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-Awesome! -Unbelievable. I think he's sold his soul to the devil, so watch out! | 0:00:02 | 0:00:06 | |
Time again to drop into the David Meade Project. | 0:00:29 | 0:00:32 | |
This is the geezer with his name over the door, David Meade. | 0:00:32 | 0:00:34 | |
-Is that an L? -Oh! | 0:00:34 | 0:00:36 | |
-Yes! -Argh! -Oh, my God! | 0:00:36 | 0:00:39 | |
David is fascinated with how we think. | 0:00:39 | 0:00:42 | |
As usual, his mission is to play with one particular concept of human nature. | 0:00:42 | 0:00:46 | |
Trouble is, not everyone has the mindset to cope with it. | 0:00:46 | 0:00:49 | |
It's crazy. That's insane. | 0:00:49 | 0:00:51 | |
-How?! -It was weird, yeah. How'd he do it? | 0:00:51 | 0:00:55 | |
This time, David is returning to his greatest passion, | 0:00:55 | 0:00:58 | |
controlling the way we think. | 0:00:58 | 0:01:01 | |
He wants to unlock the mysteries of the mind. | 0:01:01 | 0:01:03 | |
I'm constantly amazed by the human mind. | 0:01:03 | 0:01:06 | |
What it can do and what I can make it do. | 0:01:06 | 0:01:08 | |
Today, David is going to do a bit of reading. | 0:01:13 | 0:01:16 | |
No, he's not off to the library. | 0:01:16 | 0:01:18 | |
For this kind of reading, David will appear to use his mind power on | 0:01:18 | 0:01:21 | |
complete strangers out on the street. | 0:01:21 | 0:01:24 | |
But you know not everything is what it seems with David Meade. | 0:01:24 | 0:01:27 | |
I'm going to stop random people in the street and borrow their keys. | 0:01:27 | 0:01:30 | |
Based on their keys, I'm going to try and tell | 0:01:30 | 0:01:33 | |
them interesting things about their past, present and future. | 0:01:33 | 0:01:36 | |
In the first instance, I'm going to try | 0:01:36 | 0:01:38 | |
and do that through cold reading. | 0:01:38 | 0:01:39 | |
In other words, I'm just guessing. | 0:01:39 | 0:01:41 | |
But, in the second instance, | 0:01:41 | 0:01:42 | |
I'm going to use every one of my skills as a mentalist to try | 0:01:42 | 0:01:45 | |
and divine incredible and impossible facts about them. | 0:01:45 | 0:01:47 | |
-Do you have some keys on you? -Mm-hm. -Can I see them? | 0:01:50 | 0:01:52 | |
Would that be all right? | 0:01:52 | 0:01:54 | |
I'd be interested to see... | 0:01:54 | 0:01:56 | |
OK, so there's chaos and order in these keys. | 0:01:56 | 0:02:00 | |
They suggest you're the type of person who always says, | 0:02:00 | 0:02:02 | |
"Oh, did I say the right thing, | 0:02:02 | 0:02:04 | |
"was that the right thing to do or say that point?" | 0:02:04 | 0:02:06 | |
Absolutely. That's correct. | 0:02:06 | 0:02:08 | |
-Does that kind of fit you? -Absolutely, yes. | 0:02:08 | 0:02:11 | |
I'm going to start off with a blatant cold read. | 0:02:11 | 0:02:13 | |
In other words, I'll just be rhyming off guesses | 0:02:13 | 0:02:15 | |
and random information that would fit for anyone. | 0:02:15 | 0:02:18 | |
Because we have a number of keys off to just one side here, | 0:02:18 | 0:02:20 | |
that suggests to me that you're the type of person that, | 0:02:20 | 0:02:23 | |
almost the minute you make a decision, | 0:02:23 | 0:02:24 | |
you're instantly questioning it and regretting it. | 0:02:24 | 0:02:28 | |
-Yeah, that's true. -Is that right? -Yep, all the time. | 0:02:28 | 0:02:30 | |
Sometimes you'll be in, maybe on a midweek night, | 0:02:30 | 0:02:32 | |
and you decide, "I'm going out." | 0:02:32 | 0:02:34 | |
-And you die for it the next day. Is that... -Something like that, yeah. | 0:02:34 | 0:02:37 | |
Cold reading is driven by an understanding that we all | 0:02:37 | 0:02:40 | |
share social norms. | 0:02:40 | 0:02:41 | |
We all share experiences that are common to everyone. | 0:02:41 | 0:02:44 | |
The fact is that when those experiences are pointed out, | 0:02:44 | 0:02:47 | |
it seems like an incredible observation that someone couldn't possibly know, | 0:02:47 | 0:02:50 | |
when, in fact, they're just general statements. | 0:02:50 | 0:02:53 | |
David's convincing this lot he's got psychic flair. | 0:02:53 | 0:02:56 | |
But, really, he's just using stuff he's learnt from books. | 0:02:56 | 0:03:00 | |
These are just games to make people believe in the power of his mind | 0:03:00 | 0:03:03 | |
because David's true talent lies in mentalism. | 0:03:03 | 0:03:08 | |
I want to show that, as a mentalist, | 0:03:08 | 0:03:09 | |
you can do far more astonishing and incredible things | 0:03:09 | 0:03:12 | |
than just an ordinary psychic, or a fake psychic. | 0:03:12 | 0:03:15 | |
I'm a mentalist. | 0:03:15 | 0:03:16 | |
And, using mentalist techniques, | 0:03:16 | 0:03:18 | |
I can sometimes ascertain a little bit more detail. | 0:03:18 | 0:03:21 | |
So what I'm going to do is give them one shake. | 0:03:21 | 0:03:23 | |
Ah, OK. | 0:03:26 | 0:03:28 | |
So, if you were to choose a country that you would love to travel to, | 0:03:28 | 0:03:31 | |
I'd say most people would think of France or America | 0:03:31 | 0:03:33 | |
because they seem obvious. But you're not most people and I would say you'd probably go for | 0:03:33 | 0:03:37 | |
somewhere like Australia because that's a bit off the beaten track. | 0:03:37 | 0:03:40 | |
Is that somewhere you've been thinking about travelling to? | 0:03:40 | 0:03:44 | |
OK, can I think of your husband's name, then? | 0:03:44 | 0:03:46 | |
-Now if you get this, you will be doing very good. -Right, OK. | 0:03:46 | 0:03:49 | |
Honestly. It's very unusual. | 0:03:49 | 0:03:51 | |
OK, I'm going to say... | 0:03:51 | 0:03:53 | |
Now, the way that all of these rings are connected, | 0:03:53 | 0:03:55 | |
that suggests to me that we're talking about a very flowing | 0:03:55 | 0:03:57 | |
character, a very male character. | 0:03:57 | 0:03:59 | |
-Absolutely. -A pretty hard man. -Yeah. | 0:03:59 | 0:04:01 | |
So it probably starts with an S or a T, but I'd say an S is more obvious. | 0:04:01 | 0:04:03 | |
-Is that right, an S? -That's correct. | 0:04:03 | 0:04:06 | |
Actually, if you hold out both of your hands for me. | 0:04:06 | 0:04:08 | |
Let's just lay them flat there. | 0:04:08 | 0:04:11 | |
Oh, it's like... Oh, it is weird. | 0:04:11 | 0:04:14 | |
It's like Gilbert. I don't know what it is. It's like Gilbert? | 0:04:14 | 0:04:18 | |
I honestly don't... | 0:04:18 | 0:04:19 | |
It's Silbert. | 0:04:19 | 0:04:21 | |
Silbert? | 0:04:21 | 0:04:23 | |
Silbert. S-I-L-B-E-R-T. | 0:04:23 | 0:04:24 | |
Is that a real name? | 0:04:24 | 0:04:26 | |
Honestly, that's why I thought you'd never guess it. | 0:04:26 | 0:04:28 | |
You're joking! No way! So, like Gilbert but with an S? | 0:04:28 | 0:04:30 | |
-Yes. -Right, OK. | 0:04:30 | 0:04:31 | |
David's mentalist approach is definitely dazzling this lot | 0:04:31 | 0:04:35 | |
with what seems to be impossible revelations. | 0:04:35 | 0:04:38 | |
I thought it was mad. | 0:04:38 | 0:04:39 | |
I never thought they would have got my dad's name | 0:04:39 | 0:04:42 | |
because it's such an unusual name. | 0:04:42 | 0:04:43 | |
Yeah, because it was so random. | 0:04:43 | 0:04:45 | |
Imagine, for a moment now, if you could go on a date with | 0:04:45 | 0:04:47 | |
anyone from the public eye, a celebrity, | 0:04:47 | 0:04:50 | |
on this side we start to see some of the prettier ones like... | 0:04:50 | 0:04:52 | |
Well, he's rabbiting on but it seems to be working. | 0:04:52 | 0:04:55 | |
So I'd suggest that whoever this is is also massively attractive, | 0:04:55 | 0:04:57 | |
probably really fit... | 0:04:57 | 0:04:59 | |
That's it, David. A bit of flattery always helps. | 0:04:59 | 0:05:02 | |
-We're probably talking about Peter Andre, someone like that. -Yes! -Yes! -Is that who it was? | 0:05:02 | 0:05:06 | |
Oh, they've only gone and bought it! | 0:05:06 | 0:05:08 | |
OK, right, well, you can share him. | 0:05:08 | 0:05:11 | |
I'm not 100 percent sure about psychics but, as he said, | 0:05:11 | 0:05:13 | |
he's a mentalist and he's not a psychic | 0:05:13 | 0:05:15 | |
so the information that he gave was accurate. | 0:05:15 | 0:05:18 | |
As far as I can see, all readings are fundamentally the same. | 0:05:18 | 0:05:22 | |
They all draw on the same broad guesses. | 0:05:22 | 0:05:24 | |
And what happens is, | 0:05:24 | 0:05:26 | |
the person receiving the reading makes those guesses fit for them. | 0:05:26 | 0:05:29 | |
And it can seem like a really astonishing experience. | 0:05:29 | 0:05:31 | |
Pumped up with the success of his activities on the street, | 0:05:31 | 0:05:36 | |
David has a new thought. | 0:05:36 | 0:05:37 | |
Manipulate the mind? | 0:05:40 | 0:05:41 | |
As usual, not asking for much(!) | 0:05:41 | 0:05:43 | |
Mind you, I could think of a few minds I'd like to manipulate. | 0:05:43 | 0:05:46 | |
Anyway, David's doing what he loves best, | 0:05:46 | 0:05:48 | |
finding new games to harness the power of the mind. | 0:05:48 | 0:05:52 | |
Or so he thinks. | 0:05:52 | 0:05:53 | |
Wouldn't it be incredible if we could unlock the power of the mind? | 0:05:53 | 0:05:58 | |
It seems to be capable of incredible things. | 0:05:58 | 0:06:01 | |
We've all heard that urban legend - and who knows if it's true? - of a woman involved in a car accident | 0:06:01 | 0:06:05 | |
and, in the moments immediately after, she is filled with adrenaline | 0:06:05 | 0:06:09 | |
and able to lift that car to rescue someone from underneath. | 0:06:09 | 0:06:11 | |
Now that may be a load of old rubbish but, if it's true, | 0:06:11 | 0:06:14 | |
it seems to suggest that our emotions can have a huge impact on our physiological ability. | 0:06:14 | 0:06:21 | |
With that in mind, I'd like to try and tap into an extremely powerful human emotion, | 0:06:21 | 0:06:26 | |
but I'm a mentalist and I have my own techniques. | 0:06:26 | 0:06:28 | |
I want to see if I can make a person believe | 0:06:28 | 0:06:31 | |
that they have superhuman strength. | 0:06:31 | 0:06:34 | |
David has taken to the street on a particularly colourful day. | 0:06:39 | 0:06:42 | |
As usual, he's looking for random strangers | 0:06:42 | 0:06:46 | |
who have little or no inhibitions. | 0:06:46 | 0:06:48 | |
People who are open to testing the potential power of their minds. | 0:06:48 | 0:06:51 | |
What's interesting about this for me is I don't want a bodybuilder. | 0:06:51 | 0:06:54 | |
I want ordinary people. | 0:06:54 | 0:06:55 | |
I'm going to ask random people in the street that I've never met | 0:06:55 | 0:06:59 | |
to think of a time in their lives when they felt anxious, | 0:06:59 | 0:07:02 | |
afraid, scared, terrified. | 0:07:02 | 0:07:03 | |
I then want to see if I can have them harness that energy | 0:07:03 | 0:07:07 | |
and that adrenaline and seemingly translate it into strength. | 0:07:07 | 0:07:11 | |
-Girls, have you any money? -Yeah. -Can I have some? | 0:07:14 | 0:07:17 | |
OK, grand. | 0:07:17 | 0:07:19 | |
Now, let me see. | 0:07:19 | 0:07:20 | |
We'll use this one. You can take those back or give them to me. Whichever, I don't mind. | 0:07:20 | 0:07:24 | |
And I want you to sign your name on one side of it. | 0:07:24 | 0:07:27 | |
Do it across a couple of lines, if you want. | 0:07:27 | 0:07:29 | |
Are you doing it on my arm? Don't get that ink on me! | 0:07:29 | 0:07:31 | |
You'll hardly notice it on the tan, anyway. | 0:07:31 | 0:07:34 | |
OK, I'm placing it down there in the middle and I want you to squeeze your hand into a fist. | 0:07:34 | 0:07:38 | |
Now, I want you to think about a time in your life | 0:07:38 | 0:07:41 | |
when you were incredibly stressed. | 0:07:41 | 0:07:44 | |
A time when you were really anxious, when something was really, really getting to you. | 0:07:44 | 0:07:48 | |
And it really, really affected you and you felt that adrenaline build | 0:07:48 | 0:07:50 | |
and build and build. Could you get one in your head? Yeah? | 0:07:50 | 0:07:53 | |
-Have you got one? Is there any way I could know it? -No. | 0:07:53 | 0:07:56 | |
-Total secret? -Secret. -OK, I want you to think about it. | 0:07:56 | 0:07:59 | |
It could've been at home, school, work, college. | 0:07:59 | 0:08:02 | |
-Oh, wait, this was at school? -Yeah. -Is that right? -Yeah. -This was at school, OK. | 0:08:02 | 0:08:05 | |
Think about the person's name that's involved. | 0:08:05 | 0:08:07 | |
Think of the name for me. Think of the first letter for me. | 0:08:07 | 0:08:10 | |
Say it over and over in your head. Think of the first letter. | 0:08:10 | 0:08:12 | |
Is that an L? L? | 0:08:12 | 0:08:13 | |
Oh! | 0:08:13 | 0:08:14 | |
-Is that what it is, yeah? -Oh, my God! | 0:08:14 | 0:08:16 | |
OK. | 0:08:16 | 0:08:18 | |
-Gossiping, whispering, talking crap? Talking rubbish, telling lies? -Yeah. | 0:08:18 | 0:08:21 | |
Squeeze, squeeze, squeeze! SQUEEZE! | 0:08:21 | 0:08:24 | |
Open up, open up, open up! | 0:08:24 | 0:08:27 | |
-Oh, my God! -Check it out. Do you see it? Lift it up. | 0:08:27 | 0:08:30 | |
Oh, my God! | 0:08:32 | 0:08:34 | |
-Look at that! -Why am I crying? | 0:08:34 | 0:08:36 | |
-That's so freaky! I can't believe it. -How did you do that? | 0:08:38 | 0:08:41 | |
BOTH: How did you do it?! | 0:08:41 | 0:08:42 | |
I was actually crying. | 0:08:42 | 0:08:44 | |
And there were tears dropping off me! | 0:08:44 | 0:08:46 | |
I can't believe that! | 0:08:46 | 0:08:48 | |
I didn't even know what was going to happen when I opened my hand. | 0:08:48 | 0:08:50 | |
I mean, how do you bend that? | 0:08:50 | 0:08:52 | |
That's your muscles, love! | 0:08:52 | 0:08:53 | |
I want you to say the name over and over and over in your head. | 0:08:53 | 0:08:56 | |
-Just in your head. -OK. | 0:08:56 | 0:08:59 | |
Not out loud. Louder, louder, louder. | 0:08:59 | 0:09:02 | |
-Tina? Tina, is that the name? -Yes. | 0:09:02 | 0:09:04 | |
Is this a friend, Tina? | 0:09:04 | 0:09:06 | |
An acquaintance. | 0:09:06 | 0:09:08 | |
-Oh, right. OK, OK. -I want you to think about what happened. -OK. | 0:09:08 | 0:09:11 | |
Take your left hand and squeeze for me now. | 0:09:11 | 0:09:13 | |
Squeeze, squeeze, squeeze. Now two hands! Two hands. Squeeze. | 0:09:13 | 0:09:16 | |
Harder for me, Portia. | 0:09:16 | 0:09:17 | |
Harder, harder, harder! | 0:09:17 | 0:09:18 | |
Open up, open up. | 0:09:18 | 0:09:20 | |
Wow! Oh, my goodness! | 0:09:20 | 0:09:22 | |
Look at that! | 0:09:22 | 0:09:23 | |
-You bent it! -Isn't that just typical of me? Bend everything! | 0:09:23 | 0:09:27 | |
Did you get your nose broken? In the street on the way to a nightclub? | 0:09:28 | 0:09:32 | |
OK, think about who was there. Think about the name for me. | 0:09:32 | 0:09:35 | |
Say it over and over in your head. Just in your head. Not out loud. | 0:09:35 | 0:09:39 | |
Over and over and over. | 0:09:39 | 0:09:40 | |
It's, er, is it Chris? Chris, is that the name? | 0:09:40 | 0:09:43 | |
Is that the name? Quickly. Squeeze, squeeze. | 0:09:43 | 0:09:46 | |
Now squeeze, squeeze, squeeze! | 0:09:46 | 0:09:47 | |
I'm squeezing! | 0:09:47 | 0:09:48 | |
Squeeze! Open up, open up. | 0:09:48 | 0:09:50 | |
Oh, my God. | 0:09:50 | 0:09:52 | |
Oh, my God. | 0:09:52 | 0:09:53 | |
Hold it up so we can see. | 0:09:53 | 0:09:55 | |
-That's the hormones! -How did you do that? | 0:09:55 | 0:09:57 | |
RECITES ALPHABET | 0:09:57 | 0:09:58 | |
Larissa? Who's Larissa? | 0:10:02 | 0:10:04 | |
-Oh, my God! -Is that who it was? | 0:10:04 | 0:10:05 | |
Now, Johnny, squeeze. Squeeze, squeeze. | 0:10:05 | 0:10:08 | |
Both hands. Both hands. Squeeze. | 0:10:08 | 0:10:10 | |
Squeeze tightly. Squeeze! | 0:10:10 | 0:10:12 | |
Open up, open up, open up. | 0:10:12 | 0:10:14 | |
-Ohh! -Oh my God! | 0:10:14 | 0:10:16 | |
Jesus! | 0:10:16 | 0:10:18 | |
Oh, my God! | 0:10:18 | 0:10:20 | |
Oh. My. God. | 0:10:20 | 0:10:22 | |
How did you do that? | 0:10:22 | 0:10:23 | |
How did YOU do that? | 0:10:23 | 0:10:25 | |
How?! I can't believe this. | 0:10:25 | 0:10:27 | |
-Oh, my God. -Awesome, awesome. | 0:10:27 | 0:10:29 | |
Unbelievable. I think he's sold his soul to the devil, so watch out. | 0:10:29 | 0:10:33 | |
Phwoah! | 0:10:35 | 0:10:36 | |
After all that outlet of emotion, | 0:10:36 | 0:10:39 | |
David needs a little sit-down to recharge his batteries | 0:10:39 | 0:10:41 | |
and turn his mind to even more powerful emotional responses. | 0:10:41 | 0:10:45 | |
Up until now, I've been looking at emotions, | 0:10:45 | 0:10:48 | |
but specifically the responses that those emotions create. | 0:10:48 | 0:10:50 | |
So now I'd like to see, if I add meaning to those emotions, | 0:10:50 | 0:10:53 | |
positive or negative, it doesn't matter, | 0:10:53 | 0:10:56 | |
exactly what response can I get? | 0:10:56 | 0:10:57 | |
Now, this box is essentially meaningless. It doesn't have a soul. | 0:10:57 | 0:11:01 | |
It doesn't have personality. It doesn't have a life. | 0:11:01 | 0:11:04 | |
But what if we were to put something meaningful inside this box? | 0:11:04 | 0:11:08 | |
Perhaps this box could become incredibly important. | 0:11:08 | 0:11:11 | |
David needs participants with diverse attitudes to physical strength. | 0:11:11 | 0:11:16 | |
Physical strength to me is very important because I play sport. | 0:11:16 | 0:11:19 | |
I'm not physically strong. I'm not embarrassed. | 0:11:19 | 0:11:23 | |
It's just the way I am. | 0:11:23 | 0:11:24 | |
This is going to be a really simple exercise. | 0:11:24 | 0:11:26 | |
I'm going to have them think of positive things and negative things. | 0:11:26 | 0:11:29 | |
And I want to see if they perform better | 0:11:29 | 0:11:31 | |
when they're thinking of positive things than negative things. | 0:11:31 | 0:11:35 | |
I'm not entirely sure about the science of it, truthfully. | 0:11:35 | 0:11:38 | |
But I thought that it might be fun to see just how difficult | 0:11:38 | 0:11:41 | |
it's going to be for them to pick up this box. | 0:11:41 | 0:11:43 | |
-Scott, you're obviously a pretty strong bloke. -Do I look it? | 0:11:46 | 0:11:49 | |
Ah, well, a wee bit, yeah. You're obviously not strong as me(!) | 0:11:49 | 0:11:52 | |
What is it about your mindset that makes you | 0:11:52 | 0:11:54 | |
want to get stronger and want to keep working out? | 0:11:54 | 0:11:57 | |
It makes you feel good. It makes you want to do better. | 0:11:57 | 0:12:00 | |
In a moment I want you to think of a bit of a negative situation. | 0:12:00 | 0:12:03 | |
And it's important that you know that this negative situation is | 0:12:03 | 0:12:07 | |
an absolute secret, and that no-one here could know what it is. | 0:12:07 | 0:12:10 | |
So I want you to scribble one word there to describe what it is. | 0:12:10 | 0:12:14 | |
And, whenever you've got that one word written down, | 0:12:14 | 0:12:18 | |
make sure that I can't see it, | 0:12:18 | 0:12:20 | |
I want you to go ahead | 0:12:20 | 0:12:22 | |
and scrunch it up into a ball. | 0:12:22 | 0:12:23 | |
Do you find it difficult to get into the zone, Scott, | 0:12:23 | 0:12:26 | |
whenever it comes to working out? | 0:12:26 | 0:12:28 | |
Or do you just always find yourself right there, ready? | 0:12:28 | 0:12:31 | |
First couple of times, it's hard enough, but you get used to it. | 0:12:31 | 0:12:34 | |
OK, brilliant. So, holding that in your hand, | 0:12:34 | 0:12:36 | |
I want you to just pick up this box for me. | 0:12:36 | 0:12:37 | |
Pick it up until it reaches my hand. | 0:12:37 | 0:12:40 | |
Not too heavy. You're pretty strong, obviously. You can put it down. | 0:12:40 | 0:12:43 | |
-Was that easy-peasy? -Yeah, straightforward. | 0:12:43 | 0:12:46 | |
-Easy for a tank like you? -That's it. -OK, all right. | 0:12:46 | 0:12:48 | |
Well, I want you to think now about that negative thought | 0:12:48 | 0:12:50 | |
for me for a moment. | 0:12:50 | 0:12:52 | |
I want you to extend your hands like this, | 0:12:52 | 0:12:53 | |
hiding it in your hands. | 0:12:53 | 0:12:55 | |
-Hide that negative thought in your hands, OK? -Mm-hm. | 0:12:55 | 0:12:57 | |
And I want you to look straight here. | 0:12:57 | 0:12:58 | |
I want you to think about when this happened. | 0:12:58 | 0:13:00 | |
I want you to think about when this negative situation happened. | 0:13:00 | 0:13:04 | |
Whatever this thought is, it could be one week, two weeks, three weeks. | 0:13:04 | 0:13:08 | |
Oh, wait... | 0:13:08 | 0:13:10 | |
Was this like four months ago? | 0:13:10 | 0:13:12 | |
-Maybe, yeah. -What do mean maybe? | 0:13:12 | 0:13:14 | |
It was about four months ago? | 0:13:14 | 0:13:16 | |
-Yeah. -OK, great. | 0:13:16 | 0:13:17 | |
I want you to think about where it happened. | 0:13:17 | 0:13:19 | |
It could've been at home or at work, could have been at a nightclub. | 0:13:19 | 0:13:22 | |
Could have been at college, in a library. | 0:13:22 | 0:13:24 | |
No, this is something to do with movement or travelling. | 0:13:24 | 0:13:27 | |
A little bit to do with speed, as well. | 0:13:27 | 0:13:29 | |
Was it on a road, whatever this is? | 0:13:29 | 0:13:31 | |
-It happened on a road, is that right? -Yeah. | 0:13:31 | 0:13:33 | |
Actually, let me take this. I don't want to see it. | 0:13:33 | 0:13:35 | |
Hands up again. Hands up again. | 0:13:35 | 0:13:37 | |
-I feel like someone made a mistake or made an error of judgement. -Yeah. | 0:13:37 | 0:13:40 | |
OK. Actually, do me a favour. Pick up that box. | 0:13:40 | 0:13:44 | |
Look here for me. Pick up the box. Look here for me. You can do it. | 0:13:46 | 0:13:49 | |
Come on, you can do it. Look here, straight here. | 0:13:49 | 0:13:51 | |
You can do it. Come on. You can do it. Scream out! Argh! | 0:13:51 | 0:13:53 | |
Come on, you can do it. Argh! | 0:13:53 | 0:13:55 | |
Come on, let a good yelp out! | 0:13:55 | 0:13:57 | |
Come on, you can do it. | 0:13:57 | 0:13:59 | |
Look straight here. Actually, let go. Let go for me. | 0:13:59 | 0:14:01 | |
Under the table, I want you to check and make sure there's no magnets there. | 0:14:01 | 0:14:05 | |
Come on, now, Scott. You can do this. One last try, one last try. | 0:14:05 | 0:14:07 | |
Straight here. Come on, Scott. What does this feel like? | 0:14:07 | 0:14:10 | |
-It's not going to budge. -Is that right? OK, just relax for me. | 0:14:10 | 0:14:13 | |
Relax for a second. Now extend both of your arms out for me again. | 0:14:13 | 0:14:16 | |
Whatever this negative thought is, I want you to imagine now that you could just let this go. | 0:14:16 | 0:14:20 | |
Just focus really clearly and, if we put this back in here for a moment, | 0:14:20 | 0:14:25 | |
I want you to think about now whatever this was that affected you. | 0:14:25 | 0:14:30 | |
You could just let it go. Do me a favour. Throw that away. | 0:14:30 | 0:14:32 | |
Throw it away. | 0:14:32 | 0:14:33 | |
Pick it up. You can do it. Come on, pick it up. You can do it. | 0:14:33 | 0:14:36 | |
-Easy? -Yeah. -Easy? -Yeah. | 0:14:36 | 0:14:38 | |
OK, you've done a brilliant job, Scott. | 0:14:38 | 0:14:40 | |
Unreal. Jesus! | 0:14:40 | 0:14:42 | |
I'm still shaking from it. | 0:14:42 | 0:14:45 | |
I had a car accident four months ago. | 0:14:48 | 0:14:51 | |
It was just in my mind, so fresh. | 0:14:51 | 0:14:53 | |
So weird. | 0:14:53 | 0:14:55 | |
That was incredible. | 0:14:55 | 0:14:56 | |
I'm shaking. I need a drink. I need to sit down. | 0:14:56 | 0:14:59 | |
You should find it even more difficult now. | 0:14:59 | 0:15:01 | |
I don't want to see what this is but you're about to find it even more difficult now. | 0:15:01 | 0:15:04 | |
I'm not going to say a single word. Try one more time to lift it up. | 0:15:04 | 0:15:07 | |
It should feel even heavier this time. It should feel even heavier. | 0:15:07 | 0:15:10 | |
Go ahead and try and lift it up. | 0:15:10 | 0:15:12 | |
-Even heavier? -Yeah. | 0:15:12 | 0:15:13 | |
-Feel a little bit fatigued? -Yes. | 0:15:13 | 0:15:15 | |
Sore on your arms and things? | 0:15:15 | 0:15:16 | |
It should be harder that time. | 0:15:16 | 0:15:18 | |
Now think of a positive scenario. Stretch out your arms for me. | 0:15:18 | 0:15:20 | |
Think of who this positive thought represents. | 0:15:20 | 0:15:22 | |
Is it a person you know really well? | 0:15:22 | 0:15:23 | |
Yes. | 0:15:23 | 0:15:25 | |
Oh, wait, you were up late so that's a celebration. | 0:15:25 | 0:15:27 | |
-Something really exciting, like a wedding. -Yes. | 0:15:27 | 0:15:29 | |
The minute you have that positive thought, go ahead and try and pick | 0:15:29 | 0:15:32 | |
it up for me, the minute you have that positive thought. | 0:15:32 | 0:15:34 | |
OK, fine. And right back down. | 0:15:34 | 0:15:36 | |
Who's Norman. | 0:15:36 | 0:15:38 | |
-My grandad. -Oh, right, OK. | 0:15:38 | 0:15:39 | |
-Well, did he pass away? -Yeah. | 0:15:39 | 0:15:41 | |
Oh, really. OK, I got you. | 0:15:41 | 0:15:43 | |
All right, grandad died. | 0:15:43 | 0:15:44 | |
My grandad died. He asked me to picture being back when I found out about it. | 0:15:44 | 0:15:49 | |
It was quite difficult. | 0:15:49 | 0:15:50 | |
I definitely think your emotions have control of your strength. | 0:15:50 | 0:15:53 | |
Mind over matter definitely counts. | 0:15:53 | 0:15:55 | |
Up until now I've been looking at emotions | 0:15:55 | 0:15:58 | |
and specifically how those emotions affect the way we perceive things. | 0:15:58 | 0:16:01 | |
Now I'd like to see how far I can push this. | 0:16:01 | 0:16:04 | |
I'd like to see if I can make someone believe that | 0:16:04 | 0:16:07 | |
they've got the ability to unlock the power of their mind. | 0:16:07 | 0:16:10 | |
Oh, my God. What's he up to now? | 0:16:15 | 0:16:18 | |
What I'm really excited about trying is seeing if it's possible, | 0:16:18 | 0:16:21 | |
and perhaps it won't be, to make two people share one thought. | 0:16:21 | 0:16:24 | |
But one instantaneous, random secret thought. | 0:16:24 | 0:16:27 | |
A thought that I couldn't possibly know and no-one else in the world could know. | 0:16:27 | 0:16:31 | |
So, with that in mind, I've chosen two people who, I hope, | 0:16:31 | 0:16:35 | |
just might have a connection. | 0:16:35 | 0:16:38 | |
OK, you eagle-eyed viewers, can you spot where David's going with this? | 0:16:38 | 0:16:42 | |
I feel really lucky because today, | 0:16:42 | 0:16:43 | |
I'm going to get the opportunity to work with twins. | 0:16:43 | 0:16:46 | |
Oh, yes, we've seen twins before, haven't we? | 0:16:46 | 0:16:49 | |
Rather than trying this experiment on just anyone, | 0:16:49 | 0:16:52 | |
the mentalist is deviously exploiting what mother nature has created. | 0:16:52 | 0:16:56 | |
No doubt hoping that the twins' special connection | 0:16:56 | 0:16:58 | |
will stimulate their minds' power. | 0:16:58 | 0:17:00 | |
I suppose what's really exciting about this opportunity for me | 0:17:00 | 0:17:03 | |
is it gives me the chance to push my skills as a mentalist | 0:17:03 | 0:17:06 | |
to the very edge of what I know I can do. | 0:17:06 | 0:17:09 | |
I've never tried this before. | 0:17:09 | 0:17:12 | |
And I'm just not sure how it'll work. | 0:17:12 | 0:17:15 | |
I'm going to start with you, if you don't mind. | 0:17:15 | 0:17:17 | |
I'm going to give you a notepad. | 0:17:17 | 0:17:19 | |
I want you to flick through it, make sure all the pages are blank. | 0:17:19 | 0:17:23 | |
Now you're happy it's all blank, | 0:17:23 | 0:17:25 | |
-I want you to sign in one of the corners of the page. -OK. | 0:17:25 | 0:17:28 | |
Just so you know that that's your page. | 0:17:28 | 0:17:30 | |
Now, Phelan, for the time being, | 0:17:32 | 0:17:34 | |
just sign your name across the middle of that for me. | 0:17:34 | 0:17:37 | |
Once you've done that, go ahead and fold that up for me. | 0:17:37 | 0:17:40 | |
Fold it twice so that it's in quarters, as well. | 0:17:40 | 0:17:43 | |
I'm going to ask you to put this glove on with the other hand. | 0:17:43 | 0:17:46 | |
Bit of health and safety, kids. | 0:17:46 | 0:17:49 | |
If you do any cutting, always wear safety gloves. | 0:17:49 | 0:17:52 | |
Don't try this at home, please. | 0:17:52 | 0:17:54 | |
I think we would all love the skill to be able to work out | 0:17:54 | 0:17:58 | |
what's going on in someone else's head. | 0:17:58 | 0:18:01 | |
So I want to play a really simple game today, | 0:18:01 | 0:18:03 | |
based on the idea that it would be incredible if someone, anyone, | 0:18:03 | 0:18:07 | |
would be able to share a thought with another person. | 0:18:07 | 0:18:10 | |
I'm going to ask you to now think a thought. | 0:18:13 | 0:18:16 | |
This should be a random thought that you're just thinking of | 0:18:16 | 0:18:19 | |
right now in this instant. | 0:18:19 | 0:18:21 | |
If you've got a notepad on your lap you will start to sketch, write or | 0:18:21 | 0:18:25 | |
draw anything that is related to what you're thinking about. | 0:18:25 | 0:18:29 | |
Same with you with the scissors. | 0:18:29 | 0:18:32 | |
As you think your thought, I just want you to gouge into that page | 0:18:32 | 0:18:34 | |
and trim the edges, trim the corners, et cetera. | 0:18:34 | 0:18:37 | |
It's important that, as you share this thought, | 0:18:37 | 0:18:40 | |
allow this thought to seemingly travel between the two of you. | 0:18:40 | 0:18:44 | |
Phelan, I want to make absolutely sure that this is random. | 0:18:44 | 0:18:47 | |
Could you scrumple that up into a ball for me? | 0:18:47 | 0:18:49 | |
This is just to make sure that... | 0:18:49 | 0:18:51 | |
By the way, are you consciously thinking about what you're doing? | 0:18:51 | 0:18:54 | |
-Er, no. -Not really? -No, no. | 0:18:54 | 0:18:56 | |
OK, I want you to continue to scrumple that up really small. | 0:18:56 | 0:19:00 | |
Phelan, I'm probably going to ask you to stop there. | 0:19:00 | 0:19:03 | |
I'm going to ask you to leave it there. | 0:19:03 | 0:19:05 | |
Off with the blindfolds, then, chaps. | 0:19:05 | 0:19:07 | |
Let's see what you've done. | 0:19:07 | 0:19:09 | |
OK, so, for the first time now, with me, | 0:19:09 | 0:19:11 | |
I'd like you both to stand up. | 0:19:11 | 0:19:13 | |
Stand up. | 0:19:13 | 0:19:14 | |
I'd like you to turn around and face each other. | 0:19:14 | 0:19:19 | |
Now, is there any way that either of you could've known | 0:19:19 | 0:19:21 | |
what your random, secretly thought-of thought was? | 0:19:21 | 0:19:23 | |
-No, not at all. -I don't think so. -I'm terrified. | 0:19:23 | 0:19:27 | |
For the first time, I want you to say out loud, | 0:19:27 | 0:19:29 | |
what were thinking of? | 0:19:29 | 0:19:31 | |
-A boat. -A boat, really? -Mm-hm. | 0:19:31 | 0:19:33 | |
OK. What were you thinking of? | 0:19:33 | 0:19:35 | |
A cruise ship. | 0:19:35 | 0:19:36 | |
-Woah! -You're joking! | 0:19:36 | 0:19:38 | |
-Really? -Yeah! | 0:19:38 | 0:19:40 | |
OK, can I look and see what you've done? | 0:19:40 | 0:19:43 | |
This is kind of like a... | 0:19:43 | 0:19:45 | |
Kind of a boatish type... Oh, you tried to write it there, as well. | 0:19:45 | 0:19:49 | |
Yes, I tried. That's right. | 0:19:49 | 0:19:50 | |
-Yes, yes, yes. There it is. -B-O-A-T. | 0:19:50 | 0:19:53 | |
Well, by the look of this, I thought it looks like an apple | 0:19:53 | 0:19:55 | |
but both of us think it looked like a boat. | 0:19:55 | 0:19:57 | |
So you've ended up looking a little bit like an apple? | 0:19:57 | 0:20:00 | |
An apple, maybe, yeah. | 0:20:00 | 0:20:01 | |
Now I don't want to mess with this so keep a close eye on me. | 0:20:01 | 0:20:05 | |
Let me just see... | 0:20:05 | 0:20:07 | |
I want to do this really carefully. | 0:20:07 | 0:20:09 | |
-Is that your signature there? Can you see it? -Yes, that is. | 0:20:18 | 0:20:21 | |
-That's a lovely signature. -Oh, thank you. | 0:20:21 | 0:20:24 | |
Looks kind of like an anchor. | 0:20:26 | 0:20:29 | |
-Is it? -It is! | 0:20:29 | 0:20:31 | |
ALL: No way! | 0:20:32 | 0:20:35 | |
You're joking me! | 0:20:35 | 0:20:36 | |
How is that even possible? | 0:20:36 | 0:20:38 | |
I don't understand how something I randomly cut turned out like that. | 0:20:38 | 0:20:41 | |
That is amazing. | 0:20:41 | 0:20:42 | |
Oh, that is... | 0:20:42 | 0:20:45 | |
-That's incredible. -How did you do that? -I don't know. | 0:20:45 | 0:20:48 | |
The more that we unfurled it, | 0:20:48 | 0:20:49 | |
and the more that we saw where the scissor marks were on the piece of paper, | 0:20:49 | 0:20:52 | |
I started to realise that it really was an anchor. | 0:20:52 | 0:20:55 | |
I mean, it knocked my socks off! | 0:20:55 | 0:20:57 | |
It really does seem, as stupid as it might sound, | 0:20:57 | 0:21:02 | |
that maybe we do share thoughts. | 0:21:02 | 0:21:03 | |
Yeah! | 0:21:03 | 0:21:05 | |
Taking the experience of that single shared thought, | 0:21:05 | 0:21:08 | |
bearing in mind that they could have thought of anything in the world. | 0:21:08 | 0:21:11 | |
There were no restrictions whatsoever. | 0:21:11 | 0:21:13 | |
I want to see, given those impossible circumstances, | 0:21:13 | 0:21:16 | |
how can I make this bigger? | 0:21:16 | 0:21:17 | |
Oh, dear. I think David's having what you might call a Eureka moment. | 0:21:21 | 0:21:24 | |
In view of the fact that they were both here in the same room and | 0:21:26 | 0:21:29 | |
that worked staggeringly well, I'd like to see how big I can make this. | 0:21:29 | 0:21:33 | |
Would they be able to share a thought | 0:21:33 | 0:21:35 | |
across a geographical location? | 0:21:35 | 0:21:37 | |
Or, better than that, might they be able to transmit a thought? | 0:21:37 | 0:21:40 | |
This time, I want to see if one can transmit a thought to another. | 0:21:40 | 0:21:45 | |
Because, if we can do that, then, perhaps, maybe anything's possible. | 0:21:45 | 0:21:48 | |
I'm going to send you out onto the streets, right into the city centre. | 0:21:51 | 0:21:55 | |
You can go anywhere, turn any corner, go up any street, down any alleyway. | 0:21:55 | 0:22:00 | |
It is entirely up to you. I will have no clue. | 0:22:00 | 0:22:02 | |
And you will have no clue where you're going. | 0:22:02 | 0:22:04 | |
And, then, I'm going to ask you to pick anything when you're out there. | 0:22:04 | 0:22:08 | |
Choose a random object to focus on, a random object to look at. | 0:22:08 | 0:22:12 | |
It will be up to you to try and intuit what that random object is. | 0:22:12 | 0:22:16 | |
-OK? -Right, OK. -Feel confident? | 0:22:16 | 0:22:18 | |
Mm, yeah-eah. Maybe. Maybe. | 0:22:18 | 0:22:19 | |
I don't! | 0:22:19 | 0:22:22 | |
Off you go. Now remember you can go wherever you like. | 0:22:22 | 0:22:25 | |
I'm going to call you in a few minutes when you're out there, | 0:22:25 | 0:22:27 | |
when you're roaming around. | 0:22:27 | 0:22:29 | |
-Just keep walking around until you see what you like. -OK. | 0:22:29 | 0:22:32 | |
Enjoy! | 0:22:32 | 0:22:34 | |
Cathan's off. | 0:22:34 | 0:22:36 | |
Let's go this way. There's more shops down this way, isn't there? | 0:22:36 | 0:22:40 | |
He might have a better chance of mind transmission without the hair. | 0:22:40 | 0:22:43 | |
Just saying. | 0:22:43 | 0:22:46 | |
As he's roaming around the street, he could literally see anything. | 0:22:46 | 0:22:50 | |
He could see a brick that he really wants to focus on. | 0:22:50 | 0:22:52 | |
He could see a piece of concrete. He could see a cloud in the sky. | 0:22:52 | 0:22:55 | |
I'm not going to have a clue. It sounds impossible. | 0:22:55 | 0:22:59 | |
I hope it works but the chances aren't very high. | 0:22:59 | 0:23:04 | |
Have you ever tried anything like this before? | 0:23:04 | 0:23:07 | |
Have you ever had him think of something | 0:23:07 | 0:23:09 | |
and you try to work out what it is? | 0:23:09 | 0:23:10 | |
No, actually, we never have tried that. | 0:23:10 | 0:23:13 | |
Aye-aye, Cathan's onto something. | 0:23:13 | 0:23:15 | |
OK, so I've now got what I want. | 0:23:24 | 0:23:26 | |
I want you to enter into this with confidence. | 0:23:26 | 0:23:29 | |
And just knowing that, if this doesn't work, it's still just | 0:23:29 | 0:23:31 | |
a bit of fun and you've already had an amazing experience so far. | 0:23:31 | 0:23:34 | |
Yeah, yeah. | 0:23:34 | 0:23:36 | |
OK, so I'm thinking the best place I could go up | 0:23:36 | 0:23:39 | |
and concentrate would probably be at the top. | 0:23:39 | 0:23:41 | |
So, if we could head up there now and see, yeah? | 0:23:41 | 0:23:44 | |
PHONE RINGS | 0:23:47 | 0:23:49 | |
-Hello. -Hello, is that Cathan? | 0:23:52 | 0:23:55 | |
-Hello, it is. -How are you? | 0:23:55 | 0:23:57 | |
I'm not too bad. How are you? | 0:23:57 | 0:23:59 | |
Cathan, have you selected something to focus on? | 0:23:59 | 0:24:02 | |
I have, indeed. | 0:24:02 | 0:24:04 | |
OK, now is there any way in the world that Phelan | 0:24:04 | 0:24:07 | |
would know what you're thinking of? | 0:24:07 | 0:24:09 | |
Most definitely not. | 0:24:09 | 0:24:11 | |
OK, I want you to stare at whatever that is. | 0:24:11 | 0:24:13 | |
I want you to stare at it and I want you to focus on it, | 0:24:13 | 0:24:16 | |
I want you to focus on it deeply, firmly, tightly. | 0:24:16 | 0:24:19 | |
I want you to see whatever this is big and bold in your mind | 0:24:19 | 0:24:23 | |
and just focus on it there. | 0:24:23 | 0:24:25 | |
OK, great. No problem. | 0:24:25 | 0:24:27 | |
Great, thank you. Bye-bye. | 0:24:27 | 0:24:29 | |
OK, bye. | 0:24:29 | 0:24:30 | |
I'm going to give you this pad and this Sharpie and, | 0:24:30 | 0:24:33 | |
just for the fun of it, sign the bottom corner of it for me. | 0:24:33 | 0:24:37 | |
Now close your eyes for me and scribble down your first impression | 0:24:42 | 0:24:45 | |
really slowly and just trust your instincts. | 0:24:45 | 0:24:49 | |
And imagine, for a moment, | 0:24:54 | 0:24:56 | |
that you could receive this thought from Cathan. | 0:24:56 | 0:25:01 | |
Concentrate now, Cathan. | 0:25:06 | 0:25:07 | |
Are you feeling it, Phelan? | 0:25:10 | 0:25:12 | |
Just trust your instincts. | 0:25:12 | 0:25:14 | |
You will just allow the pen to move and, as it moves, | 0:25:14 | 0:25:20 | |
I want you to genuinely feel and imagine what it might be like | 0:25:20 | 0:25:24 | |
if Cathan was able to transmit something to you. | 0:25:24 | 0:25:27 | |
Could spend that tenner on a haircut. | 0:25:30 | 0:25:32 | |
Just a thought. | 0:25:32 | 0:25:34 | |
Because it's only when we trust ourselves that we can help | 0:25:34 | 0:25:37 | |
each other make better decisions. | 0:25:37 | 0:25:40 | |
-Yeah, I think I'm... -Feel like you're done? | 0:25:40 | 0:25:42 | |
I think, yeah. | 0:25:42 | 0:25:43 | |
So what have we got here? | 0:25:43 | 0:25:46 | |
Six, five, seven, one, seven, one, two. | 0:25:46 | 0:25:49 | |
This isn't a telephone number or date of birth, | 0:25:49 | 0:25:52 | |
or anything like that? | 0:25:52 | 0:25:53 | |
-No, not at all. -OK. | 0:25:53 | 0:25:55 | |
PHONE RINGS | 0:25:55 | 0:25:57 | |
-Hello. -Hello, Cathan. | 0:25:57 | 0:25:58 | |
Phelan has made his guess at this side. | 0:25:58 | 0:26:01 | |
OK. | 0:26:01 | 0:26:04 | |
Go ahead, Cathan, whenever you're ready and tell me, | 0:26:04 | 0:26:07 | |
what were you focusing on? | 0:26:07 | 0:26:09 | |
OK, at the moment I'm holding £10 sterling, a £10 banknote. | 0:26:09 | 0:26:13 | |
-A banknote? -Yes. | 0:26:15 | 0:26:17 | |
-So it's got a one and zero on it? -It has, yeah. | 0:26:17 | 0:26:21 | |
OK, actually, it's probably best if you just come back but, | 0:26:21 | 0:26:26 | |
unfortunately, it hasn't worked. | 0:26:26 | 0:26:29 | |
Oops! I'm not telepathic but that Phelan does look a bit disappointed. | 0:26:29 | 0:26:33 | |
If twins fail, does that make it a double whammy? | 0:26:33 | 0:26:36 | |
Slightly disappointed that we've come out all this way and, | 0:26:36 | 0:26:40 | |
apparently, it's not worked so well. | 0:26:40 | 0:26:42 | |
Come in, come in. | 0:26:50 | 0:26:52 | |
Thank you for coming in. Take a wee seat. | 0:26:52 | 0:26:56 | |
What was it, again? Would you show me, do you have it? | 0:26:56 | 0:26:59 | |
-And did you go to a cash machine for this? -Yeah. -All right, OK. | 0:26:59 | 0:27:02 | |
That's really, really, super, super, super random. | 0:27:02 | 0:27:06 | |
Phelan had got a series of numbers so I thought for a while | 0:27:06 | 0:27:10 | |
-maybe you were looking at a flyer or something. -Right. | 0:27:10 | 0:27:13 | |
Or I thought maybe you were looking at a telephone. | 0:27:13 | 0:27:16 | |
-What are the numbers, actually? -Well, it's a tenner, isn't it? | 0:27:16 | 0:27:18 | |
Six, five, seven, one, seven, one, two. | 0:27:24 | 0:27:26 | |
I kept going over that number in my head because at least... | 0:27:26 | 0:27:29 | |
Hold on, hold on! Let me just get this right now. | 0:27:29 | 0:27:32 | |
Six, five, seven, one, seven, one, two. | 0:27:32 | 0:27:34 | |
-No, you're... Unbelievable! -No! | 0:27:34 | 0:27:36 | |
So, hold on, you took this out of a cash machine? | 0:27:36 | 0:27:39 | |
Yeah, out of a cash machine. | 0:27:39 | 0:27:41 | |
-And this number didn't mean anything to you? -No! | 0:27:41 | 0:27:45 | |
-No, not at all, in any way. -Oh, my gosh! | 0:27:45 | 0:27:47 | |
-That's just so weird! -I can't believe it. I can't believe it. | 0:27:47 | 0:27:51 | |
That's just so weird. | 0:27:51 | 0:27:52 | |
I just... I feel like giving myself a punch in the face! | 0:27:52 | 0:27:55 | |
TWINS LAUGH | 0:27:55 | 0:27:57 | |
I mean, it's almost written the same way. | 0:27:57 | 0:28:00 | |
You see the six and then it's going up. | 0:28:00 | 0:28:02 | |
Yeah, I think wow is the word for it, definitely. | 0:28:02 | 0:28:05 | |
That was absolutely incredible! | 0:28:05 | 0:28:07 | |
Even I'm blown away. | 0:28:07 | 0:28:09 | |
My job was to make the guys believe that the power of their mind has no limit. | 0:28:09 | 0:28:15 | |
I'm kind of shaking a little bit. | 0:28:15 | 0:28:17 | |
It's just... Woah! | 0:28:17 | 0:28:19 | |
The human mind is an astonishing thing that | 0:28:19 | 0:28:21 | |
I don't think anyone fully understands. | 0:28:21 | 0:28:23 | |
I don't think we really know what power the mind has | 0:28:23 | 0:28:26 | |
and that's my job as a mentalist, to make people believe that | 0:28:26 | 0:28:29 | |
they can do impossible things. | 0:28:29 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:37 | 0:28:40 | |
E-mail [email protected] | 0:28:40 | 0:28:43 |