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On the show tonight, a standup On the show tonight, a standup | :00:04. | :00:08. | |
comedian,. I say, I say. The original Billy Elliot. The | :00:08. | :00:18. | |
:00:18. | :00:32. | ||
Titanic Quarter. Iceberg. Where? Let's start the show. | :00:32. | :00:42. | |
:00:42. | :00:43. | ||
APPLAUSE. Hello everybody. Oh! Good APPLAUSE. Hello everybody. Oh! Good | :00:43. | :00:48. | |
evening everybody. Hello. Hello. Hell yochlt. Yes, we are back for a | :00:48. | :00:54. | |
new season. Hurrah. Welcome back to you, my lovely audience. I tell you, | :00:54. | :00:58. | |
I was worried you wouldn't make out of Dale Farm but you are here. | :00:58. | :01:03. | |
You join us at a sad time, and gentlemen. Westlife have | :01:03. | :01:08. | |
announced they are splitting up. I know. I feel your pain. They have | :01:08. | :01:17. | |
been sex symbols to a generation fans, some of hem are very upset. | :01:17. | :01:19. | |
Cheer up everybody, what a lineup we Cheer up everybody, what a lineup we | :01:20. | :01:23. | |
have to kick off the first show of the new series. Hollywood sensation, | :01:23. | :01:30. | |
Kate Winslet is here. CHEERING. Comedian Rob Brydon is on at the | :01:30. | :01:38. | |
shoch. CHEERING. Star of shoch. CHEERING. Star of Billy | :01:38. | :01:43. | |
Elliot and now Tintin, Jamie Bell is here. And we will of music | :01:43. | :01:48. | |
and the Whale. CHEERING. I know. love them. I love Noah and the | :01:48. | :01:55. | |
Whale. Of course, they shot to fame with their big hit Five Years a | :01:55. | :02:05. | |
time. I wonder where I will be then? Look, they are saving me a seat. | :02:05. | :02:09. | |
What a thrill, Kate Winslet with us tonight. Not just an Oscar winner | :02:09. | :02:16. | |
but six-time Oscar nominee. So many great movies, Revolutionary Road, | :02:16. | :02:20. | |
Eternal Sunshine of the Spotless Mind and of course Titanic. Look at | :02:20. | :02:24. | |
that, what an iconic scene. Every time I see that, I am reminded of | :02:24. | :02:27. | |
the classic theme heart and you go in your own | :02:27. | :02:30. | |
the classic theme term my heart will the classic theme term my heart will | :02:30. | :02:40. | |
:02:40. | :02:43. | ||
go as sung by Celine Dion. Also with us tonight is Jamie Bell. | :02:43. | :02:48. | |
He is the star of the new Tintin movie. It is out next week, Tintin | :02:48. | :02:54. | |
with his loyal friend Snowy. They are always getting into scrapes. | :02:54. | :03:03. | |
Never go think where without each other, a little bit like... Yes. | :03:03. | :03:05. | |
Jamie shot to fame as the star of Jamie shot to fame as the star of | :03:05. | :03:09. | |
the movie, Billy Elliot. I can't remember whether I am a fan of | :03:09. | :03:19. | |
:03:19. | :03:19. | ||
ballet or not. Oh, apparently I am. Oh! And to complete my lineup, who | :03:19. | :03:25. | |
better than Wales's funniest man, Rob Brydon. He is hosting | :03:25. | :03:32. | |
Lie To You, where celebrities tell lies. I am working late tonight, | :03:32. | :03:37. | |
Demi. Yeah. Naughty Ashton Kutcher. It was alleged he cheated on Demi | :03:37. | :03:45. | |
with a woman 20 years younger her. Here is the woman. Let's get | :03:45. | :03:48. | |
guests on. We will have music from Noah and the | :03:48. | :03:51. | |
Whale later. Whale later. | :03:51. | :03:55. | |
First, would I lie to you, no, he is First, would I lie to you, no, he is | :03:55. | :04:04. | |
here, it is Rob Brydon. CHEERING . Hello, sir. Sit yourself down. And. | :04:04. | :04:10. | |
And it is Billy Elliot and Tintin star, Jamie Bell. CHEERING. Hello, | :04:10. | :04:16. | |
sir. Sit yourself down. And star of cot cot, Kiss Me Kate but not on the | :04:16. | :04:26. | |
:04:26. | :04:35. | ||
lips, it is Kate Winslet. CHEERING . | :04:35. | :04:39. | |
Welcome all. My microphone pack Welcome all. My microphone pack | :04:39. | :04:42. | |
slipped down my bum crack. You are sitting for the rest of the show. | :04:42. | :04:50. | |
That was a good opening, wasn't it? Right into it. My arse. You | :04:50. | :04:56. | |
down on the end. I feel there is racism towards the Welsh. Can I come | :04:56. | :05:02. | |
a bit could closer? Am I allowed to? That's night. Let's have a | :05:02. | :05:10. | |
hug. Look at that. Anyone got a camera. Several. We will stay like | :05:10. | :05:16. | |
that for the rest of the show. Jamie, what are you, 25? 25 now. You | :05:16. | :05:22. | |
have been doing this for 12 years. Are you relaxed on this one? No, | :05:22. | :05:29. | |
terrified. He is not. When you told me you were 25 you seem more mature | :05:29. | :05:39. | |
:05:39. | :05:41. | ||
and together than me. I am 31. What? List Jeb, we are going to talk about | :05:41. | :05:47. | |
the drama of your film, Contagion. But we must touch on the drama of | :05:47. | :05:54. | |
your life. We read about necker island. You saved Richard Branson's | :05:54. | :05:58. | |
life. No. I carried her stairs, the truth of it. Is | :05:58. | :06:03. | |
stairs, the truth of it. That sounds like... It was scary. We did wake up | :06:03. | :06:06. | |
at 4. at 4.30am to hear the sounds of some | :06:06. | :06:12. | |
of Richard's nephews voices yelling there was a fire. I jumped up, and | :06:12. | :06:16. | |
ran immediately towards the fire. Because clearly I thought I could | :06:16. | :06:23. | |
put it out. Hang on. E ran the flames and realised no, another | :06:23. | :06:27. | |
few minutes, we will be dead. I turned around and my children were | :06:27. | :06:31. | |
standing at their bedroom door. said it is a fire, fine, go back | :06:31. | :06:35. | |
inside for two minutes and close the door. Thinking now what do I do? Ran | :06:35. | :06:44. | |
into the bedroom and put on a bra. In disastrous moments, you do the | :06:44. | :06:50. | |
strangest things. That will take long, on went the t-shirt, grabbed | :06:50. | :06:54. | |
children and picked up granny. We were all at the top of very slippery | :06:54. | :07:00. | |
stone steps. We were in the hurricane. It was dramatic, this | :07:00. | :07:06. | |
lashing rain. It felt like being in a movie. I carried eve Branson | :07:06. | :07:13. | |
braless, me, not her, maybe we were both braless. Who knows. I carried | :07:13. | :07:19. | |
her down the stairs. He is didn't come out in the original story, they | :07:19. | :07:24. | |
played down the breast support issue. I will never play that one | :07:24. | :07:30. | |
down, ever. Well done, you. Thank you very much. APPLAUSE. I have to | :07:30. | :07:38. | |
say, I do have to say, though, that Eve Branson is an extraordinary | :07:38. | :07:42. | |
stoic, powerful lady. And she totally could have made it out | :07:42. | :07:46. | |
her own. I just helped for that little tiny bit. Dao feel I need to | :07:46. | :07:50. | |
say that, that is true. You wanted the moment of glory. I will carry | :07:50. | :07:58. | |
you. The truth is I carried everybody out. It sounded more | :07:58. | :08:02. | |
glamorous, just Eve. Down to business. Cot cot, your new movie, | :08:02. | :08:09. | |
out now. It is in cinemas now. Contagion. It is a scary film. But | :08:09. | :08:14. | |
scary in an odd way. Talk us through the premise. It is a thriller. It is | :08:14. | :08:20. | |
about a global pandemic. It is scary because, you know, these are | :08:20. | :08:25. | |
times in which we live. There is a new terrifying virus every year, it | :08:25. | :08:29. | |
seems. People try to develop vaccines as quickly as they can. I | :08:29. | :08:33. | |
play an epidemic service officer, a forensic doctor, | :08:33. | :08:38. | |
a young woman who is sent out into the field to find the pathogen of | :08:38. | :08:43. | |
this particular new killer virus. It was a lot of fun, it was incredible | :08:43. | :08:47. | |
working with Steven Soderbergh. Amazing cast of people. It was a | :08:47. | :08:51. | |
thrill to be part of it. Like watching the film, I watched in a | :08:51. | :08:57. | |
cinema. I can't tell you, two-thirds through, someone sneezed. You could | :08:57. | :09:02. | |
see everyone see everyone thinkingee sus. Did it | :09:02. | :09:07. | |
mess with you are head? Absolutely. You would think twice. Are you | :09:07. | :09:13. | |
elbows on doors lady? E get out a towel, wrap it around if doors. We | :09:14. | :09:20. | |
have a little clip. This is basically trying to find out who | :09:20. | :09:24. | |
patient 0 has been in contact with. Anyone else who might have had | :09:24. | :09:29. | |
contact with her. Everyone. Aaron did. He worked on another floor. | :09:29. | :09:33. | |
There were documents she needed to sign. He picked up her up from the | :09:33. | :09:43. | |
:09:43. | :09:45. | ||
airport. Where is he? Hello? Mr Barnes, this is mere mere. Hi. I | :09:45. | :09:49. | |
believe you may have had contact with Beth last week. Yeah. I | :09:49. | :09:53. | |
with Beth last week. Yeah. I picked her up at the airport. How are | :09:53. | :10:00. | |
feeling. Pretty cruddy. I picked up a bug. Where are you? On the | :10:00. | :10:05. | |
heading to work. Get off immediately. What is going on? | :10:05. | :10:15. | |
:10:15. | :10:17. | ||
is the bus, Aaron? Lake and Lynn Dale. It is possible you are highly | :10:17. | :10:21. | |
conteenage us. Do you understand? I want you to get off, stay away | :10:21. | :10:25. | |
other people. Don't talk to anyone, don't touch anyone. That is the | :10:25. | :10:31. | |
important thing. We will send somebody to meet the bus. OK. I am | :10:31. | :10:41. | |
:10:41. | :10:47. | ||
Anyone getting the bus home? Listen, Anyone getting the bus home? Listen, | :10:47. | :10:51. | |
Kate Winslet, obviously, you won an Oscar for the Reader, nominated more | :10:51. | :10:54. | |
times than anyone your age certainly, probably more than | :10:54. | :11:00. | |
anyone. Maybe Merrill. The bitch. Stop it, Graham. She finish and you | :11:00. | :11:08. | |
will take her off. Yeah, yeah she held the record, yes. But you take | :11:08. | :11:14. | |
your job seriously. Reading about the way you work. , it sounds | :11:14. | :11:17. | |
you are not serious. You have to have - it is about working together | :11:17. | :11:22. | |
as a team. You know that. It is about really sort of pulling | :11:22. | :11:26. | |
everyone together. It doesn't matter whether you are an actor or the guy | :11:26. | :11:29. | |
behind the camera. You behind the camera. You are doing the | :11:29. | :11:33. | |
same job. It is important to boost morale and have the odd joke. I was | :11:33. | :11:39. | |
lying there in a rather comatose, meant to be slightly comatose state. | :11:39. | :11:44. | |
I am sliing there and dead still, should not be moving my eyes all. | :11:44. | :11:51. | |
Did I look thin in that? I am so sorry, it was something I may have | :11:51. | :11:56. | |
eaten. Lots of moments like that. You have to. I heard you tell a | :11:56. | :12:02. | |
really - I enjoyed the story, you encountering an actor who doesn't | :12:02. | :12:10. | |
work in the same way as you. When you were in Holy Smoke. You did the | :12:11. | :12:16. | |
improvisation with Harvey cartel. Who is completely incredible. He | :12:16. | :12:21. | |
likes to do improvising. I go in one morning, Jane says, " | :12:21. | :12:24. | |
morning, Jane says, "Beautiful people, so what are we going to | :12:24. | :12:27. | |
today, improve" today, improve". Harvey said, " | :12:27. | :12:29. | |
today, improve". Harvey said, "I have been thinking about the level | :12:29. | :12:34. | |
of intimacy in the movie. I wanted to maybe work on something together | :12:34. | :12:37. | |
with you, Kate" with you, Kate". Yeah, fine, it is | :12:37. | :12:47. | |
:12:47. | :12:48. | ||
Harvey, anything you want, God. I said yeah, OK. He said so I am a dog | :12:48. | :12:53. | |
and you are my owner. You are helping me to die. I have been hit | :12:53. | :12:58. | |
by a truck. You are helping me die. I am going, " | :12:58. | :13:03. | |
die. I am going, "And the hidden camera is where? What is my name?" | :13:03. | :13:09. | |
camera is where? What is my name?". Harvey (whimpers) | :13:09. | :13:19. | |
Harvey (whimpers). Deadly serious. Gets on the floor. And I am standing | :13:19. | :13:29. | |
:13:29. | :13:34. | ||
Oh, no, poor dog. Poor Harvey, Oh, no, poor dog. Poor Harvey, | :13:34. | :13:44. | |
:13:44. | :13:49. | ||
shush, Harvey dog. Oh, no, look, it is Harvey dog dead. That was | :13:49. | :13:57. | |
helpful. I got a lot of intimacy from that improvisation. There are | :13:57. | :14:02. | |
quirky ones out there. Jamie, worked with inquiry people. A few in | :14:02. | :14:09. | |
my time. There was a set you worked on where... This guy that was | :14:09. | :14:15. | |
controversial, likes to walk around naked a lot of the time. Slightly | :14:15. | :14:23. | |
difficult when you are trying to do a scone, this guy doing this. Is | :14:23. | :14:33. | |
:14:33. | :14:50. | ||
this distracting? Naked? Naked. Genius. Kind | :14:50. | :15:00. | |
:15:00. | :15:00. | ||
Apology for the loss of subtitles for 261 seconds | :15:00. | :19:22. | |
They have given you a necklace made They have given you a necklace made | :19:22. | :19:29. | |
out of leftover teeth. Oh! And is the final, yes, there is one of you. | :19:29. | :19:35. | |
It is awful. OK. I am actually thrilled. I want it to be really | :19:35. | :19:41. | |
bad. It is as bad as you could possibly wish. Here you are in your | :19:41. | :19:45. | |
full loveliness. Brace yourselves. Quickly, do it. It is like ripping | :19:45. | :19:55. | |
:19:55. | :20:04. | ||
APPLAUSE. Where does the time go? We APPLAUSE. Where does the time go? We | :20:04. | :20:07. | |
Get rid of must talk about Tintin. And | :20:07. | :20:16. | |
celebrate Tintin. It is out next Friday. Is it. I have seen it. It is | :20:16. | :20:21. | |
fantastic. I can't wait to see it. Thank you. I enjoyed it. I can | :20:21. | :20:30. | |
imagine kids just loving it. Yeah. It is just fantastic. It is like | :20:30. | :20:38. | |
Steven Spielberg was thrown back to the 80s, adventure. It is comedy and | :20:38. | :20:42. | |
adventure. We strayed through to the books. What we intended to do is | :20:42. | :20:46. | |
wanted to pause the movie at any point and take that screen capture | :20:46. | :20:52. | |
off and drop it back into the comics successfully. As an adult, | :20:52. | :20:57. | |
lovely. The technology allowed do that. It is exciting. Just | :20:57. | :21:03. | |
quickly, everything in it you did. Yes. People will see it thinking it | :21:03. | :21:09. | |
is very clever an makes. It is. you did it all. Yes. It is a similar | :21:09. | :21:15. | |
process to that that they used Lord of the Rings. Andy Serkis | :21:15. | :21:21. | |
played Captain Haddock in our movie, they used it on avatar and King | :21:21. | :21:25. | |
Kong. We are acting everything. Everything you see | :21:25. | :21:29. | |
Everything you see is a human performance that is animated on top. | :21:29. | :21:34. | |
When you watch it, do you watch it like an audience member and | :21:34. | :21:42. | |
you are in it? We made the in room. The movie is in an ocean, | :21:42. | :21:47. | |
desert and Morocco. Amazing. We desert and Morocco. Amazing. We are | :21:47. | :21:53. | |
dorg. That bit. Yeah. It is crazy. It is not me but yet it is me. | :21:53. | :21:57. | |
People will see the ticks the stuff that I do naturally. Let's | :21:57. | :22:02. | |
see if you can see Jamie Bell in it. You have a clip? Introduce the | :22:02. | :22:12. | |
:22:12. | :22:14. | ||
Graham. OK. Do it really well. Do it really well. No pressure. This | :22:14. | :22:18. | |
Jamie Bell in Tintin, it is a scene with Captain Haddock. Gosh it is | :22:19. | :22:28. | |
:22:29. | :22:38. | ||
Get me a flare. Captain, get down. Get me a flare. Captain, get down. | :22:38. | :22:48. | |
:22:48. | :22:56. | ||
Full ahead. Full speed. Got you now. Full ahead. Full speed. Got you now. | :22:56. | :23:06. | |
:23:06. | :23:13. | ||
John Williams music is what it is John Williams music is what it is | :23:13. | :23:15. | |
Full ahead. Full about. It is in 3D as well. That's | :23:15. | :23:19. | |
true. You will be Tintin for while, we are hoping. Hopefully, | :23:19. | :23:26. | |
yeah. I think if audiences embrace it, yeah. The rest of my life. | :23:26. | :23:34. | |
Because of the drawing, you could be 75. Yeah, yeah. 45. Still dialling | :23:34. | :23:44. | |
:23:44. | :23:48. | ||
Not just me, love, it is him as Not just me, love, it is him as | :23:48. | :23:54. | |
well. I am older than you. Yeah know, that is the point I am making. | :23:54. | :24:00. | |
Consoling hand reaches out to you. There are wheels on this chair. I | :24:00. | :24:07. | |
will be going. You said you have done animation, Rob. Me? Yes. Have | :24:07. | :24:12. | |
you done anything like that? No. Good Lord, no. Would you like to? | :24:12. | :24:20. | |
Well, yeah. Because... If you to offer, yes. We have some | :24:20. | :24:25. | |
equipment out the back which would you could turn yourself into a | :24:25. | :24:32. | |
cartoon. All right. Do you fancy it? I am game for a laugh. If you skip | :24:32. | :24:42. | |
:24:42. | :24:47. | ||
through there. Do I have to skip? I love it. Go on. Mind your head. | :24:47. | :24:50. | |
While he is gone, is it true it took While he is gone, is it true it took | :24:50. | :24:56. | |
from preproduction to now something like six years? I don't know. The | :24:56. | :25:00. | |
movie was long Jesstating. The guy who created Tintin is only Steven | :25:00. | :25:04. | |
Spielberg should make this film, he died before they met. It is a | :25:04. | :25:09. | |
time in getting it up and running. At first it was a live action, then | :25:09. | :25:15. | |
the technology he has done in New Zealand has gotten so good, it was | :25:15. | :25:23. | |
decided to use an makes. Titanic took... Forever. You kept reading, | :25:23. | :25:30. | |
still not finished. That is right. Was it Mexico? We were in Baja, | :25:30. | :25:34. | |
California, just across the border. The studio is still there. They have | :25:34. | :25:42. | |
built upon it. I have been in it. Every big movie has been filmed | :25:42. | :25:49. | |
there. You are not in Titanic, are you? No. I went to the theatre eight | :25:49. | :25:59. | |
:25:59. | :26:02. | ||
times to see it. Of course, it huge. I have only seen it once. | :26:02. | :26:06. | |
Eight times, that is a lot of Eight times, that is a lot of | :26:06. | :26:11. | |
commitment. My mum let me out of school to see it actually. Oh, I | :26:11. | :26:19. | |
love you. Amazing. I love you, too. Is anyone trying to tell me is Rob | :26:19. | :26:29. | |
:26:29. | :26:33. | ||
is ready. God, I completely forgot about him. There he is. | :26:33. | :26:41. | |
Who is that man? Hi. I am being Who is that man? Hi. I am being | :26:41. | :26:47. | |
calibrated. It is not painful, Ed a preimmediate. I feel great actually. | :26:47. | :26:56. | |
Don't touch me there. Are we ready Don't touch me there. Are we ready | :26:56. | :27:06. | |
:27:06. | :27:13. | ||
to see Rob now? There is Rob back there. Then this is Rob as a | :27:13. | :27:23. | |
:27:23. | :27:23. | ||
Apology for the loss of subtitles for 261 seconds | :27:23. | :29:59. | |
It is like an actoff, the four of It is like an actoff, the four of | :29:59. | :30:04. | |
you are brilliant. Roman is - this is a stab in the dark. I think he is | :30:04. | :30:11. | |
78. OK. I think he is 7. That is old. That old. But he is wonderful. | :30:12. | :30:15. | |
It was incredible working with This is the kind of director he is. | :30:15. | :30:22. | |
He came up and said - after a "You know there are two ways to say | :30:22. | :30:27. | |
that line". I know there are two ways. I tried them both. Yes, you | :30:27. | :30:34. | |
have tried them both. It is still shit. That is not helpful funnily | :30:34. | :30:40. | |
enough. Could you go over there. It is a really funny film. It is out on | :30:40. | :30:45. | |
3 February. It is a while away. Months away. Just remember. Here to | :30:45. | :30:51. | |
whet your appetite is the trailer. Yeah. Enough with the cellphone. The | :30:51. | :30:57. | |
here and now, God dammit. The victim and the criminal are not the same. I | :30:57. | :31:03. | |
am glad our son kicked the shit of your son. And I wipe my arse with | :31:04. | :31:09. | |
your human rights. Wow. I believe in the God of carnage, whose rule has | :31:09. | :31:15. | |
been unchallenged. I have no patience for this. I am a short | :31:15. | :31:22. | |
tempered son of a bitch. Do something. Allen do something. | :31:22. | :31:31. | |
There. Oh my God. Way to go. This is what I think. I think I will vomit | :31:31. | :31:37. | |
again. Nightmare. Watch it he has on the edge. What the hell are we | :31:37. | :31:44. | |
doing there? I hope you are kidding. APPLAUSE. | :31:44. | :31:51. | |
Very good. There is Rob back. Very good. There is Rob back. | :31:51. | :31:56. | |
APPLAUSE. I don't know about you. I thought the panda thing did very | :31:56. | :32:00. | |
well. It was sweet and lovely. It puts Tintin into perspective, | :32:00. | :32:09. | |
doesn't it? You realise. How good it is. First, you as a panda, now you | :32:09. | :32:16. | |
give us a book. Yes. With his big panda paws, he has been typing this, | :32:16. | :32:21. | |
Small Man in a Book. If you can find a book shop, and it | :32:21. | :32:25. | |
a book shop, and it is online. Apparently, it is an amazing e-book. | :32:25. | :32:32. | |
Do you know what that is. Yes. With you being 48 and all. You will know. | :32:32. | :32:40. | |
You watch it on a tablet device, we are not meant to name them. OK. You | :32:40. | :32:45. | |
watch it object a tablet device. Bail you get the book in its textual | :32:45. | :32:49. | |
form and flick the pages. But we have done more for it, done | :32:50. | :32:54. | |
interviews with people like David Walliams, people I worked with, also | :32:54. | :33:00. | |
my dad and school teachers. You get lots of extra tough. I am proud of | :33:00. | :33:06. | |
it. You should be very proud of it. Yes. Thank you, Graham. No pandas in | :33:06. | :33:11. | |
there, I should make it clear. It is your life to 2000. What happened | :33:11. | :33:16. | |
then, short-term memory loss? Mostly about the struggling and the rubbish | :33:16. | :33:25. | |
jobs I did. Were you 13 Ben you made your radio debut? I was a big fan of | :33:25. | :33:31. | |
radio. The local station is still there Swansea sound, in Swansea. Of | :33:31. | :33:37. | |
course. My voice hadn't broken. don't know when yours went, Kate, | :33:37. | :33:44. | |
but mine went later. And the DJ as a classic DJ. And all he wanted | :33:44. | :33:49. | |
talk about whether I had girl friend. We have Robert as a junior | :33:49. | :33:56. | |
DJ, you got any girlfriends yet. I still have the cassette, no, not | :33:56. | :34:03. | |
really. Why not, you are a good looking boy? Oh! They must be | :34:03. | :34:08. | |
chasing after you. No, they are really not. Please Leigh me alone. | :34:08. | :34:13. | |
It was terrifying. Didn't put me off. That's where I started, working | :34:13. | :34:20. | |
in radio. I bought a house on at the strength of it. And new editor came | :34:20. | :34:24. | |
in, didn't renew my contract. I had financial outgoings. I tell | :34:24. | :34:28. | |
story, it is a shocking thing. Her nape was Megan. Shoe es alovrzly | :34:28. | :34:33. | |
woman, please, Kate, no, she is a lovely woman. Please. You would | :34:33. | :34:41. | |
carry her out of a burning building, you would. Does she wear bras? I | :34:41. | :34:45. | |
remember - I will not say that. I was coming to the end. I would have | :34:45. | :34:49. | |
no money, I had a couple of shows left. I was on air talking to a | :34:49. | :34:54. | |
listener and said who do we have. Lovely to talk to you. In the | :34:54. | :35:04. | |
:35:04. | :35:04. | ||
background I heard a took. It was Harvey. I said you love the method | :35:04. | :35:14. | |
actors. That sounded like does tip Hoffman. He always runs the same | :35:14. | :35:19. | |
in movies, like this. I have to my son. That is | :35:19. | :35:23. | |
my son. That is nothing to do with the story. I am on the air. The lady | :35:23. | :35:29. | |
is saying and the dog. Is there a dog there? Yes, it is my dog. I say | :35:29. | :35:35. | |
what's it called? Bear in mind Megan decided to let me go. That is | :35:35. | :35:41. | |
important, otherwise, the story went r won't work. She said it is Megan. | :35:41. | :35:47. | |
I said on air "really, we have a bitch called Megan here as well" | :35:47. | :35:52. | |
bitch called Megan here as well". APPLAUSE. I am not praud of | :35:52. | :35:57. | |
am no the praud of that. It was behaviour p and we met since, she is | :35:57. | :36:05. | |
the - one of the greatest women I have ever met. So, listen, that | :36:05. | :36:07. | |
the book. It is out now. You the book. It is out now. You are on | :36:07. | :36:14. | |
tour with it. Yes. Doing signings and evenings in the theatre. | :36:14. | :36:18. | |
Fantastic. It is now time for music. And I am genuinely thrilled. I have | :36:18. | :36:23. | |
been begging this band to come the show. Finally, they are here. | :36:23. | :36:25. | |
Singing their smash L.I.F.E.G.O.E.S.O.N. | :36:25. | :36:35. | |
:36:35. | :36:45. | ||
L.I.F.E.G.O.E.S.O.N.. It the Whale. | :36:45. | :36:51. | |
# She is a rock 'n' roll survivor with pendulum hips. She got deep | :36:51. | :37:01. | |
:37:01. | :37:03. | ||
# Seen it all. Working in a # The barman used to call her | :37:03. | :37:11. | |
# She went down on almost # Till the challenges | :37:11. | :37:19. | |
# She said L.I.F.E.G.O.E.S.O.N. # | :37:19. | :37:27. | |
your own way # L.I.F.E.G.O.E.S.O.N. | :37:27. | :37:30. | |
# sense, my friend | :37:30. | :37:32. | |
# your own way | :37:32. | :37:42. | |
:37:42. | :37:52. | ||
# Some people wear their history # Some people wear their history | :37:52. | :37:55. | |
like a map on their # | :37:55. | :38:00. | |
living out of case # But his best word was his letters | :38:00. | :38:06. | |
# # The chorus girls were the closest | :38:06. | :38:08. | |
# But to a writer, the truth is no big | :38:08. | :38:08. | |
# But to a writer, the truth is no big deal | :38:08. | :38:08. | |
big deal # | :38:08. | :38:12. | |
# | :38:12. | :38:16. | |
# Through | :38:16. | :38:16. | |
# Through the | :38:16. | :38:17. | |
# # Through the weekend | :38:17. | :38:21. | |
# You go L.I.F.E.G.O.E.S.O.N. # | :38:21. | :38:23. | |
sense, my friend You've got heart and you go in your own | :38:23. | :38:28. | |
sense, my friend You've got heart and you go in your own way | :38:28. | :38:28. | |
and you go in your own way # | :38:28. | :38:28. | |
and you go in your own way # L.I.F.E.G.O.E.S.O.N. | :38:28. | :38:30. | |
# L.I.F.E.G.O.E.S.O.N. # | :38:30. | :38:33. | |
# What you don't have now will come back | :38:33. | :38:34. | |
back again # | :38:34. | :38:35. | |
# You've got heart and you go in your own | :38:35. | :38:39. | |
# You've got heart and you go in your own way | :38:39. | :38:39. | |
# You've got heart and you go in your own way. | :38:39. | :38:41. | |
your own way. # | :38:42. | :38:42. | |
your own way. # On | :38:42. | :38:43. | |
your own way. # On the | :38:43. | :38:44. | |
sense, my # On the last night on | :38:44. | :38:49. | |
# I won't look to the # I'll just | :38:49. | :38:52. | |
# And blink in the # | :38:52. | :38:57. | |
# My last night # I'll pay a high | :38:57. | :39:02. | |
# To have no regrets # And be done with my | :39:02. | :39:07. | |
# L.I.F.E.G.O.E.S.O.N. # | :39:07. | :39:09. | |
sense, my friend # | :39:09. | :39:17. | |
your own way # L.I.F.E.G.O.E.S.O.N. | :39:17. | :39:18. | |
back again # | :39:18. | :39:21. | |
# You've got heart and you go in your own | :39:21. | :39:23. | |
# You've got heart and you go in your own way | :39:23. | :39:23. | |
# You've got heart and you go in your own way. | :39:23. | :39:27. | |
your own way. # | :39:27. | :39:27. | |
your own way. # L.I.F.E.G.O.E.S.O.N. | :39:27. | :39:27. | |
# L.I.F.E.G.O.E.S.O.N. # | :39:28. | :39:31. | |
# You've got more than money and sense, my | :39:31. | :39:33. | |
# You've got more than money and sense, my friend | :39:33. | :39:33. | |
sense, my friend # | :39:33. | :39:33. | |
# You've got heart and you go in your own | :39:33. | :39:37. | |
# You've got heart and you go in your own way | :39:37. | :39:38. | |
your own way # | :39:38. | :39:38. | |
your own way # L.I.F.E.G.O.E.S.O.N. | :39:38. | :39:39. | |
# L.I.F.E.G.O.E.S.O.N. # | :39:39. | :39:42. | |
# What you don't have now will come back | :39:42. | :39:42. | |
back again # | :39:42. | :39:45. | |
# You've got heart and you go in your own | :39:45. | :39:46. | |
# You've got heart and you go in your own way | :39:46. | :39:46. | |
# You've got heart and you go in your own way. | :39:46. | :39:56. | |
:39:56. | :40:04. | ||
APPLAUSE | :40:04. | :40:04. | |
APPLAUSE. | :40:04. | :40:09. | |
APPLAUSE. Know | :40:09. | :40:17. | |
APPLAUSE. Know know, ladies and Noah and the Whale. Marvellous. Sit | :40:17. | :40:19. | |
Noah and the Whale. Marvellous. Sit Noah and the Whale. Marvellous. Sit | :40:19. | :40:26. | |
back down, too. There you go. Shove up. | :40:26. | :40:35. | |
Whale. Thaug for playing that. That is off Last Night On Earth. You can | :40:35. | :40:40. | |
still buy it. It is still available. You are in the middle of a tour. | :40:40. | :40:47. | |
That is right. Halfway through. is it going? Brilliantly. Amazing. I | :40:47. | :40:52. | |
love Noah and the Whale. I am not a fan of many people, obviously a fan | :40:52. | :40:58. | |
of all of you. Very good. Listen, we nearly out of time. Before we go, it | :40:58. | :41:03. | |
is time for a store or two in the big red chair. Who is up first? | :41:03. | :41:08. | |
Hello, sir. Hello. What is name. Joseph. What do you do? I | :41:08. | :41:17. | |
for a charity. Right. Where, down here or the homeland. Waterloo. In | :41:17. | :41:23. | |
Waterloo. Close. He hasn't travelled far. Really, he just fell in the | :41:23. | :41:29. | |
door. You can fall out again. Joseph, delight us with your tale. I | :41:29. | :41:35. | |
was in New Zealand, working in a small Home Office and my boss one | :41:35. | :41:42. | |
night take the care home. And... Wait. Sorry. I am apologising. There | :41:42. | :41:50. | |
is a bloodlust spreading through the audience. Show one man, throw him | :41:50. | :42:00. | |
:42:00. | :42:01. | ||
bone. Off you go. I was in New Zealand. No. APPLAUSE. | :42:01. | :42:06. | |
We are genuinely interested. We are genuinely interested. | :42:06. | :42:08. | |
We are genuinely interested. wanted to know what happened. | :42:08. | :42:09. | |
wanted to know what happened. wanted to know what happened. | :42:09. | :42:10. | |
We are genuinely works in Waterloo, drive around | :42:10. | :42:17. | |
area, you will find him. Who is next. Hello. For a frightening | :42:17. | :42:24. | |
moment I thought you didn't have a top on. But you do. She has | :42:24. | :42:33. | |
with nude. It is very on trend, Kate. Nude. What is your name. I am | :42:33. | :42:37. | |
Cariss a. From Australia. Are you visiting? I have been here | :42:37. | :42:40. | |
months. What do months. What do you do to fill | :42:40. | :42:45. | |
time. I am in the market for a pattern cutting job. Pattern | :42:45. | :42:54. | |
cutting. Anyone? If she had only told me yesterday. All right, off | :42:54. | :43:00. | |
you go. I was at the big day out, which is a music festival. We know | :43:00. | :43:05. | |
what it is. Re live here. Sorry. I was in the crowd watching the | :43:05. | :43:11. | |
Killers. The crowd was trout and getting packed. I grabbed my bag and | :43:11. | :43:17. | |
started jumping up and down. The guy next to me gave me a hey wink, nod. | :43:17. | :43:23. | |
What? I looked down to see that I had a hold of the crotch of his | :43:23. | :43:31. | |
shorts jumping up and down. Not my handbag at all. You can walk. Nice | :43:31. | :43:35. | |
one. Well done one. Well done everyone. If you | :43:35. | :43:40. | |
Thank you so much to my gets Thank you so much to my gets | :43:40. | :43:42. | |
Thank you so much to my gets tonight, Noah and the Whale. | :43:42. | :43:44. | |
tonight, Noah and the Whale. tonight, Noah and the Whale. | :43:44. | :43:45. | |
Thank you so much APPLAUSE. Rob Brydon APPLAUSE. Jamie | :43:45. | :43:51. |