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On the show tonight, one of Britain's favourite double acts. | 0:00:02 | 0:00:04 | |
-Being in a double act would be fun, wouldn't it, Graham? -Yes, Graham, it would! | 0:00:04 | 0:00:08 | |
-Looking good, by the way. -Thanks, right back at you. | 0:00:08 | 0:00:11 | |
LAUGHTER | 0:00:11 | 0:00:12 | |
-Just one thing, which of us would be the straight man? -Oh... | 0:00:12 | 0:00:16 | |
Let's start the show! | 0:00:16 | 0:00:18 | |
APPLAUSE | 0:00:18 | 0:00:20 | |
CHEERING | 0:00:33 | 0:00:35 | |
Hello! | 0:00:35 | 0:00:37 | |
Hello, you! Hello, hello! | 0:00:37 | 0:00:39 | |
Hello, everybody. Hi, hi, hi! | 0:00:39 | 0:00:41 | |
Welcome all! We've got a great line-up for you tonight! | 0:00:41 | 0:00:45 | |
Entertainment superstars, Ant and Dec are here! | 0:00:45 | 0:00:49 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:51 | |
I know! | 0:00:51 | 0:00:53 | |
Heart-throb star of The Fall, Jamie Dornan is on the show! | 0:00:53 | 0:00:57 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:00:59 | |
From the global TV phenomenon Breaking Bad Aaron Paul is here! | 0:00:59 | 0:01:04 | |
CHEERING AND APPLAUSE | 0:01:04 | 0:01:05 | |
Yeah! | 0:01:05 | 0:01:07 | |
Joining us later, the most super of all the models, | 0:01:08 | 0:01:12 | |
Naomi Campbell is on the show! | 0:01:12 | 0:01:14 | |
CHEERING AND APPLAUSE | 0:01:14 | 0:01:15 | |
Yeah! | 0:01:15 | 0:01:17 | |
Plus, we've got music from the wonderful Ellie Goulding, everybody! | 0:01:17 | 0:01:21 | |
CHEERING AND APPLAUSE | 0:01:21 | 0:01:23 | |
Yeah, yeah! | 0:01:23 | 0:01:25 | |
Ah, Naomi Campbell... | 0:01:27 | 0:01:29 | |
Very excited...still hugely in demand as a model. | 0:01:29 | 0:01:32 | |
Here she is at a Victoria Secret show. | 0:01:32 | 0:01:35 | |
-HE GASPS -Oh, sexy, I know. She looks amazing! | 0:01:35 | 0:01:38 | |
But, you've got to be careful modelling lingerie | 0:01:38 | 0:01:40 | |
because you can get it wrong. | 0:01:40 | 0:01:43 | |
LAUGHTER | 0:01:43 | 0:01:45 | |
There must be a story there, somehow. | 0:01:46 | 0:01:49 | |
Yes, Ant and Dec have so much to chat about with Naomi | 0:01:49 | 0:01:52 | |
because they too are fashion icons. | 0:01:52 | 0:01:54 | |
Yeah... | 0:01:54 | 0:01:55 | |
LAUGHTER | 0:01:55 | 0:01:56 | |
That sort of look never goes out of style. | 0:01:56 | 0:01:59 | |
Yeah, cos it was never in style. | 0:01:59 | 0:02:01 | |
LAUGHTER | 0:02:01 | 0:02:03 | |
Also, big friends of Simon Cowell. | 0:02:03 | 0:02:05 | |
Yeah, in fact, they were even at the birth of Simon's baby. | 0:02:05 | 0:02:08 | |
LAUGHTER | 0:02:08 | 0:02:10 | |
APPLAUSE | 0:02:13 | 0:02:15 | |
Ant and Dec are so successful, | 0:02:18 | 0:02:20 | |
they've won the National Television Award for Best Entertainment Presenters | 0:02:20 | 0:02:24 | |
13 times in a row, ladies and gentlemen! Yeah! | 0:02:24 | 0:02:27 | |
APPLAUSE | 0:02:27 | 0:02:29 | |
That's them winning this year. | 0:02:29 | 0:02:32 | |
You do wonder if the people who lose manage to keep a convincing | 0:02:32 | 0:02:35 | |
smile on their face. | 0:02:35 | 0:02:37 | |
LAUGHTER | 0:02:37 | 0:02:39 | |
Not really. | 0:02:39 | 0:02:41 | |
LAUGHTER | 0:02:41 | 0:02:43 | |
So pleased to welcome Aaron Paul to the show. | 0:02:43 | 0:02:45 | |
Aaron, of course, known to most people as | 0:02:45 | 0:02:47 | |
Jesse Pinkman in Breaking Bad. | 0:02:47 | 0:02:49 | |
All about a teacher who starts producing | 0:02:49 | 0:02:51 | |
and selling crystal meth, in order to support his family. | 0:02:51 | 0:02:54 | |
Now, they made the drugs in a kitchen, they did. | 0:02:54 | 0:02:57 | |
In the kitchen! And to be honest, I'd be worried about my dogs. | 0:02:57 | 0:03:01 | |
I would, you know. | 0:03:01 | 0:03:02 | |
I mean, I don't know, would you be able to tell | 0:03:02 | 0:03:04 | |
if your dog had inhaled crystal meth fumes? | 0:03:04 | 0:03:07 | |
LAUGHTER | 0:03:07 | 0:03:08 | |
Yes, you would. | 0:03:08 | 0:03:10 | |
Let's get some guests on! | 0:03:10 | 0:03:12 | |
CHEERING AND APPLAUSE | 0:03:12 | 0:03:13 | |
Later, we'll be chatting to supermodel Naomi Campbell | 0:03:13 | 0:03:15 | |
and having music from Ellie Goulding...but first, | 0:03:15 | 0:03:18 | |
he's a genuine class A guest, it's Aaron Paul! | 0:03:18 | 0:03:21 | |
CHEERING AND APPLAUSE | 0:03:21 | 0:03:23 | |
Wow! Hello, sir. | 0:03:23 | 0:03:26 | |
-Hi! -It's so nice to meet you. | 0:03:26 | 0:03:28 | |
And you. Come in and sit down. | 0:03:28 | 0:03:30 | |
Aaron Paul! | 0:03:30 | 0:03:32 | |
You're going to fall for him, it's Jamie Dornan! | 0:03:32 | 0:03:34 | |
CHEERING AND APPLAUSE | 0:03:34 | 0:03:37 | |
Hello, sir, nice to meet you. | 0:03:37 | 0:03:39 | |
Come in, sit down. | 0:03:39 | 0:03:40 | |
Jamie, Aaron, Aaron, Jamie. | 0:03:40 | 0:03:42 | |
And they're celebrities, get them out of here, it's Ant and Dec! | 0:03:42 | 0:03:45 | |
CHEERING AND APPLAUSE | 0:03:45 | 0:03:48 | |
How are you? How are you? OK, good. | 0:03:50 | 0:03:53 | |
Come in and sit down. | 0:03:53 | 0:03:55 | |
CHEERING | 0:03:58 | 0:04:00 | |
-Nice. -I like that, lots of girls screaming and boys going, | 0:04:04 | 0:04:07 | |
-"Yeah, it's all right." -LAUGHTER | 0:04:07 | 0:04:09 | |
It's a sausage fest tonight! | 0:04:09 | 0:04:10 | |
Oh, I tell you. | 0:04:10 | 0:04:13 | |
All right. | 0:04:13 | 0:04:15 | |
Naomi Campbell will be here later. | 0:04:15 | 0:04:17 | |
Yes, she will...well, I say she will, I'm sure she will. | 0:04:17 | 0:04:20 | |
She will be here! She will be here! | 0:04:20 | 0:04:22 | |
And by the way, I feel, if you want to mix it up, you don't | 0:04:22 | 0:04:25 | |
have to...do you always have to...or do you have to? | 0:04:25 | 0:04:28 | |
Oh, what, sit this way? | 0:04:28 | 0:04:30 | |
We kind of do cos if we don't, then people go, | 0:04:30 | 0:04:31 | |
"I saw you and you weren't sitting the right way around..." People remark on it, so we do it. | 0:04:31 | 0:04:35 | |
In restaurants and taxis, do you do it like this? | 0:04:35 | 0:04:38 | |
It ends up being like this, yeah. | 0:04:38 | 0:04:40 | |
Not consciously but we always end up sitting like this. | 0:04:40 | 0:04:42 | |
-Yeah, we do, yeah. -We sat like this in the car on the way here. | 0:04:42 | 0:04:45 | |
We're like this in bed. I'm on this side... | 0:04:45 | 0:04:46 | |
LAUGHTER | 0:04:46 | 0:04:48 | |
You just get used to it. | 0:04:48 | 0:04:50 | |
Is that true that you do have a side of the bed. I mean, not with each other but... | 0:04:50 | 0:04:53 | |
LAUGHTER | 0:04:53 | 0:04:55 | |
Thinking about it...yeah. | 0:04:55 | 0:04:56 | |
-I sleep on my side. -And I sleep on, yeah... -On your side. | 0:04:56 | 0:04:59 | |
Yeah, yeah, I sleep on my side. | 0:04:59 | 0:05:00 | |
Oh, so in bed you're on the same side? | 0:05:00 | 0:05:02 | |
-No, no, in bed we're on... -This side. -Like this, exactly like this. | 0:05:02 | 0:05:05 | |
Oh, that's weird. | 0:05:05 | 0:05:07 | |
Aaron and I share a bed as well. | 0:05:07 | 0:05:09 | |
LAUGHTER | 0:05:09 | 0:05:10 | |
It's beautiful, it's beautiful. | 0:05:10 | 0:05:12 | |
Now, Jamie Dornan, I was expecting more of a beard. | 0:05:12 | 0:05:15 | |
-I'm working on it, yeah. -LAUGHTER | 0:05:15 | 0:05:17 | |
You need to work harder, I think, | 0:05:17 | 0:05:18 | |
cos The Fall starts really soon, doesn't it? | 0:05:18 | 0:05:21 | |
I start filming next week but I've just come off something else, | 0:05:21 | 0:05:23 | |
so I have two weeks to grow a beard. | 0:05:23 | 0:05:25 | |
So, I'm... | 0:05:25 | 0:05:27 | |
HE GROANS | 0:05:27 | 0:05:28 | |
LAUGHTER | 0:05:28 | 0:05:30 | |
I've tried that and it doesn't work! | 0:05:30 | 0:05:31 | |
I have tried it. | 0:05:31 | 0:05:33 | |
Like Play-Doh hair. | 0:05:33 | 0:05:34 | |
LAUGHTER | 0:05:35 | 0:05:37 | |
And, Aaron Paul, I saw you last night at the screening | 0:05:39 | 0:05:42 | |
of Need For Speed but even there you could not resist | 0:05:42 | 0:05:45 | |
doing your Breaking Bad catch phrase. | 0:05:45 | 0:05:48 | |
It's true, you know, I'm just giving what people want. | 0:05:48 | 0:05:50 | |
LAUGHTER | 0:05:50 | 0:05:52 | |
-You know. -Yeah. | 0:05:52 | 0:05:53 | |
I get called "bitch" every day. | 0:05:53 | 0:05:56 | |
LAUGHTER | 0:05:56 | 0:05:57 | |
All day long and so, you know, I just threw it out there. | 0:05:57 | 0:06:00 | |
And is it true the thing about people coming up | 0:06:00 | 0:06:02 | |
and asking you to say it to their wives and things? | 0:06:02 | 0:06:04 | |
Oh, yeah! I mean, a grandmother came up to me and she had to be pushing, | 0:06:04 | 0:06:07 | |
I mean, past 90 easily and she asked me to call her a bitch. | 0:06:07 | 0:06:11 | |
LAUGHTER | 0:06:11 | 0:06:12 | |
So, I did. I felt very... | 0:06:12 | 0:06:14 | |
LAUGHTER | 0:06:14 | 0:06:15 | |
I felt like I was doing something incredibly wrong but, erm... | 0:06:15 | 0:06:18 | |
-But it felt so right. -But it felt so right. | 0:06:18 | 0:06:20 | |
LAUGHTER | 0:06:20 | 0:06:22 | |
APPLAUSE | 0:06:24 | 0:06:25 | |
I would urge you not to say it when Naomi's here. | 0:06:29 | 0:06:32 | |
OK, no, I won't. | 0:06:32 | 0:06:33 | |
LAUGHTER | 0:06:33 | 0:06:34 | |
-It won't end well. -No, no, no, no. | 0:06:34 | 0:06:36 | |
It won't end well, don't do it, don't do it. | 0:06:36 | 0:06:38 | |
Now, Ant and Dec, as you all know, back on our screens, | 0:06:38 | 0:06:41 | |
Saturday Night Takeaway. | 0:06:41 | 0:06:42 | |
-Mhm. -And you're taking Takeaway on the road. | 0:06:42 | 0:06:45 | |
-Yeah. -All around the UK. It's crazy, 33 dates. | 0:06:45 | 0:06:49 | |
Yeah, we're going all around the UK, taking it to arenas | 0:06:49 | 0:06:51 | |
and taking... Saturday Night Takeaway, for us, | 0:06:51 | 0:06:53 | |
is the show that people stop us on the street and go, | 0:06:53 | 0:06:55 | |
"Oh, I'd love to be in the audience for that." | 0:06:55 | 0:06:57 | |
So, we came up with the idea... | 0:06:57 | 0:06:59 | |
we can only fit a couple of hundred people in, why don't we take it to arenas. | 0:06:59 | 0:07:02 | |
Take it around the country, so anybody can come along, every show will be different. | 0:07:02 | 0:07:05 | |
Erm, we'll do hits on the audience, | 0:07:05 | 0:07:07 | |
get people to set each other up in the arena. | 0:07:07 | 0:07:09 | |
And we do all the elements that are in the show, | 0:07:09 | 0:07:11 | |
so we'll do Ant versus Dec and stuff, so it's | 0:07:11 | 0:07:13 | |
basically like coming to watch the TV show but an arena version. | 0:07:13 | 0:07:16 | |
Now, the thing is, you're Ant and Dec now, you're huge stars. | 0:07:16 | 0:07:20 | |
LAUGHTER | 0:07:20 | 0:07:21 | |
You know what I mean. | 0:07:21 | 0:07:22 | |
I'm sensing, in this tour there might be a helicopter. | 0:07:22 | 0:07:25 | |
You know, it'll be very nice. | 0:07:25 | 0:07:27 | |
It'll be better than when we used to tour | 0:07:27 | 0:07:28 | |
when we were in the music business, yeah, yeah. | 0:07:28 | 0:07:31 | |
-It won't be Travelodges and... -Ginsters pasties. | 0:07:31 | 0:07:34 | |
-Yeah, there were a lot of pasties, wasn't there? -A lot of pasties. | 0:07:34 | 0:07:37 | |
Jamie, do you remember PJ and Duncan? | 0:07:37 | 0:07:40 | |
I wasn't...I was doing that face with the Ginsters...it | 0:07:40 | 0:07:43 | |
wasn't like PJ and Duncan. | 0:07:43 | 0:07:46 | |
LAUGHTER | 0:07:46 | 0:07:47 | |
Let's not talk about all that. | 0:07:47 | 0:07:49 | |
I forgot they were PJ and Duncan. I'm sorry I said yes now. | 0:07:49 | 0:07:51 | |
LAUGHTER | 0:07:51 | 0:07:54 | |
-They were a pop duo, Aaron. -That's fantastic! | 0:07:54 | 0:07:57 | |
Don't concern yourself with it too much. | 0:07:57 | 0:07:59 | |
-I want to hear some stuff. -No, you wouldn't. -No, you won't. | 0:07:59 | 0:08:02 | |
LAUGHTER | 0:08:02 | 0:08:05 | |
Goodness, gracious! | 0:08:05 | 0:08:07 | |
-That is beautiful. -Oh, God, that hair! | 0:08:07 | 0:08:09 | |
That hair is amazing. | 0:08:09 | 0:08:10 | |
-I think it's amazing. -There can't have been a stylist involved! | 0:08:10 | 0:08:13 | |
LAUGHTER | 0:08:13 | 0:08:15 | |
That must be - hair, model's own. | 0:08:15 | 0:08:17 | |
I remember, at the time, going back to Newcastle and me mam going, "Your hair looks stupid! | 0:08:17 | 0:08:21 | |
"What you playing at?" And I was thinking, "Oh, she doesn't know." | 0:08:21 | 0:08:24 | |
And now you look at that picture...Mam, you were right all along, I'm sorry. | 0:08:24 | 0:08:27 | |
It looks like the same hair as the girl from Aqua, remember Aqua? | 0:08:27 | 0:08:32 | |
-Oh, yes. -And Barbie Girl, remember her? -Yes, yes. | 0:08:32 | 0:08:34 | |
She had that exact horrible hair. | 0:08:34 | 0:08:36 | |
Wow, what a very uncool reference, Jamie. | 0:08:36 | 0:08:39 | |
LAUGHTER | 0:08:39 | 0:08:40 | |
AARON: I appreciated it. | 0:08:42 | 0:08:44 | |
APPLAUSE | 0:08:44 | 0:08:46 | |
Yes, he's now looking for allies, "You remember them, right?" | 0:08:49 | 0:08:52 | |
LAUGHTER | 0:08:52 | 0:08:53 | |
It wasn't Aqua, it wasn't Aqua, it was some other one. | 0:08:53 | 0:08:55 | |
-"Some indie-punk thing, yeah." -LAUGHTER | 0:08:55 | 0:08:57 | |
"I got confused." | 0:08:57 | 0:08:58 | |
Anyway, it's all behind you now cos Takeaway's going from strength to strength. | 0:08:58 | 0:09:02 | |
And continues at seven o'clock on Saturday. | 0:09:02 | 0:09:05 | |
-And you're doing your undercover things again. -Yeah. | 0:09:05 | 0:09:08 | |
-I think we've got a clip from tomorrow night's show. -Oh, great. | 0:09:08 | 0:09:12 | |
-Brilliant. -And this is the two of you with Gordon Ramsay. | 0:09:12 | 0:09:16 | |
It doesn't need any other set-up, does it? | 0:09:16 | 0:09:19 | |
Well, yeah, just disguised as handymen...inept handymen. | 0:09:19 | 0:09:22 | |
To, kind of, ruin his day on the set of MasterChef US. | 0:09:22 | 0:09:26 | |
Buenos dias, Senor Ramsay. | 0:09:26 | 0:09:28 | |
Yeah, can we just open the door, please, bud. | 0:09:28 | 0:09:30 | |
Have you seen my son? | 0:09:30 | 0:09:32 | |
Yes, he's in here. | 0:09:32 | 0:09:34 | |
-Ah, I need the key to the van for a tool. -Oh, this is a joke! | 0:09:34 | 0:09:38 | |
Will you ask my son for the key to the van. | 0:09:38 | 0:09:41 | |
Yeah, here you go. | 0:09:41 | 0:09:43 | |
-Are these the keys to the van? -Don't...mate, I don't know. | 0:09:43 | 0:09:47 | |
Could you speak to my son? | 0:09:47 | 0:09:49 | |
-Yeah. -Yes, please. | 0:09:49 | 0:09:50 | |
-This is crazy! Young man? -Hello. -What are you doing in there? | 0:09:50 | 0:09:56 | |
Erm... | 0:09:56 | 0:09:57 | |
LAUGHTER | 0:09:57 | 0:09:58 | |
I've got a pretty bad stomach. | 0:09:58 | 0:10:01 | |
You've got a bad stomach? | 0:10:01 | 0:10:03 | |
I think I have food poisoning. | 0:10:03 | 0:10:06 | |
Oh, man! | 0:10:06 | 0:10:07 | |
LAUGHTER AND APPLAUSE | 0:10:09 | 0:10:10 | |
So, we basically, we've locked him in his...he's on his lunch hour, | 0:10:13 | 0:10:18 | |
we've locked him in his dressing room, from the outside | 0:10:18 | 0:10:21 | |
and I'm locked in his toilet, | 0:10:21 | 0:10:23 | |
doing a doo. | 0:10:23 | 0:10:25 | |
And he can't get out, so there's somebody, me, | 0:10:25 | 0:10:28 | |
in his bathroom, he can't get out, erm, and then, eventually, | 0:10:28 | 0:10:31 | |
we have to kind of axe the door down and he, I mean, | 0:10:31 | 0:10:34 | |
the bleepometor, the bleep machine goes into overdrive. | 0:10:34 | 0:10:37 | |
LAUGHTER | 0:10:37 | 0:10:38 | |
The whole clip is still with the lawyers now, so we need to work | 0:10:38 | 0:10:41 | |
out how many bleeps we can show on tomorrow night's show. | 0:10:41 | 0:10:44 | |
-He loses it completely. -Oh, OK. | 0:10:44 | 0:10:46 | |
It's brilliant! | 0:10:46 | 0:10:48 | |
LAUGHTER | 0:10:48 | 0:10:49 | |
You always give good prizes on the show. | 0:10:49 | 0:10:51 | |
But, Aaron Paul, you must be so bored of this. | 0:10:51 | 0:10:54 | |
My advice to you is to buy this footage, | 0:10:54 | 0:10:55 | |
so it never gets seen again. Cos, have you seen it? You must have seen this footage umpteen times! | 0:10:55 | 0:11:00 | |
What, what footage? LAUGHTER | 0:11:00 | 0:11:02 | |
-Oh, you do know. -Oh, I think I know what you're talking about. | 0:11:02 | 0:11:04 | |
Yeah, get ready if you haven't seen it because it's fascinating. | 0:11:04 | 0:11:07 | |
Well, we haven't seen it. I'm sure it's been shown a lot in the States. | 0:11:07 | 0:11:11 | |
I hadn't seen it before. | 0:11:11 | 0:11:12 | |
-Right, this is a very young Aaron Paul... -Yeah. | 0:11:12 | 0:11:15 | |
-..on The Price is Right. -Some of my finest work, my finest. | 0:11:15 | 0:11:20 | |
This is real, this is real. | 0:11:20 | 0:11:22 | |
Who's our next player? See what we can do for Aaron Sturtevant. | 0:11:22 | 0:11:25 | |
Come on down! | 0:11:25 | 0:11:27 | |
Aaron, you're the next contestant on The Price is Right! | 0:11:28 | 0:11:31 | |
Wait for it, wait for it! | 0:11:31 | 0:11:34 | |
CHEERING | 0:11:34 | 0:11:36 | |
Look at the CBS bumper sticker on my back. | 0:11:38 | 0:11:41 | |
You're the man, Bob! | 0:11:41 | 0:11:43 | |
You're the man! | 0:11:43 | 0:11:46 | |
Amazing! | 0:11:46 | 0:11:49 | |
APPLAUSE | 0:11:49 | 0:11:51 | |
Thank you, thank you. | 0:11:52 | 0:11:54 | |
-I'm going to finish my drink now. -We know you're a very good actor. | 0:11:56 | 0:11:58 | |
I mean, were you...you can't have been that excited? | 0:11:58 | 0:12:01 | |
Erm, you know what? That was actually a full blown character. | 0:12:01 | 0:12:05 | |
I was honestly, I was on six or seven cans of Red Bull. | 0:12:05 | 0:12:08 | |
I mean, it looks like I was on some serious drugs there | 0:12:08 | 0:12:10 | |
but it was just Red Bull. | 0:12:10 | 0:12:12 | |
Erm, I could not sit still but I knew they wanted, | 0:12:12 | 0:12:15 | |
I knew they would pick people with high energy and they interview you | 0:12:15 | 0:12:19 | |
before you get into the audience and so, I was out of my mind...clearly! | 0:12:19 | 0:12:24 | |
LAUGHTER | 0:12:24 | 0:12:26 | |
-Erm, and yeah, so they picked me. -And that's him being picked. | 0:12:26 | 0:12:29 | |
Here he is, will he win something? Here we go! | 0:12:29 | 0:12:33 | |
An elegant flattop desk. | 0:12:35 | 0:12:37 | |
CHEERING | 0:12:37 | 0:12:38 | |
Aaron, what do you bid on that? | 0:12:40 | 0:12:42 | |
HE SCREAMS: 1,200 bucks! | 0:12:42 | 0:12:43 | |
Actual retail price, 1797! | 0:12:43 | 0:12:48 | |
CHEERING | 0:12:49 | 0:12:51 | |
Did you get the desk? | 0:12:53 | 0:12:55 | |
APPLAUSE | 0:12:55 | 0:12:56 | |
-You got the desk? -They gave me the desk. | 0:12:56 | 0:12:59 | |
-They gave me the desk. -And was that it? You got a flattop desk? | 0:13:00 | 0:13:03 | |
Erm, that's actually all I won on the show. | 0:13:03 | 0:13:06 | |
LAUGHTER | 0:13:06 | 0:13:07 | |
And that thing was so unbelievably heavy! | 0:13:07 | 0:13:10 | |
LAUGHTER | 0:13:10 | 0:13:11 | |
Yeah, it's pretty exciting. | 0:13:11 | 0:13:13 | |
Now, Jamie Dornan, you're here to talk about your new Channel 4 show. | 0:13:13 | 0:13:17 | |
Before we get to that, we just want to quickly mention, | 0:13:17 | 0:13:19 | |
cos you've been in many of the papers, erm, 50 Shades of Grey. | 0:13:19 | 0:13:24 | |
Now, when is that...it comes out next year? | 0:13:24 | 0:13:26 | |
CHEERING | 0:13:26 | 0:13:27 | |
See, already, they're whooping and cheering! | 0:13:27 | 0:13:29 | |
Those three bums on seats up there. | 0:13:29 | 0:13:33 | |
Is that going to change your life? | 0:13:33 | 0:13:35 | |
I've no idea, no idea. | 0:13:36 | 0:13:38 | |
It's very hard to imagine or prepare... | 0:13:38 | 0:13:41 | |
But the buzz about it is, you know, you must have noticed, | 0:13:41 | 0:13:44 | |
there's a lot of interest in that movie? | 0:13:44 | 0:13:46 | |
Yeah...I mean, look, we're in a very powerful position, | 0:13:46 | 0:13:49 | |
like, 90 plus million people have read the book, | 0:13:49 | 0:13:52 | |
so you know, if a third of that....a hundredth of those people, | 0:13:52 | 0:13:59 | |
that's successful if they see the film. | 0:13:59 | 0:14:01 | |
So, it's a nice position to be in | 0:14:01 | 0:14:03 | |
but I've no idea what it's going to do. | 0:14:03 | 0:14:05 | |
-It's out next year? -It's out on Valentine's Day next year, yeah. | 0:14:05 | 0:14:08 | |
LAUGHTER | 0:14:08 | 0:14:10 | |
-Yeah. -Oh, yeah... -That's perfect. | 0:14:10 | 0:14:13 | |
Can you imagine, "Oh, you're a 50 Shades of Grey baby." | 0:14:13 | 0:14:15 | |
LAUGHTER | 0:14:15 | 0:14:17 | |
When were you born? Oh... | 0:14:19 | 0:14:21 | |
LAUGHTER | 0:14:21 | 0:14:23 | |
I get it. | 0:14:23 | 0:14:24 | |
The weird thing is, in terms of changing your life, | 0:14:24 | 0:14:26 | |
it did change your life physically? | 0:14:26 | 0:14:28 | |
Did it? Yes, it did, I know what you mean, yes. | 0:14:28 | 0:14:30 | |
It isn't as creepy as it sounds. | 0:14:30 | 0:14:32 | |
LAUGHTER | 0:14:32 | 0:14:33 | |
Erm, yeah, OK, right. | 0:14:33 | 0:14:35 | |
So, look...bascially, I have always had a complex with the way I walk. | 0:14:35 | 0:14:41 | |
Erm, and I've always been told, | 0:14:41 | 0:14:43 | |
throughout every point of my life, that I've...not always been | 0:14:43 | 0:14:47 | |
told that I've got a bad walk but somebody's commented on my walk. | 0:14:47 | 0:14:50 | |
It's always been like, "Oh, right, that's the way you walk?" | 0:14:50 | 0:14:53 | |
LAUGHTER | 0:14:53 | 0:14:56 | |
That's how you walk, OK. | 0:14:56 | 0:14:57 | |
Is that you walking? | 0:14:57 | 0:14:59 | |
From school, also... | 0:14:59 | 0:15:00 | |
LAUGHTER | 0:15:00 | 0:15:02 | |
-FROM THE AUDIENCE: -Show us your walk! | 0:15:02 | 0:15:04 | |
Back off. | 0:15:04 | 0:15:05 | |
We might go there, we might go there. | 0:15:05 | 0:15:07 | |
Erm, yeah, so I remember a mate of mine | 0:15:07 | 0:15:09 | |
at school said cos I've...this won't happen | 0:15:09 | 0:15:14 | |
but I've quite pronounced calf muscles, erm, | 0:15:14 | 0:15:17 | |
I always thought it was a hereditary thing but I remember my mate, | 0:15:17 | 0:15:20 | |
once we were talking about it...we didn't just sit around and talk about that all day. | 0:15:20 | 0:15:24 | |
LAUGHTER | 0:15:24 | 0:15:25 | |
-You've got beautiful calves, Jamie! -Oh, amazing! | 0:15:25 | 0:15:28 | |
We have great nights just staring at them, drinking. | 0:15:28 | 0:15:32 | |
Erm, and he said, "You know why you have big calves?" | 0:15:32 | 0:15:35 | |
I said, "No, I think it's cos my dad does, it's hereditary." | 0:15:35 | 0:15:38 | |
He said, "No, no, it's cos you walk on your tiptoes." | 0:15:38 | 0:15:40 | |
So, I was like, is that a weird thing? | 0:15:40 | 0:15:42 | |
Anyway, a couple of jobs I've done, | 0:15:42 | 0:15:44 | |
the first day that we did The Fall and I had to walk | 0:15:44 | 0:15:46 | |
and the director, the producer, writer, Allan Cubitt came up | 0:15:46 | 0:15:49 | |
and said, "Is that a character thing or..." | 0:15:49 | 0:15:53 | |
LAUGHTER | 0:15:53 | 0:15:54 | |
"..or is that your walk?" | 0:15:54 | 0:15:56 | |
I was like, "Uh-oh." I could try and be clever my way out of it | 0:15:56 | 0:15:59 | |
but then I thought, that is how I walk. | 0:15:59 | 0:16:01 | |
So, we started working on things | 0:16:01 | 0:16:03 | |
and he started talking about why don't you, maybe, take longer strides. | 0:16:03 | 0:16:07 | |
LAUGHTER | 0:16:07 | 0:16:09 | |
Erm, honestly, so then my wife and I would walk around where we live in | 0:16:09 | 0:16:13 | |
London and cos I'm on my tiptoes | 0:16:13 | 0:16:18 | |
I'm quite high, I'm quite bouncy. | 0:16:18 | 0:16:21 | |
So, my wife said, "Why don't you try leaning back?" | 0:16:21 | 0:16:24 | |
Right, honestly, so I'm literally walking...we'd go out for walks, | 0:16:24 | 0:16:27 | |
erm, and I'd literally...I'll show you my old walk, right. | 0:16:27 | 0:16:31 | |
Here's the old walk. | 0:16:31 | 0:16:32 | |
Oh, I'm so excited! | 0:16:32 | 0:16:34 | |
Don't get that excited. | 0:16:34 | 0:16:35 | |
LAUGHTER | 0:16:35 | 0:16:36 | |
This is my old walk. I'm so out of sync now. | 0:16:36 | 0:16:39 | |
I'll do it, this is my old walk. | 0:16:39 | 0:16:40 | |
Right...and this is the walk we tried, right, with my wife. | 0:16:43 | 0:16:48 | |
LAUGHTER | 0:16:48 | 0:16:50 | |
Remember those commercials for Mr Soft? | 0:16:50 | 0:16:53 | |
LAUGHTER | 0:16:53 | 0:16:56 | |
APPLAUSE | 0:16:57 | 0:16:59 | |
And then...this is what we settled on | 0:17:01 | 0:17:05 | |
and I'll tell you how we got there. | 0:17:05 | 0:17:07 | |
Oh, shit, I can't... | 0:17:07 | 0:17:09 | |
LAUGHTER | 0:17:09 | 0:17:11 | |
Then my new one, you'll see my new one, it's fine. | 0:17:11 | 0:17:15 | |
LAUGHTER AND APPLAUSE | 0:17:15 | 0:17:17 | |
How did you get to the new one? | 0:17:20 | 0:17:22 | |
OK, so, how I got there was I have to dance...just a little | 0:17:22 | 0:17:27 | |
bit of dancing in 50 Shades of Grey and I can't dance at all. | 0:17:27 | 0:17:30 | |
They asked me if I can dance and I was like, | 0:17:30 | 0:17:33 | |
-"Yeah, I dance all the time..." -LAUGHTER | 0:17:33 | 0:17:35 | |
I can't dance. | 0:17:35 | 0:17:36 | |
So, I had dance lessons and it was like foxtrot | 0:17:36 | 0:17:38 | |
and it was very classic. | 0:17:38 | 0:17:40 | |
The dance teacher, I was really struggling with it | 0:17:40 | 0:17:43 | |
and the dance teacher said, "You know what you need to do. | 0:17:43 | 0:17:45 | |
"Just think about it as walking." I was like, "Oh, dear!" | 0:17:45 | 0:17:48 | |
LAUGHTER | 0:17:48 | 0:17:50 | |
I was like, "I'm 31 years old, literally, | 0:17:53 | 0:17:56 | |
"the first thing you do in life is to walk." | 0:17:56 | 0:17:59 | |
I was like, "It's funny, I'm not a great walker." | 0:17:59 | 0:18:02 | |
LAUGHTER | 0:18:02 | 0:18:03 | |
An he said, "Just think when you walk, heel-to-toe, heel-to-toe." | 0:18:03 | 0:18:08 | |
And I was like, "Heel-to-toe?" | 0:18:08 | 0:18:10 | |
LAUGHTER | 0:18:10 | 0:18:12 | |
No-one ever told me that! | 0:18:12 | 0:18:13 | |
LAUGHTER | 0:18:13 | 0:18:14 | |
I literally went toe to more toe! | 0:18:14 | 0:18:16 | |
LAUGHTER | 0:18:16 | 0:18:18 | |
I didn't know. | 0:18:18 | 0:18:19 | |
So, now I just apply that every day when I'm walking around. | 0:18:19 | 0:18:22 | |
APPLAUSE | 0:18:22 | 0:18:24 | |
Yeah, thank you. | 0:18:28 | 0:18:30 | |
So, now tell us, in your latest TV drama on Channel 4, | 0:18:30 | 0:18:34 | |
New Worlds, will this be the last outing of your old walk? | 0:18:34 | 0:18:39 | |
LAUGHTER | 0:18:39 | 0:18:40 | |
OK, so what's brilliant about this is I pretty much run everywhere. | 0:18:40 | 0:18:45 | |
LAUGHTER | 0:18:45 | 0:18:46 | |
-Oh! -I've got a decent run. -Is that you running? -I've got a decent run. | 0:18:46 | 0:18:51 | |
-Oh, that's running? -Yeah. | 0:18:51 | 0:18:53 | |
LAUGHTER | 0:18:53 | 0:18:54 | |
If I run...I try to run as much as I can... | 0:18:54 | 0:18:57 | |
LAUGHTER | 0:18:57 | 0:18:59 | |
I'm like, "Why don't we try this scene with me sprinting around?" | 0:18:59 | 0:19:03 | |
It's like, when you're really sad in the scene and I'm like, | 0:19:03 | 0:19:06 | |
-"I'll just sprint over there." -LAUGHTER | 0:19:06 | 0:19:09 | |
-And then I cry. -Does that mean you're early for everything? | 0:19:09 | 0:19:12 | |
But New Worlds is on Channel 4, when does it start? | 0:19:12 | 0:19:15 | |
I think, sometime towards the end of March. | 0:19:15 | 0:19:17 | |
Towards the end of March and it's, sort of, | 0:19:17 | 0:19:19 | |
a sequel to The Devil's Whore, is that right? | 0:19:19 | 0:19:21 | |
Yeah, they're a bit reluctant to call it a sequel to Devil's Whore | 0:19:21 | 0:19:24 | |
but you've already done that, so... | 0:19:24 | 0:19:25 | |
LAUGHTER | 0:19:25 | 0:19:27 | |
I will go with that. I see it as a sequel to Devil's Whore, which I loved! | 0:19:27 | 0:19:30 | |
OK, and it's a world...it's got, new world refers to America, | 0:19:30 | 0:19:35 | |
-settlers in America. -Yeah. | 0:19:35 | 0:19:37 | |
But also the change of order in Britain, as well. | 0:19:37 | 0:19:39 | |
Yeah, it's like butchering the Native Indians in America and | 0:19:39 | 0:19:42 | |
that side and making, you know, a new world, a new England over there. | 0:19:42 | 0:19:46 | |
Then, on my story, I play a character called Abe Goff, | 0:19:46 | 0:19:49 | |
who is in England and the similar situation in England where | 0:19:49 | 0:19:52 | |
they're trying to get the tyrannical rule of Charles II | 0:19:52 | 0:19:58 | |
off the throne and Devil's Whore is about Charles I | 0:19:58 | 0:20:00 | |
and his beheading and leading up to that. | 0:20:00 | 0:20:03 | |
This picks it up, I think, 30 years later | 0:20:03 | 0:20:05 | |
and I'm trying to rally support to fight against Charles II. | 0:20:05 | 0:20:09 | |
-Well, you're very convincing. This scene is you... -Hope so! | 0:20:09 | 0:20:15 | |
Well, no, actually, I hope so cos you are wearing a big face mask. | 0:20:15 | 0:20:20 | |
So, I'm pretty sure it's you. | 0:20:20 | 0:20:21 | |
It's that one, good, cheers. | 0:20:21 | 0:20:23 | |
It literally could be anyone. | 0:20:23 | 0:20:25 | |
LAUGHTER | 0:20:25 | 0:20:26 | |
It's your eyes. | 0:20:26 | 0:20:27 | |
-OK, yeah. -It's your eyes, they shine through. -Yeah, yeah. -LAUGHTER | 0:20:27 | 0:20:31 | |
It's definitely his walk. | 0:20:31 | 0:20:32 | |
He does walk in the beginning. | 0:20:32 | 0:20:34 | |
LAUGHTER | 0:20:34 | 0:20:36 | |
This is the old walk. | 0:20:36 | 0:20:38 | |
It's the old walk. This is Jamie Dornan doing his old walk. | 0:20:38 | 0:20:42 | |
We're so excited! | 0:20:42 | 0:20:44 | |
LAUGHTER | 0:20:44 | 0:20:46 | |
New Worlds, here we go. | 0:20:46 | 0:20:48 | |
# What do we fear? | 0:20:49 | 0:20:51 | |
# The day is ours... # | 0:20:51 | 0:20:55 | |
Your mistake, sir. The day is ours and so must your jewels be. | 0:20:55 | 0:20:59 | |
-What? -You shall not touch her. | 0:21:03 | 0:21:06 | |
Step aside. | 0:21:06 | 0:21:08 | |
Do you know who I am? | 0:21:08 | 0:21:10 | |
Yes, I do. How dare you do this! | 0:21:10 | 0:21:13 | |
We do it not for ourselves. | 0:21:13 | 0:21:15 | |
It is your birthday, you shall keep your gems. | 0:21:17 | 0:21:20 | |
And now... | 0:21:24 | 0:21:25 | |
will you cut my throat? | 0:21:25 | 0:21:28 | |
APPLAUSE | 0:21:28 | 0:21:30 | |
Oh, stirring stuff! | 0:21:30 | 0:21:33 | |
-Now, Aaron Paul, you're here with a brand-new movie! -Yeah! | 0:21:35 | 0:21:39 | |
A big wired for sound movie. | 0:21:39 | 0:21:42 | |
Erm, Need for Speed...and it must be nice for you to be in this | 0:21:42 | 0:21:45 | |
and inhabit a new world because, | 0:21:45 | 0:21:47 | |
how many years did Breaking Bad go on for, in filming terms? | 0:21:47 | 0:21:50 | |
Erm, in filming terms, from pilot to end, it was just under seven years. | 0:21:50 | 0:21:54 | |
So, you know, I was playing a character for a very long time, | 0:21:54 | 0:21:58 | |
who was just so unbelievably tortured and lonely and sad | 0:21:58 | 0:22:02 | |
and it was nice to jump from that to...it was incredibly fun to do | 0:22:02 | 0:22:06 | |
but it was nice to just jump into something that was just | 0:22:06 | 0:22:08 | |
a little bit lighter and fun. | 0:22:08 | 0:22:10 | |
Cos people watch Breaking Bad in a very modern way. | 0:22:10 | 0:22:12 | |
I mean, people did watch it as it went out. | 0:22:12 | 0:22:14 | |
-Right. -But equally, people have been watching it on Netflix, | 0:22:14 | 0:22:17 | |
box sets, so you must constantly meet people | 0:22:17 | 0:22:19 | |
who are in a different bit of your journey. | 0:22:19 | 0:22:21 | |
Yeah, I meet people on a daily basis that are just now starting the show. | 0:22:21 | 0:22:26 | |
We had a solid core audience from the very beginning, | 0:22:26 | 0:22:30 | |
but it was very small, but they were very passionate, | 0:22:30 | 0:22:33 | |
and that's really why the show stayed on the air. | 0:22:33 | 0:22:37 | |
And people are obsessed by it as well and they really love it. | 0:22:37 | 0:22:39 | |
Yeah, they're obsessed by it. You know what? | 0:22:39 | 0:22:42 | |
It's strange because there's such incredible television coming | 0:22:42 | 0:22:45 | |
out of the UK, | 0:22:45 | 0:22:46 | |
but the UK was really one of the only places on the planet that | 0:22:46 | 0:22:51 | |
Breaking Bad never really found its home, and I didn't really | 0:22:51 | 0:22:55 | |
understand that, but now finally people are catching on. | 0:22:55 | 0:22:59 | |
But also, people are gorging themselves on it, | 0:22:59 | 0:23:02 | |
-because it's all there. Cos where...? -You've just started. | 0:23:02 | 0:23:06 | |
Yeah, I'm just like, 3 eps in on the first season. | 0:23:06 | 0:23:10 | |
I haven't watched any and I apologise, | 0:23:10 | 0:23:12 | |
but the only reason is, when it first started, we've got | 0:23:12 | 0:23:15 | |
a friend and he said, "You've got to watch this, | 0:23:15 | 0:23:17 | |
"it's the greatest television show I've ever seen." | 0:23:17 | 0:23:19 | |
And just to piss him off, I didn't watch it. | 0:23:19 | 0:23:21 | |
The thing is, we get that all the time. No, I refuse! | 0:23:21 | 0:23:25 | |
And now I kind of feel like I'm left out of a party that everyone's enjoying. | 0:23:25 | 0:23:29 | |
-You're the same, aren't you, Jamie? -What? | 0:23:29 | 0:23:31 | |
No, I was laughing at what Ant said. We have a friend and then didn't... | 0:23:31 | 0:23:35 | |
Just like, they have one friend... | 0:23:35 | 0:23:37 | |
We do, we don't need any more than that. | 0:23:40 | 0:23:43 | |
I had the exact same thing where I was so sick of people talking about | 0:23:44 | 0:23:48 | |
the finale of Breaking Bad and we had never seen it, my wife and I, | 0:23:48 | 0:23:52 | |
and then we watched it. | 0:23:52 | 0:23:53 | |
I just told you, I've got four episodes to go of the whole thing. | 0:23:53 | 0:23:56 | |
-Ooh! -We watched it all over Christmas, um... | 0:23:56 | 0:23:59 | |
We had a really exciting Christmas. | 0:23:59 | 0:24:01 | |
-It was a very heavy, intense Christmas. -Family-friendly Christmas. | 0:24:03 | 0:24:07 | |
And actually, what's great, the finale really doesn't disappoint it. | 0:24:08 | 0:24:11 | |
-It ends in such a beautiful, great way. -La, la, la! | 0:24:11 | 0:24:15 | |
Nothing, nothing from me. | 0:24:15 | 0:24:17 | |
But, I suppose, in having that character for that many years, | 0:24:17 | 0:24:20 | |
-you know, it is a dark place to be. -Yeah. | 0:24:20 | 0:24:23 | |
Was it hard for Aaron Paul to live like that? | 0:24:23 | 0:24:27 | |
Yeah, the first couple of seasons, I kind of just lived and breathed | 0:24:27 | 0:24:31 | |
Jesse Pinkman, kind of 24/7, and I learned from Brian Cranston who | 0:24:31 | 0:24:36 | |
played Walter White, he said, "It's OK to leave that character on set." | 0:24:36 | 0:24:42 | |
Cos, Jamie Dornan, you did kind of a similar thing with The Fall | 0:24:42 | 0:24:44 | |
playing a sexy... All day we've been saying sexy serial killer, it's such a... Why is that...? | 0:24:44 | 0:24:49 | |
You know, he plays the sexy serial killer. | 0:24:52 | 0:24:54 | |
The hot one you wouldn't mind. | 0:24:56 | 0:24:57 | |
Don't kill me yet! | 0:25:00 | 0:25:02 | |
Sorry, but it must be, you know, I read you in interviews | 0:25:06 | 0:25:09 | |
saying how on set it gets pretty bad. | 0:25:09 | 0:25:13 | |
Yeah, I mean, it's a brutal headspace to maintain. | 0:25:13 | 0:25:16 | |
I don't think it's healthy. | 0:25:16 | 0:25:18 | |
Look, I mean, Jesus, we did five hours in the first series, | 0:25:18 | 0:25:21 | |
he did seven years, so it's a slightly different thing, | 0:25:21 | 0:25:24 | |
but I made a point of getting out of that headspace when I could | 0:25:24 | 0:25:28 | |
and trying to get out of character when I could, | 0:25:28 | 0:25:30 | |
because you just don't want to take it home. | 0:25:30 | 0:25:33 | |
I didn't want to take it home. Maybe you would want to take it home... | 0:25:33 | 0:25:36 | |
You definitely don't want to take it home, sorry. | 0:25:38 | 0:25:40 | |
You DEFINITELY don't want to take it home. | 0:25:40 | 0:25:42 | |
But I heard you used to apologise to the actresses after you'd | 0:25:42 | 0:25:45 | |
-done horrible things to them. -Yeah, yeah. | 0:25:45 | 0:25:47 | |
Yeah, man, you've literally got some poor, very lovely, | 0:25:49 | 0:25:53 | |
very naked actress, um... | 0:25:53 | 0:25:56 | |
And you're literally doing the creepiest things imaginable. | 0:25:56 | 0:25:59 | |
-And getting paid for it. -And getting paid for it, yeah. | 0:25:59 | 0:26:03 | |
Yeah, yeah. So... | 0:26:03 | 0:26:04 | |
See, I take my work home with me, but he's called Dec, | 0:26:09 | 0:26:12 | |
and he only lives four doors away, so... | 0:26:12 | 0:26:13 | |
Well, listen, the Need For Speed, it opens on the 12th of March and it's | 0:26:15 | 0:26:20 | |
based on a... Cos I'm so clueless, is it a video game, computer game? | 0:26:20 | 0:26:23 | |
-Is that the same thing? -Yeah, it's based on a video game. | 0:26:23 | 0:26:26 | |
They've made, I think, 18 of them. | 0:26:26 | 0:26:28 | |
-Yeah, 18 video games. -Wow! | 0:26:28 | 0:26:29 | |
And when I first saw the script, | 0:26:29 | 0:26:31 | |
Need For Speed, I was very hesitant to even read the script if I was | 0:26:31 | 0:26:37 | |
to be honest, but once I started reading it, I loved the story. | 0:26:37 | 0:26:40 | |
It's such a fun, honest thrill ride | 0:26:40 | 0:26:43 | |
and the fact that our director wanted to do | 0:26:43 | 0:26:47 | |
the entire film without CGI or green screen was incredibly brave. | 0:26:47 | 0:26:53 | |
He wanted to do a throwback to films that really kind of started | 0:26:53 | 0:26:56 | |
the genre, such as Bullitt and Vanishing Point and those titles. | 0:26:56 | 0:26:59 | |
There's references to those movies in the movie. | 0:26:59 | 0:27:01 | |
-Yeah, throughout the entire thing, yeah. -Listen, we've got a clip. | 0:27:01 | 0:27:04 | |
This is you in action with Imogen Poots. | 0:27:04 | 0:27:06 | |
Does it need more set-up than that, or...? | 0:27:06 | 0:27:08 | |
Um, no, it's actually my character's trying to scare her | 0:27:08 | 0:27:12 | |
out of the car cos I just don't want her to be there, | 0:27:12 | 0:27:14 | |
so, yeah, that's pretty much it. | 0:27:14 | 0:27:16 | |
TYRES SCREECH | 0:27:16 | 0:27:18 | |
HORN BLARES | 0:27:19 | 0:27:20 | |
-You see the bus, right? -What's that? | 0:27:20 | 0:27:22 | |
The bus! | 0:27:22 | 0:27:23 | |
HORN BLARES | 0:27:23 | 0:27:25 | |
The bus, the bus, the bus! | 0:27:25 | 0:27:26 | |
Go two, now. | 0:27:26 | 0:27:28 | |
TYRES SCREECH | 0:27:29 | 0:27:30 | |
Looks like a scene out of Speed down there. Hard left at three, Keanu. | 0:27:32 | 0:27:36 | |
-OVER PHONE: -Ha ha ha, my man! You got the skills, boy. You know you bad! | 0:27:37 | 0:27:44 | |
Know you bad. | 0:27:44 | 0:27:45 | |
I love that at the end. | 0:27:46 | 0:27:48 | |
It's a little too late for that. | 0:27:50 | 0:27:52 | |
After all that, "Well, I'm going to put my seat belt on now. | 0:27:53 | 0:27:56 | |
"He's clearly crazy." | 0:27:56 | 0:27:57 | |
Ladies and Gentlemen, I hear the pitter-patter of beautiful feet. | 0:27:59 | 0:28:02 | |
She approaches, she is nigh, she is the most successful | 0:28:02 | 0:28:05 | |
supermodel the world has ever seen. | 0:28:05 | 0:28:07 | |
Ladies and gentlemen, please welcome Naomi Campbell. | 0:28:07 | 0:28:10 | |
Oh, wow! | 0:28:10 | 0:28:13 | |
Wow! You look amazing! | 0:28:15 | 0:28:16 | |
Sit down, sit down. | 0:28:18 | 0:28:20 | |
Jamie, Aaron, Naomi. Sit down there. | 0:28:22 | 0:28:26 | |
Supermodel, meet boys. Boys, meet supermodel. | 0:28:26 | 0:28:29 | |
ALL: Hi! | 0:28:29 | 0:28:30 | |
I feel like it's a really good edition of Blind Date. | 0:28:30 | 0:28:33 | |
Question number one... | 0:28:36 | 0:28:37 | |
-By the way, congratulations. I was at the NTA this year. -Oh, thank you. | 0:28:38 | 0:28:41 | |
-Thank you very much. -That was fun to see all the soaps. | 0:28:41 | 0:28:45 | |
I was in heaven. | 0:28:45 | 0:28:46 | |
-Yeah, it was an amazing night. -And it's your 13th. -13, yeah. | 0:28:46 | 0:28:50 | |
-Excuse us, Graham. -Yeah, it was a great night. | 0:28:50 | 0:28:53 | |
-One of the best nights of my life. -Were you there, Graham? | 0:28:55 | 0:28:58 | |
-Was he there? -We beat him. | 0:28:58 | 0:29:00 | |
Aw, Graham! | 0:29:00 | 0:29:02 | |
Naomi, that was cold. | 0:29:07 | 0:29:09 | |
You look fabulous! Just amazing. Wonderful! | 0:29:11 | 0:29:14 | |
-Thank you for being here. -Thank you. Thanks for having me. | 0:29:14 | 0:29:17 | |
So, a model, now a TV mogul, but you are still doing the catwalk. | 0:29:17 | 0:29:20 | |
Was it last week you were in Milan? | 0:29:20 | 0:29:21 | |
-On Sunday. On Sunday, I did the catwalk. -And look at you there! | 0:29:21 | 0:29:26 | |
-Cowgirl. -Cowgirl, yeah. | 0:29:26 | 0:29:29 | |
Cos you took a big gap, didn't you, from catwalk? | 0:29:29 | 0:29:32 | |
And then you sort of came back. | 0:29:32 | 0:29:33 | |
No, it's not really a gap, I just work for... | 0:29:33 | 0:29:36 | |
-I can't say what I really want to say now. I just, I just... -Say it, go on. | 0:29:36 | 0:29:40 | |
-Say it! -No! I just work for the desi...my friends. | 0:29:40 | 0:29:45 | |
-Oh, you work for people you like. -Yeah, and I do, like, one per season. | 0:29:45 | 0:29:49 | |
-OK. -One per season, opposed to when I used to do, like, 30 shows in Milan. | 0:29:49 | 0:29:53 | |
Oh, my God! The airmiles! | 0:29:53 | 0:29:55 | |
And I do feel for the girls now that do... | 0:29:55 | 0:30:00 | |
like, you know, the shoes are tough. | 0:30:00 | 0:30:02 | |
-Really tough. -You never did catwalk, did you? | 0:30:02 | 0:30:05 | |
I know, it's a stupid question. | 0:30:05 | 0:30:07 | |
I just thought I'd ask. | 0:30:11 | 0:30:13 | |
Just thought I'd ask. | 0:30:14 | 0:30:15 | |
In terms of fashion, | 0:30:17 | 0:30:18 | |
I know you want to mention the Vogue Festival at the end of March. | 0:30:18 | 0:30:20 | |
Yeah, I'm going to speak at the Vogue Festival. | 0:30:20 | 0:30:23 | |
-And tickets for that are online? -They're online, yeah. | 0:30:23 | 0:30:26 | |
Now, really, we must talk about The Face, cos there's been a | 0:30:26 | 0:30:30 | |
-lot of press around it, and I know you've seen some of this press. -Oh, yeah. | 0:30:30 | 0:30:33 | |
-And it's annoyed you. -It really has. | 0:30:33 | 0:30:36 | |
In fairness, there's a thing in the New York Daily News. | 0:30:36 | 0:30:41 | |
They've gone all out on it, ladies and gentlemen, all out! | 0:30:41 | 0:30:44 | |
-Now, they're claiming it all comes from show insiders. -Yeah. | 0:30:44 | 0:30:49 | |
So, according to this, and I'm only reading it cos it's here, | 0:30:49 | 0:30:53 | |
-"She's taping her face skin back." -Yeah. | 0:30:53 | 0:30:56 | |
"And hiding the evidence with her fabulous wigs." | 0:30:56 | 0:30:58 | |
What does that even mean? | 0:30:58 | 0:31:00 | |
Well, basically, they've seen tape in my make-up room, | 0:31:00 | 0:31:03 | |
-so they assume that I'm taping my face. -What does that even mean? | 0:31:03 | 0:31:06 | |
-Never. -What is taping your face? | 0:31:06 | 0:31:08 | |
-I'm going to tell you a secret, hold on. -OK, OK. | 0:31:08 | 0:31:11 | |
The secret is everyone thinks I've had big boobs for many years, | 0:31:11 | 0:31:14 | |
and have always said, "Oh, we thought they were bigger," | 0:31:14 | 0:31:17 | |
when they met me in person. I'm like, "No, they're not." | 0:31:17 | 0:31:19 | |
Because I tape them. Am I taped now? Yes. That's my secret. | 0:31:19 | 0:31:23 | |
So, instead of them saying, you know, instead of them saying, | 0:31:23 | 0:31:26 | |
"Well, maybe...I'm taping my face." I'm not that old. | 0:31:26 | 0:31:31 | |
You don't know how hard that was for four boys not to go like that... | 0:31:31 | 0:31:34 | |
-We've all done it. -No, mustn't. Mustn't. Mustn't. | 0:31:36 | 0:31:38 | |
We've all done a Jennifer Lopez. We've all done it. We all do it. | 0:31:38 | 0:31:42 | |
We do it... | 0:31:42 | 0:31:44 | |
I mean, it's like, you know, I don't want to fall out on your show | 0:31:44 | 0:31:47 | |
and I don't want to embarrass myself, so I tape my boobs. | 0:31:47 | 0:31:50 | |
OK, that I understand, just. | 0:31:50 | 0:31:53 | |
If somebody tapes their face, what do they do? | 0:31:54 | 0:31:56 | |
I have no idea, cos I've never taped my face. | 0:31:56 | 0:31:59 | |
-Who tapes their face? -To their boobs! | 0:32:00 | 0:32:02 | |
That sounds like something off your show. | 0:32:08 | 0:32:11 | |
It says, "You've banned staffers greeting you until you say hi first." | 0:32:12 | 0:32:18 | |
-Crap. -OK. That's crap. | 0:32:18 | 0:32:21 | |
Do you... | 0:32:21 | 0:32:22 | |
OK, when I'm on set as a model, as an executive producer, | 0:32:22 | 0:32:27 | |
as a mentor, I don't speak. | 0:32:27 | 0:32:30 | |
I still work with photographers now that I worked with | 0:32:30 | 0:32:33 | |
since I was 16, 28 years. We can talk all day long. | 0:32:33 | 0:32:37 | |
For me, in order to have that boundary, cos we've got work to do, I | 0:32:37 | 0:32:40 | |
don't speak until lunchtime or break time when we're off camera, you know. | 0:32:40 | 0:32:46 | |
I understand, that's very professional, all I would say | 0:32:46 | 0:32:48 | |
is if you came on set and went, "Hiya," then you wouldn't get this. | 0:32:48 | 0:32:52 | |
I say hello to everybody. | 0:32:52 | 0:32:54 | |
Listen, I'm nice to my sound guy, my lighting guy, | 0:32:54 | 0:32:58 | |
because I know they can mess me up totally. | 0:32:58 | 0:33:01 | |
-So, you know... -What's the story? | 0:33:01 | 0:33:02 | |
Cos there's a whole big thing in here about the judges | 0:33:02 | 0:33:05 | |
-in the first series... -Yes. | 0:33:05 | 0:33:07 | |
-..Coco and Carolina... -Yes. | 0:33:07 | 0:33:09 | |
-They're not back. -Nothing to do with me. | 0:33:09 | 0:33:12 | |
-OK. -Nothing to do with me. -It says here it's all to do with you. -No. | 0:33:12 | 0:33:15 | |
LAUGHTER | 0:33:15 | 0:33:17 | |
We will change, each season, new mentors. | 0:33:17 | 0:33:19 | |
I've met you several times over the years | 0:33:19 | 0:33:21 | |
and you're always lovely, you're always really friendly and charming, | 0:33:21 | 0:33:24 | |
but you are still... | 0:33:24 | 0:33:27 | |
You missed one part out, the part of... | 0:33:27 | 0:33:30 | |
that they say I'm a diva. | 0:33:30 | 0:33:31 | |
And they said that I do my own make-up, | 0:33:31 | 0:33:33 | |
but I can tell you, a real diva would never do her own make-up. | 0:33:33 | 0:33:37 | |
So...that part is also ridiculous. | 0:33:37 | 0:33:40 | |
APPLAUSE | 0:33:40 | 0:33:42 | |
I'm not going to go to work... At six in the morning I'm like this... | 0:33:42 | 0:33:46 | |
and just be like, "Do my make-up..." No way. | 0:33:46 | 0:33:50 | |
-I'm half dead in the morning. -So... -I'm not a morning person. | 0:33:50 | 0:33:53 | |
-So you don't do it or you do do it? -I do not do it. | 0:33:53 | 0:33:55 | |
-I do not. -I do not touch this face. | 0:33:55 | 0:33:57 | |
How dare you even suggest it! | 0:33:57 | 0:33:58 | |
I've got great make-up artists and great friends, like family, | 0:33:58 | 0:34:01 | |
that I love and I trust to sit in a chair. | 0:34:01 | 0:34:03 | |
All I was going to say was, whenever I meet you, | 0:34:03 | 0:34:06 | |
you are very friendly and nice. | 0:34:06 | 0:34:07 | |
But at the time same, there is a kind of intimidating... | 0:34:07 | 0:34:11 | |
But that's on you. That's not on me. | 0:34:11 | 0:34:12 | |
It's coming from you though. | 0:34:12 | 0:34:14 | |
LAUGHTER | 0:34:14 | 0:34:17 | |
That's coming from you. You feel... | 0:34:17 | 0:34:19 | |
-I'm just a girl from South London... -Maybe that's it. | 0:34:19 | 0:34:23 | |
LAUGHTER | 0:34:23 | 0:34:26 | |
I'm exactly the same. | 0:34:26 | 0:34:28 | |
That's just it. It's what you think I'm going to be like. | 0:34:28 | 0:34:32 | |
-How...? When you meet men... -Yes. I have this question all the time. | 0:34:32 | 0:34:36 | |
Are they intimated by you? How would a man impress you? | 0:34:36 | 0:34:40 | |
There's four men there. | 0:34:40 | 0:34:41 | |
The ones who are intimidated by me I'm never going to know. | 0:34:41 | 0:34:44 | |
I love that. | 0:34:44 | 0:34:46 | |
I'll never know them and our paths will never pass. | 0:34:46 | 0:34:49 | |
But what impresses you when you meet a man? | 0:34:49 | 0:34:52 | |
It's... I don't know. They have to have a great sense of humour. | 0:34:52 | 0:34:55 | |
They can't take themselves too seriously. | 0:34:55 | 0:34:57 | |
-Yeah. -LAUGHTER | 0:34:57 | 0:35:00 | |
Tick. Tick. | 0:35:00 | 0:35:02 | |
Life is too short and I want to have fun. | 0:35:02 | 0:35:04 | |
In fairness, in terms of impressing a lady... | 0:35:04 | 0:35:07 | |
Aaron Paul on the end, | 0:35:07 | 0:35:09 | |
you did something fabulous to impress your wife. | 0:35:09 | 0:35:12 | |
-I think you did it to impress your wife. -What did I do? | 0:35:12 | 0:35:15 | |
The thing with cherries. | 0:35:16 | 0:35:18 | |
Oh, God! You want to see it? | 0:35:18 | 0:35:20 | |
-I've got some cherries. -Oh, God. -Have I? | 0:35:20 | 0:35:23 | |
-There's some. There's some. -No... OK. | 0:35:23 | 0:35:27 | |
-Come on. -OK, let's do it. -Can you do it? -Yeah. | 0:35:27 | 0:35:30 | |
-Do it with the pineapple. -LAUGHTER | 0:35:30 | 0:35:34 | |
Whatever it is. | 0:35:34 | 0:35:35 | |
You want to do this with me? It's just... | 0:35:35 | 0:35:38 | |
-Is it hard to do or easy? -It's just... I don't know. | 0:35:38 | 0:35:41 | |
I never felt it was hard to do. It's just tying a stem... | 0:35:41 | 0:35:45 | |
with your tongue. | 0:35:45 | 0:35:47 | |
That sounds difficult. I think you'll be impressed, Naomi. | 0:35:47 | 0:35:49 | |
Well, well, I... | 0:35:49 | 0:35:51 | |
LAUGHTER | 0:35:54 | 0:35:57 | |
Oh, no. | 0:35:57 | 0:35:58 | |
-AUDIENCE MEMBER: -Woo! -Oh, my... It's a knot! | 0:36:02 | 0:36:05 | |
-You can see the... Yeah. -Wow! | 0:36:05 | 0:36:08 | |
Thank you. APPLAUSE | 0:36:08 | 0:36:11 | |
-It's so impressive, yeah! -It is. -Yeah. | 0:36:11 | 0:36:14 | |
My wife was quite excited about that. LAUGHTER | 0:36:14 | 0:36:18 | |
I don't know why, but, yeah. GRAHAM LAUGHS | 0:36:18 | 0:36:22 | |
-Now tie the banana. -LAUGHTER | 0:36:22 | 0:36:26 | |
Thank you very much to Naomi and all my guests. | 0:36:26 | 0:36:28 | |
It's time for music. | 0:36:28 | 0:36:30 | |
This woman has just won a Brit Award for Best British Female. | 0:36:30 | 0:36:33 | |
Performing Goodness Gracious, please welcome Ellie Goulding. | 0:36:33 | 0:36:37 | |
APPLAUSE | 0:36:37 | 0:36:39 | |
# I lost a signal and put you away | 0:36:51 | 0:36:55 | |
# Swore upon my sun I'd save you for a rainy day | 0:36:55 | 0:37:00 | |
# Loosened the noose then let go of the rope | 0:37:00 | 0:37:03 | |
# I know if it's never coming back it has to go | 0:37:03 | 0:37:08 | |
# I keep calling your name | 0:37:08 | 0:37:10 | |
# I keep calling your name | 0:37:10 | 0:37:12 | |
-# I wanna hold you close -But I never wanna feel ashamed | 0:37:12 | 0:37:16 | |
# So I keep calling at night | 0:37:16 | 0:37:18 | |
# I keep calling at night | 0:37:18 | 0:37:20 | |
-# I wanna hold you close -I just never wanna hold you tight | 0:37:20 | 0:37:24 | |
# Goodness gracious I can't seem to stop | 0:37:24 | 0:37:28 | |
# Calling you up | 0:37:28 | 0:37:30 | |
# Calling you up just to keep crawling to your arms | 0:37:30 | 0:37:33 | |
# I can't seem to stop | 0:37:34 | 0:37:36 | |
# Calling you up | 0:37:36 | 0:37:38 | |
# Calling you up just to keep crawling to your arms | 0:37:38 | 0:37:45 | |
# I found the weakness and put it to play | 0:37:49 | 0:37:54 | |
# Swore upon the stars I'd keep you till the night was day | 0:37:54 | 0:37:58 | |
# Shake my head dizzy so I'll never know | 0:37:58 | 0:38:02 | |
# You said if you're never coming back you have to go | 0:38:02 | 0:38:06 | |
# I keep calling your name | 0:38:06 | 0:38:08 | |
# Keep calling your name | 0:38:08 | 0:38:11 | |
# I wanna hold you close | 0:38:11 | 0:38:12 | |
# But I never wanna feel ashamed | 0:38:12 | 0:38:14 | |
# So I keep calling at night | 0:38:14 | 0:38:17 | |
# I keep calling at night | 0:38:17 | 0:38:19 | |
# I wanna hold you close | 0:38:19 | 0:38:20 | |
# I just never wanna hold you tight | 0:38:20 | 0:38:23 | |
# Goodness gracious I can't seem to stop | 0:38:23 | 0:38:26 | |
# Calling you up | 0:38:26 | 0:38:28 | |
# Calling you up just to keep crawling to your arms | 0:38:28 | 0:38:32 | |
# I can't seem to stop | 0:38:32 | 0:38:35 | |
# Calling you up | 0:38:35 | 0:38:37 | |
# Calling you up just to keep crawling to your arms | 0:38:37 | 0:38:42 | |
# Calling you up just to keep crawling to your arms | 0:38:45 | 0:38:50 | |
# Woah | 0:38:50 | 0:38:51 | |
-# Calling you up -Just to keep crawling to your... | 0:38:54 | 0:38:56 | |
# Oh, my goodness, here I go again | 0:38:56 | 0:39:00 | |
# Pulling you back to me | 0:39:00 | 0:39:02 | |
# Pulling you back into my arms so selfishly | 0:39:02 | 0:39:05 | |
# I don't think I understand | 0:39:06 | 0:39:08 | |
# Cos I don't really know myself | 0:39:08 | 0:39:10 | |
# I keep calling you up | 0:39:10 | 0:39:12 | |
# Calling you up | 0:39:12 | 0:39:15 | |
# Calling you up | 0:39:16 | 0:39:18 | |
# Calling you up | 0:39:18 | 0:39:20 | |
# Calling you up | 0:39:20 | 0:39:23 | |
# So I can go | 0:39:25 | 0:39:30 | |
# Goodness gracious I can't seem to stop | 0:39:30 | 0:39:33 | |
# Calling you up | 0:39:33 | 0:39:35 | |
# Calling you up just to keep crawling to your arms | 0:39:35 | 0:39:39 | |
# I can't seem to stop | 0:39:39 | 0:39:42 | |
# Calling you up | 0:39:42 | 0:39:43 | |
# Calling you up just to keep crawling to your arms | 0:39:43 | 0:39:51 | |
# Calling you up just to keep crawling to your arms | 0:39:51 | 0:39:58 | |
# Calling you up just to keep crawling to your arms. # | 0:40:00 | 0:40:05 | |
APPLAUSE | 0:40:08 | 0:40:11 | |
Ellie Goulding, everybody! | 0:40:12 | 0:40:15 | |
Beautiful! | 0:40:15 | 0:40:16 | |
Come and join us. Oh, lovely, lovely, lovely. | 0:40:16 | 0:40:19 | |
Ellie Goulding! | 0:40:19 | 0:40:21 | |
-Beautiful job, my dear. -Thank you. | 0:40:21 | 0:40:24 | |
You sit there beside Aaron. Is there room for everyone? | 0:40:24 | 0:40:27 | |
ALL TALK OVER EACH OTHER | 0:40:27 | 0:40:29 | |
All scrunch down. All scrunch down. Very, very, very good. | 0:40:29 | 0:40:32 | |
And that is the single. That is out now on the album Halcyon Days, | 0:40:32 | 0:40:38 | |
-which is also out now. -Yes. | 0:40:38 | 0:40:39 | |
-And listen, congratulations on the Brit Awards. -Thank you. | 0:40:39 | 0:40:42 | |
-I mean, that was a big deal. -It was. | 0:40:42 | 0:40:45 | |
I didn't really think I was going to win. | 0:40:45 | 0:40:47 | |
I genuinely... I know people say that, but I didn't prepare anything. | 0:40:47 | 0:40:51 | |
And I was really, really nervous. I was shaking. | 0:40:51 | 0:40:54 | |
Prince...presented it. | 0:40:54 | 0:40:56 | |
I know. That's like a prize in itself. | 0:40:56 | 0:40:58 | |
I didn't even know about that, and then he was there and... | 0:40:58 | 0:41:01 | |
Yeah. It was all very...scary, but...very, very cool. | 0:41:01 | 0:41:04 | |
Can I just say? It's so nice to have a Brit winner on the couch | 0:41:04 | 0:41:08 | |
because all evening we've just been looking at Brit nominees. | 0:41:08 | 0:41:11 | |
LAUGHTER | 0:41:11 | 0:41:13 | |
Oh, dear. | 0:41:14 | 0:41:16 | |
APPLAUSE | 0:41:16 | 0:41:18 | |
What...? | 0:41:18 | 0:41:20 | |
-When was it? '95? -'95. | 0:41:20 | 0:41:22 | |
-And what were you nominated for? -Best Newcomer. | 0:41:22 | 0:41:25 | |
And... And this is good. Who won? | 0:41:25 | 0:41:28 | |
HE LAUGHS Oasis. | 0:41:28 | 0:41:30 | |
LAUGHTER | 0:41:30 | 0:41:32 | |
-Oh, God! It was very close. -Whatever happened to them? | 0:41:32 | 0:41:34 | |
Very close. | 0:41:34 | 0:41:36 | |
-LAUGHTER -It was awful. | 0:41:36 | 0:41:38 | |
Before we go tonight, | 0:41:38 | 0:41:39 | |
let's see if we can squeeze in a story on the red chair. | 0:41:39 | 0:41:43 | |
Who is there? | 0:41:43 | 0:41:45 | |
-Hello. -Hi, Graham. | 0:41:45 | 0:41:46 | |
-What's your name? -Eleanor. | 0:41:46 | 0:41:47 | |
Lovely. And what do you do, Eleanor? | 0:41:47 | 0:41:49 | |
-I'm retired. -Ooh, right. | 0:41:49 | 0:41:51 | |
-What did you do? -I was a local government officer. | 0:41:51 | 0:41:54 | |
You've retired now. Just own it with pride. No-one knows what you did. | 0:41:54 | 0:41:58 | |
You could be responsible for the fortnightly bin collection | 0:41:58 | 0:42:01 | |
but we don't know. | 0:42:01 | 0:42:03 | |
You know, you're retired now. | 0:42:04 | 0:42:05 | |
You got off. You got away with it. Er... OK. | 0:42:05 | 0:42:09 | |
Off you go. Off you go with your story. | 0:42:09 | 0:42:11 | |
Summer, 1959, August, it's boiling hot. I'm seven months' pregnant. | 0:42:11 | 0:42:16 | |
I'm wearing a very diaphanous dress. | 0:42:16 | 0:42:18 | |
What? What? | 0:42:18 | 0:42:21 | |
-Diaphanous. Floaty. -I thought it was a design. | 0:42:21 | 0:42:23 | |
And...because it was so hot and I was at home, | 0:42:24 | 0:42:27 | |
I didn't wear any knickers. | 0:42:27 | 0:42:29 | |
-Anyway... -Leave it. Leave it. LAUGHTER | 0:42:29 | 0:42:33 | |
Leave it. Leave it. | 0:42:33 | 0:42:35 | |
APPLAUSE | 0:42:35 | 0:42:37 | |
-Do you want me to carry on? -Carry on. Carry on. Carry on. | 0:42:39 | 0:42:42 | |
Then what happened? | 0:42:42 | 0:42:43 | |
During the afternoon I had a terrible thirst | 0:42:43 | 0:42:47 | |
and I needed to have lemonade, so off I toddled to the local shop, | 0:42:47 | 0:42:51 | |
bought two great big bottles of lemonade, one under each arm. | 0:42:51 | 0:42:55 | |
I'm toddling home, happy, | 0:42:55 | 0:42:57 | |
and a gust of wind blew up and my dress came right up over my face... | 0:42:57 | 0:43:02 | |
front and back. Commando! | 0:43:02 | 0:43:05 | |
APPLAUSE | 0:43:05 | 0:43:06 | |
ALL TALK OVER EACH OTHER | 0:43:06 | 0:43:08 | |
-Yay! -ALL TALK OVER EACH OTHER | 0:43:10 | 0:43:16 | |
Jamie was really impressed by that walk. He was like, "Wow! | 0:43:16 | 0:43:19 | |
"Look at her go." | 0:43:19 | 0:43:21 | |
Well done, everyone. | 0:43:21 | 0:43:22 | |
If you'd like to join us on the show and have a go in the red chair, | 0:43:22 | 0:43:25 | |
you can contact us via our website at this address. | 0:43:25 | 0:43:28 | |
Thank you so much to my guests tonight. | 0:43:28 | 0:43:31 | |
-Ellie Goulding! -APPLAUSE | 0:43:31 | 0:43:33 | |
-Aaron Paul! -APPLAUSE | 0:43:33 | 0:43:35 | |
-Jamie Dornan! -APPLAUSE | 0:43:35 | 0:43:37 | |
-Ant and Dec! -APPLAUSE | 0:43:37 | 0:43:40 | |
-And Naomi Campbell! -APPLAUSE | 0:43:40 | 0:43:42 | |
We're taking a short break, but we will be back on the fourth of April | 0:43:44 | 0:43:48 | |
with screen siren Cameron Diaz, Oscar-winning actor Russell Crowe, | 0:43:48 | 0:43:51 | |
and queen of the disco Kylie Minogue. | 0:43:51 | 0:43:53 | |
I'll see you then. Good night, everybody. Bye-bye! | 0:43:53 | 0:43:55 |