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On the show tonight, the stars of the new X-Men film, | 0:00:02 | 0:00:04 | |
so I've got my Wolverine claws. | 0:00:04 | 0:00:06 | |
Actually, while they run the titles, I'll just nip to the loo. | 0:00:06 | 0:00:08 | |
Oh! Would you mind helping me? | 0:00:08 | 0:00:11 | |
Would you? No? | 0:00:11 | 0:00:12 | |
Let's start the show! | 0:00:12 | 0:00:14 | |
Oh, so sweet. | 0:00:37 | 0:00:39 | |
Hello, good evening, welcome one, welcome all. | 0:00:39 | 0:00:44 | |
A great line-up for you tonight. In fact, it's "Xtra" special. | 0:00:44 | 0:00:47 | |
Oscar-nominated star of Les Mis, the incredible Hugh Jackman is here! | 0:00:47 | 0:00:51 | |
-AUDIENCE CHEERS -I know! | 0:00:51 | 0:00:53 | |
Star of Prometheus, Inglourious Basterds, and 12 Years A Slave, | 0:00:54 | 0:00:58 | |
the fabulous Michael Fassbender is here! | 0:00:58 | 0:01:01 | |
Plus, the star of Filth, Atonement and The Last King Of Scotland, | 0:01:04 | 0:01:07 | |
the brilliant James McAvoy is with us. | 0:01:07 | 0:01:11 | |
Yeah! | 0:01:11 | 0:01:12 | |
Plus, it is Eurovision time again. Yes, it is. | 0:01:15 | 0:01:21 | |
So, we'll be hearing this year's British entry from Molly, everybody! | 0:01:21 | 0:01:26 | |
Cheer her on! Cheer her on! | 0:01:27 | 0:01:30 | |
Molly, Molly, Molly! | 0:01:30 | 0:01:33 | |
I don't know why people dismiss Eurovision | 0:01:33 | 0:01:37 | |
as a load of camp nonsense, I don't! | 0:01:37 | 0:01:40 | |
In fairness, this year, some serious entries. | 0:01:40 | 0:01:44 | |
Take Iceland, for example. | 0:01:44 | 0:01:46 | |
Eh-oh! Maybe not Iceland. | 0:01:49 | 0:01:52 | |
What about Austria? Beautiful! | 0:01:52 | 0:01:57 | |
Did you...? Was there a little...? | 0:01:58 | 0:02:02 | |
A little more powder, she'll be fine! | 0:02:02 | 0:02:05 | |
I've got so many questions to ask this evening. | 0:02:05 | 0:02:08 | |
Obviously I'll ask Hugh Jackman about the challenge of playing Wolverine, | 0:02:08 | 0:02:11 | |
a man with titanium spikes growing out of his knuckles. | 0:02:11 | 0:02:15 | |
Still, it comes in handy in his other job. | 0:02:15 | 0:02:17 | |
Apparently he can do six lamb koftas at once! | 0:02:20 | 0:02:22 | |
Chilli sauce, anyone? | 0:02:22 | 0:02:27 | |
Pop a shirt on! | 0:02:31 | 0:02:32 | |
Hopefully I'll be finding out from Michael Fassbender | 0:02:32 | 0:02:35 | |
why his fans call him The Shark. | 0:02:35 | 0:02:37 | |
Apparently it's because of his smile. | 0:02:37 | 0:02:40 | |
Really, is that like a shark? Is it? | 0:02:40 | 0:02:42 | |
It's quite like a shark. | 0:02:45 | 0:02:46 | |
Have you heard about this weird bromance between James McAvoy | 0:02:46 | 0:02:50 | |
and Michael Fassbender? The fans love it. | 0:02:50 | 0:02:55 | |
They've drawn these rather sweet pictures of them. | 0:02:55 | 0:02:58 | |
For example, here they are sharing a strawberry Calippo. | 0:02:58 | 0:03:03 | |
There's James and he's just going to offer Michael a suck. | 0:03:05 | 0:03:09 | |
Not so sure. Here they are helping each other with their costumes. | 0:03:09 | 0:03:13 | |
Hey, who hasn't done that? Here they are just doing some baking together. | 0:03:16 | 0:03:20 | |
Don't forget to wash your hands! | 0:03:24 | 0:03:26 | |
All that's to come, plus some more stories from the Big Red Chair, | 0:03:26 | 0:03:30 | |
so let's get some guests on! | 0:03:30 | 0:03:32 | |
He's got the X Factor, it's James McAvoy, everybody! | 0:03:33 | 0:03:38 | |
Hello, sir. Lovely to see you. Sit, sit, sit. | 0:03:41 | 0:03:43 | |
Here's Michael Fassbender! | 0:03:45 | 0:03:48 | |
Hello, sir. How nice to see you. | 0:03:51 | 0:03:54 | |
And it's Hugh Jackman! | 0:03:54 | 0:03:59 | |
Lovely to see you. | 0:04:03 | 0:04:04 | |
Sit! | 0:04:09 | 0:04:10 | |
AUDIENCE CHEER | 0:04:12 | 0:04:16 | |
Thank you for the fruit. Pineapple, anyone? | 0:04:18 | 0:04:23 | |
-This is like deja vu. -What, the fruit? | 0:04:23 | 0:04:27 | |
No, talking about pineapple for 20 minutes. | 0:04:27 | 0:04:29 | |
The last time I was on your show, | 0:04:29 | 0:04:31 | |
apparently it improves the flavour of your sperm | 0:04:31 | 0:04:33 | |
and we spent about 25 minutes talking about this. | 0:04:33 | 0:04:36 | |
We've been on air for a second! | 0:04:36 | 0:04:38 | |
Apparently celery increases it. | 0:04:38 | 0:04:40 | |
Increases the count. | 0:04:40 | 0:04:43 | |
If only I had a pen, I'd write some of this down! | 0:04:45 | 0:04:48 | |
So, all X-Men together. | 0:04:49 | 0:04:51 | |
Walking onto a chat show, the music goes and on you come, | 0:04:51 | 0:04:56 | |
but is it true, on set, you would play music when you came on set? | 0:04:56 | 0:05:01 | |
I don't know if you know this about Michael. | 0:05:01 | 0:05:04 | |
Michael is one of those actors you have to coax out of the trailer. | 0:05:04 | 0:05:07 | |
He will wait in there for hours and hours. | 0:05:07 | 0:05:09 | |
He's very difficult, very ornery on set, | 0:05:09 | 0:05:12 | |
so to get him out, there was really only one song, | 0:05:12 | 0:05:14 | |
so I used to get the sound guy to play it very loud in the studio | 0:05:14 | 0:05:17 | |
as he came in, just so he could get his mojo up. | 0:05:17 | 0:05:21 | |
Actually, it was Blurred Lines. Do you guys know Blurred Lines? | 0:05:21 | 0:05:25 | |
I don't know what it was about that song or video that got Michael going. | 0:05:25 | 0:05:28 | |
-Do you want to come back on again to Blurred Lines? -OK. | 0:05:28 | 0:05:32 | |
OK, all do it! | 0:05:35 | 0:05:37 | |
OK, so we'd be like, Michael, Michael, Michael, | 0:05:40 | 0:05:43 | |
come on, we've got a shoot. | 0:05:43 | 0:05:45 | |
Michael, come on. | 0:05:45 | 0:05:49 | |
MUSIC: "Blurred Lines" by Robin Thicke | 0:05:49 | 0:05:56 | |
Very good, well done! | 0:06:12 | 0:06:15 | |
-It did the trick every time! -I feel good. | 0:06:18 | 0:06:24 | |
-I'd love to see you doing that dance in the outfit! -Which one? | 0:06:25 | 0:06:29 | |
-The lack of outfit! -We did that movie! | 0:06:29 | 0:06:33 | |
The odd thing is, I don't know if this is true, | 0:06:33 | 0:06:36 | |
but apparently it's not the only music that you really love. | 0:06:36 | 0:06:40 | |
I've heard there's a particular song that is very special to you, Michael Fassbender. | 0:06:40 | 0:06:44 | |
Sure. What is it? | 0:06:44 | 0:06:46 | |
Apparently you know all the words. | 0:06:47 | 0:06:50 | |
-HE HUMS TUNE -Yes! | 0:06:50 | 0:06:51 | |
I don't know all the words, but I can do the synthesiser. | 0:06:51 | 0:06:55 | |
I can jump in on some of the words. | 0:06:55 | 0:06:57 | |
HE HUMS TUNE | 0:06:57 | 0:07:00 | |
In case you don't recognise it, it's Africa by Toto. | 0:07:02 | 0:07:05 | |
THEY HUM ALONG WITH MUSIC | 0:07:11 | 0:07:14 | |
It's like I'm at a wedding with my two uncles! | 0:07:18 | 0:07:21 | |
Come on! | 0:07:23 | 0:07:25 | |
# He's waiting there for you! # | 0:07:33 | 0:07:37 | |
It goes on for ages, the intro. | 0:07:44 | 0:07:47 | |
Here's the thing, the three gentlemen on my couch, | 0:07:47 | 0:07:49 | |
a few weeks ago they were at the Empire Film Awards. | 0:07:49 | 0:07:52 | |
You all got a prize. | 0:07:52 | 0:07:53 | |
Here's the exciting thing, | 0:07:53 | 0:07:55 | |
all three of the men also appeared on Empire's Sexiest Man of the Year poll. | 0:07:55 | 0:08:00 | |
We are literally sitting on the poll? | 0:08:03 | 0:08:06 | |
Where on the poll? | 0:08:06 | 0:08:07 | |
Who was top of the poll? | 0:08:07 | 0:08:09 | |
I'm 45. Which year are we talking about? | 0:08:09 | 0:08:12 | |
-This one, the most recent one. -I'm down, I'm way down. | 0:08:12 | 0:08:15 | |
James, where do you think you were? | 0:08:17 | 0:08:18 | |
Were you ahead of these two, or below these two? | 0:08:18 | 0:08:23 | |
-Good game, good game. -You came to me first, didn't you? | 0:08:23 | 0:08:26 | |
If you could spend four hours with me and I could get you drunk, | 0:08:26 | 0:08:29 | |
I'd be topping that poll! | 0:08:29 | 0:08:30 | |
I'm going to hedge my bets, I'm going to be humble and say last. | 0:08:33 | 0:08:38 | |
And you're right! | 0:08:38 | 0:08:40 | |
You guys! It's over! | 0:08:45 | 0:08:49 | |
According to my wife, you are not at the bottom of that list. | 0:08:49 | 0:08:52 | |
-My wife has a serious crush on James. -Serious? | 0:08:53 | 0:08:57 | |
It's actually serious. | 0:08:57 | 0:09:00 | |
You were 16th. | 0:09:00 | 0:09:04 | |
You two, what do you reckon? Who was top of these two? | 0:09:04 | 0:09:08 | |
-I will go third and... -The old man on the end here? | 0:09:08 | 0:09:13 | |
I'm seeing second or fifth, that's what I'm seeing. | 0:09:13 | 0:09:17 | |
-That's nice of you. -You're saying second and fifth? | 0:09:17 | 0:09:21 | |
Second or fifth for you, and third definitely for him. | 0:09:21 | 0:09:24 | |
You're wrong! | 0:09:27 | 0:09:30 | |
I'll tell you now. Hugh was ninth. | 0:09:30 | 0:09:34 | |
I was going to say ninth. | 0:09:34 | 0:09:36 | |
-And he was sixth? -No. -Third? -No. | 0:09:36 | 0:09:41 | |
-He's eighth. -What? | 0:09:41 | 0:09:46 | |
Can I just say, and this is no offence to the man, | 0:09:46 | 0:09:48 | |
because I do like him enormously, | 0:09:48 | 0:09:51 | |
but the whole poll is made a mockery of, | 0:09:51 | 0:09:53 | |
because apparently Benedict Cumberbatch is the first. | 0:09:53 | 0:09:57 | |
There you go. No, I'm sorry. | 0:09:57 | 0:09:59 | |
Look at that couch! | 0:09:59 | 0:10:01 | |
Look at that couch. | 0:10:01 | 0:10:03 | |
Benedict Cumberbatch, he's a very nice, man, | 0:10:03 | 0:10:05 | |
he's a very good actor, but no. | 0:10:05 | 0:10:07 | |
-No! -Where were you? Where were you, Graham? | 0:10:08 | 0:10:12 | |
I was at home reading. | 0:10:12 | 0:10:14 | |
-And when I say "reading"... -Very sexy! | 0:10:15 | 0:10:17 | |
No, I read a lot too, don't worry. | 0:10:23 | 0:10:25 | |
Hey, listen, you're all here for X-Men: Days Of Future Past. | 0:10:27 | 0:10:31 | |
Now, this is the second prequel. It opens on the 22nd of May. | 0:10:31 | 0:10:37 | |
Before we talk a bit, here is a taste of the action. | 0:10:37 | 0:10:40 | |
Use your power. Bring the X-Men together. | 0:10:43 | 0:10:46 | |
It's going to take the two of us, side-by-side, | 0:10:51 | 0:10:54 | |
at a time when we couldn't be further apart. | 0:10:54 | 0:10:56 | |
There is a new enemy out there. Mutants. | 0:11:00 | 0:11:02 | |
You'll need a new weapon for this war. | 0:11:02 | 0:11:04 | |
I know what I have to do. It's us or them. | 0:11:04 | 0:11:07 | |
CHEERING | 0:11:09 | 0:11:10 | |
They love it. They love it. They love it. | 0:11:15 | 0:11:17 | |
-You guys are... -HE LAUGHS | 0:11:17 | 0:11:19 | |
OK, so obviously you had a lot of fun making the film. | 0:11:19 | 0:11:21 | |
But getting ready for this thing sounds quite gruelling, | 0:11:21 | 0:11:25 | |
particularly for you, Hugh. | 0:11:25 | 0:11:27 | |
-Yeah. -I mean, what does it take? | 0:11:27 | 0:11:28 | |
Please call me Wolverine. Yep. | 0:11:28 | 0:11:30 | |
-It is easier. -It is easier. | 0:11:30 | 0:11:33 | |
"You Hugh". "You Hugh". | 0:11:33 | 0:11:35 | |
So how hard is it to become like that? | 0:11:35 | 0:11:38 | |
It's a minimum six months, | 0:11:38 | 0:11:39 | |
and I luckily had Wolverine, the movie, | 0:11:39 | 0:11:42 | |
which I finished about six months before, | 0:11:42 | 0:11:44 | |
so I'd been going for about a year and a half. | 0:11:44 | 0:11:46 | |
And it takes me that long. | 0:11:46 | 0:11:47 | |
I stupidly, on X-Men I, | 0:11:47 | 0:11:49 | |
honestly thought it was about three or four weeks, | 0:11:49 | 0:11:51 | |
and if you ever look at a picture of me in X-Men I, | 0:11:51 | 0:11:54 | |
you'll see why I looked pretty crap. | 0:11:54 | 0:11:56 | |
You look amazing by the time you do your first scene. | 0:11:56 | 0:11:58 | |
Yes, which the first scene was five months later, | 0:11:58 | 0:12:01 | |
which Bryan pushed to the end. | 0:12:01 | 0:12:02 | |
So it takes a long time, a lot of... | 0:12:02 | 0:12:04 | |
We used to train together. | 0:12:04 | 0:12:05 | |
Yeah, I mean, the discipline's incredible. | 0:12:05 | 0:12:08 | |
I mean, he's up in the gym at, like, 4.30 in the morning. | 0:12:08 | 0:12:13 | |
You know, it's, like, every morning. | 0:12:13 | 0:12:15 | |
So, when we arrived... Seriously, though. | 0:12:15 | 0:12:18 | |
When we arrived, it was the Jackman effect, | 0:12:18 | 0:12:20 | |
because we all started training then to try and keep up. | 0:12:20 | 0:12:23 | |
No, because we know it's real, | 0:12:23 | 0:12:25 | |
because you've tweeted pictures of yourself training. | 0:12:25 | 0:12:27 | |
-Look at this. -That is ridiculous. | 0:12:27 | 0:12:29 | |
Look at that. And I like your little motto at the end here. | 0:12:29 | 0:12:33 | |
Oh! | 0:12:35 | 0:12:37 | |
Is that how you get to number eight? | 0:12:43 | 0:12:48 | |
Is that how you get to number eight? | 0:12:48 | 0:12:49 | |
No, that's... I've literally just dropped to, | 0:12:49 | 0:12:51 | |
out of 100 right there, I'm down 183. | 0:12:51 | 0:12:55 | |
But the thing is, if you have to look like that, | 0:12:56 | 0:12:58 | |
the pressure is there. | 0:12:58 | 0:13:00 | |
Was it the Wolverine origin movie | 0:13:00 | 0:13:03 | |
that you had to do the running naked down the corridor? | 0:13:03 | 0:13:06 | |
-No, that was X-Men II. -X-Men II. | 0:13:06 | 0:13:08 | |
Yeah. No, actually, first day of X-Men Origins, I ran naked. | 0:13:08 | 0:13:11 | |
I seem to... I quite enjoy it, really. | 0:13:11 | 0:13:14 | |
It's a very freeing feeling, actually. | 0:13:14 | 0:13:18 | |
Take your clothes off. It's wonderful. Shall we do it? No. | 0:13:18 | 0:13:22 | |
CHEERING | 0:13:22 | 0:13:23 | |
Oh, a running gag. | 0:13:27 | 0:13:30 | |
So...I remember we had to go down this hallway, and I had to run. | 0:13:31 | 0:13:36 | |
I was meant to be naked, and it was very dark. | 0:13:36 | 0:13:40 | |
I jokingly went in and said, "I want a closed set for this". | 0:13:40 | 0:13:44 | |
The 1st AD was laughing. Anyway, we did the first take. | 0:13:44 | 0:13:47 | |
I'm running. It's a very intense scene where I first realised | 0:13:47 | 0:13:50 | |
I had an Adamantium skeleton, | 0:13:50 | 0:13:51 | |
I'd been experimented on, | 0:13:51 | 0:13:53 | |
I'm naked, there's blood. I'm like, "Arggh". | 0:13:53 | 0:13:55 | |
And as I run around the corner, | 0:13:55 | 0:13:56 | |
the 1st AD had the entire crew of females - | 0:13:56 | 0:13:59 | |
all the females on the crew - with 5 notes going, "Whoo!" | 0:13:59 | 0:14:04 | |
And, of course, the first thing I did was, like, "Ohhh!" | 0:14:05 | 0:14:08 | |
I cut myself on the inner thigh. | 0:14:10 | 0:14:12 | |
I saw them, and like, "Ohhh!" | 0:14:12 | 0:14:14 | |
When you say the "inner thigh", | 0:14:14 | 0:14:15 | |
do you actually mean the thigh? | 0:14:15 | 0:14:18 | |
Thankfully. | 0:14:18 | 0:14:19 | |
DIY circumcision. | 0:14:21 | 0:14:22 | |
It's obviously PG-13, | 0:14:25 | 0:14:26 | |
so you can't have bits and pieces flying about, right? | 0:14:26 | 0:14:29 | |
The censors in America don't like that kind of stuff. | 0:14:29 | 0:14:32 | |
As my wrap gift from Bryan Singer, the director, he gave me a bag. | 0:14:33 | 0:14:38 | |
It was a little bag, and it was very light. | 0:14:38 | 0:14:40 | |
I looked inside, and it had film inside it. | 0:14:40 | 0:14:43 | |
I'm, like, "What's this film?" | 0:14:43 | 0:14:44 | |
I look up... "OK. That's my bits". | 0:14:44 | 0:14:47 | |
My bits in bits. That was it. | 0:14:47 | 0:14:49 | |
So, you've got the classic claws. | 0:14:49 | 0:14:51 | |
Then the boys have also come up with their signature poses. | 0:14:51 | 0:14:54 | |
So, James, yours is the finger. | 0:14:54 | 0:14:57 | |
-Fingering my brain. -Yeah. | 0:14:57 | 0:14:59 | |
Was there much discussion about that? | 0:15:00 | 0:15:05 | |
Or did you just go, "I'll do this"? | 0:15:05 | 0:15:07 | |
No, I just did it. I thought, "Patrick never did it." | 0:15:07 | 0:15:10 | |
He's missed a beat. | 0:15:10 | 0:15:12 | |
"That old fool!" | 0:15:13 | 0:15:16 | |
There's a lot of... When he utilises his power, | 0:15:16 | 0:15:19 | |
there's a lot of close-ups of him going... | 0:15:19 | 0:15:22 | |
Like that. And I thought, "That's not dynamic. | 0:15:22 | 0:15:25 | |
"But you know what is? This." | 0:15:25 | 0:15:28 | |
-APPLAUSE -That's how it began. | 0:15:29 | 0:15:31 | |
And I thought to myself, "If I'm aiming for number 16, | 0:15:32 | 0:15:37 | |
"that's the route - that's how we get there." | 0:15:37 | 0:15:40 | |
Did you and Patrick discuss it? Is Patrick a bit miffed | 0:15:40 | 0:15:43 | |
that now you've come up with a bit of a dynamic action? | 0:15:43 | 0:15:46 | |
The fingering myself move? No. | 0:15:46 | 0:15:48 | |
He's happy not to finger himself. | 0:15:48 | 0:15:50 | |
But he has said | 0:15:50 | 0:15:52 | |
that if I would like to ever finger him... | 0:15:52 | 0:15:55 | |
..and place my fingers on his head... | 0:15:55 | 0:15:58 | |
-Yes. -..then I can. | 0:15:58 | 0:16:01 | |
-In this movie, you get to meet Patrick. -I do. | 0:16:01 | 0:16:04 | |
I get to go nose-to-nose with Patrick Stewart. | 0:16:04 | 0:16:06 | |
Did you have to be much more conscious...? | 0:16:06 | 0:16:09 | |
Because in the first film, that was never going to happen. | 0:16:09 | 0:16:11 | |
So, in this one, were you much more conscious of, | 0:16:11 | 0:16:13 | |
"I'm going to have to turn into Patrick Stewart in a minute"? | 0:16:13 | 0:16:16 | |
No, I was kind of ignoring the fact that anybody else had ever played it, | 0:16:16 | 0:16:19 | |
and even when I was going face-to-face with him, | 0:16:19 | 0:16:21 | |
I was still trying to pretend it was only ever me that's ever going to play the part. | 0:16:21 | 0:16:25 | |
He's being modest. | 0:16:25 | 0:16:26 | |
By the way, it was his first day, | 0:16:26 | 0:16:28 | |
and he had about a three-page scene, | 0:16:28 | 0:16:30 | |
one of the pivotal scenes in the movie, | 0:16:30 | 0:16:32 | |
and it was phenomenal. | 0:16:32 | 0:16:33 | |
I'm at that point meant to be unconscious, | 0:16:33 | 0:16:35 | |
and I knew I was on camera, | 0:16:35 | 0:16:36 | |
so I was doing one of those - looking - | 0:16:36 | 0:16:38 | |
and he is absolutely brilliant. | 0:16:38 | 0:16:40 | |
-Thanks. -Your first day was... | 0:16:40 | 0:16:41 | |
Honestly, you should clap him, because he is a genius. | 0:16:41 | 0:16:44 | |
CHEERING | 0:16:44 | 0:16:45 | |
Seriously, though. | 0:16:48 | 0:16:50 | |
Seriously, though, you should clap it, because it is good. | 0:16:51 | 0:16:54 | |
LAUGHTER | 0:16:54 | 0:16:55 | |
Michael, were you the same? | 0:16:55 | 0:16:57 | |
Were you kind of thinking, | 0:16:57 | 0:16:58 | |
"Oh, God, Ian McKellen - in a minute, it's going to be him"? | 0:16:58 | 0:17:01 | |
-Yeah. -The voice and stuff? | 0:17:01 | 0:17:03 | |
Yeah, well, I just sort of steal. I stole everything from him, and... | 0:17:03 | 0:17:07 | |
No, I didn't actually get to do a scene with him. | 0:17:07 | 0:17:10 | |
We had to toss a coin - | 0:17:10 | 0:17:11 | |
it was either me and Ian, or James and Patrick. | 0:17:11 | 0:17:15 | |
So, I just got to meet him in Comic-Con. | 0:17:15 | 0:17:17 | |
But I'd spent quite a lot of time watching... | 0:17:17 | 0:17:21 | |
Really? | 0:17:21 | 0:17:22 | |
There's a clip of him on YouTube | 0:17:22 | 0:17:24 | |
giving, actually, a workshop on Shakespeare, | 0:17:24 | 0:17:28 | |
on The Scottish Play, | 0:17:28 | 0:17:30 | |
which I've just finished now, | 0:17:30 | 0:17:32 | |
so it was kind of weird. | 0:17:32 | 0:17:34 | |
But I just listened to that on a loop. | 0:17:34 | 0:17:36 | |
It's about ten minutes long, and it's a younger Ian McKellen. | 0:17:36 | 0:17:39 | |
And tell us about your signature pose. | 0:17:39 | 0:17:42 | |
Did you discuss it, or did you just come up with it yourself? | 0:17:42 | 0:17:44 | |
I just thought, you know, I figured jazz hands | 0:17:44 | 0:17:47 | |
combined with a suitable level of constipation. | 0:17:47 | 0:17:52 | |
I thought that would be the correct intensity. | 0:17:52 | 0:17:54 | |
Can I just say, you're not that wrong? | 0:17:54 | 0:17:56 | |
-Here is a picture of you doing it. -Yeah, I know I'm not wrong. | 0:17:56 | 0:17:58 | |
-That's what I was doing, dude. -It does look like jazz hands. | 0:17:58 | 0:18:01 | |
You can't see - I'm actually sitting on a toilet. | 0:18:01 | 0:18:04 | |
-You've cropped the rest of this. -"Where's the toilet paper?" | 0:18:04 | 0:18:07 | |
My face really is, like, "Ugh, ugh. That's not good." | 0:18:07 | 0:18:10 | |
You're sitting going, "It's working, it's working." | 0:18:10 | 0:18:13 | |
"I can see the turtle's head." | 0:18:13 | 0:18:15 | |
AUDIENCE MEMBERS GROAN | 0:18:15 | 0:18:17 | |
No, I like James's face. James does look... | 0:18:17 | 0:18:19 | |
"Yep, it's working." | 0:18:19 | 0:18:21 | |
And Michael does look like he could burst into song at any time. | 0:18:23 | 0:18:25 | |
MUSIC: "Africa" by Toto. | 0:18:25 | 0:18:27 | |
# Hurry, boy It's waiting there for you... # | 0:18:27 | 0:18:30 | |
And, now, Wolverine, he in no way gets younger. | 0:18:37 | 0:18:41 | |
-The illusion is complete. -Wolfy. Wolfy. | 0:18:43 | 0:18:45 | |
They call me Wolfy. | 0:18:45 | 0:18:47 | |
-Wolfy! -"Wolverine. Wolverine." "I'm not a wolf, I'm a Wolverine." | 0:18:47 | 0:18:51 | |
"What?" | 0:18:51 | 0:18:52 | |
There's no end of disrespect on the set. | 0:18:52 | 0:18:56 | |
Nick Hoult was the best. | 0:18:56 | 0:18:57 | |
The first day of shooting, remember the very first shot in that trailer, | 0:18:57 | 0:19:01 | |
in that blue hallway, and Nick Hoult came on. | 0:19:01 | 0:19:03 | |
It's his first day, and he goes, "Oh, man, I'm freaking out." | 0:19:03 | 0:19:05 | |
I said, "What, man? It's OK, we're just doing a scene." | 0:19:05 | 0:19:08 | |
"No, I'm freaking out, man, because I saw you walk down this hall, | 0:19:08 | 0:19:11 | |
"and I was such a fan - I was, like, eight years old." | 0:19:11 | 0:19:13 | |
I said, "Stop right there! | 0:19:13 | 0:19:14 | |
"No more stories. | 0:19:16 | 0:19:18 | |
"Don't talk to me again." | 0:19:18 | 0:19:19 | |
"Sorry, Wolfy." | 0:19:19 | 0:19:21 | |
I read that you felt you had to keep up with the kids. | 0:19:22 | 0:19:25 | |
Yeah, I did feel like the uncle. | 0:19:25 | 0:19:27 | |
You all look the same age. You do look all the same age. | 0:19:27 | 0:19:29 | |
Yeah, I've had plastic surgery here myself. | 0:19:29 | 0:19:31 | |
Me too. I got these lines put in. | 0:19:31 | 0:19:33 | |
To match Ian McKellen. | 0:19:35 | 0:19:37 | |
-Exactly. -Wonderful! | 0:19:38 | 0:19:41 | |
Yeah, no, I did feel like the old man. | 0:19:41 | 0:19:43 | |
I mean, these guys were running around the trailer park - | 0:19:43 | 0:19:47 | |
we call it "trailer park" because there were literally, like, 100 little caravans - | 0:19:47 | 0:19:50 | |
shooting each other with BB guns. | 0:19:50 | 0:19:52 | |
Awesome! They're amazing! | 0:19:52 | 0:19:55 | |
Until you shot one of the actors in the face, and he started to bleed. | 0:19:55 | 0:19:58 | |
If you watch the film really carefully... | 0:19:58 | 0:20:00 | |
We're all going to have a mark somewhere at some point. | 0:20:00 | 0:20:03 | |
We were all crack shots at one time or another. | 0:20:03 | 0:20:05 | |
There's an actor called Josh Helman, who played Striker, | 0:20:05 | 0:20:07 | |
the young Striker. | 0:20:07 | 0:20:09 | |
He was coming after me. He had it coming, man. | 0:20:09 | 0:20:12 | |
As I was running away, | 0:20:12 | 0:20:13 | |
I flicked one off behind me, so to speak... | 0:20:13 | 0:20:15 | |
LAUGHTER | 0:20:15 | 0:20:16 | |
I just popped it off, like that. | 0:20:19 | 0:20:21 | |
And it struck him right there, and it broke his skin. | 0:20:21 | 0:20:23 | |
I got told off by his fiancee. | 0:20:23 | 0:20:26 | |
I didn't tell anybody this. | 0:20:28 | 0:20:29 | |
She came round to my trailer and she was like, "Hey, how you doing? | 0:20:29 | 0:20:32 | |
"I'm Josh's fiancee. I heard that, like, you shot him in the face and things. | 0:20:32 | 0:20:35 | |
"You know, that's not cool." | 0:20:35 | 0:20:36 | |
I was like, "Oh, yeah, no, it was just a bit of fun." | 0:20:36 | 0:20:39 | |
She was like, "No, really, man, it's not. | 0:20:39 | 0:20:42 | |
"James, take it down a minute. It's really not cool." | 0:20:42 | 0:20:46 | |
I was like, "Oh, yeah, just a bit of fun and that." | 0:20:46 | 0:20:48 | |
"No, James, it's really not cool." | 0:20:48 | 0:20:51 | |
"Oh, right. Oh, right. OK. I'm just going to go and phone my wife and cry a bit." | 0:20:51 | 0:20:55 | |
LAUGHTER | 0:20:55 | 0:20:57 | |
-It was Josh, Nick and James and they had me trapped... -And him. | 0:20:57 | 0:21:01 | |
Yeah, but not on that particular day. | 0:21:01 | 0:21:04 | |
They had me trapped in my trailer. It was like Ned Kelly. He was | 0:21:04 | 0:21:07 | |
trying to come in the skylight in the roof. | 0:21:07 | 0:21:11 | |
I heard this tampering in the roof. The next thing, he's trying to come in the skylight. | 0:21:11 | 0:21:15 | |
-They had other games. They had the punching game. -What is that? | 0:21:15 | 0:21:20 | |
-Shall we illustrate? -Yeah. -I'm not looking. | 0:21:20 | 0:21:22 | |
-I'm not going to look. -Do you want some of my drink? | 0:21:22 | 0:21:26 | |
No, cos it's one of those stupid games. You'll punch me! | 0:21:26 | 0:21:29 | |
Where's the fun in that? | 0:21:29 | 0:21:32 | |
-Anyone? -What? Yeah, I just caught that one. | 0:21:32 | 0:21:35 | |
-There you go. -He's looked, so I go... | 0:21:35 | 0:21:40 | |
Oh! | 0:21:40 | 0:21:42 | |
Where's the fun in that? | 0:21:42 | 0:21:45 | |
He's like Andy Murray trying to close out Wimbledon. | 0:21:45 | 0:21:49 | |
-He's like... -You go like that and give it, "smack", and get a good punch. | 0:21:49 | 0:21:54 | |
I came up with this sort of thing here, which seems to work really well. | 0:21:54 | 0:21:59 | |
But it's just, "Ow." Do we have the picture of your bruise? | 0:22:01 | 0:22:04 | |
I e-mailed it because I was so proud of it. | 0:22:04 | 0:22:08 | |
-That was the comeuppance. -Look at the look in his eye. | 0:22:08 | 0:22:12 | |
It's like, "I'm going to get you tomorrow." | 0:22:12 | 0:22:15 | |
I put too much into a punch with you. | 0:22:17 | 0:22:19 | |
-We'd hit each other hard, but not too hard. -Well, no. | 0:22:19 | 0:22:22 | |
We'd hit each other not too hard. | 0:22:22 | 0:22:24 | |
We were always like... | 0:22:24 | 0:22:26 | |
I thought, "I'm going to nail Hugh, and because I'm smaller than him, he won't nail me back." | 0:22:26 | 0:22:31 | |
But he did nail me back and I ended up with that big bruise. | 0:22:31 | 0:22:36 | |
Again, no fun in that. | 0:22:36 | 0:22:38 | |
If you want to crack into the top ten sexiest, you can't punch too hard, right? | 0:22:38 | 0:22:43 | |
One day, mate, one day. | 0:22:47 | 0:22:48 | |
APPLAUSE | 0:22:48 | 0:22:51 | |
So, we have another clip from X-Men: Days Of Future Past. | 0:22:52 | 0:22:57 | |
This is the Professor and Magneto having an altercation on a plane. | 0:22:57 | 0:23:03 | |
-How did you lose them? -The treatment for my spine affects my DNA. | 0:23:04 | 0:23:09 | |
You sacrificed your power so you could walk. | 0:23:09 | 0:23:11 | |
What do you know about it? | 0:23:11 | 0:23:13 | |
-I've lost my fair share. -Dry your eyes. | 0:23:13 | 0:23:17 | |
-It doesn't justify what you've done. -You've no idea what I've done. | 0:23:17 | 0:23:21 | |
I know you took the things that mean the most to me. | 0:23:21 | 0:23:24 | |
-Maybe you should have fought harder for them. -If you want to fight, | 0:23:24 | 0:23:27 | |
-I will give you a fight. -Sit down. -Let him go. | 0:23:27 | 0:23:30 | |
You abandoned me. You took her away and abandoned me. | 0:23:30 | 0:23:34 | |
Angel, Azazel, Emma, Banshee. | 0:23:34 | 0:23:40 | |
Mutant brothers and sisters, you abandoned us all. | 0:23:40 | 0:23:45 | |
We were supposed to protect them. | 0:23:48 | 0:23:50 | |
Erik! | 0:23:50 | 0:23:51 | |
So, you were always an asshole. | 0:24:00 | 0:24:02 | |
Excellent. Very good. Beautifully done. Beautifully done. | 0:24:04 | 0:24:10 | |
On set, was there any sort of...? | 0:24:10 | 0:24:13 | |
Because earlier you mentioned The Scottish Play, so can we not | 0:24:13 | 0:24:16 | |
-say the M word? -You can say it. -I can say it. You can say it. We can all say it. | 0:24:16 | 0:24:20 | |
I don't say it any more. | 0:24:20 | 0:24:21 | |
I started saying it, but, yeah, just some things started to happen. | 0:24:21 | 0:24:26 | |
Macbeth. Macbeth. Fine. Great. | 0:24:26 | 0:24:28 | |
-Do you not say it, either? -I don't say it either. | 0:24:28 | 0:24:31 | |
I thought you could just not say it in a theatre. I thought you could say it here. | 0:24:31 | 0:24:35 | |
Macbeth, Macbeth. | 0:24:35 | 0:24:37 | |
Light falls on your head! | 0:24:37 | 0:24:40 | |
You both... You did it on stage and you've finished the film. | 0:24:40 | 0:24:44 | |
-Yeah. -We've both Macbethed. -And Ian McKellen must have Macbethed. | 0:24:44 | 0:24:49 | |
-And Hugh's doing it next. -Yes. It's a musical. | 0:24:49 | 0:24:52 | |
-Are you all signed up? -Yes. It's a musical. | 0:24:52 | 0:24:55 | |
LAUGHTER | 0:24:55 | 0:24:58 | |
# Is this a dagger I see before me? # | 0:24:58 | 0:25:01 | |
LAUGHTER | 0:25:01 | 0:25:02 | |
I'm really excited. | 0:25:06 | 0:25:08 | |
I'm really excited by the title I've just come up with - | 0:25:08 | 0:25:10 | |
Macbeth The Musical. | 0:25:10 | 0:25:12 | |
It's called Something Wick-skid This Way Comes. | 0:25:12 | 0:25:14 | |
LAUGHTER | 0:25:14 | 0:25:16 | |
Now, you, on Broadway, you did The Boy From Oz, which I saw and | 0:25:21 | 0:25:23 | |
just thought was brilliant, but you encouraged the audience, didn't you? | 0:25:23 | 0:25:26 | |
There was ten minutes every night of ad-libbing. | 0:25:26 | 0:25:29 | |
CHEERING | 0:25:29 | 0:25:31 | |
# I bless the rain... # | 0:25:31 | 0:25:32 | |
No. | 0:25:32 | 0:25:33 | |
So, it ended up... | 0:25:34 | 0:25:35 | |
The character Peter, who most of you guys don't know, very flamboyant | 0:25:35 | 0:25:39 | |
and very naughty, so I got to do stuff I normally would never do. | 0:25:39 | 0:25:42 | |
There was this ten-minute period of ad-libbing every night, | 0:25:42 | 0:25:46 | |
so I would get some of the weirdest things. | 0:25:46 | 0:25:48 | |
I remember one night, this woman came running down the front. | 0:25:48 | 0:25:52 | |
"Peter, Peter, Peter." From the back, | 0:25:52 | 0:25:54 | |
she came right down to the front and took her top off. | 0:25:54 | 0:25:57 | |
So massive were her breasts. | 0:25:59 | 0:26:01 | |
Massive. And not in the fake way massive. Like, massive. | 0:26:03 | 0:26:06 | |
They almost were resting on the conductor's head. | 0:26:08 | 0:26:11 | |
You got the visual. | 0:26:11 | 0:26:13 | |
Another night as I was doing it, I just heard out of the corner of my... | 0:26:13 | 0:26:17 | |
the back of my... Where? Where did I hear it out of? | 0:26:17 | 0:26:20 | |
-I heard this thing. -You heard it. | 0:26:21 | 0:26:24 | |
..this woman say, "Peter, I want to bite your ass." | 0:26:24 | 0:26:27 | |
I stopped and I said, "Really?" | 0:26:29 | 0:26:31 | |
She goes, "Yeah, I want to bite your ass." | 0:26:31 | 0:26:33 | |
I said, "All right, then, sweets, come on down here." | 0:26:33 | 0:26:36 | |
So, she comes down, I'm thinking, | 0:26:36 | 0:26:37 | |
"When she gets down there, I've called her bluff, | 0:26:37 | 0:26:39 | |
"she's going to just not do it." I literally go, "All right then..." | 0:26:39 | 0:26:43 | |
And she bit into my ass. | 0:26:43 | 0:26:45 | |
LAUGHTER | 0:26:45 | 0:26:47 | |
I had literally...like a welt. | 0:26:47 | 0:26:49 | |
"What the...? What?" | 0:26:49 | 0:26:51 | |
She was like, "You said I could." | 0:26:51 | 0:26:54 | |
There you go, I learnt my lesson. | 0:26:54 | 0:26:56 | |
Now, Michael, I know you want to mention your movie Frank. | 0:26:59 | 0:27:03 | |
-That's out next Friday. -Yes. -Now, are we sure you're in it? | 0:27:03 | 0:27:07 | |
I know, it was handy. | 0:27:09 | 0:27:10 | |
LAUGHTER | 0:27:10 | 0:27:11 | |
If I didn't come out of the trailer, | 0:27:11 | 0:27:13 | |
they just stuck somebody else there with a head on. | 0:27:13 | 0:27:16 | |
You could have sent your assistant. Do you talk? | 0:27:16 | 0:27:18 | |
-I do, yeah. -Inside the head? -Inside the head, yeah. | 0:27:20 | 0:27:23 | |
In fact...I'd love to do everything in the head... | 0:27:23 | 0:27:27 | |
Acting-wise, I mean. | 0:27:27 | 0:27:30 | |
It's... | 0:27:30 | 0:27:31 | |
LAUGHTER | 0:27:31 | 0:27:32 | |
-So, yeah. It was great fun. I got to do some singing as well. -Singing? | 0:27:37 | 0:27:43 | |
BOTH: # It's gonna take a lot to drag me away from you... # | 0:27:45 | 0:27:48 | |
Oh, Christ. | 0:27:48 | 0:27:49 | |
# More than a hundred men could ever do... # | 0:27:49 | 0:27:53 | |
We just went so out of the top ten right there. Oh, dear. | 0:27:53 | 0:27:57 | |
Now, listen, I mentioned in the monologue this thing | 0:27:57 | 0:28:00 | |
about the bromance between James and Michael, which presumably... | 0:28:00 | 0:28:04 | |
-Is that all based on X-Men? Is that where that comes from? -I think so. | 0:28:04 | 0:28:09 | |
It was this one night, right. | 0:28:09 | 0:28:11 | |
LAUGHTER | 0:28:11 | 0:28:12 | |
-One night. -A few too many Tia Marias, do you know what I mean? | 0:28:12 | 0:28:16 | |
No, but like all great relationships, | 0:28:16 | 0:28:18 | |
-the fans have given it names. Do you know these names? -No. | 0:28:18 | 0:28:21 | |
OK. Some call it McFassey. | 0:28:21 | 0:28:23 | |
OK. | 0:28:24 | 0:28:26 | |
Others call it, I quite like this, Fassavoy. | 0:28:26 | 0:28:29 | |
-Fassavoy? -Fassavoy. -I'm liking that. | 0:28:29 | 0:28:31 | |
Or, of course, the classic, MacBender. | 0:28:31 | 0:28:33 | |
LAUGHTER | 0:28:33 | 0:28:36 | |
-That's the one. -That's the name of Macbeth The Musical. | 0:28:36 | 0:28:38 | |
MacBender. | 0:28:38 | 0:28:39 | |
SPEECH DROWNED OUT BY LAUGHTER | 0:28:39 | 0:28:41 | |
-Our franchise. -MacBender. | 0:28:41 | 0:28:43 | |
-Have you seen...? Have you guys seen the fan art? -No. | 0:28:43 | 0:28:48 | |
-Seriously? -Well, I saw something you showed us when we were back there. | 0:28:48 | 0:28:51 | |
Yes, I showed that, but there's other ones. This is nice. | 0:28:51 | 0:28:53 | |
Was that what you were reading? | 0:28:53 | 0:28:54 | |
That's nice. | 0:28:54 | 0:28:56 | |
Look at them. | 0:28:56 | 0:28:57 | |
They are such good pals. | 0:28:57 | 0:29:00 | |
Look at you, Michael. | 0:29:00 | 0:29:01 | |
I know. | 0:29:01 | 0:29:03 | |
It's much better than that real photo you showed of me | 0:29:03 | 0:29:05 | |
on the way in. | 0:29:05 | 0:29:07 | |
That's just scary. | 0:29:07 | 0:29:08 | |
Well, no. | 0:29:08 | 0:29:09 | |
And what if...what if you're at the services during filming, | 0:29:09 | 0:29:12 | |
one of them gets hungry? | 0:29:12 | 0:29:14 | |
Why, you could share a cherry. | 0:29:14 | 0:29:16 | |
-Different artist, though. -Different artist. | 0:29:16 | 0:29:19 | |
You've never made me cupcakes. | 0:29:19 | 0:29:21 | |
-No. -What are you wearing, James? -Show me again. | 0:29:22 | 0:29:26 | |
Dungarees. Am I wearing dungarees? | 0:29:26 | 0:29:28 | |
Obviously you did the baking and I'm feeding you. | 0:29:29 | 0:29:32 | |
Why am I in dungarees? | 0:29:32 | 0:29:34 | |
-Have I've been in the workshop? -It could be an apron. | 0:29:34 | 0:29:36 | |
You did the baking and I'm feeding you. | 0:29:36 | 0:29:39 | |
-Oh, man. -Yeah, cos you've worked hard all afternoon, James. | 0:29:39 | 0:29:42 | |
-You deserve a treat. -So, I'm taking your cherry. | 0:29:42 | 0:29:45 | |
LAUGHTER | 0:29:45 | 0:29:47 | |
Meanwhile...meanwhile, after filming, you were just relaxing. | 0:29:47 | 0:29:51 | |
Do you know what I'm saying? | 0:29:54 | 0:29:55 | |
What I'm saying is, "It's tough being number nine. | 0:29:55 | 0:29:59 | |
"It's tough in the top ten." | 0:29:59 | 0:30:00 | |
I'm saying I don't want to take a bath. | 0:30:00 | 0:30:03 | |
Shall we play Bucky? | 0:30:03 | 0:30:06 | |
LAUGHTER | 0:30:06 | 0:30:07 | |
Here you are baking. It's rather beautiful. | 0:30:09 | 0:30:11 | |
Now, for some reason... | 0:30:14 | 0:30:15 | |
Wait a minute, wait a minute, stop everything for a minute, mate. | 0:30:16 | 0:30:21 | |
Whoever's creating this artwork, I applaud your artistry, | 0:30:21 | 0:30:24 | |
by the way, it's beautiful work, but if anybody's giving... | 0:30:24 | 0:30:28 | |
LAUGHTER | 0:30:29 | 0:30:31 | |
CHEERING | 0:30:31 | 0:30:32 | |
Apparently not. | 0:30:32 | 0:30:33 | |
The other weird thing is... | 0:30:40 | 0:30:42 | |
I don't know what, but James looks incredibly like Sue Lawley here. | 0:30:42 | 0:30:45 | |
I also think I look a bit like... | 0:30:47 | 0:30:49 | |
No, it looks like what you're saying is, "If anyone's giving, it's me." | 0:30:49 | 0:30:53 | |
I'm trying to bake here. | 0:30:56 | 0:30:58 | |
Do you know what I think it really looks like? | 0:30:58 | 0:31:00 | |
It looks like a couple who've been together for 25 years | 0:31:00 | 0:31:02 | |
and they're like, "We've not had sex in a long time. | 0:31:02 | 0:31:05 | |
"Come on, let's try. | 0:31:05 | 0:31:07 | |
"Let's just try." | 0:31:07 | 0:31:08 | |
We don't even take our pants off any more. | 0:31:08 | 0:31:10 | |
But then...but then, this is even sweeter. | 0:31:13 | 0:31:15 | |
What they do is they've got these various scenarios | 0:31:15 | 0:31:18 | |
they dream up for you. | 0:31:18 | 0:31:20 | |
What you do is if you go to the fan fiction websites... | 0:31:20 | 0:31:23 | |
When I say fan fiction websites, this is nuts. | 0:31:23 | 0:31:27 | |
Some of these stories are 250,000 words long. | 0:31:27 | 0:31:32 | |
That's like two books. | 0:31:32 | 0:31:35 | |
-Wow. -About him and I? -Yeah. -Amazing. -Wow. | 0:31:35 | 0:31:37 | |
OK, so what they do is they summarise them. | 0:31:37 | 0:31:40 | |
So, here's a little one. | 0:31:40 | 0:31:41 | |
-Has Harvey Weinstein optioned them for a movie yet? -He really should. | 0:31:41 | 0:31:45 | |
Here's one... | 0:31:45 | 0:31:46 | |
APPLAUSE Yeah! | 0:31:55 | 0:31:56 | |
I've printed some of them out. | 0:31:56 | 0:31:58 | |
-Would you mind reading some of them out? -Oh, please. | 0:31:58 | 0:32:00 | |
-OK. -I'm trying to stay away from this, but I'm happy to get involved. | 0:32:00 | 0:32:04 | |
OK, so this is... These are the little scenarios for you. | 0:32:04 | 0:32:08 | |
You go with the first one there now. | 0:32:08 | 0:32:10 | |
"After finding out James is pregnant with twins..." | 0:32:10 | 0:32:13 | |
LAUGHTER AND APPLAUSE | 0:32:13 | 0:32:15 | |
Oh, my God! | 0:32:15 | 0:32:17 | |
IVF can do incredible things these days. | 0:32:17 | 0:32:20 | |
"..James and Michael start to learn | 0:32:20 | 0:32:22 | |
"how to balance upcoming parenthood and their careers | 0:32:22 | 0:32:25 | |
"with help from friends and family." | 0:32:25 | 0:32:28 | |
See, it's lovely! | 0:32:28 | 0:32:29 | |
OK, this one... Like I say, they are sweet. They're creepy, but sweet. | 0:32:29 | 0:32:33 | |
LAUGHTER | 0:32:33 | 0:32:35 | |
"James and Michael decide to knit scarves for each other." | 0:32:35 | 0:32:38 | |
Wait, wait. "James is very good at it." | 0:32:40 | 0:32:43 | |
LAUGHTER | 0:32:43 | 0:32:45 | |
"But Michael ends up with something that is definitely not a scarf." | 0:32:45 | 0:32:51 | |
LAUGHTER | 0:32:51 | 0:32:53 | |
-I don't know! -Find out next week. -I don't know! -I've got to read on. | 0:32:53 | 0:32:57 | |
"Michael likes certain kinks in bed. Role play and costumes and scenes..." | 0:32:57 | 0:33:02 | |
I thought this was saying "scones" there. | 0:33:02 | 0:33:05 | |
"..and scenes..." LAUGHTER | 0:33:05 | 0:33:07 | |
-He's mad about his baking, mad about his baking! -Oh, and the cream! | 0:33:07 | 0:33:11 | |
"James has never really minded before | 0:33:11 | 0:33:13 | |
"but this time, this night, he's tired. | 0:33:13 | 0:33:15 | |
"He feels a bit ridiculous in the outfit | 0:33:15 | 0:33:17 | |
"and he wants Michael to want him as himself for once, just for tonight!" | 0:33:17 | 0:33:22 | |
LAUGHTER AND APPLAUSE | 0:33:22 | 0:33:24 | |
As himself! | 0:33:24 | 0:33:25 | |
"I don't want to wear the dungarees!" | 0:33:27 | 0:33:29 | |
What about all the fan fiction? | 0:33:29 | 0:33:31 | |
CHEERING AND APPLAUSE | 0:33:31 | 0:33:33 | |
Oh, my God. | 0:33:34 | 0:33:36 | |
I think I have more illustrated moments in our relationship now | 0:33:37 | 0:33:41 | |
than I do with my wife. | 0:33:41 | 0:33:43 | |
LAUGHTER | 0:33:43 | 0:33:44 | |
That's pretty good. Listen, it's music time, everyone. | 0:33:44 | 0:33:47 | |
-So, Michael, if you want to go and get ready. -Yeah. -Yeah. | 0:33:47 | 0:33:51 | |
Erm, no, no, I'm joking. Sit ye down. | 0:33:51 | 0:33:54 | |
-You ARE going to make a musical at some point! You have to now. -Yes! | 0:33:54 | 0:33:58 | |
-Frank. -Oh, of course, you sing in Frank! -Yeah. | 0:33:58 | 0:34:01 | |
-But that's inside the head. -LAUGHTER | 0:34:01 | 0:34:03 | |
-Small steps, baby steps. -Baby steps. | 0:34:03 | 0:34:06 | |
No, hey, next weekend, it is the Eurovision Song Contest. Yes, it is! | 0:34:06 | 0:34:10 | |
Yes! | 0:34:10 | 0:34:12 | |
CHEERING AND APPLAUSE | 0:34:12 | 0:34:13 | |
And carrying the hopes and dreams of a nation will be this young lady. | 0:34:13 | 0:34:19 | |
Performing the official UK entry for Eurovision 2014, | 0:34:19 | 0:34:23 | |
Children Of The Universe, please go wild for Molly. | 0:34:23 | 0:34:26 | |
CHEERING AND APPLAUSE | 0:34:26 | 0:34:28 | |
# Power to the people, oh, hey-hey | 0:34:32 | 0:34:35 | |
# Power to the people, oh, oh-oh-oh | 0:34:35 | 0:34:39 | |
-# I've been tired of this thinking -Hey | 0:34:39 | 0:34:42 | |
-# So I've drowned it out by drinking -Oh | 0:34:42 | 0:34:45 | |
# Tastes like a bitter pill But I'll just wash it down | 0:34:45 | 0:34:48 | |
# With the taste of something sweet that some doctor gave me now | 0:34:48 | 0:34:52 | |
# And this is a madness | 0:34:54 | 0:34:57 | |
# I'm not giving in | 0:34:57 | 0:35:01 | |
# We're shining like diamonds | 0:35:01 | 0:35:04 | |
# With fire in our bones | 0:35:04 | 0:35:07 | |
# And standing beside you | 0:35:07 | 0:35:10 | |
# I've the feeling that I'll never walk alone | 0:35:10 | 0:35:13 | |
# Whoa, oh-oh | 0:35:13 | 0:35:16 | |
# We are children of the universe | 0:35:16 | 0:35:19 | |
-# Don't you know -Whoa, oh-oh | 0:35:19 | 0:35:23 | |
# Just dancing on the edge of time And it's ours to own | 0:35:23 | 0:35:26 | |
# Children of the uni... Children of the uni... | 0:35:26 | 0:35:30 | |
# Children of the universe | 0:35:30 | 0:35:32 | |
# Woo! | 0:35:32 | 0:35:33 | |
# Power to the people, oh, hey-hey | 0:35:33 | 0:35:37 | |
# Power to the people, oh, oh-oh-oh | 0:35:37 | 0:35:40 | |
# Power to the people, oh, hey-hey | 0:35:40 | 0:35:43 | |
# You know what we want and we've got to get it now | 0:35:43 | 0:35:47 | |
-# Something's stirring in the silence -Hey, hey | 0:35:47 | 0:35:51 | |
-# And it reeks of passive violence -Oh | 0:35:51 | 0:35:54 | |
# Hold on tight This opportunity we'll take | 0:35:54 | 0:35:57 | |
# Put an end to all the suffering before it gets too late | 0:35:57 | 0:36:02 | |
# Hope's on the horizon | 0:36:02 | 0:36:06 | |
-# I'm not giving in -Whoa, oh-oh | 0:36:06 | 0:36:10 | |
# Yeah We're children of the universe | 0:36:10 | 0:36:13 | |
-# Don't you know -Whoa, oh-oh | 0:36:13 | 0:36:17 | |
# Just dancing on the edge of time And it's ours to own | 0:36:17 | 0:36:21 | |
# Children of the uni... Children of the uni... | 0:36:21 | 0:36:24 | |
# Yeah We're children of the universe | 0:36:24 | 0:36:27 | |
# We're shining like diamonds | 0:36:30 | 0:36:33 | |
# With love in our hearts | 0:36:33 | 0:36:36 | |
# They said it's the end | 0:36:36 | 0:36:39 | |
# But I've a feeling it might just be the start | 0:36:39 | 0:36:43 | |
# As I am awakened | 0:36:43 | 0:36:47 | |
# With fire in my bones | 0:36:47 | 0:36:50 | |
# Standing beside you | 0:36:50 | 0:36:53 | |
# I've the feeling that I'll never walk alone | 0:36:53 | 0:36:58 | |
# We're children of the uni... Children of the uni... | 0:36:58 | 0:37:02 | |
# Children of the universe | 0:37:02 | 0:37:05 | |
# Don't you know, yeah, yeah | 0:37:05 | 0:37:08 | |
# Yeah, dancing on the edge of time And it's ours to own | 0:37:08 | 0:37:13 | |
# Children of the uni... Children of the uni... | 0:37:13 | 0:37:15 | |
# Yes We are the children of the universe | 0:37:15 | 0:37:19 | |
# Yeah, yeah | 0:37:19 | 0:37:21 | |
# Children of the uni... | 0:37:21 | 0:37:23 | |
# Children of the universe | 0:37:23 | 0:37:26 | |
# Power to the people. # | 0:37:26 | 0:37:29 | |
CHEERING AND APPLAUSE | 0:37:29 | 0:37:31 | |
Thank you. | 0:37:33 | 0:37:34 | |
Molly, everybody! Come and join me, do! | 0:37:36 | 0:37:39 | |
Oh, well done, young lady! | 0:37:40 | 0:37:42 | |
Thank you very much! | 0:37:42 | 0:37:45 | |
Now, come and meet the boys. | 0:37:45 | 0:37:47 | |
-There's James McAvoy... -How you doing? Nice to meet you. | 0:37:47 | 0:37:49 | |
-..Michael Fassbender... -Mwah! | 0:37:49 | 0:37:52 | |
-..and Hugh Jackman. -Hello! -Hello, mwah! | 0:37:52 | 0:37:54 | |
CHEERING AND APPLAUSE | 0:37:54 | 0:37:56 | |
-You sit there. -You sit in the middle. -Yes! Oh, please, please. | 0:37:58 | 0:38:01 | |
LAUGHTER | 0:38:01 | 0:38:03 | |
-This is like winning, isn't it? -It really is. | 0:38:03 | 0:38:06 | |
She won't show up on the night. | 0:38:06 | 0:38:07 | |
"Yeah, I met James McAvoy, Michael Fassbender and Hugh Jackman. | 0:38:07 | 0:38:11 | |
"Yeah, screw you, Eurovision." | 0:38:11 | 0:38:13 | |
So, listen, the single... well, that song, | 0:38:14 | 0:38:17 | |
Children Of The Universe, is out now. | 0:38:17 | 0:38:19 | |
And it would be amazing, it would be so lovely | 0:38:19 | 0:38:21 | |
if it could get in the charts before you head off to Copenhagen | 0:38:21 | 0:38:24 | |
and feel like the nation is behind you! | 0:38:24 | 0:38:26 | |
CHEERING AND APPLAUSE | 0:38:26 | 0:38:28 | |
Whoever agrees to do it, you just think, "Hats off to them, | 0:38:32 | 0:38:36 | |
"thank you very much." | 0:38:36 | 0:38:37 | |
And it's not a decision you take lightly. | 0:38:39 | 0:38:41 | |
So, who did you turn to for advice when they asked you? | 0:38:41 | 0:38:44 | |
-Erm, some of my friends. -And what did they say? | 0:38:44 | 0:38:47 | |
-They said, "Oh, my God, you have to do it." -Really? | 0:38:47 | 0:38:49 | |
-Yeah, and I was really surprised. -That surprises me, yes. | 0:38:49 | 0:38:51 | |
It really surprised me as well. | 0:38:51 | 0:38:53 | |
No, no, cos it's a thing to do. | 0:38:53 | 0:38:55 | |
Yeah, no, I was really... | 0:38:55 | 0:38:57 | |
No, I'm really glad you're doing it, but it's a thing to do! | 0:38:57 | 0:38:59 | |
No, you're right, you're totally right. | 0:38:59 | 0:39:01 | |
No, and you'll have a great night. | 0:39:01 | 0:39:03 | |
It's all right, you don't have to | 0:39:03 | 0:39:04 | |
dig yourself out of the hole, it's fine. | 0:39:04 | 0:39:06 | |
LAUGHTER | 0:39:06 | 0:39:07 | |
You grew up in this country, you understand. | 0:39:07 | 0:39:09 | |
-I completely understand. -But it's a really good song | 0:39:09 | 0:39:12 | |
and, look, millions and millions of people are going to hear you, | 0:39:12 | 0:39:14 | |
see you and hear your song, so it's a good thing to do. | 0:39:14 | 0:39:17 | |
And they weren't before, so... | 0:39:17 | 0:39:18 | |
-Exactly. Now, you guys, will you all...? -Oh, I'll be watching. | 0:39:18 | 0:39:21 | |
Yes, we'll all be watching. | 0:39:21 | 0:39:22 | |
And look, you've got the Wolverine claws on, even, look. | 0:39:22 | 0:39:25 | |
-Was that a little homage? -Yeah, obviously. | 0:39:26 | 0:39:28 | |
And, of course, growing up in Ireland... | 0:39:30 | 0:39:32 | |
-It was massive. -Massive. -Yeah. | 0:39:32 | 0:39:34 | |
-Your favourite Eurovision winner of all time? -Er, Johnny Logan. | 0:39:34 | 0:39:37 | |
Of course, yes. | 0:39:37 | 0:39:38 | |
CHEERING | 0:39:38 | 0:39:40 | |
-James? -Bucks Fizz, mate. | 0:39:40 | 0:39:41 | |
LAUGHTER | 0:39:41 | 0:39:43 | |
All the way. Cheryl Baker, can't get that image out of my head. | 0:39:43 | 0:39:46 | |
When I'm reading. | 0:39:46 | 0:39:48 | |
LAUGHTER AND APPLAUSE | 0:39:48 | 0:39:50 | |
Back to the beginning. | 0:39:53 | 0:39:56 | |
Erm, well, listen, I will see you in Copenhagen, | 0:39:57 | 0:40:00 | |
and listen, best of luck. | 0:40:00 | 0:40:02 | |
And next time you see me, I won't look like this. | 0:40:02 | 0:40:05 | |
Erm, I will be drunk. | 0:40:05 | 0:40:07 | |
Er, right... | 0:40:07 | 0:40:09 | |
Before we go tonight, just time for a story in the Red Chair. | 0:40:09 | 0:40:11 | |
So, who be there? | 0:40:11 | 0:40:13 | |
-Hello, sir! -Hi, how you goin'? -Er, very good. -Aussie! | 0:40:13 | 0:40:16 | |
His baby rocks him! | 0:40:16 | 0:40:17 | |
LAUGHTER | 0:40:17 | 0:40:19 | |
-Er, have you done this before? -No, mate, no. -No, mate! | 0:40:19 | 0:40:23 | |
Hold on there, mate! | 0:40:24 | 0:40:25 | |
This better be good! | 0:40:25 | 0:40:27 | |
-Better be good. -So, where are you from originally? | 0:40:28 | 0:40:31 | |
Erm, Gold Coast. | 0:40:31 | 0:40:32 | |
Oh, right. And, er, are you here on holidays, or are you just...? | 0:40:32 | 0:40:35 | |
-Er, yeah, over here for 18 months, two years. -Oh, right. | 0:40:35 | 0:40:38 | |
Did they kick him out, right? | 0:40:38 | 0:40:40 | |
Almost the length of a visa. | 0:40:40 | 0:40:42 | |
LAUGHTER | 0:40:42 | 0:40:44 | |
And, er, what are you doing while you're here? | 0:40:44 | 0:40:46 | |
-Erm, I'm a school teacher. -A school teacher? -Awesome. | 0:40:46 | 0:40:49 | |
-What age do you teach? -Er, high school, secondary. -Awesome. -Wow! | 0:40:49 | 0:40:52 | |
-Yeah. -Do you have a qualification? -Er, yeah. | 0:40:52 | 0:40:55 | |
-Do you really? -Yeah. -To teach them what? | 0:40:55 | 0:40:58 | |
I teach science and PE. | 0:40:58 | 0:41:00 | |
Seems so unlikely, but all right. | 0:41:00 | 0:41:02 | |
LAUGHTER | 0:41:02 | 0:41:05 | |
-Here in England? You teach in England? -Yeah. They... Yeah! -Cool. | 0:41:05 | 0:41:08 | |
To secondary school... | 0:41:08 | 0:41:09 | |
Science and PE, I've never known that combination before. | 0:41:09 | 0:41:12 | |
It's clearly a private school. | 0:41:12 | 0:41:15 | |
All right, off you go with your story. | 0:41:15 | 0:41:17 | |
OK, basically, a couple of years ago | 0:41:17 | 0:41:19 | |
I had a serious knee injury and I went and got an X-ray done. | 0:41:19 | 0:41:22 | |
The X-ray was from the waist down and I went to my girlfriend's place, | 0:41:22 | 0:41:27 | |
and her parents wanted to see the X-rays, | 0:41:27 | 0:41:28 | |
so I held the X-rays up against the window, | 0:41:28 | 0:41:30 | |
I was showing them and they started laughing. I didn't realise what they were laughing at, | 0:41:30 | 0:41:34 | |
and then I looked at the X-ray and realised that as it was | 0:41:34 | 0:41:37 | |
from the waist down, there was a bit more on the X-ray than just my knee. | 0:41:37 | 0:41:40 | |
LAUGHTER | 0:41:40 | 0:41:41 | |
-I'm very impressed if it got to your knee! -Yeah! | 0:41:41 | 0:41:44 | |
LAUGHTER AND APPLAUSE | 0:41:44 | 0:41:46 | |
OK, who's up next? | 0:41:52 | 0:41:54 | |
-Hello! -Hello! -Hello, and what's your name? -Amanda. | 0:41:54 | 0:41:57 | |
Amanda, and where are you from, Amanda? | 0:41:57 | 0:41:59 | |
-Er, Rickmansworth in Hertfordshire. -Rickmansworth in Hertfordshire! | 0:41:59 | 0:42:03 | |
-Yes, wonderful! -It's lovely. -Lovely. | 0:42:03 | 0:42:05 | |
At this time of year, oh, the daffodils! | 0:42:05 | 0:42:07 | |
Er, all right, off you go with your story. | 0:42:08 | 0:42:11 | |
Erm, well, many moons ago I used to work as an events organiser, | 0:42:11 | 0:42:15 | |
in particular weddings, | 0:42:15 | 0:42:17 | |
and one particular wedding I had to MC the whole event, | 0:42:17 | 0:42:21 | |
so I had to announce all the guests in, and, erm, | 0:42:21 | 0:42:26 | |
get everybody into dinner and announce the toasts, et cetera, | 0:42:26 | 0:42:29 | |
and this particular wedding, | 0:42:29 | 0:42:31 | |
the mother of the bride was a real cow, she just did nothing | 0:42:31 | 0:42:36 | |
but complain about the room was too hot, too cold, things weren't right. | 0:42:36 | 0:42:41 | |
Anyway, I announced the toasts | 0:42:41 | 0:42:43 | |
and, er, she came up and said that the champagne was too warm, | 0:42:43 | 0:42:46 | |
so I said, "Oh, I'll sort it, I'll sort it," | 0:42:46 | 0:42:48 | |
went out to the kitchens and then let rip | 0:42:48 | 0:42:52 | |
and screamed about what a complete and utter bitch she was, | 0:42:52 | 0:42:55 | |
and said that the poor groom... moving into that part of the family | 0:42:55 | 0:42:59 | |
and hope his wife didn't turn out like the mother-in-law bitch. | 0:42:59 | 0:43:03 | |
And at that point, one of the waitresses came up to me and went... | 0:43:03 | 0:43:07 | |
And I was holding the microphone in my hand. | 0:43:07 | 0:43:09 | |
-Oh, good story! -Good story! Good story! | 0:43:09 | 0:43:13 | |
-You can walk. -No, I want to be flipped! -You want to flip? | 0:43:14 | 0:43:17 | |
-Yes, please. -OK, your choice, there you go! | 0:43:17 | 0:43:20 | |
APPLAUSE | 0:43:20 | 0:43:23 | |
She wanted to be flipped. Well done, everybody. | 0:43:23 | 0:43:26 | |
If you'd like to join us on the show and have a go on the Red Chair, | 0:43:26 | 0:43:29 | |
you can contact us via our website at this very address. | 0:43:29 | 0:43:32 | |
Ladies and gentlemen, please thank my guests tonight. | 0:43:32 | 0:43:35 | |
Molly, everyone! | 0:43:35 | 0:43:36 | |
CHEERING AND APPLAUSE | 0:43:36 | 0:43:38 | |
James McAvoy! | 0:43:38 | 0:43:39 | |
CHEERING AND APPLAUSE | 0:43:39 | 0:43:40 | |
Michael Fassbender! | 0:43:40 | 0:43:42 | |
And Mr Hugh Jackman! | 0:43:42 | 0:43:46 | |
CHEERING AND APPLAUSE | 0:43:46 | 0:43:48 | |
Join me same time next week. I'll see you then. | 0:43:48 | 0:43:50 | |
Good night, everyone, bye-bye! | 0:43:50 | 0:43:52 |