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Tonight we've the star of Men In Tonight we've the star of Men In | :00:10. | :00:15. | |
Black, the brilliant Jill Smith is - LAUGHTER - oh, what am I doing? Just | :00:15. | :00:20. | |
wipe the audience's memory. Tonight on the show, the star of Men In | :00:20. | :00:24. | |
Black, the wonderful Will Smith is here, let's start the show! APPLAUSE | :00:24. | :00:34. | |
:00:34. | :00:47. | ||
Oh, oh! CHEERING AND APPLAUSE. Oh, oh! CHEERING AND APPLAUSE. | :00:47. | :00:51. | |
Good evening, everybody, oh, this is it, ladies and gentlemen. Oh, what | :00:51. | :00:56. | |
great show we've got for you tonight. I tell you, tonight we | :00:56. | :01:00. | |
really are hoping to cheer up viewers north of the border where | :01:00. | :01:07. | |
the price of alcohol is going to be increased to 50p a unit. 50p a unit! | :01:07. | :01:11. | |
Bad news for you Scottish You may have to watch the show | :01:11. | :01:17. | |
sober, or as BBC Scotland call it "high definition". Now, what | :01:17. | :01:22. | |
we've got for you. We've got the biggest movie stars in the | :01:22. | :01:24. | |
world, star of Independence Day, In Black, | :01:24. | :01:34. | |
:01:34. | :01:36. | ||
Bel Air himself, Will Smith is on the show! Yes, he is. APPLAUSE Take | :01:36. | :01:42. | |
That's Gary Barlow is here, and musical legend Sir Tom Jones is with | :01:43. | :01:49. | |
us. APPLAUSE . Something for everyone. So, Will is going to be | :01:49. | :01:54. | |
talking about his new film Men In Black 3. Yes, I know. Now, the plot | :01:54. | :02:00. | |
of Men In Black is that aliens live amongst us. That's | :02:00. | :02:06. | |
to be honest. I mean, how could alien like this go unnoticed? Well, | :02:06. | :02:16. | |
:02:16. | :02:20. | ||
small wig - hello. LAUGHTER. Uncanny, that is. Will is back | :02:20. | :02:26. | |
playing Agent J, as always armed with the latest hi-tech weapons. | :02:26. | :02:31. | |
Slightly odd-shaped gun. Any recognise that? Oh yes, you do, | :02:31. | :02:40. | |
don't you? Spread 'em! LAUGHTER. that what you say? I don't know. | :02:40. | :02:48. | |
Stick em up? Gary Barlow is on X Factor, Tom Jones on The Voice, both | :02:48. | :02:52. | |
talent shows, but what is the point now, ladies and gentlemen? We have | :02:52. | :02:58. | |
reached the pinnacle of talent. Yes, congratulations to Pudsey and | :02:58. | :03:03. | |
Ashleigh! APPLAUSE . Yes, who won half a million pounds in | :03:03. | :03:11. | |
Got Talent, that is right Pudsey the dog is now richer than Greece. | :03:11. | :03:15. | |
Weirdly, no one has seen Pudsey since Amanda Holden left the | :03:15. | :03:21. | |
aftershow party. LAUGHTER. So Pudsey is off to Hollywood. I do | :03:21. | :03:25. | |
hope it works out because you so many young dogs have gone over | :03:25. | :03:29. | |
there and ended up there and ended up starring in | :03:29. | :03:35. | |
wrong sorts of films. Let's get some guests on, ladies and | :03:35. | :03:42. | |
What's that ticking,'s the original sex bomb, it's Sir Tom Jones! | :03:42. | :03:52. | |
APPLAUSE , CHEERING. Have a seat, sir. Tom Jones! He | :03:52. | :04:02. | |
:04:02. | :04:02. | ||
always re-lights my fire, it's Gary Barlow! CHEERING AND APPLAUSE . | :04:02. | :04:08. | |
Have a seat there, Gary Barlow. And here comes the Man in Black, | :04:08. | :04:18. | |
:04:18. | :04:32. | ||
wow, I'm sensing a level of wow, I'm sensing a level of | :04:33. | :04:39. | |
CHEERING AND APPLAUSE excitement in the room. SCREAMING. | :04:39. | :04:44. | |
OK, OK - wow. We are here for a while, we are calm. I'm already | :04:44. | :04:49. | |
thinking you all know each other, because you guys were at the Nenad | :04:49. | :04:51. | |
because you guys were at the because you guys were at the | :04:51. | :04:57. | |
millennium Concert? Yes, we together at the Millennium. But we | :04:57. | :05:02. | |
worked together classically Fresh Prince Of Bel Air. And Mr | :05:02. | :05:06. | |
Barlow, you know him as well, don't you? We were drinking, things | :05:06. | :05:09. | |
happened and we said we would never talk about it. It's almost that | :05:09. | :05:12. | |
story. I wasn't going to mention that one, I was going to mention | :05:12. | :05:17. | |
something else. I don't know if you remember, but I do. Uh oh. Does | :05:17. | :05:24. | |
anyone remember the Smash Hits poll awards in 1993? That is right. I | :05:24. | :05:29. | |
remember those awards. You had a dance-off with one of our band | :05:29. | :05:39. | |
:05:39. | :05:40. | ||
members, and I must say he whooped your arse. No, it's not true. Have | :05:40. | :05:48. | |
we got a close-up of Will and Jason? We were like 12. So ladies and | :05:48. | :05:52. | |
gentlemen, let's recap just how awesome this couch is. CHEERING | :05:52. | :06:02. | |
:06:02. | :06:03. | ||
These are big, big stars, Sir Tom These are big, big stars, Sir Tom | :06:03. | :06:07. | |
Jones, over 100 million albums sold, now releasing your 38th studio | :06:07. | :06:16. | |
Don't you just want to have a drink Don't you just want to have a drink | :06:16. | :06:20. | |
at lunchtime and sit in a nice bungalow in Wales? I do. | :06:20. | :06:24. | |
keeps you going? Well, the love of it. I just love singing and I'm | :06:24. | :06:27. | |
getting paid for it. That helps. There's nothing better than | :06:27. | :06:32. | |
when you do something you love, and then you can - it's like a hobby, | :06:32. | :06:37. | |
you turn a hobby into a profession. Absolutely, yes. So it's not like | :06:38. | :06:41. | |
work at all. I was asked the other day "Are you working hard?", I said | :06:41. | :06:44. | |
"I haven't worked since 1962". LAUGHTER. | :06:44. | :06:52. | |
And Gary Barlow, again, one singles, the highest grossing UK | :06:52. | :06:56. | |
tour last year, and of course leader of the greatest boyband of all | :06:57. | :07:04. | |
ladies and gentlemen. CHEERING APPLAUSE | :07:04. | :07:07. | |
here they come. Don't you hate here they come. Don't you hate | :07:07. | :07:12. | |
those old pictures? You look you look good in that. Do you | :07:12. | :07:22. | |
:07:22. | :07:23. | ||
Don't make us cry again, Take That Don't make us cry again, Take That | :07:23. | :07:29. | |
are coming back, because you have been away a while. Of course. | :07:29. | :07:34. | |
we have been away for nearly a year. That's a long time. Not when you | :07:34. | :07:42. | |
are our age, it isn't? It takes that long to heal. Then we come to | :07:42. | :07:47. | |
Mr Will Smith, ladies and gentlemen. Not just the first rap artist to | :07:47. | :07:54. | |
a Grammy, also twice Oscar-nominated. You are | :07:54. | :07:59. | |
incredibly bankable star. every movie you've made has | :07:59. | :08:09. | |
:08:09. | :08:10. | ||
excess of $100 million. That's incredible. That's good. APPLAUSE | :08:10. | :08:13. | |
successful music artist, you have been a successful actor, | :08:13. | :08:16. | |
Independence Day took it all to a different level. | :08:16. | :08:23. | |
yes. That must have been amazing you and your family, your parents, | :08:23. | :08:26. | |
to see. Yes, that was the first movie, Independence Day came | :08:26. | :08:30. | |
broke all of these box office records and it was huge. I remember | :08:30. | :08:35. | |
that Monday morning I was in Los Angeles and my family was in | :08:35. | :08:41. | |
Philadelphia, so it was 6.00 am in Philadelphia and 3.00 am in Los | :08:41. | :08:47. | |
Angeles and my father calls me he said "Man, you see these | :08:47. | :08:50. | |
numbers?", I said Dad, it's 3.00 in the morning, I didn't see anything. | :08:50. | :08:56. | |
He said "Remember when I told there's no such thing as luck?", | :08:56. | :09:02. | |
was like "Yeah, Daddy", and he said "Remember what I told you, you put | :09:02. | :09:09. | |
your mind to it, it ain't no luck, it's what you create", and I said | :09:09. | :09:19. | |
:09:19. | :09:20. | ||
yes, man, I remember. He said "Man, that's bull, you are the luckiest | :09:20. | :09:25. | |
man alive". A huge movie like that obviously creates action figures and | :09:25. | :09:34. | |
some of them aren't that great. I doubt even Geoff's mother would | :09:34. | :09:40. | |
recognise him from that. Bill Pullman has a passing resemblance. | :09:40. | :09:44. | |
Yes. But they saved their work. Ladies and gentlemen, | :09:44. | :09:54. | |
:09:54. | :09:58. | ||
Will Smith. Wow. That is a shocker, isn't it? Yes, I look like Rambro. | :09:58. | :10:06. | |
But it doesn't look like you at They are like: listen. Just make | :10:06. | :10:11. | |
it black. They will know it's him. It really is like they did that. It | :10:11. | :10:16. | |
really is. You are not the only one, an action figure. Mr Barlow, oh | :10:16. | :10:25. | |
yeah. These are old. He has got a necklace and everything. He is | :10:25. | :10:34. | |
dancing. APPLAUSE. Now that's funny. That one is funny. OK, it's not that | :10:34. | :10:40. | |
funny. No one wants this on the of their toy: not suitable for | :10:40. | :10:48. | |
children under 36 months due to small parts. LAUGHTER | :10:48. | :10:51. | |
Hey listen, let me say one thing, Hey listen, let me say one thing, | :10:51. | :10:54. | |
when we got those dolls the thing we all did was pull | :10:54. | :11:00. | |
pants down, and there's no small parts at all. Do you mind telling | :11:00. | :11:06. | |
the story, the story about you going to check out the doll? That was | :11:06. | :11:10. | |
the days when we had no control at all over what was going on so we | :11:10. | :11:12. | |
didn't get the prototypes or anything, we were just told the | :11:12. | :11:16. | |
dolls are being released on Monday, so by Friday I couldn't wait any | :11:16. | :11:26. | |
longer and so I put a cap on, glasses, and I went off to Toys R Us | :11:26. | :11:34. | |
in Chester, and I was going down the aisles, Cindy, Action Man, then I | :11:34. | :11:39. | |
came across the Take That thought this is it. Mark, Howard, | :11:39. | :11:49. | |
:11:49. | :11:50. | ||
- I must have sold out. So I went - I must have sold out. So I went | :11:50. | :11:55. | |
up to the till and really tilted my cap down and I said to the girl | :11:55. | :12:00. | |
"Excuse me, have you got the Take That Gary doll?", and she went "No, | :12:00. | :12:06. | |
we don't have them. You've got to buy Mark, Robbie, Howard, Jason, | :12:06. | :12:11. | |
collect the coupons, send them off and you get Gary for free". APPLAUSE | :12:11. | :12:21. | |
:12:21. | :12:22. | ||
that's cold. It was. I flew on the phone to management. LAUGHTER. | :12:22. | :12:27. | |
That's fantastic. Tom, have you ever been made into a doll | :12:27. | :12:36. | |
kind? Erm, nothing that I can about. LAUGHTER | :12:36. | :12:38. | |
OK, all right Tom. I think my OK, all right Tom. I think my | :12:38. | :12:45. | |
sister has one of those. LAUGHTER. APPLAUSE | :12:45. | :12:50. | |
So Will Smith, Mr Summer So Will Smith, Mr Summer | :12:50. | :12:56. | |
Blockbuster, so many of them, Independence Day, Men In Black, | :12:56. | :13:01. | |
Hancock - you own the summer and now you are back to take the summer | :13:01. | :13:06. | |
Men In Black 3. Thank you. We've missed you. It has been nearly | :13:06. | :13:10. | |
years? Yes, I have been working the family stuff. We did the Karate | :13:10. | :13:18. | |
Kid and my daughter was whipping hair. Back and forth. How old is | :13:18. | :13:23. | |
Willow now? She is 11 and her big record was with my hair, and as | :13:23. | :13:30. | |
see she has cut her hair off. You know, and I was like "Wait, honey, | :13:30. | :13:36. | |
no!", you can't whip your head, baby. But, you know, she | :13:36. | :13:41. | |
handful. She is so absolutely positively knows what she wants to | :13:41. | :13:45. | |
do, and I have to do what she says. You know, and it's just - it's | :13:45. | :13:51. | |
beautiful. You mentioned your son Jaden, of course and he has had a | :13:51. | :13:57. | |
number one film himself. Karate Kid. Look at him, so | :13:57. | :14:01. | |
He has the Smith ears. Because you produced the Karate Kid? Yes, yes. | :14:01. | :14:05. | |
So you are producing a movie your son is in. Yes. How much do | :14:05. | :14:11. | |
you pay him? Well, less than I would if he was somebody else's kid. | :14:11. | :14:18. | |
LAUGHTER. You know, it's funny because he is such a hard worker, | :14:18. | :14:23. | |
I'm just really proud of how dedicated he is. He doesn't perceive | :14:23. | :14:28. | |
it as something he is supposed have, he doesn't perceive it that | :14:28. | :14:32. | |
it's supposed to be easy. He out there and | :14:32. | :14:35. | |
sometimes has to work twice as hard as other people because he is | :14:35. | :14:39. | |
son. Now he has had a taste of it though, is he kind of | :14:39. | :14:43. | |
you? Yes, you know, he kind of at the dinner table and he is like | :14:43. | :14:49. | |
looking across the table at me, you know, looking at me like I am meat, | :14:49. | :14:54. | |
you know, but he just - he really wants it badly and he wants to prove | :14:54. | :14:58. | |
it to me but he also wants to show me, and it's just - we are working | :14:58. | :15:03. | |
together now actually on a also. Oh, and Gary, because one of | :15:03. | :15:12. | |
your daughters has kind of gone into show business as well, hasn't she? | :15:12. | :15:16. | |
Not the film industry I am afraid but if you are looking for any new | :15:16. | :15:20. | |
characters we can talk afterwards. We will talk later, OK. I saw your | :15:20. | :15:27. | |
daughter in the Wizard of Oz. is right, Emily. Is she doing more? | :15:27. | :15:30. | |
She is nine, she is going to big school in September so we've made | :15:30. | :15:35. | |
her go back to exams now. You horrible, horrible - you animal! | :15:35. | :15:41. | |
That's how we do it these days. Willow is whipping her hair back and | :15:41. | :15:48. | |
forth, she is 11. Will Smith's a great Dad! And Jaden, I guess | :15:48. | :15:51. | |
needs to be prepared for - he is about to be crushed now by Men In | :15:52. | :15:58. | |
Black 3, which is going to be you. I tell him all the time, son, if you | :15:58. | :16:02. | |
listen to everything that I say and if you stay focused, I | :16:02. | :16:10. | |
will be the second biggest movie star in the world. LAUGHTER | :16:10. | :16:12. | |
Because Men In Black obviously is Because Men In Black obviously is | :16:12. | :16:13. | |
Because Men In Black obviously is opening all over the world, it's | :16:13. | :16:14. | |
opening all over the world, it's opening all over the world, it's | :16:14. | :16:14. | |
Because Men In Black obviously going to be a big movie and it's | :16:14. | :16:21. | |
3D? It's in 3D, yes. It's the first one of the series that's in 3D. I | :16:21. | :16:28. | |
was very concerned about how my ears would look in 3D. LAUGHTER. | :16:28. | :16:32. | |
But I've seen the film and You know, my ears aren't going to be | :16:32. | :16:42. | |
:16:42. | :16:43. | ||
in your popcorn. You don't turn your head much. None of that whoof. | :16:43. | :16:48. | |
Jeez, you are going to put someone's eye out with that thing. I've | :16:48. | :16:52. | |
the movie, it's really funny lots of action and the thrust of | :16:52. | :16:58. | |
is that it's time travel? Tommy Lee Jones' character Agent | :16:58. | :17:04. | |
is killed and my character, Agent J has to time jump to the past to | :17:04. | :17:14. | |
:17:14. | :17:15. | ||
prevent the murder and Josh Brolin plays the young Tommy Lee Jones and | :17:15. | :17:19. | |
he gives a performance - the greatest tribute is that you forget. | :17:19. | :17:25. | |
You think you are watching a Tommy Lee Jones and some people | :17:25. | :17:31. | |
think that Tommy looped the voice but that is all Josh. A great actor. | :17:31. | :17:36. | |
Some movies are so complicated you just can't follow them or they | :17:36. | :17:40. | |
full of holes but you guys nailed it. Did that take ages? Yes, | :17:41. | :17:47. | |
because the thing about time travel is it's not real, right? LAUGHTER. | :17:47. | :17:52. | |
But there are rules. Yes, there are rules, but it's not real and there | :17:52. | :17:57. | |
are rules so you find yourself having really, really dumb | :17:57. | :18:02. | |
arguments. These types of movies just like that. Barry, the director, | :18:02. | :18:07. | |
his perspective and his twisted humour is the | :18:08. | :18:09. | |
For Old For | :18:09. | :18:18. | |
Black, so it's very clever. But it's funny but also a bit after | :18:18. | :18:24. | |
boohoo. I'm going to use that, a bit of a boohoo. But listen, we | :18:24. | :18:28. | |
have a clip. The movie opens on 25th May. This scene will not make | :18:28. | :18:38. | |
:18:38. | :18:39. | ||
Table 3 over there just drank his Table 3 over there just drank his | :18:39. | :18:49. | |
:18:49. | :18:51. | ||
fourth cup. PHONE RINGS. The crashed - Give us a minute, will | :18:51. | :19:01. | |
you, chief? We are in a situation. Yeah. I will take the one over | :19:01. | :19:06. | |
there, I will take whoever is in the kitchen and meet you on the street. | :19:06. | :19:16. | |
:19:16. | :19:20. | ||
This is a very confusing time in my life. SCREAMING. | :19:20. | :19:28. | |
Whoa! APPLAUSE . Very exciting. You Whoa! APPLAUSE . Very exciting. You | :19:28. | :19:34. | |
wouldn't want to work in that restaurant, coming in for lunch | :19:34. | :19:37. | |
shift, alien gunk on everything. Because Will, when | :19:37. | :19:42. | |
location and stuff in the streets of New York, like in Men In Black 3 and | :19:42. | :19:47. | |
stuff, people must be just - when they see you - yes, fans can be | :19:47. | :19:54. | |
interesting, you know. He said interesting. No, we are interest New | :19:54. | :19:57. | |
York and there are these four girls, and they are in a car, and I'm | :19:57. | :20:02. | |
walking down the street, and they are probably 24 years old and it's | :20:02. | :20:07. | |
Friday night and they are in their car, and the girl, she | :20:07. | :20:17. | |
:20:17. | :20:21. | ||
the window "Oh shit, Will!", and boom, into the car in front of you, | :20:21. | :20:26. | |
and "Will, can you sign this", just slammed into the car in front of her | :20:26. | :20:32. | |
but was getting your autograph. Tom, people famously over the years | :20:32. | :20:35. | |
who love Tom Jones, they love Tom Jones. Your fans are really | :20:35. | :20:41. | |
passionate about you. CHEERING. Back, back. But there's a bizarre | :20:41. | :20:47. | |
story, did one fan sort of you in a toilet? Yes, yes. We were | :20:47. | :20:53. | |
coming down the M1 motorway and had my band with me and I said we | :20:53. | :20:57. | |
have to stop, use the toilet, so we all walked in there and this | :20:57. | :21:03. | |
must have seen me, so she ran into the men's toilet, and I was actually | :21:03. | :21:08. | |
in the booth, you know what I mean, in the - yes. And all my band | :21:08. | :21:14. | |
all standing there, and laughing because they could | :21:15. | :21:19. | |
that she was - and she just came up over the top of the door. So I | :21:19. | :21:26. | |
started shouting at her and she said: ooh, you have terrible | :21:26. | :21:35. | |
manners. I thought I can't even, you know, go to the toilet now. I'm | :21:35. | :21:43. | |
lot more polite when I'm not pooping! So listen, obviously | :21:43. | :21:48. | |
are a massive star who then turned to acting. The thing I didn't know | :21:48. | :21:55. | |
was there was quite a serious dip in between those two careers? Oh yes, | :21:55. | :21:59. | |
yes. But you made millions. What happened to the money? Man, I had | :21:59. | :22:04. | |
spent it all. By the time I was I was broke. We put an album out | :22:04. | :22:13. | |
that flopped, and it was like "Uh oh", and I was very, very nervous, | :22:13. | :22:17. | |
but you know, when rich people they are broke, people like Baroness | :22:17. | :22:21. | |
they are broke, people like they are broke, people like Donald | :22:21. | :22:27. | |
Trump, he says he is broke and means he is down to $4,000 a month, | :22:27. | :22:33. | |
but I was properly broke. I couldn't afford gas for the motor scooter. | :22:33. | :22:36. | |
was like trying to make something happen and that's when I moved | :22:36. | :22:41. | |
Los Angeles, and there was television show and I would just go | :22:41. | :22:44. | |
and stand outside the show every day and meet people. But did people | :22:44. | :22:50. | |
recognise you? Yeah, but they - when you get broke, people try less | :22:50. | :22:56. | |
to recognise you. LAUGHTER. They are like "Ooh, man", so there | :22:56. | :23:01. | |
probably about a year and a half, and I just kept going to the show, | :23:01. | :23:05. | |
kept going to the show, I was standing there and I met a guy named | :23:05. | :23:11. | |
Benny who is the real Prince Of Bel Air. He actually moved | :23:11. | :23:16. | |
in with his rich relatives of that and he pitched me the idea, | :23:16. | :23:20. | |
and I met him just standing of the show. There's some guy | :23:20. | :23:24. | |
standing outside of your show right now who is going to be famous, | :23:24. | :23:28. | |
telling a story about it one day. And Tom, how did you end up in | :23:28. | :23:34. | |
Fresh Prince Of Bel Air? They asked me to go on there. Fair enough. But | :23:34. | :23:40. | |
before that, they were sort of talking about me because Carlton, | :23:40. | :23:46. | |
the character, was a Tom Jones fan, and Will used to make fun of that. I | :23:47. | :23:51. | |
wasn't making fun of it! No, but - it was the character. The | :23:51. | :23:57. | |
was doing it, I wasn't doing it. No, no, but your character was cool | :23:57. | :24:00. | |
and slick, and Carlton was trying to do my moves and all this, that and | :24:00. | :24:07. | |
the other and then, at the end - oh, there you are. Wow. Both of you | :24:08. | :24:14. | |
unchanged. LAUGHTER. Yes, so anyway, at the end of the show, | :24:14. | :24:18. | |
last episode of the series, and so Carlton is looking through Will's | :24:18. | :24:24. | |
records and he has a record of mine there. Yeah. So that was it, that | :24:24. | :24:29. | |
was the payoff. And it's incredible, given that you have this | :24:29. | :24:33. | |
phenomenal film career Prince doesn't go away. Less than | :24:33. | :24:36. | |
that, every country in the world, that is the thing that I am most | :24:37. | :24:42. | |
known for. No matter how big the movies get, it's the Fresh Prince | :24:42. | :24:49. | |
everywhere. Oh! Does that bug you? Listen, man, as long as they are | :24:49. | :24:54. | |
screaming "Will", I'm cool, but it's funny because the actor who plays | :24:54. | :24:58. | |
Carlton, when we started the show we were trying to come up with names | :24:58. | :25:02. | |
for the characters and we were talking about it and he pulled me | :25:02. | :25:06. | |
aside and said: let me tell you something, whatever your | :25:06. | :25:10. | |
name is, people are going to you that for the rest of your life. | :25:10. | :25:14. | |
He said "Make your character's name Will Smith", you know, and he was so | :25:14. | :25:22. | |
right. You know, when we go out together, people are like "Will, | :25:22. | :25:32. | |
:25:32. | :25:34. | ||
Will, Carlton"! In fairness, Carlton is better than Alphonseo, | :25:35. | :25:42. | |
his real name. Famously, you performed the title rap, which I | :25:42. | :25:50. | |
happen to know everyone knows. CHEERING | :25:50. | :25:58. | |
Oh goodness. Including me. Oh, OK. Oh goodness. Including me. Oh, OK. | :25:58. | :26:05. | |
Let me hand this over. This is quite heavy. Here you go, Gary. Oh | :26:05. | :26:11. | |
goodness, OK. Now, you have seen some musicians before but get | :26:11. | :26:21. | |
:26:21. | :26:23. | ||
ready, my friend. LAUGHTER. OK, hit the track. OK - now, this is | :26:23. | :26:29. | |
story about how my life got flipped, turned upside-down, and I liked to | :26:29. | :26:39. | |
:26:39. | :26:45. | ||
take a minute, just sit right there. In West Philadelphia born and | :26:45. | :26:49. | |
raised, on the playground was where I spent most of my days, | :26:49. | :26:54. | |
out, maxin', relaxin' all cool, and all shootin' some b-ball outside of | :26:54. | :26:58. | |
the school, when a couple of they were up to no good, started | :26:58. | :27:02. | |
making trouble in my neighbourhood, I got in one little fight and my mom | :27:02. | :27:08. | |
got scared, she said "You're moving with your aunty and uncle in Bel | :27:08. | :27:14. | |
Air", I whistled for a cab and when it came near, the licence Plate said | :27:14. | :27:21. | |
fresh, it had dice in the mirror. Looked at my kingdom, I was finally | :27:21. | :27:27. | |
there, to sit on my throne as the Prince of Bel Air. CHEERING | :27:27. | :27:36. | |
APPLAUSE. That's hilarious, that's fantastic. | :27:36. | :27:46. | |
:27:46. | :27:47. | ||
That was the synth it was done on well. Wow. Next tour. That's | :27:47. | :27:57. | |
opener. Don't make fun, it has me all week to get that right. | :27:57. | :28:02. | |
Thanks for doing that. Oh, enjoyed it. I remembered it. You | :28:02. | :28:07. | |
did, you didn't hesitate second. No, it is so funny that that | :28:07. | :28:11. | |
many people recognise that theme song, you know, and there's | :28:12. | :28:17. | |
something about TV that's than movies or music, there's | :28:17. | :28:21. | |
something about television it's like, you are in your | :28:21. | :28:25. | |
at the house, you know, and you don't get dressed up to go, and it's | :28:25. | :28:30. | |
like people come into your house and television really attaches you to | :28:30. | :28:35. | |
people. Yeah. In a way that is extremely powerful, and it's | :28:35. | :28:43. | |
humbling. Thank you. CHEERING APPLAUSE. | :28:43. | :28:46. | |
Now, listen, it's an exciting time Now, listen, it's an exciting time | :28:46. | :28:51. | |
here because it's jubilee year Gary Barlow, where would we be | :28:51. | :28:57. | |
without you? CHEERING AND APPLAUSE. No, because it's a big year and the | :28:57. | :29:03. | |
Queen, very hard to buy for. LAUGHTER. So Gary has got her | :29:03. | :29:07. | |
lovely concert, which is on the - 4th. 4th June, that's the Monday, | :29:07. | :29:13. | |
isn't it? Yes. And I believe there's a certain Sir Tom Jones on | :29:13. | :29:18. | |
the agenda? Yes, that is right. My invitation is probably at the house. | :29:18. | :29:22. | |
LAUGHTER. Yes, because I have been out the country, you know, so when I | :29:22. | :29:26. | |
get home my invitation will probably be there. What do you think? Yes. | :29:26. | :29:30. | |
Well, it should be. OK, don't you join in. When you said that Sir Tom | :29:30. | :29:37. | |
was on the bill, did her eyes light up? Absolutely. No, the Queen | :29:37. | :29:41. | |
absolutely delighted with line-up. Only a couple of weeks ago | :29:41. | :29:45. | |
I got the job of presenting the whole plan of the concert to her, | :29:45. | :29:49. | |
and I had learnt everything about this gig, I mean I know every | :29:49. | :29:54. | |
that's on that, I even know every band member in Madness, I've got the | :29:54. | :29:57. | |
whole thing, there's not she can throw at me where I'm going | :29:57. | :30:02. | |
to falter, and I went "Your Majesty, this is what the concert is going to | :30:02. | :30:04. | |
look like, it's going to be incredible, and this is | :30:04. | :30:08. | |
going to be, you know, we are in front of the Palace", and she looked | :30:08. | :30:13. | |
at it and she went "So all that equipment, how long is it going to | :30:13. | :30:23. | |
:30:23. | :30:24. | ||
so at this point I'm getting and I so at this point I'm getting and I | :30:24. | :30:28. | |
said "Ooh, about six or seven hours", so she went: so the concert | :30:28. | :30:32. | |
finishes at 10.30 at night which means you will be doing that all | :30:32. | :30:38. | |
night while my family live at the front of the Palace. A | :30:38. | :30:43. | |
of sweat just coming down here. So I said: anyway, moving on, Your | :30:43. | :30:46. | |
Majesty, this is the royal box, this is where you will be sitting, | :30:46. | :30:51. | |
she said "How am I going to get there?", and I'm thinking "Something | :30:51. | :30:56. | |
else I don't know the answer to". Next time you are in that | :30:56. | :30:59. | |
a thing that works for me, like when you get caught like that, you just | :30:59. | :31:08. | |
said "Oh, what you call it gonna take care of that". Just try | :31:08. | :31:14. | |
I will remember that, yes. Because Will, have you met royalty? Yes, we | :31:14. | :31:21. | |
had a royal premiere and Charles was at the - oh, hey! | :31:21. | :31:26. | |
you are. We did a royal premiere of Ali, and it was really cool, I'm | :31:26. | :31:31. | |
sitting next to Prince Charles, you can't relax, I'm trying to pretend | :31:31. | :31:36. | |
like I'm watching the movie so love scene comes up, Ali, my wife | :31:36. | :31:39. | |
and I have a love scene, and Charles is sitting there, watching | :31:39. | :31:44. | |
the movie and someone taps his shoulder before the love scene | :31:44. | :31:48. | |
up and he does this, he looks down the whole time, looks down, looks | :31:48. | :31:56. | |
down, and I'm thinking "Yo man, this is my best work". LAUGHTER. You | :31:56. | :32:00. | |
know, and he had his head the whole time, the whole time, and somebody | :32:00. | :32:05. | |
tapped him and he looked back up. was like: oh man, he messed the | :32:05. | :32:13. | |
movie up for himself now. That was very cool. That's incredible, I | :32:13. | :32:16. | |
never heard that. There will be no point in the concert when he needs | :32:16. | :32:22. | |
to put his head down. LAUGHTER. course, Gary, you are not just | :32:22. | :32:28. | |
organising the concert, yourself Andrew Lloyd Webber have composed | :32:28. | :32:38. | |
:32:38. | :32:44. | ||
Yes, the one thing the Queen is very Yes, the one thing the Queen is very | :32:44. | :32:47. | |
proud of all this time is the Commonwealth and I thought wouldn't | :32:47. | :32:52. | |
it be amazing if rather than just setting up in London and recording | :32:52. | :32:57. | |
this track, let's go to all these cities where the Queen matters so | :32:57. | :33:02. | |
much and add musicians piece by piece so we've made an hour | :33:02. | :33:06. | |
documentary of the meeting of this song, so we go from Kenya | :33:06. | :33:10. | |
Solomon Islands, and our last is back in the UK with the Military | :33:10. | :33:15. | |
Wives who sing the vocals, the main vocals on this track. We've got | :33:15. | :33:18. | |
little taste of the music it involves some of the filming | :33:18. | :33:23. | |
around the Commonwealth. It's a really rousing sort of anthem. | :33:23. | :33:33. | |
:33:33. | :33:35. | ||
beautiful. Thank you. # Just sing | :33:35. | :33:45. | |
:33:45. | :33:45. | ||
# Just sing # Just sing | :33:45. | :33:51. | |
# Come on and sing it louder # Singh it clearer | :33:51. | :33:56. | |
# Knowing everyone will find your voice | :33:56. | :34:02. | |
# Find your voice tonight # sing it louder, sing together, | :34:02. | :34:12. | |
:34:12. | :34:18. | ||
make this moment last forever # Hear a thousand voices shouting | :34:18. | :34:28. | |
:34:28. | :34:30. | ||
love # It's a bit boohoo. That's a bit | :34:30. | :34:34. | |
boohoo, yes. That's Prince Harry dancing there? We got Prince Harry | :34:34. | :34:38. | |
on the track. We met up with him in Jamaica and I took a tambourine | :34:38. | :34:43. | |
along with me and said: would you just hit this for us? We were | :34:43. | :34:47. | |
recording it, bang, spun it into track. Beautiful. When you | :34:47. | :34:53. | |
Prince Harry, did he strike you very tall? Everyone is tall | :34:53. | :34:58. | |
compared to me. I don't think you are this small. Yes, yes, he is | :34:59. | :35:06. | |
quite tall. No, that's the Rings version. LAUGHTER. He is | :35:06. | :35:13. | |
a big fella though. Listen, the single Sing is part of the | :35:13. | :35:23. | |
:35:23. | :35:23. | ||
Gary Barlow and the Commonwealth Band, and that is out on 29th May. | :35:23. | :35:29. | |
That's beautiful. I will take that, thank you. Thank you, sir. Thank | :35:29. | :35:36. | |
you. It's music time and of course I mentioned this is your 38th studio | :35:36. | :35:42. | |
album, Tom, here it is. It's out on 21st May and Hit Or Miss that you | :35:42. | :35:46. | |
are performing is out now, right? Yes. And you are working | :35:46. | :35:53. | |
with the cool kids. The producer of this is Kings of Leon producer? | :35:53. | :35:58. | |
Yes, Ethan, he did my last two albums. It's great working with him | :35:58. | :36:03. | |
because you work from scratch. Now you can get in there, kick things | :36:03. | :36:08. | |
around and it's great working him. Thank you very much, you are | :36:08. | :36:14. | |
going to be singing live - oh all right, there you go. You are never | :36:14. | :36:17. | |
going to be broke again. You are never making that mistake again. | :36:17. | :36:22. | |
LAUGHTER. All right, if you want to go over | :36:22. | :36:29. | |
and get ready to do the business. Yes, OK. CHEERING AND APPLAUSE. | :36:29. | :36:32. | |
There he goes, very good. In moment we will have this week's | :36:32. | :36:36. | |
stories in the Red Chair but first, performing his new single, Hit Or | :36:36. | :36:46. | |
:36:46. | :36:51. | ||
Miss, it is Sir Tom Jones! CHEERING AND APPLAUSE | :36:51. | :36:56. | |
# I was sitting down # I was sitting down | :36:56. | :37:01. | |
# All by myself # Listening to everybody, everybody | :37:01. | :37:03. | |
saying # Be like everybody | :37:03. | :37:09. | |
# Oh you see # I got to be me | :37:09. | :37:18. | |
# Cos there ain't nobody just like this | :37:18. | :37:25. | |
# I got to be me # Oh baby, hit or miss | :37:25. | :37:29. | |
# Then I look at you sitting there # You're all by yourself | :37:29. | :37:33. | |
# You're listening to everybody, everybody | :37:33. | :37:39. | |
# Saying be like everybody else # Oh, you see | :37:39. | :37:49. | |
:37:49. | :37:49. | ||
# You got to believe # And there ain't nobody just like | :37:49. | :37:53. | |
this # You've got to believe | :37:53. | :37:59. | |
# Oh baby hit or miss # Yeah | :37:59. | :38:09. | |
:38:09. | :38:32. | ||
# I was sitting there # I was sitting there | :38:32. | :38:35. | |
# All by myself # Listening to everybody | :38:35. | :38:40. | |
# Everybody saying be like everybody else | :38:40. | :38:47. | |
# Oh, you see # I've got to be me | :38:47. | :38:53. | |
# Cos there ain't nobody just like this | :38:53. | :38:59. | |
# I got to be me # Oh baby hit or miss | :38:59. | :39:04. | |
# No, there ain't nobody just like this | :39:04. | :39:10. | |
# I've got to be me # Oh baby hit or miss | :39:11. | :39:14. | |
# You've got to believe # You've got to believe | :39:14. | :39:20. | |
# You've got to believe # In yourself | :39:20. | :39:26. | |
# Don't listen # To nobody | :39:26. | :39:34. | |
# But yourself # Yeah | :39:34. | :39:44. | |
:39:44. | :39:47. | ||
# You got to believe # CHEERING AND APPLAUSE | :39:47. | :39:51. | |
thank you. Sir Tom Jones everybody. thank you. Sir Tom Jones everybody. | :39:51. | :40:01. | |
Beautiful. Fantastic. Brilliant. Sir Tom Jones, very good. | :40:01. | :40:05. | |
Beautiful. They loved it. Will is Beautiful. They loved it. Will is | :40:05. | :40:12. | |
humming it. You know, I can't wait. I can't wait. All night. | :40:12. | :40:17. | |
are running out of time but before we go just time for a story or | :40:17. | :40:25. | |
in the Red Chair. Who is up first? Hello, nice lady, what's your name? | :40:25. | :40:33. | |
Yasmin. Hi Will. What's up, baby? So your story? I was meeting my | :40:33. | :40:38. | |
friend for lunch at Oxford and we decided to meet in front of Top Shop | :40:38. | :40:43. | |
and go for lunch. Lovely plan. I was a bit early so I thought I would | :40:43. | :40:49. | |
have a browse in Top Shop and I this girl who looked exactly like my | :40:49. | :40:53. | |
mate, same jacket, same hair, same everything, so I thought I would | :40:53. | :40:59. | |
play a prank on her, went up behind her, grabbed her bag and goes "Give | :40:59. | :41:05. | |
me your bag, bitch, give me your bag", she turned round and she was | :41:05. | :41:10. | |
like "Get off me, who is this person, please help me", and then, | :41:10. | :41:16. | |
because I was near the entrance, two security guards started coming with | :41:16. | :41:25. | |
me and took me away to a room, watching CCTV footage of me grabbing | :41:25. | :41:30. | |
this random woman. I've never back since. You can walk lady, you | :41:30. | :41:37. | |
can walk. One more. Did you just step on mire action figure? | :41:37. | :41:43. | |
that's not you. Where are you? By the way, earlier you called it a | :41:43. | :41:47. | |
doll, I think. It's not a doll; it's an action figure. My mistake. | :41:47. | :41:50. | |
There's a difference. I will put the action figures back here. | :41:50. | :41:56. | |
I've lost you. No, here you are. There you are. There. LAUGHTER. He | :41:56. | :42:00. | |
is playing too. Look, he has got grippable hands, he could do that | :42:00. | :42:06. | |
grippable hands, he could do that. OK, here we go. Hello. Hi. | :42:06. | :42:11. | |
your name? Kate. And live? London. What do you do, Kate? | :42:11. | :42:16. | |
I'm a student, studying English. Studying English? Yes. To teach | :42:16. | :42:23. | |
to somebody? No, just university. Oh yes. To speak it. | :42:23. | :42:30. | |
Yes. No, it sounds as though she got a plan. LAUGHTER. Got her life | :42:30. | :42:36. | |
mapped out. LAUGHTER. It's not free anymore, Will. Someone is paying for | :42:36. | :42:43. | |
this. Sorry, my dear, off you go with your story. Now, this is a | :42:43. | :42:50. | |
story all about how my life got flipped, turned upside-down. Mmm. | :42:50. | :42:55. | |
Just sit right there, take a minute to tell you how I became - don't | :42:55. | :43:05. | |
you dare! LAUGHTER. Go on, baby. Born and raised. Finish your story, | :43:05. | :43:09. | |
baby, finish your story. The playground was where I spent most of | :43:09. | :43:15. | |
my days, relaxin' all cool, shootin' some | :43:15. | :43:19. | |
b-ball outside of the school couple of guys - this is a bit | :43:19. | :43:24. | |
after boohoo. They started making trouble in my neighbourhood, I got | :43:24. | :43:28. | |
in one little fight and my mom got scared. What did she say? She said | :43:28. | :43:35. | |
"You're moving with your aunty and uncle in Bel Air"! Well done, young | :43:35. | :43:44. | |
Huge thanks to my guests tonight, Huge thanks to my guests tonight, | :43:44. | :43:51. | |
Sir Tom Jones, Gary Barlow, and Will Smith! CHEERING AND APPLAUSE. | :43:51. | :43:56. | |
Join me next week music from the Scissor Sisters, actress Kathy | :43:56. | :43:59. |