Episode 3 The Graham Norton Show


Episode 3

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On the show tonight, I'll be talking to an Oscar-winning French actress,

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the genius behind The Office and a comedy legend.

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-Isn't that right, Ronnie?

-Yes, it is, Graham.

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And I'll be talking to the weatherman

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who said the fog will be choking in Woking,

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it'll be dry in Rye, cool in Goole,

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but if you live in Lissingdown,

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take an umbrella. LAUGHTER

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-Let's start the show!

-Wahey!

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This programme contains some strong language

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Oh!

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-Oh! Oh!

-CHEERING AND APPLAUSE

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Hello, everybody.

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Hello, hello!

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You're very welcome. We have got...

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We have got a truly international line-up for you tonight.

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From France, Oscar-winning star of The English Patient and Chocolat,

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Juliette Binoche is on the show, ladies and gentlemen.

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-CHEERING AND APPLAUSE

-Yes!

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From Reading, England,

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creator and star of The Office and Extras Ricky Gervais is here.

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CHEERING AND APPLAUSE

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From Bonnie Scotland, comedy giant Ronnie Corbett is on our show.

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CHEERING AND APPLAUSE

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And from the Emerald Isle, the brilliant Imelda May is here.

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CHEERING AND APPLAUSE

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Oh. I tell you, ladies and gentlemen,

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I am so glad we've managed to prise Ronnie away from the golf course.

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I mean, he's always out playing a few holes. He really is.

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I don't know.

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I'll be talking to Ronnie about his film career.

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Yeah, as well as being a comedy legend,

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he's appeared in lots of films, including the 1962 classic

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Operation Snatch.

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I'm not making it up! And, of course,

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Operation Snatch didn't have a double meaning in those days.

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Nor did Ronnie's previous film...

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Fun At St Fanny's.

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Of course, I'll be chatting to Ricky Gervais about his new series of Derek,

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set in a care home for the elderly.

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Now, Ricky actually sent us this picture from the new series.

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I believe that's what you call "looking up old friends".

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I'll also be chatting to Ricky about his early days in a band.

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Yeah, he was in a band. Shall we have a sneak preview of what he looked like back then?

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AUDIENCE: Yes!

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LAUGHTER

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I know! I couldn't believe it! That is, that is Ricky Gervais.

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Mind you, he's hardly changed at all. Has he?

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That's all coming up, plus more of your stories in the big red chair.

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So let's get some guests on!

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Later we'll be having music from Imelda May!

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But first, he's an extra-special guest. It's Ricky Gervais!

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-CHEERING AND APPLAUSE

-Yay!

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-Hello. Hello, hello, hello.

-Hello.

-Lovely to see you.

-This way?

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Sit down.

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It's hello from him. It's Ronnie Corbett!

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-CHEERING AND APPLAUSE

-Oh! Hello, sir.

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How are you? Lovely to see you.

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Ronnie Corbett, everybody.

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And she's the French star of The English Patient.

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It's Juliette Binoche!

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CHEERING AND APPLAUSE

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Nice to see you. Hello. Welcome back. Welcome back.

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Have a sit down. Do!

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-Hey! A very warm welcome to the three of you. Hello.

-Hello.

-Hello.

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Now, Ricky, those bath pics... You're still doing the bath pics!

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-It's a hobby.

-Have you guys seen...

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-Have you seen these bath pics before, either of you?

-No.

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-Well, the idea is to look as awful and stupid and ugly as you can.

-Yes.

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So the bath is perfect cos not only have you got the thing

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-that squashes your neck, cos the thing's at the back.

-Yes.

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But you've got the water that distorts your face as well.

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So it's a double whammy. I discovered this late in life.

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I'd have been doing these all my life but... Yeah.

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So these are some examples we've taken from your Twitter feed.

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-You take those?

-That's him.

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How do you black out your teeth?

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Whatever's around.

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Maybe a soap thing or, you know, the shampoo.

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A bit of carton from something. Just anything, really.

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There's more, there's more.

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Let's look at another one. That one's terrifying.

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Have you ever been tempted to do this, Juliette?

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I didn't think you could do it, actually! My, well done!

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Now, particularly nice to see Ronnie because Ronnie has a habit -

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and this is a very peculiar habit

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and I don't know whether it says more about Ronnie or about the state of the nation -

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-but you get trapped in toilets a lot.

-I do. That's right.

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-No, seriously, he gets trapped in toilets.

-Yes, that's right.

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-But posh toilets.

-Posh toilets.

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One is the bathroom and the other one is the toilet - is that... The bath.

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-You're stuck in the bath!

-Yeah, exactly.

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-And he's stuck in the toilet!

-But happily, he doesn't take pictures.

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No, no. Toilets - that's right. Toilets at Windsor Castle.

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-Windsor Castle!

-Buckingham Palace.

-Buckingham Palace!

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-I was trapped there.

-You're not getting in through the window

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and that's why you're trapped in the toilet? Why are you getting trapped in the toilet?

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Well, I just think I'm unlucky with the latch.

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And Victor Spinetti, dear - his memorial service

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at St Paul's, Covent Garden, I really was in trouble.

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I could not get out. And eventually, I had to scream and shout and somebody came and threw

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a screwdriver over the top of the door so I could take the lock off.

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-Weren't you supposed to be doing a reading at his funeral?

-Yes, I was.

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I was out in time for the reading.

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Oh, you were out in time for the reading, yes. Cos that's bad.

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Slightly stressed but I was out.

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Er, now, we are, of course,

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very happy to have an Oscar winner on the sofa - Juliette Binoche.

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Because we knew you were coming, Juliette,

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-the audience have been learning some French.

-Oh, wow!

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And they have a special greeting for you.

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If you let me down...

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LAUGHTER

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We've worked at this!

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OK, on the count of three. One, two, three...

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AUDIENCE: Bonsoir, Madame Binoche.

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Nous vous souhaitons une bonne soiree.

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Hey! Well done!

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-APPLAUSE Thank you. Thank you.

-Yeah!

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And I'd like to thank a lady in the audience who taught us that.

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She's got a made-up French name. I can't remember it.

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Oh, no, it'll annoy me. What was it again?

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-Annaita.

-Anna-ida?

-Ita.

-Ita.

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-Annaita?

-Annaita.

-Is that a real name?

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-Is it a real name(?)

-I've never heard of it before.

-You see? Hello!

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Lady from France, never heard of it before.

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She made it up! She's on the run.

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And what's the weird story about you wanting to become a spy?

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Well, I had to make a film where I was a spy

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and I was looking for a secret agent to talk to and understand...

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They're hard to find, typically.

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But I had an intuition, actually,

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because I heard a story from a neighbour that was a bit weird

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but then I thought, "Maybe I should go and knock at his door and see, ask some questions."

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Because his wife also was kind of

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an investigator in journalism or something and she was very talkative.

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He was not.

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But I knocked at the door and they invited me in and we talked

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a little bit and we saw each other again and again, like, three times.

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And after a while, I got quite a lot of information.

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But I would put it to you that your neighbour was a very bad spy

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-if he just told you everything...

-He was retiring!

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..after you popped round for coffee.

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No torture, no nothing - just some biscuits.

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That's an easy one, isn't it?

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Although if I was a spy, I'd tell everyone.

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"You'll never guess what - I'm a spy.

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-"I've got a gun, I've got everything."

-He was retiring! He was retiring.

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But you're kind of known for... You do learn how to do things.

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-Like, you did learn how to make chocolate for Chocolat.

-Right.

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But those things - do you still know or is it like you know in the moment

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-and then just...?

-Well, you have memory.

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I mean, it fades away a lot of things.

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Or we do!

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But, er, yeah, I still know some stuff about chocolate.

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You know, don't heat it up too much and you can mix it with, you know...

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butter, milk and sugar. Whatever!

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Well, now, Ricky... Cos Ricky acts. You do a lot of acting.

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Now, would you describe yourself in the same way?

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Are you very immersive? Are you a method actor?

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No. No.

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No, I...

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No. It's too much work.

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-No.

-Too much work?

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It's too much. All that... Oh, no. I just...

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What's the character?

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It's me. Same hair, so I'm not in make-up very long.

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You get this hair, you get this accent.

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I'm from Reading - I'll write that in, I'm from Reading.

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One of the first things I liked was...

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There was a scene and it was me sitting down

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and the door had to go and I had to get up and answer it, OK?

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And I realised that that takes all day. You're up and down all day.

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So now if it's like, "You answer the door,"

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-I just change the line to, "Come in."

-LAUGHTER

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So... Cos I know about directing now, I go,

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"That'll take ages. "Am I doing that? That needs a wig.

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"I'm not wearing the beard." So that's how I choose my roles.

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My ideal role would be, I think, a spaceman,

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cos you're just floating around in the same thing. No make-up.

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You can just have a wee where you are.

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You don't need to go to the toilet. That would be my ideal role.

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How different, then... How different the acting style of Ronnie Corbett.

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Because how many weeks of a fish-only diet did you go through

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before taking on the role of a sea lion in Fierce Creatures?

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This is unbelievable.

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-Er...

-I mean, it's like watching a documentary, isn't it, Juliette?

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-It's...

-I love the flippers!

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I love the glasses!

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There's no concession at all.

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I just accepted that!

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Well, some seals wear glasses.

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In Operation Snatch, that you've maybe heard...

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-I haven't seen it.

-No, no, well...

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-Ever!

-Ever!

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APPLAUSE

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Not been told about it?

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-It was a war film?

-No, it was a...

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-It wasn't a war film?

-Yes, it was.

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-It was a war film.

-That's what I said!

-Yes!

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-About Gibraltar.

-Yes.

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Because I was driving down Baker Street one day and a car overtook me

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and Terry Thomas flagged my car down and said,

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"I've just had a wonderful idea,

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"cos I'm doing a film about Gibraltar and the Barbary apes.

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-"And, er... Would you..."

-LAUGHTER

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Somebody's guessed already!

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Barbary apes!

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"Would you ring up the director Robert Day and go and see him?"

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You see? And the theory was that in Gibraltar,

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if there was a sudden drop in the population of Barbary apes,

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the UK would lose control of Gibraltar.

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So they had soldiers playing Barbary apes.

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-Is that real?

-That is real.

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-Yeah.

-Why?

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-Do you know the story?

-No.

-The theory was that the Barbary ape population...

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-Yeah, but not the film.

-No, not the film, but this thing...

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-This is real?

-Yes.

-They had soldiers dressing up as Barbary apes?

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Yes, diminutive soldiers.

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Slightly diminutive soldiers. Absolutely.

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-Hello!

-And, er...so I did that.

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-That was my first...

-Hold on, wait a minute.

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-So during the war...

-Yes.

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..Gibraltar found soldiers to dress up as apes

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-if there weren't enough apes?

-That's right.

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Why did we need there to look like there was lots of apes?

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Because there was a spiritual theory that existed

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that if Gibraltar wasn't peopled by enough Barbary apes...

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-I won't take long!

-And so someone had to go along with it?

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-This was a wind-up! This was such a wind-up!

-What I like is that thing.

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You know, that classic scene. "Dad, what did you do during the war?"

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-"I was a..."

-"I don't want to talk about it, son.

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"I don't want to talk about it." That's amazing!

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-So you played a Barbary ape in that?

-Yes. And a soldier, of course.

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And a soldier, of course.

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But there is an urban myth that you are one of these apes

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-in Stanley Kubrick's 2001...

-No.

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Funnily enough, he did ask to see me after I'd...

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LAUGHTER

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He saw you in Gibraltar and thought... That's amazing!

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-He saw me in Gibraltar...

-"Who's that ape?" "That's not an ape - that's Mr Corbett."

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-"That's not an ape? That's Mr Corbett, is it?"

-Yes!

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"I like the cut of his jib!"

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So that isn't... You were not one of those?

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-No, I wasn't. No. I wasn't.

-Did you turn it down?

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I turned it down, yes. It got too technical.

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LAUGHTER

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In some acting studio, he could have done it.

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Is this all true, what just happened?

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You had to pretend to be...

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-There were people who pretended to be apes in the war...

-Yes.

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-..you did one of those in a film.

-Yes.

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Stanley Kubrick saw you and wanted you to be an ape in 200...

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No, actually, he saw me

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doing a little spot on Sunday Night At The Palladium and he said...

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"He would be ideal for one of my apes."

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Oh, he's good! He's still got it! He's still got it!

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-It just comes to me like that.

-Look at that! Look at that! Oh, my God.

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Throw a banana at him! That's amazing.

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Now, Juliette Binoche,

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the movie you're here to tell us about is brilliant.

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It's called A Thousand Times Good Night.

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It opens on the 2nd of May and seriously, it's fantastic.

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So tell us the premise. You play a photographer but not just a photographer.

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I play a war photographer.

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And the story is, you know, the dichotomy between the family

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and her passion of being a war photographer.

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It's almost like an obsession.

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And when she comes back home, of course,

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there are a lot of conflicts because it's to dangerous places

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and she's going to have a journey with her daughter,

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who is 15 years old, and they're going to...

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She's going to learn about what she does.

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I mean, it brings, you know, big themes in life.

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And being a passionate mother is not an easy thing to do.

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Especially when you're going to war zones and very difficult,

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dangerous places. So the film is really developing this subject.

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We've got a bit...

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So just to put it into context, we discover that you...

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-You've infiltrated a group with a suicide bomber?

-Right.

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And this is you as a cryptographer

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-and you're in the van with the suicide bomber.

-Right.

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-And it's almost dialogue-free. That whole thing.

-Yes.

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And seriously, it's one of the most nerve-racking...

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When you see this part of the movie, it's nerve-racking. Here we go.

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HUBBUB OF CONVERSATION

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ID.

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SHE BREATHES HEAVILY

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Ooh!

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APPLAUSE

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That is so good.

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And what's the link to Ireland?

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Is it just because that's the biggest contrast between

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-where you are working and where you live?

-Right.

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-So, yeah, we shot in Ireland...

-Can I just say, that's a lovely house?

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Where is that?

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-It's outside of Dublin.

-It's lovely.

-Yeah, it's beautiful.

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Is it for sale?

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No, seriously, the film is worth seeing for the house. It's gorgeous!

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It's a lovely location. If you are selling, do, you know, tweet me.

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-No, where do you live?

-Where do I live?

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In Switzerland or France?

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-No, in Paris.

-In Paris? Oh, right.

-In France, yeah.

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Oh, I know where Paris is.

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It's at the other end of the Eurostar!

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In France. Ah, yes, I know.

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Don't give too much away - he could be a spy.

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You know that monkey you were talking to out there...?

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-Oh, dear!

-It's interesting. People talk about, you know, humour travelling...

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The Office... People made versions of it or...

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Yeah, there was actually a French version.

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And a French-Canadian version, as well.

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And is there anywhere they didn't find it funny?

0:18:050:18:08

I don't know, cos it went in its...

0:18:080:18:11

The original format in about 90 to 100 countries, I think it is now,

0:18:110:18:15

which may be subtitled or dubbed.

0:18:150:18:17

And there were, I think, eight remakes -

0:18:170:18:21

the American, Israeli, French, German...

0:18:210:18:24

So I don't know. I think they're trying to make one in China.

0:18:240:18:28

The ratings have got to be good with that one!

0:18:280:18:32

I mean, ratings - one billion. One billion last night.

0:18:320:18:34

Well, listen, we were thinking about how jokes travel, OK?

0:18:360:18:39

-We've a very international audience. As we know, we've got...

-HE MUTTERS:

-..Annanita.

0:18:390:18:43

So, we've asked our non-British friends

0:18:450:18:48

if they will share a favourite joke with us, OK?

0:18:480:18:51

So first off is Emi.

0:18:510:18:53

Is it Emi? Hello. Do stand up.

0:18:530:18:57

-Stand up, Emi. Hi.

-Hi.

0:18:570:18:59

-Where are you from?

-France.

-Another French person!

0:18:590:19:03

OK, so if you do your joke in French, sort of, line by line...

0:19:030:19:06

-Juliette, could you translate the joke?

-I'll try!

0:19:060:19:09

If you translate the joke, then we'll see if we find it funny.

0:19:090:19:13

No pressure! We're a friendly crowd. OK, off you go.

0:19:150:19:19

First line of your joke.

0:19:190:19:21

-Donc, c'est un singe qui rend dans un bar...

-So...

0:19:210:19:25

It's a monkey who enters into a bar...

0:19:250:19:28

Ronnie again!

0:19:280:19:29

It's all about Ronnie.

0:19:310:19:33

So a monkey goes into a bar...

0:19:330:19:35

..et il demande au barman...

0:19:350:19:37

And he's asking the-the-the barman...

0:19:370:19:39

"Est-ce que vouz avez des bananes?"

0:19:390:19:41

"Do you have bananas?"

0:19:410:19:42

-I knew that one.

-I knew that!

0:19:420:19:44

"Non, on n'a pas de bananes"

0:19:460:19:48

"No, we don't have any banana."

0:19:480:19:50

Le singe continue, "Est-ce que vous avez des bananes?"

0:19:500:19:53

Th-The monkey continues to say, "Do you have banana?"

0:19:530:19:56

-"Non, on n'a pas de bananes!"

-"No, we don't have any bananas!"

0:19:560:19:58

-"Est-ce que vous avez des bananes?"

-"Come on! Do you have banana?"

0:19:580:20:01

La, il s'enerve et il fait,

0:20:010:20:03

"Ecoutez, si vous continuez a me demander si j'ai des bananes,

0:20:030:20:06

"je vous cloue la langue contre le mur."

0:20:060:20:09

Oh, my God!

0:20:090:20:11

-"Listen, if you still keep saying..."

-"If you keep saying..."

0:20:110:20:14

"Asking for banana, I hammer your tongue

0:20:140:20:19

"on the wall with a...

0:20:190:20:21

"I hammer a nail on your tongue..."

0:20:210:20:24

SHE GIGGLES

0:20:240:20:27

-Is that the punch line?

-No, no!

0:20:270:20:29

OK! Juliette found it very funny.

0:20:290:20:32

I know, I'm very bad at telling stories

0:20:320:20:34

because I always laugh before it ends. So...

0:20:340:20:38

Et le singe demande, "Est-ce que vous avez des clous?"

0:20:380:20:40

The monkey asks, "Do you have nails?"

0:20:400:20:43

-"Non."

-"No."

0:20:430:20:46

-"Est-ce que vous avez des bananes?"

-"Do you have bananas?"

0:20:460:20:49

Is THAT the end of the joke?

0:20:490:20:51

Merci, Emi.

0:20:570:20:59

Well done. Very good.

0:20:590:21:01

OK, one more.

0:21:010:21:03

A lady from Colombia? Where's the lady from Colombia?

0:21:060:21:08

-Oh, there you are. Stand up, too. Hi. What's your name?

-Patricia.

0:21:080:21:13

Oh, Patricia. OK. So, er... Do you want... Shall we hear it...

0:21:130:21:18

-What language?

-Spanish, yes.

-Well, who can translate that?

0:21:180:21:22

-Is it quick?

-I can make it quick.

0:21:220:21:25

Well, tell it quickly in Spanish, then tell it again in English.

0:21:250:21:28

She speaks English! Who's going to...?

0:21:280:21:32

-All right, just tell it in English, then.

-No! You've ruined it! OK.

0:21:320:21:36

Oh, sorry. Tell it in Spanish. Tell it in Spanish.

0:21:360:21:38

-Yeah, Ricky, you've ruined it!

-Tell it in Spanish.

-Tell it in Spanish.

0:21:380:21:42

Dos amigos se encuentran despues de mucho tiempo de no verse

0:21:420:21:44

-y empiezan a hablar...

-Two mo... Am I...?

-..del pasado y de los amigos y etcetera...

0:21:440:21:49

Y uno le dice al otro, "Has visto a alguien del pasado?"

0:21:490:21:52

Dice, "No. Ah, vi a Maria!" "A Maria?! Quien es Maria?" "No, Maria..."

0:21:520:21:55

LAUGHTER

0:21:550:21:57

-"Te acuerdas de Maria?"

-Quite good in Spanish, isn't it?

0:21:570:22:00

"Te acuerdas de Maria? "Una chica muy, muy delgada, plana, no tenia tetas, gorda..."

0:22:000:22:04

LAUGHTER

0:22:040:22:06

"Ah, si, si me acuerdo." "Pues la vi la semana pasada."

0:22:060:22:09

-"Y que?" "Esta...asi!"

-LAUGHTER

0:22:090:22:12

"No! Se hizo cirugia cosmetica en las tetas?"

0:22:120:22:16

"No, artritis! Una artritis horrible!"

0:22:160:22:19

-APPLAUSE

-Shall we hear it in English?

0:22:220:22:24

I think I got the gist of it but I don't know if I'm going to do it justice.

0:22:260:22:30

A monkey with huge boobs goes...

0:22:320:22:34

LAUGHTER

0:22:340:22:36

-OK, tell us in English.

-OK, two old friends meet after a long time.

0:22:370:22:40

They're old school friends and they talk about the past and,

0:22:400:22:43

"Have you seen this? Have you seen someone?" He said, "Oh, yes, I saw Maria.

0:22:430:22:46

"Funnily enough, I saw Maria last week."

0:22:460:22:49

"Who is Maria?" "You remember Maria.

0:22:490:22:50

"She was very slim, very flat-chested. You remember?

0:22:500:22:54

"Not very pretty." "Oh, yes. I remember her, yes."

0:22:540:22:57

"Well, I saw her and she is looking...like this."

0:22:570:23:01

"Wow! She had breast enlargement?"

0:23:010:23:04

-"No, she's got terrible arthritis."

-LAUGHTER

0:23:040:23:07

It's quite a good joke! We laughed at all the jokes. Very good. OK.

0:23:070:23:12

..because they thought she was saying, "She's like this,"

0:23:120:23:15

i.e. she's got huge breasts,

0:23:150:23:17

but they go, "No, she's got terrible arthritis."

0:23:170:23:20

I'll translate the English!

0:23:220:23:25

Hey, Ricky Gervais, series two of Derek starts on Channel 4

0:23:270:23:30

on 23 April and then Netflix gets the whole thing on 30 May.

0:23:300:23:33

-Is that right?

-That's right, yeah, round the world.

0:23:330:23:36

Now, you seem to get a genuine buzz out of making Derek

0:23:360:23:40

and the reaction you get. I guess it's a very different reaction

0:23:400:23:44

-that you've never got for anything before.

-No, with Derek, it's just...

0:23:440:23:47

It's like genuine love, you know what I mean?

0:23:470:23:50

It's really sweet, sincere people saying what it means to them.

0:23:500:23:53

So it's... You know, it's...

0:23:530:23:55

It was quite shocking at first, for everyone to be so lovely.

0:23:550:23:58

And in terms of being well observed -

0:23:580:24:00

cos it does seem very well observed -

0:24:000:24:02

apparently an awful lot of women in your family either do or have worked in care homes.

0:24:020:24:06

Yeah, my mum, my sister, my sister-in-law, her kids.

0:24:060:24:10

You know, I think about six or seven - all the womenfolk.

0:24:100:24:13

The men, not so much.

0:24:130:24:16

But all the womenfolk...

0:24:160:24:18

I've got, like, 35 years of anecdotes from either care homes

0:24:180:24:22

or just, you know, old people, or Alzheimer's homes.

0:24:220:24:25

So I like to write about what I know.

0:24:250:24:28

-And obviously, there's loads of old people in it.

-Yeah.

0:24:280:24:31

So what's the balance of, kind of, actors and just regular old people?

0:24:310:24:35

Well, there's... Well, er...

0:24:350:24:38

-You and I.

-You can be an actor and an old person.

0:24:380:24:40

LAUGHTER

0:24:400:24:42

-You can be both!

-You can be both.

0:24:420:24:44

I hope to be one day.

0:24:460:24:47

I hope to be old and an actor.

0:24:470:24:50

No, no, some of them really are in care homes, yes.

0:24:500:24:52

Some of them are in retirement homes. There's one in an actors' retirement home.

0:24:520:24:56

-Yes, Brinsworth, of course.

-Yeah, she's in one in...

0:24:560:24:59

-Denville Hall.

-Oh, you know 'em all.

-I know them all.

0:24:590:25:02

We've got one along the road from us that has just been refurbished.

0:25:020:25:06

-You do?

-And Anne and I went along a fortnight ago to say a few words

0:25:060:25:11

-and start the digging of the new area, you know...

-What, the graves?

0:25:110:25:15

-Not already!

-No, not the graves!

0:25:150:25:17

-A new building going up.

-Oh, I see!

0:25:190:25:21

-Oh, give me a hug.

-"Not long! Not long for you! You're first."

0:25:230:25:26

And the manager...

0:25:290:25:31

The manager of the home said to the lady,

0:25:310:25:33

"Oh, we've got little Ronnie coming with his wife."

0:25:330:25:37

She said, "Oh, I don't like him, I like the other one."

0:25:370:25:40

So he sent her to Brighton for the day!

0:25:400:25:42

-Oh, God!

-And when you're writing the scripts, do you ever kind of go,

0:25:460:25:51

"Actually, I cannot ask a very old lady to say that"?

0:25:510:25:55

Sometimes in the writers' room, you're brave. You're very brave when you're writing.

0:25:550:25:59

Then you think, "I've got to ask them to say that line now."

0:25:590:26:02

But I usually pluck up courage and they're great. They're wicked. They're brilliant.

0:26:020:26:06

But that picture you showed us - did that actress know that Kevin was looking up her...

0:26:060:26:10

Of course. Of course. It's a scene that he's a pervert so he says...

0:26:100:26:16

They start the aerobics and he slides off his chair

0:26:160:26:19

and he goes, "I fucking love Wednesdays."

0:26:190:26:21

And he kept laughing because the actor, who's lovely - David -

0:26:240:26:27

knows how absurd it is so, you know, he's in character but then

0:26:270:26:30

he goes, "This is ridiculous." And they all start laughing.

0:26:300:26:33

But they're... Honestly, there's not one of them that says,

0:26:330:26:35

"Oh, I can't say that." They just know it's a joke and they...

0:26:350:26:39

-They're brilliant.

-Let's have a look at a clip from Derek. This is a...

0:26:390:26:43

It's you as Derek on a quest to find love.

0:26:430:26:47

-Yes, we get Derek internet dating in this series.

-Oh, right.

0:26:470:26:51

-You all right?

-I'm stressed. My dad's taking Tom's nan out on a date.

0:26:510:26:57

-Have you not ever tried dating before?

-No.

0:26:570:26:59

Get an internet dating profile, put your picture up.

0:26:590:27:01

Sweetheartsonline.com.

0:27:010:27:03

"Sorry, your inbox is empty." It's always going to be empty.

0:27:030:27:06

No-one wants to go out with me.

0:27:060:27:07

You'll be all right, mate. Believe it or not,

0:27:070:27:09

I used to think I'd never make anything of my life.

0:27:090:27:12

-You've got a date.

-What, off the website?

0:27:120:27:14

Yeah, shall I book a restaurant? Yeah?

0:27:140:27:17

-Cuisses de grenouille.

-Yeah.

0:27:170:27:18

-It's a starter. It's, er... Frogs' legs.

-Legs of a...

0:27:180:27:23

-What, a real frog?

-Sure.

0:27:230:27:24

What about the frogs whose legs you took off? Are they disabled now?

0:27:240:27:27

-The frog is dead.

-I licked a toad once.

0:27:270:27:31

It was horrible.

0:27:310:27:32

LAUGHTER

0:27:340:27:36

And in terms of getting older, I read an interview where you said

0:27:400:27:43

-you now quite look forward to being older.

-Yeah! I mean...

0:27:430:27:47

As I said, I'm getting old now.

0:27:470:27:50

My knees are gone, my back aches and I get up and I...

0:27:500:27:53

I wake in the morning now and I go, "Oh, I didn't die."

0:27:530:27:56

You know? You know what I mean? And then you've got to do it all again.

0:27:560:27:59

But I mean...

0:27:590:28:01

Is there a thing... I don't know if it's the same in France.

0:28:020:28:05

-Is it easier in France?

-What?

-The whole ageing thing.

0:28:050:28:08

Are the people more relaxed about it?

0:28:080:28:10

Cos people do panic about it here.

0:28:100:28:12

No, I think it's the same everywhere on the planet.

0:28:120:28:15

We're going through the same thing. All the stages and all.

0:28:150:28:19

And is there a weird thing for an actor...

0:28:190:28:21

I suppose for any actor, that thing when you're reading a script

0:28:210:28:23

and they go, "Oh, no, no, you're not that part. You're THIS part."

0:28:230:28:27

Well, you actually guess it while you're reading it.

0:28:270:28:31

You don't need to ask.

0:28:310:28:32

-Now, one of the things I loved Ronnie in was Sorry!

-Oh, yes.

0:28:340:28:39

Because in that, you still lived at home.

0:28:390:28:42

What is the age difference between you and Barbara Lott?

0:28:420:28:46

Well, Barbara, I suppose, was maybe...

0:28:460:28:50

-I don't know how old

-I

-was then. Was I about 50 then?

0:28:500:28:53

Or 47? I don't know.

0:28:530:28:55

-Barbara was perhaps 72, but...

-No, I think she was about...

0:28:550:28:58

-She was only ten years older than you.

-Was she?

0:28:580:29:01

Will you tell me what to say?

0:29:030:29:04

APPLAUSE

0:29:070:29:10

That was funny! That was like a barrister trying to catch you out.

0:29:100:29:14

"I put it to you, Mr Corbett, that she was only ten years older."

0:29:140:29:18

Although nowadays...

0:29:200:29:22

that's pretty accurate, isn't it? In some areas.

0:29:220:29:26

Yeah, in some areas. Yeah, yeah. Sorry!

0:29:260:29:28

Now, whenever Ricky's here,

0:29:300:29:31

we do like to check what else he's been putting on Twitter, cos he tweets a lot. Now, you guys...

0:29:310:29:36

You don't tweet, do you? You don't tweet?

0:29:360:29:38

-I don't what?

-Tweet.

-Tweet?

0:29:380:29:40

-No, I don't tweet at all.

-No.

-I love the internet. I mean, going on...

0:29:400:29:45

LAUGHTER

0:29:450:29:47

-Yeah, exactly, yeah.

-I'm sure you do, Ronnie.

0:29:470:29:49

"Men who like to be monkeys."

0:29:540:29:56

LAUGHTER

0:29:560:29:58

.com.

0:29:580:29:59

There'll be one. There will be one.

0:30:010:30:03

If you put that in, you'd find something horrendous.

0:30:030:30:05

With a picture of Ronnie.

0:30:070:30:09

So...one of the things that Ricky's put up recently

0:30:110:30:15

is that thing... They call it "ad fail" but it's basically when

0:30:150:30:21

the layout in a newspaper is unfortunate.

0:30:210:30:24

You know, where they put one article beside another article and,

0:30:240:30:27

obviously, nobody looked at the two articles together.

0:30:270:30:31

So this is one you tweeted... I think it's a Canadian paper.

0:30:310:30:34

-Yeah, yeah.

-This one.

0:30:340:30:36

And then... Was it yesterday...?

0:30:470:30:49

Yesterday I saw this sign and I just couldn't believe my luck.

0:30:490:30:53

Check this out.

0:30:530:30:55

LAUGHTER

0:30:560:30:59

They were a little bit squashed...

0:30:590:31:01

A little bit squashed on the spacing.

0:31:010:31:02

-I think I said, "Spacing is everything."

-I just love that.

0:31:020:31:06

"Yeah, we can fit the 'is' in. It's fine."

0:31:060:31:09

It's a pub called the Wig & Pen.

0:31:090:31:11

-It's, "The Wig & Pen is open for business."

-Oh, right!

0:31:110:31:14

I'd have put the "is" on a different line.

0:31:170:31:20

Well, we found some more of these.

0:31:210:31:24

-So you know in magazines, the fold in the magazine...

-Yes.

0:31:240:31:28

That can go wrong. Here's one.

0:31:280:31:30

I don't think anyone's going to want to drink that milkshake.

0:31:300:31:33

-It looks like she's... doing something in the...

-Oh, right!

0:31:430:31:47

It's like... Ricky Gervais is like the red button.

0:31:510:31:54

Then on billboards, it can go wrong on billboards.

0:31:550:31:58

So you're driving down the highway in America,

0:31:580:32:01

and there's a nice big billboard saying, "Where's Daddy?"

0:32:010:32:04

And as you drive on, you discover...

0:32:040:32:06

And finally, finally, this is just like...

0:32:120:32:15

I love that someone took this picture.

0:32:150:32:16

They obviously knew what they were doing when they took the picture.

0:32:160:32:19

They thought, "That'll be funny." You know what? It is. Here's an ad for Coca-Cola.

0:32:190:32:23

Well done, all the ad fails. OK.

0:32:310:32:33

Ladies and gentlemen, it's music time.

0:32:350:32:38

I adore this lady. Adore her.

0:32:380:32:42

She's a huge star in her native Ireland

0:32:420:32:44

and now making big inroads here and in the States.

0:32:440:32:47

Singing her new single It's Good To Be Alive, please welcome Imelda May.

0:32:470:32:52

CHEERING AND APPLAUSE

0:32:520:32:54

# My thoughts are dark and empty

0:33:000:33:03

# I'm not crying out loud

0:33:030:33:06

# Don't know, what am I asking for

0:33:060:33:09

# If an answer can be found

0:33:090:33:11

# The loneliness is killing, though there's someone in my bed

0:33:110:33:17

# There's only so much living and I fear I could be dead

0:33:170:33:22

# But then standing at my window when the night seems like it's won

0:33:220:33:27

# And everything seems brighter with the sighting of the sun

0:33:270:33:33

# And I said, Oh, my God, it's good to be alive

0:33:340:33:38

# Oh, my God, it's good to be alive

0:33:380:33:40

# I know one thing for sure is that I'll love today

0:33:400:33:43

# Yeah, it's good to be alive, yeah

0:33:430:33:46

# Lying in my bedroom

0:33:510:33:54

# My eyes are wide awake

0:33:540:33:57

# My body's tired and giving up

0:33:570:33:59

# Oh, for heaven's sake

0:33:590:34:02

# Won't you please send me a little sleep to ease my worried mind?

0:34:020:34:08

# I'm losing rationality that I won't know how to find

0:34:080:34:12

# But then standing at my window when the night seems like it's won

0:34:120:34:18

# And everything seems brighter with the sighting of the sun

0:34:180:34:24

# And I said, Oh, my God, it's good to be alive

0:34:250:34:28

# Oh, my God, it's good to be alive

0:34:280:34:31

# I know one thing for sure is that I'll love today

0:34:310:34:34

# Yeah, it's good to be alive, yeah

0:34:340:34:36

# Do-do-do do-do do-do

0:34:520:34:55

# Do-do-do do-do do-do

0:34:550:34:58

# Things are looking up for me

0:34:580:35:00

# When the clock keeps ticking on

0:35:000:35:03

# Holding on to time gone by

0:35:030:35:06

# Clinging to a song

0:35:060:35:09

# To pull me through with every word

0:35:090:35:11

# And rock me with a tune

0:35:110:35:14

# And hold my hand when the sandman is hiding in my room

0:35:140:35:19

# But then standing at my window when the night seems like it's won

0:35:190:35:25

# And everything seems brighter with the sighting of the sun

0:35:250:35:30

# And I said, Oh, my God, it's good to be alive

0:35:320:35:35

# Oh, my God, it's good to be alive

0:35:350:35:38

# I know one thing for sure is that I'll love today

0:35:380:35:41

# Yeah, it's good to be alive

0:35:410:35:43

# Oh, my God, it's good to be alive

0:35:430:35:46

# Oh, my God, it's good to be alive

0:35:460:35:49

# I know one thing for sure is that I'll love today

0:35:490:35:52

# Yeah, it's good to be alive, yeah

0:35:520:35:54

# Do-do-do

0:35:540:35:55

# It's good to be alive

0:35:550:35:57

# Do-do-do

0:35:570:35:58

# It's good to be alive

0:35:580:36:00

# Yeah, yeah

0:36:000:36:02

# Yeah, yeah, yeah, yeah. #

0:36:020:36:05

CHEERING AND APPLAUSE

0:36:050:36:08

Thank you.

0:36:090:36:11

Imelda May, everybody! Come on over and join us, do.

0:36:130:36:18

Oh, good job!

0:36:200:36:21

Imelda May! Beautiful!

0:36:210:36:24

Mwah! Come and sit down.

0:36:240:36:27

There's Ricky and Ronnie and Juliette.

0:36:270:36:31

Lovely to meet you. Hello.

0:36:310:36:34

Isn't that just a happy thing? I love that.

0:36:340:36:37

-Oh, good!

-It's fantastic.

-Good, good, good.

0:36:370:36:39

That's the single but it's from the album Tribal.

0:36:390:36:42

Yeah, new album, just out.

0:36:420:36:44

What I like about you - your stuff is all up. It's all very happy.

0:36:440:36:48

Good. Well, I have my moments. I'm not, like, neurotically happy!

0:36:480:36:51

Ha-ha-ha-ha-ha!

0:36:520:36:54

There's unhappy moments and then...

0:36:560:36:58

Yes, but mostly I like writing happy songs cos it's great at the gigs

0:36:580:37:01

when you're gigging it and you've to gig it for a few years.

0:37:010:37:04

-You can have fun with it.

-So you wrote that one?

0:37:040:37:07

-Oh, yeah, I write my own songs, yeah.

-Oh, gosh! Lovely!

-Yeah.

0:37:070:37:10

The whole thing. But tell me about this now.

0:37:100:37:12

So the last time you were here, you didn't have a baby.

0:37:120:37:15

-Now you have a baby.

-Yes, I do.

-How old...

-That's how it works.

0:37:150:37:18

At some point you don't have a baby...

0:37:200:37:22

But you can still not have a baby.

0:37:220:37:23

I probably wouldn't be talking about it.

0:37:230:37:25

Yeah, you can, but if you have a baby, there was a point where you didn't have one.

0:37:250:37:29

It was when she was last here. She didn't have it.

0:37:290:37:32

-But, Imelda, how old is... It's a girl you have, isn't it?

-Violet.

0:37:320:37:36

-Violet Kathleen. She's a year and a half.

-A year...

0:37:360:37:39

-But she is talking now?

-Oh, yap, yap... Well, she takes after her ma.

0:37:390:37:43

-She talks a lot.

-There are some language issues.

0:37:430:37:46

Oh, A language issue. Er...

0:37:460:37:49

I said something ONCE in front of her.

0:37:490:37:52

Just once and I thought, "Oh, she didn't notice that."

0:37:540:37:57

And then we were walking along a hotel corridor

0:37:570:38:01

and I had her on my hip and she's so pretty and gorgeous and sweet

0:38:010:38:05

and a guy was walking along with me... Came along beside me and said,

0:38:050:38:08

"Hi." And I said, "Hello."

0:38:080:38:11

And he went, "Hmm, liking the hair."

0:38:110:38:14

And I went, "Oh, thank you."

0:38:140:38:16

"Hmm, liking the outfit."

0:38:160:38:18

"Yeah, thanks." And then he said, er...

0:38:180:38:20

"You're doing an Imelda May thing there."

0:38:200:38:22

And I said, "Yeah, I get that." And just as we got to the lift

0:38:220:38:26

he said, "Are you getting on?" And I said, "Oh, no, no.

0:38:260:38:30

"I'm waiting on... No."

0:38:300:38:32

And I just... JUST before the doors closed,

0:38:320:38:35

he was going, "Cute baby!"

0:38:350:38:37

He just got into the lift, he's stood there smiling at us

0:38:370:38:40

and just before the lift closed she just looked at him like that

0:38:400:38:44

and looked at me and just went, "Asshole!"

0:38:440:38:47

LAUGHTER

0:38:470:38:50

I was mortified but quite proud! Is that wrong?

0:38:560:38:59

She knew how to say it and she recognised one! It was good, yeah.

0:38:590:39:03

-And, Imelda, you're gigging all the time, aren't you?

-Yeah, like mad.

0:39:030:39:07

It's non-stop. It's great.

0:39:070:39:08

-Well, good luck with all the gigs and just...

-Thank you.

-..continued success to you.

0:39:080:39:12

You deserve it all.

0:39:120:39:14

Right, before we go tonight, just time for a story or two in the red chair. Who's there?

0:39:140:39:18

-Hello.

-Hi.

0:39:180:39:19

Oh, my God, we've never seen glamour like it on the red chair.

0:39:190:39:23

-What's your name?

-Julie.

-Julie? Where are you from, Julie?

0:39:230:39:27

-I'm originally from South Korea.

-Do you live in London now?

-Yes.

0:39:270:39:30

-Oh, right. And what do you do here?

-I'm a law student.

-A law student?

0:39:300:39:34

OK, off you go with your story.

0:39:340:39:36

So, last summer,

0:39:360:39:38

me and five of my girlfriends went on a girls' holiday to Alicante.

0:39:380:39:42

And I got really...

0:39:420:39:43

HE MOUTHS

0:39:430:39:44

SHE SQUEALS

0:39:440:39:46

Is it wrong?

0:39:490:39:51

-Yeah, no.

-Is it wrong?

0:39:510:39:52

No, we were all thinking it.

0:39:520:39:54

The idea, Juliette, is that they tell their best story.

0:39:540:39:57

It's like either their most interesting or their funniest story of their whole lives. And...

0:39:570:40:03

You didn't want to hear the rest of it?

0:40:030:40:05

There was something about her and her girlfriends in Alicante - I found it irritating.

0:40:050:40:09

"Five of my girlfriends," like she's got hundreds.

0:40:090:40:12

I haven't got five FRIENDS, you know what I mean?

0:40:120:40:15

-So she had to go.

-There was some... I don't know what it was.

0:40:150:40:18

I used to have a problem with this cos I just felt so sorry for them

0:40:180:40:21

-I couldn't stand it.

-Yes.

-But now I quite like it.

-Oh, yes, right.

0:40:210:40:24

-Cos I think they sort of want it, as well, don't they, really?

-Yes.

0:40:240:40:27

-It's a disappointment if you don't get flipped back on the chair, isn't it?

-Yeah, that's what he says!

0:40:270:40:31

-They'd be upset if I didn't.

-Where do they go, Graham, after...?

0:40:360:40:39

-Where do they go?!

-Where do they go after...

-Just... I don't know.

0:40:390:40:43

-No, but where...

-To heaven, Ronnie.

0:40:430:40:45

Are they in another place?

0:40:450:40:48

LAUGHTER

0:40:480:40:50

-They're not there any more.

-Oh, I know, but...

-There are...

0:40:510:40:55

-They just...

-There's a spike...

0:40:550:40:57

I want to give them a cuddle.

0:40:570:41:00

-Well, you can.

-Have you got somebody else in the chair?

-Oh, yes. Oh, yes.

0:41:000:41:05

Now we all understand the game, let's do it again.

0:41:050:41:08

Now we're all on board...

0:41:080:41:10

-Whoo!

-And, Juliette, do feel free. Feel free!

0:41:100:41:13

I'm not doing this.

0:41:130:41:14

If you're feeling a little ennui, just, er, knock them off. Hello. Hi!

0:41:140:41:19

-Hi.

-Don't tip him! I love him.

-How are you?

-Great. We're very well.

0:41:190:41:23

-All the better for seeing you. What's your name?

-James.

0:41:230:41:26

-James, and where do you live, James?

-I live in... I live in Surrey.

0:41:260:41:30

-In Surrey. And what do you do for a living?

-I'm a civil engineer.

0:41:300:41:33

Brilliant, he's a civil engineer. He does something useful and he lives in Surrey.

0:41:330:41:37

Off you go with your story.

0:41:370:41:38

-This story involves getting locked in a toilet.

-Ronnie!

0:41:380:41:41

-Were you dressed as a monkey?

-Er, no.

0:41:410:41:44

-I was dressed without any clothes, so...

-What? What?!

0:41:450:41:48

-I wasn't dressed when it happened, so...

-You were naked in the toilet?

0:41:500:41:53

-I was naked in the toilet, yeah.

-Why? Why?

-I was, er...

0:41:530:41:55

I had a very important meeting at half past eight in the morning.

0:41:550:41:59

I went into the bathroom, closed the door, went to the toilet

0:41:590:42:02

and then when I got up to go to get out of the toilet, the door broke.

0:42:020:42:05

So I was stuck in the bathroom.

0:42:050:42:07

I had a very important meeting in a couple of hours.

0:42:070:42:10

I wasn't sure what I was going to do

0:42:100:42:12

so I sat there for a couple of seconds thinking what to do

0:42:120:42:14

and thought, "The best thing to do is to call the fire brigade."

0:42:140:42:18

So my... My wife...

0:42:180:42:19

-Maybe you should have thought for longer!

-Perhaps.

0:42:190:42:23

I was in a bit of a... I had a very important meeting to go to.

0:42:230:42:27

We get it, very important meeting! VERY important meeting!

0:42:270:42:33

So I...

0:42:330:42:34

My wife called the ambulance... Sorry, the fire brigade.

0:42:340:42:37

-The ambulance?

-LAUGHTER

0:42:370:42:40

..called the fire brigade and told them what it was about -

0:42:400:42:43

I was basically stuck in the bathroom and there was nothing

0:42:430:42:46

-medically wrong with me, just that I was stuck in there.

-Well...

0:42:460:42:50

And they turned up to the front door at half past six in the morning...

0:42:500:42:54

-No, don't you pull this! This is...

-No, I'm not.

0:42:540:42:57

-..with the blue lights on and...

-He's still going - he doesn't care.

0:42:570:42:59

The blue lights on and they did the "whoop, whoop" outside the front door

0:42:590:43:03

and then, er, four big, burly firemen...

0:43:030:43:07

-Here we go, it's a fetish.

-..broke the door and got me out of the bathroom

0:43:070:43:10

and I walked out with a face cloth over my privates.

0:43:100:43:14

LAUGHTER AND APPLAUSE

0:43:150:43:18

And I... And I still made the meeting at half past eight.

0:43:180:43:21

A very important meeting!

0:43:210:43:23

-Oh, my God! I can't believe we sat through that whole thing.

-I know!

0:43:230:43:26

Well done, everybody. If you'd like to join us on the show

0:43:270:43:30

and have a go in the big red chair, you can. Contact our website...

0:43:300:43:34

Thank you to my lovely guests tonight.

0:43:340:43:36

-Imelda May, everybody.

-CHEERING AND APPLAUSE

0:43:360:43:39

-Ricky Gervais.

-CHEERING AND APPLAUSE

0:43:390:43:42

-Ronnie Corbett.

-Thank you.

-CHEERING AND APPLAUSE

0:43:420:43:45

-And Juliette Binoche.

-CHEERING AND APPLAUSE

0:43:450:43:47

Join me next week with comic actor Seth Rogen,

0:43:470:43:51

Episodes star Matt LeBlanc

0:43:510:43:53

and Hollywood heart-throb Zac Efron.

0:43:530:43:55

I'll see you then. Good night, everybody, bye-bye.

0:43:550:43:57

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