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It's the end of another great series. | 0:00:02 | 0:00:03 | |
Everything's been packed away. The studio's empty. | 0:00:03 | 0:00:05 | |
But, you know, I do sort of miss my audience. Oh, I wish they were here. | 0:00:05 | 0:00:10 | |
I wish they were here. I wish they were here. | 0:00:10 | 0:00:13 | |
CHEERING | 0:00:13 | 0:00:14 | |
Let's start the show! | 0:00:14 | 0:00:17 | |
Oh! | 0:00:32 | 0:00:33 | |
Oh! | 0:00:34 | 0:00:36 | |
Good evening! Hello. | 0:00:37 | 0:00:39 | |
Hello. | 0:00:39 | 0:00:41 | |
CHEERING | 0:00:41 | 0:00:43 | |
Good evening. Welcome, all. Oh! | 0:00:43 | 0:00:46 | |
I tell you, what a great series this has been. | 0:00:46 | 0:00:48 | |
So many highlights, starting with this. | 0:00:48 | 0:00:51 | |
-Let's get started, if we... -Yeah! | 0:00:51 | 0:00:54 | |
-Hey, hey, hey, hey, hey! Thank you. -We can do it. Ready? -Cheers. | 0:00:54 | 0:00:57 | |
Cheers. | 0:00:57 | 0:00:59 | |
One, two, three... | 0:00:59 | 0:01:01 | |
CHEERING | 0:01:01 | 0:01:04 | |
Oh, he did! | 0:01:07 | 0:01:09 | |
Wow. | 0:01:09 | 0:01:10 | |
CHEERING CONTINUES | 0:01:10 | 0:01:12 | |
Oh! | 0:01:12 | 0:01:14 | |
-Wow. -Don't do this at home. Don't do this at home. -Oh, God. | 0:01:16 | 0:01:20 | |
That ginger ale is crazy. | 0:01:22 | 0:01:23 | |
Now you should just ask us really personal questions. | 0:01:25 | 0:01:28 | |
Dame Julie and I want to announce that we're engaged officially. | 0:01:28 | 0:01:32 | |
-Was there a lot of bonding backstage? -Yes. | 0:01:32 | 0:01:35 | |
-About five seconds' worth, right? -Yes. | 0:01:35 | 0:01:38 | |
Yes, I wanted to come to England | 0:01:38 | 0:01:39 | |
and, on your television programme, to announce our love. | 0:01:39 | 0:01:43 | |
-Now, obviously, you're familiar with the guys, aren't you? -Yeah. | 0:01:43 | 0:01:45 | |
-Are you kidding?! Of course I am. -Yes. -No, and... | 0:01:45 | 0:01:48 | |
-We've been very familiar, haven't we? -Yes. Yes. | 0:01:48 | 0:01:51 | |
Yes. | 0:01:51 | 0:01:52 | |
Wow. Channing, what...? Are you losing it? Are you losing it? | 0:01:52 | 0:01:56 | |
I don't know... | 0:01:56 | 0:01:58 | |
It's early in the evening. By the shank of the evening, we'll be... | 0:01:58 | 0:02:02 | |
Yeah. There's lots of Julie to go around. Yeah. | 0:02:02 | 0:02:04 | |
INDISTINCT SPEECH | 0:02:04 | 0:02:06 | |
OK, that IS my future wife, so... | 0:02:06 | 0:02:09 | |
CHEERING | 0:02:11 | 0:02:12 | |
A joke's a joke, but... | 0:02:12 | 0:02:14 | |
Michael is one of those actors you have to coax out of the trailer. | 0:02:16 | 0:02:19 | |
-He'll wait in there for hours and hours. -This is true. | 0:02:19 | 0:02:21 | |
He's very difficult, very ornery on set, so to get him out, | 0:02:21 | 0:02:25 | |
there was really only one song, | 0:02:25 | 0:02:27 | |
and so I used to get the sound guy | 0:02:27 | 0:02:28 | |
to play it very loud in the studio as he came in, | 0:02:28 | 0:02:30 | |
just so he could get his mojo up. | 0:02:30 | 0:02:32 | |
-That's right. -And actually, it was Blurred Lines. | 0:02:32 | 0:02:34 | |
I wonder if you guys... You guys know Blurred Lines? | 0:02:34 | 0:02:37 | |
I don't know what it was about that song or that video | 0:02:37 | 0:02:39 | |
that got Michael going. | 0:02:39 | 0:02:41 | |
-Do you want to come back on again to Blurred Lines? -Yeah, let's do it. | 0:02:41 | 0:02:44 | |
OK, OK. You go back there. | 0:02:44 | 0:02:45 | |
CHEERING DROWNS SPEECH | 0:02:45 | 0:02:47 | |
Yeah, all do it. All do it. Yeah. OK. | 0:02:47 | 0:02:49 | |
-OK... -So, we'd be coming out... Come on, Michael! Michael! | 0:02:52 | 0:02:55 | |
Michael, come on! We've got a shoot. Michael, listen. | 0:02:55 | 0:02:57 | |
MUSIC: "Blurred Lines" | 0:02:57 | 0:02:59 | |
-Michael, it's your favourite tune. -Michael, come on. | 0:02:59 | 0:03:02 | |
RHYTHMIC CLAPPING | 0:03:02 | 0:03:03 | |
CHEERING | 0:03:07 | 0:03:09 | |
Very good! | 0:03:24 | 0:03:25 | |
CHEERING | 0:03:25 | 0:03:27 | |
Here's the thing. | 0:03:30 | 0:03:32 | |
Emma, what's the hold that the Spice Girls have over you? Is this real? | 0:03:32 | 0:03:37 | |
Yes, it's real! | 0:03:37 | 0:03:39 | |
And I just feel like | 0:03:39 | 0:03:41 | |
I've been talking more about the Spice Girls on this press tour | 0:03:41 | 0:03:44 | |
than I have about the movie. | 0:03:44 | 0:03:46 | |
-That's because you wept. You wept in Australia. -I know I wept. | 0:03:46 | 0:03:48 | |
-Did you really weep? -I really did. -Which one was talking to you? | 0:03:48 | 0:03:52 | |
-Mel B. -And was she really talking to you, or was it a message? | 0:03:52 | 0:03:55 | |
-No, it was a video message on an iPad. -And that made you cry? -Yes! | 0:03:55 | 0:03:59 | |
-Where you jet lagged? -Yes! | 0:03:59 | 0:04:02 | |
Also... You don't under... | 0:04:02 | 0:04:03 | |
-You do understand, because we're in the UK. -Yes. | 0:04:03 | 0:04:07 | |
I was... I was a fiend. | 0:04:07 | 0:04:08 | |
I was obsessed with the Spice Girls, and they taught me about girl power. | 0:04:08 | 0:04:13 | |
-Mm. -And I love them. I think they're fantastic, and I... | 0:04:13 | 0:04:18 | |
-What's the song? -There are so many, Jamie. There are so many. | 0:04:18 | 0:04:21 | |
-People of the world... -Spice up your life. | 0:04:23 | 0:04:25 | |
-Every boy and every girl... -Spice up your life. | 0:04:25 | 0:04:27 | |
-Hey! -There are so many, and they're so fantastic, | 0:04:27 | 0:04:30 | |
-and today on the radio, Mel C talked to me over Skype. -Oh, wow! | 0:04:30 | 0:04:34 | |
So, it's really very exciting. | 0:04:34 | 0:04:36 | |
OK, now, who would you say is your favourite Spice Girl? | 0:04:36 | 0:04:39 | |
-Emma Bunton. -She's your favourite? -She's my favourite. | 0:04:39 | 0:04:41 | |
-Who's next? -Ohhh! | 0:04:41 | 0:04:45 | |
-Don't do that. -Just a question. | 0:04:45 | 0:04:46 | |
All of the other four. | 0:04:46 | 0:04:48 | |
-One gave you a video message and one talked to you on Skype. -Yes. | 0:04:49 | 0:04:53 | |
-You've never met a Spice Girl? -Are you going to do something now? | 0:04:53 | 0:04:56 | |
-Have you never met a Spice Girl? -Are you going to do...? | 0:04:56 | 0:04:59 | |
-Have you never met a Spice Girl? -Wait. Hold on. | 0:04:59 | 0:05:01 | |
I have to mentally prepare myself. | 0:05:01 | 0:05:04 | |
-Have you never met a Spice Girl? -Not in the flesh. | 0:05:04 | 0:05:07 | |
-OK. Now, as you know... -Don't! | 0:05:07 | 0:05:10 | |
As you know... | 0:05:10 | 0:05:12 | |
As you know, Emma... | 0:05:12 | 0:05:13 | |
He's really excited. | 0:05:13 | 0:05:15 | |
It's very rare for more than one Spice Girl to appear together... | 0:05:15 | 0:05:19 | |
..for any reason at all. | 0:05:21 | 0:05:25 | |
DRUM ROLL | 0:05:25 | 0:05:27 | |
So, | 0:05:28 | 0:05:30 | |
-they're not here. -LAUGHTER AND APPLAUSE | 0:05:30 | 0:05:32 | |
Basically, I have always had a complex with the way I walk, | 0:05:40 | 0:05:46 | |
and I've always been told throughout every, you know, | 0:05:46 | 0:05:49 | |
point in my life that I've... | 0:05:49 | 0:05:51 | |
I've not always been told I've got a bad walk, | 0:05:51 | 0:05:54 | |
but someone's always commented on my walk, | 0:05:54 | 0:05:56 | |
it's always been a bit like, "Oh, right. That's how you walk?" | 0:05:56 | 0:06:00 | |
-That's how you walk, OK. -Is that...? Is that you walking? | 0:06:00 | 0:06:03 | |
-But, honestly, like... -WOMAN: Do your walk! | 0:06:06 | 0:06:08 | |
-Back off! -We might go there, we might go there. Um... | 0:06:08 | 0:06:12 | |
Um... But, yeah, so... | 0:06:12 | 0:06:13 | |
And I remember a mate of mine at school said... | 0:06:13 | 0:06:16 | |
Cos I've quite... I'm not... | 0:06:16 | 0:06:18 | |
This won't happen, but I have quite pronounced calf muscles, | 0:06:18 | 0:06:21 | |
and I always thought it was an hereditary thing, | 0:06:21 | 0:06:24 | |
but I remember my mate once, we were talking about it... | 0:06:24 | 0:06:26 | |
We didn't just sit around talking about that all day! | 0:06:26 | 0:06:29 | |
-"What beautiful calves, Jamie." -"Those are... Oh, amazing!" | 0:06:29 | 0:06:33 | |
We have great nights, staring at them, drinking. And I said... | 0:06:33 | 0:06:38 | |
He said, "You know why you have big calves?" | 0:06:38 | 0:06:40 | |
I said, "I think it's cos my dad does. It's hereditary." | 0:06:40 | 0:06:43 | |
He said, "No, it's cos you walk on your tiptoes." | 0:06:43 | 0:06:45 | |
So, I said, "Is that a weird thing?" | 0:06:45 | 0:06:47 | |
Anyway, a couple of jobs I've done, the first day that we did The Fall | 0:06:47 | 0:06:50 | |
and I had to walk, the director... | 0:06:50 | 0:06:52 | |
the producer and writer, Allan Cubitt, came up and said, | 0:06:52 | 0:06:55 | |
"Um, is that a character thing, or... | 0:06:55 | 0:06:57 | |
"..or is that your walk?" I was like... | 0:06:59 | 0:07:01 | |
I could try to clever my way out of it, | 0:07:01 | 0:07:04 | |
and I thought, "No, I'll just tell him that is how I walk." | 0:07:04 | 0:07:06 | |
He started working things, he started talking about, | 0:07:06 | 0:07:09 | |
"Why don't you maybe take longer strides?" | 0:07:09 | 0:07:11 | |
Um... | 0:07:12 | 0:07:14 | |
No, honestly. So, and then with... | 0:07:14 | 0:07:17 | |
My wife and I would walk around where we live in London | 0:07:17 | 0:07:20 | |
and cos I'm on my tiptoes, I'm quite high, I'm quite bouncy. | 0:07:20 | 0:07:25 | |
So, my wife said, "Why don't you try leaning back?" Right? | 0:07:25 | 0:07:29 | |
Honestly. So, I'm literally walking... | 0:07:29 | 0:07:31 | |
We go out for us and I'd literally... So, I'll show you my... | 0:07:31 | 0:07:34 | |
-This is my old walk, -This is the old walk. This is the old walk. | 0:07:34 | 0:07:37 | |
-OK. -I'm so excited. -Don't get THAT excited! | 0:07:37 | 0:07:39 | |
This is my old walk. I'm so out of sync now. | 0:07:41 | 0:07:43 | |
I'll do it. This is my old walk. | 0:07:43 | 0:07:45 | |
Right? | 0:07:47 | 0:07:48 | |
OK. This is my... This is the walk we tried, right, with my wife. | 0:07:48 | 0:07:52 | |
I'm not... | 0:07:52 | 0:07:54 | |
-How exciting! -Remember those commercials with Mr Soft? | 0:07:54 | 0:07:58 | |
APPLAUSE | 0:08:02 | 0:08:04 | |
Now, I'm sensing this man has had a fascinating year. | 0:08:04 | 0:08:08 | |
What's your name, sir? | 0:08:10 | 0:08:11 | |
-Ulle. -Sorry? -It's a Danish name. -Oh, marvellous. | 0:08:11 | 0:08:14 | |
Danish name. | 0:08:14 | 0:08:16 | |
Scandinavia is represented tonight. It's lovely. | 0:08:16 | 0:08:19 | |
-Uldur? -Ulle... | 0:08:19 | 0:08:21 | |
Ole? Ole? Uldur? Ulle... | 0:08:21 | 0:08:23 | |
-I'm sorry. Ulle? -Ulle. | 0:08:25 | 0:08:27 | |
Ulle! Ulle! Oh, like Irish for "apple". OK. Ulle. | 0:08:27 | 0:08:31 | |
What's been the highlight of your year, Ulle? | 0:08:31 | 0:08:33 | |
-What has been the highlight of my year? -Yeah. Yeah. | 0:08:33 | 0:08:37 | |
-Not much is happening. -No? -No. | 0:08:38 | 0:08:40 | |
Let's go to... Let's go back to Will in the newsroom. | 0:08:40 | 0:08:43 | |
NEWS STING | 0:08:43 | 0:08:44 | |
Ulle, Ole, Olah... | 0:08:44 | 0:08:47 | |
has no memory of 2013. | 0:08:47 | 0:08:49 | |
CHEERING | 0:08:50 | 0:08:52 | |
Let me do... Let me do this lady here. | 0:08:55 | 0:08:57 | |
-Hello. -Hi. -Hi. | 0:08:57 | 0:08:59 | |
-What's your name? -Kate. -Kate? Lovely. | 0:08:59 | 0:09:02 | |
-And what's been a big event in your year, Kate? -Um... | 0:09:02 | 0:09:05 | |
I actually got over my phobia of eggs. | 0:09:05 | 0:09:07 | |
Were you working with a therapist? | 0:09:12 | 0:09:13 | |
-There was alcohol involved. -So, you got drunk and ate an egg? | 0:09:15 | 0:09:19 | |
Yep. | 0:09:19 | 0:09:20 | |
OK, let's go to the newsroom, | 0:09:20 | 0:09:22 | |
where Steve will report on Kate getting over her fear of eggs. | 0:09:22 | 0:09:25 | |
NEWS STING | 0:09:25 | 0:09:27 | |
Young woman named Kate is beautiful and I am getting a divorce. | 0:09:27 | 0:09:30 | |
Whoo! Whoo! | 0:09:33 | 0:09:35 | |
So, Liam Neeson... Liam Neeson is in A Million Ways To Die In The West. | 0:09:37 | 0:09:40 | |
So, did you ever do your Taken, | 0:09:40 | 0:09:42 | |
your version of the Taken phone call for him? | 0:09:42 | 0:09:45 | |
-Er... -Oh, got to hear this. -Do it. -Come on, man. | 0:09:45 | 0:09:49 | |
-Got to do it. -Our version on Family Guy was Kermit the Frog doing Taken. | 0:09:49 | 0:09:53 | |
-Fantastic. -I'm not going to be able to remember the speech. | 0:09:53 | 0:09:56 | |
-AS KERMIT: -I don't have any money. | 0:09:56 | 0:09:58 | |
That's really neat! | 0:10:00 | 0:10:02 | |
-APPLAUSE -Oh, my God, that's so good! | 0:10:03 | 0:10:06 | |
Oh, that's so good. | 0:10:06 | 0:10:09 | |
But what I do have... | 0:10:09 | 0:10:11 | |
..are a very specific set of skills. | 0:10:12 | 0:10:14 | |
Skills that make me a nightmare... | 0:10:16 | 0:10:18 | |
..for somebody like you. | 0:10:19 | 0:10:21 | |
If you don't let the girl go, I will track you down, | 0:10:22 | 0:10:26 | |
I will find you, and I will kill you. | 0:10:26 | 0:10:29 | |
Whaaaa! | 0:10:29 | 0:10:31 | |
Very good. Very good. | 0:10:31 | 0:10:33 | |
CHEERING | 0:10:33 | 0:10:34 | |
APPLAUSE DROWNS SPEECH | 0:10:34 | 0:10:36 | |
-In Operation Snatch that you've... -I haven't seen it. | 0:10:36 | 0:10:41 | |
-No, no. -Ever. | 0:10:41 | 0:10:43 | |
Ever! | 0:10:43 | 0:10:44 | |
APPLAUSE | 0:10:47 | 0:10:50 | |
I'm not going to tell you about it. | 0:10:51 | 0:10:53 | |
-About Gibraltar. -Yes. | 0:10:55 | 0:10:57 | |
Because I was driving down Baker Street one day | 0:10:57 | 0:11:00 | |
and a car overtook me and Terry-Thomas flagged my car down | 0:11:00 | 0:11:03 | |
and said, "I've just had a wonderful idea. | 0:11:03 | 0:11:06 | |
"Because I'm doing a film about Gibraltar and the Barbary apes." | 0:11:06 | 0:11:09 | |
AUDIENCE MEMBER TITTERS | 0:11:11 | 0:11:12 | |
"Would you..." Somebody's guessed already. | 0:11:12 | 0:11:14 | |
"Would you ring up the director, Robert Day, and go and see him?" | 0:11:15 | 0:11:19 | |
The theory was that in Gibraltar, | 0:11:20 | 0:11:23 | |
if there was a sudden drop in the population of Barbary apes, | 0:11:23 | 0:11:27 | |
the UK would lose control of Gibraltar during the war, | 0:11:27 | 0:11:30 | |
so they had soldiers playing Barbary apes. | 0:11:30 | 0:11:34 | |
So I did that, that was my... | 0:11:34 | 0:11:36 | |
Hold on, wait a minute. | 0:11:36 | 0:11:37 | |
So during the war, Gibraltar found soldiers to dress up as apes | 0:11:37 | 0:11:43 | |
-if there weren't enough apes? -That's right. | 0:11:43 | 0:11:45 | |
Why did we need there to look like there were lots of apes? | 0:11:45 | 0:11:48 | |
Because a spiritual theory | 0:11:48 | 0:11:51 | |
existed that if Gibraltar wasn't peopled by enough Barbary apes... | 0:11:51 | 0:11:56 | |
I won't take long. | 0:11:56 | 0:11:59 | |
So someone had to go along with it? | 0:11:59 | 0:12:01 | |
This was a wind-up, this was a sergeant's wind-up. | 0:12:01 | 0:12:04 | |
What I like is that classic scene, | 0:12:04 | 0:12:06 | |
"Dad, what did you do during the war?" | 0:12:06 | 0:12:08 | |
"I don't want to talk about it, son. | 0:12:10 | 0:12:12 | |
"I don't want to talk about it." | 0:12:12 | 0:12:14 | |
-That's amazing. -Yeah. | 0:12:14 | 0:12:16 | |
There's an urban myth that you are one of these apes | 0:12:16 | 0:12:21 | |
in Stanley Kubrick's 2001... | 0:12:21 | 0:12:24 | |
No. Funnily enough, he did ask to see me, after I'd... | 0:12:24 | 0:12:27 | |
He saw you in Gibraltar and thought, "That's amazing!" | 0:12:29 | 0:12:33 | |
-He saw me in Gibraltar. -"Who's that ape?" | 0:12:33 | 0:12:34 | |
"That's not an ape, that's Mr Corbett." | 0:12:34 | 0:12:37 | |
"That's not an ape, that's Mr Corbett, is it? | 0:12:37 | 0:12:40 | |
"I like the cut of his jib." | 0:12:41 | 0:12:43 | |
So you are not one of those? | 0:12:45 | 0:12:47 | |
-No, I wasn't. -Did you turn it down? | 0:12:47 | 0:12:50 | |
I turned it down, yes. It got too technical. | 0:12:50 | 0:12:52 | |
LAUGHTER | 0:12:52 | 0:12:54 | |
At some acting studio, he could have done it. | 0:12:55 | 0:12:58 | |
Is this all true, what just happened? | 0:12:59 | 0:13:01 | |
You had to pretend to be... | 0:13:01 | 0:13:04 | |
-There were people who pretended to be apes in the war. -Yes. | 0:13:04 | 0:13:07 | |
You did one of those in a film, Stanley Kubrick saw you | 0:13:07 | 0:13:10 | |
and wanted you to be an ape in 2001... | 0:13:10 | 0:13:12 | |
Yes. | 0:13:12 | 0:13:13 | |
Actually, he saw me doing a little spot on Sunday Night At The Palladium | 0:13:13 | 0:13:18 | |
and he said... | 0:13:18 | 0:13:20 | |
"He would be ideal for one of my apes." | 0:13:20 | 0:13:23 | |
LAUGHTER AND APPLAUSE | 0:13:23 | 0:13:25 | |
He's good! He's still got it. | 0:13:27 | 0:13:29 | |
He's still got it. | 0:13:29 | 0:13:32 | |
It's kind of weird it's become so famous, | 0:13:32 | 0:13:33 | |
the upside down Spider-Man kiss. | 0:13:33 | 0:13:35 | |
-Yeah, yeah. -Presumably, you don't know. | 0:13:35 | 0:13:37 | |
You don't know, but I remember Sam Raimi giving me a book of kisses. | 0:13:37 | 0:13:41 | |
It was a little coffee table book you can buy, | 0:13:41 | 0:13:43 | |
like a little cute book of movie kisses. | 0:13:43 | 0:13:46 | |
He was like, "Let's try and make this one as epic as these kisses." | 0:13:46 | 0:13:49 | |
-Oh. -These other famous kisses. | 0:13:49 | 0:13:51 | |
So I thought, "That's a nice idea. Yeah, right." | 0:13:51 | 0:13:53 | |
You know what I mean? "We'll see..." | 0:13:55 | 0:13:56 | |
So, Bear, you're OK to hang upside down, right? | 0:13:56 | 0:13:58 | |
To hang upside down? | 0:13:58 | 0:14:00 | |
OK, there's a trapeze... | 0:14:00 | 0:14:04 | |
Does it come low? | 0:14:04 | 0:14:05 | |
It does come low. | 0:14:05 | 0:14:06 | |
Are you sure you can do this? | 0:14:06 | 0:14:07 | |
-Yeah? -Erm, yeah, I'll give it a go. | 0:14:09 | 0:14:11 | |
OK, OK... | 0:14:11 | 0:14:13 | |
So... That looks really high. Can you do that? | 0:14:13 | 0:14:17 | |
-Yeah, we can get up there. -OK, good luck. | 0:14:17 | 0:14:19 | |
OK, he's taking the jacket off. | 0:14:19 | 0:14:21 | |
AUDIENCE: Oooh! | 0:14:21 | 0:14:22 | |
OK, he is serious. | 0:14:22 | 0:14:25 | |
OK. | 0:14:25 | 0:14:26 | |
What did he do then? | 0:14:28 | 0:14:29 | |
He tucked his shirt in. Oh, look at him go! | 0:14:29 | 0:14:31 | |
-IN NORTHERN ACCENT: -Ooh, he's like a monkey himself, he's like a monkey! | 0:14:31 | 0:14:35 | |
You go sit at the end there. | 0:14:35 | 0:14:37 | |
You go sit at the end. | 0:14:37 | 0:14:39 | |
LAUGHTER AND APPLAUSE | 0:14:40 | 0:14:42 | |
Oh, Bear! | 0:14:45 | 0:14:46 | |
Eurgh! | 0:14:46 | 0:14:48 | |
Bear! What is that?! | 0:14:48 | 0:14:50 | |
What is that?! | 0:14:51 | 0:14:52 | |
AUDIENCE: Eww! | 0:14:52 | 0:14:54 | |
It's going up his nose! | 0:14:54 | 0:14:56 | |
Oh, Bear! | 0:14:56 | 0:14:58 | |
-That's repulsive! -Spit it out. | 0:14:58 | 0:15:00 | |
What is that? Eww! | 0:15:00 | 0:15:01 | |
-Oh! -AUDIENCE SHRIEKS | 0:15:01 | 0:15:03 | |
I'm so sorry, I left that in from earlier. | 0:15:05 | 0:15:07 | |
I always like to travel with food on the go. | 0:15:07 | 0:15:09 | |
I'm ready for my smacker. Come on then, Dawn. | 0:15:10 | 0:15:12 | |
Let me just clean that... | 0:15:12 | 0:15:13 | |
Here we go, here we go. | 0:15:16 | 0:15:17 | |
-There's one more in there, hold on. -No, there isn't! | 0:15:17 | 0:15:21 | |
Suddenly, it doesn't feel so much fun. | 0:15:21 | 0:15:23 | |
Oh, Spider-Man, ooh, you're so...hot. | 0:15:24 | 0:15:29 | |
AUDIENCE WHOOPS AND CHEERS | 0:15:31 | 0:15:33 | |
Beautiful! | 0:15:35 | 0:15:37 | |
When I was ten years old... | 0:15:37 | 0:15:39 | |
This is really stupid, I know, but when I was ten years old, | 0:15:39 | 0:15:41 | |
I was playing in a football game, | 0:15:41 | 0:15:43 | |
Rugby League, actually, | 0:15:43 | 0:15:46 | |
and I tackled this big, fat kid | 0:15:46 | 0:15:49 | |
right round the ankles. Smack, went down like a sack of shit. | 0:15:49 | 0:15:52 | |
"Bad luck, fatty. Thanks for coming." | 0:15:53 | 0:15:55 | |
As I'm getting up from the tackle, | 0:15:58 | 0:16:00 | |
he fair dinkum just kicks me in the face. | 0:16:00 | 0:16:02 | |
He wasn't used to being tackled, obviously. | 0:16:03 | 0:16:05 | |
He turned around and just went boom, straight in the face, | 0:16:05 | 0:16:08 | |
kicked my tooth out. | 0:16:08 | 0:16:09 | |
And I just had this strange thing where I never got it fixed. | 0:16:09 | 0:16:14 | |
It used to drive my poor mother crazy, | 0:16:14 | 0:16:16 | |
like, "Please, get your tooth fixed," but I was like... | 0:16:16 | 0:16:20 | |
IN GRAVELLY VOICE: "No, Mum. | 0:16:20 | 0:16:22 | |
"This is my life. | 0:16:22 | 0:16:23 | |
"This is something that's happened to me. | 0:16:24 | 0:16:26 | |
"I wear the scars as badges of honour in my life, Mum." | 0:16:26 | 0:16:30 | |
It drove her nuts. It took until I was... | 0:16:31 | 0:16:34 | |
Seriously, and I was working as an actor. | 0:16:34 | 0:16:38 | |
-With..? -I was doing stage work, I was doing TV work, | 0:16:38 | 0:16:41 | |
with one tooth... | 0:16:41 | 0:16:42 | |
..and then I worked for a guy called George Ogilvie and he cast me | 0:16:43 | 0:16:47 | |
as the lead in his movie | 0:16:47 | 0:16:48 | |
and he sat down talking to me and he said, | 0:16:48 | 0:16:50 | |
"Tell me the story about the tooth," so I went through it, football game, | 0:16:50 | 0:16:53 | |
blah-blah, "I'm being authentic," and all that sort of stuff. | 0:16:53 | 0:16:56 | |
He goes, "Oh, see, here's where we have a problem, | 0:16:56 | 0:16:59 | |
"because in my movie, the character of Johnny, the one you're playing, | 0:16:59 | 0:17:04 | |
"he has two front teeth." | 0:17:04 | 0:17:06 | |
LAUGHTER | 0:17:06 | 0:17:08 | |
He paid for me to get a tooth himself, | 0:17:08 | 0:17:12 | |
not from the production budget. | 0:17:12 | 0:17:13 | |
The funniest thing is, | 0:17:13 | 0:17:14 | |
and I know you're going to find this quite obvious | 0:17:14 | 0:17:17 | |
now that I say it to you, | 0:17:17 | 0:17:18 | |
but I did 100 film auditions and never got a film. | 0:17:18 | 0:17:23 | |
I got my tooth fixed - | 0:17:23 | 0:17:24 | |
whoa! | 0:17:24 | 0:17:26 | |
SPEECH DROWNED OUT BY LAUGHTER AND APPLAUSE | 0:17:26 | 0:17:29 | |
There's a thing in the New York Daily News. | 0:17:32 | 0:17:35 | |
They've gone all out on it, ladies and gentlemen, all out. | 0:17:35 | 0:17:39 | |
-Now they're claiming it all comes from show insiders. -Yeah. | 0:17:39 | 0:17:43 | |
According to this, and I'm only reading it cos it's here, | 0:17:43 | 0:17:47 | |
"She's taping her face skin back | 0:17:47 | 0:17:49 | |
"and hiding the evidence with her fabulous wigs." | 0:17:49 | 0:17:52 | |
What does that even mean? | 0:17:52 | 0:17:54 | |
Well, basically, they've seen tape in my make-up room, | 0:17:54 | 0:17:58 | |
so they assumed that I'm taping my face. | 0:17:58 | 0:18:01 | |
What is taping your face? | 0:18:01 | 0:18:02 | |
-I'm going to tell you a secret, hold on! -OK. | 0:18:02 | 0:18:04 | |
The secret is everyone thinks I've had big boobs for many years | 0:18:04 | 0:18:09 | |
and they've always said, | 0:18:09 | 0:18:10 | |
"We thought they were bigger," when they've met me in person. | 0:18:10 | 0:18:13 | |
I'm like, "No, they're not, because I tape them." Am I taped now? Yes. | 0:18:13 | 0:18:16 | |
That's my secret. | 0:18:16 | 0:18:18 | |
Instead of them saying, "Maybe..." I'm taping my face? I'm not that old! | 0:18:18 | 0:18:25 | |
You don't know how hard it was for four boys not to go like that. | 0:18:25 | 0:18:28 | |
LAUGHTER AND APPLAUSE | 0:18:28 | 0:18:31 | |
Mustn't, mustn't, mustn't... | 0:18:31 | 0:18:33 | |
Mustn't, mustn't. | 0:18:33 | 0:18:34 | |
We've all done the Jennifer Lopez trick, | 0:18:34 | 0:18:36 | |
we've all done it, we all do it. | 0:18:36 | 0:18:38 | |
It's like, you know, I don't want to fall out on your show | 0:18:38 | 0:18:41 | |
and I don't want to embarrass myself, so I taped my boobs. | 0:18:41 | 0:18:45 | |
OK - that, I understand, just. | 0:18:45 | 0:18:47 | |
If somebody tapes their face, what do they do? | 0:18:48 | 0:18:51 | |
I've no idea, cos I've never taped my face. | 0:18:51 | 0:18:54 | |
-Who tapes their face? -To their boobs?! | 0:18:54 | 0:18:57 | |
LAUGHTER AND APPLAUSE | 0:18:57 | 0:19:00 | |
You'd met George Clooney originally in Venice, was it? | 0:19:03 | 0:19:07 | |
-Yes. -OK. | 0:19:07 | 0:19:09 | |
We met in Venice. | 0:19:11 | 0:19:12 | |
It was a movie in Venice. | 0:19:12 | 0:19:15 | |
I don't even remember, but... | 0:19:15 | 0:19:17 | |
..I don't remember much. | 0:19:19 | 0:19:20 | |
It was the night we had Lost In Translation open in Venice | 0:19:22 | 0:19:25 | |
and it was a big deal, | 0:19:25 | 0:19:27 | |
so there's one night and all the Hollywood guys, | 0:19:27 | 0:19:29 | |
they're all really stiffs, most of them, | 0:19:29 | 0:19:32 | |
but one night of the year, | 0:19:32 | 0:19:33 | |
they end up on this one island in Venice, they end up in Venice | 0:19:33 | 0:19:37 | |
and they all drink a whole lot for some apparent reason. Not George, | 0:19:37 | 0:19:40 | |
-but these other show business guys... -Not George? | 0:19:40 | 0:19:43 | |
No, George drinks all the time. | 0:19:43 | 0:19:45 | |
George drinks regularly and consistently, | 0:19:48 | 0:19:49 | |
but I don't know, I met George that night and we kind of hit it off | 0:19:49 | 0:19:53 | |
and then I went back to America and my son said to me, | 0:19:53 | 0:19:56 | |
"What's this about you | 0:19:56 | 0:19:57 | |
"and George Clooney pushing people around in wheelchairs in Venice?" | 0:19:57 | 0:20:01 | |
I said, "You know, you're my son. | 0:20:01 | 0:20:04 | |
"I would have expected more from you, | 0:20:04 | 0:20:06 | |
"to believe that kind of a story. | 0:20:06 | 0:20:09 | |
"Why would you ever think that something like that | 0:20:09 | 0:20:11 | |
"actually happened?" | 0:20:11 | 0:20:13 | |
He said, "Because there are pictures." | 0:20:13 | 0:20:17 | |
LAUGHTER | 0:20:17 | 0:20:19 | |
This is the age we live in. | 0:20:22 | 0:20:25 | |
It turned out that George and I were taking women around in wheelchairs | 0:20:25 | 0:20:30 | |
and trying to dump them into the swimming pool. | 0:20:30 | 0:20:32 | |
AUDIENCE GROANS | 0:20:32 | 0:20:34 | |
No, no, no-one died. | 0:20:34 | 0:20:37 | |
It was a joke, it was a joke. They just got a rinse. | 0:20:38 | 0:20:41 | |
Tonight at the premiere, there were some relatives | 0:20:47 | 0:20:51 | |
of the old Monuments Men's family | 0:20:51 | 0:20:53 | |
and a lady in a wheelchair came for a photograph with everyone | 0:20:53 | 0:20:57 | |
and she was there, probably in her 90s, and you sat on her knee. | 0:20:57 | 0:21:01 | |
LAUGHTER | 0:21:01 | 0:21:03 | |
She was 97. | 0:21:03 | 0:21:04 | |
She was 97. | 0:21:04 | 0:21:06 | |
She was 97. | 0:21:06 | 0:21:09 | |
With respect, I asked Mark to do it first and he wouldn't do it. | 0:21:09 | 0:21:12 | |
He wouldn't do it and I went and sat on her lap. | 0:21:13 | 0:21:16 | |
I find that if you look at someone like that, you see the wheelchair. | 0:21:16 | 0:21:19 | |
When you see someone on their lap, you see a party girl. | 0:21:19 | 0:21:23 | |
LAUGHTER | 0:21:23 | 0:21:25 | |
ALL: A 97-year-old party girl. | 0:21:26 | 0:21:29 | |
She loved every second. | 0:21:29 | 0:21:31 | |
Is it true about you road-testing the posing pouch? | 0:21:35 | 0:21:39 | |
The posing pouch? | 0:21:39 | 0:21:41 | |
The... | 0:21:41 | 0:21:42 | |
Isn't that what they're called? | 0:21:44 | 0:21:45 | |
-Posing pouch? -You don't call them that in America? | 0:21:45 | 0:21:48 | |
I don't know what that is! | 0:21:48 | 0:21:49 | |
Those little things that you just about get things in | 0:21:49 | 0:21:51 | |
with a string round the back. | 0:21:51 | 0:21:53 | |
-A posing pouch? -The slightest move and everything's out. | 0:21:53 | 0:21:56 | |
I read that you walked around to make sure | 0:21:56 | 0:21:59 | |
that it wasn't falling out of the... | 0:21:59 | 0:22:01 | |
-It was composed. -What I did do, which a lot of us did, | 0:22:01 | 0:22:04 | |
is you put one of those on and all of a sudden you find your body | 0:22:04 | 0:22:07 | |
gets a little inverted. | 0:22:07 | 0:22:09 | |
I had to really loosen up cos this is the guy who lives in this thing | 0:22:09 | 0:22:12 | |
and has to feel really loose and... | 0:22:12 | 0:22:13 | |
HE SNIFFS ..with it, | 0:22:13 | 0:22:15 | |
So I remember going, and I wasn't the only one that did this, | 0:22:15 | 0:22:17 | |
you go, "I have to walk out there amongst the crew and have small-time, | 0:22:17 | 0:22:21 | |
"normal conversations like, 'So, how you doing?' | 0:22:21 | 0:22:23 | |
"'What did you have for lunch? | 0:22:25 | 0:22:26 | |
"'Hey, did you see the game this weekend?'" | 0:22:26 | 0:22:28 | |
I go out and try to have some small talk in this thong without flinching. | 0:22:28 | 0:22:33 | |
It was hard. | 0:22:33 | 0:22:34 | |
LAUGHTER | 0:22:34 | 0:22:36 | |
I wasn't, but... AUDIENCE WHOOPS | 0:22:36 | 0:22:39 | |
You've said it now, you've said it. | 0:22:39 | 0:22:41 | |
-OK, so stand up. -Yeah, yeah. | 0:22:45 | 0:22:48 | |
I'm going to put a little water in my mouth, so I cough the water? | 0:22:48 | 0:22:52 | |
Yes. Now, I'm going to come across this way. | 0:22:52 | 0:22:55 | |
-NERVOUSLY: -Mm-hmm, mm-hmm, mm-hmm. | 0:22:55 | 0:22:56 | |
Boom! GRAHAM GIGGLES NERVOUSLY | 0:22:56 | 0:22:58 | |
-It'll come to your ear and then you just turn. -Mm-hmm. | 0:23:00 | 0:23:03 | |
It'll look like I nailed you. Ready? | 0:23:03 | 0:23:05 | |
Ready? | 0:23:09 | 0:23:10 | |
On three - one, two, three! | 0:23:10 | 0:23:13 | |
GRAHAM GRUNTS | 0:23:13 | 0:23:15 | |
WHOOPING AND APPLAUSE | 0:23:15 | 0:23:17 | |
OK, now... That's good. | 0:23:17 | 0:23:18 | |
OK. | 0:23:18 | 0:23:20 | |
I didn't spit on anyone? | 0:23:21 | 0:23:22 | |
No, didn't spit on anyone? | 0:23:22 | 0:23:24 | |
OK, now we get to watch that back. | 0:23:25 | 0:23:28 | |
-I guess this is what they do in the movies. -Yes, it is. -So here it is. | 0:23:29 | 0:23:35 | |
DRAMATIC MUSIC | 0:23:35 | 0:23:37 | |
LAUGHTER | 0:23:38 | 0:23:41 | |
That's great! | 0:23:42 | 0:23:43 | |
Urgh! | 0:23:45 | 0:23:47 | |
Eww! | 0:23:47 | 0:23:48 | |
I'm still going. | 0:23:49 | 0:23:51 | |
-Isn't that great? -How much water did I have? | 0:23:51 | 0:23:53 | |
It doesn't take much. | 0:23:53 | 0:23:55 | |
LAUGHTER CONTINUES | 0:24:01 | 0:24:03 | |
I'm still looking, like, "Wow, what a punch." | 0:24:09 | 0:24:12 | |
You haven't moved, you haven't moved! | 0:24:13 | 0:24:15 | |
You're like a photograph behind me. | 0:24:17 | 0:24:19 | |
-Am I still going? -Yeah! | 0:24:21 | 0:24:23 | |
God! | 0:24:23 | 0:24:25 | |
-That's funny. -I've got a face like a wind sock! | 0:24:25 | 0:24:27 | |
Talking to people you work with, | 0:24:28 | 0:24:30 | |
you are known as the positive force on set, "We can do this." | 0:24:30 | 0:24:36 | |
Is it true that Emily Blunt did break your spirit? | 0:24:36 | 0:24:38 | |
-It was a particularly hard day, I will say. -No. | 0:24:41 | 0:24:43 | |
We were in the dropship. | 0:24:43 | 0:24:45 | |
-It was a very hard day. -No, she didn't break my spirit. | 0:24:45 | 0:24:47 | |
-But there was that moment when... -Basically, we were in this dropship, | 0:24:47 | 0:24:50 | |
I don't know if you guys have seen the trailer - | 0:24:50 | 0:24:52 | |
we're being dropped out of this ship in our exosuits | 0:24:52 | 0:24:55 | |
and it was a tiny set, they'd made the set really small, | 0:24:55 | 0:24:57 | |
it was kind of as big as a sardine can and we were all in there, | 0:24:57 | 0:25:00 | |
it's so hot in there and there's no air in there, | 0:25:00 | 0:25:02 | |
camera crew are bumping into us | 0:25:02 | 0:25:04 | |
and we're hanging in the exosuits in harnesses, | 0:25:04 | 0:25:06 | |
so the entire weight of you and your suit is on your groin, | 0:25:06 | 0:25:10 | |
people are miserable, hanging like this, | 0:25:10 | 0:25:13 | |
just waiting for them to shout, "Action!" | 0:25:13 | 0:25:16 | |
And Tom, that insatiable positivity, | 0:25:16 | 0:25:19 | |
I can just see it starting to unravel. | 0:25:19 | 0:25:22 | |
He was pouring with sweat. | 0:25:24 | 0:25:26 | |
I remember looking at him and he was like, "Guys, please. Please, roll. | 0:25:26 | 0:25:30 | |
"Please, roll," and I just looked at him and I went, | 0:25:30 | 0:25:33 | |
"Oh, this sucks," like that, | 0:25:33 | 0:25:36 | |
and he looked at me and he goes... | 0:25:36 | 0:25:37 | |
SHE INHALES DEEPLY | 0:25:37 | 0:25:38 | |
"It's a challenge." | 0:25:39 | 0:25:41 | |
LAUGHTER | 0:25:41 | 0:25:43 | |
I thought, "Because you know what, if I start complaining, | 0:25:46 | 0:25:50 | |
"It's on. | 0:25:50 | 0:25:52 | |
-"If I start going down, it's on." -And I went, "Tom, it SUCKS." | 0:25:52 | 0:25:56 | |
And he went, "OK." | 0:25:56 | 0:25:57 | |
Jonah, what's that... I'm probably thick, but I've never understood | 0:25:59 | 0:26:04 | |
the thing that Morgan Freeman said to you. | 0:26:04 | 0:26:08 | |
Oh, this was about ten years ago. | 0:26:08 | 0:26:11 | |
I did a film with Morgan Freeman, a really small film, | 0:26:11 | 0:26:15 | |
and the first ten pages or ten minutes of the film | 0:26:15 | 0:26:18 | |
are us two just driving together in a car | 0:26:18 | 0:26:21 | |
and talking and it took three days to shoot | 0:26:21 | 0:26:24 | |
and he didn't talk to me the entire time. | 0:26:24 | 0:26:28 | |
Like, in between takes, right? | 0:26:28 | 0:26:30 | |
-Cos he had so much dialogue, I learned later, right? -OK. | 0:26:30 | 0:26:32 | |
So in between, we wouldn't really chat, | 0:26:32 | 0:26:34 | |
but we were in the car together for three days. | 0:26:34 | 0:26:37 | |
Then, at the end of the third day, | 0:26:37 | 0:26:39 | |
he just turns to me and he goes, | 0:26:39 | 0:26:41 | |
"Jonah, Jonah, bobona, banana-fana, fa-fona, | 0:26:41 | 0:26:46 | |
"Me, mah, momona, | 0:26:46 | 0:26:47 | |
"Jonah." | 0:26:47 | 0:26:49 | |
-LAUGHTER -That's it? -That's it. | 0:26:49 | 0:26:52 | |
I was super uncomfortable, I didn't know what to say back. | 0:26:52 | 0:26:56 | |
It was one of the more weird moments of my life. | 0:26:56 | 0:26:58 | |
I didn't know what to say, so I just said, "Thank you." | 0:26:59 | 0:27:02 | |
And then he was quiet again and then he said, | 0:27:04 | 0:27:07 | |
"Do me." | 0:27:07 | 0:27:09 | |
LAUGHTER I said, "What?!" | 0:27:09 | 0:27:11 | |
He was like, "Do my name." | 0:27:11 | 0:27:14 | |
I was like, "Do your name?", and he was like, "Yeah, do my name", | 0:27:14 | 0:27:18 | |
and I was like, | 0:27:18 | 0:27:19 | |
"Morgan, Morgan, bo-borgan, banana-fan, fa-forgan, | 0:27:19 | 0:27:23 | |
"Me-my-mo-morgan, | 0:27:23 | 0:27:25 | |
"Morgan." | 0:27:25 | 0:27:26 | |
He went, "All right," and then we never spoke again. | 0:27:27 | 0:27:30 | |
APPLAUSE | 0:27:31 | 0:27:33 | |
-Seth, you must be aware of this beautiful art book. -Oh, no! Yeah. | 0:27:38 | 0:27:42 | |
-This is gorgeous. -You have the actual book? Oh, my God! | 0:27:42 | 0:27:45 | |
Did you have to give permission for this? | 0:27:48 | 0:27:51 | |
No, I wish I had been asked, honestly. | 0:27:51 | 0:27:53 | |
No, I never gave permission. | 0:27:54 | 0:27:56 | |
It's an artist called Christopher Schulz, is his name. | 0:27:56 | 0:27:59 | |
-He's legit? -He's actually like a legitimate artist. -I can't show that. | 0:27:59 | 0:28:04 | |
There aren't many... Oh, I can't show that. | 0:28:04 | 0:28:06 | |
-We can see this. -You can't show many of them. -No, we really can't. | 0:28:06 | 0:28:09 | |
What's his name? Christopher Schulz, he is an actual artist. | 0:28:09 | 0:28:12 | |
I've never met him in my life, but just so you know, yeah. | 0:28:12 | 0:28:15 | |
And I'm guessing your planning never going to. | 0:28:15 | 0:28:18 | |
He draws me quite beautifully, so I'm kind of curious. | 0:28:18 | 0:28:21 | |
So Christopher Schulz shuts his eyes and thinks, | 0:28:21 | 0:28:23 | |
"How will I see Seth Rogen?" | 0:28:23 | 0:28:25 | |
Like that. | 0:28:25 | 0:28:26 | |
AUDIENCE HOWL | 0:28:26 | 0:28:29 | |
It's a bit... | 0:28:30 | 0:28:32 | |
It's a good mattress, you can see how deep I am in it. | 0:28:34 | 0:28:37 | |
Five inches of sinking in that mattress. | 0:28:40 | 0:28:42 | |
I love that, men of a certain age, "Is that memory foam?" | 0:28:43 | 0:28:46 | |
"That mattress, how do you do that?" | 0:28:46 | 0:28:49 | |
I think we can show this. | 0:28:49 | 0:28:50 | |
This is just like following a big dog down the street. | 0:28:50 | 0:28:53 | |
-Oh, no. -There's... | 0:28:53 | 0:28:55 | |
AUDIENCE ROARS | 0:28:55 | 0:28:57 | |
Wow. | 0:28:58 | 0:28:59 | |
It's nuts! | 0:28:59 | 0:29:01 | |
Literally! | 0:29:01 | 0:29:02 | |
APPLAUSE | 0:29:04 | 0:29:06 | |
I just want to refer back to a television appearance | 0:29:08 | 0:29:10 | |
that Hugh Bonneville made a couple of weeks ago. | 0:29:10 | 0:29:12 | |
He was on a programme called Top Gear. | 0:29:12 | 0:29:14 | |
-Oh, I love that show. -You were on Top Gear? -He was on Top Gear. | 0:29:14 | 0:29:17 | |
-Driving. -That's the greatest show. -Do you have a clip from Top Gear? | 0:29:17 | 0:29:20 | |
We don't have a clip but we do have a bizarre... | 0:29:20 | 0:29:22 | |
His appearance caused quite the reaction. | 0:29:22 | 0:29:25 | |
Here he is on Top Gear. | 0:29:25 | 0:29:26 | |
Now, a lot of people were focused on the jumper. | 0:29:26 | 0:29:30 | |
LAUGHTER | 0:29:30 | 0:29:32 | |
A lot of people were focused on the jumper | 0:29:32 | 0:29:34 | |
but even more people were concerned as to why... | 0:29:34 | 0:29:38 | |
Why were you wearing lipstick on Top Gear? | 0:29:38 | 0:29:41 | |
We haven't doctored that picture. | 0:29:48 | 0:29:52 | |
I haven't got my glasses on, I can't see it. | 0:29:52 | 0:29:54 | |
Trust me, you're wearing lipstick, you're wearing lipstick. | 0:29:54 | 0:29:57 | |
There you go. | 0:29:57 | 0:29:58 | |
I am not wearing lipstick! I've never worn lipstick in my life. | 0:29:58 | 0:30:02 | |
Well, it does look like you're wearing lipstick. | 0:30:02 | 0:30:04 | |
That was a very cold day. | 0:30:04 | 0:30:06 | |
While I'm intrigued, I'm here to say that I was not wearing lipstick. | 0:30:08 | 0:30:11 | |
Hang on, um-m-m... | 0:30:11 | 0:30:12 | |
It was flipping cold because on Top Gear they say, | 0:30:12 | 0:30:15 | |
"Bring two sets of clothes. | 0:30:15 | 0:30:16 | |
"You'll be boiling hot in the car | 0:30:16 | 0:30:18 | |
"and you're going to be freezing cold in the studio." | 0:30:18 | 0:30:20 | |
I thought, "Boiling hot in the car? | 0:30:20 | 0:30:22 | |
"It's a cold day in wherever we are, February. | 0:30:22 | 0:30:24 | |
"It's not going to be like that at all." | 0:30:24 | 0:30:26 | |
I was roasting, cos you're exerting so much adrenaline and sweat | 0:30:26 | 0:30:29 | |
because you're in a, well, 1.6 litre car... | 0:30:29 | 0:30:32 | |
Your lips are turning a different colour! | 0:30:32 | 0:30:35 | |
Because of you! | 0:30:35 | 0:30:37 | |
Then you're in this studio, this aircraft hangar, | 0:30:37 | 0:30:40 | |
where apparently last summer... | 0:30:40 | 0:30:41 | |
It's either incredibly hot or it's freezing this time of year, | 0:30:41 | 0:30:44 | |
and last year, when Patrick Stewart was on... | 0:30:44 | 0:30:46 | |
My lips are going red, aren't they? | 0:30:46 | 0:30:48 | |
They do! They just go red on TV! That's really weird! | 0:30:51 | 0:30:55 | |
When Patrick Stewart... | 0:30:57 | 0:30:58 | |
I am this table, I am this table. | 0:31:00 | 0:31:03 | |
It's an odd look for a man, but you carry it off. | 0:31:03 | 0:31:06 | |
So, so... | 0:31:06 | 0:31:08 | |
I'm like what's-her-name's pout the other week. | 0:31:09 | 0:31:12 | |
Yeah, so last year, apparently about four or five people... | 0:31:12 | 0:31:16 | |
Stop giggling. | 0:31:16 | 0:31:17 | |
About four or five people fainted | 0:31:17 | 0:31:18 | |
while Patrick Stewart was doing his thing because it was so hot | 0:31:18 | 0:31:21 | |
and I thought it's going to be very chilly, | 0:31:21 | 0:31:23 | |
so my favourite woolly jumper, | 0:31:23 | 0:31:25 | |
but not my red lippy, which I'd left at home. | 0:31:25 | 0:31:27 | |
He just said, "My lips... my favourite woolly jumper." | 0:31:29 | 0:31:33 | |
Come on! | 0:31:33 | 0:31:34 | |
How many women here are going to faint just hearing him say, | 0:31:34 | 0:31:37 | |
"My favourite woolly jumper"? | 0:31:37 | 0:31:38 | |
All right, how many men are going to faint? | 0:31:40 | 0:31:43 | |
"My favourite woolly jumper and my lippy." | 0:31:43 | 0:31:45 | |
LAUGHTER DROWNS OUT SPEECH | 0:31:45 | 0:31:47 | |
Lippy? What does that mean in American? | 0:31:47 | 0:31:49 | |
WHIMPERING: I don't know. | 0:31:49 | 0:31:51 | |
LAUGHTER AND APPLAUSE | 0:31:51 | 0:31:53 | |
A lady from Colombia, where's the lady from Colombia? There you are. | 0:31:58 | 0:32:01 | |
Stand up too, hi. | 0:32:01 | 0:32:02 | |
-What's your name? -Patricia. | 0:32:02 | 0:32:03 | |
-IN SPANISH PRONUNCIATION: Patricia. -Patricia, OK. | 0:32:03 | 0:32:07 | |
So do you want to... | 0:32:07 | 0:32:09 | |
-Shall we hear it? What language is this going to be? -Spanish, yes. | 0:32:09 | 0:32:12 | |
Who can translate that? | 0:32:12 | 0:32:14 | |
-Is it quick? -I could make it quick. | 0:32:14 | 0:32:16 | |
Tell it quickly in Spanish and then tell it again in English. | 0:32:16 | 0:32:19 | |
She speaks English! | 0:32:19 | 0:32:20 | |
LAUGHTER | 0:32:20 | 0:32:23 | |
Tell it in Spanish quickly. | 0:32:23 | 0:32:25 | |
SHE SPEAKS SPANISH | 0:32:25 | 0:32:27 | |
Two m... Wh... | 0:32:29 | 0:32:30 | |
SHE CONTINUES IN SPANISH | 0:32:32 | 0:32:34 | |
Quite good in Spanish, isn't it? | 0:32:41 | 0:32:43 | |
LAUGHTER | 0:32:53 | 0:32:56 | |
CHEERING AND APPLAUSE | 0:33:04 | 0:33:06 | |
Do you..? | 0:33:07 | 0:33:09 | |
I got the gist of it, but I don't know if I'm going to do it justice. | 0:33:10 | 0:33:14 | |
A monkey with huge boobs... | 0:33:15 | 0:33:17 | |
LAUGHTER | 0:33:17 | 0:33:19 | |
-OK, tell us in English. -OK, two friends meet after a long time. | 0:33:20 | 0:33:23 | |
They're all school friends and they talk about the past | 0:33:23 | 0:33:25 | |
and, "Have you seen this?", "Have you seen someone?" | 0:33:25 | 0:33:27 | |
He said, "Oh, yes, funnily enough, I saw Maria last week." | 0:33:27 | 0:33:31 | |
"Who is Maria?" "You remember Maria? | 0:33:31 | 0:33:34 | |
"She was very slim, very flat-chested, you remember? | 0:33:34 | 0:33:36 | |
"Not very pretty." "Oh, yes, I remember her." | 0:33:36 | 0:33:40 | |
"Well, I saw her and she is looking like this." | 0:33:40 | 0:33:43 | |
"Wow, she had breast enlargement?" | 0:33:43 | 0:33:46 | |
"No, she's got terrible arthritis." | 0:33:46 | 0:33:48 | |
LAUGHTER | 0:33:48 | 0:33:50 | |
It's a good joke! | 0:33:50 | 0:33:52 | |
Very good, OK. | 0:33:52 | 0:33:54 | |
..because they thought she was saying, "She's like this", | 0:33:55 | 0:33:58 | |
she's got huge breasts, | 0:33:58 | 0:33:59 | |
but they're going, "No, she's got terrible arthritis." | 0:33:59 | 0:34:02 | |
I'll translate the English. | 0:34:05 | 0:34:07 | |
OK, Keira Knightley, what would be worse for you? | 0:34:09 | 0:34:12 | |
Having to sing in front of a large audience, | 0:34:12 | 0:34:15 | |
or do your sex faces? | 0:34:15 | 0:34:17 | |
LAUGHTER | 0:34:17 | 0:34:19 | |
Dangerous Method, you had to do a lot of sex faces. | 0:34:19 | 0:34:22 | |
I had to do a lot of sex faces. I had to do a lot of weird sex faces. | 0:34:22 | 0:34:25 | |
Oh, no, that's not a weird sex face, but she was a bit of weird character. | 0:34:25 | 0:34:29 | |
-No, that's not it. -No, it was directed by... | 0:34:29 | 0:34:31 | |
LAUGHTER | 0:34:31 | 0:34:33 | |
WHOOPING AND APPLAUSE | 0:34:36 | 0:34:37 | |
-I liked that movie. -You promised you wouldn't tell anyone. | 0:34:37 | 0:34:40 | |
Uh, yeah, | 0:34:42 | 0:34:44 | |
I had to go on Skype with David Cronenberg | 0:34:44 | 0:34:49 | |
so that he could see what my planned weird sex faces were. | 0:34:49 | 0:34:53 | |
That's... That's... | 0:34:53 | 0:34:55 | |
It's awful in every level, because I'd never met him before. | 0:34:55 | 0:34:58 | |
To say, "Hello, nice to meet you," then all of a sudden have to go, | 0:34:58 | 0:35:01 | |
"So, hey, what are your sex faces?" | 0:35:01 | 0:35:03 | |
which I'd been practising in the mirror just before, | 0:35:03 | 0:35:05 | |
which is just a weird thing to do, | 0:35:05 | 0:35:06 | |
and I went on and they were meant to be horrible sex faces, | 0:35:06 | 0:35:11 | |
so they were horrible, but Skype froze | 0:35:11 | 0:35:15 | |
on a weird, horrible sex face, so I'm meeting with this big director, | 0:35:15 | 0:35:20 | |
who I think is amazing, was suddenly just this kind of "Argh!" face. | 0:35:20 | 0:35:26 | |
-It was great. -But you do seem to have bad luck... -Bad sex faces? -No, no! | 0:35:26 | 0:35:32 | |
No, Keira, no. I'm not saying that. | 0:35:32 | 0:35:34 | |
Did you mean bad-sex faces, or bad sex faces? | 0:35:34 | 0:35:38 | |
-They're two very different things. -Two very different things. | 0:35:40 | 0:35:43 | |
A bad-sex face is just... | 0:35:43 | 0:35:45 | |
Just a bit bored, really. | 0:35:49 | 0:35:50 | |
In terms of acting techniques, Matt, | 0:35:58 | 0:36:01 | |
you must remember those famous episodes of Friends | 0:36:01 | 0:36:05 | |
where Joey would explain his acting techniques. | 0:36:05 | 0:36:09 | |
-Oh, yeah. -The Joey acting classes and stuff. -"Smell the fart" acting. | 0:36:09 | 0:36:12 | |
Yeah! | 0:36:12 | 0:36:14 | |
Was that Joey or was that you? | 0:36:14 | 0:36:18 | |
No, that was the writing staff. | 0:36:18 | 0:36:19 | |
We had some great writers, but that was really funny. | 0:36:19 | 0:36:23 | |
So talk us through "smell the fart". | 0:36:23 | 0:36:25 | |
"Smell the fart" acting was when he was on Days Of Our Lives... | 0:36:25 | 0:36:29 | |
I can help you out with this. | 0:36:29 | 0:36:30 | |
When you forget your line, you kind of go... | 0:36:33 | 0:36:35 | |
LAUGHTER | 0:36:38 | 0:36:41 | |
-And then you continue and you remember. -I was captivated. | 0:36:41 | 0:36:46 | |
It's very similar to... | 0:36:46 | 0:36:47 | |
Yeah, and you can do it more subtle too, just... | 0:36:51 | 0:36:53 | |
And then we did another one where Joey was teaching an acting class | 0:36:56 | 0:37:01 | |
for soap operas. | 0:37:01 | 0:37:02 | |
If you have to cry, you cut a hole in your pocket | 0:37:04 | 0:37:07 | |
and you take tweezers and you just start pulling. | 0:37:07 | 0:37:10 | |
Good idea. I've pinched myself a few times, yeah. | 0:37:11 | 0:37:14 | |
The problem is I like it. | 0:37:14 | 0:37:16 | |
LAUGHTER | 0:37:16 | 0:37:17 | |
If you have to be perplexed, | 0:37:17 | 0:37:20 | |
you just think of some long division. | 0:37:20 | 0:37:22 | |
LAUGHTER | 0:37:25 | 0:37:27 | |
CHEERING AND APPLAUSE It was a lot of fun. | 0:37:30 | 0:37:33 | |
But here's the thing - Jamie, great musician, | 0:37:34 | 0:37:37 | |
you must have used your music at some time to woo a woman. | 0:37:37 | 0:37:41 | |
I use whatever I can... | 0:37:41 | 0:37:45 | |
LAUGHTER | 0:37:45 | 0:37:47 | |
I use whatever I got, baby. | 0:37:47 | 0:37:49 | |
-Know what I'm saying? -I have to say, | 0:37:49 | 0:37:51 | |
this is one of my favourite songs. | 0:37:51 | 0:37:53 | |
This is Storm, listen to how hot this is. | 0:37:53 | 0:37:55 | |
# Lights out like a power outage, | 0:37:55 | 0:37:59 | |
# Cos of the lightning in your bedspring showers | 0:37:59 | 0:38:03 | |
# I can feel the mist every time we kissed... # | 0:38:03 | 0:38:07 | |
There's almost a Spider-Man link, | 0:38:07 | 0:38:10 | |
cos it starts off with "Lights out like a power outage." | 0:38:10 | 0:38:13 | |
# Lights out like a power outage... # | 0:38:13 | 0:38:16 | |
-Oh! -AUDIENCE ROARS | 0:38:16 | 0:38:18 | |
SINGING DROWNED OUT BY APPLAUSE | 0:38:18 | 0:38:21 | |
# I could feel the mist every time we kissed | 0:38:21 | 0:38:25 | |
# Just didn't know a downpour like this | 0:38:25 | 0:38:29 | |
# There's a flash flood warning | 0:38:29 | 0:38:33 | |
# Will it rain in the morning? | 0:38:33 | 0:38:36 | |
# There'll be puddles in the bed... # | 0:38:36 | 0:38:39 | |
I don't want to get too... | 0:38:39 | 0:38:40 | |
AUDIENCE WHOOPS | 0:38:40 | 0:38:42 | |
No, no, no, let me finish. | 0:38:44 | 0:38:46 | |
There are questions to be asked. | 0:38:46 | 0:38:47 | |
The words were... | 0:38:47 | 0:38:48 | |
# There'll be puddles in the bed | 0:38:48 | 0:38:50 | |
# The weatherman said... # | 0:38:50 | 0:38:53 | |
Yeah, but why were there puddles in the bed? | 0:38:53 | 0:38:56 | |
LAUGHTER | 0:38:56 | 0:38:57 | |
Was she an older lady? | 0:38:57 | 0:38:58 | |
Oh! | 0:38:58 | 0:39:00 | |
Listen, I've got the lyrics. | 0:39:03 | 0:39:05 | |
"Girl, the weatherman said it's cloudy skies, | 0:39:05 | 0:39:08 | |
"Right there between your thighs." | 0:39:08 | 0:39:10 | |
LAUGHTER | 0:39:10 | 0:39:11 | |
"I want it soaking wet all over the bed." | 0:39:13 | 0:39:16 | |
-Do you sing these lyrics? -He wrote them! | 0:39:18 | 0:39:21 | |
Hey, man... | 0:39:21 | 0:39:22 | |
APPLAUSE | 0:39:25 | 0:39:26 | |
Hey, it sounds much better when you sing 'em. | 0:39:29 | 0:39:31 | |
You just don't read the lyrics. | 0:39:34 | 0:39:35 | |
Then they sound a little crazy. | 0:39:37 | 0:39:40 | |
Cameron has also been in the papers recently, | 0:39:40 | 0:39:42 | |
feeling very strongly that all women should maintain some pubic hair. | 0:39:42 | 0:39:47 | |
LAUGHTER | 0:39:47 | 0:39:50 | |
-Cameron feels very strongly about this. -No, no, no, no. | 0:39:52 | 0:39:55 | |
-It's not exactly that. -You say "maintain"... -In a jar, or..? | 0:39:55 | 0:40:00 | |
-Thank you! -That would be "retain". | 0:40:02 | 0:40:05 | |
To the allotment. | 0:40:06 | 0:40:07 | |
If you have an aspect of husbandry about it, Richard, it would be. | 0:40:07 | 0:40:12 | |
Maintain, take it out every now and then, comb it. | 0:40:12 | 0:40:15 | |
-Post it back in. -In terms of my comfort zone, I'm far away from it. | 0:40:16 | 0:40:20 | |
-LAUGHTER -I've left the zone of safety. | 0:40:20 | 0:40:24 | |
I'm in the wilderness, I don't know what's happening. | 0:40:24 | 0:40:27 | |
See the forest through the trees. | 0:40:27 | 0:40:29 | |
That is an inappropriate metaphor, given... | 0:40:29 | 0:40:31 | |
..given what we're talking about. | 0:40:34 | 0:40:37 | |
Clearly. | 0:40:37 | 0:40:38 | |
-OK, can I just clear something up really quick? -Yes, please do. | 0:40:38 | 0:40:41 | |
-If you would. -OK, did you ever ask a question like, "Why are you there? | 0:40:41 | 0:40:45 | |
"Why are you there? | 0:40:45 | 0:40:46 | |
"Why are you there?" | 0:40:46 | 0:40:49 | |
There is a purpose for it. | 0:40:49 | 0:40:52 | |
LAUGHTER | 0:40:53 | 0:40:55 | |
APPLAUSE | 0:40:55 | 0:40:57 | |
-I want to have a direct communication... -Why ARE you there? | 0:40:59 | 0:41:02 | |
Why are you there? | 0:41:02 | 0:41:04 | |
I just thought a slightly louder voice might get an answer. | 0:41:06 | 0:41:08 | |
-Have you guys seen the fan art? -No. | 0:41:10 | 0:41:14 | |
OK, this is nice. | 0:41:14 | 0:41:16 | |
-It's lovely. -Look at them! | 0:41:17 | 0:41:18 | |
-That's terrible. -They are such good pals. | 0:41:18 | 0:41:21 | |
-Look at you, Michael! -I know! | 0:41:21 | 0:41:24 | |
What if they're at the craft services during filming, | 0:41:26 | 0:41:29 | |
one of them gets hungry? | 0:41:29 | 0:41:31 | |
Why, you could share a cherry. | 0:41:31 | 0:41:33 | |
Nice. Different artist, though. | 0:41:33 | 0:41:36 | |
You've never made me cupcakes. | 0:41:36 | 0:41:38 | |
What are you wearing, James? | 0:41:40 | 0:41:42 | |
Show me again. | 0:41:42 | 0:41:43 | |
Am I wearing dungarees?! | 0:41:43 | 0:41:44 | |
You did the baking and I'm feeding it to you. | 0:41:46 | 0:41:49 | |
Why am I in dungarees? Have I've been in the workshop? | 0:41:49 | 0:41:52 | |
It could be an apron. | 0:41:52 | 0:41:53 | |
You did the baking and I'm feeding you. | 0:41:53 | 0:41:56 | |
That's lovely. You've worked hard all afternoon, James. | 0:41:56 | 0:41:59 | |
-You deserve a treat. -So I'm taking your cherry? | 0:41:59 | 0:42:01 | |
Yes. | 0:42:01 | 0:42:03 | |
LAUGHTER | 0:42:03 | 0:42:04 | |
Here you are baking, it's rather beautiful. | 0:42:04 | 0:42:06 | |
Now, for some reason... | 0:42:09 | 0:42:11 | |
Wait a minute, stop everything for a minute, mate. | 0:42:11 | 0:42:14 | |
Whoever's creating this artwork... I applaud your artistry, by the way. | 0:42:16 | 0:42:19 | |
It's beautiful work. ..but if anybody's giving... | 0:42:19 | 0:42:23 | |
LAUGHTER AND WHOOPING | 0:42:23 | 0:42:26 | |
-Hello, nice lady. -Hello. -What's your name? -Jessica. -Jessica. | 0:42:31 | 0:42:34 | |
Can you hear Jessica? | 0:42:34 | 0:42:36 | |
-Pardon? -I'm not talking... | 0:42:36 | 0:42:38 | |
LAUGHTER | 0:42:38 | 0:42:39 | |
-She's so sweet and she's French. -She's adorable. | 0:42:39 | 0:42:42 | |
I don't think she's French. | 0:42:42 | 0:42:43 | |
Didn't she say, like, "Par-don?" | 0:42:43 | 0:42:45 | |
She just said, "Pardon". She's posh. | 0:42:46 | 0:42:48 | |
AUDIENCE ROARS | 0:42:50 | 0:42:53 | |
Where's the chair? Put me in it. | 0:42:53 | 0:42:55 | |
Do you want a go? You want a go? | 0:42:55 | 0:42:57 | |
OK, can you have a go in the chair? | 0:42:57 | 0:43:00 | |
OK, go, you, go. | 0:43:00 | 0:43:01 | |
-Where's the chair? -Follow that man there. | 0:43:01 | 0:43:05 | |
OK, but hurry - we've got homes to go to. | 0:43:06 | 0:43:09 | |
By the way, this is the best time I've ever had on a talk show. | 0:43:12 | 0:43:15 | |
Oh, bless you. | 0:43:15 | 0:43:17 | |
AUDIENCE WHOOPS AND CHEERS | 0:43:17 | 0:43:18 | |
That's true. | 0:43:18 | 0:43:20 | |
-Come and see us again. -That is true. | 0:43:20 | 0:43:22 | |
It's good. | 0:43:24 | 0:43:25 | |
I think it's the champagne, not the host. | 0:43:25 | 0:43:27 | |
-OK, who's up next? -Hi. -Hi. -I'm Hugh, I'm from West Sussex. | 0:43:29 | 0:43:34 | |
Hi, Hugh! | 0:43:34 | 0:43:35 | |
Hi, I'd just like to say that I think Matt Damon | 0:43:35 | 0:43:38 | |
is really amazing in the fourth Bourne... | 0:43:38 | 0:43:40 | |
Way! | 0:43:41 | 0:43:42 | |
He's running back! | 0:43:44 | 0:43:45 | |
Hugh Bonneville, everybody! | 0:43:45 | 0:43:47 | |
Hugh Bonneville. | 0:43:48 | 0:43:51 | |
CHEERING AND APPLAUSE | 0:43:51 | 0:43:54 | |
All right, let's flip him! | 0:43:54 | 0:43:55 | |
Whoa! Whoa! Whoa! | 0:43:57 | 0:43:59 | |
AUDIENCE ROARS AND APPLAUDS | 0:44:11 | 0:44:15 | |
-PALOMA: -I'm honoured, I really am. | 0:44:15 | 0:44:18 | |
LAUGHTER | 0:44:19 | 0:44:21 | |
AUDIENCE WHOOPS | 0:44:23 | 0:44:25 |