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On the show tonight we have Australia's finest actress to. Make | :00:06. | :00:12. | |
her feel at home, I have a Koala, and a couple of kangaroos. Now who | :00:12. | :00:22. | |
:00:22. | :00:47. | ||
would like a Coa what -- Koala Hello! Good evening everyone. And | :00:47. | :00:54. | |
welcome! I've missed you. We have been away. I was asleep on a | :00:54. | :01:03. | |
barbecue - look at my head. We have a packed line up. Cate Blanchett is | :01:03. | :01:13. | |
:01:13. | :01:18. | ||
here. Ewan McGregor is on the show. And Michael Sheen is here. Plus we | :01:18. | :01:24. | |
have got Little Britain's Matt Lucas and yes, there is more, music | :01:24. | :01:34. | |
:01:34. | :01:36. | ||
from the fantastic Keane! I know! There is almost no time left for | :01:36. | :01:42. | |
the show. I'm looking forwards to seeing Ewan and he will tell us | :01:42. | :01:46. | |
about his new film, Salmon Fishing in the Yemen. It is all about | :01:46. | :01:52. | |
Salmon Fishing in the Yemen. Here is Ewan in the film. Now, looking a | :01:52. | :01:57. | |
bit of an idiot in a river. But not the only time I have seen that | :01:57. | :02:04. | |
recently. Yes, the Oxford-Cambridge Boat Race was disrupted by a | :02:04. | :02:10. | |
protester. We have a close up of the idiot in the river. There he is. | :02:10. | :02:18. | |
So brave. Mouth open in the Thames! What we're saying is the race had | :02:18. | :02:27. | |
three cocks in it. His name is Trenton Oldfield. He was protesting | :02:27. | :02:36. | |
against eliteism. Were you? I think somebody failed their A-levels! He | :02:36. | :02:41. | |
has threatened to do it again at another sporting event. Here is my | :02:41. | :02:51. | |
:02:51. | :02:54. | ||
suggestion! Good luck! So looking forward to talk to Cate Blanchett. | :02:54. | :03:01. | |
She has been in many films, and portrayed Queen Elizabeth I. The | :03:01. | :03:08. | |
classic Elizabethan look. You still see that look today don't you? Of | :03:08. | :03:14. | |
course the royals are gearing up for the Jubilee. The Queen is | :03:15. | :03:20. | |
planning a giant flotilla down the Thames. Some have already got their | :03:20. | :03:27. | |
places. They have! And it is hard to believe that Elizabeth II has | :03:27. | :03:33. | |
spent 60 years as queen. Will take something special to get her off | :03:33. | :03:41. | |
the throne. Let's get some guests on. We're going to chat to Matt | :03:41. | :03:51. | |
:03:51. | :03:51. | ||
Lucas and have music from Keane. First it is Mr Michael Sheen. Hello | :03:52. | :04:01. | |
:04:02. | :04:07. | ||
sir! How are you? I'm very well. And the Queen, Cate Blanchett. It's | :04:07. | :04:15. | |
so nice to see you. Come and sit down. Cate Blanchett already. And | :04:15. | :04:25. | |
:04:25. | :04:33. | ||
it is Ewan McGregor. How are you? I'm very well. What a posh couch. | :04:33. | :04:39. | |
That is good. I'm feeling confident, because we have all been trained. | :04:39. | :04:47. | |
We have all been to drama school, with varying degrees of success. I | :04:47. | :04:52. | |
knew Michael when you were at school. Yes. You were the funnest | :04:52. | :05:00. | |
person I had ever mets. Even at the age of 18. What happened? I know. | :05:00. | :05:05. | |
Ewan McGregor before you trained as an actor, musical theatre was a | :05:05. | :05:10. | |
huge influence. Musicals, I spent time as a kid being different | :05:10. | :05:16. | |
singers and a lot of time pretending to be Elvis. I spent | :05:16. | :05:26. | |
:05:26. | :05:26. | ||
time pretending to be Olivia Newton John. And Grease. Me and my friend, | :05:26. | :05:32. | |
it was at the right time for me in those hot pants. We thought if we | :05:32. | :05:37. | |
sat in class with our fingers crossed she might come in. In | :05:37. | :05:47. | |
:05:47. | :05:47. | ||
Crieff! This was a good problem, if it was, I would go she is here | :05:47. | :05:55. | |
tonight. She is not! Cate, I have got to ask you about when when you | :05:55. | :06:02. | |
were a student, you had, this is a bizarre story, you had a house that | :06:02. | :06:09. | |
inexpensive to rent in Sid neer. Is this true? Yes. Wasn't it bizarrely | :06:09. | :06:16. | |
cheap to rent? No, I stayed in a suburb called zet land under a | :06:16. | :06:24. | |
smoke stack and everyone had asthma and somebody was mured in my room. | :06:24. | :06:32. | |
When you were there. -- murdered. Somebody gave me a DVD of | :06:32. | :06:38. | |
Australia's most wanted. Do you have that. Crimewatch. Or Britain's | :06:38. | :06:45. | |
Got Talent. And the room in which I was staying, which was only $60 a | :06:45. | :06:50. | |
week, I was watching it in my bed and watched a man climb through the | :06:50. | :06:57. | |
win toe and -- window and strangle a woman in my bed. For years, | :06:57. | :07:05. | |
thought this is my chance to meet a ghost. And then I didn't encounter | :07:05. | :07:14. | |
anything until the day I left and I shut the door and I heard, Cate! It | :07:14. | :07:20. | |
did send... There was no one there. Well I was there. I mean there was | :07:20. | :07:26. | |
no one else there? No it was strange. But she was murdered in my | :07:26. | :07:35. | |
bed. Had they changed the bed? It was $0 a week, you can't | :07:35. | :07:41. | |
complain. One of big events of the year, is coming to bash can in | :07:41. | :07:50. | |
April, and it your production of big and small. Gross und Klein. | :07:50. | :08:00. | |
:08:00. | :08:01. | ||
that what we call it. Its says Big and Small on the poster. We call it | :08:01. | :08:06. | |
Gross und Klein in Australia. you tell us what it is about? | :08:06. | :08:11. | |
Hopefully it is an experience. Is is a play you don't want to make | :08:11. | :08:17. | |
too much sense of. It hatches in several scenes and a woman of | :08:17. | :08:22. | |
average intelligence, typecast again! Of limited funds, who is | :08:22. | :08:28. | |
estranged from her husband and that sets her on this quest to find | :08:28. | :08:34. | |
friendship throughout Germany. The designer and the director call it a | :08:34. | :08:44. | |
:08:44. | :08:44. | ||
met aphysical road movey. It is almost like a dream. Big and small, | :08:44. | :08:49. | |
by the Sydney theatre company and you run it with your husband. | :08:49. | :08:54. | |
has been one of the privileges of my life to run it. There is so much | :08:54. | :08:57. | |
talent in Australia and when we were asked to run it, it was | :08:57. | :09:04. | |
fantastic. It is producing people's work and it is great. APPLAUSE You | :09:04. | :09:13. | |
have given up your life to its? And you met your wife at work? | :09:13. | :09:20. | |
a series called Kavanagh QC that John That you did after Morse. She | :09:20. | :09:26. | |
was was in the art department and she was set dressing on that show. | :09:26. | :09:33. | |
I was playing a young rapist. And I fell in love with her. I saw her | :09:34. | :09:38. | |
and I knew then. I thought I want to be with her. And in a different | :09:38. | :09:42. | |
way than all the other many, many women I had been with at that | :09:42. | :09:50. | |
points. And I wasn't wrong. But I was in love with her and she was | :09:50. | :09:56. | |
upstairs and I was raping Alison stedsman down stairs. -- Steadman | :09:56. | :10:05. | |
down stairs. It was as good a way to meet someone as any. Oh that is | :10:05. | :10:11. | |
horrible. And she is French? Yes. Does that back problem? Do you | :10:11. | :10:16. | |
speak French? I understand a lot of French. We have been together for | :10:16. | :10:21. | |
18 years. And I understand a lot. But my French is terrible and all | :10:21. | :10:26. | |
my kids speak French. Listen they want to slag me off, they speak in | :10:26. | :10:30. | |
French and I pretends I don't understand half of it and half of | :10:31. | :10:37. | |
it I don't understand. When Australians get together, they can | :10:37. | :10:44. | |
go offer into kind of language that I don't understand. Is tits pitch | :10:44. | :10:51. | |
or the words? -- is it the pitch or the words It is the expressions. | :10:51. | :10:56. | |
Didn't you teach Brad Pitt t expressions. He needed a few. He | :10:56. | :11:00. | |
was in Morocco and look you put anything on him and he looks | :11:00. | :11:05. | |
fabulous. He decided not to look so fabulous and to hitch, what do you | :11:05. | :11:15. | |
:11:15. | :11:16. | ||
call it when you hitch your pants up. Sigh money -- Simon Coull? | :11:16. | :11:21. | |
don't have that expression. what it does, that is in the front | :11:21. | :11:27. | |
it is Harry high pants. It is a Wedgie. That is if somebody does it | :11:27. | :11:35. | |
to you. If you do it to yourself you call it. S & M. He had a hungry | :11:36. | :11:42. | |
bum. It started to eat your trousers. Your wife gives you style | :11:42. | :11:52. | |
advice. Before we go out I run by what she think. I put stuff | :11:52. | :11:56. | |
together and can feel goods and she will go, oh that is not rights. I | :11:56. | :12:00. | |
feel a bit, I don't know, really. But she is rights. I always take | :12:00. | :12:07. | |
her word for it. In Salmon Fishing in the Yemen, your new fum the | :12:07. | :12:15. | |
first half you have a -- film, your first half you have a make under. | :12:15. | :12:23. | |
look like a Twit. I play a fishery scientist. He is in an unhappy | :12:23. | :12:29. | |
marriage and he is repressed and has a Morningside accent. It is a | :12:29. | :12:33. | |
hard film to categoryise. It is very British. Yes it has a British, | :12:33. | :12:39. | |
the comedy is very British. It is an unusual film about a very rich | :12:39. | :12:46. | |
sheik who is a passionate fly fisherman and has an estate in | :12:46. | :12:51. | |
Scotland and wants to introduce the sport to the Yemen and if he does | :12:51. | :12:57. | |
he thinks its will bring peace. I have to, I'm a scientist and forced | :12:57. | :13:03. | |
into helping him by the British Government, who want a goods news | :13:03. | :13:09. | |
story from the Middle East. We have got a clip. This is you towards the | :13:09. | :13:14. | |
beginning. We don't like each other at the beginning. I thought I would | :13:15. | :13:21. | |
introduce that. I represent the sheik's assets and estates in | :13:21. | :13:30. | |
Scotland. He is a keen fisher march. He asked us. - efisherman. Water I | :13:30. | :13:39. | |
must check. You want sparkling or still. Not for me for the fish. | :13:39. | :13:45. | |
Fire require water. So it would save us time and let he keep this | :13:45. | :13:50. | |
brief. Here it is very cold. It rains a lot. Here it is very hot, | :13:50. | :13:57. | |
it doesen rain a lot. You see the difference? Your pointing to Saudi | :13:57. | :14:06. | |
Arabia, not the Yemen. It is out on 20th April. In the film, you do do | :14:06. | :14:12. | |
the fly fishing? Yes. Did you know thousand do that? No. You have to | :14:12. | :14:21. | |
learn to cast the fly rod. Are you good at it? I'm scared because | :14:21. | :14:29. | |
there is one back there. Not really. I learned to do it and then but the | :14:29. | :14:33. | |
whole beauty of fishing is the trying to catch the fish and that | :14:33. | :14:39. | |
is passed down through the generations. Did you catch a fish. | :14:39. | :14:43. | |
No, mly caught my dog. You have to put the line bewhriends you and | :14:43. | :14:47. | |
then push it forwards on to the water. There was a ponds in | :14:47. | :14:53. | |
Scotland and I said, you got to have a go. She went like this and | :14:53. | :14:57. | |
cast back and when she pushed its forward, there was a horrible yell | :14:57. | :15:07. | |
:15:07. | :15:18. | ||
and there is my dog. Its wasn't There isn't a hook on this. OK. | :15:18. | :15:23. | |
one's eye will be taken out. Don't worry. Can you demonstrate a little | :15:23. | :15:29. | |
bit. Basically, what it is. Right. Choose a rod. I don't know... | :15:29. | :15:39. | |
you have a favourite? I'm not doing it. You have the line in front of | :15:39. | :15:43. | |
you. Do you have any accuracy? don't know if I can do it. It's | :15:43. | :15:51. | |
been a long time. I'm absolutely accurate. Right, so. If I grab | :15:51. | :15:57. | |
Keane's symbol from this. If I grab this. Right. If I put this down | :15:57. | :16:02. | |
here. This looks really hard. I think it's looks very hard because | :16:02. | :16:09. | |
it is. A man this afternoon, who gaev us the rod, did it? He's a fly | :16:09. | :16:14. | |
fisherman. I'm setting you that challenge. I'm an actor. I'm geting | :16:14. | :16:20. | |
ready. That wasn't it. If you step down, they are scared it won't get | :16:20. | :16:26. | |
caught in the lights. Will I be electrocuted? Yes, and that would | :16:26. | :16:36. | |
:16:36. | :16:37. | ||
be bad. Oh! That's amazing. look, I've caught it. | :16:37. | :16:43. | |
APPLAUSE That was amazing. You mentioned | :16:43. | :16:48. | |
your dog Sid there. He goes everywhere? I like to knockabout | :16:48. | :16:56. | |
with him. Yeah, most places. That's him. He looks like a Womble. No-one | :16:56. | :17:01. | |
has said that before. It's absolutely true. He is so lovely. | :17:01. | :17:07. | |
He is a rescue dog. I did a film called Beginners, I knockabout with | :17:07. | :17:14. | |
a dog called Cosmo. I realised I would not farewell without a dog. I | :17:14. | :17:19. | |
love with Cosmo. I found him on a website in LA on the last day of | :17:19. | :17:26. | |
our shoot of Beginningers. None of my kids... He's my dog. Does he | :17:26. | :17:32. | |
speak French? He understands French. He is a bit like me, in that | :17:32. | :17:37. | |
respect. My kids are like, "he only likes you" I'm like, "that's just | :17:37. | :17:44. | |
the way it is". You love Sid am you quite like travelling. We have a | :17:44. | :17:51. | |
treat for you. It's Dogs in Cars. These are a selection of | :17:51. | :17:59. | |
photographs we found on the interbew. Dogs like to put their | :17:59. | :18:04. | |
heads out car windows. It's pictures of that. Here is the | :18:04. | :18:09. | |
classic of the genre. If you think the dog looks silly the driver is | :18:09. | :18:14. | |
going 40mph and turned around to take that picture. Then some dogs | :18:14. | :18:24. | |
:18:24. | :18:25. | ||
don't like to... They like to do it stealth, stealth head out of the | :18:25. | :18:33. | |
window. They like the feeling, but don't want to mess my hair! The | :18:33. | :18:38. | |
best effect, long ears. That is a nice effect. So far, so far we've | :18:38. | :18:44. | |
only featured dogs facing forwards. What happens if you turn your head | :18:44. | :18:54. | |
:18:54. | :19:12. | ||
Oh! And, most dog does love it. Not It looks like he's being held up as | :19:12. | :19:18. | |
well. What are you doing, I'm going to die! Finally, if you r ever | :19:18. | :19:23. | |
feeling depressed, just find this picture on the web. This is just a | :19:23. | :19:33. | |
:19:33. | :19:34. | ||
dog just so happy in the back of a Well done all the Dogs in Cars. | :19:34. | :19:38. | |
There you go. APPLAUSE | :19:38. | :19:44. | |
Now, Michael Sheen, very exciting, since we last saw you on the show | :19:44. | :19:54. | |
:19:54. | :19:55. | ||
you have got your OBE from the Queen. I have. Thank you very much. | :19:55. | :20:01. | |
You look about 12. It must of been amazing. She thought she was giving | :20:01. | :20:07. | |
it to Tony Blair. Did she? Did that come up? She did say to me... This | :20:07. | :20:11. | |
is an extraordinary thing. We drove into Buckingham Palace. I went... | :20:11. | :20:17. | |
There is you with the other Queen. The fake Queen. We drove in there. | :20:17. | :20:23. | |
It was like dedgeya few. We recreated it for the film the Queen. | :20:23. | :20:30. | |
I felt strangely at home.you get in front of the actual Queen and there | :20:30. | :20:35. | |
is all these rules, the etiquette. Never turn your back on the Queen, | :20:35. | :20:40. | |
and all this stuff. She has someone next to her going, "this is Michael | :20:40. | :20:48. | |
Sheen, he is a hermit from Wales. He played Blair in that film about | :20:48. | :20:53. | |
you". She comes forward and shakes your hand. She puts the medal on | :20:53. | :21:00. | |
you. She said, "so what are you doing next?" When I told my agent | :21:00. | :21:05. | |
in America that, she went, "everyone's an agent". The truth | :21:05. | :21:11. | |
was that I was about to do a film called Tromn. I thought that | :21:11. | :21:14. | |
wouldn't go down well with the Queen. She might not get. That I | :21:14. | :21:19. | |
only have a short time to talk to her. I said, "I'm doing another | :21:19. | :21:24. | |
film about ex-Prime Minister Blair. This one is about his relationship | :21:24. | :21:30. | |
with President Bill Clinton". She got a spark until our eye, she went, | :21:30. | :21:36. | |
"oh, that must be awfully difficult?". She shakes your hand | :21:36. | :21:40. | |
again. Because she must meet so many people, obviously, in all the | :21:40. | :21:44. | |
time presumably a lot of people get rabbit in the headlights with her. | :21:44. | :21:48. | |
She does this thing where she shakes your hand. When it's time | :21:48. | :21:58. | |
:21:58. | :22:00. | ||
for you to go she shoves you away. I come from a rough area and I was | :22:00. | :22:08. | |
like, "oh", backing off. There has been Royal encounters on the couch. | :22:08. | :22:14. | |
Cate you met Prince Phillip. I was invited for lunch. I couldn't | :22:14. | :22:19. | |
work out why. I thought it must of been the fact that I played her | :22:19. | :22:24. | |
ancestor, the other Elizabethan. I went and there was the Head of the | :22:24. | :22:28. | |
Fire brigade and a nuclear rolgs. I thought what is the common doe | :22:29. | :22:34. | |
nominator. It's an odd thing to be eating off crockery which says ERII. | :22:34. | :22:39. | |
You get over. That I sat next to him and he said, "what do you do?" | :22:39. | :22:46. | |
I said, "I'm an actor". He said, "I was given a DVD player for | :22:46. | :22:51. | |
Christmas and I can't work out, do I put the yellow..." I tried to be | :22:51. | :23:00. | |
of some use. I know you met Prince Charles? I did, yes. It was at the | :23:00. | :23:08. | |
Leicester Square premier for Moulin Rouge. I was standing next to | :23:08. | :23:12. | |
Nicole Kidman. I had been acting in Britain for ten years or something. | :23:12. | :23:17. | |
It's the premier for the film that I'm in with Nicole. He said, "what | :23:17. | :23:22. | |
do you do in the film?" I think he thought I was the writer or | :23:22. | :23:29. | |
something. I say, "I play her boyfriend", then he was gone. | :23:29. | :23:34. | |
Listen, Michael Sheen you had the most incred I believe time. I'm | :23:34. | :23:38. | |
sure a lot of people know what you have been up to. If you don't, | :23:38. | :23:45. | |
explain the concept behind your new film. The film is called The Gospel | :23:45. | :23:51. | |
Of Us. It's a film version of something that I did last year in | :23:51. | :23:57. | |
my hometown of Port Talbot over the Easter weekend. We did a one-off | :23:57. | :24:06. | |
continuous, 72-hour live performance called The Passion of | :24:06. | :24:10. | |
Port Talbort. It took place over the streets, the beach, the mount | :24:10. | :24:14. | |
abs, in people's houses workingmen's clubs and everywhere | :24:14. | :24:19. | |
over three days it involved 2,000 local people and it began at dawn | :24:19. | :24:24. | |
on Good Friday morning, on the beach, with about 200 people | :24:24. | :24:28. | |
gathered to witness something that wasn't really advertised. It just | :24:28. | :24:31. | |
happened. By the Sunday night, there were 15,000 people standing | :24:31. | :24:36. | |
around a roundabout watching me get cruisified down in front of the | :24:36. | :24:43. | |
beach. So, this film is not a documentary. There were | :24:43. | :24:47. | |
documentaries made, this is a feature film based on what happened | :24:47. | :24:52. | |
that a director called Dave McKing has made. Were you worried about | :24:52. | :24:56. | |
making it a film because it was such a special thing? It was such a | :24:56. | :25:02. | |
particular thing. It was live, you know... 72-hours long? We didn't | :25:02. | :25:05. | |
have an idea how many people would turn up. I worked on it for two- | :25:05. | :25:10. | |
and-a-half years before we did it. You try and work out as much as you | :25:10. | :25:15. | |
can, ultimately, have you no idea who you will be doing it for and | :25:15. | :25:18. | |
how many people will be there. It was a particular live thing. The | :25:18. | :25:23. | |
film of it, how Dave managed to make this film I have no idea. I | :25:23. | :25:27. | |
said, "you can't have cameras here or there" I want to protect the | :25:27. | :25:32. | |
live experience for the audience. He hid cameras in bushes and in | :25:32. | :25:36. | |
people's houses and on tops of trees. There was even a tiny little | :25:36. | :25:40. | |
camera on the top of the cross. This extraordinary shot as the | :25:40. | :25:44. | |
cross comes up, where the camera is on the cross and you see what I saw | :25:44. | :25:50. | |
as I came up. It reminded me of the joke when Jess custody calls a | :25:50. | :25:56. | |
disciples over and says, "I can see my house from here". I could see my | :25:56. | :26:00. | |
house! Dave has done the most extraordinary thing with this film. | :26:00. | :26:03. | |
It's incredible. Absolutely, incredible. For people who were | :26:03. | :26:10. | |
there it's amazing. For people who weren't there, there are images you | :26:10. | :26:16. | |
would never seen. 15,000 people walking through a small town. | :26:16. | :26:20. | |
directed the whole thing the live event. How do you prepare? Someone | :26:20. | :26:24. | |
who know what is they are doing. That is like crowd control... | :26:24. | :26:31. | |
was a point where I got arrested in the scene. We were out... Outside | :26:31. | :26:35. | |
the car park of the seaside social club where we had our version of | :26:35. | :26:41. | |
the last summer. The Manic Street Preachers played in front of people | :26:41. | :26:47. | |
and Paul Potts sang. I came outside and I was arrested by local police. | :26:47. | :26:52. | |
We were local community performers. The audience, we could only get 200 | :26:52. | :26:57. | |
people inside the place. Thousands were outside in the car park | :26:57. | :27:02. | |
watching was happening in on the big screen with a bar in the car | :27:02. | :27:05. | |
park. There was drunk people when I came out much I was arrested and | :27:05. | :27:10. | |
put on a truck and put on trial. The crowd were going crazy. People | :27:10. | :27:14. | |
said afterwards, if you'd said, "let's trash this place" there | :27:14. | :27:18. | |
would of been a riot. The boundaries between fiction and ralt | :27:18. | :27:26. | |
reality got blurred. It was hairy at times. We have a clip. Is it | :27:26. | :27:29. | |
that moment? What you were talking about. You will see how it's been | :27:29. | :27:35. | |
transformed into something else by the film. Yeah. Here it is. Answer | :27:35. | :27:45. | |
:27:45. | :27:47. | ||
me. I'm proud of him. Say it. are the King of this town. Say it. | :27:47. | :27:57. | |
:27:57. | :28:31. | ||
Are you ready for your journey? APPLAUSE. If you want to see the | :28:31. | :28:37. | |
movie, it is on limited release from tonight. What an amazing thing | :28:37. | :28:47. | |
:28:47. | :28:51. | ||
to have done. Incredible. It is time to meet Mr Matt Lucas. Hello | :28:51. | :28:58. | |
there. How are you? Nice to see you. Hello there my good friends. Don't | :28:58. | :29:08. | |
:29:08. | :29:09. | ||
get up. How are you? Sit yourself down my dear. I would have come on | :29:09. | :29:16. | |
earlier, was - but I was having a poo. It is welcome back, are you | :29:17. | :29:23. | |
living in America. I'm moving there in July. But I will have a place | :29:23. | :29:30. | |
here. You will be living with Revel Wilson. Did you know him before? | :29:30. | :29:36. | |
It was a weird story, I was about to film come fly with me with David | :29:36. | :29:41. | |
and I got asked to be in the film. I said I'm about to do the show. | :29:41. | :29:46. | |
But if I can come for four day and film a couple of scenes. I was | :29:46. | :29:51. | |
lucky. I didn't know what a huge film it was going to be. Here I'm | :29:51. | :29:59. | |
known for Little Britain, but in America I'm the creepy dude from | :29:59. | :30:05. | |
Bridesmaids. We got on well and look very similar. It is spooky. | :30:05. | :30:13. | |
is spooky. We just hit it off and want to write a film together. | :30:13. | :30:21. | |
live in a house. Yes. And well done on your new show, on Tuesday nights | :30:21. | :30:27. | |
on the BBC. It is repeated after this. Well not straight after. | :30:27. | :30:31. | |
Because there is the lottery results. The euro millions. But | :30:31. | :30:41. | |
:30:41. | :30:42. | ||
just look at See fax. -- See faction. -- Ceefax. Is there still | :30:42. | :30:52. | |
:30:52. | :30:54. | ||
Ceefax? Yes for real people, yes there is. The weather that religion | :30:54. | :31:03. | |
Tall sun. The Lego. -- that leg go, the digital sun. It started on | :31:03. | :31:10. | |
Tuesday. We established that. your wondering why you're watching | :31:10. | :31:16. | |
this show, it is because you're waiting for my show. It is the Matt | :31:16. | :31:22. | |
Lucas Awards. It started on the radio. It is simple. This is the | :31:22. | :31:30. | |
award show that gives the awards other shows don't give. On the | :31:30. | :31:38. | |
first show, that is about to be repeated, you didn't win by the way. | :31:38. | :31:42. | |
It is always someone in France wins the lottery. We have smuggest | :31:42. | :31:50. | |
nation of people. Who wins? I don't want to give it away. But the | :31:50. | :31:56. | |
nomination are the Swedish, the Chinese and the English. You see, I | :31:56. | :32:02. | |
would say New Zealand. Would you why? Because they're so pleased | :32:02. | :32:07. | |
with themselves. It's so pretty there. That jealous si, not | :32:07. | :32:16. | |
smugness. That is your jealousy. Well let's go with Sweden. You have | :32:16. | :32:22. | |
your real mother. Yes I didn't want the show to be too rude, or smuty | :32:22. | :32:26. | |
like your show. You don't want to be rude in front of your mum. So | :32:26. | :32:32. | |
she is in the show. Have you created a showbiz monster. Your mum | :32:32. | :32:38. | |
doesen seem like a showbiz mum. is sweet and she has just retired. | :32:38. | :32:44. | |
So I thought it would be nice to get her out of house. My mum always | :32:44. | :32:51. | |
says, when am I going to see you. When I'm with you, she says, when | :32:51. | :32:56. | |
am I going to see you? I say now, this is the seeing. My mum is just | :32:56. | :33:02. | |
happy seeing me. Seeing one of her children. We have got a clip. You | :33:02. | :33:07. | |
need to explain. It is Richard Madeley sing. Well it is like a | :33:07. | :33:14. | |
chat show, but I want to get people up and about. A bit like you. | :33:14. | :33:20. | |
Fishing. So we had a category, guests with the most comprehensive | :33:20. | :33:28. | |
but useless piece of knowledge and he said that he knew all the words | :33:28. | :33:38. | |
:33:38. | :33:40. | ||
to Chatt a, noogoo Choo Choo. the station quart tore four. - | :33:40. | :33:49. | |
quarter to four. That could be. Could be Carolina. You whistle. | :33:49. | :33:59. | |
:33:59. | :34:06. | ||
Then no not far. Travel cold. Going. You are. I thought it was a bit | :34:06. | :34:15. | |
easy just to sing the words. So I made himy alternate word. Was it | :34:15. | :34:19. | |
fun himing him with the ball. the people in the BBC said you | :34:20. | :34:23. | |
can't shoot it in his face for health and safety reasons. But I | :34:23. | :34:31. | |
did any way. Here is the actual award. It is a fat Oscar, modelled | :34:31. | :34:36. | |
on me and the tragedy is when they're designing it, I was that | :34:36. | :34:42. | |
shape and now I'm a lot fatter. Yes, that is what you can win. It is | :34:42. | :34:49. | |
correct as you can see. You have got a bottom. I have a very pert | :34:50. | :34:56. | |
bottom, but I am actually that smooth. I feel it is embarrassing, | :34:56. | :35:02. | |
because you're naked. It is nothing you haven't seen before, Graham. | :35:02. | :35:09. | |
lot of people have seen you naked. Yes. And you have your hand on his | :35:09. | :35:15. | |
bottom. There has been a lot of nudity. Not tonight. Cate, have we | :35:15. | :35:23. | |
seen your bottom or not? Would you like to? I did fly fishing, it is | :35:23. | :35:28. | |
only fair. No I think I probably. You can't be an actress and not see | :35:28. | :35:37. | |
your bottom I read you had a stunt bottom. On ehis weth. -- Elizabeth. | :35:37. | :35:43. | |
I did ask for an upgrade. Did you fleet lady. I tkpopbt know if it | :35:43. | :35:47. | |
was her bottom or mine in the end. But you don't see your own very | :35:47. | :35:53. | |
often. How would I know. Did you like it? I don't, do you... Have | :35:53. | :36:02. | |
you? I would look at your bottom if it was at screen. While you you | :36:02. | :36:12. | |
:36:12. | :36:13. | ||
were looking at her bottom, I would look at your bottom. I did what the | :36:13. | :36:19. | |
butler saw, one of my first jobs. There is a scene, I have to jump up | :36:19. | :36:24. | |
naked behind a sofa with a policeman's helmet covering my bit | :36:24. | :36:29. | |
and bobs and it was like the blue rinse brigade and I didn't cover | :36:29. | :36:35. | |
mice and there was this noise. Like 800 old ladies. It was such a great | :36:35. | :36:41. | |
noise that I never covered myself properly again. But one night there | :36:41. | :36:45. | |
was a flower vase on the set and for some reason there was water in | :36:45. | :36:50. | |
it. Why would there be. It is a play. But it spilled and I didn't | :36:50. | :36:55. | |
know and I got up from behind the sofa, slightly revealing myself and | :36:55. | :37:03. | |
ran and hit the water and I landed on my back like this! With a helmet | :37:03. | :37:10. | |
and I shot towards the audience like this. This woman was coming at | :37:10. | :37:20. | |
:37:20. | :37:20. | ||
it like that. Now time for music. Before tonight's stories in the red | :37:20. | :37:28. | |
chair, with their new single Silenced by the night, please | :37:28. | :37:38. | |
:37:38. | :37:46. | ||
# In a city like mine, there's no point in fighting.# I close my eyes, | :37:46. | :37:56. | |
:37:56. | :38:00. | ||
see you and me driving. # If I am a river, you are the | :38:00. | :38:08. | |
ocean. # Got the radio on, got the wheels | :38:09. | :38:18. | |
:38:19. | :38:20. | ||
in motion. # We were silenced by the night. | :38:20. | :38:29. | |
# But you and I we gonna rise again. # Divided from the light. | :38:29. | :38:33. | |
# I wanna love the way we used to when. | :38:33. | :38:40. | |
# I lie in the dark, I feel I'm falling. | :38:40. | :38:50. | |
# Feel your hand on my back, hear your voice calling. | :38:50. | :38:58. | |
# I'm out of my depth girl, stick close to me. | :38:58. | :39:06. | |
# Because the people in this town, they look straight through me. | :39:06. | :39:15. | |
# We were silenced by the night. # But you and I we gonna rise again. | :39:15. | :39:22. | |
# Divided from the light. # I wanna love the way we used to | :39:22. | :39:26. | |
when. # Cause baby I'm not scared of this | :39:26. | :39:31. | |
world when you're here. # And baby I'm not scared of this | :39:31. | :39:41. | |
:39:41. | :39:59. | ||
# Oh oh oh. # You and I we gonna rise again. | :39:59. | :40:06. | |
# Oh oh oh. # You and I we gonna rise again. | :40:06. | :40:16. | |
# We were silenced by the night. # But you and I we gonna rise again. | :40:16. | :40:22. | |
# Divided from the light. # I wanna love the way we used to | :40:22. | :40:32. | |
:40:32. | :40:51. | ||
Thank you very much. Keane everyone! Come and say hello. Well | :40:51. | :41:01. | |
:41:01. | :41:05. | ||
done sir. Thank you. Hello. there room? Hello. Very good. OK. | :41:05. | :41:11. | |
We can't be long, I'm not sure the sofa can take the strain of this | :41:11. | :41:18. | |
many people. It is such a lot of people. That single is released on | :41:18. | :41:25. | |
30th April. But the album is out on 7th May. And are you going to be | :41:25. | :41:32. | |
tour something Yes the rest of the year. Or possibly just one week. | :41:33. | :41:38. | |
You will be touring. All the rest have been No 1 albums? Yes they | :41:38. | :41:48. | |
:41:48. | :41:48. | ||
have. APPLAUSE Very good. I like it a lot. Before we go. A story in the | :41:48. | :41:58. | |
:41:58. | :41:59. | ||
red chair. Who is up first? Hello. Hi. What is your name. Debbie. | :41:59. | :42:05. | |
Where are you from? I live in London, but from Sri Lanka. What do | :42:05. | :42:15. | |
:42:15. | :42:22. | ||
you do in London? I'm story teller. I think that was the right decision. | :42:22. | :42:32. | |
:42:32. | :42:35. | ||
A story teller. Is it wrong to call a woman hirsute? Yes. Hello. What | :42:35. | :42:45. | |
:42:45. | :42:54. | ||
is your name? Tim. Where are you from? Brisbane. He is from Brisbane. | :42:54. | :43:04. | |
:43:04. | :43:04. | ||
Did somebody recognise Tim? That was the other guy. Australia's most | :43:04. | :43:11. | |
wanted. I know that face. Quickly another one. Hello. What is your | :43:11. | :43:20. | |
name. Diane from Hollywood. Jesus I can't. All right. If you want to | :43:20. | :43:28. | |
have a go in the red chair, you can go to our web-site. Thank you to my | :43:28. | :43:37. |