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Tonight, one hot young actor, one pop princess, | 0:00:02 | 0:00:04 | |
one grande dame of British theatre | 0:00:04 | 0:00:05 | |
and one slightly drunk Irishman to ask them questions. | 0:00:05 | 0:00:08 | |
What? Oh, that's me. Let's start the show! | 0:00:08 | 0:00:10 | |
Oh! Oh! | 0:00:26 | 0:00:28 | |
Oh! Oh! | 0:00:29 | 0:00:31 | |
Thank you so much! | 0:00:31 | 0:00:33 | |
Oh! | 0:00:34 | 0:00:35 | |
All the clapping, applause! | 0:00:35 | 0:00:37 | |
Beautiful! Thank you, good evening. | 0:00:38 | 0:00:42 | |
Oh, there must be 800 people here. That's amazing! | 0:00:42 | 0:00:45 | |
That is fabulous. Hey, welcome all. | 0:00:45 | 0:00:47 | |
We've got the best of British on the show this week. | 0:00:47 | 0:00:49 | |
One of the hottest actors around, Dominic Cooper's on the show! | 0:00:49 | 0:00:52 | |
CHEERING | 0:00:52 | 0:00:54 | |
Yes! | 0:00:54 | 0:00:55 | |
One of my favourite guests of all time. | 0:00:55 | 0:00:58 | |
You're so lucky to be here on a night she's here. | 0:00:58 | 0:01:00 | |
Miriam Margolyes is on the show! | 0:01:00 | 0:01:02 | |
CHEERING | 0:01:02 | 0:01:04 | |
Yes! | 0:01:04 | 0:01:05 | |
And one of our brightest singing stars, Lily Allen is here! | 0:01:06 | 0:01:09 | |
CHEERING | 0:01:09 | 0:01:11 | |
Yes, she is! | 0:01:11 | 0:01:13 | |
Oh! Isn't that great? | 0:01:13 | 0:01:15 | |
It's so lovely that Lily's back, | 0:01:15 | 0:01:16 | |
Lily's back singing after taking time out to have babies. | 0:01:16 | 0:01:19 | |
Talking of which, hey, | 0:01:19 | 0:01:21 | |
let's say a huge congratulations to Simon Cowell, who's become a dad. | 0:01:21 | 0:01:26 | |
Isn't that nice? It's a good thing. It is. | 0:01:26 | 0:01:28 | |
This is Simon after the birth. | 0:01:28 | 0:01:30 | |
LAUGHTER | 0:01:30 | 0:01:31 | |
And this is the baby when he realised just how rich his dad is. | 0:01:31 | 0:01:34 | |
CASH REGISTER RINGS | 0:01:34 | 0:01:36 | |
LAUGHTER | 0:01:36 | 0:01:37 | |
"Mmm, those are some nice nappies! | 0:01:37 | 0:01:39 | |
"It don't smell!" | 0:01:41 | 0:01:43 | |
Lily had a big hit at Christmas | 0:01:43 | 0:01:45 | |
with the song on the John Lewis advert, | 0:01:45 | 0:01:48 | |
Somewhere Only We Know. | 0:01:48 | 0:01:49 | |
It was adorable, really. | 0:01:49 | 0:01:51 | |
About a hare who bought a bear an alarm clock, | 0:01:51 | 0:01:54 | |
so he wouldn't miss Christmas. | 0:01:54 | 0:01:56 | |
And, in real life, bears do love hares. Yeah. Um... | 0:01:56 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:00 | |
"Thanks for waking me up, you're delicious!" | 0:02:00 | 0:02:03 | |
"Merry Christmas!" | 0:02:05 | 0:02:07 | |
No, I'm joking, I'm joking. The bear was very grateful. | 0:02:07 | 0:02:10 | |
And bears do have a special way of showing their gratitude. Mm-hm. | 0:02:10 | 0:02:13 | |
LAUGHTER | 0:02:13 | 0:02:15 | |
APPLAUSE | 0:02:15 | 0:02:17 | |
I could look at that all day. | 0:02:21 | 0:02:22 | |
Let's get some guests on! | 0:02:22 | 0:02:24 | |
She's magnificent, she's marvellous, | 0:02:24 | 0:02:27 | |
she's Miriam Margolyes! | 0:02:27 | 0:02:30 | |
CHEERING | 0:02:30 | 0:02:31 | |
Hello, you gorgeous creature! How lovely to see you! | 0:02:34 | 0:02:38 | |
Oh, come in and sit down. Do. | 0:02:38 | 0:02:39 | |
Miriam Margolyes, everybody! | 0:02:39 | 0:02:42 | |
Thank you. | 0:02:42 | 0:02:44 | |
Mamma Mia, it's Dominic Cooper! | 0:02:44 | 0:02:46 | |
CHEERING | 0:02:46 | 0:02:49 | |
-Hello. -How are you? -I'm very well. | 0:02:49 | 0:02:52 | |
Sit down, sit down. | 0:02:52 | 0:02:54 | |
And, get ready to smile, it's Lily Allen! | 0:02:54 | 0:02:57 | |
CHEERING | 0:02:57 | 0:02:58 | |
Oh, beautiful! | 0:02:58 | 0:03:00 | |
Gorgeous! Hello, darling, how are you? Mwah, mwah! | 0:03:00 | 0:03:04 | |
Sit yourself down. | 0:03:04 | 0:03:06 | |
Welcome all, welcome all. Are you all right there? | 0:03:09 | 0:03:11 | |
-Yeah, should I have gone that way? -No, no, you're fine. It's nice. | 0:03:11 | 0:03:14 | |
-It's intime. -We're correctly spread out. | 0:03:14 | 0:03:17 | |
-Yes. -So to speak. -Yes. | 0:03:17 | 0:03:19 | |
LAUGHTER | 0:03:19 | 0:03:20 | |
All right? Everyone comfortable? Good. | 0:03:20 | 0:03:22 | |
Now, Miriam has a thing. | 0:03:22 | 0:03:24 | |
She doesn't like to know who she's coming on with, cos last time, | 0:03:24 | 0:03:27 | |
you liked Will.i.am, but you didn't know who Will.i.am was, did you? | 0:03:27 | 0:03:30 | |
I actually didn't. | 0:03:30 | 0:03:32 | |
And he's charming. He's the most delightful gentleman, really. | 0:03:32 | 0:03:36 | |
But unknown to me. That was the thing. | 0:03:36 | 0:03:39 | |
So, how are you doing tonight? | 0:03:39 | 0:03:42 | |
-Well... -Has no idea. | 0:03:42 | 0:03:43 | |
LAUGHTER | 0:03:43 | 0:03:46 | |
Have you ever worked with Dominic? | 0:03:46 | 0:03:48 | |
-We haven't, darling, have we? -No, we haven't, actually. | 0:03:48 | 0:03:51 | |
-But I hope we will. -Yes. | 0:03:51 | 0:03:53 | |
-I think I've seen you in The History Boys. -Yes. | 0:03:53 | 0:03:56 | |
-I think I saw that. -Good. | 0:03:56 | 0:03:57 | |
I can't remember you, but I thought you were... | 0:03:57 | 0:03:59 | |
LAUGHTER | 0:03:59 | 0:04:01 | |
LAUGHTER DROWNS OUT SPEECH | 0:04:03 | 0:04:05 | |
-..very memorable. -No, did you see Mamma Mia? | 0:04:05 | 0:04:07 | |
He was very good in Mamma Mia. Did you see that? | 0:04:07 | 0:04:10 | |
That was a dreadful film! | 0:04:10 | 0:04:11 | |
LAUGHTER | 0:04:11 | 0:04:13 | |
Did you think that was a good film? | 0:04:13 | 0:04:15 | |
I can't possibly say. | 0:04:15 | 0:04:17 | |
Yes! | 0:04:18 | 0:04:19 | |
It was fun, Miriam! | 0:04:19 | 0:04:21 | |
It was the film of Mamma Mia! | 0:04:21 | 0:04:23 | |
-It was a very popular film with people. -Yes! | 0:04:23 | 0:04:27 | |
That's all we can hope for, Miriam, really. | 0:04:27 | 0:04:30 | |
We dream of making things that are popular with people. | 0:04:30 | 0:04:33 | |
LAUGHTER | 0:04:33 | 0:04:35 | |
Wasn't that the one where the family came to see you making it, Dominic? | 0:04:37 | 0:04:41 | |
-It was the first time your family came to see you? -Yeah. | 0:04:41 | 0:04:43 | |
That was the first time they saw me do any filming work | 0:04:43 | 0:04:46 | |
and the particular point that they came in to... Yes. | 0:04:46 | 0:04:49 | |
-That monstrosity, I was wearing. -Is that you? | 0:04:49 | 0:04:52 | |
That is. Do you not remember that bit? | 0:04:52 | 0:04:54 | |
You'd stopped watching it by then, that happens at the end. | 0:04:54 | 0:04:56 | |
They came and saw me, then saw that that's where I was heading in life. | 0:04:56 | 0:05:00 | |
And I'm not sure what they exactly thought of it. | 0:05:00 | 0:05:02 | |
But I think Pierce, when we were wearing those things, | 0:05:02 | 0:05:05 | |
felt slightly more uncomfortable, because we were | 0:05:05 | 0:05:08 | |
in the same building that James Bond was filming, so was Daniel Craig... | 0:05:08 | 0:05:11 | |
-Oh! -Just on the year they'd sort of changed over. | 0:05:11 | 0:05:14 | |
So, as we were walking across the parking lot wearing those, | 0:05:14 | 0:05:17 | |
Daniel Craig was pulling up in an Aston Martin, | 0:05:17 | 0:05:20 | |
looking particularly cool. | 0:05:20 | 0:05:23 | |
So I didn't feel quite as bad. | 0:05:23 | 0:05:24 | |
And Lily Allen, pop star. | 0:05:25 | 0:05:27 | |
I mean, you will know Lily's songs. | 0:05:27 | 0:05:30 | |
I promise you you will. | 0:05:30 | 0:05:31 | |
Darling, I'm 72. | 0:05:31 | 0:05:33 | |
-I don't know about songs and singing. -That's fine. | 0:05:33 | 0:05:36 | |
But I know you're highly admired. I do know that. | 0:05:36 | 0:05:39 | |
See, yes. | 0:05:39 | 0:05:41 | |
Unlike Dominic, I guess. | 0:05:41 | 0:05:42 | |
LAUGHTER | 0:05:42 | 0:05:44 | |
Dominic, nothing. You're in a horrible film, | 0:05:44 | 0:05:46 | |
I don't remember the other one, but Lily, everyone loves you. | 0:05:46 | 0:05:50 | |
You'll have heard Lily's song at Christmas on the ads. | 0:05:50 | 0:05:53 | |
It was on the John Lewis ad. | 0:05:53 | 0:05:55 | |
You saw that ad, didn't you? | 0:05:55 | 0:05:56 | |
I was in Amsterdam at Christmas. | 0:05:56 | 0:05:59 | |
Christmas starts in October. | 0:06:01 | 0:06:04 | |
Miriam, you played... | 0:06:04 | 0:06:06 | |
I was going to say a monkey, you played a rabbit in... | 0:06:06 | 0:06:09 | |
-the Caramel ad. -The Cadbury's bunny, yes. -Yes. | 0:06:09 | 0:06:12 | |
-A long time ago. -Were you the voice? -Yes. | 0:06:12 | 0:06:14 | |
-That youthful, smooth, caramel-like voice... -That's it. That's it. | 0:06:14 | 0:06:17 | |
-Lovely. -That was Miriam. -That was me. | 0:06:17 | 0:06:20 | |
Was it, "Take it easy, Mr...?" | 0:06:20 | 0:06:22 | |
-Take it easy, Mr Rabbit. Something like that. -Ohhh! | 0:06:22 | 0:06:27 | |
In a really creepy poll, | 0:06:27 | 0:06:29 | |
that rabbit came third sexiest animated character of all time. | 0:06:29 | 0:06:33 | |
-LAUGHTER -Really? -Yeah. | 0:06:33 | 0:06:36 | |
-Wow. -I mean, who decided... "We should find out which animated character people find sexiest." | 0:06:36 | 0:06:40 | |
-Who's number one? -I want to know who beat me. -Betty... Is it Betty Boo? | 0:06:40 | 0:06:43 | |
-Betty Boop? -Yeah, Jessica Rabbit... -I bet Jessica Rabbit was second | 0:06:43 | 0:06:47 | |
-and you were third. -Not bad though. -It's not bad. Not bad. | 0:06:47 | 0:06:50 | |
Talking of ads, Dominic's first ever paid work was an advertisement. | 0:06:51 | 0:06:57 | |
I was quite proud of being chased down the road by lots of sperm | 0:06:57 | 0:07:00 | |
-which is what the advert was. -I remember that advert. | 0:07:00 | 0:07:03 | |
-What were you advertising? -I wasn't sure. | 0:07:03 | 0:07:07 | |
But I knew I was getting paid to do some work which was incredible. | 0:07:07 | 0:07:09 | |
-It was for condoms. -It was condoms. I remember. | 0:07:09 | 0:07:12 | |
-But why were the sperm chasing you? -I couldn't work that bit out. | 0:07:12 | 0:07:15 | |
I was meeting a girlfriend and then I'd seen the reflection | 0:07:15 | 0:07:19 | |
of all these huge, great Czechoslovakian sperm | 0:07:19 | 0:07:21 | |
heading down the street... | 0:07:21 | 0:07:23 | |
wafting their sperm heads and then... | 0:07:23 | 0:07:25 | |
But then they all landed in... | 0:07:25 | 0:07:26 | |
I didn't quite understand what happened. | 0:07:26 | 0:07:28 | |
As I met her, they all knocked me over and landed on top of her, | 0:07:28 | 0:07:31 | |
but ended up in the end of a condom. | 0:07:31 | 0:07:34 | |
LAUGHTER | 0:07:34 | 0:07:37 | |
Well, if you weren't using protection before... | 0:07:37 | 0:07:41 | |
I'm not sure it worked, the commercial. | 0:07:41 | 0:07:44 | |
-I don't think it was a success. -Did you give your opinion? | 0:07:44 | 0:07:46 | |
What do you mean, it didn't work? People stopped buying condoms? | 0:07:46 | 0:07:50 | |
Nothing's going to stop those sperm! | 0:07:50 | 0:07:53 | |
When you're in an ad, do you voice an opinion on the ad or...? | 0:07:53 | 0:07:57 | |
-Yes. -Oh, you do? -Always. | 0:07:57 | 0:07:59 | |
-Do they welcome that opinion? -No. | 0:07:59 | 0:08:01 | |
No, but I mean... I know better than they do, | 0:08:03 | 0:08:06 | |
that is the truth, and I'm experienced | 0:08:06 | 0:08:09 | |
and I need to help them sometimes. | 0:08:09 | 0:08:12 | |
The grammar is often bad. | 0:08:12 | 0:08:13 | |
-She really doesn't want to listen to my songs. -Yes, I do. I do. | 0:08:16 | 0:08:21 | |
We'll get notes. We'll get notes later. | 0:08:21 | 0:08:24 | |
Because, Miriam, you were the voice of a period, weren't you? | 0:08:24 | 0:08:27 | |
-A menstrual period, yes. -A menstrual period. | 0:08:27 | 0:08:30 | |
Sorry. My mistake. | 0:08:31 | 0:08:34 | |
As an actress, how did you find that voice? | 0:08:39 | 0:08:44 | |
Well... | 0:08:44 | 0:08:45 | |
-You always go to the text first... -Yes. | 0:08:45 | 0:08:49 | |
..and the text was, "You didn't expect to find me on your holidays." | 0:08:49 | 0:08:54 | |
So I thought, well... | 0:08:56 | 0:08:59 | |
..that's got to be a naughty schoolgirl, so I went... | 0:09:00 | 0:09:05 | |
SHE GIGGLES | 0:09:05 | 0:09:07 | |
-IN A HIGHPITCHED VOICE: -You didn't expect to find me on your holidays, did you? | 0:09:07 | 0:09:12 | |
Beautiful. What were you selling? | 0:09:14 | 0:09:16 | |
-Sanitary towels or something? -It was... | 0:09:16 | 0:09:18 | |
It was for sanitary protection, yes. | 0:09:18 | 0:09:21 | |
-Lovely. -Yes, for sanitary protection. | 0:09:21 | 0:09:24 | |
Sales went up, I imagine. Yes. | 0:09:24 | 0:09:26 | |
I have actually got a menstrual story for you, if you like. | 0:09:26 | 0:09:29 | |
LAUGHTER | 0:09:29 | 0:09:31 | |
CHEERING | 0:09:31 | 0:09:34 | |
Off you go, Miriam Margolyes. | 0:09:35 | 0:09:37 | |
Did I tell you last time about when I did an audition for Crossroads? | 0:09:37 | 0:09:41 | |
-No, I don't think so. -Right. Well... | 0:09:41 | 0:09:43 | |
for those of you who may remember, Crossroads was... | 0:09:43 | 0:09:46 | |
-I know it. -I remember Crossroads. | 0:09:46 | 0:09:48 | |
..a soap opera which took place in Birmingham | 0:09:48 | 0:09:50 | |
and I went for the audition and... | 0:09:50 | 0:09:54 | |
I'm pouring this all over myself. It's rather exciting. | 0:09:54 | 0:09:57 | |
As I was waiting for my turn to do the audition, | 0:09:58 | 0:10:02 | |
my periods started and I thought... | 0:10:02 | 0:10:05 | |
Periods! | 0:10:05 | 0:10:07 | |
Don't you call it that? | 0:10:09 | 0:10:11 | |
MIMICS MIRIAM: Period. | 0:10:11 | 0:10:14 | |
-Don't you call it that? -No, I just say, "I'm on the rag." | 0:10:14 | 0:10:18 | |
LAUGHTER | 0:10:18 | 0:10:20 | |
-This is terrible. -On the rag?! -I feel very in-between this. | 0:10:20 | 0:10:23 | |
How are you doing, Dominic? | 0:10:23 | 0:10:25 | |
-All good, there? Yeah? OK. -Really comfortable. | 0:10:26 | 0:10:29 | |
-OK. -You don't want to talk about periods? -No, I do. | 0:10:29 | 0:10:33 | |
-I don't mind periods. -It's all right. It's all right. | 0:10:33 | 0:10:35 | |
So, meanwhile, back in Birmingham, Miriam's just had her period. | 0:10:35 | 0:10:40 | |
I went... I went to the ladies' room and in those days, there was | 0:10:40 | 0:10:44 | |
a long box on the wall, Dr Southall Sanitary Towels. | 0:10:44 | 0:10:49 | |
And you put in two pennies and pulled the little drawer | 0:10:49 | 0:10:53 | |
and got out the carton. Am I right? You remember all this, some of you? | 0:10:53 | 0:10:56 | |
People applauding. "Oh, yes!" | 0:10:56 | 0:11:00 | |
So, I put in my 2p, pulled out the little drawer | 0:11:00 | 0:11:04 | |
and it snapped back with my finger in it, | 0:11:04 | 0:11:08 | |
so it was really painful. | 0:11:08 | 0:11:10 | |
It tore a great gash in my finger which was so sore. | 0:11:10 | 0:11:15 | |
Bleeding all over the place. | 0:11:15 | 0:11:17 | |
I managed to pull open the drawer and extract my finger. | 0:11:17 | 0:11:21 | |
I rushed into the loo and fixed myself up, | 0:11:21 | 0:11:24 | |
came out again and went in and started to read for the audition. | 0:11:24 | 0:11:30 | |
And I noticed that the script was covered in blood | 0:11:30 | 0:11:35 | |
and the people I was auditioning for noticed it too | 0:11:35 | 0:11:39 | |
and they looked, I saw them looking and I said, | 0:11:39 | 0:11:43 | |
"Oh, I'm so sorry. | 0:11:43 | 0:11:46 | |
"You see, my period started..." | 0:11:46 | 0:11:48 | |
GROANING AND LAUGHTER | 0:11:48 | 0:11:51 | |
-Did you get the job? -I did, actually. -You got the job?! Yay! | 0:11:59 | 0:12:04 | |
Right. Now, Lily Allen, very exciting, | 0:12:04 | 0:12:07 | |
-you are singing for us later. -Yes. Sadly, for you. -No! | 0:12:07 | 0:12:12 | |
-I love that song. It's getting loads of radio play. -I know. | 0:12:12 | 0:12:15 | |
Just been put on the A list, whatever that means. | 0:12:15 | 0:12:18 | |
-It means it's being played a lot and it's called Air Balloon. -Yes. | 0:12:18 | 0:12:21 | |
It's very good. Now, we're thrilled you're back, | 0:12:21 | 0:12:23 | |
all the new stuff you've brought out has done really well. | 0:12:23 | 0:12:26 | |
But I'm not wrong, you did say... | 0:12:26 | 0:12:28 | |
You did say goodbye. | 0:12:28 | 0:12:30 | |
-You said, "No more." -Yeah. | 0:12:30 | 0:12:32 | |
-Changed your mind. -Yep. -Fair enough. | 0:12:32 | 0:12:35 | |
Well, actually, I didn't really. I had two babies, | 0:12:35 | 0:12:38 | |
I was very busy with them and... | 0:12:38 | 0:12:41 | |
I had two babies. Two babies. | 0:12:41 | 0:12:45 | |
Ethel and Marnie. Hi. Love you guys. | 0:12:45 | 0:12:48 | |
I really hope they're NOT watching this. | 0:12:48 | 0:12:51 | |
-They're always in bed by seven. -That's all right then. Fine. | 0:12:51 | 0:12:56 | |
-What time is it now? -Late. It's about half ten. -Of course. | 0:12:56 | 0:12:59 | |
Anyway... So, yeah... | 0:12:59 | 0:13:02 | |
LAUGHTER | 0:13:02 | 0:13:04 | |
But anyway, long story short, or short story really long... | 0:13:08 | 0:13:13 | |
erm, I decided that I wanted to go back to work, | 0:13:13 | 0:13:17 | |
but realised I had no qualifications | 0:13:17 | 0:13:19 | |
-for anything except for... -Singing. -..being a pop star. | 0:13:19 | 0:13:22 | |
-Obvious choice. -And you're working... | 0:13:22 | 0:13:25 | |
What is the story with the album? | 0:13:25 | 0:13:27 | |
There's been a lot of talk of this album, but no sign of it as yet. | 0:13:27 | 0:13:30 | |
-Is it finished? -It is finished. -So, is there a release date? | 0:13:30 | 0:13:34 | |
End of spring. This year. | 0:13:34 | 0:13:37 | |
-Is that the end of March or the end of April? -I don't know. | 0:13:37 | 0:13:39 | |
I said, "Can I say a date?" The record company said, "No. End of spring is your line." | 0:13:39 | 0:13:43 | |
-OK. End of spring. -End of spring. -Does it have a title yet? | 0:13:43 | 0:13:45 | |
-It does. -Oh! Then you can tell us. | 0:13:45 | 0:13:48 | |
OK. | 0:13:48 | 0:13:50 | |
LAUGHTER | 0:13:50 | 0:13:52 | |
She doesn't seem that confident with her title choice. | 0:13:52 | 0:13:55 | |
-It's a confident title choice. -What have you called it? | 0:13:55 | 0:13:58 | |
Sheezus. | 0:13:58 | 0:13:59 | |
Sheezus, as in... | 0:13:59 | 0:14:01 | |
She... She... Oh, wait. Is it like Yeezus? | 0:14:01 | 0:14:04 | |
I mean, obviously it's like Jesus, but is it the Kanye thing as well? | 0:14:04 | 0:14:08 | |
-It's a little nod to Kanye. -To whom? | 0:14:08 | 0:14:10 | |
-Kanye West. -You've yet to meet him. | 0:14:10 | 0:14:12 | |
Another week. | 0:14:12 | 0:14:15 | |
-I obviously don't know who that is. -You will meet him. | 0:14:15 | 0:14:19 | |
-Yeah, stick with us. -Yeah, so Sheezus. -Sheezus, it's a good title. | 0:14:19 | 0:14:23 | |
-Subtle. -Yeah, it's good. Sheezus. Now we know. | 0:14:23 | 0:14:26 | |
Feel free to social media that. | 0:14:26 | 0:14:28 | |
No! I completely forgot about that element of things. | 0:14:28 | 0:14:31 | |
-No, it will be on telly tomorrow. -No, it's fine. | 0:14:31 | 0:14:35 | |
Those are cameras. I know it is all dark and everything, but yeah. | 0:14:35 | 0:14:39 | |
We are filming this. | 0:14:39 | 0:14:41 | |
Now, the video for Air Balloon, you did some extraordinary things. | 0:14:44 | 0:14:48 | |
We've seen you on the zebra. This next picture. | 0:14:48 | 0:14:51 | |
-Is that a stuffed cheetah? -It's a real cheetah. | 0:14:51 | 0:14:55 | |
Isn't that incredibly dangerous? | 0:14:55 | 0:14:57 | |
I have this weird thing. | 0:14:57 | 0:14:59 | |
Obviously I get pitched stuff all the time where work is concerned | 0:14:59 | 0:15:03 | |
and I've got this inability to look past the next hour and a half. | 0:15:03 | 0:15:07 | |
So I get a treatment of a video and | 0:15:07 | 0:15:09 | |
I'm like, "Yeah, cool, cheetahs, zebras. That sounds exotic and fun." | 0:15:09 | 0:15:13 | |
I find myself on the side of a hill with someone rubbing steak on my face | 0:15:13 | 0:15:18 | |
so that the cheetah would lick me. | 0:15:18 | 0:15:20 | |
It's like, "Actually, what am I doing here?" | 0:15:20 | 0:15:25 | |
That sounds like madness! | 0:15:25 | 0:15:28 | |
Yeah. It was a two-day shoot and that was on the second day. | 0:15:28 | 0:15:31 | |
On the first day, someone came up to me and said, | 0:15:31 | 0:15:33 | |
"Oh, Lily, by the way, don't eat any steak tonight, | 0:15:33 | 0:15:38 | |
"just in case you burp and the cheetah smells it." | 0:15:38 | 0:15:41 | |
LAUGHTER | 0:15:41 | 0:15:44 | |
But you're allowed to be covered in steak? | 0:15:44 | 0:15:46 | |
No, they just wiped it on me so that he smelt it and licked my face. | 0:15:46 | 0:15:50 | |
And then take a chunk? | 0:15:50 | 0:15:52 | |
If I'd eaten steak the night before and I'd burped next to him, | 0:15:52 | 0:15:57 | |
then he would have gone, "RAAR!" and eaten me or something. | 0:15:57 | 0:16:01 | |
Yeah, I'm not a zoologist or anything, | 0:16:01 | 0:16:03 | |
but I think there's some weak thinking there. | 0:16:03 | 0:16:05 | |
LAUGHTER | 0:16:05 | 0:16:07 | |
-On my part or their part? -No, on their part. | 0:16:07 | 0:16:09 | |
They could've lost you. That was a crazy thing to do. | 0:16:09 | 0:16:13 | |
Working with animals is very difficult. | 0:16:13 | 0:16:15 | |
We have some very good examples of dogs spoiling photographs. | 0:16:15 | 0:16:21 | |
We found them on theladbible.com. | 0:16:21 | 0:16:24 | |
So this is some children playing on the beach. Lovely. | 0:16:24 | 0:16:27 | |
We'll want to remember that forever. | 0:16:27 | 0:16:29 | |
We'll take a picture of our children. There it is. | 0:16:29 | 0:16:32 | |
LAUGHTER | 0:16:32 | 0:16:35 | |
This next one, I love this for the expression on the dog's face. | 0:16:36 | 0:16:40 | |
So you've got the whole family. Look at the baby, everything. | 0:16:40 | 0:16:43 | |
Now look at the dog. | 0:16:43 | 0:16:45 | |
LAUGHTER | 0:16:45 | 0:16:47 | |
I love his face. | 0:16:49 | 0:16:50 | |
"Am I in this? | 0:16:50 | 0:16:52 | |
"Am I in shot here? | 0:16:52 | 0:16:55 | |
"Sorry, sorry." | 0:16:55 | 0:16:57 | |
Animals always look so much more vulnerable than humans | 0:17:00 | 0:17:03 | |
when they are crapping, don't you think? | 0:17:03 | 0:17:05 | |
Oh, darling, we all look vulnerable when we're crapping! | 0:17:05 | 0:17:09 | |
LAUGHTER | 0:17:09 | 0:17:11 | |
-We can lock the door. -Terrified. -They look so scared, don't they? | 0:17:11 | 0:17:16 | |
-I think it's a vulnerable moment. -It is. | 0:17:16 | 0:17:19 | |
Here's some young people having fun, jumping in the air. There they are. | 0:17:19 | 0:17:23 | |
LAUGHTER | 0:17:23 | 0:17:26 | |
They always look like they're forcing it out. | 0:17:29 | 0:17:31 | |
Yeah, it's like, "I don't want to!" | 0:17:31 | 0:17:33 | |
But the next picture, the number | 0:17:33 | 0:17:35 | |
of things that needed to all happen at the same time are incredible. | 0:17:35 | 0:17:38 | |
A dragonfly lands on a man's finger. | 0:17:38 | 0:17:43 | |
It can't have been there for long. | 0:17:43 | 0:17:45 | |
So he was able to have it on his finger, get his camera out | 0:17:45 | 0:17:49 | |
and take a picture of all of this. | 0:17:49 | 0:17:52 | |
There's the dragonfly. | 0:17:52 | 0:17:54 | |
LAUGHTER | 0:17:54 | 0:17:57 | |
That one is comfortable. He's having a nice time. | 0:18:00 | 0:18:02 | |
He doesn't know he's being watched! | 0:18:02 | 0:18:05 | |
My favourite ones are people trying to be romantic. | 0:18:06 | 0:18:09 | |
There's a couple reclining on the grass. It's really, really lovely. | 0:18:09 | 0:18:13 | |
LAUGHTER | 0:18:13 | 0:18:15 | |
I love how old that dog looks. | 0:18:16 | 0:18:18 | |
"You're young. You've got your whole lives." | 0:18:18 | 0:18:23 | |
Well done, all the pooing dogs! Very good. | 0:18:23 | 0:18:26 | |
APPLAUSE | 0:18:26 | 0:18:29 | |
Dominic Cooper, flying high at the moment on Sky in Fleming, | 0:18:30 | 0:18:35 | |
-playing the James Bond creator, Ian Fleming. -Yes. | 0:18:35 | 0:18:39 | |
-Now, it's a four-parter. -Yes. | 0:18:39 | 0:18:42 | |
It's a biopic, but not really? | 0:18:42 | 0:18:45 | |
It kind of is. | 0:18:45 | 0:18:47 | |
We've used two biographies, which are very specific about his life | 0:18:47 | 0:18:51 | |
and who he was, and we have made it into more of a fantasy, | 0:18:51 | 0:18:54 | |
or perhaps how he would have liked people to have perceived his life. | 0:18:54 | 0:18:57 | |
He was quite a complex, dark character. | 0:18:57 | 0:19:01 | |
In this, I suppose we've made him out to be the character he created, | 0:19:01 | 0:19:05 | |
more of the James Bond character. | 0:19:05 | 0:19:06 | |
He was desperate to be a spy. | 0:19:06 | 0:19:09 | |
There is one section in the next episode | 0:19:09 | 0:19:12 | |
where he goes through the tests to see whether | 0:19:12 | 0:19:14 | |
he could be in the secret services and fails | 0:19:14 | 0:19:16 | |
because he's not capable of perhaps... | 0:19:16 | 0:19:19 | |
I'm about to give it all away! | 0:19:19 | 0:19:21 | |
I think we might see that in the clip in a minute. | 0:19:21 | 0:19:24 | |
When you speak to people who knew of his family and know about him, | 0:19:24 | 0:19:27 | |
they mention to you through gritted teeth that he was the real deal | 0:19:27 | 0:19:32 | |
and he was apparently involved in that world | 0:19:32 | 0:19:34 | |
but we have absolutely lied our way through it. | 0:19:34 | 0:19:38 | |
What's nice is, for Bond fans, if they come to see the show, | 0:19:39 | 0:19:42 | |
there are lots of Bond references, Bond origin bits. | 0:19:42 | 0:19:46 | |
Yes, that was always a difficult conversation, | 0:19:46 | 0:19:50 | |
about how far we could go with those. | 0:19:50 | 0:19:52 | |
In the first episode, asking for the Martini, | 0:19:52 | 0:19:55 | |
which was made very specifically, | 0:19:55 | 0:19:57 | |
and everyone knows that to be James Bond's drink. | 0:19:57 | 0:20:00 | |
But it's done in a way, hopefully, | 0:20:00 | 0:20:02 | |
that's tongue-in-cheek enough for it to be not cringeworthy, I hope. | 0:20:02 | 0:20:06 | |
Fleming continues on Wednesday at 9.00pm on Sky Atlantic HD | 0:20:06 | 0:20:10 | |
and we have an exclusive clip from next week's episode. | 0:20:10 | 0:20:12 | |
I'm thinking, now that you've said what you said, | 0:20:12 | 0:20:15 | |
that this is part of your test? | 0:20:15 | 0:20:17 | |
Yes, it's the K Protocol Test, | 0:20:17 | 0:20:19 | |
where he sees whether he can make it into... | 0:20:19 | 0:20:21 | |
After being behind his desk working for the Admiralty, | 0:20:21 | 0:20:24 | |
they put him on this. | 0:20:24 | 0:20:26 | |
They see if he is capable of doing this certain thing that | 0:20:26 | 0:20:28 | |
-he's about to try and do. -Maybe it isn't the test? -Maybe it's not. | 0:20:28 | 0:20:31 | |
-I don't know what it is! -Let's watch it and talk about it afterwards. | 0:20:31 | 0:20:37 | |
Hey, here it is. | 0:20:37 | 0:20:39 | |
APPLAUSE | 0:21:16 | 0:21:18 | |
-You live. -Always good when there is no speaking. -That was exciting. | 0:21:18 | 0:21:22 | |
No, he lives, he lives. Yeah, he lives. He lives through that. | 0:21:22 | 0:21:25 | |
Terrifying, filming that, because that man, I think I get beaten by | 0:21:25 | 0:21:29 | |
him in a moment and the stuntmen were not so trained in stunting. | 0:21:29 | 0:21:34 | |
-Where's there? -Where were we? Budapest. | 0:21:34 | 0:21:38 | |
He absolutely beat me up quite badly after that. | 0:21:38 | 0:21:41 | |
-Not to sound pathetic. -Ow! | 0:21:41 | 0:21:44 | |
LAUGHTER | 0:21:44 | 0:21:46 | |
-So that is the test he goes under. -And fails. | 0:21:46 | 0:21:50 | |
That is a spoiler, so let's not say that again. He MIGHT fail. | 0:21:50 | 0:21:53 | |
LAUGHTER | 0:21:53 | 0:21:55 | |
And talking of Bond, have you ever... | 0:21:57 | 0:21:59 | |
You would make a very good Bond villain, I think, Miriam. | 0:21:59 | 0:22:02 | |
It's a good idea, isn't it? | 0:22:02 | 0:22:04 | |
I'd have loved to have been Rosa Klebb, was one of the Bond villains, | 0:22:04 | 0:22:08 | |
played by Bertolt Brecht's wife in the film. | 0:22:08 | 0:22:13 | |
Yeah, I'd have loved to have been. | 0:22:13 | 0:22:16 | |
There's something magic about James Bond. | 0:22:16 | 0:22:19 | |
-But you were in Harry Potter, weren't you? -I was. -That's magic. | 0:22:19 | 0:22:22 | |
-That's actually magic. -That was terrific. | 0:22:22 | 0:22:25 | |
And she's also worked with the biggest action star of them all, | 0:22:25 | 0:22:28 | |
Sylvester Stallone, not Sylvester Stallone... | 0:22:28 | 0:22:31 | |
Arnold Schwarzenegger! | 0:22:31 | 0:22:33 | |
Yes, I worked with Arnold Schwarzenegger, | 0:22:33 | 0:22:35 | |
which was a horrible experience. | 0:22:35 | 0:22:37 | |
LAUGHTER | 0:22:37 | 0:22:39 | |
Why so horrible, Miriam? | 0:22:41 | 0:22:44 | |
Well, the real reason is because, | 0:22:44 | 0:22:49 | |
A, because he did not fancy me, he didn't think I mattered | 0:22:49 | 0:22:53 | |
and I really resent that attitude. | 0:22:53 | 0:22:56 | |
And, secondly, because he farted in my face. | 0:22:56 | 0:22:59 | |
LAUGHTER | 0:22:59 | 0:23:02 | |
That was when I was lying on the ground, in the part. | 0:23:02 | 0:23:07 | |
I was playing my role. | 0:23:07 | 0:23:10 | |
I was Satan's sister, and I had to be killed lying on the floor | 0:23:10 | 0:23:15 | |
-with a glass table slicing my throat. -Yes. | 0:23:15 | 0:23:19 | |
So I was doing all that, and it's difficult. | 0:23:19 | 0:23:22 | |
-You can't get out of the way when you're stuck like that. -No. | 0:23:22 | 0:23:26 | |
He thought it was hysterical. | 0:23:26 | 0:23:30 | |
LAUGHTER | 0:23:30 | 0:23:32 | |
He did it on purpose? | 0:23:32 | 0:23:33 | |
-He just squatted in your face and farted? -Absolutely on purpose! | 0:23:33 | 0:23:37 | |
LAUGHTER | 0:23:37 | 0:23:39 | |
Ooh, and he eats nothing but protein. | 0:23:39 | 0:23:42 | |
AUDIENCE GROANS | 0:23:42 | 0:23:45 | |
APPLAUSE | 0:23:45 | 0:23:47 | |
True. It was very unpleasant. | 0:23:47 | 0:23:50 | |
Let's draw a veil. I'll ask him about it next time he's on the show. | 0:23:53 | 0:23:57 | |
Was it this year or last year, | 0:23:59 | 0:24:02 | |
you had a really lovely honour from your school. Was it Oxford? | 0:24:02 | 0:24:06 | |
-Oxford High School. -Did you go there? | 0:24:06 | 0:24:08 | |
-I went there from 1945 to 1959. -Wow. | 0:24:08 | 0:24:12 | |
It's the best school in the world. | 0:24:12 | 0:24:14 | |
That is why I talk as I talk, clearly. | 0:24:14 | 0:24:17 | |
LAUGHTER | 0:24:17 | 0:24:19 | |
LILY MIMICS MIRIAM: Clearly! | 0:24:19 | 0:24:21 | |
I hardly ever use the word "like". | 0:24:21 | 0:24:24 | |
And they named a theatre space after me, which was a real thrill. | 0:24:28 | 0:24:33 | |
They actually wanted Maggie Smith, | 0:24:33 | 0:24:36 | |
because she was at the school as well, Dame Maggie. | 0:24:36 | 0:24:40 | |
And they asked me to ask Dame Maggie | 0:24:40 | 0:24:43 | |
if she would like to give her name | 0:24:43 | 0:24:46 | |
to this space in the school, | 0:24:46 | 0:24:49 | |
and I asked her on their behalf, would you, and she said, | 0:24:49 | 0:24:53 | |
-MIMICS MAGGIE SMITH: -"No, I don't want to do that! | 0:24:53 | 0:24:56 | |
"I didn't like school at all. Why don't you do it? | 0:24:56 | 0:25:02 | |
"You'd like that, wouldn't you? You do that." | 0:25:02 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:05 | |
So they asked me and I said yes. | 0:25:05 | 0:25:08 | |
LAUGHTER AND APPLAUSE | 0:25:08 | 0:25:11 | |
Very nice. | 0:25:11 | 0:25:13 | |
And it is extraordinary that you've become so established. | 0:25:17 | 0:25:21 | |
You do lots of work for charities, I know. | 0:25:21 | 0:25:23 | |
When you get to my age, you sort of do that sort of thing. | 0:25:23 | 0:25:27 | |
Not everybody can do it, but I don't work all the time, | 0:25:27 | 0:25:30 | |
so in the spare moments I have, I do things for breast cancer | 0:25:30 | 0:25:35 | |
and kidney transplants and Stroke Association | 0:25:35 | 0:25:38 | |
and all those different things. | 0:25:38 | 0:25:40 | |
I love doing stuff for charity. I get a kick out of it. | 0:25:40 | 0:25:44 | |
Some of you may have seen me on Loose Women recently, | 0:25:44 | 0:25:47 | |
-talking about breast cancer. -That's not a charity. | 0:25:47 | 0:25:50 | |
Well, it was, it was. | 0:25:50 | 0:25:52 | |
Don't interrupt, darling! | 0:25:52 | 0:25:54 | |
LAUGHTER AND APPLAUSE | 0:25:54 | 0:25:56 | |
Ooh, it's like Question Time! | 0:25:56 | 0:25:58 | |
But here's the thing, Miriam, | 0:26:04 | 0:26:07 | |
you are very embraced by the establishment | 0:26:07 | 0:26:10 | |
but you've always been quite a wild child, I would say. | 0:26:10 | 0:26:13 | |
-A little bit, yes. Naughty. I was naughty. -Yes. | 0:26:13 | 0:26:17 | |
You brought our attention to this photograph. What is going on? | 0:26:17 | 0:26:20 | |
This was the 1970s. Is this one of your first jobs? | 0:26:20 | 0:26:25 | |
Girls Of Slender Means. | 0:26:25 | 0:26:27 | |
I'm in the front. Behind me is Mary Tamm, Patricia Hodge | 0:26:27 | 0:26:34 | |
and Jane Cussons, who I think is here tonight. | 0:26:34 | 0:26:37 | |
-Where's Jane Cussons? -There she is. -There's Jane Cussons! Wow! | 0:26:37 | 0:26:42 | |
APPLAUSE | 0:26:42 | 0:26:44 | |
Are you all in the nip? | 0:26:44 | 0:26:46 | |
Yes, what happened was, | 0:26:46 | 0:26:47 | |
we had to have a scene in which everybody stripped naked, | 0:26:47 | 0:26:51 | |
and we were a little bit shy about it. | 0:26:51 | 0:26:53 | |
They closed the studio, of course, | 0:26:53 | 0:26:54 | |
and we insisted that the cameramen took off their clothes as well. | 0:26:54 | 0:27:00 | |
LAUGHTER | 0:27:00 | 0:27:02 | |
And we had a photograph of ourselves covered up, because it was | 0:27:02 | 0:27:06 | |
just coming up to Valentine's Day, | 0:27:06 | 0:27:08 | |
and then they did one as well for us. | 0:27:08 | 0:27:11 | |
And we've got that picture as well. This is unbelievable they did this. | 0:27:11 | 0:27:14 | |
This is the crew. | 0:27:14 | 0:27:17 | |
LAUGHTER AND APPLAUSE | 0:27:17 | 0:27:20 | |
Fantastic. | 0:27:20 | 0:27:23 | |
My favourite one, if you pay attention, look how cocky John is. | 0:27:23 | 0:27:27 | |
LAUGHTER | 0:27:27 | 0:27:30 | |
I think that's John Henshall, | 0:27:33 | 0:27:35 | |
who is responsible for getting us all together again. | 0:27:35 | 0:27:38 | |
I should mention our director, Moira Armstrong. | 0:27:38 | 0:27:41 | |
It was just the most wonderful experience. | 0:27:41 | 0:27:43 | |
1976 and we are still all great friends. | 0:27:43 | 0:27:48 | |
-We love each other, don't we, Jane? -Yes. -It is such a wonderful... | 0:27:48 | 0:27:52 | |
APPLAUSE | 0:27:52 | 0:27:53 | |
Lovely to see you, Jane. | 0:27:53 | 0:27:55 | |
Jane looks better now. | 0:27:55 | 0:27:57 | |
-They were all very beautiful girls. -Thank you, Graham. -Yes, you do. | 0:27:57 | 0:28:01 | |
Fabulous, yes. | 0:28:01 | 0:28:03 | |
She's actually single, so if anybody's interested... | 0:28:03 | 0:28:06 | |
LAUGHTER | 0:28:06 | 0:28:08 | |
Actually, here's the odd thing because Dominic, | 0:28:10 | 0:28:12 | |
you've exposed yourself as well. | 0:28:12 | 0:28:14 | |
AUDIENCE WHOOPS | 0:28:14 | 0:28:17 | |
-Yes. -We don't have a picture, sadly. Calm down, everyone. | 0:28:17 | 0:28:21 | |
Actually, if we could find the women involved in the story, | 0:28:21 | 0:28:23 | |
how brilliant, but we haven't, but go. | 0:28:23 | 0:28:25 | |
Was this me working in that rather grubby cafe, | 0:28:25 | 0:28:30 | |
-being a greasy teenager? -Yeah. | 0:28:30 | 0:28:33 | |
Wearing my very tight black jeans | 0:28:33 | 0:28:37 | |
and entering the bakery early in the morning from a late night out. | 0:28:37 | 0:28:43 | |
Having just learned how to make cappuccinos... | 0:28:43 | 0:28:47 | |
-Cappuccinos had just arrived in England. -Yeah. | 0:28:47 | 0:28:49 | |
So I used to make them terribly big and frothy, | 0:28:49 | 0:28:52 | |
not how you are meant to make them. They were repulsive and undrinkable. | 0:28:52 | 0:28:56 | |
And I remember two lovely ladies coming into the cafe. | 0:28:56 | 0:29:00 | |
I had just learned how to hold two cappuccinos in one hand which | 0:29:00 | 0:29:03 | |
I was very impressed by. | 0:29:03 | 0:29:05 | |
I had some revolting, greasy croque something. What's it called? | 0:29:05 | 0:29:09 | |
Monsieur. | 0:29:09 | 0:29:11 | |
I had these terrible old jeans | 0:29:11 | 0:29:13 | |
with a big hole in them. | 0:29:13 | 0:29:16 | |
I was placing them down shaking feeling rather sweaty and anxious. | 0:29:16 | 0:29:19 | |
My thing just fell out and just dangled and rested on the edge. | 0:29:19 | 0:29:25 | |
I wasn't aware of it at the time. | 0:29:25 | 0:29:27 | |
LAUGHTER | 0:29:27 | 0:29:28 | |
Awful, awful look. THAT look! | 0:29:28 | 0:29:31 | |
LAUGHTER | 0:29:31 | 0:29:33 | |
The two of them doing that exact expression! | 0:29:33 | 0:29:36 | |
APPLAUSE | 0:29:36 | 0:29:38 | |
And it was just neatly resting on the end and I pulled it in. | 0:29:38 | 0:29:41 | |
It was a horrible moment. | 0:29:41 | 0:29:43 | |
You mean your cock fell out of your trousers? | 0:29:43 | 0:29:47 | |
Actually fell out? | 0:29:47 | 0:29:49 | |
It did. It fell out and dangled and rested on the edge. | 0:29:49 | 0:29:51 | |
There was nothing I could do cos I was holding the cappuccinos. | 0:29:51 | 0:29:54 | |
Did anyone mention it? | 0:29:54 | 0:29:57 | |
Well, they were repulsed by it. | 0:29:58 | 0:30:00 | |
It was meant to be a... | 0:30:00 | 0:30:02 | |
It was a patisserie of high class sophistication. | 0:30:02 | 0:30:05 | |
-Did you at least go, "Excuse I."? -I don't know what I... | 0:30:06 | 0:30:10 | |
I just backed off. We were all so repulsed. | 0:30:10 | 0:30:13 | |
Enjoy! And then I went off. | 0:30:14 | 0:30:15 | |
LAUGHTER | 0:30:15 | 0:30:17 | |
Awful. It was really pathetic and not very good either. | 0:30:17 | 0:30:21 | |
It didn't look good. | 0:30:21 | 0:30:22 | |
But it fell out?! | 0:30:24 | 0:30:26 | |
I can't... I don't... I mean... | 0:30:27 | 0:30:29 | |
-I know. I don't know... -How is it not...? | 0:30:29 | 0:30:31 | |
-Kept in? -Yeah. -Well, you mentioned it earlier. | 0:30:31 | 0:30:35 | |
That was because I saw it. | 0:30:35 | 0:30:37 | |
LAUGHTER | 0:30:37 | 0:30:39 | |
-I didn't see it out on the table, sure. -You didn't, you didn't. | 0:30:39 | 0:30:43 | |
But I don't... I think... We wore... | 0:30:43 | 0:30:46 | |
What happened earlier? | 0:30:46 | 0:30:47 | |
She gave me some very good advice. | 0:30:49 | 0:30:51 | |
And mentioned my penis. | 0:30:55 | 0:30:58 | |
He's beautifully... | 0:30:58 | 0:31:00 | |
No! | 0:31:00 | 0:31:01 | |
LAUGHTER | 0:31:01 | 0:31:03 | |
Hung. | 0:31:03 | 0:31:04 | |
It wasn't like that. | 0:31:06 | 0:31:08 | |
I loved it, I loved it. I loved it. | 0:31:12 | 0:31:15 | |
-She loved it. -I wasn't repelled. | 0:31:15 | 0:31:18 | |
The word is... | 0:31:18 | 0:31:19 | |
-The word is repelled, not repulsed. -No. -No. | 0:31:19 | 0:31:22 | |
I left you alone in make up for ten minutes. | 0:31:23 | 0:31:26 | |
I was very impressed you'd noticed it all together. | 0:31:30 | 0:31:33 | |
The funny thing is, when you're gay - as I am - and you never see | 0:31:33 | 0:31:38 | |
a cock from, you know, Martinmas to Christmas, erm... | 0:31:38 | 0:31:44 | |
You're very aware of them. You're very aware. | 0:31:44 | 0:31:47 | |
They're hanging all around all the time. | 0:31:49 | 0:31:53 | |
And I'm very short and... | 0:31:53 | 0:31:55 | |
LAUGHTER | 0:31:55 | 0:31:58 | |
-I was standing, yes, I was standing up. -You were standing up. -I was standing. | 0:31:58 | 0:32:02 | |
-So there you go. -I was standing. | 0:32:02 | 0:32:04 | |
Oh, dear. | 0:32:04 | 0:32:05 | |
My dear, shall we have some music? Shall we hear a track off the new album | 0:32:05 | 0:32:09 | |
-that we've talked about so much? -Yeah. -OK, so... | 0:32:09 | 0:32:12 | |
CHEERING AND APPLAUSE DROWNS OUT SPEECH | 0:32:12 | 0:32:16 | |
They'll wire you for sound and all sorts. Very good. | 0:32:19 | 0:32:22 | |
Erm, right. | 0:32:22 | 0:32:23 | |
In a moment we'll have some stories from the famous red chair | 0:32:23 | 0:32:26 | |
but now, performing Air Balloon, it is Miss Lily Allen! | 0:32:26 | 0:32:30 | |
# Somebody remind me where I am Miami or Timbuktu? | 0:32:35 | 0:32:40 | |
# Did I ever tell you my uncle's monkey ran away from the zoo? | 0:32:40 | 0:32:45 | |
# Would you tell me what this all means? | 0:32:45 | 0:32:47 | |
# What happens if I go through that door? | 0:32:47 | 0:32:50 | |
# Cos I'm looking up at the ceiling, but it's turning into the floor | 0:32:50 | 0:32:55 | |
# Ooh | 0:32:55 | 0:32:57 | |
# When I'm bored, I kinda drift away | 0:32:57 | 0:33:02 | |
# I'm not sure, quite, why we work all day | 0:33:02 | 0:33:07 | |
# I've been thinking and I've got this plan | 0:33:07 | 0:33:12 | |
# Let's go right now | 0:33:12 | 0:33:15 | |
# Come meet me in the sky I'll be waiting for you | 0:33:15 | 0:33:18 | |
# And we can't hear what they say | 0:33:18 | 0:33:20 | |
# Up in my air balloon, air balloon, air balloon | 0:33:20 | 0:33:25 | |
-# -Ha! -Sing, sing along, along any song you want to | 0:33:25 | 0:33:29 | |
# Now we're so high, it can't rain | 0:33:29 | 0:33:31 | |
# Up in my air balloon, air balloon, air balloon | 0:33:31 | 0:33:35 | |
-# -Ha! | 0:33:35 | 0:33:37 | |
# Na na na-na-na na na | 0:33:37 | 0:33:39 | |
# Na na na-na-na, Mmmm | 0:33:39 | 0:33:41 | |
# Na na na-na-na na na | 0:33:41 | 0:33:44 | |
# Na na na-na-na, Mmmm | 0:33:44 | 0:33:46 | |
# I don't like dropping names but Kurt Cobain is all in my face | 0:33:46 | 0:33:51 | |
# How the hell am I gonna tell him Elvis already took first base? | 0:33:51 | 0:33:56 | |
# In and out of the blue this cruise is losing altitude, all we need | 0:33:56 | 0:34:01 | |
# Is a little more elevation, take me back to where I can breathe. | 0:34:01 | 0:34:06 | |
# Ooh | 0:34:06 | 0:34:07 | |
# When I'm bored, I kinda drift away | 0:34:07 | 0:34:13 | |
# I'm not sure, quite, why we work all day | 0:34:13 | 0:34:17 | |
# I've been thinking and I've got this plan | 0:34:17 | 0:34:23 | |
# Let's go right now | 0:34:23 | 0:34:26 | |
# Come meet me in the sky I'll be waiting for you | 0:34:26 | 0:34:29 | |
# And we can't hear what they say | 0:34:29 | 0:34:31 | |
# Up in my air balloon, air balloon, air balloon | 0:34:31 | 0:34:35 | |
-# Ha! -Sing, sing along, along any song you want to | 0:34:35 | 0:34:39 | |
# Now we're so high, it can't rain | 0:34:39 | 0:34:41 | |
# Up in my air balloon, air balloon, air balloon | 0:34:41 | 0:34:46 | |
-# -Ha! | 0:34:46 | 0:34:47 | |
# Na na na-na-na na na | 0:34:47 | 0:34:50 | |
# Na na na-na-na, Mmmm | 0:34:50 | 0:34:52 | |
# Na na na-na-na na na | 0:34:52 | 0:34:55 | |
# Na na na-na-na, Mmmm | 0:34:55 | 0:34:57 | |
# Na na na-na-na na na | 0:34:57 | 0:35:00 | |
# Na na na-na-na, Mmmm | 0:35:00 | 0:35:02 | |
# Na na na-na-na na na | 0:35:02 | 0:35:05 | |
# Na na na-na-na, Mmmm | 0:35:05 | 0:35:08 | |
# Shake it, sh-shake it, shake it now | 0:35:08 | 0:35:10 | |
# Gimme, gi-gimme, gimme some | 0:35:10 | 0:35:13 | |
# Sailing, sa-sailing through the clouds | 0:35:13 | 0:35:15 | |
# Trippin' trip trip trip trippin' out | 0:35:15 | 0:35:18 | |
# Shake it, sh-shake it, shake it now | 0:35:18 | 0:35:20 | |
# Gimme, gi-gimme, gimme some | 0:35:20 | 0:35:23 | |
# Sailing, sa-sailing through the clouds | 0:35:23 | 0:35:25 | |
# Trippin' trip trip trip trippin' out | 0:35:25 | 0:35:29 | |
# Na na na-na-na na | 0:35:32 | 0:35:34 | |
# Come meet me in the sky I'll be waiting for you | 0:35:37 | 0:35:40 | |
# And we can't hear what they say | 0:35:40 | 0:35:42 | |
-# Up in my air balloon, -air balloon, air balloon | 0:35:42 | 0:35:46 | |
-# -Ha! -Sing, sing along, along any song you want to | 0:35:46 | 0:35:50 | |
# Now we're so high, it can't rain | 0:35:50 | 0:35:52 | |
# Up in my air balloon, air balloon, air balloon | 0:35:52 | 0:35:56 | |
-# -Ha! | 0:35:56 | 0:35:58 | |
# Na na na-na-na na na | 0:35:58 | 0:36:00 | |
# Na na na-na-na, Mmmm | 0:36:00 | 0:36:03 | |
-# -Air balloon, -air balloon, air balloon | 0:36:03 | 0:36:07 | |
-# -Ha! | 0:36:07 | 0:36:08 | |
# Na na na-na-na na na | 0:36:08 | 0:36:11 | |
# Na na na-na-na, Mmmm | 0:36:11 | 0:36:13 | |
-# -Air balloon, -air balloon, air balloon | 0:36:13 | 0:36:17 | |
-# -Ha! -# | 0:36:17 | 0:36:19 | |
CHEERING AND APPLAUSE | 0:36:19 | 0:36:23 | |
Lily Allen, everybody! | 0:36:26 | 0:36:28 | |
Come on back, come on back, Lily. Beautiful job. | 0:36:28 | 0:36:31 | |
-Those shoes are amazing. -Thank you. -They are. Lilly! | 0:36:33 | 0:36:38 | |
Up, up, up. And around and around. | 0:36:38 | 0:36:41 | |
Back to your phone, back to your phone, there we go. | 0:36:41 | 0:36:44 | |
We're running, we're running, we're running. Oh, very good. | 0:36:44 | 0:36:47 | |
-And that is out on the second of March, I believe. -Don't ask me. | 0:36:47 | 0:36:51 | |
OK, well, I'm telling you it's the second of March. | 0:36:51 | 0:36:54 | |
-And the album will be out in the spring. -Late spring. | 0:36:54 | 0:36:57 | |
Late spring to be precise. Erm, right. | 0:36:57 | 0:37:02 | |
It's time for a story or two in the red chair. Who's there? | 0:37:02 | 0:37:05 | |
-Hi. -Hello, hi. -Hi. -What's your name? -Orla. -Orla, lovely. | 0:37:05 | 0:37:10 | |
Are you from the old country? Yeah, I'm from Ireland. | 0:37:10 | 0:37:12 | |
Oh, she's from Ireland. | 0:37:12 | 0:37:14 | |
-Whereabouts? -Northern Ireland, near Belfast. -Oh, right, very good. | 0:37:14 | 0:37:18 | |
-And what do you do, Orla? -I'm a nurse. | 0:37:18 | 0:37:20 | |
-Oh, right, any particular sort of nurse? -Cardiac nursing, so... | 0:37:20 | 0:37:23 | |
-Oh. -..hearts. -Oh, right. | 0:37:23 | 0:37:24 | |
Have you got a pager on you at the moment or anything? | 0:37:24 | 0:37:27 | |
-No, I'm good to go, yeah. -Screw them. | 0:37:27 | 0:37:30 | |
LAUGHTER | 0:37:30 | 0:37:33 | |
I'm having a good time, yeah. | 0:37:33 | 0:37:35 | |
I don't care. | 0:37:35 | 0:37:36 | |
"Where's nurse Orla?" "I've no idea. Oh, look, the television's on." | 0:37:38 | 0:37:41 | |
Oh, no! | 0:37:41 | 0:37:43 | |
Oh, Lily Allen! | 0:37:43 | 0:37:44 | |
Lily, she's a nurse, she's in the caring profession! | 0:37:44 | 0:37:47 | |
I know, she needs to get back. | 0:37:47 | 0:37:49 | |
LAUGHTER | 0:37:49 | 0:37:50 | |
People with bad, dodgy hearts, they needed help. | 0:37:50 | 0:37:53 | |
Oh, poor Orla. | 0:37:53 | 0:37:55 | |
OK, who's up next, who's up next? | 0:37:55 | 0:37:57 | |
-Hello. -Hello. -That was a really bitchy thing to do. | 0:37:57 | 0:38:00 | |
CHEERING AND APPLAUSE | 0:38:00 | 0:38:03 | |
-It was, it felt like a bitchy thing. -It was terrible. She feels bad, she feels bad. | 0:38:06 | 0:38:09 | |
I thought it was positioned here and it was my... I was meant to do that. | 0:38:09 | 0:38:13 | |
-Yeah, well you can, it's available for it. -OK. -But hang on. | 0:38:13 | 0:38:17 | |
-There's a time and a place. -Yeah, a time and a place, yeah. | 0:38:17 | 0:38:19 | |
OK. Sorry. I didn't mean it, I got the wrong end of the stick. | 0:38:19 | 0:38:23 | |
Shall we get Orla...? No, we've got this one now, let's do this one. | 0:38:23 | 0:38:26 | |
I say this one, how rude? | 0:38:26 | 0:38:28 | |
Let's finish this one off and then we might get Orla back for her story. | 0:38:29 | 0:38:33 | |
-What's your name? -It's Elizabeth Friendship. -Elizabeth Friendship? | 0:38:33 | 0:38:36 | |
-Yes. -OK, and where are you from Elizabeth Friendship? | 0:38:36 | 0:38:40 | |
-South East London. -Oh, right, very good and what do you do, Elizabeth Friendship? | 0:38:40 | 0:38:43 | |
I send out toners for printers. | 0:38:43 | 0:38:46 | |
LAUGHTER | 0:38:46 | 0:38:48 | |
I wondered who did that. | 0:38:48 | 0:38:50 | |
And it's Elizabeth Friendship and toners are very expensive. Leave it! | 0:38:51 | 0:38:55 | |
-Leave. I can see Lily's eyes, they're just like... -It's not me. | 0:38:55 | 0:38:59 | |
OK, so Elizabeth Friendship, you send the toners | 0:38:59 | 0:39:01 | |
for printers from South London. | 0:39:01 | 0:39:03 | |
I think I know everything about you. Off you go with your story. | 0:39:03 | 0:39:06 | |
OK, so I was a learner driver and I asked my friend if I could drive her car | 0:39:06 | 0:39:10 | |
and she said only if you drive it in your underwear. And I said, OK. | 0:39:10 | 0:39:15 | |
So I drove the car round and... | 0:39:15 | 0:39:17 | |
LAUGHTER AND APPLAUSE | 0:39:17 | 0:39:20 | |
-Yeah. -That was every shade of stupid. | 0:39:21 | 0:39:24 | |
-Let's get Orla back. -Let's get Orla back. -Orla's having a reprieve. | 0:39:28 | 0:39:31 | |
CHEERING AND APPLAUSE | 0:39:31 | 0:39:34 | |
I'm sorry, Orla! | 0:39:34 | 0:39:36 | |
Look how quick Orla... "Yeah, I'm back. I'm back. | 0:39:36 | 0:39:40 | |
"Stupid driving your car in your underwear. | 0:39:40 | 0:39:42 | |
"Wait till you hear my story. | 0:39:42 | 0:39:45 | |
"I save lives!" | 0:39:45 | 0:39:47 | |
OK, Orla, before anything happens, off you go with your story. | 0:39:48 | 0:39:51 | |
OK, I was on holiday once | 0:39:51 | 0:39:53 | |
and in the middle of the night I just disappeared. | 0:39:53 | 0:39:55 | |
So my friends went looking for me | 0:39:55 | 0:39:57 | |
and somebody said, "Oh, there's a girl sleepwalking." And they found me | 0:39:57 | 0:40:00 | |
having - running a bath in someone's room with no clothes on. | 0:40:00 | 0:40:03 | |
LAUGHTER | 0:40:03 | 0:40:05 | |
Whose room? | 0:40:05 | 0:40:06 | |
I don't know, I just walked in to someone's room and started running a bath | 0:40:06 | 0:40:09 | |
and I didn't have any clothes on and I was asleep. | 0:40:09 | 0:40:11 | |
Can I just say, Lily, you have great instincts. | 0:40:11 | 0:40:14 | |
LAUGHTER AND APPLAUSE | 0:40:14 | 0:40:16 | |
It's like you're psychic. | 0:40:16 | 0:40:18 | |
You are... You are a working mum of two, you're just like, | 0:40:18 | 0:40:21 | |
"I have no time to waste, come on. | 0:40:21 | 0:40:23 | |
"This story is going to be awful, Orla out." | 0:40:23 | 0:40:25 | |
That was really bad. Let's try one more, let's try one more. OK, this is the one. | 0:40:25 | 0:40:28 | |
-Hello. -Hello. -Hi, what's your name? -I'm Marion Shay. -Hello, Marian. | 0:40:28 | 0:40:32 | |
-OK, and where are you from, Marion? -I'm from Southend-on-Sea in Essex. | 0:40:32 | 0:40:35 | |
Lovely. Nothing. | 0:40:35 | 0:40:38 | |
-OK, what do you do there, Marion? -Erm, I'm a senior neonatal sister. | 0:40:38 | 0:40:41 | |
-Wow. -That's the best, they are the best. -All right. | 0:40:41 | 0:40:45 | |
-Brilliant people. -Wait till you have a heart attack. | 0:40:45 | 0:40:48 | |
LAUGHTER AND APPLAUSE | 0:40:48 | 0:40:51 | |
All right, Marian, you're doing very well so far. | 0:40:57 | 0:40:59 | |
Off you go with your story. | 0:40:59 | 0:41:00 | |
OK, when I got promoted to a sister, basically | 0:41:00 | 0:41:03 | |
I had to chair a meeting at work | 0:41:03 | 0:41:05 | |
and basically I wanted to impress the consultant who was there. | 0:41:05 | 0:41:08 | |
So I took the names down of everyone present and asked one lady her | 0:41:08 | 0:41:12 | |
name and she said Tracey Withernee, went to the next person, etc, etc. | 0:41:12 | 0:41:15 | |
When the consultant came in, I started chairing the meeting, | 0:41:15 | 0:41:18 | |
was trying to act as professional as possible introducing every one and | 0:41:18 | 0:41:22 | |
said this is Tracey Withernee, went to the next person, introduced them. | 0:41:22 | 0:41:25 | |
Went round in turn and when I said Tracey Withernee, the lady that was taking the minutes for the meeting, | 0:41:25 | 0:41:30 | |
she was laughing, her shoulders were going up and down. I thought, "Oh, don't put me off." | 0:41:30 | 0:41:34 | |
Just ignore her, didn't know why she was laughing. | 0:41:34 | 0:41:36 | |
Got through the meeting and after said why were you laughing, | 0:41:36 | 0:41:40 | |
I though it went really well? | 0:41:40 | 0:41:41 | |
And she said no, her name wasn't Tracey Withernee, her name was | 0:41:41 | 0:41:45 | |
Tracey and she was trying to explain it was Tracey with an E. | 0:41:45 | 0:41:48 | |
Not that her surname was Withernee. So that was it. | 0:41:48 | 0:41:51 | |
-So... -Borderline. -I like that, I think it's great. | 0:41:52 | 0:41:56 | |
-The rest of the couch aren't convinced. -I didn't quite get it. | 0:41:56 | 0:41:59 | |
It's two against one, you're out, you're out. | 0:41:59 | 0:42:02 | |
-I like her. -What did she say? | 0:42:03 | 0:42:06 | |
What did she actually say? | 0:42:06 | 0:42:09 | |
-Tracey with an E, not Tracy Withernee. -She thought the name was Withernee. Or the other way round. | 0:42:09 | 0:42:14 | |
-It was just with an E. -Tracey with an E. -With an E in the Tracey. | 0:42:14 | 0:42:17 | |
-Rather than a Y. -Yeah. But she though her name was Tracey Withernee. | 0:42:17 | 0:42:21 | |
-Yeah. -Yes. -But she was just saying her name was Tracey with an E. | 0:42:21 | 0:42:26 | |
Basically, she's an idiot, but erm... | 0:42:26 | 0:42:28 | |
No-one thought that was her name, we all knew it was Tracey with an E. | 0:42:30 | 0:42:34 | |
-Shall we have one more? -AUDIENCE: Yeah! | 0:42:34 | 0:42:36 | |
-OK, on more, one more, one more. Hello. -Hello, there. | 0:42:36 | 0:42:39 | |
Firstly, Graham, I hurt my back, so even if my story's rubbish, | 0:42:39 | 0:42:42 | |
you can't flip the chair, I'm sorry. | 0:42:42 | 0:42:44 | |
Oh, yeah? No, no, don't! | 0:42:44 | 0:42:46 | |
Well, bugger you! I don't think you can say that. | 0:42:46 | 0:42:48 | |
-Well, she's got a bad back. I can't flip her. -Health and safety. | 0:42:48 | 0:42:52 | |
-Health and safety. -Well, then she shouldn't be in the chair. | 0:42:52 | 0:42:55 | |
LAUGHTER AND APPLAUSE | 0:42:55 | 0:42:57 | |
APPLAUSE DROWNS OUT SPEECH | 0:42:57 | 0:42:59 | |
I'm better than you. | 0:43:01 | 0:43:03 | |
-What do we do? What do we do? -It's a conundrum. -Where is she? | 0:43:03 | 0:43:07 | |
We're saying you can walk. You can walk. | 0:43:07 | 0:43:09 | |
-Oh, you don't want to hear my story? -No. | 0:43:09 | 0:43:12 | |
Be gone. | 0:43:12 | 0:43:13 | |
-Miriam, you know what... -That was you. -That was you but also... | 0:43:19 | 0:43:23 | |
-She wasn't fit for purpose. -Exactly. | 0:43:24 | 0:43:27 | |
Well done, everyone. | 0:43:29 | 0:43:30 | |
If you'd like to join us on the show and have a go in the big red chair, | 0:43:30 | 0:43:33 | |
you can just contact us on our website at this very address. | 0:43:33 | 0:43:37 | |
Ladies and gentleman, thank you so much to my guests tonight, | 0:43:37 | 0:43:39 | |
Miriam Margolyes! | 0:43:39 | 0:43:41 | |
Dominic Cooper! | 0:43:43 | 0:43:46 | |
And Lily Allen! | 0:43:46 | 0:43:48 | |
Join me next week with heartthrob actor Jamie Doyle | 0:43:48 | 0:43:51 | |
and Breaking Bad star Aaron Paul and TV legends, Ant and Dec! | 0:43:51 | 0:43:55 | |
I'll see you then. Goodnight and goodbye! | 0:43:55 | 0:43:57 |