Episode 17 The Graham Norton Show


Episode 17

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Tonight, one hot young actor, one pop princess,

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one grande dame of British theatre

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and one slightly drunk Irishman to ask them questions.

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What? Oh, that's me. Let's start the show!

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Oh! Oh!

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Oh! Oh!

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Thank you so much!

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Oh!

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All the clapping, applause!

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Beautiful! Thank you, good evening.

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Oh, there must be 800 people here. That's amazing!

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That is fabulous. Hey, welcome all.

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We've got the best of British on the show this week.

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One of the hottest actors around, Dominic Cooper's on the show!

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CHEERING

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Yes!

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One of my favourite guests of all time.

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You're so lucky to be here on a night she's here.

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Miriam Margolyes is on the show!

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CHEERING

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Yes!

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And one of our brightest singing stars, Lily Allen is here!

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CHEERING

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Yes, she is!

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Oh! Isn't that great?

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It's so lovely that Lily's back,

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Lily's back singing after taking time out to have babies.

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Talking of which, hey,

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let's say a huge congratulations to Simon Cowell, who's become a dad.

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Isn't that nice? It's a good thing. It is.

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This is Simon after the birth.

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LAUGHTER

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And this is the baby when he realised just how rich his dad is.

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CASH REGISTER RINGS

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LAUGHTER

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"Mmm, those are some nice nappies!

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"It don't smell!"

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Lily had a big hit at Christmas

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with the song on the John Lewis advert,

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Somewhere Only We Know.

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It was adorable, really.

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About a hare who bought a bear an alarm clock,

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so he wouldn't miss Christmas.

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And, in real life, bears do love hares. Yeah. Um...

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LAUGHTER

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"Thanks for waking me up, you're delicious!"

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"Merry Christmas!"

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No, I'm joking, I'm joking. The bear was very grateful.

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And bears do have a special way of showing their gratitude. Mm-hm.

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LAUGHTER

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APPLAUSE

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I could look at that all day.

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Let's get some guests on!

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She's magnificent, she's marvellous,

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she's Miriam Margolyes!

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CHEERING

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Hello, you gorgeous creature! How lovely to see you!

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Oh, come in and sit down. Do.

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Miriam Margolyes, everybody!

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Thank you.

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Mamma Mia, it's Dominic Cooper!

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CHEERING

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-Hello.

-How are you?

-I'm very well.

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Sit down, sit down.

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And, get ready to smile, it's Lily Allen!

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CHEERING

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Oh, beautiful!

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Gorgeous! Hello, darling, how are you? Mwah, mwah!

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Sit yourself down.

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Welcome all, welcome all. Are you all right there?

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-Yeah, should I have gone that way?

-No, no, you're fine. It's nice.

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-It's intime.

-We're correctly spread out.

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-Yes.

-So to speak.

-Yes.

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LAUGHTER

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All right? Everyone comfortable? Good.

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Now, Miriam has a thing.

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She doesn't like to know who she's coming on with, cos last time,

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you liked Will.i.am, but you didn't know who Will.i.am was, did you?

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I actually didn't.

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And he's charming. He's the most delightful gentleman, really.

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But unknown to me. That was the thing.

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So, how are you doing tonight?

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-Well...

-Has no idea.

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LAUGHTER

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Have you ever worked with Dominic?

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-We haven't, darling, have we?

-No, we haven't, actually.

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-But I hope we will.

-Yes.

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-I think I've seen you in The History Boys.

-Yes.

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-I think I saw that.

-Good.

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I can't remember you, but I thought you were...

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LAUGHTER

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LAUGHTER DROWNS OUT SPEECH

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-..very memorable.

-No, did you see Mamma Mia?

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He was very good in Mamma Mia. Did you see that?

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That was a dreadful film!

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LAUGHTER

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Did you think that was a good film?

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I can't possibly say.

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Yes!

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It was fun, Miriam!

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It was the film of Mamma Mia!

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-It was a very popular film with people.

-Yes!

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That's all we can hope for, Miriam, really.

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We dream of making things that are popular with people.

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LAUGHTER

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Wasn't that the one where the family came to see you making it, Dominic?

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-It was the first time your family came to see you?

-Yeah.

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That was the first time they saw me do any filming work

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and the particular point that they came in to... Yes.

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-That monstrosity, I was wearing.

-Is that you?

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That is. Do you not remember that bit?

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You'd stopped watching it by then, that happens at the end.

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They came and saw me, then saw that that's where I was heading in life.

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And I'm not sure what they exactly thought of it.

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But I think Pierce, when we were wearing those things,

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felt slightly more uncomfortable, because we were

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in the same building that James Bond was filming, so was Daniel Craig...

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-Oh!

-Just on the year they'd sort of changed over.

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So, as we were walking across the parking lot wearing those,

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Daniel Craig was pulling up in an Aston Martin,

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looking particularly cool.

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So I didn't feel quite as bad.

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And Lily Allen, pop star.

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I mean, you will know Lily's songs.

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I promise you you will.

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Darling, I'm 72.

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-I don't know about songs and singing.

-That's fine.

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But I know you're highly admired. I do know that.

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See, yes.

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Unlike Dominic, I guess.

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LAUGHTER

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Dominic, nothing. You're in a horrible film,

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I don't remember the other one, but Lily, everyone loves you.

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You'll have heard Lily's song at Christmas on the ads.

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It was on the John Lewis ad.

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You saw that ad, didn't you?

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I was in Amsterdam at Christmas.

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Christmas starts in October.

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Miriam, you played...

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I was going to say a monkey, you played a rabbit in...

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-the Caramel ad.

-The Cadbury's bunny, yes.

-Yes.

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-A long time ago.

-Were you the voice?

-Yes.

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-That youthful, smooth, caramel-like voice...

-That's it. That's it.

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-Lovely.

-That was Miriam.

-That was me.

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Was it, "Take it easy, Mr...?"

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-Take it easy, Mr Rabbit. Something like that.

-Ohhh!

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In a really creepy poll,

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that rabbit came third sexiest animated character of all time.

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-LAUGHTER

-Really?

-Yeah.

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-Wow.

-I mean, who decided... "We should find out which animated character people find sexiest."

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-Who's number one?

-I want to know who beat me.

-Betty... Is it Betty Boo?

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-Betty Boop?

-Yeah, Jessica Rabbit...

-I bet Jessica Rabbit was second

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-and you were third.

-Not bad though.

-It's not bad. Not bad.

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Talking of ads, Dominic's first ever paid work was an advertisement.

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I was quite proud of being chased down the road by lots of sperm

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-which is what the advert was.

-I remember that advert.

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-What were you advertising?

-I wasn't sure.

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But I knew I was getting paid to do some work which was incredible.

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-It was for condoms.

-It was condoms. I remember.

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-But why were the sperm chasing you?

-I couldn't work that bit out.

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I was meeting a girlfriend and then I'd seen the reflection

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of all these huge, great Czechoslovakian sperm

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heading down the street...

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wafting their sperm heads and then...

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But then they all landed in...

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I didn't quite understand what happened.

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As I met her, they all knocked me over and landed on top of her,

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but ended up in the end of a condom.

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LAUGHTER

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Well, if you weren't using protection before...

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I'm not sure it worked, the commercial.

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-I don't think it was a success.

-Did you give your opinion?

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What do you mean, it didn't work? People stopped buying condoms?

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Nothing's going to stop those sperm!

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When you're in an ad, do you voice an opinion on the ad or...?

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-Yes.

-Oh, you do?

-Always.

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-Do they welcome that opinion?

-No.

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No, but I mean... I know better than they do,

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that is the truth, and I'm experienced

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and I need to help them sometimes.

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The grammar is often bad.

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-She really doesn't want to listen to my songs.

-Yes, I do. I do.

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We'll get notes. We'll get notes later.

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Because, Miriam, you were the voice of a period, weren't you?

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-A menstrual period, yes.

-A menstrual period.

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Sorry. My mistake.

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As an actress, how did you find that voice?

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Well...

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-You always go to the text first...

-Yes.

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..and the text was, "You didn't expect to find me on your holidays."

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So I thought, well...

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..that's got to be a naughty schoolgirl, so I went...

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SHE GIGGLES

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-IN A HIGHPITCHED VOICE:

-You didn't expect to find me on your holidays, did you?

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Beautiful. What were you selling?

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-Sanitary towels or something?

-It was...

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It was for sanitary protection, yes.

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-Lovely.

-Yes, for sanitary protection.

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Sales went up, I imagine. Yes.

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I have actually got a menstrual story for you, if you like.

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LAUGHTER

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CHEERING

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Off you go, Miriam Margolyes.

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Did I tell you last time about when I did an audition for Crossroads?

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-No, I don't think so.

-Right. Well...

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for those of you who may remember, Crossroads was...

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-I know it.

-I remember Crossroads.

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..a soap opera which took place in Birmingham

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and I went for the audition and...

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I'm pouring this all over myself. It's rather exciting.

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As I was waiting for my turn to do the audition,

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my periods started and I thought...

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Periods!

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Don't you call it that?

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MIMICS MIRIAM: Period.

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-Don't you call it that?

-No, I just say, "I'm on the rag."

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LAUGHTER

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-This is terrible.

-On the rag?!

-I feel very in-between this.

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How are you doing, Dominic?

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-All good, there? Yeah? OK.

-Really comfortable.

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-OK.

-You don't want to talk about periods?

-No, I do.

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-I don't mind periods.

-It's all right. It's all right.

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So, meanwhile, back in Birmingham, Miriam's just had her period.

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I went... I went to the ladies' room and in those days, there was

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a long box on the wall, Dr Southall Sanitary Towels.

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And you put in two pennies and pulled the little drawer

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and got out the carton. Am I right? You remember all this, some of you?

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People applauding. "Oh, yes!"

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So, I put in my 2p, pulled out the little drawer

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and it snapped back with my finger in it,

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so it was really painful.

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It tore a great gash in my finger which was so sore.

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Bleeding all over the place.

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I managed to pull open the drawer and extract my finger.

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I rushed into the loo and fixed myself up,

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came out again and went in and started to read for the audition.

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And I noticed that the script was covered in blood

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and the people I was auditioning for noticed it too

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and they looked, I saw them looking and I said,

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"Oh, I'm so sorry.

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"You see, my period started..."

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GROANING AND LAUGHTER

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-Did you get the job?

-I did, actually.

-You got the job?! Yay!

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Right. Now, Lily Allen, very exciting,

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-you are singing for us later.

-Yes. Sadly, for you.

-No!

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-I love that song. It's getting loads of radio play.

-I know.

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Just been put on the A list, whatever that means.

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-It means it's being played a lot and it's called Air Balloon.

-Yes.

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It's very good. Now, we're thrilled you're back,

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all the new stuff you've brought out has done really well.

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But I'm not wrong, you did say...

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You did say goodbye.

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-You said, "No more."

-Yeah.

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-Changed your mind.

-Yep.

-Fair enough.

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Well, actually, I didn't really. I had two babies,

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I was very busy with them and...

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I had two babies. Two babies.

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Ethel and Marnie. Hi. Love you guys.

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I really hope they're NOT watching this.

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-They're always in bed by seven.

-That's all right then. Fine.

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-What time is it now?

-Late. It's about half ten.

-Of course.

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Anyway... So, yeah...

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LAUGHTER

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But anyway, long story short, or short story really long...

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erm, I decided that I wanted to go back to work,

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but realised I had no qualifications

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-for anything except for...

-Singing.

-..being a pop star.

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-Obvious choice.

-And you're working...

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What is the story with the album?

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There's been a lot of talk of this album, but no sign of it as yet.

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-Is it finished?

-It is finished.

-So, is there a release date?

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End of spring. This year.

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-Is that the end of March or the end of April?

-I don't know.

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I said, "Can I say a date?" The record company said, "No. End of spring is your line."

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-OK. End of spring.

-End of spring.

-Does it have a title yet?

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-It does.

-Oh! Then you can tell us.

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OK.

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LAUGHTER

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She doesn't seem that confident with her title choice.

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-It's a confident title choice.

-What have you called it?

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Sheezus.

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Sheezus, as in...

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She... She... Oh, wait. Is it like Yeezus?

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I mean, obviously it's like Jesus, but is it the Kanye thing as well?

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-It's a little nod to Kanye.

-To whom?

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-Kanye West.

-You've yet to meet him.

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Another week.

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-I obviously don't know who that is.

-You will meet him.

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-Yeah, stick with us.

-Yeah, so Sheezus.

-Sheezus, it's a good title.

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-Subtle.

-Yeah, it's good. Sheezus. Now we know.

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Feel free to social media that.

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No! I completely forgot about that element of things.

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-No, it will be on telly tomorrow.

-No, it's fine.

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Those are cameras. I know it is all dark and everything, but yeah.

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We are filming this.

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Now, the video for Air Balloon, you did some extraordinary things.

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We've seen you on the zebra. This next picture.

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-Is that a stuffed cheetah?

-It's a real cheetah.

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Isn't that incredibly dangerous?

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I have this weird thing.

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Obviously I get pitched stuff all the time where work is concerned

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and I've got this inability to look past the next hour and a half.

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So I get a treatment of a video and

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I'm like, "Yeah, cool, cheetahs, zebras. That sounds exotic and fun."

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I find myself on the side of a hill with someone rubbing steak on my face

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so that the cheetah would lick me.

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It's like, "Actually, what am I doing here?"

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That sounds like madness!

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Yeah. It was a two-day shoot and that was on the second day.

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On the first day, someone came up to me and said,

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"Oh, Lily, by the way, don't eat any steak tonight,

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"just in case you burp and the cheetah smells it."

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LAUGHTER

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But you're allowed to be covered in steak?

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No, they just wiped it on me so that he smelt it and licked my face.

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And then take a chunk?

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If I'd eaten steak the night before and I'd burped next to him,

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then he would have gone, "RAAR!" and eaten me or something.

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Yeah, I'm not a zoologist or anything,

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but I think there's some weak thinking there.

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LAUGHTER

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-On my part or their part?

-No, on their part.

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They could've lost you. That was a crazy thing to do.

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Working with animals is very difficult.

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We have some very good examples of dogs spoiling photographs.

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We found them on theladbible.com.

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So this is some children playing on the beach. Lovely.

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We'll want to remember that forever.

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We'll take a picture of our children. There it is.

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LAUGHTER

0:16:320:16:35

This next one, I love this for the expression on the dog's face.

0:16:360:16:40

So you've got the whole family. Look at the baby, everything.

0:16:400:16:43

Now look at the dog.

0:16:430:16:45

LAUGHTER

0:16:450:16:47

I love his face.

0:16:490:16:50

"Am I in this?

0:16:500:16:52

"Am I in shot here?

0:16:520:16:55

"Sorry, sorry."

0:16:550:16:57

Animals always look so much more vulnerable than humans

0:17:000:17:03

when they are crapping, don't you think?

0:17:030:17:05

Oh, darling, we all look vulnerable when we're crapping!

0:17:050:17:09

LAUGHTER

0:17:090:17:11

-We can lock the door.

-Terrified.

-They look so scared, don't they?

0:17:110:17:16

-I think it's a vulnerable moment.

-It is.

0:17:160:17:19

Here's some young people having fun, jumping in the air. There they are.

0:17:190:17:23

LAUGHTER

0:17:230:17:26

They always look like they're forcing it out.

0:17:290:17:31

Yeah, it's like, "I don't want to!"

0:17:310:17:33

But the next picture, the number

0:17:330:17:35

of things that needed to all happen at the same time are incredible.

0:17:350:17:38

A dragonfly lands on a man's finger.

0:17:380:17:43

It can't have been there for long.

0:17:430:17:45

So he was able to have it on his finger, get his camera out

0:17:450:17:49

and take a picture of all of this.

0:17:490:17:52

There's the dragonfly.

0:17:520:17:54

LAUGHTER

0:17:540:17:57

That one is comfortable. He's having a nice time.

0:18:000:18:02

He doesn't know he's being watched!

0:18:020:18:05

My favourite ones are people trying to be romantic.

0:18:060:18:09

There's a couple reclining on the grass. It's really, really lovely.

0:18:090:18:13

LAUGHTER

0:18:130:18:15

I love how old that dog looks.

0:18:160:18:18

"You're young. You've got your whole lives."

0:18:180:18:23

Well done, all the pooing dogs! Very good.

0:18:230:18:26

APPLAUSE

0:18:260:18:29

Dominic Cooper, flying high at the moment on Sky in Fleming,

0:18:300:18:35

-playing the James Bond creator, Ian Fleming.

-Yes.

0:18:350:18:39

-Now, it's a four-parter.

-Yes.

0:18:390:18:42

It's a biopic, but not really?

0:18:420:18:45

It kind of is.

0:18:450:18:47

We've used two biographies, which are very specific about his life

0:18:470:18:51

and who he was, and we have made it into more of a fantasy,

0:18:510:18:54

or perhaps how he would have liked people to have perceived his life.

0:18:540:18:57

He was quite a complex, dark character.

0:18:570:19:01

In this, I suppose we've made him out to be the character he created,

0:19:010:19:05

more of the James Bond character.

0:19:050:19:06

He was desperate to be a spy.

0:19:060:19:09

There is one section in the next episode

0:19:090:19:12

where he goes through the tests to see whether

0:19:120:19:14

he could be in the secret services and fails

0:19:140:19:16

because he's not capable of perhaps...

0:19:160:19:19

I'm about to give it all away!

0:19:190:19:21

I think we might see that in the clip in a minute.

0:19:210:19:24

When you speak to people who knew of his family and know about him,

0:19:240:19:27

they mention to you through gritted teeth that he was the real deal

0:19:270:19:32

and he was apparently involved in that world

0:19:320:19:34

but we have absolutely lied our way through it.

0:19:340:19:38

What's nice is, for Bond fans, if they come to see the show,

0:19:390:19:42

there are lots of Bond references, Bond origin bits.

0:19:420:19:46

Yes, that was always a difficult conversation,

0:19:460:19:50

about how far we could go with those.

0:19:500:19:52

In the first episode, asking for the Martini,

0:19:520:19:55

which was made very specifically,

0:19:550:19:57

and everyone knows that to be James Bond's drink.

0:19:570:20:00

But it's done in a way, hopefully,

0:20:000:20:02

that's tongue-in-cheek enough for it to be not cringeworthy, I hope.

0:20:020:20:06

Fleming continues on Wednesday at 9.00pm on Sky Atlantic HD

0:20:060:20:10

and we have an exclusive clip from next week's episode.

0:20:100:20:12

I'm thinking, now that you've said what you said,

0:20:120:20:15

that this is part of your test?

0:20:150:20:17

Yes, it's the K Protocol Test,

0:20:170:20:19

where he sees whether he can make it into...

0:20:190:20:21

After being behind his desk working for the Admiralty,

0:20:210:20:24

they put him on this.

0:20:240:20:26

They see if he is capable of doing this certain thing that

0:20:260:20:28

-he's about to try and do.

-Maybe it isn't the test?

-Maybe it's not.

0:20:280:20:31

-I don't know what it is!

-Let's watch it and talk about it afterwards.

0:20:310:20:37

Hey, here it is.

0:20:370:20:39

APPLAUSE

0:21:160:21:18

-You live.

-Always good when there is no speaking.

-That was exciting.

0:21:180:21:22

No, he lives, he lives. Yeah, he lives. He lives through that.

0:21:220:21:25

Terrifying, filming that, because that man, I think I get beaten by

0:21:250:21:29

him in a moment and the stuntmen were not so trained in stunting.

0:21:290:21:34

-Where's there?

-Where were we? Budapest.

0:21:340:21:38

He absolutely beat me up quite badly after that.

0:21:380:21:41

-Not to sound pathetic.

-Ow!

0:21:410:21:44

LAUGHTER

0:21:440:21:46

-So that is the test he goes under.

-And fails.

0:21:460:21:50

That is a spoiler, so let's not say that again. He MIGHT fail.

0:21:500:21:53

LAUGHTER

0:21:530:21:55

And talking of Bond, have you ever...

0:21:570:21:59

You would make a very good Bond villain, I think, Miriam.

0:21:590:22:02

It's a good idea, isn't it?

0:22:020:22:04

I'd have loved to have been Rosa Klebb, was one of the Bond villains,

0:22:040:22:08

played by Bertolt Brecht's wife in the film.

0:22:080:22:13

Yeah, I'd have loved to have been.

0:22:130:22:16

There's something magic about James Bond.

0:22:160:22:19

-But you were in Harry Potter, weren't you?

-I was.

-That's magic.

0:22:190:22:22

-That's actually magic.

-That was terrific.

0:22:220:22:25

And she's also worked with the biggest action star of them all,

0:22:250:22:28

Sylvester Stallone, not Sylvester Stallone...

0:22:280:22:31

Arnold Schwarzenegger!

0:22:310:22:33

Yes, I worked with Arnold Schwarzenegger,

0:22:330:22:35

which was a horrible experience.

0:22:350:22:37

LAUGHTER

0:22:370:22:39

Why so horrible, Miriam?

0:22:410:22:44

Well, the real reason is because,

0:22:440:22:49

A, because he did not fancy me, he didn't think I mattered

0:22:490:22:53

and I really resent that attitude.

0:22:530:22:56

And, secondly, because he farted in my face.

0:22:560:22:59

LAUGHTER

0:22:590:23:02

That was when I was lying on the ground, in the part.

0:23:020:23:07

I was playing my role.

0:23:070:23:10

I was Satan's sister, and I had to be killed lying on the floor

0:23:100:23:15

-with a glass table slicing my throat.

-Yes.

0:23:150:23:19

So I was doing all that, and it's difficult.

0:23:190:23:22

-You can't get out of the way when you're stuck like that.

-No.

0:23:220:23:26

He thought it was hysterical.

0:23:260:23:30

LAUGHTER

0:23:300:23:32

He did it on purpose?

0:23:320:23:33

-He just squatted in your face and farted?

-Absolutely on purpose!

0:23:330:23:37

LAUGHTER

0:23:370:23:39

Ooh, and he eats nothing but protein.

0:23:390:23:42

AUDIENCE GROANS

0:23:420:23:45

APPLAUSE

0:23:450:23:47

True. It was very unpleasant.

0:23:470:23:50

Let's draw a veil. I'll ask him about it next time he's on the show.

0:23:530:23:57

Was it this year or last year,

0:23:590:24:02

you had a really lovely honour from your school. Was it Oxford?

0:24:020:24:06

-Oxford High School.

-Did you go there?

0:24:060:24:08

-I went there from 1945 to 1959.

-Wow.

0:24:080:24:12

It's the best school in the world.

0:24:120:24:14

That is why I talk as I talk, clearly.

0:24:140:24:17

LAUGHTER

0:24:170:24:19

LILY MIMICS MIRIAM: Clearly!

0:24:190:24:21

I hardly ever use the word "like".

0:24:210:24:24

And they named a theatre space after me, which was a real thrill.

0:24:280:24:33

They actually wanted Maggie Smith,

0:24:330:24:36

because she was at the school as well, Dame Maggie.

0:24:360:24:40

And they asked me to ask Dame Maggie

0:24:400:24:43

if she would like to give her name

0:24:430:24:46

to this space in the school,

0:24:460:24:49

and I asked her on their behalf, would you, and she said,

0:24:490:24:53

-MIMICS MAGGIE SMITH:

-"No, I don't want to do that!

0:24:530:24:56

"I didn't like school at all. Why don't you do it?

0:24:560:25:02

"You'd like that, wouldn't you? You do that."

0:25:020:25:04

LAUGHTER

0:25:040:25:05

So they asked me and I said yes.

0:25:050:25:08

LAUGHTER AND APPLAUSE

0:25:080:25:11

Very nice.

0:25:110:25:13

And it is extraordinary that you've become so established.

0:25:170:25:21

You do lots of work for charities, I know.

0:25:210:25:23

When you get to my age, you sort of do that sort of thing.

0:25:230:25:27

Not everybody can do it, but I don't work all the time,

0:25:270:25:30

so in the spare moments I have, I do things for breast cancer

0:25:300:25:35

and kidney transplants and Stroke Association

0:25:350:25:38

and all those different things.

0:25:380:25:40

I love doing stuff for charity. I get a kick out of it.

0:25:400:25:44

Some of you may have seen me on Loose Women recently,

0:25:440:25:47

-talking about breast cancer.

-That's not a charity.

0:25:470:25:50

Well, it was, it was.

0:25:500:25:52

Don't interrupt, darling!

0:25:520:25:54

LAUGHTER AND APPLAUSE

0:25:540:25:56

Ooh, it's like Question Time!

0:25:560:25:58

But here's the thing, Miriam,

0:26:040:26:07

you are very embraced by the establishment

0:26:070:26:10

but you've always been quite a wild child, I would say.

0:26:100:26:13

-A little bit, yes. Naughty. I was naughty.

-Yes.

0:26:130:26:17

You brought our attention to this photograph. What is going on?

0:26:170:26:20

This was the 1970s. Is this one of your first jobs?

0:26:200:26:25

Girls Of Slender Means.

0:26:250:26:27

I'm in the front. Behind me is Mary Tamm, Patricia Hodge

0:26:270:26:34

and Jane Cussons, who I think is here tonight.

0:26:340:26:37

-Where's Jane Cussons?

-There she is.

-There's Jane Cussons! Wow!

0:26:370:26:42

APPLAUSE

0:26:420:26:44

Are you all in the nip?

0:26:440:26:46

Yes, what happened was,

0:26:460:26:47

we had to have a scene in which everybody stripped naked,

0:26:470:26:51

and we were a little bit shy about it.

0:26:510:26:53

They closed the studio, of course,

0:26:530:26:54

and we insisted that the cameramen took off their clothes as well.

0:26:540:27:00

LAUGHTER

0:27:000:27:02

And we had a photograph of ourselves covered up, because it was

0:27:020:27:06

just coming up to Valentine's Day,

0:27:060:27:08

and then they did one as well for us.

0:27:080:27:11

And we've got that picture as well. This is unbelievable they did this.

0:27:110:27:14

This is the crew.

0:27:140:27:17

LAUGHTER AND APPLAUSE

0:27:170:27:20

Fantastic.

0:27:200:27:23

My favourite one, if you pay attention, look how cocky John is.

0:27:230:27:27

LAUGHTER

0:27:270:27:30

I think that's John Henshall,

0:27:330:27:35

who is responsible for getting us all together again.

0:27:350:27:38

I should mention our director, Moira Armstrong.

0:27:380:27:41

It was just the most wonderful experience.

0:27:410:27:43

1976 and we are still all great friends.

0:27:430:27:48

-We love each other, don't we, Jane?

-Yes.

-It is such a wonderful...

0:27:480:27:52

APPLAUSE

0:27:520:27:53

Lovely to see you, Jane.

0:27:530:27:55

Jane looks better now.

0:27:550:27:57

-They were all very beautiful girls.

-Thank you, Graham.

-Yes, you do.

0:27:570:28:01

Fabulous, yes.

0:28:010:28:03

She's actually single, so if anybody's interested...

0:28:030:28:06

LAUGHTER

0:28:060:28:08

Actually, here's the odd thing because Dominic,

0:28:100:28:12

you've exposed yourself as well.

0:28:120:28:14

AUDIENCE WHOOPS

0:28:140:28:17

-Yes.

-We don't have a picture, sadly. Calm down, everyone.

0:28:170:28:21

Actually, if we could find the women involved in the story,

0:28:210:28:23

how brilliant, but we haven't, but go.

0:28:230:28:25

Was this me working in that rather grubby cafe,

0:28:250:28:30

-being a greasy teenager?

-Yeah.

0:28:300:28:33

Wearing my very tight black jeans

0:28:330:28:37

and entering the bakery early in the morning from a late night out.

0:28:370:28:43

Having just learned how to make cappuccinos...

0:28:430:28:47

-Cappuccinos had just arrived in England.

-Yeah.

0:28:470:28:49

So I used to make them terribly big and frothy,

0:28:490:28:52

not how you are meant to make them. They were repulsive and undrinkable.

0:28:520:28:56

And I remember two lovely ladies coming into the cafe.

0:28:560:29:00

I had just learned how to hold two cappuccinos in one hand which

0:29:000:29:03

I was very impressed by.

0:29:030:29:05

I had some revolting, greasy croque something. What's it called?

0:29:050:29:09

Monsieur.

0:29:090:29:11

I had these terrible old jeans

0:29:110:29:13

with a big hole in them.

0:29:130:29:16

I was placing them down shaking feeling rather sweaty and anxious.

0:29:160:29:19

My thing just fell out and just dangled and rested on the edge.

0:29:190:29:25

I wasn't aware of it at the time.

0:29:250:29:27

LAUGHTER

0:29:270:29:28

Awful, awful look. THAT look!

0:29:280:29:31

LAUGHTER

0:29:310:29:33

The two of them doing that exact expression!

0:29:330:29:36

APPLAUSE

0:29:360:29:38

And it was just neatly resting on the end and I pulled it in.

0:29:380:29:41

It was a horrible moment.

0:29:410:29:43

You mean your cock fell out of your trousers?

0:29:430:29:47

Actually fell out?

0:29:470:29:49

It did. It fell out and dangled and rested on the edge.

0:29:490:29:51

There was nothing I could do cos I was holding the cappuccinos.

0:29:510:29:54

Did anyone mention it?

0:29:540:29:57

Well, they were repulsed by it.

0:29:580:30:00

It was meant to be a...

0:30:000:30:02

It was a patisserie of high class sophistication.

0:30:020:30:05

-Did you at least go, "Excuse I."?

-I don't know what I...

0:30:060:30:10

I just backed off. We were all so repulsed.

0:30:100:30:13

Enjoy! And then I went off.

0:30:140:30:15

LAUGHTER

0:30:150:30:17

Awful. It was really pathetic and not very good either.

0:30:170:30:21

It didn't look good.

0:30:210:30:22

But it fell out?!

0:30:240:30:26

I can't... I don't... I mean...

0:30:270:30:29

-I know. I don't know...

-How is it not...?

0:30:290:30:31

-Kept in?

-Yeah.

-Well, you mentioned it earlier.

0:30:310:30:35

That was because I saw it.

0:30:350:30:37

LAUGHTER

0:30:370:30:39

-I didn't see it out on the table, sure.

-You didn't, you didn't.

0:30:390:30:43

But I don't... I think... We wore...

0:30:430:30:46

What happened earlier?

0:30:460:30:47

She gave me some very good advice.

0:30:490:30:51

And mentioned my penis.

0:30:550:30:58

He's beautifully...

0:30:580:31:00

No!

0:31:000:31:01

LAUGHTER

0:31:010:31:03

Hung.

0:31:030:31:04

It wasn't like that.

0:31:060:31:08

I loved it, I loved it. I loved it.

0:31:120:31:15

-She loved it.

-I wasn't repelled.

0:31:150:31:18

The word is...

0:31:180:31:19

-The word is repelled, not repulsed.

-No.

-No.

0:31:190:31:22

I left you alone in make up for ten minutes.

0:31:230:31:26

I was very impressed you'd noticed it all together.

0:31:300:31:33

The funny thing is, when you're gay - as I am - and you never see

0:31:330:31:38

a cock from, you know, Martinmas to Christmas, erm...

0:31:380:31:44

You're very aware of them. You're very aware.

0:31:440:31:47

They're hanging all around all the time.

0:31:490:31:53

And I'm very short and...

0:31:530:31:55

LAUGHTER

0:31:550:31:58

-I was standing, yes, I was standing up.

-You were standing up.

-I was standing.

0:31:580:32:02

-So there you go.

-I was standing.

0:32:020:32:04

Oh, dear.

0:32:040:32:05

My dear, shall we have some music? Shall we hear a track off the new album

0:32:050:32:09

-that we've talked about so much?

-Yeah.

-OK, so...

0:32:090:32:12

CHEERING AND APPLAUSE DROWNS OUT SPEECH

0:32:120:32:16

They'll wire you for sound and all sorts. Very good.

0:32:190:32:22

Erm, right.

0:32:220:32:23

In a moment we'll have some stories from the famous red chair

0:32:230:32:26

but now, performing Air Balloon, it is Miss Lily Allen!

0:32:260:32:30

# Somebody remind me where I am Miami or Timbuktu?

0:32:350:32:40

# Did I ever tell you my uncle's monkey ran away from the zoo?

0:32:400:32:45

# Would you tell me what this all means?

0:32:450:32:47

# What happens if I go through that door?

0:32:470:32:50

# Cos I'm looking up at the ceiling, but it's turning into the floor

0:32:500:32:55

# Ooh

0:32:550:32:57

# When I'm bored, I kinda drift away

0:32:570:33:02

# I'm not sure, quite, why we work all day

0:33:020:33:07

# I've been thinking and I've got this plan

0:33:070:33:12

# Let's go right now

0:33:120:33:15

# Come meet me in the sky I'll be waiting for you

0:33:150:33:18

# And we can't hear what they say

0:33:180:33:20

# Up in my air balloon, air balloon, air balloon

0:33:200:33:25

-#

-Ha!

-Sing, sing along, along any song you want to

0:33:250:33:29

# Now we're so high, it can't rain

0:33:290:33:31

# Up in my air balloon, air balloon, air balloon

0:33:310:33:35

-#

-Ha!

0:33:350:33:37

# Na na na-na-na na na

0:33:370:33:39

# Na na na-na-na, Mmmm

0:33:390:33:41

# Na na na-na-na na na

0:33:410:33:44

# Na na na-na-na, Mmmm

0:33:440:33:46

# I don't like dropping names but Kurt Cobain is all in my face

0:33:460:33:51

# How the hell am I gonna tell him Elvis already took first base?

0:33:510:33:56

# In and out of the blue this cruise is losing altitude, all we need

0:33:560:34:01

# Is a little more elevation, take me back to where I can breathe.

0:34:010:34:06

# Ooh

0:34:060:34:07

# When I'm bored, I kinda drift away

0:34:070:34:13

# I'm not sure, quite, why we work all day

0:34:130:34:17

# I've been thinking and I've got this plan

0:34:170:34:23

# Let's go right now

0:34:230:34:26

# Come meet me in the sky I'll be waiting for you

0:34:260:34:29

# And we can't hear what they say

0:34:290:34:31

# Up in my air balloon, air balloon, air balloon

0:34:310:34:35

-# Ha!

-Sing, sing along, along any song you want to

0:34:350:34:39

# Now we're so high, it can't rain

0:34:390:34:41

# Up in my air balloon, air balloon, air balloon

0:34:410:34:46

-#

-Ha!

0:34:460:34:47

# Na na na-na-na na na

0:34:470:34:50

# Na na na-na-na, Mmmm

0:34:500:34:52

# Na na na-na-na na na

0:34:520:34:55

# Na na na-na-na, Mmmm

0:34:550:34:57

# Na na na-na-na na na

0:34:570:35:00

# Na na na-na-na, Mmmm

0:35:000:35:02

# Na na na-na-na na na

0:35:020:35:05

# Na na na-na-na, Mmmm

0:35:050:35:08

# Shake it, sh-shake it, shake it now

0:35:080:35:10

# Gimme, gi-gimme, gimme some

0:35:100:35:13

# Sailing, sa-sailing through the clouds

0:35:130:35:15

# Trippin' trip trip trip trippin' out

0:35:150:35:18

# Shake it, sh-shake it, shake it now

0:35:180:35:20

# Gimme, gi-gimme, gimme some

0:35:200:35:23

# Sailing, sa-sailing through the clouds

0:35:230:35:25

# Trippin' trip trip trip trippin' out

0:35:250:35:29

# Na na na-na-na na

0:35:320:35:34

# Come meet me in the sky I'll be waiting for you

0:35:370:35:40

# And we can't hear what they say

0:35:400:35:42

-# Up in my air balloon,

-air balloon, air balloon

0:35:420:35:46

-#

-Ha!

-Sing, sing along, along any song you want to

0:35:460:35:50

# Now we're so high, it can't rain

0:35:500:35:52

# Up in my air balloon, air balloon, air balloon

0:35:520:35:56

-#

-Ha!

0:35:560:35:58

# Na na na-na-na na na

0:35:580:36:00

# Na na na-na-na, Mmmm

0:36:000:36:03

-#

-Air balloon,

-air balloon, air balloon

0:36:030:36:07

-#

-Ha!

0:36:070:36:08

# Na na na-na-na na na

0:36:080:36:11

# Na na na-na-na, Mmmm

0:36:110:36:13

-#

-Air balloon,

-air balloon, air balloon

0:36:130:36:17

-#

-Ha!

-#

0:36:170:36:19

CHEERING AND APPLAUSE

0:36:190:36:23

Lily Allen, everybody!

0:36:260:36:28

Come on back, come on back, Lily. Beautiful job.

0:36:280:36:31

-Those shoes are amazing.

-Thank you.

-They are. Lilly!

0:36:330:36:38

Up, up, up. And around and around.

0:36:380:36:41

Back to your phone, back to your phone, there we go.

0:36:410:36:44

We're running, we're running, we're running. Oh, very good.

0:36:440:36:47

-And that is out on the second of March, I believe.

-Don't ask me.

0:36:470:36:51

OK, well, I'm telling you it's the second of March.

0:36:510:36:54

-And the album will be out in the spring.

-Late spring.

0:36:540:36:57

Late spring to be precise. Erm, right.

0:36:570:37:02

It's time for a story or two in the red chair. Who's there?

0:37:020:37:05

-Hi.

-Hello, hi.

-Hi.

-What's your name?

-Orla.

-Orla, lovely.

0:37:050:37:10

Are you from the old country? Yeah, I'm from Ireland.

0:37:100:37:12

Oh, she's from Ireland.

0:37:120:37:14

-Whereabouts?

-Northern Ireland, near Belfast.

-Oh, right, very good.

0:37:140:37:18

-And what do you do, Orla?

-I'm a nurse.

0:37:180:37:20

-Oh, right, any particular sort of nurse?

-Cardiac nursing, so...

0:37:200:37:23

-Oh.

-..hearts.

-Oh, right.

0:37:230:37:24

Have you got a pager on you at the moment or anything?

0:37:240:37:27

-No, I'm good to go, yeah.

-Screw them.

0:37:270:37:30

LAUGHTER

0:37:300:37:33

I'm having a good time, yeah.

0:37:330:37:35

I don't care.

0:37:350:37:36

"Where's nurse Orla?" "I've no idea. Oh, look, the television's on."

0:37:380:37:41

Oh, no!

0:37:410:37:43

Oh, Lily Allen!

0:37:430:37:44

Lily, she's a nurse, she's in the caring profession!

0:37:440:37:47

I know, she needs to get back.

0:37:470:37:49

LAUGHTER

0:37:490:37:50

People with bad, dodgy hearts, they needed help.

0:37:500:37:53

Oh, poor Orla.

0:37:530:37:55

OK, who's up next, who's up next?

0:37:550:37:57

-Hello.

-Hello.

-That was a really bitchy thing to do.

0:37:570:38:00

CHEERING AND APPLAUSE

0:38:000:38:03

-It was, it felt like a bitchy thing.

-It was terrible. She feels bad, she feels bad.

0:38:060:38:09

I thought it was positioned here and it was my... I was meant to do that.

0:38:090:38:13

-Yeah, well you can, it's available for it.

-OK.

-But hang on.

0:38:130:38:17

-There's a time and a place.

-Yeah, a time and a place, yeah.

0:38:170:38:19

OK. Sorry. I didn't mean it, I got the wrong end of the stick.

0:38:190:38:23

Shall we get Orla...? No, we've got this one now, let's do this one.

0:38:230:38:26

I say this one, how rude?

0:38:260:38:28

Let's finish this one off and then we might get Orla back for her story.

0:38:290:38:33

-What's your name?

-It's Elizabeth Friendship.

-Elizabeth Friendship?

0:38:330:38:36

-Yes.

-OK, and where are you from Elizabeth Friendship?

0:38:360:38:40

-South East London.

-Oh, right, very good and what do you do, Elizabeth Friendship?

0:38:400:38:43

I send out toners for printers.

0:38:430:38:46

LAUGHTER

0:38:460:38:48

I wondered who did that.

0:38:480:38:50

And it's Elizabeth Friendship and toners are very expensive. Leave it!

0:38:510:38:55

-Leave. I can see Lily's eyes, they're just like...

-It's not me.

0:38:550:38:59

OK, so Elizabeth Friendship, you send the toners

0:38:590:39:01

for printers from South London.

0:39:010:39:03

I think I know everything about you. Off you go with your story.

0:39:030:39:06

OK, so I was a learner driver and I asked my friend if I could drive her car

0:39:060:39:10

and she said only if you drive it in your underwear. And I said, OK.

0:39:100:39:15

So I drove the car round and...

0:39:150:39:17

LAUGHTER AND APPLAUSE

0:39:170:39:20

-Yeah.

-That was every shade of stupid.

0:39:210:39:24

-Let's get Orla back.

-Let's get Orla back.

-Orla's having a reprieve.

0:39:280:39:31

CHEERING AND APPLAUSE

0:39:310:39:34

I'm sorry, Orla!

0:39:340:39:36

Look how quick Orla... "Yeah, I'm back. I'm back.

0:39:360:39:40

"Stupid driving your car in your underwear.

0:39:400:39:42

"Wait till you hear my story.

0:39:420:39:45

"I save lives!"

0:39:450:39:47

OK, Orla, before anything happens, off you go with your story.

0:39:480:39:51

OK, I was on holiday once

0:39:510:39:53

and in the middle of the night I just disappeared.

0:39:530:39:55

So my friends went looking for me

0:39:550:39:57

and somebody said, "Oh, there's a girl sleepwalking." And they found me

0:39:570:40:00

having - running a bath in someone's room with no clothes on.

0:40:000:40:03

LAUGHTER

0:40:030:40:05

Whose room?

0:40:050:40:06

I don't know, I just walked in to someone's room and started running a bath

0:40:060:40:09

and I didn't have any clothes on and I was asleep.

0:40:090:40:11

Can I just say, Lily, you have great instincts.

0:40:110:40:14

LAUGHTER AND APPLAUSE

0:40:140:40:16

It's like you're psychic.

0:40:160:40:18

You are... You are a working mum of two, you're just like,

0:40:180:40:21

"I have no time to waste, come on.

0:40:210:40:23

"This story is going to be awful, Orla out."

0:40:230:40:25

That was really bad. Let's try one more, let's try one more. OK, this is the one.

0:40:250:40:28

-Hello.

-Hello.

-Hi, what's your name?

-I'm Marion Shay.

-Hello, Marian.

0:40:280:40:32

-OK, and where are you from, Marion?

-I'm from Southend-on-Sea in Essex.

0:40:320:40:35

Lovely. Nothing.

0:40:350:40:38

-OK, what do you do there, Marion?

-Erm, I'm a senior neonatal sister.

0:40:380:40:41

-Wow.

-That's the best, they are the best.

-All right.

0:40:410:40:45

-Brilliant people.

-Wait till you have a heart attack.

0:40:450:40:48

LAUGHTER AND APPLAUSE

0:40:480:40:51

All right, Marian, you're doing very well so far.

0:40:570:40:59

Off you go with your story.

0:40:590:41:00

OK, when I got promoted to a sister, basically

0:41:000:41:03

I had to chair a meeting at work

0:41:030:41:05

and basically I wanted to impress the consultant who was there.

0:41:050:41:08

So I took the names down of everyone present and asked one lady her

0:41:080:41:12

name and she said Tracey Withernee, went to the next person, etc, etc.

0:41:120:41:15

When the consultant came in, I started chairing the meeting,

0:41:150:41:18

was trying to act as professional as possible introducing every one and

0:41:180:41:22

said this is Tracey Withernee, went to the next person, introduced them.

0:41:220:41:25

Went round in turn and when I said Tracey Withernee, the lady that was taking the minutes for the meeting,

0:41:250:41:30

she was laughing, her shoulders were going up and down. I thought, "Oh, don't put me off."

0:41:300:41:34

Just ignore her, didn't know why she was laughing.

0:41:340:41:36

Got through the meeting and after said why were you laughing,

0:41:360:41:40

I though it went really well?

0:41:400:41:41

And she said no, her name wasn't Tracey Withernee, her name was

0:41:410:41:45

Tracey and she was trying to explain it was Tracey with an E.

0:41:450:41:48

Not that her surname was Withernee. So that was it.

0:41:480:41:51

-So...

-Borderline.

-I like that, I think it's great.

0:41:520:41:56

-The rest of the couch aren't convinced.

-I didn't quite get it.

0:41:560:41:59

It's two against one, you're out, you're out.

0:41:590:42:02

-I like her.

-What did she say?

0:42:030:42:06

What did she actually say?

0:42:060:42:09

-Tracey with an E, not Tracy Withernee.

-She thought the name was Withernee. Or the other way round.

0:42:090:42:14

-It was just with an E.

-Tracey with an E.

-With an E in the Tracey.

0:42:140:42:17

-Rather than a Y.

-Yeah. But she though her name was Tracey Withernee.

0:42:170:42:21

-Yeah.

-Yes.

-But she was just saying her name was Tracey with an E.

0:42:210:42:26

Basically, she's an idiot, but erm...

0:42:260:42:28

No-one thought that was her name, we all knew it was Tracey with an E.

0:42:300:42:34

-Shall we have one more?

-AUDIENCE: Yeah!

0:42:340:42:36

-OK, on more, one more, one more. Hello.

-Hello, there.

0:42:360:42:39

Firstly, Graham, I hurt my back, so even if my story's rubbish,

0:42:390:42:42

you can't flip the chair, I'm sorry.

0:42:420:42:44

Oh, yeah? No, no, don't!

0:42:440:42:46

Well, bugger you! I don't think you can say that.

0:42:460:42:48

-Well, she's got a bad back. I can't flip her.

-Health and safety.

0:42:480:42:52

-Health and safety.

-Well, then she shouldn't be in the chair.

0:42:520:42:55

LAUGHTER AND APPLAUSE

0:42:550:42:57

APPLAUSE DROWNS OUT SPEECH

0:42:570:42:59

I'm better than you.

0:43:010:43:03

-What do we do? What do we do?

-It's a conundrum.

-Where is she?

0:43:030:43:07

We're saying you can walk. You can walk.

0:43:070:43:09

-Oh, you don't want to hear my story?

-No.

0:43:090:43:12

Be gone.

0:43:120:43:13

-Miriam, you know what...

-That was you.

-That was you but also...

0:43:190:43:23

-She wasn't fit for purpose.

-Exactly.

0:43:240:43:27

Well done, everyone.

0:43:290:43:30

If you'd like to join us on the show and have a go in the big red chair,

0:43:300:43:33

you can just contact us on our website at this very address.

0:43:330:43:37

Ladies and gentleman, thank you so much to my guests tonight,

0:43:370:43:39

Miriam Margolyes!

0:43:390:43:41

Dominic Cooper!

0:43:430:43:46

And Lily Allen!

0:43:460:43:48

Join me next week with heartthrob actor Jamie Doyle

0:43:480:43:51

and Breaking Bad star Aaron Paul and TV legends, Ant and Dec!

0:43:510:43:55

I'll see you then. Goodnight and goodbye!

0:43:550:43:57

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