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On tonight's show, we have got Beatlemania! | :00:10. | :00:12. | |
Let's start the show! This is it, ladies and gentlemen! | :00:13. | :00:40. | |
This is it! Hello! Good evening! Oh, what a | :00:41. | :00:44. | |
line-up we have for you tonight. THE most famous pop sunger of all-time, | :00:45. | :00:50. | |
Paul McCartney is here! Can you believe that? | :00:51. | :01:05. | |
Yes, he's going to be here. Als Chris Hemsworth is here. The Oscar | :01:06. | :01:11. | |
winning Natalie Portman is on the show! There's more! Comedy Superstar | :01:12. | :01:21. | |
James Corden is here! And, and, if that wasn't enough, | :01:22. | :01:32. | |
global singing sensation, the beautiful Katy Perry is here! I | :01:33. | :01:37. | |
know! Well, that's all we've got time for, | :01:38. | :01:42. | |
I'll see you next week? ! Can you believe it? The music legend | :01:43. | :01:47. | |
that is Paul McCartney on the show, ladies and gentlemen. | :01:48. | :01:52. | |
The Beatles officially the biggest band of all-time and everywhere they | :01:53. | :01:57. | |
went, there was Beatlemania. Look at them there. The fans even | :01:58. | :02:01. | |
had to be kept behind barriers. Do you know, even nowadays they need | :02:02. | :02:07. | |
barriers toer mad groupies for lands like One Direction. Yeah. | :02:08. | :02:16. | |
Harry, Harry, remember me? ! Of The Beatles had the famous mop top | :02:17. | :02:21. | |
hair styles when they first came out. That hair style's still copied. | :02:22. | :02:27. | |
Here is Natalie Portman. Rihanna and Tiddles. | :02:28. | :02:33. | |
Not amused! But of course they produce some of | :02:34. | :02:39. | |
the most iconic album covers ever, like Abbey Road. | :02:40. | :02:40. | |
Took hours getting that shot just right. Mind you, this is the view | :02:41. | :02:47. | |
looking the other way. Bloody hippies! | :02:48. | :02:51. | |
Although they let the traffic go in the end, yeah! | :02:52. | :02:57. | |
Back of the album! The titles of Paul's songs have | :02:58. | :03:01. | |
predicted many other future singing stars which is spooky. Like for | :03:02. | :03:07. | |
instance, there's lady Madonna, yeah, the Froing Corus, Help! And of | :03:08. | :03:19. | |
course, I Am the Walrus. Cuckoo kerchoo! | :03:20. | :03:28. | |
I'll be talking to Natalie Portman and Chris Hemsworth later on. But | :03:29. | :03:31. | |
first, he's in a League of His own, it's Mr James Corden. | :03:32. | :03:37. | |
Hello. Nice to see you. Come in. Sit down, | :03:38. | :03:42. | |
sit down. Get ready to welcome Katy Perry! | :03:43. | :03:48. | |
Get ready to roar! So nice to see you, darling. Have a | :03:49. | :03:51. | |
seat. And it's going to be a night to | :03:52. | :04:01. | |
remember. It is Sir Paul McCartney! Hello. You are so welcome. Paul | :04:02. | :04:03. | |
McCartney! I'm loving this couch. You guys all | :04:04. | :04:19. | |
Noel each other, don't you? We hung out backstage, having a laugh, | :04:20. | :04:26. | |
whatever. Katy, you have sung Paul's songs, | :04:27. | :04:32. | |
haven't you? I sung hey Jude at a benefit. I sing all of his songs, | :04:33. | :04:37. | |
I've sang 'em all my life. I'm sitting next to him, oh, my God. I'm | :04:38. | :04:43. | |
sitting next to Katy! Guys, I'm right here! | :04:44. | :04:47. | |
I mean... CHEERING AND APPLAUSE | :04:48. | :04:53. | |
But you returned the favour with Katy's songs? You were telling me | :04:54. | :04:56. | |
that? Yes, I have a ten-year-old daughter and we love "firework! " | :04:57. | :05:04. | |
It's a great song. It's a fantastic song. I love it. Here is the other | :05:05. | :05:09. | |
odd thing about the sofa tonight. Two pop stars, James Corden and yet | :05:10. | :05:16. | |
they've all had a number one single. Yes. | :05:17. | :05:22. | |
Katy, have you had eight or ten here? A handful, yes. James?... One? | :05:23. | :05:31. | |
Let's not get carried away. It was a terrible song for charity. Paul | :05:32. | :05:40. | |
McCartney, do you want to guess, have a guess how many, Katy and | :05:41. | :05:48. | |
James, how many number ones? Are we talking solo? Not albums, this is | :05:49. | :05:57. | |
number one singles. I think 55. I think 42. Disappointing now OK, | :05:58. | :06:07. | |
it's... Try again lower, yeah. I've only been going five years and I've | :06:08. | :06:11. | |
already had luke ten. CHEERING AND APPLAUSE | :06:12. | :06:23. | |
I've had one, I'm not even a singer. It's not difficult, Graham, that's | :06:24. | :06:27. | |
what we are trying to get across. Is it more than ten? Yes! | :06:28. | :06:33. | |
Yes! I think 21. That's a good guess. 20. 24. Yes! | :06:34. | :06:43. | |
It is 24. But this is the kicker though. 24 singles, but he has spent | :06:44. | :06:51. | |
98 weeks at number one. Wow. 98 weeks, two years. That is a long | :06:52. | :07:00. | |
time. You know, I love that song Ramon, it's one of my favourite | :07:01. | :07:06. | |
songs of yours that you've ever done. Thank you, it's a little song. | :07:07. | :07:12. | |
Sounds like a ukulele, so sweet. I listen to it with my boyfriend all | :07:13. | :07:15. | |
the time, we love it. Lovely. We do enjoy it when we | :07:16. | :07:21. | |
listen to it together! So much has happened backstage! | :07:22. | :07:29. | |
Stars of Thor will be joining us later but a lot of music to talk | :07:30. | :07:34. | |
about. Your new album is out, Katy. James's new film about the Singapore | :07:35. | :07:40. | |
Pots, but we'll begin with Paul's new album called New. | :07:41. | :07:48. | |
It's out now. . This is your 16th solo album, but the response to this | :07:49. | :07:52. | |
and the reviews have been phenomenal. You must be thrilled? It | :07:53. | :07:57. | |
really has. When you release an album luke this, you kind of hold | :07:58. | :08:01. | |
your breath and don't say anything too soon, but it's really starting | :08:02. | :08:07. | |
to get a lot of very good feedback. Do you think when you are writing | :08:08. | :08:11. | |
these songs, did you, because you are in a very happy place, you are | :08:12. | :08:16. | |
all loved up, it's all good in your life, do you think that's the reason | :08:17. | :08:19. | |
why it's a good album? I think it helps, yes. I mean, I had a thing | :08:20. | :08:25. | |
when I was writing this, Nancy would be in our early days, she'd be in | :08:26. | :08:31. | |
New York, five hours back. So I would drop my little girl, the | :08:32. | :08:38. | |
fireworks fan, off at school and I'd come home and I'd have a few hours | :08:39. | :08:42. | |
where I didn't have anything on, so I would write a song and then I'd | :08:43. | :08:48. | |
ring her "good morning, would you like to hear a song? " She said | :08:49. | :08:56. | |
"no". Hung up and that was it. No, so she'd say yeah, so I would play | :08:57. | :09:00. | |
her the song. It became a really great motivation. Have you ever had | :09:01. | :09:04. | |
writers block? Reading about you, it sounds like you have always found | :09:05. | :09:07. | |
the process of song-writing easy? I've been amazingly lucky and I was | :09:08. | :09:13. | |
looking the other day at all the songs John and I wrote together, | :09:14. | :09:22. | |
it's luke nearly 300. Wow. Yeah. I'm not showing off here, but I | :09:23. | :09:26. | |
remembered that I would go to his house or he'd come to mine and we'd | :09:27. | :09:30. | |
sit down for approximately three hours and try to write a song. I | :09:31. | :09:35. | |
realised we never came away without a song. | :09:36. | :09:39. | |
Wow. We got very close one day because I brought in a song called | :09:40. | :09:46. | |
Golden Rings and it was a "I can buy you golden rings" and stuff and we | :09:47. | :09:51. | |
couldn't get anywhere with this. We had a cup of tea, came back to it | :09:52. | :09:56. | |
and I said we should change it to something like drive my car or | :09:57. | :09:59. | |
something, so we changed it. The audience go "oo", like "we know | :10:00. | :10:07. | |
that one! " We nearly got unlucky with that one, but we had a-cum-of | :10:08. | :10:14. | |
tea and what was in the tea? A?! -- a cup of tea. It was the tea that | :10:15. | :10:16. | |
did it. No. No. | :10:17. | :10:29. | |
You must have drunk the whole pot. Pot! | :10:30. | :10:41. | |
So you did 300 with John. Do you ever write a song and go, have I | :10:42. | :10:44. | |
ever written that before? Yes, you have to check it out with people, | :10:45. | :10:50. | |
you know. You get an antennae, you know, have you heard this song | :10:51. | :10:56. | |
before? You wrote it, they'd say. James down the end there, the last | :10:57. | :11:00. | |
time you were here, you told us about your boy band beginnings. | :11:01. | :11:05. | |
LAUGHTER They didn't do covers. Come on. You | :11:06. | :11:14. | |
can't sit me... Shut up. You wrote a song. You cannot make a genuine leap | :11:15. | :11:23. | |
from Paul McCartney going "of course your boy band days". It's | :11:24. | :11:29. | |
ridiculous. Have you given up the song writing? | :11:30. | :11:34. | |
What are you talking about? ! It's a gift, James. | :11:35. | :11:42. | |
You shouldn't walk away fla! Shut up! It was so bad. We had songs like | :11:43. | :11:52. | |
girlie, ready and time can't stop us now. Sounds nice. And then a big | :11:53. | :12:01. | |
song actually about these golden rings. We couldn't find a way to put | :12:02. | :12:12. | |
it together. That process though, like ringing um | :12:13. | :12:17. | |
Nancy, that must be the nicest feeling in the world, having | :12:18. | :12:20. | |
someone, particularly Paul McCartney write you a song. Because you have | :12:21. | :12:25. | |
used lots of names. There's Eleanor, Jude, Lizzie, Sadie, lots and I | :12:26. | :12:30. | |
guess some names are better for songs than others. We have got three | :12:31. | :12:35. | |
creative minds on the sofa, all song-writers, I don't care what you | :12:36. | :12:37. | |
say! This is so ridiculous. | :12:38. | :12:42. | |
All song-writers. So does anyone in the audience think they have a name | :12:43. | :12:46. | |
that they can't think of a rhyme for? Obviously everyone in the | :12:47. | :12:48. | |
audience has a name. A lady is putting her hand up, does anyone | :12:49. | :12:54. | |
have a name and she's like "yes, me, I do! " Lady over there in the | :12:55. | :13:00. | |
Corner. Can we get the thing all the way over there. What is your name? | :13:01. | :13:09. | |
Shisamiso. Do you want to share a miso? ! You | :13:10. | :13:17. | |
should be so... Lucky! Yes. Shisamiso, you should be so lucky to | :13:18. | :13:22. | |
come with me and share a miso. See! | :13:23. | :13:27. | |
See. Let's try another one. Anyone else? | :13:28. | :13:32. | |
There's a lady there with her hand up by the wall. Summer. | :13:33. | :13:40. | |
Bit of a bummer. That tends to be the problem. And | :13:41. | :13:44. | |
dumber. Come on, James. Summer, we'd listen | :13:45. | :13:53. | |
to Joe Strummer, but I had to leave her cos she wouldn't let me bum her. | :13:54. | :14:02. | |
Top song writer! Do you want a pen? Do you want to | :14:03. | :14:09. | |
write some of these ideas down. This is gold. Paul McCartney and | :14:10. | :14:18. | |
Katy Perry, bummer - no! A lady with short... Let's do the glittery lady, | :14:19. | :14:26. | |
actually. Lorna Jean. No, let's not do that. Lady with the glasses. Ula. | :14:27. | :14:36. | |
What is it? Ula. Where are you from? Finland. Ula from Finland. Come on, | :14:37. | :14:43. | |
James. What are you saying, come on James, for? Don't trust in my | :14:44. | :14:49. | |
lyrics. Come on, guys? Kickedn't fool her. -- you couldn't fool her. | :14:50. | :14:58. | |
She's much cooler. Be Nice. You missed that. She's cooler | :14:59. | :15:06. | |
than a plastic ruler. Well done. Thank you, very good. | :15:07. | :15:12. | |
Very good. I look it. Not the only new album in town, no. | :15:13. | :15:17. | |
Yours is in shops now, but on the 21st October, is the release of | :15:18. | :15:26. | |
Prism! You have said in interviews that | :15:27. | :15:30. | |
this is a slight change of direction, is it slightly less pop | :15:31. | :15:34. | |
Princess, more personal? Yes. I think the last record was very | :15:35. | :15:39. | |
highly conaccept Schulz and cartoony and over the top and this one, I | :15:40. | :15:43. | |
guess I'll still be over the top in some ways, especially visually, but | :15:44. | :15:48. | |
this is more vulnerable and raw and a lot more present. I think I'm OK | :15:49. | :15:53. | |
with accepting the information that I'm finally a grown-up and I think | :15:54. | :15:57. | |
that that is represented on the record. | :15:58. | :16:02. | |
The first single Roar, I think it's the best thing you've ever done. | :16:03. | :16:06. | |
It's great. Thank you. | :16:07. | :16:08. | |
CHEERING AND APPLAUSE The only thing I don't like about it | :16:09. | :16:12. | |
is it's very hard to sing, you know when you are driving. I can't enjoy | :16:13. | :16:22. | |
it because I know I'm so sheet. To do the roar bit is hard. | :16:23. | :16:32. | |
We have got a clip of the video which I also love. Jane of the | :16:33. | :16:34. | |
jungle. Very. Have a look. # I got the eye of the tiger | :16:35. | :16:53. | |
# Fire # Dancing through the fire | :16:54. | :16:58. | |
# Cos I am a champion # And you are gonna hear me roar... | :16:59. | :17:03. | |
# CHEERING AND APPLAUSE | :17:04. | :17:19. | |
# And you're gonna hear me roar... # # You're gonna hear me roar... # | :17:20. | :17:37. | |
CHEERING AND APPLAUSE Love it. Love it. | :17:38. | :17:47. | |
Very nice backing vocals. The Katy fans were in fine voice there, very | :17:48. | :17:51. | |
good! He's had fans like that all of his | :17:52. | :17:55. | |
life, they probably don't stop screaming. Could have sleep? I did a | :17:56. | :18:00. | |
show recently in New York which was at a school. We just wanted to do an | :18:01. | :18:05. | |
offbeat thing, we were there for the week and this was the Frank Sinatra | :18:06. | :18:12. | |
School which was started by Tony Benn forget, and the great thing | :18:13. | :18:17. | |
was, it was 13-18-year-olds, it was a high school. A lot of them were | :18:18. | :18:22. | |
girls. We came on, they showed their enthusiasm and it was just like The | :18:23. | :18:28. | |
Beatles, like "argh... .." I said "I know that sound". It was very cool. | :18:29. | :18:36. | |
That video, because you know that thing about working with animals. | :18:37. | :18:40. | |
That monkey liked you a lot? Oh, my gosh, he did this one thing called | :18:41. | :18:45. | |
self-anointing, so when you meet the monkey... | :18:46. | :18:51. | |
LAUGHTER Ist it's not just monkeys that do | :18:52. | :18:53. | |
that! No, no, but his name was... That | :18:54. | :19:00. | |
reminds me, I haven't self-anointed today. | :19:01. | :19:03. | |
His name was Ripley and basically you hold it and it burrows into your | :19:04. | :19:09. | |
skin. I loved to smell nice because I'm a girl. Good, I'm glad. I | :19:10. | :19:14. | |
smelled pretty good and the monkey's like that, so it basically caresses | :19:15. | :19:20. | |
my whole body and puts it all over, licks its hands and puts it all over | :19:21. | :19:26. | |
its skin and calls itself anointing. It's really trying to get it | :19:27. | :19:30. | |
everywhere, you know. You have said somewhere that you | :19:31. | :19:34. | |
think your image has to be more demure from now on? Well, I didn't | :19:35. | :19:40. | |
say that, I think maybe that the question was is if I was going to... | :19:41. | :19:44. | |
I don't know, I mean I just like clothes to stay on for right now | :19:45. | :19:49. | |
until... I already took my clothes off in Teenage Dream. My point was | :19:50. | :19:55. | |
that you are not wearing a lot in that. | :19:56. | :19:59. | |
Actually, what's funny is that, you don't wear much in the jungle if you | :20:00. | :20:02. | |
are the only human. Of course, it's like a document write. Yes. | :20:03. | :20:08. | |
No, but that costume, speaking of Halloween, is actually available, we | :20:09. | :20:16. | |
remade it and you can be in that Roar costume if you want to. | :20:17. | :20:20. | |
Talking about dressing up for Halloween, because you love it? I've | :20:21. | :20:23. | |
never been truck or treating. Do you do that here? Yes. Never been trick | :20:24. | :20:31. | |
or treating once in my life. I wasn't allowed to celebrate it | :20:32. | :20:37. | |
because we came from a very religious househol Me too, I came | :20:38. | :20:41. | |
from the same background. And we turned out all right, right? Yes. In | :20:42. | :20:47. | |
Halloween, we'd shut the door and blinds and bring the dog in so he | :20:48. | :20:52. | |
wouldn't be sacrificed. All crazy stuff goes down on Halloween. I | :20:53. | :20:59. | |
still yet have to find time to go to trick or treat. You sat in the dark? | :21:00. | :21:08. | |
We had a prayer meeting. To be fair, we didn't do that. To be fair, mine | :21:09. | :21:12. | |
are probably more interesting. Here is the thing, Katy Perry, I mean you | :21:13. | :21:16. | |
must be the hottest female artist in the world right now. Are you | :21:17. | :21:20. | |
enjoying the moment? Are you along for the ride or do you look at | :21:21. | :21:24. | |
someone like Paul and think, I would like that legacy, people to be | :21:25. | :21:28. | |
singing my songs in the next 40 years? Of course. I think that's the | :21:29. | :21:31. | |
correct answer. I'm in it for the long haul. I hope to have half the | :21:32. | :21:38. | |
career that you have. I would be so grateful. I think you have been | :21:39. | :21:43. | |
doing this for longer, you know, that I've even before alive and you | :21:44. | :21:47. | |
have been doing it so incredibly well. The fact that you are still | :21:48. | :21:54. | |
here today in 2013... LAUGHTER | :21:55. | :21:55. | |
No! Hold on, hold on, hold on. Bring it | :21:56. | :22:02. | |
back, Katy, bring it back. Hold on, the fact that you are still here | :22:03. | :22:07. | |
today and you are... You said that! The fact that you're not dead. I'm | :22:08. | :22:12. | |
not talking in that sense, I'm talking as a performer, he's about | :22:13. | :22:17. | |
to be on this stage, just released an incredible record. Not everybody | :22:18. | :22:20. | |
does that. There's a handful of people that still can do that well. | :22:21. | :22:24. | |
Yeah. It's true. You brought it back, you brought it back. | :22:25. | :22:32. | |
Here is the thing though. Talking of legacy, famously, Paul, you don't | :22:33. | :22:37. | |
own a big chunk of your own legacy in that you don't have the rights to | :22:38. | :22:44. | |
a lot of your songs? No. The early Beatles stuff, it was a carve-up, we | :22:45. | :22:48. | |
didn't know anything about any of that, so we got ripped off, but hey, | :22:49. | :22:57. | |
what the heck. What we all remember reading in the papers about Michael | :22:58. | :23:02. | |
Jackson buying The Beatles catalogue, but that was kind of your | :23:03. | :23:07. | |
fault? It was a strange one, yes. I was working with Michael at that | :23:08. | :23:11. | |
time. Why, because he just rang me up. It was over Christmas and I just | :23:12. | :23:18. | |
heard this little voice say "hi". I thought "oh, my God, don't recognise | :23:19. | :23:22. | |
this voice, who's got my private number" at home. So I said "yeah, | :23:23. | :23:28. | |
hello" and it was like "hi, it's Michael" and he goes "wanna make | :23:29. | :23:34. | |
some hits" and I goes "yeah" so we got together and Michael said, "have | :23:35. | :23:40. | |
you got any advice" and I said yes, "you are really hot, it's just | :23:41. | :23:46. | |
starting" he'd just had Off the Wall and I said "you have to make great | :23:47. | :23:51. | |
videos" so he went off and made Thriller. I told him he needed a | :23:52. | :23:57. | |
good manager, I said it will all be coming in and it could all go out. I | :23:58. | :24:01. | |
said, you ought to think about getting into song publishing. He | :24:02. | :24:10. | |
said "I'm gonna buy yours". And I was laughing. Until he did! | :24:11. | :24:20. | |
So when you do a concert or a show, sometimes you have to pay people to | :24:21. | :24:24. | |
play your own songs? I have to pay. That must be a knife in your | :24:25. | :24:28. | |
stomach? You know what, it used to be very annoying, but after a while, | :24:29. | :24:34. | |
you just think, you know, what are you gonna do? You are fine. You are | :24:35. | :24:39. | |
doing all right: . I'm all right. In your new movie, James, the Paul | :24:40. | :24:45. | |
Potts thing, we think we know the story, but actually, my God, that | :24:46. | :24:52. | |
man had like such terrible luck his whole life. I felt exactly the same | :24:53. | :24:56. | |
as I think everybody else does when they hear it's a film which is where | :24:57. | :25:02. | |
you go, really, sounds lake a terrible idea. And then I read it | :25:03. | :25:09. | |
and I met the director called David Frankel who made the Devil Wears | :25:10. | :25:14. | |
Prada and Hope Springs and he asked me to read it because he said I | :25:15. | :25:18. | |
think you will see that we are not making a film about Britain's Got | :25:19. | :25:21. | |
Talent, we are making a film about a boy from an industrial steel town | :25:22. | :25:25. | |
who dreams of being an opera singer in a world where no-one even listens | :25:26. | :25:30. | |
to opera and through endless setbacks and adversity, you know, | :25:31. | :25:35. | |
never gives up. He achieves his dream. Once I read it, I was like oh | :25:36. | :25:40. | |
yeah, because that film sort of stops at the very moment he audition | :25:41. | :25:47. | |
ed for Britain's Got Talent. There's no actor like Sa Simon Cowell | :25:48. | :25:50. | |
saying, I'll make you a star, you know. It's a very sweet, uplifting | :25:51. | :25:55. | |
story. We have a clip. Again, it's him coming out of one setback. I | :25:56. | :25:59. | |
think we told you the clip story? OK, so he had a terrible operation. | :26:00. | :26:05. | |
He had appendicitis and couldn't perform in an opera and then says, | :26:06. | :26:09. | |
no, I'm a local amateur opera and it's the day before and he says, no, | :26:10. | :26:13. | |
I absolutely want to and he does it and the stitches burst on stage. | :26:14. | :26:20. | |
When he gets into the hospital, they find an abscess on his adrenaline | :26:21. | :26:25. | |
gland which means he probably won't be able to sing again and this is | :26:26. | :26:29. | |
sort of around that moment I think. Yes, six months down the line. | :26:30. | :26:33. | |
LAUGHTER I don't really know what the clip | :26:34. | :26:37. | |
is, Graham, to be honest! It's qha he said. It's what he said. | :26:38. | :26:42. | |
Yes. So he's been told he'll never sing again. Yes, he's been told he's | :26:43. | :26:46. | |
never going to sing again. Six months down the line. So he's gone | :26:47. | :26:51. | |
back to his job in the Carphone Warehouse. Did you do this film? I'm | :26:52. | :26:55. | |
in it! Goes back to Carphone Warehouse and then this happens. | :26:56. | :26:58. | |
It's out on the 25th October. Roll the clip there. | :26:59. | :27:02. | |
Our little shop's had the highest sales in all of Wales. The highest | :27:03. | :27:09. | |
sales in all of Wales. Amazing. In the six months since I got back from | :27:10. | :27:14. | |
my surgery in which times I've kept the shop open 10-6 and I put the ad | :27:15. | :27:20. | |
in the paper and online. I'm trying to tell you you are getting a raise | :27:21. | :27:25. | |
as well. Am I? A couple of quid an hour. The highest sales in all of | :27:26. | :27:31. | |
Wales. Oh, my God. Oh, my God I can sing. I | :27:32. | :27:42. | |
can sing. You can sing. The highest hills in all of Wales. | :27:43. | :27:55. | |
The highest sales in all of Wales. I can sing. Mrs Evans, I can sing. | :27:56. | :28:01. | |
Jolly good. Tell your mam I'll see her at bingo. Will do. All of Wales. | :28:02. | :28:23. | |
Jules, I can sing. What? I can sing. CHEERING AND APPLAUSE | :28:24. | :28:27. | |
Very quickly, Britain's Got Talent, big show on TV, huge all over the | :28:28. | :28:35. | |
world, but talent shows, The Beatles used to enter them? Yes. Did you | :28:36. | :28:40. | |
ever win one? No. Serious Loye? We didn't. There was | :28:41. | :28:46. | |
one in Liverpool. The first one we ever entered, there was this woman | :28:47. | :28:51. | |
who could play the spoons. It was an old lady. She always beat us. | :28:52. | :29:02. | |
LAUGHTER She was bloody good though, you | :29:03. | :29:12. | |
know. She's still around. Guess what els is exciting. That. | :29:13. | :29:23. | |
It's my Thorhamer, yes. -- ThorHammer. Stop now. It went off | :29:24. | :29:27. | |
in my hand. What? ! | :29:28. | :29:34. | |
Please welcome, Chris Hemsworth. We are about to meet the stars of Thor, | :29:35. | :29:39. | |
The Dark World, ladies and gentlemen, please welcome Natalie | :29:40. | :29:47. | |
Portman and Chris Hemsworth. Hello. Hi. | :29:48. | :29:54. | |
Hello. Come in, sit down. CHEERING AND APPLAUSE | :29:55. | :30:01. | |
Sit yourselves down. CHEERING AND APPLAUSE | :30:02. | :30:07. | |
It's good tonight, right, it's good. This is good, this is good. | :30:08. | :30:13. | |
You, Natalie, you've been in videos, I was going to say in Paul, but that | :30:14. | :30:17. | |
would be wrong. You've been in Paul's videos? We | :30:18. | :30:23. | |
worked together, yes, she was very lovely. | :30:24. | :30:26. | |
He was my director too in one of them. | :30:27. | :30:29. | |
Chris, that's Paul McCartney, that's cool, right? Pretty awesome, right. | :30:30. | :30:38. | |
I just keep touching you. There you go. | :30:39. | :30:42. | |
Are you friends? No, but we were just saying, they are so pretty. | :30:43. | :30:50. | |
Mutual, mutual. Don't lie. | :30:51. | :30:56. | |
We were just talking backstage and my daughter recently has started | :30:57. | :31:00. | |
dancing and I swear to God in the last two weeks, the TV would be on | :31:01. | :31:05. | |
and all of a sudden she'd break out into a little dance and we are like, | :31:06. | :31:09. | |
what is she listening to and your song, Roar, is on the TV and you've | :31:10. | :31:15. | |
kicked off a whole dance career for her. Get 'em while they are young. | :31:16. | :31:20. | |
Now now she wants a monkey. You are here to tell us about Thor, | :31:21. | :31:25. | |
The Dark World. Yes. It opens on 30th October and it's the follow-up, | :31:26. | :31:32. | |
so this is the bit where I go, and then you tell us things about it And | :31:33. | :31:36. | |
act out a scene. You can do that if you want to. It's a continuation | :31:37. | :31:42. | |
from all the films that have blended into one another. As far as our | :31:43. | :31:45. | |
relationship picks up, Thor has some work to do and some patching up of | :31:46. | :31:49. | |
the relationship where it was left which was basically he exit and | :31:50. | :31:53. | |
didn't call her, didn't write, didn't Tweet and text, Facebook, | :31:54. | :32:01. | |
nothing. Men! I know. I like that the Avengers movie happened. Your | :32:02. | :32:06. | |
character knows what went on in New York. She saw him on TV and that was | :32:07. | :32:10. | |
further evidence that he was around and didn't think to call. | :32:11. | :32:18. | |
"Up to my eyes with hammer work, I can't! " It's weird for me because | :32:19. | :32:24. | |
where we are shooting our film now at Shepperton Studios because there | :32:25. | :32:28. | |
is a lot of famous people in our film, my room might not be the best | :32:29. | :32:36. | |
and - it's nice, but, you know - and from Shepperton, did you shoot your | :32:37. | :32:39. | |
film there because there's a huge bill board of you with a hammer but | :32:40. | :32:44. | |
from my window I'm very close to it and it's just your crutch. From my | :32:45. | :32:51. | |
one doe. Every day I sort of open the blind and it's like right there | :32:52. | :32:56. | |
and I'm like, is that the hammer or... Oh, no. | :32:57. | :33:05. | |
It's delicious. Now, we are going to see a clip. | :33:06. | :33:10. | |
This is the two of you, harking back to what you were talking about, her | :33:11. | :33:30. | |
not being happy. . She's kissed. Where were you? I was right here | :33:31. | :33:34. | |
where you left me, waiting and then I was crying and then I went out | :33:35. | :33:39. | |
looking for you. You said you were coming back. I know. There was | :33:40. | :33:46. | |
chaos, wars with were raging. I had to put an end to the slaughter. As | :33:47. | :33:54. | |
excuses go, it's not terrible. I saw you on TV, you were in New York. | :33:55. | :33:57. | |
Jane, I fought to protect you from the dangers of my world, but I was | :33:58. | :34:06. | |
wrong, I was a fool. I believe that fate brought us together. | :34:07. | :34:09. | |
CHEERING AND APPLAUSE That bit at the end where you are | :34:10. | :34:18. | |
doing that lovely thing looking into each other's eyes, were you on a box | :34:19. | :34:27. | |
or something? Thanks! Or were you in a hole? I was mainly | :34:28. | :34:34. | |
cast because I can make anyone look huge. Extraordinarily short. They | :34:35. | :34:39. | |
usually had some sort of ramp that I could like walk up and somewhere | :34:40. | :34:44. | |
near his face. Shall we stand up and show it. I had | :34:45. | :34:49. | |
very high heels on and I do right now. | :34:50. | :34:57. | |
That's quite a high ramp! Yes. | :34:58. | :35:00. | |
A steep incline. Yes. Listen, of course, with great | :35:01. | :35:07. | |
action heroes come great action figures, ladies and gentlemen. | :35:08. | :35:16. | |
We have got some here. Have you seen this yet? Not that particular one. | :35:17. | :35:20. | |
But it's the likeness which is incredible. | :35:21. | :35:23. | |
It's uncanny isn't it, ladies and gentlemen? ! | :35:24. | :35:30. | |
Slightly sedated version. You press here and you talks. Lightning shall | :35:31. | :35:39. | |
strike you down. He's angry. There's you and we'll get Natalie's action | :35:40. | :35:51. | |
figure. They are almost... LAUGHTER | :35:52. | :35:53. | |
Children will have hours of fun playing with those. | :35:54. | :36:02. | |
They are going to have a great time. What are you doing with those doll | :36:03. | :36:10. | |
That's not a hammer. You look a bit distraught. | :36:11. | :36:19. | |
You are not the only two people to be dolls. No. It's not an action | :36:20. | :36:31. | |
figure but it is... LAUGHTER | :36:32. | :36:37. | |
Oh, my God. All the work we did to the face, not so much into the | :36:38. | :36:46. | |
outfit. . It's him on an off day. Like care in | :36:47. | :36:51. | |
the community really. We have dressed him. Paull just | :36:52. | :36:58. | |
pottering around Homebase. And packaging not great. It's in a | :36:59. | :37:06. | |
zip lock. There's a nice sensible shoe. If you are driving a long | :37:07. | :37:10. | |
distance, you know. It's soft. Is it a for sale doll? You think we bought | :37:11. | :37:16. | |
it, didn't we? It's a lady who makes them? It's a sideline of my Auntie | :37:17. | :37:27. | |
Valerie. We are thrilled you are here with us | :37:28. | :37:30. | |
and very excited because you are going to perform live for us. So, | :37:31. | :37:34. | |
Paul, if you would like to go and join your band. | :37:35. | :37:37. | |
I would. There he goes. ? | :37:38. | :37:42. | |
CHEERING AND APPLAUSE So, in a moment, we'll have some | :37:43. | :37:47. | |
more stories from the famous red chair, but first, performing New, | :37:48. | :37:50. | |
it's Paul McCartney! # Don't look at me | :37:51. | :38:01. | |
# It's way too soon to see # What's gonna be | :38:02. | :38:04. | |
# Don't look at me # All my life | :38:05. | :38:08. | |
# I never knew # What I could be | :38:09. | :38:11. | |
# What I could do # Then we were new | :38:12. | :38:15. | |
# You came along # And made my life a song | :38:16. | :38:19. | |
# One lucky day # You came along | :38:20. | :38:30. | |
# Just in time # Well I was searching for a rock | :38:31. | :38:34. | |
# You came along # Then we were new | :38:35. | :38:41. | |
# We can do what we want # We can live as we choose | :38:42. | :38:45. | |
# You can see there's no guarantee # We got nothing to lose | :38:46. | :38:55. | |
# Don't # Don't look at me | :38:56. | :38:59. | |
# I can't deny the truth # It's plain to see | :39:00. | :39:02. | |
# Don't look at me # All my life | :39:03. | :39:05. | |
# I never ew # What I could be | :39:06. | :39:09. | |
# What I could do # Then we were new | :39:10. | :39:14. | |
# # We can do qha we want | :39:15. | :39:22. | |
# We can live as we choose # You see there's no guarantee | :39:23. | :39:34. | |
# We got nothing to lose # Don't look at me | :39:35. | :39:38. | |
# It's way too soon # To see | :39:39. | :39:42. | |
# Don't look at me # All my life | :39:43. | :39:46. | |
# I never knew what I could be # What I could do | :39:47. | :39:56. | |
# Then we were new Ooh-ooh | :39:57. | :39:56. | |
# Then we were new # We were new | :39:57. | :40:13. | |
# Ooh-ooh... | :40:14. | :40:15. | |
# CHEERING AND APPLAUSE | :40:16. | :40:23. | |
Thank you. Paul McCartney, everybody! | :40:24. | :40:32. | |
Come back and join us. How cool is that? Paul McCartney, | :40:33. | :40:38. | |
live. You can downin with the red chair | :40:39. | :40:43. | |
bit at the end there. There you go. You sit in there. | :40:44. | :40:50. | |
That did sound different. We have had lots of live bands in, but that | :40:51. | :40:53. | |
was like a wall of sound. Sounded brilliant. Just fantastic. Oh, good, | :40:54. | :40:59. | |
thank you. It's good. | :41:00. | :41:02. | |
Hey, tonight, just time for a story in the red chair. Who there? | :41:03. | :41:08. | |
Hello, Sir? Hello, I'm Robert: . I'm tempted to do it immediately. Be of- | :41:09. | :41:13. | |
Of all the clothing choices to wear, when you are going to be flipped | :41:14. | :41:17. | |
backwards. This has got to be the worst! | :41:18. | :41:27. | |
This story better be good. Robert, are you Scottish? | :41:28. | :41:32. | |
I'm from Glasgow. Do you live down here? I've lived here for 42 years. | :41:33. | :41:42. | |
Still haven't got new clothes. OK. What do you do down here, Robert? | :41:43. | :41:47. | |
I'm a musician. Like traditional? No, no. What sort of music? '70s, | :41:48. | :41:55. | |
60s, bits of The Beatles. Are we more more offing into a | :41:56. | :42:05. | |
story? It begins in Germany -- morphing into a story. I'm coming | :42:06. | :42:11. | |
home from the pub, slightly enekeryiated, I decided I needed a | :42:12. | :42:16. | |
wee. I stopped, started to have a wee, then found out that they've got | :42:17. | :42:23. | |
electric fencing in Germany. And it threw me back two metres. | :42:24. | :42:30. | |
To land on my bottom. I weed down my leg so it was a very uncomfortable | :42:31. | :42:34. | |
walk home and it made me completely sober.sober. | :42:35. | :42:39. | |
- We have to flip him though. We have to flip you. We have to flip | :42:40. | :42:48. | |
you. CHEERING AND APPLAUSE | :42:49. | :42:53. | |
I've done that, it's really sore. Have you ever done that? No, but if | :42:54. | :42:57. | |
I ever get drunk enough and I want to sober up, I'm going to. Have you | :42:58. | :43:04. | |
done it? No. Is it just me and Robert? I think it's pretty much | :43:05. | :43:10. | |
just you two. At school it used to be a thing. What school did you go | :43:11. | :43:14. | |
to where they had electric fences? It's quite a rough area, James. | :43:15. | :43:20. | |
APPLAUSE If you would like to join us on the | :43:21. | :43:25. | |
show or have a go on the red chair, you can, contact us on the website. | :43:26. | :43:28. | |
Thank you to all my guests tonight, what a line-up. Please thank James | :43:29. | :43:35. | |
Corden. Katy Perry. | :43:36. | :43:40. | |
Natalie Portman. Chris Hemsworth. | :43:41. | :43:45. | |
And, Sir Paul McCartney. Wow. | :43:46. | :43:50. | |
Downme next week with Hollywood actors Michelle Pfeiffer, Jennifer | :43:51. | :43:56. | |
Saunders, Robert de Niro and the one and only Cher. Good night. | :43:57. | :44:01. |