Browse content similar to Episode 9. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, I'm Graham Norton. | 0:00:02 | 0:00:03 | |
Tonight on the show, we have two of the world's most beautiful pop stars. | 0:00:03 | 0:00:07 | |
That's why I haven't been able to get anywhere near wardrobe or make-up. | 0:00:07 | 0:00:10 | |
I have to get it done now. | 0:00:10 | 0:00:12 | |
That's better! Let's start the show! | 0:00:15 | 0:00:17 | |
This programme contains some strong language | 0:00:22 | 0:00:28 | |
Good evening, all. | 0:00:37 | 0:00:40 | |
Hello! You're very welcome. | 0:00:40 | 0:00:43 | |
Thank you, my glamorous stand-in, Clive. | 0:00:43 | 0:00:45 | |
Brother from a different mother. | 0:00:45 | 0:00:49 | |
Separated at birth - it was a mix-up. | 0:00:49 | 0:00:52 | |
We have a sparkling line-up, tonight. | 0:00:52 | 0:00:55 | |
Chatting and singing, the one and only Cheryl Cole is here. | 0:00:55 | 0:00:58 | |
Chart-topping superstar, Katy Perry is here! | 0:01:00 | 0:01:03 | |
And hilarious Geordie comedian Ross Noble is on the show. | 0:01:05 | 0:01:08 | |
I tell you, so that's two Geordies on the show tonight. | 0:01:10 | 0:01:17 | |
Cheryl is, of course, | 0:01:17 | 0:01:18 | |
the best-looking woman ever to come from Newcastle. | 0:01:18 | 0:01:21 | |
She really is. | 0:01:21 | 0:01:22 | |
Actually, to be honest, Ross is the best-looking man. | 0:01:22 | 0:01:25 | |
Ross is doing very well. | 0:01:25 | 0:01:27 | |
He's even had his own range of Ross Noble dolls. | 0:01:27 | 0:01:30 | |
He has. | 0:01:30 | 0:01:31 | |
I'm delighted to have Cheryl on the show. | 0:01:34 | 0:01:36 | |
She's just appeared at the Queen's Jubilee concert. | 0:01:36 | 0:01:39 | |
Very exciting. | 0:01:39 | 0:01:41 | |
Looking good, Cheryl! | 0:01:41 | 0:01:43 | |
What an outfit! | 0:01:43 | 0:01:44 | |
It certainly got a reaction from the Royal Box. It did. | 0:01:44 | 0:01:47 | |
Talking about amazing outfits, | 0:01:50 | 0:01:51 | |
I can't wait to see what Katy Perry's wearing tonight. | 0:01:51 | 0:01:55 | |
Ooh, such a fashion icon. | 0:01:55 | 0:01:57 | |
All the top names want to dress her. | 0:01:57 | 0:01:59 | |
Versace, | 0:01:59 | 0:02:01 | |
Dior, | 0:02:01 | 0:02:03 | |
Mr Kipling. | 0:02:03 | 0:02:04 | |
Delicious. | 0:02:04 | 0:02:06 | |
Here's Katy on stage during her recent tour. | 0:02:06 | 0:02:09 | |
It's a showbiz classic - | 0:02:09 | 0:02:11 | |
shell opens and out pops a vision of beauty, usually. | 0:02:11 | 0:02:15 | |
All looking forward to the football? | 0:02:17 | 0:02:19 | |
Any football fans in? | 0:02:19 | 0:02:21 | |
There are some, ladies and gentleman. | 0:02:21 | 0:02:23 | |
Yes, the Euros start tonight, I'm told. | 0:02:23 | 0:02:26 | |
England don't play France until Monday, | 0:02:26 | 0:02:28 | |
but Roy Hodgson has a good idea of how the game's going to go. | 0:02:28 | 0:02:32 | |
Wayne Rooney suspended, he spent the last few weeks on holiday. | 0:02:35 | 0:02:39 | |
The big fear is he could be out of condition. | 0:02:39 | 0:02:43 | |
He could. | 0:02:43 | 0:02:44 | |
Exciting time for Wayne. | 0:02:45 | 0:02:47 | |
It's the first international tournament | 0:02:47 | 0:02:49 | |
where he's been able show off his new hair transplant. | 0:02:49 | 0:02:52 | |
Talking of hair, did you see the news this week | 0:02:57 | 0:02:59 | |
that the Olympic torch was carried by Jedward? | 0:02:59 | 0:03:01 | |
I'm not making it up. That's them before the torch was lit. | 0:03:01 | 0:03:06 | |
I wonder what happens when you light a massive flame | 0:03:06 | 0:03:08 | |
next to that much hairspray? | 0:03:08 | 0:03:09 | |
It's Dead-ward! Let's get some guests on. | 0:03:12 | 0:03:15 | |
He's Newcastle's funniest comedian, That's why-aye love him. | 0:03:15 | 0:03:18 | |
It's Ross Noble. | 0:03:18 | 0:03:20 | |
-Hello, sir. -Hello. | 0:03:23 | 0:03:25 | |
Lovely to see you. Have a seat. | 0:03:25 | 0:03:26 | |
Have a seat. | 0:03:26 | 0:03:29 | |
Hey, everyone, I might kiss a girl, it's Katy Perry! | 0:03:29 | 0:03:32 | |
Hello, lovely lady. Sit yourselves down. | 0:03:38 | 0:03:41 | |
She doesn't have to fight, fight, fight for my love, it's Cheryl Cole. | 0:03:43 | 0:03:47 | |
Hello, lovely lady. | 0:03:50 | 0:03:53 | |
Have a seat. | 0:03:53 | 0:03:55 | |
CHEERING AND WHISTLING | 0:03:57 | 0:03:59 | |
They're happy. | 0:04:02 | 0:04:04 | |
WHOOPING | 0:04:04 | 0:04:08 | |
I tell you what, I must be looking nice tonight, | 0:04:08 | 0:04:10 | |
cos they were still screaming when she came on. | 0:04:10 | 0:04:13 | |
She's really pretty. | 0:04:13 | 0:04:16 | |
-It's a lot of pop princess on one sofa. I'll tell you that. -Thank you. | 0:04:16 | 0:04:19 | |
Before we get to other things, I just want to gossip, really, | 0:04:21 | 0:04:24 | |
because Cheryl did the Jubilee concert for the Queen. | 0:04:24 | 0:04:27 | |
I did. | 0:04:27 | 0:04:29 | |
Tell me the truth, you know at the end, | 0:04:29 | 0:04:31 | |
did you just elbow your way through the crowd, "Let me at her"? | 0:04:31 | 0:04:35 | |
-Do you know what was the strangest thing? -Right there. | 0:04:35 | 0:04:39 | |
They stood us in line | 0:04:39 | 0:04:40 | |
and they brought the Queen on and she just wanted to stand next to me. | 0:04:40 | 0:04:44 | |
-She was drawn to you. -That's what it was. | 0:04:44 | 0:04:47 | |
In that photo, there, is will.i.am just tweeting behind the Queen. | 0:04:47 | 0:04:50 | |
He's going, "I'm looking at the Queen's arse." | 0:04:50 | 0:04:53 | |
It's funny you should say that, | 0:04:53 | 0:04:54 | |
because I had to warn him as we walked onto stage, | 0:04:54 | 0:04:57 | |
he had the phone at the ready, I'm not even joking. | 0:04:57 | 0:04:59 | |
-Is that why you're looking like this? -That is exactly why. | 0:04:59 | 0:05:04 | |
That is the moment of, | 0:05:04 | 0:05:05 | |
"Put that phone away, right now, before I kill you." | 0:05:05 | 0:05:08 | |
At least he didn't do that thing, | 0:05:08 | 0:05:09 | |
he could have gone up to Her Majesty and gone, | 0:05:09 | 0:05:11 | |
"Right, come on! Like that. | 0:05:11 | 0:05:14 | |
-"Get in, love. Get in." -Really? | 0:05:14 | 0:05:15 | |
-I would have done it. -You didn't see this. | 0:05:15 | 0:05:17 | |
When did you get here? | 0:05:17 | 0:05:18 | |
-I got here yesterday. -So, you missed it? | 0:05:18 | 0:05:20 | |
I missed it by a day. | 0:05:20 | 0:05:21 | |
I was on the flight and they were doing a biography on the Queen | 0:05:21 | 0:05:25 | |
and the Jubilee, | 0:05:25 | 0:05:27 | |
so I watched it during dinner, | 0:05:27 | 0:05:29 | |
so I could be here and talk about things like this. | 0:05:29 | 0:05:32 | |
Get on YouTube and watch this highlight. | 0:05:32 | 0:05:36 | |
It was Grace Jones. | 0:05:37 | 0:05:39 | |
I let her borrow my dress. | 0:05:39 | 0:05:41 | |
-She's 64, isn't she? -Wow! | 0:05:41 | 0:05:44 | |
She hula-hooped for four minutes while singing Slave To The Rhythm. | 0:05:44 | 0:05:48 | |
You know, she wasn't supposed to. She turned up just doing this. | 0:05:48 | 0:05:52 | |
The Queen had a hula-hoop and went, | 0:05:52 | 0:05:54 | |
"I'm going to throw it over her." | 0:05:54 | 0:05:57 | |
She thought she won a prize. She just threw it and Grace | 0:05:57 | 0:06:00 | |
just kept, "Go with it, go with it." | 0:06:00 | 0:06:03 | |
Were you asked to do it? | 0:06:05 | 0:06:07 | |
-No, I wasn't. -In the papers here, we heard that Prince Harry... | 0:06:07 | 0:06:10 | |
Your papers never lie! | 0:06:10 | 0:06:12 | |
This is a nice thing, that Prince Harry asked for you by name. | 0:06:12 | 0:06:17 | |
-Prince Harry? -Yeah. -He's a hot ginger, isn't he? | 0:06:17 | 0:06:19 | |
-Well... -Are you sure he asked for her to perform, though? | 0:06:21 | 0:06:25 | |
That we don't know. "Bring me Katy Perry." | 0:06:25 | 0:06:27 | |
No, no, it is Harry. He likes the ladies. | 0:06:27 | 0:06:30 | |
I love the monarchy. | 0:06:30 | 0:06:31 | |
-I'd be open to that. -Well. -What? | 0:06:31 | 0:06:34 | |
-You were chatting at the party, weren't you? -You and Prince Harry? | 0:06:34 | 0:06:38 | |
Get off my man. | 0:06:38 | 0:06:39 | |
Princess Cheryl. | 0:06:41 | 0:06:43 | |
That would be the best wedding ever! Do it, go on. | 0:06:46 | 0:06:50 | |
Come on. | 0:06:50 | 0:06:51 | |
-I would consider Prince Harry. -Do it, oh, do! | 0:06:51 | 0:06:55 | |
It would cheer people up so much. | 0:06:55 | 0:06:58 | |
Call me. | 0:06:58 | 0:07:00 | |
And if you don't like her, call me. | 0:07:00 | 0:07:03 | |
We've got a lot of ladies of song here | 0:07:04 | 0:07:09 | |
and Cheryl, you're performing later, very excited. | 0:07:09 | 0:07:14 | |
Katy Perry, obviously you are a one-woman hit factory. | 0:07:14 | 0:07:17 | |
You've broken records set by the Beatles, Michael Jackson, | 0:07:17 | 0:07:21 | |
it's phenomenal. | 0:07:21 | 0:07:23 | |
But tonight you come to us with a movie, | 0:07:24 | 0:07:28 | |
what you have made. | 0:07:28 | 0:07:29 | |
Yes. I have a movie coming out July 5th. | 0:07:29 | 0:07:31 | |
It's called Part Of Me, | 0:07:31 | 0:07:33 | |
Katy Perry In 3D. | 0:07:33 | 0:07:35 | |
Hold on those bra-size jokes. | 0:07:35 | 0:07:38 | |
It's excellent. It's not what I expected. | 0:07:38 | 0:07:40 | |
I thought it would be concert footage, a good time, | 0:07:40 | 0:07:44 | |
you singing your hits. | 0:07:44 | 0:07:45 | |
Katy's great! Fanfare! Yeah. | 0:07:45 | 0:07:48 | |
Messing around with dancers and make-up artists backstage. | 0:07:48 | 0:07:50 | |
It's not a part of you, it's all of you. | 0:07:50 | 0:07:53 | |
It's a lot. I still have some secrets, but not many. | 0:07:53 | 0:07:57 | |
You've seen the movie? | 0:07:57 | 0:07:59 | |
Yeah, I made the movie. | 0:07:59 | 0:08:00 | |
I had an idea in the winter of 2010, | 0:08:01 | 0:08:05 | |
right before I was about to go on this big world tour, | 0:08:05 | 0:08:07 | |
which I played here at the O2 - it was lovely, thank you - | 0:08:07 | 0:08:10 | |
and I felt like something important was coming in 2011, | 0:08:10 | 0:08:16 | |
so I asked two English boys from East London, | 0:08:16 | 0:08:19 | |
from London Fields, actually, | 0:08:19 | 0:08:21 | |
to come join me on the road, | 0:08:21 | 0:08:23 | |
and they were just like flies on the wall, | 0:08:23 | 0:08:25 | |
capturing everything throughout the whole year. | 0:08:25 | 0:08:28 | |
And I had no idea it was going to turn into this big deal of a movie | 0:08:28 | 0:08:32 | |
in 3D, but it did. | 0:08:32 | 0:08:34 | |
It's so exciting. I'm so excited for everyone to see it. | 0:08:34 | 0:08:37 | |
Might I warn you, you see a little bit of me without make-up | 0:08:37 | 0:08:40 | |
and you may not recognise me. | 0:08:40 | 0:08:42 | |
But, it's... | 0:08:42 | 0:08:44 | |
I look normal! | 0:08:44 | 0:08:45 | |
At end of that film, obviously, you're proud of the movie | 0:08:45 | 0:08:48 | |
and proud of the tour, but, like, some of it, | 0:08:48 | 0:08:51 | |
like the bits in Brazil, | 0:08:51 | 0:08:53 | |
it's like torture, watching some of it. | 0:08:53 | 0:08:56 | |
Poking with a stick to get you on stage. | 0:08:56 | 0:08:58 | |
It was hard to watch. | 0:08:58 | 0:09:00 | |
I love being on stage. | 0:09:00 | 0:09:01 | |
Even though I went through some pretty tough times last year, | 0:09:01 | 0:09:06 | |
I had to separate that because I know that my problems are mine | 0:09:06 | 0:09:10 | |
and they're not the audience's problems. | 0:09:10 | 0:09:13 | |
They're here to see a show and be entertained. | 0:09:13 | 0:09:15 | |
I put myself on that lift | 0:09:15 | 0:09:17 | |
and I smacked a smile on my face and I went up with my tits spinning. | 0:09:17 | 0:09:21 | |
It's really the use of 3D, | 0:09:24 | 0:09:27 | |
you get a true sense of what you experience. | 0:09:27 | 0:09:29 | |
Not everybody could make the show, | 0:09:29 | 0:09:31 | |
so I wanted everybody... | 0:09:31 | 0:09:32 | |
I took the best parts of the two-hour show | 0:09:32 | 0:09:34 | |
that I did last year and put them in the film. | 0:09:34 | 0:09:36 | |
People really feel like they're there. It's a great simulation. | 0:09:36 | 0:09:40 | |
Do the tits spin in 3D? | 0:09:40 | 0:09:42 | |
-They do? -They do. | 0:09:43 | 0:09:45 | |
I'll put that in for you, Ross. | 0:09:45 | 0:09:48 | |
We have a clip. I should warn you. It is one without... | 0:09:48 | 0:09:51 | |
It's all right. It's time. | 0:09:51 | 0:09:54 | |
OK. Deep breaths, everyone. Here we go. | 0:09:54 | 0:09:57 | |
I think Katy is a dreamer. | 0:10:06 | 0:10:08 | |
Her dream is to get to be herself and inspire other people. | 0:10:08 | 0:10:14 | |
There's an undertone of Katy's life represented. | 0:10:14 | 0:10:17 | |
It's a little Alice In Wonderland, it's Dorothy in Oz. | 0:10:17 | 0:10:22 | |
She wanted the fans to experience that fantastical world | 0:10:22 | 0:10:25 | |
that she dreamed up. | 0:10:25 | 0:10:27 | |
I feel a real connection to fairy tales. | 0:10:27 | 0:10:29 | |
I think in some ways I live in a fairy tale. | 0:10:29 | 0:10:33 | |
Your whole family is in the movie, your mum, | 0:10:39 | 0:10:41 | |
your dad, your granny is in there. | 0:10:41 | 0:10:44 | |
My grandma, I think, steals the show. | 0:10:44 | 0:10:46 | |
-AUDIENCE MEMBER: Wrap up the truth. -She is the truth. | 0:10:46 | 0:10:48 | |
My sister got married the other day, | 0:10:48 | 0:10:51 | |
and my grandma is 91 and she's all there, | 0:10:51 | 0:10:55 | |
she has all her marbles, plus more, | 0:10:55 | 0:10:57 | |
we were all at my sister's wedding, which was lovely. | 0:10:57 | 0:11:00 | |
My cousin asked my grandma, | 0:11:00 | 0:11:03 | |
"Grandma, what do you think of Katy's new purple hair?" | 0:11:03 | 0:11:06 | |
and she looked me up and down and goes, | 0:11:06 | 0:11:07 | |
"Well, it's not all hers." | 0:11:07 | 0:11:10 | |
I was like, "I bought it. I have the receipt." | 0:11:10 | 0:11:13 | |
She goes, "Where did you get it, the 99 Cent Store?" | 0:11:13 | 0:11:17 | |
-Did you punch her? -Yeah, basically. | 0:11:17 | 0:11:19 | |
Boof! She's in the film and she's pretty hilarious. | 0:11:19 | 0:11:23 | |
Obviously for you, it's very hard to have a truly private life. | 0:11:23 | 0:11:28 | |
-Ha-ha! -Well, it is. People are interested and the tabloids. -Sure. | 0:11:28 | 0:11:33 | |
It's a fine line. | 0:11:33 | 0:11:34 | |
I suppose, in my head, I was watching thinking, | 0:11:35 | 0:11:37 | |
"Oh, my God, she's nuts." | 0:11:37 | 0:11:39 | |
Because you've given us so much. You've given us complete access. | 0:11:39 | 0:11:44 | |
Sometimes that's good, though, you know, to give people, | 0:11:44 | 0:11:47 | |
to give them it all, | 0:11:47 | 0:11:48 | |
then they're not looking for the thing that's they think they want. | 0:11:48 | 0:11:52 | |
Yeah, I admire her for that. | 0:11:52 | 0:11:54 | |
She looks so cute without her make-up on. | 0:11:54 | 0:11:56 | |
All right, get over it. | 0:11:56 | 0:11:59 | |
I still am going to come out full beat every time. War paint. | 0:11:59 | 0:12:04 | |
It's a fine line. I'm a kind of honest person mostly. | 0:12:04 | 0:12:07 | |
I like to be as honest as possible, through my music, | 0:12:07 | 0:12:10 | |
and in my life, | 0:12:10 | 0:12:11 | |
and my professional life. | 0:12:11 | 0:12:13 | |
I thought it was important to show everybody things, | 0:12:13 | 0:12:16 | |
so that people can be inspired by it. | 0:12:16 | 0:12:19 | |
The two of you are single, well, actually, I don't know if you are. | 0:12:19 | 0:12:22 | |
Contractually, | 0:12:22 | 0:12:23 | |
I am a chat show host - I am obliged to ask, | 0:12:23 | 0:12:25 | |
are you both single, at the moment? | 0:12:25 | 0:12:26 | |
My dance card is so full, I don't know who I'm dancing with, though. | 0:12:26 | 0:12:31 | |
A lot of people. | 0:12:33 | 0:12:34 | |
Just say, I'm not going to have sex with them. | 0:12:34 | 0:12:37 | |
I'm just putting it out there. | 0:12:37 | 0:12:39 | |
In this month's GQ, | 0:12:39 | 0:12:42 | |
-Cheryl Cole... -Me? -..you talk about being a woman | 0:12:42 | 0:12:45 | |
and having the needs of a woman. | 0:12:45 | 0:12:46 | |
-Dum-dum-dum! -Got to go. See you later. | 0:12:46 | 0:12:48 | |
Do I? | 0:12:50 | 0:12:51 | |
Do you have people who come round in the middle of the night? | 0:12:51 | 0:12:54 | |
-Do I? -And have a go and then leave? | 0:12:54 | 0:12:56 | |
Wouldn't you love to know. | 0:12:56 | 0:12:58 | |
Help me. | 0:13:00 | 0:13:01 | |
I have people come around in the middle of the night. | 0:13:01 | 0:13:04 | |
You make it sound like Neighbourhood Watch. | 0:13:04 | 0:13:07 | |
"Johnson, 37's down." "Oh, go on, then." | 0:13:09 | 0:13:12 | |
"Prince Harry is not here yet. Go on, John." | 0:13:12 | 0:13:15 | |
"Middle of the night" - like sexual ninjas. | 0:13:15 | 0:13:20 | |
Cheryl, talking of, kind of, | 0:13:25 | 0:13:28 | |
I don't know if a falling out, a rift or whatever, | 0:13:28 | 0:13:30 | |
have you kissed and made up with Simon Cowell? | 0:13:30 | 0:13:32 | |
I wouldn't say kissed. | 0:13:32 | 0:13:35 | |
I tell you one thing he can kiss. | 0:13:40 | 0:13:43 | |
No, we've made up, we're fine. | 0:13:52 | 0:13:53 | |
It's not nice having people you don't talk to. | 0:13:53 | 0:13:56 | |
I'm not that type of person, anyway. It's not in my nature. | 0:13:56 | 0:13:59 | |
If he walked out here now, that wouldn't be awkward? | 0:13:59 | 0:14:01 | |
No, it wouldn't be awkward... | 0:14:01 | 0:14:03 | |
DRUM ROLL | 0:14:03 | 0:14:05 | |
Oh, my God, that was so scary. | 0:14:07 | 0:14:09 | |
That was the greatest joke ever! | 0:14:10 | 0:14:14 | |
There is a pineapple I could lob at his head. | 0:14:15 | 0:14:18 | |
Cos, Katy, you did X Factor here. You were on the panel together. | 0:14:18 | 0:14:21 | |
-We were, yes. -Yes. -Were you offered any of the X Factor gigs? | 0:14:21 | 0:14:25 | |
There's not been actual paper contracts. | 0:14:25 | 0:14:27 | |
But people have been interested in me judging other people, yeah. | 0:14:27 | 0:14:32 | |
-Would you do it? -I would do it... | 0:14:32 | 0:14:35 | |
Cheryl's right there. | 0:14:35 | 0:14:37 | |
-You were amazing at it. -I'm just not ready for it yet. | 0:14:37 | 0:14:40 | |
Maybe in the future I'd love to. | 0:14:40 | 0:14:43 | |
-She has movies to make and songs to release. -I'm busy. | 0:14:43 | 0:14:46 | |
No, I'm excited. I'm very flattered. | 0:14:46 | 0:14:49 | |
But there's a lot of those shows. | 0:14:49 | 0:14:51 | |
You have to be careful with the one you associate yourself with. | 0:14:51 | 0:14:55 | |
-By the way, are you not allowed to talk about it? -What? | 0:14:56 | 0:14:58 | |
-It. -Simon? -The whole X Factor debacle? | 0:14:58 | 0:15:03 | |
I'm allowed to talk about anything I want to talk about. | 0:15:03 | 0:15:06 | |
-You got your revenge in Afghanistan. -Did I just?! | 0:15:08 | 0:15:12 | |
That was actually what broke the ice when I first spoke to him. | 0:15:12 | 0:15:16 | |
I went out to Afghanistan to visit the troops, | 0:15:16 | 0:15:20 | |
and they had this whole section where they had explosive devices. | 0:15:20 | 0:15:23 | |
They were blowing them up to see how they worked. | 0:15:23 | 0:15:26 | |
And when I got there, somebody had dressed one up as Simon. | 0:15:26 | 0:15:29 | |
It was the best thing. I got to press the button - | 0:15:30 | 0:15:34 | |
the detonator and he just went boom. | 0:15:34 | 0:15:37 | |
Then when I came back, cos you weren't allowed to take mobile phones | 0:15:37 | 0:15:40 | |
or anything like that, it's a security risk, | 0:15:40 | 0:15:42 | |
I had messages from Simon saying, | 0:15:42 | 0:15:44 | |
"So, now that you've blown us up in Afghanistan, | 0:15:44 | 0:15:47 | |
"is there any chance we can have this conversation?" | 0:15:47 | 0:15:49 | |
and that's when I spoke to him. | 0:15:49 | 0:15:51 | |
Then I hired a plane to fly over his house for his 52nd birthday. | 0:15:51 | 0:15:54 | |
He's 52, by the way, 53 coming. | 0:15:54 | 0:15:57 | |
He didn't want anybody to know it was his birthday. | 0:15:59 | 0:16:02 | |
Please tell me the plane was a Tornado from the lads in Afghanistan, | 0:16:02 | 0:16:06 | |
just flying, heat-seeking missile. | 0:16:06 | 0:16:09 | |
Did it have a big thing hanging off the back, saying, "Happy Birthday"? | 0:16:09 | 0:16:12 | |
Yes. I heard a rumour from his people, | 0:16:12 | 0:16:15 | |
I won't name names, | 0:16:15 | 0:16:16 | |
but somebody told us he didn't want anybody to know it was his birthday. | 0:16:16 | 0:16:19 | |
Perfect opportunity for me to hire a plane. | 0:16:19 | 0:16:22 | |
-You were just being nice. -I was just being nice! Happy birthday, Simon. | 0:16:22 | 0:16:26 | |
That's a lovely thing. | 0:16:26 | 0:16:28 | |
So, it had a banner trailing off, saying, "Simon is 52 today". | 0:16:28 | 0:16:30 | |
It flew round his house... | 0:16:30 | 0:16:31 | |
-..52 times. -I love it. | 0:16:33 | 0:16:35 | |
Looking back to... was it last year that it happened? | 0:16:41 | 0:16:44 | |
-When did it happen, the whole X Factor USA? -Yes, last year. | 0:16:44 | 0:16:47 | |
It seemed, at the time, it was handled so badly, | 0:16:47 | 0:16:50 | |
like, when you walked away, who were you angriest with, | 0:16:50 | 0:16:53 | |
the Fox TV network, with Simon, or with yourself | 0:16:53 | 0:16:55 | |
for getting sucked into it? | 0:16:55 | 0:16:57 | |
There was no anger, just relief. | 0:16:57 | 0:17:00 | |
Just anger? | 0:17:01 | 0:17:03 | |
Let's make some music. | 0:17:03 | 0:17:05 | |
Go where you're celebrated, not where you're tolerated. | 0:17:05 | 0:17:09 | |
With a new album. | 0:17:09 | 0:17:11 | |
Later on you're performing Call My Name off the album. | 0:17:13 | 0:17:17 | |
The album is A Million Lights. | 0:17:17 | 0:17:18 | |
It is. | 0:17:18 | 0:17:19 | |
It's out on the 18th. | 0:17:19 | 0:17:21 | |
Call My Name is out on Sunday. | 0:17:21 | 0:17:23 | |
Saturday midnight, actually. | 0:17:23 | 0:17:25 | |
If you're still up. | 0:17:25 | 0:17:26 | |
Like early Sunday. | 0:17:26 | 0:17:28 | |
I'm surprised, this is your third solo album. | 0:17:31 | 0:17:34 | |
It's crazy, it's gone so quick. | 0:17:34 | 0:17:36 | |
The last two both went to number one. I'm guessing this will too. | 0:17:36 | 0:17:39 | |
-I never say that. -It will. | 0:17:39 | 0:17:42 | |
We're confused, Cheryl, because on the artwork, | 0:17:42 | 0:17:46 | |
we've read in the papers that you are Cheryl. | 0:17:46 | 0:17:50 | |
-Yes. -Have you dropped the Cole? -No. | 0:17:50 | 0:17:52 | |
So, what happened was... | 0:17:52 | 0:17:54 | |
You don't need that Cole, honey. | 0:17:54 | 0:17:57 | |
What did happen? | 0:18:04 | 0:18:05 | |
I got the new artwork. | 0:18:05 | 0:18:07 | |
The new artwork, yes. | 0:18:07 | 0:18:09 | |
And I couldn't fit the Cole on there any more. | 0:18:09 | 0:18:12 | |
So we just... | 0:18:12 | 0:18:14 | |
I've got the album here. | 0:18:14 | 0:18:16 | |
Oh, it does look better. | 0:18:16 | 0:18:18 | |
Can I just say, taking a CD from there has never got an "Oh, my God!" | 0:18:21 | 0:18:26 | |
from the audience before. | 0:18:26 | 0:18:27 | |
And somebody went, | 0:18:27 | 0:18:29 | |
"Can we have it?" | 0:18:29 | 0:18:30 | |
You can buy a copy. | 0:18:30 | 0:18:32 | |
It's probably a very young person who's never seen a CD before. | 0:18:32 | 0:18:35 | |
"What the hell is that?" | 0:18:36 | 0:18:38 | |
Now, what's interesting is, again, | 0:18:38 | 0:18:40 | |
because there's so much interest in your personal life, | 0:18:40 | 0:18:43 | |
so people will be looking at this thinking, reading stuff... | 0:18:43 | 0:18:47 | |
-Always. -..into this. There is a track called Screw You. | 0:18:47 | 0:18:52 | |
A couple of names drop into your mind. | 0:18:53 | 0:18:55 | |
It was dedicated to me. | 0:18:55 | 0:18:58 | |
DIY, it's all about DIY. | 0:18:58 | 0:19:00 | |
There you go. | 0:19:02 | 0:19:04 | |
I'm just fixing my kitchen cabinets, Screw You! | 0:19:04 | 0:19:09 | |
Track number two is called Rawl Plugs Ahoy. | 0:19:09 | 0:19:13 | |
I'm still on track. What the hell is Screw You about? | 0:19:15 | 0:19:19 | |
Actually, Screw You came about in a really unprofessional way. | 0:19:19 | 0:19:23 | |
I went into the studio to record a song that had been written for me. | 0:19:23 | 0:19:29 | |
I went to a party the night before... | 0:19:29 | 0:19:32 | |
Cheryl Cole. | 0:19:32 | 0:19:34 | |
And I was a bit tipsy in the studio. | 0:19:34 | 0:19:38 | |
AKA, drunk. | 0:19:38 | 0:19:40 | |
Out of her mind, Katy, that's what I heard. | 0:19:40 | 0:19:43 | |
When we say tipsy, we are peeing in the streets. | 0:19:43 | 0:19:46 | |
You can dress her up. | 0:19:48 | 0:19:50 | |
But you can't take the lady out of Geordie. Newcastle. | 0:19:51 | 0:19:55 | |
I know where this is. I'm good with geography. I can't spell, though. | 0:19:55 | 0:19:58 | |
Peeing In The Streets is the hidden track at the end. | 0:19:58 | 0:20:00 | |
It's like dancing in the streets but more vulgar. | 0:20:02 | 0:20:06 | |
You got slaughtered before that. | 0:20:06 | 0:20:08 | |
Still drunk the next day. | 0:20:08 | 0:20:10 | |
Somebody tweeted a picture of us sticking up the middle finger. | 0:20:10 | 0:20:15 | |
-Of you doing it? -Yes, me. | 0:20:15 | 0:20:16 | |
-And you're not allowed to do that? -Am I allowed? | 0:20:16 | 0:20:19 | |
They're your fingers. | 0:20:22 | 0:20:24 | |
It didn't go down too well with the Queen the other night. | 0:20:25 | 0:20:30 | |
-Katy, do you find that as well, your new track, Wide Awake. -Yes. | 0:20:31 | 0:20:34 | |
-CHEERING -Thank you. | 0:20:34 | 0:20:37 | |
Again, people are listening to the lyrics, thinking, | 0:20:37 | 0:20:40 | |
"Oh, what does she mean there?" | 0:20:40 | 0:20:42 | |
-Is that annoying? -No, if it was annoying, I wouldn't do it. | 0:20:42 | 0:20:47 | |
I'm honest with my music and lyrics. | 0:20:47 | 0:20:51 | |
That song's about the realisation of reality and coming down from a high. | 0:20:51 | 0:20:57 | |
-I love that song. -Thanks. | 0:20:57 | 0:21:00 | |
-OK. -Because I've had too much sugar last year. | 0:21:00 | 0:21:03 | |
What about your vulnerable song, Ross? | 0:21:04 | 0:21:06 | |
I have a track on one of my DVDs that just says, | 0:21:07 | 0:21:11 | |
"I'm right sensitive, me." | 0:21:11 | 0:21:13 | |
It's just ten minutes of me on stage, doing that. | 0:21:16 | 0:21:19 | |
Legend, proper legend. | 0:21:19 | 0:21:21 | |
That was quite good, was that a Geordie accent? | 0:21:21 | 0:21:24 | |
I don't know where it came from. | 0:21:24 | 0:21:26 | |
What you'll find, when you spend time with people for a while | 0:21:28 | 0:21:32 | |
and they just start going, | 0:21:32 | 0:21:34 | |
"All reet, I'll go and get some crisps," you'll morph into a Geordie. | 0:21:34 | 0:21:38 | |
-That's all right. -That's what's happening. | 0:21:38 | 0:21:42 | |
-You love the Geordie accent, don't you? -Of course. | 0:21:42 | 0:21:46 | |
-Tell people how you go to sleep? -I like listening to Geordie Shore. | 0:21:46 | 0:21:51 | |
Going to sleep? | 0:21:51 | 0:21:54 | |
Yes, not the vulgarity of anything, but the bridges | 0:21:55 | 0:22:00 | |
and the, you know, the familiar sounding noise of a Geordie accent. | 0:22:00 | 0:22:04 | |
-People having fights. -It's soothing. | 0:22:04 | 0:22:06 | |
The sound of romance as people have sex in bins. | 0:22:06 | 0:22:10 | |
The thing is, I love it. | 0:22:12 | 0:22:14 | |
I love the fact that you do those shampoo adverts, you know. | 0:22:14 | 0:22:17 | |
When it was Jennifer Aniston, I'm American and the rest of it... | 0:22:17 | 0:22:22 | |
Oi! | 0:22:22 | 0:22:23 | |
No, what I'm saying is you expect a shampoo advert | 0:22:23 | 0:22:28 | |
to be an American going, "Oh, shampoo, oh, shampoo..." | 0:22:28 | 0:22:32 | |
Because Cheryl does it, who sounds like the girls I went to school with, | 0:22:32 | 0:22:36 | |
I thought it was going to be, "L'Oreal, how fucking much?!" | 0:22:36 | 0:22:40 | |
-Did you teach will.i.am some Geordie expressions? -I try. God, he's bad. | 0:22:50 | 0:22:55 | |
I do try. | 0:22:55 | 0:22:57 | |
He likes to... He always says to me, "Where you gonna gone?" | 0:22:57 | 0:23:00 | |
-What? -Where are you going to go? | 0:23:00 | 0:23:03 | |
-Have you played Newcastle? -Do you have a Rosetta stone for Geordies? | 0:23:03 | 0:23:08 | |
-There should be, yes. -Mmm, yeah. | 0:23:08 | 0:23:10 | |
Is there a useful phrase to teach Katy | 0:23:10 | 0:23:13 | |
that she could storm on stage next time and delight them with? | 0:23:13 | 0:23:16 | |
-All right. -How you goin' toneet, ya all reet? | 0:23:16 | 0:23:21 | |
Ho re do re do ro.... | 0:23:21 | 0:23:22 | |
Teenage dream... | 0:23:24 | 0:23:27 | |
That was good. | 0:23:29 | 0:23:31 | |
You grew up in California, you would think it was worlds apart | 0:23:32 | 0:23:37 | |
from where these two grew up in Newcastle. | 0:23:37 | 0:23:39 | |
But in fact, there are more similarities than you'd think. | 0:23:39 | 0:23:42 | |
I mean, California, sun-drenched towns. | 0:23:42 | 0:23:45 | |
Newcastle, they have drenched towns. | 0:23:45 | 0:23:49 | |
California's full of people growing oranges. | 0:23:49 | 0:23:52 | |
Newcastle is full of people going orange. | 0:23:52 | 0:23:56 | |
That's a good look. | 0:23:56 | 0:23:57 | |
-Do you think those lips are real? -Yeah. | 0:23:57 | 0:24:00 | |
What she's doing there, there's a pane of glass | 0:24:00 | 0:24:03 | |
and she's attached to it. | 0:24:03 | 0:24:04 | |
I'm moving all the way up. | 0:24:07 | 0:24:09 | |
California, they frolic topless. | 0:24:10 | 0:24:12 | |
Sadly in Newcastle, they also frolic topless. | 0:24:13 | 0:24:16 | |
He's actually famous in Newcastle. Proper dedicated fan. | 0:24:19 | 0:24:23 | |
I'm getting that, Cheryl. | 0:24:23 | 0:24:24 | |
Do you like the way the Tyne Bridge perfectly crests his gut? | 0:24:25 | 0:24:29 | |
You really don't want to see the Swing Bridge. | 0:24:32 | 0:24:35 | |
That bridge is lower than the Tyne Bridge. | 0:24:37 | 0:24:40 | |
In Newcastle, they're going, "That's a well constructed joke." | 0:24:40 | 0:24:44 | |
The reels are spinning so hard on that one. | 0:24:44 | 0:24:47 | |
In California, young people love catching crabs. | 0:24:47 | 0:24:51 | |
In Newcastle... well, you can imagine. | 0:24:51 | 0:24:54 | |
That's below the belt. | 0:24:56 | 0:24:57 | |
You guys seem to be from a lovely place. | 0:24:57 | 0:25:01 | |
Ironically, that last picture on there, that make up there, | 0:25:03 | 0:25:06 | |
they're not pixelated. | 0:25:06 | 0:25:07 | |
Just keep putting it on, man. | 0:25:12 | 0:25:14 | |
This is a special place in Newcastle. | 0:25:16 | 0:25:18 | |
Do you recognise this place? | 0:25:18 | 0:25:19 | |
-Yes, of course. -A very special honour was bestowed on you there. | 0:25:19 | 0:25:24 | |
-Was it? -Yes. -She was drunk. -When you were 15, you were named... | 0:25:24 | 0:25:28 | |
You were made queen of all Geordies. | 0:25:28 | 0:25:31 | |
-Didn't you win most attractive girl? -Highlight of my career. | 0:25:31 | 0:25:37 | |
-It's true, isn't it? -Who told you? The Sun? | 0:25:37 | 0:25:39 | |
No, there were a list of things. | 0:25:39 | 0:25:41 | |
You won a bonnie baby competition | 0:25:41 | 0:25:42 | |
and most attractive girl at Gateshead Metro Centre. | 0:25:42 | 0:25:45 | |
I've heard that many times but I don't remember. | 0:25:45 | 0:25:48 | |
-Maybe they did it in retrospect. -You are really pretty. | 0:25:48 | 0:25:54 | |
-Do you not think you're pretty? -I wasn't then. -You must have been. | 0:25:54 | 0:25:57 | |
-No? -Dog. | 0:25:59 | 0:26:00 | |
You've been in the glittering halls of the Metro Centre. | 0:26:02 | 0:26:06 | |
They've just showed you all of Newcastle, | 0:26:06 | 0:26:08 | |
do you think I was pretty? | 0:26:08 | 0:26:11 | |
You're gorgeous inside and out and you don't need all the make-up, | 0:26:14 | 0:26:17 | |
just like me, kind of. | 0:26:17 | 0:26:19 | |
-You worked in the Metro Centre didn't you? -I did. | 0:26:22 | 0:26:24 | |
Work is a very loose description. | 0:26:24 | 0:26:27 | |
I used to do all the juggling and unicycling and all that... | 0:26:27 | 0:26:31 | |
-What? A carny? -I was a carny - that's exactly what I was. | 0:26:32 | 0:26:36 | |
I got a job, because I used to do all that, on stilts, | 0:26:36 | 0:26:40 | |
walking around the Metro Centre, | 0:26:40 | 0:26:41 | |
which you'll know isn't easy, because it's a shiny floor. | 0:26:41 | 0:26:45 | |
-It is. -It showcased my stilt skills. | 0:26:45 | 0:26:46 | |
There was an American diner, they dressed me as Uncle Sam | 0:26:46 | 0:26:51 | |
and I handed out flyers on the stilts. | 0:26:51 | 0:26:55 | |
The problem was, the outfit belonged to the daughter of the manager | 0:26:55 | 0:27:00 | |
for her dance concert. | 0:27:00 | 0:27:03 | |
Trousers, I've always had large thighs and the trousers | 0:27:03 | 0:27:07 | |
were pornographic in their tightness. | 0:27:07 | 0:27:09 | |
They actually split. I didn't realise the gusset had gone. | 0:27:10 | 0:27:14 | |
Imagine, I'm on stilts, handing out flyers, | 0:27:14 | 0:27:16 | |
and I couldn't work out why people didn't want to take a flyer, | 0:27:16 | 0:27:20 | |
but were moving their children away from me. | 0:27:20 | 0:27:23 | |
"Would you like to dine at the American diner?" | 0:27:23 | 0:27:26 | |
"No, and we can see your bollocks." | 0:27:26 | 0:27:27 | |
Ironically, I came second in the most beautiful girl in the Metro Centre. | 0:27:29 | 0:27:33 | |
LAUGHTER AND APPLAUSE | 0:27:33 | 0:27:35 | |
The one-two punch. | 0:27:39 | 0:27:40 | |
Ross Noble, you're on tour in the Autumn, Mind Blender... | 0:27:42 | 0:27:45 | |
-Yes. -..is the tour. | 0:27:45 | 0:27:46 | |
-Yes. -Presumably this will be as interactive as always. | 0:27:46 | 0:27:51 | |
Yes, I'm talking to the audience, | 0:27:51 | 0:27:53 | |
interactive make it's sound like they're wearing helmets | 0:27:53 | 0:27:55 | |
and plugged in. | 0:27:55 | 0:27:58 | |
They don't have to laugh, they can just press a button. | 0:27:58 | 0:28:02 | |
You have done things like... | 0:28:02 | 0:28:04 | |
didn't Twitter tell you where to go on a tour once? | 0:28:04 | 0:28:07 | |
Yeah, I spent a week where I got on my motorbike | 0:28:07 | 0:28:11 | |
and said, "This is where I am, where should I go?" | 0:28:11 | 0:28:14 | |
I spent a week travelling around. | 0:28:14 | 0:28:16 | |
People said, "Come to my work and I'll make you tea." | 0:28:16 | 0:28:19 | |
I just travelled around Britain just meeting people and just doing stuff. | 0:28:19 | 0:28:24 | |
Because Katy Perry, in addition to your chart success, | 0:28:24 | 0:28:27 | |
you're also Queen of Twitter. | 0:28:27 | 0:28:29 | |
You're huge, the third most followed person in the world. | 0:28:29 | 0:28:32 | |
It's really difficult when I spell something wrong. | 0:28:32 | 0:28:35 | |
Everybody goes... | 0:28:35 | 0:28:36 | |
The bar is set quite low on Twitter. | 0:28:36 | 0:28:39 | |
This is how you spell "your" in this correct way. | 0:28:39 | 0:28:42 | |
-They go mad for it. -There's three ways to spell "your" | 0:28:42 | 0:28:45 | |
and it's horrible. | 0:28:45 | 0:28:47 | |
-How many followers do you have? -20 million something. | 0:28:48 | 0:28:51 | |
-You have 20 million? -It's all around the world as well. | 0:28:54 | 0:28:56 | |
-There'll be like Chinese kids. -Mildly racist. | 0:28:56 | 0:29:01 | |
How is saying "Chinese kids" racist? | 0:29:02 | 0:29:04 | |
If I said, "I hate Chinese kids," that's racist. | 0:29:05 | 0:29:08 | |
You're allowed to say a place where kids are from. | 0:29:09 | 0:29:12 | |
I think that's not even vaguely racist. | 0:29:14 | 0:29:18 | |
"Oh, you know what I fancy for tea tonight? Chinese." "Racist! | 0:29:18 | 0:29:21 | |
"Dirty racist." | 0:29:21 | 0:29:23 | |
You're meant to say... | 0:29:23 | 0:29:25 | |
CHEERING | 0:29:25 | 0:29:27 | |
-All right, a little tweet... -I think I'll have a takeaway of an ethnic origin. | 0:29:27 | 0:29:33 | |
LAUGHTER | 0:29:33 | 0:29:34 | |
Not racist. Cheryl, you're pretty new to Twitter, aren't you? | 0:29:34 | 0:29:37 | |
-Yeah, nearly a year. -OK. You're Twitter cr... You love it. -I do. | 0:29:37 | 0:29:43 | |
I love just being able to talk to people direct. | 0:29:43 | 0:29:47 | |
-So much fun, right? -I don't know what I was doing before. | 0:29:47 | 0:29:49 | |
-Facebooking, MySpace, networking? -I didn't do any of that. | 0:29:49 | 0:29:55 | |
I went directly to Twitter. | 0:29:55 | 0:29:57 | |
The other day you did 100 tweets in one day. | 0:29:57 | 0:30:02 | |
-Yeah. -That was the day I followed her. | 0:30:02 | 0:30:04 | |
She's slowly writing a novel. | 0:30:06 | 0:30:08 | |
I got shit to do! | 0:30:10 | 0:30:12 | |
I wasn't saying, "I have just had a coffee, I'm about to do this." | 0:30:12 | 0:30:15 | |
I was talking to people direct. | 0:30:15 | 0:30:17 | |
-Replying to people. -She's a nice pop star. -I dedicate time. | 0:30:17 | 0:30:22 | |
-Ross, you've developed a Twitter bomb. -Yeah. -Explain that. | 0:30:22 | 0:30:27 | |
I did this thing where it was Twitter Bombard Tuesday. | 0:30:27 | 0:30:31 | |
I would get my followers to not mention me in the tweet at all, | 0:30:31 | 0:30:34 | |
so people didn't know where it was coming from | 0:30:34 | 0:30:37 | |
and bombard one person with thousands of stupid questions at the same time. | 0:30:37 | 0:30:41 | |
We started with Doritos. | 0:30:41 | 0:30:44 | |
Why have they got their own Twitter feed? You know, still cheesy. | 0:30:44 | 0:30:49 | |
Still cheesy again. | 0:30:49 | 0:30:52 | |
We just bombarded them with thousands of questions. | 0:30:52 | 0:30:55 | |
People were saying things like, "I have a much loved family moth, | 0:30:55 | 0:30:59 | |
"that's injured its wing, | 0:30:59 | 0:31:01 | |
"could you use a Dorito as a prosthetic replacement?" | 0:31:01 | 0:31:04 | |
They're just like, "What? OK." | 0:31:06 | 0:31:08 | |
"Could you use a Dorito as a plectrum for a spaghetti guitar?" | 0:31:08 | 0:31:12 | |
But they'd get thousands all at the same time. | 0:31:12 | 0:31:15 | |
-As a hang-glider. -See, tiny little hang-glider. | 0:31:15 | 0:31:19 | |
You could have joined in. | 0:31:19 | 0:31:21 | |
-If you were an insect. -Yeah, tweet that. | 0:31:21 | 0:31:24 | |
People will be doing it now, Doritos will be, | 0:31:24 | 0:31:26 | |
-"Oh, God, it's happening again!" -"Oh, God, here we go again!" | 0:31:26 | 0:31:30 | |
People are just wasting their time, basically. | 0:31:30 | 0:31:32 | |
LAUGHTER | 0:31:32 | 0:31:34 | |
Did you get that idea from the time you got everyone to phone | 0:31:34 | 0:31:37 | |
a radio station in Newcastle. | 0:31:37 | 0:31:39 | |
Yes, I bet you know who this is. | 0:31:39 | 0:31:41 | |
-Do you know the flashing blade? -Yes. | 0:31:41 | 0:31:44 | |
He's a real Geordie! | 0:31:44 | 0:31:47 | |
Yeah, there was a phone-in show and I got the audience, | 0:31:47 | 0:31:52 | |
about 500 people all to say | 0:31:52 | 0:31:54 | |
that they'd seen an alligator loose, in Heaton Park, in fact. | 0:31:54 | 0:31:58 | |
It was in Heaton Park. | 0:31:58 | 0:32:00 | |
They all phoned in this radio station, people were going, | 0:32:00 | 0:32:03 | |
"Alan, me dog went into some bushes. | 0:32:03 | 0:32:06 | |
"There was rustling and it come back and there was just the lead, | 0:32:06 | 0:32:09 | |
"just the lead, me dog's gone." | 0:32:09 | 0:32:12 | |
And people were ringing in, going, "Aye, our cat got snapped." | 0:32:12 | 0:32:16 | |
The trouble was it got out of control and it made all the papers. | 0:32:16 | 0:32:21 | |
My mum rang me up and went, "You've gone too far this time." | 0:32:21 | 0:32:25 | |
LAUGHTER | 0:32:25 | 0:32:27 | |
Then it turned into this legend that there was an alligator | 0:32:27 | 0:32:29 | |
loose in the park. | 0:32:29 | 0:32:31 | |
-I really believed that. Is it not true? -That's me! | 0:32:31 | 0:32:33 | |
-I started that. -Don't you know that story? | 0:32:33 | 0:32:37 | |
APPLAUSE | 0:32:37 | 0:32:40 | |
It's not true. I started it, | 0:32:40 | 0:32:42 | |
but the worst thing was, about six months later, | 0:32:42 | 0:32:46 | |
I was watching Pet Rescue on Channel 4, | 0:32:46 | 0:32:49 | |
and they went, "Today we have a pet rescue special | 0:32:49 | 0:32:53 | |
"with the Teesside reptile society | 0:32:53 | 0:32:55 | |
"who are spending the weekend looking for an alligator." | 0:32:55 | 0:32:58 | |
There were blokes just in waders on this horrible winter's day, | 0:32:59 | 0:33:03 | |
poking the river. | 0:33:03 | 0:33:05 | |
"Careful in case it snaps at you." | 0:33:05 | 0:33:09 | |
-How old were you? -It was last week. -Not that long ago. | 0:33:09 | 0:33:16 | |
It's music time, Cheryl, dancers await. | 0:33:16 | 0:33:20 | |
-If you want to go and get ready. -Thank you. | 0:33:20 | 0:33:22 | |
There she goes! | 0:33:22 | 0:33:24 | |
SCREAMING | 0:33:24 | 0:33:25 | |
In a moment, we'll meet this week's visitors to the famous red chair. | 0:33:25 | 0:33:31 | |
First performing her new single, Call My Name, it is Cheryl Cole! | 0:33:31 | 0:33:34 | |
# How d'you think I feel when you call my name? | 0:33:55 | 0:34:00 | |
# You got me confused by the way I change | 0:34:00 | 0:34:03 | |
# How d'you think I feel when you call my name? | 0:34:03 | 0:34:06 | |
# My name, say my name, baby | 0:34:06 | 0:34:10 | |
# Yes, I love you, say it, for the way I know we've been apart | 0:34:25 | 0:34:30 | |
# It's an endless circle a poison arrow to my heart | 0:34:32 | 0:34:38 | |
# Saying I-I-I | 0:34:40 | 0:34:43 | |
# I love what you do to me | 0:34:43 | 0:34:45 | |
# Need you to stay with me | 0:34:45 | 0:34:48 | |
# I-I-I | 0:34:48 | 0:34:51 | |
# Love you too much to let go | 0:34:51 | 0:34:56 | |
# How d'you think I feel when you call my name? | 0:34:56 | 0:35:00 | |
# You got me confused by the way I change | 0:35:00 | 0:35:04 | |
# How d'you think I feel when you call my name? | 0:35:04 | 0:35:07 | |
# My name, say my name, baby | 0:35:07 | 0:35:10 | |
# How d'you think I feel when you call my name? | 0:35:10 | 0:35:15 | |
# You got me confused by the way I change | 0:35:15 | 0:35:18 | |
# How d'you think I feel when you call my name? | 0:35:18 | 0:35:22 | |
# My name, say my name, baby | 0:35:22 | 0:35:25 | |
# It's the constant thought of my baby taking up my time | 0:35:28 | 0:35:36 | |
# It's an utter vision of you that's playing on my mind | 0:35:36 | 0:35:41 | |
# Saying I-I-I | 0:35:43 | 0:35:47 | |
# I love what you do to me | 0:35:47 | 0:35:49 | |
# Need you to stay with me | 0:35:49 | 0:35:51 | |
# I-I-I love you too much to let go | 0:35:51 | 0:35:59 | |
# How d'you think I feel when you call my name? | 0:35:59 | 0:36:03 | |
# You got me confused by the way I change | 0:36:03 | 0:36:07 | |
# How d'you think I feel when you call my name? | 0:36:07 | 0:36:11 | |
# My name, say my name, baby | 0:36:11 | 0:36:15 | |
# How d'you think I feel when you call my name? | 0:36:15 | 0:36:18 | |
# You got me confused by the way I change | 0:36:18 | 0:36:22 | |
# How d'you think I feel when you call my name? | 0:36:22 | 0:36:26 | |
# My name, say my name, baby | 0:36:26 | 0:36:29 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:36:31 | 0:36:34 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:36:34 | 0:36:38 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:36:38 | 0:36:42 | |
# Say my name, baby | 0:36:42 | 0:36:46 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:36:46 | 0:36:49 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:36:49 | 0:36:53 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:36:53 | 0:36:57 | |
# Say my name, baby. # | 0:36:57 | 0:36:59 | |
CHEERING | 0:37:00 | 0:37:01 | |
Thank you. | 0:37:04 | 0:37:05 | |
Cheryl Cole, everybody! | 0:37:07 | 0:37:09 | |
Come back and join us. Beautiful job. Cheryl! | 0:37:11 | 0:37:16 | |
Mwah! Thank you very much. | 0:37:16 | 0:37:20 | |
I'll guide you round here. I will sit you there. | 0:37:20 | 0:37:25 | |
Now, that was genius, thank you very much. | 0:37:25 | 0:37:28 | |
Dance moves, I loved all that - | 0:37:28 | 0:37:30 | |
-the crotch. -All the acrobatics. | 0:37:30 | 0:37:32 | |
Landing in the splits, really? | 0:37:32 | 0:37:34 | |
Now, it is time for the visit to the red chair. | 0:37:34 | 0:37:37 | |
Tonight, in honour of our two beautiful ladies...and Ross... | 0:37:37 | 0:37:43 | |
-Thanks. -It's men only. It's a men-only red chair. -Good. | 0:37:43 | 0:37:49 | |
-You're in charge of the lever, ladies. -I'm in charge? Oh, you too. | 0:37:49 | 0:37:52 | |
You're in charge | 0:37:52 | 0:37:54 | |
-and the men are telling you a story to impress you. -Right. | 0:37:54 | 0:37:58 | |
It's as if they're meeting you, say in a bar, | 0:37:58 | 0:38:00 | |
telling you a story to impress you. | 0:38:00 | 0:38:02 | |
It'll be their favourite, the one to make you think, | 0:38:02 | 0:38:06 | |
"Wow, he's the one." OK? | 0:38:06 | 0:38:07 | |
You may not want to hear the story, in which case, you know what to do. | 0:38:07 | 0:38:12 | |
-Good luck, boys. Here we go. Hello. -Hi there, you all right? | 0:38:12 | 0:38:15 | |
Not impressed, not impressed. | 0:38:20 | 0:38:24 | |
That was going to have to be an amazing story. | 0:38:24 | 0:38:27 | |
That was very harsh, very harsh. | 0:38:27 | 0:38:30 | |
He had sexual ninja written all over him, that fella. | 0:38:30 | 0:38:33 | |
Maybe we're saving the fine wine till last. Who's next? | 0:38:37 | 0:38:40 | |
-Now, what's your name? -Andy. -Andy? Where are you from? | 0:38:42 | 0:38:48 | |
-Australia. -From Australia, OK? Yeah. -Good. -Off you go. | 0:38:48 | 0:38:52 | |
Don't lick your lips like that, it looks weird. | 0:38:52 | 0:38:54 | |
It's going to happen. | 0:38:56 | 0:38:59 | |
-The first one didn't get to speak. -Most of them don't. | 0:39:02 | 0:39:07 | |
This gives us insight, if this was a bar, the way these two would behave. | 0:39:07 | 0:39:12 | |
I kissed a girl and I liked it. | 0:39:14 | 0:39:17 | |
Oh! CHEERING | 0:39:17 | 0:39:19 | |
Get a room. | 0:39:19 | 0:39:21 | |
-Oh, hello. Is it hot in here? -One more, here we go. | 0:39:21 | 0:39:26 | |
-He's made an effort. -What time are you from, sir? | 0:39:26 | 0:39:31 | |
-What's your name? -Connor. -And where are you from? | 0:39:37 | 0:39:40 | |
-Hull. -That's nice. | 0:39:40 | 0:39:43 | |
You know... | 0:39:43 | 0:39:45 | |
That's nice, that's the first time anyone's ever said that. | 0:39:45 | 0:39:48 | |
Oh, that's nice. | 0:39:48 | 0:39:49 | |
I thought it's up north, you could share you know, travel things. | 0:39:49 | 0:39:52 | |
We'll have to be careful, | 0:39:52 | 0:39:54 | |
when you pull that lever, his cello will go with him. | 0:39:54 | 0:39:56 | |
-Connor, you look lovely, don't listen to them. -Thank you. | 0:39:58 | 0:40:02 | |
What do you do in Hull? | 0:40:02 | 0:40:04 | |
-I'm a student at the moment. -Of? -Chemistry. -That's smart. | 0:40:04 | 0:40:10 | |
He's from Hull. | 0:40:10 | 0:40:12 | |
And it's a play on words, he's a student of chemistry, | 0:40:12 | 0:40:15 | |
at the bar, picking us up. | 0:40:15 | 0:40:17 | |
-Where do you study? -Oxford. -From Hull to Oxford. | 0:40:17 | 0:40:22 | |
The graph is like that. | 0:40:22 | 0:40:26 | |
That's quite a life trajectory, ladies and gentleman. | 0:40:28 | 0:40:30 | |
Now, he's dating a pop princess! Oh, my God! | 0:40:30 | 0:40:35 | |
-If you're a real prince, I'll marry you? -Are you a prince? | 0:40:35 | 0:40:37 | |
-Sadly not, no. -You idiot, say yes. -Yes, I am. | 0:40:37 | 0:40:42 | |
She's American, she'd never know. | 0:40:42 | 0:40:46 | |
I am the Prince of Hull. | 0:40:46 | 0:40:48 | |
Off you go with your story. | 0:40:50 | 0:40:52 | |
I have an unfortunate habit of sleepwalking. | 0:40:52 | 0:40:56 | |
It has got me into awkward situations, | 0:40:56 | 0:41:00 | |
the first of which was locking myself out of my house at 3am. | 0:41:00 | 0:41:04 | |
I was wearing just my underwear. | 0:41:04 | 0:41:06 | |
I had been dreaming that I was at a party | 0:41:06 | 0:41:09 | |
and I needed to leave to go home. | 0:41:09 | 0:41:11 | |
When leaving, I thought I know I've just gone out of the house | 0:41:11 | 0:41:15 | |
and left this person's... | 0:41:15 | 0:41:18 | |
Love of God! | 0:41:20 | 0:41:21 | |
But he was a prince! | 0:41:24 | 0:41:27 | |
I think some fumes from an experiment got to him. | 0:41:27 | 0:41:30 | |
What part of Hull was he from? I very much like the Humber Bridge. | 0:41:32 | 0:41:36 | |
Maybe he's actually from hell? | 0:41:37 | 0:41:41 | |
-One more. Hello? -Hiya. -Hi. -OK. | 0:41:41 | 0:41:48 | |
-What's your name? -Michael. He has a nice smile. | 0:41:53 | 0:41:56 | |
Oh, Cheryl don't look like that. He's lovely. He's wearing two tops. | 0:41:56 | 0:42:00 | |
-He could be the man of your dreams. -They're attached. -They're attached. | 0:42:00 | 0:42:05 | |
Don't say that. | 0:42:05 | 0:42:07 | |
Is the hair... What's happening there, then? | 0:42:07 | 0:42:12 | |
-It's a beardy thing. -No the hair, the actual... | 0:42:12 | 0:42:16 | |
On top of his head? Should that have cheese and pineapple stuck...? | 0:42:16 | 0:42:19 | |
Too cruel. Michael, I'm on your side. Where are you from? | 0:42:22 | 0:42:26 | |
-London. -And what do you do? -I run a B&B hotel. | 0:42:26 | 0:42:31 | |
He runs a B&B hotel. | 0:42:31 | 0:42:32 | |
You either run a hotel or a bed and breakfast. | 0:42:32 | 0:42:35 | |
LONDON ACCENT: "I'll tell you what, right? I'll tell you what, lovely! | 0:42:35 | 0:42:38 | |
"I've sorted it. Down in London, we do a B&B hotel, mate. | 0:42:38 | 0:42:42 | |
"You get in bed, you get your breakfast, | 0:42:42 | 0:42:44 | |
"get in there, bish, bosh, and it's got a mini bar, trouser press | 0:42:44 | 0:42:49 | |
"sorted, charge you double, lovely. Want a bit of cheese and pineapple, mate? | 0:42:49 | 0:42:52 | |
"Cheese and pineapple, mate, some of that. | 0:42:52 | 0:42:56 | |
"B&B hotel, innit?" | 0:42:58 | 0:43:00 | |
Come on, Michael, tell your story. | 0:43:01 | 0:43:03 | |
I was in Central London with my wife, shopping... | 0:43:03 | 0:43:05 | |
Wait a minute! | 0:43:05 | 0:43:07 | |
Very good. | 0:43:10 | 0:43:11 | |
CHEERING | 0:43:11 | 0:43:13 | |
If you'd like to join us and have a go in the red chair, | 0:43:13 | 0:43:16 | |
contact us via the website. | 0:43:16 | 0:43:19 | |
Thank you to my lovely guests tonight, | 0:43:19 | 0:43:23 | |
Mr Ross Noble! | 0:43:23 | 0:43:25 | |
Katy Perry! | 0:43:25 | 0:43:28 | |
Cheryl Cole! | 0:43:28 | 0:43:29 | |
Join me, same time next week. I'll see you then, good night. Bye-bye. | 0:43:31 | 0:43:35 | |
Subtitles by Red Bee Media Ltd | 0:43:47 | 0:43:49 |