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On the show tonight we've got the stars | 0:00:02 | 0:00:03 | |
of The Amazing Spider-Man 2. Can't stop! Ahh! | 0:00:03 | 0:00:06 | |
Ooh! | 0:00:08 | 0:00:10 | |
Ooh, ow! Here I come! | 0:00:10 | 0:00:15 | |
-CHEERING -Let's start the show! | 0:00:15 | 0:00:17 | |
APPLAUSE | 0:00:26 | 0:00:29 | |
-Oh, oh, oh! Oh, I can't... -APPLAUSE | 0:00:33 | 0:00:36 | |
Oh... | 0:00:36 | 0:00:39 | |
Oh, I'm sweating. | 0:00:39 | 0:00:42 | |
I'm sweating, ladies and gentlemen. | 0:00:42 | 0:00:44 | |
We've got a web-tastic show for you tonight. | 0:00:44 | 0:00:46 | |
Star of Never Let Me Go and The Social Network, | 0:00:46 | 0:00:48 | |
-Andrew Garfield is on the show! Yes! -CHEERING | 0:00:48 | 0:00:53 | |
From The Help and Crazy, Stupid, Love, | 0:00:53 | 0:00:55 | |
-Emma Stone is here! -CHEERING | 0:00:55 | 0:00:59 | |
Oscar-winning star of Ray, Jamie Foxx is here! | 0:01:00 | 0:01:04 | |
CHEERING | 0:01:04 | 0:01:07 | |
Plus we've got music from the brilliant Paolo Nutini! | 0:01:07 | 0:01:11 | |
CHEERING | 0:01:11 | 0:01:13 | |
Oh... I tell you, I'm jealous. | 0:01:13 | 0:01:17 | |
Dressing up as Spider-Man, that's quite good fun. | 0:01:17 | 0:01:19 | |
You get all the kit now, you can buy everything. Look at that. | 0:01:19 | 0:01:22 | |
Hang on, does it work? | 0:01:22 | 0:01:24 | |
Yay! It's good, right? | 0:01:24 | 0:01:25 | |
Looks a little dry, doesn't it? Like I'm running out. | 0:01:25 | 0:01:28 | |
Sorry. Sorry. I am 51. Now... | 0:01:28 | 0:01:32 | |
LAUGHTER | 0:01:32 | 0:01:34 | |
It's taken it out of me. | 0:01:34 | 0:01:36 | |
By the way, if you want to know | 0:01:36 | 0:01:38 | |
where I got this Spider-Man gadget from, it's available on the "web"! | 0:01:38 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:45 | |
APPLAUSE | 0:01:45 | 0:01:49 | |
I'll be talking to Jamie Foxx about all his different looks - | 0:01:49 | 0:01:52 | |
he's always so cool, though, isn't he? | 0:01:52 | 0:01:54 | |
Whether he's sporting an afro, | 0:01:54 | 0:01:56 | |
or corn rows, or even the comb-over. | 0:01:56 | 0:02:01 | |
That is Jamie in the new Spider-Man movie | 0:02:01 | 0:02:04 | |
before he becomes the supervillain Electro. | 0:02:04 | 0:02:07 | |
Yeah, Electro is a man | 0:02:07 | 0:02:08 | |
with electricity coursing through his whole body. | 0:02:08 | 0:02:11 | |
It's very cool, it's a very cool thing, | 0:02:11 | 0:02:13 | |
but it means you've got to be very careful posing for pictures. | 0:02:13 | 0:02:16 | |
Fine for Spider-Man, you know, lovely, lovely. | 0:02:16 | 0:02:20 | |
But if Electro picks up a baby... | 0:02:20 | 0:02:22 | |
Oooh! | 0:02:22 | 0:02:23 | |
Now, in the movie Emma Stone, of course, | 0:02:25 | 0:02:27 | |
falls in love with Spider-Man, she does. | 0:02:27 | 0:02:30 | |
And it can happen in real life, you know, that beautiful woman | 0:02:30 | 0:02:33 | |
married a daddy-longlegs, do you remember that? | 0:02:33 | 0:02:36 | |
Mm-hmm, yeah. | 0:02:36 | 0:02:38 | |
D'you know, in the wild, spiders are always having sex. | 0:02:40 | 0:02:44 | |
I suppose that's why they look so happy. | 0:02:44 | 0:02:46 | |
"Yay, sex!" | 0:02:48 | 0:02:50 | |
That's a real spider - well, I'm told, I don't know, | 0:02:50 | 0:02:52 | |
but they told me it was. | 0:02:52 | 0:02:53 | |
It could be, because in the animal kingdom, | 0:02:53 | 0:02:55 | |
it's full of happy creatures - | 0:02:55 | 0:02:57 | |
happy fish... | 0:02:57 | 0:02:59 | |
happy elephants... Aw! | 0:02:59 | 0:03:02 | |
Even happy frogs. | 0:03:02 | 0:03:04 | |
And, of course, some animals are less happy. | 0:03:06 | 0:03:08 | |
"Stupid animal pictures!" | 0:03:11 | 0:03:13 | |
Now, I'm going to be asking Emma if it's true | 0:03:13 | 0:03:16 | |
that the mere mention of the Spice Girls reduces her to tears. | 0:03:16 | 0:03:19 | |
That's her on a radio station | 0:03:19 | 0:03:20 | |
just before they played her a surprise message from a Spice Girl, | 0:03:20 | 0:03:24 | |
and then look what happened. | 0:03:24 | 0:03:26 | |
She actually burst into tears - she did! And, of course, | 0:03:26 | 0:03:29 | |
the Spice Girls can make some people very emotional. | 0:03:29 | 0:03:32 | |
I remember when Victoria announced she was going to leave the band | 0:03:32 | 0:03:35 | |
to set up her own recording studio at home. Yeah. | 0:03:35 | 0:03:37 | |
LAUGHTER | 0:03:37 | 0:03:40 | |
That was a blue Monday, wasn't it, yeah. That's all to come, | 0:03:42 | 0:03:46 | |
plus more of your stories from the big red chair. | 0:03:46 | 0:03:48 | |
So, let's get some guests on! | 0:03:48 | 0:03:50 | |
Later we'll be having music from Paolo Nutini! | 0:03:50 | 0:03:53 | |
CHEERING | 0:03:53 | 0:03:55 | |
But first, he's a real live wire, it's Jamie Foxx! | 0:03:55 | 0:03:58 | |
CHEERING | 0:03:58 | 0:04:00 | |
There he is. Hi, how are you? | 0:04:00 | 0:04:03 | |
Say hi, people. | 0:04:03 | 0:04:06 | |
Jamie Foxx is here! | 0:04:06 | 0:04:08 | |
She rocks, it's Emma Stone! | 0:04:08 | 0:04:11 | |
CHEERING | 0:04:11 | 0:04:13 | |
-Emma Stone! -Yay! -Emma Stone! -Yay! -Hello, darling, hello. | 0:04:13 | 0:04:16 | |
Mwah, mwah! | 0:04:16 | 0:04:18 | |
And there are no flies on him - it's Andrew Garfield! | 0:04:18 | 0:04:23 | |
-APPLAUSE AND CHEERING -Hello, sir, lovely to see you. | 0:04:23 | 0:04:27 | |
Sit yourself down. Oh! | 0:04:27 | 0:04:30 | |
All right. | 0:04:30 | 0:04:31 | |
Welcome, all. | 0:04:33 | 0:04:35 | |
Oh, did you miss the wine order? | 0:04:35 | 0:04:37 | |
I just ordered some water. | 0:04:37 | 0:04:39 | |
You're having red wine on a talk show?! | 0:04:39 | 0:04:41 | |
-It's cool, this is cool. -Cool. | 0:04:41 | 0:04:44 | |
Urban drink. | 0:04:44 | 0:04:46 | |
Now, Andrew, I'm slightly disappointed now | 0:04:46 | 0:04:48 | |
that you're not in the outfit, | 0:04:48 | 0:04:50 | |
because you do show up at things in the outfit. | 0:04:50 | 0:04:53 | |
Do I... Yes, I do sometimes. Yes. I'm very... | 0:04:53 | 0:04:56 | |
I'm a fan. I love being Spider-Man. | 0:04:56 | 0:04:58 | |
I'm 30, I'm embarrassed about it! | 0:04:58 | 0:05:01 | |
I adore it. My first-ever Halloween costume when I was three | 0:05:01 | 0:05:05 | |
was a mother-made Spider-Man costume, by my mother. | 0:05:05 | 0:05:08 | |
I think we've got a picture of that. | 0:05:08 | 0:05:10 | |
-There, look at him. -AUDIENCE: Aw. | 0:05:10 | 0:05:13 | |
How amazing is my costume? My mum is amazing. | 0:05:13 | 0:05:15 | |
She made both those costumes for me and my brother. | 0:05:15 | 0:05:17 | |
My brother's Superman and I'm Spider-Man. For my mother. | 0:05:17 | 0:05:20 | |
-APPLAUSE -How amazing. | 0:05:20 | 0:05:24 | |
It's kind of amazing she made the outfit, | 0:05:26 | 0:05:28 | |
it's more amazing that little boy is now actually Spider-Man. | 0:05:28 | 0:05:32 | |
That's nuts! I love it. | 0:05:32 | 0:05:33 | |
You must be exhausted, you've been everywhere. | 0:05:33 | 0:05:36 | |
-You've been to China? -Yes. | 0:05:36 | 0:05:38 | |
It's amazing what Spider-Man does. | 0:05:38 | 0:05:41 | |
It's your second time on the Spider-Man trip, | 0:05:41 | 0:05:45 | |
it was my first time, and I don't know if he saw this, | 0:05:45 | 0:05:48 | |
but people cried when they saw it. | 0:05:48 | 0:05:50 | |
Like, people... You know. And it was just amazing. | 0:05:50 | 0:05:54 | |
And then there was a girl crying next to me | 0:05:54 | 0:05:58 | |
and she said something in, like, Japanese... | 0:05:58 | 0:06:02 | |
-In Japan or China? -It was in China, I'm sorry. | 0:06:02 | 0:06:06 | |
-So she was speaking Japanese in China. Got it. -No, it was Chinese. | 0:06:06 | 0:06:11 | |
-It was a foreign lingo. -It was a foreign language. | 0:06:11 | 0:06:13 | |
She was sitting there crying | 0:06:13 | 0:06:14 | |
and I thought, you know, it was cos she'd seen my movies and stuff, | 0:06:14 | 0:06:17 | |
but the guy said she's saying, "You're standing on my foot." | 0:06:17 | 0:06:20 | |
LAUGHTER | 0:06:20 | 0:06:22 | |
And, Emma, didn't you have some cultural education in China? | 0:06:22 | 0:06:25 | |
Well, we went to a temple which was completely beautiful, | 0:06:25 | 0:06:29 | |
-we went to this... -In the Forbidden City. | 0:06:29 | 0:06:31 | |
In the Forbidden City there was a temple | 0:06:31 | 0:06:34 | |
that the king had used to worship all of his ancestors and... | 0:06:34 | 0:06:37 | |
That was beautiful, yeah. | 0:06:37 | 0:06:38 | |
And while we were at the temple we went to the bathroom | 0:06:38 | 0:06:42 | |
and there was a woman pooping in the ground. | 0:06:42 | 0:06:46 | |
-She was doing what? -She was pooping in the ground. | 0:06:46 | 0:06:50 | |
And this is apparently common | 0:06:50 | 0:06:53 | |
and they warn you about it in the guide books. | 0:06:53 | 0:06:55 | |
Was she pooping in a hole? | 0:06:55 | 0:06:57 | |
-She was pooping in a toilet on the ground in a bathroom. -Oh, I see. | 0:06:57 | 0:07:00 | |
I had a vision, she just said, "I need to go." | 0:07:00 | 0:07:02 | |
-It was a toilet, but it was just in the ground. -It went somewhere. | 0:07:02 | 0:07:06 | |
-It went somewhere, it went somewhere. -It was spiritual. | 0:07:06 | 0:07:09 | |
-It was a spiritual experience. -There was no flush. | 0:07:09 | 0:07:13 | |
-Getting the demons out. -No, it was a... | 0:07:13 | 0:07:15 | |
I feel like I made it sound like she was just pooping on the ground. | 0:07:19 | 0:07:22 | |
You did! That's what you said! | 0:07:22 | 0:07:23 | |
-You said she was just pooping on the ground! -Yeah, I was not clear. | 0:07:23 | 0:07:26 | |
-Sorry. There was a toilet in the ground. -OK. | 0:07:26 | 0:07:28 | |
There was a toilet in the ground. | 0:07:28 | 0:07:30 | |
So she wasn't in a little cubicle, that's kind of more shocking... | 0:07:30 | 0:07:33 | |
No, she was but the door was... She just had the door propped open... | 0:07:33 | 0:07:36 | |
What does she look... That's kind of... | 0:07:36 | 0:07:38 | |
-Yeah, like that. -I mean, what's her face look like? | 0:07:40 | 0:07:42 | |
I feel like this story sounds really impressive. | 0:07:45 | 0:07:48 | |
I don't really want to do the face. | 0:07:48 | 0:07:50 | |
I feel bad I even told the story, kind of, Beijing was beautiful. | 0:07:50 | 0:07:53 | |
She doesn't watch this show, she's not going to be bothered. | 0:07:53 | 0:07:56 | |
And as you go round, I heard you, Emma, on the radio saying | 0:07:56 | 0:07:59 | |
that you only saw the movie for the first time a couple of days ago. | 0:07:59 | 0:08:03 | |
Yeah. I'm in cold sweats about my story from before. | 0:08:03 | 0:08:09 | |
-Is that because you don't like seeing... -My Chinese story. | 0:08:09 | 0:08:12 | |
-Oh, God. -Let it go. Literally walk away. | 0:08:12 | 0:08:14 | |
I'm sorry we're returning to it, but I just regret telling it. | 0:08:14 | 0:08:17 | |
Who says that word on national TV multiple times? | 0:08:17 | 0:08:21 | |
-Poop, poop, poop, poop, it's fine. -All right. | 0:08:22 | 0:08:24 | |
-I want you to know that I love China. -It would have been better in conjunction with the word "toilet". | 0:08:24 | 0:08:29 | |
-I should have said "toilet"! -Yeah. -OK. | 0:08:29 | 0:08:33 | |
It was the woman on the ground that left us all a bit...oh. | 0:08:33 | 0:08:35 | |
I wish I could retell it to my parents so you'd all know how I'm feeling. | 0:08:35 | 0:08:40 | |
But is it true you...? | 0:08:40 | 0:08:42 | |
So you hate telling pooping-on-the-ground stories, | 0:08:42 | 0:08:45 | |
and you hate watching yourself in movies. | 0:08:45 | 0:08:48 | |
-Yeah. -She hates a lot of things! | 0:08:48 | 0:08:50 | |
Um, yeah, I don't... I don't...it's not... | 0:08:50 | 0:08:55 | |
I don't like thinking about my facial expressions, | 0:08:55 | 0:08:58 | |
it's nice if you can just enjoy making the movie. | 0:08:58 | 0:09:00 | |
But didn't Michelle Obama force you to watch...was it The Help? | 0:09:00 | 0:09:04 | |
She didn't FORCE us to watch it, but we were watching... | 0:09:04 | 0:09:08 | |
She was incredibly aggressive. | 0:09:08 | 0:09:11 | |
LAUGHTER | 0:09:11 | 0:09:13 | |
Get in there! | 0:09:13 | 0:09:15 | |
Get in there and watch your movie! You're at the White House. | 0:09:15 | 0:09:18 | |
But yes, she had a screening and it was Octavia, Spencer and I | 0:09:18 | 0:09:23 | |
-and it was pretty amazing. -I never got... | 0:09:23 | 0:09:25 | |
You didn't even get an invitation? | 0:09:25 | 0:09:27 | |
No, and I'm African-American. | 0:09:27 | 0:09:30 | |
LAUGHTER | 0:09:30 | 0:09:32 | |
-It hurt. -Wow! | 0:09:32 | 0:09:33 | |
You played Ray Charles. | 0:09:33 | 0:09:36 | |
-You would think... -You'd think, Oscar, Ray Charles, hello? | 0:09:36 | 0:09:40 | |
I want to play the first Black President, you know... | 0:09:40 | 0:09:44 | |
-It seems like a ticket to the White House right there. -Right there. | 0:09:44 | 0:09:48 | |
-AS OBAMA: -And if there's any indication... | 0:09:48 | 0:09:51 | |
-Very good! -That's my Obama. -Can you do more? | 0:09:51 | 0:09:53 | |
And if there's any indication that, er, America is not the most incredible country in the world. | 0:09:53 | 0:09:59 | |
And yes, we are. | 0:09:59 | 0:10:02 | |
CHEERING AND APPLAUSE | 0:10:02 | 0:10:05 | |
Actually, talking of voices, Jamie, your voice, as Electro... | 0:10:07 | 0:10:12 | |
-Yes. -Is that you? I mean... | 0:10:12 | 0:10:14 | |
It's me, but it's also dialled in | 0:10:14 | 0:10:18 | |
with some mechanical stuff. | 0:10:18 | 0:10:20 | |
But when I was working on the voice, | 0:10:20 | 0:10:22 | |
there was a lot of Clint Eastwood. | 0:10:22 | 0:10:25 | |
You know, cos Clint Eastwood's, "Go ahead, make my day." | 0:10:25 | 0:10:28 | |
So I wanted to be down, like the ending, | 0:10:28 | 0:10:31 | |
also, I don't know if they'll appreciate this, Alec Baldwin. | 0:10:31 | 0:10:35 | |
I know it sounds weird. | 0:10:35 | 0:10:38 | |
Alec Baldwin is the great whisperer | 0:10:38 | 0:10:40 | |
cos every time he does... | 0:10:40 | 0:10:42 | |
(WHISPERING) "You talk like this in the movies." | 0:10:42 | 0:10:44 | |
So I used a bit of that to sort of grab | 0:10:44 | 0:10:47 | |
what my character would sound like. | 0:10:47 | 0:10:50 | |
And then they do that brilliant thing with that of... | 0:10:50 | 0:10:53 | |
-What is that called? -It's sort of like, um... | 0:10:53 | 0:10:56 | |
It's an app that they have... | 0:10:56 | 0:10:59 | |
LAUGHTER | 0:10:59 | 0:11:00 | |
-It's an app that they have. -A supervillain app. | 0:11:00 | 0:11:03 | |
You know what? It's a supervillain app. | 0:11:03 | 0:11:05 | |
Actually it's an app on the computer that they use | 0:11:05 | 0:11:08 | |
to detune your voice and make it sort of menacing. | 0:11:08 | 0:11:12 | |
-We've got a thing on this microphone. -Yeah. -Is this...? | 0:11:12 | 0:11:15 | |
-So it's like... (DEEP VOICE) Is it on? -Yes! | 0:11:15 | 0:11:18 | |
Yes, yes! | 0:11:18 | 0:11:20 | |
-Yes! -She likes it. | 0:11:20 | 0:11:21 | |
(DEEP VOICE) I'm sorry for the poops. | 0:11:21 | 0:11:24 | |
LAUGHTER | 0:11:24 | 0:11:26 | |
Yes! Yes! | 0:11:29 | 0:11:31 | |
Yes! | 0:11:31 | 0:11:32 | |
If I could take it back... | 0:11:34 | 0:11:36 | |
I would. | 0:11:36 | 0:11:38 | |
LAUGHTER | 0:11:38 | 0:11:41 | |
Do a bit of Electro for us. | 0:11:41 | 0:11:43 | |
(DEEP VOICE) Itsy bitsy spider went up the water spout. | 0:11:43 | 0:11:47 | |
Down came Electro | 0:11:47 | 0:11:50 | |
and wiped the spider out. | 0:11:50 | 0:11:52 | |
How cool is that? | 0:11:55 | 0:11:57 | |
So listen, The Amazing Spider-Man 2, | 0:12:01 | 0:12:05 | |
it opens next Wednesday, the 16th. | 0:12:05 | 0:12:08 | |
I've seen it, it's great. | 0:12:08 | 0:12:09 | |
It's everything you want a Spider-Man movie to be. | 0:12:09 | 0:12:12 | |
-Whoo! -It is, it's a blast, it's a ride. | 0:12:12 | 0:12:14 | |
Emotional, it's everything. | 0:12:14 | 0:12:16 | |
Whoo! | 0:12:16 | 0:12:18 | |
Whoo! Spider-Man! | 0:12:18 | 0:12:21 | |
Spider-Man! | 0:12:21 | 0:12:23 | |
AUDIENCE: Spider-Man! Spider-man! | 0:12:23 | 0:12:26 | |
-Spider... -Spider-Man! | 0:12:26 | 0:12:29 | |
Let's just do that for 40 minutes and drink wine. | 0:12:29 | 0:12:33 | |
Cheers. | 0:12:33 | 0:12:35 | |
I don't know if I should encourage it. | 0:12:35 | 0:12:38 | |
So listen, we're going to watch a clip to get us in the mood. | 0:12:38 | 0:12:41 | |
This is Spider-Man and Electro facing off in Times Square. | 0:12:41 | 0:12:44 | |
This is the first time you meet, as Electro, in Times Square. | 0:12:44 | 0:12:47 | |
-You were there too? -Yes. | 0:12:47 | 0:12:49 | |
What's going on with me? | 0:12:49 | 0:12:51 | |
I can see that... I can believe you. | 0:12:51 | 0:12:53 | |
Strange. | 0:12:53 | 0:12:55 | |
I feel like I got so much of this. | 0:12:56 | 0:12:58 | |
I got so much anger. | 0:12:58 | 0:13:01 | |
I can see that, I can see you don't want to be here. | 0:13:01 | 0:13:03 | |
I can see you're scared, you don't know what's happening to you. | 0:13:03 | 0:13:06 | |
I can see you don't want to hurt anybody. | 0:13:06 | 0:13:08 | |
-It's going to be all right. -Got a clear shot, standing by. | 0:13:08 | 0:13:10 | |
-I don't want them shooting me any more. -I won't shoot you. | 0:13:10 | 0:13:12 | |
You guys, this is my buddy Matt. I told you about Matt. | 0:13:12 | 0:13:16 | |
No-one shoots at Matt. | 0:13:16 | 0:13:18 | |
You and me, it's just you and me talking. | 0:13:18 | 0:13:20 | |
Whoa! Stay there, just be careful. | 0:13:20 | 0:13:23 | |
The grate is the electricity. | 0:13:23 | 0:13:24 | |
I just... | 0:13:24 | 0:13:26 | |
I just wanted everyone to see me. | 0:13:27 | 0:13:29 | |
He makes a move, you take that shot. | 0:13:29 | 0:13:31 | |
How about you come with me, we'll go somewhere and talk, | 0:13:31 | 0:13:33 | |
away from all these people, OK? | 0:13:33 | 0:13:35 | |
Yeah. | 0:13:35 | 0:13:36 | |
No, don't! | 0:13:38 | 0:13:40 | |
Oh, sweet Jesus! | 0:13:41 | 0:13:43 | |
-APPLAUSE -Whoo! | 0:13:43 | 0:13:46 | |
-Wow! -That is some poopy stuff. | 0:13:48 | 0:13:50 | |
Listen, Spider-Man and his arch-enemies, they all start off | 0:13:50 | 0:13:54 | |
as ordinary people, then something happens to them | 0:13:54 | 0:13:56 | |
to give them special powers, so you get bitten by a genetic... | 0:13:56 | 0:14:00 | |
No, radioactive spider. | 0:14:00 | 0:14:01 | |
-A mutated spider. -Mutated spider, yeah. | 0:14:01 | 0:14:03 | |
Oh, yeah, all over it. | 0:14:03 | 0:14:05 | |
And I don't want to give too much away about Electro, | 0:14:05 | 0:14:08 | |
but, well, it's a knife and a toaster. | 0:14:08 | 0:14:10 | |
LAUGHTER | 0:14:10 | 0:14:13 | |
No, it's better than that, a lot better. | 0:14:13 | 0:14:15 | |
So, we asked our audience of ordinary people... | 0:14:15 | 0:14:19 | |
I'm not exaggerating - seriously, look at them. | 0:14:19 | 0:14:21 | |
If they had any special abilities that they could reveal to us. | 0:14:24 | 0:14:29 | |
-Ooh! -Oh! | 0:14:29 | 0:14:30 | |
And we do have... We have some now. | 0:14:30 | 0:14:32 | |
Hands up, the special abilities people. | 0:14:32 | 0:14:34 | |
Special abilities people? | 0:14:34 | 0:14:36 | |
Oh, yes. Some people are putting up two hands, they're really special. | 0:14:36 | 0:14:40 | |
Are you a special person? Are you? | 0:14:40 | 0:14:42 | |
Oh, stand up. What's your name? | 0:14:42 | 0:14:44 | |
-Sue. -Sue. It doesn't seem special, but let's find out. | 0:14:44 | 0:14:49 | |
Your special power, Sue? | 0:14:49 | 0:14:51 | |
(DONALD DUCK VOICE) Hello, Graham, you're my superhero. | 0:14:51 | 0:14:55 | |
CHEERING AND APPLAUSE | 0:14:55 | 0:14:58 | |
That's fabulous. | 0:14:58 | 0:15:00 | |
Well done, Sue. Anyone else? | 0:15:00 | 0:15:02 | |
-Hi, what's your name? -Sam. | 0:15:03 | 0:15:04 | |
Sam, what's... Oh, stand up, do. | 0:15:04 | 0:15:06 | |
I haven't seen a velour top in years. | 0:15:06 | 0:15:09 | |
LAUGHTER | 0:15:09 | 0:15:12 | |
That's fabulous. | 0:15:12 | 0:15:13 | |
What's your superpower? | 0:15:16 | 0:15:18 | |
I've got a really stretchy face. | 0:15:18 | 0:15:20 | |
GROANS | 0:15:23 | 0:15:24 | |
It's quite stretchy. | 0:15:24 | 0:15:25 | |
And you're young, of course, you're young. | 0:15:25 | 0:15:28 | |
Oh, more over here. | 0:15:28 | 0:15:29 | |
-Hello, stand up. -Hello. | 0:15:29 | 0:15:31 | |
-Hello. -I'm Annika. | 0:15:31 | 0:15:32 | |
Oh, and your superpower is very posh? | 0:15:32 | 0:15:34 | |
Er, no, not at all. | 0:15:34 | 0:15:35 | |
What is it? | 0:15:35 | 0:15:37 | |
I can fit my whole fist in my mouth. | 0:15:37 | 0:15:40 | |
Most people can do that, can't they? | 0:15:40 | 0:15:42 | |
Old lady there going, "No. I've been asked, but no." | 0:15:42 | 0:15:47 | |
Off you go. | 0:15:47 | 0:15:49 | |
Can I just say, are you from a nice family? | 0:15:49 | 0:15:51 | |
I am, they're going to be very disappointed in me. | 0:15:51 | 0:15:54 | |
Disappointed. They're going to be very disappointed. | 0:15:54 | 0:15:57 | |
"Yes, we saw your daughter on the television." | 0:15:57 | 0:16:00 | |
OK, off you go. It's... | 0:16:00 | 0:16:02 | |
I don't know... This will be shown. | 0:16:02 | 0:16:05 | |
Just to warn you, just to warn you, | 0:16:05 | 0:16:08 | |
when you get married, if you get married... | 0:16:08 | 0:16:11 | |
-That won't happen after this. -Well, it might do. | 0:16:11 | 0:16:14 | |
LAUGHTER | 0:16:14 | 0:16:15 | |
This will be shown... | 0:16:19 | 0:16:21 | |
This will be shown at the reception. | 0:16:21 | 0:16:24 | |
So it's up to you. | 0:16:24 | 0:16:26 | |
-I am ashamed, but I have to do it. -OK, do it. | 0:16:26 | 0:16:29 | |
Oh, wow! She can do it! | 0:16:30 | 0:16:34 | |
-Hello, what's your name? -Sarah. -What can you do, Sarah? | 0:16:36 | 0:16:39 | |
I can turn into Chewbacca. | 0:16:39 | 0:16:41 | |
-She can turn into Chewbacca. -Yeah. -OK. | 0:16:41 | 0:16:44 | |
Let's see it. | 0:16:44 | 0:16:45 | |
Microphone? | 0:16:48 | 0:16:49 | |
IMITATES CHEWBACCA | 0:16:49 | 0:16:52 | |
-APPLAUSE -That was really good. | 0:16:52 | 0:16:55 | |
I like that a lot. | 0:16:55 | 0:16:57 | |
That was a gem. | 0:16:58 | 0:17:00 | |
Well done, very good. | 0:17:00 | 0:17:02 | |
Now, talking of special powers, Andrew? | 0:17:06 | 0:17:10 | |
-Yes. -As you grew up, I think it's fair to say | 0:17:10 | 0:17:12 | |
that Andrew Garfield took British gymnastics by storm. | 0:17:12 | 0:17:17 | |
Now... No, were you...? | 0:17:17 | 0:17:19 | |
No, were you Olympic standard? | 0:17:19 | 0:17:22 | |
No, I wasn't Olympic standard! | 0:17:22 | 0:17:25 | |
You won competitions, didn't you? | 0:17:25 | 0:17:27 | |
I won a bronze medal in the under-12s... | 0:17:27 | 0:17:30 | |
United Kingdom Schools event. | 0:17:30 | 0:17:34 | |
Hello?! | 0:17:34 | 0:17:35 | |
-That's bad... -That's a big deal. | 0:17:35 | 0:17:37 | |
-CHEERING AND APPLAUSE -That's a big deal. | 0:17:37 | 0:17:40 | |
I loved it, though. I mean... | 0:17:40 | 0:17:43 | |
-Is that how you do...? -You've got to stick the landing. | 0:17:43 | 0:17:47 | |
Got to stick the landing. Yeah, do the landing. | 0:17:47 | 0:17:50 | |
-Why did you give up? -There was a big, fat man who was my coach, | 0:17:50 | 0:17:54 | |
-and he would sit on my back when I was doing the splits. -What?! | 0:17:54 | 0:17:58 | |
-That doesn't sound right. -It was rough. | 0:17:58 | 0:18:01 | |
-Yeah. -That could damage a boy. -I was eight years old. | 0:18:01 | 0:18:05 | |
There's a point in adolescence where you'd just have to stop that. | 0:18:05 | 0:18:07 | |
Yeah. I had the strength to say "no more". | 0:18:07 | 0:18:11 | |
Here's the weird thing. People know how successful you are as an actor. | 0:18:11 | 0:18:15 | |
You did try a lot of things before that. | 0:18:15 | 0:18:18 | |
Like, I've never had someone on the couch before | 0:18:18 | 0:18:21 | |
who at one point was considering being a professional skateboarder. | 0:18:21 | 0:18:25 | |
OK, yeah. | 0:18:26 | 0:18:28 | |
-No? -I mean, I considered it. | 0:18:28 | 0:18:31 | |
I considered it, but I was nowhere near good enough. | 0:18:31 | 0:18:34 | |
-So it took you a while to find your acting. -It did, I was very lost. | 0:18:34 | 0:18:38 | |
But some people - born to perform. | 0:18:38 | 0:18:41 | |
Cos Emma's story, we can say this now | 0:18:41 | 0:18:43 | |
because you are incredibly successful. | 0:18:43 | 0:18:46 | |
But looking at pictures of you acting when you were younger, | 0:18:46 | 0:18:49 | |
you don't look like God's gift to the craft. | 0:18:49 | 0:18:52 | |
Thank you so much, Graham! | 0:18:52 | 0:18:54 | |
-Here's you in some of your earlier roles. -What?! | 0:18:55 | 0:18:58 | |
-This is... -OK, that is transformative. | 0:18:58 | 0:19:02 | |
I'm 13 there and I look like I'm 100. | 0:19:02 | 0:19:06 | |
You were the Daniel Day-Lewis of school productions. | 0:19:06 | 0:19:10 | |
Here you are as Tweedledum... or Tweedledee. | 0:19:10 | 0:19:13 | |
-I was Tweedledum. -Of course, silly me. -That's me on the right. | 0:19:13 | 0:19:16 | |
This next picture is one of the creepiest weirdest things. | 0:19:16 | 0:19:20 | |
-Is this Otter from Wind In The Willows? -This is Otter. | 0:19:20 | 0:19:23 | |
And whatever you think the costume is going to be like, | 0:19:23 | 0:19:26 | |
-look at that! -I was 11. Yeah, they gave me chest hair. | 0:19:26 | 0:19:29 | |
So...because I was a male... | 0:19:29 | 0:19:31 | |
-I was a male otter and apparently... -Doesn't make any sense. -No. | 0:19:31 | 0:19:35 | |
But it was to distinguish that I was male. | 0:19:35 | 0:19:38 | |
-Amazing. -I was 11. | 0:19:41 | 0:19:43 | |
-Thanks so much for showing that. -It's cheap, but weird. | 0:19:43 | 0:19:46 | |
APPLAUSE | 0:19:46 | 0:19:49 | |
I've...I've brought it all back. | 0:19:50 | 0:19:53 | |
-Jamie, so, you did the stand-up, you did the music. -Yep. | 0:19:54 | 0:19:58 | |
But then, I want to come to the acting. | 0:19:58 | 0:20:01 | |
-Now, was the first big audition for Any Given Sunday? -First audition | 0:20:01 | 0:20:05 | |
for Any Given Sunday with Oliver Stone, | 0:20:05 | 0:20:07 | |
which was... which was... | 0:20:07 | 0:20:10 | |
crazy because when I did the audition, he... | 0:20:10 | 0:20:12 | |
After I did my audition, | 0:20:12 | 0:20:14 | |
he says, "Well, you're just terrible, aren't you?" | 0:20:14 | 0:20:17 | |
And I was like, "What?" And he says, "Yeah, you, you, you, | 0:20:17 | 0:20:21 | |
"you stink." | 0:20:21 | 0:20:22 | |
-LAUGHTER -And I was like, "What?" | 0:20:22 | 0:20:25 | |
And as I'm walking out, he is writing in his tablet, | 0:20:25 | 0:20:28 | |
he says, "Jamie Foxx, slave to television." | 0:20:28 | 0:20:33 | |
And, so, I leave, and I say, "I don't want to deal with this dude." | 0:20:33 | 0:20:37 | |
And then, I get a call that says "He actually wants you to come back | 0:20:37 | 0:20:40 | |
"for the agent part, he likes you." | 0:20:40 | 0:20:42 | |
I come back and I'm pissed, I'm like, "Yo, man, | 0:20:42 | 0:20:44 | |
"I was really pissed at how you said I was this." | 0:20:44 | 0:20:46 | |
He says, "Yeah, well, I need someone to play the lead part because someone else | 0:20:46 | 0:20:50 | |
"was going to play it and they fell out, we need you to play it." | 0:20:50 | 0:20:52 | |
He says, "But you've got to get better." I said, "What do you mean?" | 0:20:52 | 0:20:55 | |
He says, "You're a television actor. | 0:20:55 | 0:20:57 | |
"And television actors are loud, | 0:20:57 | 0:21:01 | |
"while movies is more, you know, subtle." | 0:21:01 | 0:21:04 | |
So I couldn't get it right. | 0:21:04 | 0:21:06 | |
But what I did was, as opposed to doing all of the readings, | 0:21:06 | 0:21:10 | |
I was playing quarterback on this football team, this young, | 0:21:10 | 0:21:14 | |
black cocky quarterback, | 0:21:14 | 0:21:15 | |
so I went and made a video tape of me as the quarterback. | 0:21:15 | 0:21:19 | |
And we did this whole like... I made up this practice session and | 0:21:19 | 0:21:24 | |
-we made up a song because my name was Willie Beamen. -# My name is... # | 0:21:24 | 0:21:27 | |
Yeah. Yeah, yeah! So, I made up the song. | 0:21:27 | 0:21:29 | |
-# My name is Willie -BOTH: Willie Beamen | 0:21:29 | 0:21:32 | |
-# I keep the ladies -BOTH: Screaming. # | 0:21:32 | 0:21:34 | |
LAUGHTER | 0:21:34 | 0:21:36 | |
And we turn it into him and... | 0:21:36 | 0:21:38 | |
-# You're dreaming... # -Dreaming, what? | 0:21:38 | 0:21:41 | |
LAUGHTER AND APPLAUSE | 0:21:41 | 0:21:46 | |
But, uh... | 0:21:46 | 0:21:48 | |
So I ended up getting the part because of the tape. | 0:21:48 | 0:21:51 | |
But I learned about being a television actor and even | 0:21:51 | 0:21:56 | |
to the point where I actually went to audition for Jerry Maguire. | 0:21:56 | 0:22:01 | |
And the story with that, Tom Cruise was doing Jerry Maguire. | 0:22:01 | 0:22:05 | |
So the guy sees me read in LA and he says, | 0:22:05 | 0:22:08 | |
"I want you to go and read for a TC in New York." I said, "Who?" "TC!" | 0:22:08 | 0:22:11 | |
I said, "I don't know who..." | 0:22:11 | 0:22:13 | |
"Tom Cruise." I went, "Oh, Tom Cruise." So, I go to read, | 0:22:13 | 0:22:16 | |
but as I'm reading, I'm loud. "Show me the money!" | 0:22:16 | 0:22:19 | |
Know what I mean! | 0:22:19 | 0:22:21 | |
-Right? -LAUGHTER | 0:22:21 | 0:22:23 | |
That is all I'm saying. "Show ME the money!" And, so, Tom... | 0:22:23 | 0:22:27 | |
That's good. I thought that was great. | 0:22:27 | 0:22:30 | |
And then the way Tom Cruise reads his line, it was like this. | 0:22:30 | 0:22:33 | |
HE MOUTHS | 0:22:33 | 0:22:39 | |
So I thought he lost his place. | 0:22:39 | 0:22:41 | |
Cos I couldn't hear. So I said, "We're right here." | 0:22:41 | 0:22:43 | |
He says, "I know. I said the line. I'm waiting on you." I'm like, "Oh!" | 0:22:43 | 0:22:46 | |
LAUGHTER | 0:22:46 | 0:22:48 | |
So now, I'm sweating. | 0:22:48 | 0:22:49 | |
I'm like, "I lost my place, I went blind." | 0:22:49 | 0:22:53 | |
Anyway, I didn't get the part. | 0:22:53 | 0:22:55 | |
And, you know, of course, Cuba Gooding got the part | 0:22:55 | 0:22:58 | |
and he won an Oscar. But I had to learn how to bring it down. | 0:22:58 | 0:23:03 | |
And then, later on, I did Collateral with Tom Cruise | 0:23:03 | 0:23:06 | |
and then got nominated for an Oscar. | 0:23:06 | 0:23:09 | |
-APPLAUSE AND CHEERING -Same year. You won. | 0:23:09 | 0:23:11 | |
-Yeah. -Double nomination. -Yeah. | 0:23:11 | 0:23:14 | |
I like the story, though... I like the story of | 0:23:14 | 0:23:16 | |
you learning that Tom Cruise was the star. | 0:23:16 | 0:23:20 | |
Oh, yeah, that was the other thing. | 0:23:20 | 0:23:22 | |
When I did get in Collateral, you know, | 0:23:22 | 0:23:25 | |
I was sort of like... Michael Mann was like, "Hey, you better keep your stuff together | 0:23:25 | 0:23:29 | |
"because I'm making sure this movie works for the big star." | 0:23:29 | 0:23:32 | |
And this is how I knew I wasn't a big star. | 0:23:32 | 0:23:34 | |
We're in the car and we're driving, | 0:23:34 | 0:23:36 | |
we're supposed to do this stunt where I crash into another car. | 0:23:36 | 0:23:41 | |
Right? But it's supposed to be a stunt. | 0:23:41 | 0:23:43 | |
But what happens is the car gets out of control | 0:23:43 | 0:23:45 | |
and I actually do crash into the car. | 0:23:45 | 0:23:48 | |
And when they get there, | 0:23:48 | 0:23:49 | |
they're like, "Jamie, get out of the way! Tom! Are you OK?" | 0:23:49 | 0:23:52 | |
LAUGHTER | 0:23:52 | 0:23:54 | |
And that's why you know where you are. | 0:23:54 | 0:23:58 | |
Andrew, do you have that now? | 0:23:58 | 0:23:59 | |
Because, you know, you're Spider-Man, | 0:23:59 | 0:24:02 | |
which is... That's a... You know, it's not just a franchise, | 0:24:02 | 0:24:06 | |
you are the keeper of the keys. So are you allowed to do anything? | 0:24:06 | 0:24:08 | |
Are you wrapped in cotton wool now? | 0:24:08 | 0:24:10 | |
Am I wrapped in cotton wool? | 0:24:10 | 0:24:12 | |
Um, no, I don't allow it. | 0:24:12 | 0:24:14 | |
I don't allow that. | 0:24:14 | 0:24:15 | |
I think that there might be some vain attempt at that, | 0:24:15 | 0:24:19 | |
because, you know, if I die, that's... | 0:24:19 | 0:24:21 | |
LAUGHTER | 0:24:21 | 0:24:23 | |
Outside of the personal tragedy, | 0:24:23 | 0:24:25 | |
it could cost the studio a lot of money. | 0:24:25 | 0:24:29 | |
He never takes the mask off again. | 0:24:29 | 0:24:33 | |
"There's some Hotpoint. Oh, it's stuck." | 0:24:33 | 0:24:36 | |
"Oh, I can't!" | 0:24:36 | 0:24:38 | |
Just like old voice recording of me from previous films, | 0:24:38 | 0:24:41 | |
-different accents patched together. -You've to take care of you, brother. | 0:24:41 | 0:24:45 | |
No, you do not, no, you do not. | 0:24:45 | 0:24:47 | |
Hey, buddy, we don't get... | 0:24:47 | 0:24:49 | |
LAUGHTER | 0:24:49 | 0:24:50 | |
See what I mean? It's like... APPLAUSE | 0:24:50 | 0:24:53 | |
It ain't show friends, it's show business. | 0:24:53 | 0:24:55 | |
You know what I'm saying, you don't show up. | 0:24:55 | 0:24:57 | |
LAUGHTER | 0:24:57 | 0:25:00 | |
But I will say this, once you guys see the film, the chemistry | 0:25:00 | 0:25:02 | |
that these two have between them is just, I mean, it's sort of... | 0:25:02 | 0:25:07 | |
You're there to see Spider-Man and all the web and the flying and saving people and all of that, | 0:25:07 | 0:25:11 | |
But they have a love story that to me, it touched me. | 0:25:11 | 0:25:15 | |
Well, we've got a little clip. | 0:25:15 | 0:25:17 | |
This is that chemistry between the two of you. | 0:25:17 | 0:25:20 | |
-That's all we need to know. -HE SCOFFS | 0:25:20 | 0:25:22 | |
LAUGHTER | 0:25:22 | 0:25:24 | |
-Who's that guy? -It was an accident and they're covering it up. | 0:25:24 | 0:25:28 | |
Is that it? This is the maintenance closet. | 0:25:28 | 0:25:32 | |
This is the most cliched hiding place you could have chosen. | 0:25:32 | 0:25:35 | |
Oh, I'm sorry I didn't take us to the Bahamas of hiding places. | 0:25:35 | 0:25:40 | |
Listen... | 0:25:40 | 0:25:42 | |
-You just kissed me. -How did you like it? -It felt a little bit rushed. | 0:25:46 | 0:25:50 | |
-I know. This is the plan. You get the elevator and I distract him, OK? -OK. | 0:25:50 | 0:25:55 | |
-Ooh! -God. -I'm so... I've just spilt that all over you. | 0:26:03 | 0:26:08 | |
I didn't do that. Oh! And you too? | 0:26:08 | 0:26:10 | |
-Stay right there! -Wait, wait, wait! -Hey! | 0:26:11 | 0:26:14 | |
All right. I'm sorry, I'm all thumbs today. Whoo! | 0:26:14 | 0:26:17 | |
APPLAUSE AND CHEERING | 0:26:17 | 0:26:22 | |
Now, here's the thing. Emma, for you, | 0:26:24 | 0:26:27 | |
what is the hold that the Spice Girls have over you? | 0:26:27 | 0:26:30 | |
-Is this real? -Yes, it's real! | 0:26:30 | 0:26:33 | |
And I just feel like I have been talking more | 0:26:33 | 0:26:35 | |
about the Spice Girls on this press tour than I have about the movie. | 0:26:35 | 0:26:39 | |
-That is because you wept in Australia! -I know. I wept. | 0:26:39 | 0:26:43 | |
-Did you really weep? -I really did. -Which one was talking to you? -Mel B. | 0:26:43 | 0:26:46 | |
And was she really talking to you or was it a message? | 0:26:46 | 0:26:49 | |
-No, it was a video message on an iPad. -And that made you cry? -Yes! | 0:26:49 | 0:26:54 | |
-Were you jet-lagged? -Yes! | 0:26:54 | 0:26:56 | |
But I also... You don't understand... You DO understand, | 0:26:56 | 0:27:00 | |
we're in the UK. I was... I was a fiend. | 0:27:00 | 0:27:03 | |
I was obsessed with the Spice Girls. | 0:27:03 | 0:27:05 | |
And they taught me about girl power. | 0:27:05 | 0:27:08 | |
And I LOVE them! I think they're fantastic. | 0:27:08 | 0:27:11 | |
What's the song? | 0:27:11 | 0:27:13 | |
There are so many, Jamie. There are so many. | 0:27:13 | 0:27:17 | |
-# Colours of the world -Spice up your life | 0:27:17 | 0:27:19 | |
-# Every boy and every girl -Spice up your life. # | 0:27:19 | 0:27:22 | |
There are so many, and they're so fantastic. | 0:27:22 | 0:27:24 | |
And, today, on the radio, Mel C talked to me over Skype. | 0:27:24 | 0:27:28 | |
-Oh, wow! -So, it's really very exciting. | 0:27:28 | 0:27:31 | |
OK, who would you say is your favourite Spice Girl? | 0:27:31 | 0:27:33 | |
-Emma Bunton. Baby Spice. -Your favourite? -She's my favourite. | 0:27:33 | 0:27:36 | |
-Who's next? -LAUGHTER | 0:27:36 | 0:27:38 | |
Don't do that! | 0:27:38 | 0:27:39 | |
Just a question. | 0:27:39 | 0:27:41 | |
-All of the other four. -LAUGHTER | 0:27:41 | 0:27:44 | |
So, Emma Bunton. | 0:27:44 | 0:27:45 | |
Well, Emma Bunton was the one that... I had blonde hair and bangs | 0:27:45 | 0:27:49 | |
and my name, obviously, is... now Emma, my name WAS Emily | 0:27:49 | 0:27:53 | |
but it was taken | 0:27:53 | 0:27:54 | |
-when I became an actor. -LAUGHTER | 0:27:54 | 0:27:58 | |
Um, and so... Now it's Emma and, yeah, I love... | 0:27:58 | 0:28:02 | |
So one gave you a video message and one talked to you on Skype. | 0:28:02 | 0:28:06 | |
-Yes. -Are you telling me you've never met a Spice Girl? -Are you going to do something? | 0:28:06 | 0:28:10 | |
-Are you going to do something? -Have you never met a Spice Girl? | 0:28:10 | 0:28:13 | |
Wait, hold on. I have to mentally prepare myself. | 0:28:13 | 0:28:16 | |
Have you never met a Spice Girl? | 0:28:16 | 0:28:18 | |
-Not in the flesh. -OK. | 0:28:18 | 0:28:21 | |
-Now, as you know... -Don't! | 0:28:21 | 0:28:23 | |
As you know, as you know, Emma, | 0:28:23 | 0:28:26 | |
it's very rare for more than one Spice Girl to appear together... | 0:28:26 | 0:28:32 | |
WHOOPING | 0:28:32 | 0:28:35 | |
..for any reason | 0:28:35 | 0:28:37 | |
at all. | 0:28:37 | 0:28:38 | |
DRUM ROLL | 0:28:38 | 0:28:40 | |
So they're not here. | 0:28:42 | 0:28:44 | |
LAUGHTER AND APPLAUSE | 0:28:44 | 0:28:47 | |
We tried! | 0:28:53 | 0:28:55 | |
We tried. | 0:28:55 | 0:28:56 | |
Emma Bunton's on holidays. | 0:28:56 | 0:28:59 | |
-Just forget it. -Honestly. -Just forget it. -Geri Halliwell... | 0:28:59 | 0:29:03 | |
Geri Halliwell's phone is disconnected. | 0:29:03 | 0:29:06 | |
I rang her and it was like, "This number is no longer in use." | 0:29:06 | 0:29:10 | |
Hilarious. | 0:29:10 | 0:29:11 | |
-All right. -You'll meet them. -Some day. | 0:29:11 | 0:29:14 | |
I got really excited. | 0:29:14 | 0:29:16 | |
Posh is busy. | 0:29:16 | 0:29:18 | |
Just as good, though, that was just as good. | 0:29:18 | 0:29:21 | |
-That was pretty close. -And quicker. | 0:29:21 | 0:29:23 | |
It was a lot quicker, yeah. | 0:29:23 | 0:29:25 | |
But actually, weirdly, Andrew Garfield, | 0:29:25 | 0:29:29 | |
you too have a Spice Girl connection. | 0:29:29 | 0:29:31 | |
No, I don't! | 0:29:31 | 0:29:33 | |
-Yes, you do. -Where are you getting this from? | 0:29:33 | 0:29:35 | |
Didn't someone, didn't a lovely lady... | 0:29:35 | 0:29:37 | |
a lovely lady, didn't she ask you out through the medium of... | 0:29:37 | 0:29:42 | |
the Spice Girls' music? | 0:29:42 | 0:29:44 | |
-Yes. -Thank you very much. | 0:29:44 | 0:29:47 | |
How did you know that? | 0:29:47 | 0:29:49 | |
-You must have told somebody. -Only my deeply intimate friends. | 0:29:49 | 0:29:54 | |
Somebody blabbed. | 0:29:54 | 0:29:56 | |
This is...this is kind of a hard story for me, actually. | 0:29:56 | 0:30:00 | |
-Oh, no, sorry! -This was my first love. | 0:30:00 | 0:30:03 | |
- AUDIENCE: Aww! - Yeah. And her name was Sarah. | 0:30:03 | 0:30:06 | |
Aww! | 0:30:06 | 0:30:07 | |
Yeah, and we... She asked me out and it was... | 0:30:07 | 0:30:11 | |
I was getting picked up by my mum at school | 0:30:11 | 0:30:14 | |
and I was 13 and she said... she was singing... | 0:30:14 | 0:30:18 | |
# If you wanna be my lover You gotta get with my friends... # | 0:30:18 | 0:30:22 | |
Then she said, "Do you wanna be my lover?" | 0:30:22 | 0:30:24 | |
She was very tall, much taller than me. | 0:30:24 | 0:30:27 | |
-And she was very beautiful. -I'm sure. | 0:30:27 | 0:30:29 | |
And I...and I said, "Yeah, all right." | 0:30:29 | 0:30:32 | |
LAUGHTER And she was like, | 0:30:32 | 0:30:34 | |
"I'm having a gathering of people at my house tonight. | 0:30:34 | 0:30:37 | |
"Just a small group of people." | 0:30:37 | 0:30:39 | |
I said, "All right, yeah. Am I invited?" | 0:30:39 | 0:30:41 | |
And she was like, "Yeah, are you coming?" I was like, "Yeah, OK." | 0:30:41 | 0:30:45 | |
So I went, and four hours later she broke up with me. | 0:30:45 | 0:30:48 | |
-Aww! -She dumped me for some bloke at Epsom College. | 0:30:48 | 0:30:52 | |
-Oh! -AUDIENCE BOOS | 0:30:52 | 0:30:56 | |
-No, no, it's OK now. -Have you seen... | 0:30:56 | 0:30:59 | |
Have you seen Sarah since? | 0:30:59 | 0:31:01 | |
DRUM ROLL | 0:31:01 | 0:31:04 | |
Don't do it, don't do it! | 0:31:06 | 0:31:08 | |
-No, no, no. -Come on out, Sarah. | 0:31:08 | 0:31:11 | |
-Come on out. -That would be ridiculous. | 0:31:13 | 0:31:15 | |
Yeah, yeah, no, course, I was 13 at a party at school. It still hurts. | 0:31:16 | 0:31:20 | |
-I was obsessed with her for a long time. -Here's the thing, | 0:31:20 | 0:31:24 | |
Jamie, great musician, you must have used your music | 0:31:24 | 0:31:27 | |
at some time to woo a woman. | 0:31:27 | 0:31:29 | |
I'd be... I'd use whatever I could... Whatever. | 0:31:29 | 0:31:33 | |
LAUGHTER | 0:31:33 | 0:31:35 | |
I'd use whatever I've got, baby. | 0:31:35 | 0:31:37 | |
I have to say, listen, this is one of my favourite songs. | 0:31:37 | 0:31:41 | |
This is Storm. Listen to this, listen how hot this is. | 0:31:41 | 0:31:44 | |
# Lights out like a power outage | 0:31:44 | 0:31:47 | |
# Cos of the lightning in your bedspring showers | 0:31:47 | 0:31:51 | |
# I can feel the mist every time we kissed... # | 0:31:51 | 0:31:55 | |
There's almost a Spider-Man link because it starts off with... | 0:31:55 | 0:31:59 | |
"Lights out like a power outage." | 0:31:59 | 0:32:01 | |
# Lights out like a power outage... # | 0:32:01 | 0:32:04 | |
CHEERING | 0:32:04 | 0:32:07 | |
# ..Cos of the lightning in your bedspring showers | 0:32:07 | 0:32:10 | |
# I could feel the mist every time we kissed | 0:32:10 | 0:32:13 | |
# Just didn't know a downpour like this | 0:32:13 | 0:32:17 | |
# There's a flash flood warning | 0:32:17 | 0:32:21 | |
# Will it bring rain in the morning? | 0:32:21 | 0:32:25 | |
# And there'll be puddles in the bed... # | 0:32:25 | 0:32:27 | |
I don't want to get too.... | 0:32:27 | 0:32:29 | |
-CHEERING -Now wait... | 0:32:29 | 0:32:31 | |
-No, wait, let me finish. -There are questions to be asked. | 0:32:31 | 0:32:35 | |
The words were... # There'll be puddles in the bed | 0:32:35 | 0:32:39 | |
# The weatherman said. # | 0:32:39 | 0:32:42 | |
Yeah, but...why were there puddles in the bed? | 0:32:42 | 0:32:44 | |
Was she an older lady? | 0:32:44 | 0:32:46 | |
Oh! | 0:32:46 | 0:32:48 | |
LAUGHTER | 0:32:48 | 0:32:51 | |
Listen, I've got the lyrics. "Girl, the weatherman said | 0:32:52 | 0:32:55 | |
"it's cloudy skies right there between your thighs." | 0:32:55 | 0:32:58 | |
LAUGHTER | 0:32:58 | 0:33:00 | |
"I want it soakin' wet all over the bed." | 0:33:02 | 0:33:05 | |
-Do you sing these lyrics?! -He wrote them! -Hey, man... | 0:33:07 | 0:33:10 | |
LAUGHTER AND APPLAUSE | 0:33:10 | 0:33:13 | |
Hey, it sounds much better when you sing 'em. | 0:33:17 | 0:33:20 | |
You just can't READ the lyrics. | 0:33:22 | 0:33:25 | |
They'll sound a little crazy. | 0:33:25 | 0:33:27 | |
OK, it is time for music. | 0:33:29 | 0:33:31 | |
This is one of the brightest stars to emerge in the last few years, | 0:33:31 | 0:33:33 | |
he's now found global success and is back with a brand-new album. | 0:33:33 | 0:33:37 | |
Performing his current single Scream, Funk My Life Up, | 0:33:37 | 0:33:40 | |
please welcome Paolo Nutini! | 0:33:40 | 0:33:43 | |
CHEERING | 0:33:43 | 0:33:44 | |
# Na-na, na-na-na | 0:33:50 | 0:33:53 | |
# Na-na, na-na | 0:33:53 | 0:33:55 | |
# Yeah, how was I to know you'd just come along? | 0:33:57 | 0:34:00 | |
# And funk my life up | 0:34:01 | 0:34:03 | |
# Lips like they've been singing sexed-up strawberry songs | 0:34:03 | 0:34:06 | |
# Just funk my life up | 0:34:06 | 0:34:08 | |
# Never heard her coming Thought it was just another woman | 0:34:08 | 0:34:10 | |
# With a shotgun in her hand | 0:34:10 | 0:34:12 | |
# Funk my life up | 0:34:12 | 0:34:14 | |
# She's the bass, she's the beat She's the rhythm, she's the band | 0:34:14 | 0:34:17 | |
# Just funk my life up | 0:34:17 | 0:34:19 | |
# Oh, that girl, so fine | 0:34:19 | 0:34:21 | |
# Makes you wanna scream hallelujah | 0:34:21 | 0:34:24 | |
# Hey-ey-ey-ey-ey | 0:34:24 | 0:34:27 | |
# Yeah-eh-eh-eh | 0:34:27 | 0:34:30 | |
# Sly hands, spinning webs like silk | 0:34:30 | 0:34:35 | |
# Beats are dripping on me like spider milk | 0:34:35 | 0:34:39 | |
# And I never heard the warning when I woke up this morning | 0:34:40 | 0:34:43 | |
# With my sunshine on a drip | 0:34:43 | 0:34:46 | |
# She's my rock, she's my bud She's tequila, she's a trip | 0:34:46 | 0:34:50 | |
# And that girl, so fine | 0:34:50 | 0:34:53 | |
# Makes you wanna scream hallelujah | 0:34:53 | 0:34:56 | |
# Yeah-eh-eh-eh | 0:34:57 | 0:35:00 | |
# Yeah-eh-eh-eh | 0:35:00 | 0:35:02 | |
# How could I refuse? I'm not fit to choose | 0:35:02 | 0:35:05 | |
# Just funk my life up | 0:35:05 | 0:35:07 | |
# Said the only way I win is the way I lose | 0:35:07 | 0:35:11 | |
# Just funk my life up | 0:35:11 | 0:35:13 | |
# And I never got the script I unzipped | 0:35:13 | 0:35:14 | |
# Got a little bit of wet up in my brain | 0:35:14 | 0:35:17 | |
# Just funk my life up | 0:35:17 | 0:35:18 | |
# She's your church, she's your sin She's atomic, she's the... | 0:35:18 | 0:35:22 | |
# Oh, she's the rain | 0:35:22 | 0:35:24 | |
# Yeah-eh-eh-eh-eh | 0:35:27 | 0:35:29 | |
# And that girl, so fine | 0:35:29 | 0:35:31 | |
# Makes you wanna scream | 0:35:31 | 0:35:34 | |
# Heyyyyyy! | 0:35:34 | 0:35:37 | |
# Heyyyyy! | 0:35:37 | 0:35:39 | |
# Yeah, yeah | 0:35:42 | 0:35:44 | |
# She gets me silly She's like a trick on me | 0:35:45 | 0:35:47 | |
# Hell, I don't even know her name | 0:35:47 | 0:35:49 | |
# But yet she sticks to me | 0:35:49 | 0:35:51 | |
# And in the climax She would scream with me | 0:35:51 | 0:35:54 | |
# Oh, yeah, she sticks to me | 0:35:54 | 0:35:56 | |
# She gets me funny She doesn't want none of my money | 0:35:56 | 0:35:58 | |
# So I pour it over her like gasoline | 0:35:58 | 0:36:01 | |
# Light a match and then I'm back in my teens | 0:36:01 | 0:36:04 | |
# Me and super girl smoking my green | 0:36:04 | 0:36:07 | |
# Me and super girl smoking my green | 0:36:07 | 0:36:09 | |
# Unload, reload | 0:36:09 | 0:36:12 | |
# Eyes back swing | 0:36:12 | 0:36:15 | |
# Sweet thing, knows things | 0:36:15 | 0:36:18 | |
# Jeff Beck sings | 0:36:18 | 0:36:20 | |
# Roundhouse, knock-down, let's go! | 0:36:20 | 0:36:25 | |
# And the girl's so fine | 0:36:25 | 0:36:28 | |
# Makes you wanna scream hallelujah | 0:36:28 | 0:36:31 | |
# Hallelujah! | 0:36:31 | 0:36:34 | |
# Yeah, the girl, so fine | 0:36:36 | 0:36:38 | |
# Makes you wanna scream | 0:36:38 | 0:36:42 | |
# Yeah-eh-eh-eh-eh | 0:36:42 | 0:36:44 | |
# Yeah-eh-eh-eh-eh | 0:36:44 | 0:36:47 | |
# Yeah-eh-eh-eh-eh | 0:36:47 | 0:36:49 | |
# Yeah-eh-eh-eh-eh. # | 0:36:49 | 0:36:53 | |
CHEERING | 0:36:54 | 0:36:56 | |
-GRAHAM: -Woo! | 0:36:56 | 0:36:57 | |
Thank you. | 0:36:59 | 0:37:01 | |
Paolo Nutini, everybody! | 0:37:01 | 0:37:03 | |
Come and join me. Very good, beautiful. Come and meet Jamie Foxx. | 0:37:03 | 0:37:09 | |
-Good job. -Good to see you again, sir. | 0:37:09 | 0:37:12 | |
Emma Stone, Andrew Garfield, Paolo Nutini. | 0:37:12 | 0:37:15 | |
Paolo Nutini. | 0:37:15 | 0:37:16 | |
-PROJECTS HIS VOICE: -Paolo Nutini! -AUDIENCE: Woo! | 0:37:16 | 0:37:20 | |
-Where do I go...anywhere? -Sit, it's all lovely. | 0:37:20 | 0:37:24 | |
You've got all the wine. ANDREW: You can share this, it's fine. | 0:37:24 | 0:37:26 | |
That is the new album, Caustic Love, | 0:37:26 | 0:37:29 | |
which is out...next Monday? | 0:37:29 | 0:37:31 | |
-Monday the 14th. -Yes. | 0:37:31 | 0:37:32 | |
Sounding great, looking great. Are you enjoying... | 0:37:32 | 0:37:35 | |
Cos I remember when I first met you, you were loving doing the gigs | 0:37:35 | 0:37:38 | |
and stuff, but you were less fond of all this hoo-ha nonsense, | 0:37:38 | 0:37:41 | |
are you enjoying that more? | 0:37:41 | 0:37:44 | |
I'm not used to it at all, I've not been doing much of this, man. | 0:37:44 | 0:37:47 | |
GRAHAM LAUGHS | 0:37:47 | 0:37:48 | |
Last three years I've been keeping myself to myself. | 0:37:48 | 0:37:51 | |
-You did kind of vanish for a while. -Yes, yes. -What were you doing? | 0:37:51 | 0:37:55 | |
I know it's none of my business, but... | 0:37:55 | 0:37:57 | |
LAUGHTER | 0:37:57 | 0:37:59 | |
I was wandering, wandering around looking for adventure. | 0:37:59 | 0:38:03 | |
-Did you find it? -Yeah, I found a fair bit of it, yeah. | 0:38:03 | 0:38:06 | |
AUDIENCE: Woo! | 0:38:06 | 0:38:08 | |
APPLAUSE | 0:38:08 | 0:38:10 | |
I think you found a lot of adventure. | 0:38:10 | 0:38:12 | |
So listen, good luck with the album, I can't wait to get | 0:38:12 | 0:38:15 | |
my hands on it, cos I haven't got my free copy yet - just saying. | 0:38:15 | 0:38:17 | |
Before we go tonight, just time for a story or two | 0:38:19 | 0:38:21 | |
in the red chair. Who's there? | 0:38:21 | 0:38:23 | |
-Hello! -Hello! -What's your name? -Wendy. -And where do you live? | 0:38:24 | 0:38:28 | |
-Torquay, in Devon. -Oh, beautiful, beautiful. -UNDER HIS VOICE: -I dunno. | 0:38:28 | 0:38:32 | |
LAUGHTER | 0:38:32 | 0:38:34 | |
-And what do you do in Torquay? -I have a bed and breakfast. | 0:38:34 | 0:38:37 | |
-It's classic, Torquay. -We'll come and stay. -No, you're not, Jamie. | 0:38:37 | 0:38:41 | |
-I'm shutting that down right now. -It's a boutique B&B, Graham. | 0:38:41 | 0:38:46 | |
A boutique B&B, lovely(!) | 0:38:46 | 0:38:48 | |
-Lovely. -That means the sink's in the room. | 0:38:48 | 0:38:51 | |
All right, off you go with your story. | 0:38:56 | 0:38:58 | |
A few years I had a young couple staying with me after their wedding. | 0:38:58 | 0:39:03 | |
So I said, "There's only really one rule in the house, | 0:39:03 | 0:39:06 | |
"and that's whatever happens, there's no sex in the house, | 0:39:06 | 0:39:08 | |
"because if I'm not getting it, nobody's getting it." | 0:39:08 | 0:39:10 | |
So the next morning they came down for breakfast | 0:39:15 | 0:39:17 | |
and they were quite upset, and they said, | 0:39:17 | 0:39:19 | |
"Look, we're really sorry, but we're going to have to move out." | 0:39:19 | 0:39:22 | |
And I said, "Why's that?" | 0:39:22 | 0:39:23 | |
So they said, "We broke your rule last night." | 0:39:23 | 0:39:26 | |
And I felt so awful that I had to let them | 0:39:27 | 0:39:29 | |
stay for free for the whole four days. | 0:39:29 | 0:39:31 | |
-Aww. -AUDIENCE: Aww. | 0:39:31 | 0:39:33 | |
We'll let her walk? We'll let her walk. You can walk. | 0:39:33 | 0:39:36 | |
Idiots. | 0:39:39 | 0:39:40 | |
Unless, when she got into the room, she was going to discover that... | 0:39:41 | 0:39:45 | |
-Broken pictures, lamps turned over. -Puddles everywhere. | 0:39:45 | 0:39:48 | |
Puddles on the bed! | 0:39:48 | 0:39:50 | |
Oh, yeah, puddles. "The weatherman said..." | 0:39:50 | 0:39:52 | |
LAUGHTER | 0:39:52 | 0:39:54 | |
GRAHAM LAUGHS HYSTERICALLY | 0:39:56 | 0:39:58 | |
A high tide in Torquay. | 0:40:01 | 0:40:03 | |
-Who's next? Hello, sir. -Hi. Hi, Graham. | 0:40:04 | 0:40:08 | |
-What's your name, sir? -Robert. -What do you do for a living, Robert? | 0:40:08 | 0:40:11 | |
-I'm a butler. -A butler?! | 0:40:11 | 0:40:13 | |
-AUDIENCE: Ooh! -Actual butler, ohh. | 0:40:13 | 0:40:16 | |
And do you work with a team, or do you just show up yourself? | 0:40:16 | 0:40:19 | |
Generally it's individual, working on an individual basis, | 0:40:19 | 0:40:22 | |
but often you meet other butlers you know from the circuit. | 0:40:22 | 0:40:25 | |
LAUGHTER | 0:40:25 | 0:40:27 | |
Is "butler" a euphemism for something? | 0:40:27 | 0:40:30 | |
"I'm a, eh, 'butler.' " | 0:40:33 | 0:40:37 | |
"Your every 'need.' " | 0:40:37 | 0:40:39 | |
Off you go with your story, sir. | 0:40:40 | 0:40:42 | |
My story is, when I was a butler beforehand, | 0:40:42 | 0:40:45 | |
I used to be for a noble family, | 0:40:45 | 0:40:47 | |
and my duties would be run the bath, prepare the clothes. | 0:40:47 | 0:40:51 | |
And on this occasion I went round to my boss's room, | 0:40:51 | 0:40:54 | |
knocked on the door very loudly, he didn't respond, so I went in | 0:40:54 | 0:40:57 | |
-and he was masturbating. -Ooh! | 0:40:57 | 0:40:59 | |
GASPS | 0:40:59 | 0:41:01 | |
-Can I ask a question? -Yes. | 0:41:03 | 0:41:05 | |
Isn't there, like, a...? Can you tell stories like that? | 0:41:05 | 0:41:09 | |
That's not a story, that's just a thing that happened! | 0:41:09 | 0:41:12 | |
-How awful. -He must find him doing it | 0:41:12 | 0:41:14 | |
all the time, isn't that the point of a butler? | 0:41:14 | 0:41:16 | |
Yeah, cos he was kind of calm, the way he delivered it. | 0:41:16 | 0:41:19 | |
It was something else he was going to say that was exciting. | 0:41:19 | 0:41:22 | |
"He was masturbating, and then..." | 0:41:22 | 0:41:24 | |
"A horse wandered out of the bathroom." | 0:41:25 | 0:41:28 | |
-Shall we try one more? Hello. -Hi, Graham. -What's your name? | 0:41:33 | 0:41:37 | |
-My name's Nigel. -Lovely, and where do you hail from, Nigel? | 0:41:37 | 0:41:40 | |
I hail from 100 yards up the road on the South Bank. | 0:41:40 | 0:41:43 | |
-Oh, right. Do you live there? -I do. -Oh, right, very good. | 0:41:43 | 0:41:47 | |
Presumably you work in London as well? | 0:41:47 | 0:41:49 | |
No, I'm now a retired estate agent, | 0:41:49 | 0:41:51 | |
but please don't hold that against me. | 0:41:51 | 0:41:52 | |
Wait a minute - how much money did you make? | 0:41:52 | 0:41:56 | |
-I married well, Graham. -Ohhhh. | 0:41:56 | 0:41:57 | |
-Fantastic. Oh, you don't...? -Pull the lever. -Do it, Andrew, you can. | 0:41:58 | 0:42:02 | |
You have the power, Andrew, you're right there. | 0:42:02 | 0:42:05 | |
AUDIENCE SHOUT ENCOURAGEMENT No, no. no. | 0:42:05 | 0:42:07 | |
No, no, no, no. | 0:42:09 | 0:42:10 | |
OK, this is much cleaner. I had a vasectomy, erm... | 0:42:13 | 0:42:17 | |
LAUGHTER | 0:42:17 | 0:42:19 | |
-Go on, Andrew. -No, but maybe it was for health reasons! | 0:42:21 | 0:42:25 | |
It was a vasectomy, | 0:42:27 | 0:42:29 | |
and I remember getting a call from the hospital a few months afterwards | 0:42:29 | 0:42:33 | |
saying can I please produce a sample and take it in, | 0:42:33 | 0:42:36 | |
because they wanted to confirm that the operation had worked. | 0:42:36 | 0:42:39 | |
So I was in the office at the time, and I went out the back | 0:42:39 | 0:42:42 | |
of the office with property magazines. | 0:42:42 | 0:42:43 | |
He's the one that was masturbating. | 0:42:43 | 0:42:45 | |
It's the same story! | 0:42:47 | 0:42:48 | |
And I produced my sample, put it in a little pot | 0:42:51 | 0:42:53 | |
and put it in my breast pocket... | 0:42:53 | 0:42:55 | |
And your butler walked in. | 0:42:55 | 0:42:56 | |
I had to keep it warm, uh... | 0:42:58 | 0:43:00 | |
I did the deed and ran quickly | 0:43:01 | 0:43:03 | |
across the local Sainsbury's car park to the hospital, | 0:43:03 | 0:43:07 | |
but didn't realise the lid of the jar had come off. | 0:43:07 | 0:43:10 | |
AUDIENCE: Eugh! | 0:43:10 | 0:43:12 | |
I got to the hospital and the nurse looked at me | 0:43:15 | 0:43:17 | |
with a huge smile on her face, realised what had happened, | 0:43:17 | 0:43:19 | |
and said, "I'm sorry, you're going to have to come again, sir." | 0:43:19 | 0:43:22 | |
Wahey! | 0:43:22 | 0:43:24 | |
You can walk, go on. | 0:43:25 | 0:43:28 | |
Great job. | 0:43:28 | 0:43:30 | |
Boom-boom. Well done, everyone. | 0:43:30 | 0:43:33 | |
If you'd like to join us on the show | 0:43:33 | 0:43:34 | |
and have a go on the red chair, you can. | 0:43:34 | 0:43:36 | |
Just contact us via the website at this very address. | 0:43:36 | 0:43:38 | |
Thank you to my guests tonight - Paolo Nutini! | 0:43:38 | 0:43:41 | |
Jamie Foxx! | 0:43:43 | 0:43:45 | |
Emma Stone! | 0:43:46 | 0:43:50 | |
And Mr Andrew Garfield! | 0:43:50 | 0:43:52 | |
Join us next week, we've got music from Imelda May, | 0:43:52 | 0:43:55 | |
Oscar-winning actress Juliette Binoche, | 0:43:55 | 0:43:57 | |
Office genius Ricky Gervais and comedy legend Mr Ronnie Corbett. | 0:43:57 | 0:44:01 | |
I'll see you then, good night, everybody, bye-bye! | 0:44:01 | 0:44:03 | |
CHEERING | 0:44:03 | 0:44:05 |