Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to The Code. | 0:00:11 | 0:00:13 | |
Locked in this safe is £12,000, the biggest jackpot we've ever had. | 0:00:13 | 0:00:19 | |
To open the safe and win the money, | 0:00:19 | 0:00:21 | |
contestants just need to crack a three-digit code. | 0:00:21 | 0:00:24 | |
Every time someone fails, though, | 0:00:24 | 0:00:26 | |
more money goes into the safe and the jackpot gets higher and higher. | 0:00:26 | 0:00:30 | |
Yesterday, three teams came and went, failing to win the cash. | 0:00:30 | 0:00:35 | |
Let's see if our next contestants can do better and crack the code. | 0:00:35 | 0:00:39 | |
Come on in. Lovely to see you, Gillian. | 0:00:45 | 0:00:47 | |
Hi, nice to meet you. And Che Wai. | 0:00:47 | 0:00:48 | |
-Nice to meet you. -How are you? | 0:00:48 | 0:00:50 | |
-Good. -I'm OK. -Good, thanks. -It's lovely to have you here. | 0:00:50 | 0:00:52 | |
-You're both from Glasgow. -Yes. | 0:00:52 | 0:00:53 | |
Tell me a bit about yourself. How did you guys meet? | 0:00:53 | 0:00:56 | |
We met school when we | 0:00:56 | 0:00:58 | |
were 14 and started going out when we were 15 years old, | 0:00:58 | 0:01:01 | |
so we've known each other for nearly 30 years now. | 0:01:01 | 0:01:04 | |
-Wow! -So, yes! | 0:01:04 | 0:01:06 | |
Obviously Glasgow is Britain's city of romance! | 0:01:06 | 0:01:10 | |
You laugh - I had my honeymoon in Glasgow. | 0:01:10 | 0:01:13 | |
-Really? -Yes. -I'm so sorry. | 0:01:13 | 0:01:14 | |
No, it was wonderful, it was absolutely wonderful. | 0:01:14 | 0:01:17 | |
But tell me about your first date together, how did that go? | 0:01:17 | 0:01:20 | |
I decided to ask Gillian to go to the cemetery in Glasgow. | 0:01:20 | 0:01:25 | |
There's a big necropolis. | 0:01:25 | 0:01:26 | |
It was a December evening so it was pitch-black, | 0:01:26 | 0:01:29 | |
not another soul in the place, as you can imagine. | 0:01:29 | 0:01:31 | |
You might have been there on your honeymoon. | 0:01:31 | 0:01:33 | |
No, I've got to say, no, we never went to the necropolis in Glasgow. | 0:01:33 | 0:01:36 | |
-Probably a good idea. -So, what happened, did anything going bump? | 0:01:36 | 0:01:39 | |
It was windy, so every time there was a noise, | 0:01:39 | 0:01:42 | |
it was looking over your shoulder. | 0:01:42 | 0:01:45 | |
-That was good, all the closeness. -That's why he did it. -Gillian grabbed on to you. | 0:01:45 | 0:01:48 | |
He was more scared than I was. | 0:01:48 | 0:01:50 | |
It sounds terribly, terribly romantic. | 0:01:50 | 0:01:52 | |
-But listen, doesn't matter because... -It worked. -It worked, | 0:01:52 | 0:01:55 | |
it was the acid test and here you are all this time later, still together. | 0:01:55 | 0:01:59 | |
-Yes, still together. -Who is going to be leading this? | 0:01:59 | 0:02:02 | |
We kind of complement each other in our knowledge so I think as long as | 0:02:02 | 0:02:07 | |
we discuss it and we give our reasonings to each other, | 0:02:07 | 0:02:09 | |
if we can convince the other one, then we'll be sorted. | 0:02:09 | 0:02:12 | |
We'll be fine. | 0:02:12 | 0:02:13 | |
Now, the team before you, they came, they tried to crack the code. | 0:02:13 | 0:02:19 | |
Unfortunately, they didn't manage to do it, but bad news for them, | 0:02:19 | 0:02:21 | |
good news for you, because it means | 0:02:21 | 0:02:24 | |
another £500 goes into the safe and that makes a total of £12,000. | 0:02:24 | 0:02:31 | |
-Wow. OK. -Wow! Very handy sum. | 0:02:33 | 0:02:36 | |
-Yes. -Could be very, very useful indeed. | 0:02:36 | 0:02:38 | |
-It would. -Now, to get that money, to win that £12,000, | 0:02:38 | 0:02:43 | |
what you need to do is enter a code made up of three unique numbers into | 0:02:43 | 0:02:48 | |
the board up there. | 0:02:48 | 0:02:49 | |
Every time you pick the correct answer, you can select a number. | 0:02:49 | 0:02:54 | |
The computer will then reveal whether it is in the code but be warned, | 0:02:54 | 0:02:57 | |
if you pick the wrong answer that's it, it's the end of the game, | 0:02:57 | 0:03:01 | |
instant elimination. | 0:03:01 | 0:03:02 | |
It's an easy game to play, a very hard game to win - as we're finding out, | 0:03:02 | 0:03:07 | |
otherwise the jackpot wouldn't be as big as it is. | 0:03:07 | 0:03:09 | |
If you're ready, we'll reset the code. | 0:03:09 | 0:03:12 | |
Three blanks that you want to turn into three numbers, | 0:03:14 | 0:03:17 | |
the three numbers in your code. | 0:03:17 | 0:03:19 | |
Before we start, we cannot forget, we mustn't ignore the wonderful person | 0:03:19 | 0:03:23 | |
who will be shedding light on our questions and answers today, | 0:03:23 | 0:03:26 | |
Lesley Brewis. | 0:03:26 | 0:03:28 | |
Welcome to the show. | 0:03:28 | 0:03:29 | |
-Hi. -If you win today, I hope you do, | 0:03:29 | 0:03:31 | |
you'll be our first married couple to do so. | 0:03:31 | 0:03:34 | |
-Oh, OK. -Yes, thank you, Lesley. | 0:03:34 | 0:03:36 | |
Our first married couple. | 0:03:36 | 0:03:38 | |
-No pressure there! -No pressure there! | 0:03:38 | 0:03:41 | |
No pressure there at all but you can do it. | 0:03:41 | 0:03:43 | |
You made it through the necropolis of Glasgow, | 0:03:43 | 0:03:45 | |
I'm sure you can make it through this. | 0:03:45 | 0:03:47 | |
-Let's have a look at your first three answers. -OK. | 0:03:47 | 0:03:51 | |
Remember, only one of those is the correct answer, | 0:03:56 | 0:03:58 | |
that's the one that you're trying to find. | 0:03:58 | 0:04:00 | |
At this point in the game you get to open all three questions | 0:04:00 | 0:04:04 | |
before you have to commit. | 0:04:04 | 0:04:05 | |
So we'll start at the very top | 0:04:05 | 0:04:07 | |
and let's have a look at the question behind Andre Rieu. | 0:04:07 | 0:04:11 | |
OK, any ideas? | 0:04:17 | 0:04:19 | |
No. | 0:04:20 | 0:04:21 | |
-OK. -Right, OK. | 0:04:21 | 0:04:22 | |
Let's have a look at the question behind Stars and Stripes. | 0:04:22 | 0:04:25 | |
It's known as tic-tac-toe, isn't it? | 0:04:30 | 0:04:32 | |
-Yeah, I think so. -So I think that's wrong. | 0:04:32 | 0:04:33 | |
-Stars and Stripes is the flag. -The flag. -Yeah. Yeah. | 0:04:33 | 0:04:36 | |
OK, let's have a look at the question behind Buckingham Palace. | 0:04:36 | 0:04:39 | |
It's the Tower of London, isn't it? | 0:04:43 | 0:04:45 | |
-Is it? -I think so, yes. | 0:04:45 | 0:04:47 | |
It was on Sherlock, remember? | 0:04:47 | 0:04:48 | |
No, I'll take your word for it. | 0:04:48 | 0:04:50 | |
Moriarty stole it from the Tower of London. | 0:04:50 | 0:04:52 | |
-I think it's the top one. -Happy to lock it in? -Yes. | 0:04:52 | 0:04:55 | |
OK, we're going to lock in Andre Rieu as the correct answer. | 0:04:55 | 0:05:00 | |
We want him to have founded the Johann Strauss Orchestra in 1987. | 0:05:00 | 0:05:04 | |
Let's find out. Is Andre Rieu the correct answer? | 0:05:04 | 0:05:08 | |
-Well done. -One down, one down, one down. | 0:05:09 | 0:05:12 | |
One down. That's the hardest one of all. | 0:05:12 | 0:05:15 | |
-A good start. Lesley. -You were helped by knowing the other two. | 0:05:15 | 0:05:19 | |
-Yes. -Despite not really being comfortable with Andre Rieu. | 0:05:19 | 0:05:21 | |
So excellent gameplay there. | 0:05:21 | 0:05:23 | |
-Thank you. -Andre Rieu, the Dutch violinist and conductor, | 0:05:23 | 0:05:26 | |
one of the highest-grossing touring acts in the world. | 0:05:26 | 0:05:30 | |
Stars and Stripes not the right answer. | 0:05:30 | 0:05:31 | |
Gillian, you knew immediately that this was tic-tac-toe. | 0:05:31 | 0:05:35 | |
Noughts and crosses, usually a good player will either win or draw. | 0:05:35 | 0:05:39 | |
Very rare for a good player to lose. | 0:05:39 | 0:05:41 | |
Buckingham Palace, again Gillian straight in there with not only | 0:05:41 | 0:05:43 | |
dismissing that as the wrong answer | 0:05:43 | 0:05:45 | |
but also remembering, having watched Sherlock, | 0:05:45 | 0:05:48 | |
that they're kept in the Tower of London behind bombproof glass. | 0:05:48 | 0:05:51 | |
Well, you haven't quite run away with the jewels yet | 0:05:51 | 0:05:54 | |
but it means you get the chance to enter a number into the keypad | 0:05:54 | 0:05:57 | |
to see if it's there in your code. | 0:05:57 | 0:05:59 | |
Which one do you want to pick? | 0:05:59 | 0:06:00 | |
Have you got any preference? | 0:06:02 | 0:06:04 | |
Yeah, I was going to pick number 8. | 0:06:04 | 0:06:05 | |
Any reason why, Gillian? | 0:06:05 | 0:06:07 | |
Because it's a lucky number in Chinese. | 0:06:07 | 0:06:09 | |
Excellent idea. OK, the number 8. | 0:06:09 | 0:06:12 | |
Is it in your code? | 0:06:12 | 0:06:13 | |
Let's have a look. | 0:06:13 | 0:06:14 | |
Is it in the first box? | 0:06:14 | 0:06:16 | |
It's not. Is it there in the second box? | 0:06:17 | 0:06:19 | |
Is it there in the third box? | 0:06:22 | 0:06:25 | |
-OK. -No, it's not there. But that doesn't mean it's not lucky. | 0:06:25 | 0:06:27 | |
-Yes. -Because 8 is not part of your code, | 0:06:27 | 0:06:30 | |
it means you're getting rid of the numbers | 0:06:30 | 0:06:32 | |
and still playing the game at the easiest level. | 0:06:32 | 0:06:34 | |
It's helping us settle in, so that's fine. | 0:06:34 | 0:06:36 | |
That's it. OK, are you ready for your next three answers? | 0:06:36 | 0:06:39 | |
-Yes, please. -Yes. Let's see them. | 0:06:39 | 0:06:40 | |
We will start with the first one. | 0:06:45 | 0:06:47 | |
The question behind John Rambo, please. | 0:06:47 | 0:06:49 | |
It...no. I don't think it's that. | 0:06:55 | 0:06:57 | |
I think he's done Rocky more times, hasn't he? | 0:06:57 | 0:06:59 | |
Yeah, I think he's done, well he's done... | 0:06:59 | 0:07:02 | |
There's been about six, hasn't there? How many Rambo films? | 0:07:02 | 0:07:04 | |
-Is there six? -Yeah. -There's only three I can think of, Rambo. | 0:07:04 | 0:07:07 | |
Right. OK. | 0:07:07 | 0:07:08 | |
OK, let's have a look at the question behind avocado. | 0:07:08 | 0:07:11 | |
-Oh... -That might be. -It's the shape of a pear, isn't it, | 0:07:17 | 0:07:20 | |
it's got kind of wrinkly skin, so, | 0:07:20 | 0:07:22 | |
alligator pear would kind of make sense. | 0:07:22 | 0:07:25 | |
What about mango? That's the same kind of shape. | 0:07:25 | 0:07:28 | |
It's not got wrinkly skin like an alligator. | 0:07:28 | 0:07:30 | |
Well, we'll see what the next one is. | 0:07:30 | 0:07:32 | |
All right, OK. Not sure about that one. | 0:07:32 | 0:07:35 | |
No, I'm not sure, we're not sure about that. | 0:07:35 | 0:07:36 | |
OK, let's have a look at the question behind Marconi. | 0:07:36 | 0:07:39 | |
Who's the scientist here? | 0:07:46 | 0:07:48 | |
I do have a science degree but he watches these kind of space | 0:07:48 | 0:07:51 | |
programmes more than me and we watched the thing about the lander. | 0:07:51 | 0:07:54 | |
I don't think it was called Marconi, honey. | 0:07:54 | 0:07:57 | |
It crashed, it was when it crashed. | 0:07:57 | 0:07:59 | |
But did it not start with a P or something? | 0:07:59 | 0:08:01 | |
Right, are we ruling out...? | 0:08:01 | 0:08:03 | |
What do we know? Do we know Sylvester Stallone, | 0:08:03 | 0:08:05 | |
-are we sure about that one? -I'm pretty sure, yes. | 0:08:05 | 0:08:07 | |
-I'm pretty sure as well. -That's wrong. | 0:08:07 | 0:08:09 | |
The avocado or Marconi. | 0:08:09 | 0:08:11 | |
I think it's the avocado that's right. | 0:08:11 | 0:08:14 | |
I think you might be right as well because it's green, isn't it? | 0:08:14 | 0:08:17 | |
-Yes. -Tell me an avocado's green. | 0:08:17 | 0:08:19 | |
Yes! | 0:08:19 | 0:08:21 | |
At this point, I'm not sure about anything. | 0:08:21 | 0:08:23 | |
-Avocado's green, isn't it? -I can't help you at all, Che Wai. | 0:08:23 | 0:08:26 | |
I'd love to either confirm or deny the colour of an avocado, I can't. | 0:08:26 | 0:08:29 | |
I'm sure we'll be told in a minute. | 0:08:29 | 0:08:31 | |
What am I thinking of, it must be an avocado. OK, | 0:08:31 | 0:08:33 | |
-shall we go with avocado as being the right answer? -Yes. | 0:08:33 | 0:08:35 | |
-All right. -Lock it in? -Yes. | 0:08:35 | 0:08:38 | |
We want it to be known as an alligator pear. | 0:08:38 | 0:08:41 | |
Is avocado our correct answer? | 0:08:41 | 0:08:44 | |
-Yes! -Well done. -Well done, well done. | 0:08:48 | 0:08:50 | |
Green, like an avocado. | 0:08:50 | 0:08:52 | |
I'm so glad you talked yourself into choosing that one. | 0:08:52 | 0:08:55 | |
-Thank you. -Well done, you recognise that it's wrinkly, it's pear-shaped, | 0:08:55 | 0:08:59 | |
all the elements there that led you to the correct answer of avocado. | 0:08:59 | 0:09:02 | |
The name alligator probably comes from exactly those elements. | 0:09:02 | 0:09:05 | |
John Rambo, not the right answer here. | 0:09:05 | 0:09:07 | |
He played John Rambo four times. | 0:09:07 | 0:09:09 | |
You could think of six Rocky films. | 0:09:09 | 0:09:11 | |
-There are actually seven and that was the correct answer. -Ah, OK. | 0:09:11 | 0:09:14 | |
In 2014, | 0:09:14 | 0:09:16 | |
Rocky Balboa was the inaugural inductee | 0:09:16 | 0:09:18 | |
into the fictional athlete Hall of Fame. | 0:09:18 | 0:09:21 | |
-Wow! -Wow! | 0:09:21 | 0:09:24 | |
That's a very random fact. | 0:09:24 | 0:09:26 | |
And no bell ringing for you for Marconi because that was, again, | 0:09:26 | 0:09:29 | |
the wrong answer. | 0:09:29 | 0:09:31 | |
The correct answer, nothing beginning with P but S, | 0:09:31 | 0:09:33 | |
it's Schiaparelli. | 0:09:33 | 0:09:35 | |
-Right. -An astronomer who was the first person to notice what are now | 0:09:35 | 0:09:39 | |
called the canals on Mars. | 0:09:39 | 0:09:40 | |
-OK. -Schiaparelli. | 0:09:40 | 0:09:43 | |
Well, I'll remember it from now on, it does have a P in it. | 0:09:43 | 0:09:45 | |
Yes, it does, there is a P in there, you're absolutely right! | 0:09:45 | 0:09:48 | |
Fantastic stuff. Two correct questions answered so far. | 0:09:50 | 0:09:53 | |
-Thank you. -That means you get the chance to pick another digit. | 0:09:53 | 0:09:56 | |
Try it in the code and see if it's up there. | 0:09:56 | 0:09:58 | |
Where are you going to go next? | 0:09:58 | 0:10:00 | |
For no reason at all other than gut instinct, I'm going to go for 3. | 0:10:00 | 0:10:05 | |
The number 3. | 0:10:05 | 0:10:07 | |
OK, for no reason at all. | 0:10:07 | 0:10:10 | |
Is the number 3 up there in the code? | 0:10:10 | 0:10:15 | |
In the first box? | 0:10:15 | 0:10:16 | |
-Oh! -It is. | 0:10:17 | 0:10:19 | |
Look at that. | 0:10:19 | 0:10:21 | |
-Well done. -I'll pick the numbers from now on. -Yeah, OK. | 0:10:21 | 0:10:24 | |
3 blank blank. | 0:10:24 | 0:10:26 | |
That's your code. | 0:10:26 | 0:10:29 | |
That's what we're looking at but it does mean things now become a little bit trickier. | 0:10:29 | 0:10:33 | |
Whereas before, you see all the answers at the same time, | 0:10:33 | 0:10:36 | |
and you get to see all the questions at the same time before you make a decision. | 0:10:36 | 0:10:40 | |
Now you only get to see two of those questions before you have to commit. | 0:10:40 | 0:10:45 | |
Let's see your next three answers. | 0:10:45 | 0:10:47 | |
Lunatic, Sporting, A false beard. | 0:10:49 | 0:10:53 | |
It can be read as a sentence. | 0:10:53 | 0:10:55 | |
But it is not intended to be. | 0:10:55 | 0:10:57 | |
Of course, at this stage, it makes a difference which one you open first. | 0:10:57 | 0:11:03 | |
-So it could be anything. -A false beard? | 0:11:03 | 0:11:05 | |
That's the one I'm thinking. Surely there can't be that many questions | 0:11:05 | 0:11:08 | |
where the answer is going to be "a false beard". | 0:11:08 | 0:11:10 | |
Shall we go for that one then? | 0:11:10 | 0:11:13 | |
Yeah... Shall we? Yeah. | 0:11:13 | 0:11:14 | |
-Yeah? -Yeah. -We're drawn to A False Beard. | 0:11:14 | 0:11:17 | |
-OK. -You don't see that many questions. | 0:11:17 | 0:11:19 | |
Let's have a look at the question behind A false beard. | 0:11:19 | 0:11:22 | |
What, according to the author William Boyd, | 0:11:23 | 0:11:25 | |
did David Bowie use while walking through New York | 0:11:25 | 0:11:29 | |
to avoid being approached? | 0:11:29 | 0:11:31 | |
It's reasonable that it was a false beard. | 0:11:32 | 0:11:35 | |
I have no idea, though. | 0:11:35 | 0:11:36 | |
It could be anything. I don't know, I don't know. | 0:11:37 | 0:11:39 | |
-Anything. -It's going to depend on the next one, which one do you want? | 0:11:39 | 0:11:42 | |
You have the chance to open one other before you have to commit. | 0:11:42 | 0:11:45 | |
What do you know about lunatics? | 0:11:45 | 0:11:47 | |
-Do you want to go for that one? -No. | 0:11:47 | 0:11:49 | |
I don't know. | 0:11:49 | 0:11:50 | |
-Do you want to go for it? It's too random. Sporting is more... -Wide. | 0:11:51 | 0:11:56 | |
That's what I'm thinking, surely there are loads of questions you can | 0:11:56 | 0:11:59 | |
ask that the answer is sporting. | 0:11:59 | 0:12:00 | |
But then again, it could be the name of a football club. | 0:12:00 | 0:12:02 | |
-But it might not be. -Let's go for Lunatic then. | 0:12:02 | 0:12:04 | |
-All right. -The question behind Lunatic, please. | 0:12:04 | 0:12:07 | |
Lunar is relating to moons, so that's half of it would be correct. | 0:12:16 | 0:12:22 | |
So "tic" would mean "struck". | 0:12:22 | 0:12:26 | |
Oh, I don't know! | 0:12:26 | 0:12:27 | |
Do you know anything about the false beard? | 0:12:27 | 0:12:29 | |
-No. -Are we going to have to go for our gut feeling here? | 0:12:29 | 0:12:32 | |
We are. I think we have to go on what knowledge we have. | 0:12:32 | 0:12:36 | |
We know luna means moon. | 0:12:36 | 0:12:37 | |
So we'll go lunatic. | 0:12:37 | 0:12:39 | |
I think... Yeah. I think we have to do. | 0:12:39 | 0:12:42 | |
-Happy to commit? -Right, yes. | 0:12:42 | 0:12:46 | |
OK. That now means we can have a look at the question behind Sporting. | 0:12:46 | 0:12:51 | |
Let's have a look. | 0:12:51 | 0:12:53 | |
-I have no clue. -It's not Sporting Bilbao. | 0:13:03 | 0:13:05 | |
-It's Athletic Bilbao. -So it is! | 0:13:05 | 0:13:08 | |
We're happy with that. | 0:13:08 | 0:13:09 | |
You're happy with that? OK. | 0:13:09 | 0:13:11 | |
We want Lunatic to turn green. | 0:13:11 | 0:13:13 | |
If it goes red, I'm afraid that's the end of our journey together. | 0:13:13 | 0:13:18 | |
Is Lunatic our correct answer? | 0:13:18 | 0:13:20 | |
Yes! | 0:13:24 | 0:13:26 | |
You're good. | 0:13:26 | 0:13:27 | |
I know, what can I say? | 0:13:27 | 0:13:28 | |
That's why I married her. | 0:13:28 | 0:13:29 | |
Yeah, absolutely, I don't blame you. | 0:13:31 | 0:13:32 | |
-Congratulations. -BOTH: Thank you. | 0:13:32 | 0:13:34 | |
You used the knowledge you have | 0:13:34 | 0:13:35 | |
to work out which the correct answer was. | 0:13:35 | 0:13:37 | |
Yes, Luna, meaning moon. | 0:13:37 | 0:13:39 | |
Lunatic from a similar source, | 0:13:39 | 0:13:41 | |
meaning, roughly, "moonstruck" in English. | 0:13:41 | 0:13:43 | |
Let's have a look at the other answers. | 0:13:43 | 0:13:46 | |
Che Wai, when you saw this middle question, | 0:13:46 | 0:13:48 | |
you were already locked into Lunatic, | 0:13:48 | 0:13:50 | |
but I saw the relief on your face | 0:13:50 | 0:13:53 | |
when he realised it was definitely not Sporting Bilbao. | 0:13:53 | 0:13:56 | |
There's Sporting Lisbon, | 0:13:56 | 0:13:57 | |
and you knew the correct answer was Athletic. | 0:13:57 | 0:13:59 | |
A false beard. Does sound plausible. | 0:13:59 | 0:14:01 | |
However, he carried a Greek newspaper around, | 0:14:03 | 0:14:05 | |
so people would spot him and think, "Oh, that's David... | 0:14:05 | 0:14:08 | |
"No, it can't be, because he's not Greek." | 0:14:08 | 0:14:11 | |
There you go. If more proof of his genius was required... | 0:14:11 | 0:14:16 | |
Fantastic work, you guys. | 0:14:16 | 0:14:18 | |
You've already got one number in your code. | 0:14:18 | 0:14:21 | |
The number 8 has been counted out. | 0:14:21 | 0:14:23 | |
There's eight others to choose from now. | 0:14:23 | 0:14:25 | |
-What do you want to pick? -Let's go to for one of the kids' birthdays. | 0:14:25 | 0:14:29 | |
-OK. -Seven? Lucky seven. | 0:14:29 | 0:14:32 | |
-The number seven. -Yeah. -OK. | 0:14:32 | 0:14:34 | |
Let's have a look. Is the number seven there in your code? | 0:14:34 | 0:14:38 | |
It's not there. Is it in the third and final box? | 0:14:40 | 0:14:45 | |
-It is. -Well done. -Oh, no, we're in the last round. | 0:14:45 | 0:14:48 | |
Good choice. Don't say "oh, no" - this is a good thing. | 0:14:48 | 0:14:51 | |
-Oh, yeah, I know, I know, I know. -There's £12,000 in there, | 0:14:51 | 0:14:54 | |
-it's a really good thing. -Remember why we're here? | 0:14:54 | 0:14:58 | |
You've now found two numbers in the code. | 0:14:58 | 0:15:01 | |
Oh, I'm too excited. | 0:15:01 | 0:15:02 | |
You've done it in just three questions. | 0:15:02 | 0:15:07 | |
-Only one team has ever cracked the code in four questions. -OK. | 0:15:07 | 0:15:11 | |
-It's not all good news. -No... | 0:15:11 | 0:15:13 | |
Because things are now going to get even more difficult. | 0:15:13 | 0:15:17 | |
Yes, you get to see all three answers as before, | 0:15:17 | 0:15:20 | |
but this time you can open only one question at a time | 0:15:20 | 0:15:24 | |
-before you have to commit. -OK. | 0:15:24 | 0:15:26 | |
It's really tricky. | 0:15:26 | 0:15:28 | |
Are you ready for your next three answers? | 0:15:28 | 0:15:32 | |
-Yes. -Here we go. | 0:15:32 | 0:15:33 | |
It's now crucial the order in which you pick | 0:15:38 | 0:15:42 | |
these questions. | 0:15:42 | 0:15:43 | |
OK, so. | 0:15:43 | 0:15:45 | |
I know nothing about Puerto Rico, I'll tell you that right now. | 0:15:45 | 0:15:48 | |
I know very little about Puerto Rico. | 0:15:48 | 0:15:51 | |
-M. -It could be the letter? | 0:15:51 | 0:15:54 | |
Which could be anything. | 0:15:54 | 0:15:55 | |
-Or James Bond. -It could be James Bond. | 0:15:55 | 0:15:58 | |
-Hoffman. -Could be Dustin. | 0:15:58 | 0:16:00 | |
-Yup. -Could be Philip Seymour. | 0:16:00 | 0:16:02 | |
-Is he not Hoffman? -Yep. | 0:16:02 | 0:16:05 | |
So, basically we know more about M or Hoffman | 0:16:05 | 0:16:08 | |
than we do about Puerto Rico. | 0:16:08 | 0:16:11 | |
-So we should go for one of them first. -Yeah. | 0:16:11 | 0:16:13 | |
-M? -Let's go for M. -OK. | 0:16:13 | 0:16:16 | |
-Wow. -The question behind M, please? | 0:16:16 | 0:16:20 | |
-What does that even mean? -The names of the books of the Bible, | 0:16:30 | 0:16:33 | |
like Genesis, Exodus and all that kind of stuff. | 0:16:33 | 0:16:36 | |
Can you think of any books in the Bible beginning with M? | 0:16:36 | 0:16:38 | |
-Matthew. -Right. | 0:16:38 | 0:16:40 | |
That's the New Testament. | 0:16:40 | 0:16:41 | |
That's two in the New Testament. | 0:16:41 | 0:16:42 | |
What is your gut feeling, yes or no? | 0:16:42 | 0:16:44 | |
No. | 0:16:45 | 0:16:46 | |
Right. Shall we lock it in them, or get rid of it? | 0:16:46 | 0:16:49 | |
Hmm. | 0:16:50 | 0:16:51 | |
OK. | 0:16:51 | 0:16:53 | |
I wish I was more religious. | 0:16:53 | 0:16:55 | |
-We need to commit one way. -We need to commit, we're wasting time. | 0:16:55 | 0:16:57 | |
Sorry. | 0:16:57 | 0:16:59 | |
-Get rid of it. -Let's get rid of it. -Get rid of it. | 0:16:59 | 0:17:02 | |
You want to discard that as an incorrect answer. | 0:17:02 | 0:17:05 | |
-I think so, yeah. -OK. | 0:17:05 | 0:17:07 | |
-Nervous. -That is now out of the game. | 0:17:07 | 0:17:11 | |
You have to look at the next question. | 0:17:11 | 0:17:13 | |
Do you want to see Puerto Rico or Hoffman? | 0:17:13 | 0:17:15 | |
-Hoffman. -Got to be Hoffman. -Yeah, Hoffman. | 0:17:15 | 0:17:19 | |
The question behind Hoffman, please. | 0:17:19 | 0:17:21 | |
Well, it could be 1989 would be Dustin Hoffman, timeline. | 0:17:32 | 0:17:36 | |
-What film? -2006 would be... | 0:17:36 | 0:17:39 | |
What did he get an Oscar for? | 0:17:39 | 0:17:40 | |
Playing Capote, wasn't it? | 0:17:42 | 0:17:43 | |
Yeah, something like that. | 0:17:43 | 0:17:45 | |
I know he got one in 2006. | 0:17:45 | 0:17:46 | |
It makes sense, that fits, that's possible. | 0:17:46 | 0:17:49 | |
It fits, but what else could it be? | 0:17:49 | 0:17:51 | |
I think that's probably correct. | 0:17:51 | 0:17:53 | |
It sounds right. Shall we go for that? | 0:17:53 | 0:17:55 | |
-It sounds feasible. -You want to lock that in as a correct answer? | 0:17:55 | 0:17:59 | |
-Yes. -Let's do it. | 0:17:59 | 0:18:01 | |
OK. It is locked in. | 0:18:02 | 0:18:04 | |
We want Hoffman to be the correct answer but before we find out, | 0:18:04 | 0:18:10 | |
let's have a look at the question behind Puerto Rico. | 0:18:10 | 0:18:13 | |
-The one you were desperate to avoid. -Yes! | 0:18:13 | 0:18:15 | |
What does it say? | 0:18:15 | 0:18:17 | |
-What's the other one? -Dominican Republic? | 0:18:25 | 0:18:27 | |
Yeah, it might be that one. | 0:18:27 | 0:18:30 | |
OK, no, that's fine. | 0:18:30 | 0:18:31 | |
-Yeah. -I'm not feeling any better or worse. | 0:18:31 | 0:18:33 | |
Well, listen, you've committed to it. | 0:18:33 | 0:18:36 | |
If it's right, you get to pick a number. | 0:18:36 | 0:18:39 | |
The last number, possibly, for your code. | 0:18:39 | 0:18:42 | |
Is Hoffman our correct answer? | 0:18:44 | 0:18:47 | |
-Oh! Oh, my God! -Well done, well done. -Yes! | 0:18:52 | 0:18:55 | |
Well done. Well done indeed. | 0:18:55 | 0:18:57 | |
-Wow, yeah. -Go with your gut. Stick with your gut. | 0:18:57 | 0:19:00 | |
Brilliant work. Lesley? | 0:19:00 | 0:19:02 | |
You had all the right pieces of information here. | 0:19:02 | 0:19:04 | |
I'm really excited. | 0:19:04 | 0:19:06 | |
No pressure, if you get the code right after this, | 0:19:06 | 0:19:10 | |
you'll be our joint fastest winners. | 0:19:10 | 0:19:12 | |
So fingers, toes, everything crossed. | 0:19:12 | 0:19:15 | |
Very well done on the Hoffman question, you had the right names, | 0:19:15 | 0:19:18 | |
you knew there was Dustin Hoffman, Philip Seymour Hoffman. | 0:19:18 | 0:19:21 | |
Dustin Hoffman won the Oscar for 1989's Rain Man and Philip Seymour | 0:19:21 | 0:19:25 | |
Hoffman won it for Capote in 2006. | 0:19:25 | 0:19:29 | |
Let's look at the wrong answers on there. | 0:19:29 | 0:19:31 | |
Puerto Rico, that's a US territory. | 0:19:31 | 0:19:34 | |
The correct answer - Gillian, you knew it - | 0:19:34 | 0:19:36 | |
was the Dominican Republic. | 0:19:36 | 0:19:38 | |
-Yes. -M, not the most common letter. | 0:19:38 | 0:19:40 | |
J is the most common letter. | 0:19:40 | 0:19:42 | |
There's Joshua, Judges, Job, Jeremiah, | 0:19:42 | 0:19:45 | |
Joel, Jonah, John, James, Jude. | 0:19:45 | 0:19:48 | |
Lots and lots of Js in the Bible, so very well worked out, | 0:19:48 | 0:19:51 | |
you're doing really, really well. | 0:19:51 | 0:19:53 | |
Yes, indeed Gillian, Che Wai, absolutely brilliant work there. | 0:19:53 | 0:19:58 | |
A lot of instinct, I think, but don't discount that. | 0:19:58 | 0:20:01 | |
It's obviously working for us. | 0:20:01 | 0:20:03 | |
It's absolutely working for you. | 0:20:03 | 0:20:04 | |
It's very exciting now because as you can see up there, | 0:20:04 | 0:20:08 | |
you've only got one more number to find in your code. | 0:20:08 | 0:20:11 | |
If you can do that, | 0:20:11 | 0:20:14 | |
the safe opens, £12,000. | 0:20:14 | 0:20:17 | |
You'll have cracked the code. | 0:20:17 | 0:20:18 | |
-Wow! -You go home with a really useful sum of money and | 0:20:18 | 0:20:21 | |
you'll have done something no-one's done for quite a while now, | 0:20:21 | 0:20:25 | |
-that's why the jackpot's where it is. -Yeah. | 0:20:25 | 0:20:27 | |
There are seven numbers left - which one are you going to go with? | 0:20:27 | 0:20:31 | |
-I'm going to go with zero. -You're going to go with zero. | 0:20:34 | 0:20:36 | |
-Gut instinct. -OK. | 0:20:36 | 0:20:38 | |
We're going to put zero into the keypad and that means one of you | 0:20:38 | 0:20:43 | |
has to join me at the safe. | 0:20:43 | 0:20:44 | |
Who's it going to be? | 0:20:44 | 0:20:46 | |
I don't think I could walk there, my legs are wobbling! | 0:20:46 | 0:20:49 | |
I don't think I could, either! | 0:20:49 | 0:20:50 | |
-On you go. -Che Wai? -Yeah, yeah. | 0:20:50 | 0:20:53 | |
-You're going to join me at the safe? -Yes. -Let's go. | 0:20:53 | 0:20:55 | |
So Che Wai, tell me what would you do with £12,000? | 0:21:08 | 0:21:12 | |
How useful would that be for you, Gillian and your family? | 0:21:12 | 0:21:14 | |
It would be... | 0:21:14 | 0:21:16 | |
it would be amazing, just, it's just we'd be able | 0:21:16 | 0:21:21 | |
to look at a deposit for a bigger place so the kids can get | 0:21:21 | 0:21:23 | |
their own room so it would be a...it would make a huge difference to us. | 0:21:23 | 0:21:26 | |
-You're looking for a bigger place? -Yeah. It's not ideal, so yes, | 0:21:26 | 0:21:29 | |
a bigger place is something we definitely need. | 0:21:29 | 0:21:34 | |
OK. | 0:21:34 | 0:21:35 | |
Well, listen, we've all got everything crossed for you. | 0:21:35 | 0:21:39 | |
You've chosen the number zero, Che Wai. | 0:21:39 | 0:21:41 | |
If that number is the final number in your code | 0:21:41 | 0:21:46 | |
then you will go home with £12,000. | 0:21:46 | 0:21:49 | |
It's that simple. Are you ready? | 0:21:49 | 0:21:51 | |
Yes. Yes. | 0:21:51 | 0:21:54 | |
Punch in the number. | 0:21:54 | 0:21:55 | |
We're looking for a zero. We want 307 to complete your code. | 0:22:02 | 0:22:08 | |
Is it there? Is it the final number in your code? | 0:22:08 | 0:22:11 | |
I'm so sorry, not on this occasion. | 0:22:17 | 0:22:19 | |
It was long odds, but we get another chance, we can have another go. | 0:22:21 | 0:22:24 | |
-OK. -OK. -OK? | 0:22:24 | 0:22:25 | |
-Yes. -Right, let's go back. | 0:22:25 | 0:22:27 | |
Let's see Gillian. | 0:22:27 | 0:22:29 | |
It's fine. Deep breaths. | 0:22:29 | 0:22:31 | |
-Yes. -Deep breaths. | 0:22:31 | 0:22:32 | |
We could have a long journey here. | 0:22:32 | 0:22:34 | |
-Yeah. -You've been very successful very early on. | 0:22:34 | 0:22:36 | |
-OK. -And the price of that is that you now have to play the game | 0:22:36 | 0:22:40 | |
at this very difficult level but you keep doing it | 0:22:40 | 0:22:43 | |
-the way you're doing it, we will get there. -OK. | 0:22:43 | 0:22:45 | |
-OK. Are you ready? -Yes. -Yes. | 0:22:45 | 0:22:48 | |
Let's have your next three answers. | 0:22:48 | 0:22:50 | |
We get to look at them one at a time | 0:22:55 | 0:22:57 | |
so the order that you choose them in is crucial. | 0:22:57 | 0:23:00 | |
Well, I used to know a lot about Madonna when I was younger. | 0:23:00 | 0:23:03 | |
-Right. -But earlier stuff I'm not quite sure about. | 0:23:03 | 0:23:07 | |
-OK. -But I know about her personal life. | 0:23:07 | 0:23:09 | |
-OK. -Well, you know what I mean, it's a celebrity life. | 0:23:11 | 0:23:15 | |
Chelsea, might be a football question. | 0:23:15 | 0:23:18 | |
I know the Medicis... Italian, something to do with Italian. | 0:23:18 | 0:23:21 | |
-Italian family. -The ones who | 0:23:21 | 0:23:24 | |
established very big names historically. | 0:23:24 | 0:23:29 | |
-In something. Art... -They might have actually started the Renaissance and stuff like that. | 0:23:29 | 0:23:33 | |
Right, so what one are we going to choose? Will we go for Madonna? | 0:23:33 | 0:23:36 | |
Yeah, because you know. You're a big fan of her. | 0:23:36 | 0:23:38 | |
I know little bits and pieces. We got married on her birthday. | 0:23:38 | 0:23:40 | |
-OK, that's more than I knew. -There you go. | 0:23:40 | 0:23:42 | |
If that's the question, then you are in! | 0:23:42 | 0:23:45 | |
Yes! Oh, wouldn't that be great, yes! | 0:23:45 | 0:23:47 | |
-When did you two get married? -We need to pick one to see the question. | 0:23:47 | 0:23:49 | |
-Which one? -OK, Madonna, yes, we'll go with Madonna. | 0:23:49 | 0:23:52 | |
OK, let's see the question behind Madonna. | 0:23:52 | 0:23:54 | |
Yes, she did. | 0:24:01 | 0:24:03 | |
-Did she? -I'm pretty sure she did, she started off drumming and dancing | 0:24:03 | 0:24:06 | |
before she ever sang. | 0:24:06 | 0:24:08 | |
The Breakfast Club, that rings a bell as well. | 0:24:08 | 0:24:10 | |
-Early '80s. -Is it a possible, then? | 0:24:10 | 0:24:12 | |
That's a very possible, we need to decide now. | 0:24:12 | 0:24:16 | |
Well, you knew the fact that she played drums in the '80s, which is... | 0:24:16 | 0:24:20 | |
I think that's right. | 0:24:20 | 0:24:22 | |
Future superstar, which she is. | 0:24:22 | 0:24:25 | |
-She played drums in a band. Right? -In a band. | 0:24:25 | 0:24:28 | |
-And it was in the '80s. -It's just who else could it be, | 0:24:28 | 0:24:31 | |
if it's not her? | 0:24:31 | 0:24:33 | |
That's good enough for me. | 0:24:33 | 0:24:34 | |
Oh, my goodness, OK. | 0:24:34 | 0:24:36 | |
-Do it. -Yeah, we're going to say that's the correct answer. | 0:24:36 | 0:24:39 | |
That's good enough for me, says Che Wai. | 0:24:39 | 0:24:41 | |
We're going to lock it in. Wow, OK. | 0:24:41 | 0:24:45 | |
This could short-cut a lot of agony if this is right. | 0:24:45 | 0:24:49 | |
You don't have to worry about others. | 0:24:49 | 0:24:51 | |
But we are going to check out the other two questions. | 0:24:51 | 0:24:54 | |
Hopefully, you're going to look at them and you're going to go | 0:24:54 | 0:24:56 | |
absolutely wrong, couldn't be correct, we made the right choice. | 0:24:56 | 0:25:00 | |
-Let's have a look at the question behind Medici. -OK. | 0:25:00 | 0:25:03 | |
Do you know anything about that? | 0:25:13 | 0:25:15 | |
Does that feel right? | 0:25:15 | 0:25:17 | |
I thought Medici, I associate it with Italy, not Spain. | 0:25:18 | 0:25:21 | |
But they could have originally come from Spain. | 0:25:21 | 0:25:23 | |
Oh, yeah. Well, I don't know, well, we don't anything about that. | 0:25:23 | 0:25:26 | |
Not sure, not sure? OK, | 0:25:26 | 0:25:27 | |
let's have a look at the question behind Chelsea. | 0:25:27 | 0:25:29 | |
-No idea. -No idea, oh good. | 0:25:38 | 0:25:39 | |
-No idea, so. -Right, OK, so we're just as ignorant as we were before. | 0:25:39 | 0:25:42 | |
OK, so those wouldn't have helped to. | 0:25:42 | 0:25:44 | |
-No, no. -But you're glad you didn't choose them? -Yes. -Brilliant. | 0:25:44 | 0:25:47 | |
Come on! | 0:25:47 | 0:25:48 | |
-Now, this... -Oh, I hope... -..is for another chance to choose a number. | 0:25:48 | 0:25:53 | |
-OK. -To enter into the code. | 0:25:53 | 0:25:55 | |
If it's there, £12,000 is going back to Glasgow with you guys, | 0:25:55 | 0:26:00 | |
a deposit for a bigger house, the kids having their own rooms. | 0:26:00 | 0:26:03 | |
Yeah. | 0:26:03 | 0:26:06 | |
Is Madonna | 0:26:06 | 0:26:08 | |
the correct answer? | 0:26:08 | 0:26:10 | |
-Yes! -Yes! | 0:26:14 | 0:26:16 | |
Fantastic! | 0:26:16 | 0:26:17 | |
-Wow! -Fantastic! | 0:26:17 | 0:26:19 | |
He'll want to marry me all over again now! | 0:26:19 | 0:26:21 | |
You don't have to go to the graveyard this time, | 0:26:21 | 0:26:23 | |
don't bother with the cemetery! | 0:26:23 | 0:26:25 | |
-Lesley. -Gillian, Che Wai, that is a masterclass, that is exactly | 0:26:25 | 0:26:29 | |
how you play the game at this stage. | 0:26:29 | 0:26:31 | |
You had information about Madonna, | 0:26:31 | 0:26:33 | |
you weren't sure if it was The Breakfast Club, | 0:26:33 | 0:26:34 | |
but you asked yourself a really important question, | 0:26:34 | 0:26:37 | |
who else could it be if it's not Madonna? | 0:26:37 | 0:26:39 | |
And that is what led you to the right answer. | 0:26:39 | 0:26:41 | |
She left The Breakfast Club before they became successful | 0:26:41 | 0:26:43 | |
and on her way to megastardom. | 0:26:43 | 0:26:46 | |
Medici not the right answer to the middle one, either. | 0:26:46 | 0:26:48 | |
You associate the Medici family with Italy correctly | 0:26:48 | 0:26:50 | |
because they were from Florence. | 0:26:50 | 0:26:52 | |
There were Medici popes but it's not the right answer. | 0:26:52 | 0:26:54 | |
The correct answer is the Borgia family. | 0:26:54 | 0:26:57 | |
Callixtus III and Alexander VI were uncle and nephew. | 0:26:57 | 0:27:00 | |
Last question and answer pair on the board, Chelsea not right here. | 0:27:00 | 0:27:04 | |
-Matt, do you know the answer? -Is it Man United? | 0:27:04 | 0:27:06 | |
It is Manchester United. | 0:27:06 | 0:27:08 | |
Michael Knighton went on to buy Carlisle. | 0:27:08 | 0:27:11 | |
-Bit of a step down. -Yes, slightly. | 0:27:11 | 0:27:13 | |
-Not his first choice. -Well, I mean that was a masterclass there. | 0:27:14 | 0:27:19 | |
The bits of knowledge that you had about Madonna were enough to swing it. | 0:27:19 | 0:27:22 | |
It meant the other questions and answers didn't matter at all. | 0:27:22 | 0:27:25 | |
You have bought yourself, with your knowledge about Madonna, the chance | 0:27:25 | 0:27:29 | |
to enter another digit into the code. | 0:27:29 | 0:27:32 | |
Three blank seven. We're trying to find the blank there. | 0:27:32 | 0:27:35 | |
Eight and zero have gone as well. | 0:27:35 | 0:27:37 | |
You've now got six to choose from. | 0:27:37 | 0:27:40 | |
Get the right one, you've cracked the code, | 0:27:40 | 0:27:42 | |
you're going home with £12,000. | 0:27:42 | 0:27:46 | |
I think we should pick Sam's number, I mean he'll be upset if we don't, | 0:27:46 | 0:27:49 | |
so Jessica was born on the seventh, Sam was born on the fourth, | 0:27:49 | 0:27:52 | |
so I'm going to choose number four. | 0:27:52 | 0:27:53 | |
-The number four. -Yes, please. | 0:27:53 | 0:27:55 | |
OK. And who is going to join me at the safe? | 0:27:55 | 0:27:57 | |
-Do you want to do it? -No, honestly, my legs are wobbling too much, | 0:27:57 | 0:28:00 | |
-on you go. -You're just happy standing where you are. | 0:28:00 | 0:28:03 | |
Yes, I'm doing my job here. | 0:28:03 | 0:28:05 | |
-OK, Che Wai. -Yes. -Join me at the safe. | 0:28:05 | 0:28:08 | |
OK. | 0:28:08 | 0:28:09 | |
Here we are again. | 0:28:18 | 0:28:20 | |
Che Wai, they don't say "second time lucky". | 0:28:20 | 0:28:22 | |
That's not an established phrase. | 0:28:22 | 0:28:25 | |
If 4 is the final number in your code, you're going home with £12,000. | 0:28:25 | 0:28:30 | |
We know the difference that that can make to you as a family. | 0:28:30 | 0:28:33 | |
-Are you ready? -Yes. | 0:28:33 | 0:28:34 | |
Punch in the number. | 0:28:34 | 0:28:36 | |
Round and round it goes. | 0:28:44 | 0:28:46 | |
What we're looking for is 347. | 0:28:46 | 0:28:50 | |
If that's what we get, the safe opens. | 0:28:50 | 0:28:53 | |
£12,000 is going back to Glasgow. | 0:28:54 | 0:28:58 | |
It's not a four. It's not a four. | 0:28:58 | 0:29:03 | |
-OK. -I'm so sorry. | 0:29:03 | 0:29:04 | |
-It's all right. -But we're going to have to go again. | 0:29:04 | 0:29:07 | |
OK, Che Wai, let's go back. | 0:29:07 | 0:29:09 | |
-Right. I mean, on the plus side, it's another number. -Yeah. -Yeah. | 0:29:10 | 0:29:14 | |
You're doing it the painful way, | 0:29:14 | 0:29:16 | |
you're doing it at the hardest level of the game. | 0:29:16 | 0:29:20 | |
-OK, I don't know if I can cope with that! -I don't! -OK. | 0:29:20 | 0:29:22 | |
-Pep talk over. -Right. Yes. We're ready. Bring it on. | 0:29:22 | 0:29:26 | |
Yeah. Here we go. Let's do it. | 0:29:26 | 0:29:28 | |
There's no link between them at all. | 0:29:31 | 0:29:33 | |
So we're looking for one correct answer | 0:29:33 | 0:29:35 | |
that's in there amongst the three. | 0:29:35 | 0:29:37 | |
You've got to find that one. | 0:29:37 | 0:29:38 | |
Beautiful could be a song title, it could be a perfume or something, or.... | 0:29:38 | 0:29:43 | |
-Yeah. -Chimpanzee. | 0:29:43 | 0:29:46 | |
There can't be too many questions where the answer is chimpanzee. | 0:29:46 | 0:29:48 | |
I certainly know about babies, but specific babies. | 0:29:48 | 0:29:52 | |
Yeah. | 0:29:52 | 0:29:54 | |
-Why babies? -I know. | 0:29:54 | 0:29:55 | |
Maybe it's what follows the word jelly? | 0:29:55 | 0:29:57 | |
-Oh, yeah! -That would be good. -I don't think so. | 0:29:57 | 0:30:00 | |
-What do you think? -What do you think? -I'm thinking chimpanzee. | 0:30:00 | 0:30:03 | |
-Are you? -I don't know why. | 0:30:03 | 0:30:06 | |
It could be something to do with, it might be an animal, | 0:30:06 | 0:30:08 | |
what was this animal? | 0:30:08 | 0:30:11 | |
-What, like what's... -No, like eight famous like, | 0:30:11 | 0:30:13 | |
you know there used to be Guy the Gorilla in London Zoo. | 0:30:13 | 0:30:16 | |
Oh wait, Bubbles. Famous chimpanzee. | 0:30:16 | 0:30:18 | |
I want to go for babies. | 0:30:18 | 0:30:20 | |
My gut feeling is chimpanzee. All right. | 0:30:20 | 0:30:22 | |
I know you want to go for babies. | 0:30:24 | 0:30:25 | |
-It's just because it's unusual, BABIES, not baby. -All right, OK. | 0:30:25 | 0:30:28 | |
-It's interesting, so. -Right, we'll try babies. | 0:30:28 | 0:30:30 | |
-Right. -You've done well so far. | 0:30:30 | 0:30:31 | |
Sure? OK, right. He's going to trust me and we'll go for babies. | 0:30:31 | 0:30:34 | |
Let's have a look at the question behind babies. | 0:30:34 | 0:30:37 | |
Babies?! | 0:30:51 | 0:30:53 | |
-It could be, it's satirical. -Satirical. | 0:30:53 | 0:30:55 | |
-I think that could be true. -You do? | 0:30:56 | 0:30:58 | |
Yeah, because it's satire. | 0:30:58 | 0:31:01 | |
Obviously commenting on... | 0:31:01 | 0:31:03 | |
Jonathan Swift, is he...? He's not Irish, I take it? Or is he Irish? | 0:31:03 | 0:31:07 | |
I think he is Irish. | 0:31:07 | 0:31:09 | |
Maybe that's what passed for humour in 1729? | 0:31:09 | 0:31:12 | |
We've got this far and now it's just really hard, so... | 0:31:13 | 0:31:17 | |
-A Modest Proposal. -It is hard. | 0:31:17 | 0:31:19 | |
-I think we should look it in. -I wish we'd gone for chimpanzee. | 0:31:22 | 0:31:26 | |
Yeah. Are you happy to lock it in? | 0:31:26 | 0:31:27 | |
-Yeah. -Yeah, why not, we don't know either way, it's a 50-50. | 0:31:27 | 0:31:30 | |
OK, let's lock it in. | 0:31:30 | 0:31:32 | |
Wow. Brave. | 0:31:32 | 0:31:35 | |
-Yes. -You don't feel as though you know anything about that at all but | 0:31:35 | 0:31:38 | |
you just are going on your hunch | 0:31:38 | 0:31:40 | |
and a little bit of informed guesswork... | 0:31:40 | 0:31:43 | |
-Yeah, yeah. -Yeah. -..that that could be the correct answer? | 0:31:43 | 0:31:46 | |
Well, Irish families having lots of babies could add to the economic | 0:31:46 | 0:31:49 | |
problems, so eating them would solve the economic problems. | 0:31:49 | 0:31:52 | |
-Yeah... -I can't believe I'm talking about eating babies! -It's 1729. | 0:31:52 | 0:31:55 | |
Well, listen, we can now look at the other questions, which will either, | 0:31:55 | 0:31:58 | |
you know, be sickening for you | 0:31:58 | 0:32:00 | |
or is going to make you feel much better. | 0:32:00 | 0:32:03 | |
-OK. -Let's look first at the question | 0:32:03 | 0:32:05 | |
-behind Beautiful at the top there. -OK. | 0:32:05 | 0:32:07 | |
-Wasn't it Genie In A Bottle? -That was her first hit | 0:32:12 | 0:32:14 | |
but whether it was number one, I don't know. | 0:32:14 | 0:32:17 | |
OK, let's have a look at the question behind chimpanzee. | 0:32:17 | 0:32:19 | |
OK. | 0:32:19 | 0:32:20 | |
A tiger? Why am I thinking tiger? | 0:32:25 | 0:32:29 | |
Why are we not thinking it's a baby? | 0:32:29 | 0:32:31 | |
No, it definitely, is it, Oh, I think that might be right, | 0:32:31 | 0:32:34 | |
I think that might be the right one. | 0:32:34 | 0:32:35 | |
Well, it's academic, I'm afraid, right now. | 0:32:35 | 0:32:37 | |
You've made your choice. | 0:32:37 | 0:32:39 | |
-Oh, no. -You're committed to Babies as being your correct answer. | 0:32:39 | 0:32:44 | |
We want that for you to be right. | 0:32:44 | 0:32:47 | |
I don't think, I don't know, I think the middle one's right. | 0:32:47 | 0:32:51 | |
-This is horrible. -Crucially, we want to go down to that safe, | 0:32:51 | 0:32:54 | |
enter another number and walk back with £12,000. | 0:32:54 | 0:32:57 | |
-OK. -But before we can do that, | 0:32:57 | 0:32:59 | |
we have to find out if Babies is the correct answer. | 0:32:59 | 0:33:05 | |
-Yes! -Oh, my God! | 0:33:10 | 0:33:12 | |
Oh, my goodness. | 0:33:12 | 0:33:14 | |
-Yes! -Absolutely fantastic. -I thought it was the middle one. | 0:33:14 | 0:33:17 | |
I love the way you're playing this game. | 0:33:17 | 0:33:19 | |
Lesley. | 0:33:19 | 0:33:21 | |
Once again, you've managed to open | 0:33:21 | 0:33:23 | |
the correct pair of question and answer, | 0:33:23 | 0:33:26 | |
which I think helped in this case, as it has before with Madonna. | 0:33:26 | 0:33:29 | |
It was a satirical essay. | 0:33:29 | 0:33:31 | |
He wasn't seriously suggesting anyone would eat their babies. | 0:33:31 | 0:33:34 | |
It was a commentary on heartless attitudes towards the poor. | 0:33:34 | 0:33:37 | |
There was an awful economic situation in Ireland | 0:33:37 | 0:33:39 | |
and he was mocking the British attitude, | 0:33:39 | 0:33:41 | |
in particular, towards their plight. | 0:33:41 | 0:33:42 | |
-Wow! -I can't believe! -With Beautiful, | 0:33:42 | 0:33:45 | |
Che Wai, you said the correct answer to this, that's Genie In A Bottle. | 0:33:45 | 0:33:48 | |
Beautiful was from her fourth album. | 0:33:48 | 0:33:50 | |
Chimpanzee, I think if you'd opened this first, | 0:33:50 | 0:33:53 | |
you may have come unstuck. | 0:33:53 | 0:33:54 | |
-Yes. -It's not a chimpanzee, it's a leopard, a leopard called Baby. | 0:33:54 | 0:33:57 | |
Katharine Hepburn, Cary Grant. | 0:33:57 | 0:34:00 | |
-Exactly. -Yeah. -Why did I think of Ronald Reagan? | 0:34:00 | 0:34:03 | |
Was he in a film? Bringing... | 0:34:03 | 0:34:04 | |
-Yes. -He was, wasn't he? -Bedtime For Bonzo or something like that? | 0:34:04 | 0:34:07 | |
Bedtime For Bonzo, there we go. | 0:34:07 | 0:34:09 | |
Yeah, and that was a chimpanzee, wasn't it? | 0:34:09 | 0:34:11 | |
-That's what I was thinking. -I always get them mixed. | 0:34:11 | 0:34:13 | |
Thank goodness I am not on your team! | 0:34:13 | 0:34:16 | |
It would be strange but thank goodness I'm not with you because you don't | 0:34:16 | 0:34:19 | |
need me anyway - that's the crucial thing. | 0:34:19 | 0:34:21 | |
You do not need me at all. | 0:34:21 | 0:34:23 | |
You are making perfect progress by yourself, | 0:34:23 | 0:34:25 | |
wading through the most difficult part of the quiz. | 0:34:25 | 0:34:28 | |
Which figure is it going to be next? | 0:34:28 | 0:34:30 | |
What do you think? | 0:34:30 | 0:34:32 | |
-Two. -Two. -Two. | 0:34:32 | 0:34:34 | |
-Two. -OK. | 0:34:34 | 0:34:36 | |
Who's going to join me at the safe? | 0:34:36 | 0:34:38 | |
-That'll be me, I suppose. -Yes. -It's looking that way, isn't it? | 0:34:38 | 0:34:40 | |
Che Wai, OK, here we go. | 0:34:40 | 0:34:42 | |
You did say third time lucky. It is a phrase. | 0:34:47 | 0:34:50 | |
I did! | 0:34:50 | 0:34:51 | |
There is no fourth time lucky. No-one says fourth time lucky. | 0:34:53 | 0:34:56 | |
This is the third time. | 0:34:56 | 0:34:58 | |
This has got to be it. | 0:34:58 | 0:35:00 | |
If the number two is that final number, if it's there in your code, | 0:35:00 | 0:35:04 | |
you're going to go home today with £12,000, that's what we all want. | 0:35:04 | 0:35:08 | |
Che Wai, are you ready? | 0:35:08 | 0:35:10 | |
Yes, yes. | 0:35:10 | 0:35:12 | |
In that case, punch in the number 2. | 0:35:12 | 0:35:15 | |
We're looking for 327 for Gillian and Che Wai | 0:35:22 | 0:35:26 | |
to go home £12,000 richer. | 0:35:26 | 0:35:28 | |
Is the missing digit in the code the number 2? | 0:35:28 | 0:35:32 | |
That's what we want to see. | 0:35:32 | 0:35:34 | |
Fourth time lucky. That's what people say, fourth time lucky. | 0:35:42 | 0:35:45 | |
I'm so sorry. I thought that was it. | 0:35:45 | 0:35:48 | |
But have a look, only four numbers left. | 0:35:48 | 0:35:51 | |
-Yeah. -Right, let's go back to Gillian and take the blame for | 0:35:51 | 0:35:54 | |
pushing the wrong numbers. | 0:35:54 | 0:35:56 | |
-This is agony. -It's hard going, this. | 0:35:56 | 0:35:59 | |
-Six down, four to go. -Yeah. | 0:35:59 | 0:36:00 | |
But listen, the plus side is you are doing it, | 0:36:00 | 0:36:02 | |
you're answering the questions. | 0:36:02 | 0:36:05 | |
And you're using brilliant intuition, brilliant judgment to do it. | 0:36:05 | 0:36:09 | |
-Are you ready? -Yes. -Yes. -Thank you. -Let's have your next three answers. | 0:36:09 | 0:36:13 | |
OK, one correct answer. Where do you want to start? | 0:36:19 | 0:36:21 | |
Do you know about The Furies? | 0:36:21 | 0:36:23 | |
-The Furies... -That's Greek, isn't it? | 0:36:23 | 0:36:25 | |
Greek mythology, three of them, or something. | 0:36:25 | 0:36:27 | |
Carry On might... Probably Carry On films, but I only know a few. | 0:36:27 | 0:36:32 | |
I know some of the actors in them, but... | 0:36:32 | 0:36:35 | |
Carry On could be the end of a phrase, | 0:36:35 | 0:36:37 | |
you know, like what did some famous person say? | 0:36:37 | 0:36:39 | |
-What, "keep calm and carry on"? -Yeah, something like that. -Well, | 0:36:39 | 0:36:42 | |
The Chase is more likely to be, because it's THE Chase, | 0:36:42 | 0:36:46 | |
-it's going to be the programme. -The programme. -And we watch that. | 0:36:46 | 0:36:49 | |
-Right. -Shall we go for that? | 0:36:49 | 0:36:51 | |
-Let's... -The Chase, yeah. -Yes, let's hope it's that. | 0:36:51 | 0:36:54 | |
Yeah, let's go with The Chase. | 0:36:54 | 0:36:55 | |
Let's see the question behind The Chase, please. | 0:36:55 | 0:36:59 | |
It wasn't that one, was it? | 0:37:06 | 0:37:09 | |
Quite possible. What's obvious about The Chase, though? | 0:37:09 | 0:37:13 | |
-It doesn't make sense. -No, it doesn't make sense to me, either. | 0:37:13 | 0:37:16 | |
-Obviously. -It doesn't make sense. -It doesn't sound right, does it? | 0:37:16 | 0:37:19 | |
Because the whole point of that game is that you're being chased by | 0:37:19 | 0:37:22 | |
-someone. -And you've got the Chaser, | 0:37:22 | 0:37:24 | |
-you don't have the obvious person up there. -Yeah, yeah, yeah. | 0:37:24 | 0:37:27 | |
-So we get rid of that. -We want to discard that one. | 0:37:27 | 0:37:29 | |
OK, we're going to say that's an incorrect answer. Let's discard it. | 0:37:29 | 0:37:32 | |
That is now out of the game. | 0:37:34 | 0:37:36 | |
Which question do you want to see next? | 0:37:36 | 0:37:39 | |
Carry On. | 0:37:39 | 0:37:40 | |
All right. OK. | 0:37:42 | 0:37:43 | |
-Carry On, please. -Let's see the question behind Carry On. | 0:37:43 | 0:37:46 | |
It is a long-running British film franchise, but what else could it | 0:37:56 | 0:38:00 | |
-be? -I don't know, I've never heard of John Glen. | 0:38:00 | 0:38:03 | |
I can't think of any other British film franchises. | 0:38:03 | 0:38:05 | |
-Well, there's the Hammer Horrors thing. -James Bond. -Oh, James Bond! | 0:38:05 | 0:38:11 | |
Oh, I wish you hadn't said James Bond. | 0:38:12 | 0:38:14 | |
Single director, though. | 0:38:15 | 0:38:17 | |
-Yeah, they're always directed by different people. -Different people. | 0:38:17 | 0:38:20 | |
-I think that might be right. -I think it might be right. | 0:38:22 | 0:38:26 | |
We've got a little less to go on, but we're going to lock in Carry On | 0:38:26 | 0:38:29 | |
-as the right answer. -Chance it again. You want to lock that in? | 0:38:29 | 0:38:31 | |
-Yes, please. -Yeah. | 0:38:31 | 0:38:32 | |
OK, that's locked in, we can't change that now. | 0:38:33 | 0:38:36 | |
We hope for you both, Gillian and Che Wai, that's the correct answer. | 0:38:36 | 0:38:40 | |
It means we can now have a look at the question behind The Furies, and | 0:38:40 | 0:38:43 | |
-I hope that feels then like an incorrect answer. -Yeah. | 0:38:43 | 0:38:47 | |
Are they The Furies? Does that feel right to you? | 0:38:54 | 0:38:57 | |
I've never heard the word Erinyes and it could just as easily | 0:38:57 | 0:39:00 | |
-be the Fates or some other group of things, so... -OK. | 0:39:00 | 0:39:05 | |
It's academic, but you're still happy with your choice? | 0:39:05 | 0:39:08 | |
-Yes, I am, actually. -Che Wai and Gillian, | 0:39:08 | 0:39:10 | |
we want this to be the correct answer. | 0:39:10 | 0:39:12 | |
We want it to turn green so you get another chance to enter a digit into | 0:39:12 | 0:39:16 | |
the code to get you closer to opening the safe | 0:39:16 | 0:39:20 | |
and taking home £12,000. | 0:39:20 | 0:39:22 | |
If it's wrong... | 0:39:22 | 0:39:25 | |
everything that's happened so far, | 0:39:25 | 0:39:27 | |
right back to the age of 15... | 0:39:27 | 0:39:29 | |
-..means nothing! -Nothing at all! -Nothing at all! -Absolutely nothing. | 0:39:32 | 0:39:34 | |
No. All of your hard work will be for nothing. We don't want that. | 0:39:34 | 0:39:38 | |
We want this to be the correct answer. | 0:39:38 | 0:39:40 | |
Is Carry On the correct answer? | 0:39:40 | 0:39:43 | |
Oh, no! | 0:39:49 | 0:39:52 | |
-Oh, never mind. -I'm so sorry. | 0:39:52 | 0:39:54 | |
That's OK, we had fun trying to get there. | 0:39:54 | 0:39:57 | |
Let's find out the correct answer. Which one was it? | 0:39:57 | 0:40:00 | |
-It was The Furies. -I'm really sorry. | 0:40:00 | 0:40:02 | |
-That's OK. -I was crossing my fingers, toes, | 0:40:02 | 0:40:05 | |
everything in the hope that you'd pick the right one. | 0:40:05 | 0:40:07 | |
The Furies lived in the underworld and ascended to Earth to pursue the | 0:40:07 | 0:40:11 | |
wicked, also known as Eumenides. | 0:40:11 | 0:40:13 | |
Let's look at Carry On, where you came unstuck. | 0:40:13 | 0:40:16 | |
You even said the right answer and I was hoping that it might sway you in | 0:40:16 | 0:40:20 | |
your discussion. It's the James Bond franchise. | 0:40:20 | 0:40:23 | |
There are a couple of directors who directed more than one James Bond | 0:40:23 | 0:40:27 | |
film. John Glen directed five there. | 0:40:27 | 0:40:29 | |
For Your Eyes Only, Octopussy, A View To A Kill, | 0:40:29 | 0:40:32 | |
Living Daylights and Licence To Kill. | 0:40:32 | 0:40:34 | |
Guy Hamilton's done four, as well. | 0:40:34 | 0:40:36 | |
The Chase, excellent reasoning with this one. | 0:40:36 | 0:40:39 | |
Why would it be called Obviously when it's got nothing to do with | 0:40:39 | 0:40:42 | |
pursuing someone along the game board? | 0:40:42 | 0:40:44 | |
The correct answer, Pointless, | 0:40:44 | 0:40:45 | |
conceived as an opposite to Family Fortunes. | 0:40:45 | 0:40:49 | |
Thank you so much, Lesley, | 0:40:49 | 0:40:50 | |
but, quite frankly, it doesn't help us or make us... | 0:40:50 | 0:40:52 | |
it doesn't make us feel any better at all. | 0:40:52 | 0:40:55 | |
We want everyone to win the money. | 0:40:55 | 0:40:56 | |
Oh, we do, we do, and the fact you came so close with James Bond, as well. | 0:40:56 | 0:41:01 | |
It's a sickener, it really is. | 0:41:01 | 0:41:04 | |
-We wanted you to go home with £12,000. -Not to worry, we had a great time. | 0:41:04 | 0:41:06 | |
Oh, well, that's really nice to know. | 0:41:06 | 0:41:09 | |
-And you've not left with anything less than you came with. -Absolutely. | 0:41:09 | 0:41:12 | |
-And we didn't shame ourselves, did we? -You certainly didn't do that. | 0:41:12 | 0:41:15 | |
Far from it, you gave it a really good crack. | 0:41:15 | 0:41:17 | |
You were fantastic contestants, and clearly the way you communicate, you | 0:41:17 | 0:41:21 | |
know, the bond is as strong as it was back in the cemetery all of those | 0:41:21 | 0:41:25 | |
years ago. Let's just find out what would have been the next number you | 0:41:25 | 0:41:30 | |
-would have chosen if you'd got that one right. -9 I was going to go for. | 0:41:30 | 0:41:32 | |
Oh, 9? Right. | 0:41:32 | 0:41:34 | |
-Shall we try 9? -Yeah. -Let's say 9. -It had better not be. | 0:41:34 | 0:41:38 | |
I'm going to cry if it is. | 0:41:40 | 0:41:42 | |
-Oh, that's fine. -1. It was 1, so you would have still had to do it again, | 0:41:42 | 0:41:46 | |
go back there. Maybe that would have been your last number, | 0:41:46 | 0:41:49 | |
I don't know. But listen, it was such a joy having you with us. | 0:41:49 | 0:41:51 | |
It was great being here. Thank you. | 0:41:51 | 0:41:54 | |
-Thank you so much. -Thanks for having us. -But unfortunately, on this occasion, Gillian and Che Wai, | 0:41:54 | 0:41:58 | |
you have failed to crack the code despite all of your hard work, so we have | 0:41:58 | 0:42:02 | |
to say farewell and good luck. Thank you so much for coming on. | 0:42:02 | 0:42:06 | |
-Thank you very much, thank you. -Thank you, Che Wai. -Thank you. | 0:42:06 | 0:42:08 | |
-Bye. Thank you. -Thanks, bye. | 0:42:08 | 0:42:12 | |
Cor, flipping heck, it doesn't get much harder than that. | 0:42:12 | 0:42:15 | |
As we always say, it's an easy game to play but, particularly if you do it | 0:42:15 | 0:42:19 | |
like that, a very hard game to win. | 0:42:19 | 0:42:22 | |
Poor old Gillian and Che Wai. | 0:42:22 | 0:42:24 | |
It's good news for our next contestants, though, | 0:42:24 | 0:42:27 | |
as the jackpot goes up by another £500, | 0:42:27 | 0:42:31 | |
making a total of £12,500. | 0:42:31 | 0:42:35 | |
That's all we have time for, though, today. Lesley, how about that? | 0:42:37 | 0:42:42 | |
I really thought they were going to crack the code then. | 0:42:42 | 0:42:44 | |
I was hopeful that they would manage it. I'm really disappointed. | 0:42:44 | 0:42:47 | |
They were just unlucky with the numbers at the end of the day. | 0:42:47 | 0:42:49 | |
-Exactly. -Thank you so much for all your knowledge, your wisdom today, | 0:42:49 | 0:42:52 | |
Lesley. And thank you. | 0:42:52 | 0:42:54 | |
Be sure to join us next time, when a new team will discover if they have | 0:42:54 | 0:42:58 | |
what it takes to crack the code and win a large sum of cash. | 0:42:58 | 0:43:03 | |
Thanks for watching. Goodbye. | 0:43:03 | 0:43:05 |