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APPLAUSE | 0:00:02 | 0:00:04 | |
This programme contains some strong language and adult humour. | 0:00:07 | 0:00:12 | |
Hello. Now, I've been doing this talk show thing for quite a while - | 0:00:15 | 0:00:19 | |
nearly 20 years, at the last count. | 0:00:19 | 0:00:21 | |
Unbelievable! | 0:00:21 | 0:00:22 | |
I think it's high time I pay tribute to those wonderful people | 0:00:22 | 0:00:25 | |
without whom my show would not be possible - the guests. | 0:00:25 | 0:00:28 | |
I mean, who wants 45 minutes of just me talking? | 0:00:28 | 0:00:31 | |
Even I'd be bored by that. | 0:00:31 | 0:00:32 | |
Let's get some guests on, ladies and gentlemen! | 0:00:32 | 0:00:34 | |
I'm very grateful they find time in their busy schedules to join me, | 0:00:34 | 0:00:38 | |
and there's only one thing I ever ask of them - to be good. | 0:00:38 | 0:00:41 | |
And how do they do that? | 0:00:41 | 0:00:42 | |
Well, I've taken the liberty of putting together | 0:00:42 | 0:00:45 | |
my very own Good Guest Guide to make it all crystal clear. | 0:00:45 | 0:00:48 | |
It's a week late for the lucrative Christmas market, but never mind. | 0:00:48 | 0:00:51 | |
Some of my favourite guests have already taken note. | 0:00:51 | 0:00:54 | |
I talk dirty and I think that's why they ask me. | 0:00:54 | 0:00:58 | |
My remit when I come on the Graham Norton show? | 0:00:58 | 0:01:00 | |
Be entertaining, but then shut up when someone more important | 0:01:00 | 0:01:03 | |
and famous has to speak. | 0:01:03 | 0:01:05 | |
This starts filming about 7pm, which is great. | 0:01:05 | 0:01:09 | |
That's in my drinking zone, so it's lovely that it coincides | 0:01:09 | 0:01:13 | |
with work, fun and drinking. | 0:01:13 | 0:01:15 | |
I love Graham, and I love being on him. | 0:01:15 | 0:01:17 | |
LAUGHTER | 0:01:18 | 0:01:20 | |
Talk shows are not complicated. | 0:01:21 | 0:01:23 | |
Trust me, I'm an expert. | 0:01:23 | 0:01:25 | |
So, my guidebook is sized accordingly. | 0:01:25 | 0:01:27 | |
More of a guide-pamphlet, if you will. | 0:01:27 | 0:01:29 | |
Anyway, there are just a few rules to remember. | 0:01:29 | 0:01:32 | |
Get there on time, be famous, and tell a story. A really good story. | 0:01:32 | 0:01:36 | |
What is the story about you meeting an American man in Cambridge? | 0:01:36 | 0:01:42 | |
-When I was a student? -Yes. | 0:01:42 | 0:01:45 | |
That was before I was a lesbian. I was just, erm... | 0:01:45 | 0:01:48 | |
LAUGHTER | 0:01:48 | 0:01:50 | |
I was sorting myself out. | 0:01:50 | 0:01:52 | |
People say that I have no filter. | 0:01:52 | 0:01:55 | |
Erm, I don't really know... | 0:01:56 | 0:01:59 | |
..quite what that means. | 0:02:00 | 0:02:02 | |
I know that I just say what comes into my head. | 0:02:02 | 0:02:05 | |
And sometimes it's very offensive, | 0:02:05 | 0:02:07 | |
and people are very shocked and disgusted. | 0:02:07 | 0:02:11 | |
And sometimes, when they tell me what I've said, | 0:02:11 | 0:02:14 | |
I'm shocked and disgusted, too. | 0:02:14 | 0:02:16 | |
I was on my bike... | 0:02:16 | 0:02:18 | |
..because we cycled. | 0:02:18 | 0:02:20 | |
Over the cobbles, I would imagine. | 0:02:21 | 0:02:23 | |
LAUGHTER | 0:02:23 | 0:02:25 | |
Dyke on a bike. And, erm... | 0:02:25 | 0:02:27 | |
-LAUGHTER -I didn't want to say it. | 0:02:27 | 0:02:29 | |
And we stopped at the traffic lights. | 0:02:31 | 0:02:34 | |
And I turned... I looked to the left or the right, whatever it was, | 0:02:34 | 0:02:38 | |
and there was a car, an open car, with an American soldier inside, | 0:02:38 | 0:02:43 | |
and something crazy took hold of me then. | 0:02:43 | 0:02:46 | |
You know that feeling? | 0:02:46 | 0:02:48 | |
I've got it right now. | 0:02:48 | 0:02:50 | |
LAUGHTER | 0:02:50 | 0:02:52 | |
And I said, "Would you like to follow me to my college | 0:02:52 | 0:02:57 | |
"and I'll suck you off?" | 0:02:57 | 0:02:59 | |
LAUGHTER AND APPLAUSE | 0:02:59 | 0:03:02 | |
Dear Stanley, I think he was a bit shocked - | 0:03:11 | 0:03:14 | |
and, you know, Americans are a bit mealy-mouthed. | 0:03:14 | 0:03:18 | |
And I use that word... | 0:03:18 | 0:03:20 | |
..deliberately. | 0:03:21 | 0:03:22 | |
-Stanley, you knew you recognised her from somewhere. -Exactly! | 0:03:24 | 0:03:28 | |
LAUGHTER | 0:03:28 | 0:03:29 | |
-Finish that story. -Well... | 0:03:32 | 0:03:33 | |
-We can't get any better. -I think we know what happens next. | 0:03:34 | 0:03:38 | |
The really interesting thing was... | 0:03:38 | 0:03:41 | |
LAUGHTER | 0:03:41 | 0:03:43 | |
He, afterwards... and I should explain, | 0:03:43 | 0:03:46 | |
I thought I was being a good girl, | 0:03:46 | 0:03:48 | |
because a bad girl would have had intercourse. | 0:03:48 | 0:03:52 | |
With a random stranger from the street. | 0:03:52 | 0:03:55 | |
For sure, for sure. | 0:03:56 | 0:03:58 | |
I still think it was the right thing to do. | 0:03:58 | 0:04:00 | |
I'm sure he felt the same way! | 0:04:01 | 0:04:04 | |
Anyway, after it was all over, he said, | 0:04:05 | 0:04:08 | |
"Could I come back next week? Because I've got some friends here." | 0:04:08 | 0:04:12 | |
LAUGHTER | 0:04:12 | 0:04:14 | |
I'd like to be on one of your shows that will actually air. | 0:04:14 | 0:04:17 | |
LAUGHTER AND APPLAUSE | 0:04:17 | 0:04:19 | |
I love anecdotes. Not just telling them, but hearing them. | 0:04:20 | 0:04:23 | |
I think things that have really happened in someone's life | 0:04:23 | 0:04:26 | |
is always fascinating, because not only is it funny, hopefully, | 0:04:26 | 0:04:30 | |
but there's an insight there. | 0:04:30 | 0:04:32 | |
I think if you can bring that to the table and reduce it to a... | 0:04:32 | 0:04:36 | |
you know, a story, I think that is better than jokes, in a way. | 0:04:36 | 0:04:41 | |
I do tell stories, but I don't like being... | 0:04:41 | 0:04:44 | |
I like to tell them spontaneously, I suppose. | 0:04:44 | 0:04:47 | |
-Julie Walters. -What?! -Did you meet your...? | 0:04:47 | 0:04:50 | |
For god's sake! | 0:04:50 | 0:04:52 | |
Leave me alone! | 0:04:52 | 0:04:54 | |
LAUGHTER | 0:04:54 | 0:04:56 | |
-What do you want to know? -You met your husband in a club, didn't you? | 0:04:56 | 0:05:00 | |
Mind your own business! | 0:05:00 | 0:05:01 | |
LAUGHTER AND APPLAUSE | 0:05:01 | 0:05:03 | |
-Cheers. -Cheers. | 0:05:06 | 0:05:08 | |
The whole concept of a chat show falling apart. | 0:05:09 | 0:05:11 | |
"Why are you asking me all these questions?!" | 0:05:11 | 0:05:14 | |
'I think it's nice that people are given a drink.' | 0:05:14 | 0:05:18 | |
I think it helps give a party atmosphere. | 0:05:18 | 0:05:20 | |
Of course I'm always holding the glass when he comes to ask me. | 0:05:20 | 0:05:23 | |
Other people are really clever, the glass is on the table, | 0:05:23 | 0:05:26 | |
they wait until the camera's off and then they glug down. | 0:05:26 | 0:05:29 | |
They don't look like they're touching it at all. | 0:05:29 | 0:05:31 | |
Stupid old me, sitting there, right in front of everybody. | 0:05:31 | 0:05:34 | |
I must look like an alcoholic on the show. | 0:05:34 | 0:05:36 | |
But that does make it jolly. | 0:05:36 | 0:05:38 | |
-Did you go clubbing a lot? -Clubbing?! | 0:05:38 | 0:05:41 | |
Yes, I did in Birmingham. | 0:05:41 | 0:05:43 | |
-Yes. -Yeah. What's that got to do with anything now? | 0:05:43 | 0:05:45 | |
-Isn't that where you met your husband? -No, I met him in a bar. | 0:05:45 | 0:05:48 | |
-Oh, a bar. -In, Fulham, yes. | 0:05:48 | 0:05:50 | |
-In Fulham? -It was full of frightfully posh people. | 0:05:50 | 0:05:53 | |
What we used to call Hooray Henrys. Everybody was frightfully posh. | 0:05:53 | 0:05:57 | |
I remember saying, I was a bit drunk... | 0:05:57 | 0:06:00 | |
"I bet nobody here is a member of the Labour Party," | 0:06:00 | 0:06:02 | |
and he said, "I am, actually," and that was it. | 0:06:02 | 0:06:05 | |
We met, then he came home and never moved out. | 0:06:05 | 0:06:07 | |
-LAUGHTER -He mended my washing machine. | 0:06:07 | 0:06:10 | |
Told me I needed a pump. I misunderstood him. | 0:06:11 | 0:06:14 | |
LAUGHTER AND APPLAUSE | 0:06:14 | 0:06:16 | |
I'm happy to give you all of this advice, | 0:06:18 | 0:06:20 | |
but maybe we should hear from the most experienced | 0:06:20 | 0:06:23 | |
Graham Norton Show guest expert. | 0:06:23 | 0:06:25 | |
That will be the man who has the record number of appearances | 0:06:25 | 0:06:28 | |
on this show, Mr Ricky "Ten Times" Gervais. | 0:06:28 | 0:06:30 | |
You know, I think I get invited back because I like to interact. | 0:06:30 | 0:06:34 | |
Chat show hosts like comedians on, because they can relax a little bit. | 0:06:34 | 0:06:38 | |
CHEERING | 0:06:39 | 0:06:41 | |
They know that a comedian is going to show off. | 0:06:42 | 0:06:46 | |
I remember something you said once when we were promoting this film, | 0:06:46 | 0:06:49 | |
"We decided not to dick about | 0:06:49 | 0:06:51 | |
"so people took us serious as directors." | 0:06:51 | 0:06:53 | |
LAUGHTER | 0:06:53 | 0:06:55 | |
So I've been on ten times, so I've probably spoken for about two hours, | 0:06:59 | 0:07:03 | |
and he got paid for that two hours where I was talking. | 0:07:03 | 0:07:07 | |
I'm doing all the work and he's getting paid. | 0:07:07 | 0:07:09 | |
He's having a laugh. | 0:07:09 | 0:07:11 | |
We should split this. | 0:07:11 | 0:07:13 | |
This should be Ricky & Graham. | 0:07:14 | 0:07:16 | |
Inside, he's like me. | 0:07:16 | 0:07:18 | |
He's a comedian who wants to sit at home in his pants, drinking... | 0:07:18 | 0:07:23 | |
..and he does, every other night of the week. | 0:07:23 | 0:07:26 | |
I was doing all the work with Tinie Tempah. | 0:07:26 | 0:07:28 | |
Graham goes into his own world, thinking about his next drink. | 0:07:28 | 0:07:32 | |
Tinie Tempah goes off about... | 0:07:32 | 0:07:34 | |
..having stuffed animals in his house. | 0:07:34 | 0:07:36 | |
Graham just sits back. | 0:07:36 | 0:07:38 | |
And I have a giraffe, as well. | 0:07:38 | 0:07:41 | |
But not, like, a real one. | 0:07:41 | 0:07:43 | |
-It was real before. -Yeah. | 0:07:43 | 0:07:45 | |
A dead one. | 0:07:47 | 0:07:48 | |
-One... Yeah. -A dead one. -Yeah, that died of like... | 0:07:48 | 0:07:52 | |
..natural...like, the flu and stuff. | 0:07:52 | 0:07:54 | |
LAUGHTER | 0:07:54 | 0:07:56 | |
-A sore throat. -A sore throat with a giraffe is serious. | 0:07:56 | 0:07:59 | |
-Yeah. -It could be fatal. -It's really bad. | 0:08:00 | 0:08:04 | |
-You've got high ceilings, then, in your house. -Very. | 0:08:04 | 0:08:07 | |
Or he's always drinking. | 0:08:07 | 0:08:09 | |
I need one that died drinking. | 0:08:10 | 0:08:12 | |
I'm in a council house. I need one... | 0:08:14 | 0:08:17 | |
Have you got a giraffe that died in its sleep? | 0:08:17 | 0:08:20 | |
They never do that with animals, do they? | 0:08:21 | 0:08:24 | |
They never have taxidermy with animals like that. | 0:08:24 | 0:08:26 | |
They always have a bear like that... | 0:08:27 | 0:08:29 | |
It doesn't... | 0:08:29 | 0:08:31 | |
That's what they will do with me. I want a taxidermy... | 0:08:32 | 0:08:35 | |
You can have me. | 0:08:35 | 0:08:37 | |
It's just me like that. | 0:08:37 | 0:08:39 | |
LAUGHTER | 0:08:39 | 0:08:41 | |
On your sofa. | 0:08:41 | 0:08:42 | |
I think all those reasons are maybe why, erm... | 0:08:42 | 0:08:46 | |
..they've invited me back so many times. | 0:08:46 | 0:08:48 | |
That, and because I live locally and I'm punctual. I'm always early. | 0:08:48 | 0:08:52 | |
They can't believe it if you turn up. | 0:08:52 | 0:08:54 | |
They send my car three hours early because they assume celebrities | 0:08:54 | 0:08:57 | |
are always drunk in a ditch. | 0:08:57 | 0:08:59 | |
Whereas I get there early. You know what I mean? | 0:08:59 | 0:09:02 | |
So, I think... | 0:09:02 | 0:09:04 | |
The most boring advice ever. | 0:09:04 | 0:09:07 | |
To be on time! | 0:09:07 | 0:09:09 | |
How do you be an international comedian? | 0:09:09 | 0:09:11 | |
"Well, get lots of sleep." | 0:09:11 | 0:09:13 | |
"Be punctual." | 0:09:14 | 0:09:16 | |
Fucking hell. | 0:09:17 | 0:09:18 | |
Growing up in my family, everyone was winding everyone up. | 0:09:18 | 0:09:21 | |
I was the youngest of four, and I remember once... | 0:09:21 | 0:09:24 | |
..when my sister, she must have been about... | 0:09:24 | 0:09:27 | |
..I don't know, 25 or something, I was, like, eight, | 0:09:27 | 0:09:31 | |
and they used to take me out into the woods and I would be foraging. | 0:09:31 | 0:09:35 | |
I used to love insects, I knew about space and everything, | 0:09:35 | 0:09:38 | |
and I found a perfect little discarded, erm, snakeskin. | 0:09:38 | 0:09:43 | |
I picked it up and my sister was scared of it. | 0:09:43 | 0:09:45 | |
I suddenly thought, I've got her. | 0:09:45 | 0:09:47 | |
I was teasing her. She was going, "Put it down, it's got germs." | 0:09:47 | 0:09:50 | |
I was running round chasing her. | 0:09:50 | 0:09:52 | |
And she went, "You're not coming in the car with that." | 0:09:52 | 0:09:55 | |
And then when I was about 15, I was at home with a few of my mates, | 0:09:55 | 0:09:58 | |
I decided to wind her up. | 0:09:58 | 0:10:00 | |
I started teasing her about how she was scared of snakes, | 0:10:00 | 0:10:02 | |
I chased her with a snakeskin. And she chose that time to tell me | 0:10:02 | 0:10:06 | |
that I'd actually been running round with a used condom. | 0:10:06 | 0:10:09 | |
LAUGHTER | 0:10:09 | 0:10:11 | |
On the show, we like to welcome all the guests on to the sofa | 0:10:15 | 0:10:18 | |
at the same time, so we need to make sure everyone will get along | 0:10:18 | 0:10:21 | |
with all their sofa mates. | 0:10:21 | 0:10:23 | |
This is my next Good Guest Guide rule. Be a good neighbour. | 0:10:23 | 0:10:28 | |
I am on the same sofa as Michael Buble. | 0:10:28 | 0:10:31 | |
This...! | 0:10:31 | 0:10:32 | |
Michael, he's not making this up. | 0:10:32 | 0:10:35 | |
I am so excited to be here with you this evening. | 0:10:35 | 0:10:37 | |
I maybe went in a little hard when I was on with Buble. | 0:10:37 | 0:10:41 | |
I could have been slightly cooler. | 0:10:41 | 0:10:43 | |
I'm at the stage in my life, all my friends, | 0:10:43 | 0:10:46 | |
they're going out and having all-night raves and partying | 0:10:46 | 0:10:49 | |
and getting drunk. I am so over that. | 0:10:49 | 0:10:52 | |
My ideal night these days, go home, run a bath, light some candles, | 0:10:52 | 0:10:58 | |
open a bottle of Shiraz, | 0:10:58 | 0:11:00 | |
put on a little bit of this gentleman's music here | 0:11:00 | 0:11:02 | |
and have what I like to refer to as a Buble bath. | 0:11:02 | 0:11:05 | |
LAUGHTER AND APPLAUSE | 0:11:05 | 0:11:07 | |
It's the dream. | 0:11:07 | 0:11:09 | |
It was a wonderful moment | 0:11:09 | 0:11:11 | |
and it was one that I will cherish for the rest of my life. | 0:11:11 | 0:11:14 | |
We also swapped numbers and he has never called me. | 0:11:15 | 0:11:18 | |
-Is it Graham? -That'll do. | 0:11:18 | 0:11:21 | |
-Greg. -Greg! I'm so sorry. | 0:11:21 | 0:11:24 | |
-Graham's fine. -Greg, could you just stand up a minute, would you mind? | 0:11:24 | 0:11:28 | |
And can I stand next to you? | 0:11:28 | 0:11:30 | |
LAUGHTER AND APPLAUSE | 0:11:30 | 0:11:32 | |
We were all standing in order of height backstage - | 0:11:40 | 0:11:42 | |
you should have a look at this. If Will comes and stands here. | 0:11:42 | 0:11:45 | |
I think this is a great visual. | 0:11:45 | 0:11:47 | |
LAUGHTER | 0:11:47 | 0:11:49 | |
Perfectly put together, this couch. | 0:11:55 | 0:11:57 | |
-Oh! AUDIENCE: -Ooooh! | 0:11:58 | 0:12:01 | |
-David Beckham... -You've gone off. -..you have met your match! | 0:12:02 | 0:12:06 | |
I just wanted to meet you, mate. | 0:12:13 | 0:12:15 | |
LAUGHTER | 0:12:15 | 0:12:17 | |
CHEERING AND APPLAUSE | 0:12:22 | 0:12:24 | |
I was in between Michael Fassbender and 50 Pence. | 0:12:27 | 0:12:31 | |
It was fabulous. | 0:12:31 | 0:12:32 | |
-Where were you shot? Where? -In front of my grandmother's house. | 0:12:32 | 0:12:36 | |
-Where on your body? -LAUGHTER | 0:12:36 | 0:12:38 | |
Gorgeous, gorgeous, both of them, actually. | 0:12:40 | 0:12:43 | |
-Is it still in your tongue? -Yeah. It's great for oral sex. -Is it? | 0:12:43 | 0:12:47 | |
LAUGHTER | 0:12:47 | 0:12:49 | |
Good to know. | 0:12:50 | 0:12:52 | |
Yes, went into his mouth, do you remember? | 0:12:52 | 0:12:55 | |
Only happens on this programme, honestly. | 0:12:55 | 0:12:57 | |
Yeah, I can feel it. | 0:13:00 | 0:13:02 | |
LAUGHTER | 0:13:02 | 0:13:04 | |
Another rule to remember if you want to be a top guest, | 0:13:07 | 0:13:10 | |
always make a good impression. | 0:13:10 | 0:13:12 | |
Actually, even better than that, always do a good impression. | 0:13:12 | 0:13:16 | |
-MIMICS GRAHAM: -I'm enjoying this. Introduce Bonnie Tyler. | 0:13:16 | 0:13:19 | |
-Right, it's time for music now. -CHUCKLES | 0:13:19 | 0:13:22 | |
APPLAUSE | 0:13:22 | 0:13:24 | |
-MIMICS GRAHAM: -So, welcome back, welcome back. | 0:13:24 | 0:13:27 | |
So, you... So, you, you've never been on the show. | 0:13:29 | 0:13:34 | |
Is it in episode one you talk about Mick Jagger? | 0:13:36 | 0:13:40 | |
This is about a Christmas and a bit ago, | 0:13:40 | 0:13:43 | |
I was at a party in a house and he was there. | 0:13:43 | 0:13:46 | |
I heard... | 0:13:46 | 0:13:47 | |
-MIMICS MICK JAGGER: -"Rob! Rob!" | 0:13:47 | 0:13:49 | |
And I looked around, "What? What?" and he was on the landing, | 0:13:49 | 0:13:53 | |
and he went, "Don't throw those bloody spears at me." | 0:13:53 | 0:13:56 | |
And I... I looked up, "What?" | 0:13:58 | 0:14:02 | |
-"What? -AS MICK: -"Don't throw those bloody spears at me, aaah!" | 0:14:02 | 0:14:06 | |
I had no idea. | 0:14:09 | 0:14:10 | |
I was thinking, what is going on? | 0:14:10 | 0:14:13 | |
Is he having a stroke? | 0:14:13 | 0:14:14 | |
He's in the age range, you know. | 0:14:14 | 0:14:17 | |
And then I realised, he's doing Michael Caine in Zulu. | 0:14:18 | 0:14:23 | |
He's doing me from The Trip doing... | 0:14:24 | 0:14:26 | |
So I went... | 0:14:26 | 0:14:28 | |
-MIMICS MICHAEL CAINE: -"I've told you before, if you're not going to sing, | 0:14:28 | 0:14:32 | |
"I don't want to bloody know. Now get back in the other room." | 0:14:32 | 0:14:35 | |
-AS MICK: -"Aaah!" | 0:14:35 | 0:14:37 | |
APPLAUSE | 0:14:37 | 0:14:39 | |
You have now learned how to do the voices from TOWIE? | 0:14:40 | 0:14:43 | |
Yeah. Sort of, yeah. Well, I... | 0:14:43 | 0:14:46 | |
-How is that possible? -We love that garbage TV back in... | 0:14:46 | 0:14:50 | |
..in the States. | 0:14:51 | 0:14:52 | |
So, it's like... | 0:14:52 | 0:14:54 | |
-ESSEX ACCENT: -"So, honestly, I saw this guy..." | 0:14:54 | 0:14:56 | |
LAUGHTER AND APPLAUSE | 0:14:56 | 0:14:58 | |
"Honestly, did, like, Michael cheat on me when he was in Ibiza? | 0:15:02 | 0:15:06 | |
"Because he was telling me, like, you know, | 0:15:07 | 0:15:10 | |
"like, I miss you, or whatever, | 0:15:10 | 0:15:12 | |
"and I'm like, miss me? What am I, your mother?" | 0:15:12 | 0:15:16 | |
That's so good! | 0:15:16 | 0:15:17 | |
APPLAUSE | 0:15:17 | 0:15:19 | |
LAUGHTER | 0:15:21 | 0:15:23 | |
-MIMICS ROBERT DE NIRO: -What if you do got me boxed in... | 0:15:23 | 0:15:26 | |
..and I got to put you down? | 0:15:27 | 0:15:29 | |
We've been face-to-face. | 0:15:29 | 0:15:31 | |
Yeah. | 0:15:31 | 0:15:33 | |
But I will not hesitate. | 0:15:33 | 0:15:35 | |
Not for a second. | 0:15:36 | 0:15:37 | |
That's my... | 0:15:37 | 0:15:39 | |
APPLAUSE | 0:15:39 | 0:15:40 | |
When we're on the red carpet, going into the ceremony, | 0:15:41 | 0:15:44 | |
-I met Maggie Smith. -MIMICS MAGGIE: -"Hello, what are you here for?" | 0:15:44 | 0:15:48 | |
I said, "Well, Lord of the Rings." | 0:15:48 | 0:15:50 | |
She said, "What's that around your neck?" | 0:15:50 | 0:15:52 | |
I said, "It's my pounamu, Maggie." | 0:15:52 | 0:15:54 | |
"Oh, your pounamu. What's that for?" | 0:15:54 | 0:15:56 | |
I said, "Well, if I wear it, it'll bring me luck. | 0:15:56 | 0:15:59 | |
"Oh, very nice." | 0:15:59 | 0:16:01 | |
And at the end, of course, everyone else wins the Oscar apart from you. | 0:16:02 | 0:16:05 | |
A bit dejected, you're coming out looking forward to a drink | 0:16:05 | 0:16:08 | |
and you bump into Maggie Smith. | 0:16:08 | 0:16:10 | |
She points at you and says, "Didn't work, did it?" | 0:16:10 | 0:16:12 | |
LAUGHTER | 0:16:12 | 0:16:15 | |
We're on the Graham Norton show and I have some friends here. | 0:16:15 | 0:16:18 | |
Oh, no. | 0:16:18 | 0:16:19 | |
I'll be back. | 0:16:19 | 0:16:21 | |
Hasta la vista, baby. | 0:16:21 | 0:16:24 | |
There is no bathroom! | 0:16:24 | 0:16:26 | |
Who's your daddy now and what does he do? | 0:16:28 | 0:16:31 | |
I'm old, not obsolete. | 0:16:31 | 0:16:33 | |
Hasta la vista, baby. | 0:16:34 | 0:16:36 | |
I'll be back! | 0:16:36 | 0:16:38 | |
Very good. Thank you very much. | 0:16:38 | 0:16:40 | |
You did the voice-overs for some of the trailers. | 0:16:40 | 0:16:43 | |
-Yeah, I did. -The voice-over guy. -Yeah, exactly. I love that stuff. | 0:16:43 | 0:16:46 | |
I do it at home all the time, drives my wife nuts. | 0:16:46 | 0:16:49 | |
It's that voice... | 0:16:49 | 0:16:50 | |
"In a world, divided by fear, | 0:16:50 | 0:16:53 | |
"one man must stand alone." | 0:16:53 | 0:16:56 | |
"Will Smith, Ryan Reynolds, Catherine Zeta-Jones, Toby Jones, | 0:16:56 | 0:17:02 | |
"in... | 0:17:02 | 0:17:04 | |
"Graham Norton's Pants, rated R." | 0:17:04 | 0:17:06 | |
APPLAUSE | 0:17:06 | 0:17:08 | |
That's my ring tone. | 0:17:08 | 0:17:10 | |
When Benedict became famous, | 0:17:10 | 0:17:12 | |
one of the first things that happened was, this is so random, | 0:17:12 | 0:17:17 | |
that his fans decided that he looked very like an otter. | 0:17:17 | 0:17:20 | |
Are you aware of this? | 0:17:20 | 0:17:22 | |
-I'm sorry? -LAUGHTER | 0:17:23 | 0:17:25 | |
-Just matching pictures of otters. -Yeah. Return the favour, yes. | 0:17:25 | 0:17:29 | |
And then it'll go really viral and it'll be great. | 0:17:29 | 0:17:31 | |
This first one, I'm afraid, it's the dark side of the otter kingdom. | 0:17:32 | 0:17:37 | |
It's a bit fisty. It's like, "Why I ought to!" | 0:17:38 | 0:17:41 | |
Other way. | 0:17:41 | 0:17:42 | |
APPLAUSE | 0:17:45 | 0:17:47 | |
These are good. | 0:17:47 | 0:17:48 | |
Now, they start to get more challenging. | 0:17:48 | 0:17:51 | |
They start to get more challenging. | 0:17:51 | 0:17:53 | |
-AUDIENCE: -Aww! | 0:17:53 | 0:17:54 | |
-If you lean in, I'll lean in. -Yeah, exactly. | 0:17:55 | 0:17:57 | |
-OK, I'll lean in. -Oh, it's me? -You're in the middle. | 0:17:57 | 0:18:00 | |
It's the face on the otter. | 0:18:00 | 0:18:02 | |
APPLAUSE | 0:18:03 | 0:18:05 | |
Adorable! | 0:18:06 | 0:18:07 | |
Now... | 0:18:08 | 0:18:10 | |
So, we thought...that's right, but then...then... | 0:18:11 | 0:18:15 | |
..we found this picture, we found this picture of an otter. | 0:18:15 | 0:18:18 | |
Look at this. Look at this. | 0:18:18 | 0:18:20 | |
Let's look closer at the face... | 0:18:20 | 0:18:22 | |
You've never seen a happier creature on planet Earth. | 0:18:22 | 0:18:25 | |
Look how happy this otter is with his new teddy bear. | 0:18:25 | 0:18:28 | |
The teddy bear doesn't look very happy. | 0:18:29 | 0:18:31 | |
The teddy bear looks depressed. | 0:18:31 | 0:18:33 | |
"I've been given to a mammal?!" | 0:18:33 | 0:18:35 | |
I sent out the command, I picked up my phone and went, | 0:18:36 | 0:18:39 | |
"We'll need a big teddy bear." | 0:18:39 | 0:18:41 | |
-Now, however, the word "big" is quite relative. -Yeah. | 0:18:41 | 0:18:45 | |
-They've gone with a really enormous teddy bear. -Really? | 0:18:45 | 0:18:49 | |
It's just over there. | 0:18:49 | 0:18:51 | |
LAUGHTER | 0:18:51 | 0:18:53 | |
Wow. | 0:18:54 | 0:18:56 | |
LAUGHTER | 0:18:57 | 0:18:59 | |
Wow. This is... This is... | 0:18:59 | 0:19:01 | |
This is just... Don't be frightened. It's all right. | 0:19:03 | 0:19:06 | |
-Ready? -Isn't that amazing? | 0:19:06 | 0:19:08 | |
LAUGHTER AND APPLAUSE | 0:19:09 | 0:19:11 | |
That is genius. | 0:19:12 | 0:19:14 | |
One of the many advantages stars have over the rest of us | 0:19:14 | 0:19:17 | |
is that they know lots of other stars | 0:19:17 | 0:19:19 | |
and that helps them with my next helpful hint | 0:19:19 | 0:19:22 | |
for a dazzling talk show appearance. | 0:19:22 | 0:19:24 | |
Always follow this rule, there is no name too big, | 0:19:24 | 0:19:27 | |
too awkward or too heavy to drop on a show. | 0:19:27 | 0:19:30 | |
I had stationery made up with his name, | 0:19:30 | 0:19:33 | |
and then I would send letters to other actors from Brad Pitt. | 0:19:33 | 0:19:37 | |
That is so good. | 0:19:38 | 0:19:40 | |
I sent Meryl Streep a letter from Brad | 0:19:40 | 0:19:43 | |
where I got a big thing of CDs that had... | 0:19:43 | 0:19:46 | |
It was a dialect coach, | 0:19:46 | 0:19:48 | |
and...and he had every dialect. | 0:19:48 | 0:19:51 | |
Gaelic, Yiddish... every dialect in this huge thing - | 0:19:51 | 0:19:55 | |
and I sent it to her with a note from Brad that said, | 0:19:55 | 0:19:58 | |
"I hear you're going to be doing The Iron Lady soon. | 0:19:58 | 0:20:01 | |
"This guy helped me with my dialect in Troy", or something. | 0:20:01 | 0:20:05 | |
You know, "I thought maybe this would help." | 0:20:05 | 0:20:08 | |
I sent it to Meryl - and, you know, she's very confused by it. | 0:20:08 | 0:20:11 | |
LAUGHTER | 0:20:11 | 0:20:13 | |
I've sent letters to lots and lots of people from Brad. | 0:20:13 | 0:20:17 | |
LAUGHTER | 0:20:17 | 0:20:18 | |
Jack and I met on a magical night out | 0:20:18 | 0:20:21 | |
when I humiliated myself more than I ever had before. | 0:20:21 | 0:20:25 | |
It was probably the best moment of my life. | 0:20:25 | 0:20:28 | |
LAUGHTER | 0:20:28 | 0:20:29 | |
Clearly the worst of Jen's. | 0:20:29 | 0:20:31 | |
For the first time ever in my career, | 0:20:31 | 0:20:34 | |
I never assume anyone knows who I am. | 0:20:34 | 0:20:38 | |
And I saw Harrison Ford and, like, JJ Abrams | 0:20:38 | 0:20:42 | |
and I was, like, yeah, this is fun! | 0:20:42 | 0:20:45 | |
We're all co-workers, like, I can just go, so... | 0:20:45 | 0:20:48 | |
I was, like, "Be right back, guys, | 0:20:48 | 0:20:50 | |
"I'm going to go say hi to the Star Wars dudes," | 0:20:50 | 0:20:53 | |
and I approached their table and was, like... | 0:20:53 | 0:20:55 | |
..and they all, the whole table was just, like... | 0:20:57 | 0:21:00 | |
..and so, I realised while I was dancing, they have no idea who I am. | 0:21:01 | 0:21:05 | |
They've no idea who I am. | 0:21:05 | 0:21:07 | |
So I just turned around and walked back. | 0:21:07 | 0:21:09 | |
And Jack...Jack was dying. | 0:21:09 | 0:21:11 | |
I'd done this show with Harrison Ford, | 0:21:11 | 0:21:14 | |
so he's, like, the only A-list Hollywood star that I know. | 0:21:14 | 0:21:18 | |
He's the only one that I have. | 0:21:18 | 0:21:20 | |
So she'd just been blanked and I was, like, "Hey, it's all right, | 0:21:20 | 0:21:23 | |
"I'll go and say hi to Harrison." | 0:21:23 | 0:21:25 | |
And everyone in the group was, like, "Jack, don't do this. | 0:21:25 | 0:21:28 | |
"You'll be humiliated." I was, like, "Me and Harrison are tight." | 0:21:28 | 0:21:31 | |
They genuinely had no idea. | 0:21:31 | 0:21:32 | |
So I get up, I walk over, | 0:21:32 | 0:21:33 | |
and at this point, I'm like, "Maybe he won't remember me, | 0:21:33 | 0:21:36 | |
"and I'll be humiliated as well." | 0:21:36 | 0:21:38 | |
I walked over and literally as I walked over, | 0:21:38 | 0:21:41 | |
he was, like, "Hey, Jack!" | 0:21:41 | 0:21:42 | |
LAUGHTER AND APPLAUSE | 0:21:43 | 0:21:46 | |
I was so excited. | 0:21:46 | 0:21:47 | |
I throw all these parties at my crib. | 0:21:47 | 0:21:50 | |
I'm throwing a party for Puff, Jay-Z is there, and Pharrell. | 0:21:50 | 0:21:52 | |
It's a big party. | 0:21:52 | 0:21:54 | |
And this kid walks in with a backpack on and his jaw is busted. | 0:21:54 | 0:21:58 | |
And I said, "Who's that?" And they said, "That's Kanye West." | 0:21:58 | 0:22:01 | |
I say, "What does he do?" They say, "He raps and produces for Jay-Z." | 0:22:01 | 0:22:04 | |
And then he said... He said... | 0:22:04 | 0:22:06 | |
"I have...a song that... | 0:22:06 | 0:22:09 | |
"that I think that you will be great on... | 0:22:09 | 0:22:13 | |
"if we could go, erm, to the studio and do, erm, this song." | 0:22:13 | 0:22:17 | |
I said, "I'm trying to get in the music business. Let's go." | 0:22:17 | 0:22:20 | |
I wasn't in the music business. | 0:22:20 | 0:22:22 | |
I happened to have a studio at my crib. So we go in the back... | 0:22:22 | 0:22:25 | |
LAUGHTER | 0:22:25 | 0:22:27 | |
We've heard that, yeah. | 0:22:27 | 0:22:29 | |
But I did that because I would throw parties for musical people | 0:22:29 | 0:22:33 | |
so I could try to get on a record. | 0:22:33 | 0:22:35 | |
LAUGHTER | 0:22:35 | 0:22:36 | |
That's why Puff and Jay-Z and all of them were there. They didn't know. | 0:22:36 | 0:22:40 | |
But we go in the studio and he says, | 0:22:40 | 0:22:42 | |
"The song goes... | 0:22:42 | 0:22:44 | |
"She say she wants some Marvin Gaye, some Luther Vandross..." | 0:22:44 | 0:22:47 | |
I said, "I got it, I got it." | 0:22:47 | 0:22:49 | |
-R&B STYLE: -"She say she wants some Marvin Gaye and some..." | 0:22:49 | 0:22:52 | |
He said, "Yo, what are you doing?" | 0:22:52 | 0:22:54 | |
I said, "Well, you don't know R&B. | 0:22:54 | 0:22:56 | |
"You see, I'm an R&B singer, so I've got to put the R&B thing on it. | 0:22:56 | 0:22:59 | |
"I've got do that." He says, "Erm, don't do that." | 0:22:59 | 0:23:02 | |
He said, "Just sing it simple, because it's... | 0:23:03 | 0:23:05 | |
"you know, it's hip-hop." I was, like, "All right." | 0:23:05 | 0:23:08 | |
So I sung it begrudgingly, thinking, "This song is whack, | 0:23:08 | 0:23:11 | |
"he's not going to make it, it's not going to work," right? | 0:23:11 | 0:23:14 | |
So I left and I went and did a bad movie and I came back... | 0:23:14 | 0:23:17 | |
LAUGHTER | 0:23:17 | 0:23:19 | |
Come back and I'm in Miami and my boy was like, | 0:23:19 | 0:23:21 | |
"Yo, remember that song you said was whack? | 0:23:21 | 0:23:23 | |
"It's number one in the country." | 0:23:23 | 0:23:25 | |
APPLAUSE Well done to you. | 0:23:25 | 0:23:27 | |
Frank? Yes. | 0:23:28 | 0:23:30 | |
-Oh, Frank. -I love that people can say Frank! | 0:23:30 | 0:23:33 | |
Well, I certainly had plenty of names to name-drop, | 0:23:34 | 0:23:37 | |
having gone to Hollywood when I was 20 | 0:23:37 | 0:23:40 | |
and met every star from Lana Turner to Gene Kelly to Elizabeth Taylor. | 0:23:40 | 0:23:45 | |
Mummy comes in and she says, "It's Frank Sinatra on the phone for you." | 0:23:45 | 0:23:49 | |
"Oh, erm, hi." | 0:23:49 | 0:23:51 | |
And he said, "Hi. It's Frank. | 0:23:51 | 0:23:54 | |
He said, "How would you like to have dinner with me?" | 0:23:54 | 0:23:57 | |
And I said, "Oh, well, that would be very nice, yes." | 0:23:57 | 0:24:02 | |
He said, "Tomorrow?" | 0:24:02 | 0:24:04 | |
I said, "Yeah." "I'll send my plane for you." | 0:24:04 | 0:24:07 | |
I said, "Your plane? Where are you?" He said, "Hamburg." | 0:24:07 | 0:24:10 | |
I said "Hamburg? I can't possibly go to Hamburg. | 0:24:10 | 0:24:14 | |
"I mean, I've got an early call tomorrow." | 0:24:14 | 0:24:16 | |
-He said, "I'll change your call, honey." -Wow. | 0:24:16 | 0:24:19 | |
I said, "Well, you can't do that. | 0:24:19 | 0:24:23 | |
"I mean, I'm a serious actress. | 0:24:23 | 0:24:25 | |
"You can't change my call just because you want to have..." | 0:24:25 | 0:24:28 | |
And he hung up. And that was it. | 0:24:28 | 0:24:30 | |
He never asked me again - | 0:24:30 | 0:24:32 | |
but I hear he asked Linda Evans and she went. | 0:24:32 | 0:24:34 | |
LAUGHTER AND APPLAUSE | 0:24:34 | 0:24:36 | |
Of course, courage is an important factor in any talk show sofa. | 0:24:40 | 0:24:43 | |
Out there, you have to be ready to face anything. | 0:24:43 | 0:24:46 | |
After all, the show must go on. | 0:24:46 | 0:24:48 | |
Oh, my God, that's the biggest fly I've ever seen. | 0:24:48 | 0:24:52 | |
LAUGHTER | 0:24:52 | 0:24:54 | |
-Got it. -That is an enormous fly. -That was like a bird! | 0:24:55 | 0:24:58 | |
You know how you kill a fly? I know... | 0:24:58 | 0:25:00 | |
If it landed here, what you'd do is you go... | 0:25:00 | 0:25:03 | |
Get it over here. | 0:25:03 | 0:25:04 | |
You put it there and you go... | 0:25:04 | 0:25:06 | |
..because the fly feels the pressure | 0:25:07 | 0:25:08 | |
of the air coming either side, | 0:25:08 | 0:25:10 | |
so you trick it! | 0:25:10 | 0:25:12 | |
-So you go up and you get it every time. -Clever murderer. | 0:25:12 | 0:25:16 | |
-Yeah. -That's the best. | 0:25:16 | 0:25:18 | |
APPLAUSE | 0:25:18 | 0:25:19 | |
So in character! | 0:25:20 | 0:25:23 | |
Sorry. | 0:25:23 | 0:25:24 | |
That fly has no idea the danger it's in right now. | 0:25:24 | 0:25:28 | |
Oh, I so hope he comes back. | 0:25:28 | 0:25:31 | |
LAUGHTER | 0:25:31 | 0:25:32 | |
-Now, listen... -Ooh! | 0:25:33 | 0:25:35 | |
Oh... | 0:25:35 | 0:25:37 | |
Oh, my God! | 0:25:37 | 0:25:39 | |
Did you just drink the fly? | 0:25:40 | 0:25:42 | |
LAUGHTER | 0:25:42 | 0:25:43 | |
-Do you have it? -Is it alive in your mouth? | 0:25:45 | 0:25:48 | |
He put it in his mouth! | 0:25:48 | 0:25:50 | |
Oh, my sweet God. | 0:25:51 | 0:25:53 | |
LAUGHTER | 0:25:53 | 0:25:55 | |
Is it alive in your hand? | 0:25:56 | 0:25:59 | |
-It's all wet. -Put it there! | 0:25:59 | 0:26:01 | |
LAUGHTER | 0:26:01 | 0:26:02 | |
Here we go! | 0:26:03 | 0:26:04 | |
I'm taking this thing down! | 0:26:04 | 0:26:06 | |
-I've got to tell you... -It's drunk now. It's drunk. | 0:26:06 | 0:26:09 | |
I've chewed it. | 0:26:09 | 0:26:10 | |
I took a drink... | 0:26:13 | 0:26:14 | |
and I was, like, I didn't realise I had any ice in there. | 0:26:14 | 0:26:17 | |
LAUGHTER | 0:26:17 | 0:26:19 | |
Oh, let's see, let's see. Are you ready, Steve? Ready? | 0:26:23 | 0:26:26 | |
Oh, no! | 0:26:27 | 0:26:29 | |
LAUGHTER | 0:26:29 | 0:26:31 | |
Ah, it's like... | 0:26:46 | 0:26:48 | |
It's like CSI Fly! | 0:26:48 | 0:26:51 | |
We'll just draw a little chalk outline around it. | 0:26:51 | 0:26:54 | |
You didn't swallow any of it? It's all still there? | 0:26:54 | 0:26:57 | |
That's right. I'm a good girl. | 0:26:57 | 0:26:59 | |
No! | 0:27:00 | 0:27:02 | |
Oh! | 0:27:02 | 0:27:03 | |
LAUGHTER AND APPLAUSE | 0:27:03 | 0:27:05 | |
I'd like to think my guests are so famous they need no introduction - | 0:27:07 | 0:27:10 | |
but my next suggestion for top talk show business | 0:27:10 | 0:27:13 | |
contradicts that idea a little. | 0:27:13 | 0:27:15 | |
When an actor is very well-known for a particular character | 0:27:15 | 0:27:18 | |
or even speech, then there's no harm at all in reminding us all | 0:27:18 | 0:27:22 | |
about that special moment. | 0:27:22 | 0:27:23 | |
My advice is, don't be afraid to put the show on right here. | 0:27:23 | 0:27:27 | |
I must admit I didn't think much of Graham Norton | 0:27:27 | 0:27:30 | |
first time I laid eyes on him. | 0:27:30 | 0:27:33 | |
LAUGHTER | 0:27:33 | 0:27:34 | |
Looked like a stiff breeze could blow him over. | 0:27:34 | 0:27:37 | |
That was my first impression of the man. | 0:27:39 | 0:27:41 | |
I could see why some people took him for annoying. | 0:27:42 | 0:27:46 | |
He had a walk and a talk that just wasn't normal around here... | 0:27:48 | 0:27:54 | |
..and, boy, did he drink. | 0:27:55 | 0:27:57 | |
LAUGHTER | 0:27:57 | 0:27:59 | |
He drank like a man without a care or worry in the world. | 0:28:00 | 0:28:04 | |
I hope to finish this talk show one day. | 0:28:08 | 0:28:11 | |
I hope Michael stops talking for just one second. | 0:28:12 | 0:28:16 | |
LAUGHTER | 0:28:16 | 0:28:17 | |
I hope people stop asking me to do stupid voice-overs like this. | 0:28:18 | 0:28:22 | |
I hope. | 0:28:25 | 0:28:26 | |
Oh, very good! | 0:28:28 | 0:28:29 | |
CHEERING AND APPLAUSE | 0:28:29 | 0:28:31 | |
Could you do the line from Forrest Gump | 0:28:32 | 0:28:34 | |
where he suddenly discovers how much he likes running? | 0:28:34 | 0:28:37 | |
I'd be happy to do it, but you must show the lady with the cue card, | 0:28:37 | 0:28:40 | |
because otherwise people will think that I've actually memorised this. | 0:28:40 | 0:28:44 | |
Show the lady with the cue card. Cut over to her. | 0:28:44 | 0:28:47 | |
-See? -There she is. She's there. | 0:28:47 | 0:28:49 | |
Now I will, in fact, do it. | 0:28:49 | 0:28:51 | |
-OK, so... -This is for you, Mo. -This is for you, Mo. | 0:28:51 | 0:28:54 | |
"Now, you wouldn't believe it even if I told you | 0:28:54 | 0:28:57 | |
"but I could run like the wind blows. | 0:28:57 | 0:29:00 | |
"From that day on, if I was going somewhere... | 0:29:00 | 0:29:03 | |
"I was running." | 0:29:03 | 0:29:05 | |
CHEERING AND APPLAUSE | 0:29:05 | 0:29:07 | |
Press that one. | 0:29:09 | 0:29:10 | |
-PHONE: -'Please record your personal greeting.' | 0:29:10 | 0:29:13 | |
-BEEP -Start? -Yeah. | 0:29:13 | 0:29:15 | |
"I don't know who you are | 0:29:15 | 0:29:17 | |
"but if you don't let my daughter go now | 0:29:17 | 0:29:20 | |
"I will find you, I will kill you." | 0:29:20 | 0:29:22 | |
Please leave a message. | 0:29:22 | 0:29:24 | |
LAUGHTER | 0:29:24 | 0:29:26 | |
So there I was, standing there in the church, and... | 0:29:27 | 0:29:31 | |
..for the first time in my life I realised I totally and utterly... | 0:29:32 | 0:29:36 | |
loved one person. | 0:29:36 | 0:29:37 | |
And it wasn't... | 0:29:39 | 0:29:40 | |
LAUGHTER | 0:29:40 | 0:29:42 | |
And it wasn't the... | 0:29:44 | 0:29:46 | |
LAUGHTER | 0:29:49 | 0:29:51 | |
And it wasn't the person standing next to me in the veil. | 0:29:52 | 0:29:56 | |
LAUGHTER | 0:29:58 | 0:30:00 | |
It was the person standing opposite to me in the rain. | 0:30:01 | 0:30:06 | |
Is it still raining? | 0:30:06 | 0:30:08 | |
RAUCOUS LAUGHTER | 0:30:09 | 0:30:11 | |
I hadn't noticed. | 0:30:11 | 0:30:13 | |
MIMICS PETER FROM FAMILY GUY | 0:30:14 | 0:30:16 | |
# You with the sad eyes | 0:30:17 | 0:30:21 | |
# Don't be discouraged | 0:30:21 | 0:30:23 | |
# Oh, I realise | 0:30:23 | 0:30:26 | |
# It's hard to take courage | 0:30:27 | 0:30:29 | |
# In a world full of people | 0:30:29 | 0:30:32 | |
# You can lose sight of it all | 0:30:32 | 0:30:35 | |
# The darkness inside you | 0:30:35 | 0:30:38 | |
# Can make you feel so small | 0:30:38 | 0:30:40 | |
# But I see your true colours | 0:30:40 | 0:30:43 | |
# Shining through | 0:30:44 | 0:30:46 | |
# I see your true colours | 0:30:46 | 0:30:49 | |
# Buddy, that's why I love you | 0:30:49 | 0:30:51 | |
# So don't be a dick | 0:30:51 | 0:30:54 | |
# Let them show | 0:30:55 | 0:30:57 | |
# Your true colours | 0:30:57 | 0:31:00 | |
# Your true colours | 0:31:00 | 0:31:03 | |
# Are beautiful | 0:31:03 | 0:31:05 | |
# Like a rainbow. # | 0:31:06 | 0:31:08 | |
CHEERING AND APPLAUSE | 0:31:08 | 0:31:10 | |
Here comes the next section of good guest strategy. | 0:31:11 | 0:31:14 | |
One word - humility. | 0:31:14 | 0:31:17 | |
You may be super famous, but you must never forget the people | 0:31:17 | 0:31:20 | |
who put you where you are now - the audience. | 0:31:20 | 0:31:23 | |
Engage with them - at a distance, preferably - | 0:31:23 | 0:31:26 | |
and, in an ever more stunning display | 0:31:26 | 0:31:28 | |
of being just like the rest of us, | 0:31:28 | 0:31:30 | |
why not show that you are actually a fan, too? | 0:31:30 | 0:31:33 | |
Now, Emilia Clarke, did you get to chat with everyone backstage? | 0:31:33 | 0:31:36 | |
-Yeah, kind of. -Did you get to talk to him? -Yeah, kind of... maybe... | 0:31:36 | 0:31:40 | |
Emilia Clarke loves Matt LeBlanc. | 0:31:41 | 0:31:43 | |
Hi. | 0:31:46 | 0:31:47 | |
I'm actually blushing. | 0:31:48 | 0:31:50 | |
Erm, yeah. I just think you're wicked. | 0:31:50 | 0:31:52 | |
-AUDIENCE: -Aww. | 0:31:52 | 0:31:54 | |
-Now, June Brown... -I'm exhausted already. | 0:31:55 | 0:31:58 | |
Now, here's the thing. | 0:31:59 | 0:32:01 | |
Are you familiar, Lady Gaga, with EastEnders? | 0:32:01 | 0:32:03 | |
No, don't say yes, darling. | 0:32:03 | 0:32:05 | |
If you're not, you're not, and I don't blame you. It's all right. | 0:32:05 | 0:32:08 | |
LAUGHTER | 0:32:08 | 0:32:10 | |
I am. And I actually am a very big fan of yours. | 0:32:10 | 0:32:13 | |
I just don't watch a lot of television. | 0:32:13 | 0:32:16 | |
I don't watch any. | 0:32:16 | 0:32:18 | |
No, no. | 0:32:18 | 0:32:19 | |
Has it undone? | 0:32:19 | 0:32:21 | |
No, I'm just tailoring it for you. I have a safety pin. | 0:32:21 | 0:32:24 | |
What are you trying to do behind there? | 0:32:24 | 0:32:26 | |
-She's making it form-fitting. -Watch your hat, for god's sake. | 0:32:26 | 0:32:30 | |
LAUGHTER | 0:32:30 | 0:32:32 | |
No, no, get a bit further over, dear, it looks rather good. | 0:32:32 | 0:32:36 | |
LAUGHTER | 0:32:36 | 0:32:38 | |
No, you moved! You moved! Wrong way. | 0:32:39 | 0:32:43 | |
Sorry, Graham, is this happening, or have I been taking drugs? | 0:32:43 | 0:32:47 | |
No, we have. | 0:32:48 | 0:32:50 | |
-I do have one slight request from you, though. -What's that? | 0:32:52 | 0:32:55 | |
So, would you be able to ask me how I'm doing? | 0:32:55 | 0:32:57 | |
Oh, yes, do that. | 0:32:57 | 0:32:59 | |
CHEERING | 0:32:59 | 0:33:01 | |
You can say no. Everyone will hate you, but you can say no. | 0:33:03 | 0:33:06 | |
No... Yes. | 0:33:06 | 0:33:08 | |
Well, since I haven't been up to speed on the show, I will. | 0:33:08 | 0:33:12 | |
Thank you. | 0:33:12 | 0:33:14 | |
How you doin'? | 0:33:14 | 0:33:15 | |
-I caught that from back here. -It works! | 0:33:16 | 0:33:19 | |
What was really embarrassing is when Matt walked out, | 0:33:20 | 0:33:23 | |
I went, how you doing? | 0:33:23 | 0:33:25 | |
And I was, like, shut up! What are you doing? | 0:33:25 | 0:33:28 | |
-Chris, your fans have a name. They're called? -The Pine Nuts, yes. | 0:33:28 | 0:33:31 | |
CHEERING | 0:33:31 | 0:33:33 | |
And, Benedict, what are your fans called? | 0:33:33 | 0:33:36 | |
LAUGHTER | 0:33:37 | 0:33:38 | |
The Cumberbitches. | 0:33:38 | 0:33:40 | |
Quite a few fans in tonight, I know. | 0:33:40 | 0:33:43 | |
And some of them seriously have travelled from afar, | 0:33:43 | 0:33:45 | |
so let's see who is the most devoted fan, who's travelled the furthest. | 0:33:45 | 0:33:50 | |
So, if you've travelled to see the guys tonight, put your hands up. | 0:33:50 | 0:33:55 | |
Quite a few, quite a few. | 0:33:55 | 0:33:56 | |
Look, a lady with two hands up there. | 0:33:56 | 0:33:58 | |
-Where are you from? -Nebraska. -Nebraska. Oh, you dropped something. | 0:33:59 | 0:34:03 | |
You've got a little thing there. | 0:34:03 | 0:34:05 | |
-So... Now, do you live here? -No. | 0:34:05 | 0:34:08 | |
-You flew in especially from Nebraska? -Yes. | 0:34:08 | 0:34:11 | |
-No, you didn't. -I did. -Did you really? All the way from Nebraska? | 0:34:11 | 0:34:14 | |
-Yes. -For this? -Yes. -God! | 0:34:14 | 0:34:16 | |
And who are... | 0:34:16 | 0:34:18 | |
Now... | 0:34:18 | 0:34:20 | |
-AUDIENCE: -Pine Nut! | 0:34:20 | 0:34:22 | |
What do you think, Pine Nut? CHEERING | 0:34:22 | 0:34:25 | |
Cumberbitch. | 0:34:25 | 0:34:27 | |
-Oh, my God. -Thank you. | 0:34:34 | 0:34:36 | |
OK, OK. Stand up, you. | 0:34:37 | 0:34:40 | |
-Hello. What's your name? -Yasuko Kirohata. | 0:34:40 | 0:34:44 | |
-Sorry? -Yasuko Kirohata. -Hello. Hi. | 0:34:44 | 0:34:47 | |
-And where are you from? -Japan. | 0:34:47 | 0:34:50 | |
-And did you fly in from Japan? -Fly in. | 0:34:50 | 0:34:53 | |
-Especially? -Especially. | 0:34:53 | 0:34:55 | |
Yes. | 0:34:55 | 0:34:57 | |
OK. Are you here for Cumberbitch or Pine Nut? | 0:34:57 | 0:35:00 | |
-Pine. -It's a Pine Nut! | 0:35:00 | 0:35:03 | |
We have a Pine Nut! You have to now. You have to. | 0:35:03 | 0:35:05 | |
Yeah. | 0:35:06 | 0:35:08 | |
Oh... Oh, my actual God. Oh, my God. Oh, my God. | 0:35:08 | 0:35:11 | |
Wow. Thank you! | 0:35:11 | 0:35:12 | |
Let's hear again from my show guest-pert Ricky Gervais. | 0:35:16 | 0:35:19 | |
Here he is! | 0:35:19 | 0:35:20 | |
I think I'm the only one that comes on | 0:35:20 | 0:35:22 | |
looking like I've just come from a building site. | 0:35:22 | 0:35:24 | |
I'm so worried that I'm the only one that's made an effort. | 0:35:24 | 0:35:28 | |
The blokes usually put on suits, and I come on and I go, "Hey, Graham. | 0:35:28 | 0:35:31 | |
"Pour me another one, will you, mate? | 0:35:31 | 0:35:33 | |
"All right. What film have you got out?" | 0:35:33 | 0:35:35 | |
I had to apologise once because I had mud on my trainers. | 0:35:35 | 0:35:39 | |
I just realised that I might put mud on you... | 0:35:39 | 0:35:42 | |
Luckily, I can play the drunken slob loser really well. | 0:35:43 | 0:35:48 | |
This is... This is embarrassing. | 0:35:49 | 0:35:51 | |
-Yes, I didn't notice those. That is piss poor. -I'm really sorry! | 0:35:51 | 0:35:54 | |
It's great that all the guests are together. | 0:35:54 | 0:35:57 | |
Johnny, everyone thinks he's shy, OK? | 0:35:57 | 0:35:59 | |
If people knew what he was really like, his career would be over. | 0:35:59 | 0:36:02 | |
When I told a story about - we were on the set of Life's Too Short | 0:36:04 | 0:36:07 | |
and I was stuffing Warwick Davis down a toilet... | 0:36:07 | 0:36:09 | |
..and I'm sort of bending his legs in. | 0:36:09 | 0:36:11 | |
I'm going, "It's all right. If it breaks, we'll get another one in. | 0:36:11 | 0:36:15 | |
I'm pushing him down the toilet and I'm laughing and Warwick's laughing, | 0:36:15 | 0:36:18 | |
and at one point Warwick goes, "Look at Johnny." | 0:36:18 | 0:36:20 | |
I turned around and Johnny Depp is going, | 0:36:20 | 0:36:23 | |
"You don't mind if I masturbate while you're doing that?" | 0:36:23 | 0:36:25 | |
LAUGHTER | 0:36:25 | 0:36:27 | |
'I mean, and people... You know, this...' | 0:36:28 | 0:36:30 | |
They're...a huge icon, | 0:36:30 | 0:36:34 | |
and talking about masturbating to a dwarf stuck in a toilet. | 0:36:34 | 0:36:38 | |
You don't get that on This Morning. | 0:36:38 | 0:36:40 | |
'It is fun, and so it looks like fun, | 0:36:43 | 0:36:45 | |
'and I think the audience relate to that. | 0:36:45 | 0:36:47 | |
'It's not just, tell us that anecdote, great.' | 0:36:47 | 0:36:51 | |
Show the clip, great. When's that out? Friday? Cheers. | 0:36:51 | 0:36:54 | |
You, what have you got to sell? OK, go and buy that. | 0:36:54 | 0:36:57 | |
You know, it's not like that. | 0:36:57 | 0:36:59 | |
Kevin Costner was on and he said to me he was very nervous | 0:36:59 | 0:37:01 | |
and he came out and he was very nervous to be there - | 0:37:01 | 0:37:03 | |
and then he started telling stories, and I just didn't want it to end. | 0:37:03 | 0:37:06 | |
I remember one of my friends was a writer, | 0:37:06 | 0:37:09 | |
and, of course, I sent him on a lot of, you know, jobs | 0:37:09 | 0:37:13 | |
and every report that came back was he just pissed everybody off | 0:37:13 | 0:37:16 | |
and he came over and goes, "I hate Hollywood, I hate all you people," | 0:37:16 | 0:37:20 | |
and he went down to Arizona and he was working in a Chinese restaurant. | 0:37:20 | 0:37:23 | |
If you've ever worked in a Chinese restaurant, washing dishes, | 0:37:23 | 0:37:26 | |
there's a lot of them. | 0:37:26 | 0:37:27 | |
He said, "Have you read what I wrote?" | 0:37:27 | 0:37:30 | |
I said, "No, I don't really like you any more," | 0:37:30 | 0:37:32 | |
and he goes, "Well, I'm cold and working at this place | 0:37:32 | 0:37:35 | |
"and I'm having to kill raccoons and work at this Chinese restaurant," | 0:37:35 | 0:37:38 | |
and I said... | 0:37:38 | 0:37:41 | |
So, I sent him a sleeping bag, I sent him stuff, | 0:37:41 | 0:37:44 | |
and he said, "Did you read what I...?" | 0:37:44 | 0:37:46 | |
and finally I read it, and it was Dances With Wolves. | 0:37:46 | 0:37:50 | |
Wow. | 0:37:50 | 0:37:51 | |
I mean, I could have just sat there and just listened to him talk | 0:37:51 | 0:37:54 | |
just honestly and truthfully and about his great life. | 0:37:54 | 0:37:57 | |
That is amazing, going from killing raccoons | 0:37:57 | 0:37:59 | |
and washing dishes to winning an Oscar. | 0:37:59 | 0:38:01 | |
-It was amazing before the punch line that he wrote... -Absolutely. | 0:38:01 | 0:38:04 | |
I never help people. | 0:38:04 | 0:38:06 | |
No point. No point. | 0:38:07 | 0:38:09 | |
Cut them off. | 0:38:10 | 0:38:12 | |
Another simple rule to follow | 0:38:14 | 0:38:16 | |
is designed to turn a mere guest appearance | 0:38:16 | 0:38:18 | |
into a total guest experience. | 0:38:18 | 0:38:20 | |
You have your stories, but you also have your talent. | 0:38:20 | 0:38:23 | |
You have so much more to give. | 0:38:23 | 0:38:25 | |
Why don't you bring out your party trick? | 0:38:25 | 0:38:27 | |
Oh! | 0:38:28 | 0:38:29 | |
Hey! Whoa! | 0:38:33 | 0:38:36 | |
That is amazing! | 0:38:39 | 0:38:41 | |
Hey! | 0:38:43 | 0:38:45 | |
DANCE MUSIC | 0:38:45 | 0:38:47 | |
CHEERING | 0:38:49 | 0:38:51 | |
Whoa! | 0:39:05 | 0:39:07 | |
He's going to do it, he's going to do it. | 0:39:07 | 0:39:09 | |
CHEERING | 0:39:09 | 0:39:11 | |
That is... that's better than in the photo shoot. | 0:39:12 | 0:39:15 | |
Zac Efron, everybody! Well done! | 0:39:16 | 0:39:18 | |
-Here we go. Music. -Oh, no. | 0:39:20 | 0:39:22 | |
Very good! Excellent work. | 0:39:23 | 0:39:25 | |
Oh, my nose goes at the same time. | 0:39:25 | 0:39:27 | |
You don't know who it's going to next. | 0:39:27 | 0:39:29 | |
Oh, it's you... oh, oh! | 0:39:29 | 0:39:31 | |
Oh! | 0:39:31 | 0:39:33 | |
Oh, my God. Take that, Cara Delevingne. | 0:39:33 | 0:39:36 | |
LAUGHTER | 0:39:37 | 0:39:38 | |
HIP-HOP MUSIC | 0:39:39 | 0:39:41 | |
A little less. | 0:39:41 | 0:39:43 | |
We're done. | 0:39:57 | 0:40:00 | |
Very good! Well done. | 0:40:00 | 0:40:01 | |
-Towel, towel, towel. -Perfect. | 0:40:02 | 0:40:05 | |
It's around the lips that you have to be really careful. | 0:40:07 | 0:40:10 | |
It's a balloon. | 0:40:10 | 0:40:11 | |
LAUGHTER | 0:40:11 | 0:40:13 | |
It's 594... | 0:40:18 | 0:40:20 | |
I slipped. | 0:40:21 | 0:40:23 | |
I slipped. | 0:40:23 | 0:40:25 | |
594 to beat, 594 to beat. | 0:40:25 | 0:40:27 | |
Here we go, here we go, here we go. | 0:40:27 | 0:40:29 | |
Oh! | 0:40:30 | 0:40:32 | |
Oh! | 0:40:33 | 0:40:35 | |
Wow! | 0:40:36 | 0:40:37 | |
OK. | 0:40:37 | 0:40:39 | |
-Anthony Joshua... -Are you on? Are you on? | 0:40:40 | 0:40:42 | |
No, I'm so not. CHEERING | 0:40:42 | 0:40:45 | |
OK. | 0:40:45 | 0:40:46 | |
Go, go, go. Oh, no, I've got to do this. | 0:40:50 | 0:40:52 | |
Here we go... Oh, look, I'm still going! | 0:40:52 | 0:40:55 | |
OK, there you go. What was your...? | 0:40:55 | 0:40:58 | |
Eight... | 0:40:58 | 0:40:59 | |
I think it was 3,000? | 0:40:59 | 0:41:01 | |
No, 672, was it? | 0:41:02 | 0:41:04 | |
-672. -632. | 0:41:04 | 0:41:06 | |
So, if you don't beat that, you've lost the title. | 0:41:06 | 0:41:09 | |
If you don't beat me... I mean, look at this. | 0:41:09 | 0:41:12 | |
LAUGHTER | 0:41:12 | 0:41:14 | |
OK, OK, here we go, here we go. | 0:41:16 | 0:41:18 | |
-Same technique as you. -The world champion. | 0:41:18 | 0:41:20 | |
Oh! | 0:41:21 | 0:41:23 | |
APPLAUSE | 0:41:23 | 0:41:25 | |
There's antimony, arsenic, aluminium, selenium, and hydrogen and oxygen and nitrogen and rhenium, | 0:41:27 | 0:41:31 | |
and nickel, neodymium, neptunium, germanium, and iron, americium, ruthenium, uranium, europium, | 0:41:31 | 0:41:35 | |
zirconium, lutetium, vanadium, and lanthanum and osmium and astatine and radium, and gold, | 0:41:35 | 0:41:37 | |
protactinium and indium and gallium, and phosphorus and francium and fluorine and terbium, | 0:41:37 | 0:41:40 | |
and manganese and mercury, molybdenum, magnesium, dysprosium and scandium and cerium and caesium. | 0:41:40 | 0:41:44 | |
There's lead, praseodymium, platinum, plutonium, palladium, promethium, potassium, polonium, | 0:41:44 | 0:41:47 | |
and also mendelevium, einsteinium, nobelium, and argon, radon... Agh! | 0:41:47 | 0:41:50 | |
..and argon... Hold on quiet. Shh! Quiet! | 0:41:50 | 0:41:52 | |
LAUGHTER | 0:41:52 | 0:41:54 | |
..argon, radon, neon, krypton, xenon, zinc and rhodium, | 0:41:54 | 0:41:56 | |
and chlorine, carbon, cobalt, copper, tungsten, tin and sodium. | 0:41:56 | 0:41:59 | |
Now clap. | 0:41:59 | 0:42:00 | |
CHEERING AND APPLAUSE | 0:42:00 | 0:42:02 | |
This is my moment to be on television doing magic. You ready? | 0:42:04 | 0:42:06 | |
I'm ready, I'm ready. | 0:42:06 | 0:42:08 | |
This is a colouring book. | 0:42:08 | 0:42:09 | |
There's nothing weird, odd or bizarre about it, | 0:42:09 | 0:42:12 | |
other than it says the word magic on the front of it. | 0:42:12 | 0:42:14 | |
There's actually nothing in the colouring book. | 0:42:15 | 0:42:18 | |
I'm showing you, you see? There is nothing. | 0:42:18 | 0:42:20 | |
-Nothing. -Nothing. -There's nothing in it. | 0:42:20 | 0:42:23 | |
-But, Brian... -Yes? | 0:42:23 | 0:42:25 | |
Will you blow on the colouring book? | 0:42:26 | 0:42:28 | |
I beg your pardon? | 0:42:29 | 0:42:31 | |
LAUGHTER | 0:42:31 | 0:42:33 | |
No, harder than that. | 0:42:34 | 0:42:35 | |
LAUGHTER | 0:42:35 | 0:42:37 | |
Come on. Blow hard! | 0:42:40 | 0:42:43 | |
APPLAUSE | 0:42:43 | 0:42:44 | |
I am a blowhard. OK. | 0:42:44 | 0:42:46 | |
Let's see what that's done, shall we? | 0:42:47 | 0:42:50 | |
Oh! | 0:42:52 | 0:42:53 | |
Oh, wow! | 0:42:53 | 0:42:55 | |
-Pictures, don't you know? -That is some crazy magic. | 0:42:55 | 0:42:59 | |
Oh, there's more, Graham. Don't stop me. | 0:42:59 | 0:43:01 | |
More? There's more! | 0:43:01 | 0:43:03 | |
OK, so, the next stage is... | 0:43:03 | 0:43:06 | |
Now we have pictures. Ben, we have pictures. | 0:43:06 | 0:43:08 | |
We have pictures. I can see the pictures. | 0:43:08 | 0:43:10 | |
Will you blow on it? | 0:43:10 | 0:43:12 | |
-Give me your full Smaug. -I will blow hard. | 0:43:13 | 0:43:16 | |
OK, good. | 0:43:17 | 0:43:19 | |
Was it hard enough? | 0:43:19 | 0:43:20 | |
I should do panto! | 0:43:20 | 0:43:22 | |
-SHOUTS FROM AUDIENCE -Oh, yes! | 0:43:22 | 0:43:23 | |
-Mum, we've talked about this, Mum. -Was it hard enough? | 0:43:25 | 0:43:27 | |
No, it wasn't hard enough. | 0:43:27 | 0:43:29 | |
But I'm a wizard... | 0:43:29 | 0:43:31 | |
..and I have a wand. | 0:43:32 | 0:43:34 | |
CHEERING | 0:43:34 | 0:43:36 | |
That was good. | 0:43:36 | 0:43:38 | |
It's been sitting there awkwardly for the whole show. | 0:43:38 | 0:43:41 | |
-Don't spoil it! -Sorry. | 0:43:41 | 0:43:43 | |
And maybe for full-on Marvel... | 0:43:44 | 0:43:46 | |
..like, wizarding crossover... | 0:43:46 | 0:43:49 | |
..the potential for Doctor Strange to come into the wizarding world... | 0:43:49 | 0:43:52 | |
-We might get sued for this. -Will you give us a spell, Ben? | 0:43:52 | 0:43:55 | |
-Azakasham! -Yeah! Good. | 0:43:55 | 0:43:58 | |
It's actually better than I did. | 0:43:59 | 0:44:01 | |
Drum roll? | 0:44:02 | 0:44:04 | |
Oh! | 0:44:04 | 0:44:05 | |
CHEERING | 0:44:08 | 0:44:10 | |
Oh! Oh! | 0:44:10 | 0:44:12 | |
Oh! | 0:44:12 | 0:44:13 | |
If there was one rule that I'd want all guests to stick to, | 0:44:14 | 0:44:17 | |
it's that first one. | 0:44:17 | 0:44:19 | |
You remember, the one about telling a story - | 0:44:19 | 0:44:21 | |
but not just any story. | 0:44:21 | 0:44:23 | |
When I was teaching, which is what this show is based on, | 0:44:23 | 0:44:27 | |
I went home one weekend, and I was in my 30s. | 0:44:27 | 0:44:30 | |
I was probably 33 years of age. | 0:44:30 | 0:44:33 | |
I went home to see my mother. | 0:44:33 | 0:44:35 | |
And then I went back. | 0:44:35 | 0:44:37 | |
While I was at home, my mother did my washing for me cos I was only 33. | 0:44:37 | 0:44:40 | |
And then I went back. | 0:44:40 | 0:44:43 | |
On the Sunday night, I got really drunk | 0:44:43 | 0:44:46 | |
and then I went for a curry - | 0:44:46 | 0:44:49 | |
and then the next day I went into school. | 0:44:49 | 0:44:52 | |
LAUGHTER | 0:44:53 | 0:44:54 | |
I'm going to. I went into school. | 0:44:54 | 0:44:57 | |
It was a school in Slough and it was quite a rough school, | 0:44:57 | 0:44:59 | |
but they had a brilliant hearing impaired department, | 0:44:59 | 0:45:02 | |
so there were hearing impaired kids who, you know, struggled. | 0:45:02 | 0:45:05 | |
They were really looked after in the school. | 0:45:05 | 0:45:08 | |
Anyway, I was really hungover, I went there, | 0:45:08 | 0:45:10 | |
and about break time I felt really uncomfortable. | 0:45:10 | 0:45:12 | |
I thought, "Something's not right," you know? | 0:45:12 | 0:45:15 | |
So I went to the toilet and I pulled my trousers down | 0:45:15 | 0:45:18 | |
and some of my mother's knickers had got... | 0:45:18 | 0:45:21 | |
..had got mixed up in the wash she'd done, | 0:45:22 | 0:45:25 | |
and I was wearing my mother's underwear. | 0:45:25 | 0:45:28 | |
And I went, "Oh, God, no!" | 0:45:29 | 0:45:32 | |
I remember going, "Oh, you loser. | 0:45:32 | 0:45:34 | |
"This is such a low point, you fucking loser." | 0:45:34 | 0:45:37 | |
And, then... | 0:45:38 | 0:45:40 | |
And then the curry and the booze... the curry and the booze kicked in | 0:45:40 | 0:45:45 | |
from the night before. | 0:45:45 | 0:45:47 | |
So I... | 0:45:47 | 0:45:48 | |
I did like a faecal Jackson Pollock. | 0:45:48 | 0:45:50 | |
APPLAUSE | 0:45:51 | 0:45:53 | |
And I started... | 0:45:54 | 0:45:56 | |
I started going, "Oh, God, not this! | 0:45:56 | 0:45:59 | |
"Not this as well! Oh, Jesus!" | 0:45:59 | 0:46:01 | |
So I cleaned myself up, I pulled my mother's pants back up. | 0:46:01 | 0:46:05 | |
And I went back into the, erm... classroom. | 0:46:06 | 0:46:09 | |
And I saw one of the hearing impaired kids | 0:46:09 | 0:46:11 | |
looking at me like this. | 0:46:11 | 0:46:13 | |
And that's when I remembered that I had a microphone directly... | 0:46:13 | 0:46:17 | |
LAUGHTER | 0:46:17 | 0:46:19 | |
..connected... | 0:46:19 | 0:46:21 | |
..to his hearing aid. | 0:46:22 | 0:46:24 | |
LAUGHTER | 0:46:24 | 0:46:26 | |
Just follow all my advice, like everyone in this show did, | 0:46:30 | 0:46:33 | |
and the honour of being a good guest will be yours... | 0:46:33 | 0:46:36 | |
..and sometimes, when all the show business elements fuse together | 0:46:36 | 0:46:39 | |
on a special night, the talk show sofa | 0:46:39 | 0:46:41 | |
can become the best place in the world. | 0:46:41 | 0:46:43 | |
You need stars that are ready to have fun and be themselves | 0:46:43 | 0:46:46 | |
and have consumed industrial quantities of champagne - | 0:46:46 | 0:46:49 | |
and I mean industrial quantities. | 0:46:49 | 0:46:52 | |
One, two, three. | 0:46:52 | 0:46:54 | |
CHEERING | 0:46:55 | 0:46:57 | |
Oh, he did! | 0:47:00 | 0:47:02 | |
Wow! | 0:47:02 | 0:47:04 | |
Oh! | 0:47:06 | 0:47:07 | |
CHEERING | 0:47:07 | 0:47:08 | |
Wow! | 0:47:09 | 0:47:11 | |
So, that's my guide to being a good guest. | 0:47:15 | 0:47:18 | |
Follow that advice and you'll be on my big red sofa. | 0:47:18 | 0:47:21 | |
Oh, but please get very famous first. | 0:47:21 | 0:47:24 | |
See you next Friday for the real thing. | 0:47:24 | 0:47:26 |