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THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE. | 0:00:02 | 0:00:04 | |
Three hot Hollywood stars on the show tonight, | 0:00:04 | 0:00:06 | |
all with their own fans. Where are the Matt LeBlanc fans? | 0:00:06 | 0:00:08 | |
All right. All right. Where are the Zac Efron fans? | 0:00:08 | 0:00:12 | |
OK, OK, OK. | 0:00:12 | 0:00:14 | |
Where are the Seth Rogen fans? | 0:00:14 | 0:00:16 | |
Yeah! | 0:00:16 | 0:00:18 | |
Woo! | 0:00:18 | 0:00:19 | |
Hi, Seth. Let's start the show! | 0:00:20 | 0:00:22 | |
CHEERING AND APPLAUSE | 0:00:32 | 0:00:35 | |
Hello, hello! Hello. Hello. | 0:00:41 | 0:00:45 | |
Hello, hello. Hi, hi, hi. | 0:00:45 | 0:00:47 | |
Hello, good evening and welcome one and all. | 0:00:48 | 0:00:51 | |
Yes, you are in for a treat tonight. | 0:00:51 | 0:00:52 | |
We have got three of Hollywood's hottest leading men | 0:00:52 | 0:00:55 | |
on one show, ladies and gentlemen! | 0:00:55 | 0:00:57 | |
CHEERING | 0:00:57 | 0:00:59 | |
Star of High School Musical, Zac Efron is here! | 0:00:59 | 0:01:02 | |
CHEERING | 0:01:02 | 0:01:04 | |
From Knocked Up and 40-Year-Old Virgin, | 0:01:05 | 0:01:07 | |
Seth Rogen is on the show. | 0:01:07 | 0:01:08 | |
CHEERING | 0:01:08 | 0:01:10 | |
Yeah. | 0:01:10 | 0:01:12 | |
Star of the hit sitcoms Friends and Episodes, Matt LeBlanc is here! | 0:01:12 | 0:01:16 | |
CHEERING | 0:01:16 | 0:01:19 | |
Plus, we have got music from Kaiser Chiefs. | 0:01:19 | 0:01:23 | |
-CHEERING -Yes, we do. | 0:01:23 | 0:01:26 | |
It's good, isn't it? Good night, good night, good night. | 0:01:26 | 0:01:28 | |
"It's perfect! It's perfect!" | 0:01:28 | 0:01:31 | |
Three top stars, Zac, Matt and Seth. | 0:01:31 | 0:01:35 | |
The problem is, I wonder which one will sit next to me. | 0:01:35 | 0:01:38 | |
Who will sit next to me? It's difficult to know, isn't it? | 0:01:38 | 0:01:41 | |
Here is a recent picture of Zac. | 0:01:41 | 0:01:44 | |
CHEERING | 0:01:44 | 0:01:46 | |
He will be sitting next to me! | 0:01:46 | 0:01:48 | |
LAUGHTER | 0:01:48 | 0:01:49 | |
No. God, he's fit, isn't he? How do you get a body like that? | 0:01:51 | 0:01:56 | |
Do you know, I was wondering, maybe he does horse yoga? | 0:01:56 | 0:02:00 | |
Have you seen this? Have you seen horse yoga? No. | 0:02:00 | 0:02:03 | |
You have been missing out, ladies and gentlemen. | 0:02:03 | 0:02:05 | |
There is a man in Argentina who does yoga with horses. | 0:02:05 | 0:02:09 | |
Yeah. | 0:02:09 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:11 | |
Fair enough! | 0:02:13 | 0:02:14 | |
Here's another picture. | 0:02:15 | 0:02:17 | |
Yeah, I think that picture was taken just before the police were called. | 0:02:20 | 0:02:23 | |
It looks so relaxed, doesn't it? | 0:02:26 | 0:02:28 | |
When was the last time I saw a horse looking so chilled? | 0:02:29 | 0:02:32 | |
LAUGHTER AND APPLAUSE | 0:02:36 | 0:02:37 | |
You didn't see it coming, did you? You didn't see it coming. | 0:02:37 | 0:02:40 | |
I will be talking to Seth about his obsession | 0:02:42 | 0:02:45 | |
with Kim Kardashian and Kanye West. | 0:02:45 | 0:02:48 | |
This is Kim and Kanye, or Kimye's Bound 2 video. | 0:02:48 | 0:02:51 | |
I'm sure you have seen this. | 0:02:52 | 0:02:54 | |
Seth and James Franco have recreated it, scene for scene. | 0:02:54 | 0:02:58 | |
LAUGHTER | 0:02:58 | 0:02:59 | |
In fact, I'm sure I've seen another shot of Seth | 0:03:01 | 0:03:04 | |
where he reminds me of Kim Kardashian. | 0:03:04 | 0:03:06 | |
Oh, yeah. | 0:03:06 | 0:03:08 | |
LAUGHTER AND APPLAUSE | 0:03:08 | 0:03:10 | |
Zac has been in so many great films including That Awkward Moment, | 0:03:11 | 0:03:14 | |
where he takes Viagra and then has to go to the toilet. | 0:03:14 | 0:03:18 | |
Yeah, yeah! | 0:03:18 | 0:03:20 | |
Fair enough. Who is he on the phone to? | 0:03:23 | 0:03:25 | |
"Hi, Mum! | 0:03:26 | 0:03:28 | |
"Nothing really, just hanging out." | 0:03:28 | 0:03:30 | |
Mind you, of course, this is what would really happen | 0:03:30 | 0:03:33 | |
if you took a Viagra and went to the toilet. | 0:03:33 | 0:03:35 | |
LAUGHTER | 0:03:35 | 0:03:37 | |
That's all coming up later, | 0:03:37 | 0:03:38 | |
plus some of your stories in the Red Chair. | 0:03:38 | 0:03:40 | |
-Let's get some guests on. -CHEERING | 0:03:40 | 0:03:43 | |
Later, we'll have music from Kaiser Chiefs. | 0:03:43 | 0:03:45 | |
First, he's the boy next door, it's Zac Efron! | 0:03:47 | 0:03:49 | |
Hello, sir. | 0:03:52 | 0:03:54 | |
-Lovely to see you. Hi. -How are you? -I'm very well. | 0:03:54 | 0:03:57 | |
Zac Efron, everybody. | 0:03:57 | 0:03:58 | |
There goes the neighbourhood, it's Seth Rogen! | 0:04:00 | 0:04:02 | |
It really is. Hello. Hi. Welcome. Come in. | 0:04:03 | 0:04:07 | |
He is my favourite Friend, Matt LeBlanc, everybody. | 0:04:09 | 0:04:12 | |
-Hello, sir. -How are you? -I'm very well. Come in. Sit, everybody, sit. | 0:04:16 | 0:04:20 | |
Sit, sit, sit. | 0:04:22 | 0:04:24 | |
CHEERING AND APPLAUSE | 0:04:26 | 0:04:28 | |
You're just like objects. | 0:04:30 | 0:04:31 | |
Finally... | 0:04:33 | 0:04:35 | |
It's three leading men on a couch. Are you all getting on OK? | 0:04:35 | 0:04:38 | |
You are hanging out, you are good? | 0:04:39 | 0:04:42 | |
-Who's hanging out? -Exactly. | 0:04:42 | 0:04:44 | |
Great. | 0:04:44 | 0:04:45 | |
Like an ugly sandwich with me... | 0:04:45 | 0:04:47 | |
AUDIENCE: Aw! | 0:04:48 | 0:04:50 | |
-Stop that. -Aw. I wanted sympathy early on. | 0:04:50 | 0:04:53 | |
Sympathy lust, lovely. | 0:04:54 | 0:04:55 | |
Zac, the reaction of people to you, | 0:04:57 | 0:04:59 | |
they don't try to be cool when they see you, | 0:04:59 | 0:05:01 | |
they just see you and scream. | 0:05:01 | 0:05:02 | |
They sort of, yeah. | 0:05:03 | 0:05:05 | |
It's weird. | 0:05:06 | 0:05:07 | |
Women make a noise I never heard in my life when they see Zac. | 0:05:07 | 0:05:11 | |
Give me three hours with a woman | 0:05:11 | 0:05:13 | |
and I couldn't get her to make the noise that... | 0:05:13 | 0:05:16 | |
they make after just seeing Zac for two seconds. | 0:05:16 | 0:05:20 | |
-SQUEALING -See? That's... Yeah. | 0:05:20 | 0:05:22 | |
There's that noise. | 0:05:22 | 0:05:23 | |
I love you, guys. | 0:05:23 | 0:05:24 | |
This grandmother just made that noise. | 0:05:26 | 0:05:28 | |
I saw it pop out of her mouth. | 0:05:28 | 0:05:30 | |
There is no demographic that is not seduced by that. | 0:05:31 | 0:05:34 | |
You have talked about France was very bad for you, Matt. | 0:05:36 | 0:05:39 | |
-Was it France where you had...? -Yeah, back in the day. | 0:05:39 | 0:05:41 | |
This is going back 100 years or so. | 0:05:41 | 0:05:43 | |
Napoleon was there. | 0:05:45 | 0:05:46 | |
Got off the plane and went to go outside to the car. | 0:05:48 | 0:05:50 | |
There was this little French guy there. | 0:05:50 | 0:05:53 | |
He was, "Matt LeBlanc, I love you." | 0:05:53 | 0:05:55 | |
He had this... He had this picture, a Polaroid. | 0:05:55 | 0:05:58 | |
Does anyone remember what those are? | 0:05:58 | 0:06:01 | |
It's a Polaroid of him and Courtney Cox. | 0:06:01 | 0:06:03 | |
It had been like... | 0:06:03 | 0:06:05 | |
It looked like it had been handled a little too much. | 0:06:05 | 0:06:08 | |
Don't put a black light over it. | 0:06:08 | 0:06:11 | |
He was like, "I need a photo of you." | 0:06:12 | 0:06:14 | |
I said, "OK." I got in the car. | 0:06:14 | 0:06:17 | |
We went straight to the hotel. | 0:06:17 | 0:06:19 | |
When I got out of the car, there he was. | 0:06:19 | 0:06:21 | |
Waiting. | 0:06:21 | 0:06:23 | |
Evil twin with the same photo. | 0:06:23 | 0:06:26 | |
Then he, like... | 0:06:26 | 0:06:28 | |
He grabs me as I'm getting out of the car, in the weirdest way. | 0:06:28 | 0:06:31 | |
-I will show you. -Do it! | 0:06:31 | 0:06:34 | |
He goes like this. | 0:06:34 | 0:06:35 | |
-He puts his arms around me like this. And his leg. -Whoa! | 0:06:35 | 0:06:38 | |
I could feel his hug. I could feel his heart. | 0:06:41 | 0:06:44 | |
The leg hug is weird. You don't see that. | 0:06:45 | 0:06:48 | |
It's a French thing. | 0:06:49 | 0:06:51 | |
I peeled him off me. | 0:06:51 | 0:06:52 | |
That was uncomfortable all the way from over here. | 0:06:55 | 0:06:57 | |
Zac, your co-star, Miles Teller from That Awkward Moment. | 0:06:59 | 0:07:04 | |
He tells a story about how... | 0:07:04 | 0:07:06 | |
SQUEALING | 0:07:06 | 0:07:07 | |
There is the noise again. | 0:07:07 | 0:07:08 | |
You're not supposed to pee like that? | 0:07:08 | 0:07:10 | |
Cos I've been peeing like that. | 0:07:10 | 0:07:13 | |
Your cleaner would urge you to pee like that. | 0:07:13 | 0:07:15 | |
You don't have to wash your hands. | 0:07:15 | 0:07:17 | |
That was one of the most awkward filming experiences of my life. | 0:07:19 | 0:07:21 | |
In fairness, I believe you. | 0:07:21 | 0:07:23 | |
It was very... | 0:07:25 | 0:07:26 | |
My mum was on the phone. | 0:07:26 | 0:07:28 | |
Miles was saying that literally | 0:07:30 | 0:07:32 | |
women try to break into your house, quite regularly. | 0:07:32 | 0:07:35 | |
That has happened, yeah. | 0:07:37 | 0:07:38 | |
Yeah. That has happened. | 0:07:38 | 0:07:40 | |
Do you go out? | 0:07:40 | 0:07:41 | |
Do you go, "Excuse me, what are you trying to do?" | 0:07:41 | 0:07:43 | |
-Or do you have people? -I lived in a case study house. | 0:07:43 | 0:07:47 | |
It was designed with all windows, like sliding door windows, | 0:07:47 | 0:07:52 | |
literally all the way round the house. | 0:07:52 | 0:07:54 | |
In the middle of the night, there would be taps on the glass. | 0:07:54 | 0:07:58 | |
Like two or three in the morning. I would wake up. | 0:07:58 | 0:08:01 | |
This is kind of weird. After it happened a few times, | 0:08:01 | 0:08:03 | |
I started keeping a samurai sword by my bed. | 0:08:03 | 0:08:07 | |
Cos I did... | 0:08:07 | 0:08:09 | |
In case a ninja came and knocked... | 0:08:09 | 0:08:11 | |
In case somebody dangerous... | 0:08:11 | 0:08:13 | |
Not that I know how to use a samurai sword at all. | 0:08:13 | 0:08:15 | |
-Totally rational. -Very rational, yeah. | 0:08:15 | 0:08:16 | |
Fan sliced in half by Zac Efron. | 0:08:16 | 0:08:18 | |
That's a lot better than getting curtains! | 0:08:18 | 0:08:20 | |
LAUGHTER | 0:08:20 | 0:08:22 | |
-I did have curtains installed. -OK. | 0:08:30 | 0:08:33 | |
It didn't work. They would still come up. | 0:08:33 | 0:08:38 | |
Talking of people being fans. | 0:08:38 | 0:08:40 | |
I was talking in the monologue... | 0:08:40 | 0:08:41 | |
Seth, are you a fan of Kim and Kanye or do you hate them? | 0:08:41 | 0:08:45 | |
No, I love... | 0:08:45 | 0:08:46 | |
Kim Kardashian has...you know...her...she is a nice person. | 0:08:46 | 0:08:51 | |
LAUGHTER | 0:08:51 | 0:08:55 | |
There is not a canon of work I can refer to, necessarily. | 0:08:55 | 0:08:59 | |
Kanye - I'm a huge fan of his music. | 0:09:01 | 0:09:04 | |
Yeah, I used... We used to have the same personal trainer. | 0:09:04 | 0:09:08 | |
We would work out next to each other, actually. | 0:09:08 | 0:09:11 | |
Which was bizarre. | 0:09:11 | 0:09:13 | |
Yeah, he is a big fan of comedy. He likes our stuff. | 0:09:15 | 0:09:19 | |
I tried to return the favour by liking his stuff. | 0:09:19 | 0:09:22 | |
This is the original Bound 2. This is the two of them. | 0:09:23 | 0:09:27 | |
# Close your eyes and let the world paint 1,000 pictures | 0:09:27 | 0:09:30 | |
# One good girl is worth 1,000 bitches | 0:09:30 | 0:09:33 | |
# Bam | 0:09:33 | 0:09:34 | |
# I'm falling in love | 0:09:34 | 0:09:37 | |
# Bam | 0:09:39 | 0:09:41 | |
# I'm falling in love | 0:09:41 | 0:09:43 | |
# Ah, ha, honey... # | 0:09:43 | 0:09:45 | |
I feel nauseous. | 0:09:47 | 0:09:48 | |
Wait until you see my version! | 0:09:48 | 0:09:51 | |
LAUGHTER | 0:09:51 | 0:09:53 | |
We're about to! | 0:09:53 | 0:09:55 | |
This is you James Franco recreating that shot for shot. | 0:09:55 | 0:09:58 | |
-Shot for shot. -It's really good. | 0:09:58 | 0:10:00 | |
# Close your eyes and let the world paint a pictures | 0:10:00 | 0:10:04 | |
# One good girl is worth 1,000 bitches | 0:10:04 | 0:10:07 | |
# Bam | 0:10:07 | 0:10:08 | |
# I'm falling in love | 0:10:08 | 0:10:10 | |
# Bam | 0:10:14 | 0:10:15 | |
# I'm falling in love | 0:10:15 | 0:10:16 | |
# Ah, ha, honey... # | 0:10:18 | 0:10:20 | |
CHEERING AND APPLAUSE | 0:10:20 | 0:10:22 | |
Someone had to. | 0:10:28 | 0:10:29 | |
Have they been in touch since? | 0:10:31 | 0:10:33 | |
I ran into him. | 0:10:33 | 0:10:34 | |
One of the things that disturbed me | 0:10:34 | 0:10:35 | |
is that we spent more time making our video | 0:10:35 | 0:10:37 | |
than he spent making his video. | 0:10:37 | 0:10:39 | |
It took us three days to get it right. | 0:10:40 | 0:10:41 | |
He was like, "Man, we did it in four hours." | 0:10:41 | 0:10:45 | |
That makes sense. | 0:10:45 | 0:10:47 | |
He is a fan of it. He thinks it's funny. | 0:10:47 | 0:10:49 | |
I have run into him a couple times, actually, | 0:10:49 | 0:10:51 | |
since we rereleased it. | 0:10:51 | 0:10:53 | |
It's weird he couldn't figure out that his version of it | 0:10:53 | 0:10:56 | |
-was quite funny. -He thinks it is funny. | 0:10:56 | 0:10:58 | |
He acknowledges it's a weird video, stylistically. | 0:10:58 | 0:11:01 | |
I don't think he thinks it's like Thriller, or anything like that. | 0:11:03 | 0:11:06 | |
I think he gets it. | 0:11:07 | 0:11:08 | |
-After the four hours. -Exactly. | 0:11:08 | 0:11:10 | |
Listen, Matt LeBlanc, Episodes is back for a third series. | 0:11:11 | 0:11:15 | |
There is a fourth in the pipeline already? | 0:11:15 | 0:11:17 | |
We start the production in August back here in the UK. | 0:11:17 | 0:11:20 | |
What a nice place to be in - to know it's coming back already. | 0:11:20 | 0:11:23 | |
Yeah, not bad. | 0:11:23 | 0:11:24 | |
This series starts on BBC Two in May. | 0:11:24 | 0:11:28 | |
If anyone who hasn't seen it... | 0:11:28 | 0:11:30 | |
It's a fictional version of you starring in a fictional sitcom. | 0:11:30 | 0:11:34 | |
Right. It's a show about making a show. | 0:11:34 | 0:11:36 | |
-It's based on a... -Show. | 0:11:36 | 0:11:39 | |
On a fictitious hit show in the UK that gets moved to America. | 0:11:40 | 0:11:44 | |
The writers are husband and wife, English couple, | 0:11:44 | 0:11:46 | |
get promised the world and when they get to LA, | 0:11:46 | 0:11:49 | |
all the promises are broken, including the one | 0:11:49 | 0:11:52 | |
where they can keep their lead actor. | 0:11:52 | 0:11:54 | |
They have to hire... They're forced to hire me. | 0:11:54 | 0:11:57 | |
I'm this monster to deal with. | 0:11:57 | 0:11:59 | |
Initially, because you knew the writers, | 0:12:00 | 0:12:03 | |
David Crane and people. | 0:12:03 | 0:12:04 | |
Were you nervous of the version of Matt LeBlanc | 0:12:04 | 0:12:07 | |
they were going to portray? | 0:12:07 | 0:12:08 | |
In the beginning I was kind of like, | 0:12:08 | 0:12:10 | |
"What do you mean I'm playing myself?" | 0:12:10 | 0:12:12 | |
I guess that is better than playing with myself. | 0:12:13 | 0:12:16 | |
It's not! | 0:12:16 | 0:12:18 | |
-It's not, you're right. -Nothing is better. | 0:12:18 | 0:12:20 | |
We are not making a documentary, it's a scripted character. | 0:12:23 | 0:12:26 | |
If you are uncomfortable with anything, we won't use it. | 0:12:26 | 0:12:29 | |
That was fine. It's been really, really good. | 0:12:29 | 0:12:33 | |
Now, it's kind of come full circle. I'm pitching ideas to them | 0:12:33 | 0:12:36 | |
and they are going, "Oh, that's gross. | 0:12:36 | 0:12:38 | |
"We don't want you to do that." | 0:12:38 | 0:12:41 | |
"But I did do that." "No, you didn't. Don't tell anyone." | 0:12:41 | 0:12:43 | |
"Keep that to yourself. Go to church." | 0:12:45 | 0:12:47 | |
This is from later on in the series. | 0:12:50 | 0:12:53 | |
-It's you, basically, you having a rant at the two writers. -OK. | 0:12:54 | 0:12:59 | |
I'm so sick of these British coming over here | 0:12:59 | 0:13:02 | |
and stealing our parts. | 0:13:02 | 0:13:03 | |
How is that even legal?! | 0:13:03 | 0:13:05 | |
It should be like, "OK, you act in your country, | 0:13:05 | 0:13:08 | |
"we'll act in ours." | 0:13:08 | 0:13:09 | |
But no, they sneak in here with their perfect American accents, | 0:13:09 | 0:13:14 | |
like some...magic trick. | 0:13:14 | 0:13:16 | |
You know, no-one even knows till it's too late. | 0:13:16 | 0:13:19 | |
Suddenly, you see them on a talk show | 0:13:19 | 0:13:20 | |
and it's like, "Holy shit, that guy is English?!" | 0:13:20 | 0:13:22 | |
They're on our TV shows, they're in our movies. | 0:13:22 | 0:13:25 | |
There should be congressional hearings or something. | 0:13:25 | 0:13:27 | |
Fucking British people! Stay the fuck home, no offence! | 0:13:27 | 0:13:30 | |
We don't understand it. | 0:13:38 | 0:13:39 | |
Like British people don't get it either. | 0:13:40 | 0:13:42 | |
-It's true, though. -Are we cheaper? | 0:13:42 | 0:13:45 | |
No! | 0:13:45 | 0:13:47 | |
We have to fly you to America. | 0:13:47 | 0:13:49 | |
What is it? | 0:13:49 | 0:13:50 | |
It would be great if it worked both ways, | 0:13:50 | 0:13:52 | |
but Americans can't get parts over here. | 0:13:52 | 0:13:54 | |
The English people come over there and get parts left and right. | 0:13:54 | 0:13:56 | |
-It's great. -It's wrong. -It's wrong. -Yeah. | 0:13:56 | 0:13:58 | |
-They've been acting longer over here. -It's true. | 0:13:58 | 0:14:00 | |
Downton Abbey has a few Americans. That's as close as we have gotten. | 0:14:00 | 0:14:04 | |
-Shirley MacLaine. -Yeah, exactly. | 0:14:04 | 0:14:06 | |
We will get you guys. | 0:14:06 | 0:14:09 | |
I'm the new James Bond, in case people don't know. | 0:14:09 | 0:14:11 | |
In reality you quite like it here. | 0:14:13 | 0:14:14 | |
You spend a lot of time here filming Episodes. | 0:14:14 | 0:14:16 | |
Yeah, I do, I love it here. It's a lot of fun. | 0:14:16 | 0:14:19 | |
But I've heard you in American interviews | 0:14:19 | 0:14:21 | |
-talking about life here... -It's different. | 0:14:21 | 0:14:25 | |
Like you think we are quite drinky. | 0:14:26 | 0:14:28 | |
I meant Seth is quite drinky. | 0:14:33 | 0:14:35 | |
Yeah, it's funny. You go to... | 0:14:35 | 0:14:38 | |
In America, if you go to a bar at lunchtime, it's empty. | 0:14:38 | 0:14:41 | |
-LAUGHTER -Not here. | 0:14:43 | 0:14:45 | |
People are like drinking at lunch, | 0:14:45 | 0:14:47 | |
and then go back, running the crane. | 0:14:47 | 0:14:49 | |
Careful! | 0:14:52 | 0:14:53 | |
-It's fine, I guess. -You make it sound like a bad thing. | 0:14:55 | 0:14:58 | |
You find us quite sweary as well. | 0:14:59 | 0:15:03 | |
Yeah. | 0:15:03 | 0:15:04 | |
Everybody reacted to that. Everyone was like, "Yes." | 0:15:04 | 0:15:07 | |
-It sounds better. -Yeah, yeah. | 0:15:07 | 0:15:10 | |
It's worth two swears of ours. | 0:15:10 | 0:15:14 | |
-It doesn't seem as offensive... -It doesn't. -..with your accent. | 0:15:14 | 0:15:17 | |
It's pronounced and really accurate. | 0:15:17 | 0:15:19 | |
It takes on a whole different meaning. | 0:15:21 | 0:15:24 | |
It could mean several different things. | 0:15:24 | 0:15:26 | |
-The Queen swearing. -It's beautiful. | 0:15:26 | 0:15:28 | |
You get away with it. | 0:15:28 | 0:15:30 | |
You're like, "Oh, that's cool" | 0:15:30 | 0:15:32 | |
It actually made the sentence better. | 0:15:32 | 0:15:34 | |
But here's the weird thing, cos Matt LeBlanc in the show, | 0:15:35 | 0:15:39 | |
in Episodes, a bit of a dick. | 0:15:39 | 0:15:40 | |
Thank you. | 0:15:40 | 0:15:42 | |
But in life, lovely man. | 0:15:42 | 0:15:44 | |
Oh, OK. | 0:15:44 | 0:15:46 | |
Except, I was googling one of my favourite sitcoms, | 0:15:46 | 0:15:49 | |
Will and Grace, | 0:15:49 | 0:15:50 | |
and I did see a familiar face in the back of the photograph. | 0:15:50 | 0:15:53 | |
LAUGHTER | 0:15:54 | 0:15:56 | |
Celebrity photobombing. | 0:15:58 | 0:16:00 | |
On the red carpet. That was a good one. | 0:16:00 | 0:16:02 | |
I don't know if you've seen... | 0:16:02 | 0:16:04 | |
Photobombing has been around for a long time, | 0:16:04 | 0:16:06 | |
but now the big thing is animal photobombing. | 0:16:06 | 0:16:08 | |
So here is somebody taking a picture of a nice black dog, | 0:16:08 | 0:16:11 | |
and somebody photo bombs it. | 0:16:11 | 0:16:13 | |
LAUGHTER | 0:16:13 | 0:16:14 | |
That is dope. That is pretty dope. | 0:16:21 | 0:16:23 | |
Now, this cow is laughing. | 0:16:23 | 0:16:25 | |
See if you can see why the cow is laughing. | 0:16:25 | 0:16:28 | |
There's the cow photo-bombing. | 0:16:28 | 0:16:30 | |
LAUGHTER | 0:16:30 | 0:16:31 | |
-What was the horse thinking? -How did it happen? | 0:16:34 | 0:16:37 | |
How did that happen? | 0:16:37 | 0:16:38 | |
Did they build the fence around the horse? | 0:16:38 | 0:16:41 | |
Is the horse thinking, "I used to be able to get through this." | 0:16:41 | 0:16:45 | |
"I should lay off the oats." | 0:16:45 | 0:16:46 | |
And finally, this is some ladies on safari | 0:16:49 | 0:16:53 | |
trying to find an animal. | 0:16:53 | 0:16:54 | |
LAUGHTER | 0:16:55 | 0:16:57 | |
Yoo-hoo! | 0:17:01 | 0:17:02 | |
Bad Neighbours, Zac and Seth's new movie, | 0:17:05 | 0:17:07 | |
it opens next Saturday, 3rd May. | 0:17:07 | 0:17:10 | |
Seth, you play a new dad. All happy, loved up, new house. | 0:17:12 | 0:17:16 | |
New house, struggling with the fact | 0:17:16 | 0:17:19 | |
that we can't drink and party all the time | 0:17:19 | 0:17:22 | |
like we did before we had kids. | 0:17:22 | 0:17:23 | |
As I think many people do. | 0:17:25 | 0:17:28 | |
And then a bunch of college kids move in next door, | 0:17:28 | 0:17:30 | |
and all they do is party. | 0:17:30 | 0:17:32 | |
At first we think it will be fun and we can hang out with them, | 0:17:32 | 0:17:35 | |
and then it slowly becomes clear that it's not going to work, | 0:17:35 | 0:17:38 | |
and we go to full-on war with each other, basically. | 0:17:38 | 0:17:42 | |
Zac, you play the president of the fraternity. | 0:17:42 | 0:17:45 | |
Now, it's weird. Everything else... | 0:17:45 | 0:17:47 | |
We have proms now, all these other American things have come over. | 0:17:47 | 0:17:50 | |
We don't have fraternities. | 0:17:50 | 0:17:52 | |
So what is that? | 0:17:52 | 0:17:54 | |
It is a tradition that goes back years and years and years. | 0:17:54 | 0:17:58 | |
During college, there's these groups of guys | 0:17:58 | 0:18:00 | |
that get together and make fraternities. | 0:18:00 | 0:18:02 | |
And they get drunk all day. | 0:18:02 | 0:18:03 | |
Yes, they do. | 0:18:04 | 0:18:05 | |
That's pretty much it. No, they do more. | 0:18:05 | 0:18:07 | |
-They do more. -It's about brotherhood. | 0:18:07 | 0:18:09 | |
-It's about brotherhood and bonding. -It is a fraternal environment. -Yes. | 0:18:09 | 0:18:13 | |
They do have this system where they take the younger guys | 0:18:15 | 0:18:18 | |
and break them down to build them back up. | 0:18:18 | 0:18:21 | |
I've seen the videos. | 0:18:21 | 0:18:23 | |
It can be rough. | 0:18:23 | 0:18:24 | |
I was never in a fraternity but a lot of my good friends were. | 0:18:24 | 0:18:28 | |
So I kind of knew what this guy was like. | 0:18:28 | 0:18:31 | |
It's not that different from... Like, where I'm from... | 0:18:31 | 0:18:33 | |
I am from Canada, we don't have fraternities there, | 0:18:33 | 0:18:35 | |
but we have rugby teams, which is essentially the same thing. | 0:18:35 | 0:18:38 | |
You just get drunk all the time and beat up the smallest guy. | 0:18:40 | 0:18:44 | |
It is relatable in every country, I guess. | 0:18:44 | 0:18:46 | |
You weren't in a fraternity, but in high school, | 0:18:48 | 0:18:51 | |
it sounds like you played fraternity-esque sort of games. | 0:18:51 | 0:18:55 | |
Sort of, and after high school. | 0:18:55 | 0:18:59 | |
I made sure everything was legit on set. | 0:18:59 | 0:19:03 | |
You were very good at Sack Tap. | 0:19:05 | 0:19:07 | |
How did you know this? | 0:19:09 | 0:19:11 | |
You do your homework on this guy. That's weird. | 0:19:11 | 0:19:14 | |
Do you want to know what the game is? | 0:19:14 | 0:19:16 | |
What is Sack Tap, Zac? | 0:19:16 | 0:19:17 | |
See, Seth wants to know. | 0:19:17 | 0:19:18 | |
I'm not sure it's right... Did you see this? | 0:19:20 | 0:19:22 | |
Oh, yeah. | 0:19:22 | 0:19:23 | |
Yes, you get the person to look below the waist. | 0:19:23 | 0:19:26 | |
-And then you can smack their... -Oh, that's what it is. -You smack their sack. -That's it. | 0:19:26 | 0:19:30 | |
I wasn't good at it. I don't know what you mean by that. | 0:19:30 | 0:19:33 | |
I avoided it at all costs. | 0:19:33 | 0:19:35 | |
You were all-state champ at Sack Tap. | 0:19:35 | 0:19:37 | |
Yeah, that's what I hear. That's what the forums tell me. | 0:19:37 | 0:19:40 | |
The trick was to play it off like it didn't hurt. | 0:19:41 | 0:19:44 | |
Then eventually people would stop doing it. | 0:19:44 | 0:19:46 | |
If you went and complained, people would just do it more to you. | 0:19:46 | 0:19:49 | |
But they don't do that in college any more. God, I hope not. | 0:19:49 | 0:19:53 | |
-You don't care. -I really don't. | 0:19:53 | 0:19:56 | |
I'm just remembering how much it hurt. | 0:19:57 | 0:20:00 | |
Did you play...what's it called? A Sack Tap? | 0:20:00 | 0:20:03 | |
Just back there we were playing. | 0:20:03 | 0:20:04 | |
-LAUGHTER -You got me good. -I got you pretty good. | 0:20:06 | 0:20:09 | |
APPLAUSE | 0:20:09 | 0:20:14 | |
I call it Crotch Rub. I'm doing it wrong, I think. | 0:20:16 | 0:20:19 | |
I'm too gentle, it makes it weird. | 0:20:22 | 0:20:24 | |
-It's a different game. -It's a different game. | 0:20:26 | 0:20:29 | |
-Is that right? -Oh, you got me! | 0:20:29 | 0:20:31 | |
Get me again! Get me again! | 0:20:31 | 0:20:34 | |
-You suck at this game. -You're winning again! | 0:20:36 | 0:20:41 | |
-There's good qualities in fraternities too. -Yes. | 0:20:43 | 0:20:46 | |
Let's leave it at that. | 0:20:46 | 0:20:47 | |
Actually, there are some sweet moments | 0:20:49 | 0:20:50 | |
between the guys in the film. | 0:20:50 | 0:20:52 | |
But this is a clip of Seth's character, | 0:20:52 | 0:20:54 | |
and your wife, played by Rose Byrne. | 0:20:54 | 0:20:56 | |
This is you going to meet the fraternity on the first day. | 0:20:56 | 0:20:59 | |
Exactly. Yeah, we are trying to say hi to them. | 0:20:59 | 0:21:01 | |
I'm Teddy. This is Pete. | 0:21:02 | 0:21:04 | |
-Who is this little lady? -Stella. | 0:21:06 | 0:21:08 | |
-Stella. -Best name ever. -She is a little flirt. | 0:21:08 | 0:21:13 | |
Like her mom, I bet. | 0:21:13 | 0:21:14 | |
If you could maybe sometimes... | 0:21:16 | 0:21:18 | |
Keep it down! | 0:21:18 | 0:21:21 | |
-All right. -If you guys ever need anything | 0:21:21 | 0:21:24 | |
or we get too noisy, just talk to me or talk to Pete, | 0:21:24 | 0:21:26 | |
we'll take care of it. | 0:21:26 | 0:21:27 | |
Same with us. We get pretty loud over there. | 0:21:27 | 0:21:29 | |
Game of Thrones, we get loud. | 0:21:29 | 0:21:31 | |
-When Khaleesi comes on... -THEY SCREAM | 0:21:31 | 0:21:33 | |
It's crazy. | 0:21:34 | 0:21:35 | |
-All right-y. -Well... -Dope. | 0:21:38 | 0:21:39 | |
-That baby... -Cute baby. | 0:21:47 | 0:21:50 | |
-Twins, right? -Twins. Two babies. -So cute. | 0:21:50 | 0:21:53 | |
Very cute. Stars of the movie, steal the whole movie. | 0:21:53 | 0:21:56 | |
Every time the baby was happy, we were like, | 0:21:56 | 0:21:58 | |
"Oh, man, this makes us look like such better parents | 0:21:58 | 0:22:00 | |
"than we would have, otherwise." | 0:22:00 | 0:22:03 | |
Meanwhile, we're next door, feet away, doing horrible things. | 0:22:03 | 0:22:07 | |
But did you have to be careful? Were the parents miles away? | 0:22:07 | 0:22:10 | |
The dad was on set, and he was cool. | 0:22:10 | 0:22:12 | |
Only a few times we did stuff where the dad was like, | 0:22:12 | 0:22:15 | |
"I don't know. She is going to see this one day. | 0:22:15 | 0:22:18 | |
"And I will have to answer for what happens in it." | 0:22:18 | 0:22:21 | |
There is a scene where the baby finds a condom on the ground | 0:22:23 | 0:22:25 | |
and puts it in her mouth. | 0:22:25 | 0:22:26 | |
AUDIENCE GROANS | 0:22:26 | 0:22:28 | |
It is not used, ultimately, | 0:22:28 | 0:22:30 | |
is what we learn. | 0:22:30 | 0:22:32 | |
But in filming it, we had to make a condom out of sugar paper, | 0:22:32 | 0:22:36 | |
because you cannot give a real baby a condom to shove in her mouth. | 0:22:36 | 0:22:39 | |
-No, you can't. That's what we learned. -Now we know. | 0:22:40 | 0:22:44 | |
You can, once. | 0:22:45 | 0:22:47 | |
But we didn't know if the baby would do it. | 0:22:47 | 0:22:50 | |
The baby was so good. It was like the Daniel Day Lewis of babies, | 0:22:52 | 0:22:55 | |
when it comes to shoving condoms in their mouth. | 0:22:55 | 0:22:57 | |
Literally the second we put the condom in front of the baby, | 0:22:58 | 0:23:01 | |
she picked it up, looked at it, and shoved it in her mouth. | 0:23:01 | 0:23:04 | |
We were like, "Great, good baby." | 0:23:04 | 0:23:06 | |
And the dad was a little horrified. | 0:23:07 | 0:23:10 | |
-Not a good instinct for a girl to have. -No. | 0:23:10 | 0:23:12 | |
She just shoves condoms in her mouth, it's crazy. | 0:23:16 | 0:23:19 | |
-At least she has them. -Yeah, better than the alternative. | 0:23:19 | 0:23:22 | |
I just kept thinking, at her wedding, | 0:23:27 | 0:23:28 | |
they will be showing clips of this movie. | 0:23:28 | 0:23:30 | |
They will show that clip, probably. | 0:23:30 | 0:23:32 | |
Remember this? | 0:23:32 | 0:23:34 | |
Yes, they were kind of oblivious as to what was going on. I hope. | 0:23:34 | 0:23:38 | |
Every once in a while we thought, | 0:23:38 | 0:23:40 | |
"At least she can take the money she's earning on this | 0:23:40 | 0:23:42 | |
"and, if they invest it well, can pay for the therapy | 0:23:42 | 0:23:44 | |
"she will need one day." | 0:23:44 | 0:23:46 | |
It will be a self-healing problem, ultimately. | 0:23:46 | 0:23:49 | |
I don't want to turn the audience against Seth, | 0:23:51 | 0:23:54 | |
but you, in the past, have been a bad neighbour. | 0:23:54 | 0:23:57 | |
-Me? -Yeah. -Oh, yeah, a really bad neighbour. | 0:23:57 | 0:23:59 | |
You do sound terrible. | 0:23:59 | 0:24:01 | |
Yeah, I used to live with this guy Martin, | 0:24:01 | 0:24:04 | |
who was an actor as well, and we had an apartment. | 0:24:04 | 0:24:09 | |
Our neighbour hated us, and we hated him a lot. | 0:24:09 | 0:24:13 | |
He would call security on us all the time. | 0:24:13 | 0:24:15 | |
He had one of those mail slots that goes right in your house, | 0:24:16 | 0:24:20 | |
like it's in the door. | 0:24:20 | 0:24:21 | |
A letter box? | 0:24:21 | 0:24:23 | |
LAUGHTER | 0:24:23 | 0:24:25 | |
Sometimes it's separate, but his went right in. | 0:24:25 | 0:24:27 | |
We would go to McDonald's and buy 20 cheeseburgers, | 0:24:27 | 0:24:31 | |
and we would put them in his mail slot | 0:24:31 | 0:24:33 | |
in the middle of the night, just for no good reason. | 0:24:33 | 0:24:37 | |
Just knowing that he would come downstairs the next day | 0:24:37 | 0:24:40 | |
and find a pile of cheeseburgers on his...inside his house. | 0:24:40 | 0:24:45 | |
That's very kind of you. | 0:24:45 | 0:24:47 | |
For me, I would be psyched. | 0:24:47 | 0:24:48 | |
I'm thinking, I would come downstairs and go, "Oh, my God!" | 0:24:48 | 0:24:53 | |
-It's Christmas. -It's McChristmas. | 0:24:53 | 0:24:55 | |
Yeah, it's McChristmas. | 0:24:55 | 0:24:56 | |
He didn't feel the same way, unfortunately. | 0:24:56 | 0:25:00 | |
We ended on bad terms, unfortunately. | 0:25:00 | 0:25:03 | |
I apologise, Futterman, if you're watching this. That was his name. | 0:25:03 | 0:25:07 | |
The thing about Seth Rogen is, | 0:25:13 | 0:25:14 | |
because you seem such a relaxed, kind of cool guy, very relaxed. | 0:25:14 | 0:25:19 | |
-I am pretty relaxed. -Yeah, very relaxed. | 0:25:19 | 0:25:22 | |
And yet, you have this work ethic. | 0:25:22 | 0:25:24 | |
If anyone young is watching, | 0:25:24 | 0:25:26 | |
this will make you feel like an underachiever. | 0:25:26 | 0:25:28 | |
How old were you when you wrote the first draft of Super Bad? | 0:25:28 | 0:25:32 | |
We were 14 when we finished the first draft, I think. 14 or 15. | 0:25:32 | 0:25:36 | |
Losers! | 0:25:36 | 0:25:37 | |
It didn't get made until ten years after, | 0:25:39 | 0:25:42 | |
but we wrote it in high school. | 0:25:42 | 0:25:44 | |
That's incredible. | 0:25:44 | 0:25:45 | |
I'm sure everyone who didn't write a script | 0:25:45 | 0:25:47 | |
probably hooked up with more girls than I did. | 0:25:47 | 0:25:49 | |
-It all equals out in the end. -You were doing stand-up at that age. | 0:25:49 | 0:25:52 | |
Yes, I started stand-up when I was 13. | 0:25:52 | 0:25:55 | |
-What did you talk about? -I talked about 13-year-old stuff. | 0:25:55 | 0:25:58 | |
I talked about trying to touch boobs and stuff like that. | 0:25:58 | 0:26:02 | |
When I first started doing it, I told normal jokes, | 0:26:02 | 0:26:05 | |
then another comedian came up to me and was like, | 0:26:05 | 0:26:08 | |
"You are the only 13-year-old doing stand-up. | 0:26:08 | 0:26:10 | |
"You can talk about stuff that no-one else can talk about." | 0:26:10 | 0:26:12 | |
That was the first moment | 0:26:14 | 0:26:15 | |
when I thought we should write about what we were going through. | 0:26:15 | 0:26:18 | |
So all of my friends were having kids and not being able to party, | 0:26:18 | 0:26:21 | |
so that is what Neighbours is about. | 0:26:21 | 0:26:23 | |
We really look for what we are experiencing. | 0:26:23 | 0:26:25 | |
Yes. | 0:26:27 | 0:26:28 | |
Mr Efron. | 0:26:30 | 0:26:31 | |
I think what I've always appreciated about his sensibility in his comedy | 0:26:31 | 0:26:35 | |
is that it all comes from such an honest place. | 0:26:35 | 0:26:38 | |
I have related to every single character that you have played. | 0:26:40 | 0:26:43 | |
-Me too. -I get it. | 0:26:43 | 0:26:45 | |
And it was really fun, it was really fun to... I don't know, to sort of... | 0:26:46 | 0:26:51 | |
I became my character. I went a little method. | 0:26:52 | 0:26:56 | |
-Really? You went crazy during? -I did, yeah. | 0:26:56 | 0:26:57 | |
Cos you do, in the movie it is very intense, what goes on. | 0:26:57 | 0:27:00 | |
It's an intense performance. It's good. | 0:27:00 | 0:27:03 | |
In terms of acting techniques... | 0:27:03 | 0:27:06 | |
Matt, you must remember those famous episodes of Friends, | 0:27:06 | 0:27:09 | |
where Joey would explain his acting techniques. | 0:27:09 | 0:27:13 | |
-The Joey acting classes. -The smell-the-fart acting. | 0:27:14 | 0:27:17 | |
Was that Joey or was that you? | 0:27:19 | 0:27:22 | |
No, that was all... That was the writing staff. | 0:27:22 | 0:27:24 | |
We had some great writers, but that was really funny. | 0:27:24 | 0:27:28 | |
Talk us through smell the fart. | 0:27:28 | 0:27:30 | |
The smell-the-fart acting was when he was on Days Of Our Lives. | 0:27:30 | 0:27:34 | |
I can help you out with this. | 0:27:34 | 0:27:35 | |
When you forget your line, you kind of go... | 0:27:38 | 0:27:40 | |
LAUGHTER | 0:27:42 | 0:27:44 | |
-And then you continue. -I was captivated just now. | 0:27:46 | 0:27:49 | |
It's very similar to... | 0:27:50 | 0:27:51 | |
You can do it more subtle too. | 0:27:56 | 0:27:58 | |
We did another one where Joey was teaching | 0:28:00 | 0:28:05 | |
an acting class for soap operas. | 0:28:05 | 0:28:06 | |
Like, if you have to cry, you cut a hole in your pocket | 0:28:09 | 0:28:11 | |
and you take tweezers and you start pulling. | 0:28:11 | 0:28:14 | |
I pinch myself a few times, the problem is I like it. | 0:28:16 | 0:28:20 | |
If you have to be perplexed, you think of some long division. | 0:28:22 | 0:28:26 | |
APPLAUSE | 0:28:33 | 0:28:35 | |
It was a lot of fun. | 0:28:37 | 0:28:38 | |
That wasn't like improv, like these guys, | 0:28:40 | 0:28:43 | |
I can't take any credit for that. | 0:28:43 | 0:28:45 | |
It was all the writers. | 0:28:45 | 0:28:47 | |
-You've still got it. -I had to sell it, but... | 0:28:47 | 0:28:51 | |
Now you know those things, do you find yourselves ever, | 0:28:51 | 0:28:54 | |
when you're actually properly acting thinking, | 0:28:54 | 0:28:56 | |
"Shit, I just did smell-the-fart"? | 0:28:56 | 0:28:58 | |
No. | 0:29:00 | 0:29:01 | |
LAUGHTER | 0:29:01 | 0:29:03 | |
Do you have tricks, Zac, when you're acting? | 0:29:10 | 0:29:12 | |
No, I'm just good. | 0:29:12 | 0:29:14 | |
LAUGHTER | 0:29:14 | 0:29:15 | |
I thought as much. I thought as much. | 0:29:15 | 0:29:17 | |
In interviews it's talked about | 0:29:20 | 0:29:21 | |
how you are very comfortable with your body. | 0:29:21 | 0:29:24 | |
-What?! -I'm not going to ask you to strip or anything, but you said... | 0:29:24 | 0:29:27 | |
CHEERING | 0:29:27 | 0:29:29 | |
AUDIENCE MEMBER: Take your top off. | 0:29:29 | 0:29:31 | |
I'm not... This is coming from them screaming. | 0:29:32 | 0:29:36 | |
-If it's artistically merited. -Yes. | 0:29:36 | 0:29:39 | |
-Talking of... You see I'm moving on. -Thank you. | 0:29:39 | 0:29:42 | |
Talking of artistic nudity, Seth, you must be aware | 0:29:42 | 0:29:46 | |
-of this beautiful art book. -Oh, no. Yeah. | 0:29:46 | 0:29:49 | |
-This is gorgeous. -You have the actual book. Oh, my God! | 0:29:49 | 0:29:52 | |
-Did you have to give permission for this? -No, I wish I had been asked. | 0:29:55 | 0:29:59 | |
No, I never gave permission. | 0:30:01 | 0:30:02 | |
It's an artist called Christopher Schulz, is his name. | 0:30:02 | 0:30:06 | |
He is actually like a legitimate artist. | 0:30:06 | 0:30:09 | |
He's... I can't show that. | 0:30:09 | 0:30:11 | |
There aren't many... Oh, I can't show that. | 0:30:11 | 0:30:13 | |
We can see this... | 0:30:13 | 0:30:14 | |
-You can't show many of them. -No, we really can't. | 0:30:14 | 0:30:16 | |
Christopher Schulz. He is an actual artist. | 0:30:16 | 0:30:19 | |
I have never met him in my life. So you know. | 0:30:19 | 0:30:22 | |
I'm guessing you are planning not to. | 0:30:22 | 0:30:24 | |
He draws me quite beautifully, so I kind of am curious. | 0:30:24 | 0:30:27 | |
So, Christopher Schulz shuts his eyes and thinks, | 0:30:27 | 0:30:30 | |
"How will I see Seth Rogen?" | 0:30:30 | 0:30:32 | |
Like that. | 0:30:32 | 0:30:33 | |
AUDIENCE EXCLAIMS | 0:30:33 | 0:30:35 | |
It's a good mattress. You can see how deep I am in it. | 0:30:41 | 0:30:43 | |
Five inches of sinking. | 0:30:47 | 0:30:48 | |
Men of a certain age. "Is that memory foam?" | 0:30:49 | 0:30:53 | |
It's deep, that mattress. How do you do that? | 0:30:53 | 0:30:56 | |
I think we can show this. This is just like following | 0:30:56 | 0:30:58 | |
-a big dog down the street. -Oh, no. -There's... | 0:30:58 | 0:31:01 | |
-Wow! -It's nuts! -Literally. | 0:31:05 | 0:31:08 | |
LAUGHTER | 0:31:09 | 0:31:11 | |
This may not make it to telly. If it does, it will be blurred. | 0:31:18 | 0:31:21 | |
I want to show the audience. Because of all the things... | 0:31:21 | 0:31:25 | |
-We get it. It's drawings... -Of me naked. -..with no clothes on. | 0:31:25 | 0:31:28 | |
-That's so far, so bonkers. -You get what you are getting. | 0:31:28 | 0:31:32 | |
-What was he thinking? -With that one! | 0:31:32 | 0:31:34 | |
AUDIENCE EXCLAIMS | 0:31:36 | 0:31:37 | |
APPLAUSE | 0:31:39 | 0:31:42 | |
It's weird. | 0:31:42 | 0:31:43 | |
How my own nuts can be over my head like that. It creates... | 0:31:45 | 0:31:49 | |
-It does make you smile, though. -Yeah. | 0:31:49 | 0:31:51 | |
-You look so cute. -I call that one the peek-a-boo. | 0:31:53 | 0:31:55 | |
That is beautiful. | 0:31:58 | 0:31:59 | |
-Do you want that to keep? -I have several copies! | 0:31:59 | 0:32:02 | |
I will sign that for you. | 0:32:06 | 0:32:07 | |
It's music time now. | 0:32:11 | 0:32:12 | |
They were away, but now they are back with a number-one album. | 0:32:12 | 0:32:16 | |
Singing their current single, Coming Home. It is Kaiser Chiefs. | 0:32:16 | 0:32:19 | |
# Do you wish you hadn't stayed all night? | 0:32:33 | 0:32:36 | |
# Do you wish you hadn't got so high? | 0:32:36 | 0:32:39 | |
# Do you wish you hadn't come? Oh, no, gotta go | 0:32:39 | 0:32:44 | |
# Do you wish it wasn't half past gone? | 0:32:44 | 0:32:46 | |
# Do you wish it didn't last that long? | 0:32:46 | 0:32:49 | |
# Do you wish you hadn't come? | 0:32:49 | 0:32:51 | |
# Oh, no, gotta go, gotta run | 0:32:51 | 0:32:55 | |
# May I remind you? | 0:32:55 | 0:32:56 | |
# May I remind you that you've got nowhere to go? | 0:32:58 | 0:33:01 | |
# So I'm staying beside you | 0:33:05 | 0:33:08 | |
# I'm staying beside you | 0:33:08 | 0:33:09 | |
# Till we find our way back home | 0:33:09 | 0:33:11 | |
# We're coming home | 0:33:17 | 0:33:19 | |
# We're coming home | 0:33:19 | 0:33:21 | |
# Light a fire | 0:33:22 | 0:33:24 | |
# We're coming home | 0:33:24 | 0:33:26 | |
# We'll write it down | 0:33:27 | 0:33:29 | |
# We'll write it all down | 0:33:29 | 0:33:36 | |
# And we dance along the finest line | 0:33:47 | 0:33:50 | |
# Between the chance of the time of our lives | 0:33:50 | 0:33:52 | |
# And wishing you we're done | 0:33:52 | 0:33:54 | |
# Oh, no, gotta run | 0:33:54 | 0:33:57 | |
# May I remind you? | 0:33:58 | 0:34:00 | |
# May I remind you that you've got nowhere to go? | 0:34:01 | 0:34:04 | |
# So I'm staying beside you | 0:34:09 | 0:34:10 | |
# I'm staying beside you till we find our way back home | 0:34:11 | 0:34:18 | |
# We're coming home | 0:34:20 | 0:34:22 | |
# We're coming home | 0:34:22 | 0:34:25 | |
# Light a fire | 0:34:25 | 0:34:28 | |
# We're coming home | 0:34:28 | 0:34:30 | |
# We'll write it down | 0:34:30 | 0:34:33 | |
# We'll write it all down | 0:34:33 | 0:34:39 | |
# Then it all comes flooding back to me | 0:34:41 | 0:34:44 | |
# Like a forgotten melody | 0:34:44 | 0:34:50 | |
# We're coming home | 0:35:12 | 0:35:15 | |
# We're coming home | 0:35:15 | 0:35:17 | |
# Light a fire | 0:35:17 | 0:35:19 | |
# We're coming home | 0:35:19 | 0:35:22 | |
# We'll write it down | 0:35:22 | 0:35:25 | |
# We'll write it all down | 0:35:25 | 0:35:31 | |
# We're coming home | 0:35:33 | 0:35:35 | |
# We're coming home | 0:35:35 | 0:35:38 | |
# Light a fire | 0:35:38 | 0:35:41 | |
# We're coming home | 0:35:41 | 0:35:43 | |
# We'll write it down | 0:35:43 | 0:35:46 | |
# We'll write it all down. # | 0:35:46 | 0:35:52 | |
CHEERING AND APPLAUSE | 0:35:57 | 0:36:00 | |
Kaiser Chiefs, everybody! | 0:36:03 | 0:36:05 | |
Come and join me, do. Come and join me, do. | 0:36:05 | 0:36:08 | |
Lovely to see you again. Hello. | 0:36:08 | 0:36:10 | |
-It's been so long. -It has been so long. | 0:36:10 | 0:36:13 | |
Come in, sit down. Zac Efron, Seth Rogen, Matt LeBlanc. | 0:36:13 | 0:36:17 | |
Sit yourself down. | 0:36:20 | 0:36:22 | |
Thank you for having me. | 0:36:22 | 0:36:23 | |
-The Kaiser Chiefs are back! -Yeah! | 0:36:23 | 0:36:27 | |
How do you not look awkward on here? | 0:36:27 | 0:36:28 | |
No, you don't. You look great. | 0:36:28 | 0:36:30 | |
- You smell amazing. - Thank you, you look amazing. | 0:36:33 | 0:36:36 | |
I'm trying. | 0:36:36 | 0:36:37 | |
The album, Education, Education, Education And War. Number one. | 0:36:39 | 0:36:43 | |
-I know. -Still in the top five, isn't it? -Uh-huh. | 0:36:43 | 0:36:45 | |
-That's amazing. -We're doing all right. | 0:36:45 | 0:36:47 | |
Here's the weird thing. | 0:36:52 | 0:36:53 | |
Ricky, you've met Matt before, haven't you? | 0:36:53 | 0:36:55 | |
Yeah. He won't remember this. | 0:36:55 | 0:36:57 | |
It was only about a month-and-a-half ago, two months ago. | 0:36:57 | 0:36:59 | |
-I thought it was years ago! -No, it was very recent. | 0:36:59 | 0:37:02 | |
-You are so uncool. -I'm still on a bit of a high from it. | 0:37:02 | 0:37:05 | |
-Do you remember, Matt? -No! | 0:37:06 | 0:37:08 | |
LAUGHTER | 0:37:08 | 0:37:10 | |
You see, you he won't remember. | 0:37:12 | 0:37:13 | |
There is a photograph. There is photographic evidence. | 0:37:15 | 0:37:18 | |
It's on my Twitter. | 0:37:18 | 0:37:20 | |
If you look at the photograph, you can see someone is more excited. | 0:37:21 | 0:37:24 | |
-Do I have pants on in the photo? -Yeah, it wasn't that night. | 0:37:24 | 0:37:27 | |
Just checking. | 0:37:27 | 0:37:28 | |
Someone is a lot happier to be in the photograph | 0:37:28 | 0:37:31 | |
than someone else in the photograph. | 0:37:31 | 0:37:33 | |
I hear you! | 0:37:33 | 0:37:34 | |
I was giddy for weeks. | 0:37:36 | 0:37:38 | |
I am contractually obliged to ask you about The Voice. | 0:37:40 | 0:37:44 | |
-Have you not got the picture of me meeting Matt? -Do we have the picture? | 0:37:44 | 0:37:48 | |
-I'd love it if you did. -No. -Oh, no. | 0:37:48 | 0:37:50 | |
LAUGHTER | 0:37:50 | 0:37:52 | |
Apparently it never happened. | 0:37:52 | 0:37:55 | |
Someone is now scrolling through Twitter. | 0:37:55 | 0:37:57 | |
We will keep talking until we find it. | 0:37:57 | 0:38:00 | |
We will try and find the picture. | 0:38:00 | 0:38:02 | |
The Voice, will you come back for The Voice? | 0:38:02 | 0:38:06 | |
Ooh, I haven't been asked yet. I'm not sure who has been asked. | 0:38:06 | 0:38:09 | |
It probably depends on the other people on the... | 0:38:09 | 0:38:12 | |
Ms Minogue has said she no come back. | 0:38:12 | 0:38:14 | |
She no come back, which I'm upset about. | 0:38:14 | 0:38:17 | |
-Who else was on it here? -It was me, Sir Tom Jones... -Oh, yeah! | 0:38:17 | 0:38:22 | |
-..Kylie and will.i.am. -Weird! | 0:38:22 | 0:38:25 | |
LAUGHTER | 0:38:25 | 0:38:27 | |
A little bit like today, | 0:38:29 | 0:38:31 | |
I was definitely the least famous person at that particular party. | 0:38:31 | 0:38:34 | |
-That's the way I like it. -Stop it! | 0:38:34 | 0:38:37 | |
No, it's the way... | 0:38:37 | 0:38:38 | |
Never be the most famous person at a party. | 0:38:38 | 0:38:40 | |
You are at the wrong party. | 0:38:40 | 0:38:42 | |
-Are we finding it? -They will never get it. | 0:38:44 | 0:38:48 | |
OK, I've been told to get on with it. | 0:38:48 | 0:38:50 | |
It's a great photograph. | 0:38:51 | 0:38:53 | |
I'm wearing a woolly hat and you're wearing a mac. | 0:38:53 | 0:38:56 | |
-A mac. -A mac. -What's a mac? | 0:38:57 | 0:38:59 | |
LAUGHTER | 0:38:59 | 0:39:01 | |
What is a mac? | 0:39:01 | 0:39:03 | |
It's like a laptop! | 0:39:03 | 0:39:05 | |
A black double-breasted raincoat. | 0:39:07 | 0:39:08 | |
-Hey, actually, I think we can see the picture. -Yes. | 0:39:08 | 0:39:11 | |
-This is the two of you. -YES! | 0:39:11 | 0:39:12 | |
APPLAUSE | 0:39:12 | 0:39:14 | |
How happy am I? | 0:39:20 | 0:39:21 | |
That shows the spectrum of happiness | 0:39:23 | 0:39:26 | |
in that one photo. | 0:39:26 | 0:39:27 | |
Matt doesn't look that pissed off. | 0:39:27 | 0:39:31 | |
You look benign. | 0:39:31 | 0:39:32 | |
It was an element of invasion of personal space there. | 0:39:33 | 0:39:37 | |
There is a slight whiff of smell-the-fart. | 0:39:37 | 0:39:39 | |
It looks like you smelt a great fart. | 0:39:44 | 0:39:45 | |
You guys aren't smelling the same fart in that picture. | 0:39:47 | 0:39:51 | |
Good luck with everything, sir. | 0:39:51 | 0:39:52 | |
We are thrilled to have the Kaiser Chiefs back. | 0:39:52 | 0:39:54 | |
Thank you very much. | 0:39:54 | 0:39:56 | |
Before we go tonight, we have got time for a story or two | 0:39:56 | 0:39:58 | |
in the Red Chair. Who is there? | 0:39:58 | 0:40:01 | |
-Hello. -Hello. -What is your name? -Lorraine. -Lorraine. | 0:40:01 | 0:40:05 | |
-What do you do? -I'm a performer. | 0:40:05 | 0:40:07 | |
I perform in musicals. | 0:40:07 | 0:40:08 | |
SHE SCREAMS | 0:40:08 | 0:40:10 | |
LAUGHTER | 0:40:10 | 0:40:12 | |
That was great! | 0:40:15 | 0:40:18 | |
Sorry, Lorraine. | 0:40:19 | 0:40:21 | |
I was thinking, "Oh, God." You did it. | 0:40:21 | 0:40:23 | |
You saved me the effort. | 0:40:27 | 0:40:29 | |
Who is up next? | 0:40:29 | 0:40:30 | |
-Hello. -Hi. -What is your name? -Sheba. -Sheba? | 0:40:30 | 0:40:33 | |
So far so good. | 0:40:35 | 0:40:37 | |
You have higher standards than me! | 0:40:39 | 0:40:41 | |
-What do you do, Sheba? -I am a caricaturist. | 0:40:43 | 0:40:45 | |
-We've worked together. -Who? | 0:40:46 | 0:40:48 | |
-A long time ago, Graham, at the Limelight. -The nightclub? | 0:40:48 | 0:40:52 | |
-Yeah. -In London? -Yeah. -I can't remember that. -Yeah. | 0:40:52 | 0:40:56 | |
Before you had a private room, I should think. | 0:40:56 | 0:40:58 | |
-Sorry? -Before you had your own dressing room, maybe. | 0:40:58 | 0:41:01 | |
AUDIENCE OOHS | 0:41:01 | 0:41:03 | |
SHE SCREAMS | 0:41:03 | 0:41:04 | |
I can't risk it! | 0:41:05 | 0:41:07 | |
-APPLAUSE -I can't risk it. | 0:41:07 | 0:41:08 | |
I didn't like where that was going. | 0:41:12 | 0:41:14 | |
I have got two dogs to feed. I can't take these sorts of risks. | 0:41:14 | 0:41:18 | |
That was going in the wrong direction. | 0:41:20 | 0:41:23 | |
OK. Shall we try one more? | 0:41:27 | 0:41:30 | |
-Hello. -Hi. -We have high hopes. What is your name? | 0:41:30 | 0:41:33 | |
Shanny. | 0:41:33 | 0:41:35 | |
LAUGHTER | 0:41:35 | 0:41:36 | |
-Where are you from, Shanny? -New Zealand. -She is from New Zealand. | 0:41:38 | 0:41:42 | |
We always do well with New Zealanders. | 0:41:42 | 0:41:43 | |
Even if the story is bad, the voice - hilarious. | 0:41:43 | 0:41:46 | |
Shanny, are you living here or visiting? | 0:41:49 | 0:41:50 | |
-I live here. -You live here! | 0:41:50 | 0:41:52 | |
Ooh! Smell the visa. | 0:41:52 | 0:41:54 | |
-What do you do? -I'm a florist. -A florist. | 0:41:56 | 0:42:00 | |
Are you OK with that? Yeah. | 0:42:00 | 0:42:01 | |
Off you go with your story. | 0:42:01 | 0:42:03 | |
Mine is an embarrassing story about myself. | 0:42:03 | 0:42:06 | |
The first time I tried home waxing, | 0:42:06 | 0:42:08 | |
I bought some strips that you heat up. | 0:42:08 | 0:42:11 | |
Can I stop you there? | 0:42:11 | 0:42:12 | |
Already, the New Zealand pronunciation of waxing is genius. | 0:42:12 | 0:42:15 | |
Her name, Shanny, rhymes with... | 0:42:16 | 0:42:19 | |
LAUGHTER | 0:42:19 | 0:42:21 | |
So you're doing your home we-xing. | 0:42:27 | 0:42:29 | |
Yes. | 0:42:29 | 0:42:31 | |
I brought some strips that you have to rub together to heat up. | 0:42:31 | 0:42:34 | |
I put them both on at the same time. | 0:42:36 | 0:42:38 | |
When I ripped the strips off, the wax stayed. | 0:42:39 | 0:42:41 | |
So I found myself in a tricky situation. | 0:42:43 | 0:42:45 | |
I hopped into the shower and tried products, shampoo, | 0:42:45 | 0:42:49 | |
body lotions, soap and nothing would take it off. | 0:42:49 | 0:42:53 | |
I tried a razor blade. | 0:42:53 | 0:42:55 | |
AUDIENCE OOHS | 0:42:55 | 0:42:56 | |
And the wax stayed. | 0:42:56 | 0:42:58 | |
I had to get my mum to ring our nearest beauty salon. | 0:42:58 | 0:43:02 | |
She had to take me up there. | 0:43:02 | 0:43:04 | |
The most embarrassing part was that I had to walk with my legs open, | 0:43:04 | 0:43:07 | |
so they didn't stick together. | 0:43:07 | 0:43:09 | |
-That is quite a good story. -That's pretty good. | 0:43:11 | 0:43:13 | |
Shall we let her walk, literally? You can walk, Shanny. | 0:43:13 | 0:43:16 | |
-Thank you. -Very good. | 0:43:18 | 0:43:20 | |
Well done, everyone. | 0:43:20 | 0:43:21 | |
If you want a go in the Red Chair | 0:43:21 | 0:43:23 | |
apply at our website at this very address. | 0:43:23 | 0:43:27 | |
Huge thanks to my guests tonight - Kaiser Chiefs! | 0:43:27 | 0:43:30 | |
Zac Efron! | 0:43:32 | 0:43:34 | |
Seth Rogen! | 0:43:35 | 0:43:37 | |
And Matt LeBlanc! | 0:43:38 | 0:43:41 | |
CHEERING AND APPLAUSE | 0:43:41 | 0:43:43 | |
Join me next week with our Eurovision hopeful, Molly, | 0:43:43 | 0:43:47 | |
and a couch full of Hollywood heroes - | 0:43:47 | 0:43:49 | |
James McAvoy, Michael Fassbender and Hugh Jackman. | 0:43:49 | 0:43:53 | |
I'll see you then, good night, everybody. Bye-bye! | 0:43:53 | 0:43:56 |