Episode 16 The Graham Norton Show


Episode 16

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Tonight, the star of Saving Private Ryan,

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where they tried to find Private Ryan.

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I wonder if I can find him in my audience.

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No, no, er...

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LAUGHTER

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No, I can't see him anywhere. Hey, let's start the show!

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CHEERING AND APPLAUSE

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-CHEERING AND APPLAUSE

-Hey! Oh! Oh!

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How very lovely of you! How very kind!

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Hello, hi, hi, hi!

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Oh! Ladies and gentlemen,

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oh, you are in for a treat.

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What a star-studded line-up we have for you tonight.

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Hollywood superstar, Private Ryan himself, Matt Damon is on the show!

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-CHEERING AND APPLAUSE

-I know!

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The Earl of Grantham,

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Hugh Bonneville is here, ladies and gentlemen.

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CHEERING AND APPLAUSE

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The absolutely brilliant Bill Murray is on our show tonight!

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-CHEERING AND APPLAUSE

-Yeah! I know!

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Plus we've got music from the marvellous Paloma Faith, everybody.

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-CHEERING AND APPLAUSE

-Not bad.

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Not bad, eh, eh?

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Right, delighted to welcome Matt Damon to the show.

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Of course his most famous series of films is the Bourne Trilogy.

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We all know them. There was Bourne Identity, Bourne Supremacy,

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and then, I think, Bourne Stupid.

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LAUGHTER

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That's just silly.

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Matt recently starred with Scarlett Johansson

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in the drama We Bought A Zoo.

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Now, I was less keen on the Danish remake,

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We Bought A Zoo And Shot The Giraffe.

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LAUGHTER

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What were they thinking?!

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A zoo in Denmark has killed a giraffe they didn't want.

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Do you think the giraffe knew it was going to be shot? Do you?

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LAUGHTER

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"Nothing! Nothing!

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"Keep walking, nothing to see here."

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And then it gets worse.

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You know what they did? They fed it to the lions.

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Hands up, is there anyone who thinks that's a good idea?

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LAUGHTER

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"I do!"

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Hey, a very warm welcome to the show

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to the brilliant Bill Murray, everyone! Oh! Bill Murray.

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It's so exciting, so exciting to have him here.

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I loved Bill in Groundhog Day,

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all about a man who lives the same day over and over again.

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What would that be like?

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LAUGHTER

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"And today, scum.

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"Fat scum in shell suits.

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"After the break, more scum."

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Hey! Hugh Bonneville is here,

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star of the international smash hit drama Downton Abbey. Oh, we love it.

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Just look at him there, so dapper and smart.

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Mind you, here he is before going into make-up...

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LAUGHTER

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No, that's Hugh as Mr Stink.

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He also - that's a thing - he also starred in the brilliant comedy

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all about the London Olympics, Twenty Twelve.

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He played bungling organiser Ian Fletcher.

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He made so many mistakes and he got away with it.

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Now, if someone at the Winter Olympics makes a mistake,

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I think they're less likely to get away with it.

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LAUGHTER

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-RUSSIAN ACCENT:

-"Fifth snowflake did not turn into ring.

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"You're going to die.

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"I feed you to lion."

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Let's get some guests on!

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Later we'll be chatting and having music from Paloma Faith!

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CHEERING AND APPLAUSE

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But first, Good Lord, it's Hugh Bonneville!

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CHEERING AND APPLAUSE

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Hello, sir. So nice to have you here. Come in, come in, sit down.

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Thank you.

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You want a star guest, who are you going to call? It's Bill Murray!

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Wow! Hello, sir,

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so nice to see you, come in, come in.

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And I'm saving Private Ryan till last. It's Matt Damon, everybody!

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Wow!

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-Hello, sir.

-How are you?

-I'm really well. Sit down, sit down.

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CHEERING AND APPLAUSE

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I know, it's good, right? It's a good one.

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They might just clap for 45 minutes. It's good.

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You're very, very welcome and you've all just come from

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-the premiere of your film, Monuments Men.

-Yes.

-Yeah.

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-That's why we're drinking champagne.

-To celebrate. Yes.

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In fact, now,

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why is yours not in a champagne glass, Hugh?

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Do you want people to think, "Oh, I'm just a man of the people.

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"Simple white wine for me?"

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-No, I just like drinking more than anyone else at one time.

-Oh, right.

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Let's get started. If we...

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Hey, hey, hey! Thank you.

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Ready? Cheers.

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Cheers. One, two, three.

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CHEERING AND APPLAUSE

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Oh, he did? Wow.

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Oh, oh!

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CHEERING AND APPLAUSE

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-Wow.

-Don't do this at home. Don't do this at home.

-Oh, God!

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Oh, that ginger ale is crazy.

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Now you should just ask us really personal questions.

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And, actually, now, cos there was a big crowd on Leicester Square,

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and I just want to ask Matt, it's so odd but people confuse you.

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They don't always know that you're Matt Damon.

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That's, yeah, no, I get confused with Mark Wahlberg all the time.

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LAUGHTER

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It literally happened, it happened last week.

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I was in New York and I was taking my kids to the park, and, uh,

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and this guy at the subway, I walked by him and he goes,

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"Mark Wahlberg!"

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And I kept walking, you know.

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We were... I was going to Washington Square Park, I'm on Broadway,

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and, uh, he's like, "I see you, Mark Wahlberg!"

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And he might have been a little drunk, uh, yeah...

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But it was one of those things where he wasn't going to let it go,

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and I'm holding two of my kids' hands, it's, you know...

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And he's just, you know, "Turn around, Mark, we all know it's you!"

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And I don't turn around cos I'm not Mark Wahlberg.

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But now everybody's looking,

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and so I turn the corner with the kids to get around the corner,

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and he comes running around the corner and he comes up to me

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and he goes, "Come on, turn around, you gotta turn around!"

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I turn around, and the kids are totally confused,

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and I go, "How are ya?" And he goes, "I'm good, man."

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And that's it, that's all he wanted.

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He wanted me to just acknowledge that I was Mark Wahlberg.

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And another woman comes running up and says,

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"I love your work and I love your brother's work as well."

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So I said, "I will be sure to tell Donnie Wahlberg."

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And that was the extent of my interaction.

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But it happens to him too, cos somebody posted this.

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"I screamed Matt Damon. He didn't correct us at all."

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LAUGHTER

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Mark and I talked about it years ago, cos it was happening to us

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all the time, and so we have a deal and the deal is just,

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if you're mistaken for the other guy, you have to be extremely polite.

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I can't ruin his name, so when I'm Mark Wahlberg,

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I have to be on my best behaviour.

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-Well, I promise not to confuse you with Mark Wahlberg tonight.

-OK.

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Unless you sit in my lap and play with my nipples.

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LAUGHTER AND APPLAUSE

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And I'm smiling.

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And he'd had one of these at the beginning of the show as well?

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I'm not sure what happened before the beginning of the show.

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Actually, in terms of meeting fans, Hugh, you get confused as well,

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not with Mark Wahlberg, who do you get confused with?

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Well, in the old days when I had cheekbones it was Colin Firth.

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And then, er... There we are, you see.

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Then, latterly, Paul Burrell, the former butler.

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LAUGHTER AND APPLAUSE

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I don't even know who that is and it's funny. Tell us who that is.

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It's funny, we don't know who the hell that is.

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-You're lucky.

-Who is he?

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He was, he was, what was he, Diana's butler or something?

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-He was the butler to...

-Oh, the butler? Yeah, right, of course.

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And I was chased across Sloane Square once by a paparazzo

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who refused to believe that I wasn't him. "Come on, Paul!

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"Come on, just one!" Oh, you know, "You're my favourite butler!"

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LAUGHTER

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Now, Bill Murray, delightful to have you on,

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and am I, maybe this is wrong,

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I'm told you've never done a British talk show before.

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Well, I think I did one but the guy was actually Irish.

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Oh...

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LAUGHTER

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So, so technically... I mean, there was people running after me

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the next day going, "Hey, Mark Wahlberg!

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"That guy you were on with was Irish!"

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But you said to me his name was,

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-AMERICAN ACCENT:

-"Do you know a guy called Terry Wo-GAN?"

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-Mr Wo-GAN.

-Yes, was there...? There's a man named Wogan.

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He's still going.

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-COCKNEY ACCENT:

-OK, well, I was on the Wogan show.

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For like a week, people were like,

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-COCKNEY ACCENT:

-"I saw you on the Wogan show."

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LAUGHTER

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-I did, but he was a nice fella. That's the guy that's Irish?

-Yeah.

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THE guy!

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I should probably point out I'm Irish too.

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-What?

-I'm Irish as well.

-You are?

-Yeah.

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CHEERING DROWNS SPEECH

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I know you are, I think you play golf there all the time, yeah.

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You know, it's people like us that are turning this country around.

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LAUGHTER

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Now, gentlemen, we're here to celebrate your movie,

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The Monuments Men.

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It opens tonight, which, as you know, is Valentine's Night.

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-WHOOPS FROM AUDIENCE

-I know.

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You do sort of think, if you're at home watching this show live, sorry.

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That didn't really work out the way you'd hoped, did it?

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I mean, it's a great show but you'd hoped for more, didn't you?

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You'd hoped for more. But now, the story of Monuments Men,

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it's inspired by a true story from the Second World War,

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and it's - I mean, not only is it an extraordinary story

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but it's sort of amazing that no-one has told this story before.

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I mean, it was amazing.

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I'd never heard it and I had never heard about these guys and

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I was shocked that this... It's such an incredible story that

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I was surprised that I hadn't heard it,

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and it's these guys who were, you know, our age,

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middle-aged guys who, erm, during the Second World War dropped everything.

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LAUGHTER

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-Roughly.

-He's still chasing that Colin Firth dream.

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LAUGHTER

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Listen, the number of times I came up to him on set and told him

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how much I loved The King's Speech.

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LAUGHTER

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It's true.

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But, so there were these guys who had established careers,

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they were curators, they were professors and art experts.

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And they were well past their soldiering prime,

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and they dropped everything and went to, er...

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You've picked up the glass. LAUGHTER

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-He's only having a sip.

-Lord Grantham has...

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It's a great story, keep talking.

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LAUGHTER

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This is the only way I'm going to get out of here sober.

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-I'm going to answer every question.

-Answer every question.

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Er, but so these guys, erm, at great risk to themselves,

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they basically believed, you know, all of them believed that, er,

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the artwork that, you know...

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The bombarding that the Allies were doing

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and the things that might get destroyed were worth protecting,

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and that the art that the Nazis had stolen was worth, you know,

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their own lives to try to go and retrieve.

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And they, some of them died doing this,

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trying to protect the artwork because they felt that it had

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-that much value to our culture and to our civilisation.

-And to the world.

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Well, we've got a little clip.

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-It's George Clooney, who plays the head Monument Man.

-Of course.

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And he's... Of course he's the head one.

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Well, he wrote it and directed it, what's he going to do(?)

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LAUGHTER He wasn't going to play my part!

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That stupid part, yeah.

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This is the clip where he's recruiting you

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to be one of the Monuments Men.

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How's the ticker?

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Still ticking.

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Want to get in the War?

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-Monuments Men?

-Signed by Roosevelt.

-Oh, I see that.

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I'm to put a team together and try to protect what's left

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and find what's missing.

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-Aren't you a little old for that?

-Yes.

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You want to go into a war zone and tell our boys what they can

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-and cannot blow up?

-That's the idea.

-OK, how many men?

-For now, six.

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-Jesus.

-With you, that's seven.

-That's much better(!)

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-We're to go through basic in England and then we wait for orders.

-Basic?

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-Mm-hm.

-Basic training? Us?

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HE CHUCKLES

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Oh, boy.

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APPLAUSE

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Beautiful, and, er,

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is that you at the end, in the hat with the wine?

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-Was that you?

-What, the waiter?

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-No, were you in the bar with the red wine? Was that you?

-No, no, no.

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-No, no, I drop in later, I think.

-OK. And you are in it, I've seen it.

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-I think so, yes.

-You're very good in it.

-Thank you so much.

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Not quite as good as he was in The King's Speech.

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LAUGHTER

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Now, it is... It's a great film, huge Hollywood cast,

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and, Bill, lovely to see you in a film, but how does it happen?

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Cos is it true you don't have an agent or a manager or anything?

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I don't have a magent or an agent...

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LAUGHTER

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APPLAUSE

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-Oh, man.

-I have neither.

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LAUGHTER

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Whoa!

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-You're competitive, Matt Damon.

-It's a problem.

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I hear Mark Wahlberg has that too.

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Don't play catch-up. So, Bill, how do people contact you?

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Well, actually, George, uh, George, to,

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-George, to reach me...

-LAUGHTER

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George reached me through a mutual friend of ours

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who basically said, wanted to know, "Are you busy?"

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But George had told me the story of the movie about a year before,

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eating lunch, and I thought,

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"Yeah, go on, tell me, yeah, go ahead."

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"Now you just say you want to do it."

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And he didn't say anything,

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and then about nine months later I get this message through

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my friend saying, "Uh, George wants to know if you're busy."

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And that was the job. It's a great story,

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it's an amazing story and I just said, "OK."

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And you'd met George Clooney originally in Venice, was it?

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-Yes.

-OK.

-Yes.

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LAUGHTER

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We met in Venice. It was, uh... He had a movie in Venice,

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I don't even remember, but...

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I don't remember much.

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LAUGHTER

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But it was the night we had Lost In Translation open in Venice

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and it was a big deal.

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So there's one night, and all the Hollywood guys,

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they're all really stiffs, most of 'em.

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But one night of the year, they end up on this one island in Venice,

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they end up in Venice...

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And they all drink a whole lot, for some apparent reason.

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Not George, but these other show business guys.

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-So a whole kind of...

-Not George?

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No, George drinks all the time, that's what I mean.

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George drinks regularly and consistently, but, erm...

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So, I don't know, I met George that night and we kind of hit it off.

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And then I went back to America and my son said to me,

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"What's this about you and George Clooney

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"pushing people around in wheelchairs in Venice?"

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And I said, "You know, you're my son.

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"I would have expected more from you.

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"You know, to believe that kind of a story.

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"You know, I mean, why would you ever think

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"that something like that actually happened?"

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And he said, "Because there are pictures."

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LAUGHTER

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You know, this is the age we live in, so...

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But, erm... So it turned out that George and I were, like,

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taking women around in wheelchairs,

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and trying to dump them into the swimming pool.

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LAUGHTER AND GASPS

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No, no, they... No-one died, no-one died.

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It was a joke, it was a joke, they just got a rinse.

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LAUGHTER

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Tonight, at the premiere,

0:16:110:16:14

there were some relatives of the old Monuments Men's family,

0:16:140:16:19

and a lady in a wheelchair came for a photograph with everyone.

0:16:190:16:22

And she was there, probably in her 90s,

0:16:220:16:24

and you sat on her knee.

0:16:240:16:26

LAUGHTER

0:16:260:16:28

She was 97.

0:16:280:16:29

-She was 97.

-I only...

0:16:290:16:31

-She was 97.

-What do you expect?

0:16:310:16:34

I asked Mark to do it first and he wouldn't do it.

0:16:340:16:37

He wouldn't do it, and I went and I sat on her lap.

0:16:380:16:40

No, it's - I find, if you look at someone like that, you see

0:16:400:16:43

the wheelchair, when you see someone on their lap, you see a party girl.

0:16:430:16:48

LAUGHTER

0:16:480:16:50

BOTH: A 97-year-old party girl.

0:16:510:16:54

And she loved every second.

0:16:540:16:56

CHEERING AND APPLAUSE

0:16:560:16:58

But, wait a minute, I'll give you a story from a few days ago.

0:16:590:17:03

We're in Berlin, we land in Berlin for the film festival,

0:17:030:17:06

and the film festival's going to be the next day.

0:17:060:17:08

We have press all day, starting in the morning.

0:17:080:17:11

And it's five o'clock and my wife and I are getting

0:17:110:17:14

a bite to eat in our hotel, you know, in the restaurant.

0:17:140:17:18

And Bill walks up, and we're getting a snack, cos we're all meeting for

0:17:180:17:21

dinner at eight, the whole cast is meeting for dinner.

0:17:210:17:23

And Bill walks up and he goes, "Hey."

0:17:230:17:26

And I go, "Hey." And he goes,

0:17:260:17:28

"I might miss dinner tonight."

0:17:280:17:30

And I go, "Oh, really, why? "Are you not feeling well, are you jetlagged?

0:17:300:17:33

"Like, what is it?" And he goes,

0:17:330:17:35

"Nah, I'm going to go to Prague."

0:17:350:17:37

LAUGHTER

0:17:370:17:40

"You're going to go to Prague?" And he goes,

0:17:400:17:43

"Yeah, I'm going to take the train." I'm like, "The train?

0:17:430:17:47

"We're in Berlin. Like, how far is that?

0:17:470:17:49

"I lived in Prague for a while, I've never done that."

0:17:490:17:52

And he goes, "It's, like, five hours."

0:17:520:17:55

I'm like, "It's five o'clock now."

0:17:550:17:57

And he goes, "Yeah, train leaves in an hour."

0:17:570:17:59

Bearing in mind we had press at, like, 9:00am the next morning.

0:17:590:18:02

9:00am the next morning. "So you're going to take a train to Prague,

0:18:020:18:05

"you're going to get there around 11:00 or around midnight?"

0:18:050:18:08

And he goes, "Yeah, but I've never been there."

0:18:080:18:10

It's pretty, it's a really pretty town.

0:18:110:18:14

-Did you go?

-Oh, of course.

0:18:140:18:15

You did it?

0:18:150:18:16

APPLAUSE

0:18:160:18:19

And he was bang on time for press the next morning.

0:18:240:18:27

The best is I get a walking tour of Prague, and they have this

0:18:270:18:31

extraordinary astronomical clock there that's a mechanical clock

0:18:310:18:35

that has roosters that crow and a skeleton that rings the bell.

0:18:350:18:39

And, you know, I go through a whole process with a lady from the embassy

0:18:390:18:42

who couldn't have been nicer, to walk me around town,

0:18:420:18:45

and the clock rings but it only rings once.

0:18:450:18:49

It's one o'clock in the morning, you know.

0:18:490:18:51

"Bang!"

0:18:510:18:53

LAUGHTER

0:18:530:18:55

"OK, let's get a taxi."

0:18:570:18:59

LAUGHTER AND APPLAUSE

0:18:590:19:01

Now, Hugh Bon... You don't mind me calling you Hugh Bon?

0:19:070:19:10

-It's catching on now.

-Hugh Bon?

-Hugh Bon.

0:19:100:19:13

You're like the J-Lo of England.

0:19:130:19:15

-There's like R-Patz and then there's Hugh Bon.

-What about H-Bon?

0:19:160:19:20

But, now, did you know George Clooney before this?

0:19:220:19:25

Oh, we go back years! No.

0:19:250:19:26

No, he talks about having a long lunch and not getting the job offer

0:19:260:19:30

at the end of it - you know, there was a five-second phone call

0:19:300:19:32

from my agent saying, "George Clooney wants..."

0:19:320:19:34

And I said yes.

0:19:340:19:35

So, yeah. And then, erm... In fact,

0:19:370:19:40

I haven't actually fessed up that the offer, these things come through

0:19:400:19:43

from your agent saying - very dry letters saying -

0:19:430:19:47

"Dear Hugh, for your attention, this project, produced by so-and-so..."

0:19:470:19:51

28 million names of who are the producers and then starring,

0:19:510:19:54

and, you know, Bill and Matt and everyone else.

0:19:540:19:58

And then at the bottom, another name, for my part,

0:19:580:20:02

which they'd failed to wipe out, so, you know...

0:20:020:20:04

LAUGHTER

0:20:040:20:06

These things happen. And, er, I was thrilled.

0:20:060:20:10

-Who was it?

-I'm not going to tell you.

0:20:100:20:13

Oh, give us a clue.

0:20:130:20:14

-Oh, erm...

-Was it an English person?

-It was, actually, yeah.

0:20:140:20:18

-It's Victoria Beckham.

-Exactly.

0:20:180:20:20

You told him! You said you wouldn't...! Shh!

0:20:210:20:24

She would have been brilliant.

0:20:240:20:26

LAUGHTER

0:20:260:20:28

But is it all kind of down to the Downton thing?

0:20:290:20:32

Was George a fan of Downton?

0:20:320:20:33

-Completely.

-Because, in 220 territories...

0:20:330:20:35

I didn't know there were 220 territories.

0:20:350:20:37

No, what does that mean? Territories is different to nations, obviously.

0:20:370:20:40

Yes, they must be. I don't think there are 220 countries.

0:20:400:20:42

-But territories.

-How many countries are there?

-Somebody Google it.

0:20:420:20:45

Now, did you guys watch Downton? Did you know what Downton was?

0:20:450:20:48

I'm starting to think Texas is its own territory, they're like,

0:20:480:20:51

TEXAN DRAWL: "We're a territory.

0:20:510:20:53

"We're gon' shoot you if you come down here."

0:20:530:20:56

-Sorry.

-Did you watch Downton before?

0:20:560:20:58

No, my wife is an addict,

0:20:580:21:01

and by addict I mean like a crack addict.

0:21:010:21:03

And it's like a problem.

0:21:040:21:07

We were supposed to start the show together,

0:21:070:21:09

and I came to bed one night and she said,

0:21:090:21:12

"I've just watched six of them."

0:21:120:21:13

LAUGHTER

0:21:130:21:15

And she was like, "I'll tell you..." BILL GIGGLES

0:21:150:21:18

"I'll tell you what happened."

0:21:180:21:21

Because she wanted to see the seventh

0:21:210:21:24

and she didn't want to go back to the first.

0:21:240:21:27

You know. And so she's done the whole thing and I'm on my own, so...

0:21:270:21:31

I will watch Downton Abbey because I love Hugh, but I'm going to

0:21:310:21:34

have to find the time somehow to do that raising four kids.

0:21:340:21:38

Have you ever seen it, Bill?

0:21:380:21:40

-Downton Abbey?

-No.

-OK.

0:21:400:21:43

I never have, but I'm just slow.

0:21:430:21:44

I have a lot of, like... I'm really slow cleaning up my room

0:21:440:21:47

and getting dressed and everything. So I miss these shows.

0:21:470:21:50

But I really look forward to getting,

0:21:500:21:52

like, a serious flu or something like that.

0:21:520:21:55

I'll get the entire set and watch the whole thing

0:21:550:21:58

because he seems like the greatest guy.

0:21:580:22:02

-He seems like a great guy.

-It's a very good show.

0:22:020:22:05

It's one of those weird things, it's too convincing.

0:22:050:22:07

Like, I'm sort of on the fringes of this industry,

0:22:070:22:10

I meet actors on the show.

0:22:100:22:11

But when I see the Downton cast on a red carpet,

0:22:110:22:15

and it's the servants, I always think, "Oh, isn't that lovely!"

0:22:150:22:18

Look at that! Look, it's Mrs Patmore! She borrowed a dress!

0:22:220:22:26

Did they give them the morning off?

0:22:270:22:30

Or is he there going, "Where's my kedgeree?!"

0:22:300:22:32

You have a love/hate thing, don't you, with it?

0:22:330:22:35

No, I love it in that I watch it all the time,

0:22:350:22:38

but a bit like a relationship with crack, I hate it too.

0:22:380:22:40

Well, you know it's killing you. So...

0:22:400:22:44

May I ask you, is he, like, the grand master?

0:22:440:22:47

He's the Lord of the Lord.

0:22:470:22:48

But what you need to know, Bill, is Lord Grantham,

0:22:480:22:51

and I think this is fair, is always wrong.

0:22:510:22:54

-Well, there you go. There you go right there.

-Yeah.

-That's...

0:22:560:23:01

He is, though, isn't he? You must get annoyed.

0:23:010:23:03

Put it this way. When your name

0:23:030:23:04

comes out of a dog's arse in the titles, you know...

0:23:040:23:07

You know you're in for a bad ride.

0:23:080:23:11

No, because Lady Sybil... You killed her. Blood on your hands.

0:23:110:23:15

-No, people say that!

-You killed someone in the show?

-No, I didn't!

0:23:150:23:18

-Yes, he did.

-Time out, time out.

-Murderer!

0:23:180:23:22

Dr Clarkson, OK? Up to then, who we...

0:23:240:23:27

Don't tell me, I haven't seen the show!

0:23:270:23:29

-Up to that point...

-He killed somebody but I don't want to know!

0:23:350:23:38

I don't want to know!

0:23:380:23:40

Up to that point, we called him Dr Death on set

0:23:400:23:42

because every decision he makes was terrible.

0:23:420:23:44

So there is some sense in my character calling in

0:23:440:23:47

some outside advice.

0:23:470:23:48

It happens to be possibly the wrong one,

0:23:480:23:51

and, you know, she wants out of her contract, so she dies.

0:23:510:23:54

Wow.

0:23:550:23:56

If you're watching in one of the 220 territories

0:23:560:23:59

that hasn't got to that point in the story yet...

0:23:590:24:02

hey, maybe she gets better.

0:24:020:24:03

I wouldn't join the Matthew Crawley fan club either.

0:24:050:24:08

I wouldn't invest in that.

0:24:100:24:12

I'm going for a pee, excuse me.

0:24:120:24:14

-Are you really going for a pee?

-I am. Close-ups on them.

0:24:160:24:18

-Tiny bladder.

-They just say that over here.

0:24:230:24:26

Bladder...bladder like a pea. Yeah.

0:24:260:24:30

You know, with all respect, we have commercials in America,

0:24:300:24:33

you can go and do this in the middle.

0:24:330:24:35

We just keep going. BBC, bladders of steel.

0:24:350:24:38

Quickly, I just want to ask you, Lost In Translation,

0:24:400:24:43

when you were making that film,

0:24:430:24:45

I read that you had a particular phrasebook in Japan. Is this true?

0:24:450:24:48

-That's true.

-Where did you even get that phrasebook?

0:24:480:24:51

I don't know where I found it.

0:24:510:24:52

I sort of went hunting, looking for something

0:24:520:24:55

and it's something that I'd purchased years before,

0:24:550:24:58

before I made the film,

0:24:580:24:59

and it's a book called Making Out In Japanese.

0:24:590:25:02

-So, what are some of the phrases in the book?

-Well, it's pretty great.

0:25:040:25:07

I used to take this book with me to dinner.

0:25:070:25:11

I used to take this to the sushi bar

0:25:110:25:13

and sit down in front of the sushi chef and say...

0:25:130:25:15

"Can we get into the back seat?"

0:25:160:25:18

"Do you have a curfew?"

0:25:220:25:24

"Do you mind if I use protection?"

0:25:270:25:30

These guys all had big knives, big, big knives. Sharp knives.

0:25:330:25:37

And they all liked it very much.

0:25:370:25:39

I had a lot of fun with that book,

0:25:390:25:41

and I... It would just... It made my life so much fun.

0:25:410:25:45

I still have the book, it's a treasure to me.

0:25:450:25:48

It's in my, you know, first editions.

0:25:480:25:51

Yes, it's under glass!

0:25:510:25:53

I learned some great expressions.

0:25:530:25:55

I learned one expression which turns out to be the final thing you say

0:25:550:25:59

before you kill or fight in Japan, which is...

0:25:590:26:02

"Who do you think you're talking to?"

0:26:030:26:06

Which is like a real status kind of thing you do.

0:26:060:26:09

And you say... "Dare ni mukatte mono ittenda yo?"

0:26:090:26:14

And you say it like that, and it's totally terrifying.

0:26:140:26:18

And we used to get dressed up...

0:26:180:26:20

On Sofia's movie, we'd move around and you'd have a make-up...

0:26:200:26:23

We'd rent, like, a small hotel room and that would be the make-up

0:26:230:26:26

and hairdressing and all the stuff. And the wardrobe and everything.

0:26:260:26:30

One morning, I got my first iPod...

0:26:300:26:32

-This is a long story, you got a lot of time.

-Yeah!

0:26:320:26:35

I got my first iPod, and I was singing, like, the Beatles.

0:26:350:26:38

I was singing something, like,

0:26:380:26:39

"Let it be!" Something like that, really loud, full volume,

0:26:390:26:43

but it's 5:30 in the morning.

0:26:430:26:44

And some guy steps out of his hotel room in his robe

0:26:440:26:47

and he comes down and he starts shouting at me.

0:26:470:26:50

And I had the headphones on, and I just looked at him

0:26:500:26:52

and I said, "Dare ni mukatte mono ittenda yo?"

0:26:520:26:56

And this giant man just went completely white.

0:26:570:27:00

Because it's a Yakuza thing which means, "Now you're going to die."

0:27:020:27:05

And the guy ran down the hall, slammed the door,

0:27:050:27:08

and locked the door.

0:27:080:27:09

So, you know.

0:27:120:27:14

APPLAUSE DROWNS SPEECH

0:27:140:27:15

I know, I know.

0:27:180:27:19

I know, but I said only I was allowed to wear sort of deep red.

0:27:190:27:23

I know, well... Well, you're sacked, I'm sorry. I'm back now.

0:27:240:27:29

Beautifully done. Nicely done. Seamless, no-one will notice.

0:27:290:27:32

Incidentally, thanks for sending the memo to everybody but me.

0:27:320:27:35

-Well, yeah, that is odd, isn't it?

-Yeah, it's weird.

0:27:350:27:38

I've never seen this colour and now I see it on three men at once.

0:27:380:27:42

It's just have a go at Matt night. That's fantastic, thanks.

0:27:450:27:49

From the sublime to the ridiculous, because Hugh Bonneville...

0:27:490:27:53

-That would be Hugh Bonneville!

-No, no! Hugh Bonneville is a lovely man!

0:27:530:27:57

Hugh Bonneville's a lovely man.

0:27:570:27:58

But I just want to refer back to a television appearance

0:27:580:28:01

that Hugh Bonneville made a couple of weeks ago.

0:28:010:28:03

-He was on a programme called Top Gear.

-Oh, I love that show.

0:28:030:28:06

-You were on Top Gear?

-Driving.

-That's the greatest show.

0:28:060:28:10

-Do you have a clip from Top Gear?

-We don't have a clip,

0:28:100:28:12

but we do have a bizarre...

0:28:120:28:14

His appearance caused quite the reaction.

0:28:140:28:16

Here he is on Top Gear.

0:28:160:28:18

Now, a lot of people were focused on the jumper.

0:28:180:28:20

A lot of people were focused on the jumper,

0:28:230:28:25

but even more people were concerned with, why...?

0:28:250:28:28

Why were you wearing lipstick on Top Gear?!

0:28:290:28:31

-Oh, my word!

-We haven't doctored, we haven't doctored the picture.

0:28:390:28:43

-That...

-I haven't got my glasses on, I can't see it.

0:28:430:28:45

Trust me, you're wearing lipstick. There we go.

0:28:450:28:49

I am not wearing lipstick! I've never worn lipstick in my life!

0:28:490:28:52

-It looks, it does look like lipstick.

-That was a very cold day.

0:28:520:28:57

Well, I'm intrigued. I'm here to say that I was not wearing lipstick.

0:28:590:29:03

It was flipping cold, because on Top Gear,

0:29:030:29:05

they say bring two sets of clothes.

0:29:050:29:06

You're going to be boiling hot in the car,

0:29:060:29:08

and you're going to be freezing cold in the studio.

0:29:080:29:11

I thought, boiling hot in the car? It's a cold day in wherever we are,

0:29:110:29:14

February, it's not going to be like that at all.

0:29:140:29:16

I was roasting, because you're exerting so much adrenaline

0:29:160:29:19

and sweat, because you're in a, well...

0:29:190:29:21

Just right now, your lips are turning a different colour!

0:29:210:29:25

That's because of you, Bill! That's because of you!

0:29:250:29:28

And then you're in the studio,

0:29:280:29:29

this aircraft hangar where apparently last summer,

0:29:290:29:32

it's either incredibly hot or it's freezing this time of year.

0:29:320:29:35

And last year, when Patrick Stewart was on...

0:29:350:29:37

My lips are going red, aren't they?

0:29:370:29:39

They do! They just go red on TV! That's really weird!

0:29:430:29:46

When Patrick Stewart...

0:29:470:29:49

I am this table!

0:29:510:29:52

It's an odd look for a man but you carry it off.

0:29:530:29:56

Yeah! So, last year...

0:29:560:29:58

I'm like whatshername's pout the other week.

0:30:000:30:03

So last year, apparently about four or five people -

0:30:030:30:07

stop giggling - four or five people fainted

0:30:070:30:09

while Patrick Stewart was doing his thing because it was so hot.

0:30:090:30:12

And I thought it would be chilly so I'd have my favourite woolly jumper.

0:30:120:30:16

But not my red lippy, which I left at home.

0:30:160:30:18

He just said, my lips, my favourite woolly jumper! Come on!

0:30:200:30:24

How many women here are going to faint just hearing him say,

0:30:240:30:27

"My favourite woolly jumper?"

0:30:270:30:29

All right, how many men are going to faint?

0:30:310:30:33

-No!

-My favourite woolly jumper and my lippy. What the hell, lippy?!

0:30:330:30:37

-Lippy. What does that mean in America?

-I don't know!

0:30:370:30:41

Oh, dear!

0:30:520:30:54

Ladies and gentlemen,

0:30:570:30:58

we must also wish Matt Damon all the best for Sunday.

0:30:580:31:02

-Bafta, you're nominated.

-Oh, yes. Thank you.

0:31:020:31:04

So good, it's for Behind The Candelabra, the Liberace film.

0:31:060:31:10

Which got a cinema release here which is why you're nominated.

0:31:100:31:14

-It's so, so good, that film.

-Thank you.

-It's just brilliant.

0:31:140:31:18

I think the key to my performance was I borrowed Hugh's lippy.

0:31:180:31:21

It gets around.

0:31:250:31:27

But the... Because that movie is so out there.

0:31:290:31:32

Did you and Michael Douglas say yes thinking, "It'll never get made?

0:31:320:31:35

-"We'll never really have to do this."

-No, no. We...

0:31:350:31:41

Actually, we felt a big, uh...

0:31:410:31:44

..uh, sense of responsibility.

0:31:450:31:47

Keep talking! Don't pause there!

0:31:470:31:50

There was that night when you were going over the script

0:31:500:31:54

in your woolly jumper.

0:31:540:31:56

It's my favourite woolly jumper!

0:32:020:32:03

What am I meant to say, sweater?

0:32:060:32:07

I actually asked to wear a woolly jumper in every scene!

0:32:090:32:13

"Is this the scene where I take off my woolly jumper?"

0:32:160:32:19

"So, in this scene in the hot tub, am I going to be in my woolly jumper?"

0:32:200:32:24

Have many guests walked off this show?

0:32:260:32:28

-You already did, to go to the bathroom!

-Yeah.

0:32:300:32:33

They're going to keep that in, you know.

0:32:330:32:35

-Well, listen, good luck on Sunday.

-Mark Wahlberg, ladies and gentlemen.

0:32:350:32:39

Thank you! Yeah!

0:32:390:32:40

Hey, um... Matt, Bill, Hugh, lovely to talk to, thank you so much

0:32:420:32:45

for being here tonight. Good luck with The Monuments Men.

0:32:450:32:48

I loved it, and it opens tonight.

0:32:480:32:50

We've just got another taste,

0:32:500:32:52

and this is all of you getting into training.

0:32:520:32:54

We have your architect from Chicago, Sergeant Richard Campbell.

0:32:540:32:58

And we have a Frenchman, Lieutenant Jean Claude Clermont.

0:32:580:33:01

Director of Design at the Chalet School of Fine Arts before the war.

0:33:010:33:04

Is Preston here?

0:33:060:33:07

Private Preston Savitz.

0:33:070:33:09

-Private? That's not going to sit very well with him.

-It doesn't.

0:33:090:33:12

And finally, we have your sculptor, Sergeant Walter Garfield.

0:33:130:33:17

He's a good egg -

0:33:170:33:18

I worked with him on the World War I memorial in St Louis.

0:33:180:33:20

A-ha. St Louis.

0:33:200:33:21

Hey, Stokes!

0:33:210:33:22

How are you, old boy?

0:33:250:33:26

Hey, Walter - how they treating you?

0:33:260:33:29

They're taking it pretty easy on us.

0:33:290:33:31

I think they feel sorry for us old guys.

0:33:310:33:33

I don't much fancy an obstacle course.

0:33:330:33:35

It's not so bad.

0:33:350:33:36

By the end, you're just crawling on your belly

0:33:360:33:38

while teenagers shoot blanks over your head.

0:33:380:33:40

-Well, yes and no.

-How's that?

0:33:400:33:43

Yes, they are teenagers.

0:33:430:33:44

And no?

0:33:440:33:45

They're not blanks.

0:33:450:33:46

LAUGHTER AND APPLAUSE

0:33:460:33:50

Right! It's time for music.

0:33:510:33:54

This lady is not just one of my favourite pop stars,

0:33:540:33:56

she's also one of my favourite people.

0:33:560:33:58

Singing her new single, Can't Rely On You,

0:33:580:34:00

please welcome the unique Paloma Faith, everybody!

0:34:000:34:03

CHEERING AND APPLAUSE

0:34:030:34:06

Hey!

0:34:090:34:11

Whoo!

0:34:120:34:13

Come on, get it!

0:34:140:34:15

Let me tell you a little something

0:34:170:34:18

about how my man ain't behaving myself recently.

0:34:180:34:22

Whoo!

0:34:220:34:24

# Help me

0:34:240:34:25

# How are you gon' do love this way?

0:34:250:34:27

# I work so hard for you every day

0:34:290:34:33

# While you're out

0:34:330:34:35

# Late night, doing what you do

0:34:350:34:37

# Chillin' with who?

0:34:370:34:39

# While I'm sitting at home

0:34:390:34:40

# Come on, get it... #

0:34:400:34:42

I don't know what this world is coming to!

0:34:460:34:48

Whoa!

0:34:480:34:49

# I just can't rely on you

0:34:490:34:51

# Just can't rely on you

0:34:510:34:53

# Just can't rely on you

0:34:530:34:55

# Just can't rely on you

0:34:550:34:57

# Yeah, you got that good stuff

0:34:570:34:59

# But that don't last

0:34:590:35:01

# So I just can't rely on you

0:35:010:35:03

# Just can't rely on you

0:35:030:35:05

# Oh, Lord

0:35:050:35:07

# How am I ever to explain

0:35:070:35:10

# How my melting pot went right down the drain?

0:35:100:35:14

-# Cos if you don't want me

-Release

0:35:140:35:16

-# Beep, beep

-Beep, beep

0:35:160:35:17

-# Want some?

-Want some?

0:35:170:35:18

# Take me

0:35:180:35:20

# He will take me right out your way... #

0:35:200:35:22

Come on with it!

0:35:220:35:24

I don't know what this world is coming to!

0:35:270:35:30

Whoa!

0:35:300:35:31

# I just can't rely on you

0:35:310:35:32

# Just can't rely on you

0:35:320:35:35

# Just can't rely on you

0:35:350:35:37

# Just can't rely on you

0:35:370:35:39

# Yeah, you got that good stuff but that don't last

0:35:390:35:42

# Don't last

0:35:420:35:43

# So I just can't rely on you

0:35:430:35:45

# I just can't rely on you

0:35:450:35:47

-# I want to go

-I've heard that before

0:35:480:35:50

-# Really?

-Really

0:35:500:35:52

# You can say what you want

0:35:520:35:55

# But I'm out that door

0:35:560:35:58

# Can't stop me

0:35:580:36:00

# Whoo-ooh-ee

0:36:000:36:02

# Oh, my man

0:36:020:36:04

# Oh, Lord... #

0:36:040:36:05

I don't know what this world is coming to!

0:36:090:36:11

Whoa!

0:36:110:36:12

# I just can't rely on you

0:36:120:36:14

# I just can't rely on you

0:36:140:36:16

# Just can't rely on you

0:36:160:36:18

# Just can't rely on you

0:36:180:36:20

# Yeah, you got that good stuff but that don't last

0:36:200:36:24

# No way

0:36:240:36:25

# So I just can't rely on you

0:36:250:36:27

# I just can't rely on you

0:36:270:36:29

# Mm-mm

0:36:290:36:30

# Just telling it like it is

0:36:310:36:33

# Wait a minute

0:36:330:36:34

# Wait a minute

0:36:380:36:40

# Change your ways

0:36:400:36:42

# Don't I deserve it, babe?

0:36:420:36:45

# Look here

0:36:450:36:46

# Boy, you drive me out of my mind

0:36:460:36:50

# Whoo, yeah, yeah, yeah, yeah-eah

0:36:500:36:55

# Whoa-oh

0:36:550:36:56

# I just can't rely on you

0:36:560:36:58

# Just can't rely on you

0:36:580:37:00

# Just can't rely on you

0:37:000:37:02

# Yeah, you got that good stuff but that don't last

0:37:020:37:06

# No way

0:37:060:37:07

# Ain't good enough for me, baby

0:37:070:37:09

# Just can't rely on you

0:37:090:37:10

# Whoo-ooh. #

0:37:100:37:12

CHEERING AND APPLAUSE

0:37:130:37:15

Wow!

0:37:150:37:16

Wow!

0:37:170:37:19

-Thank you.

-It's a hit!

0:37:190:37:21

Paloma Faith! Wow!

0:37:210:37:24

Come on over, do.

0:37:240:37:26

-Beautiful. That's a bit, a hit.

-Thank you.

0:37:260:37:28

Hello. Mwah! Gorgeous. Come and sit down, do.

0:37:280:37:32

Look, it's Hugh Bon.

0:37:320:37:33

-Hello.

-Hello.

0:37:330:37:34

Mr Bill Murray.

0:37:340:37:36

An honour.

0:37:360:37:38

Mr Matt Damon.

0:37:380:37:39

Congratulations.

0:37:390:37:41

-Very good.

-Gorgeous, you've done a great job.

0:37:410:37:44

-Sit down.

-Oh, thank you.

0:37:440:37:46

LAUGHTER

0:37:490:37:51

If you don't mind...

0:37:510:37:52

-One, two, three...

-Is this...? Ah!

0:37:540:37:56

Oh! No! Bill Murray! Stop that!

0:37:560:38:00

Stop that! Stop that!

0:38:000:38:01

Guys...

0:38:050:38:06

I'm known for the grace, I really am.

0:38:080:38:11

Well, you appeared to be done on the one side and we thought we'd...

0:38:110:38:15

LAUGHTER

0:38:150:38:16

I can only apologise, Paloma Faith.

0:38:180:38:19

I'm so sorry.

0:38:190:38:21

Ah, this is lovely, isn't it? Come over!

0:38:210:38:24

-Hi.

-So, listen...

0:38:240:38:25

Are you eating her shoe?!

0:38:280:38:30

That's one hell of a shoe.

0:38:300:38:32

Give it to her with the lippy.

0:38:320:38:34

MATT: I just love that Lord Grantham's a freak!

0:38:360:38:38

LAUGHTER

0:38:380:38:41

Shoe fiend!

0:38:410:38:42

Paloma Faith, before you get eaten...

0:38:420:38:45

LAUGHTER

0:38:450:38:46

-..that single is out February 23rd?

-It is. Thank you.

0:38:460:38:48

New album is on the...?

0:38:480:38:49

It's March the 10th and it's called A Perfect Contradiction,

0:38:490:38:52

which I think these three gentlemen definitely fit into.

0:38:520:38:56

And it's kind of up-tempo-y stuff? It's dancey stuff?

0:38:560:38:58

It's kind of upbeat.

0:38:580:39:00

It's disco and fun and it's like,

0:39:000:39:02

if it's all gone to shit, then let's just have a dance.

0:39:020:39:05

-Yes!

-APPLAUSE

0:39:050:39:07

-Yeah!

-Can you say "gone to shit" over here?

0:39:070:39:09

-Yes.

-Apparently, we can.

0:39:090:39:11

Well, then let's dance.

0:39:110:39:13

LAUGHTER AND APPLAUSE

0:39:130:39:15

And here's an odd thing -

0:39:150:39:17

you haven't met the guys on the couch before, have you?

0:39:170:39:19

-No.

-But you've got to know them very quickly, I would say.

0:39:190:39:21

But you have met George Clooney?

0:39:230:39:24

I have met George Clooney.

0:39:240:39:26

I was at... I opened the BAFTAs last year, actually. It's great.

0:39:260:39:30

All right. Good.

0:39:300:39:32

And, um, he said that he'd noticed that I kept going to the toilet.

0:39:320:39:36

I was like, "Why haven't you been to the toilet?"

0:39:360:39:39

Like, all night, he hadn't been to the toilet

0:39:390:39:42

and he told me he had a colostomy bag.

0:39:420:39:45

LAUGHTER

0:39:450:39:48

I was just wondering whether, on set, he went to the toilet much.

0:39:480:39:51

Or if you'd noticed...

0:39:510:39:52

-He must have really trusted you.

-Yeah!

0:39:520:39:54

LAUGHTER

0:39:540:39:56

You normally have to know him for like, a decade

0:39:560:39:58

before he lets you in on that.

0:39:580:40:00

Yeah, well...

0:40:000:40:02

Listen, we're going to go to the red chair before we go,

0:40:020:40:05

to see who's there. Er, who's up? Who's up?

0:40:050:40:07

-Hello.

-Hi.

-Hi.

0:40:070:40:09

For once, you're quite glad you're at a distance, aren't you?

0:40:090:40:12

-So what's your name?

-Rebecca.

0:40:120:40:14

This is Rebecca. Where are you from, Rebecca?

0:40:140:40:16

-New Zealand.

-Oh, you surprise me.

0:40:160:40:19

-Time out - can I just you a really quick question?

-Yeah.

0:40:190:40:21

So this is a situation where we're allowed to...?

0:40:210:40:24

-If one of us pulls this lever, she flips?

-Yeah.

-OK.

0:40:240:40:27

PALOMA: As you just did...

0:40:270:40:29

LAUGHTER AND APPLAUSE

0:40:290:40:31

-This is literally like the Milgram experiment.

-Yeah.

0:40:330:40:37

-Fantastic.

-OK, that was her. I hope her story wasn't very good.

0:40:370:40:40

-I'm imagining it wasn't.

-LAUGHTER

0:40:400:40:42

Wow. So if you don't like her story, you pull this lever...

0:40:420:40:46

That was really real? That was REALLY real?

0:40:460:40:48

I always thought it was rehearsed.

0:40:480:40:50

You know, or cut in in some way. That was real - you did that.

0:40:500:40:53

-That just happened.

-And she went... That's incredible.

0:40:530:40:55

I didn't do it, he did it. I didn't do it.

0:40:550:40:57

LAUGHTER

0:40:570:40:58

Did you grow up in a forest or something?

0:40:580:41:00

LAUGHTER

0:41:000:41:02

That's vodka. That's vodka!

0:41:040:41:06

Down in one. Wow.

0:41:070:41:09

CHEERING AND APPLAUSE

0:41:090:41:10

Wow, it is.

0:41:100:41:12

Thank you.

0:41:120:41:13

-I just needed to catch up.

-Is there another one?

0:41:140:41:16

Let's see what you got, Scottie. Let's see what you got.

0:41:160:41:19

Come on, you're such a rock'n'roll star.

0:41:190:41:22

-LAUGHTER AND APPLAUSE

-One more.

0:41:220:41:24

-What a waste.

-Ladies and gentlemen, her rehab is taking.

0:41:270:41:31

Quickly, let's try someone else in the red chair.

0:41:310:41:34

-Let's see if we can get a story. Hello, nice lady.

-Hello.

0:41:340:41:36

-What's your name?

-Jessica.

0:41:360:41:37

Jessica. Can you hear Jessica?

0:41:370:41:39

-Pardon?

-No, I'm not talking...

0:41:390:41:41

LAUGHTER

0:41:410:41:43

-She's so sweet. And she's French.

-She's adorable.

0:41:430:41:46

Er, I don't think she's French.

0:41:460:41:47

She said... Didn't she say, like... FRENCH ACCENT: "Pardon?"

0:41:470:41:50

She said, "Pardon?" She's posh.

0:41:500:41:52

LAUGHTER AND APPLAUSE

0:41:540:41:57

I love the chair! Put me in it!

0:41:570:41:59

Do you want a go? Do you want a go?

0:41:590:42:01

OK, can Hugh have a go in the chair?

0:42:010:42:03

-OK. Go, Hugh, go.

-And do that again.

0:42:030:42:05

-OK.

-Where's the chair?

0:42:050:42:07

It's... Follow that man there. Follow him.

0:42:070:42:10

OK. But... But hurry! We've got homes to go to.

0:42:100:42:13

By the way, this is the best time I've ever had on a talk show.

0:42:150:42:18

-Aw, bless you.

-CHEERING AND APPLAUSE

0:42:180:42:20

Without a doubt.

0:42:200:42:21

-Thank you very much.

-That's true.

0:42:210:42:23

Come and see us again. All right.

0:42:230:42:26

They've laced the champagne with crack.

0:42:260:42:29

Yeah, I think it's the champagne, not the host.

0:42:290:42:31

LAUGHTER

0:42:310:42:32

OK. Who's up next?

0:42:320:42:34

-Hi.

-Hi.

-Hi, I'm Hugh. I'm from West Sussex.

0:42:340:42:37

-Hi, Hugh!

-Hi.

0:42:370:42:39

I'd just like to say that I think Matt Damon is really amazing

0:42:390:42:43

in the fourth Bourne movie...

0:42:430:42:45

Wahey!

0:42:450:42:46

CHEERING AND APPLAUSE

0:42:460:42:47

Well done, everyone! If you'd like to join us on the show

0:42:470:42:50

and have a go in the red chair, you can. Just go to the website.

0:42:500:42:53

Thank you to all my guests tonight -

0:42:530:42:56

Paloma Faith!

0:42:560:42:58

CHEERING AND APPLAUSE

0:42:580:43:00

He's running back - Hugh Bonneville, everybody!

0:43:000:43:03

-CHEERING AND APPLAUSE

-Hugh Bonneville.

0:43:030:43:06

Bill Murray!

0:43:070:43:09

CHEERING AND APPLAUSE

0:43:090:43:11

And Matt Damon, everyone!

0:43:110:43:13

-CHEERING AND APPLAUSE

-Whoa, whoa, whoa!

0:43:130:43:15

Join me next week, when my guests will include

0:43:150:43:17

British actor Dominic Cooper and singing star Lily Allen.

0:43:170:43:20

I'll see you then. Goodnight, everybody. Bye-bye!

0:43:200:43:23

-Quick, go! Go!

-CHEERING AND APPLAUSE

0:43:230:43:25

CHEERING AND APPLAUSE

0:43:520:43:55

PALOMA: I'm honoured, I really am.

0:43:550:43:57

CHEERING AND APPLAUSE

0:43:590:44:03

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