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'And you join us for the final of the Chatshow Olympics 2012. | 0:00:02 | 0:00:05 | |
'There's the favourite, Graham Norton. | 0:00:05 | 0:00:08 | |
'He's just going through his pre-race ritual. | 0:00:08 | 0:00:11 | |
'On your marks, get set...' | 0:00:11 | 0:00:13 | |
GUN FIRES | 0:00:13 | 0:00:16 | |
It's a personal best! Let's start the show! | 0:00:16 | 0:00:19 | |
APPLAUSE | 0:00:19 | 0:00:21 | |
Thank you very much. | 0:00:38 | 0:00:40 | |
So proud, so proud. I am shattered. | 0:00:40 | 0:00:45 | |
Ten years of training went into that, ladies and gentlemen. | 0:00:45 | 0:00:47 | |
I would've been quicker, but I did it four times in rehearsal. | 0:00:47 | 0:00:51 | |
It's been a great series | 0:00:51 | 0:00:53 | |
and here's a little look back at some of my favourite guests. | 0:00:53 | 0:00:58 | |
I wonder who's up first? | 0:00:58 | 0:01:00 | |
CHEERING | 0:01:00 | 0:01:02 | |
We're here for a while. Pace yourselves. | 0:01:09 | 0:01:12 | |
I don't know how to sit on this couch. It's like a hot dog bun. | 0:01:12 | 0:01:17 | |
You're a lovely filling. | 0:01:17 | 0:01:19 | |
-Can you remember when you weren't Madonna? -No. | 0:01:20 | 0:01:26 | |
You know, the persona, Madonna. Can you remember what it felt like, | 0:01:26 | 0:01:30 | |
to not be the focus of every room you walk into? | 0:01:30 | 0:01:34 | |
I do. I really enjoy environments where I feel anonymous. | 0:01:34 | 0:01:40 | |
When does that happen? | 0:01:40 | 0:01:41 | |
When I just was on my skiing holiday, actually. | 0:01:41 | 0:01:45 | |
I was wearing a mask, completely covering my face and goggles | 0:01:45 | 0:01:50 | |
and so I could ride the ski lift and nobody knew it was me. | 0:01:50 | 0:01:53 | |
-Other people watching this now... -People were cutting in front of me and stabbing me | 0:01:53 | 0:01:56 | |
with their ski poles. | 0:01:56 | 0:01:59 | |
That's our lives! | 0:01:59 | 0:02:02 | |
It was a holiday for you. | 0:02:02 | 0:02:04 | |
APPLAUSE | 0:02:04 | 0:02:08 | |
I think it's more important that you've named your dog after me. | 0:02:10 | 0:02:14 | |
Now I didn't name my dog after you. | 0:02:14 | 0:02:16 | |
Really, I heard you did. This is how rumours get started. | 0:02:16 | 0:02:19 | |
My dog IS called Madge. But... | 0:02:19 | 0:02:22 | |
LAUGHTER What does that mean? | 0:02:25 | 0:02:28 | |
It was a rescue dog, right... | 0:02:28 | 0:02:30 | |
LAUGHTER | 0:02:30 | 0:02:33 | |
Wait! It was a rescue dog. | 0:02:33 | 0:02:35 | |
When I went to the rescue place, they'd already called her Madonna. | 0:02:35 | 0:02:41 | |
I thought I can't have a dog called Madonna. | 0:02:41 | 0:02:45 | |
So I called her Madge. | 0:02:45 | 0:02:46 | |
Does that help you separate things? | 0:02:46 | 0:02:49 | |
I've got two dogs, so what was I going to call the other one? Mm, Madonna. | 0:02:49 | 0:02:53 | |
-What's your other dog's name? -Bailey. | 0:02:53 | 0:02:56 | |
Not Gaga?! | 0:02:56 | 0:02:58 | |
LAUGHTER AND APPLAUSE | 0:02:58 | 0:03:01 | |
Welcome to all three of you. | 0:03:01 | 0:03:04 | |
We're excited to see all three of you, | 0:03:04 | 0:03:07 | |
but I happen to know that Cameron, you're excited to see Sir David. | 0:03:07 | 0:03:11 | |
-I am so excited. -Really? -Yes, I am. | 0:03:11 | 0:03:14 | |
I told them back stage that we were making a Sir David Attenborough sandwich. | 0:03:14 | 0:03:18 | |
He's the meat in the middle. | 0:03:18 | 0:03:22 | |
I'll leave you to it! | 0:03:22 | 0:03:24 | |
We're his slices of bread, you know what I'm saying? | 0:03:25 | 0:03:29 | |
She's a nice French stick and I'm a wholemeal Hovis, | 0:03:29 | 0:03:34 | |
little bits of grit in it! | 0:03:34 | 0:03:37 | |
You wanted to be a zoologist? | 0:03:37 | 0:03:38 | |
I wanted to be a zoologist. That's what I thought I was going to be my entire life. | 0:03:38 | 0:03:42 | |
I wanted to study... | 0:03:42 | 0:03:45 | |
I could teach you all sorts of things. | 0:03:47 | 0:03:48 | |
I've learned a lot from you already. | 0:03:48 | 0:03:51 | |
Things I picked up on back stage, we won't mention those. | 0:03:54 | 0:03:57 | |
I studied the behaviour of animals and it happened to be human animals. | 0:03:57 | 0:04:01 | |
As an actor that's what I do, study human behaviour. | 0:04:01 | 0:04:06 | |
-And lots of discoveries? -Yes. -Big surprises? | 0:04:06 | 0:04:09 | |
Big surprises. | 0:04:09 | 0:04:11 | |
-I've found so much from your show. -Really? | 0:04:11 | 0:04:15 | |
You should see the outtakes. | 0:04:15 | 0:04:17 | |
-Maybe we can arrange a viewing? -Yes, any time. | 0:04:19 | 0:04:22 | |
-Kathy, do you watch Sir David? -Yeah, I do. I watch David... | 0:04:23 | 0:04:27 | |
APPLAUSE | 0:04:27 | 0:04:29 | |
-It's incredible given that you have this -phenomenal -film career | 0:04:34 | 0:04:38 | |
that Fresh Prince doesn't go away. | 0:04:38 | 0:04:41 | |
Every country in the world, that is the thing that I am most known for, | 0:04:41 | 0:04:46 | |
no matter how big the movies get, it's the Fresh Prince everywhere. | 0:04:46 | 0:04:52 | |
Does that bug you? | 0:04:52 | 0:04:54 | |
Listen, man, as long as they're screaming "Will" I'm cool! | 0:04:54 | 0:04:57 | |
-Famously you performed the title rap. -Yes. | 0:04:57 | 0:05:03 | |
Which I happen to know everyone knows. | 0:05:03 | 0:05:07 | |
Everyone knows... | 0:05:13 | 0:05:15 | |
Including me. | 0:05:15 | 0:05:17 | |
-So let me hand this over. -Oh, jeez. -It's quite heavy. | 0:05:18 | 0:05:23 | |
Here you go, Gary. | 0:05:23 | 0:05:24 | |
Oh, goodness! | 0:05:24 | 0:05:27 | |
APPLAUSE | 0:05:27 | 0:05:30 | |
You've probably seen some musicians before, | 0:05:30 | 0:05:34 | |
but get ready my friend. | 0:05:34 | 0:05:37 | |
LAUGHTER | 0:05:37 | 0:05:39 | |
Hit the track. | 0:05:39 | 0:05:41 | |
FRESH PRINCE THEME MUSIC PLAYS | 0:05:41 | 0:05:43 | |
# This is a story all about how | 0:05:43 | 0:05:44 | |
# My life got flipped turned upside down | 0:05:44 | 0:05:46 | |
# I'd like to take a minute, just sit right there, | 0:05:46 | 0:05:49 | |
# And tell you how I became the prince of a town called Bel Air! | 0:05:49 | 0:05:54 | |
GARY PLAYS RIFF | 0:05:54 | 0:05:56 | |
Whoo! | 0:05:56 | 0:05:58 | |
# In West Philadelphia born and raised, | 0:06:00 | 0:06:04 | |
# On the playground is where I spent most of my days | 0:06:04 | 0:06:06 | |
# Chillin' out, maxin', relaxin' all cool | 0:06:06 | 0:06:08 | |
# And all shootin' some b-ball outside of school | 0:06:08 | 0:06:11 | |
# When a couple of guys who were up to no good | 0:06:11 | 0:06:12 | |
# Startin' making trouble in my neighbourhood | 0:06:12 | 0:06:15 | |
# I got in one little fight and my mom got scared | 0:06:15 | 0:06:17 | |
# She said, "You're movin' with your auntie and uncle in Bel Air!" | 0:06:17 | 0:06:20 | |
# I whistled for a cab and when it came near | 0:06:20 | 0:06:22 | |
# The licence plate said fresh and it had dice in the mirror | 0:06:22 | 0:06:24 | |
# If anything I can say is that this cab was rare | 0:06:24 | 0:06:27 | |
# But I thought, "Man, forget it" - "Yo home to Bel Air!" | 0:06:27 | 0:06:30 | |
# I pulled up to the house about seven or eight | 0:06:30 | 0:06:34 | |
# And I yelled to the cabbie, "Yo homes, smell ya later!" | 0:06:34 | 0:06:36 | |
# I looked to my kingdom I was finally there | 0:06:36 | 0:06:39 | |
# To sit on my throne as the Prince of Bel Air! # | 0:06:39 | 0:06:42 | |
APPLAUSE | 0:06:42 | 0:06:45 | |
Very good! | 0:06:51 | 0:06:53 | |
APPLAUSE DROWNS CHAT | 0:06:57 | 0:07:01 | |
Wow! | 0:07:01 | 0:07:03 | |
Next tour. | 0:07:03 | 0:07:04 | |
That's the opener! | 0:07:04 | 0:07:06 | |
Mmmmmmg... | 0:07:06 | 0:07:09 | |
Don't make fun, it's taken me all week! | 0:07:15 | 0:07:18 | |
Listen, before we get onto other things, | 0:07:21 | 0:07:23 | |
I want to gossip really, Cheryl did the Jubilee concert for the Queen. | 0:07:23 | 0:07:27 | |
By the way, were you asked to do it? | 0:07:29 | 0:07:31 | |
No, I wasn't. | 0:07:31 | 0:07:33 | |
In the papers we heard a rumour Prince Harry... | 0:07:33 | 0:07:35 | |
-Your papers never lie (!) -No. | 0:07:35 | 0:07:37 | |
This is the nice thing, they said Prince Harry asked for you by name. | 0:07:37 | 0:07:42 | |
Prince Harry, he's a hot ginger, isn't he? | 0:07:42 | 0:07:44 | |
Are you sure he asked for her to perform though? | 0:07:46 | 0:07:50 | |
I don't know "Bring me Katy Perry." | 0:07:50 | 0:07:52 | |
It is Harry. He likes the ladies. | 0:07:52 | 0:07:56 | |
I'd be open to that. | 0:07:56 | 0:07:59 | |
You were chatting at the party, weren't you? | 0:07:59 | 0:08:02 | |
You and Prince Harry? Get off my man! | 0:08:02 | 0:08:04 | |
Princess Cheryl. | 0:08:06 | 0:08:08 | |
That would be the best wedding ever! Do it, go on! | 0:08:11 | 0:08:13 | |
Come on! | 0:08:13 | 0:08:16 | |
I would consider Prince Harry. | 0:08:16 | 0:08:17 | |
Do it. Oh, do! | 0:08:17 | 0:08:20 | |
It would cheer people up so much. | 0:08:20 | 0:08:23 | |
If you don't like her, call me! | 0:08:25 | 0:08:28 | |
You did tweet good pictures of yourself at the Jubilee celebrations. | 0:08:29 | 0:08:32 | |
There's you with Will. 1. Is! | 0:08:32 | 0:08:37 | |
I love the fact you've out-royalled him with your outfit as well. | 0:08:40 | 0:08:43 | |
Who is that gentleman? | 0:08:47 | 0:08:49 | |
-That's Prince William. -It never is. -Come on, Miriam. -All grown up. | 0:08:49 | 0:08:55 | |
Is that really Prince William? | 0:08:55 | 0:08:57 | |
-Not the black one! -No, the black one's you. I know that! | 0:08:58 | 0:09:02 | |
-I didn't realise that was Prince Williams. -Prince William. | 0:09:08 | 0:09:11 | |
But he's bald in that picture. | 0:09:14 | 0:09:18 | |
That was a flash because it was his phone. | 0:09:18 | 0:09:21 | |
A lot of things are getting lost up there on the top. | 0:09:21 | 0:09:24 | |
You can't really see the top of my head there either. | 0:09:24 | 0:09:27 | |
Matter of fact, that whole entire black area is my afro! | 0:09:29 | 0:09:33 | |
APPLAUSE | 0:09:33 | 0:09:36 | |
You look very nice but I thought | 0:09:39 | 0:09:40 | |
you're a Scot you might be sporting the kilt on the red carpet? | 0:09:40 | 0:09:45 | |
-No. -Do you ever do the kilt? -Yes, I've done the kilt. | 0:09:45 | 0:09:48 | |
-On the red carpet? -No, not on the red carpet. -You should do it. | 0:09:48 | 0:09:51 | |
People are going "Yes, you have." | 0:09:51 | 0:09:54 | |
In Glasgow? Oh, I did! Oh, God! | 0:09:56 | 0:09:59 | |
Do you want to answer these questions for me? | 0:10:05 | 0:10:09 | |
This lady here. Basically, did you move to America? | 0:10:09 | 0:10:10 | |
She's from Scotland. | 0:10:10 | 0:10:12 | |
But just goes wherever I go. | 0:10:12 | 0:10:14 | |
That lady with the glasses? | 0:10:14 | 0:10:16 | |
She knows the answers better than I do. | 0:10:16 | 0:10:19 | |
If I'm saying anything wrong, you'll keep me in line. | 0:10:19 | 0:10:23 | |
Apparently, she will. | 0:10:23 | 0:10:24 | |
Minutes into the show, "Yes you have!" | 0:10:26 | 0:10:28 | |
I wore a kilt at my sister's wedding in Paisley, Scotland. | 0:10:32 | 0:10:38 | |
I had to go up and do a reading. | 0:10:38 | 0:10:39 | |
My mother and the family were in the front row. | 0:10:41 | 0:10:42 | |
Of course, as you know in Scotland, | 0:10:42 | 0:10:44 | |
there's a certain rule to wearing the kilts. | 0:10:44 | 0:10:46 | |
I'm sitting like this and everybody's kneeling forward | 0:10:46 | 0:10:50 | |
at the podium and my mum is looking at me. | 0:10:50 | 0:10:52 | |
And she's doing this and she's going... | 0:10:52 | 0:10:55 | |
I think that she's telling me to pray. | 0:10:58 | 0:11:01 | |
The whole congregation is watching me. | 0:11:01 | 0:11:02 | |
I'm like this, I'm looking at her and I go like this. | 0:11:02 | 0:11:05 | |
She's like... | 0:11:08 | 0:11:09 | |
Then I realise everybody is staring right up my... | 0:11:12 | 0:11:14 | |
Oooh! | 0:11:14 | 0:11:16 | |
I'm like this. I go... | 0:11:16 | 0:11:17 | |
That's why I always regret when I've worn kilts. | 0:11:25 | 0:11:28 | |
It's always a disaster. | 0:11:28 | 0:11:29 | |
Wasn't there a thing where you had a medical emergency on Cranford | 0:11:29 | 0:11:33 | |
when you were in full garb? | 0:11:33 | 0:11:35 | |
Oh, a tooth? | 0:11:35 | 0:11:35 | |
During a scene I had to say, "And look at the..." | 0:11:35 | 0:11:39 | |
I said, it's my tooth. My tooth's come out. | 0:11:44 | 0:11:50 | |
So they said, well, we'll get you organised. | 0:11:52 | 0:11:53 | |
We were out at Ealing. | 0:11:53 | 0:11:55 | |
So they said, yes, the dentist will see you. | 0:11:55 | 0:11:59 | |
They said, "Unfortunately, there isn't time | 0:11:59 | 0:12:03 | |
"for you to get out of all this, and this, and this, and this. | 0:12:03 | 0:12:06 | |
"You have to just go as you are." | 0:12:08 | 0:12:10 | |
So I did. | 0:12:10 | 0:12:11 | |
I went down to the surgery and I walked in. | 0:12:11 | 0:12:15 | |
They said, he'll be coming now. | 0:12:15 | 0:12:17 | |
Nobody took a blind bit of notice of me. | 0:12:17 | 0:12:19 | |
And he said, "Oh, right." | 0:12:20 | 0:12:22 | |
"Just come and sit back here." | 0:12:23 | 0:12:25 | |
So, I lay back and he said, "Open your mouth." | 0:12:25 | 0:12:28 | |
He said, "Are you working at all, these days?" | 0:12:28 | 0:12:33 | |
I was on a French train, just after Four Weddings had come out. | 0:12:39 | 0:12:43 | |
I didn't realise... | 0:12:43 | 0:12:45 | |
People were being very nice to me. | 0:12:45 | 0:12:46 | |
French people kept saying, "We love your film." | 0:12:46 | 0:12:48 | |
I'd say, "Thank you, that's very nice." | 0:12:48 | 0:12:50 | |
I'd find myself going to a some film festival. | 0:12:50 | 0:12:53 | |
And I had a terrible pain in my arse. | 0:12:53 | 0:12:56 | |
I thought, this is uncool. I'm nodding at everyone. | 0:12:59 | 0:13:01 | |
But my arse is killing me. | 0:13:01 | 0:13:03 | |
It occurred to me I might have haemorrhoids. | 0:13:03 | 0:13:06 | |
I thought, "Oh, God, it's my first pile." | 0:13:06 | 0:13:09 | |
"It's bound to come at some point. This'll be it." | 0:13:09 | 0:13:11 | |
I became fixated. I had to see this thing. | 0:13:11 | 0:13:14 | |
It's so painful. | 0:13:14 | 0:13:16 | |
So I went to the loo on this very modern TGV French train. | 0:13:16 | 0:13:19 | |
I thought, "I've got to look at my arse." | 0:13:20 | 0:13:23 | |
It's a very, very difficult thing to do. | 0:13:23 | 0:13:26 | |
I finally found the only way was to stand on the loo seat, | 0:13:26 | 0:13:28 | |
pull my arse cheeks as wide apart as I could, and look back through my legs. | 0:13:28 | 0:13:33 | |
And I actually got quite a good view. | 0:13:33 | 0:13:36 | |
And at that point I realised I'd not mastered the lock on the door. | 0:13:36 | 0:13:42 | |
One of these incredibly nice French people, | 0:13:42 | 0:13:45 | |
who'd been nice about my film came in and saw me, | 0:13:45 | 0:13:47 | |
for some reason... | 0:13:47 | 0:13:48 | |
It was a bad moment. Bad. | 0:13:54 | 0:13:55 | |
Terrible. | 0:13:55 | 0:13:57 | |
Perhaps most telling of all of how successful Mad Men is, | 0:13:59 | 0:14:03 | |
it has spawned its own range of Barbies. | 0:14:03 | 0:14:05 | |
Isn't that weird, that Barbie would make a doll a man who smokes, | 0:14:08 | 0:14:12 | |
and drinks and shags around? | 0:14:12 | 0:14:13 | |
It seems off-message. It seems kind of off-brand. | 0:14:15 | 0:14:18 | |
You don't want to leave that doll around any other dolls. | 0:14:18 | 0:14:21 | |
It will get very, very inappropriate, very quickly. | 0:14:24 | 0:14:26 | |
"Raggedy Ann is crying." | 0:14:28 | 0:14:29 | |
Sorry sweetheart. | 0:14:29 | 0:14:30 | |
Don't call. | 0:14:35 | 0:14:36 | |
This one is Liam's. | 0:14:41 | 0:14:42 | |
And then we've also got... | 0:14:42 | 0:14:44 | |
Oh, wait a minute! | 0:14:46 | 0:14:47 | |
Size isn't everything! | 0:14:52 | 0:14:54 | |
-I've got no legs. -You do have legs! | 0:14:54 | 0:14:55 | |
It's very exciting, because there's a lighting thing. | 0:14:55 | 0:14:57 | |
When you see it, you'll be impressed. | 0:14:57 | 0:15:00 | |
OK. So, you're a money box. | 0:15:00 | 0:15:01 | |
-OK. -He'll have your eye out! | 0:15:04 | 0:15:05 | |
Be wary. I sense a disturbance in the force. | 0:15:08 | 0:15:10 | |
Concentrate on the moment. | 0:15:13 | 0:15:15 | |
Feel, don't think. | 0:15:15 | 0:15:17 | |
Use your instincts. | 0:15:17 | 0:15:18 | |
May the force be with you. | 0:15:23 | 0:15:24 | |
That's impressive! | 0:15:29 | 0:15:30 | |
Never ending, isn't it? | 0:15:30 | 0:15:32 | |
Wow! | 0:15:36 | 0:15:39 | |
That's one. | 0:15:41 | 0:15:43 | |
This is Captain Jean-Luc Picard. | 0:15:43 | 0:15:46 | |
Is that it? | 0:15:55 | 0:15:57 | |
At least do it again! | 0:16:04 | 0:16:05 | |
It probably gets better. | 0:16:06 | 0:16:08 | |
Oh! | 0:16:12 | 0:16:14 | |
Zac, I like the way your friends use your fame | 0:16:21 | 0:16:24 | |
as like a joke, like a game. | 0:16:24 | 0:16:28 | |
Oh, gosh. Yes, they do. | 0:16:28 | 0:16:30 | |
Yeah, they do. | 0:16:30 | 0:16:32 | |
We have a lot of fun, my friends mess with it a lot. | 0:16:32 | 0:16:36 | |
We can't take it too seriously. | 0:16:36 | 0:16:37 | |
I'm just the same dude that they always knew that I grew up with. | 0:16:37 | 0:16:42 | |
We drive around and, if I'm riding shot gun, | 0:16:42 | 0:16:45 | |
if we pull up next to a bunch of girls in the car, | 0:16:45 | 0:16:48 | |
they always roll down the music and turn on a High School Musical track | 0:16:48 | 0:16:52 | |
at a red light. | 0:16:52 | 0:16:53 | |
And I just stare forward, like nothing's going on. | 0:16:55 | 0:16:57 | |
But we see how long it takes them to notice. | 0:16:57 | 0:17:00 | |
Some of them know the song and go, "Great song!" | 0:17:00 | 0:17:03 | |
Then my friends start going "Yeah, it's him. It's him." | 0:17:09 | 0:17:11 | |
They look at me and I go, "No, it's not." | 0:17:11 | 0:17:14 | |
They go, "Is it really?" I go, "No, no." | 0:17:14 | 0:17:16 | |
"It is! It is!" | 0:17:19 | 0:17:22 | |
When do you guys do that? Can I get in on that? | 0:17:22 | 0:17:23 | |
Yeah. I've got no plans. | 0:17:25 | 0:17:28 | |
If we combine forces... If WE combine forces. | 0:17:29 | 0:17:32 | |
Don't touch me, Zac Efron! I don't want to come in your crappy little car, play your music | 0:17:36 | 0:17:40 | |
and have people screaming at me, thank you. | 0:17:40 | 0:17:42 | |
Having said that, I am free on Sunday and Monday. | 0:17:42 | 0:17:46 | |
You know what happened to me? This happened a long time ago. | 0:17:48 | 0:17:51 | |
I was on the 101 heading to work one morning. | 0:17:51 | 0:17:52 | |
We were shooting Friends. | 0:17:52 | 0:17:54 | |
It was gridlocked traffic. | 0:17:54 | 0:17:56 | |
Nobody was going anywhere. | 0:17:56 | 0:17:58 | |
I look out the window there's a girl in the car next to me. | 0:17:58 | 0:18:01 | |
She's rocking out to some song. It was when the Friends theme song was number one on the radio. | 0:18:01 | 0:18:06 | |
I put the window down to hear what she was listening to. | 0:18:06 | 0:18:09 | |
I realise what she's listening to. | 0:18:09 | 0:18:10 | |
She looks over at me, sees me, freaks out, | 0:18:10 | 0:18:13 | |
takes her foot off the brake, slams into the car in front. | 0:18:13 | 0:18:16 | |
I can't go anywhere, so I just put the window up. | 0:18:17 | 0:18:20 | |
I felt like such an ass. | 0:18:23 | 0:18:25 | |
I did What The Butler Saw in Salisbury Playhouse, | 0:18:29 | 0:18:32 | |
one of my first jobs out. | 0:18:32 | 0:18:33 | |
There's a scene, I had to jump up naked behind a sofa, | 0:18:34 | 0:18:38 | |
I've got a policeman's helmet covering my bits and bobs, | 0:18:38 | 0:18:42 | |
and run off. | 0:18:42 | 0:18:43 | |
In Salisbury, it was the blue rinse brigade down there. | 0:18:43 | 0:18:46 | |
Once I didn't quite cover myself. | 0:18:46 | 0:18:48 | |
There was this noise... | 0:18:48 | 0:18:49 | |
800 old ladies, it was such a great noise, | 0:18:51 | 0:18:54 | |
that I never covered myself properly again. | 0:18:54 | 0:18:56 | |
One night, there was a flower vase on the set, | 0:18:58 | 0:19:03 | |
and for some reason there was water in it. | 0:19:03 | 0:19:05 | |
Like, why would there be water in it? | 0:19:05 | 0:19:07 | |
It's a play, it's not real. | 0:19:07 | 0:19:09 | |
Anyway, it had spilt and I didn't know. | 0:19:09 | 0:19:10 | |
So I got up from behind the sofa, slightly revealing myself, | 0:19:10 | 0:19:13 | |
I ran and hit the water and I landed right on my back like this, | 0:19:13 | 0:19:18 | |
with a helmet, and I shot towards the audience. | 0:19:18 | 0:19:22 | |
This woman had my arsehole coming at her like that. | 0:19:26 | 0:19:28 | |
There is a lot of discussion on the Internet | 0:19:34 | 0:19:36 | |
about what Beez In The Trap means. | 0:19:36 | 0:19:37 | |
Can you be definitive, Nicki Minaj? | 0:19:39 | 0:19:40 | |
Ooh, what should I say? | 0:19:42 | 0:19:43 | |
Let me think. | 0:19:43 | 0:19:45 | |
Beez, is the letter B, for boys? | 0:19:45 | 0:19:47 | |
Or is it bees, as in buzzy bees? | 0:19:47 | 0:19:49 | |
No, it just means that, you know, it's saying I am always, | 0:19:51 | 0:19:55 | |
you know that's our slang way of saying... | 0:19:55 | 0:19:56 | |
You know, we be like, "I beez doing such and such." | 0:19:56 | 0:20:00 | |
So it's really like, "I'm always in the trap." | 0:20:01 | 0:20:04 | |
Now the trap, ladies and gentleman, | 0:20:05 | 0:20:07 | |
relates to anywhere that you get your money. So you're in the trap right now, Playboy. | 0:20:07 | 0:20:11 | |
Oh, yeah! | 0:20:11 | 0:20:13 | |
You in the trap right now. | 0:20:13 | 0:20:16 | |
APPLAUSE | 0:20:16 | 0:20:18 | |
I Bs in the trap. | 0:20:21 | 0:20:23 | |
I Bs in the trap. | 0:20:25 | 0:20:27 | |
When did you last get called playboy? I love it! | 0:20:30 | 0:20:32 | |
Can I just say, I'm very down with this | 0:20:36 | 0:20:38 | |
because I've been reading my nikktionary. | 0:20:38 | 0:20:41 | |
AUDIENCE: Ooh! | 0:20:41 | 0:20:42 | |
I have, yeah. Let's find it. It's on here. | 0:20:44 | 0:20:47 | |
It's all you on here. | 0:20:47 | 0:20:50 | |
So like strawberry short cake, if I hit that. | 0:20:50 | 0:20:53 | |
"Word. Strawberry short cake, noun. | 0:20:53 | 0:20:56 | |
"Definition: a broke bitch. | 0:20:56 | 0:21:00 | |
"Definition: one who loses sight of her goals and her cake | 0:21:00 | 0:21:03 | |
"by focusing on beef and negativity." | 0:21:03 | 0:21:06 | |
Yeah, you strawberry shortcake. | 0:21:06 | 0:21:08 | |
LAUGHTER | 0:21:08 | 0:21:10 | |
Later on this year, Asterix and Obelix, your good self, is back. | 0:21:15 | 0:21:18 | |
-This time you shot it in Ireland. -Yes. | 0:21:18 | 0:21:21 | |
You were in all the papers. You were going to Ireland, weren't you? | 0:21:22 | 0:21:25 | |
-You were flying to Ireland. -Yes, I pee on the plane, yes. | 0:21:26 | 0:21:28 | |
-Did you really? -Yes. | 0:21:33 | 0:21:35 | |
I thought you were going to tell us a story... | 0:21:36 | 0:21:38 | |
No, it never happened. | 0:21:38 | 0:21:40 | |
-So you did pee on a plane? -Of course. | 0:21:40 | 0:21:43 | |
Because you can't stop when you have some... | 0:21:43 | 0:21:47 | |
When you want to pee, please, go pee. | 0:21:47 | 0:21:49 | |
Nobody can stop you, if you want to pee because you can die. | 0:21:52 | 0:21:58 | |
I was hurry, I say please. | 0:21:59 | 0:22:01 | |
This is not my mind. | 0:22:03 | 0:22:05 | |
This is organic thing, you know. | 0:22:08 | 0:22:10 | |
She said, "No." I said, "Give me a bottle." | 0:22:10 | 0:22:13 | |
And I pee on the plane and she said, "Aahhh!" | 0:22:13 | 0:22:17 | |
I said, "Don't worry, I will clean it." | 0:22:21 | 0:22:23 | |
-Too much for the bottle. -Too much, yes. | 0:22:23 | 0:22:26 | |
APPLAUSE | 0:22:26 | 0:22:29 | |
That can happen. | 0:22:29 | 0:22:30 | |
Now are the girls good at school | 0:22:32 | 0:22:34 | |
because you weren't very good at school. | 0:22:34 | 0:22:37 | |
They're horrible. No, they're great. | 0:22:37 | 0:22:40 | |
They're smarter than me. | 0:22:40 | 0:22:42 | |
-I can't help them with their homework any more. -At ten? -At ten! | 0:22:42 | 0:22:45 | |
-I dropped out. -What, at nine? | 0:22:47 | 0:22:50 | |
Yeah! My story, at the coal mines. | 0:22:50 | 0:22:53 | |
There's a website that collects together the detention slips | 0:22:55 | 0:22:59 | |
that kids receive, the bits to show their parents. | 0:22:59 | 0:23:02 | |
There's lots of reasons. | 0:23:02 | 0:23:03 | |
There's some classics of the genre in here. | 0:23:03 | 0:23:07 | |
"He was disrupting the class claiming to be the reborn Jesus | 0:23:07 | 0:23:10 | |
"and hitting the other students with the Bible." | 0:23:10 | 0:23:13 | |
APPLAUSE | 0:23:13 | 0:23:15 | |
Prove it isn't true! | 0:23:15 | 0:23:17 | |
How do you know he wasn't the risen Jesus? | 0:23:17 | 0:23:20 | |
Jesus has got detention now. | 0:23:20 | 0:23:22 | |
This is a teacher who sent this through. | 0:23:22 | 0:23:25 | |
Remember, this is real, a teacher really typed this letter | 0:23:25 | 0:23:28 | |
and gave it to a child to take home to their parents. | 0:23:28 | 0:23:32 | |
"Alex consistently defied me. | 0:23:32 | 0:23:35 | |
"During class he contradicted me numerous times. | 0:23:35 | 0:23:37 | |
"I insisted that the length of one kilometre was greater | 0:23:37 | 0:23:40 | |
"than that of one mile. | 0:23:40 | 0:23:42 | |
"Although he was correct..." | 0:23:42 | 0:23:44 | |
APPLAUSE | 0:23:46 | 0:23:48 | |
"..Alex's actions show a blatant disregard for authority | 0:23:48 | 0:23:51 | |
"and complete lack of respect for his school. | 0:23:51 | 0:23:55 | |
"In the future, Alex should accept my teachings without resistance." | 0:23:55 | 0:23:58 | |
Isn't that genius? | 0:24:00 | 0:24:02 | |
Regards... Rommel. | 0:24:02 | 0:24:05 | |
Back to more typical children. "Drew large penis on white board." | 0:24:06 | 0:24:10 | |
That's amazing. | 0:24:12 | 0:24:14 | |
Now take it as one of those films where one speech becomes legendary. | 0:24:17 | 0:24:20 | |
Even on the poster they used the speech. | 0:24:20 | 0:24:23 | |
You know, the one when you're on the phone. | 0:24:23 | 0:24:26 | |
"I don't know who you are..." | 0:24:26 | 0:24:28 | |
Do you get loads of fans asking to you say that? | 0:24:28 | 0:24:31 | |
Occasionally I do. | 0:24:31 | 0:24:33 | |
My eldest boy is at boarding school. | 0:24:33 | 0:24:35 | |
Sometimes he will call up and say, | 0:24:35 | 0:24:37 | |
"Dad, can you leave a message on Charlie's voice mail?" | 0:24:37 | 0:24:41 | |
-And do you? -Yeah, I do. -Oh, you do. | 0:24:44 | 0:24:46 | |
Then I can never remember the words. | 0:24:46 | 0:24:49 | |
Well, listen, we have a special lady in the audience. Now her name is Jo. | 0:24:50 | 0:24:55 | |
Where's Jo? There's Jo. | 0:24:55 | 0:24:57 | |
You don't know Jo, I don't think. | 0:24:57 | 0:25:00 | |
-He doesn't know you? -No. | 0:25:00 | 0:25:01 | |
She claims to be... | 0:25:01 | 0:25:03 | |
-Oh, God. -No, don't worry. | 0:25:03 | 0:25:05 | |
She claims to be your first fan. | 0:25:07 | 0:25:09 | |
Oh, yeah? | 0:25:09 | 0:25:10 | |
Jo contacted us saying she would like you to do something for her. | 0:25:10 | 0:25:15 | |
Now... | 0:25:15 | 0:25:17 | |
So basically, she wants... | 0:25:18 | 0:25:20 | |
Would you leave an answer phone greeting on her phone? | 0:25:20 | 0:25:23 | |
-Sure, yeah. -Would you? Do you mind? | 0:25:23 | 0:25:27 | |
-I call... Your phone is off, right? -Yeah. | 0:25:27 | 0:25:30 | |
Otherwise that will be annoying and stupid. | 0:25:30 | 0:25:33 | |
OK, this should be brilliant. | 0:25:33 | 0:25:35 | |
Hello, this is Jo. Please leave a message. | 0:25:36 | 0:25:39 | |
-"Please enter your PIN followed by the hash key." -OK. | 0:25:39 | 0:25:42 | |
"You're on the O2 greetings menu. | 0:25:46 | 0:25:49 | |
"Please record your personal greeting. | 0:25:49 | 0:25:52 | |
"To end recording key zero. Start recording, key zero." | 0:25:52 | 0:25:56 | |
-Read that and press zero again. -Show me where zero is. | 0:25:56 | 0:25:59 | |
-That one. -"Please record your personal greeting." | 0:25:59 | 0:26:02 | |
PHONE BEEPS | 0:26:02 | 0:26:03 | |
-Can I start? -Yeah. | 0:26:03 | 0:26:06 | |
I don't know who you are. | 0:26:06 | 0:26:08 | |
But if you don't let my daughter go now, I will find you. | 0:26:08 | 0:26:12 | |
I will kill you. Please leave a message. | 0:26:12 | 0:26:14 | |
APPLAUSE | 0:26:14 | 0:26:17 | |
Very good. Let's see if it worked. | 0:26:18 | 0:26:21 | |
APPLAUSE | 0:26:23 | 0:26:25 | |
"Greeting saved." | 0:26:27 | 0:26:29 | |
Let's call it back and see if it was successful. | 0:26:29 | 0:26:31 | |
"I don't know who you are, if you don't let my daughter go now, | 0:26:31 | 0:26:36 | |
"I will find you. | 0:26:36 | 0:26:37 | |
"I will kill you. Please leave a message." | 0:26:37 | 0:26:42 | |
LAUGHTER AND APPLAUSE | 0:26:42 | 0:26:45 | |
"Please leave your message after the tone." | 0:26:46 | 0:26:49 | |
Hi, it's Alan Davis here. If you've got my daughter, | 0:26:49 | 0:26:53 | |
she's two, you can keep her. | 0:26:53 | 0:26:55 | |
I'm going on tour to get away from her. She's a nightmare. | 0:26:59 | 0:27:02 | |
She's also got chicken pox. Good luck. | 0:27:02 | 0:27:05 | |
Thank you so much for doing that. | 0:27:05 | 0:27:07 | |
Daniel, do you still get mistaken for Elijah Wood? | 0:27:11 | 0:27:14 | |
Not as often but still quite a lot. | 0:27:14 | 0:27:17 | |
-You don't look like him any more I don't think. -I don't know. | 0:27:17 | 0:27:20 | |
I take it back. You look exactly like him. | 0:27:22 | 0:27:26 | |
I thought that was a picture of you. | 0:27:26 | 0:27:29 | |
In fact, yeah, I was fortunate enough to meet Elijah and he's a lovely guy. | 0:27:33 | 0:27:39 | |
Much more disturbing for him | 0:27:39 | 0:27:40 | |
because I was being recognised as him when he was like in his early 20s. | 0:27:40 | 0:27:44 | |
He was being recognised as me when I was 13. | 0:27:44 | 0:27:47 | |
He was a 20-somthing-year-old man going, "No!" | 0:27:49 | 0:27:51 | |
I signed a photo in Japan | 0:27:51 | 0:27:53 | |
because somebody gave me a photo of Elijah Wood. | 0:27:53 | 0:27:56 | |
There is no time in that moment to explain to them | 0:27:56 | 0:28:00 | |
in a language that is not their first that this is not me. | 0:28:00 | 0:28:03 | |
So I just wrote, "I am not Elijah Wood. Love, Daniel Radcliffe," | 0:28:05 | 0:28:08 | |
..which I thought, when translated, that's a one-off. | 0:28:10 | 0:28:13 | |
-You got some expert tuition. -Yeah, my abs are just outrageous. | 0:28:13 | 0:28:18 | |
-You got top tips in the gym. -I got inspired. You go in waves. | 0:28:19 | 0:28:23 | |
"This is going to be the time when I get in that crazy shape." | 0:28:25 | 0:28:29 | |
I went to the gym and I was working out and I had chosen a day | 0:28:29 | 0:28:34 | |
when all of a sudden, randomly, | 0:28:34 | 0:28:36 | |
Arnold Schwarzenegger walked into the gym. | 0:28:36 | 0:28:39 | |
I knew I was in the right gym, right? | 0:28:39 | 0:28:42 | |
I tried to put some more weights on to look more impressive. | 0:28:46 | 0:28:49 | |
I think he knew the gym owner or something and was taking a tour. | 0:28:49 | 0:28:53 | |
He approached me and I don't know if he knew me as an actor | 0:28:53 | 0:28:57 | |
or he was like the governor "Hello, citizen." | 0:28:57 | 0:29:00 | |
He said, "What are your goals with your work out?" | 0:29:03 | 0:29:06 | |
APPLAUSE | 0:29:09 | 0:29:11 | |
I was so inspired but I retreated to this very little boy place. | 0:29:13 | 0:29:17 | |
I was like, "To be honest, Arnold, | 0:29:17 | 0:29:20 | |
"I if I could have anything, I'd really like to have... | 0:29:20 | 0:29:24 | |
"Did you ever see the movie Fight Club? | 0:29:24 | 0:29:27 | |
"I liked the way Brad Pitt's abs looked in Fight Club. | 0:29:27 | 0:29:31 | |
Without hesitating, he said, "That's all diet. | 0:29:31 | 0:29:34 | |
"You have to eat a lot of carrots." | 0:29:34 | 0:29:35 | |
I didn't know. I was like, "OK." | 0:29:38 | 0:29:40 | |
In my mind, I was like Arnold Schwarzenegger, like Mr Universe... | 0:29:40 | 0:29:44 | |
What a career! | 0:29:46 | 0:29:47 | |
So versatile. | 0:29:47 | 0:29:49 | |
A lot of people don't know that he was also Mr Universe. | 0:29:51 | 0:29:54 | |
Too many steroids... | 0:29:54 | 0:29:56 | |
So, I ran home and I bought a shit ton of carrots. | 0:29:56 | 0:29:59 | |
I was eating them for weeks but nothing ever happened. | 0:30:01 | 0:30:03 | |
I love how California this is, you swim with dolphins. | 0:30:06 | 0:30:10 | |
No, well, I've taken up the hobby of scuba-diving, which I really enjoy. | 0:30:10 | 0:30:15 | |
So I have been shark diving, which is kind of amazing. | 0:30:15 | 0:30:20 | |
-I had a real close encounter with a shark. -A little shark? | 0:30:20 | 0:30:23 | |
It wasn't. It was about six feet. | 0:30:23 | 0:30:25 | |
Did it eat people, that type? | 0:30:25 | 0:30:27 | |
It wasn't... Why are you trying to diminish my story? | 0:30:27 | 0:30:30 | |
Right, it's a type of fish. You went near a fish. | 0:30:30 | 0:30:32 | |
-Let me tell the story. -People do that... That's your story. | 0:30:32 | 0:30:36 | |
"I was near a fish once." | 0:30:36 | 0:30:38 | |
LAUGHTER | 0:30:38 | 0:30:40 | |
It could have eaten her hand. | 0:30:40 | 0:30:42 | |
Don't clap him! | 0:30:42 | 0:30:43 | |
Thank you. I love you! | 0:30:43 | 0:30:46 | |
I'm one of you. I'm here for you. | 0:30:46 | 0:30:49 | |
I'm going to shit on all of your stories. | 0:30:49 | 0:30:51 | |
Don't you have rules for swimming with dolphins? | 0:30:51 | 0:30:54 | |
With dolphins? I heard that you're not supposed to touch a dolphin | 0:30:54 | 0:30:58 | |
unless they come to you and offer themselves for a rub down. | 0:30:58 | 0:31:03 | |
Ooh! | 0:31:03 | 0:31:04 | |
-You're not supposed to touch them. -Why? | 0:31:04 | 0:31:07 | |
Because dolphins mate for life and if you touch one of them | 0:31:07 | 0:31:10 | |
the other one can smell your touch and they think | 0:31:10 | 0:31:13 | |
that you've cheated on them and you can break up a dolphin marriage. | 0:31:13 | 0:31:16 | |
That is true. That is fact. | 0:31:16 | 0:31:17 | |
I know, I'm going to have to phone up Sea World directly. | 0:31:17 | 0:31:21 | |
I've been down one's blow hole. | 0:31:21 | 0:31:24 | |
Paloma Faith has had a dolphin orgy if that's the case. | 0:31:25 | 0:31:28 | |
Yeah, I've reckon I've broken up a few dolphin marriages. | 0:31:30 | 0:31:33 | |
I went to Cuba and I was in a situation where they were like, | 0:31:35 | 0:31:39 | |
"Do you want to swim with dolphins?" | 0:31:39 | 0:31:41 | |
They taught me how to sort of be lifted up | 0:31:41 | 0:31:46 | |
on the nose of two dolphins. | 0:31:46 | 0:31:47 | |
With your foot on each nose? | 0:31:47 | 0:31:50 | |
If you think she's making it up, somebody filmed it. | 0:31:50 | 0:31:54 | |
-That's a good story. -Shut up. -Not, "Oh, I was near a fish once." | 0:31:54 | 0:31:57 | |
It was a shark! | 0:32:00 | 0:32:02 | |
It came like that to me. That's not nice. | 0:32:02 | 0:32:05 | |
Let's have a look at this video. It'll be brilliant, this. | 0:32:05 | 0:32:08 | |
-This is nice work. I'm well into this. -Now, look. | 0:32:08 | 0:32:10 | |
-Oh, brilliant! -That's Paloma. | 0:32:10 | 0:32:13 | |
-Now watch this. -Wow... | 0:32:13 | 0:32:16 | |
-Whoa! -Wow! | 0:32:16 | 0:32:18 | |
APPLAUSE | 0:32:18 | 0:32:20 | |
That's amazing! | 0:32:20 | 0:32:21 | |
-What a great story. -That is amazing. | 0:32:21 | 0:32:25 | |
That's brilliant. Well done. | 0:32:25 | 0:32:28 | |
Emily, have you got any footage of you near that fish? | 0:32:28 | 0:32:31 | |
LAUGHTER | 0:32:31 | 0:32:32 | |
I think I've done very well to last the whole show, not mentioning... | 0:32:33 | 0:32:38 | |
Oh, there you are in Boogie Nights. | 0:32:38 | 0:32:40 | |
Is it true you still have, I'm guessing it was a prosthetic... | 0:32:40 | 0:32:44 | |
What do you mean? | 0:32:44 | 0:32:46 | |
LAUGHTER | 0:32:46 | 0:32:48 | |
It was, it's one of the only props I've ever kept from a film. | 0:32:48 | 0:32:52 | |
Is it on the wall? | 0:32:52 | 0:32:54 | |
No, no, no. It's locked away in a safe. It's far too valuable. | 0:32:54 | 0:32:57 | |
What would my kids say if they saw that thing? | 0:32:57 | 0:33:00 | |
That would be terrible if you came home and found them playing with it. | 0:33:00 | 0:33:03 | |
Yeah. It was really awkward because I had to go to this prosthesis place. | 0:33:03 | 0:33:07 | |
I had to stand there and be fitted for it. | 0:33:07 | 0:33:10 | |
And all these...you know, | 0:33:10 | 0:33:12 | |
the guys who do the effects on movies are kind of geeky, so they're all, | 0:33:12 | 0:33:15 | |
(GEEKY VOICE) "Hey..." No offence. | 0:33:15 | 0:33:18 | |
LAUGHTER, APPLAUSE | 0:33:18 | 0:33:22 | |
I'm sorry, I apologise. | 0:33:22 | 0:33:24 | |
Absolutely furious. | 0:33:24 | 0:33:27 | |
It was very awkward to have to go there and stand there | 0:33:27 | 0:33:30 | |
and, like, you know, they're... fiddling with you. | 0:33:30 | 0:33:33 | |
Also, because it needs to fit you... all the time. | 0:33:34 | 0:33:37 | |
Well, you have to have it... | 0:33:37 | 0:33:39 | |
No, you're not getting hard with this thing. Trust me. | 0:33:39 | 0:33:42 | |
It's awkward and uncomfortable. I only wore it two days. | 0:33:42 | 0:33:45 | |
The first time, they had to try different ones. | 0:33:45 | 0:33:49 | |
They tried various sizes | 0:33:49 | 0:33:50 | |
and you know, both length and girth. | 0:33:50 | 0:33:53 | |
It was a big pain in the ass, actually. | 0:33:53 | 0:33:56 | |
LAUGHTER | 0:33:59 | 0:34:02 | |
I didn't mean that either. | 0:34:02 | 0:34:04 | |
I didn't... I meant... | 0:34:04 | 0:34:07 | |
Cheryl, talking of, I don't know, falling out or a rift or whatever, | 0:34:09 | 0:34:12 | |
have you kissed and made up with Simon Cowell? | 0:34:12 | 0:34:15 | |
I wouldn't say kissed. | 0:34:15 | 0:34:16 | |
I tell you one thing he can kiss. | 0:34:23 | 0:34:26 | |
Ooh! | 0:34:26 | 0:34:27 | |
APPLAUSE | 0:34:27 | 0:34:30 | |
-So... -No, we've made up. We're fine. | 0:34:34 | 0:34:36 | |
It's not nice having people you don't talk to. | 0:34:36 | 0:34:38 | |
I'm not that type of person anyway. It's not in my nature. | 0:34:38 | 0:34:41 | |
So if he was to walk on here now, that wouldn't be awkward? | 0:34:41 | 0:34:43 | |
No it wouldn't be awkward, it would be quite fun... | 0:34:43 | 0:34:46 | |
DRUM ROLL | 0:34:46 | 0:34:49 | |
Oh, my God! That was so scary! | 0:34:49 | 0:34:52 | |
That was the greatest joke ever! | 0:34:54 | 0:34:58 | |
You got your revenge on him in Afghanistan, didn't you? | 0:34:58 | 0:35:00 | |
Oh, did I just! | 0:35:00 | 0:35:01 | |
That was actually what broke the ice when I first spoke to him. | 0:35:02 | 0:35:06 | |
-Oh, OK. -Because I went out to Afghanistan to visit the troops | 0:35:06 | 0:35:10 | |
and they had this whole section where they had explosive devices. | 0:35:10 | 0:35:14 | |
And they were blowing them up to say how they work. | 0:35:14 | 0:35:17 | |
When I got there, somebody had dressed one up as Simon. | 0:35:17 | 0:35:19 | |
It was the best thing and I got to press the button. | 0:35:21 | 0:35:24 | |
I was the detonator. | 0:35:24 | 0:35:26 | |
And he just went boom. Then when I came back, | 0:35:26 | 0:35:29 | |
because you weren't allowed to take a mobile phone or anything out there. | 0:35:29 | 0:35:33 | |
It's a security risk. I had messages from Simon, saying, | 0:35:33 | 0:35:36 | |
"Now you've blown us up in Afghanistan, | 0:35:36 | 0:35:37 | |
"is there any chance we can have this conversation?" | 0:35:37 | 0:35:40 | |
And that's when I first spoke to him. | 0:35:40 | 0:35:43 | |
Then I hired a plane to fly over his house for his 52nd birthday. | 0:35:43 | 0:35:46 | |
He's 52, by the way, 53 coming. | 0:35:46 | 0:35:47 | |
Did it have a big thing hanging off the back, saying "Happy birthday"? | 0:35:47 | 0:35:51 | |
I heard a rumour from his people, I won't name names, | 0:35:51 | 0:35:53 | |
but somebody told us he didn't want anybody to know it was his birthday. | 0:35:53 | 0:35:57 | |
-Perfect opportunity for me to hire a plane. -You were just being nice. | 0:35:57 | 0:36:01 | |
I was just being nice. You know, "Happy birthday, Simon." | 0:36:01 | 0:36:04 | |
-That's a lovely thing. -It had a banner trailing off | 0:36:04 | 0:36:06 | |
saying "Simon is 52 today" and it flew around his house 52 times. | 0:36:06 | 0:36:10 | |
I love it. | 0:36:10 | 0:36:12 | |
APPLAUSE | 0:36:12 | 0:36:15 | |
Do the catchphrases translate? | 0:36:18 | 0:36:20 | |
If you're walking down the Champs Elysees, | 0:36:20 | 0:36:23 | |
are people going "Comment ca va?" | 0:36:23 | 0:36:24 | |
Do you get, like, "Wie geht's"? | 0:36:27 | 0:36:30 | |
I've run out now. Those are my two. That's all I know. | 0:36:30 | 0:36:33 | |
I would imagine they try to translate it straight across as they can. | 0:36:33 | 0:36:36 | |
Doesn't your daughter still do it to you? | 0:36:36 | 0:36:39 | |
Yeah, but you know, my daughter, she's such a chip off the old block. | 0:36:39 | 0:36:43 | |
My sense of humour is, if I know something irritates you, | 0:36:43 | 0:36:47 | |
I'm going to play on it and key on it as much as I can. | 0:36:47 | 0:36:50 | |
So one of my friends taught her when she was little, | 0:36:50 | 0:36:53 | |
"You have to say to your dad, tell him, 'How YOU doing?' | 0:36:53 | 0:36:57 | |
"You have to say that." | 0:36:57 | 0:36:59 | |
CHEERING | 0:36:59 | 0:37:02 | |
But just to irritate me, she'll say, "How are you doing?" | 0:37:02 | 0:37:05 | |
She'll look at me like that | 0:37:07 | 0:37:08 | |
and I say, "No, that's not the way we said it on the show." | 0:37:08 | 0:37:11 | |
She says, "Yes, it is." "No, it's not, honey, it goes like this." | 0:37:11 | 0:37:15 | |
"No, it's 'How are you doing?'" "No, it's not." | 0:37:15 | 0:37:17 | |
We have these long discussions about it | 0:37:17 | 0:37:20 | |
and I know she knows how to say it right! I'm telling you. | 0:37:20 | 0:37:23 | |
APPLAUSE | 0:37:23 | 0:37:27 | |
Footballers in this country have a reputation | 0:37:30 | 0:37:32 | |
for going wild and out and about. But we don't see you going that mad. | 0:37:32 | 0:37:35 | |
-You seem to have a nice home life, you and your wife. -Sometimes. | 0:37:35 | 0:37:40 | |
Oh, OK, fair enough. | 0:37:40 | 0:37:41 | |
No, but I have a nice family | 0:37:43 | 0:37:47 | |
and yeah, we're quiet. We don't need to be out there. | 0:37:47 | 0:37:50 | |
-So you're a footballer who likes consensual sex with one person? -Yes! | 0:37:50 | 0:37:56 | |
That's really weird. | 0:37:56 | 0:37:59 | |
It's true! It's true! | 0:37:59 | 0:38:00 | |
APPLAUSE | 0:38:00 | 0:38:03 | |
-Thank you. -Controversial. | 0:38:03 | 0:38:06 | |
-Cos you guys, you grew up, did both of you grow up in Essex? -Yes. | 0:38:07 | 0:38:10 | |
-Did you go clubbing in the same places? -No. -No. | 0:38:10 | 0:38:14 | |
-Julie Walters... -What? -Did you meet... | 0:38:15 | 0:38:18 | |
For God's sake! | 0:38:18 | 0:38:20 | |
Leave me alone! | 0:38:20 | 0:38:22 | |
LAUGHTER | 0:38:22 | 0:38:24 | |
What do you want to know? | 0:38:24 | 0:38:26 | |
-You met your husband in a club, didn't you? -Mind your own business. | 0:38:26 | 0:38:31 | |
I don't want to talk about that. | 0:38:31 | 0:38:32 | |
APPLAUSE | 0:38:32 | 0:38:34 | |
-Cheers! -Cheers. | 0:38:34 | 0:38:36 | |
The whole concept of chat show falling apart. | 0:38:37 | 0:38:40 | |
"Why are you asking me all these questions?" | 0:38:40 | 0:38:42 | |
For God's sake! I'm tired. | 0:38:42 | 0:38:45 | |
-But did you go clubbing a lot? -Clubbing? | 0:38:47 | 0:38:50 | |
-Yes, but back... Yes, I did in Birmingham. -Yes. | 0:38:50 | 0:38:53 | |
Yeah, but what's that got to do with anything now? | 0:38:53 | 0:38:55 | |
-Isn't that where you met your husband? -No, I met him in a bar. | 0:38:55 | 0:38:58 | |
-Oh, a bar? -In Fulham, yes. -In Fulham? I didn't... | 0:38:58 | 0:39:01 | |
It was full of frightfully posh people, | 0:39:01 | 0:39:03 | |
what we used to call Hooray Henrys. Everybody was frightfully posh. | 0:39:03 | 0:39:07 | |
I remember saying at the time, I was a bit drunk, | 0:39:07 | 0:39:09 | |
"I bet nobody here is a member of the Labour Party." | 0:39:09 | 0:39:12 | |
He said, "I am, actually." | 0:39:12 | 0:39:14 | |
And that was it. We met and he came home and never moved out. | 0:39:14 | 0:39:17 | |
He mended my washing machine, | 0:39:19 | 0:39:20 | |
told me I needed a pump. I misunderstood him. | 0:39:20 | 0:39:23 | |
And... | 0:39:25 | 0:39:26 | |
APPLAUSE | 0:39:26 | 0:39:29 | |
I'm interested in how you put your music together, | 0:39:29 | 0:39:32 | |
something like, say, The Time open brackets Dirty Bit close brackets, | 0:39:32 | 0:39:36 | |
were you watching Dirty Dancing | 0:39:36 | 0:39:37 | |
and kind of went, "I like this song. I might do something with it"? | 0:39:37 | 0:39:41 | |
No, we were in Ibiza | 0:39:41 | 0:39:43 | |
and getting ready for a DJ gig. | 0:39:43 | 0:39:46 | |
And I'm like, "I got to drop something for tonight." | 0:39:46 | 0:39:50 | |
So me and my home boys Ammo and Apple... | 0:39:50 | 0:39:54 | |
home boys, meaning people that are close to me, where I feel like... | 0:39:54 | 0:39:59 | |
-Chums. Chums. -Like a chum, yes. | 0:39:59 | 0:40:01 | |
So me and few of my chums... | 0:40:03 | 0:40:05 | |
LAUGHTER | 0:40:05 | 0:40:06 | |
We were chumming it up. | 0:40:06 | 0:40:08 | |
And... | 0:40:08 | 0:40:10 | |
I asked him, "What are we going to play tonight that's unexpected?" | 0:40:12 | 0:40:17 | |
And he said, "We should mix something from yesterday - old school... | 0:40:17 | 0:40:23 | |
-"From the old school." -Right. | 0:40:25 | 0:40:27 | |
-Not elementary. Old school meaning "back in the day." -Back in the day. | 0:40:27 | 0:40:31 | |
Let's pick something from back in the day and flip it up, | 0:40:31 | 0:40:36 | |
intertwine it with... | 0:40:36 | 0:40:38 | |
..today's stuff, I mean, the music. | 0:40:39 | 0:40:43 | |
So I say, | 0:40:43 | 0:40:48 | |
"Why don't we use Dirty Dancing?" | 0:40:48 | 0:40:51 | |
And he replies, | 0:40:51 | 0:40:53 | |
LAUGHTER | 0:40:53 | 0:40:55 | |
"That's crazy, we can't use Dirty Dancing." | 0:40:55 | 0:40:58 | |
I was like, "But that's the whole point. | 0:40:58 | 0:41:01 | |
You don't say, "I was like, that's the whole point." | 0:41:01 | 0:41:03 | |
-But I... -You don't say that. | 0:41:03 | 0:41:05 | |
You say, "That is the whole point." You don't need the like, right? | 0:41:05 | 0:41:09 | |
By the way, everybody, | 0:41:10 | 0:41:11 | |
please stop using the word "like". | 0:41:11 | 0:41:15 | |
-I...I don't like it. -She feels strongly about this. | 0:41:15 | 0:41:17 | |
How about if I said I like you? | 0:41:17 | 0:41:19 | |
That's different. You're using it as a verb. | 0:41:19 | 0:41:23 | |
-I would say, usually I would be like... -"I'd be like." | 0:41:23 | 0:41:28 | |
You see? It's a habit! | 0:41:28 | 0:41:29 | |
-No, it's quicker, it's like... -It's not like. It is. | 0:41:29 | 0:41:33 | |
-It is. -"What are we going to do today?" "I don't know what we're going to do." | 0:41:33 | 0:41:37 | |
So he was like, and I was like... | 0:41:37 | 0:41:39 | |
So we put it on the table and it was like, "Bam!" | 0:41:39 | 0:41:42 | |
Look how fast that was. | 0:41:42 | 0:41:44 | |
APPLAUSE | 0:41:44 | 0:41:46 | |
Well, I get what you're saying. | 0:41:46 | 0:41:48 | |
-It's like... -It's not like. | 0:41:48 | 0:41:50 | |
While we're at it... | 0:41:50 | 0:41:54 | |
With the greatest of respect, it's "I've got a feeling." | 0:41:54 | 0:41:58 | |
No, no, no. | 0:41:58 | 0:41:59 | |
APPLAUSE | 0:41:59 | 0:42:02 | |
I don't want to gang up. | 0:42:02 | 0:42:05 | |
OK, here we go. | 0:42:06 | 0:42:08 | |
-Hello. -Hi. -"Hi!" | 0:42:08 | 0:42:10 | |
-What's your name? -Kate. -Kate? | 0:42:10 | 0:42:14 | |
-And where do you live? -London. -What do you do, Kate? | 0:42:14 | 0:42:17 | |
-I'm a student. I'm studying English. -You're studying English? -Yes. | 0:42:17 | 0:42:21 | |
-To teach it to somebody? -No, just at university. -Oh, yes. | 0:42:21 | 0:42:26 | |
-To speak it. She's studying... -No, it sounds like she's got a plan. | 0:42:26 | 0:42:30 | |
LAUGHTER | 0:42:30 | 0:42:33 | |
She's got her life mapped out. | 0:42:33 | 0:42:35 | |
It's not free any more, Will! | 0:42:39 | 0:42:42 | |
Someone's paying for this. | 0:42:42 | 0:42:44 | |
I'm sorry, my dear. Off you go with your story. | 0:42:44 | 0:42:47 | |
Now, this is a story all about | 0:42:47 | 0:42:49 | |
how my life got flipped, turned upside down. | 0:42:49 | 0:42:52 | |
-Hmm. -So I'd like to take a minute, just sit right there, | 0:42:52 | 0:42:57 | |
-to tell you how I became the prince... -Don't you dare! | 0:42:57 | 0:43:00 | |
APPLAUSE | 0:43:00 | 0:43:04 | |
Go on, baby. | 0:43:04 | 0:43:06 | |
-In West Philadelphia, born and raised... -Finish your story, baby. | 0:43:06 | 0:43:10 | |
-The playground was where I spent most of my days. -Yes! | 0:43:10 | 0:43:13 | |
Chilling out, maxing, relaxing, oh, cool, | 0:43:13 | 0:43:16 | |
shooting some B-ball outside of the school. | 0:43:16 | 0:43:18 | |
Yes! Yes! | 0:43:18 | 0:43:20 | |
-When a couple of guys... -This is a bit of a boo-hoo! | 0:43:20 | 0:43:23 | |
-They started making trouble in my neighbourhood. -What happened, baby? | 0:43:23 | 0:43:27 | |
-I got in one little fight and my mum got scared. -What'd she say? | 0:43:27 | 0:43:31 | |
-You're going to live with your aunty and uncle in Bel Air. -Yes! | 0:43:31 | 0:43:34 | |
Well done, young lady! Very good. | 0:43:34 | 0:43:37 | |
APPLAUSE | 0:43:37 | 0:43:39 | |
Subtitles by Red Bee Media Ltd | 0:44:01 | 0:44:04 |