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Tonight on the show, this year's Eurovision hopeful. | 0:00:02 | 0:00:04 | |
Can we have the comments from the Swedish jury? Hello, Stockholm? | 0:00:04 | 0:00:07 | |
Oh! Hello, London! | 0:00:07 | 0:00:11 | |
Thank you for this wonderful show you are giving us. | 0:00:11 | 0:00:15 | |
And can I say, you are looking gorgeous. | 0:00:15 | 0:00:18 | |
And can I say, you're looking repulsive. | 0:00:18 | 0:00:21 | |
Let's start the show! | 0:00:21 | 0:00:23 | |
CHEERING AND APPLAUSE | 0:00:23 | 0:00:25 | |
Hello! Hello! | 0:00:41 | 0:00:43 | |
Hello, everybody! | 0:00:43 | 0:00:47 | |
Good evening and welcome, one and all! | 0:00:47 | 0:00:51 | |
I know what you're thinking, nul points for acting, | 0:00:51 | 0:00:54 | |
but, ladies and gentlemen, we've got douze points for our guests tonight. | 0:00:54 | 0:00:57 | |
From Twilight and the new Snow White film, | 0:00:57 | 0:00:59 | |
the gorgeous Kristen Stewart is here! | 0:00:59 | 0:01:02 | |
CHEERING AND APPLAUSE | 0:01:02 | 0:01:04 | |
America's funniest stand-up comedian, Chris Rock is on the show! | 0:01:06 | 0:01:10 | |
CHEERING AND APPLAUSE | 0:01:10 | 0:01:12 | |
From Episodes, one of my favourite actors, | 0:01:13 | 0:01:15 | |
Stephen Mangan is on the show. | 0:01:15 | 0:01:17 | |
CHEERING AND APPLAUSE | 0:01:17 | 0:01:19 | |
And much excitement, Britain's Eurovision entry, | 0:01:21 | 0:01:24 | |
the musical legend that is Engelbert Humperdinck is here! | 0:01:24 | 0:01:27 | |
CHEERING AND APPLAUSE | 0:01:27 | 0:01:29 | |
Oh, yeah! Hear, hear! The Hump, The Hump, The Hump. | 0:01:30 | 0:01:36 | |
Engelbert Humperdinck. | 0:01:36 | 0:01:38 | |
Surely one of the biggest names we've ever had on the show. | 0:01:38 | 0:01:41 | |
LAUGHTER | 0:01:41 | 0:01:43 | |
Certainly the highest scoring in Scrabble. | 0:01:43 | 0:01:47 | |
Sorry, kids, "Words With Friends". So they understand! | 0:01:47 | 0:01:51 | |
This year's Eurovision is off to Azerbaijan, | 0:01:51 | 0:01:55 | |
in the very heart of Europe, just between Syria and Iran. | 0:01:55 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:01 | |
I've had to have injections! That's not Europe! | 0:02:04 | 0:02:09 | |
Engelbert isn't the oldest performer in this year's Eurovision. | 0:02:09 | 0:02:13 | |
Here's Russia's entry. | 0:02:13 | 0:02:14 | |
LAUGHTER | 0:02:14 | 0:02:16 | |
Ah, there they are! The Last Of The Summer Vodka. | 0:02:18 | 0:02:22 | |
LAUGHTER | 0:02:22 | 0:02:24 | |
I haven't learnt all of their names | 0:02:24 | 0:02:25 | |
but I think the one on the end is Potato Spice. | 0:02:25 | 0:02:28 | |
LAUGHTER | 0:02:28 | 0:02:30 | |
Wait a minute, | 0:02:30 | 0:02:31 | |
if they're singing in Eurovision, who's cleaning my house? | 0:02:31 | 0:02:36 | |
LAUGHTER AND GASPS | 0:02:36 | 0:02:38 | |
I'm worried! It's going to be a great competition this year. | 0:02:40 | 0:02:44 | |
Greece? Really going for it! | 0:02:44 | 0:02:46 | |
They are spending every penny the country has on their band. | 0:02:46 | 0:02:49 | |
LAUGHTER AND APPLAUSE | 0:02:49 | 0:02:51 | |
11 euros, ladies and gentlemen. 11 euros. | 0:02:56 | 0:03:01 | |
I've been to Azerbaijan before, actually. I have, yeah. | 0:03:01 | 0:03:04 | |
It's where you land when you fly to Paris with EasyJet. | 0:03:04 | 0:03:07 | |
LAUGHTER | 0:03:07 | 0:03:09 | |
Now, it is a long flight, and I'm just hoping I don't get sat next to | 0:03:09 | 0:03:13 | |
any of those nutters who go every year. You know... | 0:03:13 | 0:03:16 | |
LAUGHTER | 0:03:16 | 0:03:18 | |
Ireland is represented by Jedward, again. | 0:03:18 | 0:03:22 | |
CHEERING | 0:03:22 | 0:03:24 | |
Yes, yes. | 0:03:24 | 0:03:25 | |
I'm sure the Azerbaijanis will greet them with open arms. | 0:03:27 | 0:03:30 | |
LAUGHTER AND APPLAUSE | 0:03:30 | 0:03:32 | |
Wait till they see me! | 0:03:35 | 0:03:37 | |
-Let's get the guests on! -CHEERING AND APPLAUSE | 0:03:37 | 0:03:40 | |
Later on, I'll be getting The Hump. Engelbert Humperdinck will be here! | 0:03:40 | 0:03:45 | |
But first, this is going to be one of my favourite "Episodes", it's Stephen Mangan! | 0:03:45 | 0:03:50 | |
Suited and booted. Hello, sir. How are you? Very nice to see you! | 0:03:50 | 0:03:56 | |
Have a seat, have a seat. | 0:03:56 | 0:03:58 | |
He's the jewel in America's comedy crown, it's Chris Rock! | 0:03:58 | 0:04:02 | |
CHEERING AND APPLAUSE | 0:04:02 | 0:04:04 | |
-Thank you, thank you! -Lovely to see you! Have a seat. Chris Rock, ladies and gentlemen! | 0:04:05 | 0:04:11 | |
And she's a guest I can really sink my teeth into, | 0:04:11 | 0:04:14 | |
it's Kristen Stewart! | 0:04:14 | 0:04:15 | |
CHEERING AND APPLAUSE | 0:04:15 | 0:04:17 | |
Hello, lovely lady! How are you? | 0:04:17 | 0:04:20 | |
Sit down, sit down, sit down, sit down. | 0:04:21 | 0:04:24 | |
I need to start that European thing. I always go for one. | 0:04:24 | 0:04:28 | |
Did the kissing confuse you? I'm sorry. | 0:04:28 | 0:04:31 | |
Every time, I just can't get it straight, no matter what. | 0:04:31 | 0:04:34 | |
-It's Europe, we kiss a lot. Keep kissing, you'll offend no-one. -Awesome. | 0:04:34 | 0:04:38 | |
Obviously there's some Twi-hards here. | 0:04:38 | 0:04:41 | |
SCREAMING | 0:04:41 | 0:04:43 | |
And they spent MINUTES making those signs. | 0:04:43 | 0:04:46 | |
LAUGHTER | 0:04:46 | 0:04:48 | |
You must feel so loved right now! | 0:04:48 | 0:04:49 | |
Oh, come on. LAUGHTER | 0:04:49 | 0:04:52 | |
Are they everywhere you go? | 0:04:52 | 0:04:54 | |
I guess... You can't always necessarily tell. | 0:04:54 | 0:04:56 | |
I have gotten better at spotting them, though. | 0:04:56 | 0:04:59 | |
A few characteristics always give them away. | 0:04:59 | 0:05:01 | |
I see what you mean... | 0:05:01 | 0:05:04 | |
LAUGHTER | 0:05:04 | 0:05:06 | |
But, you have a good rep for spending time with the fans. | 0:05:06 | 0:05:09 | |
On blogs, they say you're really nice to them. | 0:05:09 | 0:05:12 | |
-Well, I really like them. -Ah! | 0:05:12 | 0:05:15 | |
They give you lots of money. I'd like 'em too! | 0:05:15 | 0:05:19 | |
LAUGHTER | 0:05:19 | 0:05:22 | |
Chris Rock, do you get mobbed on the street? | 0:05:22 | 0:05:24 | |
Yeah, just by the Twilight fans. | 0:05:24 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:28 | |
They just run up and bite me, "Arrrgh! Twilight, bitch!" | 0:05:28 | 0:05:33 | |
What was that about? | 0:05:33 | 0:05:34 | |
You must have a whole new group of kids who love you now. | 0:05:34 | 0:05:37 | |
Kids do love me, and I love them, not in a Michael Jackson way! | 0:05:37 | 0:05:43 | |
LAUGHTER | 0:05:43 | 0:05:44 | |
I know he's dead, but come on! | 0:05:44 | 0:05:47 | |
-It's like that's all been forgotten now. -Yeah! | 0:05:49 | 0:05:53 | |
No, kids love me, because I'm Marty the Zebra, from Madagascar. | 0:05:53 | 0:05:56 | |
CHEERING AND APPLAUSE | 0:05:56 | 0:05:58 | |
Do you have to just stand there, doing the voice? | 0:06:00 | 0:06:03 | |
I do the voice quite often. | 0:06:03 | 0:06:05 | |
I had to read to my daughter's class, a couple of days ago. | 0:06:05 | 0:06:09 | |
They have this thing called "A Mystery Reader", | 0:06:09 | 0:06:12 | |
and it means every week one parent will read to the class. | 0:06:12 | 0:06:15 | |
And last week I read Curious George Goes To The Hospital. | 0:06:15 | 0:06:20 | |
-A beautiful story. -Yes, the greatest story of all time(!) | 0:06:20 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:25 | |
Anyway, I read the story and then they were like, "Can you do Marty? | 0:06:25 | 0:06:29 | |
"Can you sing Afro Circus?" | 0:06:29 | 0:06:33 | |
And I'm just like... | 0:06:33 | 0:06:34 | |
SINGS CIRCUS THEME | 0:06:34 | 0:06:36 | |
LAUGHTER | 0:06:36 | 0:06:38 | |
-Anything for my child. -Aww! | 0:06:38 | 0:06:40 | |
And Stephen Mangan, you get recognised | 0:06:40 | 0:06:43 | |
but some of the recognition sounds really annoying. | 0:06:43 | 0:06:47 | |
-Do you know what I'm talking about? -I do know, yes, "Dan". -Yes. | 0:06:47 | 0:06:51 | |
Do you know a show called Alan Partridge, have you heard of that? | 0:06:51 | 0:06:54 | |
Big show over here, Steve Coogan played this DJ. | 0:06:54 | 0:06:58 | |
I thought you were Steve Coogan. | 0:06:58 | 0:07:00 | |
LAUGHTER | 0:07:00 | 0:07:02 | |
Well, you're not the first. | 0:07:02 | 0:07:04 | |
You're not Steve Coogan?! What the hell is he doing here? | 0:07:04 | 0:07:08 | |
LAUGHTER | 0:07:08 | 0:07:10 | |
They told me Steve Coogan was on the show. | 0:07:10 | 0:07:13 | |
-That's the only reason I did it. -You'll love Stephen, you'll love him. -OK. | 0:07:13 | 0:07:17 | |
Well, I was cast in this thing | 0:07:17 | 0:07:19 | |
-because I play Steve Coogan's doppelganger. -OK. | 0:07:19 | 0:07:21 | |
A guy called Dan, and there's a scene in it | 0:07:21 | 0:07:23 | |
where he spots me across a car park and shouts, "Dan!" | 0:07:23 | 0:07:25 | |
In the script it just says, "Dan", | 0:07:25 | 0:07:27 | |
but on the day Steve shouted, "Dan!" about 70 times, | 0:07:27 | 0:07:29 | |
"Dan! Dan! Dan! | 0:07:29 | 0:07:32 | |
"Dan! Dan!" | 0:07:32 | 0:07:34 | |
And it became a bit of a thing, | 0:07:34 | 0:07:36 | |
so every time I go to a shop, not every time, but a lot, | 0:07:36 | 0:07:40 | |
I'll go to the shop and the guy at the checkout... "Dan! Dan!" | 0:07:40 | 0:07:43 | |
And to make it work, you have to do it 15 times. | 0:07:43 | 0:07:45 | |
-So I just stand there. -You are no Steve Coogan. | 0:07:45 | 0:07:48 | |
LAUGHTER | 0:07:48 | 0:07:51 | |
I mean, you're good, I'm sure you're good. | 0:07:51 | 0:07:54 | |
Oh, dear! | 0:07:55 | 0:07:57 | |
Now, Twi-hards, don't worry, we are talking about Twilight, | 0:07:57 | 0:08:00 | |
-we will be talking about Twilight later. -Yes! | 0:08:00 | 0:08:03 | |
But first, let's talk about your new movie, | 0:08:03 | 0:08:06 | |
-EMPHATICALLY: -Snow White And The Huntsman. -Oh, God! I'm excited now! | 0:08:06 | 0:08:10 | |
-I know. -"Snow White And The Huntsman!" | 0:08:10 | 0:08:13 | |
I read for one of the dwarfs. | 0:08:13 | 0:08:16 | |
I auditioned for Blacky, little dwarf. | 0:08:16 | 0:08:18 | |
LAUGHTER | 0:08:18 | 0:08:20 | |
Didn't get it. | 0:08:20 | 0:08:23 | |
Obviously we think we know the story of Snow White | 0:08:23 | 0:08:25 | |
but what makes this different? Obviously it's a kind of retelling. | 0:08:25 | 0:08:29 | |
Well, I think everybody thinks they know exactly what will happen. | 0:08:29 | 0:08:34 | |
And I do think...we do a fairly classical telling of the story, | 0:08:34 | 0:08:37 | |
in terms of who she is as a character. | 0:08:37 | 0:08:39 | |
But we live in a much more dangerous world. | 0:08:39 | 0:08:42 | |
Every time you think destiny has your back, | 0:08:42 | 0:08:45 | |
he's going to screw you over. | 0:08:45 | 0:08:48 | |
So she starts off as a stunted child. Crazy, emotionally, socially, | 0:08:48 | 0:08:52 | |
like a freak of nature. | 0:08:52 | 0:08:55 | |
And she becomes Snow White, | 0:08:55 | 0:08:56 | |
-in the face of difficult adversity, you know. -Yes. | 0:08:56 | 0:09:00 | |
So they're trying to kill you, huh? | 0:09:00 | 0:09:02 | |
Ever been in a movie where people weren't trying to kill you? | 0:09:02 | 0:09:06 | |
LAUGHTER | 0:09:06 | 0:09:07 | |
It's like they need to! "I got to kill her." | 0:09:07 | 0:09:11 | |
We can not let Kristen Stewart live to the end. | 0:09:11 | 0:09:15 | |
The movie, Snow White And The Huntsman, | 0:09:15 | 0:09:18 | |
it's going to be in the cinemas on the 1st of June. | 0:09:18 | 0:09:20 | |
We have a clip, and I think this is you and the huntsman in danger. | 0:09:20 | 0:09:27 | |
I'll say no more. Here we go. | 0:09:27 | 0:09:29 | |
-What is it? -Shush. | 0:09:29 | 0:09:30 | |
GROWLING | 0:09:34 | 0:09:36 | |
Troll! | 0:09:36 | 0:09:37 | |
Run! | 0:09:48 | 0:09:50 | |
SHE SCREAMS | 0:10:07 | 0:10:08 | |
CHEERING AND APPLAUSE | 0:10:21 | 0:10:23 | |
You could smell that. | 0:10:23 | 0:10:24 | |
It's like an ad for Listerine, isn't it? | 0:10:30 | 0:10:33 | |
That's the Snow White I grew up with! | 0:10:33 | 0:10:35 | |
There's lots of big fight scenes in it, and you do a lot of the fighting. | 0:10:35 | 0:10:40 | |
Didn't you injure Chris Hemsworth? | 0:10:40 | 0:10:43 | |
You know, he needed a bit of roughing up. | 0:10:43 | 0:10:47 | |
But, no disrespect, | 0:10:47 | 0:10:49 | |
you don't look strong enough to have really injured Chris Hemsworth? | 0:10:49 | 0:10:52 | |
-Come on, really? -It's the movies, man! | 0:10:52 | 0:10:55 | |
I don't want to challenge you to a fight, you'll win, you're fine. | 0:10:55 | 0:11:01 | |
Did you stop production or anything? | 0:11:01 | 0:11:03 | |
I punched him right out of his close-up. | 0:11:03 | 0:11:06 | |
It's funny now, but when it happened, I instantly was like, | 0:11:06 | 0:11:11 | |
"I've just ruined the movie," because I loved this thing, | 0:11:11 | 0:11:13 | |
and I thought that we'd have to stop filming, | 0:11:13 | 0:11:15 | |
I thought he was going to start crying. He did kind of cry. | 0:11:15 | 0:11:20 | |
He spun right out of it. | 0:11:20 | 0:11:22 | |
-Wow. -He's kind of a dickhead, too. | 0:11:22 | 0:11:24 | |
LAUGHTER | 0:11:24 | 0:11:26 | |
He's like the nicest guy in the world. I was really lucky that I happened to clock Chris. | 0:11:26 | 0:11:29 | |
It couldn't be a better person. | 0:11:29 | 0:11:31 | |
-I've worked with him, just now, he is a dickhead. -Horrible. | 0:11:31 | 0:11:34 | |
LAUGHTER | 0:11:34 | 0:11:36 | |
Lots of actors, things go wrong on stage, | 0:11:36 | 0:11:38 | |
but you have a list of terrible things that have happened to you. | 0:11:38 | 0:11:42 | |
I don't know how that happens to me. | 0:11:42 | 0:11:44 | |
I did a play where I had to fire a gun, | 0:11:44 | 0:11:47 | |
and a woman in the second row | 0:11:47 | 0:11:48 | |
had audibly gone to sleep about 20 minutes before. | 0:11:48 | 0:11:51 | |
I fired the gun, and I was sort of keeping an eye out for her, | 0:11:51 | 0:11:54 | |
because I thought, "This'll wake her up." | 0:11:54 | 0:11:56 | |
And she woke up, and there's a big pause on stage | 0:11:56 | 0:11:59 | |
and a big pause from her as well, and she gets up and shuffles out. | 0:11:59 | 0:12:02 | |
And you hear her friend saying, "Where are you going?" | 0:12:02 | 0:12:05 | |
She said, "I've shit myself." | 0:12:05 | 0:12:07 | |
LAUGHTER AND APPLAUSE | 0:12:07 | 0:12:10 | |
The theatre, it's a classy enterprise. | 0:12:13 | 0:12:16 | |
Listen, we've got to talk about Breaking Dawn, Part Two. | 0:12:16 | 0:12:20 | |
Is it finally finished? You've been finishing it for some time. | 0:12:20 | 0:12:24 | |
I've finished it so many times. | 0:12:24 | 0:12:26 | |
I hope we're done now. | 0:12:26 | 0:12:28 | |
It must be like, do you say goodbye to everyone, | 0:12:28 | 0:12:30 | |
it must be like a Cher concert. | 0:12:30 | 0:12:33 | |
Bye-bye! Bye-bye! Bye-bye! | 0:12:33 | 0:12:35 | |
Every time I wrap a Twilight movie, it is like a Cher concert. | 0:12:35 | 0:12:39 | |
That's my ultimate goal in life, actually. | 0:12:39 | 0:12:42 | |
This one, am I right in thinking you are a vampire in this one? | 0:12:42 | 0:12:46 | |
Finally, yeah. | 0:12:46 | 0:12:47 | |
-You finally become a vampire? -Yeah. | 0:12:47 | 0:12:49 | |
Now, the last Twilight was quite raunchy, was quite out there. | 0:12:49 | 0:12:53 | |
Yeah, it was pretty full on. | 0:12:53 | 0:12:56 | |
But, in this one, is there less... obviously you have a baby now. | 0:12:56 | 0:13:00 | |
Vampire babies, they grow up so fast, | 0:13:00 | 0:13:02 | |
there's a lot of work involved in a vampire baby, I imagine? | 0:13:02 | 0:13:07 | |
Yeah, it's a funny thing. | 0:13:07 | 0:13:09 | |
They... As soon as she becomes a vampire, they kind of ignore their duties, | 0:13:09 | 0:13:14 | |
instantly they just want to bone, it's the most ridiculous equation. | 0:13:14 | 0:13:18 | |
LAUGHTER | 0:13:18 | 0:13:19 | |
"Really, you just had a child? Really?" | 0:13:19 | 0:13:22 | |
But this feels so good, I'm so sparkly. | 0:13:22 | 0:13:25 | |
LAUGHTER | 0:13:25 | 0:13:27 | |
In the book, when she becomes a vampire, | 0:13:27 | 0:13:31 | |
she then becomes even more beautiful. | 0:13:31 | 0:13:33 | |
That's what happens when you die. | 0:13:33 | 0:13:37 | |
Every time I go to a woman's funeral, | 0:13:37 | 0:13:39 | |
I want to have sex with the corpse. | 0:13:39 | 0:13:41 | |
LAUGHTER | 0:13:41 | 0:13:43 | |
It's the make-up. | 0:13:43 | 0:13:45 | |
But Twilight is one of the movies, it took off in a way that | 0:13:49 | 0:13:53 | |
-no-one could have predicted, it was just extraordinary. -Mm. | 0:13:53 | 0:13:56 | |
You've been in Hollywood... | 0:13:56 | 0:13:58 | |
-I didn't realise that you'd been working as a child actor. -Mm. | 0:13:58 | 0:14:01 | |
-I didn't know, Kristen, you were the kid in Panic Room. -Yeah. -Yeah. | 0:14:01 | 0:14:06 | |
Look, you're so adorable! | 0:14:06 | 0:14:09 | |
LAUGHTER | 0:14:09 | 0:14:11 | |
For some reason, Jodie Foster looks like Avatar. | 0:14:11 | 0:14:14 | |
LAUGHTER | 0:14:14 | 0:14:16 | |
She doesn't look like Avatar, | 0:14:19 | 0:14:20 | |
but that's a weird picture of her. I don't understand it. | 0:14:20 | 0:14:23 | |
This happens, then the success. | 0:14:23 | 0:14:25 | |
And again, someone was trying to kill you! | 0:14:25 | 0:14:28 | |
LAUGHTER | 0:14:28 | 0:14:30 | |
Because you had been a working actress, getting good roles, | 0:14:32 | 0:14:35 | |
but suddenly you're on a different level. | 0:14:35 | 0:14:38 | |
-You can get a movie -made. | 0:14:38 | 0:14:40 | |
Do you like that power, or does pressure come with that? | 0:14:40 | 0:14:45 | |
I really like to fight for jobs. | 0:14:45 | 0:14:47 | |
I hate the feeling of suddenly being like, oh, well, | 0:14:47 | 0:14:50 | |
Kristen can have it just because she can. | 0:14:50 | 0:14:53 | |
Do you know what I mean? | 0:14:53 | 0:14:54 | |
I don't know what the hell you're talking about! | 0:14:54 | 0:14:57 | |
Give me the job! | 0:14:57 | 0:14:59 | |
I don't care if everybody's better than me. | 0:14:59 | 0:15:02 | |
LAUGHTER | 0:15:02 | 0:15:04 | |
I want the job. | 0:15:04 | 0:15:06 | |
What, the part's for a Mexican? Yeah? | 0:15:06 | 0:15:09 | |
LAUGHTER | 0:15:09 | 0:15:10 | |
Chris Rock, you have two daughters. | 0:15:12 | 0:15:15 | |
-Yes. -Are they big fans of Kristen's because of Twilight? | 0:15:15 | 0:15:19 | |
My oldest sneaks and watches it a little bit. | 0:15:19 | 0:15:21 | |
-How old is she? -She's 10. | 0:15:21 | 0:15:24 | |
She bit me last week. | 0:15:24 | 0:15:26 | |
Are they going to be annoyed that you've met Kristen without them? | 0:15:26 | 0:15:30 | |
You're kind of the window into their heroes. | 0:15:30 | 0:15:34 | |
A little bit. | 0:15:34 | 0:15:35 | |
I took my oldest to a basketball game the other day, | 0:15:35 | 0:15:38 | |
and she met Justin Beiber. | 0:15:38 | 0:15:40 | |
Beiber took off his shades and gave it to her. | 0:15:40 | 0:15:43 | |
-Get out of here! -They're gasping. | 0:15:43 | 0:15:46 | |
LAUGHTER | 0:15:46 | 0:15:47 | |
She put on the shades and went to school and then she was pregnant. | 0:15:47 | 0:15:52 | |
LAUGHTER I looked at you, I'm thinking, what?! | 0:15:52 | 0:15:57 | |
That Beiber kid's powerful. | 0:15:59 | 0:16:01 | |
LAUGHTER | 0:16:01 | 0:16:03 | |
Stephen, you tweet about your son, is it Harry? | 0:16:03 | 0:16:06 | |
I've got two, but Harry is the eldest, yeah. | 0:16:06 | 0:16:09 | |
What is the thing at the market? | 0:16:09 | 0:16:10 | |
I took him to Camden market, he shouts, "Jews!" | 0:16:10 | 0:16:15 | |
"Jews!" | 0:16:15 | 0:16:17 | |
He says, "There are Jews everywhere". | 0:16:17 | 0:16:20 | |
"Daddy, we've to get a Jew for Mummy." | 0:16:20 | 0:16:23 | |
I said, "What?" | 0:16:23 | 0:16:25 | |
He said, "Jews" and pointed to a jewellery store. Jewels! | 0:16:25 | 0:16:27 | |
For a moment there... | 0:16:29 | 0:16:30 | |
For a moment there you thought your wife was sleeping with Mel Gibson. | 0:16:30 | 0:16:34 | |
LAUGHTER AND APPLAUSE DROWNS OUT SPEECH | 0:16:34 | 0:16:36 | |
I haven't got my Jew net with me. Wow. | 0:16:36 | 0:16:39 | |
You're not the only one working in the medium of film. | 0:16:44 | 0:16:47 | |
Chris Rock has a film out. Yes, he does. | 0:16:47 | 0:16:50 | |
Yeah, I got a movie. | 0:16:50 | 0:16:53 | |
-I'm excited to see that. -It's really good. | 0:16:53 | 0:16:56 | |
-I love Two Days In Paris so much. -This is better. | 0:16:56 | 0:17:00 | |
Really? God, it must be good, then. | 0:17:00 | 0:17:02 | |
I'm loving this, you're doing my job. Keep going. | 0:17:02 | 0:17:06 | |
Ask him about it. | 0:17:06 | 0:17:08 | |
I bite no-one. | 0:17:08 | 0:17:10 | |
It's an unlikely movie for Chris... | 0:17:11 | 0:17:14 | |
I don't know why it's unlikely that Chris Rock is in this movie but it is. | 0:17:14 | 0:17:18 | |
-It's essentially a French film. -Essentially, yeah. -It's you and Julie Delpy. | 0:17:18 | 0:17:23 | |
She wrote and directed it. | 0:17:23 | 0:17:25 | |
You star in it together. It's not a sequel but a follow-on. | 0:17:25 | 0:17:30 | |
Yes. It's like the Twilight movies, following the story. | 0:17:30 | 0:17:36 | |
Two Days In New York. So, roughly, what is it about? | 0:17:36 | 0:17:40 | |
Me and Julie Delpy are a couple. We have a couple of kids, | 0:17:40 | 0:17:44 | |
and her parents, my in-laws, are coming in for the week. | 0:17:44 | 0:17:49 | |
And hilarity ensues because they're French | 0:17:49 | 0:17:52 | |
and we think the French are so sophisticated but these French are kind of ghetto French. | 0:17:52 | 0:17:58 | |
It gets kind of funny. | 0:17:59 | 0:18:01 | |
It is really funny, because I really didn't know what to expect. I didn't know...what it would be. | 0:18:01 | 0:18:06 | |
-But it is really funny. -It's good. | 0:18:06 | 0:18:09 | |
It's like, "This movie doesn't suck!" | 0:18:09 | 0:18:12 | |
No, I just didn't know what to expect and I really enjoyed it. | 0:18:12 | 0:18:15 | |
Julie Delpy, she's easy on the eye? | 0:18:15 | 0:18:17 | |
She's great, she lets me touch her and feel her ass and stuff. | 0:18:17 | 0:18:23 | |
You need that when you're doing a movie with somebody, | 0:18:23 | 0:18:26 | |
to feel like a couple. | 0:18:26 | 0:18:29 | |
Did she write the part for you? | 0:18:29 | 0:18:30 | |
She said she did but I think it was originally written for Queen Latifah. | 0:18:30 | 0:18:34 | |
After Queen Latifah passed, I was next on the list. | 0:18:35 | 0:18:41 | |
Do you get offered many...? Because you're a romantic lead. | 0:18:41 | 0:18:44 | |
Yeah, I don't get offered a lot of romantic leads. | 0:18:44 | 0:18:48 | |
I get quick-talking mailroom guy, cop with, you know... | 0:18:48 | 0:18:53 | |
-Zebras. -Yeah, zebras. Lot of zebras. | 0:18:53 | 0:18:58 | |
Wasn't there a thing where Miramax called you in? They're posh. | 0:18:58 | 0:19:01 | |
I remember the first time Harvey Weinstein called me. | 0:19:01 | 0:19:03 | |
I'm thinking, it's Harvey Weinstein, the greatest guy, who makes some of the best movies in the world - | 0:19:03 | 0:19:09 | |
The English Patient and The Piano, and whatever. | 0:19:09 | 0:19:12 | |
I get in there and it's like, | 0:19:12 | 0:19:14 | |
"Hey, we got this movie called Rapper Bus. | 0:19:14 | 0:19:17 | |
"You driving a bus with a bunch of rappers." It's like... | 0:19:17 | 0:19:22 | |
I was like, "Where's that English Patient file?" | 0:19:25 | 0:19:27 | |
The movie, Two Days In New York, is opening here on 18th May. | 0:19:30 | 0:19:35 | |
Next Friday. | 0:19:35 | 0:19:36 | |
Next Friday, yes. | 0:19:36 | 0:19:39 | |
We've got a clip and it's you and the family... | 0:19:39 | 0:19:42 | |
-It's pretty self-explanatory. -OK. | 0:19:42 | 0:19:45 | |
Hey! | 0:19:47 | 0:19:48 | |
What are you doing here? I thought we lost you to Washington. | 0:19:48 | 0:19:51 | |
I'm in town doing a radio interview. | 0:19:51 | 0:19:54 | |
OK, OK.. Justin, I want you to meet my girlfriend, Marion. | 0:19:54 | 0:19:57 | |
Oh, Justin, so nice to finally meet you. | 0:19:57 | 0:20:00 | |
And this is her family - Jeannot, | 0:20:00 | 0:20:02 | |
-Rose... -Hello. -..and Rose's boyfriend, Manu. | 0:20:02 | 0:20:06 | |
-I'm Manu. -Nice to meet you. -Nice to meet you too. | 0:20:06 | 0:20:08 | |
Hey, I'm doing my radio show in an hour, why don't you come on air? | 0:20:08 | 0:20:11 | |
I'm catching the 420 to DC. | 0:20:11 | 0:20:13 | |
I meant to call you about Barack's visit to NY. | 0:20:16 | 0:20:20 | |
To have him on my show? | 0:20:20 | 0:20:23 | |
-Slow down there. -OK! | 0:20:23 | 0:20:24 | |
No, but he's doing a press conference and I think I can get you in. | 0:20:24 | 0:20:27 | |
-Get out of here! No! -Sweetie, that's so great. This is wonderful. | 0:20:27 | 0:20:32 | |
-Good Obama! -Thanks. | 0:20:34 | 0:20:37 | |
-He's so good-looking, so much better looking than Sarkozy. -Sorry! | 0:20:37 | 0:20:42 | |
Not really a socialist, no. | 0:20:46 | 0:20:48 | |
If I may say so, you did a great job in Harold And Kumar Go To White Castle. | 0:20:48 | 0:20:53 | |
That was totally hysterical. So funny. | 0:20:53 | 0:20:55 | |
That's not him. Will you sit down? | 0:20:55 | 0:20:57 | |
-It's funny, it's good. You must be pleased with it. -Good movie. | 0:21:04 | 0:21:09 | |
In the movie there are scenes where you talk to your good friend, | 0:21:09 | 0:21:13 | |
Barack Obama. | 0:21:13 | 0:21:14 | |
Yes, I talk to a life-size cardboard cut-out of Barack Obama and try to get advice from him. | 0:21:14 | 0:21:22 | |
-You know Barack Obama. -I kind of do. | 0:21:22 | 0:21:25 | |
-He just came out in favour of the gay marriage thing? -Maybe I'll marry a guy. | 0:21:25 | 0:21:31 | |
Now that we can. | 0:21:31 | 0:21:32 | |
I'll get a couple of wives. | 0:21:34 | 0:21:35 | |
Because that's so controversial, do you think he did that | 0:21:35 | 0:21:39 | |
because he thinks, "I'm not getting re-elected," or did he do it because he's so confident he's going to be? | 0:21:39 | 0:21:44 | |
I don't know, when you have kids, you can't lie to your kids. | 0:21:44 | 0:21:51 | |
He said, I read today, his kids have friends that have same-sex parents. | 0:21:51 | 0:21:59 | |
Actually, I took my daughter to a party the other day, | 0:21:59 | 0:22:02 | |
two guys, same-sex patients. | 0:22:02 | 0:22:05 | |
He couldn't sit there as the most powerful man in the world | 0:22:05 | 0:22:09 | |
and say these people deserve to be discriminated against | 0:22:09 | 0:22:12 | |
to his little girls. | 0:22:12 | 0:22:14 | |
So, I think, thank the children more than anything. | 0:22:14 | 0:22:20 | |
The children will make you find who you truly are and make you honest. | 0:22:20 | 0:22:25 | |
That's what happened. His kids made him honest. | 0:22:25 | 0:22:28 | |
APPLAUSE DROWNS OUT SPEECH | 0:22:28 | 0:22:34 | |
You know, it is a controversial thing to say and the timing's interesting. | 0:22:34 | 0:22:38 | |
It just shows you how screwed up the world is, though, | 0:22:38 | 0:22:41 | |
that a man just goes, | 0:22:41 | 0:22:44 | |
"Hey, I think gay people should be treated like everyone else." Controversy! | 0:22:44 | 0:22:49 | |
What kind of a world is this? It is horrible. | 0:22:49 | 0:22:52 | |
In terms of your daughters and meeting people, | 0:22:52 | 0:22:54 | |
they're still waiting for an invitation to the White House? | 0:22:54 | 0:22:57 | |
Yes, we have not got... I was there not too long ago | 0:22:57 | 0:23:00 | |
but my daughters want me to arrange a play-date with Sasha and Malia | 0:23:00 | 0:23:05 | |
and they're a little older than my daughters, they're like, "Hey!" | 0:23:05 | 0:23:09 | |
They're hanging with the Kardashians. | 0:23:09 | 0:23:12 | |
Probably not. | 0:23:14 | 0:23:17 | |
-I like the way your girls aim high. -They aim REAL high. Please. | 0:23:17 | 0:23:22 | |
"How can we use this Chris Rock connection?" | 0:23:22 | 0:23:26 | |
We're going to Disneyland, they want Mickey to eat with us. | 0:23:26 | 0:23:29 | |
"Call Mickey up, Dad, see what he's doing for dinner." | 0:23:31 | 0:23:37 | |
Now, are the girls good at school? | 0:23:37 | 0:23:40 | |
-Because you weren't...very good at school, were you? -They're horrible. No, they're great. | 0:23:40 | 0:23:44 | |
I mean, they're smarter than me | 0:23:44 | 0:23:46 | |
-because I can't help them with their homework any more. -At ten? | 0:23:46 | 0:23:50 | |
-I dropped out at... -..at nine. | 0:23:50 | 0:23:54 | |
You know my story at the coal mines. | 0:23:55 | 0:23:58 | |
-Kristen, did you go to school? -Yeah, of course. What?! | 0:23:59 | 0:24:04 | |
Because you don't seem like you went to school. | 0:24:04 | 0:24:08 | |
-No, because you were on set when... -Jodie Foster was her teacher! | 0:24:08 | 0:24:12 | |
I started to do home school when I went to high school | 0:24:14 | 0:24:17 | |
but it was miserable through middle school, which was normal. | 0:24:17 | 0:24:22 | |
-You were unhappy like everyone should be, excellent. -That's right. | 0:24:22 | 0:24:26 | |
So miserably unhappy. | 0:24:26 | 0:24:28 | |
No, I just... I really liked independent study, | 0:24:28 | 0:24:31 | |
I was able to choose everything. I read On The Road in freshman year. | 0:24:31 | 0:24:36 | |
-I wouldn't have been able to do that in public school. -Now you're in the movie. -Yeah. | 0:24:36 | 0:24:40 | |
-Yes! -I'm excited about that. | 0:24:40 | 0:24:43 | |
-Are you filming that yet? -Yeah, we're finished. We're about to go to Cannes, actually. | 0:24:43 | 0:24:47 | |
-I'm going to Cannes. -Really? -Yeah. -That'll be fun. -See you next week. -Cool, man. | 0:24:47 | 0:24:51 | |
-Stephen, are you going to Cannes? -No. | 0:24:51 | 0:24:55 | |
I'm going to Canning Town. | 0:24:55 | 0:24:57 | |
LAUGHTER AND APPLAUSE | 0:24:57 | 0:25:00 | |
-In terms of school, you went to a posh school? -Yeah, boarding school. | 0:25:04 | 0:25:09 | |
-You were a pretty child? -Well, for about a year maybe. | 0:25:09 | 0:25:13 | |
It was my first big break. My first lead role was in Beauty And The Beast. | 0:25:13 | 0:25:17 | |
Playing Beauty. | 0:25:17 | 0:25:19 | |
There were no girls in school. | 0:25:19 | 0:25:21 | |
I had an auburn wig, a green dress, flawless skin, what can I say? | 0:25:21 | 0:25:25 | |
I looked hot for a nine-year-old boy dressed as a girl. | 0:25:25 | 0:25:28 | |
-There's no way out of that one, is there? -No. -I didn't look hot. | 0:25:28 | 0:25:32 | |
One thing that happens to naughty boys in school is, er, they get detention. | 0:25:32 | 0:25:37 | |
-You didn't know where I was going with that, did you? -No, I was scared for a minute. | 0:25:37 | 0:25:41 | |
"Graham's gone very dark." No, they get detention | 0:25:41 | 0:25:45 | |
and there's a website that collects together the detention slips that kids receive. | 0:25:45 | 0:25:49 | |
The bits they have to bring home to show their parents. | 0:25:49 | 0:25:52 | |
There's lots of reasons. There's some classics of the genre in here. | 0:25:52 | 0:25:56 | |
This one - "Joe's behaviour was inappropriate and unacceptable. | 0:25:56 | 0:25:59 | |
"He started with excessive chair squeaking | 0:25:59 | 0:26:02 | |
"and ended with farting in a student's face." | 0:26:02 | 0:26:05 | |
That's quite an escalation. | 0:26:05 | 0:26:08 | |
I like... I almost want to meet the child who did this next one. | 0:26:12 | 0:26:17 | |
This child, yeah, he was "disrupting class - claiming to be the reborn Jesus | 0:26:17 | 0:26:21 | |
"and hitting another student with a Bible". | 0:26:21 | 0:26:24 | |
Prove it isn't true. | 0:26:28 | 0:26:29 | |
How do you know he wasn't the risen Jesus? Jesus has detention now. | 0:26:29 | 0:26:33 | |
This is a teacher who sent this through. Remember, this is real. | 0:26:34 | 0:26:39 | |
A teacher really did type this letter and gave it to a child to take home to their parents. | 0:26:39 | 0:26:45 | |
"Alex consistently defied me. | 0:26:45 | 0:26:47 | |
"During class, he contradicted me numerous times | 0:26:47 | 0:26:49 | |
"when I insisted the length of one kilometre was greater than one mile." | 0:26:49 | 0:26:54 | |
Go down. "Although he was correct... | 0:26:54 | 0:26:56 | |
"..Alex's actions show a blatant disregard for authority | 0:27:00 | 0:27:04 | |
"and a complete lack of respect for his school. | 0:27:04 | 0:27:06 | |
"In the future, Alex would be better off simply accepting my teachings without resistance. | 0:27:06 | 0:27:10 | |
"Please see to it that your child understands this." Isn't that genius? | 0:27:10 | 0:27:14 | |
-"Regards, Rommel." -Back to more typical children. | 0:27:14 | 0:27:21 | |
"Drew large penis on white board." | 0:27:21 | 0:27:24 | |
-That's amazing. -Well done, all the naughty children. Very good. | 0:27:24 | 0:27:28 | |
We've got to hurry up. | 0:27:29 | 0:27:31 | |
Stephen Mangan, I'm about to explain... | 0:27:31 | 0:27:37 | |
Now, you're going to be in awe, IN AWE, | 0:27:37 | 0:27:39 | |
when I tell you, Stephen Mangan, the first episode of the new series of Episodes just finished on BBC Two. | 0:27:39 | 0:27:45 | |
A hungry public have flicked over to BBC One to see you again. | 0:27:45 | 0:27:48 | |
Friday nights are sorted. | 0:27:48 | 0:27:50 | |
Absolutely. I hope you know I love Episodes, I really liked the first series. | 0:27:50 | 0:27:54 | |
And obviously here, it is a comedy, | 0:27:54 | 0:27:57 | |
but in America it's presumably Matt LeBlanc's new sitcom. | 0:27:57 | 0:28:01 | |
Yeah, he's fairly famous. | 0:28:01 | 0:28:03 | |
We had him on recently | 0:28:03 | 0:28:05 | |
-so we know he is the most charming, self-effacing guy. -In public. -Oh. | 0:28:05 | 0:28:10 | |
LAUGHTER | 0:28:10 | 0:28:13 | |
He's lovely. Boringly, he is a really nice guy. | 0:28:14 | 0:28:17 | |
To begin with, you weren't sure of him? | 0:28:17 | 0:28:20 | |
You know, a very famous, very rich guy | 0:28:20 | 0:28:22 | |
and you don't know what he's going to be like. | 0:28:22 | 0:28:25 | |
Fame is hard to handle, if you're that famous. | 0:28:25 | 0:28:29 | |
And the first time we read for the part, he came up to me and he said, | 0:28:29 | 0:28:32 | |
"I'll give you advice." I thought, "Great, he knows what he's talking about." | 0:28:32 | 0:28:36 | |
He said, "Don't suck," and walked off. | 0:28:36 | 0:28:40 | |
-So I didn't, obviously. -No. You got the part. | 0:28:40 | 0:28:44 | |
Now, we have a clip of next week's episode. | 0:28:44 | 0:28:47 | |
Matt at the beginning has slept with your wife | 0:28:47 | 0:28:51 | |
and is now trying to make amends. | 0:28:51 | 0:28:54 | |
I can't believe you let him give you a car. | 0:28:54 | 0:28:57 | |
He told me he was giving you one too. | 0:28:57 | 0:28:59 | |
-I didn't take it! -No? -The man destroyed our lives. | 0:28:59 | 0:29:04 | |
I know, but at least we're getting cars out of it. Revenge. | 0:29:04 | 0:29:09 | |
Screw him, I'll take your bloody car. | 0:29:09 | 0:29:13 | |
He's right, screw me, take the car. | 0:29:13 | 0:29:15 | |
It is not revenge if he's giving it to us. | 0:29:15 | 0:29:18 | |
He still has to pay for them. | 0:29:18 | 0:29:19 | |
-Money means nothing to him. -That's a bit of an exaggeration. | 0:29:19 | 0:29:22 | |
The man has his own jet. | 0:29:22 | 0:29:24 | |
I'm very comfortable. | 0:29:24 | 0:29:26 | |
-Have you seen it? -I haven't seen it. | 0:29:32 | 0:29:34 | |
-Is it on...? -Showtime over there, yeah. -And BBC Two on Fridays here. | 0:29:34 | 0:29:39 | |
The other exciting thing... Be prepared to be amazed. | 0:29:39 | 0:29:45 | |
Stephen Mangan is in a new movie. | 0:29:45 | 0:29:47 | |
AUDIENCE WHOOP | 0:29:47 | 0:29:50 | |
He is playing Postman Pat, ladies and gentlemen. | 0:29:50 | 0:29:53 | |
CHEERING AND APPLAUSE | 0:29:53 | 0:29:57 | |
Thank you. | 0:29:58 | 0:30:00 | |
Are you familiar with Postman Pat? No? Explain Postman Pat to the nice people that don't know. | 0:30:02 | 0:30:09 | |
He's a middle-aged mailman with glasses and a ginger mullet. | 0:30:09 | 0:30:15 | |
That's the best way to describe him. | 0:30:15 | 0:30:17 | |
He is a cartoon character, so they're making a movie of Pat. | 0:30:17 | 0:30:21 | |
-And he has a cat called Jess. -A black and white cat. | 0:30:21 | 0:30:24 | |
He is probably the least sexy character ever written. | 0:30:24 | 0:30:29 | |
I played Adrian Mole and Postman Pat and my wife is, "Who have I married?" | 0:30:31 | 0:30:35 | |
Not James Bond - Postman Pat. But there you go. | 0:30:35 | 0:30:39 | |
-We've got a picture. This is Postman Pat. There he is. -Sexy. | 0:30:39 | 0:30:43 | |
-Have you started doing the animation yet? -Yeah, we have. | 0:30:43 | 0:30:47 | |
Is it easy? Hard? | 0:30:47 | 0:30:49 | |
I said, if possible, can we do it at the same time? | 0:30:49 | 0:30:51 | |
You know what it's like recording one half of the conversation. | 0:30:51 | 0:30:54 | |
"What do you mean?" "No." "How dare you say that." | 0:30:54 | 0:30:57 | |
You want to hear the lines of the other guy. | 0:30:57 | 0:31:00 | |
-Can I just say that was excellent? -Thank you. That's how I do it. | 0:31:00 | 0:31:04 | |
But I've done a bit and then they send it off | 0:31:05 | 0:31:07 | |
and the animators spend four-and-a-half years. | 0:31:07 | 0:31:11 | |
It takes forever. | 0:31:11 | 0:31:13 | |
Chris Rock, you were brutally frank about the art of voicing animation at the Oscars. | 0:31:13 | 0:31:18 | |
Yeah. I hate it when actors say how hard it was, | 0:31:18 | 0:31:22 | |
and how much work went into my character. | 0:31:22 | 0:31:26 | |
When you do animated stuff, here's what happens. | 0:31:26 | 0:31:28 | |
You go in a booth and somebody says, "What do I say?" | 0:31:28 | 0:31:33 | |
They go, "Time to go to the store" then I go, "Time to go to the store." | 0:31:33 | 0:31:37 | |
"Do you want me to say it again? Time to go to the store. | 0:31:40 | 0:31:44 | |
"What else do you want me to say?" "Say, 'It's cold outside.'" | 0:31:46 | 0:31:50 | |
"It's cold outside!" And then they give me 1 million. | 0:31:50 | 0:31:56 | |
LAUGHTER AND APPLAUSE | 0:31:56 | 0:31:59 | |
Stephen Mangan, you're also heading back on stage. | 0:32:05 | 0:32:08 | |
You're starring in Joe Penhall's Birthday at the Royal Court in June. | 0:32:08 | 0:32:12 | |
-Yes. -Are you nervous about going back on stage? | 0:32:12 | 0:32:15 | |
Well, it's been a couple of years. | 0:32:15 | 0:32:18 | |
Last thing I did was a play on Broadway for six months. | 0:32:18 | 0:32:21 | |
Tony-nominated. | 0:32:21 | 0:32:22 | |
Didn't win. | 0:32:22 | 0:32:24 | |
Save your applause for when he wins. | 0:32:24 | 0:32:27 | |
-You've done Broadway, a play? -Yeah, I've made people shit themselves. | 0:32:30 | 0:32:34 | |
Were you joking when you said the thing about learning your lines? | 0:32:36 | 0:32:40 | |
No, I wasn't joking, when you do a play... You've done a play, | 0:32:40 | 0:32:44 | |
you're not good enough yet. | 0:32:44 | 0:32:45 | |
No... | 0:32:45 | 0:32:47 | |
You do a play, every day, they have, you come in, and there's this... | 0:32:48 | 0:32:53 | |
They let you know how many lines you messed up. | 0:32:53 | 0:32:58 | |
It is a little... Right? | 0:32:58 | 0:33:00 | |
You get a little thing what lines you messed up, every day. | 0:33:00 | 0:33:04 | |
And the rest of the cast would have two lines or whatever. | 0:33:04 | 0:33:08 | |
I would have an encyclopaedia. | 0:33:08 | 0:33:10 | |
Like, the whole play. They were like, "You did another play last night." | 0:33:10 | 0:33:14 | |
Did you ever know it? | 0:33:14 | 0:33:16 | |
I got it right probably four times in six months. | 0:33:16 | 0:33:20 | |
Some actors can't learn their lines. | 0:33:20 | 0:33:22 | |
Richard Dreyfuss did a play in the Old Vic, | 0:33:22 | 0:33:25 | |
and he couldn't get the lines in. And it's hard, it's difficult to do. | 0:33:25 | 0:33:28 | |
So he had an earpiece and they were feeding the lines to him as the play was going on. | 0:33:28 | 0:33:33 | |
At one point it looked like he was about to speak. | 0:33:33 | 0:33:35 | |
The girl on the book said, "Hold," and he said, "Hold!" on stage. | 0:33:35 | 0:33:38 | |
LAUGHTER AND APPLAUSE | 0:33:38 | 0:33:41 | |
It's time to meet my final guest. | 0:33:48 | 0:33:50 | |
This man has the hopes and dreams of the entire nation resting on his shoulders. | 0:33:50 | 0:33:55 | |
Please welcome our Eurovision hopeful, Mr Engelbert Humperdinck. | 0:33:55 | 0:33:59 | |
CHEERING AND APPLAUSE DROWN OUT SPEECH | 0:33:59 | 0:34:03 | |
You're looking very trim, sir. Is this Eurovision match-ready? | 0:34:18 | 0:34:21 | |
-I lost a few pounds, 16 pounds, worrying. -How many? | 0:34:21 | 0:34:25 | |
-16 pounds worrying about doing this. -You're not worried, are you? | 0:34:26 | 0:34:31 | |
Don't forget I'm representing the country | 0:34:31 | 0:34:33 | |
so it is a little bit of weight. | 0:34:33 | 0:34:35 | |
I know, but we don't normally do very well so... | 0:34:35 | 0:34:40 | |
I don't know whether you've heard the song yet. | 0:34:40 | 0:34:42 | |
-You're doing the first TV performance tonight. -Yeah, this is the first one. | 0:34:42 | 0:34:46 | |
It is a very sweet... It is a beautiful ballad. | 0:34:46 | 0:34:49 | |
Are you worried, because you're singing first, | 0:34:49 | 0:34:54 | |
that it might get lost in a sea of Euro-pop bakalakalaka? | 0:34:54 | 0:35:00 | |
-I'm glad I'm on first... -I bet you are, yeah. | 0:35:02 | 0:35:06 | |
..because the simple reason is it will be 12:00 when I go on in Baku | 0:35:06 | 0:35:13 | |
and my voice will still be open. | 0:35:13 | 0:35:15 | |
If I waited until 3:00 or 4:00 in the morning, it shuts down a bit, | 0:35:15 | 0:35:19 | |
so my performance might not be that good. | 0:35:19 | 0:35:23 | |
-It's nice - you get on first then you get drunk. -Yeah. | 0:35:23 | 0:35:27 | |
I have to stay MODERATELY sober until about 4:00 in the morning. | 0:35:27 | 0:35:30 | |
Annoyingly, you're not... | 0:35:34 | 0:35:36 | |
-You were going to be the oldest performer ever at Eurovision. -That's right, yeah. | 0:35:36 | 0:35:42 | |
-And now those Russian bitches have come along. -LAUGHTER | 0:35:42 | 0:35:47 | |
Here they are. Now, one of them... Are you 76? | 0:35:49 | 0:35:56 | |
-You look amazing. Can I just say. -Thank you. | 0:35:56 | 0:36:01 | |
CHEERING AND APPLAUSE | 0:36:01 | 0:36:03 | |
Engelbert at 76, one of these is 77. | 0:36:07 | 0:36:11 | |
Now it could be any of them. | 0:36:11 | 0:36:12 | |
I like the dress code, it's nice. | 0:36:14 | 0:36:17 | |
Do they unscrew in half and one fits inside the other? | 0:36:17 | 0:36:20 | |
Is that how it works? | 0:36:20 | 0:36:22 | |
Oh, dear, listen, Engelbert Humperdinck, it's time for music. | 0:36:27 | 0:36:31 | |
So if you want to join your guitarist, | 0:36:31 | 0:36:35 | |
he's waiting for you there. | 0:36:35 | 0:36:37 | |
So, this is it. | 0:36:43 | 0:36:45 | |
Performing our Eurovision entry for 2012, Love Will Set You Free. | 0:36:45 | 0:36:50 | |
It is Mr Engelbert Humperdinck! | 0:36:50 | 0:36:52 | |
# So graceful and pure | 0:37:08 | 0:37:10 | |
# A smile bathed in light | 0:37:10 | 0:37:13 | |
# No matter the distance | 0:37:13 | 0:37:17 | |
# A miracle of sight | 0:37:17 | 0:37:19 | |
# Though I should have known | 0:37:19 | 0:37:22 | |
# I could not turn away | 0:37:22 | 0:37:25 | |
# When faced with your beauty no reason can stay | 0:37:25 | 0:37:31 | |
# As you kiss him in the moonlight | 0:37:31 | 0:37:38 | |
# With heavy words I say | 0:37:38 | 0:37:44 | |
# If you love someone | 0:37:44 | 0:37:47 | |
# Follow your heart | 0:37:47 | 0:37:50 | |
# Cos love comes once if you're lucky enough | 0:37:50 | 0:37:55 | |
# Though I'll miss you forever | 0:37:55 | 0:37:58 | |
# And the hurt will run deep | 0:37:58 | 0:38:01 | |
# Only love can set you free | 0:38:01 | 0:38:08 | |
# Trust in your dreams | 0:38:08 | 0:38:11 | |
# Run with no fear | 0:38:11 | 0:38:14 | |
# And if you should stumble | 0:38:14 | 0:38:16 | |
# Remember I'm near | 0:38:16 | 0:38:19 | |
# As a ghost I will walk | 0:38:19 | 0:38:22 | |
# I'll look deep in my soul | 0:38:22 | 0:38:25 | |
# I might find another | 0:38:25 | 0:38:28 | |
# You gave me that hope | 0:38:28 | 0:38:31 | |
# So as you kiss him in the moonlight | 0:38:31 | 0:38:38 | |
# With heavy words I say | 0:38:38 | 0:38:43 | |
# If you love someone | 0:38:43 | 0:38:47 | |
# Follow your heart | 0:38:47 | 0:38:49 | |
# Cos love comes once if you're lucky enough | 0:38:49 | 0:38:55 | |
# Though I'll miss you forever | 0:38:55 | 0:38:58 | |
# And the hurt will run deep | 0:38:58 | 0:39:01 | |
# Only love can set you free | 0:39:01 | 0:39:08 | |
# And if you love someone | 0:39:08 | 0:39:14 | |
# Follow your heart | 0:39:14 | 0:39:16 | |
# Cos love comes once if you're lucky enough | 0:39:16 | 0:39:22 | |
# Though I'll miss you forever | 0:39:22 | 0:39:26 | |
# The hurt will run deep | 0:39:26 | 0:39:28 | |
# Love will set you free. # | 0:39:28 | 0:39:40 | |
CHEERING AND APPLAUSE | 0:39:40 | 0:39:43 | |
Engelbert Humperdinck, everybody. | 0:39:48 | 0:39:51 | |
Fantastic. Come back and join us. Fantastic. Seriously, beautiful job. | 0:39:51 | 0:39:59 | |
Really nice job. Have a quick sit at the end there. | 0:39:59 | 0:40:04 | |
Thank you. | 0:40:04 | 0:40:05 | |
Love Will Set You Free, and so will I in just a moment. | 0:40:07 | 0:40:10 | |
If you want to get behind Engelbert, you can download that single | 0:40:10 | 0:40:14 | |
and buy it as well. | 0:40:14 | 0:40:15 | |
-I hope people get behind you. -Thank you. -Beautiful job. | 0:40:15 | 0:40:20 | |
CHEERING AND APPLAUSE | 0:40:20 | 0:40:23 | |
Right, before we go tonight, time for a story or two in the Red Chair. | 0:40:23 | 0:40:28 | |
-So who's up first? Hello. -Hi. -What's your name? | 0:40:28 | 0:40:32 | |
-I'm Claudia. -Marvellous, where are you from? -North London. -Off you go. | 0:40:32 | 0:40:38 | |
So, basically, when I was in my teens | 0:40:38 | 0:40:42 | |
I was like an athletic fanatic, I got to the Barnet Championships. | 0:40:42 | 0:40:46 | |
-These are like THE championships. -The Barnet Championships(!) | 0:40:46 | 0:40:49 | |
-You guys don't understand. -This is a big deal. | 0:40:49 | 0:40:55 | |
I finally got there and it is 110 metre hurdles. I'm up next. | 0:40:55 | 0:40:59 | |
I went to do my warm-up, brace myself, bearing in mind the 110 hurdles are warming up. | 0:40:59 | 0:41:05 | |
The hottest guys you've ever seen. I brace myself, look them dead in the eye, let's do this. | 0:41:05 | 0:41:11 | |
One, two, three, jump. One, two, three, jump. One, two, three, 3.5, | 0:41:11 | 0:41:19 | |
hurdle, me, crash, bang. | 0:41:19 | 0:41:21 | |
Basically, I popped my cherry on a hurdle. | 0:41:21 | 0:41:25 | |
I had a bit of a bruised va-jay-jay but, er, things happened. | 0:41:25 | 0:41:29 | |
HE MOUTHS | 0:41:29 | 0:41:31 | |
That isn't where I thought that story was going. | 0:41:35 | 0:41:38 | |
"I popped my cherry on a hurdle." | 0:41:38 | 0:41:42 | |
-I'd hate to be the next guy. -You jumped really high. | 0:41:42 | 0:41:48 | |
Instead of "Harder, harder," "Hurdle, hurdle!" | 0:41:48 | 0:41:52 | |
-All right, another one. Hello, hi? -Hi. -What's your name? | 0:41:54 | 0:41:59 | |
-Alvin. -Where do you live? -West London. -And you do...? | 0:41:59 | 0:42:04 | |
I'm a cytogeneticist at Great Ormond Street Hospital. | 0:42:04 | 0:42:08 | |
What? | 0:42:08 | 0:42:09 | |
What time was it? Was I gone for long? | 0:42:11 | 0:42:14 | |
He could've been anything, I have no idea what that is. | 0:42:17 | 0:42:20 | |
It's not a dinner party. | 0:42:20 | 0:42:22 | |
We could've sent on Batman. | 0:42:22 | 0:42:25 | |
-Your story doesn't involve your job, does it? -No. -That's all right. | 0:42:25 | 0:42:30 | |
-Off you go. -I was on holiday in France with my family when I was 16. | 0:42:30 | 0:42:36 | |
Yeah, yeah. | 0:42:36 | 0:42:38 | |
The tape in my Walkman stopped, the batteries had died. | 0:42:38 | 0:42:42 | |
I went to buy batteries, to six or seven different shops, | 0:42:42 | 0:42:46 | |
no-one sold batteries. Eventually, I went to a bar-cafe, | 0:42:46 | 0:42:50 | |
I didn't think they would but I went in anyway. | 0:42:50 | 0:42:53 | |
I went to the barman, who was cleaning glasses, | 0:42:53 | 0:42:56 | |
and said, "Hi, I'm looking for batteries." | 0:42:56 | 0:42:59 | |
He looked at me, oddly, and said, "Wait, wait." | 0:42:59 | 0:43:04 | |
He went to the back of the bar and came back with a second man, | 0:43:04 | 0:43:08 | |
and the second man said, | 0:43:08 | 0:43:09 | |
IN FRENCH ACCENT: "How may I help you?" | 0:43:09 | 0:43:12 | |
Beautiful. That was, oh yeah. | 0:43:12 | 0:43:14 | |
I said, "I'm looking for batteries." | 0:43:16 | 0:43:19 | |
He said, "Yes, I am Patrice, how may I help you?" | 0:43:19 | 0:43:23 | |
That's a pretty funny story. You can walk. | 0:43:23 | 0:43:28 | |
Well done, everyone on the Red Chair. Very good. | 0:43:30 | 0:43:33 | |
If you want to join us on the show | 0:43:33 | 0:43:36 | |
and have a go in the Red Chair, you contact us via our website. | 0:43:36 | 0:43:40 | |
Thank you so much to my guests. | 0:43:40 | 0:43:43 | |
The lovely Engelbert Humperdinck. | 0:43:43 | 0:43:46 | |
Stephen Mangan. | 0:43:46 | 0:43:48 | |
Chris Rock. | 0:43:48 | 0:43:51 | |
And Kristen Stewart. | 0:43:51 | 0:43:54 | |
Join me next week with music legend Sir Tom Jones, | 0:43:54 | 0:43:57 | |
Take That's Gary Barlow and Hollywood star Will Smith. | 0:43:57 | 0:44:00 | |
I'll see you then. Goodbye. | 0:44:00 | 0:44:01 | |
Subtitles by Red Bee Media Ltd | 0:44:18 | 0:44:22 |