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Hello and welcome to The Code. | 0:00:11 | 0:00:13 | |
Locked in this safe is £15,500, the highest prize we've ever had. | 0:00:13 | 0:00:21 | |
To open the safe and win the money, | 0:00:21 | 0:00:23 | |
contestants just need to crack a three-digit code. | 0:00:23 | 0:00:26 | |
Every time someone fails, | 0:00:26 | 0:00:28 | |
more money goes into the safe and the jackpot gets higher and higher. | 0:00:28 | 0:00:32 | |
Last time, our solo player, Julian, from Westhoughton, | 0:00:32 | 0:00:36 | |
had picked two numbers that weren't in the code | 0:00:36 | 0:00:38 | |
before we ran out of time, so let's welcome him back. | 0:00:38 | 0:00:42 | |
Julian, good to see you again. | 0:00:47 | 0:00:49 | |
-Yes, you too. -How are you feeling? | 0:00:49 | 0:00:50 | |
-Rested? -Yeah, yeah, fantastic, ready and raring to go. | 0:00:50 | 0:00:53 | |
Good, glad to hear it. Now, you're playing as a single player. | 0:00:53 | 0:00:56 | |
Mm-hm. Are you a single man as well? | 0:00:56 | 0:00:57 | |
No, I'm not, I'm a family man. | 0:00:57 | 0:00:59 | |
I'm married, I've been married for five years | 0:00:59 | 0:01:01 | |
to my lovely wife Lindsay, and I've got a daughter, three years old, | 0:01:01 | 0:01:04 | |
and another one on the way as well. | 0:01:04 | 0:01:07 | |
Fantastic. Before we start, of course, | 0:01:07 | 0:01:09 | |
let's reintroduce ourselves to our good friend and smart cookie, | 0:01:09 | 0:01:12 | |
-Lesley Brewis. -Welcome back, Julian. | 0:01:12 | 0:01:15 | |
Your play last time was efficient, it was effective, | 0:01:15 | 0:01:17 | |
and if you carry on like that, you could be our second solo winner. | 0:01:17 | 0:01:21 | |
-Fingers crossed. -Yes, let's hope so. | 0:01:21 | 0:01:23 | |
Thank you, Lesley. Now, let's remind ourselves of where we are. | 0:01:23 | 0:01:27 | |
Julian, up there in the code, still nothing, three blanks. | 0:01:27 | 0:01:32 | |
Not so good. However, down on the keypad, | 0:01:32 | 0:01:35 | |
we can see you've answered two questions correctly | 0:01:35 | 0:01:38 | |
and chosen 1 and 2, which we can now dismiss. | 0:01:38 | 0:01:41 | |
We know they're not up there in the code. | 0:01:41 | 0:01:43 | |
Two down, eight to go. Here are your next three answers. | 0:01:43 | 0:01:46 | |
Remember, only one of those is the correct answer. | 0:01:52 | 0:01:54 | |
That's the one you try to identify. | 0:01:54 | 0:01:55 | |
But at this stage we can open all three questions | 0:01:55 | 0:01:57 | |
and look at them, so we'll start at the top. | 0:01:57 | 0:01:59 | |
The question behind Yvette Cooper, please? | 0:01:59 | 0:02:02 | |
I think, yeah, that sort of rings a bell. | 0:02:10 | 0:02:12 | |
-OK. -As to whether it's actually her, I'm not sure. | 0:02:12 | 0:02:15 | |
OK, well, it can keep ringing a bell, | 0:02:15 | 0:02:17 | |
while we look at the question behind chocolate bar. | 0:02:17 | 0:02:19 | |
I believe it's a type of Frisbee, | 0:02:25 | 0:02:26 | |
well, I say I believe, I know it's a type of Frisbee. | 0:02:26 | 0:02:29 | |
I've lost plenty of them in trees over the years, so yes, | 0:02:29 | 0:02:31 | |
it's not a chocolate bar. | 0:02:31 | 0:02:33 | |
OK, let's have a look at the question behind Bomber. | 0:02:33 | 0:02:36 | |
I think, I think that's correct. | 0:02:42 | 0:02:45 | |
Yeah, Tony Bellew was in the most recent film of the Rocky franchise, | 0:02:46 | 0:02:50 | |
the film Apollo. | 0:02:50 | 0:02:51 | |
RAF officer Arthur Harris I believe is Bomber Harris. | 0:02:51 | 0:02:55 | |
I like that answer. | 0:02:55 | 0:02:56 | |
-I like that answer. -OK, three answers. | 0:02:56 | 0:02:58 | |
-Which one do you want to lock in? -Third one, Bomber. | 0:02:58 | 0:03:00 | |
OK, we're going to lock in Bomber as correct. | 0:03:00 | 0:03:03 | |
If it's wrong, I'm afraid, Julian, | 0:03:03 | 0:03:05 | |
you'll be on your way back to West Houghton. | 0:03:05 | 0:03:07 | |
So let's find out. | 0:03:07 | 0:03:09 | |
Is Bomber the correct answer? | 0:03:09 | 0:03:12 | |
-Yeah, good stuff. -Happy days. -Straight in there, | 0:03:16 | 0:03:18 | |
-well done, Julian. Lesley. -Yes, well done, Julian. | 0:03:18 | 0:03:20 | |
Tony Bellew, you remembered, had a cameo in the recent Rocky film. | 0:03:20 | 0:03:23 | |
It wasn't called Apollo, but Creed. | 0:03:23 | 0:03:25 | |
-Oh, that was it, yeah. -Bomber Harris, Arthur "Bomber" Harris, | 0:03:25 | 0:03:29 | |
the head of the RAF Bomber Command in World War II. | 0:03:29 | 0:03:32 | |
Let's look at the wrong answers. | 0:03:32 | 0:03:34 | |
Yvette Cooper rang a bell for you when that first came up. | 0:03:34 | 0:03:36 | |
Not married to Greg Davies. | 0:03:36 | 0:03:38 | |
Yvette Cooper is married to Ed Balls. | 0:03:38 | 0:03:40 | |
-That's it. -The correct answer is Liz Kendall. | 0:03:40 | 0:03:44 | |
-OK. -And the middle one, you were happy with this one straightaway, | 0:03:44 | 0:03:47 | |
having lost many Aerobies. | 0:03:47 | 0:03:48 | |
It's a flying ring. | 0:03:48 | 0:03:50 | |
Fantastic stuff. | 0:03:50 | 0:03:51 | |
Off to a flyer, there. Buys you the chance to choose another number. | 0:03:51 | 0:03:54 | |
1 and 2 have gone. | 0:03:54 | 0:03:55 | |
-Where are you going to go next? -I think 8. | 0:03:55 | 0:03:58 | |
The number 8. | 0:03:58 | 0:03:59 | |
Is the number 8 in your code? | 0:03:59 | 0:04:01 | |
Let's have a look. Is it there in the first box? | 0:04:01 | 0:04:05 | |
No number 8. How about the second box? | 0:04:05 | 0:04:07 | |
No number 8. How about the third and final box? | 0:04:08 | 0:04:13 | |
There is still no number 8. | 0:04:13 | 0:04:15 | |
No number from your code there. | 0:04:15 | 0:04:18 | |
-Mm-hm. -1, 2 and 8, all gone. | 0:04:18 | 0:04:22 | |
Nothing there in the code. Are you happy with that? | 0:04:22 | 0:04:25 | |
Mixed emotions, mixed emotions. | 0:04:25 | 0:04:26 | |
I mean, I would like to have got one, | 0:04:26 | 0:04:28 | |
but to be honest with you, to have got three out of the way, | 0:04:28 | 0:04:30 | |
three wrong answers at this stage in the first round, | 0:04:30 | 0:04:33 | |
rather than be labouring to do it in the third round, I think, | 0:04:33 | 0:04:37 | |
I'm quite happy with that. | 0:04:37 | 0:04:38 | |
It's still progress, and that's what counts. | 0:04:38 | 0:04:40 | |
Let's have a look at your next three answers. | 0:04:40 | 0:04:43 | |
Right, let's start at the top again. The question behind Large Wallop. | 0:04:48 | 0:04:52 | |
Yeah, when I saw the answer come up, | 0:04:58 | 0:05:00 | |
I thought it was going to be something to do with the name | 0:05:00 | 0:05:03 | |
of a town in Britain, because I knew there was a Wallop, | 0:05:03 | 0:05:06 | |
or at least one Wallop. | 0:05:06 | 0:05:07 | |
But I don't know anything more specifically than that. | 0:05:07 | 0:05:10 | |
I mean, it could be Little Wallop, | 0:05:10 | 0:05:13 | |
Upper Wallop, anything. | 0:05:13 | 0:05:15 | |
-Any of the Wallops. -Any of the Wallops. | 0:05:15 | 0:05:18 | |
-No, so I think... -OK. | 0:05:19 | 0:05:20 | |
-I'll put that as a maybe. -Let's see if we can find a bit of illumination | 0:05:20 | 0:05:25 | |
with the question behind Leaves. | 0:05:25 | 0:05:27 | |
No, it's... | 0:05:34 | 0:05:35 | |
-It's tree rings, not leaves. -Confident about that one. | 0:05:35 | 0:05:38 | |
-Yeah. -Let's have a look at the question behind Soor Plooms. | 0:05:38 | 0:05:42 | |
I don't know. I don't know that and I don't know the Wallop question. | 0:05:51 | 0:05:55 | |
I have heard the term "sour plums", so, | 0:05:55 | 0:05:58 | |
based on nothing more than that, I'm going to go with that. | 0:05:58 | 0:06:02 | |
You're convinced, then, that... | 0:06:02 | 0:06:04 | |
Leaves is an incorrect answer, leaving you with Large Wallop, | 0:06:04 | 0:06:07 | |
-or Soor Plooms. -Yeah. | 0:06:07 | 0:06:10 | |
And out of those two, you want to lock in Soor Plooms. | 0:06:10 | 0:06:13 | |
-Yeah. Yeah. -OK, let's do that. | 0:06:13 | 0:06:17 | |
We want that to go as green as what we hope is a Soor Ploom. | 0:06:17 | 0:06:23 | |
So, is Soor Plooms our correct answer? | 0:06:23 | 0:06:27 | |
-Wow. -Whoa. -Good guesswork from Julian. | 0:06:30 | 0:06:32 | |
-Wowee. -Lesley... | 0:06:32 | 0:06:34 | |
Yes, very clever, very intelligent play. | 0:06:34 | 0:06:36 | |
Using the information you have to settle on the correct answer. | 0:06:36 | 0:06:40 | |
There is a story about an English raiding party being killed | 0:06:40 | 0:06:43 | |
when they were found eating unripe plums, which were green, | 0:06:43 | 0:06:47 | |
in Scotland, and that is possible derivation of the sweets. | 0:06:47 | 0:06:50 | |
Let's have a look at the wrong answers on the board. | 0:06:50 | 0:06:52 | |
Nether Wallop and Over Wallop don't refer to the size of these Wallops, | 0:06:52 | 0:06:55 | |
but their location. | 0:06:55 | 0:06:57 | |
The correct answer is Middle Wallop. | 0:06:57 | 0:06:58 | |
They run roughly north to south along a Brooke called Wallop Brook. | 0:06:58 | 0:07:02 | |
And Leaves, you dismissed that very quickly as the wrong answer | 0:07:02 | 0:07:05 | |
because of your knowledge of dendrochronology. | 0:07:05 | 0:07:08 | |
The rings on trees usually represent a four-season cycle of growth. | 0:07:08 | 0:07:11 | |
Wow. So, | 0:07:11 | 0:07:13 | |
Wallop, Julian, is the headline there, | 0:07:13 | 0:07:16 | |
because you are on to your fourth correct question. | 0:07:16 | 0:07:19 | |
That means you get to choose another number from the keypad. | 0:07:19 | 0:07:21 | |
See if it's there in your code. | 0:07:21 | 0:07:24 | |
-1, 2 and 8 have all gone. Where are we going next? -You know what? | 0:07:24 | 0:07:26 | |
I think I'll go with number 5. | 0:07:26 | 0:07:29 | |
-Number 5, slap bang in the middle. -Yeah. -Middle Wallop. | 0:07:29 | 0:07:32 | |
Let's have a look. Is number 5 there in the first box? | 0:07:32 | 0:07:37 | |
It's not. Is it there in the second box? | 0:07:37 | 0:07:39 | |
No number 5. How about the third and final box? | 0:07:39 | 0:07:42 | |
-Wow. -Wowee. -Julian, | 0:07:43 | 0:07:46 | |
you're doing brilliantly with the questions, but really no luck | 0:07:46 | 0:07:49 | |
-with the numbers so far. -Not just yet, no. | 0:07:49 | 0:07:51 | |
-No. -You've only got six numbers left, though. | 0:07:51 | 0:07:53 | |
Absolutely. I've managed to miss the code magnificently so far. | 0:07:53 | 0:07:56 | |
You have. But it does mean we can carry on playing | 0:07:56 | 0:07:58 | |
at the easiest level of the game. | 0:07:58 | 0:08:00 | |
Your next three answers, here they are. | 0:08:00 | 0:08:03 | |
Let's take them from the top down. | 0:08:09 | 0:08:11 | |
The question behind Ted Hughes. | 0:08:11 | 0:08:13 | |
Ted Hughes... | 0:08:19 | 0:08:20 | |
It might be, it might be. | 0:08:22 | 0:08:24 | |
I know that Dylan Thomas ended his life in New York. | 0:08:24 | 0:08:27 | |
But not English, so I don't know. | 0:08:27 | 0:08:29 | |
-I don't know this. Let's see. -Let's shelve that and move on. | 0:08:29 | 0:08:33 | |
The question behind 130. | 0:08:33 | 0:08:35 | |
It's either 110 or 130. | 0:08:41 | 0:08:46 | |
Now, I think 110 is just slower than 70, | 0:08:46 | 0:08:51 | |
and 130's just a bit faster. | 0:08:51 | 0:08:54 | |
And I remember when I was little, | 0:08:54 | 0:08:56 | |
going abroad with my parents and being quite excited | 0:08:56 | 0:08:59 | |
about the fact that my dad could drive faster than 70mph, | 0:08:59 | 0:09:03 | |
or was legally allowed to, | 0:09:03 | 0:09:05 | |
so I would like to, I think, put that sort of forward | 0:09:05 | 0:09:08 | |
as my favourite at the moment. | 0:09:08 | 0:09:10 | |
OK. Nice logic. Let's have a look at the question behind Ali Bongo. | 0:09:10 | 0:09:15 | |
I've no idea. I have no idea who Victoria Wood was married to | 0:09:23 | 0:09:27 | |
or has been married to at any point in her life. | 0:09:27 | 0:09:31 | |
And the Englishman In New York by Sting, | 0:09:31 | 0:09:36 | |
I am aware it was written about someone, | 0:09:36 | 0:09:38 | |
but it's one of those ones that I've read about | 0:09:38 | 0:09:40 | |
and then gone on and forgotten. | 0:09:40 | 0:09:41 | |
I mean, I have a feeling about the middle one, | 0:09:41 | 0:09:44 | |
about the top speed on a French motorway. | 0:09:44 | 0:09:48 | |
I'll just have a think. | 0:09:48 | 0:09:50 | |
It wouldn't be 120. | 0:09:50 | 0:09:52 | |
So, 110...? Yeah, I'll go with that. | 0:09:52 | 0:09:54 | |
You want to lock that in as your correct answer. | 0:09:54 | 0:09:57 | |
If it's wrong, Julian, | 0:09:59 | 0:10:01 | |
I'm afraid you are heading away at 130kmph from the studio. | 0:10:01 | 0:10:07 | |
We don't want that to happen just yet. | 0:10:07 | 0:10:09 | |
Is 130 our correct answer? | 0:10:09 | 0:10:13 | |
-Every single one. -Wowee. -You're doing it, Julian. | 0:10:17 | 0:10:19 | |
Lesley... | 0:10:19 | 0:10:20 | |
Well done, Julian - yes, flying solo, | 0:10:20 | 0:10:22 | |
using your knowledge to work out the correct answer, there. | 0:10:22 | 0:10:25 | |
130 is just under 81 miles per hour, | 0:10:25 | 0:10:28 | |
so you were right to be excited | 0:10:28 | 0:10:30 | |
going a little over the 70 speed limit we have in the UK. | 0:10:30 | 0:10:33 | |
Let's look at the wrong answers on the board. | 0:10:33 | 0:10:35 | |
Ted Hughes not correct. You remember that Dylan Thomas died in New York, | 0:10:35 | 0:10:39 | |
but he is not English, he was Welsh. The correct answer is Quentin Crisp. | 0:10:39 | 0:10:43 | |
-Oh, yes. -Born as Dennis Pratt. | 0:10:43 | 0:10:45 | |
-Yeah. -And the last answer, there on the board, | 0:10:45 | 0:10:47 | |
Ali Bongo is not the correct answer. | 0:10:47 | 0:10:49 | |
Matt, do you know the right answer to this one? | 0:10:49 | 0:10:51 | |
-The Great Soprendo. -It was indeed, Geoffrey Durham. | 0:10:51 | 0:10:53 | |
-Right. -A larger-than-life Spanish character. | 0:10:53 | 0:10:56 | |
Right, OK. I had no idea. I had never heard of any of them. | 0:10:56 | 0:10:59 | |
-Well, I had heard of Victoria. -Go home and look at some clips. | 0:10:59 | 0:11:02 | |
Very, very funny. | 0:11:02 | 0:11:04 | |
Well, you didn't need to know. | 0:11:04 | 0:11:05 | |
That's the beauty of having four incorrect numbers on the keypad. | 0:11:05 | 0:11:10 | |
You can still play at this level, | 0:11:10 | 0:11:11 | |
where actually you get to see all three questions, | 0:11:11 | 0:11:14 | |
you can compare them, and it's serving you very, very well. | 0:11:14 | 0:11:17 | |
You're playing for the biggest jackpot we've ever had. | 0:11:17 | 0:11:20 | |
-Yeah. -And you're doing brilliantly, Julian. | 0:11:20 | 0:11:23 | |
-You really are. -Sure, sure. | 0:11:23 | 0:11:24 | |
You've bought yourself your fifth chance, now, | 0:11:24 | 0:11:27 | |
to enter a digit into the code and see if it's there. | 0:11:27 | 0:11:31 | |
If it is, you're a step closer to that massive jackpot. | 0:11:31 | 0:11:34 | |
-Where are you going to go next? -Fine, number 3, I think. | 0:11:34 | 0:11:36 | |
The number 3. | 0:11:36 | 0:11:38 | |
Is it there in our code? | 0:11:38 | 0:11:39 | |
Let's have a look. Is it in the first box? | 0:11:39 | 0:11:42 | |
It's not there. How about the second box? | 0:11:44 | 0:11:47 | |
No number 3. Is it there in the third box? | 0:11:47 | 0:11:50 | |
-Wahey! -We have a number in our code. | 0:11:51 | 0:11:54 | |
-Fantastic. -Blank, blank, three. | 0:11:54 | 0:11:58 | |
That's your code as it is at the moment. | 0:11:58 | 0:12:00 | |
So we are now making progress. | 0:12:00 | 0:12:03 | |
It's a big step towards the jackpot. | 0:12:03 | 0:12:04 | |
-Sure. -However, things become trickier, | 0:12:04 | 0:12:07 | |
because we only get to see two questions | 0:12:07 | 0:12:10 | |
before we have to make a decision. | 0:12:10 | 0:12:13 | |
-Are you ready? -Yes. Ready as I'll ever be. | 0:12:13 | 0:12:15 | |
Let's see your next three answers. | 0:12:15 | 0:12:17 | |
Now, it does become crucial which order you open these in. | 0:12:22 | 0:12:25 | |
Which ones you choose to see. | 0:12:25 | 0:12:28 | |
OK. Well... | 0:12:28 | 0:12:30 | |
Withe, spelt with an E at the end as a word, | 0:12:32 | 0:12:38 | |
I've never seen before in my life. | 0:12:38 | 0:12:41 | |
So I'm likely to be, I feel, baffled by the question, | 0:12:41 | 0:12:43 | |
so I think I'll take Tea For Two and Fu Manchu. | 0:12:43 | 0:12:47 | |
OK, let's take the question behind Tea For Two first. | 0:12:47 | 0:12:50 | |
Well, I know that the song Tea For Two | 0:12:57 | 0:13:00 | |
is actually in the musical No, No, Nanette. | 0:13:00 | 0:13:03 | |
So that to me seems that it would be a plausible answer. | 0:13:03 | 0:13:07 | |
I was hoping that the question was going to feature No, No, Nanette. | 0:13:07 | 0:13:11 | |
And it has. And I'm... To be honest with you, | 0:13:11 | 0:13:15 | |
unless Fu Manchu is a particularly compelling | 0:13:15 | 0:13:17 | |
question and answer set, I think I'm probably going to go for that. | 0:13:17 | 0:13:21 | |
We'll see. We're going to open Fu Manchu anyway. | 0:13:21 | 0:13:24 | |
Let's have a look at the question behind it. | 0:13:24 | 0:13:26 | |
That's Ming the Merciless. | 0:13:33 | 0:13:34 | |
So, that's definitely incorrect. | 0:13:36 | 0:13:39 | |
So I will go with Tea For Two as being correct | 0:13:39 | 0:13:43 | |
-and just hope that Withe is incorrect. -OK. | 0:13:43 | 0:13:47 | |
Let's lock in Tea For Two as our correct answer. | 0:13:47 | 0:13:51 | |
There it is. Can't change that now. | 0:13:51 | 0:13:54 | |
But we do get the chance to look at the question behind Withe | 0:13:54 | 0:13:57 | |
just to see the expression on your face, really, | 0:13:57 | 0:14:00 | |
-more than anything. -Yeah! | 0:14:00 | 0:14:01 | |
Any idea on that at all? | 0:14:10 | 0:14:11 | |
No. None at all. | 0:14:11 | 0:14:13 | |
OK. No idea. | 0:14:13 | 0:14:15 | |
We've got one that we are sure is wrong | 0:14:15 | 0:14:17 | |
and the one that we've selected | 0:14:17 | 0:14:19 | |
which we're fairly confident is right. | 0:14:19 | 0:14:21 | |
We want Tea For Two to be our correct answer. | 0:14:21 | 0:14:23 | |
To give you another crack at the code, | 0:14:23 | 0:14:27 | |
is Tea For Two our correct answer? | 0:14:27 | 0:14:30 | |
-Absolutely brilliant. -Fantastic. | 0:14:34 | 0:14:36 | |
-Fantastic. -Great stuff. | 0:14:36 | 0:14:37 | |
I was pretty sure of it, but, you know, you're never 100%. | 0:14:37 | 0:14:41 | |
That's all the 100% you need right there. | 0:14:41 | 0:14:43 | |
-Yeah. -Lesley? -I thought you didn't really need | 0:14:43 | 0:14:45 | |
to see the second pair, there. | 0:14:45 | 0:14:47 | |
You were so confident. | 0:14:47 | 0:14:48 | |
-You were confident enough... -Yeah. | 0:14:48 | 0:14:49 | |
..on the first one to go with that having remembered that Tea For Two | 0:14:49 | 0:14:52 | |
is a song from the musical No, No, Nanette. | 0:14:52 | 0:14:55 | |
And, the film, Doris Day and Gordon MacRae, | 0:14:55 | 0:14:57 | |
with whom she also starred in By The Light Of The Silvery Moon | 0:14:57 | 0:15:00 | |
and On Moonlight Bay. | 0:15:00 | 0:15:02 | |
Looking at the next one you didn't really have a clue on this, | 0:15:02 | 0:15:05 | |
and if you'd opened that one first | 0:15:05 | 0:15:06 | |
you may have got into a sticky situation. | 0:15:06 | 0:15:08 | |
Peter Withe scored the winning goal for Villa in 1982. | 0:15:08 | 0:15:12 | |
The correct answer is Robertson, | 0:15:12 | 0:15:15 | |
and Robertson's goal for Forest made them the only team | 0:15:15 | 0:15:17 | |
that had won the European cup | 0:15:17 | 0:15:19 | |
more times than their domestic top tier league. | 0:15:19 | 0:15:21 | |
-Fantastic, good for them. -Fu Manchu, a Chinese super-villain. | 0:15:21 | 0:15:25 | |
Not the right answer here. You said this one straightaway. | 0:15:25 | 0:15:27 | |
Ming the Merciless. | 0:15:27 | 0:15:29 | |
-Good, good. -Thank you, Lesley. | 0:15:29 | 0:15:31 | |
Yes, really inspiring and inspired gameplay. | 0:15:31 | 0:15:34 | |
What it's bought you is five digits down, | 0:15:34 | 0:15:37 | |
one number in your code and the chance to try for another one. | 0:15:37 | 0:15:42 | |
-Where are you going to go next? -I mean, I'm very aware | 0:15:42 | 0:15:44 | |
that this game can turn on a sixpence, | 0:15:44 | 0:15:46 | |
and one wrong answer and I'm out. | 0:15:46 | 0:15:48 | |
I think I will go with zero. | 0:15:50 | 0:15:53 | |
OK, zero. | 0:15:53 | 0:15:54 | |
Is zero there in our code? | 0:15:54 | 0:15:58 | |
-Fantastic. -Yeah, I'd say. | 0:16:03 | 0:16:05 | |
-Right. -Zero is in your code. | 0:16:05 | 0:16:08 | |
0-blank-3 makes up your code. | 0:16:08 | 0:16:12 | |
Just one more to find. | 0:16:12 | 0:16:15 | |
But now we're at the stage where things do become very tricky indeed, | 0:16:15 | 0:16:19 | |
because, as before, you'll get three answers, | 0:16:19 | 0:16:21 | |
but you only get to see the questions | 0:16:21 | 0:16:25 | |
that relate to those answers one at a time | 0:16:25 | 0:16:28 | |
before you have to make a decision about them. | 0:16:28 | 0:16:30 | |
-Is that all clear? -Oh, yeah, that's crystal clear. | 0:16:30 | 0:16:33 | |
It's really tricky. | 0:16:33 | 0:16:35 | |
Let's have a look at your next three answers, Julian. | 0:16:35 | 0:16:37 | |
Now, of course, it becomes absolutely critical which | 0:16:43 | 0:16:47 | |
answer you select | 0:16:47 | 0:16:49 | |
-to see the question for first. -Well, I mean, | 0:16:49 | 0:16:53 | |
an eagle, I think, is a bird, | 0:16:53 | 0:16:55 | |
so it's probably relating to something about the eagle bird. | 0:16:55 | 0:16:59 | |
Mali, a country in Africa. | 0:16:59 | 0:17:03 | |
Is that somewhere you've spent any time? | 0:17:03 | 0:17:05 | |
No, no. I've been close to the border with it, | 0:17:05 | 0:17:08 | |
but I've not actually been there. | 0:17:08 | 0:17:10 | |
And Cath Kidston, | 0:17:12 | 0:17:15 | |
thanks to my wife, I know who she is. | 0:17:15 | 0:17:17 | |
She makes, sort of, floral handbags and outfits, | 0:17:17 | 0:17:21 | |
and my wife and my sister-in-law are both big fans. | 0:17:21 | 0:17:25 | |
-I think I'll go with Mali, though. -OK. | 0:17:25 | 0:17:28 | |
That, you feel, is your safest bet? | 0:17:28 | 0:17:30 | |
-Yeah. Yeah. -Let's have a look at the question behind Mali. | 0:17:30 | 0:17:34 | |
It's Senegal. | 0:17:40 | 0:17:43 | |
-So... -Does this feel like safe territory for you? | 0:17:43 | 0:17:45 | |
Oh, yeah, Mali's inland, Mali's inland. | 0:17:45 | 0:17:47 | |
It's where Timbuktu is. | 0:17:47 | 0:17:49 | |
It's to the east of Senegal. | 0:17:49 | 0:17:51 | |
So, you believe that's an incorrect answer? | 0:17:51 | 0:17:54 | |
-Yeah. -We are happy to discard that? | 0:17:54 | 0:17:56 | |
-Yeah. -Let's do that. | 0:17:56 | 0:18:00 | |
-That's now out of the game. -Mm-hm. | 0:18:00 | 0:18:02 | |
We now have to decide which question you want to see next. | 0:18:02 | 0:18:06 | |
I mean, this is a tough call. | 0:18:09 | 0:18:11 | |
Eagle could be anything. | 0:18:11 | 0:18:13 | |
Cath Kidston I only know | 0:18:13 | 0:18:16 | |
that she exists as a designer. | 0:18:16 | 0:18:18 | |
I'll go with An Eagle. | 0:18:20 | 0:18:23 | |
OK. Let's find out the question behind An Eagle. | 0:18:23 | 0:18:27 | |
Well, he's a painter that I like very much and this painting, | 0:18:36 | 0:18:41 | |
it's a stag, The Monarch Of The Glen is a stag, | 0:18:41 | 0:18:44 | |
full antlers, it's a lovely painting. | 0:18:44 | 0:18:46 | |
I mean, some people think he's a bit twee, but I think he's fantastic. | 0:18:46 | 0:18:49 | |
Yeah, so it's a stag, so that's incorrect. | 0:18:49 | 0:18:52 | |
So, Cath Kidston, it must be correct. | 0:18:52 | 0:18:55 | |
Which one of these do you want to lock in as the correct answer? | 0:18:55 | 0:18:59 | |
I would like to lock in Cath Kidston as the correct answer. | 0:18:59 | 0:19:02 | |
Let's do that. | 0:19:02 | 0:19:03 | |
And let's have a look at the question behind it, | 0:19:05 | 0:19:08 | |
see how it makes us feel. | 0:19:08 | 0:19:09 | |
Yeah, I'm happy that that's correct. | 0:19:19 | 0:19:22 | |
OK. | 0:19:22 | 0:19:24 | |
Is Cath Kidston our correct answer? | 0:19:24 | 0:19:28 | |
-Fantastic. -Great work. Fantastic. Really well done, Julian. | 0:19:33 | 0:19:36 | |
-Great stuff. -Well done, Julian. | 0:19:36 | 0:19:38 | |
I don't think that was too much of a surprise to you. | 0:19:38 | 0:19:40 | |
You seemed on fairly solid ground with the other wrong answers. | 0:19:40 | 0:19:44 | |
And then Cath Kidston had to be correct, | 0:19:44 | 0:19:46 | |
no matter that you couldn't see the question. | 0:19:46 | 0:19:48 | |
Cath Kidston once said | 0:19:48 | 0:19:49 | |
that her products provoked a Marmite reaction in people. | 0:19:49 | 0:19:53 | |
People either love them or hate them. | 0:19:53 | 0:19:55 | |
And the Eagle, you knew straightaway | 0:19:55 | 0:19:56 | |
that this monarch of the glen is a stag. | 0:19:56 | 0:19:58 | |
Mountains behind, a Highland scene. | 0:19:58 | 0:20:00 | |
-Yeah. -So good knowledge there. And Mali, not correct. | 0:20:00 | 0:20:03 | |
Your knowledge of African geography really helping you there. | 0:20:03 | 0:20:06 | |
Senegal was the correct answer. | 0:20:06 | 0:20:07 | |
-Yeah. -Very good play and well done. | 0:20:07 | 0:20:09 | |
And not only that, Julian, you are doing it by yourself. | 0:20:09 | 0:20:13 | |
-Yeah. -You're getting no-one else to help you. | 0:20:13 | 0:20:15 | |
The knowledge that's coming out is all yours and it's your judgment | 0:20:15 | 0:20:18 | |
and skill that's getting you there. | 0:20:18 | 0:20:20 | |
And it's getting you now to the point where you get to enter in | 0:20:20 | 0:20:25 | |
another digit to the keypad. | 0:20:25 | 0:20:27 | |
Which number are you going to go for? | 0:20:27 | 0:20:30 | |
It's not every often in life | 0:20:30 | 0:20:32 | |
I've found that I get a one-in-four shot at 15 and a half grand. | 0:20:32 | 0:20:36 | |
-Number 4. -OK. | 0:20:37 | 0:20:40 | |
Julian, let's make our way to the safe. | 0:20:40 | 0:20:42 | |
-How are you feeling? -Good. | 0:20:49 | 0:20:50 | |
Good. Very nervous. | 0:20:50 | 0:20:52 | |
This is more nerve-racking than the questions. | 0:20:52 | 0:20:54 | |
You've chosen the number 4. | 0:20:54 | 0:20:56 | |
If 5 is the final number in your code, | 0:20:56 | 0:21:00 | |
the safe will open and you will go home with £15,500. | 0:21:00 | 0:21:08 | |
Are you ready? | 0:21:08 | 0:21:09 | |
-I'm very ready. -OK, Julian, punch in the number. | 0:21:09 | 0:21:13 | |
The code must be 043 | 0:21:15 | 0:21:17 | |
if Julian's going to take home the jackpot right now. | 0:21:17 | 0:21:23 | |
£15,500 for him | 0:21:24 | 0:21:28 | |
and his growing family | 0:21:28 | 0:21:30 | |
in Westhoughton. | 0:21:30 | 0:21:32 | |
Oh. | 0:21:34 | 0:21:35 | |
It's not a 4. It's not a 4. Let's go back. | 0:21:36 | 0:21:39 | |
-Yeah. -Come on, Julian. | 0:21:39 | 0:21:41 | |
Well, you know, | 0:21:41 | 0:21:43 | |
your success so far has been all about counting out those numbers, | 0:21:45 | 0:21:49 | |
by getting the questions right, being intelligent. | 0:21:49 | 0:21:51 | |
There's no reason why that has to stop now. | 0:21:51 | 0:21:53 | |
OK? Three numbers left. | 0:21:53 | 0:21:56 | |
Your odds are shortening all the time. | 0:21:56 | 0:21:57 | |
-Mm-hm. -Are you ready for your next three answers? -Oh, yeah. | 0:21:57 | 0:22:00 | |
Let's see them. | 0:22:00 | 0:22:01 | |
Right. | 0:22:06 | 0:22:07 | |
I mean, I know who or what all of these are, | 0:22:09 | 0:22:13 | |
but as to which question... | 0:22:13 | 0:22:17 | |
I mean, this is a... This is a... heck of a subject. | 0:22:17 | 0:22:21 | |
Which one of these do you want to open first? | 0:22:21 | 0:22:23 | |
I would like to go with... | 0:22:23 | 0:22:27 | |
-Fandango. -OK. | 0:22:27 | 0:22:28 | |
We are going to open the question behind Fandango. | 0:22:29 | 0:22:33 | |
Right. | 0:22:44 | 0:22:45 | |
Fandango is a dance. | 0:22:47 | 0:22:50 | |
And I think that the word in Bohemian Rhapsody | 0:22:50 | 0:22:55 | |
that refers to the clown character is... | 0:22:55 | 0:23:01 | |
Scaramouche. | 0:23:01 | 0:23:02 | |
Because he's a clown character in Commedia dell'arte. | 0:23:02 | 0:23:05 | |
The... | 0:23:05 | 0:23:07 | |
sort of the European theatre of the absurd. | 0:23:07 | 0:23:11 | |
So I'm quite happy that that's incorrect. | 0:23:11 | 0:23:13 | |
OK, so from what you can see there, you're happy to discard that? | 0:23:13 | 0:23:18 | |
-I am, yes. -As an incorrect answer. | 0:23:18 | 0:23:19 | |
Do you know what, I'm... I'm... | 0:23:19 | 0:23:21 | |
Yeah. Yeah. | 0:23:21 | 0:23:22 | |
I'm happy to discard that, yeah. | 0:23:22 | 0:23:24 | |
Let's get rid of it. OK, that's out of play. | 0:23:24 | 0:23:26 | |
Now we have to choose which of the other two we're going to take next. | 0:23:26 | 0:23:30 | |
Robert Peston or Aachen. | 0:23:30 | 0:23:32 | |
I like to take Robert Peston, I think. | 0:23:32 | 0:23:34 | |
OK. Let's see the question behind Robert Peston. | 0:23:34 | 0:23:37 | |
2010? | 0:23:48 | 0:23:50 | |
That's a while ago, isn't it? | 0:23:50 | 0:23:53 | |
I mean... I've never heard of him doing this. | 0:23:53 | 0:23:57 | |
I don't what he does in his spare time. | 0:23:57 | 0:24:00 | |
I know he's... | 0:24:00 | 0:24:01 | |
was the BBC economics editor and then he went to ITV. | 0:24:01 | 0:24:05 | |
He has sort of long hair, doesn't he? | 0:24:08 | 0:24:09 | |
That's pretty much | 0:24:09 | 0:24:12 | |
all I know about him. | 0:24:12 | 0:24:14 | |
I really... I have no inkling on this. | 0:24:14 | 0:24:17 | |
Based on the fact that it doesn't ring a bell, | 0:24:17 | 0:24:19 | |
I'm going to say it's false. | 0:24:19 | 0:24:21 | |
-OK. -That it's not true. | 0:24:21 | 0:24:24 | |
We have to lock in one of these as a correct answer. | 0:24:24 | 0:24:27 | |
Which one's it going to be? | 0:24:27 | 0:24:29 | |
It's going to be Aachen. | 0:24:29 | 0:24:32 | |
We are going to lock in Aachen as our correct answer, | 0:24:32 | 0:24:35 | |
despite the fact we have no idea what the question is. | 0:24:35 | 0:24:39 | |
OK. Flying blind. | 0:24:39 | 0:24:41 | |
But let's find out what the question is. | 0:24:41 | 0:24:44 | |
That could be right. You know... | 0:24:51 | 0:24:53 | |
Yeah. That could be right. | 0:24:53 | 0:24:55 | |
I'm not certain. I know that Aachen's that neck of the woods | 0:24:55 | 0:25:00 | |
and I'm aware that there's several cities on the French-German border | 0:25:00 | 0:25:04 | |
that have two different names, | 0:25:04 | 0:25:06 | |
as well as sort of the lakes and mountains there. | 0:25:06 | 0:25:09 | |
So, I tell you what, I'm relatively happy with that. | 0:25:09 | 0:25:13 | |
That's putting a smile on your face, seeing that. | 0:25:13 | 0:25:15 | |
Yeah. Well, you know what, it's... | 0:25:15 | 0:25:18 | |
We'll see. See what happens. | 0:25:18 | 0:25:20 | |
-It's kind of crucial at this stage. -Yes. -Three numbers left. | 0:25:20 | 0:25:23 | |
-Mm-hm. -We think that could be the right answer based on the other two | 0:25:23 | 0:25:28 | |
and just your gut instinct. | 0:25:28 | 0:25:29 | |
-Yep. -OK. -Yeah. | 0:25:29 | 0:25:32 | |
Is Aachen our correct answer? | 0:25:32 | 0:25:36 | |
-Wow. I don't believe it. -Good work, good work. | 0:25:43 | 0:25:45 | |
That was terrific work. Great deduction. Lesley. | 0:25:45 | 0:25:49 | |
-Wowee. -Julian, that was masterful. | 0:25:49 | 0:25:51 | |
You had lots of good information about the questions | 0:25:51 | 0:25:54 | |
that you could see and you filled in the gaps with really good judgment. | 0:25:54 | 0:25:57 | |
Very well done. Aachen was where the royal residence of Charlemagne | 0:25:57 | 0:26:01 | |
-could be found. -Right, OK. Yeah. | 0:26:01 | 0:26:03 | |
Now, Robert Preston, nothing to do with Bass Lion, | 0:26:03 | 0:26:06 | |
the correct answer is Martin Bashir. | 0:26:06 | 0:26:09 | |
The online reviews are quite positive. | 0:26:09 | 0:26:11 | |
And the middle one, you knew a lot about this one. | 0:26:11 | 0:26:13 | |
You remembered that fandango is a dance | 0:26:13 | 0:26:15 | |
and you even knew the correct answer to boot, which is Scaramouche. | 0:26:15 | 0:26:18 | |
Scaramouche from Commedia dell'arte, exactly as you said. | 0:26:18 | 0:26:22 | |
So you knew lots of information about this one, | 0:26:22 | 0:26:24 | |
could dismiss that fairly quickly as the wrong answer, | 0:26:24 | 0:26:26 | |
leading you to have an opportunity to get a number in the code. | 0:26:26 | 0:26:29 | |
I really hope you get the right one here, cos you deserve it. | 0:26:29 | 0:26:32 | |
You absolutely do. | 0:26:32 | 0:26:35 | |
And you've managed to shorten the odds fantastically now. | 0:26:35 | 0:26:38 | |
You've only got three numbers left. | 0:26:38 | 0:26:40 | |
One of them must be up there. | 0:26:40 | 0:26:42 | |
Either 6, 7 or 9 is in your code, Julian. | 0:26:42 | 0:26:46 | |
-Which one's it's going to be? -I would like to go with... | 0:26:46 | 0:26:51 | |
-I think -6. The number 6. | 0:26:53 | 0:26:55 | |
-Yeah. -Julian, let's make our way to the safe. | 0:26:55 | 0:26:59 | |
Julian, you have chosen the number 6. | 0:27:05 | 0:27:08 | |
If the number 6 is the final number in your code, | 0:27:08 | 0:27:12 | |
then the safe will open and you will go home with £15,500. | 0:27:12 | 0:27:18 | |
Are you ready? | 0:27:18 | 0:27:19 | |
Yes. Yes, I am. | 0:27:19 | 0:27:21 | |
-OK. -I'm extremely nervous but I'm ready. | 0:27:21 | 0:27:24 | |
Stay positive. Here we go. | 0:27:24 | 0:27:26 | |
Julian, punch in the number 6. | 0:27:26 | 0:27:28 | |
We want the number 6 to be in that central box. | 0:27:33 | 0:27:36 | |
063 to open the safe for Julian and his family to take home | 0:27:36 | 0:27:44 | |
£15,500, | 0:27:44 | 0:27:46 | |
by far the biggest jackpot we've ever had on The Code. | 0:27:46 | 0:27:49 | |
Wow. Wow. | 0:27:55 | 0:27:57 | |
It's not the number 6. | 0:27:57 | 0:28:01 | |
It's another blank. | 0:28:01 | 0:28:02 | |
-Yeah. -So we're going to go back and we're going to start again. | 0:28:02 | 0:28:06 | |
-So I'll, er...I'll work my way up to another one, if possible. -Yes! | 0:28:06 | 0:28:10 | |
No, you're fine. We're fine. Deep breaths. | 0:28:10 | 0:28:14 | |
-Yeah. -Deep breaths are required here. | 0:28:14 | 0:28:16 | |
And focus and concentrate because only 7 and 9 are left. | 0:28:16 | 0:28:20 | |
Answer this next question right, you've got a straight 50-50 shot. | 0:28:20 | 0:28:24 | |
-Sure. Sure. -Going to stay positive. -Yup. Yup. Absolutely. | 0:28:24 | 0:28:27 | |
Excellent. You are positive. We don't have to worry about that. | 0:28:27 | 0:28:30 | |
We're going to nail this. We are going to take the money away. | 0:28:30 | 0:28:32 | |
Your next three answers, please. | 0:28:32 | 0:28:34 | |
I mean, to be honest with you, the three answers there, out of context, | 0:28:43 | 0:28:47 | |
are just confusing. | 0:28:47 | 0:28:49 | |
I'm finding it difficult to choose between them. | 0:28:49 | 0:28:52 | |
I think I'll go with Porkpie. | 0:28:52 | 0:28:56 | |
-The reason being? -In the hope that it's a type of hat. | 0:28:56 | 0:28:59 | |
-OK. -And that the question is, what is a type of hat? | 0:28:59 | 0:29:02 | |
That's as good a logic as I can imagine, | 0:29:02 | 0:29:05 | |
I'll be honest with you. Let's open the question behind Porkpie. | 0:29:05 | 0:29:09 | |
It's... It seems like something that, you know, an old traditional | 0:29:20 | 0:29:26 | |
sort of British competition... | 0:29:26 | 0:29:28 | |
It seems like one of the sort of things that would be awarded. | 0:29:28 | 0:29:31 | |
But on the basis that pork pies are from Melton Mowbray traditionally, | 0:29:31 | 0:29:36 | |
which isn't in the sort of the vicinity of that area of Essex, | 0:29:36 | 0:29:42 | |
I will say that that's false | 0:29:42 | 0:29:46 | |
and hope that one of the others is correct. | 0:29:46 | 0:29:49 | |
OK. We are going to discard that as an incorrect answer. | 0:29:49 | 0:29:53 | |
That's now out of the game. | 0:29:54 | 0:29:56 | |
We need to open one of the other two... | 0:29:56 | 0:29:58 | |
..to see if we can find what we think is the correct answer here. | 0:30:00 | 0:30:04 | |
Which one's it going to be? | 0:30:04 | 0:30:06 | |
Everlasting. | 0:30:06 | 0:30:08 | |
No idea as to what that could be? | 0:30:10 | 0:30:12 | |
-No. -Let's find out the question behind it. | 0:30:12 | 0:30:15 | |
I know that the verses tend to end | 0:30:24 | 0:30:29 | |
with either | 0:30:29 | 0:30:32 | |
"Elsinore" | 0:30:32 | 0:30:34 | |
or "nevermore", or words that rhyme with that. | 0:30:34 | 0:30:38 | |
So I will say that that is false. | 0:30:38 | 0:30:42 | |
Based on the fact that I think it's "nevermore". | 0:30:42 | 0:30:45 | |
So we have our three answers there. | 0:30:45 | 0:30:48 | |
Two of them revealed. | 0:30:48 | 0:30:51 | |
Which one you want to lock in as your correct answer? | 0:30:51 | 0:30:55 | |
It's going to have to be Immortal Beloved. | 0:30:55 | 0:30:57 | |
Let's lock it in. | 0:30:57 | 0:30:59 | |
Let's find out what the question is behind Immortal Beloved. | 0:31:01 | 0:31:05 | |
It's locked in, we can't change it, but what do you think of that? | 0:31:18 | 0:31:22 | |
I... | 0:31:22 | 0:31:23 | |
I mean, if I'd seen all three of these come up, | 0:31:23 | 0:31:27 | |
that would be | 0:31:27 | 0:31:29 | |
the one that I would have gone with. | 0:31:29 | 0:31:34 | |
Because it really rings a bell. I'm not...I'm not certain. | 0:31:34 | 0:31:38 | |
But... | 0:31:38 | 0:31:40 | |
I'm... Yeah, I'm as happy as I'll ever be. | 0:31:40 | 0:31:42 | |
Listen, your intuition and your knowledge has taken you this far | 0:31:42 | 0:31:45 | |
and let's remind ourselves where we are. | 0:31:45 | 0:31:48 | |
Eight numbers down on the keypad, you've got two in your code, | 0:31:48 | 0:31:51 | |
you're just looking for the last one. | 0:31:51 | 0:31:53 | |
I don't know how much more of this I can take, but... | 0:31:53 | 0:31:55 | |
You and me both, mate. If it goes red... | 0:31:55 | 0:31:59 | |
tragic and unjust though it may be, | 0:31:59 | 0:32:02 | |
you'll have to go home, Julian, | 0:32:02 | 0:32:05 | |
with nothing except our good wishes and a bus ticket. | 0:32:05 | 0:32:09 | |
Yup. | 0:32:09 | 0:32:10 | |
Is Immortal Beloved the correct answer? | 0:32:10 | 0:32:14 | |
Come on. | 0:32:14 | 0:32:15 | |
Oh. | 0:32:21 | 0:32:22 | |
Absolutely brilliant. | 0:32:25 | 0:32:26 | |
-I don't... -Absolutely brilliant. | 0:32:26 | 0:32:28 | |
I don't believe it... | 0:32:28 | 0:32:30 | |
One hunch after another. | 0:32:30 | 0:32:32 | |
Hunch, knowledge and then nailed it. | 0:32:32 | 0:32:34 | |
Absolutely brilliant. | 0:32:34 | 0:32:36 | |
-Yeah, I... -Lesley. | 0:32:36 | 0:32:38 | |
I was so pleased you picked Everlasting | 0:32:38 | 0:32:40 | |
as your second option there | 0:32:40 | 0:32:42 | |
because I thought Immortal Beloved might trip you up. | 0:32:42 | 0:32:44 | |
Very, very well done. | 0:32:44 | 0:32:45 | |
Let's look at the wrong answers, | 0:32:45 | 0:32:47 | |
the ones you dismissed for various reasons. | 0:32:47 | 0:32:49 | |
Everlasting, you were quite right to say | 0:32:49 | 0:32:51 | |
that is not at the end of any of the verses. | 0:32:51 | 0:32:53 | |
You might have been thinking of Lenore... | 0:32:53 | 0:32:56 | |
-Yeah, Elsinore is... -..but it rhymes with nevermore | 0:32:56 | 0:32:58 | |
and that was enough to confirm that that was | 0:32:58 | 0:33:01 | |
not the right answer because you remembered | 0:33:01 | 0:33:03 | |
that nevermore was the right answer. | 0:33:03 | 0:33:04 | |
"Quoth the raven, 'Nevermore.'" | 0:33:04 | 0:33:06 | |
And the Porkpie one, knowing that pork pies | 0:33:06 | 0:33:08 | |
are from places like Melton Mowbray really, really helped | 0:33:08 | 0:33:11 | |
because you knew that had nothing to do with Essex. | 0:33:11 | 0:33:13 | |
The correct answer is bacon. | 0:33:13 | 0:33:16 | |
Fantastic. Well, listen, | 0:33:16 | 0:33:17 | |
you are constructing your own symphony here, Julian. | 0:33:17 | 0:33:20 | |
You are writing beautiful music which, hopefully, is going to end | 0:33:20 | 0:33:24 | |
with a very happy major chord in the form of one of these numbers | 0:33:24 | 0:33:29 | |
finally making it into your code. | 0:33:29 | 0:33:31 | |
Yes, let's hope it's the final act. | 0:33:31 | 0:33:33 | |
7 and 9. | 0:33:33 | 0:33:36 | |
One of them has to be in there. | 0:33:36 | 0:33:38 | |
Please, don't put us through another round of questioning, | 0:33:38 | 0:33:41 | |
because we want you to take it away now. | 0:33:41 | 0:33:43 | |
Please choose the right one. | 0:33:43 | 0:33:45 | |
If you do, the safe will open and you will take away £15,500. | 0:33:45 | 0:33:50 | |
So, will it be 7 or will it be 9? | 0:33:50 | 0:33:53 | |
Well, I'm a big fan of Beethoven's ninth Symphony | 0:33:53 | 0:33:58 | |
so I think it is fitting for me to go for 9. | 0:33:58 | 0:34:01 | |
You are taking the cue from Ludwig van Beethoven himself. | 0:34:01 | 0:34:06 | |
Julian, let's make our way to the safe again. | 0:34:06 | 0:34:09 | |
Here we are, Julian. This is the hard way of doing this. | 0:34:16 | 0:34:18 | |
If the number 9 is the last number in your code, | 0:34:18 | 0:34:22 | |
the safe will open and finally you will get your hands on 15,500 | 0:34:22 | 0:34:27 | |
very hard-earned pounds. | 0:34:27 | 0:34:29 | |
Again, I mean, I'm just happy to be getting the opportunity | 0:34:29 | 0:34:33 | |
to press number 9. | 0:34:33 | 0:34:34 | |
I mean, I really hope this is it. | 0:34:34 | 0:34:37 | |
OK, this is for you, this is for your family. | 0:34:37 | 0:34:40 | |
Julian, step forward. | 0:34:40 | 0:34:42 | |
If you are ready, hit the number 9. | 0:34:42 | 0:34:44 | |
Round and round it goes. | 0:34:49 | 0:34:51 | |
I think as much as anyone has ever been on the show, Julian, | 0:34:52 | 0:34:56 | |
you deserve this. Flying solo, | 0:34:56 | 0:34:58 | |
attempting the biggest jackpot we've ever had | 0:34:58 | 0:35:01 | |
and doing it the long way round. | 0:35:01 | 0:35:03 | |
£15,500. | 0:35:03 | 0:35:05 | |
Is the number 9 in the final number in your code? | 0:35:05 | 0:35:08 | |
Oh! Oh, my God! | 0:35:12 | 0:35:13 | |
Wow! | 0:35:13 | 0:35:14 | |
Well! | 0:35:18 | 0:35:19 | |
-I don't believe it... -Listen, you don't have to believe it, | 0:35:22 | 0:35:25 | |
not believe it, try it. | 0:35:25 | 0:35:27 | |
Try the handle of the safe and have a look in there, Julian. | 0:35:27 | 0:35:31 | |
Wowee. | 0:35:31 | 0:35:33 | |
That's all yours. | 0:35:33 | 0:35:35 | |
Fantastic. Fantastic. | 0:35:35 | 0:35:38 | |
That's amazing. That's amazing. | 0:35:38 | 0:35:40 | |
-That is £15,500. -Wowee! | 0:35:40 | 0:35:44 | |
Come and join me back here. | 0:35:44 | 0:35:45 | |
We were beginning to think that that would never happen. | 0:35:50 | 0:35:54 | |
Absolutely fantastic work. | 0:35:54 | 0:35:57 | |
In my life I have spent countless hours learning pointless trivia | 0:35:57 | 0:36:03 | |
for the benefit of quizzing and I never thought it would pay off. | 0:36:03 | 0:36:06 | |
We are so delighted. Have you ever held that much money in your hands? | 0:36:06 | 0:36:11 | |
No, no, I can't say I have, at all. | 0:36:11 | 0:36:14 | |
No. No, I mean this is... | 0:36:14 | 0:36:17 | |
-Whoops. -Oh, my goodness. | 0:36:17 | 0:36:19 | |
We can pick this up in a bit. | 0:36:19 | 0:36:21 | |
What is Lindsay going to say? What's your missus going to say | 0:36:21 | 0:36:24 | |
when you call her and let her know about this? | 0:36:24 | 0:36:26 | |
She's going to be absolutely over the moon. | 0:36:26 | 0:36:27 | |
-And all this with another little one on the way. -This is fantastic. | 0:36:27 | 0:36:31 | |
Just to show you, Julian, here it is. Your code, 093. | 0:36:31 | 0:36:35 | |
It's the one that you got to the long and the hard way. | 0:36:35 | 0:36:40 | |
That is yours to keep. Lesley, what do you think of that? | 0:36:40 | 0:36:43 | |
That was fantastic, you really had to work hard for that. | 0:36:43 | 0:36:46 | |
-Yeah. -And no-one has ever worked harder. | 0:36:46 | 0:36:48 | |
There was a winner in series one that got to nine questions. | 0:36:48 | 0:36:52 | |
You are the joint hardest-working winner we've had. | 0:36:52 | 0:36:54 | |
I am so pleased you are going to take home that money. | 0:36:54 | 0:36:57 | |
Very, very well done. | 0:36:57 | 0:36:59 | |
It's literally more money than you can carry. | 0:36:59 | 0:37:01 | |
-Shall I help you pick it up? -Yes. -Well, if you trust me. | 0:37:01 | 0:37:04 | |
Thanks, absolutely, absolutely. Wow. | 0:37:04 | 0:37:07 | |
Right, there you go. That's all yours. | 0:37:10 | 0:37:12 | |
-Thank you very much. -No need to count it. | 0:37:12 | 0:37:14 | |
-Look, nothing up my sleeves. -Sure, sure. | 0:37:14 | 0:37:16 | |
Julian, we want to thank you for playing, | 0:37:16 | 0:37:18 | |
and wish you so much luck in the future, | 0:37:18 | 0:37:20 | |
for you and for your family. | 0:37:20 | 0:37:21 | |
-Thank you, thank you very much. -You have broken the code. | 0:37:21 | 0:37:23 | |
-Amazing! -Julian, we have to say goodbye now. | 0:37:23 | 0:37:26 | |
-Cheers, thank you. -Well done. | 0:37:26 | 0:37:29 | |
Thank you. | 0:37:29 | 0:37:31 | |
Whoo! | 0:37:31 | 0:37:32 | |
That was...that was something. Big congratulations to Julian. | 0:37:32 | 0:37:37 | |
He walks away with £15,500 - and very well deserved, too. | 0:37:37 | 0:37:42 | |
The jackpot has been won, | 0:37:42 | 0:37:44 | |
which means a fresh £3,000 goes into the safe. | 0:37:44 | 0:37:48 | |
Let's see if our next team can do | 0:37:51 | 0:37:53 | |
what Julian has done and crack the code. | 0:37:53 | 0:37:56 | |
-So lovely to see you. Maurizio. -Nice to meet you, Matt. | 0:38:00 | 0:38:03 | |
-How are you? And Andy. -Hiya. -Good to see you. | 0:38:03 | 0:38:06 | |
Got to say, Andy, that's a shirt. | 0:38:06 | 0:38:07 | |
-Good one, isn't it? -That's a great shirt. | 0:38:07 | 0:38:09 | |
You are going to get noticed in that shirt, definitely. | 0:38:09 | 0:38:11 | |
-Whether it will help you, I don't know. -Probably not! | 0:38:11 | 0:38:13 | |
Tell me about yourselves, where do you both come from? | 0:38:13 | 0:38:16 | |
So, I'm from Italy but I live in Berkshire now, yes. | 0:38:16 | 0:38:18 | |
OK, and how about you, Andy? | 0:38:18 | 0:38:19 | |
I'm from Maidenhead in Berkshire. | 0:38:19 | 0:38:22 | |
So, not too far away. | 0:38:22 | 0:38:23 | |
-Correct. -And how did you find each other? | 0:38:23 | 0:38:25 | |
We met on a quiz, yes, so we are good friends. | 0:38:25 | 0:38:29 | |
We don't do as much quizzing as we used to, | 0:38:29 | 0:38:32 | |
-but we see each other socially. -I hope you haven't gone rusty. | 0:38:32 | 0:38:34 | |
Andy, tell me what you do for a job. | 0:38:34 | 0:38:36 | |
-I'm a financial controller. -What kind of company is that? | 0:38:36 | 0:38:39 | |
For a tea and coffee wholesale company. | 0:38:39 | 0:38:41 | |
-But I don't drink it. -Oh, really?! -No. | 0:38:41 | 0:38:43 | |
Have you considered maybe working somewhere else? With other stuff? | 0:38:43 | 0:38:46 | |
Because I drink the orange juice and eat the flapjacks, I'm fine. | 0:38:46 | 0:38:49 | |
OK, that's fine. How about you, Maurizio? | 0:38:49 | 0:38:51 | |
I'm a magazine editor, so, local community magazines, | 0:38:51 | 0:38:55 | |
distributed door-to-door in South Berkshire. | 0:38:55 | 0:38:57 | |
OK, fantastic. | 0:38:57 | 0:38:58 | |
Now, you may, as you were coming in, | 0:38:58 | 0:39:01 | |
have brushed past a man | 0:39:01 | 0:39:02 | |
carrying a very large sum of money on the way out. | 0:39:02 | 0:39:05 | |
-A very happy man, he was. -Yes, he was a very happy man. | 0:39:05 | 0:39:08 | |
Maybe your faces weren't quite as happy to see that happening | 0:39:08 | 0:39:11 | |
because it does change things for you. | 0:39:11 | 0:39:13 | |
We have restocked the safe with £3,000. | 0:39:13 | 0:39:16 | |
However, that's still a very tidy sum of money | 0:39:16 | 0:39:19 | |
-between the two of you. -Mm-hm. Yeah. | 0:39:19 | 0:39:21 | |
If you are ready, gentlemen, we will reset the code. | 0:39:21 | 0:39:24 | |
Three blanks - and we want to turn those into three numbers. | 0:39:26 | 0:39:31 | |
If you are ready, we will have a look at your first the answers. | 0:39:31 | 0:39:34 | |
-Here they are. -OK. | 0:39:34 | 0:39:35 | |
Now, three answers, only one of those can be correct. | 0:39:40 | 0:39:43 | |
That is the one you are trying to find. | 0:39:43 | 0:39:45 | |
We will start at the very top. | 0:39:45 | 0:39:46 | |
The question behind Comets. | 0:39:46 | 0:39:48 | |
Not comets. It's something else, galaxies. | 0:39:55 | 0:39:58 | |
Yeah, galaxies. | 0:39:58 | 0:40:00 | |
-They're not comets. -Let's have a look at the question behind End. | 0:40:00 | 0:40:04 | |
-It's not end. -Earn. -It's earn. | 0:40:10 | 0:40:11 | |
-Pay as you earn. -OK, all very, very confident about these. | 0:40:11 | 0:40:16 | |
Let's have a look at the question behind Dinosaur. | 0:40:16 | 0:40:22 | |
A dinosaur, One Of Our Dinosaurs Is Missing. | 0:40:30 | 0:40:32 | |
-That's the film. -Yeah, yeah. -Three answers there, one of them | 0:40:32 | 0:40:35 | |
we need to lock in as our correct answer, | 0:40:35 | 0:40:36 | |
-which one is it going to be? -Dinosaur. | 0:40:36 | 0:40:40 | |
-That's right, isn't it? -It's not comets, it's in space and Andromeda, | 0:40:40 | 0:40:44 | |
they are galaxies. | 0:40:44 | 0:40:46 | |
Pay as you earn. | 0:40:46 | 0:40:48 | |
-Earn, so it's not End. -Are we happy, yes? | 0:40:48 | 0:40:50 | |
-Yeah, we're happy. -Let's lock it in. | 0:40:50 | 0:40:53 | |
If it's incorrect, it will be red and it's back to Berkshire. | 0:40:53 | 0:40:58 | |
We don't want that. | 0:40:58 | 0:40:59 | |
So, is Dinosaur our correct answer? | 0:40:59 | 0:41:02 | |
Great start, well done, guys. | 0:41:04 | 0:41:06 | |
You were all over that one. | 0:41:06 | 0:41:07 | |
-Lesley. -It was a very brisk run through those questions | 0:41:07 | 0:41:11 | |
before settling on the correct answer. | 0:41:11 | 0:41:12 | |
Dinosaur, exactly as you said, Andy, | 0:41:12 | 0:41:14 | |
One Of Our Dinosaurs Is Missing, | 0:41:14 | 0:41:15 | |
the film where a microfilm is hidden in the skeleton of the dinosaur | 0:41:15 | 0:41:18 | |
and lots of people are trying to find it. | 0:41:18 | 0:41:20 | |
Let's look at the wrong answers. | 0:41:20 | 0:41:21 | |
With these, you not only said they were wrong, | 0:41:21 | 0:41:23 | |
you also gave the right answers, too. | 0:41:23 | 0:41:25 | |
Comets, not correct here, it is, as you said, galaxies. | 0:41:25 | 0:41:28 | |
And, Maurizio, you got the correct answer here, "earn", | 0:41:28 | 0:41:31 | |
as in Pay As You Earn. | 0:41:31 | 0:41:32 | |
Very well done, very efficient. | 0:41:32 | 0:41:35 | |
There we go, we went through those like a dose of salts, | 0:41:35 | 0:41:37 | |
that's the way to do it, definitely. | 0:41:37 | 0:41:39 | |
As a result we have earned the right to choose a number from the code. | 0:41:39 | 0:41:45 | |
They are all there, so which one is it going to be? | 0:41:45 | 0:41:47 | |
Shall we do it? Shall we say 9? | 0:41:47 | 0:41:49 | |
-Yes. -That's what we said, yes? | 0:41:49 | 0:41:51 | |
-There's a plan. -We're going for 9. There's a plan, oh, yes. | 0:41:51 | 0:41:54 | |
-It's the plan. -What's the plan? | 0:41:54 | 0:41:56 | |
Don't ask. | 0:41:56 | 0:41:58 | |
Shall I just find out? I'll just find out. | 0:41:58 | 0:42:00 | |
But the first number in the plan is number 9. | 0:42:00 | 0:42:03 | |
-It's 9, yes. -Plan number 9 from outer space, here it comes. | 0:42:03 | 0:42:09 | |
Is it in our code? | 0:42:09 | 0:42:10 | |
Wow! Good plan. | 0:42:12 | 0:42:14 | |
Good plan, good plan! | 0:42:14 | 0:42:17 | |
You're not messing around, you guys, are you? | 0:42:17 | 0:42:19 | |
9-blank-blank. | 0:42:19 | 0:42:20 | |
We just have to fill the other two and we can be out of here. | 0:42:20 | 0:42:23 | |
KLAXON | 0:42:23 | 0:42:25 | |
Funny I said that, because, unfortunately, | 0:42:25 | 0:42:29 | |
however fast the guys are working, | 0:42:29 | 0:42:31 | |
that means we are out of time just when we are getting into our stride. | 0:42:31 | 0:42:35 | |
A fantastic start by Maurizio and Andy. | 0:42:35 | 0:42:39 | |
Do you think you can carry this on in the next programme? | 0:42:39 | 0:42:42 | |
-Let's hope so. -Absolutely, yes. | 0:42:42 | 0:42:44 | |
I want to see what the plan is, anyway. | 0:42:44 | 0:42:46 | |
Thank you very much, gentlemen, and thank you very much, Lesley. | 0:42:46 | 0:42:49 | |
That was excellent, very efficient, very quick, | 0:42:49 | 0:42:52 | |
let's see if you can continue that success in the next programme. | 0:42:52 | 0:42:55 | |
Julian has shown you how it's done, | 0:42:55 | 0:42:56 | |
and pairs of friends were the most successful teams | 0:42:56 | 0:42:59 | |
in our previous series, so you're in good stead. | 0:42:59 | 0:43:02 | |
And please join us tomorrow. | 0:43:02 | 0:43:04 | |
Find out if Maurizio and Andy's plan is going to work, | 0:43:04 | 0:43:08 | |
helping them to unlock that safe, taking home £3,000. | 0:43:08 | 0:43:13 | |
But, hey, what about Julian? | 0:43:13 | 0:43:15 | |
Walking out of here with £15,500. | 0:43:15 | 0:43:19 | |
Our biggest jackpot by far to date. | 0:43:19 | 0:43:22 | |
Thank you so much for watching, and goodbye. | 0:43:22 | 0:43:25 |