Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
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Hey, we're going '80s rock this week! | 0:00:02 | 0:00:04 | |
Time for a stage dive. | 0:00:04 | 0:00:06 | |
Ow! Oooh! Agh! | 0:00:07 | 0:00:09 | |
Stop it. What are you doing? Agh! OK, careful! | 0:00:09 | 0:00:12 | |
Let me go! Ow! | 0:00:12 | 0:00:14 | |
Let's start the show! | 0:00:14 | 0:00:16 | |
Good evening, everybody! Hello, hello, hello, hello! Oh! | 0:00:37 | 0:00:41 | |
Thank you very much. | 0:00:45 | 0:00:47 | |
Can I, can I just say, some of that touching then was inappropriate. | 0:00:49 | 0:00:54 | |
Hey, listen, what a sexy show we've got for you tonight. | 0:00:54 | 0:00:57 | |
Comic turned Hollywood actor Russell Brand is on the show, ladies and gentleman. | 0:00:57 | 0:01:02 | |
The gorgeous and talented Emily Blunt is here. | 0:01:05 | 0:01:07 | |
And we've got music and chat from Paloma Faith! | 0:01:10 | 0:01:14 | |
Two beautiful women and Russell Brand. | 0:01:17 | 0:01:20 | |
Uh-oh! | 0:01:21 | 0:01:23 | |
Russell has had, shall we say, a colourful life, | 0:01:23 | 0:01:27 | |
and he revealed all in his autobiography My Booky Wook. | 0:01:27 | 0:01:30 | |
A lot of people couldn't resist having a look at the lurid sexual details. | 0:01:30 | 0:01:35 | |
She was checking to see if she is in it. | 0:01:40 | 0:01:43 | |
"Phew, not mentioned." | 0:01:43 | 0:01:44 | |
Over the last few years, Russell's been in so many comedy films, | 0:01:47 | 0:01:50 | |
Get Him To The Greek, Forgetting Sarah Marshall | 0:01:50 | 0:01:52 | |
and, of course, St Trinian's. | 0:01:52 | 0:01:55 | |
Based in a girls' boarding school. That must be tough, mustn't it? | 0:01:55 | 0:01:58 | |
I mean, who'd want to dump their daughter somewhere | 0:01:58 | 0:02:01 | |
and then go home without them? | 0:02:01 | 0:02:02 | |
Yep. Running the country! | 0:02:08 | 0:02:12 | |
Now, Russell's new film Rock Of Ages is all set in the '80s. | 0:02:16 | 0:02:19 | |
Remember those mad groups, the big hair, the crazy dancing, | 0:02:19 | 0:02:23 | |
bands like Motley Crue, | 0:02:23 | 0:02:26 | |
Poison, | 0:02:26 | 0:02:28 | |
The Nolans! | 0:02:28 | 0:02:29 | |
What a shit decade that was. | 0:02:31 | 0:02:34 | |
Emily Blunt is here, star of The Devil Wears Prada, | 0:02:34 | 0:02:37 | |
so many great films. | 0:02:37 | 0:02:38 | |
She lives in LA now, but still British through and through. | 0:02:38 | 0:02:41 | |
Despite the weather, she's really enjoying being back in the country. | 0:02:41 | 0:02:45 | |
Yeah, she's been watching the tennis at Queens. | 0:02:45 | 0:02:48 | |
She went for a lovely walk along the beach. | 0:02:49 | 0:02:52 | |
And she even found time to go to a music festival. | 0:02:52 | 0:02:54 | |
Let's get some guests on! | 0:02:57 | 0:02:59 | |
You've got to have faith, it's Paloma Faith! | 0:03:00 | 0:03:03 | |
Oh, oh! | 0:03:05 | 0:03:06 | |
Beautiful! Look at you! | 0:03:06 | 0:03:09 | |
Oh! Mwah and mwah! | 0:03:09 | 0:03:11 | |
-Sit yourself down, you shiny creature! -Thank you. | 0:03:11 | 0:03:14 | |
He's my favourite guesty-west, it's Russell Brand! | 0:03:14 | 0:03:16 | |
Oh! Hello! | 0:03:16 | 0:03:18 | |
-Very nice to see you. Have a seat. -Hello. | 0:03:21 | 0:03:24 | |
And to put it bluntly, I love this woman - it is Emily Blunt! | 0:03:24 | 0:03:29 | |
Hello, darling. So nice to see you again. | 0:03:31 | 0:03:34 | |
Nice to be here. | 0:03:34 | 0:03:36 | |
Oh, what a lovely couch! Yes. And remain calm, Russell. | 0:03:42 | 0:03:47 | |
I'm very comfortable here on this banquette. | 0:03:47 | 0:03:52 | |
Now, you both have been on the show before. | 0:03:52 | 0:03:55 | |
-Paloma - your first time on the show. -Yeah, I'm a show virgin. | 0:03:55 | 0:03:58 | |
Aw! So will your family all be watching? | 0:03:58 | 0:04:01 | |
Actually, my mum said she's not going to watch cos she goes, | 0:04:01 | 0:04:04 | |
"You and Russell Brand, | 0:04:04 | 0:04:07 | |
"you are going to offend a large portion of society together. | 0:04:07 | 0:04:11 | |
"And it's not a good combo, and I can't bear to watch for my nerves." | 0:04:11 | 0:04:15 | |
She can't have watched much of Emily Blunt's stuff, then, cos she'd know that this is the real risk. | 0:04:17 | 0:04:23 | |
I've just offended Russell backstage cos his pants were falling down | 0:04:23 | 0:04:27 | |
and one of his nice women who was with him - I'm not saying he's got a harem - | 0:04:27 | 0:04:31 | |
but there's a nice lady who's probably looking after you and your clothes and... | 0:04:31 | 0:04:35 | |
No, it's part of the harem. | 0:04:35 | 0:04:37 | |
and she whispered to him, "Pull your pants up," cos they were coming down." | 0:04:37 | 0:04:41 | |
He pulled them up and then I said, "Do your belt up tighter," | 0:04:41 | 0:04:44 | |
and he ripped the Velcro on his sash, | 0:04:44 | 0:04:46 | |
and I said, "Wow! A Velcro sash," | 0:04:46 | 0:04:48 | |
and he thought I was being rude, but I was really saying, "Wow, that is amazing!" | 0:04:48 | 0:04:52 | |
-What do you know about sashes? -I used to wear sashes. | 0:04:52 | 0:04:55 | |
Pffft! | 0:04:55 | 0:04:56 | |
Was that in the early '90s? | 0:04:58 | 0:05:00 | |
Yeah, my favourite outfit was white jeans, with a sash, a purple sash, | 0:05:00 | 0:05:05 | |
a waistcoat and a white polo neck. | 0:05:05 | 0:05:07 | |
-Lovely! -You should have been more supportive of my sash, then! | 0:05:07 | 0:05:11 | |
I know, I really made a mistake. | 0:05:11 | 0:05:14 | |
-Emily, have you gone a bit LA? -Me? | 0:05:14 | 0:05:16 | |
Yes. Don't you play golf now? | 0:05:16 | 0:05:18 | |
-Well, I played it sort of five times. -That's a lot! | 0:05:18 | 0:05:21 | |
-Does that make me an avid golfer? -Yes! | 0:05:21 | 0:05:24 | |
I quite like it. I really like kind of whizzing around on the cart with beers in the back! | 0:05:24 | 0:05:29 | |
-Oh, OK. -That's the fun part. -OK, yeah, that sounds fun. | 0:05:29 | 0:05:32 | |
Now, this is very... I love how kind of California this is. | 0:05:32 | 0:05:35 | |
You swim with dolphins? | 0:05:35 | 0:05:37 | |
No. Well, I have taken up the hobby of scuba diving, which I really, really enjoy. | 0:05:37 | 0:05:43 | |
Um, I've been shark diving which was kind of amazing, | 0:05:43 | 0:05:46 | |
although I had a real close encounter with a shark. | 0:05:46 | 0:05:49 | |
-A little shark? -It wasn't, it was about six feet. -Did it eat people? | 0:05:49 | 0:05:53 | |
-Was it that type? -Well, it wasn't but... Why are you trying to diminish my story?! | 0:05:53 | 0:05:57 | |
Right, it's just a type of fish. | 0:05:57 | 0:05:59 | |
-You went near a fish. -Let me tell the story. -People do that... | 0:05:59 | 0:06:02 | |
-That's your story, I was near a fish once. -Let me tell it. | 0:06:02 | 0:06:06 | |
It could have eaten your hand. It could have eaten your hand. | 0:06:06 | 0:06:09 | |
Don't clap him! | 0:06:09 | 0:06:11 | |
Thank you. I love you. | 0:06:11 | 0:06:13 | |
I am one of you. I am here for you. | 0:06:13 | 0:06:16 | |
I am going to just shit on all of your stories. | 0:06:16 | 0:06:19 | |
Don't you have rules for swimming with dolphins? | 0:06:19 | 0:06:22 | |
With dolphins? I heard that you're not supposed to touch a dolphin, | 0:06:22 | 0:06:26 | |
-unless they come to you and offer themselves for a rubdown. -Oh! | 0:06:26 | 0:06:31 | |
-Expose themselves! -You're not supposed to touch them. -Why? | 0:06:31 | 0:06:35 | |
Because dolphins mate for life and if you touch one of them, | 0:06:35 | 0:06:38 | |
the other one can smell your touch on them, | 0:06:38 | 0:06:40 | |
and they think that they've cheated on them, | 0:06:40 | 0:06:42 | |
and you can break up a dolphin marriage. | 0:06:42 | 0:06:44 | |
That is true. That is fact. | 0:06:44 | 0:06:46 | |
I know. I'm going to have to phone up SeaWorld directly. | 0:06:46 | 0:06:49 | |
I've been down one's blowhole. | 0:06:49 | 0:06:51 | |
Well, Paloma Faith, she's had a dolphin orgy, if that's the case. | 0:06:53 | 0:06:57 | |
Yeah, I reckon I've broken up a few dolphin marriages. | 0:06:57 | 0:07:01 | |
Why, what did you do? | 0:07:01 | 0:07:03 | |
I went to Cuba and I was in a situation where they were like, | 0:07:03 | 0:07:06 | |
"Do you want to swim with dolphins?" | 0:07:06 | 0:07:08 | |
and they actually taught me how to sort of be lifted up on the nose of two dolphins. | 0:07:08 | 0:07:15 | |
What, with your foot on each nose? | 0:07:15 | 0:07:17 | |
If you think she's making this up, somebody filmed it. | 0:07:17 | 0:07:20 | |
-That's a good story. -Oh, shut up. | 0:07:20 | 0:07:22 | |
-We've got the footage. -Not, "Oh, I was near a fish once." | 0:07:22 | 0:07:25 | |
She stood up on two dolphins. | 0:07:25 | 0:07:27 | |
It was a shark. It came like that to me. That's not nice. | 0:07:27 | 0:07:33 | |
Let's have a look at this. This is brilliant, this. | 0:07:33 | 0:07:36 | |
Nice work! I'm well into this. | 0:07:36 | 0:07:38 | |
-Now look, that's Paloma. -Oh, brilliant! | 0:07:38 | 0:07:40 | |
It's not great to begin with, I'll give you that. | 0:07:40 | 0:07:42 | |
It does look like a woman in the water. | 0:07:42 | 0:07:44 | |
-Now watch this. -Wow! | 0:07:44 | 0:07:47 | |
-Wow! -Isn't that good? | 0:07:47 | 0:07:50 | |
That's amazing! | 0:07:50 | 0:07:53 | |
-What a great story! -No, that is amazing. | 0:07:53 | 0:07:56 | |
-Oh, brilliant! Well done. -Oh... | 0:07:56 | 0:07:59 | |
Emily, have you got footage of you near that fish? | 0:07:59 | 0:08:02 | |
I hate your sash! | 0:08:05 | 0:08:07 | |
Emily Blunt, Emily Blunt, worry not, | 0:08:07 | 0:08:10 | |
we're going to big you up because your new movie, | 0:08:10 | 0:08:13 | |
-The Five-Year Engagement - out next Friday. -Yes. | 0:08:13 | 0:08:16 | |
It's from the people who made Forgetting Sarah Marshall... | 0:08:16 | 0:08:19 | |
Or that shite film Get Him To The Greek, yeah. | 0:08:19 | 0:08:21 | |
That's not very nice. Dear, oh, dear. | 0:08:21 | 0:08:24 | |
I'm just kidding. I'm just kidding. | 0:08:24 | 0:08:26 | |
So, basically, it is what you think it's going to be. | 0:08:26 | 0:08:30 | |
It's a rom-com but it's got big belly laughs, big physical laughs. | 0:08:30 | 0:08:33 | |
Yes, it has. Well, I hope so anyway. | 0:08:33 | 0:08:35 | |
-No, it does. I've seen it. -Oh, good, I'm glad. | 0:08:35 | 0:08:38 | |
-So it's a five-year engagement and you obviously play the lady. -Yes, I do. | 0:08:38 | 0:08:42 | |
Stretch, was it? | 0:08:42 | 0:08:44 | |
Why are you so against me? | 0:08:46 | 0:08:47 | |
We've had nice encounters, it's all going wrong. | 0:08:47 | 0:08:51 | |
You started all this sash stuff, didn't you, out there? | 0:08:51 | 0:08:55 | |
I do this for a living! | 0:08:55 | 0:08:56 | |
-So, it's you and Jason Segel? -Yes. Yes. | 0:08:58 | 0:09:02 | |
And what's nice is that you do seem like a nice couple in the film. | 0:09:02 | 0:09:05 | |
Well, we're friends, which I think really helps cos we sort of have | 0:09:05 | 0:09:09 | |
a shorthand and a natural warmth, I guess, with each other | 0:09:09 | 0:09:12 | |
and that translates onscreen, hopefully. | 0:09:12 | 0:09:15 | |
You say you're friends, but he wrote this specifically for you, no? | 0:09:15 | 0:09:18 | |
-Yes, he did, yeah. -Is that not a bit creepy? | 0:09:18 | 0:09:21 | |
No, I thought it was flattering. | 0:09:21 | 0:09:22 | |
But he wrote lots of kind of sex scenes and kissing scenes for him. | 0:09:22 | 0:09:26 | |
-But none of them are very sexy. I mean, there's, like, a... -There's a lot of humping! | 0:09:26 | 0:09:31 | |
Yeah, but none of it's very, like, "ooh" and "aah", "my God", | 0:09:31 | 0:09:33 | |
like, Emily's husband must be so threatened. | 0:09:33 | 0:09:35 | |
Like, some of it is really bad... It's, like, bad sex. | 0:09:35 | 0:09:39 | |
-Yeah, there is a lot of bad sex in it. -Bad sex. -Yes. | 0:09:39 | 0:09:41 | |
And what's the thing with... | 0:09:41 | 0:09:43 | |
Apparently the producer had a problem with the way you said "condom". | 0:09:43 | 0:09:47 | |
Yeah, cos, like, what do they say in America? | 0:09:47 | 0:09:50 | |
-"CONN-dum". -"CONN-dum". | 0:09:50 | 0:09:53 | |
And I obviously say condom, like any normal person, | 0:09:53 | 0:09:57 | |
and it was a real problem, so I had to say "CONN-dum". | 0:09:57 | 0:10:00 | |
But you were doing Cookie Monster's voice at the time? | 0:10:00 | 0:10:03 | |
-Oh, yes, and my Cookie Monster is not great. I tend to go a bit... -I thought it was excellent. | 0:10:03 | 0:10:07 | |
Really? I felt I went a bit Transylvanian with it. It was a bit odd. | 0:10:07 | 0:10:10 | |
-Can you do a little? -Do you want me to do the condom line? | 0:10:10 | 0:10:14 | |
Don't say anything. | 0:10:14 | 0:10:17 | |
I fully support you, Blunt. You're lovely. | 0:10:17 | 0:10:20 | |
-PASSABLE COOKIE MONSTER VOICE: -C is for condom, it's good enough for me. | 0:10:20 | 0:10:24 | |
That is good. | 0:10:24 | 0:10:25 | |
Oh, I got a smirk out of you! OK. | 0:10:25 | 0:10:28 | |
Now, The Five-Year Engagement opens next Friday. We've got a clip. | 0:10:28 | 0:10:33 | |
This is you and Jason. You've made him move to Michigan... | 0:10:33 | 0:10:36 | |
-Yes. -..which is cold. -Very. | 0:10:36 | 0:10:39 | |
-And you're trying to cheer him up. -OK. | 0:10:39 | 0:10:42 | |
That snow looks nice. | 0:10:42 | 0:10:44 | |
It's fine, yeah. It's fine. | 0:10:44 | 0:10:46 | |
Do you want to roll around with me in it and get weird? | 0:10:46 | 0:10:48 | |
-You mean, like...? -Yeah, no-one's around. Let's get into Michigan life! | 0:10:48 | 0:10:53 | |
OK, it sounds great, it does. There is one issue. | 0:10:53 | 0:10:56 | |
-What? -It's very cold out. -So what? | 0:10:56 | 0:10:58 | |
My penis is going to look super-small for a second. | 0:10:58 | 0:11:01 | |
-I've seen your penis every single way. -Not this small. | 0:11:01 | 0:11:04 | |
Take your pants off. Let's do it. | 0:11:04 | 0:11:06 | |
-It's going to look like a baby's dick. -OK, you're ruining the moment. | 0:11:06 | 0:11:09 | |
-I'm just going to cut you off right now. -A baby dick. | 0:11:09 | 0:11:12 | |
OK. Woo! | 0:11:12 | 0:11:13 | |
Hee-hee! Come on, it's so nice. | 0:11:13 | 0:11:16 | |
-Do it! -Woah! | 0:11:16 | 0:11:18 | |
-Ohhh! Agh! -What? | 0:11:18 | 0:11:19 | |
-I hurt my hip. -Oh, my God. -I landed on something. | 0:11:19 | 0:11:21 | |
-Oh, it's a fire hydrant. -It's a fire hydrant. | 0:11:21 | 0:11:25 | |
Poor old grandpa! | 0:11:25 | 0:11:27 | |
-God! Can you just say, "My hip, my hip, my hip"? -Yes, you did. | 0:11:27 | 0:11:31 | |
Sorry, babe. | 0:11:31 | 0:11:34 | |
You had all those kisses. | 0:11:36 | 0:11:37 | |
-And then I kiss you some more. -Yeah, exactly. | 0:11:42 | 0:11:45 | |
Now, in terms of engagements, five years - is that a long engagement? | 0:11:45 | 0:11:50 | |
I feel like a lot could go wrong in a five-year engagement, | 0:11:50 | 0:11:53 | |
you know what I mean? | 0:11:53 | 0:11:54 | |
I'd dump him if it was five years. It'd be like, "Get on with it!" | 0:11:54 | 0:11:57 | |
I feel like after two, you should get another ring, or something. | 0:11:57 | 0:12:01 | |
What, just, like, stacking them up? | 0:12:01 | 0:12:04 | |
Up to there. | 0:12:04 | 0:12:05 | |
-How long were you engaged for? -Just a year. | 0:12:05 | 0:12:08 | |
See, that already seems quite a long time. | 0:12:08 | 0:12:11 | |
Well, it's not really, as you're trying to plan it and then it's schedules and all that. | 0:12:11 | 0:12:15 | |
Are you more of a sort of 'just go to Vegas and get it done' type guy? | 0:12:15 | 0:12:19 | |
You make it sound like a tattoo. | 0:12:19 | 0:12:21 | |
It is in some cases. | 0:12:21 | 0:12:24 | |
Hey! | 0:12:29 | 0:12:30 | |
-Right. You're all right for the rest of the show! -No, it's too late. | 0:12:34 | 0:12:38 | |
Let's start with this dress. | 0:12:39 | 0:12:42 | |
She's bowled out here with a bagel on her head. | 0:12:45 | 0:12:48 | |
Starts... Listen, you sit there and keep calm, young lady. | 0:12:49 | 0:12:53 | |
Too much water, you've had! | 0:12:53 | 0:12:55 | |
Now, listen, in terms of engagements, | 0:12:55 | 0:12:59 | |
we know that there's an engaged couple in the audience, right. | 0:12:59 | 0:13:03 | |
So we thought we might try and spot them. | 0:13:03 | 0:13:07 | |
Essentially, I think we're looking for a smug woman and a worried man. | 0:13:07 | 0:13:11 | |
So, let's see if we can spot the couples. | 0:13:11 | 0:13:15 | |
Hang on, let's see. So... | 0:13:15 | 0:13:17 | |
Lots of la... Oh, look, they're holding hands! | 0:13:17 | 0:13:20 | |
Er, couple-y... You.. | 0:13:22 | 0:13:24 | |
Oh, is that, is that the...? Or is that the...? | 0:13:24 | 0:13:27 | |
Well, I don't know, it's 2012. | 0:13:27 | 0:13:30 | |
Are you by yourself? Are you with them? | 0:13:30 | 0:13:32 | |
-Er, no, I'm not. -You're just sat here? | 0:13:32 | 0:13:34 | |
-I'm just sat here. -OK. | 0:13:34 | 0:13:36 | |
Well, you know, it's a nice jumper. | 0:13:39 | 0:13:42 | |
-So, you're together? -Yes, we are. | 0:13:42 | 0:13:45 | |
-But you're not engaged, are you? -No. | 0:13:45 | 0:13:47 | |
-You're too young, you're children. How long have you been together? -Seven months. | 0:13:47 | 0:13:52 | |
Awww! They're happy. | 0:13:52 | 0:13:55 | |
Couple? Couple?! | 0:13:58 | 0:14:00 | |
-I wish, but no. -Awww! | 0:14:00 | 0:14:02 | |
How long have you been "friends"? | 0:14:12 | 0:14:14 | |
About a year? About a year, yeah. | 0:14:15 | 0:14:17 | |
Well, you could get very drunk tonight. | 0:14:17 | 0:14:19 | |
-What's your name? -Juan. -Matthew. | 0:14:24 | 0:14:27 | |
Yeah, that won't work. | 0:14:27 | 0:14:28 | |
Well, you couldn't say, "Juan and Matthew are coming for dinner." | 0:14:28 | 0:14:32 | |
OK, er, possibly. Stand up, the two of you. | 0:14:32 | 0:14:36 | |
-Go. OK. What do you think, sofa? -Nice dress! | 0:14:36 | 0:14:40 | |
Oh, look, it's very jubilee. | 0:14:40 | 0:14:43 | |
What do you reckon, a couple? | 0:14:43 | 0:14:47 | |
Yeah, possibly. | 0:14:47 | 0:14:48 | |
-Let's try names. What's your name? -Christina. -Mark. | 0:14:48 | 0:14:52 | |
-They could be, Christina and Mark. -Yeah, I reckon. -Yeah. | 0:14:52 | 0:14:55 | |
-Are you a couple? -BOTH: No. | 0:14:55 | 0:14:56 | |
-Do you know each other? -Yes, I'm her dad. | 0:14:58 | 0:15:01 | |
-Do you have a boyfriend? -Yes. | 0:15:11 | 0:15:13 | |
-Is he here? -Yes. | 0:15:13 | 0:15:15 | |
-Is he the next one? -Yes. -Oh, stand up, boyfriend. | 0:15:15 | 0:15:18 | |
-You're her fiance. -Right. -You are engaged! | 0:15:20 | 0:15:23 | |
And when are you getting married? | 0:15:25 | 0:15:27 | |
-Next year, maybe. -Next year, maybe. | 0:15:27 | 0:15:30 | |
-When did you get engaged? -Christmas Day last year. | 0:15:30 | 0:15:34 | |
Aw, that's lovely. | 0:15:34 | 0:15:36 | |
Quite a cheap gift, but, er lovely. | 0:15:36 | 0:15:39 | |
Where did you meet? | 0:15:39 | 0:15:41 | |
We met actually on Chatroulette two years ago. | 0:15:41 | 0:15:44 | |
Wow. | 0:15:48 | 0:15:50 | |
Er, OK. | 0:15:50 | 0:15:51 | |
Do you live here? | 0:15:53 | 0:15:54 | |
-I'm from Austria. -You're from Austria? -Yeah, right. -OK. | 0:15:54 | 0:15:58 | |
Christina's dad... | 0:15:58 | 0:15:59 | |
-She's engaged to be married to a man she met on the internet from Austria... -Yeah. | 0:16:01 | 0:16:05 | |
Bad father! | 0:16:05 | 0:16:07 | |
No, you look like a lovely couple | 0:16:07 | 0:16:09 | |
and, next year, you're getting married? | 0:16:09 | 0:16:11 | |
-Yeah. -All right. Well, a long and happy life to you both. | 0:16:11 | 0:16:14 | |
Excellent. Well done, all the people. Very good. OK, now... | 0:16:14 | 0:16:18 | |
Russell Brand, your new movie Rock Of Ages is open tonight and it's a huge musical. | 0:16:24 | 0:16:28 | |
It's been on Broadway, been on the West End. | 0:16:28 | 0:16:30 | |
Is it fair to call it a kind of '80s rock Mamma Mia? | 0:16:30 | 0:16:34 | |
Is that a fair way...? | 0:16:34 | 0:16:36 | |
You can describe it in any terms you want. What it is, is it's a film. | 0:16:36 | 0:16:40 | |
It's, I think, £10. | 0:16:40 | 0:16:42 | |
You can watch the film for that amount of money. | 0:16:42 | 0:16:47 | |
-In the film, there is Tom Cruise. -Oh! | 0:16:47 | 0:16:49 | |
In the film, people sing merry, jolly songs. | 0:16:49 | 0:16:53 | |
-It's an enjoyable experience. -It is. | 0:16:53 | 0:16:55 | |
-I'm here to promote it. -Yeah! | 0:16:55 | 0:16:58 | |
Yeah, it's a perfectly good film. | 0:16:58 | 0:17:00 | |
I mean, it may not solve the inner torment and angst that | 0:17:00 | 0:17:03 | |
you go through as a human soul, | 0:17:03 | 0:17:05 | |
but it's certainly a lovely distraction. | 0:17:05 | 0:17:07 | |
There's glitter, there's sequins, there's Alec Baldwin. | 0:17:07 | 0:17:11 | |
There's one scene that's got a baboon in it. | 0:17:11 | 0:17:15 | |
A baboon that was not in the original script. | 0:17:15 | 0:17:18 | |
A baboon that materialised at the behest of Tom Cruise. | 0:17:18 | 0:17:22 | |
-Did he buy it? -He never bought it... -Did he ask for it? | 0:17:23 | 0:17:26 | |
Yeah, he said, "Wouldn't it be good if my character had a baboon?" | 0:17:26 | 0:17:30 | |
And cos no-one's said no to Tom Cruise since about 1985, | 0:17:30 | 0:17:33 | |
a baboon came. | 0:17:33 | 0:17:35 | |
They're vicious, baboons, aren't they? | 0:17:35 | 0:17:37 | |
The baboon, in my opinion, is not a charming animal. | 0:17:37 | 0:17:41 | |
What it is, is it's an aggressive little thing. | 0:17:43 | 0:17:47 | |
It's like, say, a chimp. | 0:17:47 | 0:17:49 | |
I love a chimp - a delightful little thing, friendly, affable, | 0:17:49 | 0:17:53 | |
but a baboon - it looks forever on the precipice of doing something aggressive. | 0:17:53 | 0:17:57 | |
They dressed it up in clothes, they sellotaped a nappy on it. | 0:17:57 | 0:18:00 | |
It didn't like that. | 0:18:00 | 0:18:02 | |
When it got too wound up, it had a trailer what had three girl baboons in it. | 0:18:02 | 0:18:06 | |
-No! -Yeah, and I goes, "I've got a problem with that." | 0:18:06 | 0:18:09 | |
And they goes, "What, are you jealous?" | 0:18:09 | 0:18:12 | |
I said, "I don't have sex with baboons." | 0:18:12 | 0:18:14 | |
"But yes." | 0:18:14 | 0:18:16 | |
You've been on record about how lovely Tom Cruise was to work with. | 0:18:18 | 0:18:22 | |
-I mean, he was a really nice, generous... -He's kind. -Mm. | 0:18:22 | 0:18:25 | |
Like, Tom Cruise - people are mean about him, I think, for their entertainment, | 0:18:25 | 0:18:29 | |
but what it is, when you meet him, he'll remember you... | 0:18:29 | 0:18:31 | |
-There he is, look. That's Tom Cruise dressed up. -In the film. | 0:18:31 | 0:18:35 | |
-He's pretending to be someone else for money. -Yeah. | 0:18:35 | 0:18:37 | |
He's kind and it was my birthday during the film. | 0:18:37 | 0:18:40 | |
He bought me stuff. He found out, "Oh, you like yoga, do you? | 0:18:40 | 0:18:44 | |
"Here is a yoga mat." | 0:18:44 | 0:18:45 | |
He's really nice. He's really kind. | 0:18:45 | 0:18:47 | |
Yeah, that happened, that exchange. I recreated it. | 0:18:47 | 0:18:51 | |
That was a verbal photograph. | 0:18:51 | 0:18:52 | |
Because you're working with Tom Cruise. | 0:18:52 | 0:18:55 | |
-Isn't that the next film you're doing? -Yeah, I start it in the autumn. | 0:18:55 | 0:18:58 | |
-Are they filming that here? -They are, yes. | 0:18:58 | 0:19:00 | |
-What is it? -It's called All You Need Is Kill, | 0:19:00 | 0:19:03 | |
and there's lots of killing. And I do a lot of killing. | 0:19:03 | 0:19:06 | |
-But you haven't done anything like that before? -No, I haven't. | 0:19:06 | 0:19:08 | |
I have to learn to be one of the best soldiers alive, which is hilarious. | 0:19:08 | 0:19:13 | |
-But I'm going to try. -Yeah! Give it a go. | 0:19:13 | 0:19:15 | |
So I have to train all summer. | 0:19:15 | 0:19:16 | |
I'm learning all these martial arts and stuff. | 0:19:16 | 0:19:19 | |
It's pretty cool, actually. | 0:19:19 | 0:19:20 | |
And I met Tom for a table read and he's impossibly nice, isn't he? | 0:19:20 | 0:19:24 | |
He is really kind and fun. | 0:19:24 | 0:19:25 | |
In the table read for this film, he turned up, the film I just done... | 0:19:25 | 0:19:28 | |
He come to the table read, and that just means, you know... | 0:19:28 | 0:19:31 | |
It's called a table read. | 0:19:31 | 0:19:32 | |
There's a table, there's some reading. That's all that happens. | 0:19:32 | 0:19:35 | |
He came fully dressed up in that clobber, dolled up as a rock star, | 0:19:35 | 0:19:39 | |
with five people and a band and that. | 0:19:39 | 0:19:41 | |
'Kin' hell! I hadn't even read the script yet. | 0:19:41 | 0:19:44 | |
He really did? That's amazing. | 0:19:44 | 0:19:46 | |
He looked amazing. It's like he come there as the person. | 0:19:46 | 0:19:49 | |
We've got a clip of Rock Of Ages. | 0:19:49 | 0:19:51 | |
This is a kind of sing-off between the conservative housewives | 0:19:51 | 0:19:54 | |
and the rockers of Hollywood, led by you. | 0:19:54 | 0:19:56 | |
As you can see, this club is totally out of control but, Mitch, | 0:19:56 | 0:19:59 | |
this ends tonight. | 0:19:59 | 0:20:01 | |
Hey, you! Why are you so uptight? | 0:20:01 | 0:20:05 | |
You lot need to feel the wind of change, blow the cobwebs out. | 0:20:05 | 0:20:10 | |
We built this city on rock and roll, right? | 0:20:10 | 0:20:12 | |
Yeah, we did. | 0:20:12 | 0:20:14 | |
# We built this city... # | 0:20:14 | 0:20:15 | |
My grandfather's father built this city. | 0:20:15 | 0:20:18 | |
# We built this city on rock and roll | 0:20:18 | 0:20:20 | |
# We built this city... # | 0:20:20 | 0:20:22 | |
How dare you?! | 0:20:22 | 0:20:24 | |
# We built this city on rock and roll | 0:20:24 | 0:20:29 | |
# Who counts the money underneath the bar? | 0:20:29 | 0:20:35 | |
# Who rocked the wrecking ball into our guitars? | 0:20:35 | 0:20:41 | |
# Don't tell us you need us... # | 0:20:41 | 0:20:43 | |
Wash you mouth out with soap! | 0:20:43 | 0:20:44 | |
# Cos we're the ship of fools | 0:20:44 | 0:20:47 | |
# Looking for America | 0:20:47 | 0:20:51 | |
# Crawling through your schools | 0:20:51 | 0:20:54 | |
-# We're not going to take it -# We built this city | 0:20:54 | 0:20:57 | |
-# No, we ain't gonna take it -# We built this city | 0:20:57 | 0:21:00 | |
# We're not gonna take it any more | 0:21:00 | 0:21:03 | |
# We built this city on rock and roll. # | 0:21:03 | 0:21:07 | |
That is awesome! | 0:21:07 | 0:21:08 | |
You do a lot of singing. A lot of singing. | 0:21:11 | 0:21:14 | |
Did the whole... cos, you know, we've heard you sing before, | 0:21:14 | 0:21:16 | |
but I don't think I've ever heard Alec Baldwin sing or Tom Cruise. | 0:21:16 | 0:21:20 | |
Did you all have big musical rehearsals, singing teaching? | 0:21:20 | 0:21:23 | |
Yeah, you have to have singing lessons off this bloke Ron. | 0:21:23 | 0:21:28 | |
Ron - he's kind of, like, tubby and he's got a very neat... | 0:21:28 | 0:21:31 | |
He looks a lot like Pavarotti but with a very neat, white beard. | 0:21:31 | 0:21:35 | |
Imagine Pavarotti but all his hair white. | 0:21:35 | 0:21:37 | |
He's one of those people you think, "This bloke is definitely gay," | 0:21:37 | 0:21:40 | |
cos he's like, "Hello, it's nice to meet you. Time for the singing lesson. | 0:21:40 | 0:21:45 | |
And then all of a sudden, he goes, "This is my wife," | 0:21:45 | 0:21:48 | |
and you go, "Pffft! Leave it out." | 0:21:48 | 0:21:50 | |
"What's your wife's name? Dave?" | 0:21:50 | 0:21:53 | |
But it turns out he's got a wife and everything. | 0:21:53 | 0:21:56 | |
He taught everyone to sing. Me, Baldwin, Tom Cruise, everyone. | 0:21:56 | 0:22:00 | |
He taught everyone singing and, like, he's got a lovely manner with him. | 0:22:00 | 0:22:04 | |
The way he teaches you to sing is by resonating out of different cavities in your head. | 0:22:04 | 0:22:07 | |
That's how you have to do it. Mouth - that's a cavity in your head. | 0:22:07 | 0:22:11 | |
Well, I've probably overcomplicated it. | 0:22:11 | 0:22:13 | |
But he'll go to you, "For this line, sing it a bit like this..." | 0:22:13 | 0:22:17 | |
"Wah, wah, wah, wah, wah, wahhh." | 0:22:17 | 0:22:19 | |
And then you sort of go, "Wah, wah, wah, wah, wah, wahhh." | 0:22:19 | 0:22:22 | |
He goes, "No, no. More like a baby, like an angry baby." | 0:22:22 | 0:22:26 | |
"Wahhh, wahhh, wahhh, wahhh!" | 0:22:26 | 0:22:29 | |
Then you have to do it a bit more like that. | 0:22:29 | 0:22:31 | |
And it has no attachment to the actual language that you are saying. | 0:22:31 | 0:22:34 | |
In that film Get Him To The Greek you coated off earlier with a right stab in the back... | 0:22:34 | 0:22:38 | |
I actually liked that film. | 0:22:38 | 0:22:40 | |
No, I liked it. | 0:22:40 | 0:22:42 | |
When I had to sing the word blowjob in this song in Get Him To The Greek, | 0:22:42 | 0:22:46 | |
where it goes "All of these blowjobs in limousines." | 0:22:46 | 0:22:49 | |
He said, "No, no, it's not blowjobs. It's blowjobbbs!" | 0:22:49 | 0:22:53 | |
Blowjobbbs! | 0:22:53 | 0:22:55 | |
It's like he had no relationship with the concept that blowjob is a funny word to sing. | 0:22:55 | 0:23:01 | |
Blowjobbbs! | 0:23:01 | 0:23:03 | |
Do you, like, now when you meet girls, go, "I want a blowjobbb"? | 0:23:03 | 0:23:08 | |
I don't want to undermine the event of a blowjob. | 0:23:08 | 0:23:12 | |
Do you think that the blowjob bit can be in the programme? | 0:23:15 | 0:23:18 | |
-That's my main concern now. -Yes. -Blowjobbb! | 0:23:18 | 0:23:20 | |
No, I think that's in. | 0:23:20 | 0:23:22 | |
It will definitely be if we keep putting it into other segments. | 0:23:22 | 0:23:25 | |
Keep mentioning it at important moments. | 0:23:25 | 0:23:27 | |
I'll have it in my integral bit. | 0:23:27 | 0:23:29 | |
Coming up next, Paloma will be singing "Blowjobbb". | 0:23:29 | 0:23:34 | |
It's Paloma "Blowjobbb" Faith. | 0:23:34 | 0:23:36 | |
It'll be in, but... | 0:23:36 | 0:23:38 | |
So, you know! | 0:23:38 | 0:23:39 | |
Sorry. | 0:23:46 | 0:23:47 | |
Everyone's talking. Everyone's talking. | 0:23:47 | 0:23:49 | |
Blowjob faith is something every man must have! | 0:23:49 | 0:23:54 | |
Let's face it, it could go wrong. | 0:23:54 | 0:23:56 | |
In terms of singing teachers and going out there, | 0:23:56 | 0:23:59 | |
and trying to prove you can sing, presumably when you start out, | 0:23:59 | 0:24:03 | |
-you have to do those showcases, don't you? -Mm. | 0:24:03 | 0:24:05 | |
Yeah. Was there a showcase where you put on a fake belly? | 0:24:05 | 0:24:08 | |
Well, I was... In the early days... | 0:24:08 | 0:24:11 | |
-Yes? -I had to do a showcase for, like, the record label | 0:24:11 | 0:24:14 | |
and I was really into prosthetics back then, | 0:24:14 | 0:24:17 | |
because I'd been a bit of an art school student, you know. | 0:24:17 | 0:24:21 | |
You get rigged up with blood bags and all that. | 0:24:21 | 0:24:24 | |
And I was showcasing my songs... | 0:24:24 | 0:24:27 | |
Not everyone does that, by the way. | 0:24:27 | 0:24:30 | |
"You get rigged up with blood bags." People don't just all nod. | 0:24:30 | 0:24:34 | |
Yeah, you know! | 0:24:34 | 0:24:35 | |
Your mum's going, "Thank f... I didn't watch this programme." | 0:24:35 | 0:24:39 | |
"Is she doing the blood bag anecdote?" Yes. | 0:24:39 | 0:24:42 | |
She likes all that. She likes to think of herself as a bit arty. | 0:24:42 | 0:24:45 | |
But, yeah, so I was sort of on stage showcasing my songs and I had, like, | 0:24:45 | 0:24:50 | |
a prosthetic belly and I slashed it open | 0:24:50 | 0:24:55 | |
in a song about the death of my childhood. | 0:24:55 | 0:24:59 | |
Yes, of course. | 0:24:59 | 0:25:01 | |
And then afterwards I got off stage and they were like, | 0:25:01 | 0:25:04 | |
"We think you've got a great voice, | 0:25:04 | 0:25:07 | |
"but you've got to ditch the prosthesis." | 0:25:07 | 0:25:10 | |
Well, what came out? A lot of blood? | 0:25:10 | 0:25:13 | |
Yeah, it was like... Well, I've done it before when I had fish come out. | 0:25:13 | 0:25:17 | |
Done it before when... | 0:25:17 | 0:25:20 | |
There you are, you'll like this story. | 0:25:20 | 0:25:23 | |
It was a different sort of fish, actually. | 0:25:27 | 0:25:30 | |
They were bought out of Dalston market. It wasn't as glamorous as LA. | 0:25:30 | 0:25:33 | |
Yeah, I'm talking about the shark. | 0:25:33 | 0:25:35 | |
She slashed it out of her belly. It didn't just go nearby her, by coincidence. | 0:25:35 | 0:25:40 | |
-I could have been slashed by it! -I don't think so. -All right. | 0:25:40 | 0:25:43 | |
Going back to the rock and roll thing, | 0:25:43 | 0:25:45 | |
the first time you played a rocker was in Forgetting Sarah Marshall. | 0:25:45 | 0:25:48 | |
Now, you looked the part but you did have to do quite challenging things. | 0:25:48 | 0:25:52 | |
You had to surf and you had never horse-ridden before. | 0:25:52 | 0:25:55 | |
It was a horrible experience and Jason Segel wrote that part as well. | 0:25:55 | 0:25:59 | |
He's like some cackling Dr Death figure. | 0:25:59 | 0:26:02 | |
HE CACKLES | 0:26:02 | 0:26:04 | |
I had to do surfing. I'm no good at that. | 0:26:04 | 0:26:06 | |
That's basically standing up on top of water. | 0:26:06 | 0:26:09 | |
Even Jesus only done it once. | 0:26:09 | 0:26:11 | |
Horse riding - that's too hard. | 0:26:13 | 0:26:15 | |
The horse don't want you on it. That becomes pretty clear. | 0:26:15 | 0:26:18 | |
IMITATES A HORSE | 0:26:18 | 0:26:19 | |
It was right wound up, mine was. It did a weird laying-down thing. | 0:26:19 | 0:26:23 | |
They go, "Russell, you are in charge of that horse. Make sure it knows you're in charge of it." | 0:26:23 | 0:26:27 | |
"How?" "Kicking it." I go, "I ain't kicking it, he's a lovely horse." | 0:26:27 | 0:26:31 | |
They go, "You've got to show it you're the boss." | 0:26:31 | 0:26:33 | |
I go, "How am I the boss? Look at the size of the bloody thing!" | 0:26:33 | 0:26:37 | |
He goes, "Make it stop when we get to this mark." | 0:26:37 | 0:26:39 | |
They were filming with their cameras to make the film. | 0:26:39 | 0:26:41 | |
You'll notice, if you've seen Sarah Marshall, | 0:26:41 | 0:26:43 | |
there ain't no bloody horse riding in it, cos of how wrong it all went, | 0:26:43 | 0:26:46 | |
how cruel and malevolent the whole experience was. | 0:26:46 | 0:26:49 | |
The horse was meant to stop at a certain point | 0:26:49 | 0:26:51 | |
but cos he's a horse, he don't know that. | 0:26:51 | 0:26:54 | |
He just went home. He just ran past it and went home to his horse house. | 0:26:54 | 0:26:59 | |
Like, there was me, on its back, and in there was five other horses. | 0:26:59 | 0:27:03 | |
I felt embarrassed. | 0:27:03 | 0:27:04 | |
They were all looking at me like, "Why are you in our horse house?" | 0:27:06 | 0:27:10 | |
I was just on its back in a horse house. | 0:27:10 | 0:27:12 | |
Now, take one letter out of that and it's a much more familiar scenario for me. | 0:27:12 | 0:27:17 | |
I'd have been relaxed. | 0:27:17 | 0:27:19 | |
Now, your look is perfect for playing kind of rock stars, | 0:27:20 | 0:27:23 | |
but you must get offered other roles? | 0:27:23 | 0:27:25 | |
Sometimes they offer me something, Graham, it involves a haircut. | 0:27:25 | 0:27:29 | |
I go, "Pffft. What's the point?" | 0:27:29 | 0:27:31 | |
-Really? You wouldn't cut your hair? -Not really. Not for a job. | 0:27:31 | 0:27:34 | |
-You've patted it down a bit. -I'll pat it down. | 0:27:34 | 0:27:36 | |
Yeah, he'll pat it down. | 0:27:36 | 0:27:38 | |
I'll pat it down. If they say "Pat it down for a job..." | 0:27:38 | 0:27:41 | |
-He don't like it being touched! -Not after your fish belly. | 0:27:41 | 0:27:45 | |
I see what you've done to your own barnet, don't come near mine! | 0:27:46 | 0:27:50 | |
-Russell, because you always look like Russell Brand... -Yeah. | 0:27:52 | 0:27:55 | |
-..are you recognised? Presumably you're always recognised. -Yeah. | 0:27:55 | 0:27:59 | |
-You're not going to blend into a crowd. -You're tall as well so that's quite... | 0:27:59 | 0:28:03 | |
I'm quite long, yeah. People say hello. | 0:28:03 | 0:28:06 | |
But do you like being famous? | 0:28:06 | 0:28:08 | |
Do you know what? I like being recognised. I like some elements of it. | 0:28:08 | 0:28:12 | |
And when you first get famous, it is really, really good fun, | 0:28:12 | 0:28:15 | |
for the girls. | 0:28:15 | 0:28:16 | |
Then, though, you sort of realise that some of it is quite contaminating, | 0:28:16 | 0:28:20 | |
because you can't really have a private life and stuff like that, | 0:28:20 | 0:28:23 | |
and that's sort of a weird thing. | 0:28:23 | 0:28:25 | |
Now, it's not as bad as "Oh, I've been laying asphalt," or | 0:28:25 | 0:28:28 | |
"We shouldn't put that on the ceiling anyway. That'd be dangerous." | 0:28:28 | 0:28:31 | |
Or, like, you've got fibreglass in your lungs, | 0:28:31 | 0:28:33 | |
It's not a terrible thing, it's just a bit of a pain in the arse. | 0:28:33 | 0:28:36 | |
It's all right but it's also... | 0:28:36 | 0:28:38 | |
Like, lately I've become a little bit disillusioned with the old celebrity | 0:28:38 | 0:28:42 | |
because I think people go on about it all the time, | 0:28:42 | 0:28:45 | |
and it's like it's used to distract us from things that are important, that we should be thinking about. | 0:28:45 | 0:28:50 | |
I'm part of it, I'm earning a few quid out of it, | 0:28:50 | 0:28:52 | |
so I'm not saying I'm better than it. | 0:28:52 | 0:28:53 | |
I'm just saying it's a shame that it's all over the papers and all over the telly | 0:28:53 | 0:28:57 | |
as we face an ecological and economic crisis that could destroy our planet if we don't tune in. | 0:28:57 | 0:29:01 | |
CHEERS AND LOUD APPLAUSE | 0:29:01 | 0:29:03 | |
Is that why you've got Dalai Lama on your hand? | 0:29:03 | 0:29:05 | |
Paloma's pointed out that I wrote on my hand, because it's important, | 0:29:07 | 0:29:11 | |
I am doing a, er, event with His Holiness the Dalai Lama | 0:29:11 | 0:29:15 | |
at the Manchester Evening News Arena on Saturday. | 0:29:15 | 0:29:18 | |
If you are under 25, you can come for nothing. | 0:29:18 | 0:29:22 | |
His Holiness will be talking about consciousness | 0:29:22 | 0:29:25 | |
-and young people and inspiring us and giving us hope. -Wow! | 0:29:25 | 0:29:28 | |
I've got to intro him and moderate the interview. Me!? | 0:29:28 | 0:29:31 | |
This has been chaos, with Graham Norton! | 0:29:31 | 0:29:34 | |
How am I going to get on with the Dalai Lama? | 0:29:34 | 0:29:36 | |
Have you met him before? | 0:29:36 | 0:29:37 | |
I never met the Dalai Lama before, no. | 0:29:37 | 0:29:39 | |
But by all accounts, he's a cracking fella. | 0:29:39 | 0:29:42 | |
What if I meet him and he's like, "All right, mate." | 0:29:42 | 0:29:45 | |
On the Rothmans. | 0:29:45 | 0:29:47 | |
I just looked on your hand and it says "HH Dalai Lama", | 0:29:49 | 0:29:52 | |
which, of course, now I understand says His Holiness but I thought, | 0:29:52 | 0:29:55 | |
for a second, it said, "Hi Dalai Lama." And we were, like, matching. | 0:29:55 | 0:29:59 | |
Oh, I must remember. Hi, Dalai Lama! | 0:29:59 | 0:30:02 | |
I'm just such a fan. | 0:30:02 | 0:30:04 | |
And in terms of being recognised, you must get recognised wherever you go, Paloma Faith, | 0:30:05 | 0:30:09 | |
-cos, again, you look like... -I don't, you know. | 0:30:09 | 0:30:11 | |
I mean, I do, sort of, on and off, but I'm a little bit like Russell. | 0:30:11 | 0:30:14 | |
I tend to sort of phase out, I'm a bit of a dreamer. | 0:30:14 | 0:30:17 | |
It's not rudeness, we'll tell you. | 0:30:17 | 0:30:20 | |
-I don't phase out. -Well, you have quite a few times already. | 0:30:20 | 0:30:23 | |
-Have I? -Yeah. -I'm doing it now. | 0:30:23 | 0:30:25 | |
Just after I denied it, I felt myself phasing right out. | 0:30:27 | 0:30:31 | |
But, like, I don't necessarily notice that much and I prefer that. | 0:30:31 | 0:30:35 | |
But I do, erm, I quite often, you know... | 0:30:35 | 0:30:38 | |
I still get the bus and the tube and stuff. | 0:30:38 | 0:30:42 | |
Sometimes people ask me why. | 0:30:42 | 0:30:44 | |
Like, go, "What are you doing on the bus?" | 0:30:44 | 0:30:46 | |
And I just say, "Going home. | 0:30:46 | 0:30:48 | |
I hope that is all you're doing on the bus. | 0:30:48 | 0:30:51 | |
Not cutting a load of fish out your guts. | 0:30:51 | 0:30:53 | |
And, Emily, well, I know there are occasions when you aren't recognised. | 0:30:55 | 0:30:59 | |
No, I mean, I think people sometimes think they went to school with me | 0:30:59 | 0:31:03 | |
or something like that, but I also... | 0:31:03 | 0:31:06 | |
I don't know, I feel like some people know you straightaway | 0:31:06 | 0:31:09 | |
and then other people say, "Oh, that's the girl from so-and-so." | 0:31:09 | 0:31:12 | |
Then I had this kid come up to me and say... | 0:31:12 | 0:31:14 | |
She was really cute, she was about six, and she went," | 0:31:14 | 0:31:17 | |
-WHINY AMERICAN ACCENT: -"Are you the girl from The Gilmore Girls?" | 0:31:17 | 0:31:21 | |
and I said, "No, no, I'm not," | 0:31:21 | 0:31:23 | |
and she went, "Hm. | 0:31:23 | 0:31:25 | |
"Are you the girl from the Bridge To Terabithia?" | 0:31:25 | 0:31:29 | |
and I said, "No, no, I'm not," and she went, "Ohhh." | 0:31:29 | 0:31:33 | |
And then she just walked away and I heard myself go, scream at her, | 0:31:33 | 0:31:36 | |
"But I was in The Devil Wears Prada." | 0:31:36 | 0:31:39 | |
And she turned and I think her father looked a bit shocked that I just shouted at his child | 0:31:41 | 0:31:45 | |
and she looked at me and she went, | 0:31:45 | 0:31:47 | |
"I haven't seen that movie," and walked away. | 0:31:47 | 0:31:51 | |
I was, like, "Argh! How embarrassing." | 0:31:51 | 0:31:53 | |
It was so stupid. | 0:31:53 | 0:31:55 | |
Now, Paloma Faith, today is a very special day because people can buy tickets to go and see you on tour. | 0:31:57 | 0:32:02 | |
-Yes, they can. -Yes, they can. And are you putting on a big show? | 0:32:02 | 0:32:06 | |
Is there, like, stuff happening? | 0:32:06 | 0:32:08 | |
There's always a big show with me! | 0:32:08 | 0:32:10 | |
# There's no business like... # | 0:32:11 | 0:32:13 | |
Blowjobbbs! | 0:32:13 | 0:32:14 | |
-It's definitely going in, then. -It's in now. | 0:32:16 | 0:32:19 | |
Cos Glastonbury, you looked amazing at Glastonbury. | 0:32:21 | 0:32:27 | |
My large inflatable balls! | 0:32:27 | 0:32:29 | |
What's going on here? They were attached to you? | 0:32:29 | 0:32:32 | |
That must have been quite hard to walk and move. | 0:32:32 | 0:32:34 | |
There was some chafing. | 0:32:34 | 0:32:36 | |
Was it a high concept, or is it just you thought, "Oh, this'll look good"? | 0:32:37 | 0:32:41 | |
Well, what happened was, | 0:32:41 | 0:32:42 | |
they nearly didn't let me go on stage with them because it ended up being a really windy day. | 0:32:42 | 0:32:47 | |
There she goes! | 0:32:47 | 0:32:49 | |
I had to sign something to say that I would take full responsibility | 0:32:49 | 0:32:54 | |
for my own death, | 0:32:54 | 0:32:56 | |
if I got swept off into the horizon. | 0:32:56 | 0:33:00 | |
You know, up to space or whatever. | 0:33:00 | 0:33:02 | |
That's pretty profound to have to take full responsibility for your own death, | 0:33:02 | 0:33:06 | |
cos once you're dead, what are you going to do? | 0:33:06 | 0:33:09 | |
It was my fault! Wooo! | 0:33:09 | 0:33:11 | |
It was that or the balls, babe. | 0:33:12 | 0:33:14 | |
As I say, you are a trained dancer. | 0:33:14 | 0:33:16 | |
Yeah, I was a trained dancer, | 0:33:16 | 0:33:18 | |
but I really haven't danced for long enough, like, ages, so... | 0:33:18 | 0:33:22 | |
-But in burlesque, did you dance? -I didn't. I just sang as a burlesque singer in burlesque clubs. | 0:33:22 | 0:33:27 | |
-Were you in that movie? -What movie? -What are you talking about? -No! | 0:33:27 | 0:33:31 | |
No, the concept of burlesque. | 0:33:31 | 0:33:33 | |
I didn't think she was in Burlesque the movie. I was, like, "I don't think she was." | 0:33:33 | 0:33:36 | |
-No, no, but I used to sing in burlesque clubs. -Got it. Sorry about that. | 0:33:36 | 0:33:39 | |
-But Chicago is also a place. -Got it. | 0:33:39 | 0:33:42 | |
It's not true. That was not true. | 0:33:46 | 0:33:47 | |
Right, it is time for music. Now, what are you giving us tonight? | 0:33:50 | 0:33:54 | |
I'm going to play the first single from my album, | 0:33:54 | 0:33:58 | |
which is out now, Fall To Grace, which you happen to have there. | 0:33:58 | 0:34:01 | |
And the album is out now and is hovering at the top of the charts. | 0:34:01 | 0:34:05 | |
-Which is lovely. -Congratulations. | 0:34:05 | 0:34:07 | |
And a bit of a first for me so thanks to everyone who bought it. | 0:34:07 | 0:34:10 | |
Nice! | 0:34:10 | 0:34:11 | |
I love this track. I love it. | 0:34:11 | 0:34:14 | |
If you want to go off and get ready, | 0:34:14 | 0:34:17 | |
are you OK with steps and things? You're not going to fall over? | 0:34:17 | 0:34:20 | |
LAUGHTER | 0:34:20 | 0:34:22 | |
In a moment, we'll have this week's stories in the famous Red Chair, | 0:34:22 | 0:34:25 | |
but first, performing Picking Up The Pieces, it is Paloma Faith! | 0:34:25 | 0:34:28 | |
# Do you think of her when you're with me? | 0:34:45 | 0:34:51 | |
# Repeat the memories you made together | 0:34:52 | 0:34:56 | |
# Whose face do you see? | 0:34:56 | 0:34:59 | |
# Do you wish I was a bit more like her? | 0:34:59 | 0:35:05 | |
# Am I too loud | 0:35:05 | 0:35:08 | |
# I play the clown to cover up all these doubts | 0:35:08 | 0:35:14 | |
# Perfect heart, she's flawless | 0:35:14 | 0:35:18 | |
# She's the other woman | 0:35:18 | 0:35:21 | |
# Shining in her splendour | 0:35:21 | 0:35:25 | |
# You were lost | 0:35:25 | 0:35:28 | |
# Now she's gone | 0:35:28 | 0:35:31 | |
# And I'm picking up the pieces | 0:35:31 | 0:35:34 | |
# I watch you cry | 0:35:34 | 0:35:36 | |
# But you don't see that I'm the one by your side | 0:35:36 | 0:35:41 | |
# Cos she's gone | 0:35:41 | 0:35:43 | |
# In her shadow is it me you see? | 0:35:45 | 0:35:48 | |
# Cos all that's left is you and I | 0:35:48 | 0:35:52 | |
# And I'm picking up the pieces she left behind | 0:35:52 | 0:35:57 | |
# I found a photograph behind the TV | 0:35:59 | 0:36:06 | |
# You look so happy | 0:36:06 | 0:36:08 | |
# Are you missing the way it used be? | 0:36:08 | 0:36:13 | |
# And I have changed this room around more often lately | 0:36:13 | 0:36:19 | |
# It's clear that me and these four walls | 0:36:20 | 0:36:24 | |
# Still know it's hers and yours | 0:36:24 | 0:36:28 | |
# Perfect heart, she's flawless | 0:36:28 | 0:36:32 | |
# She's the other woman | 0:36:32 | 0:36:35 | |
# Shining in her splendour | 0:36:35 | 0:36:39 | |
# You were lost | 0:36:39 | 0:36:42 | |
# Now she's gone | 0:36:42 | 0:36:45 | |
# And I'm picking up the pieces | 0:36:45 | 0:36:49 | |
# I watch you cry | 0:36:49 | 0:36:51 | |
# But you don't see that I'm the one by your side | 0:36:51 | 0:36:56 | |
# Cos she's gone | 0:36:56 | 0:36:59 | |
# In her shadow is it me you see? | 0:36:59 | 0:37:02 | |
# Cos all that's left is you and I | 0:37:02 | 0:37:06 | |
# And I'm picking up the pieces she left behind | 0:37:06 | 0:37:11 | |
# Are we liars in denial? | 0:37:11 | 0:37:15 | |
# Are we smoke without the fire? | 0:37:15 | 0:37:19 | |
# Tell me, please, is this worth it? | 0:37:19 | 0:37:22 | |
# I deserve it | 0:37:22 | 0:37:24 | |
# Cos she's gone | 0:37:24 | 0:37:28 | |
# And I'm picking up the pieces | 0:37:28 | 0:37:31 | |
# I watch you cry | 0:37:31 | 0:37:33 | |
# But you don't see that I'm the one by your side | 0:37:33 | 0:37:38 | |
# Cos she's gone | 0:37:38 | 0:37:41 | |
# In her shadow is it me you see? | 0:37:41 | 0:37:45 | |
# Cos all that's left is you and I | 0:37:45 | 0:37:48 | |
# And I'm picking up the pieces she left behind. # | 0:37:48 | 0:37:54 | |
CHEERING AND APPLAUSE | 0:38:03 | 0:38:05 | |
Beautiful! | 0:38:09 | 0:38:11 | |
Paloma Faith, everybody! | 0:38:11 | 0:38:12 | |
Beautiful job! Come back and join us. | 0:38:14 | 0:38:16 | |
Let me help you. A very tight dress. That was gorgeous. | 0:38:19 | 0:38:22 | |
-Have a seat. Lovely. -Thank you. | 0:38:22 | 0:38:24 | |
-Good singing. -Great singing! | 0:38:29 | 0:38:31 | |
-Very good singing! -Well done. -No, fantastic. -Thank you. | 0:38:31 | 0:38:34 | |
'Ere, you know when you was over there? That was good! | 0:38:34 | 0:38:37 | |
Thanks! | 0:38:37 | 0:38:39 | |
Listen, before we go tonight, a story or two in the Red Chair. | 0:38:39 | 0:38:42 | |
So, who's up first? | 0:38:42 | 0:38:43 | |
-Oh, hello! -Hi! -What's your name? | 0:38:43 | 0:38:46 | |
-I'm Carla. -Carla? And where are you from> | 0:38:46 | 0:38:48 | |
-I'm from Brighton but studying at Bedfordshire. -Ooh, right. | 0:38:48 | 0:38:51 | |
-What are you studying? -Biomedical science. | 0:38:51 | 0:38:54 | |
Ooh! There's a genius on the Red Chair, everyone. | 0:38:54 | 0:38:57 | |
She's studying biomedical science. | 0:38:57 | 0:39:00 | |
-She might not be any good at it. -That's true. -I'm good. | 0:39:00 | 0:39:03 | |
-"What the bloody hell's this about?" -What year are you in? | 0:39:03 | 0:39:06 | |
-She might just eat the textbooks. -I'm in my second year. | 0:39:06 | 0:39:08 | |
-She's passed some exams. She has passed some exams. -Good result. | 0:39:08 | 0:39:12 | |
OK, off you go with your story. | 0:39:12 | 0:39:13 | |
-So, I fell in a volcano. -Sorry? | 0:39:13 | 0:39:16 | |
-I fell in a volcano. -You fell in a volcano? | 0:39:16 | 0:39:18 | |
So, it had lava in it? | 0:39:18 | 0:39:20 | |
No, it was like a mud volcano, but it was nice and warm and bubbly. | 0:39:20 | 0:39:24 | |
-I reckon we should bin her. -We'll bin her. | 0:39:24 | 0:39:27 | |
Paloma has very high standards for stories. | 0:39:32 | 0:39:36 | |
What happens to her after the lever? | 0:39:36 | 0:39:39 | |
-I don't know. -She's alive. | 0:39:39 | 0:39:41 | |
She's already fallen in a volcano. It can't be worse than that. | 0:39:41 | 0:39:46 | |
Who's next? | 0:39:46 | 0:39:48 | |
-Hello. -Hello! -Hi, what's your name? | 0:39:48 | 0:39:50 | |
Claire. | 0:39:50 | 0:39:51 | |
What do you do, Claire? | 0:39:51 | 0:39:53 | |
-I'm a medical sales rep. -Everyone is so clever tonight! | 0:39:53 | 0:39:57 | |
-She just sells stuff. -Oh, Paloma! | 0:39:57 | 0:40:00 | |
Wow! | 0:40:01 | 0:40:03 | |
That is cold, Paloma. | 0:40:03 | 0:40:04 | |
We can't all cut our belly and have fish fall out. | 0:40:04 | 0:40:07 | |
Some people just sell shit, OK? | 0:40:07 | 0:40:11 | |
Sorry, Mum! | 0:40:11 | 0:40:12 | |
Yeah, you've offended a large slice of society, young lady! | 0:40:12 | 0:40:15 | |
What's wrong with you? You did a lovely song. | 0:40:15 | 0:40:18 | |
What's your story? | 0:40:18 | 0:40:20 | |
-It's first date story. -Oh, it's a first date story. OK, go, go. | 0:40:20 | 0:40:23 | |
I went out with a very distinguished gentleman, | 0:40:23 | 0:40:26 | |
and we went for a walk along the South Bank. | 0:40:26 | 0:40:28 | |
And after a few cocktails, we went to Wagamama for some food, | 0:40:28 | 0:40:32 | |
and I ordered noodle soup. | 0:40:32 | 0:40:35 | |
Halfway through my noodle soup, he launched at me across the table and said, "Have you got any fetishes?" | 0:40:35 | 0:40:41 | |
And I snorted and this big piece of noodle came out of my nostril, | 0:40:41 | 0:40:45 | |
and swang like that, and he looked at me horrified. | 0:40:45 | 0:40:48 | |
And I was just mortified. | 0:40:48 | 0:40:49 | |
-You can walk. You can walk. -Thank you. -That was very good. | 0:40:49 | 0:40:53 | |
-I was not expecting a noodle. -No, no. -I wasn't. | 0:40:53 | 0:40:57 | |
I wasn't. | 0:40:57 | 0:40:58 | |
-What did he...? -I want to know what his fetishes are. | 0:40:58 | 0:41:02 | |
We don't know. We don't know. | 0:41:02 | 0:41:03 | |
-I wish she'd stayed in the seat a bit longer. -You shouldn't let her walk before... | 0:41:03 | 0:41:07 | |
What if his fetishes are sucking noodles out of people's noses | 0:41:07 | 0:41:10 | |
like nasal Lady And The Tramp. | 0:41:10 | 0:41:12 | |
He'd have been having the night of his life! | 0:41:12 | 0:41:14 | |
You can imagine, smoke would have come out of his ears! | 0:41:14 | 0:41:18 | |
Do we have someone else? Do we have one more? Hello, sir. | 0:41:18 | 0:41:21 | |
-Hi. -Oh, I like his T-shirt with the kissing penguins. That's very sweet. | 0:41:21 | 0:41:24 | |
Thank you. | 0:41:24 | 0:41:25 | |
-What's your name, sir? -Paul. -Sorry? -Paul. | 0:41:25 | 0:41:28 | |
LAUGHTER | 0:41:28 | 0:41:29 | |
-His name's Poo! -Is your name Poo? -Paul. | 0:41:29 | 0:41:32 | |
-Oh, Paul. -Where are you from? | 0:41:32 | 0:41:34 | |
-I'm from Wycombe. -Wycombe. | 0:41:34 | 0:41:36 | |
It's just, you're pronouncing it Poole. | 0:41:36 | 0:41:39 | |
Are you very posh? | 0:41:39 | 0:41:41 | |
No. | 0:41:41 | 0:41:43 | |
LAUGHTER | 0:41:43 | 0:41:45 | |
Yes, he is. He's very posh! | 0:41:45 | 0:41:47 | |
-Where I come from, you are. -What's your name? "Poole". | 0:41:47 | 0:41:49 | |
Sorry, we shouldn't laugh at you. You're going to run the country one day. | 0:41:51 | 0:41:54 | |
And then you'll punish me. "That Norton!" | 0:41:56 | 0:41:59 | |
Right, off you go with your story, sir. | 0:41:59 | 0:42:02 | |
So, before going to a christening... | 0:42:02 | 0:42:04 | |
Can I just say? You are so, so posh! | 0:42:04 | 0:42:07 | |
So, my sister suggested we play a game. | 0:42:07 | 0:42:11 | |
Yes, Paul. | 0:42:11 | 0:42:12 | |
SPEECH DROWNED OUT BY LAUGHTER | 0:42:12 | 0:42:15 | |
Wait, you'll have to start again, Paul. | 0:42:15 | 0:42:18 | |
Sorry, we were laughing at you. So, you went to a christening... | 0:42:18 | 0:42:21 | |
So, before going to the christening, | 0:42:21 | 0:42:24 | |
my sister suggested that the two of us play a game, | 0:42:24 | 0:42:26 | |
where she'd roll me up in this long carpet on our parents' hallway. | 0:42:26 | 0:42:29 | |
So I'd be a bit like a sausage roll. | 0:42:29 | 0:42:31 | |
Yes, I understand. | 0:42:31 | 0:42:32 | |
-POSH VOICE: -Sausage roll. | 0:42:32 | 0:42:34 | |
Also, there was a detail there, too, | 0:42:34 | 0:42:37 | |
that the carpet in their hallway was very long. | 0:42:37 | 0:42:40 | |
It's an enormous hall. | 0:42:41 | 0:42:43 | |
On you go. So, you're a sausage roll in the carpet. | 0:42:43 | 0:42:46 | |
So, I thought it'd be a fun way to pass the time, | 0:42:46 | 0:42:49 | |
-and I lie down and let her roll me up. -Mm-hm. | 0:42:49 | 0:42:51 | |
So I have my head sticking out and my arms are stuck in. | 0:42:51 | 0:42:54 | |
She then ran to the kitchen and grabbed some Marmite, | 0:42:54 | 0:42:57 | |
brings it back and smothers my face in it, | 0:42:57 | 0:43:00 | |
and then calls over our parents' elderly toxic-breath dog to lick all the Marmite. | 0:43:00 | 0:43:05 | |
Ooh! | 0:43:05 | 0:43:07 | |
But it worked out fair in the end because it turned out | 0:43:07 | 0:43:10 | |
the dog didn't love Marmite and threw up on her shoes. | 0:43:10 | 0:43:12 | |
No. | 0:43:12 | 0:43:14 | |
Very poor end. Very poor episode. | 0:43:14 | 0:43:16 | |
Well done, everyone. | 0:43:16 | 0:43:18 | |
If you would like to join us on the show and have a go in the Red Chair, | 0:43:20 | 0:43:23 | |
you can find out about it at this address. | 0:43:23 | 0:43:25 | |
Thank you so much to my guests tonight. | 0:43:25 | 0:43:28 | |
Paloma Faith, everybody! | 0:43:28 | 0:43:29 | |
Mr Russell Brand! | 0:43:32 | 0:43:33 | |
And the lovely Emily Blunt! | 0:43:36 | 0:43:38 | |
Join me next week, same time. I'll see you then. | 0:43:38 | 0:43:42 | |
Goodnight and goodbye! | 0:43:42 | 0:43:43 | |
Subtitles by Red Bee Media Ltd | 0:44:05 | 0:44:09 |