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This programme contains strong language. | 0:00:02 | 0:00:04 | |
My name is Maximus Grahamus Nortonicus, are you not entertained? | 0:00:04 | 0:00:06 | |
-AUDIENCE: No. -Oh, all right, in that case, | 0:00:06 | 0:00:09 | |
send in the bloodthirsty, ferocious lion. | 0:00:09 | 0:00:11 | |
AUDIENCE: Aww! | 0:00:13 | 0:00:15 | |
Let's start the show! | 0:00:15 | 0:00:19 | |
APPLAUSE | 0:00:35 | 0:00:38 | |
CAT SCREECHES | 0:00:38 | 0:00:40 | |
Good evening. Don't worry, don't worry, Mitzi is fine. There she is. | 0:00:46 | 0:00:51 | |
We don't need any other guests, we could just interview that cat. | 0:00:53 | 0:00:57 | |
Oh, adorable! | 0:00:57 | 0:00:58 | |
Hey, welcome back, everyone, to a brand-new series. | 0:00:58 | 0:01:01 | |
We've got a great show to kick us off. Yes! | 0:01:01 | 0:01:03 | |
He's the Oscar-winning star of Gladiator, A Beautiful Mind, | 0:01:03 | 0:01:05 | |
and the new biblical epic, Noah. Russell Crowe is here! | 0:01:05 | 0:01:08 | |
APPLAUSE AND CHEERING | 0:01:08 | 0:01:12 | |
From Charlie's Angels, Shrek and Bad Teacher, | 0:01:12 | 0:01:15 | |
Cameron Diaz is on the show! | 0:01:15 | 0:01:17 | |
APPLAUSE AND CHEERING | 0:01:17 | 0:01:20 | |
King of the geeks from hit sitcom The IT Crowd, | 0:01:20 | 0:01:23 | |
actor and director Richard Ayoade is here! | 0:01:23 | 0:01:26 | |
APPLAUSE AND CHEERING | 0:01:26 | 0:01:29 | |
And be still my beating heart, pop legend and the star of The Voice, | 0:01:29 | 0:01:32 | |
Kylie Minogue is on our show. | 0:01:32 | 0:01:36 | |
APPLAUSE AND CHEERING | 0:01:36 | 0:01:39 | |
Kylie! Kylie! | 0:01:39 | 0:01:41 | |
Now, this is interesting, I do believe that tonight | 0:01:43 | 0:01:47 | |
is the first time Kylie and Russell Crowe | 0:01:47 | 0:01:50 | |
have appeared on television together | 0:01:50 | 0:01:52 | |
since they both appeared on Neighbours. | 0:01:52 | 0:01:56 | |
That was quite a long time ago. | 0:01:56 | 0:01:59 | |
Now, I'm going to show them a clip of the two of them | 0:01:59 | 0:02:01 | |
doing their marvellous acting in Neighbours. | 0:02:01 | 0:02:03 | |
But for now, shall we have a sneak preview of what Russell looked like | 0:02:03 | 0:02:07 | |
when he was in Neighbours? Yeah? | 0:02:07 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:13 | |
"I will have revenge for this hair style in this life or the next." | 0:02:13 | 0:02:16 | |
And the guyliner - we thought that was a new thing. | 0:02:18 | 0:02:21 | |
No, Australia had it years ago. | 0:02:21 | 0:02:23 | |
If you want a reminder of how Kylie looked back then, | 0:02:23 | 0:02:26 | |
then I wouldn't go to this waxworks in Norfolk. | 0:02:26 | 0:02:29 | |
LAUGHTER | 0:02:29 | 0:02:32 | |
She looks like her own mother! | 0:02:37 | 0:02:39 | |
Tonight, I am talking to Russell Crowe about his new film, | 0:02:41 | 0:02:45 | |
Noah. It's the Old Testament story of Noah and his ark, | 0:02:45 | 0:02:48 | |
where only two of each kind of animal could get on. | 0:02:48 | 0:02:51 | |
With dogs, dogs are very clever. | 0:02:51 | 0:02:54 | |
I bet you some dogs could have sneaked onto that ark in disguise. | 0:02:54 | 0:02:58 | |
Yeah, I'm sure they could. | 0:02:58 | 0:03:00 | |
"Queen will be along in a minute. Just checking out the hive." | 0:03:03 | 0:03:08 | |
I love this one. Look at this. | 0:03:08 | 0:03:10 | |
"Don't mind me." | 0:03:16 | 0:03:18 | |
And this is my favourite. | 0:03:20 | 0:03:22 | |
"I'll just go and stand with the other elephants." | 0:03:24 | 0:03:27 | |
I'm going to be chatting to Cameron Diaz | 0:03:27 | 0:03:30 | |
all about affairs of the heart. Now, her new film is The Other Woman. | 0:03:30 | 0:03:35 | |
And it's all about a man dating three women at once. | 0:03:35 | 0:03:39 | |
Three at once! I know. | 0:03:39 | 0:03:42 | |
I'm not saying that is excessive. | 0:03:42 | 0:03:44 | |
But here's the character in the film before dating three women. | 0:03:44 | 0:03:47 | |
Yeah. And here he is afterwards. | 0:03:47 | 0:03:50 | |
LAUGHTER | 0:03:50 | 0:03:53 | |
Beautiful. That's all to come. | 0:03:55 | 0:03:57 | |
Plus more of your stories in the red chair. Let's get some guests on. | 0:03:57 | 0:04:01 | |
I'm in with the IT Crowd, it's Richard Ayoade. | 0:04:01 | 0:04:04 | |
CHEERING | 0:04:04 | 0:04:08 | |
Good to see you. Have a seat. | 0:04:08 | 0:04:11 | |
There's something about this guest, it's Cameron Diaz! | 0:04:11 | 0:04:14 | |
CHEERING | 0:04:14 | 0:04:16 | |
Wowser! Wowser! Hello, baby. | 0:04:16 | 0:04:19 | |
Come in, come in. | 0:04:21 | 0:04:23 | |
By God, it's Russell Crowe! | 0:04:23 | 0:04:25 | |
CHEERING | 0:04:25 | 0:04:28 | |
Hello, sir. | 0:04:28 | 0:04:30 | |
Really good to see you. Really nice to meet you. Have a seat. | 0:04:30 | 0:04:33 | |
And I'm so lucky, lucky, lucky, it's Kylie Minogue! | 0:04:33 | 0:04:37 | |
CHEERING | 0:04:37 | 0:04:42 | |
Thank you so much for being here. | 0:04:42 | 0:04:44 | |
Sit down, sit down. | 0:04:44 | 0:04:47 | |
Shove up, everyone. Shove up, everyone. | 0:04:47 | 0:04:51 | |
Very good. | 0:04:51 | 0:04:52 | |
-Lovely to see you all. -KYLIE: You too. -You all well? | 0:04:52 | 0:04:55 | |
That's a very shiny, glamorous couch. I like it a lot. | 0:04:55 | 0:04:57 | |
Well, it drops off towards the end. | 0:04:57 | 0:05:00 | |
No, you stop that now. | 0:05:00 | 0:05:02 | |
Your booker made three good choices. | 0:05:02 | 0:05:05 | |
-And then got tired. -Stop it. | 0:05:05 | 0:05:07 | |
I've been looking forward to having you on the show. | 0:05:07 | 0:05:09 | |
-You've never been here before. -I've not, no. And let's find out why. | 0:05:09 | 0:05:12 | |
Now, I mentioned in the monologue, Russell and Kylie back together | 0:05:15 | 0:05:19 | |
on television. Have you appeared on television | 0:05:19 | 0:05:21 | |
-since the Neighbours days? -Have we? | 0:05:21 | 0:05:23 | |
-We might have done a chat show. -Done a few Moroccan restaurants together. | 0:05:23 | 0:05:28 | |
-Yeah, we have. -We have. -Hello! | 0:05:28 | 0:05:31 | |
She brought her whole crew of dancers once to a restaurant. | 0:05:31 | 0:05:35 | |
-It was very distracting. -I bet it was. -A man like me... | 0:05:35 | 0:05:39 | |
-Yeah, that was like a gift. -I couldn't eat. | 0:05:39 | 0:05:42 | |
Have we ever done a TV thing? No. | 0:05:42 | 0:05:44 | |
This is a first. | 0:05:44 | 0:05:46 | |
1987, ladies and gentleman, | 0:05:46 | 0:05:49 | |
Russell and Kylie were on Ramsay Street together. | 0:05:49 | 0:05:51 | |
-Cameron, are we aware of what Neighbours is? -Yeah. | 0:05:51 | 0:05:56 | |
LAUGHTER | 0:05:56 | 0:05:59 | |
Let's have a quiz! | 0:05:59 | 0:06:01 | |
-No, no, I've heard of it, yeah. -You watch Neighbours, don't you? | 0:06:01 | 0:06:04 | |
I mean, this is a rare break for me. | 0:06:04 | 0:06:07 | |
I basically have to schedule the time off. | 0:06:12 | 0:06:15 | |
-Do you remember this time in Neighbours? -Yeah! | 0:06:15 | 0:06:18 | |
I certainly do. | 0:06:20 | 0:06:21 | |
-You just rewatched that season, right? -This was the golden time. | 0:06:21 | 0:06:25 | |
This was the golden era of Neighbours. | 0:06:25 | 0:06:28 | |
This is after the Des and Daphne era. Aww! | 0:06:28 | 0:06:31 | |
AUDIENCE: Aww! | 0:06:31 | 0:06:33 | |
-You know Des and Daphne! -Des and Daphne? -Graham! | 0:06:33 | 0:06:39 | |
I had a job! | 0:06:39 | 0:06:41 | |
A lot of them had jobs! | 0:06:41 | 0:06:44 | |
Anyway, here you are, it needs no introduction. | 0:06:44 | 0:06:48 | |
It's just marvellous acting in Neighbours. Here we go. | 0:06:48 | 0:06:50 | |
Tell me this is your handwriting. | 0:06:50 | 0:06:53 | |
"BBM." Should stand for Big Mouth Brenda. | 0:06:54 | 0:06:57 | |
So, you admit it was you. | 0:06:57 | 0:06:59 | |
Yeah, it was me. You had it coming to you, pal. | 0:06:59 | 0:07:01 | |
When Paul found out you were trying to swindle Mum, | 0:07:01 | 0:07:03 | |
-he was calling for the cops. I should have let him. -Yeah. | 0:07:03 | 0:07:06 | |
And this time you could be charged for libel. | 0:07:06 | 0:07:08 | |
Getting your little sister to do your talking, are you? | 0:07:08 | 0:07:11 | |
Another crack like that, mate, and I'll flatten you. | 0:07:11 | 0:07:13 | |
-Yeah? You got lucky last time. -This is not the place. | 0:07:13 | 0:07:16 | |
Your luck just ran out. | 0:07:16 | 0:07:18 | |
AUDIENCE LAUGHS | 0:07:19 | 0:07:21 | |
Charlene, stay out of it! | 0:07:23 | 0:07:25 | |
Henry! | 0:07:31 | 0:07:33 | |
Henry! | 0:07:36 | 0:07:38 | |
Not here, mate! | 0:07:42 | 0:07:43 | |
APPLAUSE AND CHEERING | 0:07:43 | 0:07:46 | |
-Very good! -That was dramatic! -I know! | 0:07:46 | 0:07:49 | |
I was so scared as to what was going to happen | 0:07:52 | 0:07:54 | |
to his white jacket on the grass! | 0:07:54 | 0:07:58 | |
-How do you guys feel after that? How are you feeling? -Slightly nauseous. | 0:07:58 | 0:08:02 | |
I'm feeling like a scrunch dry is going to come back. | 0:08:04 | 0:08:07 | |
Great hair acting. | 0:08:07 | 0:08:09 | |
Because you were in it for so long, do you remember that? | 0:08:09 | 0:08:12 | |
To be honest, not really. No, do you? | 0:08:12 | 0:08:15 | |
Here's the thing, every time they do the Neighbours 20th, 30th, | 0:08:15 | 0:08:18 | |
they keep putting my name at the top. | 0:08:18 | 0:08:21 | |
I was on that set for three days and one morning. | 0:08:21 | 0:08:25 | |
She was there for what, 52 years? | 0:08:25 | 0:08:27 | |
LAUGHTER | 0:08:27 | 0:08:29 | |
It's really unfair, why do you keep associating me with this show? | 0:08:29 | 0:08:32 | |
It was a wage. I was young. I needed the money. | 0:08:32 | 0:08:35 | |
Kylie, when Russell hit it big, | 0:08:35 | 0:08:40 | |
did you remember, did you go, | 0:08:40 | 0:08:42 | |
"Oh, that guy, I remember him." | 0:08:42 | 0:08:44 | |
Well, a lot of people who have made it around the world, | 0:08:44 | 0:08:48 | |
it's like a rite of passage. | 0:08:48 | 0:08:50 | |
So many people have gone through Neighbours or Home and Away, | 0:08:50 | 0:08:53 | |
or one of the soaps in Australia. | 0:08:53 | 0:08:55 | |
I mean, that's the beginnings of Gladiator right there. | 0:08:55 | 0:08:59 | |
That was some oomph! | 0:08:59 | 0:09:01 | |
-The punch was really good. -The punch was good. | 0:09:01 | 0:09:03 | |
You must have thought, "That was rather good." | 0:09:03 | 0:09:06 | |
I don't look at it like that at all. | 0:09:06 | 0:09:08 | |
One thing that does make me remember, though, is at the time, | 0:09:08 | 0:09:11 | |
I only had one front tooth. | 0:09:11 | 0:09:13 | |
When I was ten years old - this is really stupid, I know - | 0:09:13 | 0:09:16 | |
but when I was ten, I was playing in a football game, | 0:09:16 | 0:09:20 | |
Rugby League, actually. | 0:09:20 | 0:09:22 | |
And I tackled this big, fat kid, right around the ankles. | 0:09:22 | 0:09:26 | |
Smack - went down like a sack of shit. | 0:09:26 | 0:09:29 | |
"Bad luck, fatty. Thanks for coming." | 0:09:29 | 0:09:31 | |
As I'm getting up from the tackle | 0:09:34 | 0:09:36 | |
he, fair dinkum, just kicks me in the face. | 0:09:36 | 0:09:39 | |
He wasn't used to being tackled, obviously. | 0:09:39 | 0:09:41 | |
He just turned around and just went boom! | 0:09:41 | 0:09:43 | |
Straight in the face. Kicked my tooth out. | 0:09:43 | 0:09:46 | |
And I just had this, like, strange thing where I never got it fixed. | 0:09:46 | 0:09:50 | |
It used to drive my poor mother crazy. | 0:09:50 | 0:09:53 | |
"Please get your tooth fixed." | 0:09:53 | 0:09:55 | |
But I was like, "No, Mum, this is my life. | 0:09:55 | 0:09:59 | |
"This is something that's happened to me. | 0:09:59 | 0:10:02 | |
"I wear the scars as badges of honour in my life, Mum." | 0:10:02 | 0:10:06 | |
She's like, you know, it drove her nuts. | 0:10:06 | 0:10:09 | |
It took until I was seriously, right, | 0:10:09 | 0:10:11 | |
I was working as an actor, right... | 0:10:11 | 0:10:14 | |
-With one tooth? -I was doing stage work, TV work, with one tooth. | 0:10:14 | 0:10:19 | |
And then I worked for a guy called George Ogilvy | 0:10:19 | 0:10:21 | |
and he cast me as the lead in his movie. | 0:10:21 | 0:10:24 | |
He was talking to me and said he, | 0:10:24 | 0:10:26 | |
"So, tell me the story about the tooth." So I went through | 0:10:26 | 0:10:29 | |
the football game, blah, blah, blah, I'm being authentic and he goes, | 0:10:29 | 0:10:32 | |
"Oh, see, we have a problem. | 0:10:32 | 0:10:35 | |
"Because in my movie, the character of Johnny, the one you're playing, | 0:10:35 | 0:10:40 | |
"he has two front teeth." | 0:10:40 | 0:10:42 | |
So he paid for me to get a tooth himself. | 0:10:44 | 0:10:48 | |
Not from the production budget. | 0:10:48 | 0:10:49 | |
The funniest thing is, I know you're going to find this quite obvious | 0:10:49 | 0:10:52 | |
now that I say it to you, | 0:10:52 | 0:10:54 | |
but I did 100 film auditions and never got a film. | 0:10:54 | 0:10:58 | |
I got my tooth fixed... | 0:10:58 | 0:11:01 | |
Whoa! | 0:11:01 | 0:11:02 | |
LAUGHTER | 0:11:02 | 0:11:05 | |
APPLAUSE | 0:11:05 | 0:11:08 | |
Listen, we've gone from Neighbours, all the way to now. | 0:11:08 | 0:11:11 | |
Noah, number one movie at the US box office. Congratulations. | 0:11:11 | 0:11:17 | |
It opens in the UK this very night. | 0:11:20 | 0:11:23 | |
People are watching it as we speak. I watched it, I really enjoyed it. | 0:11:23 | 0:11:27 | |
It is what it is, it's a proper epic retelling of the story of Noah. | 0:11:27 | 0:11:33 | |
And I suppose I didn't know what to expect in that, | 0:11:33 | 0:11:36 | |
cos I had heard there was controversy and blah, blah, blah. | 0:11:36 | 0:11:39 | |
Why is there controversy? You've just told the story. | 0:11:39 | 0:11:42 | |
Yeah, a lot of that controversy is people who took it upon themselves | 0:11:42 | 0:11:46 | |
-to have an opinion without seeing the movie. -OK. | 0:11:46 | 0:11:49 | |
I find that kind of stupefying, really, | 0:11:49 | 0:11:52 | |
that you put a stamp on something like, | 0:11:52 | 0:11:54 | |
"In my opinion, they could do this with the film." | 0:11:54 | 0:11:58 | |
So, it seems strange. | 0:11:58 | 0:11:59 | |
But now that the film has actually come out and people are seeing it, | 0:11:59 | 0:12:02 | |
-it's balancing up again. -Cos it's a dark story. | 0:12:02 | 0:12:05 | |
Well, you see, the immediate thing that comes to mind with Noah, is not | 0:12:05 | 0:12:09 | |
actually biblical stories, it's the Golden Circle children's book | 0:12:09 | 0:12:12 | |
you got read when you were six or seven. | 0:12:12 | 0:12:14 | |
And Noah is a benevolent man who looks after the animals. | 0:12:14 | 0:12:18 | |
Oh, he's lovely, Noah. | 0:12:18 | 0:12:20 | |
But the thing is, in reality, | 0:12:20 | 0:12:23 | |
he's the man who stood by | 0:12:23 | 0:12:25 | |
while the entire population of the planet perished. | 0:12:25 | 0:12:27 | |
-So there's going to be a bit of steel to a fellow like Noah. -Yeah. | 0:12:27 | 0:12:31 | |
You got this gigantic, epic story, this apocalyptic world. | 0:12:31 | 0:12:36 | |
But Darren Aronofsky has managed to find the family drama | 0:12:36 | 0:12:39 | |
at the centre of that huge story. | 0:12:39 | 0:12:42 | |
What it boils down to is, "Dad is a little obsessive". | 0:12:42 | 0:12:47 | |
He's single-mindedly pursuing a task. | 0:12:47 | 0:12:50 | |
And the fallout on his loved ones and immediate family is something | 0:12:50 | 0:12:54 | |
that he hasn't quite noticed yet. | 0:12:54 | 0:12:55 | |
Let's remind ourselves of the story. | 0:12:55 | 0:12:57 | |
This is you as Noah defending the ark | 0:12:57 | 0:13:00 | |
as the heavens literally start to open. | 0:13:00 | 0:13:03 | |
SHOUTING | 0:13:03 | 0:13:06 | |
Protect your mother. Protect them all. | 0:13:11 | 0:13:13 | |
GRUNTING | 0:13:16 | 0:13:18 | |
GRUNTING | 0:13:20 | 0:13:23 | |
SHOUTING | 0:13:23 | 0:13:25 | |
APPLAUSE | 0:13:55 | 0:13:58 | |
Wow! It is epic! | 0:13:58 | 0:13:59 | |
It really is. | 0:13:59 | 0:14:01 | |
Now, listen, it is a very famous sofa, | 0:14:04 | 0:14:07 | |
and with fame comes the ultimate accolade - a waxwork. | 0:14:07 | 0:14:10 | |
Kylie, you've been in Madame Tussauds how many times? | 0:14:10 | 0:14:14 | |
Maybe five different ones, but they have just changed it again. | 0:14:14 | 0:14:17 | |
This isn't the new one, this is the last one, I think. | 0:14:17 | 0:14:22 | |
KYLIE: That was, like, second to last. | 0:14:22 | 0:14:25 | |
They had to replace bits of it | 0:14:25 | 0:14:27 | |
because so many members of the public were doing this. | 0:14:27 | 0:14:30 | |
KYLIE: Oh! | 0:14:30 | 0:14:31 | |
It had about three bums. | 0:14:34 | 0:14:37 | |
The wax wore down! | 0:14:37 | 0:14:39 | |
-Are you standing now? -I'm sat down now! | 0:14:41 | 0:14:45 | |
-I'm safe, I am actually on my bottom. -Very good! | 0:14:45 | 0:14:48 | |
Cameron, have you seen your waxwork? | 0:14:48 | 0:14:52 | |
-I think I have. The Charlie's Angels one? -Yeah. | 0:14:52 | 0:14:55 | |
-It's really piss-poor. -It's... | 0:14:55 | 0:14:58 | |
How should I say? What's the word I was using before? | 0:14:58 | 0:15:01 | |
-It is an approximation... -Yes. -..of a person! | 0:15:01 | 0:15:07 | |
This is Cameron Diaz, is this the Hollywood...? | 0:15:07 | 0:15:10 | |
I'm... I think... | 0:15:10 | 0:15:12 | |
This is not of Madame Tussauds' standard. | 0:15:12 | 0:15:15 | |
LAUGHTER | 0:15:15 | 0:15:18 | |
It could sort of be Drew Barrymore, | 0:15:22 | 0:15:25 | |
but that is nothing... There's not even a passing resemblance! | 0:15:25 | 0:15:28 | |
Not even a passing resemblance! | 0:15:28 | 0:15:30 | |
-They could at least get the hair good! -Yeah, something. | 0:15:30 | 0:15:33 | |
-Is it true, Russell, that you don't like waxworks? -I hate them. | 0:15:33 | 0:15:37 | |
-They're creepy. -Absolutely. They give me the...shits. | 0:15:37 | 0:15:41 | |
Any time that anyone puts one up, | 0:15:41 | 0:15:44 | |
we hassle them for years, | 0:15:44 | 0:15:46 | |
we chase them down, we make them melt it, | 0:15:46 | 0:15:50 | |
melt that lumpy thing! | 0:15:50 | 0:15:53 | |
So this one won't last for long, then? | 0:15:53 | 0:15:56 | |
That's ten years ago. We pursued those people | 0:15:56 | 0:15:58 | |
and chopped off his head. | 0:15:58 | 0:16:01 | |
Look how shit that is! | 0:16:01 | 0:16:03 | |
That is absolutely ridiculous! | 0:16:03 | 0:16:07 | |
APPLAUSE | 0:16:07 | 0:16:10 | |
I just think it is such a weird thing. I have no desire... | 0:16:10 | 0:16:13 | |
Madame Tussauds send you a letter, I just, "No thanks, not interested." | 0:16:13 | 0:16:17 | |
Funnily enough, we were ringing round wax museums in Australia | 0:16:17 | 0:16:21 | |
to see if there was one of you there to show a picture of it, | 0:16:21 | 0:16:24 | |
and one of them said, "No, we don't have a waxwork of Russell Crowe, | 0:16:24 | 0:16:29 | |
"but we have a letter." Do you know this letter? | 0:16:29 | 0:16:32 | |
-So, they wrote to you... -I hope it's not one of the abusive ones! | 0:16:32 | 0:16:37 | |
No, no! | 0:16:37 | 0:16:38 | |
This is such a sweet letter. Here's the letter. | 0:16:38 | 0:16:41 | |
"Dear Peter, sorry, mate, | 0:16:41 | 0:16:44 | |
"no interest at all in being made out of wax. | 0:16:44 | 0:16:47 | |
"Pease do not pursue this any further. | 0:16:47 | 0:16:49 | |
"You don't have my permission or my blessing. Apart from that, | 0:16:49 | 0:16:52 | |
"I hope you and your family are doing well!" | 0:16:52 | 0:16:54 | |
It's a sweet letter. | 0:16:54 | 0:16:56 | |
APPLAUSE | 0:16:56 | 0:17:01 | |
Did you see that terrible Kylie waxwork I showed in the monologue? | 0:17:01 | 0:17:04 | |
This is so bad. | 0:17:04 | 0:17:06 | |
KYLIE: It's really amazing! | 0:17:06 | 0:17:10 | |
-Look at that! -Oh, my Lord! | 0:17:10 | 0:17:12 | |
GRAHAM LAUGHS | 0:17:12 | 0:17:15 | |
If I could have a template of your letter for next time... | 0:17:15 | 0:17:20 | |
I do have to say, the one of you kneeling down, though, | 0:17:20 | 0:17:24 | |
it's kind of attractive. If they're not using that one any more... | 0:17:24 | 0:17:28 | |
It could be in the back room. | 0:17:28 | 0:17:30 | |
ALL TALK OVER EACH OTHER | 0:17:31 | 0:17:35 | |
-A little coffee table objet. -Nice! | 0:17:38 | 0:17:41 | |
No hot drinks on there, please! | 0:17:41 | 0:17:43 | |
Actually, Richard, is there a waxwork of you? | 0:17:43 | 0:17:46 | |
The demand does not seem to be there. | 0:17:46 | 0:17:49 | |
Are you sure? Are you sure there isn't a waxwork of you? | 0:17:49 | 0:17:52 | |
I'm pretty sure. | 0:17:52 | 0:17:54 | |
Because some fans of yours posted a picture online. | 0:17:54 | 0:17:57 | |
So, are you telling me this is actually you | 0:17:57 | 0:18:00 | |
in this picture, not a waxwork? | 0:18:00 | 0:18:03 | |
LAUGHTER | 0:18:03 | 0:18:06 | |
APPLAUSE | 0:18:06 | 0:18:09 | |
I love that picture! | 0:18:11 | 0:18:14 | |
As you can see, I am incredibly relaxed. | 0:18:14 | 0:18:17 | |
-At all times! -Engaging with fans. | 0:18:17 | 0:18:20 | |
I'm just a fun guy. | 0:18:20 | 0:18:22 | |
Now, moving on to Cameron Diaz, new movie, The Other Woman, | 0:18:22 | 0:18:26 | |
it opens on 23rd April. | 0:18:26 | 0:18:28 | |
A very modern romcom. | 0:18:28 | 0:18:30 | |
It is kind of modern cos the man is almost a subplot. | 0:18:30 | 0:18:35 | |
Absolutely, this is really about a relationship between women | 0:18:35 | 0:18:41 | |
and friendship and the love that women share for one another - | 0:18:41 | 0:18:44 | |
get your minds out of the gutter! | 0:18:44 | 0:18:46 | |
About the special bond that women have and, you know, it is | 0:18:46 | 0:18:49 | |
a story that's very modern. | 0:18:49 | 0:18:51 | |
Normally, when you have three women who are all seeing the same man - | 0:18:51 | 0:18:56 | |
one's married to him and he has two girlfriends - normally after that, | 0:18:56 | 0:19:01 | |
women would be fighting each other, | 0:19:01 | 0:19:03 | |
they'd be stabbing each other in the back, | 0:19:03 | 0:19:05 | |
they'd be angry at one another. | 0:19:05 | 0:19:06 | |
But this movie shows how women can actually put the onus on whom | 0:19:06 | 0:19:11 | |
it is meant to be put on, which is the man who tricked all of them. | 0:19:11 | 0:19:15 | |
Not in a bad... Not in a man-hating way, | 0:19:15 | 0:19:18 | |
but just in the most extreme version | 0:19:18 | 0:19:22 | |
of a pathological liar-cheater. | 0:19:22 | 0:19:24 | |
And... It's extreme. | 0:19:24 | 0:19:27 | |
We have to do that for comedy. | 0:19:27 | 0:19:29 | |
You can't really build comedy without extremes. | 0:19:29 | 0:19:31 | |
-And it is very funny, it is a really funny movie. -Thank you. | 0:19:31 | 0:19:35 | |
The person who's in it, who's really funny in it, | 0:19:35 | 0:19:38 | |
is our good friend, Nicki Minaj. Beez In The Trap, Beez In The Trap. | 0:19:38 | 0:19:43 | |
Nicki, Beez In The Trap, Beez In The Trap. | 0:19:43 | 0:19:46 | |
We have got a clip, this is you and Nicki Minaj. | 0:19:46 | 0:19:50 | |
-Beez In The Trap. -Beez In The Trap. | 0:19:50 | 0:19:52 | |
And you've just discovered that | 0:19:52 | 0:19:54 | |
-Mr Wright has been telling you lies. -Yes. | 0:19:54 | 0:19:58 | |
What happened? | 0:20:08 | 0:20:09 | |
It's got to be something big, you were crazy about him two days ago. | 0:20:09 | 0:20:12 | |
He's got a wife, OK? He's married. | 0:20:12 | 0:20:15 | |
-And you don't think you can take her? -That's not the point. | 0:20:15 | 0:20:17 | |
I don't do married guys. I don't need to wreck someone's home for a date. | 0:20:17 | 0:20:21 | |
It's not always a wreck. | 0:20:21 | 0:20:22 | |
Stan and I were married when we met, we weren't happy. | 0:20:22 | 0:20:25 | |
You wrecked two marriages! | 0:20:25 | 0:20:26 | |
First of all, one of them was mine so that doesn't count. | 0:20:26 | 0:20:28 | |
-I don't think that's how it works. -All I'm saying, is that I think | 0:20:28 | 0:20:31 | |
married guys would be the perfect fit for you. I think you need | 0:20:31 | 0:20:34 | |
-someone with something that's going to keep him busy. -Not a wife! | 0:20:34 | 0:20:37 | |
Somebody's being negative. I'm going to go. | 0:20:37 | 0:20:40 | |
But I'll tell you what my mother told me, | 0:20:40 | 0:20:42 | |
and these are words to live by. | 0:20:42 | 0:20:44 | |
Selfish people live longer. | 0:20:44 | 0:20:47 | |
LAUGHTER | 0:20:47 | 0:20:48 | |
She was so great. | 0:20:53 | 0:20:54 | |
She has some great lines. I love that, "Selfish people live longer." | 0:20:54 | 0:20:58 | |
"My mother told me, this is something my mother told me, | 0:20:58 | 0:21:01 | |
"selfish people live longer." | 0:21:01 | 0:21:03 | |
But because you are promoting this film | 0:21:03 | 0:21:06 | |
and people are talking to you about relationships, | 0:21:06 | 0:21:08 | |
it is like the Gospel According to Cameron Diaz, | 0:21:08 | 0:21:11 | |
all of these edicts have come on high. | 0:21:11 | 0:21:14 | |
Cameron Diaz has said, for instance, | 0:21:14 | 0:21:16 | |
-"Everyone gets cheated on at some point." -Yeah. | 0:21:16 | 0:21:20 | |
-Are you standing by this? -Yeah! | 0:21:20 | 0:21:23 | |
I mean, cheated on? | 0:21:23 | 0:21:26 | |
I don't know... | 0:21:26 | 0:21:27 | |
OK, so most likely! | 0:21:27 | 0:21:29 | |
-Cheated on? -Yeah. -Cheated on? | 0:21:31 | 0:21:34 | |
I am talking about, like, from, childhood. | 0:21:34 | 0:21:37 | |
-I'm talking about from the first boys or girls... -When I was five. | 0:21:37 | 0:21:42 | |
Yeah, exactly. Like, there is somebody else you kissed, | 0:21:42 | 0:21:45 | |
somebody you was kissing that was kissing somebody else. | 0:21:45 | 0:21:50 | |
You don't know me very well, do you? | 0:21:50 | 0:21:53 | |
OK, maybe that you cheated on! | 0:21:53 | 0:21:56 | |
Let's skip forward to my mid 20s. | 0:21:56 | 0:21:58 | |
So, what you are saying, if someone is watching this | 0:22:01 | 0:22:04 | |
and they haven't been cheated on, they are going to be? | 0:22:04 | 0:22:06 | |
Well, I am not saying that cheaters are like our cheater in this movie. | 0:22:06 | 0:22:11 | |
It's like a pathological situation. | 0:22:11 | 0:22:13 | |
I'm just saying there is a moment in everybody's time where | 0:22:13 | 0:22:16 | |
they find that somebody has betrayed them at some level. | 0:22:16 | 0:22:20 | |
Betrayal - is that more comfortable for people?! | 0:22:20 | 0:22:24 | |
Is betrayal more comfortable? I see people when they say that, | 0:22:24 | 0:22:27 | |
all of a sudden they get really nervous. They go through all of their | 0:22:27 | 0:22:31 | |
boyfriends and girlfriends and they're like, "Did I?! | 0:22:31 | 0:22:34 | |
"Oh, my God!" All of a sudden they start questioning - | 0:22:34 | 0:22:37 | |
it becomes like an existential conundrum, and they're like, | 0:22:37 | 0:22:41 | |
"Did I?" Did I?" | 0:22:41 | 0:22:42 | |
I am like, "Just relax, it's OK if you did. | 0:22:42 | 0:22:46 | |
"Everybody gets cheated on." | 0:22:46 | 0:22:49 | |
-Wow. -I know. | 0:22:49 | 0:22:51 | |
It's OK. | 0:22:51 | 0:22:53 | |
That's cheered the nation up on a Friday(!) | 0:22:53 | 0:22:55 | |
It really has(?) I am so happy. | 0:22:56 | 0:22:58 | |
There, from me to you guys. You're welcome. | 0:22:58 | 0:23:00 | |
Here's a thing... Cameron, you're single at the moment. I am. | 0:23:00 | 0:23:03 | |
-Kylie, you're single? -Mm-hm. -Meeting people and dating is hard enough | 0:23:03 | 0:23:06 | |
but Cameron Diaz and Kylie Minogue... | 0:23:06 | 0:23:08 | |
I am single at the moment. | 0:23:08 | 0:23:11 | |
Well, hello! | 0:23:11 | 0:23:13 | |
CHEERING AND APPLAUSE | 0:23:13 | 0:23:16 | |
I wasn't sure! | 0:23:16 | 0:23:17 | |
I was going to include you, and then I wasn't sure. | 0:23:17 | 0:23:20 | |
Oh, lucky for you, Russell(!) I'm married. | 0:23:20 | 0:23:22 | |
OK? | 0:23:24 | 0:23:25 | |
So you may be able to step it up another gear. | 0:23:26 | 0:23:29 | |
But, Cameron Diaz and Kylie Minogue, how do... | 0:23:31 | 0:23:35 | |
Can guys ask you out? | 0:23:35 | 0:23:36 | |
-Yeah! -But how? -Of course! | 0:23:36 | 0:23:39 | |
-How is it possible?! -You just ask! | 0:23:39 | 0:23:41 | |
But, no, don't encourage people, I would say. | 0:23:41 | 0:23:44 | |
-But... -But, yeah. -Yeah. No, it happens. | 0:23:44 | 0:23:47 | |
I know. It's so weird cos we're almost like a disease or something. | 0:23:47 | 0:23:51 | |
We've got fame! | 0:23:51 | 0:23:53 | |
-But you know what I mean? -We've got fame. Watch out, girl! -Yeah. | 0:23:53 | 0:23:57 | |
What is the ratio of people asking you out to you saying yes? | 0:23:57 | 0:24:00 | |
Good question! | 0:24:03 | 0:24:05 | |
APPLAUSE | 0:24:05 | 0:24:08 | |
-But I don't know how it is for you. Not that many people ask. -No. | 0:24:09 | 0:24:13 | |
Don't they have to send a letter to an equerry for you? | 0:24:13 | 0:24:17 | |
-A calling card. -And it gets brought round to the palace by hand, | 0:24:17 | 0:24:21 | |
and one of your ladies-in-waiting checks it? | 0:24:21 | 0:24:23 | |
Maybe that's what should happen. | 0:24:23 | 0:24:24 | |
At least there's a process - they'd know what to do. | 0:24:24 | 0:24:26 | |
-Mm. It's called vetting. Vetting. -So, do they go through people? | 0:24:26 | 0:24:32 | |
No. | 0:24:32 | 0:24:33 | |
-So... -Well, I say that, but if you work a lot - I work a lot - | 0:24:33 | 0:24:38 | |
you have your team, you have your people who can give you whispers | 0:24:38 | 0:24:41 | |
down the corridor and stuff like that. | 0:24:41 | 0:24:44 | |
So not vetting so much, but you have to have your eyes open. | 0:24:44 | 0:24:49 | |
Does it come back? Does a message come, | 0:24:49 | 0:24:50 | |
-"If you were to ask Ms Minogue out..." -No! | 0:24:50 | 0:24:52 | |
"..she might consider your proposal"? | 0:24:52 | 0:24:56 | |
No! I am SO not posh like that. | 0:24:56 | 0:24:59 | |
-No? -No, it would be like, "Hey!" | 0:24:59 | 0:25:01 | |
No, it's as awkward as it is for everyone. | 0:25:01 | 0:25:05 | |
Everyone would be like, "Hey, you want to go for a...?" | 0:25:05 | 0:25:08 | |
Or "We're going out after, do you want to go for a drink?" | 0:25:08 | 0:25:10 | |
It happens like that. | 0:25:10 | 0:25:11 | |
Let's throw this out to the group. | 0:25:11 | 0:25:13 | |
Cameron has also been in the papers recently, | 0:25:13 | 0:25:15 | |
feeling very, very strongly | 0:25:15 | 0:25:17 | |
that ALL women should maintain some pubic hair. | 0:25:17 | 0:25:20 | |
-Cameron feels... Cameron feels very strongly about this! -No, no, no, | 0:25:22 | 0:25:27 | |
no, no. It's not exactly that. | 0:25:27 | 0:25:29 | |
I don't care... Are you saying "maintain"? | 0:25:29 | 0:25:31 | |
-No, no. Well, maintain... -In a jar, or...? | 0:25:31 | 0:25:34 | |
-Thank you! -That would be retain. | 0:25:36 | 0:25:39 | |
To the allotment. | 0:25:39 | 0:25:41 | |
If you have an aspect of husbandry about it, Richard, | 0:25:41 | 0:25:44 | |
-it would be... -To maintain. -Take it out every now and again, comb it. | 0:25:44 | 0:25:48 | |
-Yeah. -Get stuck in. | 0:25:48 | 0:25:50 | |
In terms of my comfort zone, I am far away from it. | 0:25:50 | 0:25:53 | |
I have left the zone of safety. | 0:25:55 | 0:25:56 | |
I'm in the wilderness. I don't know what's happening. | 0:25:56 | 0:25:59 | |
"See the forest through the trees" is... | 0:25:59 | 0:26:02 | |
That is an inappropriate metaphor given... | 0:26:02 | 0:26:05 | |
-..given what we are talking about. -Clearly. | 0:26:08 | 0:26:11 | |
-Can I just clear something up really quick? -Yes, please, do. -If you would. | 0:26:11 | 0:26:14 | |
-OK. -Yeah. -Did you ever hear a question like, why are you there? | 0:26:14 | 0:26:18 | |
Why are you there? Why are you there? | 0:26:18 | 0:26:21 | |
It's... There is a purpose for IT! | 0:26:21 | 0:26:25 | |
APPLAUSE | 0:26:29 | 0:26:32 | |
-I want to have a direct communication... -Why are you there? | 0:26:32 | 0:26:36 | |
SHOUTS: Why are you there? | 0:26:36 | 0:26:37 | |
Sorry! I just thought a slightly louder voice might get an answer. | 0:26:39 | 0:26:42 | |
Does yours talk? | 0:26:42 | 0:26:44 | |
Are you expecting a reply? | 0:26:46 | 0:26:47 | |
HE MOUTHS | 0:26:47 | 0:26:49 | |
-I don't know. -I went to a blue movie once, | 0:26:49 | 0:26:52 | |
when I was 16 or 17, | 0:26:52 | 0:26:54 | |
at some dodgy theatre in Auckland, New Zealand. | 0:26:54 | 0:26:57 | |
I am only bringing this up because the title of the film was | 0:26:57 | 0:27:00 | |
-Virginia The Talking Vagina. -Ah! | 0:27:00 | 0:27:03 | |
-That is all I have to contribute. Meanwhile... -OK. | 0:27:03 | 0:27:06 | |
-..back to your loins. -So | 0:27:06 | 0:27:08 | |
the situation is that I believe that we should be informed as to | 0:27:08 | 0:27:12 | |
how our body works, we should have the information. | 0:27:12 | 0:27:15 | |
And I brought up the conversation about how women are sort of... | 0:27:15 | 0:27:19 | |
Young women, as a trend, | 0:27:19 | 0:27:21 | |
-are lasering it off all of it at once. -For evermore. | 0:27:21 | 0:27:25 | |
Thank you very much. For evermore. | 0:27:25 | 0:27:27 | |
And I just want to say to the women who think, at this moment, | 0:27:27 | 0:27:31 | |
for whatever reason, whether because they've seen it and think it's sexy, | 0:27:31 | 0:27:35 | |
or that their man thinks that it is sexy, or whatever, | 0:27:35 | 0:27:40 | |
they're tired of dealing with IT... | 0:27:40 | 0:27:43 | |
that, um... | 0:27:43 | 0:27:46 | |
Sorry, may I interrupt? | 0:27:46 | 0:27:47 | |
-Hold on, let me finish this! -OK. | 0:27:47 | 0:27:49 | |
-Shut the fuck up. -Shut the fuck up! | 0:27:49 | 0:27:52 | |
LAUGHTER AND APPLAUSE | 0:27:52 | 0:27:55 | |
Virginia is talking! | 0:27:57 | 0:27:59 | |
Cameron is talking about her bush. | 0:27:59 | 0:28:02 | |
Whoa! This is what everybody has been talking about. | 0:28:02 | 0:28:06 | |
So I believe that if you are doing something for ever, ever, | 0:28:06 | 0:28:12 | |
it don't come back, and you might change your mind. | 0:28:12 | 0:28:15 | |
And the man who thinks it's sexy, you might change your mind about him. | 0:28:15 | 0:28:19 | |
He might turn out to be a total... | 0:28:19 | 0:28:21 | |
-Yeah. -And... | 0:28:23 | 0:28:24 | |
-Virginia! -..I just feel like... Yeah, a Virginia. | 0:28:24 | 0:28:27 | |
I feel like you should consider what "forever" means | 0:28:27 | 0:28:30 | |
because once it has gone, you can't get it back, | 0:28:30 | 0:28:33 | |
that's what forever means. | 0:28:33 | 0:28:35 | |
-Yeah. -That's from my heart to yours, OK? | 0:28:35 | 0:28:37 | |
Wow! | 0:28:37 | 0:28:38 | |
So I just want women to know that | 0:28:38 | 0:28:41 | |
so that... I don't care. Take it all off for years, I don't care. | 0:28:41 | 0:28:46 | |
But when you want to make that choice to bring it back... | 0:28:46 | 0:28:48 | |
Thank you. | 0:28:48 | 0:28:50 | |
..it is there. | 0:28:51 | 0:28:53 | |
-Men don't choose. -This isn't a vagina, by the way. -If you think about hair... | 0:28:54 | 0:28:57 | |
What about you, Graham? Do you do the back, crack and sac? | 0:28:59 | 0:29:02 | |
No, I don't! I do... | 0:29:02 | 0:29:05 | |
-Not for special occasions, Graham? -No, I do a little man-scaping. | 0:29:05 | 0:29:09 | |
-What? Arrows, or...? -I believe in grooming. Grooming is my preference. | 0:29:09 | 0:29:13 | |
-Any messages for friends? -Yeah. | 0:29:13 | 0:29:15 | |
I mark it out with one of those lawn things... | 0:29:15 | 0:29:17 | |
in lines. | 0:29:17 | 0:29:19 | |
You don't want to get down there and think, | 0:29:19 | 0:29:22 | |
-"Well, if they haven't bothered going here, why would I?" -Exactly. | 0:29:22 | 0:29:25 | |
It's so ugly. | 0:29:25 | 0:29:27 | |
Yeah. | 0:29:27 | 0:29:28 | |
Oh, poor Kylie, she just... | 0:29:28 | 0:29:30 | |
-Are you all right, Charlene? -I'm all right. | 0:29:30 | 0:29:32 | |
Now I have visions of pegs and ribbons going across | 0:29:34 | 0:29:37 | |
and like a garden. | 0:29:37 | 0:29:39 | |
Not much ribbon! Hey! | 0:29:39 | 0:29:42 | |
-We must go on to Richard Ayoade because we know... -Quickly. -Quickly. | 0:29:42 | 0:29:46 | |
-Quickly. -You can say everything you need to say about this | 0:29:48 | 0:29:51 | |
-in ten seconds. -We know you as a comedy actor. Everyone loves The IT Crowd. | 0:29:51 | 0:29:54 | |
Now, it's not just that you're a director, you're a proper, | 0:29:54 | 0:29:57 | |
proper movie director! | 0:29:57 | 0:30:00 | |
You have made not one, but now TWO movies. | 0:30:00 | 0:30:03 | |
-I mean, they're classed as films. -Yes. -Yeah. | 0:30:03 | 0:30:05 | |
OK, your new movie... Your new movie The Double... | 0:30:05 | 0:30:08 | |
-Yes. -..Michael Caine - is it THE Michael Caine? - | 0:30:08 | 0:30:10 | |
is listed as one of the executive producers? | 0:30:10 | 0:30:13 | |
-Yes, he is one of the executive producers. -How did that happen? | 0:30:13 | 0:30:16 | |
He was in a cerebral accident... | 0:30:16 | 0:30:20 | |
..and he essentially signed the wrong form. | 0:30:21 | 0:30:23 | |
So it's a codified clerical error. | 0:30:23 | 0:30:27 | |
-Well, listen, the movie The Double, which opens tonight... -Yes. | 0:30:27 | 0:30:30 | |
Noah? The Double? ..I'm glad I'm at work, I couldn't decide. | 0:30:30 | 0:30:35 | |
It is... Honestly, it's terrific. | 0:30:35 | 0:30:37 | |
It's a proper, you know... You don't think about you directing it, | 0:30:37 | 0:30:40 | |
but it's clear that it is a real vision. | 0:30:40 | 0:30:42 | |
Tell us about the story. It's based on the Dostoevsky novella. | 0:30:42 | 0:30:46 | |
Yeah, it's based on that and it's about a very lowly, um, | 0:30:46 | 0:30:49 | |
kind of put-upon, unconfident man. | 0:30:49 | 0:30:54 | |
I have no idea why I related to it. | 0:30:54 | 0:30:56 | |
And he's so unremarkable | 0:30:56 | 0:30:59 | |
that his exact double appears and no-one notices. | 0:30:59 | 0:31:03 | |
And, also, when he points it out to everyone else no-one even cares. | 0:31:03 | 0:31:07 | |
I thought that was a funny idea and kind of sad as well. | 0:31:07 | 0:31:11 | |
The main story is this kind of love story | 0:31:11 | 0:31:13 | |
between Jesse's character and Mia's character | 0:31:13 | 0:31:16 | |
that becomes this strange love triangle between | 0:31:16 | 0:31:18 | |
these doppelgangers and her. | 0:31:18 | 0:31:20 | |
The clip we have is Jesse Eisenberg playing both characters, | 0:31:20 | 0:31:25 | |
Simon and the double - James. | 0:31:25 | 0:31:27 | |
Yeah. We could have got Jedward, but... | 0:31:27 | 0:31:29 | |
..we realised that too late. | 0:31:31 | 0:31:34 | |
That would have been a VERY different film. | 0:31:34 | 0:31:37 | |
-Jesse's great in this. -Yeah, he's great. | 0:31:37 | 0:31:39 | |
And this demonstrates the difference between the two characters. | 0:31:39 | 0:31:42 | |
I'll just... I'll have the Coke then, I guess. | 0:31:44 | 0:31:46 | |
A Coke. And you? | 0:31:46 | 0:31:47 | |
-Coffee. -A coffee. | 0:31:47 | 0:31:49 | |
-And scrambled eggs. -We don't serve breakfast in the evening. | 0:31:49 | 0:31:52 | |
-Why not? -Cos it says so in the menu. | 0:31:52 | 0:31:54 | |
-Do you have eggs here? -Yeah. -And do you have a frying pan? -Yeah. | 0:31:54 | 0:31:57 | |
-Then do me a favour and make me some scrambled eggs. -Fine. | 0:31:57 | 0:31:59 | |
-Anything else? -Bacon. | 0:31:59 | 0:32:01 | |
-Bacon. -And toast. -And toast. -And a beer. | 0:32:01 | 0:32:04 | |
-And a beer. Anything else? -No, that's it. | 0:32:04 | 0:32:07 | |
-Are you sure? -Just give me the damn food. | 0:32:07 | 0:32:09 | |
What? I'm hungry. | 0:32:10 | 0:32:12 | |
It's good. Congratulations. | 0:32:14 | 0:32:17 | |
-SHE GASPS -Go on. -What? | 0:32:19 | 0:32:21 | |
The red chair? | 0:32:21 | 0:32:23 | |
-In a minute. -Oh, OK. | 0:32:23 | 0:32:24 | |
-It looks good though. I want to see that. -Oh, I see. | 0:32:28 | 0:32:31 | |
It's like ADD. Oh, red chair! | 0:32:31 | 0:32:33 | |
More wine! | 0:32:34 | 0:32:35 | |
-It has been sitting there the whole time we've been talking. -Yeah. | 0:32:35 | 0:32:39 | |
-It didn't just arrive. -See how perceptive I am? -I know, really! | 0:32:39 | 0:32:43 | |
-How much I'm focused on you. -It is music time. Kylie, what are you singing for us? | 0:32:43 | 0:32:47 | |
Into The Blue. | 0:32:47 | 0:32:49 | |
-Oh, lovely! -Yeah. | 0:32:49 | 0:32:51 | |
Which is the first single off Kiss Me Once - the new album. | 0:32:51 | 0:32:55 | |
-Kiss Me Once... It's KM for Kylie Minogue. -Yeah. | 0:32:55 | 0:32:58 | |
Oh, what's the "O" for? | 0:32:58 | 0:33:01 | |
Well, OK, Kylie Minogue. What are we going to...? | 0:33:01 | 0:33:05 | |
Go on. It'll get all the kids talking. | 0:33:05 | 0:33:09 | |
-What? -Say "orgasm"? Yeah. -OK. | 0:33:09 | 0:33:12 | |
Russ and I have had a little head-to-head about this. | 0:33:12 | 0:33:15 | |
-Yeah? -And, by committee, it's... | 0:33:15 | 0:33:19 | |
..orgasm. | 0:33:20 | 0:33:22 | |
-Kylie Minogue's Orgasm? -I'd never thought of that before. | 0:33:22 | 0:33:24 | |
We've just heard Kylie Minogue say the word | 0:33:24 | 0:33:28 | |
"orgasm". | 0:33:28 | 0:33:29 | |
-We were all here together for that. -We were all here together. | 0:33:30 | 0:33:34 | |
And very quickly, the other big thing happening this weekend is | 0:33:34 | 0:33:38 | |
The Voice: Final. | 0:33:38 | 0:33:41 | |
Yes, with Miss Kylie Minogue. | 0:33:41 | 0:33:43 | |
Now, here's the story, are you doing it again? | 0:33:43 | 0:33:45 | |
Because we're being told you're not. | 0:33:45 | 0:33:47 | |
I don't know as of yet because I'm going on tour later in the year | 0:33:47 | 0:33:52 | |
and then following on next year as well. | 0:33:52 | 0:33:55 | |
All I can say is I enjoyed the experience. | 0:33:55 | 0:33:57 | |
It's not over yet. We have a weekend to go. | 0:33:57 | 0:34:00 | |
We have loved you on The Voice. You're great on it. | 0:34:00 | 0:34:03 | |
Thank you. As a life experience, it's really been something. | 0:34:03 | 0:34:06 | |
It challenged me and, you know, I know a lot more | 0:34:06 | 0:34:09 | |
than I did six months ago about that type of thing. | 0:34:09 | 0:34:12 | |
I won't even ask you who you want to win, obviously it's Jamie Johnson. | 0:34:12 | 0:34:15 | |
Obviously, but at this stage, | 0:34:15 | 0:34:18 | |
the fact that the nation knows the contestants' names, | 0:34:18 | 0:34:21 | |
you know, they have to go forth | 0:34:21 | 0:34:25 | |
and I think they're all winners at this stage. | 0:34:25 | 0:34:28 | |
They're not really, are they? | 0:34:28 | 0:34:30 | |
Well, OK! There's only one gold, but... | 0:34:30 | 0:34:33 | |
Them nice words, Kylie, but they're not true. | 0:34:35 | 0:34:38 | |
-There's three losers sitting there. -OK. | 0:34:38 | 0:34:42 | |
Let's see how it's done. | 0:34:42 | 0:34:44 | |
-Kylie, would you like to go and get ready... -Sure. -..over there? | 0:34:44 | 0:34:47 | |
There she goes, wafting to the stage. | 0:34:47 | 0:34:50 | |
Shortly, we'll have our first stories | 0:34:53 | 0:34:55 | |
of the series in the big red chair. | 0:34:55 | 0:34:57 | |
But first, singing her hit single Into The Blue, | 0:34:57 | 0:34:59 | |
it is Kylie Minogue! | 0:34:59 | 0:35:01 | |
CHEERING AND APPLAUSE | 0:35:01 | 0:35:04 | |
-KYLIE AND BACKING SINGERS: -# Yo-oh-oh-oh | 0:35:09 | 0:35:11 | |
# Yo-oh-oh-oh... # | 0:35:11 | 0:35:13 | |
Are you going to do this one? | 0:35:13 | 0:35:14 | |
CHEERING Let me hear you. | 0:35:14 | 0:35:17 | |
# Yo-oh-oh-oh | 0:35:17 | 0:35:19 | |
# Yo-oh-oh-oh | 0:35:19 | 0:35:22 | |
# I drew the smile upon my face | 0:35:22 | 0:35:24 | |
# I paved the road that would one day leave me lonely | 0:35:25 | 0:35:30 | |
# No angel's too good to fall from grace | 0:35:30 | 0:35:32 | |
# If she lets go of whatever keeps her holy | 0:35:34 | 0:35:38 | |
# I'm still here holding on so tight | 0:35:38 | 0:35:42 | |
# To everything that I left behind | 0:35:42 | 0:35:46 | |
# I don't care if the world is mine | 0:35:46 | 0:35:50 | |
# Cos this is all I know | 0:35:50 | 0:35:54 | |
# When I got my back up against the wall | 0:35:54 | 0:35:58 | |
# Don't need no-one to rescue me | 0:35:58 | 0:36:02 | |
# Cos I ain't waiting up for no miracle | 0:36:02 | 0:36:06 | |
# Yeah, tonight I'm running free | 0:36:06 | 0:36:10 | |
# Into the blue | 0:36:10 | 0:36:14 | |
# Into the blue | 0:36:14 | 0:36:18 | |
# With nothing to lose | 0:36:18 | 0:36:23 | |
# Into the blue | 0:36:23 | 0:36:27 | |
# I'm not ashamed of all my mistakes | 0:36:28 | 0:36:31 | |
# Cos through the cold I still kept the fire burning | 0:36:32 | 0:36:36 | |
# These memories that I can't erase | 0:36:36 | 0:36:39 | |
# Always remind me I'm on an endless journey | 0:36:41 | 0:36:45 | |
# But I'm still here holding on so tight | 0:36:45 | 0:36:49 | |
# To everything that I left behind | 0:36:49 | 0:36:53 | |
# I don't care if the world is mine. | 0:36:53 | 0:36:57 | |
# Cos this is all I know | 0:36:57 | 0:37:01 | |
# When I got my back up against the wall | 0:37:01 | 0:37:05 | |
# Don't need no-one to rescue me | 0:37:05 | 0:37:08 | |
# Cos I ain't waiting up for no miracle | 0:37:09 | 0:37:13 | |
# Yeah, tonight I'm running free | 0:37:13 | 0:37:17 | |
# Into the blue | 0:37:17 | 0:37:21 | |
# Into the blue | 0:37:21 | 0:37:25 | |
# With nothing to lose | 0:37:25 | 0:37:29 | |
# Into the blue | 0:37:29 | 0:37:34 | |
# I'll go where nobody knows | 0:37:37 | 0:37:41 | |
# Wherever the wind is blowing | 0:37:41 | 0:37:45 | |
# Even if I'm alone | 0:37:45 | 0:37:52 | |
-# Yo-oh -Yo-oh-oh-oh | 0:37:55 | 0:37:58 | |
-# Oh -Yo-oh-oh-oh | 0:37:58 | 0:38:00 | |
# Yo-oh-oh | 0:38:00 | 0:38:04 | |
-# Yo -Yo-oh-oh-oh | 0:38:04 | 0:38:06 | |
-# Oh-oh -Yo-oh-oh-oh | 0:38:06 | 0:38:08 | |
# When I got my back up against the wall | 0:38:08 | 0:38:11 | |
# Don't need no-one to rescue me | 0:38:11 | 0:38:15 | |
# Cos I ain't waiting up for no miracle | 0:38:15 | 0:38:20 | |
# Yeah, tonight I'm running free | 0:38:20 | 0:38:23 | |
# Into the blue | 0:38:23 | 0:38:27 | |
-# Into the blue -Into the blue | 0:38:27 | 0:38:32 | |
# With nothing to lose. | 0:38:32 | 0:38:36 | |
# Into blue. # | 0:38:36 | 0:38:40 | |
Whoo! | 0:38:49 | 0:38:50 | |
CHEERING AND APPLAUSE | 0:38:50 | 0:38:52 | |
Thank you. | 0:38:52 | 0:38:53 | |
Kylie Minogue! Oh! | 0:38:55 | 0:38:59 | |
Fantastic job. Mwah! Come and sit down. | 0:38:59 | 0:39:02 | |
Now... Beautiful. | 0:39:02 | 0:39:05 | |
Where shall I sit? | 0:39:05 | 0:39:07 | |
-Over here. Now then, some... -I have to talk to you about something. | 0:39:07 | 0:39:12 | |
-What? -We need to swap seats. | 0:39:12 | 0:39:14 | |
This is the only reason I do this show. | 0:39:14 | 0:39:17 | |
-All right. -Thank you, sweetheart. | 0:39:17 | 0:39:20 | |
-See. -OK. -You can keep your lever. | 0:39:20 | 0:39:24 | |
Yeah, go do it. | 0:39:24 | 0:39:26 | |
Scooch up, cos I know you love this part as well. | 0:39:26 | 0:39:29 | |
Yeah, Cameron, come down. | 0:39:29 | 0:39:31 | |
It's time for the red chair. Let's see who's there. | 0:39:31 | 0:39:34 | |
-Hello, nice lady. -Hello! -Hi! | 0:39:34 | 0:39:37 | |
-OK, good luck. Er, what's your name? -My name's Emma. | 0:39:37 | 0:39:40 | |
-Emma, where are you from? -Epsom in Surrey. -Epsom in Surrey! | 0:39:40 | 0:39:45 | |
WHOOPING | 0:39:45 | 0:39:46 | |
-Home of the bath salts. -Yeah. -What do you do in Epsom? | 0:39:46 | 0:39:52 | |
-I run a corporate entertainment company. -Really? | 0:39:52 | 0:39:55 | |
Whatever. OK. | 0:39:55 | 0:39:57 | |
Off you go with your story. | 0:39:57 | 0:39:59 | |
About 10 or 11 years ago, my then boyfriend | 0:39:59 | 0:40:02 | |
and I were having a chat about our freebie list, | 0:40:02 | 0:40:05 | |
which is the list of five celebrities that you can shag | 0:40:05 | 0:40:09 | |
with the partner not minding at all. | 0:40:09 | 0:40:12 | |
We had a big debate about it. | 0:40:12 | 0:40:15 | |
My boyfriend took about a month to come up with his, | 0:40:15 | 0:40:17 | |
lots of different drafts. | 0:40:17 | 0:40:18 | |
That's weird when people take it THAT seriously, | 0:40:18 | 0:40:21 | |
like it's going to happen(!) | 0:40:21 | 0:40:22 | |
Five months, I really mustn't waste these chances. | 0:40:22 | 0:40:26 | |
It just so happens, I actually have it. | 0:40:26 | 0:40:28 | |
I typed it up and laminated it for him, of course. | 0:40:28 | 0:40:31 | |
-OK. -And he's now he's my husband and he's in the audience. | 0:40:31 | 0:40:34 | |
And number one | 0:40:34 | 0:40:36 | |
is Kylie Minogue. | 0:40:36 | 0:40:38 | |
So, what do you think, Kylie? | 0:40:38 | 0:40:39 | |
You have my blessing. | 0:40:39 | 0:40:41 | |
A laminated one! Wow! | 0:40:41 | 0:40:44 | |
We need to see this man. | 0:40:44 | 0:40:45 | |
Let's see him. Where is he? Where is he? | 0:40:45 | 0:40:47 | |
-LAUGHTER -Oh, there he is! | 0:40:47 | 0:40:51 | |
-Oh, he's up there. -Oh. | 0:40:51 | 0:40:53 | |
Oh, what? | 0:40:53 | 0:40:55 | |
Say goodbye to your wife. | 0:40:55 | 0:40:58 | |
Does everybody get the lever? | 0:41:05 | 0:41:07 | |
-Everyone? -No, some people... | 0:41:07 | 0:41:08 | |
Well, tonight, everyone will get the lever. | 0:41:08 | 0:41:11 | |
In fact, I'm surprised she lasted as long as she did. | 0:41:11 | 0:41:13 | |
Well, last time I didn't let anybody get to the second sentence. | 0:41:13 | 0:41:18 | |
Didn't you flip someone, like a nurse or something last time, | 0:41:18 | 0:41:22 | |
I seem to remember? | 0:41:22 | 0:41:23 | |
I flip them all, Graham. | 0:41:23 | 0:41:25 | |
-I take no prisoners. -I know. I can see. I see it. | 0:41:27 | 0:41:31 | |
Let's see who's next. Who's next? | 0:41:31 | 0:41:33 | |
Hi, I'm Daniela from Essex. | 0:41:33 | 0:41:35 | |
-Oh, my God! -What? -We may not have enough people for this. | 0:41:38 | 0:41:43 | |
I feel the rest of the show will go quite quickly now. | 0:41:45 | 0:41:48 | |
OK, one final one. One final one. | 0:41:50 | 0:41:51 | |
Here we go. Hello. Now... | 0:41:51 | 0:41:53 | |
Now... | 0:41:53 | 0:41:55 | |
You can't. | 0:41:55 | 0:41:56 | |
Now. Hello, madam. What's your name? | 0:41:58 | 0:42:03 | |
-My name's Pam. I'm from Hull - City of Culture 2017. -City of Culture. Well done, | 0:42:03 | 0:42:08 | |
-you're on message. Do you live in Hull? -Yes. | 0:42:08 | 0:42:12 | |
Are you just down for this or do you come down to London often? | 0:42:12 | 0:42:15 | |
-No, I'm here with my sister for three days. -Three days. | 0:42:15 | 0:42:17 | |
What else are you doing? | 0:42:17 | 0:42:18 | |
-We've been to see Phantom. -Lovely. | 0:42:18 | 0:42:21 | |
Can I just say, it was more opera-y than I was expecting. | 0:42:21 | 0:42:25 | |
Was there more opera in it than you thought there'd be? | 0:42:26 | 0:42:29 | |
-No, we've seen it before. -Oh, I see. | 0:42:29 | 0:42:31 | |
No surprises for Pam. | 0:42:33 | 0:42:35 | |
OK, Pam, start your story, but I would brace yourself. | 0:42:36 | 0:42:40 | |
My husband had to have an angiogram, | 0:42:42 | 0:42:45 | |
-and the letter from the hospital said... -Incoming. Incoming! | 0:42:45 | 0:42:50 | |
-..he had to have his pubic hair shaved. -Ooh! | 0:42:50 | 0:42:54 | |
I offered to do it with my lady shaver, | 0:42:54 | 0:42:56 | |
which he enjoyed more than I did. | 0:42:56 | 0:42:59 | |
Next day, when I picked him up from the hospital, | 0:43:02 | 0:43:05 | |
the procedure had been changed | 0:43:05 | 0:43:09 | |
and you no longer put the wire in the groin, | 0:43:09 | 0:43:13 | |
it just went in your hand. | 0:43:13 | 0:43:15 | |
So he didn't need to be shaved at all. | 0:43:15 | 0:43:18 | |
-Shall we let her walk? -You can walk. | 0:43:21 | 0:43:23 | |
You can walk! You can walk! You can walk! | 0:43:23 | 0:43:25 | |
-APPLAUSE -Have a nice time in London, Pam. | 0:43:25 | 0:43:28 | |
Well done, everyone. | 0:43:28 | 0:43:30 | |
If you'd like to join us on the show and have a go at the red chair, | 0:43:30 | 0:43:33 | |
contact us via our website at this very address: | 0:43:33 | 0:43:35 | |
Ladies and gentleman, please thank my guests. | 0:43:35 | 0:43:37 | |
-Richard Ayoade! -CHEERING AND APPLAUSE | 0:43:37 | 0:43:40 | |
Cameron Diaz! | 0:43:40 | 0:43:42 | |
Russell Crowe! | 0:43:42 | 0:43:44 | |
And Kylie Minogue! | 0:43:44 | 0:43:47 | |
CHEERING AND APPLAUSE CONTINUES | 0:43:47 | 0:43:49 | |
Join me next week with singer-songwriter Paolo Nutini, | 0:43:49 | 0:43:52 | |
The Amazing Spider-Man stars Andrew Garfield | 0:43:52 | 0:43:54 | |
and Emma Stone, and Oscar-winner Jamie Foxx. | 0:43:54 | 0:43:57 | |
I'll see you then. Good night! Bye-bye! | 0:43:57 | 0:43:59 | |
APPLAUSE AND WHISTLING | 0:43:59 | 0:44:03 |