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THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE | :00:06. | :00:10. | |
Tonight I am joined by one of Britain's favourite chefs. I will | :00:10. | :00:18. | |
need a generous helping of laughter. A sprinkling of surprise. | :00:18. | :00:28. | |
:00:28. | :00:47. | ||
And a huge dollop of crazy excited APPLAUSE | :00:47. | :00:54. | |
Welcome, all. You are very welcome. Lovely to see you all. It's going | :00:54. | :01:01. | |
to be a different kind of show this week. Yes, all my guests are sober! | :01:01. | :01:06. | |
Fingers crossed. Hurt Locker and Avengers star, Jeremy Renner is on | :01:06. | :01:12. | |
the show. APPLAUSE | :01:12. | :01:18. | |
Beautiful British actor, Gemma Arterton is here. | :01:18. | :01:22. | |
The hilarious math Lucus is on the show. | :01:22. | :01:26. | |
The nation's favourite cook, Delia Smith is here. | :01:26. | :01:32. | |
APPLAUSE And we've got music from the | :01:32. | :01:38. | |
brilliant Rita Ora. So cool. | :01:38. | :01:43. | |
It's a big welcome to the show for Gemma Arterton. Look at her there. | :01:43. | :01:46. | |
Even in a simple outfit she looks great. Not the only one of my | :01:46. | :01:56. | |
:01:56. | :01:57. | ||
guests who looks fantastic in a white wrap. | :01:57. | :02:03. | |
Gemma was the Bond girl Strawberry Fields. Oh, I tell you those Bond | :02:03. | :02:09. | |
girls get hotter and hotter. Well, mostly. What I love about the Bond | :02:09. | :02:13. | |
films is the cars. Those two- seaters with with bullet proof | :02:13. | :02:23. | |
:02:23. | :02:27. | ||
glass. I think I know where one is The Pope has resigned. It's not | :02:27. | :02:31. | |
known where the Pope is going to spend his retirement but there is a | :02:31. | :02:36. | |
rumour he is heading off off to Spain. | :02:36. | :02:41. | |
Great to finally have Delia Smith on the show. She's been a | :02:41. | :02:46. | |
bestselling cookery writer since the '70s. Here is one of her first | :02:46. | :02:50. | |
books. Full of ideas, including how do use a pudding bowl to cut your | :02:50. | :02:59. | |
mayor! I especially like Delia's book One | :02:59. | :03:05. | |
is Fun. It's full of meals for one. Here is Delia with the ingredients | :03:05. | :03:15. | |
:03:15. | :03:16. | ||
for an individual beef lasagne. Let's get some guests on. | :03:16. | :03:20. | |
Later we will have music from Rita Ora. | :03:20. | :03:30. | |
:03:30. | :03:36. | ||
First, welcome math welcome Matt She is a fairytale guest, Gemma | :03:36. | :03:40. | |
Arterton. You have changed. It is a different | :03:40. | :03:50. | |
:03:50. | :04:04. | ||
outfit. You two are going to get pissed | :04:04. | :04:08. | |
tonight. No I am drinking diet coke. I am just start to go drink | :04:08. | :04:14. | |
actually. That is what they said last week. They only had one glass | :04:14. | :04:18. | |
of red wine last week and look what happened. Welcome to the show, star | :04:18. | :04:23. | |
of Hurt Locker, Avengers, is this the end of the Hansel and Gretel | :04:23. | :04:28. | |
world tour. Yes. You have been everywhere. Yes. It is hard | :04:28. | :04:31. | |
travelling but you don't sleep on planes very well, do you? No, I | :04:31. | :04:35. | |
don't know if you guys sleep on planes, I can't. There was an | :04:35. | :04:41. | |
incident where I had to fly from London to LA to meet Katherine big | :04:41. | :04:46. | |
low for the Hurt Locker so I had to sleep. I was looking for anybody | :04:46. | :04:50. | |
who had pills. My friend gave me some pills, got a glass of wine, | :04:50. | :04:57. | |
cool. Awesome. Then realised nothing is working as we took off. | :04:57. | :05:06. | |
Something else was happening. It wasn't it was a Viagra. Not only | :05:06. | :05:16. | |
:05:16. | :05:17. | ||
did I not sleep for 12 hours... All the flight attendants had a | :05:17. | :05:22. | |
nice laugh, like you just did. I was not happy about it at all. "Can | :05:22. | :05:32. | |
I get you anything Mr Renner?" And I was like, yes, ice. I was so | :05:32. | :05:39. | |
embarrassed at first. In the end I'm like, whatever. I was on that | :05:39. | :05:46. | |
flight and I am now pregnant. have visions of you trying to get | :05:46. | :05:54. | |
your tray table down! Are you surprised to hear that | :05:54. | :05:59. | |
Jeremy has trible sleeping? Yes, because you seem to be able | :05:59. | :06:05. | |
sleeping? When? When we were shooting Hansel and Gretel, you | :06:05. | :06:10. | |
were asleep all the time. On the set, because I wasn't sleeping at | :06:10. | :06:17. | |
night. Not because of Viagra. had to finish the box! Matt, are | :06:17. | :06:21. | |
you all right, this week you have been a victim of crime. I was | :06:21. | :06:31. | |
:06:31. | :06:34. | ||
mugged this week, a couple of nights ago. I was actually mugged a | :06:34. | :06:40. | |
couple of nights ago, in a pub, and with a friend, and... You can't get | :06:40. | :06:50. | |
:06:50. | :06:51. | ||
mugged in a pub. I got mugged in a pub, where were you? What happened? | :06:51. | :06:59. | |
Let me tell you the amusing anecdote. I was in a pub with a | :07:00. | :07:05. | |
friend, and an old lady came in selling flowers, and she was of | :07:05. | :07:12. | |
eastern European decent, no racial thing to be, she just was, I'm not, | :07:12. | :07:22. | |
:07:22. | :07:23. | ||
she was. But she was like a very Dickensian impoverished "Please buy | :07:23. | :07:27. | |
flowers, please, please ", they weren't good flowers, they were | :07:27. | :07:32. | |
very dry. It was a first date, it would have been a bit previous to | :07:32. | :07:36. | |
buy. So I said no thank you, but she wouldn't go away. I thought all | :07:36. | :07:40. | |
right, I don't want any flowers but I will give you money. I didn't | :07:40. | :07:46. | |
have any coins, but I had a �5 note, I thought I am on television, I | :07:46. | :07:50. | |
will give her �5. What she did was she put the flowers down and | :07:50. | :07:57. | |
started kissing my hands in this sort of thank you so much, kiss my | :07:57. | :08:01. | |
friend's hands. I thought I will do a comedy things, pick up the phone | :08:01. | :08:06. | |
and say "Mum you can come back in now" and I went for the phone and | :08:06. | :08:12. | |
it wasn't there. I thought, hello, impoverished wrech has had my phone. | :08:12. | :08:16. | |
I ran out of the pub dramatically, my friend said it was quite a camp | :08:16. | :08:19. | |
run, and I saw the woman and I shoved her against the wall and I | :08:19. | :08:27. | |
said give me the phone. She went, no, I said give me the phone. She | :08:27. | :08:33. | |
said no. She tack the phone out from under the floors as if she | :08:33. | :08:39. | |
didn't know it was there. I didn't know. Give me the money. "Not the | :08:39. | :08:44. | |
money ". She gave me the money back and I thought some of her | :08:44. | :08:48. | |
accomplices might be around. As I ran away I ran through a crowd of | :08:48. | :08:52. | |
people who had gathered and all they saw was me shove an old woman | :08:52. | :08:57. | |
up against a wall, saying give me the phone, give me the money. Some | :08:57. | :09:05. | |
people think I have mugged an old woman. I actually got the phone | :09:05. | :09:11. | |
back, I got the money back. What a good ending. And I got the two | :09:11. | :09:14. | |
crappy flowers. It was a good mugging. | :09:14. | :09:20. | |
APPLAUSE Jeremy and Gemma, we must talk | :09:20. | :09:27. | |
about Hansel and Gretel, top of the US box office. Congratulations. | :09:28. | :09:35. | |
It opens here on 27th February. It seems an unlikely idea. Hansel and | :09:35. | :09:39. | |
Gretel, the story we know, but about 15 years later. Exactly. | :09:40. | :09:49. | |
:09:50. | :09:57. | ||
us about it? Don't get all angry. We have issues. A bit kick assy. It | :09:57. | :10:04. | |
is a fairytale, it's gory. It is definitely, don't take your clirn | :10:04. | :10:08. | |
to see it, unless you want to put them in therapy. It is for adults. | :10:08. | :10:13. | |
There is a lot of cursing and blood. You have done this stuff before. | :10:13. | :10:17. | |
But when you have been in big things like clash of the Titans and | :10:17. | :10:21. | |
Prince of Persia, you were damn sell in distress. Is this the first | :10:21. | :10:26. | |
time you have done proper kick ass fighting. That was one of the | :10:26. | :10:30. | |
reasons I I wanted to do the film. I have always wanted to punch | :10:30. | :10:35. | |
people. Did Jeremy help you in your fighting scenes by showing you, | :10:35. | :10:43. | |
what is it called, the warm up exercises. The lunge. The deep | :10:43. | :10:50. | |
lunge. Did you invent this? didn't invent the lunge, man. | :10:50. | :10:56. | |
a special lunge, don't you do a funny thing. It is special to me, | :10:56. | :11:01. | |
because when I get nervous with talk shows or awards shows, you are | :11:01. | :11:05. | |
around a bunch of people you think you know but you don't, so I get | :11:05. | :11:13. | |
nervous. So I stretch, I have to make an ass of myself, do deep | :11:13. | :11:18. | |
lunges and I told Tom Cruise this story and I had to present and I | :11:18. | :11:27. | |
was doing the reverse deep lunge and I nearly Clint Eastwood and I | :11:27. | :11:35. | |
felt bad, because he's tall. He said "What are you doing, boy?" | :11:35. | :11:41. | |
Don't mind me! He laughed about it. We had to put it in Mission: | :11:41. | :11:46. | |
Impossible. Were you doing them out the back there? Yes. Did you see | :11:46. | :11:51. | |
him do them sno No I was in the dressing room. I did see him, I was | :11:51. | :11:56. | |
looking through the... Can you demonstrate a bit? Do a bit of | :11:56. | :12:04. | |
lunging? It's really simple and reverse deep | :12:04. | :12:14. | |
:12:14. | :12:20. | ||
lunge like this. Very good. It's like 1970s dancing, lovely. Let's | :12:20. | :12:25. | |
watch a bit. This is the first time we meet the two of you as adults | :12:25. | :12:35. | |
:12:35. | :12:43. | ||
and witch-hunters. Let the girl go, or I'm going to | :12:43. | :12:52. | |
blow your sheriffs brains all over these hill billies. My name is | :12:52. | :12:58. | |
Gretel. This is my my brother Hansel. Anyone harms this woman, | :12:58. | :13:08. | |
you will have me to deal with. Now go home. Go! Listen sheriff... | :13:08. | :13:13. | |
better listen, I am not going to help this bitch and a scrouned rel | :13:13. | :13:23. | |
:13:23. | :13:27. | ||
of a brother coming into my town. APPLAUSE | :13:27. | :13:37. | |
:13:37. | :13:37. | ||
Excellent. You know what that makes me think of, not Hansel and Gretel. | :13:37. | :13:44. | |
That is an excellent headbutt. you know. You are quite a violent | :13:44. | :13:53. | |
person, aren't you? Yes, I like to defend myself, if in a predicament. | :13:53. | :13:57. | |
Were you filming Hansel and Gretel when a man groped you. Yes. | :13:57. | :14:04. | |
won't be doing that again. I was in Germany and I was one of those ATM | :14:04. | :14:11. | |
cash machine rooms they have, with the door. There was this tramp in | :14:11. | :14:18. | |
there. He kept looking at me dodgy, I thought oh, dear, here we go. He | :14:18. | :14:23. | |
grabbed my bum really hard, so I turned round and punched him in the | :14:23. | :14:30. | |
face. Like a proper bunch? I was doing Hansel and Gretel, so I was | :14:30. | :14:36. | |
learning how to do a proper punch. I punched him and then I realised I | :14:36. | :14:43. | |
punched a tramp in the face. I felt bad. He only wanted to feel my bum. | :14:43. | :14:53. | |
:14:53. | :14:53. | ||
He did grab your bum. Yes, it was quite close, to the middle section. | :14:54. | :15:03. | |
Even I know where the middle section is Jeremy. It is in there. | :15:03. | :15:08. | |
You have had some weird experience with fans. Were you in a bar, | :15:08. | :15:13. | |
talking about the story where there were a lot of women around you. | :15:13. | :15:19. | |
there was a situation where - this is right after I did a movie called | :15:19. | :15:23. | |
Domer, it was a long time ago. We were in a bar, just finished | :15:23. | :15:27. | |
playing with my band mates and we were in a bar having a good time, | :15:27. | :15:32. | |
with a table with a bunch of gals and they were all looking over at | :15:32. | :15:36. | |
us. They came over and started talking to us. There was one girl | :15:36. | :15:41. | |
who wanted to talk about Domer. I thought, OK, talk about that and | :15:41. | :15:46. | |
then I stopped and ignored her. She got very upset, so she kept tapping | :15:46. | :15:53. | |
me on the shoulders, hi. A half hour of that, she stopped tapping | :15:54. | :16:02. | |
and then just bit my arm. Proper bite. I had a short sleeved shirt | :16:02. | :16:11. | |
on. Why? I was playing drums in a band. She is like "I got your | :16:11. | :16:17. | |
attention now ". I'm out of here. I went out to smoke a cigarette and | :16:17. | :16:22. | |
realised there was bleeding down my arm. This confirms that you people | :16:22. | :16:32. | |
are scum. We are very vulnerable. APPLAUSE | :16:32. | :16:40. | |
In terms of Hollywood, Matt Lucas here, you have become... Hi, I'm | :16:40. | :16:44. | |
Matt Lucas. You are a leading man, your first American movie leading | :16:44. | :16:54. | |
:16:54. | :16:55. | ||
man. I done a film in the Americas. It's small Apartments, it's | :16:55. | :17:05. | |
:17:05. | :17:09. | ||
American. 22 March. What is it about? This is a very... What did | :17:09. | :17:19. | |
you say It says here "What about?" I will tell you what about, it's | :17:19. | :17:29. | |
:17:29. | :17:31. | ||
about hour-and-a-half! It is a strange film all about a | :17:31. | :17:38. | |
peculiar man, played by me, who lives in an apartment block and you | :17:38. | :17:42. | |
discover his landlord is lying dead on the floor, and throughout the | :17:42. | :17:46. | |
film you discover did my character kill the landlord or not, will he | :17:46. | :17:52. | |
get framed for it, it is a mystery. I have had to do an American accent. | :17:52. | :17:57. | |
I got a bit worried about it, so I had a dialect coach and then I | :17:57. | :18:02. | |
stayed in dialect, not in character, because that would be mental, but I | :18:02. | :18:08. | |
stayed in dialect for the whole of each shooting day. I had to text my | :18:08. | :18:12. | |
mum to say I am going to be calling you in a minute, but I am going to | :18:13. | :18:18. | |
be doing an American accent when I do. Then I called and forgive my | :18:18. | :18:26. | |
accent, I am out of practice now, hey mom and she said oh, good day, | :18:26. | :18:31. | |
mate. What did you think of the American accent? It sounded pretty | :18:31. | :18:37. | |
good to me. I think yours is pretty good, too. You do an American | :18:37. | :18:43. | |
accent in Hansel and Gretel. I do. In America, people think you are | :18:43. | :18:50. | |
posh, they think you have a posh English accent. She ain't posh, | :18:50. | :18:56. | |
mate, no offence, that is a joke. Was it Prince of Persia you went in. | :18:56. | :19:02. | |
I had to play a Princess in that one, and the director was really | :19:02. | :19:11. | |
posh, and he said "Can you do posh?" And I said I went to the | :19:11. | :19:18. | |
Royal Academy of dramatic fucking art, so I can do anything. He went | :19:18. | :19:24. | |
"I love it, you've got the job". the movie, great cast, great | :19:24. | :19:29. | |
American accent, costume budget appears to be low. I did something | :19:29. | :19:34. | |
stupid, because I got bored, and I thought if I am I am being honest | :19:34. | :19:38. | |
on one of those days I don't go out and I am living on my own and no- | :19:38. | :19:45. | |
one comes around, I don't bother to get completely dressed. Do you? | :19:45. | :19:54. | |
I do. I don't, I am going to be blunt. I think clothes are an | :19:54. | :20:00. | |
aeffectation, so I did most of the movie in my underpants. | :20:00. | :20:07. | |
Thank you for the vote of confidence. | :20:07. | :20:13. | |
APPLAUSE Yoo When I realised I made a | :20:13. | :20:18. | |
mistake, they had a screening and people kept coming up to me and | :20:18. | :20:22. | |
saying you are a very brave actor. Then I watched a clip of the film | :20:22. | :20:28. | |
and I thought I see what you mean now, I am just a fat, pale, | :20:28. | :20:37. | |
hairless man. All you fat pale hairless man fettishests come and | :20:37. | :20:47. | |
:20:47. | :20:48. | ||
watch this movie! You live with Rebel Wilson, who we know from | :20:48. | :20:54. | |
Bridesmaids. We got along well and people say to us are you brother | :20:54. | :20:58. | |
and sister, or husband and wife or are you the same person but we live | :20:58. | :21:02. | |
together. You get complaints from neighbours. We got one letter of | :21:02. | :21:05. | |
complaint from the neighbours, we had one night where we went crazy, | :21:05. | :21:12. | |
I have a piano and we played show tunes, you know one of those nights | :21:12. | :21:19. | |
where you just play show tunes all night Jeremy. He's lunging quietly. | :21:19. | :21:25. | |
Do you know who else likes a sing song, Queen of Karaoke, Gemma | :21:25. | :21:32. | |
Arterton. You love Karaoke. You did it professionally. Is there such a | :21:32. | :21:42. | |
thing. You should see our X Factor show. | :21:42. | :21:46. | |
APPLAUSE You worked in a Karaoke bar, but it | :21:46. | :21:53. | |
was a rough Karaoke bar. Yes, it was a South London gangster bar and | :21:53. | :21:57. | |
I had a couple of nights there a week, Friday and Saturday night, | :21:57. | :22:03. | |
Karaoke with Gemma and it became... Welcome to the stage Gemma! It was | :22:03. | :22:08. | |
a bit dodgy and sometimes it would get a bit fraught in there, and | :22:08. | :22:14. | |
occasionally I would get threatened and there was one time a guy wanted | :22:14. | :22:21. | |
to, ten times a night I would hear I want to sing Frank Sinatra My Way. | :22:21. | :22:30. | |
This guy pulled out a crowbar from his trousers and went for me. I | :22:30. | :22:36. | |
called the owner, who was called Honest Dave. He got everybody out | :22:36. | :22:40. | |
and saved me, but he said "If the future next time that happens, what | :22:40. | :22:50. | |
will work is if you sing my heart will go on by CelineDion because | :22:50. | :22:57. | |
that chills everybody out. It used to be a a soothing balm over the | :22:57. | :23:06. | |
gangsters. It used to get a bit fraught and he would go "Gemma, do | :23:06. | :23:11. | |
Titanic ". You are back on BBC One is the Matt Lucas awards. What | :23:11. | :23:19. | |
awords are you giving out this time? The Matt Lucas awards is back. | :23:19. | :23:26. | |
Please contain your excitement, it's embarrassing. | :23:26. | :23:29. | |
APPLAUSE That was just patronising, I hope | :23:29. | :23:33. | |
they dub that out. The awards is back but what we did this time was | :23:33. | :23:37. | |
made two big changes, I know longer decide what wins, we have a jury, a | :23:37. | :23:44. | |
different jury each week. One week we had four original EastEnders, | :23:44. | :23:51. | |
nick cotton, Pete Beale and Dr Legg. Dr Legg is still alive? Yes, he is. | :23:51. | :24:00. | |
I thought he was just a leg, but he is a whole man. You know Dr Legg. | :24:00. | :24:10. | |
:24:10. | :24:10. | ||
We had sooty sweep and Sue. So that is great. We have a hidden talent | :24:10. | :24:20. | |
:24:20. | :24:21. | ||
award every week. That gets everybody up. I can sing, I think I | :24:21. | :24:29. | |
translated the flint stones theme into German, using one of those | :24:29. | :24:34. | |
online untranslator things, so I think I can sing the Flint stones | :24:34. | :24:44. | |
:24:44. | :24:48. | ||
in German. (Sings Flint stones theme tune in | :24:48. | :24:54. | |
German) APPLAUSE | :24:54. | :25:04. | |
:25:04. | :25:10. | ||
The best bit is when it comes yabba doite | :25:10. | :25:20. | |
:25:20. | :25:20. | ||
I think I have many hidden talents. It is like you are a contestant on | :25:20. | :25:30. | |
:25:30. | :25:31. | ||
Miss World now. I have a hyper mobile back. What does that mean? | :25:31. | :25:36. | |
can tidy up the room with just my feet. I am not going to show you. | :25:36. | :25:43. | |
What do you mean? I think it is a talent. Will it take you an hour to | :25:43. | :25:49. | |
get those shoes off. It's like laundry. Glass is hard. Could you | :25:49. | :25:59. | |
:25:59. | :26:00. | ||
pick up that bunch of grapes. I'm balancing on one foot here. | :26:00. | :26:07. | |
Look at her go, it's like planet of That's very good. I do it sometimes | :26:07. | :26:14. | |
when I am on the phone or something, and oh God I need to tidy up. | :26:14. | :26:24. | |
:26:24. | :26:28. | ||
mum does that. Can you remind me not to eat those grapes later on. | :26:28. | :26:36. | |
Any hidden talents? Not that I am sharing. The acting? The acting is | :26:36. | :26:40. | |
very good, that is what my mum would say. Whenever I go to the | :26:40. | :26:47. | |
theatre with my mum, she sits next to me and says "You could play that | :26:47. | :26:57. | |
:26:57. | :27:00. | ||
role" does your mum say that? What is worse being forced to spend | :27:00. | :27:04. | |
Valentine's Day with your partner or being alone and single. It is | :27:04. | :27:10. | |
obviously the forced bit. Part Part of this dislike of Valentine's Day | :27:10. | :27:15. | |
comes from not having anyone to share it with? | :27:15. | :27:23. | |
How long have you been single? years now. What is your type? | :27:23. | :27:28. | |
don't have a type? Yes, when they have the little thing in between | :27:28. | :27:38. | |
:27:38. | :27:38. | ||
their legs. Time to meet my next guest. She has | :27:38. | :27:46. | |
sold over 21 million cook books and become so famous that doing a Delia | :27:46. | :27:51. | |
entered the Collins English drinksary -- Collins English | :27:51. | :28:01. | |
:28:01. | :28:14. | ||
Dictionary. Look at you all show business. | :28:14. | :28:19. | |
You look fabulous. It's not me, I got people out the back that do it. | :28:19. | :28:23. | |
It's worked a treat. Delia is back and is a woman on a mission. You | :28:23. | :28:28. | |
are quite campaigny at the moment. I am. Tell us all. I have spent | :28:28. | :28:34. | |
several years seething. Let it out, lady. Because people don't know | :28:34. | :28:39. | |
about home cooking any more, and I have spent a long time trying to | :28:39. | :28:45. | |
teach them how to do home cooking but now it's all gone to ready | :28:45. | :28:50. | |
meals, supermarkets and I don't know, I just feel we have got to | :28:50. | :28:52. | |
get back to the kitchen and I am sick of hearing we are in a | :28:52. | :28:57. | |
recession, we can't afford anything. It's half the price to cook. I want | :28:58. | :29:06. | |
to teach people to cook and I'm going to. I'm going to do it. | :29:06. | :29:12. | |
are taking your campaigning lessons online. That's right. So that | :29:12. | :29:16. | |
people can do it slowly, you can stop it and pause it and come back | :29:16. | :29:22. | |
to it. It is an online cookery school which means I can teach | :29:22. | :29:26. | |
people directly in their homes, any time, on the bus, anywhere they | :29:26. | :29:32. | |
want to, they can learn how to cook. I just feel what we have forgotten | :29:32. | :29:35. | |
sight of is it is something that has to be taught. You kind of think | :29:36. | :29:39. | |
it's going online, it sounds like you are making it on your mobile | :29:39. | :29:45. | |
phone, but the production values are beautiful. We have a taster. | :29:45. | :29:50. | |
My ambition and my dream is anyone who wants to learn to cook, can. So | :29:50. | :29:53. | |
we have created an online cockry school to take take somebody by the | :29:53. | :30:01. | |
hand and lead them through it step by step. And it's absolutely free. | :30:01. | :30:06. | |
It's very, very exciting. I don't think you could learn really in a | :30:06. | :30:16. | |
:30:16. | :30:28. | ||
better way. That looks delicious. Graham, I think I have just cum. | :30:28. | :30:34. | |
did look delicious. Proper food. I get it. | :30:34. | :30:44. | |
The first one you are doing is baking. | :30:44. | :30:52. | |
It was a joke. I didn't actually. What a lovely serving suggestion. | :30:52. | :31:00. | |
Sorry Delia, it's like I have just made a joke and it is like having | :31:00. | :31:05. | |
your mum over there. The first course, the first lesson you are | :31:05. | :31:11. | |
doing is baking and to coincide you have re-released Delia's cakes. | :31:11. | :31:16. | |
because it was a book I did in 1977. It never went out of print but it | :31:16. | :31:21. | |
kind of needed updated a bit. We have updated it. I thought to start | :31:21. | :31:25. | |
with cakes would be good because I think young people will be | :31:25. | :31:29. | |
attracted to want to cook if it is something really nice at the end of | :31:29. | :31:37. | |
it. Man, I love the cake. You look at this book, it is beautiful, | :31:37. | :31:41. | |
lavishly illustrated. Back in 1977, how times have changed. Here is the | :31:41. | :31:48. | |
book in 1977. There isn't an illustration in it. It's just - how | :31:48. | :31:52. | |
did people know when it was finished. Just a lump on a plate, I | :31:52. | :31:56. | |
think that's it. You need the picture, don't you? Seriously, when | :31:56. | :32:01. | |
that book was first published people did cook at home quite a lot. | :32:01. | :32:06. | |
It's disappeared slightly. But it is ambitious to make a three tier | :32:06. | :32:11. | |
wedding cake when that is the only illustrative help there was. A lot | :32:11. | :32:19. | |
of people have. You have to be able to explain it well. And never have | :32:19. | :32:21. | |
tasted another one or seen another one. | :32:21. | :32:27. | |
Really, that is a wedding cake? I use your Christmas step by step | :32:27. | :32:35. | |
book every Christmas. I am so glad. I love it. What did you cook? | :32:35. | :32:43. | |
Christmas dinner! Thank God cooking found you Delia, | :32:43. | :32:47. | |
because up until that point in your life life it hadn't been going that | :32:47. | :32:55. | |
well. No. Happily you found modelling. No, I did not. You are | :32:55. | :32:59. | |
being modest. You had a hugely successful career as a model. | :33:00. | :33:05. | |
on, I worked in a travel agency and they took one picture. It was a | :33:05. | :33:11. | |
whole photo shoot. I know you have the picture. We do. This is Delia | :33:11. | :33:18. | |
as a Swimwear model. There she is. That is you, is it? | :33:18. | :33:24. | |
The bee hive. You look fabulous, look at you. I am almost not gay | :33:24. | :33:28. | |
any more. All these ladies that worked in the travel agent. They | :33:28. | :33:32. | |
were people who worked in the agency and they couldn't afford to | :33:32. | :33:37. | |
do proper smart advertising so we all got together. I would say I | :33:37. | :33:46. | |
think that lady had too many cups of coffee, she was a little nervous. | :33:46. | :33:52. | |
She seems hysterical as well. "I'm in my pants". Here is another shot | :33:52. | :34:00. | |
of you all. You look fabulous. wish I was that slim now. The rest | :34:00. | :34:06. | |
look at those Daily Mail people with real bodies. Be proud, | :34:06. | :34:16. | |
somebody proud of your obesity. That is an undergarment at best. | :34:16. | :34:26. | |
:34:26. | :34:27. | ||
Have you stayed in touch with these ladies? No. They are here tonight! | :34:28. | :34:32. | |
Working in a travel agency, the travel agency was called Rent A | :34:32. | :34:42. | |
Villa. You got a free swim suit. 40 years later Delia not just Queen | :34:42. | :34:48. | |
of the cooking world, you but also a football mogul. Not just a | :34:48. | :34:53. | |
football fan, she owns a football team. Norwich City. That's right. | :34:53. | :35:03. | |
:35:03. | :35:06. | ||
Got that right! Some of the ladies are here tonight. I can see them. | :35:06. | :35:12. | |
These are the wives and girlfriends. Of the footballers. Can you see how | :35:12. | :35:19. | |
gorgeous they are. They are all a bit embarrassed. Have you all left | :35:19. | :35:23. | |
your partners male footballers at home? They are going to be screwing | :35:23. | :35:32. | |
other women. That is what they do. Don't be horrible to the nice | :35:32. | :35:37. | |
people. Sorry. It is getting a bit tense now. The situation needs to | :35:37. | :35:47. | |
:35:47. | :35:51. | ||
be diffused. MUSIC: Titanic. | :35:51. | :35:55. | |
It is music time now, this singer is the golden girl of British pop | :35:55. | :35:59. | |
with a number one album, three number one singles and three Brit | :35:59. | :36:03. | |
nominations under her belt. Performing her brand new single | :36:04. | :36:13. | |
:36:14. | :36:17. | ||
Radioactive, please welcome Rita # Palms to the sky | :36:17. | :36:27. | |
:36:27. | :36:35. | ||
# I'm feeling it # I'm checking you out in the sweet | :36:35. | :36:40. | |
desire # I'm coming over to make you mine | :36:40. | :36:50. | |
:36:50. | :36:52. | ||
# It's a crime, boy, you're so fine # I'm checking you out, boy, it's a | :36:52. | :36:54. | |
green light # I'm glad you came over, it was | :36:54. | :37:01. | |
about time # It it feels right boy you're so | :37:01. | :37:09. | |
fine # This club's Radioactive | :37:09. | :37:18. | |
# Drop the ball feel the beat this club's Radioactive | :37:18. | :37:26. | |
# Palms to the sky # We unite | :37:26. | :37:33. | |
# I'm feeling it, I'm feeling it # We rise tonight | :37:33. | :37:41. | |
# Moving on me as the world ends # This nuclear heat is a beautiful | :37:41. | :37:51. | |
:37:51. | :37:51. | ||
# You might not live to tell Air air air air | :37:51. | :37:56. | |
# This club's Radioactive # Drop the ball let me feel the | :37:56. | :38:03. | |
feet # This club's radioactive | :38:03. | :38:06. | |
# Drop the ball let me feel the beat | :38:06. | :38:14. | |
# Palms to the sky # We unite | :38:14. | :38:23. | |
# I'm feeling it, feel feel feeling # We rise tonight | :38:23. | :38:33. | |
# Palms to the sky # I'm feeling it, feeling it, feel, | :38:33. | :38:38. | |
feel feeling it # We rise tonight. | :38:38. | :38:46. | |
Hey hey take a look at you # Palms to the Rye | :38:46. | :38:55. | |
you, you, you and I rerise tonight | :38:55. | :38:59. | |
# Palms to the sky # Unite | :38:59. | :39:05. | |
# I'm feeling it I'm feeling it feel, feel, | :39:05. | :39:13. | |
# We rise tonight # Palms to the sky | :39:13. | :39:23. | |
we unite # I am feeling it, I feeling it | :39:23. | :39:26. | |
we rise tonight # We unite | :39:26. | :39:30. | |
you and I will rise tonight # We unite | :39:30. | :39:35. | |
you and I will rise tonight # We unite, you and I will rise | :39:35. | :39:40. | |
tonight # You and I will rise tonight | :39:40. | :39:50. | |
:39:50. | :40:15. | ||
Come and join me. Thank you so much for that. | :40:15. | :40:19. | |
Fantastic. I love the production of it. That is the fourth single. | :40:19. | :40:23. | |
Actually the fifth if you don't include the first one which was DJ | :40:23. | :40:30. | |
Fresh. I am not including that one. Therefore I am correct. | :40:30. | :40:36. | |
The rest all went to number one. Yes. Fingers crossed. Of course the | :40:36. | :40:40. | |
album is selling hot cakes and still out. Next week, three | :40:40. | :40:46. | |
nominations at the Brits. Can you believe? No, because I have only | :40:46. | :40:54. | |
just - I didn't know who you were, but now I do. Jeremy asked me | :40:54. | :40:58. | |
during that song to ask you if you were single. Seriously, he actually | :40:58. | :41:08. | |
:41:08. | :41:08. | ||
did. Look at his face. The answer is yes, I am. Congratulations on | :41:09. | :41:14. | |
the Brits. I am really looking forward to it. You are probably | :41:14. | :41:21. | |
looking for a date for the Brits. When are the Brits Next week, you | :41:21. | :41:26. | |
are free. It is like the British Grammys. Congratulations, it's | :41:26. | :41:30. | |
fantastic. Congratulations on everything so far. It is going to | :41:30. | :41:36. | |
get bigger and better. It is time to have a visit to the | :41:36. | :41:44. | |
big Red Chair. Who have we got up first. Hello. Where do you live? | :41:44. | :41:51. | |
live in Surrey. Lovely Surrey. It's gorgeous, really lovely. Just pull | :41:51. | :42:00. | |
it, would you. No, wait. What do you do? I am a teacher. You haven't | :42:00. | :42:07. | |
seen anyone flip yes. No. You will. Off you go. This dates back to | :42:07. | :42:17. | |
:42:17. | :42:26. | ||
1990... Where do they go? Back to obscurity. | :42:26. | :42:34. | |
There is a big bus outside that says "Obscurity, non-stop ". Hello. | :42:34. | :42:41. | |
Hi. Are you from the old country? am, Wicklow. Do you live there | :42:41. | :42:46. | |
still? No, I have lived here for two-and-a-half years. You have | :42:46. | :42:52. | |
really lops the accent! What do you do here? I am a beauty | :42:52. | :42:59. | |
therapist. What were you doing there? Treating people. Basically... | :42:59. | :43:05. | |
She's off. I I am a massage therapist and one day this lady | :43:05. | :43:10. | |
came in, of the larger scale. She came and she was very, very large. | :43:10. | :43:17. | |
I get it. She was huge. I start today massage her back, working | :43:17. | :43:26. | |
away and next minute, a biscuit popped out of one of her rolls. | :43:26. | :43:36. | |
:43:36. | :43:49. | ||
Thank you to my guests tonight. Rita Ora! Math Matt Lucas. Jeremy | :43:49. | :43:54. |