Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's a week when we celebrate all things spooky. I'm going to make my | :00:13. | :00:18. | |
audience scream. I'm coming to get you. All right then. I will drink | :00:18. | :00:22. | |
your blood. Nothing? OK. Robbie Williams is on | :00:22. | :00:32. | |
:00:32. | :00:49. | ||
The programme contains some strong CHEERING | :00:49. | :00:55. | |
You lovely people. Thank you very much. Thank you so much. You're | :00:55. | :01:00. | |
very kind. Tonight, chart topping singer, Robbie Williams is with us. | :01:00. | :01:05. | |
Yes, he is. Ballerina turned Strictly judge, Darcey Bussell is | :01:05. | :01:13. | |
gracing us. One of my favourite comedians Paul O'Grady is here. | :01:13. | :01:18. | |
And also, dropping in, hopefully not literally, the daredevil who | :01:18. | :01:23. | |
jumped from the edge of space, world record breaking skydiver, | :01:23. | :01:32. | |
Felix Baumgartner is here. I know! Did you see it? Did you all | :01:32. | :01:41. | |
watch it? It was incredible. He did a skydive from 24 miles up. So | :01:41. | :01:45. | |
brave. I mean I say brave, is that the right word? No. Probably stupid | :01:45. | :01:53. | |
would be a better word. Here he is about to jump. Yeah, OK on three, | :01:53. | :02:02. | |
one, two... Two and a bit, two and a bit more. It's so windy. Any way | :02:02. | :02:07. | |
it all ended well. I'm not saying he was nervous, but here he is | :02:07. | :02:12. | |
after they got him out of his space suit. | :02:12. | :02:14. | |
LAUGHTER Very excited that Robbie Williams | :02:14. | :02:22. | |
is on the show. Such a huge star! You know what I love about him, | :02:22. | :02:32. | |
:02:32. | :02:34. | ||
he's always got time for his fans. He does. Take that. Robbie's been | :02:34. | :02:38. | |
performing all over Europe. Here he is on the Italian version of the X | :02:38. | :02:45. | |
Factor. Hello! How good does the Italian X Factor look, fantastic. | :02:45. | :02:53. | |
There Robbie gets to cuddle a sexy young lady. Ours? Louis Walsh. | :02:53. | :03:02. | |
All right, don't do a Tulisa. A huge welcome back to Paul O'Grady, | :03:02. | :03:07. | |
ladies and gentleman! APPLAUSE | :03:07. | :03:12. | |
Famous for his alter ego Lily Savage. I have to say not every man | :03:12. | :03:20. | |
looks good dressed as a woman, no. Hello boys! And hey, it's the first | :03:20. | :03:25. | |
time on the show for the wonderful Darcey Bussell, so pretty, now | :03:25. | :03:30. | |
Strictly judge, until recently one of the world's finest ballerinas. | :03:30. | :03:35. | |
There she is in action. So beautiful. | :03:35. | :03:45. | |
:03:45. | :03:46. | ||
I wonder, is there ever a time when a tutu isn't sexy? Is there? Even | :03:46. | :03:51. | |
he's surprised to find himself in my monologue. She performed with | :03:51. | :03:58. | |
the world renowned Carlos Acosta. Hello! They both appeared in Swan | :03:58. | :04:04. | |
Lake where Darcy played the White Swan. There they are. Yeah, I | :04:04. | :04:10. | |
believe what he's doing there is taking her up the swany. | :04:10. | :04:16. | |
Let's get some guests on. Later, we'll meet Felix Baumgartner. | :04:16. | :04:23. | |
First, he's a comedian with a savage way. It's Paul O'Grady. | :04:23. | :04:27. | |
APPLAUSE Hello darling. | :04:27. | :04:33. | |
Lovely to see you. Have a seat. And from the Royal Ballet to the queen | :04:33. | :04:37. | |
of Strictly, it's Darcey Bussell! APPLAUSE | :04:37. | :04:43. | |
Wow! Look at you, gorgeous. Come in and have a seat. And yes, we will | :04:43. | :04:47. | |
let him entertain us, it's Robbie Williams! | :04:47. | :04:54. | |
# Let me entertain you # CHEERING AND APPLAUSE Have a seat. | :04:54. | :05:02. | |
# Let me entertain you # Sit, sit, sit. | :05:02. | :05:07. | |
That is a couch. That's proper. Yeah, I'm seeing chat, I'm liking | :05:07. | :05:11. | |
it. They put me in this pigging waist coat again. And it's making | :05:11. | :05:19. | |
me look unfortunate. So I'm going to have to undo it. | :05:19. | :05:23. | |
There we go. Happy now? Yeah. look good either way. Thank you | :05:23. | :05:28. | |
very much. Everyone looks lovely. You're all suited and booted. And | :05:28. | :05:33. | |
you have legs again. You forget behind the thing. Yeah, who knows | :05:33. | :05:40. | |
what I've got on. What's this yellow sample? Did you not ask for | :05:40. | :05:45. | |
that? I don't know. It's beer or is it cider? Oh, no, it's cider. | :05:45. | :05:51. | |
Lovely, I didn't know it was coming. Do you want that? Don't give me | :05:51. | :05:56. | |
cider, I'm such a lightweight these days. I whiff of the barmaid's | :05:56. | :06:00. | |
apron as I'm in trouble. Does it make awe gresive? No, I don't get | :06:00. | :06:05. | |
aggressive on drink, never. You get happy? Very happy, yeah. Then I | :06:05. | :06:12. | |
wake up in a skip with a kebab. Then I get aggressive. | :06:12. | :06:22. | |
:06:22. | :06:23. | ||
Listen, congratulations, little Theodora? Yes. There she is. That | :06:23. | :06:27. | |
is so lovely. Yes. Can I just say, looking at that picture though, you | :06:27. | :06:34. | |
have slightly let the house work go. The house looks like a tip? Oh, you | :06:34. | :06:44. | |
actually mean the house and not the body? No. Can I just say Theodora | :06:44. | :06:49. | |
is a beautiful name, old classic name. Weren't people expecting you | :06:49. | :06:58. | |
to be more rock star? Storm. Yeah that kind of thing. Debris. Didn't | :06:58. | :07:03. | |
you have an incident with Gwyneth Paltrow's child? Yes unfortunately | :07:03. | :07:07. | |
I did. It was at my house in Los Angeles and the Coldplay boys had | :07:07. | :07:12. | |
been over for a game of football. Then I put on a spread afterwards. | :07:12. | :07:22. | |
:07:22. | :07:23. | ||
There was a little buffet. Gawineth turned up. She's walking over and | :07:23. | :07:29. | |
in my head I'm saying, say something, say something. I said | :07:29. | :07:39. | |
:07:39. | :07:41. | ||
"Does melon want some Apple? Easily done? Easily done. Paul, your | :07:41. | :07:45. | |
daughter is Sharon. You didn't want to call her Sharon due? | :07:45. | :07:50. | |
LAUGHTER No. Whose idea was it? Ti, wasn't | :07:51. | :07:55. | |
mine, believe you me. I wanted to call her gypsy Rose. She wasn't | :07:55. | :08:03. | |
having it. I was a big fan of Gypsy Rose Lee. I could hear myself | :08:03. | :08:10. | |
shouting her "Gypsy Rose, get in for your tea." I'm sorry, Apple, | :08:10. | :08:15. | |
calling a kid bloody apple. You might as well say King Edward or | :08:15. | :08:20. | |
celery for God sake. Granny smith Martin. Now that she's here and | :08:20. | :08:23. | |
you're holding her and everything, do you feel responsible, like a | :08:23. | :08:30. | |
proper grown up? Yeah and I love it. I really do love it. I was worried | :08:30. | :08:34. | |
that before she came, I've been a pop star since I was 16, I haven't | :08:34. | :08:37. | |
had to do anything for myself and now I'm going to be asked to guard | :08:37. | :08:41. | |
this life and take care of her. I was worried there would be no bond | :08:41. | :08:45. | |
and I would be a selfish person, but you know, you just melt. The | :08:45. | :08:49. | |
baby came out and everything changed cosmically, spiritually, | :08:49. | :08:54. | |
life, everything. It was just this moment of, wonder and from that | :08:54. | :09:00. | |
moment in, I'm in. I'm nappy changer, I'm chief burper, I'm | :09:00. | :09:06. | |
feeder. And she's a good little, she's an amazing little girl. And | :09:07. | :09:11. | |
every parent is going to say that about their daughters and sons and | :09:11. | :09:17. | |
stuff, but I'm a new parent, so I still have that euphoria and that, | :09:17. | :09:27. | |
she hasn't pissed me off yet. APPLAUSE | :09:27. | :09:32. | |
You know, you were very young when you started. Were you 17 when you | :09:32. | :09:36. | |
got 80,000 Valentine cards? I was 15 when I auditioned. 16 when I | :09:36. | :09:42. | |
joined. Then I was 17 when I got 74,000 Valentine's cards. What's | :09:42. | :09:50. | |
that going to do to a boy. It's mad. Yeah, I'm from a council estate in | :09:50. | :09:53. | |
Stoke-on-Trent. You're a guy at school one day. The next day the | :09:53. | :09:57. | |
police are cordoning off the road because there's too many girls | :09:57. | :10:02. | |
outside. My mum shut the curtains in 1990 and didn't open them again | :10:02. | :10:08. | |
until 1995. It was very, very strange, very, very wonderful and | :10:08. | :10:12. | |
very, very weird. We used to have this coach load of Germans that | :10:12. | :10:16. | |
used to pull up on a Thursday because they organised trips to | :10:16. | :10:22. | |
Take That's houses. They used to get out and pull up things from the | :10:22. | :10:27. | |
garden, flowers and stuff, jump over the back and nick me pants and | :10:27. | :10:33. | |
bits of fence would go. They would get on the bus and go off to Mark's | :10:33. | :10:36. | |
house. That happened every Thursday. Things were... | :10:36. | :10:40. | |
LAUGHTER That's incedsible. Yeah, things | :10:40. | :10:44. | |
were quiend mind blowing. Is it in Japan that you're like a rock star. | :10:44. | :10:48. | |
Yeah they treat me like Robbie Williams. It's really odd. They | :10:48. | :10:52. | |
come out of the stage door and they're going wah. You have | :10:52. | :10:56. | |
bodyguards to get to your car. I've never experienced that. Do they | :10:56. | :11:00. | |
give you lots of gifts? A lot of gifts. The last time we went when | :11:00. | :11:04. | |
my kids were really young. I think I had my youngest with me and she | :11:05. | :11:10. | |
has blonde curly hair and they're obsessed with blonde children. They | :11:10. | :11:16. | |
gave so many gifts, I got a life- sized well not life-sized but | :11:16. | :11:20. | |
Japanese doll with real hair and they're quite spooky. It came in an | :11:20. | :11:23. | |
amazing box. But really expensive.Ive mean extraordinary | :11:23. | :11:26. | |
gifts that you can't leave in the hotel. You have to take them home | :11:26. | :11:32. | |
with you. My kids really hate it. I put in a list of things that I | :11:32. | :11:35. | |
wanted. The first time with Take That it was customary to bring | :11:35. | :11:41. | |
gifts. It was amazing. You're impolite if you don't. I like | :11:41. | :11:46. | |
rollerblades and T-shirts and they brought them me. Do you know what I | :11:46. | :11:49. | |
get? Liquorice all sorts and black puddings. | :11:49. | :11:53. | |
I tell you something, Saturday morning, I think what's that smell? | :11:53. | :11:57. | |
I go down and there's a big Jiffy bag that's leaking. I open it and | :11:57. | :12:02. | |
there's two black pudding that were posted a fortnight ago. | :12:02. | :12:09. | |
I drop hints, you know. I say what I want. I was in Japan once and | :12:09. | :12:14. | |
this actually happened. I got into the lift and there were two fans in | :12:14. | :12:20. | |
there and they went "lobby". And I said, "Yes, please." That's not a | :12:20. | :12:27. | |
joke. That actually happened. APPLAUSE | :12:27. | :12:31. | |
With ballet fans, because it is very sexy in that you know, the men | :12:31. | :12:35. | |
and women are not wearing many clothes, but are fans too posh to | :12:35. | :12:40. | |
write pervy letters and things? no I have had quite a few pervy | :12:40. | :12:45. | |
letters. Sorry about that. I got your address and I thought. | :12:45. | :12:48. | |
sometimes used to get on the Tube after a show with my flowers and | :12:48. | :12:51. | |
everything and your fans would follow you on and sit beside you | :12:51. | :12:56. | |
and stuff. The only, I've only got weird shopping lists, kind of | :12:56. | :13:04. | |
sexual shopping lists? Do tell. very kinky. I've had weird ones. | :13:04. | :13:09. | |
Things they'd like to do with you or for... Yes. Perhaps not then. | :13:09. | :13:15. | |
let's not say. Oh, I see. Positions and things? No, the shopping list | :13:15. | :13:20. | |
of the food they'd like... To eat off you. That's very Japanese. | :13:20. | :13:27. | |
want to eat food off you? Buy a table, really! So they send a | :13:27. | :13:30. | |
letter to you telling you what they'd like to eat off you? Yes. | :13:30. | :13:36. | |
Was that one or a few? They'd give me the list of what they had bought | :13:36. | :13:40. | |
ready. They went out planning this. They went shopping for Darcy. | :13:40. | :13:45. | |
And then came and gave you the letter? Yes with the shopping list | :13:45. | :13:49. | |
going "I'm ready", that kind of thing. I'm here, come round and | :13:49. | :13:53. | |
I'll eat off you. Was there a black pudding mentioned? | :13:53. | :13:59. | |
LAUGHTER I wouldn't mind if there was. | :13:59. | :14:03. | |
Robbie Williams, you are in such a good place right now. You've had a | :14:03. | :14:06. | |
baby. You got married. You kissed and made up with Take That, great | :14:06. | :14:12. | |
tour. Now new album and song that is number one, isn't it? It's | :14:12. | :14:16. | |
number one on Sunday. It is. APPLAUSE | :14:17. | :14:21. | |
It's number one now. By Sunday that should be number one. The thing is, | :14:21. | :14:26. | |
because this is your solo album, but Gary Barlow he did work on it. | :14:26. | :14:33. | |
Yes, he did. Gary comes over to Los Angeles and he sets up in my attic | :14:33. | :14:37. | |
and we go up there and spend all day laughing about what we can and | :14:37. | :14:43. | |
cannot say on a record. Which is obvious if you list ton the lyrics | :14:43. | :14:49. | |
of Candy, none of them make sense. Yeah, we've written a ton of songs | :14:49. | :14:53. | |
together. Me and Gaz have done about 25, 30 songs. I'm saving some | :14:53. | :14:56. | |
for other projects and we have a good time. He comes over and we | :14:56. | :15:00. | |
have a laugh. I'm not making this up in a showbiz way, I'm so glad | :15:00. | :15:04. | |
that worked out, that you are still, you know because when you got back | :15:04. | :15:07. | |
together again, we were so excited. APPLAUSE | :15:07. | :15:12. | |
Everyone was so pleased, but then you thought, will there be a moment | :15:12. | :15:19. | |
when they're all in the recordling oo -- recording studio going - this | :15:19. | :15:23. | |
is why we don't work together again. No it wasn't him. It was that Mark | :15:23. | :15:27. | |
Owen. What a pain in the arse he is. No, he's a lovely guy too. We had | :15:27. | :15:32. | |
the most amazing time. We came back and wrote a critically acclaimed | :15:32. | :15:36. | |
album, commercially acclaimed album and.biggest tour the UK's ever seen | :15:36. | :15:43. | |
and we all became firm and very good friends. We vanquished the | :15:43. | :15:48. | |
demons in the past. You should be friends. Yeah a lot of stuff that | :15:48. | :15:54. | |
happened was when I was 16, 17, 18, 19, 20, your formative years. Gaz | :15:54. | :15:58. | |
was really young too. We were at each other and now we're not. We're | :15:58. | :16:03. | |
older blokes, more mature. He's a very, very, very decent man. I call | :16:03. | :16:07. | |
him the captain. I go to him for advice and stuff. I love him to | :16:07. | :16:09. | |
bits. I think he loves me too. think he does, yes. | :16:10. | :16:14. | |
APPLAUSE Everyone's happy. It's a happy | :16:14. | :16:18. | |
story. Later on, I'm guessing you're performing Candy due to the | :16:19. | :16:24. | |
paint work. Oh, yeah. The video, though, it's a | :16:24. | :16:29. | |
proper funny video. That picture of you with the old lady. | :16:29. | :16:35. | |
It's quite a shocking image. It is, isn't it. Yeah, they wanted know | :16:35. | :16:39. | |
kick a dog. I'm an animal lover. LAUGHTER | :16:39. | :16:44. | |
So, I was not having that. Then they said, punch a pensioner, I was | :16:44. | :16:50. | |
like, yeah, I'm in. Could you please address your | :16:50. | :16:56. | |
letters to "Robbie Williams", not us. Nothing to do with me. Must | :16:56. | :17:01. | |
mention you're back giging, three nights at the O2 from November | :17:01. | :17:06. | |
226789 that's a big deal. -- November 22. That's a big deal. You | :17:06. | :17:12. | |
get nervous, still? Not now. Not so much. Because I had to do something | :17:12. | :17:16. | |
about it. OK. All the way through the career - do you get nervous | :17:16. | :17:22. | |
before you do? I don't get nervous now? I'm pretty much the same. | :17:22. | :17:27. | |
There was a time I turned up to Milton Keynes and there was 60,000 | :17:27. | :17:31. | |
people waiting for me and I was on the bus and I went "I'm not doing | :17:31. | :17:36. | |
it. Turn around." Seriously, I was like, I'm not going on. Turn around. | :17:36. | :17:40. | |
My manager, who's here today, "Robert, I know you're saying that | :17:40. | :17:45. | |
you can't do this, but I just thought I'd warn you that if you | :17:45. | :17:49. | |
don't, it will cost you �1 million." I was like | :17:50. | :17:59. | |
:18:00. | :18:01. | ||
# Let me entertain you # Now, Darcey Bussell, we are loving | :18:01. | :18:05. | |
you on Saturday nights. This series of Strictly is so good. You've | :18:05. | :18:12. | |
arrived at a very good time. lucky. But I'm a bit disappointed | :18:12. | :18:17. | |
because you have a Catchphrase. It seems to have gone away already. | :18:17. | :18:27. | |
:18:27. | :18:29. | ||
I didn't think about it and it disappeared. Yeah. Yah, OK. I know | :18:29. | :18:37. | |
why it was because when I coach dancers I'm always -- I always want | :18:37. | :18:43. | |
a response. You got it, yah, OK? I realised oh, no they're never going | :18:43. | :18:47. | |
to speak to me. Soy have to talk at them. I find that weird. | :18:47. | :18:54. | |
someone talk to you afterwards and go very good, but... No, I had such | :18:54. | :18:58. | |
a shock because I didn't appreciate I was saying it so many times until | :18:58. | :19:04. | |
they said, I think you should watch yourself. No really watch yourself. | :19:05. | :19:11. | |
Wow, I can't even hear it. It's so add. I've -- odd. I've never had to | :19:11. | :19:20. | |
open my mouth before. It was a south African yah. Yah, OK. In | :19:20. | :19:26. | |
terms of joining those three guys, is it like walking into a local pub, | :19:26. | :19:31. | |
the music stops, who's the new girl or are they nice? They're gorgeous | :19:31. | :19:36. | |
and very protective. Constantly, are you OK? Anything you need? | :19:36. | :19:39. | |
They're heaven. They've been doing it for nine years. The amount of | :19:39. | :19:43. | |
energy they have and passion for the show is fabulous. I feel like | :19:43. | :19:47. | |
I'm in very good company. It's a really high standard. Are you | :19:47. | :19:50. | |
watching? I've watched a couple yeah. Is there a rumour you're | :19:50. | :19:57. | |
going to be performing on it? yeah. I think. So I hope so. I have | :19:57. | :20:07. | |
:20:07. | :20:10. | ||
an album out and I've done X Factor now. So there's only one left. | :20:10. | :20:16. | |
they asked you? They ring me every year. I like a lie in. | :20:16. | :20:21. | |
I am not getting up to be dragged around for eight hours a day. Like | :20:21. | :20:26. | |
a little Russian -- by a little Russian doing a strict tango and I | :20:26. | :20:30. | |
know what would happen. When I was, it takes me about three weeks to | :20:30. | :20:33. | |
learn a dance routine. Once it's there, it's there for life. If I | :20:33. | :20:37. | |
did this, you know in the eight hours a day for the week, I'd | :20:37. | :20:41. | |
forget everything. Everything would leave me. It is about the music. I | :20:41. | :20:46. | |
don't think you wo. Oh, I think it wo. You wouldn't want to stand | :20:46. | :20:51. | |
there and be insulted would you. I'd go for them. That's what I'm | :20:51. | :20:56. | |
saying. I couldn't take it. You're quite nice to them. I try and give | :20:56. | :20:59. | |
constructive. As they get better and better then you're going to get | :20:59. | :21:02. | |
bored if you give them the same correction every time. Like come on, | :21:02. | :21:07. | |
how many times I have told you this. Do you ever think, I'm going to be | :21:07. | :21:12. | |
vicious this week? I've got Craig next to me. I don't need to. He is | :21:12. | :21:16. | |
rubbing off on me. My marking is quite low. That's where I'm a bit | :21:16. | :21:22. | |
mean. That bitch. You've got some trained dancers and | :21:22. | :21:25. | |
people who can barely walk. I'd be in the latter category. Who's going | :21:25. | :21:32. | |
to win? Well, I have my favourites, obviously. I think we know who your | :21:32. | :21:36. | |
favourite is. They're not supposed to have favourites. But we noticed | :21:36. | :21:42. | |
this. Oh, no. | :21:42. | :21:52. | |
:21:52. | :21:53. | ||
There's Louis. Look at her go. APPLAUSE | :21:53. | :22:00. | |
It wasn't then. I had some friends in the audience... Yeah, yeah, yeah. | :22:00. | :22:06. | |
We all know what that means. That's been done to me by builders. I've | :22:06. | :22:14. | |
got a shopping list for this. Did you do that in the ballet. | :22:14. | :22:21. | |
Middle of Swan Lake as you're dying. Would you go on the show? No. | :22:21. | :22:26. | |
you not, have you got Two Left Feet? I don't want to know that I'm | :22:26. | :22:30. | |
bad at it. I want to live in a lovely world where "I could do | :22:31. | :22:34. | |
that." You want to dance when you watch the show, don't you? No, I'm | :22:34. | :22:39. | |
quite happy sitting, drinking. Really? That doesn't mar my | :22:39. | :22:48. | |
enjoyment in any way. We mustn't forget your amazing career. This | :22:48. | :22:54. | |
book is still in the shops. that's just come out. There's | :22:54. | :22:59. | |
amazing pictures in here. Like, that's inhuman. How can a person do | :22:59. | :23:02. | |
that. There was no trampoline involved. | :23:03. | :23:07. | |
That's just you and the ground. did that ballet after I had my | :23:07. | :23:13. | |
second child as well. It was very challenging. You probably felt a | :23:13. | :23:19. | |
lot lighter. You didn't have stitches there, did you? Thank you. | :23:19. | :23:24. | |
Clearly an easy birth. That's incredible. This, I love | :23:24. | :23:28. | |
this picture. Capturing this moment... How long after birth was | :23:28. | :23:34. | |
that? Five months after. This, I mean, this is an incredible moment. | :23:34. | :23:38. | |
This is your last ever performance at the opera house. How long was | :23:38. | :23:42. | |
that standing ovation? It felt a long time. I was embarrassed | :23:42. | :23:47. | |
actually. It was eight or nine minutes of just people cheering. | :23:47. | :23:51. | |
was crying my eyes out. It was pathetic. It's nice that you got | :23:51. | :23:54. | |
the impact, like you didn't wake up the next morning and think, oh, my | :23:54. | :23:59. | |
God that was the last night. You got it that's was happening. | :23:59. | :24:04. | |
usually controlled on stage. I totally lost it. I could hardly | :24:04. | :24:10. | |
stand up. There is a quote from Christopher Wheldon, he said "What | :24:10. | :24:13. | |
makes a ballerina like Darcy, a ballerina has a fragrance that | :24:13. | :24:23. | |
:24:23. | :24:26. | ||
lingers off they have left the stage. "I do smell good. We have a | :24:26. | :24:32. | |
picture of someone just checking on that fragrant. Oh, stop. | :24:32. | :24:41. | |
That's art. Now, Paul, we're going to talk | :24:41. | :24:46. | |
about your book. But we just have to talk about the new TV show, well | :24:46. | :24:53. | |
it's finished now, for the love of dogs. OK. That was... Aawwee. | :24:53. | :24:59. | |
were watching me playing. I went in every day and have a ball. I take | :24:59. | :25:04. | |
my Carmi ne out, the boxer I was in love with. This is you at Battersea. | :25:04. | :25:10. | |
Is it true you had it in your contract you didn't take a dog home. | :25:10. | :25:15. | |
Yes, I wanted it to be illegal to take a dog. I would be coming out | :25:15. | :25:18. | |
with puppies under me coat and all sorts. I thought, because I have | :25:18. | :25:22. | |
enough animals. I have three dogs any way. I thought I can't have | :25:22. | :25:27. | |
another one. I did fall at the final post. I got a puppy. So cute. | :25:27. | :25:37. | |
:25:37. | :25:38. | ||
He's lovely, Eddie. He's a Jack-c hi. He's a chihuahua Jack Russell | :25:38. | :25:44. | |
cross. He's a cracking little fella. Heez as hard as nails you know. | :25:44. | :25:51. | |
Jack Russell's are. We have eight dogs. He'll see your four. I have | :25:51. | :25:55. | |
two. The Jack Russell, she's in charge of everybody. We have a wolf | :25:55. | :26:02. | |
as well. We have a wolf called Sid. The Jack Russell is a baby and runs | :26:02. | :26:08. | |
the house. He goes with the pigs. I have eight pigs. I have nine pigs. | :26:08. | :26:12. | |
Have you? I've got nine pigs. 12 pigs but I gave the other as way | :26:13. | :26:18. | |
and then one died. Oh, my evank lean, cost me a fortune. Honestly. | :26:18. | :26:25. | |
Is it true the thing that they all sleep in the bed? Yeah. It is | :26:25. | :26:30. | |
amazing you're a father. They all pile in the bed. They're all coming | :26:30. | :26:34. | |
over soon. Yeah, in the past, we have been known to actually have to | :26:34. | :26:38. | |
get out of our bed, leave the bed to the dogs and go into another | :26:38. | :26:44. | |
room to go to sleep. To go to sleep. Yeah. But there's been eight dogs | :26:44. | :26:48. | |
on and in and around the bed, yeah. Is it true the thing about building | :26:48. | :26:55. | |
the steps? We have doggy steps, yeah. Have you got them? No mine do | :26:55. | :27:01. | |
flying leaps. Six in the morning normally across me face. When they | :27:01. | :27:06. | |
get older and their hips start to go, have you not seen these doggy | :27:06. | :27:11. | |
steps? Listening, Robbie, I have already got a swing on the ceiling, | :27:11. | :27:17. | |
I can't have steps. No it's bad enough. I understand. | :27:17. | :27:22. | |
Dog fans, we have a little treat for you now. Because Paul he's not | :27:22. | :27:27. | |
the only writer here this evening. No, it's time too moat best selling | :27:27. | :27:33. | |
author and star of the Oscar winning film The Artist Uggie is | :27:33. | :27:42. | |
here with his book. There you go. Sit. Nice treats. How are you? Now, | :27:42. | :27:49. | |
watch this. Speak. There you go, baby. He's so good. I'm obsessed by | :27:49. | :27:56. | |
this. No, that's not speaking. Have one. | :27:56. | :28:01. | |
It's so cute. You can have a thing for doing nothing. Very good. I | :28:01. | :28:06. | |
believe you're a big fan of Darcey Bussell, are you? Yes? The | :28:06. | :28:14. | |
fragrance that lingers? Because, no he is. We have a picture of you in | :28:14. | :28:21. | |
Swan Lake. Haven't we? Yes, we do. Now Uggie, I'm not sure if you | :28:21. | :28:26. | |
caught that swan, but I know I have a picture taken by the paparazzi | :28:26. | :28:34. | |
after. I do, yeah. You've lost the weight, haven't you? You've been to | :28:34. | :28:41. | |
the Oscars and now you've written your autobiography. I'm not joking. | :28:41. | :28:50. | |
Uggie has written a book. And I have read it. It's a dog. He | :28:50. | :28:56. | |
doesn't know what I'm saying. So that's Uggie. He'll be appearing in | :28:56. | :29:06. | |
:29:06. | :29:07. | ||
or tied up close to a leading book shop soon. Come down for a sec. | :29:07. | :29:15. | |
Come down, give me the book. Take it. Good boy. There you go. | :29:15. | :29:23. | |
Uggie, everybody! APPLAUSE | :29:23. | :29:30. | |
I want him. So cute. I hope he's in a safe dressing room, that's all I | :29:30. | :29:38. | |
can say. Under the coat. Seen him outside Tottenham Court Road tube | :29:38. | :29:47. | |
station tomorrow - sit. Sweet little dog. Isn't he lovely. It's | :29:47. | :29:52. | |
not just Uggie who's written an autobiography. Paul O'Grady has | :29:52. | :29:56. | |
managed to squeeze another volume. I was bored you see. Three volumes | :29:56. | :30:04. | |
of your life. Yes. This is it, you're up to date. I'll never be up | :30:04. | :30:09. | |
to date. It's a nightmare. You're more or less up to date. You kind | :30:09. | :30:15. | |
of cheat though. Yes. You get to 88 and just skip. About 200 years. | :30:15. | :30:19. | |
it because I mean obviously the books are all about you, but your | :30:19. | :30:23. | |
mother is such a major character throughout them and it's weird | :30:23. | :30:28. | |
because you adored her and she adored you. Don't know about that. | :30:28. | :30:33. | |
What's weird is that she never really knew about Lily. No, she | :30:33. | :30:36. | |
would have killed me I never told her. This huge thing in your life | :30:36. | :30:43. | |
and you never told her No. Wasn't there a moment when lily sold some | :30:43. | :30:47. | |
clothes? Yes we were destitute at the time. It was in the 80s. There | :30:47. | :30:52. | |
wasn't a lot of work around. All the mill towns and mining towns had | :30:52. | :30:57. | |
closed. I thought I would have to sell a load of drag. There was a | :30:57. | :31:06. | |
second hand clothes shop in Church Road in Birkenhead. There was | :31:06. | :31:09. | |
sequined evening gown and I got ten quid for them. My mother stopped | :31:10. | :31:14. | |
and said "Jesus, what kind of woman would wear stuff like that?" A big | :31:14. | :31:19. | |
woman, that's all I'm saying. have you managed to remember | :31:19. | :31:25. | |
everything? I just do. I have, there was a programme on Channel 4 | :31:25. | :31:29. | |
about a kid who can remember everything. I can relate to him. | :31:29. | :31:36. | |
I'm the same. I can't remember last week. But I can remember 1970, 1980 | :31:36. | :31:40. | |
vividly. That's why it's taken me three. I can't say then I did, then | :31:40. | :31:45. | |
I did that. I go into detail. What the dressing room was like and what | :31:46. | :31:50. | |
the strippers were like. remember that much? Vividly. | :31:50. | :31:55. | |
going to have to lie in mine. I've been to rehab twice. A lot of | :31:55. | :31:59. | |
memories have fallen out. You go on tour to these places several times | :31:59. | :32:04. | |
wouldn't you. Have you written your book yet? No. Are you going to? | :32:04. | :32:07. | |
have a memory of each photograph. That's a nice way of remembering | :32:07. | :32:11. | |
things, if you have a picture it's just like bang. Why don't you for | :32:12. | :32:15. | |
your book, why don't you talk to like your friends and get them to | :32:15. | :32:18. | |
tell stories about what they remember you doing. They were all | :32:18. | :32:23. | |
off their heads too. They don't remember anything. | :32:23. | :32:27. | |
it all together. The great thing about Lily is that she has a whole | :32:27. | :32:31. | |
life, this whole back story, families. A lot of people don't | :32:31. | :32:38. | |
know that Lily was in a convent for some time. Yes she was in a | :32:38. | :32:43. | |
carmelite order. It was St Philomena's of Wigan or the flesh | :32:43. | :32:47. | |
of St Philomena that was flogged off, I don't mean sold on eBay I | :32:47. | :32:51. | |
mean whipped off. How long was she there? Notd very long, three years. | :32:51. | :32:56. | |
That was the maximum. She was only allowed to say two words a year. | :32:56. | :33:04. | |
The first year mother superior says "Say your two words." She said | :33:04. | :33:09. | |
"Damp beds." The following year she's asked for the two words. She | :33:09. | :33:15. | |
says "Laosy food." The third year she says "I quit". And mother | :33:15. | :33:19. | |
superior said "Thank fuck for that, you've done nothing but moan since | :33:19. | :33:22. | |
you got here." APPLAUSE | :33:22. | :33:31. | |
The most ridiculous joke. A good joke. | :33:31. | :33:36. | |
Before Robbie sings for us, everyone on this couch tonight has | :33:37. | :33:46. | |
:33:47. | :33:50. | ||
done extraordinary things but only Remove seat belt. Attaboy. That's | :33:50. | :33:56. | |
good. Stand up on the exterior step. Keep your head down. Release the | :33:56. | :34:06. | |
:34:06. | :34:17. | ||
I'm going over. APPLAUSE | :34:18. | :34:23. | |
Yes, it's my final guest, the man who fell to earth, skydiver | :34:23. | :34:26. | |
extraordinaire, Felix Baumgartner. # It's raining men, hallelujah | :34:26. | :34:36. | |
:34:36. | :34:46. | ||
# It's raining men # Have a seat there. | :34:46. | :34:52. | |
How are you? Well, back on the ground. And alive. That's the main | :34:52. | :34:56. | |
thing. Now the whole thing took about eight minutes, didn't it? | :34:56. | :35:01. | |
From when I stepped off I think I had four minutes and 20 seconds of | :35:01. | :35:06. | |
freefall and then four minutes on my parachute. During that time, are | :35:06. | :35:10. | |
you just hoping you aren't going to die? Are you thinking about it? Are | :35:10. | :35:16. | |
you able to go oh, look there's China? I was scared to miss the | :35:16. | :35:20. | |
planet honestly. I bet you were. Do you have time to think about stuff | :35:20. | :35:27. | |
while it's happening? Yeah. We have been practising for many years. We | :35:27. | :35:31. | |
had practice jumps from 70,000 feet, 90,000 feet. I never had a thought | :35:31. | :35:35. | |
I'm going to die. I only thought OK, I hope I break the speed of sound. | :35:35. | :35:40. | |
That's the faster than the speed of sound. So physically, when you | :35:40. | :35:45. | |
break the sound barrier, like does something happen? Do your ears pop, | :35:45. | :35:53. | |
what? What? Does something happen? I didn't feel anything. Are you | :35:53. | :35:58. | |
totally numb? No. I felt like he was going to combust or something. | :35:58. | :36:06. | |
Weren't you scared? There was a lot of talk about that, yah. The first | :36:06. | :36:10. | |
time they were explaining to me what was happen if something goes | :36:10. | :36:14. | |
wrong. You sit there and think, I don't want to know it, you know. | :36:14. | :36:18. | |
Because it's not funny. No, but also, here it is, it's great happen | :36:18. | :36:25. | |
yip ending, lovely, we're here. All going hue ray, that's fantastic. | :36:25. | :36:29. | |
But at what price? I mean your mum and your girlfriend, I mean, what | :36:29. | :36:33. | |
they must have gone through. Yeah, you have seen my mum. I know. She's | :36:33. | :36:38. | |
going through it. Crying and that. When that capsule took off she was | :36:38. | :36:42. | |
crying. Understandably. Does it not make you think twice about doing | :36:42. | :36:45. | |
it? I kind of feel bad to put my mum on that spot and my girlfriend | :36:45. | :36:48. | |
you know. But this is what I was doing the last couple of years. | :36:49. | :36:52. | |
This is what I've been working on so there's no way back. Was it | :36:52. | :36:58. | |
always a dream? Since I was a kid I had a big desire to fly like a bird. | :36:58. | :37:07. | |
What's your actual job? Skydiving. It wasn't like, oh, next Thursday | :37:07. | :37:14. | |
aisle Ogogo up in that balloon. won't be in on Thursday. You do | :37:14. | :37:18. | |
stunts all the time? Not stumps but I have been a professional jumper | :37:19. | :37:26. | |
for many years. I did base jumps from the highest buildings in the | :37:26. | :37:31. | |
world? Illegal jumps? Most of the time. Where was the most dangerous | :37:31. | :37:38. | |
jump that you've done in a town? The first was in 1997, the petronas | :37:38. | :37:43. | |
Twin Towers in Kuala Lumpur. I had to dress like a businessman | :37:43. | :37:48. | |
and fake some ID to get access to the building. And I put my parasuit | :37:48. | :37:54. | |
in a suit -- parachute into n a suitcase. I went out on a window | :37:54. | :37:57. | |
washer crane. It's all about the wind as well. If it's windy there's | :37:57. | :38:05. | |
no way to do it. Yeah right run, yeah. She knows a lot about this. | :38:05. | :38:11. | |
She's all over this. Any tips she's your woman. You wax that wind Felix. | :38:11. | :38:15. | |
That could kill you. I'll take you oult for dinner after and we'll | :38:15. | :38:19. | |
talk about wind. She has a fragrance that lingers, I'll tell | :38:19. | :38:25. | |
you. That But like that must be, that feeling | :38:25. | :38:30. | |
must be a very hard one to think, I'm never going to feel that again., | :38:30. | :38:34. | |
No but you're going to want to do it again, aren't you? No. That's | :38:35. | :38:39. | |
it? You're happy. That's once in a lifetime. You don't want to go | :38:39. | :38:46. | |
higher? Is there another thing that you want to achieve that's similar? | :38:46. | :38:50. | |
Don't chance your luck, you've done it once. I'd say thank you, no more. | :38:50. | :38:55. | |
Every box has been ticked for you now? I think what I want to do in | :38:55. | :38:58. | |
the future is inspire the next generation because I've been | :38:58. | :39:02. | |
getting so many e-mails from e- mails from young kids and people | :39:02. | :39:06. | |
who told me thank you for doing this because we never had our own | :39:06. | :39:11. | |
moon landing and they say this has been like the moon landing now. | :39:11. | :39:17. | |
That's an honour for me. It's a great honour to meet you. If people | :39:17. | :39:23. | |
want to see the full story of the jump, Space Dive it's BBC Two this | :39:23. | :39:27. | |
Sunday at 8.30. It's a big thing which tells the whole story from | :39:27. | :39:31. | |
beginning to end. Thank you so much for coming to see us. Thank you. | :39:31. | :39:34. | |
Really amazing. APPLAUSE | :39:34. | :39:41. | |
OK. It's music time Robbie. If you want to get ready. Off he goes. | :39:41. | :39:42. | |
There he goes. Lovely. | :39:42. | :39:49. | |
CHEERING All right. So here he is performing | :39:49. | :39:59. | |
:39:59. | :40:04. | ||
Candy from the new album Take the Crown, it is Robbie Williams. | :40:04. | :40:14. | |
:40:14. | :40:17. | ||
# I was there to witness Cand ice is in the business | :40:17. | :40:19. | |
# She's got lots of different horses | :40:19. | :40:27. | |
# Lots of different men # I say liberate your sons and | :40:27. | :40:33. | |
daughters # You can give some when they give | :40:33. | :40:38. | |
# Nothing sacred # One, two, three, four, hey hoe, | :40:38. | :40:42. | |
here she goes # Either a little too high, or a | :40:42. | :40:46. | |
little too low, # Low self-esteem or a little too | :40:46. | :40:51. | |
low. She thinks she's made of candy. # Hay ho here she goes, | :40:51. | :40:56. | |
# Either a little too loud or a little too close | :40:56. | :40:59. | |
# Got a hurricane in the back of her throat | :40:59. | :41:02. | |
# And she thinks she's made of candy. | :41:02. | :41:06. | |
# Ring aring of roses, whoever gets the closest | :41:06. | :41:10. | |
# She comes and she goes as the war of the roses | :41:10. | :41:15. | |
# Mother as a victim # Father beat the system by moving | :41:15. | :41:20. | |
bricks to Brixton # Learning how to fix them | :41:20. | :41:30. | |
:41:30. | :41:34. | ||
# Liberate your sons and daughters # The bush is high | :41:34. | :41:39. | |
# But in the whole there's water. # Hay ho, here she goes | :41:39. | :41:42. | |
# Either a little too loud or a little too close | :41:42. | :41:45. | |
# Got a hurricane in the back of her throat | :41:45. | :41:55. | |
:41:55. | :42:04. | ||
# And she thinks she's made of # Liberate your sons and daughters | :42:04. | :42:08. | |
# The bush is high but in the hole there's water | :42:08. | :42:13. | |
# As you win, she'll be the Hollywood love | :42:13. | :42:16. | |
# And if you don't feel good, what are you doing it for? | :42:16. | :42:20. | |
# What are you doing it for? # Everybody, what are you doing it | :42:20. | :42:25. | |
for? # Doing it for | :42:25. | :42:29. | |
# What are you doing it for # What are you doing it for, what | :42:30. | :42:35. | |
are you doing it for. # Hey ho, here she goes, | :42:35. | :42:39. | |
# Either a little too high or a little too low | :42:39. | :42:44. | |
# Low self-esteem and vertigo # She thinks she's made of candy. | :42:44. | :42:47. | |
# Either a little too loud or a little too close | :42:47. | :42:49. | |
# Got a hurricane in the back of her throat | :42:49. | :42:52. | |
# And she thinks she's made of candy. | :42:52. | :42:58. | |
# Hey ho here she goes, low self- esteem and vertigo, she thinks | :42:58. | :43:00. | |
she's made of candy. # Here she goes. | :43:00. | :43:03. | |
# Either a little too loud or a little too close | :43:03. | :43:06. | |
# Got a hurricane in the back of her throat | :43:06. | :43:16. | |
:43:16. | :43:21. | ||
# She thinks she's made of candy. # Robbie Williams everybody! | :43:21. | :43:28. | |
Beautiful. Come back. That was fantastic. Brilliant. Come | :43:28. | :43:35. | |
and sit down. Quick, have a seat. How catchy is that? That is nuts. | :43:35. | :43:40. | |
And it's number one. Right. What a great show. Ladies and gentleman, | :43:40. | :43:44. | |
sadly no time for red chairs tonight. A big thank you to my | :43:44. | :43:49. | |
guests, Paul O'Grady! Darcey Bussell! Felix Baumgartner! And | :43:49. | :43:57. |