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Is the home of the talk show audience and here in amongst the | :00:14. | :00:24. | |
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herd we find the mighty alpha male. LAUGHTER | :00:25. | :00:29. | |
He spent the last hour drinking at the watering hole. | :00:29. | :00:31. | |
LAUGHTER And soon he will be looking for a | :00:31. | :00:41. | |
:00:41. | :00:42. | ||
suitable mate. LAUGHTER | :00:42. | :00:45. | |
Now the audience starts to respond as he utters his characteristic cry. | :00:45. | :00:55. | |
:00:55. | :00:59. | ||
Let's start the show! CHEERING AND APPLAUSE | :00:59. | :01:09. | |
:01:09. | :01:10. | ||
Hello! Hello! Thank you very much. Welcome one, | :01:10. | :01:16. | |
welcome all. Thank you. Thank you very much. What wonderful specimens | :01:16. | :01:22. | |
you all are! LAUGHTER | :01:22. | :01:25. | |
Have some of you been marking your territory, have you, have you? I | :01:25. | :01:29. | |
have got some big show business beasts, as you might have guessed, | :01:29. | :01:32. | |
wildlife legend, Sir David Attenborough is here. | :01:32. | :01:39. | |
Yes. Star of Charlies Angels, it is only Cameron Diaz. | :01:39. | :01:44. | |
CHEERING AND APPLAUSE Actress and director, Kathy Burke | :01:44. | :01:53. | |
is on the show. CHEERING AND APPLAUSE | :01:53. | :01:55. | |
Plus yes, there is more, we've got music from the fantastic Scissor | :01:55. | :01:59. | |
Sisters. CHEERING AND APPLAUSE | :01:59. | :02:03. | |
What a fantastic line-up. It does have a familiar ring to do, doesn't | :02:03. | :02:13. | |
:02:13. | :02:15. | ||
it, David Cameron Burke! LAUGHTER | :02:15. | :02:19. | |
Now, I'm going to be talking to Cameron about her new film. What to | :02:19. | :02:22. | |
expect when -- What To Expect When You're Expecting. A lot of of | :02:22. | :02:29. | |
people capture the magic moment their baby arrives. I hope no one | :02:29. | :02:35. | |
is one squeamish because we have got a photo of Angelina Jolie's | :02:35. | :02:41. | |
baby being delivered. Is it a boy? Is it a girl? We don't know. I'm | :02:41. | :02:45. | |
told that subconsciously women choose a man based on the kind of | :02:45. | :02:51. | |
baby they would like. So my tip ladies, pick a man with a small | :02:51. | :02:57. | |
head! LAUGHTER | :02:57. | :03:02. | |
Seriously. That lady is going, "If only I thought of that." I can't | :03:02. | :03:06. | |
wait to talk to Sir David Attenborough. He has filmed so | :03:06. | :03:12. | |
many... Yeah, give him a round of applause. | :03:12. | :03:14. | |
APPLAUSE He has had an amazing career. He | :03:14. | :03:20. | |
filmed so many memorable wildlife sequences. Here is a bear catching | :03:21. | :03:29. | |
a salmon and here he is a few minutes later ready to eat it. | :03:29. | :03:31. | |
LAUGHTER Am I on the menu? I remember there | :03:31. | :03:36. | |
was one sequence where a lion failed to catch a zebra and went | :03:36. | :03:46. | |
:03:46. | :03:48. | ||
hungry, but not everyone found it sad. | :03:48. | :03:50. | |
LAUGHTER You would love to know, what are | :03:50. | :03:53. | |
they laughing at? LAUGHTER | :03:53. | :03:57. | |
What amuses zebras? David had to film the mating rituals of many | :03:57. | :04:02. | |
animals. They always seem up for the mating. Don't they always seem | :04:02. | :04:12. | |
:04:12. | :04:13. | ||
up for the mating? When they find out they were being filmed... | :04:13. | :04:15. | |
LAUGHTER Oh they are playing, the sex tape. | :04:15. | :04:21. | |
Let's get some guests on. Welcome the fabulous Scissor Sisters. | :04:21. | :04:24. | |
CHEERING AND APPLAUSE It's Kathy Burke. | :04:25. | :04:31. | |
CHEERING AND APPLAUSE How are you? I'm good. | :04:31. | :04:34. | |
Have a seat. Have a seat. Have a seat. | :04:34. | :04:37. | |
He is the king of the jungle, it is Sir David Attenborough. | :04:37. | :04:44. | |
CHEERING AND APPLAUSE Good to see you, sir. Very nice to | :04:44. | :04:51. | |
see you. Have a seat. CHEERING AND APPLAUSE | :04:51. | :04:53. | |
And she is our star guest, it is Cameron Diaz. | :04:53. | :05:03. | |
:05:03. | :05:08. | ||
CHEERING AND APPLAUSE Sit down. | :05:09. | :05:12. | |
Welcome to all three of you. .It is Very nice to see you all. We are | :05:13. | :05:17. | |
excited to see all three of you, but I happen to know Cameron, you | :05:17. | :05:20. | |
are excited to see David. I am so excited. | :05:20. | :05:29. | |
Really? I told them backstage we were making Sir David Attenborough | :05:29. | :05:33. | |
a sandwich. He is the meat in the middle our sandwich. | :05:33. | :05:43. | |
I will leave you to it. He is our slices of bread -- he is our meat | :05:43. | :05:48. | |
and we are the slices of bread. Didn't you want to be a zoologist? | :05:48. | :05:57. | |
Really. I wanted to study... | :05:57. | :05:59. | |
LAUGHTER I can teach you all sorts of things. | :05:59. | :06:04. | |
I've learned a lot from you already. Things I picked up on backstage, we | :06:04. | :06:08. | |
won't mention those, but I ended up studying the behaviour of animals. | :06:08. | :06:13. | |
It happened to be human animals as an actor, I study human behaviour. | :06:14. | :06:18. | |
And lots of discoveries? Lots of discoveries. | :06:18. | :06:21. | |
Big surprises. I have more surprises when I watch | :06:21. | :06:25. | |
your show. You should see the outtakes! | :06:25. | :06:34. | |
would love to see the outtakes. Maybe we should arrange a viewing. | :06:34. | :06:42. | |
Kathy, do you watch David's programme? I do. | :06:42. | :06:48. | |
Have you got animals? I have got animals, not wild animals. A couple | :06:48. | :06:55. | |
of pusies and a dog. What do you call them? Well, me dog | :06:55. | :06:58. | |
is called Shenanigans because we're Irish. | :06:58. | :07:08. | |
:07:08. | :07:08. | ||
Do you sit in a park at night going, "Shenanigans." No. She only gets | :07:08. | :07:18. | |
her full name if she is naughty. Over wise she is Shanny, Poodle. | :07:18. | :07:24. | |
Lots of nicknames and then I have got two cats, Dave the Rave so- | :07:24. | :07:29. | |
called because when he was a kitten, he looked like he was up all night | :07:29. | :07:36. | |
on ecstasy. There wasn't a pick on him. | :07:36. | :07:37. | |
LAUGHTER And his sister is called Missy | :07:37. | :07:38. | |
Elliot because she is... LAUGHTER | :07:38. | :07:48. | |
:07:48. | :07:53. | ||
She is like that. APPLAUSE | :07:53. | :07:56. | |
Well, we want to celebrate Sir David because it is a huge year for | :07:56. | :07:59. | |
you, not just The Queen having a Diamond Jubilee, 60 years of | :07:59. | :08:00. | |
broadcasting. APPLAUSE | :08:00. | :08:03. | |
It is phenomenal. Phenomenal. And still going strong? Yes, well not | :08:03. | :08:09. | |
sure about strong, but still going. Is it being marked in some way? | :08:09. | :08:13. | |
Have animals organised a concert? What's going to happen? Is there | :08:13. | :08:19. | |
some big do? No, we are going to do three programmes about looking back | :08:19. | :08:24. | |
over 60 years,. But you are pushing boundaries and breaking new | :08:24. | :08:33. | |
technology. This new series for Sky, the Kingdom of Plants in 3D, it is | :08:33. | :08:38. | |
similar cast on Sky 3D and in terms of the film, is what is is new the | :08:38. | :08:43. | |
way it is being filmed, or are we still finding things out about the | :08:43. | :08:46. | |
plants? Surprisingly lots of things we don't know about plants, you | :08:46. | :08:53. | |
know. There is a plant called Sun Due which we have here. | :08:53. | :08:57. | |
It is in the clip. It is a common plant. There is a | :08:57. | :09:02. | |
couple of different species in the moorlands and so on, but it is a | :09:02. | :09:08. | |
plant which has hairs on its leaves or little tips of sticky stuff at | :09:08. | :09:13. | |
the end and it eats insects and when the insect comes in, it closes | :09:13. | :09:19. | |
around it and and sucks it up. But if an insect comes there, and that | :09:19. | :09:25. | |
moves over, but this, not these, moves over, but this, not these, | :09:25. | :09:27. | |
but this one then moves over. So there is some communication between | :09:27. | :09:31. | |
this hair and that hair. We don't know what it is. We don't know how | :09:31. | :09:33. | |
it happens. Well, let's have a look at that | :09:34. | :09:37. | |
happening. What is amazing is how beautiful it is. | :09:37. | :09:47. | |
I find it hypnotic. The colours are extraordinary. | :09:47. | :09:53. | |
Plants may seem passive and inactive, but in fact, they move. | :09:53. | :10:03. | |
:10:03. | :10:07. | ||
These are among the most mysterious. Sun Dews, each tentacle has a | :10:07. | :10:14. | |
glistening droplet. It may look like nectar, but it's not. | :10:14. | :10:23. | |
It's a glue. There are tentacles which have not | :10:23. | :10:32. | |
been touched by the insect and now start to bend towards it. | :10:32. | :10:40. | |
Finally the Sun Dew begins to fold its whole leave around its prey. | :10:40. | :10:49. | |
There will be no escape from this lethal embrace. | :10:49. | :10:52. | |
APPLAUSE Really Beautiful. | :10:52. | :10:57. | |
So the time lapse cameras on there, but do they wait for a fly to come | :10:57. | :11:07. | |
in or do they go, "There is a fly.". LAUGHTER | :11:07. | :11:15. | |
Dinner time. LAUGHTER | :11:15. | :11:18. | |
It must have been a joy to film this because it was filmed at Kew. | :11:18. | :11:21. | |
The great thing about Kew, there are plants from all over the world, | :11:21. | :11:24. | |
plants from the mountains, from the jungles and deserts and they are | :11:24. | :11:27. | |
all there. And not far from your house. That | :11:27. | :11:31. | |
must be a relief because even your last television series, they sent | :11:31. | :11:36. | |
you off to the North Pole and the South Pole? Yes. Which, that's | :11:36. | :11:40. | |
physically really demanding, isn't it? Well, only if you do it in 36 | :11:40. | :11:50. | |
:11:50. | :11:54. | ||
hours, but I have to tell you, I didn't walk. | :11:54. | :11:56. | |
LAUGHTER You have to wait for a helicopter. | :11:56. | :11:59. | |
While you are waiting for it, you are living in tents, you know, but | :11:59. | :12:01. | |
they are comfortable tents, warm tents. | :12:01. | :12:06. | |
But then they send you outside and make you do bits to camera? | :12:06. | :12:08. | |
very quickly. LAUGHTER | :12:08. | :12:12. | |
No, it is true. But actually it is a doddle, you know. If you get the | :12:12. | :12:17. | |
right gear, there is no problem, you know, but the difficulty is if | :12:17. | :12:21. | |
things go wrong. If you lose a glove, you may well have lost two | :12:21. | :12:24. | |
or three fingers, you know. Yes. | :12:24. | :12:29. | |
But if you don't lose a glove and you do things right, it's a cake | :12:29. | :12:33. | |
walk. Cameron, you did a wildlife series? | :12:33. | :12:41. | |
I did. I did a show called, yes, I did. I am not as well... Did you | :12:41. | :12:47. | |
strangele snakes? I have had snakes. My first pet, when I was eleven, my | :12:47. | :12:52. | |
mum and dad said, "What do you want for your birthday?" I got a snake | :12:52. | :12:58. | |
for my 11th birthday and he was a king snake named Norton. Really? | :12:58. | :13:03. | |
Her name was Norton. LAUGHTER | :13:03. | :13:13. | |
:13:13. | :13:13. | ||
Norton? You know the Honey mooners and Norton was his side-kick. They | :13:13. | :13:19. | |
are just things that happen in my family and I did a show called | :13:19. | :13:24. | |
Tripping and I travelled around and... To Tanzania. | :13:24. | :13:27. | |
And I had that experience with the chimps there and their morning | :13:28. | :13:31. | |
ritual when they get up in the morning and the first thing the | :13:31. | :13:41. | |
:13:41. | :13:41. | ||
alpha do is put his bum over the side and take a a crap and goes and | :13:41. | :13:48. | |
bangs the female. Wow. Pardon me. That footage is worth | :13:48. | :13:50. | |
something. It is just the order of things and | :13:50. | :13:55. | |
then he has breakfast, of course, after that and and that's how his | :13:55. | :14:01. | |
day starts. Correct? Yes. So I witnessed the correct thing? | :14:01. | :14:11. | |
:14:11. | :14:19. | ||
It is Cameron Diaz! LAUGHTER | :14:19. | :14:22. | |
Because you do, you know, you do learn a lot from watching these | :14:22. | :14:25. | |
programmes, but the odd thing is they still have the power to shock | :14:25. | :14:28. | |
in terms of the level of violence and things. Are you self policing | :14:28. | :14:31. | |
in terms of what you show or is there some BBC body that goes, | :14:31. | :14:34. | |
"That's too gruesome.". People say we show too much. If they saw what | :14:34. | :14:37. | |
we left in the cutting room, the editing room that we cut out, they | :14:38. | :14:43. | |
would be appalled. You know, lions, when a lion catches a wildebeest, | :14:44. | :14:49. | |
it eats it alive and we don't show that. We show it very abbreviated, | :14:49. | :14:53. | |
but you have to be careful what you do because if you cut it all out | :14:53. | :14:59. | |
then you are telling an untruth. You are telling fairy stories and | :14:59. | :15:02. | |
naturalist programmes are not about fairy stories, they are about the | :15:02. | :15:05. | |
real world and you have to make a judgement and do it in the middle. | :15:06. | :15:09. | |
And when you are filming the mating, does it get to a point where you | :15:09. | :15:16. | |
feel like an old perve and, "I must stop filming this now because it | :15:16. | :15:20. | |
has gone on too long?". You see, your imagination is running away | :15:21. | :15:30. | |
:15:31. | :15:35. | ||
Have you ever see birds mate? seen pigeons mate. How quick, | :15:35. | :15:40. | |
they're gone. With a lot of flapping about. They are showing | :15:40. | :15:49. | |
off to each other. The copulation, like that. It's known as the | :15:49. | :15:53. | |
kloakial kiss. Did you know that, Kathy? It's only what I've | :15:53. | :16:00. | |
experienced! Now, it has a name. Now it has a name. Thank you for | :16:00. | :16:09. | |
that. One of the things that does make your films so disTink ifive is | :16:09. | :16:14. | |
your your voice over. It gives it an air of seriousness and | :16:14. | :16:18. | |
enlightenment. We have a wildlife clip. I say wildlife, there is an | :16:18. | :16:22. | |
animal in it. If we look at this little slip clip. You may of seen | :16:22. | :16:32. | |
:16:32. | :16:50. | ||
You feel his pain, don't you? If we play that again with serious mike. | :16:50. | :17:00. | |
If you do a little voice over. Let's see if it elvaits it. -- | :17:00. | :17:10. | |
:17:10. | :17:11. | ||
elevates it. Here it comes. Evening falls on a lush grasslands of | :17:11. | :17:16. | |
Croydon as the humble tortoise gently mounts his choosen mate. And, | :17:16. | :17:25. | |
in a dance as old as time itself, it rears its head and emits the | :17:25. | :17:35. | |
:17:35. | :17:44. | ||
APPLAUSE So, now, Cameron Diaz, as chance | :17:44. | :17:53. | |
would have it, you have a new film out. I do! I ask you and then... | :17:53. | :18:01. | |
Here I am. I'm here to sell it on your show. Now, it's What To Expect | :18:01. | :18:05. | |
When You're Expecting. It opens tonight. I have seen it. It has all | :18:05. | :18:11. | |
sort of strands in it. It's very funny. It's a little bit sad. | :18:11. | :18:17. | |
has moments of poignantness. It's a human experience. It's very real. | :18:17. | :18:24. | |
Not too upsetting. It's funny and uplifting. It's not only about | :18:24. | :18:26. | |
pregnant women. It's about the experience of creating a child or | :18:26. | :18:30. | |
bringing a child into your life. Five different stories that cover | :18:30. | :18:35. | |
it, five different ways, obviously, from the man's point of view. It's | :18:35. | :18:41. | |
like... In our society we believe that our sole purpose, as | :18:41. | :18:48. | |
naturalist, we know that procreation is what we are here for, | :18:48. | :18:58. | |
of course. Not here. It's what we're for. It doesn't mean that | :18:58. | :19:05. | |
it's right for everyone or that, you know, you jump into it. Because | :19:05. | :19:09. | |
we think we're supposed to have babies, people get married have | :19:09. | :19:13. | |
babies they don't realise it changes your life. Funny that! | :19:13. | :19:21. | |
play a fitness guru. I do. A lot of the fitness part of your body is | :19:21. | :19:28. | |
your own? It is mine, yes. In the movie, some of the bigger bumps in | :19:29. | :19:37. | |
this picture that isn't all you? The belly isn't mine and the | :19:37. | :19:44. | |
breasts aren't mine. They're enhanced. Really? They got bigger | :19:44. | :19:50. | |
and bigger. The chicken cutlets you put in, those creepy things you | :19:50. | :19:55. | |
stuff. There is 15 in there. There was one point where I had, it | :19:55. | :20:00. | |
didn't make it into the movie, I do a flash - I flash my breasts saying, | :20:00. | :20:04. | |
"can you believe this is what happens when you get pregnant, why | :20:04. | :20:10. | |
didn't I get pregnant sooner" they were prosthetic breasts that were, | :20:10. | :20:19. | |
amazing! I was like wow! These are awesome. I went to show everybody. | :20:19. | :20:25. | |
I was like, "where's the director. I have to show it to them. The park, | :20:25. | :20:30. | |
let's go". I was like, "look at these". They looked very really. | :20:30. | :20:35. | |
Did you keep them? I did. When I wore them in the movie. We were | :20:35. | :20:40. | |
shooting in Atlanta, which we call Hotlanta. If you are have been | :20:40. | :20:47. | |
there, you know, it gets hot and swampy. You don't know what they | :20:47. | :20:54. | |
are like here. No, they don't. all moss and alligators live in it. | :20:54. | :21:01. | |
It got swampy up in this business here. Because of the heat. It was | :21:01. | :21:07. | |
caused by heat, it wasn't me. By the end of the scene, my breasts | :21:07. | :21:12. | |
that were so beautiful and up here were literally hanging down it my | :21:12. | :21:19. | |
legs within half an hour. It was so upsetting. I was like, "it's | :21:19. | :21:24. | |
nature". We have a clip of you and your prosthetics in action. This is | :21:24. | :21:29. | |
you and the father of your child having a fit. You are doing a | :21:29. | :21:35. | |
fitness class at the same time. Front page. I was going to tell you. | :21:35. | :21:40. | |
I didn't think it's right. I'm his mother. I'm his father. Parenthood | :21:40. | :21:45. | |
is about compromise. Then compromise. I have. Every | :21:45. | :21:53. | |
relationship there is an Alf fa and a beta. I'm an alpha. Jinx. What | :21:53. | :22:00. | |
are you guys doing, come on, pick it up! Right. There is always an | :22:00. | :22:08. | |
alpha and a beta. Are you the alpha? I like to have an alpha | :22:08. | :22:15. | |
around. I like someone to over alpha me. I'll see your alpha. Oh, | :22:15. | :22:23. | |
yeah. You know what I'm saying. yeah. It's a very alphacouch I | :22:23. | :22:33. | |
would say. Are you alpha? No, I am alpha. Clearly you are alpha. | :22:33. | :22:40. | |
It is a given. When actresses have to pretend to give birth, how hard | :22:40. | :22:46. | |
is that? I heard some actresses have had accidents doing that? | :22:46. | :22:50. | |
facing acting. You are straining, something has to give. You are face | :22:50. | :22:57. | |
acting. You are not pushing down here. Don't! That's not OK. It can | :22:57. | :23:04. | |
be really dangerous. Have you ever given birth? I didn't think so. I | :23:04. | :23:09. | |
can't remember, you mean acting wise? Yes. Certainly not in real- | :23:09. | :23:13. | |
life. You would remember that? would remember that, David, yes. I | :23:13. | :23:23. | |
:23:23. | :23:26. | ||
don't think so. Somebody said when we did the Slops Waynehe tte had a | :23:26. | :23:33. | |
baby. She had a brown baby. It was bought for her. You played a baby. | :23:33. | :23:40. | |
You played little Lulu? Yes. That was really weird! You have attended | :23:40. | :23:45. | |
quite a lot of births? I have been there, my sister gave birth three | :23:45. | :23:52. | |
times. The first one was a C section. I was 24/25. I had no idea | :23:52. | :23:57. | |
what I was getting into it. My sister said, "you have to be in | :23:57. | :24:02. | |
here if I'm going to do this". I went to the room after they cut her | :24:02. | :24:09. | |
open. I walked in there was blood every where. It was full on surgery. | :24:09. | :24:17. | |
Her intestines were on a plate next to her. Then the vaginal birth. She | :24:17. | :24:24. | |
had two natural births later was amazing. Nature is an amazing | :24:24. | :24:28. | |
engineer. It's unbelievable. I'm watching my sister giving birth. I | :24:28. | :24:37. | |
have her situation in front of me. I'm, like,... The doctor shows, ", | :24:37. | :24:45. | |
this is the skull" it's like a hanker chef. She's pulling on it | :24:45. | :24:53. | |
and making shapes. I'm like, "where's the skull?" She said, "the | :24:53. | :24:59. | |
pieces have collapsed in to go through the vaginal canal". It | :24:59. | :25:03. | |
collapsed in. It's like that. As soon as the baby comes out it goes | :25:03. | :25:09. | |
like this. The pieces all go like this. It creates this dome, like a | :25:09. | :25:17. | |
skull. Like a head? Nature is unbelievable. So clever that guy. | :25:17. | :25:21. | |
So clever. Sir David, watching the film where lots of things happen, | :25:21. | :25:26. | |
are human beings poorly designed? You know, animals give birth in a | :25:26. | :25:31. | |
field? It was one of the problems, the size of the pelvis to get a | :25:31. | :25:35. | |
skull through. That is what restricted the size of the head in | :25:35. | :25:39. | |
evolutionary terms. There was a remarblg markable thing, which | :25:39. | :25:44. | |
Cameron described, it wasn't that it collapsed in. It starts folded. | :25:44. | :25:47. | |
The plates are actually collapsed on one another like. That it is a | :25:47. | :25:52. | |
comes out, so it opens like that. There is a little hole in the | :25:52. | :25:58. | |
middle, between the plates, where in fact you can see the arteries, | :25:58. | :26:06. | |
you can see the... Women used to squat, didn't they? Yeah. Some lazy | :26:06. | :26:16. | |
:26:16. | :26:16. | ||
old bitch like marry ant know wet decided I have to lay-down. Women | :26:16. | :26:21. | |
always used to squat? They do have in tribal societies. You can also | :26:21. | :26:31. | |
:26:31. | :26:37. | ||
do it in a swimming pool. Yes, nice. PLOOP! So, now, Kathy Burke? Hello. | :26:37. | :26:43. | |
You're back! Well... APPLAUSE | :26:43. | :26:45. | |
Because usually people when they say they will stop acting they go | :26:45. | :26:52. | |
away for a month then they are like, "oh, I'm back" you really meant it | :26:52. | :27:01. | |
stp 10 years. Nearly 11. You came back last year for Tinker Taylor. | :27:01. | :27:07. | |
Yes. What a posh thing to come back for. A nice posh part. It has been | :27:07. | :27:11. | |
11 years. Do people remember you? Do you get recognised in the | :27:11. | :27:17. | |
street? Yes. If I have my North Face jacket on, then it's Perry. | :27:17. | :27:22. | |
Yeah. Wasn't there a person who came up to you, do you know the | :27:22. | :27:29. | |
story I'm talking? Yeah, I know the story. Thats with a cab driver. He | :27:29. | :27:33. | |
uttered those beautiful words, "don't take this the wrong way, but | :27:33. | :27:43. | |
:27:43. | :27:53. | ||
you really look like Kathy Burke". A hard one to respond to. Yeah. | :27:53. | :27:59. | |
Well, you're back on our screens. A new series for Sky Atlantic Walking | :27:59. | :28:04. | |
and Talking, it starts on 25th June. You came up with the idea, you have | :28:04. | :28:09. | |
written it is. It is you. It is your childhood? Yes. Them two | :28:09. | :28:18. | |
lovely girls. Which one is you? can't guess? That is Amy Metcalf | :28:18. | :28:21. | |
and Aimee-Ffion Edwards. Where that has come from is about a year ago, | :28:21. | :28:27. | |
two years ago, Sky did a series called Little Crackers for | :28:27. | :28:31. | |
Christmas. Which was anecdotes from childhood. I wrote this incident | :28:31. | :28:37. | |
that happened between me and my friend, who was called Mary, when I | :28:37. | :28:44. | |
bumped into the Clash and go the their autograph. They signed my new | :28:44. | :28:48. | |
Musical Express. It was a sweet story. People took to it. Sky asked | :28:48. | :28:54. | |
me if I would write more with these girls. So, it's, sort of, my life, | :28:54. | :29:02. | |
but at the age of 14/15 waiting to get into a great drama club in | :29:02. | :29:08. | |
Islington. It's about that. All of that happened, they walk and talk. | :29:08. | :29:17. | |
You are in it? Yes it's enter cut with me and actor called Sean gall | :29:17. | :29:27. | |
:29:27. | :29:27. | ||
ker. I'm Angry Nun and he's Pretty Nun. Are they based on real nuns? | :29:27. | :29:32. | |
They're based on my dad. Reading about your childhood, hearing you | :29:32. | :29:36. | |
talk about your childhood, you could of made quite a different | :29:36. | :29:41. | |
series. You could of made a bleak and serious film. You see it and | :29:41. | :29:44. | |
remember it as funny? Yeah, of course. I mean, I didn't have a mum. | :29:45. | :29:50. | |
My mum died when I was a baby. You know, it was quite a, sort of, you | :29:50. | :29:55. | |
know very, sort of, '60s, '70s upbringing. All very rough in | :29:55. | :29:59. | |
Islington and stuff. I remember everything with such fondness. | :29:59. | :30:02. | |
Particularly the freedom we had as kids. It was very different to kids | :30:02. | :30:07. | |
now. You know, I think they are wrapped up in cotton wool a bit. On | :30:07. | :30:12. | |
the one hand, they are very over protected, and yet on the other | :30:12. | :30:17. | |
hand they have access to the internet were they can see a frog | :30:17. | :30:27. | |
:30:27. | :30:40. | ||
LAUGHTER Life on the internet! | :30:40. | :30:42. | |
LAUGHTER You know what I mean, it is showing | :30:42. | :30:44. | |
more innocent time and life happened around a phone box really | :30:44. | :30:47. | |
and just walking home. Listen, we have got a clip and it | :30:47. | :30:49. | |
is you and your friend with a phone box having a slightly creepy | :30:49. | :30:59. | |
encounter. Hey, don't I know yous? | :30:59. | :31:08. | |
Are you sure? There is a wee bell in my head going ring-a-ding. Do | :31:08. | :31:17. | |
you think you are funny? Do you think you are Ken Dodd? | :31:17. | :31:23. | |
You have got the hair and the teeth. You have got terrible teeth, man? | :31:23. | :31:32. | |
Why have you got such terrible teeth? Don't be so rude. | :31:33. | :31:41. | |
That's Amy Metcalfe. She has beautiful choppers and a beautiful | :31:41. | :31:46. | |
red hair. We had to make her look rough. They were both a couple of | :31:46. | :31:49. | |
darlings. And you are still still friends | :31:49. | :31:54. | |
with people you knew from back then? Some people. My oldest friend | :31:54. | :31:59. | |
in the world who I have known since I was four is the audience. | :31:59. | :32:06. | |
Where is she? Is she the lady with the microphone above her head? | :32:06. | :32:10. | |
That's Diane. Is Diane, is this the friend who | :32:10. | :32:13. | |
used to dress you up? Yes. LAUGHTER | :32:13. | :32:17. | |
Yeah. Diane practised motherhood on LAUGHTER | :32:17. | :32:24. | |
Yeah. She is used to scrape, I had no eyebrows. I had no eyebrows so | :32:24. | :32:33. | |
she scraped my hair into a bob... bobble hat. She used to scrape my | :32:33. | :32:38. | |
hair into a cream bobble hat and put me in a pram and wheel me up | :32:38. | :32:45. | |
and down the Essex Road telling everyone I was her baby. | :32:45. | :32:46. | |
LAUGHTER And we weren't little. We were | :32:47. | :32:54. | |
about 12? LAUGHTER | :32:54. | :33:02. | |
I would be in a pram with a fag. LAUGHTER | :33:02. | :33:06. | |
OK. It is time for some music now. I saw these guys performing live | :33:06. | :33:09. | |
last week and they tore the roof off the place and I'm sure they | :33:09. | :33:14. | |
will do the same tonight. With an exclusive performance of Baby Come | :33:14. | :33:21. | |
Home, it is the Sir David Attenborough. | :33:21. | :33:31. | |
:33:31. | :33:40. | ||
# I don't mind # If your running around | :33:40. | :33:44. | |
# Giving someone the time # It don't matter | :33:44. | :33:50. | |
# Just to know that you love me # I'm laying in bed | :33:50. | :33:58. | |
# With a whole lot of wonder # Going through my head | :33:58. | :34:01. | |
# This dog with a bone # Gets a little bit lonely | :34:01. | :34:05. | |
# I'm too cool to lose my control # Your too cool to go | :34:05. | :34:09. | |
# Later I just don't wanna know # Your out there happening at all | :34:09. | :34:16. | |
# Baby come home to me # It's half past quarter to three | :34:16. | :34:24. | |
# Baby come home to me # Said I'm that kind of guy | :34:24. | :34:30. | |
# When I see a grown man cry # Baby come home to me | :34:30. | :34:35. | |
# Baby one more pill # Till I close my eyes | :34:35. | :34:38. | |
# To a pain I feel # I can't sleep | :34:38. | :34:42. | |
# Lest your laying beside me # I got no doubt | :34:42. | :34:48. | |
# That would be just fine # If you were living without me | :34:48. | :34:53. | |
# I just can't let you start to deny | :34:53. | :34:57. | |
# Now midnight strikes # I don't know where you been | :34:57. | :35:01. | |
# I still want to make love tonight # When you come stumbling in | :35:01. | :35:09. | |
# Baby come home to me # It's half past quarter to three | :35:09. | :35:15. | |
# Baby come home to me # Said I'm that kind of guy | :35:15. | :35:18. | |
# When I see a grown man cry # Baby come home to me | :35:18. | :35:28. | |
:35:28. | :35:32. | ||
# Baby, what do we do? # Baby, what could you say? | :35:32. | :35:37. | |
# To drop my fears go away # Was it that red letter day | :35:37. | :35:40. | |
# With no more chips to play # Will you come home | :35:40. | :35:46. | |
# Baby come home # Baby come home to me | :35:46. | :35:56. | |
:35:56. | :36:08. | ||
# It's half past quarter to three # Baby come home to me | :36:08. | :36:14. | |
# Said I'm not that kind of guy # Baby come home to me | :36:14. | :36:23. | |
# Baby come home home # The Scissor Sisters, ladies and | :36:23. | :36:28. | |
gentlemen. CHEERING AND APPLAUSE | :36:28. | :36:33. | |
Come and join me. Do you mind if you shove up a little bit? There | :36:33. | :36:43. | |
:36:43. | :36:46. | ||
you go. Hello, lovely lady. Sit down. | :36:46. | :36:56. | |
:36:56. | :36:57. | ||
This is David and Cameron. Look at the orange dresses. We are | :36:57. | :37:04. | |
complimenting. I'm not going to stand for this | :37:04. | :37:10. | |
pitting women against one another. Fight. Fight. Fight. We don't do | :37:10. | :37:13. | |
that. That was gorgeous, thank you very much. | :37:13. | :37:19. | |
That's on the new album Magic Hour which comes out on 28th May. | :37:19. | :37:24. | |
On a sofa of animal lovers, Jake you have a little dog, Toby. | :37:24. | :37:34. | |
:37:34. | :37:47. | ||
His name is Toby, Tobias, Toblerone. I have a dog. | :37:47. | :37:50. | |
LAUGHTER You sent us a picture of Toby. He | :37:50. | :37:54. | |
looks as if he should be smoking a pipe. | :37:54. | :37:58. | |
He is a real most of masterpiece theatre. | :37:58. | :38:04. | |
He is making me cry. I miss him so much. You can't underestimate the | :38:04. | :38:10. | |
power afBorder Terrier. That's what Shenanigans is, a | :38:10. | :38:16. | |
Border Terrier. Is it true, you don't really like dogs? | :38:16. | :38:20. | |
No, it is not that I don't like dogs... She doesn't like dogs. | :38:20. | :38:25. | |
I have had a preference for cats mostly through my life. | :38:25. | :38:31. | |
, but I do like dogs. I have had very special dogs in my life. I | :38:31. | :38:35. | |
like cats, I love their independence. I like the psychology | :38:35. | :38:45. | |
of a cat. They are not, "Hey, do you like me? Do you like me?" A cat | :38:45. | :38:49. | |
will be, "I will be right over here.". I agree, I like their style | :38:49. | :38:53. | |
so much better. David, you love all animals, but | :38:53. | :38:59. | |
there is one animal, you are not a fan of. I don't care for rats. | :38:59. | :39:09. | |
:39:09. | :39:15. | ||
Really. Do you like rats? I raised rats for my snake. | :39:15. | :39:21. | |
How cruel are you? The eyes were gorged out of his head and it is | :39:21. | :39:26. | |
like, "You poor little sucker.". have been sitting on the lavatory | :39:26. | :39:31. | |
in India and I have had a rat come up in between my legs. | :39:31. | :39:34. | |
That's terrible. That's not fun. I had the same thing with the | :39:34. | :39:39. | |
centipede in Nepal. I was over like, you know, the hole in the ground, | :39:39. | :39:42. | |
in the middle of nowhere... Yes. Yes. | :39:42. | :39:46. | |
I looked down and there was a a centipede this long coming out of | :39:46. | :39:50. | |
the toilet itself. It was terrifying. Thank god you don't sit | :39:50. | :39:58. | |
on those holes, you squat over them. It is nearly time for the red chair. | :39:58. | :40:04. | |
Is it a guessing game for Sir David Attenborough. You have an animal | :40:04. | :40:09. | |
impersonation. Is it a guessing game for Sir David? Is it better to | :40:09. | :40:14. | |
tell him what you are doing before you do it? I do an impersonation of | :40:14. | :40:20. | |
one of the various and amazing time of New Guinea birds of paradise and | :40:20. | :40:27. | |
their mating dance. OK. Do we need music for this? | :40:27. | :40:36. | |
Where should she do it? On the table for a start! | :40:36. | :40:38. | |
APPLAUSE It is a rather big display. The | :40:38. | :40:43. | |
first thing they do is, they clean their area, right. They clean their | :40:43. | :40:48. | |
area and make sure it is all good, right. This is the male, right? | :40:48. | :40:52. | |
course! I'm going to take my shoes off for | :40:53. | :40:57. | |
this. Cleaning. LAUGHTER | :40:57. | :41:07. | |
:41:07. | :41:28. | ||
APPLAUSE There are 42 different species of | :41:28. | :41:38. | |
:41:38. | :41:39. | ||
birds of paradise and I know which one that is. | :41:39. | :41:43. | |
APPLAUSE The sixth wired Parotia. | :41:43. | :41:45. | |
APPLAUSE Before we go, just time for a story | :41:45. | :41:49. | |
or two in the red chair. Who is up first? You set the bar very high | :41:49. | :41:53. | |
with your impersonation. Who are you? My name is Freda. | :41:53. | :41:58. | |
Where are you from? I'm from London. What do you do? I have come here on | :41:58. | :42:01. | |
business. Do you make something? I sell hair | :42:02. | :42:11. | |
:42:12. | :42:12. | ||
extensions. Do you really? Let's watch them fly! | :42:12. | :42:13. | |
APPLAUSE LAUGHTER | :42:13. | :42:19. | |
Shall we have another one? LAUGHTER | :42:19. | :42:29. | |
:42:29. | :42:31. | ||
What's your name, sir? Donnelly. Donny. Where are you are you from? | :42:31. | :42:34. | |
Texas. Do you work here? My wife works | :42:34. | :42:44. | |
:42:44. | :42:44. | ||
here. He is sorted old Donnelly. Donny. I'm off to a show, I will | :42:44. | :42:47. | |
see you later. I was a crane operator in Texas and | :42:48. | :42:53. | |
I was, about 275 feet in the air on the job site, we had several port a | :42:53. | :43:00. | |
poties that had to be compleand cleaned twice a week and I picked | :43:00. | :43:04. | |
one up, I was told it was OK to pick up and take it over to the | :43:04. | :43:09. | |
truck. I picked it over and took it over to the truck and when I set it | :43:09. | :43:16. | |
down, the door opened and one mad Mexican ran out! | :43:16. | :43:23. | |
You can go, Donny! Run! Run! Well done everyone in the red chair. | :43:23. | :43:27. | |
If you want to join us on the show and have a go in that same chair, | :43:27. | :43:32. | |
you can. Contact us via our website. Ladies and gentlemen, please thank | :43:32. | :43:37. | |
my guests tonight, the Scissor Sisters. | :43:37. | :43:39. | |
APPLAUSE Kathy Burke. | :43:39. | :43:42. | |
APPLAUSE Sir David Attenborough. | :43:42. | :43:52. | |
:43:52. | :43:55. | ||
APPLAUSE And Cameron Diaz. | :43:55. | :43:56. |