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On the show tonight: The star of an An Officer and a Gentleman, where a | :00:10. | :00:14. | |
Plain Jane, who has given up on romance is swept off her feet by a | :00:14. | :00:20. | |
hunky man in uniform. I mean, seriously, as if that could | :00:20. | :00:30. | |
:00:30. | :00:42. | ||
happen?! LAUGHTER Let's start the Oh, oh! Oh! | :00:42. | :00:52. | |
:00:52. | :00:53. | ||
CHEERING AND APPLAUSE Oh! Oh! Oh! Fantastic! Oh! Thank | :00:53. | :00:59. | |
you very much. I must remember to send flowers! LAUGHTER Welcome all. | :00:59. | :01:04. | |
What an exciting couch tonight. Hollywood legend, Richard Gere, is | :01:04. | :01:14. | |
:01:14. | :01:15. | ||
on the show. CHEERING I know. Star of Hanna, Atonement and The Lovely | :01:15. | :01:22. | |
Bones, Saoirse Ronan is on the show. Yes, she is. APPLAUSE It's a | :01:22. | :01:27. | |
welcome back for Con Air and In The Line of Fire star, John Malkovich | :01:27. | :01:34. | |
is here. APPLAUSE That's not all. Later on, we will be having music | :01:34. | :01:36. | |
from the fantastic Taylor Swift, everybody. | :01:36. | :01:46. | |
CHEERING AND APPLAUSE I know. On this show, over there! Oh. What a | :01:46. | :01:51. | |
line-up! Thrilled to welcome Richard Gere back. Just on the show. | :01:51. | :01:56. | |
Famous for An Officer and a Gentleman, of course. Oh. APPLAUSE | :01:56. | :02:06. | |
:02:06. | :02:11. | ||
Yes. A man in uniform. When is that not sexy? Huh?! LAUGHTER Richard | :02:11. | :02:16. | |
has starred in many great films, Pretty Woman, American Gigolo and | :02:16. | :02:23. | |
First Knight. There he is on his trusty horse, Ready Meal! LAUGHTER | :02:23. | :02:31. | |
It's already wrapped in foil! It is oven ready! A big welcome to my | :02:31. | :02:34. | |
Irish compatriot, Saoirse Ronan. APPLAUSE What a lovely actress. She | :02:34. | :02:37. | |
starred in Hanna as a 15-year-old. Such a good movie. Look at her | :02:37. | :02:41. | |
there. They grow up so fast. One minute they are watching Peppa Pig, | :02:41. | :02:46. | |
the next they are blowing someone's brains out. Of course, she was | :02:46. | :02:51. | |
Oscar nominated for her role in Atonement. That's her as the young | :02:51. | :02:55. | |
Briony Tallis. In the film you see her character as an old woman. | :02:55. | :03:02. | |
There she is. I wonder what I'll look like when I'm really old. | :03:02. | :03:11. | |
LAUGHTER Hey, let's get some guests on! CHEERING Later, we will have | :03:11. | :03:18. | |
music and chat from Taylor Swift. APPLAUSE But first, time for a | :03:18. | :03:28. | |
:03:28. | :03:30. | ||
dangerous liaison, it is John Malkovich. APPLAUSE John Malkovich. | :03:30. | :03:36. | |
APPLAUSE She's got lovely bones, it is Saoirse Ronan. Oh! APPLAUSE | :03:36. | :03:46. | |
:03:46. | :03:48. | ||
Hello, lovely lady. Sit yourself down. And Mr Richard Gere! | :03:48. | :03:53. | |
# Love lift us up # Where we belong... # | :03:53. | :04:02. | |
CHEERING AND APPLAUSE So nice to meet you. | :04:02. | :04:08. | |
# Love lift us up # Where we belong... # | :04:08. | :04:17. | |
CHEERING AND APPLAUSE # Love lift us up | :04:17. | :04:27. | |
:04:27. | :05:06. | ||
Oh my God! Is he coming back?! | :05:06. | :05:16. | |
:05:16. | :05:19. | ||
CHEERING AND APPLAUSE Oh! I filled ten minutes then! | :05:19. | :05:25. | |
know. It is great. Sit yourself down. Oh dear. Join me next week | :05:25. | :05:34. | |
when my guests include... Just 45 minutes of clapping! What a weird | :05:34. | :05:44. | |
:05:44. | :05:47. | ||
show! Actors don't like that(!) Welcome all to the couch. Sonali | :05:47. | :05:57. | |
:05:57. | :05:59. | ||
Shah -- Saoirse Ronan, that's how they say it? Yes. In Ireland, | :05:59. | :06:03. | |
people say it differently. I don't think I pronounce my name the | :06:03. | :06:12. | |
correct way. I say Saoirse, but people say you are saying that | :06:12. | :06:17. | |
wrong. John, are you hearing the subtle difference?! I'm wondering | :06:17. | :06:26. | |
what she says when they tell her she says her name wrong?! Your | :06:26. | :06:32. | |
middle name is unexpected, Richard? Something is going to happen now, I | :06:32. | :06:36. | |
know. LAUGHTER Nothing bad. Your middle name is Tiffany? It is | :06:36. | :06:46. | |
:06:46. | :06:49. | ||
Tiffany. LAUGHTER What is so funny about that?! LAUGHTER It's not THE | :06:49. | :06:54. | |
Tiffany's! This was my mother's side. Her maiden name is Tiffany. | :06:54. | :07:00. | |
It came through Belgium somehow. I'm guessing you kept that quiet in | :07:00. | :07:09. | |
school? I almost used it as my stage name. No?! Richard Tiffany -- | :07:09. | :07:17. | |
Gere. -- Richard Tiffany - Gere. Richard, you are on presenting | :07:18. | :07:22. | |
duties. You have been reunited with the cast of Chicago? That's true. | :07:22. | :07:27. | |
Are you singing? No, we are just presenting. That is very nice of | :07:27. | :07:31. | |
you. In Chicago you were snubbed...? Thank you so much for | :07:31. | :07:39. | |
bringing that up(!) Were you sitting by the phone thinking, | :07:40. | :07:45. | |
"Surely, I will."? We were opening in Paris and we were in the same | :07:45. | :07:51. | |
hotel, I can't remember what hotel, but we were next to each other and | :07:51. | :07:55. | |
the - I don't know what time it would have been - in LA they were | :07:55. | :07:58. | |
making the announcements. All the doors were open because we were | :07:58. | :08:02. | |
going off to do interviews and stuff. So we could hear it down the | :08:02. | :08:07. | |
hallway. This one gets nominated. That one gets nominated. That one | :08:07. | :08:12. | |
gets nominated. I did feel - and it went right past me! LAUGHTER That | :08:12. | :08:18. | |
one got nominated. The next one got nominated. The movie got nominated. | :08:18. | :08:23. | |
Photography got nominated. You are probably talked about the most | :08:23. | :08:33. | |
:08:33. | :08:34. | ||
because you didn't get nominated! Every cloud! Then, Saoirse, you are | :08:34. | :08:41. | |
13, nominated for an Oscar, which is an amazing thing. You pop on | :08:41. | :08:48. | |
your frock, off you go, now it's - oh! That's a while ago. It seems | :08:48. | :08:53. | |
cruel to do that to a 13-year-old girl and not give you the prize. | :08:53. | :09:02. | |
know. Did you have a big tantrum? threw my shoes off! I was 13 at the | :09:02. | :09:11. | |
time so it was - it was the first- ever awards ceremony I went to. It | :09:11. | :09:18. | |
was lovely. I knew I wasn't going to win. Tilda Swinton won. She is | :09:18. | :09:24. | |
all right?! She was good as the White Witch. John, you have been | :09:24. | :09:31. | |
nominated twice. Did you go both times? Did you like it? I missed | :09:31. | :09:36. | |
the second one, Graham. The first one I went, all I really remember | :09:36. | :09:46. | |
of it, it was at the Pavilion then, which has an enormous foyer. It was | :09:46. | :09:54. | |
just about eight or ten people with massive kind of snow shovels | :09:54. | :09:59. | |
following the elephants from Passage to India, wo were doing | :09:59. | :10:04. | |
their -- who were doing their thing in the foyer. LAUGHTER While | :10:05. | :10:10. | |
waiting to go on stage, the elephant. And that's really all I | :10:10. | :10:20. | |
remember about it. That's showbusiness! Now, going back to | :10:20. | :10:25. | |
awards, congratulations, Richard, Golden Globe Best Actor nomination | :10:25. | :10:31. | |
for Arbitrage. Thank you. Out March 1st. The movie is excellent. Thanks. | :10:31. | :10:36. | |
The story, it is not based on the Bernie Madoff Ponzi scheme. Is it | :10:36. | :10:40. | |
inspired by that? No, it is that world for sure. It's not Bernie. | :10:40. | :10:46. | |
When we started to make the film, he was the poster boy for | :10:46. | :10:50. | |
everything wrong with the financial world. But this character is not a | :10:50. | :10:59. | |
socio-path like John would have played. LAUGHTER Not only would I | :10:59. | :11:05. | |
have played it, I invested with him! Oh no. Did you invest | :11:05. | :11:12. | |
early...? You were one of the guys that made money? No! LAUGHTER But | :11:12. | :11:17. | |
the odd thing is that your character - he appeared to be a | :11:17. | :11:22. | |
villain, but he's rather sympathetic. He is not one of those | :11:22. | :11:30. | |
guys. He is a very powerful - he's got the money, the plane, the car, | :11:30. | :11:35. | |
everything is in place. We deconstruct him in the process of | :11:35. | :11:39. | |
the movie. He's made some very bad financial bets. Now he has to fix | :11:39. | :11:46. | |
it. As you saw the movie, some other things happen which also put | :11:46. | :11:49. | |
pressure on the man. There is a ticking clock. He has to fix | :11:49. | :11:54. | |
everything quickly and in the process we see what is inside this | :11:54. | :11:59. | |
guy. My job in this was to make him a human being and not a villain | :11:59. | :12:06. | |
with a a capital V. I never met a simple person in my life. Well, | :12:06. | :12:15. | |
there are some! LAUGHTER We have a clip, Richard. This is a scene with | :12:15. | :12:20. | |
you and your daughter, she's discovered at this point what you | :12:20. | :12:26. | |
have been doing. Thanks to you, we may all be arrested. No-one is | :12:26. | :12:29. | |
getting arrested. That is why I borrowed the money from Jeffrey. | :12:29. | :12:34. | |
Plugged the hole, they see the books are fine, transfer the | :12:34. | :12:40. | |
company, I pay back Jeffrey with interest, I make all of our | :12:40. | :12:47. | |
investors whole and what's left we keep. Everybody wins? Yes. If we | :12:47. | :12:53. | |
sell the company? If I lie for you? We don't have to lie. What do you | :12:53. | :12:57. | |
think they will say at the deposition, she didn't know?! They | :12:57. | :13:02. | |
will take away my brokerage licence. What do you want me to do? Did you | :13:02. | :13:06. | |
want me to let our investors go bankrupt? You wanted people to get | :13:06. | :13:12. | |
really hurt? What gives you the audacity to think...? It is my job! | :13:12. | :13:17. | |
It is illegal. It is illegal. I am your partner. You are not my | :13:18. | :13:23. | |
partner. You work for me. That's right, you work for me. Everybody | :13:23. | :13:33. | |
:13:33. | :13:35. | ||
works for me. APPLAUSE Oh. You are so good in this film. Really good. | :13:35. | :13:40. | |
Thanks. I read in one interview you were talking about this film is | :13:40. | :13:45. | |
almost like a riposte to how money is seen in Pretty Woman? I never | :13:45. | :13:50. | |
said that. Did you not? Everyone tries to get me to say that. Sorry. | :13:50. | :13:55. | |
Is it because at the time of Pretty Woman you were talking about how | :13:55. | :14:00. | |
you were nervous of how it did say if you have money it is all fine? | :14:00. | :14:06. | |
don't know what you are talking about! In reading old interviews, | :14:06. | :14:12. | |
in preparing - I prepare - talking about Pretty Woman at the time. I | :14:12. | :14:17. | |
remember you saying you were nervous of how - it basically said | :14:17. | :14:25. | |
if you have the cash, it is a panacea? No. I don't know what you | :14:25. | :14:33. | |
are talking about. Can I borrow a pen? It is like a fictitious biog | :14:33. | :14:38. | |
has been passed to me. I don't know where this is coming from. I don't | :14:38. | :14:43. | |
know either. Keep trying. Shall I keep trying? Yes, please. Because | :14:43. | :14:46. | |
of the way films came out in Ireland, they take ages to come out. | :14:47. | :14:51. | |
In one weekend, I remember I went to see American Gigolo and An | :14:51. | :14:56. | |
Officer and a Gentleman in one weekend. Wow. I knew your body | :14:56. | :15:06. | |
:15:06. | :15:07. | ||
better than my own at the end of it! CHEERING This was Ireland. Oh | :15:07. | :15:14. | |
my God! I wish I still had that body! It is in there! In American | :15:14. | :15:23. | |
Gigolo, is it true the suits were, they were made for John Travolta? | :15:23. | :15:33. | |
No. No. No, what happened... Were you in An Officer and a Gentleman? | :15:33. | :15:43. | |
:15:43. | :15:43. | ||
Yes. Yes. You can stop now. You have a yes. We are back on track. | :15:43. | :15:50. | |
You have been in all these iconic films. So you are famous presumably | :15:50. | :15:54. | |
all over the world? Is it Borneo, this is another one of these that | :15:54. | :15:58. | |
is going to be no, I have never been to Borneo! I never intend to | :15:58. | :16:02. | |
go to Borneo. I didn't know that country existed. I have never heard | :16:02. | :16:12. | |
:16:12. | :16:13. | ||
of Borneo! Did you go to Borneo? This is true. Thank God for that! | :16:13. | :16:16. | |
Graham Norton, ladies and gentlemen! Take a bow! Ladies and | :16:16. | :16:23. | |
gentlemen. I'm so sorry. It is not normally like this. Someone will be | :16:23. | :16:33. | |
:16:33. | :16:36. | ||
fired! They are hiding. They are gone! You did go to Borneo? This is | :16:36. | :16:41. | |
- do you want the long story or the short story? How much time do we | :16:41. | :16:45. | |
have? We have just cut a lot of questions there, so we are nearing | :16:45. | :16:54. | |
the end now! Shall I go to the audience again? CHEERING No, no. Do | :16:54. | :17:04. | |
:17:04. | :17:05. | ||
that later. I'm in Borneo and I found a flight that got me to the | :17:05. | :17:12. | |
capital of Borneo. I arranged with a missionary pilot to take me all | :17:12. | :17:16. | |
the way into the centre, way up into the jungle. So we went up | :17:16. | :17:22. | |
there and it was just before the monsoon, which - I could stretch | :17:22. | :17:27. | |
this story out. This could go forever. This is a dinner story. | :17:27. | :17:31. | |
Can we order dinner for everybody here? | :17:31. | :17:36. | |
AUDIENCE: Yes! I haven't told this story fully in about five years. | :17:36. | :17:42. | |
I'm willing to do it. Let's go. Pizza for everybody! Who is | :17:42. | :17:51. | |
ordering? So we flew into this very short strip and it was a one-prop | :17:51. | :17:55. | |
plane, me and my Brazilian girlfriend and it slammed right | :17:55. | :17:59. | |
down. We had 100 feet for this to happen and it was one of the few | :17:59. | :18:09. | |
:18:09. | :18:13. | ||
pilots who could do it. We got off. It was along a river. The tribe | :18:13. | :18:18. | |
that have bones, the flesh of the ears were hanging down, they were | :18:18. | :18:24. | |
naked, a dug-out canoe, so the missionary pilot has to take off. | :18:24. | :18:31. | |
We are left there. We go up river, we come to this longhouse and it is | :18:31. | :18:34. | |
all hand gestures and whatever and we start to walk up to the | :18:34. | :18:39. | |
longhouse and the whole tribe comes out and they start going, "An | :18:39. | :18:47. | |
Officer and a Gentleman! An Officer and a Gentleman!" That's a true | :18:47. | :18:54. | |
story. APPLAUSE When the pizza comes, I will tell you how we got | :18:54. | :19:00. | |
out of there! John, you kind of shunned the limelight and I sort of | :19:00. | :19:05. | |
get it because was it you found a woman in your garden once, is that | :19:05. | :19:15. | |
:19:15. | :19:18. | ||
right? Yes. Yes. A very big woman. And was dressed maybe a little too | :19:18. | :19:25. | |
provocatively and I was at our house in France and I was talking | :19:25. | :19:29. | |
to my producing partner out in Los Angeles and I turned around and | :19:29. | :19:39. | |
:19:39. | :19:43. | ||
there was this kind of like a Michelin woman about... LAUGHTER | :19:43. | :19:47. | |
She wanted to be my assistant and I said I didn't think that was a good | :19:47. | :19:56. | |
idea. And then she said she also wanted me to read her screenplay. | :19:56. | :20:01. | |
And I looked at the title of it which had kind of looked like it | :20:01. | :20:11. | |
:20:11. | :20:12. | ||
had been maybe scratched in with a bloody nail, or the claw of a | :20:12. | :20:22. | |
:20:22. | :20:23. | ||
hammer. LAUGHTER And it was in French and it meant she kills. I | :20:23. | :20:30. | |
thought - I said that seems very interesting. What's it about? She | :20:30. | :20:38. | |
explained that it was about an out of work woman who kills a well- | :20:38. | :20:48. | |
:20:48. | :20:51. | ||
known actor. LAUGHTER Saoirse, because every time we see you in a | :20:51. | :20:55. | |
movie you have grown up so you look incredibly different every time we | :20:55. | :21:00. | |
see you. Do you get recognised that much? I don't really, to be honest. | :21:00. | :21:06. | |
I do in Ireland. I think... Everybody knew you anyway, it is a | :21:06. | :21:11. | |
small country! Graham and I are cousins! I mean, outside of Ireland, | :21:11. | :21:15. | |
not so much. Every now and again, I would get people who will come up | :21:15. | :21:19. | |
to me abroad and they will ask me to sign an autograph with my face | :21:19. | :21:26. | |
on it and I'm signing it and they are, "So what films are you in?" | :21:26. | :21:32. | |
What have you done? Why have you printed out my face?! So I have got | :21:32. | :21:41. | |
that quite a bit. Nobody knows who I am. Stop it! I don't mind. Don't | :21:41. | :21:46. | |
encourage her. It is going to change. You are in The Host which | :21:46. | :21:53. | |
is the new movie from the writer of the Twilight series. Yes. This is | :21:53. | :21:59. | |
going to be huge. It might be, yeah. There is a lot of buzz around it, | :21:59. | :22:03. | |
which has been exciting. Do they sit you down and talk to you about | :22:03. | :22:07. | |
what is going to happen when this movie hits? Have you met the | :22:07. | :22:11. | |
Twilight kids? I haven't. I went to the last premiere in LA. I didn't | :22:11. | :22:15. | |
get to talk to them. I didn't meet any of them. They had to fly off | :22:15. | :22:19. | |
somewhere else. They were rude and unfriendly, that is what you are | :22:19. | :22:25. | |
saying! I didn't want to meet them then. They were up themselves. Good | :22:25. | :22:32. | |
luck, Twilight cast! You are not in The Host. They are finished! | :22:32. | :22:40. | |
Twilight, the sun has set! It is night now! I didn't get to meet | :22:40. | :22:44. | |
them. That's all right. In this movie, you play two people, but | :22:44. | :22:52. | |
they are both, they share your body? Yes. So, basically, it's | :22:52. | :23:00. | |
about our planet being taken over by aliens. Keep going. It is good, | :23:00. | :23:08. | |
honestly. It is a movie. It is not real. They are taken over by these | :23:08. | :23:13. | |
foreign bodies and their goal is to perfect any planet that they | :23:13. | :23:17. | |
inhabit so when they come to Earth what they do is they will capture a | :23:17. | :23:22. | |
human and they put a soul inside of them and the soul takes over the | :23:22. | :23:28. | |
human body so I play the host of the body and the soul and it was | :23:29. | :23:32. | |
great, like, there were loads of scenes where I got to talk to | :23:32. | :23:41. | |
myself the whole time! It was great. The Host opens on 29th March. We | :23:41. | :23:47. | |
have a taster clip of your character and the movie. Barely a | :23:47. | :23:56. | |
bone not broken, or organ ruptured. When we occupy this host, her | :23:56. | :24:06. | |
:24:06. | :24:08. | ||
memories will lead us to the resistance. Her name is Melanie | :24:08. | :24:18. | |
:24:18. | :24:18. | ||
Stryder. Her family escaped the initial waves of colonisatin. | :24:18. | :24:23. | |
is happening? It is important you stay in control of this host. | :24:23. | :24:33. | |
:24:33. | :24:36. | ||
God! Good driving. Pretty intense. The action sequences, are you | :24:36. | :24:41. | |
action-ready after all the training you did for Hanna? I don't have | :24:41. | :24:46. | |
much action to do in The Host. I like doing that kind of stuff. I | :24:46. | :24:52. | |
like training for films beforehand physically and... Hanna - you were | :24:52. | :24:58. | |
fighting Eric Bana? He is huge. I had been training and got into the | :24:58. | :25:02. | |
martial arts. We started to do our choreography every day. He was | :25:02. | :25:10. | |
holding back and I really went for it. According to him, I was | :25:10. | :25:15. | |
surprisingly strong. I did punch him a few times in the face. Which | :25:15. | :25:19. | |
he was a bit shocked by. Yes. happened a few times. I probably | :25:19. | :25:24. | |
took advantage of it because I knew he was going to hold back and I | :25:24. | :25:33. | |
wasn't going to. Instinct took over. I knew. He said you were very good | :25:33. | :25:37. | |
at the punching? Yes, apart from the times that I hit him in the | :25:37. | :25:43. | |
face. Can you show us a fake punch? An air movie punch? Yes. What kind | :25:43. | :25:48. | |
of a punch? I don't know. If you punch my face, why am I suggesting | :25:48. | :25:57. | |
this?! If I - if you do a... Shall I do a cross? You need to get into | :25:57. | :26:05. | |
your stance. You look really scared. I am! Bend your knees a bit. You | :26:05. | :26:10. | |
ready? Yes. I'm not doing anything? No. You need to react to it. You | :26:10. | :26:20. | |
:26:20. | :26:25. | ||
will get punched. One, two, three... Argh! I nearly broke my back there! | :26:25. | :26:33. | |
Very good. Talking of action, and I'm hesitant to ask Richard a | :26:33. | :26:38. | |
question because it is probably not true. It is not true. In An Officer | :26:38. | :26:45. | |
and a Gentleman, it looked like you did all... Pick up Debra Winger. | :26:45. | :26:51. | |
definitely did that. All the press- ups, did you do all that? You do it | :26:51. | :26:59. | |
the first take, right? You do 100 push-ups, second one you do 50. | :26:59. | :27:06. | |
Then on the third or fourth, you start at 90 and you go 91, 92... | :27:06. | :27:16. | |
The fourth take you call your agent! Talking of action. John you | :27:16. | :27:26. | |
:27:26. | :27:27. | ||
have finished filming Red 2 where you are all retired - sorry. It | :27:27. | :27:32. | |
does look like there was a fire and you had to grab the first thing. | :27:32. | :27:42. | |
:27:42. | :27:43. | ||
Yes. Is that a plot point? Yes. Because - does that change the | :27:43. | :27:50. | |
stunts they write for you? There is is a limit to what a lot of us can | :27:50. | :28:00. | |
:28:00. | :28:00. | ||
achieve stunt-wise. Like if we can walk to the car, we feel OK. We are | :28:00. | :28:10. | |
:28:10. | :28:15. | ||
like we really nailed that one! We still shoot well. Yes. Mary, Louise | :28:15. | :28:20. | |
and I had a fantastic scene where there is a car chase and the car | :28:20. | :28:24. | |
Mary-Louise is driving keeps being hit so they are spinning around in | :28:24. | :28:34. | |
circles. At the end of this sequence, we were able to vomit out | :28:34. | :28:44. | |
:28:44. | :28:45. | ||
the window in tandem. For us, that's a stunt. That classifies you | :28:45. | :28:49. | |
getting hazard pay. That makes me want to see the film, that one | :28:49. | :28:55. | |
scene. I hope it will be fun. thing is, on-screen, you seem like | :28:55. | :29:03. | |
a very intense actor. You wear it quite lightly, I think. Was it | :29:03. | :29:06. | |
Places of the Heart where you were playing a blind man and the | :29:06. | :29:14. | |
director expected you to do a lot of research? Yes, they asked me to | :29:14. | :29:22. | |
go really every day to the Lighthouse for the Blind in Dallas | :29:22. | :29:28. | |
and I went once and talked to a couple of people. But all the other | :29:29. | :29:38. | |
:29:39. | :29:42. | ||
days I was looking for a used car. Then when Robert said to me one day, | :29:42. | :29:52. | |
"We are going to shoot the scene where this character I played where | :29:52. | :30:00. | |
he reads Braille "and I said, "OK." Then my then wife, who happened to | :30:00. | :30:06. | |
be in the room, said, "I bet he doesn't know how to read Braille." | :30:06. | :30:12. | |
And they said, "But of course he knows he's been going to the | :30:12. | :30:20. | |
Lighthouse for the Blind every day." Then my wife said, "I bet he | :30:20. | :30:26. | |
went once." Then they said, "That's not true, is it?" I said, "Yes, it | :30:26. | :30:31. | |
is absolutely true." Then they said, "You were going every day." I said, | :30:31. | :30:37. | |
"But not to the Lighthouse for the Blind. I was going to look for a | :30:37. | :30:42. | |
used car." Then they said, "You do know how to read Braille, don't | :30:42. | :30:52. | |
:30:52. | :30:52. | ||
you?" "Of course not." "What are we going to do?" "Call someone who | :30:52. | :31:01. | |
reads Braille and then just tell me." I'm supposed to fly a jet | :31:01. | :31:08. | |
plane in Red. You don't want me to fly a jet plane. I don't have time | :31:08. | :31:17. | |
to learn how to do that. It's dangerous for the passengers. | :31:17. | :31:20. | |
might have done that once, but he is the actor who learns how to do | :31:20. | :31:28. | |
stuff, that is for sure. Some I do. It depends. If it is a skill you | :31:28. | :31:33. | |
want to learn. It doesn't depend on that. It depends on if it is | :31:33. | :31:38. | |
important for what is going to be seen in a frame. Then, of course, | :31:38. | :31:45. | |
you have to learn to do all kinds of stuff. If it doesn't really | :31:45. | :31:55. | |
:31:55. | :32:00. | ||
matter, you know, like fly a jet. Drive a car. LAUGHTER Richard, what | :32:00. | :32:05. | |
you did for Looking for Mr Goodbar, that sounded extreme? What did I | :32:06. | :32:15. | |
:32:16. | :32:18. | ||
do? The character had lost everything. Who told you this | :32:18. | :32:23. | |
stuff?! Where is your researcher? This sounds true. You lost | :32:23. | :32:33. | |
everything and you had $1,000... This is true. Thank you very much. | :32:33. | :32:38. | |
This is 40 years ago. You are going way back. I wouldn't know this crap | :32:38. | :32:45. | |
either but I happened to read it! didn't have any money. I might have | :32:45. | :32:49. | |
had 1,200 bucks to my name. The character had lost everything. I | :32:49. | :32:52. | |
went to Las Vegas and played Black Jack and lost everything. I knew | :32:52. | :32:56. | |
what it was like to have lost everything. I did not have a penny | :32:56. | :33:00. | |
to my name. What would have happened if you had won? I would | :33:00. | :33:04. | |
have kept playing until I lost. That definitely would happen. | :33:04. | :33:14. | |
:33:14. | :33:19. | ||
is how that works. How did you get home? That's another story. Listen, | :33:19. | :33:23. | |
it is time for music. This singer has won multiple Grammy Awards, | :33:23. | :33:27. | |
sold millions of records and is one of the biggest singing stars in the | :33:27. | :33:31. | |
world right now. Performing I Knew You Were Trouble, it is Taylor | :33:31. | :33:39. | |
Swift. # Once upon a time a few mistakes | :33:39. | :33:42. | |
# I was in your sights, you got me alone | :33:42. | :33:48. | |
# You found me, you found me, you found me | :33:48. | :33:51. | |
# I guess you didn't care, and I guess I liked that | :33:51. | :33:55. | |
# And when I fell hard you took a step back | :33:55. | :34:04. | |
# Without me, without me, without # And he's long gone when he's next | :34:04. | :34:11. | |
to me # And I realise the blame is on me | :34:11. | :34:18. | |
# 'Cause I knew you were trouble when you walked in | :34:18. | :34:24. | |
# So shame on me now # Flew me to places I'd never been | :34:24. | :34:28. | |
# 'Til you put me down, oh # I knew you were trouble when you | :34:28. | :34:33. | |
walked in # So shame on me now | :34:33. | :34:39. | |
# Flew me to places I'd never been # Now I'm lying on the cold hard | :34:39. | :34:43. | |
ground # Oh, oh, trouble, trouble, trouble | :34:43. | :34:53. | |
:34:53. | :34:55. | ||
# No apologies, he'll never see you # Pretend he doesn't know that he's | :34:55. | :34:58. | |
the reason why # You're drowning, you're drowning, | :34:58. | :35:05. | |
you're drowning # Now I heard you moved on from | :35:05. | :35:09. | |
whispers on the street # A new notch in your belt is all | :35:09. | :35:13. | |
I'll ever be # And now I see, now I see, now I | :35:13. | :35:23. | |
:35:23. | :35:25. | ||
# He was long gone when he met me # And I realise the joke is on me, | :35:25. | :35:30. | |
yeah! # I knew you were trouble when you | :35:30. | :35:35. | |
walked in # So shame on me now | :35:35. | :35:42. | |
# Flew me to places I'd never been # 'Til you put me down, oh | :35:42. | :35:45. | |
# I knew you were trouble when you walked in | :35:45. | :35:51. | |
# So shame on me now # Flew me to places I'd never been | :35:51. | :35:55. | |
# Now I'm lying on the cold hard ground | :35:55. | :36:05. | |
:36:05. | :36:07. | ||
# Oh, oh, trouble, trouble, trouble # And the saddest fear comes | :36:07. | :36:13. | |
creeping in # That you never loved me or her, | :36:13. | :36:22. | |
or anyone, or anything, yeah # I knew you were trouble when you | :36:22. | :36:26. | |
walked in # So shame on me now | :36:26. | :36:32. | |
# Flew me to places I'd never been # 'Til you put me down, oh | :36:32. | :36:36. | |
# I knew you were trouble when you walked in | :36:36. | :36:41. | |
# So shame on me now # Flew me to places I'd never been | :36:41. | :36:45. | |
# Now I'm lying on the cold hard ground | :36:45. | :36:54. | |
# Oh, oh, trouble, trouble, trouble # I knew you were trouble when you | :36:54. | :36:57. | |
walked in # Trouble, trouble, trouble | :36:57. | :37:04. | |
# I knew you were trouble when you walked in | :37:04. | :37:14. | |
:37:14. | :37:14. | ||
# Trouble, trouble, trouble. # CHEERING AND APPLAUSE | :37:14. | :37:24. | |
:37:24. | :37:27. | ||
Oh! Taylor Swift, everybody. Come and join us. Taylor Swift. Oh. | :37:27. | :37:37. | |
:37:37. | :37:38. | ||
Hello, my dear. Hi. Thank you. How are you? So nice to meet you. A | :37:38. | :37:48. | |
huge fan of yours. Richard you know. Richard has been up and dancing. | :37:48. | :37:53. | |
Can you sit down again? No. You all right? I'm fine. Taylor Swift, that | :37:53. | :37:59. | |
single is out now, off the album which is out now, which contains 16 | :37:59. | :38:04. | |
brand-new songs. It says on the sticker on the front of it! I'm no | :38:04. | :38:08. | |
fool. And congratulations on the BRITs this week. That was fun. | :38:08. | :38:17. | |
Great performance. Thank you. Really. APPLAUSE Really good. She | :38:17. | :38:24. | |
put on a show. She put on a show. She is in that dress, we won't | :38:24. | :38:34. | |
:38:34. | :38:37. | ||
mention her dandruff! And then that went into this. Two outfits on top | :38:37. | :38:45. | |
of each other. It was very hard. In a minute. A bit like 123, -- 13, | :38:45. | :38:50. | |
she was off to the Oscar. In Hanna, I wanted to learn how to fight. | :38:50. | :38:59. | |
will teach you. Girl on girl action! You carried that whole | :38:59. | :39:05. | |
movie. It was just you. Fantastic. Thanks. A bit of a love-in. | :39:05. | :39:12. | |
didn't realise it was so me. went to the Golden Globes. We did. | :39:12. | :39:22. | |
:39:22. | :39:22. | ||
We sat next to each other. She said, "Why are you here?" It was one of | :39:22. | :39:31. | |
those times... I'm nominated. For what? Best Actor? I really put my | :39:31. | :39:35. | |
foot in my mouth. Then I was absolutely freaked out because I | :39:35. | :39:40. | |
met your wife who - I said, it is so good to see you again. She is, | :39:40. | :39:46. | |
like, in her head, I know she is thinking, "I have never met this | :39:46. | :39:50. | |
woman before." She was my favourite District Attorney and I see her | :39:50. | :40:00. | |
:40:00. | :40:01. | ||
every week. It was a good night for me. I was really on(!) Was your son | :40:01. | :40:11. | |
:40:11. | :40:14. | ||
there? Or was he happy to hear you met Taylor? What are you talking | :40:14. | :40:18. | |
about? He wasn't there. People get around Richard Gere, they start | :40:18. | :40:23. | |
making mistakes. It happened to you just then. He makes you do it. | :40:23. | :40:28. | |
is his fault. What are you talking about? Thank you very much for | :40:28. | :40:34. | |
doing that. Fantastic. Lovely. Thank you. But before we go tonight, | :40:34. | :40:40. | |
let's have a visit to the Big Red Chair. You are very excited. I'm so | :40:40. | :40:47. | |
excited. Who is up first? Hello. Hello. Hi. I have to ask you, are | :40:47. | :40:53. | |
you a Judi Dench fan? Of course. that seriously what that T-shirt | :40:53. | :40:59. | |
means? No. What does it mean? some, the kids these days, the | :40:59. | :41:07. | |
urban slang, Graham. OK. Does it mean anything? It doesn't mean | :41:07. | :41:13. | |
anything. I thought he swore then! What is your name? Harris. That is | :41:13. | :41:23. | |
:41:23. | :41:26. | ||
your first name? Yes. I'm just going to do it! Oh! It is like... | :41:26. | :41:31. | |
Is that all right? You are channelling Hanna again! She is in. | :41:31. | :41:40. | |
I feel like I have made it now! My life is complete now. His name is | :41:40. | :41:49. | |
Harris. He could have had the best story in the world. Says Saoirse! | :41:49. | :41:57. | |
What is your middle name again? Tiffany! Who is up next? Hello. | :41:57. | :42:03. | |
What is your name? Kelly. I think Kelly will tell a good story. | :42:03. | :42:10. | |
is nice. She is lovely. Everyone loves you. Lovely. Thank you. | :42:10. | :42:19. | |
What do you do? I love in London. I'm from South Africa. Leave it. | :42:19. | :42:25. | |
Off you go. So, it was my first date and I was really nervous. The | :42:25. | :42:32. | |
guy comes, he was gorgeous. And he... He sits down and he takes a | :42:33. | :42:37. | |
cigarette and I thought I was so cool and I offered to light it for | :42:37. | :42:41. | |
him. Yes? Don't know why. Don't know what possessed me. I light | :42:41. | :42:47. | |
this cigarette and he turns his face and his hair suddenly caught | :42:47. | :42:53. | |
on fire. So I tried to distract him, look, look, there is your mum, or | :42:53. | :42:57. | |
whatever, and he looks. I was trying to blow it out. Then he was | :42:57. | :43:02. | |
wearing so much gel in his hair it started to smell and sparks were | :43:02. | :43:08. | |
flying. And I literally, it was like in flames by this point. He | :43:08. | :43:13. | |
was so, he didn't realise and I did what any normal person would do, I | :43:13. | :43:23. | |
:43:23. | :43:25. | ||
ran! LAUGHTER You ran away? Can she walk? Yes. You can walk. Go on. | :43:25. | :43:32. | |
Very good. Well done, everybody. If you would like to have a go on the | :43:32. | :43:41. | |
Big Red Chair, you can. Go to the website. Thank you to my guests, | :43:41. | :43:44. | |
Taylor Swift, John Malkovich, Saoirse Ronan and Mr Richard Gere. | :43:44. | :43:52. |