Browse content similar to Episode 12. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
One of tonight's guests was in the hit movie Twins, about two twins | :00:08. | :00:10. | |
who were completely different. Isn't that right, Little Graham? | :00:10. | :00:14. | |
Yes, Big Graham, it certainly is. Who's a cute little Graham then? Do | :00:14. | :00:19. | |
do do do do do do do. He's so sweet, I want to tickle him. Stop it, stop | :00:19. | :00:29. | |
:00:29. | :01:00. | ||
Hello and welcome to the show. From both of us. It's going to be a | :01:00. | :01:10. | |
great show tonight. Hollywood Voice of the Valleys, Charlotte | :01:10. | :01:19. | |
Church is here. Welsh comedy great Rhod Gilbert is on the show. And | :01:19. | :01:25. | |
we've got music from - can you guess the name of the band? Yes, | :01:25. | :01:35. | |
:01:35. | :01:39. | ||
Now, Charlotte Church of course shot to fame when she sang for the | :01:39. | :01:45. | |
Pope. Then she went on to become a sexy rock chick. But the Pope was | :01:45. | :01:53. | |
still interested. And our sports- packed summer continues apace. Is | :01:53. | :02:01. | |
everyone enjoying Wimbledon? You've got no jobs, you're watching | :02:01. | :02:11. | |
:02:11. | :02:14. | ||
Wimbledon! I love the way some players can be really vocal during | :02:14. | :02:17. | |
a game. That approach can have its drawbacks if you're not ready for | :02:17. | :02:20. | |
the serve. Andy Murray of course is Britain's number one. And there | :02:20. | :02:25. | |
have been signs this year that he's been more nervous than ever. Let's | :02:25. | :02:32. | |
get some guests on. Later we'll be having music from Fun. Boy oh boyo, | :02:32. | :02:42. | |
:02:42. | :02:46. | ||
it's my favourite Welsh comedian, My prayers have been answered, it's | :02:46. | :02:56. | |
:02:56. | :03:20. | ||
Oh, Danny boy, the couch, the couch Good to see you. They are kissing | :03:20. | :03:30. | |
:03:30. | :03:36. | ||
Get it down you. You are all very welcome. You are working really | :03:36. | :03:40. | |
hard at the moment so it is very kind of you to find the time. | :03:40. | :03:45. | |
pleasure to be here. What is odd about the couch is that I assumed, | :03:45. | :03:50. | |
Charlotte and Rhod, you would know each other. See each other down the | :03:50. | :03:55. | |
supermarket! Charlotte and Danny, you know each other. Yes. When was | :03:55. | :04:00. | |
it? Charlotte came to my house in Beverly Hills. We hung out. How old | :04:00. | :04:10. | |
:04:10. | :04:10. | ||
were you? 13. Where is this story going? There were other... Not just | :04:10. | :04:18. | |
a two... I was working on a movie, I'm still working on this idea to | :04:18. | :04:24. | |
make a movie about a 13-year-old girl. It is called The True | :04:24. | :04:29. | |
Confessions Of Charlotte Doyle. It is a wonderful book. At the time, I | :04:30. | :04:36. | |
was just beginning to work on it. I heard Charlotte saying and I saw | :04:36. | :04:40. | |
her talking with some folks on a show like this and I thought she | :04:40. | :04:45. | |
was really great but I thought, I'd like to meet her and since I'm a | :04:46. | :04:51. | |
big and powerful producer, I can get anything I want! And you didn't | :04:51. | :05:01. | |
:05:01. | :05:07. | ||
It is funny, that idea if you, Charlotte, going to these parties | :05:07. | :05:12. | |
at 13. Didn't you go to a Britney Spears party? Yes, I was 15 then. | :05:12. | :05:21. | |
Where our! The grand old age of 15. Britney Spears was there. Her PA | :05:21. | :05:25. | |
came up to me and she had a really brought Texas accent, she said hey, | :05:25. | :05:30. | |
dull, Britney is a massive fan and she would like to meet you. I said | :05:30. | :05:36. | |
OK. I went over and Britney just went, hello. And carried on. I | :05:36. | :05:43. | |
thought, OK. Her PA said, that was so amazing for Britney, she loved | :05:43. | :05:49. | |
it. All over the world, Danny DeVito, you are a massive star, big | :05:49. | :05:56. | |
producer. But in Wales, I give you royalty. Now we are talking. | :05:56. | :06:03. | |
two of them! I almost spat that out! Did you guys see that Jubilee | :06:03. | :06:08. | |
thing on TV? I thought that was a killer. That poor woman was out | :06:08. | :06:13. | |
there for how many hours in the rain? Standing there like a trooper. | :06:13. | :06:19. | |
You take your hat off to that woman. The next day, I find they are that | :06:19. | :06:24. | |
Philip was in hospital. No wonder he's in hospital, he's 90 years | :06:24. | :06:33. | |
old! Of a sunk him! Or of the network's loved that. -- all of the | :06:33. | :06:42. | |
networks. Look at that boat! Whereas that boat from? She is | :06:42. | :06:52. | |
:06:52. | :06:54. | ||
doing that. How does she do that? It is amazing. Even more amazing | :06:55. | :06:59. | |
was the handshake yesterday with the IRA guy. Wasn't that Karel? | :06:59. | :07:04. | |
That was incredible. She is having quite the year! We just have to | :07:04. | :07:14. | |
keep Philip going, that guy is cool. She really has had a busy year. | :07:14. | :07:24. | |
:07:24. | :07:33. | ||
Somebody's got me! -- somebody stop me. I am not hearing Sir Danny! | :07:33. | :07:39. | |
was hoping she would come to see the play. The Sunshine Boys. An | :07:39. | :07:43. | |
open invitation to Her Majesty, please come. Write her a letter. | :07:43. | :07:48. | |
Her I wrote to her already. Danny DeVito, you're in the West End, The | :07:48. | :07:53. | |
Sunshine Boys, Savoy Theatre. I saw it last night. It is astonishing, | :07:54. | :07:58. | |
so good. Such a privileged to see you and the rest of the cast do | :07:58. | :08:05. | |
that play. I'm having a great time. I have got it until July the 28. I | :08:05. | :08:09. | |
am savouring every moment. I've never been on the stage in the West | :08:09. | :08:15. | |
End. The last time I was on stage was in 1972 in you walk -- New York | :08:15. | :08:20. | |
doing One flew Over the Cuckoo's nest. This is 40 years later. Talk | :08:20. | :08:25. | |
about royalty, Richard Griffiths is amazing. He is a national treasure. | :08:25. | :08:31. | |
He has a wonderful actor. It is you and Richard, you play an old | :08:31. | :08:39. | |
vaudeville act with tensions. Estranged. We have a lot of fights, | :08:39. | :08:45. | |
big conflict on stage. There's something inherently funny about us. | :08:45. | :08:51. | |
Look at us together, that is just right there! The last play, One | :08:51. | :08:56. | |
flew Over the Cuckoo's Nest, the movie of that... That was your big | :08:56. | :09:01. | |
break. Yes. Michael Douglas was one of the producers. Yes. You lived | :09:01. | :09:08. | |
together. Michael and I did. We were in New York in 1968 and we | :09:08. | :09:14. | |
shared an apartment. I was the vague magnet. That was it. -- at | :09:14. | :09:20. | |
Babe Magnet. It was a symbiotic relationship with the tie on the | :09:20. | :09:28. | |
door. If you have a small apartment, if somebody is shagging a girl, put | :09:28. | :09:33. | |
the tie on the door and if you see the tide, you go for a walk. You | :09:33. | :09:40. | |
notice the way I said she had? Really crazy. I like that the | :09:40. | :09:46. | |
shagging was so it unexciting that you could not hear at a peak. -- a | :09:46. | :09:51. | |
peep. You don't want to walking on that. Talking about time passing | :09:51. | :10:01. | |
:10:01. | :10:02. | ||
and getting older, you don't look... Your passport. -- you have passed | :10:02. | :10:12. | |
:10:12. | :10:12. | ||
40. No way! That was sarcastic. Is it a big deal? Who did that? That | :10:12. | :10:21. | |
was your twin brother! Who did that sarcastic no? Cheeky bastard! I | :10:21. | :10:31. | |
:10:31. | :10:36. | ||
past 40 years ago. How odd are you? 44. Danny is 38! Was at a big deal? | :10:37. | :10:41. | |
What are you on about, it was four years ago! Of course it is a big | :10:41. | :10:46. | |
deal. You are nowhere near that. I've got 14 years yet. You are | :10:46. | :10:54. | |
still so young. 26. Christ, that's unbelievable. You look much older | :10:54. | :10:59. | |
than that! Just that you've been around... Donkey's years. A more | :10:59. | :11:07. | |
than 26 years! You've been around longer than you have existed! Of | :11:07. | :11:11. | |
celebrity longer than you've been a person. I remember sitting on the | :11:11. | :11:21. | |
toilet when I hit 40. I haven't been since! I can remember looking | :11:21. | :11:25. | |
down, this is a weird thought, looking down at my own Venus, | :11:26. | :11:35. | |
thinking, that his 40 years old. That is 40 years... It has been | :11:36. | :11:43. | |
dangling for 40 years. That thought blew my mind. I know all of my body, | :11:43. | :11:52. | |
but it was just that one bit. It is older than Sydney Opera House! | :11:52. | :11:58. | |
Longer than last of the Summer Wine. I'm hitting 50 soon. Tell me about | :11:58. | :12:08. | |
:12:08. | :12:22. | ||
it! I'm 49. No way! Is that it I must mention something else which | :12:22. | :12:26. | |
is going to please a lot of people. They've just announced there will | :12:26. | :12:35. | |
be a sequel to Twins. Yes. Very happy. We're going to call it | :12:35. | :12:42. | |
Triplets. I'm not joking! Arnold and I got together and we talked | :12:42. | :12:49. | |
about it. We wanted to bring something new to the table. We | :12:49. | :12:54. | |
decided to go to Eddie Murphy and see if he would be our brother. We | :12:54. | :13:00. | |
will see how it works out. first one was in 1988. What has | :13:00. | :13:05. | |
taken so long? He became governor of California. That was the | :13:05. | :13:10. | |
stupidest thing in the world. I'm always pitching ideas, trying to | :13:10. | :13:14. | |
get some movies made or whatever, and I had him over my house for | :13:14. | :13:24. | |
:13:24. | :13:25. | ||
lunch. I have this idea for a Twins 2. We were talking and he said to | :13:25. | :13:30. | |
me, people have been asking him... He may run for governor of | :13:30. | :13:36. | |
California. I got so depressed, I said this is ridiculous, why? | :13:36. | :13:42. | |
Firstly, I was thinking, I wasn't really thinking about the state and | :13:42. | :13:47. | |
how could this guy run the state of California. I was thinking about | :13:47. | :13:52. | |
how much money it would cost me if he doesn't do this movie! I said to | :13:52. | :13:56. | |
him, Arnold, you are going to do this, get up in the morning and | :13:56. | :14:01. | |
have a breakfast meeting. If you are Governor. You will have a | :14:01. | :14:05. | |
branch meeting. Then lunch. Then a meeting in the afternoon, then you | :14:05. | :14:09. | |
have to figure this out. All of this stuff by the time you come | :14:09. | :14:17. | |
home. You will be a dead man. I said look at this. Twins to. | :14:17. | :14:27. | |
:14:27. | :14:39. | ||
Now, Danny DeVito, very exciting, because you are also in a new movie. | :14:39. | :14:44. | |
The Lorax. It opened in the States a few months ago. It is a big hit. | :14:44. | :14:52. | |
It is. It's a Dr Suess story. A wonderful writer. This is a | :14:52. | :14:58. | |
terrific film. I play the voice of the Lorax. I speak for the trees. | :14:58. | :15:05. | |
It was a blast to do. I did it in English and then I did it in German | :15:05. | :15:14. | |
and I did it in Italian and I did it in Spanish, twice. Then I did it | :15:14. | :15:19. | |
in Russian. So my voice... If you speak any of those languages, my | :15:19. | :15:24. | |
voice is actually in the movie in all those places. It is mad! I have | :15:24. | :15:29. | |
never heard it done before. Do you speak those languages? Yes, two of | :15:30. | :15:36. | |
them. Yes, all those languages! No, I had coaches and we did it, it | :15:36. | :15:42. | |
took a month or a month-and-a-half to do all the languages. Could you | :15:42. | :15:48. | |
do it in Welsh? Do you speak Welsh? Do you like green eggs and ham. | :15:48. | :15:58. | |
:15:58. | :16:08. | ||
Could you do that in Welsh? No. right it is... SPEAKS WELSH | :16:08. | :16:14. | |
Say again. It is good though. is how you do it. They write it out | :16:14. | :16:19. | |
fon netically. We do it over and over again until we get the | :16:19. | :16:24. | |
pronunciation right. Then make sure the performance is up to what it | :16:24. | :16:31. | |
was in the movie n the American version. I cheated a bit. SPEAKS | :16:31. | :16:39. | |
WELSH It is bacon. It is bacon. That is a great word | :16:39. | :16:47. | |
for bacon. It means pigmeat. I was too embarrassed to say what ham was. | :16:47. | :16:55. | |
What is that? Ham is ham! I was worried about changing the bacon. | :16:55. | :17:00. | |
It opens on 27th July. We have a clip. This is you, performing in | :17:00. | :17:04. | |
English. Yes. Question, what are they doing here? | :17:04. | :17:09. | |
Follow up, if I may, what are you doing here? | :17:09. | :17:13. | |
Well, after the incident last night, we found one of your socks and came | :17:13. | :17:17. | |
here to return it. When we got here, you were asleep. | :17:17. | :17:22. | |
Exactly and sleeping is the body's way of telling other people to go | :17:22. | :17:28. | |
away. I know. But you looked so cosy. It was cold outside. We just | :17:28. | :17:34. | |
fell asleep. No harm done. No harm done! No harm done! OK! OK, I put | :17:34. | :17:42. | |
my lips on the... Well, I used to, any way! | :17:42. | :17:50. | |
Did you just... In my bowl? That's why you have one of these! | :17:50. | :17:56. | |
You don't even have a moustache. course, that's it. OK, I thought we | :17:56. | :18:00. | |
made a deal last night! We did. I said I would not chop down any more | :18:00. | :18:06. | |
trees. I said I'd keep an eye on you. I'm starving. What's for | :18:06. | :18:08. | |
breakfast? The breakfast is overrated! | :18:08. | :18:18. | |
:18:18. | :18:18. | ||
Very good. Now, Charlotte Church, every time | :18:18. | :18:25. | |
you're on the show I seem to be going, "You're back." Yes, I know. | :18:25. | :18:29. | |
You do this thing, you go away and you just get on with your life. | :18:29. | :18:34. | |
Isn't this how this show works? They go away and come back. Or do | :18:34. | :18:38. | |
you stay here the whole time? are back with new material and you | :18:38. | :18:43. | |
are planning a tour? Yeah. In the past we had the opera, then you | :18:43. | :18:48. | |
went to pop. The last stuff was more rocky. What sort of stuff are | :18:48. | :18:57. | |
you working on now? It's different again. The reason I go out of the | :18:57. | :19:02. | |
limelight is not only because I have two little babies, but I get | :19:02. | :19:05. | |
disillusioned with the music industry and think I've been doing | :19:05. | :19:11. | |
it for donkey's years. I think, I can't do this any more. Then I get | :19:11. | :19:19. | |
the bug. I miss it. I love singing. It's in my blood. It's what I've | :19:19. | :19:24. | |
always done. You can download The Rise, it's on my website. Have a | :19:24. | :19:28. | |
listen, see what you think. Sure, I will. | :19:28. | :19:38. | |
And some of the new material, you have done one which is about the | :19:38. | :19:42. | |
Leveson Inquiry? It is written around when I was going to the | :19:42. | :19:46. | |
Leveson Inquiry. It's about kind of those faceless journalists who have | :19:46. | :19:52. | |
the power to be able to kind of make a huge impact in whatever they | :19:52. | :19:56. | |
are saying. They are very powerful people. It's Murdoch and all his | :19:56. | :20:01. | |
many people and people who don't work for him necessarily. Your | :20:01. | :20:05. | |
phone was hacked? I read that somewhere. I gave a statement to | :20:05. | :20:09. | |
the Leveson Inquiry. Is that what you're talking about? OK. There | :20:09. | :20:13. | |
were lots of revelations at the Leveson Inquiry, but the stuff that | :20:13. | :20:17. | |
happened to you was really shocking, and it was shocking because you | :20:17. | :20:23. | |
were a child. To be fair, I had a good rant. I had a good rant. | :20:23. | :20:28. | |
off to you - I thought it was really good. APPLAUSE | :20:28. | :20:33. | |
It was important... It was a weird time. I was happy to be a part of | :20:34. | :20:37. | |
it. I think it's really important for this nation. I think a lot of | :20:37. | :20:41. | |
people are coming out and saying, oh, well what about the freedom of | :20:41. | :20:49. | |
the press? It's so important to democracy and so on and so forth. A | :20:49. | :20:54. | |
freer press - are you telling me the press is that free with that | :20:54. | :20:57. | |
many corporations basically controlling, being in with the | :20:57. | :21:01. | |
Government and stuff. That's not a free, that's not a free press. Yeah, | :21:01. | :21:07. | |
Graham! APPLAUSE | :21:07. | :21:17. | |
:21:17. | :21:17. | ||
The tour - and the artwork - quite arresting the artwork. Is that | :21:17. | :21:23. | |
barbed wire? It is kind of like string. A dreadful flossing | :21:23. | :21:31. | |
accident. It is a lyric in one of the songs. When I am crushed, mouth | :21:31. | :21:35. | |
sown. It says a lot of things. It is however you want to interpret it. | :21:35. | :21:40. | |
Rather than me saying, this is what the music is, I want people to come | :21:40. | :21:50. | |
:21:50. | :21:54. | ||
to shows. I'm going all over the country, in Oxford to lan did know. | :21:54. | :22:04. | |
It is a Clan... And two children. How old are they? | :22:04. | :22:12. | |
Three and four. Are you from the Home Office? | :22:12. | :22:18. | |
Now, listen, Danny DeVito, it is funny, reading your book, you have | :22:18. | :22:21. | |
given interviews, I am reading half the stories thinking that didn't | :22:21. | :22:27. | |
happen. Is the story about you, the cigar and the plane true? Yeah, I | :22:27. | :22:31. | |
was going to promote a movie in Europe. I was in New York, about to | :22:31. | :22:37. | |
get on a plane. I'm with my buddy and we're having a great meal. They | :22:37. | :22:44. | |
feed you like crazy. I drink like a fish, drinking like cog knack and I | :22:44. | :22:52. | |
start to feel... I'm in the middle of the Atlantic. I felt I was dying | :22:52. | :23:01. | |
for a stogy. This is like a double- edged sword. Cigars can till you. | :23:01. | :23:07. | |
Do you like cigars? There we go. He was like, they | :23:07. | :23:12. | |
won't let you smoke on the plane. I said to the flight attendant is | :23:12. | :23:16. | |
there any way I can? She went to the captain. I was first class. | :23:16. | :23:23. | |
There were not that many people up there. And he says if you could | :23:23. | :23:28. | |
talk to every single person on the plane and get their permission, | :23:28. | :23:33. | |
I'll let you smoke one. So, I went all - from the entire | :23:33. | :23:37. | |
plane. I went from the beginning all the way through, downstairs, | :23:37. | :23:41. | |
wherever they were. I spoke to everybody. | :23:41. | :23:47. | |
And I got everybody's permission to smoke one. I went back up to the | :23:47. | :23:55. | |
first class. And there was a guy who was asleep in the back. I said, | :23:55. | :24:02. | |
he said you have to have everyone. I woke him up. I said, Excuse me, | :24:02. | :24:08. | |
Sir. I want to smoke" I told him the story. He did a really great | :24:08. | :24:15. | |
moment. He says "There is no way I am going to let you smoke a stogy | :24:15. | :24:25. | |
:24:25. | :24:25. | ||
on this plane, unless you give me one too." So we both had one. | :24:26. | :24:30. | |
Now.... And this is the thing, I mean, like I know everybody, I dig | :24:30. | :24:36. | |
you all and you all dig me, but don't give me my way all the time! | :24:36. | :24:43. | |
OK! All my guests are used to touring the world. You have got | :24:43. | :24:49. | |
dogs. Do you do that stupid thing of talking to your dogs on Skype? | :24:49. | :24:55. | |
Why do you call it stupid? I do it. They look around. They don't really | :24:55. | :25:00. | |
focus. They look around and - I've done that. Leaving your pets at | :25:00. | :25:06. | |
home unattended, there are some perils to it. On the web there are | :25:06. | :25:12. | |
pictures of what can happen. One of the websites is called my pets | :25:12. | :25:21. | |
ruined. -- Shit My Pets Ruined. | :25:21. | :25:29. | |
Like somebody has ruined my pet? That dog's ruined. No, they have | :25:29. | :25:35. | |
ruined stuff. Here are some dog ones. Now, those three are blaming | :25:35. | :25:43. | |
that dog. That dog is a problem dog! | :25:43. | :25:51. | |
There were five dogs originally! It just exploded. My dog's blown up. | :25:51. | :25:56. | |
No, there was never another one. Obviously, dogs are kind of smart, | :25:56. | :26:02. | |
so they kind of think, well I might get in trouble, I have wrecked | :26:02. | :26:09. | |
something. I know - I'll hide. I can't see them. | :26:09. | :26:15. | |
Pretty sure they can't see me. I love this dog. This dog obviously | :26:15. | :26:21. | |
decided to use the cat-flap. He was a bit big for the cat-flap. | :26:21. | :26:27. | |
I like his face, going, no, no... Me! No, I don't remember using the | :26:27. | :26:36. | |
cat-flap. I have no idea. Finally, it's not just dogs - check this | :26:36. | :26:46. | |
:26:46. | :26:50. | ||
cat... Never leave me alone again. Well done all of them. Brilliant! | :26:50. | :26:56. | |
Now Rhod Gilbert you are touring the country. I know on 5th and 6th, | :26:56. | :27:04. | |
no 5th to 7th. Is Hammersmith Apollo. We will record the DVD. | :27:04. | :27:12. | |
There are 130 dates. We're doing Hammersmith Apollo, we end up in | :27:12. | :27:19. | |
Cardiff. So you end with a big arena. 130 days. I like the Cardiff | :27:19. | :27:24. | |
arena. It is smaller than the others. I thought I would finish | :27:24. | :27:32. | |
there as a big finish. It is called The Man With The Flaming Battenberg | :27:32. | :27:38. | |
Tattoo. That is not real, is it? Yes. | :27:39. | :27:44. | |
you like it? You will be a good mother. When they are old enough to | :27:44. | :27:50. | |
have tattoos, you will be like why? I am not as bad as I used to be. I | :27:50. | :27:56. | |
do a programme called Work Experience. I was a tattoo artist. | :27:56. | :28:01. | |
The producers were like, if you are going to tattoo someone you have to | :28:01. | :28:07. | |
have a tattoo. I was like, I don't want one, I'm in my 40s. In tend, I | :28:07. | :28:12. | |
went and said I would have one. To show you how pointless they are I | :28:12. | :28:21. | |
will show you how pointless they can be. It was a battenberg with a | :28:21. | :28:26. | |
flame from it. I said, do you see how pointless they are. I won that | :28:26. | :28:30. | |
argument! It is real. It is real. It was for | :28:30. | :28:35. | |
a TV show. You saw it done. My girlfriend hit the roof. Hit the | :28:35. | :28:43. | |
roof. Why are you nodding. Damn right. We are not tattoo people. | :28:43. | :28:48. | |
Why would she care? This is typical woman this is. She went through the | :28:48. | :28:54. | |
roof for a reason that there is no logic. If she said you have a | :28:54. | :28:57. | |
battenberg on your back, you have a tattoo on your back which is | :28:57. | :29:02. | |
meaningless to you. She was annoyed for two reasons which have nothing | :29:02. | :29:07. | |
to do with it. A, she doesn't like marsy pan. That's the first logic | :29:07. | :29:12. | |
thing. She does not like one of the ingredients of my tattoo. And the | :29:12. | :29:21. | |
other one, she said, why didn't you get one to remind you of me. | :29:21. | :29:26. | |
should have just had a name. would not be pointless. It would be | :29:26. | :29:36. | |
:29:36. | :29:37. | ||
a meaningful tattoo. The point was Have you got a tattoo, Danny? | :29:37. | :29:46. | |
You must know you are a tattoo. that again? If somebody had done | :29:46. | :29:52. | |
this, I'm surprised you have not seen these before. I'm really | :29:52. | :29:57. | |
looking forward to it. You must have seen these. Someone has | :29:57. | :30:03. | |
tattooed youth on their arm. -- you. You must have seen that. A day in | :30:03. | :30:13. | |
:30:13. | :30:14. | ||
think I've seen that. There's another one. Frank Butcher! I think | :30:14. | :30:20. | |
that his armpit hair up there. I think it is in there somewhere. | :30:20. | :30:30. | |
:30:30. | :30:35. | ||
cool! I did not pose for those. also were a drag queen. Drier | :30:35. | :30:40. | |
artist is the preferred term! is incredible. Look at that man. | :30:40. | :30:50. | |
:30:50. | :30:52. | ||
Now look at him as a woman. You could host Daybreak! It is good. Is | :30:52. | :30:57. | |
this the one where you had every bit of hair come off? Of course it | :30:57. | :31:06. | |
was this one! You're in boots and a skirt. I was meeting her drag | :31:06. | :31:09. | |
artist mentor the following day. I thought the first day I would go | :31:09. | :31:16. | |
and get ready. I went to a company that can make Brian Blessed look | :31:16. | :31:19. | |
like Audrey Hepburn. I thought I would go there and fame whacks me | :31:19. | :31:24. | |
from head to foot. They plucked might eyebrows. I was almost in | :31:24. | :31:34. | |
:31:34. | :31:38. | ||
tears. I went in looking like Sue Then they put me in those clothes, | :31:38. | :31:46. | |
I had fake tips and adjustable Nepal's. -- Nick Boles. I looked | :31:46. | :31:55. | |
like a demented pastry chef. They folded my man Fanny in two a... And | :31:55. | :32:01. | |
then dressed like that I had to go to a local pub and do a pub quiz. I | :32:01. | :32:11. | |
:32:11. | :32:13. | ||
became Rachel. It was very difficult. He would? -- who would? | :32:13. | :32:23. | |
:32:23. | :32:27. | ||
Anyone? This guy here. One? Really? Even he is having second thoughts! | :32:27. | :32:33. | |
That is cold. What was the voice you used? We took a while to get | :32:33. | :32:43. | |
:32:43. | :32:44. | ||
that right. But I did some role- play. I tried to talk like this. | :32:44. | :32:50. | |
Could you do the walk? Once they put you in that stuff, they put you | :32:50. | :32:56. | |
in us -- in a corset and then put you in this stuff. My arm won't | :32:56. | :33:04. | |
like that. -- won't like that. I said, what's happened? I looked | :33:04. | :33:10. | |
down and my leg was like that. It was just because they changed my | :33:10. | :33:20. | |
:33:20. | :33:21. | ||
shape and made me more feminine. Could you start over there? Say | :33:21. | :33:25. | |
you're a guest on the show and say I'm really happy to be here and | :33:25. | :33:31. | |
give him a hug and kiss? I'm ready. Ladies and gentlemen, put your | :33:31. | :33:41. | |
:33:41. | :33:46. | ||
hands together for Richard -- So nice to see you, have a seat. | :33:46. | :33:56. | |
:33:56. | :33:56. | ||
Very nice to see you. This is what it's like being a woman! This is | :33:56. | :34:04. | |
what you have to put up with, or perverts like him! By the way, you | :34:04. | :34:13. | |
really don't need the power past. It is music time. I am thrilled | :34:13. | :34:16. | |
with tonight's song. It is the best-selling single this year, it | :34:16. | :34:20. | |
has been number one for weeks on both sides of the Atlantic. | :34:20. | :34:30. | |
:34:30. | :34:31. | ||
Performing, We Are Young, it is # Give me a second. | :34:31. | :34:35. | |
# I need to get my story straight. # My friends are in the bathroom | :34:35. | :34:37. | |
getting higher than the Empire State. | :34:37. | :34:41. | |
# My lover, she's waiting for me. # Just across the bar. | :34:41. | :34:46. | |
My seat's been taken by some sunglasses asking about a scar. | :34:46. | :34:50. | |
And I know I gave it to you months ago. | :34:50. | :34:56. | |
# I know you're trying to forget. # But between the drinks and subtle | :34:56. | :34:58. | |
things. # Though holes in my apologies, you | :34:58. | :35:02. | |
know I'm trying hard to take it back. | :35:02. | :35:07. | |
# So if by the time the bar closes. # And you feel like falling down. | :35:07. | :35:17. | |
:35:17. | :35:19. | ||
# I'll carry you home. # Tonight, we are young. | :35:19. | :35:29. | |
:35:29. | :35:41. | ||
# So let's set the world on fire. # We can burn brighter than the sun. | :35:42. | :35:46. | |
# Tonight, we are young. # So let's set the world on fire. | :35:46. | :35:54. | |
# We can burn brighter than the sun. # Now I know that I'm not all that | :35:54. | :35:59. | |
you got. # I guess that I, I just thought. | :35:59. | :36:03. | |
# Maybe we could find new ways to fall apart. | :36:03. | :36:08. | |
# But our friend isn't back. # So let's raise a cab. | :36:08. | :36:12. | |
# Cause I found someone to carry me home. | :36:12. | :36:22. | |
:36:22. | :36:24. | ||
# Tonight, we are young. # So let's set the world on fire. | :36:24. | :36:34. | |
:36:34. | :36:43. | ||
# Carry me home tonight. # Just carry me home tonight. | :36:43. | :36:53. | |
:36:53. | :36:55. | ||
# Carry me home tonight. # Just carry me home tonight. | :36:55. | :37:00. | |
# The world is on my side. # I have no reason to run. | :37:00. | :37:06. | |
# So will someone come and carry me home tonight. | :37:06. | :37:10. | |
# The end is never right. # But I can hear the choir. | :37:10. | :37:15. | |
# So will someone come. # Carry me home. | :37:15. | :37:25. | |
:37:25. | :37:27. | ||
# Tonight, we are young. # So let's set the world on fire. | :37:27. | :37:37. | |
:37:37. | :37:42. | ||
# We can burn brighter than the sun. # So if by the time the bar closes. | :37:42. | :37:52. | |
:37:52. | :38:03. | ||
# And you feel like falling down. Way our! Fun, ladies and gentlemen! | :38:03. | :38:13. | |
:38:13. | :38:24. | ||
It is Fun! Do you call each other in the morning and say are going to | :38:24. | :38:31. | |
wear the white shirt and the black- tied? We are like monkeys. It they | :38:31. | :38:37. | |
do it. Thank you for coming in and playing the song. It is off your | :38:37. | :38:43. | |
new album. Are you kind of nervous because that has been such an | :38:43. | :38:48. | |
enormous hit? I'm nervous that we are sitting on a couch with Sir | :38:48. | :38:53. | |
Danny DeVito. He that has been removed. It is not going to happen | :38:53. | :39:02. | |
now. Dr? Do you off to Milwaukee tomorrow. The excitement continues | :39:02. | :39:08. | |
for Fun. That is mad that you are zipping all over the world, but | :39:08. | :39:14. | |
thank you for doing it. We've got very little time, but before we go, | :39:14. | :39:18. | |
let's have the last red chairs of this series. Who's in the chair | :39:18. | :39:27. | |
tonight? Hello! What's your name? Julia. We or are you from? I live | :39:27. | :39:31. | |
in London, I came from San Francisco. A what do you do in | :39:31. | :39:35. | |
London? I work for Google and I live with my husband, who is | :39:35. | :39:41. | |
British. Not too many details, don't block us down! Off you go | :39:41. | :39:45. | |
with your story. It was my twenty- ninth birthday and all of my | :39:45. | :39:48. | |
friends and I had gone camping along the river in northern | :39:48. | :39:55. | |
California. We were celebrating with a big barbecue that night. For | :39:55. | :39:58. | |
I accidentally tripped and fell right into the camp fire and | :39:58. | :40:04. | |
thought, my God, I'm on fire. 14 of my friends came to my rescue while | :40:04. | :40:09. | |
my best friend in the world round in the opposite direction, grabbed | :40:09. | :40:14. | |
her camera and documented the entire thing. My God! They hate | :40:14. | :40:24. | |
:40:24. | :40:26. | ||
I was hoping it would go somewhere else. I was hoping everyone pissed | :40:26. | :40:35. | |
on her to put her out. I was hoping for the third degree burns. Sounds | :40:35. | :40:39. | |
really stressful. That put me in a weird place. She fell in the fire! | :40:39. | :40:49. | |
:40:49. | :40:55. | ||
I was concerned for her safety. , OK. Who's next? That was shocking. | :40:55. | :41:02. | |
The audience love you. What is your name? Rosy. Very popular. Very | :41:02. | :41:08. | |
popular in the room, you look great. It is going really well. You have | :41:08. | :41:14. | |
got a matching watch, trousers, lipstick. And my shoes! And your | :41:14. | :41:24. | |
:41:24. | :41:24. | ||
name is Rose! Rosie, we have high hopes. A nation waits for your | :41:24. | :41:33. | |
story. I'm from Killarney, a very popular town in Ireland. Right near | :41:33. | :41:41. | |
my house is a big field where a donkey lives. This is a great story | :41:41. | :41:50. | |
so far! Let me crabber pen. -- grab a pen. The donkey lives there | :41:51. | :41:55. | |
happily. He has since passed away, but this happened a few years ago. | :41:55. | :42:03. | |
I understand. When I was six, my brothers decided they would do a | :42:03. | :42:13. | |
:42:13. | :42:15. | ||
spot of entrepreneurial staff. Keep going! He is dead now. He is happy, | :42:16. | :42:23. | |
you are 6, the brothers are working. Go! They decided to bring you out | :42:23. | :42:27. | |
of defence where the donkey liked to stand. They brought some sugar | :42:27. | :42:37. | |
:42:37. | :42:37. | ||
cubes and a bucket. And they brought a sign. Is this a novel? | :42:37. | :42:42. | |
They put me standing with the bucket and a sign saying donkey | :42:42. | :42:46. | |
pool is 50p for an entire day. About 500 people took pictures of | :42:46. | :42:55. | |
me. Guess how much money I made? How much? �200! Good story. Good | :42:55. | :43:05. | |
:43:05. | :43:06. | ||
ending. You can walk. Very good! Was the donkey did in the story? | :43:06. | :43:10. | |
died afterwards. It wasn't dead with her... That would be a great | :43:11. | :43:20. | |
:43:21. | :43:23. | ||
story. Pictures of a dead donkey... How did she not get... It is one of | :43:23. | :43:31. | |
the worst stories I have ever heard? That's it! Well done to | :43:31. | :43:35. | |
everybody. You can have a go on there were red chair if you contact | :43:35. | :43:45. | |
us on the website. Thank you to my guests, Fun! Rhod Gilbert! | :43:45. | :43:51. | |
Charlotte Church! And Danny DeVito! That's it for this series. Join me | :43:51. | :43:54. |