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This programme contains strong language. | :00:04. | :00:09. | |
Tonight, one to have biggest names in Hollywood, Indiana Jones himself, | :00:09. | :00:13. | |
I've got the music and the kit. What else do I need? | :00:13. | :00:34. | |
CHEERING AND APPLAUSE. Hello, hello everyone! | :00:34. | :00:49. | |
Everyone survived the boulder. Yeah, well done. What a show we have to | :00:49. | :00:53. | |
start the new series, ladies and gentlemen. We have a line-up that's | :00:53. | :00:57. | |
hotter than a World Cup in Qatar! It's a football joke! | :00:57. | :01:04. | |
Maturing and changing! (No, I'm not) one of the biggest | :01:04. | :01:10. | |
stars in Hollywood, screen ledge end, Harrison Ford is here, ladies | :01:11. | :01:14. | |
and gentlemen. Yeah, how about that. Britain's hottest actor, Benedict | :01:14. | :01:19. | |
Cumberbatch is on the show! Top comedian Jack white haul is | :01:19. | :01:23. | |
here. -- Whitehall is here. Plus music and | :01:23. | :01:28. | |
chat from Mr James Blunt. Yes, we have! | :01:28. | :01:37. | |
So looking forward to meeting Harrison Ford, ladies and gentlemen, | :01:37. | :01:44. | |
I am. He's going to be there! Harrison Ford will be sat right | :01:44. | :01:47. | |
there. He's been in so many great films, Blade Runner, Witness, | :01:47. | :01:54. | |
Mosquito Coast and Star Wars. There he is, Han Solo with Chewbacca. | :01:54. | :01:58. | |
Can't remember the last time I saw something that hairy and | :01:58. | :02:04. | |
frightening. I'm talking about him. | :02:04. | :02:13. | |
In Star Wars, Han Solo ended up with the girl, Princess Leia. That was | :02:13. | :02:17. | |
because the man she really loved turned out to be her brother. There | :02:17. | :02:22. | |
are some far flung corners of the universe where that sort of thing is | :02:22. | :02:28. | |
OK. There will be letters, yeah. | :02:28. | :02:42. | |
Ill ledgible letters. Of course, Harrison's other seminal | :02:42. | :02:44. | |
role was Indiana Jones. Of course, Harrison's other seminal | :02:44. | :02:50. | |
And here is the moment we recreated earlier where Indy is chased by the | :02:51. | :02:55. | |
giant ball of rock. Is there any way that ball could be | :02:55. | :03:02. | |
more terrifying? Awkward! | :03:02. | :03:08. | |
In the film, Indy discovered he had a son. Middle aged and suddenly | :03:08. | :03:13. | |
finding out you're a father. I mean, does that sort of thing happen in | :03:13. | :03:19. | |
real life? Hm? ! Since Simon Cowell announced he's | :03:20. | :03:25. | |
going to be dad, he's been very proactive, insisting the baby be | :03:25. | :03:30. | |
breast-fed. Yes. Don't go hungy. | :03:30. | :03:39. | |
We'll have music from Mr James Blunt later. | :03:39. | :03:43. | |
Some fresh meat on my sofa first, it's Jack Whitehall, everybody. | :03:43. | :03:48. | |
Site down, Jack Whitehall, everybody! | :03:48. | :03:58. | |
Harrison Ford, everybody! Wow. | :03:58. | :04:06. | |
Harrison Benedict Cumberbatch is on his way, | :04:06. | :04:16. | |
he's on a motorbike or something, dashing from a film set, he'll be | :04:16. | :04:21. | |
here. You can snuggle up if you want to, a little close. | :04:21. | :04:26. | |
I'll leave some Benedict room here. How are you, Sir? I'm fine, thank | :04:26. | :04:30. | |
you. We are so, so thrilled you are here. We are delighted you are. | :04:30. | :04:38. | |
CHEERING AND APPLAUSE We are especially grateful you are | :04:38. | :04:43. | |
here. Maybe I'm wrong, but we think you obviously like acting. That's a | :04:43. | :04:48. | |
pleasure. I do. I enjoy it, yes. Is it FA irto say this sort of thing is | :04:48. | :04:52. | |
your least favourite aspect of making a film? No, not yet. | :04:52. | :05:04. | |
You know, it's the endless press thing about having to explain the | :05:04. | :05:09. | |
movie over and over again, talk about yourself, talk about blah blah | :05:09. | :05:12. | |
blah blah blah. We are not going to do that here, are we? No, I'll ask | :05:12. | :05:17. | |
you practically no questions at all for more or less 40 minutes. | :05:17. | :05:24. | |
I should warn you, you are sitting next to a bit of a Harrison Ford | :05:24. | :05:29. | |
fan. Have you embarrassed yourself backstage already? I love Harrison, | :05:29. | :05:34. | |
I'm such a massive fan and I don't want to be fan girlie on the show, | :05:34. | :05:39. | |
but the young chaps my age in the audience, there's a particular film | :05:39. | :05:43. | |
of yours that's kind of a swashbuckling young adventurous chap | :05:43. | :05:48. | |
really defined me as a young man. Your performance in Working Girl. | :05:48. | :05:54. | |
Oh! Love that film. CHEERING AND APPLAUSE | :05:54. | :06:02. | |
Shove up a bit because... Enough! I am allowed to be this close. | :06:02. | :06:07. | |
Benedict on the other hand, he'll have to keep a certain distance. | :06:07. | :06:10. | |
Harrison Ford, you are here, let us celebrate you. This is the bit where | :06:10. | :06:14. | |
I talk for a long time. Please. I'm not really enjoying this. | :06:14. | :06:18. | |
LAUGHTER It's early days. . Whir ouch of the | :06:18. | :06:25. | |
elite. Your films have grossed almost $6 billion worldwide. | :06:25. | :06:34. | |
Here comes a question - when was the... How much of it did I get? ! | :06:34. | :06:41. | |
I'm interested in that, but I was wondering, when was the last time | :06:41. | :06:44. | |
you walked in somewhere and people just went "hello, how may I help | :06:44. | :06:49. | |
you? " Are there countries you can go to where they don't know who you | :06:49. | :06:58. | |
are? Yeah. Where? England. We know who you are. In England no-one says | :06:58. | :07:02. | |
"mow may I help you" because everyone's so rude. | :07:02. | :07:09. | |
Have you walked through Britain unmolested? No, I've taken a canal | :07:09. | :07:17. | |
boat through Britain and not been noticed and not run into anybody | :07:17. | :07:21. | |
looking. Was that by choice? Was that a holiday? Yes. Never done it, | :07:21. | :07:28. | |
have you? No. How Kewelled it be accidental, like you hail a cab and | :07:28. | :07:33. | |
go like, this is a canal boat, I've done it again! | :07:33. | :07:41. | |
Harrison Canals. Was it not a bit boring? Yes! That's what I like. | :07:41. | :07:51. | |
Hurly-burly. After people come up to me and say, are you Harrison Ford, | :07:51. | :07:55. | |
my usual answer is, I used to be. Takes a while for them to figure it | :07:55. | :07:58. | |
out. At that point you push them in the | :07:58. | :08:02. | |
canal. Was it very cool being a dad? You | :08:02. | :08:08. | |
canal. must have trounced every other | :08:08. | :08:10. | |
father at the school gate because you were Han Solo, Indiana Jones, I | :08:10. | :08:15. | |
mean how amazing that that's your dad? Frankly, my kids couldn'tlet | :08:15. | :08:28. | |
give a shit. And would not Dane to be friends | :08:28. | :08:34. | |
with anybody who did care. Realry? The first parts are absolutely true. | :08:34. | :08:39. | |
They have never cared so much about it because they are growing up, you | :08:39. | :08:42. | |
know, in the sausage factory. My wife is an actress, I'm an | :08:42. | :08:52. | |
actress... LAUGHTER | :08:52. | :08:57. | |
It's doesn't really matter to my kids. | :08:57. | :09:01. | |
So $6 billion. A lot of people would be resting on their laurels, but you | :09:01. | :09:05. | |
are working as hard as ever. Your latest film we'll talk about in a | :09:05. | :09:08. | |
second. That work ethic, does that come from the fact that... ... It | :09:08. | :09:13. | |
comes from the fact that I spent it all and I still have to go to work. | :09:13. | :09:19. | |
No, I like to work. I love working. I can't imagine what I would, you | :09:19. | :09:25. | |
know, what I'd do all day long if I didn't work occasionally. | :09:25. | :09:29. | |
Famously, obviously, you were a carpenter when you started out? I | :09:29. | :09:33. | |
became a carpenter because I didn't like the work I was getting as an | :09:33. | :09:39. | |
actor. Do you still do carpentry? Not so much. | :09:39. | :09:42. | |
I've lost it. Like so many poncy actors like you | :09:42. | :09:47. | |
see and they go after the film, I want to go home and have a bath and | :09:47. | :09:52. | |
read some poetry to unwind. Harrison probably opens a can of beer then | :09:52. | :10:03. | |
builds a fucking shed. CHEERING AND APPLAUSE | :10:03. | :10:11. | |
Yes, that's me. I don't know how I missed this aspect of Harrison Ford. | :10:11. | :10:18. | |
It's not just the shed building. End of October, it seems like that's | :10:18. | :10:29. | |
a very exciting time to be around the Ford-Flockhart household. It's | :10:29. | :10:34. | |
become a big thin for you? No. You push the boat out. Here is you and | :10:34. | :10:45. | |
Calista. You look scarily like a woman I had a one night stand with | :10:45. | :10:51. | |
in Wigan. It was me. It was! | :10:51. | :10:57. | |
I should have known! CHEERING AND APPLAUSE | :10:57. | :11:05. | |
We went back to your boat and it was a lovely night. We made some waves. | :11:05. | :11:15. | |
Did months of planning go into this? a lovely night. We made some waves. | :11:15. | :11:19. | |
Does it look like? ! Well, some planning went into this. | :11:19. | :11:22. | |
Look at you there. That is a pea pod Well, some planning went into this. | :11:22. | :11:31. | |
isn't it? I'm the one on the left. Let's see the picture again. The | :11:31. | :11:37. | |
full uncensored version. That's what I'm talking about. I'm the one on | :11:37. | :11:43. | |
the left and that's Calista artily disguised as a... She'll be annoyed | :11:43. | :11:49. | |
if you don't remember what her costume was. We just threw it | :11:49. | :11:54. | |
together at the last minute. We are living in Los Angeles. You | :11:54. | :11:59. | |
can find a pea pod costume pretty easily. It's all that's left. But | :11:59. | :12:09. | |
our 12-year-old son, you know, he likes to go trick or treating, we | :12:09. | :12:14. | |
just turn him out in the street alone. So you go door-to-door? We | :12:14. | :12:19. | |
maybe wait a respectful distance away from the door, we are not in it | :12:19. | :12:24. | |
for the candy. CHEERING AND APPLAUSE | :12:24. | :12:29. | |
Or the peas! And I hope to be, I mean the point | :12:29. | :12:36. | |
is, I hope to be unrecognised. I think you might be unrecognised in | :12:36. | :12:38. | |
is, I hope to be unrecognised. I this one. You probably are | :12:38. | :12:47. | |
unrecognisable. LAUGHTER | :12:47. | :12:51. | |
It was the wine that gave me away. Were you smoking then? I hadn't | :12:51. | :13:06. | |
gotten that far. Before Halloween, Ender's Game opens | :13:06. | :13:11. | |
on 25th October. It's your return to space. I think that's not what the | :13:11. | :13:15. | |
buzz is about. The buzz is about the fact that there are a lot of loyal | :13:16. | :13:18. | |
buzz is about. The buzz is about the fans of a book this is based on. The | :13:18. | :13:22. | |
author of that book predicted 28 years ago the Internet, touch screen | :13:22. | :13:28. | |
technology that we use all the time now, drawn warfare, so it was quite | :13:28. | :13:34. | |
a clever book. It's got excitement and also moral | :13:34. | :13:42. | |
issues in it? It does. It's got some very important themes which don't | :13:42. | :13:48. | |
spoil the movie. No, they don't. They are kind of knit in. You might | :13:48. | :13:52. | |
not even notice if you don't care about that sort of thing. I did. You | :13:52. | :13:58. | |
saw the movie? Yes. Yes I did. You did? Yes. Free? Yes. | :13:58. | :14:13. | |
(Shit) You, as part of this film, must have | :14:13. | :14:19. | |
been like the arrival of Jesus. Just because he's a carpenter. | :14:19. | :14:28. | |
CHEERING AND APPLAUSE Did you have security surrounding | :14:28. | :14:34. | |
you at all times? Oh, yeah. Legions of storm troopers. | :14:34. | :14:41. | |
It's really... I'm very proud of the movie, there are wonderful actors in | :14:41. | :14:46. | |
it, Sir Ben Kingsley and I have owe loo Davies and this young fellow, | :14:46. | :14:58. | |
Acor Butterfield the title, Ender. I play the recruiter, the trainer of | :14:58. | :15:06. | |
this young man who's meant to be our commander of the international | :15:06. | :15:13. | |
fleet. Young people, because of their capacity to integrate complex | :15:13. | :15:19. | |
information quickly and evolve strategies, which mostly comes out | :15:19. | :15:28. | |
of their experienced gaming, video gaming. I like the way we both do | :15:28. | :15:32. | |
the same mime for that like we've never done it. I haven't. I can't | :15:32. | :15:41. | |
figure it out at all. Like the Xbox... It's based on a real | :15:41. | :15:45. | |
psychological reality that they got, you know, nimble minds. But this is | :15:45. | :15:54. | |
a warfare that's practised row remotely, but with drones. Let's say | :15:54. | :16:00. | |
no more. I don't want to spoil it. Let's look at a clip. This is you | :16:00. | :16:04. | |
with Enders, as your star pupil, and you are running the battle school | :16:04. | :16:09. | |
and I think that's all we need to know going into this. | :16:09. | :16:14. | |
Highest battle room ratings. You have a habit of upsetting your | :16:15. | :16:19. | |
commander. I find it hard to respect someone just because they outrank | :16:19. | :16:22. | |
me, Sir. Puts you in a difficult position, doesn't it? Yes, Sir. | :16:22. | :16:29. | |
Don't like taking orders? No, Sir. Perhaps you would prefer to give | :16:29. | :16:32. | |
them yourself? How'd you like to lead your own army? Sir, never heard | :16:32. | :16:38. | |
of a dragon Army? We discontinued the name four years ago. No dragon | :16:38. | :16:45. | |
Army ever won a battle. Then why not, Sir? We already have the | :16:45. | :16:50. | |
uniforms. Who'll been in the Army? Misfits like you who might be | :16:50. | :16:56. | |
brilliant with the right commander. CHEERING AND APPLAUSE | :16:56. | :17:02. | |
Oh, oh, oh! Ladies and gentlemen, ladies and | :17:02. | :17:06. | |
gentlemen, I smell motorcycle oil and cheap Cologne, I deduce that the | :17:06. | :17:15. | |
star Sherlock, Mr Benedict Cumberbatch is here! Yes, he is. | :17:15. | :17:24. | |
CHEERING AND APPLAUSE After all that... | :17:24. | :17:37. | |
CHEERING AND APPLAUSE They are pleased to see you. Nice to | :17:38. | :17:43. | |
see them too. Sorry, the traffic was terrible. Were you working? Yes, the | :17:43. | :17:48. | |
helicopter wasn't working. I was working. I'm doing a film in | :17:48. | :17:56. | |
Bletchley Park. I ran and was taking my costume off getting on a | :17:56. | :18:01. | |
motorcycle. Where was that, many Madrid? A motorbike from Bletchley? | :18:01. | :18:06. | |
I wasn't driving it. If I was, it might have happened faster. Who was | :18:06. | :18:13. | |
driving it, Mr Magoo? Seriously, I don't feel so bad that I | :18:13. | :18:21. | |
mispronounced your name. I was like please welcome meememme | :18:21. | :18:27. | |
Cumberbatch". You didn't dress like that on the motorcycle? I got | :18:27. | :18:40. | |
dressed as I was on the motorcycle. Jack loves you, Benedict also a huge | :18:40. | :18:45. | |
Harrison Ford fan. Have you met before? Embarrassingly, I met you at | :18:45. | :18:50. | |
our agent's party at UTA in Los Angeles. Our agent? Our agent. We | :18:50. | :18:57. | |
don't have the aim agent, but we have the same... Was he dressed as a | :18:57. | :19:05. | |
pea? I've got to catch up. Did you talk to each other? I made a tit of | :19:05. | :19:16. | |
myself. I came up and went "I'm a real big fan, I used to fantasise | :19:16. | :19:20. | |
about you". I meant I used to fantasise about being Han Solo. I | :19:21. | :19:28. | |
took it wrong. You took it really well and went "it takes all sorts". | :19:28. | :19:33. | |
CHEERING AND APPLAUSE You were very nice. | :19:33. | :19:38. | |
The other strange thing that may bond people on the couch is of | :19:38. | :19:42. | |
course Gee carts are fluttering. There is going to be a new Star Wars | :19:42. | :19:45. | |
film. CHEERING AND APPLAUSE | :19:45. | :19:52. | |
Now, you're nit, you are definitely in it, aren't you? Are you not in | :19:52. | :20:02. | |
it? Huh? Benedict knows because he's mates with Julian Assange now and | :20:02. | :20:06. | |
he's seen the script. You are in it. Hasn't it been announced? No... | :20:06. | :20:15. | |
Er... Yeah... . Let's not lose the tempo here. | :20:15. | :20:23. | |
Before you arrived, he was really fluent. | :20:23. | :20:27. | |
Are you playing Chewbacca this time? I didn't get a chance to tell you | :20:27. | :20:33. | |
what a big fan I am of yours. Oh, thank you very much. Wow. That's a | :20:33. | :20:40. | |
bit of a moment, thank you very much. | :20:40. | :20:43. | |
Sherlock Holmes is amazing. CHEERING AND APPLAUSE | :20:43. | :20:49. | |
Very good. I can retire now, I'm going. | :20:49. | :20:56. | |
Are you in the new Star Wars film? Instead of me? ! You were being so | :20:56. | :21:08. | |
hesitant... Yeah... I'll give you a revelation, I'm in it. That is an | :21:08. | :21:15. | |
exclusive fact. And I push Sherlock off the roof. | :21:15. | :21:23. | |
It hurt: . Are you and Princess Leia an old married couple now running a | :21:23. | :21:29. | |
bed-and-breakfast in Llandudno? That's why I've not quite made the | :21:29. | :21:33. | |
choice. The love affair in the oral national Star Wars film who we all | :21:33. | :21:36. | |
remember it was so beautiful. The famous scene in the Empire Strikes | :21:36. | :21:41. | |
Back, where you are not turned into stone, but something else? Something | :21:41. | :21:45. | |
else. Yes, I don't remember what it was. Sorry. We have the lovely | :21:45. | :21:52. | |
moment where it's about to happen. Here it is. | :21:52. | :22:00. | |
CHEERING AND APPLAUSE Chewy seems more upset than present | :22:00. | :22:44. | |
Cesc lay ya. Yeah. Was that your line? That wasn't in the script, was | :22:44. | :22:48. | |
it? Well, it was, you know, it became my line. There was a process | :22:48. | :22:58. | |
of negotiation. Well, maybe there wasn't. | :22:58. | :23:04. | |
No, the line that was typed left unsaid was "I love you too" which | :23:04. | :23:12. | |
seemed a little out of character. There is an awful lot of people in | :23:12. | :23:18. | |
the audience who love you. Love you, Harrison. Calm down. Going to give | :23:18. | :23:23. | |
some of them an opportunity to say "I love you". There is a blue hand | :23:23. | :23:27. | |
right up there. You already did it, didn't you? What's your name? Anna. | :23:27. | :23:33. | |
Stand up. Where are you from? Surrey. I love Harrison. That's the | :23:33. | :23:38. | |
point. We got that. There he is. He's not | :23:38. | :23:44. | |
getting any nearer. OK. Look him in this eyes and tell him. Wait for the | :23:44. | :23:47. | |
music. Wait for the music. Look him in the | :23:47. | :23:49. | |
eyes and tell him. I love you. I know. | :23:49. | :24:09. | |
CHEERING AND APPLAUSE Harrison, can someone else have a | :24:09. | :24:15. | |
go? Do you mind? Yeah, sure. Stand up, what's your name? Yoker. | :24:15. | :24:31. | |
Yoker? Yoko. Yoko? Leave her alone. Do you live here now? I don't. You | :24:31. | :24:37. | |
are here on holiday from Belgium? I came from Belgium for this. To see | :24:37. | :24:42. | |
Mr Ford? Yes. CHEERING AND APPLAUSE | :24:42. | :24:47. | |
So music, there he is, there he is, there he is. I love you. | :24:47. | :24:59. | |
Thank you. Very good! Beautiful, beautiful, beautiful. | :24:59. | :25:07. | |
It gives people such a joy. What if one of them was a stalker and he | :25:07. | :25:12. | |
said "I know". He wouldn't have been lying. You have made that very | :25:12. | :25:15. | |
clear. Over the years. | :25:15. | :25:25. | |
Cumberbatch, you are so hot right now! | :25:25. | :25:28. | |
#12k3w4r CHEERING AND APPLAUSE | :25:28. | :25:31. | |
Do you even know how many films you have got coming out? You have got so | :25:31. | :25:36. | |
many? Yes, I have. Remind me. I don't know. I have the Fifth Estate | :25:36. | :25:44. | |
coming out this Friday. We are talking about that. You are on | :25:44. | :25:49. | |
message, very good. I haven't seen the first four, but that looks | :25:49. | :25:54. | |
awesome. Go straight to that up with. You are working back-to-back | :25:54. | :25:58. | |
at the moment, aren't you, nonstop? Kind of, yes. I have vague weekends | :25:58. | :26:03. | |
and days between, but yes, it's been a wonderful wave, is a wonderful | :26:03. | :26:10. | |
wave, so I'm enjoying it. Julian Assange story, so everyone knows who | :26:10. | :26:17. | |
he is. He was big in America. Who? Julian Assange. Yes, I know. Well I | :26:17. | :26:22. | |
didn't want to be rude and start talking about someone and you start | :26:22. | :26:28. | |
going, who are you talking about. You don't look much like him. Thank | :26:28. | :26:35. | |
you. I mean... You could have no credit rating for ever if you looked | :26:35. | :26:41. | |
like him. He has bigger frish to fry. Did you contact him? I e-mailed | :26:41. | :26:46. | |
him before we started filming which was quite sort of scary. He e-mailed | :26:46. | :26:50. | |
back saying, don't do the film on the day that we were starting pretty | :26:50. | :26:56. | |
much, so that was... Really? That was interesting. I completely | :26:56. | :26:59. | |
respect why and he was articulate and considerate and polite about it | :26:59. | :27:06. | |
and I wrote an equally hopefully considerate and articulate reply as | :27:06. | :27:16. | |
to why we were doing the story. Now that you have done the film, you | :27:16. | :27:20. | |
have immersed yourself in the world of Julian Assange and what he's | :27:20. | :27:24. | |
done, where do you stand? Do you see him as a revolutionary of new | :27:24. | :27:31. | |
journalism, or a bit of a nob with a laptop? He is a revolution. It comes | :27:31. | :27:40. | |
after the fact that he shook up things and made us question the rule | :27:40. | :27:46. | |
of law and power structures that were either corrupt and needed | :27:46. | :27:50. | |
investigating and he served democracy a great turn. This is a | :27:50. | :27:53. | |
clip of you as Julian Assange having a row with the man he worked with so | :27:53. | :28:01. | |
closely towards the middle to end. OK. | :28:01. | :28:06. | |
14 pages in the Guard-on, 12 in the New York Times, more coverage than | :28:06. | :28:09. | |
all the leaks we have had combined. We are winning an information war | :28:09. | :28:13. | |
which goes beyond any short-term alliance we have with the | :28:13. | :28:17. | |
mainstream. Up to throw it all away because you feel a US Government | :28:17. | :28:24. | |
informer might come to harm. He's a human being. His lives are at stake. | :28:24. | :28:28. | |
What about the lives to have civilians, soldiers involved in | :28:28. | :28:32. | |
this. Unreported civilian casualties, countless incidents of | :28:32. | :28:36. | |
friendly fire. This is the information the world needs to know. | :28:36. | :28:39. | |
The next time you find yourself lickturing me about this | :28:39. | :28:42. | |
organisation, please try to remember why I created it -- lecturing me. | :28:43. | :28:49. | |
And also why I hired you to help me. CHEERING AND APPLAUSE | :28:49. | :28:59. | |
It's uncanny. Wow. | :28:59. | :29:02. | |
Stating the obviouser but Benedict is pretty good at acting. | :29:02. | :29:08. | |
I know! At the screening, the guy, the real | :29:08. | :29:25. | |
guys from The Guardian were at it being asked questions. They knew | :29:25. | :29:29. | |
Julian Assange well and they were saying how uncannily accurate your | :29:29. | :29:36. | |
performance is. Are you a good study? The last time you did me and | :29:36. | :29:42. | |
you were very good. You did my laugh very well. | :29:42. | :29:48. | |
You do lots of people. Are you one of those actors? No. Yes. A few, | :29:48. | :29:58. | |
yes, but I think a lot of us hear the music or it's voices or | :29:58. | :30:09. | |
whatever. I used to muck around with dictaphones at school. It's like | :30:09. | :30:16. | |
part of having an ear. Even if we want to have empathy. You were doing | :30:16. | :30:21. | |
Chewbacca in time with the clip. That's one of my favourite Chewbacca | :30:21. | :30:29. | |
moments. Just that arrrrrr... CHEERING AND APPLAUSE | :30:29. | :30:38. | |
Did I take you back? Very quickly Benedict, are people | :30:38. | :30:43. | |
still comparing you to an otter? I don't know, are they? They are. | :30:43. | :30:47. | |
There are some new ones. Have you seen them? No. This is an Internet | :30:47. | :30:56. | |
thing. So here is Benedict. You think that's a boy, doesn't look | :30:56. | :31:02. | |
like an otter? Yes, he does. Look at it. He strikes a pose, a thoughtful | :31:02. | :31:10. | |
pose. Otters don't think that much. Yet, they do. They do. | :31:10. | :31:17. | |
I'm the one not doing the pose properly. That is the correct | :31:17. | :31:22. | |
steeple of fingers underneath the chin. Mine is in front of my face so | :31:22. | :31:26. | |
I'll take notes from my men. Is one person posting these. Surely to post | :31:26. | :31:30. | |
these you would have to see a lot of otters. You know where otters hang | :31:30. | :31:38. | |
out. Canals. CHEERING AND APPLAUSE | :31:38. | :31:44. | |
You, as Julian Assange. Otter Julian Assange. | :31:44. | :31:51. | |
Then the final one, here you are waving goodbye and you think otters | :31:51. | :31:54. | |
don't have arms, how do they do that? Yes, they do. | :31:54. | :32:02. | |
Genius. Well done with otters. Must crack on. Everyone, Jack white | :32:02. | :32:11. | |
Liverpool is on tour, yes, he is. It's called Jack Whitehall Get | :32:11. | :32:16. | |
Around. You start on 5th March next year, then you go around the country | :32:16. | :32:18. | |
and finish on 16th March. year, then you go around the country | :32:18. | :32:25. | |
You don't go around a lot? It's a very compact tour, but I'm going to | :32:25. | :32:30. | |
lots of places. It is the biggest tour I've ever done. It is! | :32:30. | :32:37. | |
And I'm doing The Round, which is new. I start in Aberdeen and then I | :32:37. | :32:44. | |
end in Wembley and it's sold quite well... In some places. Not in | :32:44. | :32:50. | |
Aberdeen. So that's the kind of main thrust is, if anyone is watching | :32:50. | :32:53. | |
from Aberdeen, I just need to sell one more ticket and there'll be more | :32:53. | :32:58. | |
people in the audience than there are on stage. | :32:58. | :33:02. | |
Please, I love Aberdeen as well. Can I just take this opportunity to say | :33:02. | :33:07. | |
I'm a big fan of the city, I love it, Fish Trawler Port, the big nest | :33:07. | :33:13. | |
Europe. Oh, you're good. It's that local stuff. I love the fact that in | :33:13. | :33:18. | |
Aberdeen more medieval coin haulages have been found than anywhere else | :33:18. | :33:22. | |
in the UK. 4,000 feet... The River Dee rises at | :33:22. | :33:29. | |
approximately 4,000... This one's good. | :33:29. | :33:32. | |
CHEERING AND APPLAUSE What else is great about Aberdeen | :33:32. | :33:36. | |
and why Ypres really looking forward to going there is, where else would | :33:36. | :33:49. | |
you find a city where... Sold out! | :33:49. | :33:57. | |
What a perfect place to start my tour. Jack wrote this book with his | :33:57. | :34:03. | |
father. I wrote all of it. He wrote his bits but he doesn't use a | :34:03. | :34:07. | |
computer so I had to type it all out because he's very old-fashioned, | :34:07. | :34:12. | |
he's geriatric. I took my dad to McDonald's for the first time two | :34:12. | :34:16. | |
years ago. He asked for his Big Mac to be cooked medium rare. | :34:16. | :34:22. | |
That's the generation I'm talking about. He asks to see a wine list in | :34:22. | :34:29. | |
KFC. No, Harrison, I wouldn't even go there, but he could be in | :34:29. | :34:36. | |
Expendables 4. Are you doing The Expendables 3? I have done. Yeah! | :34:36. | :34:51. | |
There's a bit Boro Jean-Claude Van Dam kicks a knife in to a guy's | :34:51. | :34:58. | |
chest. You walk out the cinema and you are so pumped that you want to | :34:58. | :35:03. | |
burn something or... Argh. There is a scene in Expendables 1 where | :35:03. | :35:09. | |
Sylvester Stallone and mickey Rourke have a five-minute conversation, I | :35:09. | :35:15. | |
challenge the best linguistics expert to tell me what they say. BBC | :35:15. | :35:19. | |
Two very late at night, the guy doing the sign language just gave | :35:19. | :35:27. | |
up. Is it true that you would do another | :35:27. | :35:32. | |
Indiana Jones if there was another one? In a New York minute, yes. | :35:32. | :35:41. | |
Brilliant. I don't think it's about Indiana | :35:41. | :35:46. | |
Jones being an old fart. It's OK. We have seen him at all stages of his | :35:46. | :35:52. | |
life. When I'm old enough, we need Connery you know. | :35:52. | :35:56. | |
I'll be old enough to play my own father! | :35:56. | :36:01. | |
Writing out a will, joining Bewl that, you know. See your | :36:01. | :36:08. | |
grandchildren. Shopping for a walk-in bath. | :36:08. | :36:13. | |
CHEERING AND APPLAUSE Before we have our music, Mr Ford, | :36:13. | :36:22. | |
you have to leave the land? I do. You have to be in other places. Has | :36:22. | :36:26. | |
this been hell or all right? It's been great. I'm delighted with the | :36:26. | :36:31. | |
company. Come and see us again. Ladies and gentlemen, Mr Harrison | :36:31. | :36:33. | |
Ford. Thank you so much. | :36:33. | :36:37. | |
Thank you. CHEERING AND APPLAUSE | :36:37. | :36:46. | |
There he goes! What a nice man. Budge up now. | :36:46. | :36:54. | |
What a lovely man. Very good. I like Harrison Ford. | :36:54. | :37:00. | |
He's so cool. He's so cool. Let's talk about Harrison Ford for a | :37:00. | :37:04. | |
while. . Chat show in Belgium now. We are going to make someone feel | :37:04. | :37:12. | |
very stupid. The singer song writer sold 17 | :37:12. | :37:14. | |
very stupid. million of his first three albums | :37:14. | :37:18. | |
and is back with a fabulous fourth, singing his new single, Bonfire | :37:18. | :37:22. | |
Heart, please welcome, Mr James Blunt. | :37:22. | :37:39. | |
# Your mouth is a revolver firing bullets in the sky # Your love is | :37:39. | :37:45. | |
like a soldier, loyal till you die # And I've been looking at the stars | :37:45. | :37:47. | |
for a long, long time. # Days like these | :37:47. | :38:08. | |
# Lead to nights like this # Lead to love like ours | :38:08. | :38:17. | |
# You light the spark in the bonfire heart | :38:17. | :38:21. | |
# People like us # We don't need them much | :38:21. | :38:30. | |
# Just some sparks that start the spark in the bonfire hearts | :38:30. | :38:36. | |
# This world is getting colder # Strangers passing by | :38:36. | :38:44. | |
# No-one offers you a shoulder # No-one looks you in the eye | :38:44. | :38:51. | |
# I've been looking at you # For a long, long time | :38:51. | :38:56. | |
# Just trying to break through # Trying to make you mine | :38:56. | :39:01. | |
# Everybody wants a flame # They don't wanna get burnt | :39:01. | :39:06. | |
# Well today is our turn # Days like these | :39:06. | :39:13. | |
# Lead to nights like this # Lead to love like ours | :39:13. | :39:19. | |
# You light the spark in the bonfire heart | :39:19. | :39:26. | |
# People like us # We don't need them much | :39:26. | :39:33. | |
# Just someone that starts, starts a spark in our bonfire hearts | :39:33. | :39:40. | |
# Our bonfire hearts # Our bonfire hearts | :39:40. | :39:53. | |
# You light the spark # People like us | :39:53. | :39:57. | |
# We don't need that much # Just someone that starts | :39:57. | :40:00. | |
# We don't need that much # Starts a spark in our bonfire | :40:00. | :40:03. | |
hearts # Days like these | :40:03. | :40:09. | |
# Lead to nights like this # Leads to love like ours | :40:09. | :40:16. | |
# You light a spark # Days like these | :40:16. | :40:20. | |
# Lead to nights like this # Lead to love like ours | :40:20. | :40:29. | |
# You light the spark in the bonfire heart | :40:29. | :40:31. | |
# People like us # We don't | :40:31. | :40:38. | |
# Need them much # Just some one that starts, starts | :40:38. | :40:45. | |
the spark in the bonfire heart # People like us | :40:45. | :40:55. | |
# We don't need them much # Just someone that sparks, starts | :40:55. | :41:03. | |
the spark in the bonfire heart... # CHEERING AND APPLAUSE | :41:03. | :41:09. | |
Thank you. I thought you were great. | :41:09. | :41:16. | |
Mr James Blunt, everybody! Fantastic. | :41:16. | :41:17. | |
James blunt. Thank you so much. Have a seat. Have | :41:17. | :41:20. | |
a seat. I feel bad now you have missed | :41:20. | :41:32. | |
Harrison Ford. I flown in all the way from Australia just to meet him. | :41:32. | :41:35. | |
I wanted to tell him that I loved him to music. | :41:36. | :41:38. | |
There you go. We love that song. Such a catchy | :41:38. | :41:44. | |
song. Fantastic. It's off the album Moon Landing, out on 21st October. | :41:44. | :41:50. | |
Very glad you got it. Well, I do. I didn't pay for that either! | :41:50. | :41:56. | |
I went to a gig you did. Thank you so much for coming. Which? Was | :41:56. | :42:01. | |
lovely. It was really intimate, but you still managed to do a stage | :42:01. | :42:07. | |
dive? Yes, on a bunch of middle aged women. | :42:07. | :42:10. | |
You warned them you were coming. You stood on top of the piano and kind | :42:10. | :42:14. | |
of went all right and they gathered round and braced themselves. | :42:14. | :42:19. | |
Yes. I have learnt that I have to warn people you are doing that, | :42:19. | :42:23. | |
because the first time I jumped into the audience, I ran in and the crowd | :42:23. | :42:28. | |
parted and lots of my friends were watching and I just smacked the | :42:28. | :42:33. | |
ground and really hurt myself and looked like a prick in front of my | :42:33. | :42:37. | |
friends. It's gone wrong several times. In Chicago, I jumped off the | :42:37. | :42:41. | |
stage and ran towards the audience and a large security guard didn't | :42:41. | :42:47. | |
recognise me. He tackled me to the ground I was shouting "I'm the | :42:47. | :42:56. | |
fucking singer". Imagine a cart went by and a bicycle's knocked over your | :42:56. | :43:01. | |
best friend and you don't see the landing and a bicycle could have | :43:01. | :43:05. | |
knocked over your best friend. Please tell me what happened? ! | :43:05. | :43:10. | |
CHEERING AND APPLAUSE I'm very sorry to say we have run | :43:10. | :43:16. | |
out of time. We have run out of time. No time for Red Chair, it will | :43:16. | :43:20. | |
be back next week. All right, it's just some people in a chair. These | :43:20. | :43:25. | |
people and Harrison Ford, come on. A lady from Weybridge. | :43:26. | :43:31. | |
Why don't you just get the sofa to tip back. That's all we have got | :43:31. | :43:37. | |
time for, beef! -- boof! Please say thank you to my | :43:37. | :43:42. | |
fantastic guests tonight. Mr James Blunt. Jack Whitehall, Benedict | :43:42. | :43:48. | |
Cumberbatch and of course, the great Harrison Ford. Join me next week for | :43:48. | :43:55. | |
the Oscar-winning actress, Natalie Portman, James Corden, Katy Perry | :43:55. | :44:04. | |
and Sir Paul McCartney. See you next week, bye-bye! | :44:04. | :44:11. | |
Natalie's costar is also on the show. | :44:11. | :44:14. |