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Hey you! Yes you. Standing next to the woman who now wishes she wasn't | :00:14. | :00:19. | |
sitting there. Are you tired? Listless? About to host a talk show | :00:20. | :00:24. | |
with big guests and worried you've got nothing to say? Then why not | :00:24. | :00:31. | |
try drinking! Yes, drinking. Feel all your old confidence flooding | :00:31. | :00:41. | |
:00:41. | :00:46. | ||
back. And soon you'll be able to shout Let's start the show! | :00:46. | :00:56. | |
:00:56. | :01:03. | ||
CHEERING AND APPLAUSE Oh! Oh! Hello everybody! Good | :01:03. | :01:13. | |
:01:13. | :01:13. | ||
evening. Welcome. Hello. Hello. | :01:13. | :01:16. | |
Welcome all. If you want me Blue Nun, I'm available. Yes, we're | :01:16. | :01:19. | |
talking adverts because tonight we're joined by the star of | :01:19. | :01:22. | |
brilliant advertising drama, 'Mad Men'. Don Draper himself, Jon Hamm | :01:22. | :01:32. | |
:01:32. | :01:38. | ||
is here. Oscar-winning actress and star of new sci-fi blockbuster | :01:38. | :01:41. | |
'Prometheus', Charlize Theron is on the show. Plus comedian, actor and | :01:41. | :01:44. | |
the man behind the legendary Alan Partridge, Steve Coogan is here. | :01:44. | :01:53. | |
And we even have music, from the wonderful Rumer. And, what an | :01:53. | :02:00. | |
exciting time to be in the country, it's the Jubliee weekend! I can't | :02:00. | :02:10. | |
:02:10. | :02:11. | ||
think of anyone who won't be waving a Union Jack. I can't! Maybe one | :02:11. | :02:19. | |
person! We've got two bank holidays. Mind you, if you think that's a | :02:19. | :02:21. | |
long weekend, try flying back from Azerbaijan with Engelbert | :02:21. | :02:29. | |
Humperdinck. It's further than you think! There's going to be a huge | :02:29. | :02:32. | |
Jubilee Concert with JLS playing. It'll be great. I mean, who doesn't | :02:32. | :02:40. | |
like JLS? The highlight of the weekend is the flotilla on the | :02:40. | :02:45. | |
Thames. All the Royals have their own unique boats. The Queen... | :02:45. | :02:55. | |
:02:55. | :03:03. | ||
Charles... And Harry. It's Friday night and already the members of | :03:03. | :03:07. | |
the Royal Household have been overdoing the celebrations. They | :03:07. | :03:17. | |
:03:17. | :03:23. | ||
have! It is sleeping, right? It is sleeping? Yes, it's going to be a | :03:23. | :03:26. | |
weekend of partying. I can't imagine what the Queen's going to | :03:26. | :03:29. | |
look like after four days' non-stop drinking. Let's get some guests on! | :03:29. | :03:39. | |
:03:39. | :03:39. | ||
But first, knowing me, Graham Norton, knowing you, Steve Coogan. | :03:39. | :03:49. | |
:03:49. | :03:49. | ||
CHEERING AND APPLAUSE I'm Mad about this man, it is Jon | :03:49. | :03:54. | |
Hamm! Look here! How are you? Very well. | :03:54. | :04:04. | |
:04:04. | :04:05. | ||
And the Monster star, it is Charlize Theron! Oh, baby, oh! Oh! | :04:05. | :04:10. | |
Charlize Theron! Oh, baby, oh! Oh! Sit down. | :04:10. | :04:20. | |
:04:20. | :04:20. | ||
Before I go on to another thing, I know I will get this wrong a lot, | :04:20. | :04:24. | |
Charlize THERON? You the first person who has said it perfectly. | :04:24. | :04:29. | |
Amazing. 15 years and you came along. | :04:29. | :04:35. | |
By the way, do you know each other outside of being back there or on a | :04:35. | :04:45. | |
sofa? I know Jon... And I don't know Steve! I know him, I have seen | :04:45. | :04:49. | |
him on the telly. You know that is not real! I know. | :04:49. | :04:56. | |
It is the Jubilee weekend, do you have plans? I was invited, I guess | :04:56. | :05:02. | |
to sit next to the Queen on the boat? No, you are joking! That's | :05:02. | :05:06. | |
amazing. You are joking? I'm not going to do | :05:06. | :05:13. | |
it! I don't know her! It's four hours! It's a long thing and what | :05:13. | :05:23. | |
are we going to talk about. I don't own crowns or tiara s or not. | :05:23. | :05:28. | |
Are you joking? No, I am completely joking. | :05:28. | :05:33. | |
He has bin invited on the boat. confused now, have you been invited | :05:33. | :05:41. | |
on the boat? Did you lie to me as well? It's a | :05:41. | :05:46. | |
great story. I didn't even know there was going to abboat. | :05:46. | :05:54. | |
These two are thinking, "How do they get on the boat?" Just another | :05:54. | :06:00. | |
thing you don't have in common with the Queen! Now, Charlize Theron. | :06:00. | :06:05. | |
Now we are delighted you are here for all sorts of reasons. | :06:05. | :06:08. | |
I'm so happy to be here, I'm a huge fan. | :06:08. | :06:18. | |
:06:18. | :06:23. | ||
Thank you! Such a ham! You did not have to say that! It means that you | :06:23. | :06:29. | |
are here and Prometheus is finally out! It is in cinemas it is finally | :06:29. | :06:33. | |
out. This has been so hyped and anticipated. | :06:33. | :06:37. | |
It is like an elephant pregnancy. People have been waiting and | :06:38. | :06:43. | |
waiting. I have seen it, I enjoyed it, I feel like I can't say | :06:43. | :06:48. | |
anything about it. Like there is a sniper there waiting to take you | :06:48. | :06:51. | |
out. Yeah, like Ridley Scott will come | :06:51. | :06:58. | |
out from a rope and kill me. When you got the script, did you have to | :06:58. | :07:02. | |
seen sign a letter in blood? Well, a version of that. They don't like | :07:03. | :07:08. | |
to have lots of scripts floating around with this, as everybody knew | :07:08. | :07:15. | |
that he had this in development for like 33 years, yeah... It is like | :07:15. | :07:24. | |
an elephant's pregnancy! I think they were, "You are so rude." I am | :07:24. | :07:32. | |
a lady. Keep them together. Stit still! Any way, I was in Malaysia, | :07:32. | :07:37. | |
it was on monsoon season, on holiday with my family. I get a | :07:37. | :07:41. | |
text from Ridley Scott you have to read the script in two hours, | :07:41. | :07:45. | |
others it will implode on you, you have to let me know. There was a | :07:45. | :07:53. | |
massive storm going on. I could not get a Wi-Fi connection. A little | :07:53. | :07:59. | |
Malaysian man met me with an umbrella and we hiked up the hill, | :07:59. | :08:08. | |
I literally sat with my rain coat and my laptop. I only read half a | :08:08. | :08:12. | |
page. It was Ridley Scott, I should be so greatful. | :08:12. | :08:16. | |
Ridley Scott has kept the theme of strong women? Yes. | :08:16. | :08:22. | |
You don't need to know the Alien movies, this is a separate thing? | :08:22. | :08:29. | |
It originated a long time ago as the idea of wanting to do a prequel. | :08:29. | :08:34. | |
Then they realised that there was more to explore if you didn't have | :08:34. | :08:39. | |
to play in that sand box, so they made it a stand-alone film. You | :08:39. | :08:44. | |
don't have to know anything about Alien. If you do, you will find | :08:44. | :08:50. | |
little gems here and there. Little Waldos, but really, anything | :08:50. | :08:54. | |
other than the last eight minutes of the film feels like it is from | :08:54. | :09:00. | |
that family. Obviously it is you, it is a is | :09:00. | :09:06. | |
Noomi Rapace and Guy Pearce and Guy Pearce is amazing in it? He is | :09:06. | :09:11. | |
incredible. He plays Ann droid in Spoiler! | :09:11. | :09:15. | |
I'm not a spoiler. Here comes Ridley Scott! He's | :09:15. | :09:19. | |
amazing in it. I get to do fun stuff with him. So that was fun. | :09:19. | :09:24. | |
We have a clip. This is near the beginning, so it contains no | :09:24. | :09:29. | |
spoilers. OK. | :09:29. | :09:37. | |
Doctors, Miss Vickers would like to have a word before the adventure | :09:37. | :09:41. | |
begins. I think that there may be a little confusion about the | :09:41. | :09:44. | |
relationship. If you find anything down there, you will not engage to | :09:44. | :09:50. | |
them, talk to them, you will do nothing but report back to me. | :09:50. | :10:00. | |
Is there an agenda that you are not telling us about? We have paid a | :10:00. | :10:04. | |
trillion dollars to find the place. If you found the place, we would be | :10:04. | :10:09. | |
persuing your agenda, but you didn't. That makes you an employee. | :10:09. | :10:19. | |
:10:19. | :10:20. | ||
Cheers! APPLAUSE Tust be -- it must be fun to be in, | :10:20. | :10:26. | |
people are so excited to see it? is nice that people want to see a | :10:26. | :10:31. | |
movie you are in, it is no pressure. The other thing, we have to | :10:31. | :10:41. | |
acknowledge, what a beautiful sofa it is tonight! See, if you are a | :10:41. | :10:51. | |
:10:51. | :10:52. | ||
very handsome man it helps. But we have Jon and Steve. | :10:52. | :10:57. | |
If people at home are looking at their ugly child asleep, going, | :10:57. | :11:06. | |
there is hope. Charlize, you blossomed later in life, as a | :11:06. | :11:10. | |
child? You were not the prettiest of children, is that fair? Are you | :11:10. | :11:15. | |
talking about the fact I had no teeth until I was three? That will | :11:15. | :11:24. | |
be the one. I did. I was sick as a baby, I had jaundice and I was | :11:24. | :11:31. | |
allergic to my mum's breast milk. The sicker I was getting, the more | :11:31. | :11:36. | |
antibiotics I was getting. It rotted my upper teeth. They had to | :11:36. | :11:41. | |
cut them out. For some reason the fangs survived it and my bottom | :11:41. | :11:45. | |
teeth. That is all I had until I was ten years old. | :11:45. | :11:52. | |
God! I know, you guys, it was so hard! It's a shame you never grew! | :11:52. | :11:58. | |
You have made up for it! I was always the lanky, skinny, tall girl | :11:58. | :12:04. | |
with no teeth. I know! Life was really tough. | :12:04. | :12:08. | |
You have great ones now! I think that school reunions are really | :12:08. | :12:15. | |
good for you now! How annoying, Jon Hamm, you, here is a picture of you | :12:15. | :12:25. | |
:12:25. | :12:30. | ||
in high school. This looks like an Abercrombie & Fitch model shot. | :12:31. | :12:38. | |
Is that your mid-riff? It was the 80s. | :12:38. | :12:44. | |
It didn't stop there, you did cut it? That was on purpose! That is a | :12:44. | :12:54. | |
:12:54. | :12:59. | ||
look. I was 17! Cos, no-one could accuse Jon Hamm of being an | :12:59. | :13:05. | |
overnight seven vaigs, you plugged away for a long time? Yes, I did. | :13:05. | :13:11. | |
-- sensation. Yes, I did. I landed in LA in 94 | :13:11. | :13:17. | |
rand 95 and proceeded not to work for a solid three years. | :13:17. | :13:23. | |
I was there at that time! Thank you for taking may jobs. I waited | :13:23. | :13:28. | |
tables and bar tended and did that whole circuit. | :13:28. | :13:33. | |
Did you make a deal to yourself about when this was going to go on | :13:34. | :13:39. | |
for and how long? I did a deal with myself, if I got to 30 without a | :13:39. | :13:47. | |
break, I would slink back. Even the big break, getting Don | :13:47. | :13:52. | |
Draper in 'Mad Men', that was not easy? No, I had to audition for it | :13:52. | :13:58. | |
seven or eight times. They wanted somebody famous. I was | :13:58. | :14:03. | |
not that so, they had to be convinced. I had to audition and | :14:03. | :14:07. | |
audition and audition. And did they tell you to your face | :14:07. | :14:11. | |
that they did not think you were sexy enough? No. I only recently | :14:11. | :14:19. | |
heard that. Like, how recently? Just now! | :14:19. | :14:24. | |
you, by the way! No, that was, apparently they told the writer and | :14:24. | :14:30. | |
the creator that they did not think I was sex any enough... Where they | :14:30. | :14:36. | |
blind? Well, thank you. I mean, are they still alive and working? | :14:36. | :14:43. | |
are all gone. That's what I would think! I had them murdered! No... | :14:43. | :14:47. | |
I'm glad no-one told you, that is an awkward call. | :14:47. | :14:51. | |
Sure, that would be weird, but it worked out OK. | :14:51. | :14:57. | |
Mad Men, it is one of those shows, people don't just like it, they | :14:57. | :15:05. | |
love it. It is Casey. It is a very accurate portrayal of the 1960s, | :15:05. | :15:11. | |
but the fanss are fanatic about it? Yes, it has all been documented so | :15:11. | :15:16. | |
there are crazy fans who will say it was not raining on December 14, | :15:16. | :15:22. | |
1968, this is clearly bull shit. You think maybe you have too much | :15:22. | :15:27. | |
time on your hands, but it is remarkable. The show has a | :15:27. | :15:31. | |
phenomenal research department. They do actually get a lot of that | :15:31. | :15:35. | |
stuff right, down to the weather. We play off a lot of historic | :15:35. | :15:40. | |
events that happen. And season five, we are in the | :15:40. | :15:47. | |
fifth season, obviously it has won four Golden Globes Awards, 15Emmys, | :15:47. | :15:53. | |
but amazing stuff, most tuling of all of how successful Mad Men is, | :15:53. | :15:59. | |
it has spawned a range of barbis! Is that not weird, Barbie would | :15:59. | :16:07. | |
make a doll of a man that smokes and drinks and shags around. It | :16:07. | :16:10. | |
seems off-brand. You don't want to leave that doll | :16:10. | :16:20. | |
with any other dolls. It will get very inappropriate very quickly. | :16:20. | :16:28. | |
Raggedy Anne is crying! Sorry, sweetheart, don't call! It comes | :16:28. | :16:33. | |
with its own leather briefcase and it has a trench coat it is lovely. | :16:33. | :16:40. | |
Is it for real? That's amazing! is the Barbie fashion model. You | :16:40. | :16:43. | |
can collect the range. That is incredible. | :16:43. | :16:49. | |
Are you getting a doll for Prometheus? No, I'm gel kpwrous. | :16:49. | :16:56. | |
I have your doll from -- No, I'm jealous. | :16:56. | :17:04. | |
I have your doll from Monster. That did not sell so well. | :17:04. | :17:10. | |
It is amazing, you think normally you have to anybody a movie like | :17:10. | :17:20. | |
:17:20. | :17:21. | ||
Prometheus to get an action figure, but not a movie from the 60, -- 60s, | :17:21. | :17:30. | |
about advertising eagents? Alan Partridge did never have a doll? | :17:30. | :17:36. | |
there were masks, but why would anyone want to wear a mask? | :17:36. | :17:41. | |
terms of endorsements, as celebrities, you can make money out | :17:41. | :17:46. | |
of that, but Steve Coogan you walked away from a lot of money? | :17:46. | :17:54. | |
was offered about... Go on, say it. I was offered �2 million to do an | :17:54. | :18:00. | |
advert for McDonald's. I wouldn't advertise it as I wouldn't. | :18:00. | :18:04. | |
I negotiated and pushed the fee up as high as I could to see what they | :18:04. | :18:09. | |
would pay. I kept saying I want more, I want more. Then they said | :18:09. | :18:15. | |
they would pay me �2 million. I said "no", but I just wanted to see | :18:15. | :18:21. | |
how high they would go. Now, that round of applause there | :18:21. | :18:27. | |
is the only thanks you will get for walking away from �2 million. | :18:27. | :18:32. | |
The thing is about year later when I had not been doing that much work. | :18:32. | :18:38. | |
I thought, "Is hit, I should have done that." Now, advertising it is | :18:38. | :18:45. | |
regulated now. About the time of Mad men it was a | :18:45. | :18:50. | |
different world and it was a little less politically correct. So these | :18:50. | :18:55. | |
are genuine articles of adds that were around. Here is one: Don't | :18:55. | :19:01. | |
worry, darling, you didn't burn the beer. Like she is pleased she | :19:01. | :19:05. | |
married an alcoholic. Like, who does the shopping? Back | :19:05. | :19:10. | |
then it was the wife who went to the store to buy the stuff. To | :19:10. | :19:18. | |
advertise this they use this... You mean a woman can open it?! All by | :19:18. | :19:26. | |
herself! Oh, I'm going to buy that. This product thinks I'm an idiot. | :19:26. | :19:35. | |
And it's ketchup. It is not a safe. It is not just the sentiment, | :19:35. | :19:41. | |
sometimes the phrasing of the slogans would not work nowadays: | :19:41. | :19:46. | |
Blow in her face and she'll follow you anywhere! As true today as it | :19:46. | :19:54. | |
ever was. This is my favourite, though. This | :19:54. | :20:01. | |
is for, I don't know why it would be this, but it is an early morning | :20:01. | :20:07. | |
laxative. The add says: 6.00Am, you are feeling punk. 58am, you are | :20:07. | :20:17. | |
:20:17. | :20:19. | ||
full of spunk! What a busy two hours they were! Well done, all the | :20:19. | :20:28. | |
adds! CHEERING AND APPLAUSE Going back to Don Draper, I am | :20:28. | :20:32. | |
jealous of the way they drinks all day during work. | :20:32. | :20:36. | |
That is not a character choice, that is just how he works. | :20:36. | :20:42. | |
And talking about drinking, Jon Hamm you are drinking again in your | :20:42. | :20:46. | |
new movie Friends With Kids. Which I have seen and enjoyed so much. | :20:46. | :20:50. | |
Thank you. Written and dread by Jennifer | :20:51. | :20:55. | |
Westfeldt. Lovely and talented. Hey, that is us. | :20:55. | :21:00. | |
We've been together 14 and some odd years. | :21:00. | :21:07. | |
Give that a round of applause! Can I just say, I caught a woman's face | :21:07. | :21:14. | |
in the audience going... Oh! I swear, I did. People applauding and | :21:14. | :21:24. | |
:21:24. | :21:28. | ||
she was going... (mouths expletives ), "I washed, what was the point | :21:28. | :21:38. | |
:21:38. | :21:41. | ||
"?" Stupid long-term partner! washed, that is great! It is | :21:41. | :21:45. | |
Britain, we have standards. Thank you for washing. | :21:45. | :21:50. | |
Now, it is you and jen ter and the rest of the cast is a -- it is you | :21:50. | :21:58. | |
and Jennifer and the rest of the cast is like a mini Bridesmaids | :21:58. | :22:06. | |
reunion? Well, the movie was shot before the Bridesmaid film came out. | :22:06. | :22:16. | |
:22:16. | :22:17. | ||
So we had O' Dowd, he is talented and he was available. So we got him | :22:17. | :22:22. | |
it was a good thing too as Bridesmaids came out as this | :22:22. | :22:25. | |
international phenomena, we would not have been able to afford | :22:25. | :22:29. | |
anybody had we shot it after that. So it was lucky for us. | :22:29. | :22:35. | |
Again, you are, what I liked about the movie is that the characters | :22:35. | :22:42. | |
are not straightforward, but your character is one of the less | :22:42. | :22:47. | |
sympathetic characters? A darker soul. He is not the happiest guy. | :22:47. | :22:52. | |
What the film does is examine how relationships between couples shift | :22:52. | :22:58. | |
once children enter the picture. Jen and I don't have kids, but we | :22:58. | :23:02. | |
know a lot of people that do and watched how their relationship | :23:02. | :23:05. | |
shifted a little bit. Sometimes it is for the better, sometimes for | :23:05. | :23:10. | |
the worst. For my character it is a little bit for the worst. He | :23:10. | :23:15. | |
doesn't hand it will very well. Well, it opens on Friday, 29th of | :23:15. | :23:23. | |
June. Here is a clip. At my dad's funeral... Hey! Hey! | :23:23. | :23:27. | |
my God. How are you going? Welcome back. | :23:27. | :23:33. | |
Good to have you you back. We ran into a couple of friends | :23:33. | :23:41. | |
from work. In the bathroom. | :23:41. | :23:51. | |
:23:51. | :23:51. | ||
Who? Dave and Barbara. Can you believe this, $100 a plate | :23:51. | :23:57. | |
and they are bringing in toddlers. Are they allowed here. We are here | :23:57. | :24:07. | |
to live the dream, leave the kiddis at home. We're pregnant. | :24:07. | :24:12. | |
You are friends with kids, have they seen the film? They have. | :24:12. | :24:21. | |
Do they agree with it? Well, Adam Scott who plays the lead read the | :24:21. | :24:25. | |
script and came to Jen and said is this about him and his wife. | :24:25. | :24:31. | |
We were like, no, not at all, but yes, it is certainly not about | :24:31. | :24:36. | |
anybody, nor is it, it is just more of an observation. That is the | :24:36. | :24:42. | |
beginning of the film. We set the scene with the fancy Manhattan | :24:42. | :24:45. | |
couples whose lives are about to change. | :24:45. | :24:50. | |
Charlize, you have become a mum, recently. You have your son, | :24:50. | :24:54. | |
Jackson? Yes. Two months ago? A councille of | :24:54. | :24:58. | |
months ago. You have been busy, promoting Snow | :24:58. | :25:03. | |
White and this, how are you coping? You just do. I have wanted this for | :25:03. | :25:11. | |
so long. So, you know, I want to keep him humble, so he is like a | :25:11. | :25:16. | |
new-born. I am having the private jets, it is not the norm, but I | :25:16. | :25:23. | |
have time with him. He was really good until we had to take the first | :25:23. | :25:29. | |
commercial flight and he freaked out. Who are these people?! Where | :25:29. | :25:35. | |
is my own plane! Are you finding, obviously there is a lot of | :25:35. | :25:39. | |
interest in you and your son, are you finding that the paparazzi have | :25:39. | :25:47. | |
stepped it up a gear in terms of following you? Yes, it is an | :25:47. | :25:51. | |
uncomfortable subject for me. I have never been comfortable with it. | :25:51. | :25:55. | |
Now more than ever I really realise that I had it so good when it was | :25:55. | :25:59. | |
just me. When you are responsible for this little, you know, it was | :25:59. | :26:04. | |
really hard the first time we, I didn't release photos or anything, | :26:04. | :26:07. | |
so I knew when we went to the airport that would be the first | :26:07. | :26:11. | |
time. He did this little thing where he grabbed my shirt. It is | :26:11. | :26:15. | |
hard. It is really hard. Every part of your body just wants to cover | :26:15. | :26:23. | |
that child and protect him. Yes. But, you know, I wish it was | :26:23. | :26:30. | |
different. I feel like you can shoot me up and down and get my fat | :26:30. | :26:34. | |
angles and my double chins, I'm free game, but it is hard when | :26:34. | :26:40. | |
children are involved. The press behaviour is very much in | :26:40. | :26:46. | |
the news at the moment, we have the Leveson Inquiry, Steve, you were at | :26:46. | :26:53. | |
the Leveson Inquiry. One of my funniest gigs. | :26:53. | :27:01. | |
Are you surprised at how the story has grown and grown? It is funny, | :27:01. | :27:05. | |
when I took legal action against News Corp about two, three years | :27:05. | :27:13. | |
ago, it was a lonely place to be. There was not all of this commotion | :27:13. | :27:20. | |
and in term of the public attitudes, it was like a few whingeing | :27:20. | :27:30. | |
:27:30. | :27:37. | ||
celebrities, but it grew and grew. I found out that saw Glenn | :27:37. | :27:41. | |
Mulcaire's notebook and the pass words to my phone account, which, | :27:41. | :27:51. | |
:27:51. | :27:53. | ||
I'm slightly embarrassed to say was Ferrari. Was Ferrari! Now it is | :27:53. | :27:58. | |
Ford Mondeo! It was not the place to be. | :27:58. | :28:04. | |
But in those days I was advised against it, don't do that, don't | :28:04. | :28:09. | |
make enemies of News Corp that they can stitch you up, but they had | :28:09. | :28:15. | |
already done so, so I did not have skeletons left in my closet. It had | :28:15. | :28:20. | |
been said. As I said to Paul at the Daily Mirror, he could have the | :28:20. | :28:23. | |
hard drive off my computer, there is really nothing else there. It | :28:23. | :28:30. | |
was just regular porn! And the connection to Fox has it made | :28:30. | :28:35. | |
impact in the States? Are people talking about it, or is it just a | :28:35. | :28:39. | |
British thing? There is definitely awareness. | :28:39. | :28:42. | |
It has happened in the States, it has to. | :28:42. | :28:52. | |
Whenever there is a leaked photo of somebody... That is fine. I'm all | :28:52. | :28:58. | |
for that! The thing is they are not leaked, they are stolen. Well... | :28:58. | :29:03. | |
Well... You sent those to me in total... You never replied back! | :29:03. | :29:11. | |
You never replied back. Did I look fat? Not a good angle? You will | :29:12. | :29:15. | |
never get an answer to that question, ever. | :29:15. | :29:19. | |
Watching it now, do you think it will change? Do you think it will | :29:19. | :29:25. | |
ever happen again? I think that something will change. There have | :29:25. | :29:28. | |
been previous enquiries into the press standards, they have said | :29:28. | :29:32. | |
that they will behave themselves, but this is crunchtime, really. | :29:32. | :29:36. | |
There will be some sort of regulation. I think that Leveson is | :29:36. | :29:41. | |
doing a brilliant job. I think he is aware that there is what they | :29:41. | :29:48. | |
call the "chill" effect, so the press are behaving themselves, | :29:48. | :29:52. | |
being very well behaved in the hope that people will say that they are | :29:52. | :29:56. | |
not really that bad. Of course, when the inquiry goes away and then | :29:56. | :30:00. | |
they can get back up to their old tricks, but I think it will be | :30:00. | :30:05. | |
different this time. I think that there will be a sea change. | :30:05. | :30:11. | |
I think what Steve is saying is that now would be an optimum time | :30:11. | :30:18. | |
to do real crazy things in London and they will not report anything. | :30:18. | :30:25. | |
Me and Jon are going to a strip club after this. What, I'm not | :30:25. | :30:31. | |
invited. You are performing! I think have I | :30:31. | :30:34. | |
�20. We have to talk about Alan | :30:34. | :30:39. | |
Partridge. He is back. The book, Alan Partridge, we have to talk | :30:39. | :30:43. | |
about it, now it is out in paperwork back. | :30:44. | :30:46. | |
Thanks for that plug, it was seamless. | :30:46. | :30:51. | |
I am holding a book, it was no accident. Look what I am reading, | :30:51. | :30:56. | |
oh, my God, you are here. I have been careful with the spine! Did | :30:56. | :30:59. | |
you have to read loads of the celebrity autobiographys to get the | :30:59. | :31:04. | |
tone. The tone is very good. They asked me to do my own. I | :31:04. | :31:08. | |
didn't want to do that, I would have to drop so many people in it. | :31:08. | :31:12. | |
So I thought I would not do that, it is too embarrassing as well. I | :31:13. | :31:17. | |
thought I would do an Alan one it is all made up, so it does not | :31:17. | :31:25. | |
matter, but the weird thing, is it in WH Smith as the factual section, | :31:25. | :31:30. | |
the non- fiction section. It is all made up! But that is the confusion | :31:30. | :31:34. | |
with Alan Partridge. People do think of Alan Partridge as being a | :31:34. | :31:43. | |
real person? Some come up to me and say, "Here, Alan, can I have your | :31:43. | :31:50. | |
autograph?" Then I say it is Steve and they say, "Yeah, all right, | :31:50. | :32:00. | |
Alan." You are back on screen? doing a TV series for Sky Atlantic. | :32:00. | :32:06. | |
It is Alan broadcasting with not Radio Norwich, but North Norfolk | :32:06. | :32:11. | |
Digital. It was a whole series of those. A couple of specials. One of | :32:11. | :32:16. | |
those is Alan going around Norfolk and Norwich explaining his | :32:16. | :32:19. | |
background, where he is from and visiting. | :32:19. | :32:28. | |
Is this welcome to the Places of my Life? Yes. The other one is a | :32:28. | :32:33. | |
pseudo art book programme called Open Books, which Alan is | :32:33. | :32:38. | |
interviewing in a worthy, considered pretentious tone about | :32:38. | :32:43. | |
his book. It doesn't sound funny, but it really is funny! We have a | :32:43. | :32:50. | |
clip of Welcome to the Places of My Life. Here is a clip. | :32:50. | :32:54. | |
What I am walking in the countryside I normally like to use | :32:54. | :33:00. | |
a stick, but rather than buy one of those aluminium ones made in China | :33:00. | :33:06. | |
by kids, I have bought a British one, made in Britain by trees it | :33:06. | :33:14. | |
simple, just find somewhere like this, snap away the excess branches, | :33:14. | :33:20. | |
very simple and that one is a bit too big. I would look like Moses, I | :33:20. | :33:24. | |
don't want that, so leave it on the side and basically just jump | :33:24. | :33:30. | |
against it like that. Fine! I'm fine! Now I have a stick. | :33:30. | :33:37. | |
Still a little too long. Put it there again. One more time... Argh! | :33:37. | :33:47. | |
Too short! There! You can give that one to a child, just throw it away. | :33:47. | :33:55. | |
This one, absolutely, absolutely perfect. | :33:55. | :34:00. | |
CHEERING AND APPLAUSE Beautifully done! Right, it is | :34:00. | :34:05. | |
music time now. This is one of the greatest singers around at the | :34:05. | :34:11. | |
moment. I've been playing this song a lot on Radio 2. Performing her | :34:11. | :34:17. | |
single 'PF Sloan', it is the wonderful Rumer! | :34:17. | :34:21. | |
# No, no, no # Don't sing this song | :34:21. | :34:31. | |
:34:31. | :34:35. | ||
# It belongs to PF Sloan # I have been seeking PF Sloan | :34:35. | :34:39. | |
# But no-one knows where he has gone | :34:39. | :34:47. | |
# No-one never heard the song that boy sent whingeing | :34:47. | :34:53. | |
# Now you might sigh and you might moon | :34:53. | :35:02. | |
# And sweat about the skin and bone # But you just smile and read the | :35:02. | :35:12. | |
:35:12. | :35:14. | ||
rolling stone while he continued singing | :35:15. | :35:19. | |
# No, no, no, no # Don't sing this song | :35:19. | :35:24. | |
# No, don't sing this song # No, no, no, no | :35:24. | :35:32. | |
# Don't sing this song # It belongs to PF Sloan | :35:32. | :35:42. | |
# From now on # Listen he's come and bound to | :35:42. | :35:44. | |
stay # He's taken all my sins away | :35:44. | :35:53. | |
# I heard it on the news today # And it set my ears to ringing | :35:53. | :36:00. | |
# Can't you hear the people singing # No, no, no no, no, no | :36:00. | :36:05. | |
# Don't sing this song # No, don't sing this song | :36:05. | :36:15. | |
:36:15. | :36:19. | ||
# No, no, no, no, no, in no, no # It belongs to PF Sloan | :36:19. | :36:26. | |
# From now on # Last time I saw PF Sloan | :36:26. | :36:33. | |
# He was summer bit and winter blown | :36:33. | :36:40. | |
# And he turned that corner all alone and he was singing | :36:40. | :36:46. | |
# Listen to him singing # No, no, no, no, no, no, no | :36:46. | :36:52. | |
# Don't sing that song # No, don't sing this song | :36:52. | :37:00. | |
# No, no, no, no, no, no, no # Don't sing this song | :37:01. | :37:10. | |
:37:11. | :37:17. | ||
# It belongs to PF Sloan # Oh, from now on | :37:17. | :37:24. | |
# No, no, no, no, no, no, no # No, don't sing this song | :37:24. | :37:34. | |
# No, no, no, no, no, no, no # No, don't sing this song | :37:34. | :37:44. | |
:37:44. | :37:45. | ||
# It belongs to PF Sloan # Oh, from now on # CHEERING AND | :37:45. | :37:53. | |
APPLAUSE Beautiful! Rumer, everybody! Come | :37:53. | :37:59. | |
on over, you. Oh, you lovely lady. Thank you very much. | :37:59. | :38:09. | |
:38:09. | :38:14. | ||
Fantastic. Come and sit down, do. | :38:14. | :38:17. | |
Very good. That single is out now, it is off | :38:17. | :38:24. | |
the album Boys Don't Cry which is out now. Very good. | :38:24. | :38:30. | |
Well, Jon, you are not meeting the Queen, don't the end there, Rumer, | :38:30. | :38:35. | |
she has only gone and sung for President Obama! I did. | :38:35. | :38:43. | |
That could be Photoshoped, we are not sure, it could just be a | :38:43. | :38:46. | |
restaurant and it looks like you are singing to President Obama. | :38:46. | :38:56. | |
:38:56. | :39:11. | ||
Close. I wanted to buy them something like | :39:11. | :39:17. | |
you do when you go to someone's house, so I thought about candles | :39:17. | :39:23. | |
and flowers, in the end I went to Marks & Spencer and got them a tin | :39:23. | :39:27. | |
of biscuits. �6.99 and I took the sticker off! | :39:27. | :39:31. | |
You are crazy. They won't know, it is a handy tin. | :39:31. | :39:36. | |
Thank you very much for doing that totally live, it was gorgeous. | :39:36. | :39:41. | |
Loved your voice. We are almost out of time, but before we go, time for | :39:41. | :39:48. | |
a story in the Red Chair. Who is up first? Hello, I'm Leslie. | :39:48. | :39:54. | |
This is Leslie, everyone. Where are you fro? Elstree. | :39:54. | :39:57. | |
Near the film studios? Yeah, not far. | :39:57. | :40:02. | |
Does your story involve celebrity? No, just me. | :40:02. | :40:07. | |
What do you do in Elstree? I'm an administrator for a charity. | :40:07. | :40:12. | |
OK, we will draw a veil. Off you go. | :40:12. | :40:17. | |
I was at a dinner party with the family, I had been eating olives. | :40:17. | :40:27. | |
:40:27. | :40:30. | ||
My dad told a joke... Showing off with her olives! It does not | :40:30. | :40:39. | |
impress us, does it Rumer? �6.99 for biscuits?! Who is up next? | :40:39. | :40:43. | |
Hello? They love you. What is your name? Jeremy. | :40:43. | :40:49. | |
What do you do? I'm a student. Of? Acting. | :40:49. | :40:58. | |
Where are you going? LAMDA... APPLAUSE | :40:58. | :41:02. | |
LAMDA is very good. I'm in a mood, Steve, I'm in a mood. | :41:02. | :41:06. | |
I can tell. Let's try one more. This is the one, | :41:06. | :41:15. | |
the third one is a charm. Hello? What is your name? Louise. | :41:15. | :41:18. | |
Where are you from? London, Shoreditch. | :41:18. | :41:22. | |
Very cool. What do you do? I work for a | :41:22. | :41:24. | |
fashion designer. Off you go. | :41:24. | :41:34. | |
:41:34. | :41:39. | ||
One time I pretended to be Charlize's sister. | :41:39. | :41:49. | |
:41:49. | :41:51. | ||
Which Charlize, this one? Yes, sorry, Charlize, not Charlice! | :41:51. | :41:58. | |
draw the line with the last name! You can screw up my last name all | :41:58. | :42:08. | |
you want, but, God damn it, not my first! OK, one more. This is it! | :42:08. | :42:12. | |
This will be the last one. Hello, nice lady. | :42:12. | :42:18. | |
Hello. What is your name? Jenny. | :42:18. | :42:25. | |
Where are you from? Dutch/American. Where are you living now? Tufnell | :42:25. | :42:32. | |
Park. She puts the tough into Tufnell! | :42:32. | :42:38. | |
Don't mess with me! She is Jenny from the Block. | :42:38. | :42:47. | |
Off you go. I was working at a or ang ue tang | :42:47. | :42:57. | |
rescue centre. I love this story -- or anutang. I | :42:57. | :43:02. | |
was working with the play area. Way was not aware of how it rolled in | :43:02. | :43:06. | |
the rescue centre. I was observing the little ones playing when I felt | :43:06. | :43:11. | |
something wet pressing against my palm, the palm of my hand. When I | :43:11. | :43:21. | |
:43:21. | :43:22. | ||
looked it was one of these ed to ler orangutangs master baiting | :43:22. | :43:29. | |
himself with my hand. With his tiny little penis! | :43:29. | :43:34. | |
walk! Tip me! There you go! Well done. | :43:35. | :43:38. | |
We liked that. Well done everyone. If you'd like | :43:38. | :43:42. | |
to join us on the show and have a go in the red chair, you can | :43:42. | :43:45. | |
contact us via our website at this address: Thank you to my guests, | :43:45. | :43:48. |