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One of tonight's guests has just carried the Olympic torch. | 0:00:02 | 0:00:04 | |
Now it's my turn. Speed up a bit... I am running fast, aren't I? | 0:00:04 | 0:00:07 | |
I'm such a fast runner! | 0:00:07 | 0:00:09 | |
I should really enter the Olympics! | 0:00:09 | 0:00:12 | |
I cant keep this up. | 0:00:12 | 0:00:13 | |
Let's start the show! | 0:00:13 | 0:00:15 | |
APPLAUSE | 0:00:15 | 0:00:17 | |
CHEERING | 0:00:37 | 0:00:38 | |
Good evening! | 0:00:38 | 0:00:39 | |
-BREATHLESSLY: -Good evening, one, good evening, all! | 0:00:39 | 0:00:42 | |
Oh! I think I've got a stitch! | 0:00:45 | 0:00:47 | |
Welcome, all. Tonight's going to be a good night, | 0:00:47 | 0:00:49 | |
producer Black Eyed Pea and Olympic torch bearer Will.i.am is here, ladies and gentlemen! | 0:00:49 | 0:00:53 | |
WHOOPING AND CHEERING | 0:00:53 | 0:00:56 | |
Always one of my favourite guests, Miriam Margolyes is on the show! | 0:00:56 | 0:01:01 | |
CHEERING | 0:01:01 | 0:01:02 | |
Comedian and Inbetweener star Start Greg Davies is here! | 0:01:02 | 0:01:05 | |
APPLAUSE AND CHEERING | 0:01:05 | 0:01:09 | |
And we've got music from American Idol star Adam Lambert, ladies and gentlemen. | 0:01:09 | 0:01:12 | |
CHEERING | 0:01:12 | 0:01:15 | |
Yeah...yeah... | 0:01:15 | 0:01:17 | |
A few Glamberts in. Yeah, there they are. Arghhhh! | 0:01:17 | 0:01:21 | |
LAUGHTER | 0:01:21 | 0:01:23 | |
And, ladies and gentlemen, Olympic fever building...can you feel it? | 0:01:23 | 0:01:27 | |
-AUDIENCE WEAKLY: -Yes. | 0:01:27 | 0:01:29 | |
LAUGHTER | 0:01:29 | 0:01:31 | |
Woo-hoo. | 0:01:31 | 0:01:32 | |
This week they've released details of the opening ceremony. | 0:01:32 | 0:01:35 | |
It's going to represent the British countryside. | 0:01:35 | 0:01:39 | |
LAUGHTER | 0:01:39 | 0:01:41 | |
No, no, no. This is what it will look like. | 0:01:41 | 0:01:43 | |
Oh! A lovely expanse of British countryside. | 0:01:43 | 0:01:47 | |
Although, someone left the gates unlocked and now it looks like this... | 0:01:47 | 0:01:50 | |
LAUGHTER | 0:01:50 | 0:01:53 | |
Shame... | 0:01:54 | 0:01:56 | |
Actually, the Olympics has regenerated a lot of London. | 0:01:56 | 0:02:00 | |
Some of the streets there used to be in a right old state... | 0:02:00 | 0:02:04 | |
There'd be discarded fridges, shopping trolleys, untaxed cars. | 0:02:04 | 0:02:08 | |
LAUGHTER AND GROANS | 0:02:10 | 0:02:13 | |
Let's get some guests on! | 0:02:15 | 0:02:17 | |
Later there will be music from Adam Lambert. | 0:02:17 | 0:02:22 | |
But first on the end tonight it's Greg Davies! | 0:02:22 | 0:02:25 | |
CHEERING AND WHISTLING | 0:02:25 | 0:02:29 | |
-Hello, Sir. -How are you, Graham? -I'm really well. So nice to see you. | 0:02:29 | 0:02:33 | |
Sit yourself down. | 0:02:33 | 0:02:35 | |
What the Dickens? It's Miriam Margolyes! | 0:02:35 | 0:02:40 | |
A vision! Come to me! | 0:02:40 | 0:02:43 | |
-Hello, darling. -Hello. -Have a seat there. | 0:02:43 | 0:02:46 | |
And I've got a feeling you're going to like him, it's Will.i.am! | 0:02:48 | 0:02:52 | |
Hello, sir. Sit yourself down. | 0:02:53 | 0:02:58 | |
WHOOPS AND CHEERS | 0:03:03 | 0:03:05 | |
Don't be shy. | 0:03:05 | 0:03:07 | |
Oh, what a cool sofa. | 0:03:10 | 0:03:11 | |
So, Will.i.am. And Mir-i-am, do you see? Mir.i.am. | 0:03:11 | 0:03:14 | |
LAUGHTER | 0:03:14 | 0:03:16 | |
G.r.eg. | 0:03:16 | 0:03:18 | |
LAUGHTER | 0:03:18 | 0:03:20 | |
-I'll take whatever you give me, Graham. -Could I just ask...is it Graham? | 0:03:20 | 0:03:24 | |
-That'll do. -LAUGHTER | 0:03:24 | 0:03:26 | |
Greg. | 0:03:26 | 0:03:28 | |
-Greg, Greg, I'm SO sorry. -No, Graham's fine! | 0:03:28 | 0:03:30 | |
-Greg, could you just stand up a minute, would you mind? -Yes. -And can I stand next to you? | 0:03:30 | 0:03:34 | |
LAUGHTER | 0:03:34 | 0:03:36 | |
We were all standing in order of height back stage, you should have a look at this. | 0:03:44 | 0:03:47 | |
If Will comes and stands, this is a great visual. | 0:03:47 | 0:03:50 | |
LAUGHTER AND APPLAUSE | 0:03:52 | 0:03:55 | |
Perfectly put together, this couch. | 0:04:00 | 0:04:03 | |
Will.i.am, you weren't always Will.i.am, but MC Will originally? | 0:04:03 | 0:04:06 | |
That was the first name I called myself, yeah. | 0:04:06 | 0:04:08 | |
Yes. But it stood for stuff, didn't it? | 0:04:08 | 0:04:11 | |
Yeah, it stood for Move Cos Will Is Living it Large, | 0:04:11 | 0:04:14 | |
so it was like an acronym. | 0:04:14 | 0:04:15 | |
OK. And then what did...you didn't go straight to Will.i.am, did you? | 0:04:15 | 0:04:19 | |
No, cos I was at school one time and a friend of mine named Mr Shaw, | 0:04:19 | 0:04:23 | |
well, he was a rapper, and he came up to me... | 0:04:23 | 0:04:26 | |
-A rapper? -Yeah. -Wow. | 0:04:26 | 0:04:29 | |
LAUGHTER | 0:04:29 | 0:04:31 | |
-You think he's a rapper? -No, I understand that, yeah. | 0:04:34 | 0:04:36 | |
So, we were like 15 years old, right, and them Mr Shaw comes up to me | 0:04:36 | 0:04:40 | |
and he's like, "What's your rap name, you look like a rapper?" | 0:04:40 | 0:04:44 | |
I was like, "My rap name is MC Will." | 0:04:44 | 0:04:48 | |
And he's like, "MC Will's kind of lame." | 0:04:48 | 0:04:52 | |
I was like, "What's your rap name?" He's like, "Mr Shaw." | 0:04:53 | 0:04:57 | |
I was like, "You're 15." | 0:04:57 | 0:04:58 | |
LAUGHTER | 0:04:58 | 0:05:00 | |
He was like, "Yeah, it's authority." | 0:05:00 | 0:05:03 | |
So then I came to school the next day like, "I changed my rap name - | 0:05:03 | 0:05:06 | |
"I'm Minister Will." | 0:05:06 | 0:05:08 | |
LAUGHTER | 0:05:08 | 0:05:10 | |
I'll see your "mister"! | 0:05:11 | 0:05:13 | |
I'm just fascinated by you. | 0:05:14 | 0:05:17 | |
Because unfortunately I don't know many black people, you know? | 0:05:17 | 0:05:21 | |
-Except in show business. -Yes. -EXCEPT in show business. | 0:05:24 | 0:05:28 | |
And that's what's so nice. | 0:05:28 | 0:05:31 | |
-It is. -It's lovely! -It's exotic. | 0:05:31 | 0:05:33 | |
LAUGHTER | 0:05:33 | 0:05:38 | |
It's lovely, Miriam, you're right. | 0:05:38 | 0:05:39 | |
Now, listen, Will.i.am, I mentioned that you were carrying | 0:05:43 | 0:05:48 | |
the Olympic torch. Do you have connections to Taunton? | 0:05:48 | 0:05:50 | |
Why were you...why were you running through Taunton? | 0:05:50 | 0:05:54 | |
LAUGHTER | 0:05:54 | 0:05:59 | |
I don't know. | 0:05:59 | 0:06:01 | |
But they asked you a long time ago, didn't they? | 0:06:01 | 0:06:04 | |
Yeah, I had to keep it a secret for a while. | 0:06:04 | 0:06:07 | |
So it was hard for me not to tweet about it. LAUGHTER | 0:06:07 | 0:06:11 | |
-Impossible for you cos even while you were carrying it... -That's when I was able to tweet about it. | 0:06:11 | 0:06:16 | |
There was some... I say there was SOME criticism... | 0:06:16 | 0:06:18 | |
LAUGHTER | 0:06:18 | 0:06:20 | |
There was a lot of criticism. | 0:06:20 | 0:06:22 | |
Couldn't you just have waited till you'd carried...you didn't carry it far, did you? | 0:06:22 | 0:06:26 | |
Let me tell you something. I don't... | 0:06:26 | 0:06:29 | |
It's like... | 0:06:29 | 0:06:31 | |
When they created the Olympics, there wasn't Twitter. | 0:06:31 | 0:06:36 | |
-True. -So I was doing something, you know, that torch is light. | 0:06:36 | 0:06:42 | |
When I'm tweeting it's like literally sending light across the planet to people that have cell phones | 0:06:42 | 0:06:47 | |
so it's a different way to connect, if you think about it. | 0:06:47 | 0:06:50 | |
LAUGHTER | 0:06:50 | 0:06:52 | |
Maybe I'm thinking a little too deep about it. | 0:06:52 | 0:06:54 | |
-I think you've though about it FAR too much. Yeah. -Maybe a little too much. | 0:06:54 | 0:06:58 | |
But you did tweet some really good pictures of yourself at the jubilee celebrations. | 0:06:58 | 0:07:03 | |
There's you with Will.One.Is. | 0:07:03 | 0:07:06 | |
LAUGHTER | 0:07:06 | 0:07:09 | |
I love the fact that you've out-royaled him with your outfit there, as well. | 0:07:09 | 0:07:12 | |
Who...who is that gentleman? | 0:07:15 | 0:07:18 | |
-That's Price William. -It never is. -Oh, come on, Miriam! | 0:07:18 | 0:07:24 | |
-Is that really Price William? -Yes! -Not the black one. | 0:07:24 | 0:07:28 | |
No, the black one's you. I know that. | 0:07:28 | 0:07:30 | |
LAUGHTER | 0:07:30 | 0:07:33 | |
-I didn't realise that was Price William. -Yes, that's Prince William. | 0:07:37 | 0:07:40 | |
But he's bald in that picture. | 0:07:43 | 0:07:46 | |
That was the flash cos it was his phone, | 0:07:46 | 0:07:50 | |
so a lot of things are getting lost up there on the top, | 0:07:50 | 0:07:52 | |
like you cant really see the top of my head there either. | 0:07:52 | 0:07:56 | |
As a matter of fact that whole entire black area is my afro. | 0:07:57 | 0:08:00 | |
LAUGHTER | 0:08:00 | 0:08:03 | |
Is that what happens if you don't use enough product? | 0:08:09 | 0:08:12 | |
I think this is what'll happen if he doesn't use enough product. This could happen. | 0:08:12 | 0:08:16 | |
Did you go up to one of them and ask for their hat?! | 0:08:21 | 0:08:24 | |
I went up to one of the cats and asked if I could use his hat. | 0:08:24 | 0:08:28 | |
Now, we should big you up because this week you've given | 0:08:28 | 0:08:31 | |
an enormous donation to the Prince's Trust. | 0:08:31 | 0:08:34 | |
-How much did you give them? -£500,000. | 0:08:34 | 0:08:36 | |
APPLAUSE AND CHEERING | 0:08:36 | 0:08:40 | |
You know, I had so much fun doing The Voice, so... | 0:08:43 | 0:08:46 | |
LAUGHTER I really had so much fun | 0:08:47 | 0:08:50 | |
and your country didn't have to accept me the way the country did | 0:08:50 | 0:08:55 | |
and I just didn't feel like taking the money that I earned was... | 0:08:55 | 0:09:01 | |
What am I going to do with it other than... | 0:09:01 | 0:09:03 | |
You're absolutely right. You've done the right thing and everybody admires you for it. | 0:09:03 | 0:09:07 | |
And if they don't they better speak to me | 0:09:07 | 0:09:09 | |
-because I think that's fantastic, really. -It is amazing. -It really is. | 0:09:09 | 0:09:12 | |
It's wonderful. | 0:09:12 | 0:09:13 | |
Cos there's a lot of wealthy people who do... | 0:09:16 | 0:09:19 | |
very little, shall we say? | 0:09:19 | 0:09:21 | |
It may not seem AS relevant | 0:09:22 | 0:09:25 | |
but in the late '70s I did a sponsored swim. | 0:09:25 | 0:09:28 | |
LAUGHTER | 0:09:28 | 0:09:30 | |
-He put the work in. -I think I raised nearly £70, so... | 0:09:30 | 0:09:34 | |
-You've just got to do what you can, Miriam. -You do what you can. | 0:09:34 | 0:09:38 | |
-Can you swim? -Can I swim? Of course, I dive in and I'm at the other end. | 0:09:38 | 0:09:43 | |
He thinks he's Michael Phelps, he's like...pssshhh. | 0:09:45 | 0:09:48 | |
Now, you're living in London. | 0:09:50 | 0:09:52 | |
You made great use of London in the video for the new single | 0:09:52 | 0:09:56 | |
This Is Love which is released on Sunday 24th June and here's a clip. | 0:09:56 | 0:10:03 | |
# We sip till we smashed up Feeling all right | 0:10:03 | 0:10:07 | |
# And we rock the ghetto blaster Rocking all night | 0:10:07 | 0:10:11 | |
# I sent a rocket to the globe Armour just stole | 0:10:11 | 0:10:15 | |
# I fill it up with lovin' and then I watch it explode | 0:10:15 | 0:10:18 | |
# Eh, baby, yeah, all right | 0:10:18 | 0:10:25 | |
# Can you feel it? | 0:10:25 | 0:10:26 | |
# Good God, yeah, all right | 0:10:26 | 0:10:32 | |
# Can you feel the love? | 0:10:32 | 0:10:34 | |
# Can you feel the love? | 0:10:36 | 0:10:39 | |
# Can you feel the love? | 0:10:39 | 0:10:42 | |
# This is love This is love, this is love... # | 0:10:43 | 0:10:47 | |
CHEERING | 0:10:47 | 0:10:50 | |
Who's the lady? | 0:10:50 | 0:10:51 | |
That's a friend of mine. | 0:10:51 | 0:10:54 | |
Her name is Eva Simons. | 0:10:54 | 0:10:57 | |
-Her name is? -Eva Simons from Holland. -She's fantastic! | 0:10:57 | 0:11:00 | |
-Yeah, she's fresh. -Yeah! -She's dope. -Now, this is fantastic. | 0:11:00 | 0:11:03 | |
Is it true? Please, if it isn't just lie! | 0:11:03 | 0:11:07 | |
That NASA have asked you to write the first song | 0:11:07 | 0:11:10 | |
to be played on Mars? | 0:11:10 | 0:11:12 | |
LAUGHTER | 0:11:12 | 0:11:16 | |
Looks like a researcher's going to get sacked, Graham! | 0:11:16 | 0:11:19 | |
LAUGHTER | 0:11:19 | 0:11:20 | |
-I don't know if I can answer that. -So it's true? | 0:11:20 | 0:11:24 | |
No, it's not! | 0:11:24 | 0:11:27 | |
That's awesome! Is it true? | 0:11:27 | 0:11:29 | |
-I don't know if I can answer that! -Are you going with ballad, | 0:11:29 | 0:11:31 | |
floor-filler? What do you choose? | 0:11:31 | 0:11:35 | |
-Who's going to hear it on Mars? -Nobody! -There's nobody there! | 0:11:35 | 0:11:40 | |
So, what's the story? | 0:11:40 | 0:11:44 | |
It's obviously out there! | 0:11:44 | 0:11:45 | |
-Right now, there's a rocket going to Mars. -A what? | 0:11:45 | 0:11:48 | |
-A rocket, y'know? -A racket? -Rocket. | 0:11:48 | 0:11:51 | |
A ROCKET! Sorry! | 0:11:51 | 0:11:53 | |
-So, a ROCKET is going to Mars. -A ROCKET. Got it. | 0:11:53 | 0:11:57 | |
-It's on its way there right now. -OK. | 0:11:57 | 0:11:59 | |
It lands in August and when it lands, | 0:11:59 | 0:12:03 | |
it sends a signal back to show that it's there | 0:12:03 | 0:12:06 | |
and they're going to beam a signal back to Earth | 0:12:06 | 0:12:09 | |
and that signal will be the song. | 0:12:09 | 0:12:11 | |
-Wow! -Wow! | 0:12:11 | 0:12:12 | |
CHEERING AND APPLAUSE | 0:12:12 | 0:12:15 | |
So, is it a new song? | 0:12:15 | 0:12:17 | |
I'm from a ghetto in Los Angeles called East Los Angeles, | 0:12:17 | 0:12:22 | |
Boyle Heights. | 0:12:22 | 0:12:23 | |
I raised a bunch of money last year to create a STEM centre. | 0:12:23 | 0:12:27 | |
What STEM is for people that don't know, it's S-T-E-M. | 0:12:27 | 0:12:30 | |
It stands for Science, Technology, Engineering and Mathematics. | 0:12:30 | 0:12:33 | |
So, in every ghetto right now, STEM is not in them. | 0:12:33 | 0:12:37 | |
So that means a ghetto 20 years from now is going to be worse | 0:12:37 | 0:12:40 | |
than the ghetto today, because 20 years from now, technology will be everywhere | 0:12:40 | 0:12:44 | |
and we'll be technologically illiterate, where we don't understand how to fix it, make it, | 0:12:44 | 0:12:48 | |
or understand it if it breaks. | 0:12:48 | 0:12:50 | |
So, I don't want that to happen to the ghetto I come from, | 0:12:50 | 0:12:53 | |
so I raised about 7 million to create a STEM school there. | 0:12:53 | 0:12:56 | |
You're fabulous! | 0:12:56 | 0:12:58 | |
CHEERING AND APPLAUSE | 0:12:58 | 0:13:00 | |
You really are! | 0:13:00 | 0:13:02 | |
Really! | 0:13:02 | 0:13:04 | |
I don't want to go on about it, but I didn't have to do that sponsored swim! | 0:13:05 | 0:13:08 | |
LAUGHTER | 0:13:08 | 0:13:13 | |
So, this program that I'm doing with NASA is to inspire | 0:13:13 | 0:13:17 | |
young kids to take interest in science, technology, | 0:13:17 | 0:13:20 | |
engineering and mathematics, because in every school you go to, | 0:13:20 | 0:13:24 | |
there's a football field, there's a basketball court. | 0:13:24 | 0:13:27 | |
Unfortunately, girls aren't going to become football players | 0:13:27 | 0:13:30 | |
or basketball players. | 0:13:30 | 0:13:31 | |
Right now, it's girls that are not into STEM education | 0:13:31 | 0:13:35 | |
when they should be the ones that are the leaders of tomorrow. | 0:13:35 | 0:13:39 | |
My whole mission right now is to use music to inspire the youth | 0:13:39 | 0:13:43 | |
to care about STEM education, especially the girls, and that's why I'm going to East London. | 0:13:43 | 0:13:49 | |
I talked to Prince Charles about putting a STEM program | 0:13:49 | 0:13:54 | |
into the Prince's Trust. | 0:13:54 | 0:13:56 | |
This is fantastic! This is fantastic! | 0:13:56 | 0:13:58 | |
CHEERING AND APPLAUSE | 0:13:58 | 0:14:00 | |
You're making a difference. | 0:14:00 | 0:14:03 | |
He's making a difference and that's what we all want to do | 0:14:03 | 0:14:06 | |
in our lives. I'm nearer death than you are, believe me! | 0:14:06 | 0:14:09 | |
I want to have made a difference. | 0:14:09 | 0:14:11 | |
I haven't got 7 million, y'know, | 0:14:11 | 0:14:13 | |
but I agree with you. Education is key to the future | 0:14:13 | 0:14:18 | |
and how unexpected that this rapper would do this! | 0:14:18 | 0:14:21 | |
I don't have a very positive attitude towards rappers. | 0:14:21 | 0:14:26 | |
I don't really know any, you're the first one I've actually talked to! | 0:14:26 | 0:14:30 | |
I'm the black guy. | 0:14:30 | 0:14:31 | |
-Black eye? -I'm the first rapper and black dude you kicked it with. | 0:14:31 | 0:14:35 | |
-Black eye? -No, black GUY. -Oh! Black GUY! | 0:14:35 | 0:14:40 | |
Yeah, that's true! | 0:14:40 | 0:14:42 | |
-We need to kick it more. -Righto! | 0:14:42 | 0:14:45 | |
APPLAUSE | 0:14:45 | 0:14:48 | |
That's a record waiting to happen! | 0:14:53 | 0:14:57 | |
In terms of putting your music together, because something like, | 0:14:57 | 0:15:01 | |
say, The Time (Dirty Bit), were you watching Dirty Dancing | 0:15:01 | 0:15:06 | |
and went, "I like this song, I might do something with it"? | 0:15:06 | 0:15:08 | |
-We were in Ibiza. -Oh! | 0:15:08 | 0:15:11 | |
We were getting ready for a DJ gig. | 0:15:11 | 0:15:13 | |
And I'm like, "I got to drop something for the night." | 0:15:13 | 0:15:18 | |
Me and my homeboys, | 0:15:18 | 0:15:20 | |
Ammo and Apple. | 0:15:20 | 0:15:22 | |
Homeboys, meaning people that are close to me, where I feel like... | 0:15:22 | 0:15:27 | |
-Chums. -Like a chum, yes. | 0:15:27 | 0:15:29 | |
LAUGHTER | 0:15:29 | 0:15:30 | |
Me and a few of my chums... We were chumming it up. | 0:15:30 | 0:15:36 | |
LAUGHTER | 0:15:36 | 0:15:40 | |
I asked him "What are we going to play tonight? | 0:15:40 | 0:15:43 | |
"That's unexpected?" | 0:15:43 | 0:15:45 | |
He said "We should mix something from yesterday, old school, | 0:15:45 | 0:15:51 | |
-from old school, not elementary. -Right. | 0:15:51 | 0:15:56 | |
-old school, meaning, you know, back in the day. -Back in the day, yeah. | 0:15:56 | 0:15:59 | |
Let's pick something from back in the day and flip it up, | 0:15:59 | 0:16:03 | |
intertwine it with... | 0:16:03 | 0:16:07 | |
today's stuff, in the music. | 0:16:07 | 0:16:11 | |
So I say... | 0:16:11 | 0:16:14 | |
LAUGHTER | 0:16:14 | 0:16:16 | |
"Why don't we use Dirty Dancing?" | 0:16:16 | 0:16:19 | |
And then he replies... | 0:16:19 | 0:16:20 | |
LAUGHTER | 0:16:20 | 0:16:23 | |
"That's crazy, we can't use Dirty Dancing!" | 0:16:23 | 0:16:26 | |
I was, like, "But that's the whole point!" | 0:16:26 | 0:16:28 | |
You don't say "I was like, that's the whole point". You don't say that. | 0:16:28 | 0:16:32 | |
You say that's the whole point. | 0:16:32 | 0:16:34 | |
You don't need the "like", right? | 0:16:34 | 0:16:36 | |
By the way, everybody | 0:16:36 | 0:16:39 | |
please stop using the word "like". | 0:16:39 | 0:16:42 | |
-I don't like it. -She feels very strongly about this. | 0:16:42 | 0:16:45 | |
-How about if I said I liked you? -That's different. You're using it as a verb. | 0:16:45 | 0:16:50 | |
-I would be, like... -Like. You see? | 0:16:50 | 0:16:56 | |
It's a habit. | 0:16:56 | 0:16:57 | |
-It's quicker, it's like... -It's not like, it is! | 0:16:57 | 0:17:01 | |
What are we going to do today? I don't know what we're going to do | 0:17:01 | 0:17:04 | |
so he was, like, and I was, like and so we put it on the table and it was, like... Bam! | 0:17:04 | 0:17:09 | |
APPLAUSE | 0:17:09 | 0:17:12 | |
Well...I get what you're saying. | 0:17:12 | 0:17:14 | |
-It's like... -It's not "like". | 0:17:15 | 0:17:18 | |
While we're at it... | 0:17:18 | 0:17:20 | |
With the greatest of respect, it's "I've got a feeling". | 0:17:21 | 0:17:25 | |
APPLAUSE | 0:17:25 | 0:17:29 | |
I don't want to gang up! | 0:17:29 | 0:17:34 | |
When you're DJing, can you mix any song into another song? | 0:17:34 | 0:17:40 | |
Sometimes. | 0:17:40 | 0:17:42 | |
-If you are doing like... -Not like. -Sorry! | 0:17:42 | 0:17:46 | |
It's like sitting an exam! | 0:17:48 | 0:17:50 | |
If you were to mix Michael Jackson's | 0:17:50 | 0:17:56 | |
Don't Stop 'Til You Get Enough? | 0:17:56 | 0:17:58 | |
-Yeah, yeah. -Do you like that one? -I'm sure I will! | 0:17:58 | 0:18:03 | |
If you were to mix Don't Stop 'Til You Get Enough into... | 0:18:03 | 0:18:10 | |
Which one do you know? And I'll mix it. | 0:18:10 | 0:18:13 | |
Smoke Gets In Your Eyes. | 0:18:13 | 0:18:16 | |
LAUGHTER | 0:18:16 | 0:18:17 | |
-Cole Porter? -So, if you were to do Don't Stop 'Til You Get Enough | 0:18:17 | 0:18:22 | |
with Smoke Gets In Your Eyes... | 0:18:22 | 0:18:24 | |
-I've never heard it. -# Smoke gets in your eyes... # | 0:18:24 | 0:18:28 | |
-You sing it, go. Bust it. -I've just busted it! | 0:18:28 | 0:18:32 | |
LAUGHTER | 0:18:32 | 0:18:34 | |
So Michael Jackson's beat would go... | 0:18:34 | 0:18:36 | |
HE BEATBOXES | 0:18:36 | 0:18:40 | |
Go. | 0:18:42 | 0:18:44 | |
# Smoke gets in your eyes. # | 0:18:44 | 0:18:48 | |
APPLAUSE | 0:18:48 | 0:18:51 | |
Yet my gut instinct was to do some hard-core rapping, Graham. | 0:18:54 | 0:18:59 | |
That's when you were supposed to say, # Smoke gets into my eyes | 0:18:59 | 0:19:04 | |
# When I'm puffing on a doobie. # | 0:19:04 | 0:19:08 | |
When I was a kid I used to be into the Boo-Yaa T.R.I.B.E. | 0:19:08 | 0:19:12 | |
-Do you know them? -Those big Samoans. -Yeah. | 0:19:12 | 0:19:17 | |
-You know those guys? -You must know them! | 0:19:17 | 0:19:19 | |
# Hit the gas Put on a ski mask | 0:19:19 | 0:19:22 | |
# Right when we pass What you think, smoke that ass. # | 0:19:22 | 0:19:25 | |
CHEERING AND APPLAUSE | 0:19:25 | 0:19:27 | |
Let me do the second verse. | 0:19:32 | 0:19:34 | |
# This ain't a game Straight up reality | 0:19:34 | 0:19:35 | |
# Driven by the streets Born by insanity | 0:19:35 | 0:19:38 | |
# Drive by Yes, it's the season | 0:19:38 | 0:19:41 | |
# When the gangsta kills For no reason | 0:19:41 | 0:19:43 | |
# When an MC's sitting On a front porch | 0:19:43 | 0:19:45 | |
# Stick 'em like a pitchfork This is not New York. # | 0:19:45 | 0:19:48 | |
APPPLAUSE | 0:19:48 | 0:19:50 | |
Wow! That's good! Well done. | 0:19:50 | 0:19:55 | |
Did you make that up? | 0:19:55 | 0:19:58 | |
-That was the Boo-Yaa T.R.I.B.E. -That was the words of a song? | 0:19:58 | 0:20:01 | |
-Boo-Yaa. -You know I'm missing out here! | 0:20:01 | 0:20:04 | |
I thought she was going to kick out a rap right there! | 0:20:04 | 0:20:07 | |
# Y'know, I'm missing out here You better fear | 0:20:07 | 0:20:12 | |
# Don't say like in here. # | 0:20:12 | 0:20:14 | |
LAUGHTER | 0:20:14 | 0:20:20 | |
Miriam Margolyes, | 0:20:20 | 0:20:22 | |
very exciting, you are on a World Tour. | 0:20:22 | 0:20:25 | |
It's a proper World Tour. You've been in Australia already. | 0:20:25 | 0:20:28 | |
-And New Zealand. -You've done New Zealand already? -Dear New Zealand, yes. | 0:20:28 | 0:20:32 | |
But you get here June 23, tomorrow, Saturday? | 0:20:32 | 0:20:35 | |
Is that tomorrow? Yes, it is, yes. | 0:20:35 | 0:20:38 | |
And then you go to Canada and the States? | 0:20:38 | 0:20:42 | |
-Yes. -Very good. | 0:20:42 | 0:20:43 | |
And all round England as well. | 0:20:43 | 0:20:45 | |
-Oh, yes. -Taunton, we're going to Taunton. | 0:20:45 | 0:20:47 | |
What part of the States are you going to? | 0:20:49 | 0:20:51 | |
I'm going to California. | 0:20:51 | 0:20:52 | |
-That's where I'm from. -Yes, I know that, darling. | 0:20:52 | 0:20:55 | |
-And Chicago. -Nice. | 0:20:57 | 0:21:00 | |
And Yale and all over Massachusetts. | 0:21:00 | 0:21:04 | |
-When you say Yale you have to say 'yay-el'. -Yay-el. | 0:21:04 | 0:21:08 | |
The show is Dickens' Women and we'll talk about it in a bit. In order to get, sort of, | 0:21:09 | 0:21:16 | |
match fit, you've become a vegetarian? | 0:21:16 | 0:21:18 | |
Yes, well, I'm 71 | 0:21:18 | 0:21:22 | |
and I'm overweight and not particularly fit and I thought | 0:21:22 | 0:21:25 | |
I must get fit to do this tour. | 0:21:25 | 0:21:27 | |
So I went to India to an ayurvedic clinic and I had | 0:21:27 | 0:21:32 | |
oil enemas every day for six weeks. | 0:21:32 | 0:21:38 | |
Oh, my God! | 0:21:38 | 0:21:41 | |
Does a mechanic do that? I mean what... | 0:21:41 | 0:21:43 | |
Not really, no. | 0:21:43 | 0:21:47 | |
Is it hot oil, cold oil? | 0:21:47 | 0:21:49 | |
I think it's warm. Well, it's warm afterwards any way! | 0:21:49 | 0:21:54 | |
LAUGHTER | 0:21:54 | 0:21:58 | |
It really was amazing. That's where I became a vegetarian. | 0:21:58 | 0:22:02 | |
-I eat fish, but not poultry or red meat. -Yeah. | 0:22:02 | 0:22:06 | |
It really got me fit. It got me going. | 0:22:06 | 0:22:10 | |
I was able to do the tour, so far, | 0:22:10 | 0:22:12 | |
-without missing a show or feeling poorly or anything. -You look amazing. | 0:22:12 | 0:22:16 | |
You look very fit and healthy. | 0:22:16 | 0:22:18 | |
-Do you think so? -You really do. -Oh, bless you. Thank you. | 0:22:18 | 0:22:22 | |
You do swimming? | 0:22:22 | 0:22:24 | |
I swim every day. I haven't met you in the pool yet. But I imagine | 0:22:24 | 0:22:32 | |
-that you're a bit faster than I am in the pool. -If I am there, | 0:22:32 | 0:22:35 | |
I'm probably raising money for charity. | 0:22:35 | 0:22:37 | |
LAUGHTER | 0:22:37 | 0:22:39 | |
You do yoga, don't you? | 0:22:39 | 0:22:45 | |
That's been my attempt to get fit recently, yeah. | 0:22:45 | 0:22:47 | |
I've been doing yoga on my own in my house. | 0:22:47 | 0:22:50 | |
-It's humiliating. -That's very good. | 0:22:50 | 0:22:54 | |
I bought a DVD which is brilliant. | 0:22:54 | 0:22:55 | |
I don't want the lady who did this DVD to think I'm being negative. | 0:22:55 | 0:22:59 | |
It's great. I've done it for weeks and I just presumed | 0:22:59 | 0:23:03 | |
that the lady was some sort of yoga master | 0:23:03 | 0:23:07 | |
of her whole life and she'd trained in the Far East or something. | 0:23:07 | 0:23:10 | |
A mate came round and I showed him and said, | 0:23:11 | 0:23:13 | |
"I'm doing this yoga DVD, it's absolutely brilliant. | 0:23:13 | 0:23:16 | |
And he went "Mate, she's on Emmerdale Farm." | 0:23:16 | 0:23:19 | |
She's really good. | 0:23:19 | 0:23:21 | |
But she's a lesbian character from Emmerdale Farm. | 0:23:21 | 0:23:25 | |
-Really? -Yeah. -I'm one of those. | 0:23:25 | 0:23:27 | |
LAUGHTER | 0:23:27 | 0:23:29 | |
I know in America they don't say that much on television, | 0:23:32 | 0:23:35 | |
-but I like to say it. Because I think it gives people courage. -Yes! | 0:23:35 | 0:23:39 | |
I've never met a lesbian before. | 0:23:39 | 0:23:42 | |
LAUGHTER | 0:23:42 | 0:23:44 | |
Probably because they couldn't reach you, I think. | 0:23:50 | 0:23:54 | |
Oh, they could reach me! | 0:23:54 | 0:23:57 | |
LAUGHTER | 0:23:57 | 0:23:59 | |
I'm drawing a veil... | 0:23:59 | 0:24:02 | |
Miriam, let's talk about Dickens' Women | 0:24:02 | 0:24:06 | |
because you've put... | 0:24:06 | 0:24:08 | |
I'm sorry, I'm sorry. | 0:24:08 | 0:24:11 | |
He said I've never met a lesbian | 0:24:11 | 0:24:13 | |
and then you said "Let's talk about Dickens' women." | 0:24:13 | 0:24:16 | |
LAUGHTER | 0:24:16 | 0:24:19 | |
Funnily enough one of them was a lesbian. | 0:24:22 | 0:24:26 | |
-One of the women in my show is a lesbian. -Really? | 0:24:26 | 0:24:30 | |
Oh, yes. From Little Dorrit. Miss Wade. | 0:24:30 | 0:24:32 | |
Would people have known that Miss Wade was a lesbian? | 0:24:32 | 0:24:35 | |
Of course not, absolutely not, no. | 0:24:35 | 0:24:38 | |
It's only now we know. | 0:24:38 | 0:24:40 | |
Now we can tell, because he's such a wonderful writer. | 0:24:40 | 0:24:43 | |
-You put it together, you and... -Sonia Fraser. | 0:24:43 | 0:24:45 | |
Sonia Fraser. People don't associate Charles Dickens with... | 0:24:45 | 0:24:50 | |
-Lesbians, no. -His women tend to be grotesques or ingenues. | 0:24:50 | 0:24:56 | |
He didn't get on very well with women. | 0:24:56 | 0:24:59 | |
He was damaged by women. He thought his mother was neglecting him. | 0:24:59 | 0:25:05 | |
His wife, he fell out of love with. He had a mistress. | 0:25:05 | 0:25:09 | |
-I tell all these shocking stories in my show. -So, it's not just the characters... | 0:25:09 | 0:25:13 | |
I tell the story of the man because he's so extraordinary and wonderful | 0:25:13 | 0:25:18 | |
and strange and so different from what people think he is, you see. | 0:25:18 | 0:25:21 | |
That's what I'm trying to get across. He was the greatest | 0:25:21 | 0:25:24 | |
writer of English prose. | 0:25:24 | 0:25:27 | |
In his way he was king rapper of his day. | 0:25:27 | 0:25:30 | |
If he was a rapper his name would be Chuck Dick. | 0:25:31 | 0:25:34 | |
LAUGHTER | 0:25:34 | 0:25:38 | |
Charles is Chuck. You shorten it up. | 0:25:38 | 0:25:41 | |
Why don't you come and see my show. You should. | 0:25:41 | 0:25:44 | |
-I think you might enjoy it. -In LA we should kick it. | 0:25:44 | 0:25:47 | |
We should...kick it, yeah, it would be very nice. | 0:25:47 | 0:25:51 | |
I don't want to put you on the spot, | 0:25:51 | 0:25:53 | |
but is there a little bit of one of the women you could do for us? | 0:25:53 | 0:25:58 | |
-Is that too awful? -I'd love to! -OK, brilliant. | 0:25:58 | 0:26:04 | |
One of the characters that he invented was this midwife | 0:26:04 | 0:26:08 | |
and in Victorian days, midwives, are there any midwives here? | 0:26:08 | 0:26:12 | |
-Clearly! -His midwife was a drunk. | 0:26:12 | 0:26:16 | |
-LAUGHTER -Funnily enough, nothing has changed! | 0:26:16 | 0:26:20 | |
They also laid out corpses. They had two jobs. Midwives, they did both. | 0:26:20 | 0:26:26 | |
Mrs Gamp, who's the one that I play, | 0:26:26 | 0:26:29 | |
was a drunken midwife and she liked to talk about herself, | 0:26:29 | 0:26:34 | |
but she pretended that it was Mrs Harris, her friend. | 0:26:34 | 0:26:38 | |
She said, "When Gamp was summoned to his long home | 0:26:38 | 0:26:42 | |
"and I seen him lying in the hospital | 0:26:42 | 0:26:47 | |
"with a penny piece on each eye. | 0:26:47 | 0:26:49 | |
"And his wooden leg under his left arm, | 0:26:49 | 0:26:53 | |
"I thought I should have fainted away, | 0:26:53 | 0:26:58 | |
"but I bore up, | 0:26:58 | 0:27:00 | |
"if it wasn't for the nerve, a little sip of liquor gives me. | 0:27:00 | 0:27:05 | |
"I could never go through with what I sometimes has to do. | 0:27:05 | 0:27:10 | |
"As I said to my friend Mrs Harris, | 0:27:10 | 0:27:12 | |
"there were a last case, as ever I had to do, | 0:27:12 | 0:27:17 | |
"which it was but a young person. | 0:27:17 | 0:27:20 | |
"Mrs Harris, I says, leave the bottle on the chimney piece | 0:27:20 | 0:27:26 | |
"and don't ask me to take none, but let me put my lips to it | 0:27:26 | 0:27:33 | |
"when I'm so disposed. | 0:27:33 | 0:27:35 | |
"And I will do everything I've been engaged to do | 0:27:35 | 0:27:39 | |
"according to the best of my ability. | 0:27:39 | 0:27:44 | |
"Thank you very much." | 0:27:44 | 0:27:46 | |
APPLAUSE AND CHEERING | 0:27:46 | 0:27:49 | |
Brilliant. | 0:27:49 | 0:27:51 | |
You're a marvel, Miriam Margoyles, a marvel. | 0:27:51 | 0:27:55 | |
Now, is it fair to say, Miriam, that you are not physically shy? | 0:27:55 | 0:27:59 | |
-Yes. It is fair to say. -Yes, I thought that was fair to say. | 0:27:59 | 0:28:02 | |
What was the story? You had a run-in with...was it painters at the BBC? | 0:28:02 | 0:28:06 | |
Yes. My goodness, things get around! | 0:28:06 | 0:28:11 | |
Well, one of the problems when you're stacked as I am, you know? | 0:28:11 | 0:28:16 | |
And when you run along a corridor... | 0:28:16 | 0:28:20 | |
-I know you're stacked, but just lower down, my stack is here. -I've got it all over! | 0:28:20 | 0:28:26 | |
It still means the same stack where I come from. | 0:28:28 | 0:28:30 | |
Yes, I'm sure. I was going past these painters | 0:28:30 | 0:28:35 | |
and they made fun of me because my tits were wiggling | 0:28:35 | 0:28:38 | |
and I was running along. | 0:28:38 | 0:28:40 | |
LAUGHTER | 0:28:40 | 0:28:43 | |
I thought, "I'm not having that, I'm not having that." | 0:28:43 | 0:28:47 | |
You know, when you confront people, they get very nervous? | 0:28:47 | 0:28:50 | |
So I stopped and I went over to them and I looked at them. | 0:28:50 | 0:28:54 | |
I took their great big hands | 0:28:54 | 0:28:57 | |
and I put them... | 0:28:57 | 0:28:59 | |
LAUGHTER | 0:28:59 | 0:29:04 | |
I put them on my great big breasts. | 0:29:04 | 0:29:07 | |
They were terrified! | 0:29:07 | 0:29:09 | |
LAUGHTER | 0:29:09 | 0:29:13 | |
Next time, when I was going back along the corridor, | 0:29:13 | 0:29:17 | |
they were painting! And didn't say a word! | 0:29:17 | 0:29:21 | |
APPLAUSE | 0:29:21 | 0:29:24 | |
Greg, you're back on the road, you're touring as well? | 0:29:29 | 0:29:32 | |
Yeah, I am, in the Autumn. | 0:29:32 | 0:29:33 | |
Starts on October 3rd in Devon. Runs to December 14th in Blackpool. | 0:29:33 | 0:29:38 | |
The tour is called The Back of my Mum's Head. | 0:29:40 | 0:29:42 | |
-Is that your mum? -It is genuinely my mum, yeah. | 0:29:42 | 0:29:45 | |
Was she on The Voice? | 0:29:46 | 0:29:48 | |
LAUGHTER | 0:29:48 | 0:29:50 | |
You didn't get it. She didn't turn around. | 0:29:50 | 0:29:53 | |
Oh, I see. I just laughed politely. | 0:29:53 | 0:29:58 | |
Why is it called The Back Of My Mum's Head? | 0:29:58 | 0:30:01 | |
Do you know what? The honest truth is | 0:30:01 | 0:30:03 | |
I took a picture like this when my mum and I | 0:30:03 | 0:30:05 | |
were on a beach and she was looking out and it just made me laugh. | 0:30:05 | 0:30:08 | |
-That's the truth of why it's called that. -OK. | 0:30:08 | 0:30:10 | |
-But I'll construct a lie why it's called that. -You have until October. | 0:30:10 | 0:30:14 | |
I've been humiliating my parents on telly for the last five years | 0:30:14 | 0:30:17 | |
and I suppose the thrust of the show is | 0:30:17 | 0:30:19 | |
I have to stop talking about them and humiliate myself. | 0:30:19 | 0:30:23 | |
But you do talk about your family a lot. | 0:30:23 | 0:30:25 | |
But they really make me laugh, Graham. They keep doing stuff. | 0:30:25 | 0:30:29 | |
LAUGHTER | 0:30:29 | 0:30:30 | |
-You and your sister had a horse for a while, didn't you? -Yeah, | 0:30:30 | 0:30:34 | |
for a while...until it tried to bite one of my tits off. | 0:30:34 | 0:30:37 | |
It genuinely did! | 0:30:37 | 0:30:39 | |
It was the most violent horse. It threw us both off countless times. | 0:30:39 | 0:30:42 | |
And then, the day that we got rid of it, it tried to bite... | 0:30:42 | 0:30:46 | |
it clamped onto my breast and just shook | 0:30:46 | 0:30:50 | |
and I was bleeding. It was like a horror film. It was awful! | 0:30:50 | 0:30:52 | |
-You got marks? -Pardon? -You got any, like, horse scars? -No. | 0:30:52 | 0:30:55 | |
I got away with it, but it was disgusting at the time. | 0:30:55 | 0:30:59 | |
-Imagine, like, a big horse scar... -Yeah! -..a bite scar. | 0:30:59 | 0:31:02 | |
I think I'd been wolf-whistling the horse, so... No, it doesn't matter. | 0:31:02 | 0:31:06 | |
LAUGHTER | 0:31:06 | 0:31:08 | |
-Do you like that sort of violence, then? -No, not at all. | 0:31:08 | 0:31:11 | |
-No. -Not from horses. -No. | 0:31:11 | 0:31:13 | |
LAUGHTER | 0:31:13 | 0:31:15 | |
After I got back from the hospital, er, | 0:31:17 | 0:31:20 | |
I said to my dad, "That horse is mental! The horse is dangerous!" | 0:31:20 | 0:31:23 | |
And he went, "Oh, I know." We both went, "What d'you mean you know?" | 0:31:23 | 0:31:27 | |
He goes, "Well, I didn't really want you to have a horse, | 0:31:27 | 0:31:29 | |
"so I deliberately got a really dangerous one to put you off horses." | 0:31:29 | 0:31:32 | |
That's madness, isn't it?! | 0:31:36 | 0:31:37 | |
-Have you been on a horse? -I've rode a horse before. A couple of times. | 0:31:37 | 0:31:40 | |
-You like it? -The first time I ever rode a horse was in Ireland. | 0:31:40 | 0:31:43 | |
I was... AUDIENCE: Ooh! | 0:31:43 | 0:31:44 | |
Ireland! | 0:31:44 | 0:31:46 | |
So... So I was, er... LAUGHTER | 0:31:46 | 0:31:48 | |
I was working in Ireland with Michael Jackson. | 0:31:48 | 0:31:51 | |
AUDIENCE: Ooh! Michael Jackson! So... | 0:31:51 | 0:31:56 | |
-So he's like, er... -Not like. -Sorry! | 0:31:56 | 0:31:58 | |
LAUGHTER | 0:31:58 | 0:32:00 | |
So Michael Jackson suggested that... | 0:32:00 | 0:32:04 | |
He said... | 0:32:04 | 0:32:05 | |
I told him, "When are we going to record?" He was like... | 0:32:07 | 0:32:10 | |
LAUGHTER So he said... | 0:32:10 | 0:32:12 | |
SOFT VOICE: "Would you want some breakfast?" | 0:32:12 | 0:32:15 | |
I said, "Sure." | 0:32:15 | 0:32:17 | |
SOFT VOICE: "Why don't you go take the horse and pick some apples?" | 0:32:18 | 0:32:22 | |
LAUGHTER I was like, "What?" | 0:32:22 | 0:32:25 | |
He was like, "Take the horse on horse back and pick some apples." | 0:32:25 | 0:32:28 | |
-Is that what he sounded like? -My interpretation of him. -In reality, he sounded like this. | 0:32:28 | 0:32:33 | |
-DEEP VOICE: -"All right, love, how's it going?" | 0:32:33 | 0:32:35 | |
LAUGHTER | 0:32:35 | 0:32:37 | |
SOFT VOICE: "Take the horses out. | 0:32:37 | 0:32:39 | |
"They're lovely. The horses are wonderful. | 0:32:39 | 0:32:42 | |
"And the thing about the horses, | 0:32:42 | 0:32:43 | |
"they know exactly where the juicy apples are." | 0:32:43 | 0:32:46 | |
He's like, so he said... LAUGHTER | 0:32:46 | 0:32:49 | |
"When the horse tries to grab the apple, | 0:32:49 | 0:32:51 | |
"just snatch the apple from him, cos that's a juicy apple." | 0:32:51 | 0:32:55 | |
So I was like, "Wow, when's the last time Michael Jackson's going | 0:32:55 | 0:32:59 | |
"to tell you to get on a horse and go pick some apples?" | 0:32:59 | 0:33:02 | |
So I hopped on the horse... LAUGHTER | 0:33:03 | 0:33:05 | |
..and started galloping away. | 0:33:05 | 0:33:07 | |
So I'm galloping down, you know, the meadows in Ireland... | 0:33:07 | 0:33:11 | |
..going apple picking. | 0:33:13 | 0:33:15 | |
So as the horse went to grab an apple, | 0:33:15 | 0:33:19 | |
I remember Michael Jackson saying, | 0:33:19 | 0:33:21 | |
"Don't let him get the apple. Grab it before he does." | 0:33:21 | 0:33:25 | |
LAUGHTER So I'm on the horse. | 0:33:25 | 0:33:26 | |
The horse goes there and I grab it. | 0:33:26 | 0:33:29 | |
He's, like, last thing I'm worrying about is, like, he get mad at me, | 0:33:29 | 0:33:34 | |
and then kick me off his back and, like, stomp on me. | 0:33:34 | 0:33:39 | |
I know I just hit you with three likes. | 0:33:39 | 0:33:41 | |
The story is so good, darling, I'm overlooking it. | 0:33:41 | 0:33:44 | |
So my thing was grab an apple, let him eat an apple, right, | 0:33:44 | 0:33:50 | |
-so let's share, right, cos I'm on his back. -Yeah. | 0:33:50 | 0:33:53 | |
So that was the whole thing. So he grabbed the apple, | 0:33:53 | 0:33:57 | |
then I grabbed the apple, so then I came back with a bag of apples. | 0:33:57 | 0:34:01 | |
And he was like, "So how was it, wasn't it amazing? | 0:34:01 | 0:34:04 | |
"I just love riding horses and picking apples." | 0:34:05 | 0:34:08 | |
LAUGHTER | 0:34:08 | 0:34:10 | |
So that was, er, my horse-back riding experience. | 0:34:10 | 0:34:14 | |
APPLAUSE AND CHEERING | 0:34:14 | 0:34:16 | |
That's a bonkers story! | 0:34:16 | 0:34:18 | |
-Listen, it's music time. -CHEERING | 0:34:21 | 0:34:24 | |
All right. Before we hear this week's stories in the red chair, | 0:34:24 | 0:34:28 | |
we're going to have a song from one of the biggest stars | 0:34:28 | 0:34:30 | |
ever to come out of American Idol. | 0:34:30 | 0:34:32 | |
Performing his new single, Never Close Our Eyes, | 0:34:32 | 0:34:35 | |
it is Adam Lambert, ladies and gentlemen! | 0:34:35 | 0:34:38 | |
CHEERING | 0:34:38 | 0:34:41 | |
# I wish that this night would never be over | 0:34:46 | 0:34:53 | |
# If I had my way we'd never close our eyes | 0:34:53 | 0:35:00 | |
# Our eyes! | 0:35:00 | 0:35:03 | |
# Never! | 0:35:03 | 0:35:05 | |
# I don't wanna let a minute get away | 0:35:05 | 0:35:09 | |
# Yeah, cos we got no time to lose | 0:35:11 | 0:35:18 | |
# None of us are promised to see tomorrow | 0:35:18 | 0:35:26 | |
# And what we do is ours to choose | 0:35:26 | 0:35:31 | |
# Forget about the sunrise Fight the sleep in your eyes | 0:35:31 | 0:35:35 | |
# I don't wanna miss a second with you | 0:35:35 | 0:35:38 | |
# Let's stay this way forever | 0:35:38 | 0:35:40 | |
# It's only getting better | 0:35:40 | 0:35:42 | |
# If we want it to, yeah! | 0:35:42 | 0:35:46 | |
# You know that I wish that this night would never be over | 0:35:46 | 0:35:53 | |
# There's plenty of time to sleep when we die | 0:35:53 | 0:36:01 | |
# So let's just stay awake until we grow older | 0:36:01 | 0:36:07 | |
# If I had my way we'd never close our eyes | 0:36:07 | 0:36:15 | |
# Our eyes! | 0:36:15 | 0:36:18 | |
# Never! | 0:36:18 | 0:36:20 | |
# Now it's so hard to think this could fade away! No, no! | 0:36:20 | 0:36:26 | |
# But what goes up must come down! Down! | 0:36:26 | 0:36:33 | |
# Why can't we just live life with no consequence? Yeah! | 0:36:33 | 0:36:40 | |
# And always live in the now, yeah! | 0:36:40 | 0:36:45 | |
# Forget about the sunrise Fight the sleep in your eyes | 0:36:45 | 0:36:49 | |
# I don't wanna miss a second with you | 0:36:49 | 0:36:53 | |
# Let's stay this way forever | 0:36:53 | 0:36:55 | |
# It's only getting better | 0:36:55 | 0:36:57 | |
# If we want it to, yeah! | 0:36:57 | 0:37:01 | |
# You know that I wish that this night would never be over | 0:37:01 | 0:37:05 | |
# Would never be over! No, No! | 0:37:05 | 0:37:08 | |
# There's plenty of time to sleep when we die | 0:37:08 | 0:37:12 | |
# Plenty of time to sleep, yeah! | 0:37:12 | 0:37:15 | |
# So let's just stay awake until we grow older! | 0:37:15 | 0:37:20 | |
# Yeah, yeah, yeah, hey! | 0:37:20 | 0:37:22 | |
# If I had my way we'd never close our eyes | 0:37:22 | 0:37:29 | |
# Our eyes! | 0:37:29 | 0:37:32 | |
# Never! Oh, oh, oh! Yeah! # | 0:37:32 | 0:37:37 | |
APPLAUSE AND CHEERING | 0:37:37 | 0:37:40 | |
Thank you! | 0:37:42 | 0:37:43 | |
-CHEERING CONTINUES -Whoa! Adam Lambert, everybody! | 0:37:43 | 0:37:48 | |
Come on over and join us, do. Beautiful job! | 0:37:48 | 0:37:52 | |
-Thank you very much. -Thank you. -So nice. -Thank you. -Have a seat. | 0:37:52 | 0:37:56 | |
-Thanks! -Have a seat there. Well done. -Whoa! | 0:37:56 | 0:37:59 | |
-Adam, Greg, Miriam, Will.i.am! -Hi! Cheers! -It's all very good! | 0:37:59 | 0:38:04 | |
-Aw! -Thank you, thank you. | 0:38:04 | 0:38:06 | |
-Hi, guys. -Congratulations to you. -Thank you. | 0:38:06 | 0:38:09 | |
-That is the new single Never Close Our Eyes off the new album Trespassing. -Yeah! | 0:38:09 | 0:38:13 | |
The single's out on the 8th of July and then, the album comes out on the 9th of July. | 0:38:13 | 0:38:17 | |
-Is that the facts? -That is the facts! -OK. | 0:38:17 | 0:38:20 | |
-Those are the facts, yes. -It's already been number one | 0:38:20 | 0:38:23 | |
-in the States, hasn't it? -It went to number one! It's crazy! | 0:38:23 | 0:38:26 | |
-CHEERING -Congratulations. | 0:38:26 | 0:38:28 | |
-What a brilliant thing to happen! -It feels amazing. -Yeah! | 0:38:28 | 0:38:31 | |
I worked my butt off on this thing! | 0:38:31 | 0:38:33 | |
-Yeah! -It's like, oh, I can breathe again. -Not like! -I can breathe! | 0:38:33 | 0:38:38 | |
LAUGHTER | 0:38:38 | 0:38:40 | |
No, you can say like there. It was like something, surely? | 0:38:40 | 0:38:43 | |
LAUGHTER | 0:38:45 | 0:38:46 | |
I don't want to stop you from being yourself. That's very important. | 0:38:46 | 0:38:51 | |
-You've got to be yourself. -Yeah. WILL.I.AM: And I... | 0:38:51 | 0:38:54 | |
-LAUGHTER -But you've got to use... | 0:38:54 | 0:38:57 | |
You've got to change! | 0:38:57 | 0:39:00 | |
LAUGHTER | 0:39:00 | 0:39:01 | |
But...you've got to learn to be able to say what you want to say... | 0:39:01 | 0:39:08 | |
-Yeah! -..without using that word. -Oh, sorry, darling. -Yeah! -I'm sorry. | 0:39:08 | 0:39:12 | |
-That's all right. -Listen... -It was a bum rush, I don't know. | 0:39:12 | 0:39:15 | |
Time for stories in the red chair, but just before we do, | 0:39:15 | 0:39:18 | |
I know, Miriam, you have a story, er, is it you in Edinburgh? | 0:39:18 | 0:39:22 | |
-I'm going to Edinburgh with my show and the last time... -Dickens' Women, all over the world. -That's right. | 0:39:22 | 0:39:28 | |
The last time I was in Edinburgh... | 0:39:28 | 0:39:30 | |
-I hope this isn't going to offend anybody. -It's fine, fire ahead. | 0:39:30 | 0:39:33 | |
-I'm going to be offended. I... I might... -I hope you won't. -Yeah. | 0:39:33 | 0:39:37 | |
I was walking home late after a show one night. | 0:39:37 | 0:39:41 | |
And I was walking through The Meadows, | 0:39:41 | 0:39:44 | |
which is a kind a field in the middle of Edinburgh. | 0:39:44 | 0:39:47 | |
And I heard a rustling above me... | 0:39:47 | 0:39:52 | |
Almost everything is above me, actually. | 0:39:52 | 0:39:54 | |
-LAUGHTER -I'm so short. | 0:39:54 | 0:39:56 | |
And I looked up and I saw a young man | 0:39:56 | 0:40:01 | |
masturbating in the tree. | 0:40:01 | 0:40:03 | |
-LAUGHTER -What, like, on the branches?! | 0:40:03 | 0:40:06 | |
-He had to climb up there? -He climbed up and I said... | 0:40:08 | 0:40:11 | |
-"What are you doing?" -LAUGHTER | 0:40:11 | 0:40:14 | |
And he said, "Making it rain!" | 0:40:14 | 0:40:16 | |
-LAUGHTER -Wow! | 0:40:16 | 0:40:19 | |
Well... | 0:40:21 | 0:40:22 | |
-I felt concerned. -Yes, of course! -And said, "What is your occupation? | 0:40:29 | 0:40:34 | |
And he said, "I'm a soldier." And I said, "In the Tattoo?" | 0:40:35 | 0:40:40 | |
-because you know there's an Edinburgh Tattoo. -Yes. | 0:40:40 | 0:40:42 | |
And he said, "Yes, I am." And I said, "Come down at once." | 0:40:42 | 0:40:46 | |
LAUGHTER | 0:40:46 | 0:40:47 | |
-So he sort of slid down the tree. -Yes. -And I said... | 0:40:47 | 0:40:52 | |
"You know you can get into trouble for doing what you're doing?" | 0:40:52 | 0:40:55 | |
Did you do what you did with the painters with him? | 0:40:55 | 0:40:58 | |
-I absolutely did. -LAUGHTER | 0:40:58 | 0:41:00 | |
You've heard of helping hands, haven't you? You know... | 0:41:00 | 0:41:04 | |
-Yes! -I helped him out. | 0:41:04 | 0:41:06 | |
LAUGHTER | 0:41:06 | 0:41:08 | |
And he was charming. And I must say, I must say... | 0:41:08 | 0:41:12 | |
-also grateful and, um... -HUGE LAUGHTER | 0:41:12 | 0:41:17 | |
-Jesus, Miriam! -And I can't say shit?! | 0:41:17 | 0:41:21 | |
-He was a soldier and he was grateful. -He was a soldier and you've got to support the troops! | 0:41:21 | 0:41:26 | |
LAUGHTER AND APPLAUSE | 0:41:26 | 0:41:28 | |
-Now... -The most I'm going to do is a sponsored swim, I'll tell you that now! | 0:41:28 | 0:41:33 | |
What I like about it is, when I go to the red chair, | 0:41:33 | 0:41:36 | |
good luck with anyone having a story to top that! | 0:41:36 | 0:41:39 | |
LAUGHTER | 0:41:39 | 0:41:41 | |
So who's up first? Hello! | 0:41:41 | 0:41:44 | |
Hello, Mr Graham Norton and guests. | 0:41:44 | 0:41:46 | |
Er, yes... Oh, no! | 0:41:46 | 0:41:48 | |
APPLAUSE Where are they located? | 0:41:50 | 0:41:53 | |
Out there somewhere, I think. Why, someone you wanted to meet? | 0:41:53 | 0:41:57 | |
-No, I wanted to tell a story. -Oh, do you want to do it? | 0:41:57 | 0:42:00 | |
-Tell it, yes! -CHEERING | 0:42:00 | 0:42:02 | |
OK, OK, quick, quick, quick. | 0:42:02 | 0:42:05 | |
Quick as your life! Hurry, hurry, hurry! Go, go, go! | 0:42:05 | 0:42:08 | |
We're nearly out of time, probably are out of time. Is he there? | 0:42:08 | 0:42:11 | |
Oh, coming in now. | 0:42:11 | 0:42:13 | |
It's Will.i.am, everybody! | 0:42:13 | 0:42:16 | |
-CHEERING -OK... | 0:42:16 | 0:42:18 | |
And, er, where are you from, Will? | 0:42:18 | 0:42:21 | |
I'm from Los Angeles-shire. | 0:42:21 | 0:42:23 | |
-OK! -LAUGHTER | 0:42:23 | 0:42:25 | |
And what do you do, Will? | 0:42:25 | 0:42:27 | |
-I live there. -OK! | 0:42:27 | 0:42:30 | |
LAUGHTER AND APPLAUSE | 0:42:30 | 0:42:32 | |
Off you go with your story. | 0:42:32 | 0:42:35 | |
Ahem... One time, um, I was, er, trying out for this play | 0:42:35 | 0:42:41 | |
and, um... I was rehearsing in a park. | 0:42:41 | 0:42:45 | |
LAUGHTER | 0:42:45 | 0:42:47 | |
I was... I wanted to take my career to higher levels. | 0:42:49 | 0:42:53 | |
So me and my friend, as we were rehearsing, | 0:42:53 | 0:42:58 | |
he said, "Why don't you go in a tree and scream..." | 0:42:58 | 0:43:02 | |
It was you! | 0:43:02 | 0:43:04 | |
So as I was... | 0:43:04 | 0:43:06 | |
-I think you should pull the lever now. -..doing my thingy. -(You can!) | 0:43:06 | 0:43:11 | |
I wanted to get into it, cos it was kind of like a porno play. | 0:43:11 | 0:43:14 | |
GRAHAM LAUGHS Some lady... | 0:43:14 | 0:43:17 | |
-Some drunk lady comes... -Oh! | 0:43:17 | 0:43:20 | |
APPLAUSE | 0:43:22 | 0:43:24 | |
Well done, everyone! If you'd like to | 0:43:24 | 0:43:27 | |
join us on the show and have a go in that red chair, you can! | 0:43:27 | 0:43:30 | |
Contact us via our website at this very address! | 0:43:30 | 0:43:34 | |
Thanks to all my guests tonight! | 0:43:34 | 0:43:36 | |
-Adam Lambert! -CHEERING | 0:43:36 | 0:43:38 | |
-Greg Davies! -CHEERING | 0:43:38 | 0:43:40 | |
-Miriam Margolyes! -CHEERING | 0:43:40 | 0:43:43 | |
And here he comes, back to the couch, Mr Will.i.am! | 0:43:43 | 0:43:46 | |
HUGE CHEER | 0:43:46 | 0:43:50 | |
Join me next week, same time, I'll see you then, good night, everybody! Bye-bye! | 0:43:50 | 0:43:54 | |
CHEERING AND APPLAUSE | 0:43:54 | 0:43:57 | |
Subtitles by Red Bee Media Ltd | 0:44:06 | 0:44:09 |