this point in the game, | 0:33:40 | 0:33:42 | |
you can open all three of those questions. | 0:33:42 | 0:33:44 | |
So, we will start at the very top | 0:33:44 | 0:33:47 | |
and reveal the question behind Fern. | 0:33:47 | 0:33:49 | |
-That sounds likely. -Yeah. -Yeah. | 0:33:55 | 0:33:57 | |
Quite happy with that. | 0:33:57 | 0:33:59 | |
OK, let's go straight on. | 0:33:59 | 0:34:00 | |
The question behind Gas Mark 3. | 0:34:00 | 0:34:02 | |
-That's way too high. -That's about six or seven. | 0:34:10 | 0:34:12 | |
That's way too high. | 0:34:12 | 0:34:14 | |
And let's have a look at the question behind Graham Norton. | 0:34:14 | 0:34:17 | |
Took over to Wogan on BBC One... | 0:34:24 | 0:34:26 | |
-It's Ken Bruce. -..much later than that. | 0:34:26 | 0:34:29 | |
Oh, is he...? Does he do the...? | 0:34:29 | 0:34:31 | |
Ken Bruce does the radio show, | 0:34:31 | 0:34:32 | |
-Wogan did the TV. -Spot on. | 0:34:32 | 0:34:34 | |
OK. Right, it feels like we have | 0:34:34 | 0:34:36 | |
a firm hold on this one. | 0:34:36 | 0:34:38 | |
Which one do you want to lock in as your correct answer? | 0:34:38 | 0:34:40 | |
We'll go with Fern, please. | 0:34:40 | 0:34:42 | |
Is Fern a correct answer? | 0:34:43 | 0:34:46 | |
Of course it is. Well done, gentlemen. | 0:34:47 | 0:34:49 | |
Yes, you worked very quickly through those questions. | 0:34:49 | 0:34:52 | |
Fern the correct answer to the first one. | 0:34:52 | 0:34:54 | |
Bracken a member of the fern family. | 0:34:54 | 0:34:56 | |
In Japan, the young shoots of bracken are eaten as a delicacy | 0:34:56 | 0:35:00 | |
but they're probably carcinogenic, | 0:35:00 | 0:35:02 | |
so not very good for you. | 0:35:02 | 0:35:04 | |
Gas mark 3 - the wrong answer, | 0:35:04 | 0:35:06 | |
you very quickly said that this was too hot, | 0:35:06 | 0:35:08 | |
240 degrees Celsius, too hot for gas mark 3. | 0:35:08 | 0:35:11 | |
That's correct. | 0:35:11 | 0:35:13 | |
Gas mark 3 equates roughly to 170 degrees Celsius. | 0:35:13 | 0:35:17 | |
The correct answer is gas mark 9. | 0:35:17 | 0:35:20 | |
And Graham Norton, you not only knew this, | 0:35:20 | 0:35:22 | |
but you said the correct answer as well, | 0:35:22 | 0:35:24 | |
that was Ken Bruce. | 0:35:24 | 0:35:26 | |
Very well done. Keep progressing like this and you'll do well. | 0:35:26 | 0:35:29 | |
You are in Lesley's good books. | 0:35:29 | 0:35:31 | |
That's good. It's a good way to start. | 0:35:31 | 0:35:33 | |
What's the plan here? Is there a plan? | 0:35:33 | 0:35:35 | |
Our plan is to pick numbers that aren't going to appear in it | 0:35:35 | 0:35:38 | |
so we get as many easy questions as possible. | 0:35:38 | 0:35:40 | |
And how are you going to achieve that? | 0:35:40 | 0:35:42 | |
Well, as a darts player, | 0:35:42 | 0:35:43 | |
I want to see a 180 up there, so we'll go for a 4. | 0:35:43 | 0:35:46 | |
A number 4 cos it's not in the 180. | 0:35:46 | 0:35:48 | |
But is it there in the code? | 0:35:48 | 0:35:50 | |
There's no real way of telling. | 0:35:50 | 0:35:51 | |
Is it there in the first box? | 0:35:51 | 0:35:54 | |
That's what you call a bull's-eye. | 0:35:55 | 0:35:56 | |
First time. | 0:35:56 | 0:35:58 | |
It means that, straight away, | 0:35:58 | 0:35:59 | |
we have moved on to a more difficult part of the quiz | 0:35:59 | 0:36:02 | |
where, yes, you see all three answers at the same time | 0:36:02 | 0:36:05 | |
but, this time, only two questions | 0:36:05 | 0:36:07 | |
before you have to make a decision. | 0:36:07 | 0:36:09 | |
Are you ready for that? | 0:36:09 | 0:36:11 | |
-Yes, we are. -Ready as I'll ever be. | 0:36:11 | 0:36:12 | |
As ready as you'll ever be. I like it. | 0:36:12 | 0:36:14 | |
Let's have a look at these three answers. | 0:36:14 | 0:36:17 | |
I don't know a lot about Les Miserables | 0:36:21 | 0:36:23 | |
other than it's a musical. | 0:36:23 | 0:36:24 | |
The film was fairly recent, | 0:36:24 | 0:36:26 | |
-had Hugh Jackman... -Yeah. -..in it. | 0:36:26 | 0:36:28 | |
Could probably name a couple of the characters if I was pushed, but... | 0:36:28 | 0:36:32 | |
Yeah, I probably know more about that | 0:36:32 | 0:36:34 | |
than I do about pears or Greenham. | 0:36:34 | 0:36:36 | |
Pear is a fruit. | 0:36:36 | 0:36:37 | |
Greenham, there's a Common just outside... | 0:36:37 | 0:36:40 | |
-Yeah. That's... -Sadly. | 0:36:40 | 0:36:42 | |
-What do you think...? -Which one is it going to be? | 0:36:42 | 0:36:44 | |
Let's go for Les Mis first. | 0:36:44 | 0:36:46 | |
-Yeah, Les Mis. -OK, the question behind Les Miserables, please. | 0:36:46 | 0:36:49 | |
Esmeralda would obviously be famous for... | 0:36:54 | 0:36:57 | |
The Hunchback Of Notre-Dame. | 0:36:57 | 0:36:58 | |
-Yeah. -OK. | 0:36:58 | 0:37:00 | |
Well, we don't have to commit just yet, | 0:37:00 | 0:37:01 | |
we can look at another question. | 0:37:01 | 0:37:03 | |
-Give Greenham...? -Pear... | 0:37:03 | 0:37:04 | |
Yeah, Pear could be anything. | 0:37:04 | 0:37:06 | |
Greenham, at least we know something about it. | 0:37:06 | 0:37:09 | |
We'll go Greenham then, please. | 0:37:09 | 0:37:10 | |
OK, the question behind Greenham, please. | 0:37:10 | 0:37:13 | |
That could be legit. | 0:37:22 | 0:37:24 | |
I don't think there's another RAF base in Berkshire | 0:37:24 | 0:37:26 | |
-that precedes Common. -No. | 0:37:26 | 0:37:28 | |
And I wasn't around for much of the 1980s, | 0:37:28 | 0:37:31 | |
but again, Greenham Common is definitely in Berkshire | 0:37:31 | 0:37:34 | |
and it's definitely a RAF base. | 0:37:34 | 0:37:36 | |
Indeed it is, | 0:37:36 | 0:37:37 | |
and now the site of a data centre. | 0:37:37 | 0:37:39 | |
I'd say that one was correct. | 0:37:39 | 0:37:40 | |
Lock in Greenham as the correct answer. | 0:37:40 | 0:37:42 | |
There it is. It's locked in, we can't change that. | 0:37:44 | 0:37:47 | |
It means we can have a look at the question behind Pear. | 0:37:47 | 0:37:49 | |
-BOTH: -Pepper. | 0:37:53 | 0:37:54 | |
OK. So, that's made us feel happy. | 0:37:54 | 0:37:56 | |
Is Greenham the correct answer? | 0:37:56 | 0:37:58 | |
-Happy with that. -Absolutely. | 0:38:00 | 0:38:01 | |
Yeah, never in any doubt at all. | 0:38:01 | 0:38:03 | |
-Lesley. -Good local knowledge | 0:38:03 | 0:38:04 | |
coming into play there. | 0:38:04 | 0:38:06 | |
Yes, your Berkshire knowledge | 0:38:06 | 0:38:07 | |
helping you with that question. | 0:38:07 | 0:38:08 | |
Greenham the correct answer. | 0:38:08 | 0:38:10 | |
They marched from Cardiff | 0:38:10 | 0:38:11 | |
to Greenham to protest about nuclear missiles. | 0:38:11 | 0:38:15 | |
Les Miserables the wrong answer. | 0:38:15 | 0:38:17 | |
Now, Paul, you mentioned the correct answer to this question, | 0:38:17 | 0:38:19 | |
which is The Hunchback Of Notre-Dame. | 0:38:19 | 0:38:22 | |
The character Esmeralda voiced by Demi Moore in the Disney film. | 0:38:22 | 0:38:25 | |
And Pear... When this came up, | 0:38:25 | 0:38:27 | |
you said straightaway, both of you knew | 0:38:27 | 0:38:29 | |
that the correct answer to that one is the pepper. | 0:38:29 | 0:38:31 | |
The name of the Scotch Bonnet pepper | 0:38:31 | 0:38:33 | |
comes from the tam-o'-shanter, | 0:38:33 | 0:38:34 | |
the Scottish hat. | 0:38:34 | 0:38:35 | |
Thank you, Lesley. OK, good stuff, and it's led you to the chance | 0:38:35 | 0:38:39 | |
to put another digit into the code to see if it's there. | 0:38:39 | 0:38:43 | |
Well, I got it wrong last time, so it's your call. | 0:38:43 | 0:38:45 | |
-Let's go 0. -We're going for 0. | 0:38:45 | 0:38:47 | |
Is it there in the second box? | 0:38:47 | 0:38:49 | |
It's not. | 0:38:51 | 0:38:52 | |
Is there a 0 there in the third and final box? | 0:38:52 | 0:38:55 | |
No. It's not. | 0:38:57 | 0:38:58 | |
It means we stand a better chance | 0:38:58 | 0:38:59 | |
of picking a correct number later on. | 0:38:59 | 0:39:02 | |
If you're ready, Matt and Paul, | 0:39:02 | 0:39:04 | |
here come the next three answers. | 0:39:04 | 0:39:06 | |
What would Catches be the answer to? | 0:39:12 | 0:39:14 | |
-What's one way of getting out in cricket? -Catches. | 0:39:14 | 0:39:17 | |
And again, Hair could be any number of things. | 0:39:17 | 0:39:20 | |
I think...maybe Catches. | 0:39:20 | 0:39:22 | |
We'll give Catches a go. | 0:39:22 | 0:39:23 | |
OK. Let's have a look at the question behind Catches. | 0:39:23 | 0:39:26 | |
Wouldn't have a clue. | 0:39:35 | 0:39:37 | |
It's hundreds, I believe. | 0:39:37 | 0:39:39 | |
Yeah, I think that's incorrect. | 0:39:39 | 0:39:41 | |
OK, we can open another one | 0:39:41 | 0:39:43 | |
before we have to make a decision. | 0:39:43 | 0:39:45 | |
Tortoise or Hair? | 0:39:45 | 0:39:46 | |
Well, I've got more hair than I've got tortoises, so we'll go Hair. | 0:39:46 | 0:39:49 | |
That's a very good bit of logic there. | 0:39:49 | 0:39:50 | |
Let's have a look at the question behind Hair, please. | 0:39:50 | 0:39:54 | |
I have actually seen that one, | 0:40:00 | 0:40:02 | |
and I couldn't tell you what any of the songs in it were called. | 0:40:02 | 0:40:05 | |
Gethsemane, that sounds biblical to me. | 0:40:05 | 0:40:08 | |
I Don't Know How To Love Him, | 0:40:08 | 0:40:10 | |
given the plot, could be in there. | 0:40:10 | 0:40:13 | |
I'm inclined to say that | 0:40:13 | 0:40:14 | |
those songs are not from Hair. | 0:40:14 | 0:40:16 | |
Which one of those is looking like the one we want to lock in? | 0:40:16 | 0:40:19 | |
I think Tortoise. | 0:40:19 | 0:40:20 | |
We'll give Tortoise a go. | 0:40:20 | 0:40:22 | |
You'd like to lock in Tortoise? | 0:40:22 | 0:40:23 | |
Lock in Tortoise. | 0:40:23 | 0:40:24 | |
OK, flying blind, | 0:40:24 | 0:40:26 | |
we can't see the question, | 0:40:26 | 0:40:28 | |
but we're going to lock it in as the correct answer. | 0:40:28 | 0:40:30 | |
There we are. No going back now. | 0:40:31 | 0:40:33 | |
So, let's have a look at the question behind Tortoise. | 0:40:33 | 0:40:37 | |
I don't know. | 0:40:43 | 0:40:45 | |
It sounds like it, yeah. | 0:40:45 | 0:40:47 | |
Could be a reasonable response. | 0:40:47 | 0:40:48 | |
Reassuring. | 0:40:48 | 0:40:50 | |
It sounds perfectly reasonable, doesn't it? | 0:40:50 | 0:40:52 | |
All the clues are there. | 0:40:52 | 0:40:54 | |
Is Tortoise the correct answer? | 0:40:54 | 0:40:56 | |
-Yeah. -It is, it is. | 0:41:00 | 0:41:02 | |
Very well done. | 0:41:02 | 0:41:03 | |
Yes, Tortoise the correct answer. | 0:41:03 | 0:41:05 | |
Bill And Ben the classic show from the 1950s, rebooted in 2001. | 0:41:05 | 0:41:11 | |
Let's have a look at the wrong answers there. | 0:41:11 | 0:41:13 | |
Catches not correct. | 0:41:13 | 0:41:14 | |
Paul, you had a feeling that Catches | 0:41:14 | 0:41:16 | |
wasn't quite right for a figure of 51. | 0:41:16 | 0:41:18 | |
Indeed, his number of catches is 115. | 0:41:18 | 0:41:22 | |
The answer here is Centuries. | 0:41:22 | 0:41:24 | |
You said, "Hundreds," | 0:41:24 | 0:41:25 | |
I think you were thinking along the right lines there, so well done. | 0:41:25 | 0:41:28 | |
And then Hair. | 0:41:28 | 0:41:29 | |
Gethsemane, as Paul says, | 0:41:29 | 0:41:30 | |
is a biblical reference to the Garden of Gethsemane | 0:41:30 | 0:41:33 | |
where Judas leads the Romans | 0:41:33 | 0:41:35 | |
to capture Jesus Christ, | 0:41:35 | 0:41:36 | |
as in Jesus Christ Superstar. | 0:41:36 | 0:41:38 | |
OK, our third correct answer | 0:41:38 | 0:41:40 | |
gives us the chance to choose | 0:41:40 | 0:41:43 | |
another digit from the keypad. | 0:41:43 | 0:41:45 | |
Well, lucky number 7 | 0:41:45 | 0:41:46 | |
doesn't appear to be that lucky | 0:41:46 | 0:41:48 | |
and hasn't been coming up for that many people, | 0:41:48 | 0:41:50 | |
so we'll give that one a go. | 0:41:50 | 0:41:51 | |
You're going to try it regardless. | 0:41:51 | 0:41:54 | |
I like it. Counterintuitive. | 0:41:54 | 0:41:57 | |
Is the number 7 up there in the code, in the second box? | 0:41:57 | 0:42:01 | |
It's not there. | 0:42:02 | 0:42:04 | |
Is it there in the third and final box? | 0:42:04 | 0:42:07 | |
-Oh. -Got it. -Typical. | 0:42:07 | 0:42:09 | |
Good work, fella. | 0:42:09 | 0:42:10 | |
Out of three chosen, two are in your code. | 0:42:10 | 0:42:14 | |
How you feeling about that? | 0:42:14 | 0:42:15 | |
Like we've got seven very difficult questions left. | 0:42:15 | 0:42:17 | |
Very possible. Or just one. KLAXON | 0:42:17 | 0:42:20 | |
And that sounds means that time is up for today, I'm so sorry. | 0:42:20 | 0:42:25 | |
Just when you were getting into your stride, Matt and Paul. | 0:42:25 | 0:42:28 | |
Only one number left to find, | 0:42:28 | 0:42:30 | |
making great strides. | 0:42:30 | 0:42:32 | |
Will you come back and help us in the next show? | 0:42:32 | 0:42:35 | |
-Absolutely. -Yes. -Looking forward to it. -I would hope so, too. | 0:42:35 | 0:42:37 | |
Thank you, Lesley, as always, | 0:42:37 | 0:42:39 | |
for your marvellous facts and figures. | 0:42:39 | 0:42:42 | |
You're welcome and great progress so far, boys. | 0:42:42 | 0:42:44 | |
Two numbers down, one to go. | 0:42:44 | 0:42:46 | |
Let's see you, in the next show, finishing that code. | 0:42:46 | 0:42:48 | |
Yes, thank you, Lesley. | 0:42:48 | 0:42:50 | |
Please join us next time | 0:42:50 | 0:42:52 | |
and we'll find out if Matt and Paul | 0:42:52 | 0:42:54 | |
have what it takes to crack the code | 0:42:54 | 0:42:56 | |
and win the £5,000. | 0:42:56 | 0:42:57 | |
Thank you so much for watching, and goodbye. | 0:42:57 | 0:43:00 |