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FORREST GUMP THEME | 0:00:02 | 0:00:04 | |
My mammy always said chat shows are like a box of chocolates. | 0:00:14 | 0:00:19 | |
You never know what guest you're going to get it. | 0:00:19 | 0:00:22 | |
-I've got stars from America! -USA! USA! USA! | 0:00:22 | 0:00:27 | |
And stars from Britain. | 0:00:27 | 0:00:29 | |
Hello. | 0:00:29 | 0:00:30 | |
Hi. | 0:00:32 | 0:00:34 | |
How are you doing, Graham? | 0:00:34 | 0:00:35 | |
I'm good. Little help here, please. | 0:00:35 | 0:00:38 | |
-Is that the time? You've lost weight. -Daniel! | 0:00:41 | 0:00:44 | |
Let's start the sh-o-o-ow! | 0:00:44 | 0:00:48 | |
Oh! Oh! | 0:01:03 | 0:01:05 | |
Oh, thank you, thank you. | 0:01:05 | 0:01:08 | |
Thank you, that is so kind of you. Really, no, too kind. Too kind. | 0:01:08 | 0:01:13 | |
Welcome, all. | 0:01:13 | 0:01:15 | |
That was a look back at some of my favourite opens | 0:01:15 | 0:01:17 | |
from the series. What a series it's been. | 0:01:17 | 0:01:20 | |
So many extraordinary guests on the sofa, | 0:01:20 | 0:01:22 | |
and how happy was I to see this face? | 0:01:22 | 0:01:25 | |
Miriam, you didn't... | 0:01:25 | 0:01:27 | |
I'm guessing you don't sugar-coat things. | 0:01:27 | 0:01:29 | |
-Do you get starstruck at all? -I do sometimes. I do sometimes. | 0:01:29 | 0:01:32 | |
I remember when I was young, and I met Laurence Olivier... | 0:01:32 | 0:01:36 | |
-Wow. -I used to collect autographs at the stage door, you know. | 0:01:36 | 0:01:41 | |
And he came out, | 0:01:41 | 0:01:42 | |
and I remember so distinctly | 0:01:42 | 0:01:46 | |
that I started to cream in my knickers. | 0:01:46 | 0:01:48 | |
I could feel it. | 0:01:48 | 0:01:50 | |
I could actually... | 0:01:50 | 0:01:52 | |
I went all funny. But it's true. | 0:01:52 | 0:01:55 | |
AUDIENCE GASP IN SHOCK | 0:01:55 | 0:01:57 | |
-It's true. You know what I mean? -I know exactly what you mean. | 0:01:57 | 0:02:00 | |
LAUGHTER | 0:02:00 | 0:02:02 | |
Wherever we thought that story was going... | 0:02:02 | 0:02:05 | |
I honestly don't think I've ever been more uncomfortable in my life. | 0:02:07 | 0:02:11 | |
I think that's the worst moment of my life. | 0:02:18 | 0:02:21 | |
-Oh, dear. -It can only get better. | 0:02:25 | 0:02:27 | |
Well, that's a lovely story, Miriam. | 0:02:27 | 0:02:29 | |
LAUGHTER | 0:02:29 | 0:02:31 | |
Thank you for sharing. I think that's in the compilation. | 0:02:31 | 0:02:34 | |
That's... That's great. | 0:02:34 | 0:02:36 | |
Have you been at the Oscars? | 0:02:38 | 0:02:40 | |
-Where you going to say have you got an Oscar? -Yes, have you, David? | 0:02:40 | 0:02:43 | |
I think so, I'm not sure. Have to check when I get home. | 0:02:43 | 0:02:46 | |
What is the theme of this show, if you don't have one? | 0:02:46 | 0:02:49 | |
I've probably got one. | 0:02:49 | 0:02:51 | |
Cos it looks like they're pretty easy to get, David, you know? | 0:02:51 | 0:02:54 | |
-Have you been, though? Have you been? -Of course I haven't been. | 0:02:54 | 0:02:57 | |
-Why would I go to the Oscars? -It's great, isn't it? -It is. | 0:02:57 | 0:03:00 | |
You get all that great free stuff. You get to chat with Jane Fonda. | 0:03:02 | 0:03:06 | |
I've got to tell you. Whatever... Even if you just win | 0:03:06 | 0:03:09 | |
for a short film, they treat you... | 0:03:09 | 0:03:11 | |
-Did you get the gift basket with all the goodies? -It's fantastic! | 0:03:13 | 0:03:16 | |
It's actually before I was born that you were there. | 0:03:16 | 0:03:18 | |
1995?! | 0:03:20 | 0:03:22 | |
We were booked... We were booked on economy to come back to London | 0:03:23 | 0:03:28 | |
because obviously we'd done it off our own back, | 0:03:28 | 0:03:30 | |
and I thought if I turn up at the airport, | 0:03:30 | 0:03:33 | |
at Los Angeles Airport, and place my Oscar, surely I'll get upgraded. | 0:03:33 | 0:03:38 | |
I didn't. | 0:03:38 | 0:03:40 | |
And we were put in economy. It was great. | 0:03:40 | 0:03:43 | |
Everybody in economy held up the Oscar. | 0:03:43 | 0:03:46 | |
It was like a night at the opera, you know? | 0:03:46 | 0:03:48 | |
It was like all the people in the Titanic underneath. | 0:03:48 | 0:03:51 | |
All the poor people waving an Oscar. It was great. | 0:03:51 | 0:03:54 | |
We've enjoyed the Oscar chat, but let's put that away, shall we? | 0:03:54 | 0:03:58 | |
Have you ever won anything? | 0:03:58 | 0:04:00 | |
I did, yeah. | 0:04:06 | 0:04:08 | |
The people coming up to you now... They're Americans. | 0:04:08 | 0:04:13 | |
Well, Americans, they're not shy, Americans. | 0:04:13 | 0:04:15 | |
Well, no. | 0:04:17 | 0:04:19 | |
But I don't go anywhere, really, | 0:04:19 | 0:04:21 | |
where they can get at me. | 0:04:21 | 0:04:23 | |
It's usually in museums and art galleries and things, | 0:04:31 | 0:04:35 | |
so that limits things. | 0:04:35 | 0:04:37 | |
I keep away from there. | 0:04:39 | 0:04:40 | |
And Harrods I don't go near. | 0:04:40 | 0:04:43 | |
So, are you in a way glad that Downton's over? | 0:04:43 | 0:04:45 | |
Oh, yeah. | 0:04:45 | 0:04:47 | |
AUDIENCE GASP | 0:04:47 | 0:04:49 | |
No, I really am. | 0:04:49 | 0:04:51 | |
No, because, honestly, she was about... | 0:04:51 | 0:04:53 | |
By the time we finished, she must've been 110. | 0:04:53 | 0:04:56 | |
So I couldn't go on and on and on. I couldn't! | 0:04:56 | 0:05:00 | |
Because it didn't make sense. | 0:05:01 | 0:05:03 | |
Have you ever watched Downton? | 0:05:04 | 0:05:06 | |
LAUGHTER | 0:05:07 | 0:05:09 | |
I've got the box set. | 0:05:14 | 0:05:15 | |
LAUGHTER | 0:05:15 | 0:05:17 | |
Now, the thing is, | 0:05:22 | 0:05:24 | |
it's so unusual to have two such young Oscar winners. | 0:05:24 | 0:05:27 | |
You know, it isn't normally something that happens. | 0:05:27 | 0:05:29 | |
-That's why we're friends. -Yeah. You're part of an elite club. | 0:05:29 | 0:05:32 | |
But the other thing you share is quite short-lived | 0:05:32 | 0:05:35 | |
careers in modelling. | 0:05:35 | 0:05:36 | |
Oh, I thought you just said "Short-lived careers!" | 0:05:36 | 0:05:39 | |
I was, like... I was like, "Oh! Oh..." | 0:05:39 | 0:05:41 | |
Happy New Year! | 0:05:42 | 0:05:44 | |
So... Now, what was your big break? | 0:05:46 | 0:05:47 | |
-Was it Vogue, Esquire? -Where are we going with this? | 0:05:47 | 0:05:51 | |
I think all of the above. | 0:05:51 | 0:05:53 | |
Talk about the modelling. Talk about it! | 0:05:53 | 0:05:55 | |
-Or was it in fact... Actually... -Want me to talk about my modelling? | 0:05:55 | 0:05:59 | |
-I think he's a about talk about my modelling. -No, because... | 0:05:59 | 0:06:02 | |
-Because look at these. It's hard to make a jumper sexy. -True that. | 0:06:02 | 0:06:06 | |
But I think he's managed it. | 0:06:07 | 0:06:10 | |
LAUGHTER AND APPLAUSE | 0:06:10 | 0:06:13 | |
Has wool... Has wool ever looked hotter? | 0:06:14 | 0:06:18 | |
-I mean, seriously... -Here's the thing. Your sweater has eyeballs. | 0:06:18 | 0:06:22 | |
That was a high point. I think you can actually still buy that. | 0:06:25 | 0:06:28 | |
The point of that is you can learn to knit it yourself. | 0:06:28 | 0:06:32 | |
-So you guys can take one of those home and knit it for yourself. -What? | 0:06:32 | 0:06:36 | |
So I can buy the sweater, and then I have to do it myself? | 0:06:36 | 0:06:40 | |
-Cos you... -You don't have my pictures. -No, I don't. | 0:06:40 | 0:06:42 | |
-And I'll tell you why. -Yes, tell us why. Really amazing job to get. | 0:06:42 | 0:06:46 | |
-I was an Abercrombie model. -Get in! | 0:06:46 | 0:06:48 | |
Abercrombie and Fitch, ladies and gentlemen. | 0:06:48 | 0:06:50 | |
Don't make your hoots, wait till we get to the story. | 0:06:50 | 0:06:53 | |
So, my pictures never came out. | 0:06:53 | 0:06:55 | |
I did a whole campaign and the pictures never came out, | 0:06:55 | 0:06:58 | |
and I didn't know why. And my agent wrote and asked why. | 0:06:58 | 0:07:01 | |
And they literally only responded with the photos. | 0:07:01 | 0:07:04 | |
LAUGHTER | 0:07:04 | 0:07:06 | |
Because... Their whole idea was, like, "We want real people." | 0:07:06 | 0:07:10 | |
So they got... I don't know, we were on a beach. | 0:07:10 | 0:07:13 | |
And then they threw us a football. They were, like, "Play football!" | 0:07:13 | 0:07:16 | |
And all the other models were, | 0:07:16 | 0:07:18 | |
like, playing football in a pretty way, you know, like. Not me. | 0:07:18 | 0:07:22 | |
I was... All of the photos, I've got a red face, covered in sweat. | 0:07:23 | 0:07:27 | |
My nostrils are flared, and I'm, like, "YAH!" | 0:07:27 | 0:07:29 | |
At one point, a girl yelled, "Just get her away from me!" | 0:07:31 | 0:07:35 | |
So... | 0:07:38 | 0:07:39 | |
APPLAUSE THEY TALK INAUDIBLY | 0:07:39 | 0:07:43 | |
Obviously, everyone's very excited that Matt Damon is here. | 0:07:43 | 0:07:46 | |
But, in certain parts of the audience, | 0:07:46 | 0:07:49 | |
and the audience at home, there might be some disappointment | 0:07:49 | 0:07:52 | |
because people were perhaps hoping that they would be seeing | 0:07:52 | 0:07:56 | |
Matt Damon and his ponytail. | 0:07:56 | 0:07:59 | |
It caused quite the sensation this summer, the ponytail, | 0:08:01 | 0:08:04 | |
-Matt Damon's ponytail. When did it go? -I had it... | 0:08:04 | 0:08:08 | |
I did a movie in China, and so I was there for about five months | 0:08:08 | 0:08:12 | |
with that...with that thing. | 0:08:12 | 0:08:14 | |
And then we did a press conference at the very end... | 0:08:14 | 0:08:17 | |
-Was it real? -No, it was hair extensions. | 0:08:18 | 0:08:21 | |
Because Matt Damon's ponytail, | 0:08:21 | 0:08:22 | |
it ended up with its own Twitter account, did you know that? | 0:08:22 | 0:08:25 | |
-I didn't know that. -It had its own Twitter account. | 0:08:25 | 0:08:28 | |
But also people, you know, | 0:08:28 | 0:08:30 | |
people really appreciated that ponytail on Twitter. | 0:08:30 | 0:08:34 | |
We found some of the tweets that people did. | 0:08:34 | 0:08:36 | |
LAUGHTER | 0:08:41 | 0:08:44 | |
They get worse. | 0:08:44 | 0:08:46 | |
This one. This one's quite extreme. | 0:08:54 | 0:08:57 | |
-So, never put it in a topknot. -No, I will never do that. | 0:09:03 | 0:09:06 | |
And who knows what this last one means. | 0:09:06 | 0:09:09 | |
Wow. Wow. | 0:09:15 | 0:09:18 | |
She's really thought it through. | 0:09:20 | 0:09:22 | |
A lady sandwich. | 0:09:22 | 0:09:24 | |
That's a charming thing. | 0:09:24 | 0:09:26 | |
I just like the use of the word 'steer'. | 0:09:26 | 0:09:30 | |
Left a bit. Right a bit. | 0:09:30 | 0:09:33 | |
That's it, you got it now. | 0:09:33 | 0:09:35 | |
-Trained sheepdogs to steer. -HE WHISTLES | 0:09:36 | 0:09:39 | |
-Holding setting. Holding setting. -Docking. Docking. | 0:09:39 | 0:09:42 | |
LAUGHTER | 0:09:42 | 0:09:45 | |
And, of course, Ryan married beautiful Blake, | 0:09:45 | 0:09:47 | |
sexiest man in the world, all these things. | 0:09:47 | 0:09:49 | |
-And, yet... -She is the sexiest man in the world. | 0:09:49 | 0:09:52 | |
-You've done well there. -That's a good shot right there. Look at you! | 0:09:52 | 0:09:55 | |
-Look at you. -Beautiful and happy. | 0:09:55 | 0:09:58 | |
So annoying. | 0:09:58 | 0:09:59 | |
No, but, when you started being interested in girls, | 0:10:02 | 0:10:05 | |
-you weren't that cool or smooth with it. -No, not at all. | 0:10:05 | 0:10:10 | |
-I don't believe it! -No, I went through puberty at, like, 27. | 0:10:10 | 0:10:14 | |
It was a freak thing. | 0:10:14 | 0:10:16 | |
It was not good. | 0:10:16 | 0:10:18 | |
Who was the girl at school, the first girl? | 0:10:18 | 0:10:21 | |
The first, I was obsessed with this girl, Fiona Gorchinsky. | 0:10:21 | 0:10:26 | |
Mm. Yeah! | 0:10:26 | 0:10:30 | |
She used to actually take the bus the opposite way of my actual home. | 0:10:30 | 0:10:35 | |
And I would get on the bus just to sit next to her for 45 minutes | 0:10:35 | 0:10:39 | |
-the wrong way. -There's something wonderful about that. | 0:10:39 | 0:10:42 | |
And moronic. | 0:10:42 | 0:10:43 | |
I love it when you're young, it's so cute. | 0:10:46 | 0:10:48 | |
When you're older, it's just stalking. | 0:10:48 | 0:10:50 | |
You're on some kind of watch list. | 0:10:51 | 0:10:53 | |
But I remember, I couldn't have been more than 11 years old. | 0:10:53 | 0:10:57 | |
And I was just about to get off the bus cos enough is enough, | 0:10:57 | 0:11:00 | |
I'm about to enter Seattle, or something. | 0:11:00 | 0:11:03 | |
I'm starting to get off the bus, | 0:11:03 | 0:11:04 | |
and I decided to hit her with this cool look or something. | 0:11:04 | 0:11:08 | |
Like one of these Don Johnson Miami Vice, things. It's sort of like... | 0:11:08 | 0:11:12 | |
Let me feel it. | 0:11:12 | 0:11:13 | |
-Right? You feel that? -Yeah, I threw up in my mouth a little. | 0:11:15 | 0:11:19 | |
But I do this move as I'm getting off the bus. | 0:11:20 | 0:11:23 | |
And I sort of delay a little too long, | 0:11:23 | 0:11:25 | |
and the bus doors close on my backpack. | 0:11:25 | 0:11:28 | |
On my backpack. | 0:11:28 | 0:11:30 | |
And the bus just starts to leave. | 0:11:30 | 0:11:32 | |
And I'm sort of like, doing this... | 0:11:32 | 0:11:35 | |
Banging on the side of the bus. | 0:11:35 | 0:11:37 | |
The bus driver finally stops, opens the door, | 0:11:37 | 0:11:39 | |
releases my idiot backpack. | 0:11:39 | 0:11:42 | |
-And I could never look at her again. -Aw... | 0:11:42 | 0:11:46 | |
Well, she's looking at you now. | 0:11:46 | 0:11:48 | |
She sure is. Sure is. | 0:11:48 | 0:11:50 | |
Nicole Kidman, you had an adorable name when you were little, | 0:11:50 | 0:11:54 | |
a sort of pet name. | 0:11:54 | 0:11:56 | |
LAUGHTER | 0:11:57 | 0:11:58 | |
Unless I'm wrong. | 0:11:58 | 0:11:59 | |
If I'm wrong... Weren't you called... I don't know how you... | 0:11:59 | 0:12:03 | |
Is it Hokulani? | 0:12:03 | 0:12:05 | |
No, that's not my pet name, that's my Hawaiian name. | 0:12:05 | 0:12:08 | |
Do forgive me! | 0:12:08 | 0:12:11 | |
Because I was born in Hawaii. | 0:12:12 | 0:12:14 | |
So, does everyone get a Hawaiian name if you're born in Hawaii? | 0:12:14 | 0:12:17 | |
-No, but I did. -OK. | 0:12:17 | 0:12:19 | |
-Hokulani. -What does it mean? | 0:12:21 | 0:12:24 | |
It means Heavenly Star. | 0:12:24 | 0:12:26 | |
APPLAUSE | 0:12:26 | 0:12:28 | |
But... But... Slightly undermines it | 0:12:31 | 0:12:34 | |
when you explain where your parents got the name. | 0:12:34 | 0:12:36 | |
From the Honolulu Zoo. | 0:12:36 | 0:12:39 | |
The baby elephant that was born at the same time as me | 0:12:40 | 0:12:43 | |
was called Hokulani. | 0:12:43 | 0:12:45 | |
Actually, so, in fact, we read about it, we Googled it. | 0:12:46 | 0:12:49 | |
This is a picture of Hokulani the elephant. | 0:12:49 | 0:12:52 | |
-AUDIENCE: -Aw! -See? | 0:12:52 | 0:12:54 | |
See the similarity? My twin! | 0:12:54 | 0:12:56 | |
It's The Hours' nose there. | 0:12:58 | 0:13:00 | |
No, stop that now. | 0:13:01 | 0:13:03 | |
That isn't what I meant. We were in the office, and... | 0:13:03 | 0:13:06 | |
Elephants live. Elephants live. And we thought, "Oh, I wonder..." | 0:13:06 | 0:13:09 | |
-That's amazing, I want a copy of that. -Is that really...? | 0:13:09 | 0:13:13 | |
Wouldn't it be amazing if we had Hokulani out the back? | 0:13:13 | 0:13:16 | |
We e-mailed Honolulu Zoo, | 0:13:17 | 0:13:18 | |
and said, "Remember Hokulani? What happened to Hokulani?" | 0:13:18 | 0:13:21 | |
And very kindly, someone, I think her name's Barbara, | 0:13:21 | 0:13:24 | |
she found time to e-mail back. | 0:13:24 | 0:13:26 | |
-"Hello-ha..." Cos that's what you say. -No, it's not "hello-ha". | 0:13:26 | 0:13:32 | |
-What is it? -It is aloha. | 0:13:33 | 0:13:35 | |
Aloha... | 0:13:35 | 0:13:36 | |
-Hokulani. -Hokulani. -Hokulani. | 0:13:36 | 0:13:41 | |
Barbara writes.... | 0:13:41 | 0:13:42 | |
1970? You would think, busy, busy, busy, running a zoo, | 0:13:48 | 0:13:53 | |
I'll stop my e-mail there. That's all they wanted to know. No. | 0:13:53 | 0:13:56 | |
Barbara continues. | 0:13:56 | 0:13:57 | |
-It goes on! -This is awful, why are you telling me this? | 0:14:02 | 0:14:06 | |
This was in 1970, and Barbara remembers it like it was yesterday. | 0:14:07 | 0:14:11 | |
"She was found in the moat.." | 0:14:13 | 0:14:14 | |
"It was speculated that she was pushed in by another young elephant, | 0:14:14 | 0:14:19 | |
"jealous of the mothering attention she was receiving | 0:14:19 | 0:14:22 | |
"from an older female. | 0:14:22 | 0:14:23 | |
"I wish there was a more warm and fuzzy angle to this story. | 0:14:23 | 0:14:26 | |
"Good luck with your interview." | 0:14:26 | 0:14:29 | |
-It does not! -It does! | 0:14:29 | 0:14:31 | |
That's incredible. | 0:14:34 | 0:14:35 | |
The weird thing is, Ice Cube, we could be related. Because... | 0:14:37 | 0:14:41 | |
-Apparently, there's some Irish stock in your past? -No. | 0:14:44 | 0:14:48 | |
-I mean, there could be, you never know. -But you have an Irish name? | 0:14:49 | 0:14:53 | |
Do I!? | 0:14:53 | 0:14:55 | |
-O'Shea. -O'Shea is an Irish name. -It couldn't be more Irish. | 0:14:55 | 0:14:58 | |
Has no-one told you that until now? | 0:14:58 | 0:15:00 | |
I've been told. | 0:15:01 | 0:15:03 | |
But, you know, I think my mother just liked the name. | 0:15:03 | 0:15:07 | |
-OK. Is it your Christian name? -It's my... I think! | 0:15:07 | 0:15:10 | |
LAUGHTER | 0:15:10 | 0:15:12 | |
Let me educate you with something, black people are notorious | 0:15:12 | 0:15:15 | |
for picking things they saw one day and say, "That's my baby name." | 0:15:15 | 0:15:19 | |
LAUGHTER | 0:15:19 | 0:15:22 | |
That's all it was, Graham. There's nothing... | 0:15:22 | 0:15:24 | |
There's no amazing story behind it. | 0:15:24 | 0:15:27 | |
We would love to tell you, yes, it came from my Irish forefather... | 0:15:27 | 0:15:31 | |
That's not the case. | 0:15:31 | 0:15:32 | |
His mother was reading the paper, she was eating some cereal, | 0:15:32 | 0:15:35 | |
somebody in the back said, "O'Shea." | 0:15:35 | 0:15:37 | |
She said, "That would be a good name for my baby." | 0:15:37 | 0:15:40 | |
That's how it happened. | 0:15:41 | 0:15:43 | |
LAUGHTER AND APPLAUSE | 0:15:43 | 0:15:48 | |
So, when you tour, do you still do the thing | 0:15:48 | 0:15:50 | |
of booking hotels under ridiculous names? | 0:15:50 | 0:15:53 | |
Yes, I do. | 0:15:53 | 0:15:54 | |
Tell us some of the names you have chosen over the years. | 0:15:54 | 0:15:57 | |
Um... Oh... | 0:15:57 | 0:15:58 | |
Sir Binky Poodleclip. | 0:15:58 | 0:16:00 | |
LAUGHTER | 0:16:00 | 0:16:02 | |
Um... There was one called Fanny Beaver Snatchclit. | 0:16:02 | 0:16:05 | |
LAUGHTER | 0:16:05 | 0:16:08 | |
Which the hotel operator wouldn't use. | 0:16:08 | 0:16:11 | |
And Sir Horace Pussy. | 0:16:11 | 0:16:13 | |
In Las Vegas, because I am at Caesars, I am Judas Fart. | 0:16:15 | 0:16:18 | |
-"D'you just fart?" -No, I didn't. | 0:16:18 | 0:16:20 | |
LAUGHTER | 0:16:20 | 0:16:22 | |
I get it. | 0:16:25 | 0:16:27 | |
Does Horace Pussy mean something when you put it all together? | 0:16:29 | 0:16:32 | |
-Sir Horace Pussy? -Yeah. -It doesn't mean anything. | 0:16:32 | 0:16:35 | |
Well, "JudasFart". | 0:16:35 | 0:16:36 | |
I thought, "SirHoracePussy". | 0:16:36 | 0:16:39 | |
My mother had to ring and ask for Sir Horace Pussy. | 0:16:39 | 0:16:41 | |
"I can't believe you asked me to ring Sir Horace Pussy." | 0:16:41 | 0:16:44 | |
Did she do it? | 0:16:45 | 0:16:47 | |
She did. Yeah. | 0:16:47 | 0:16:48 | |
There was one in the Ritz Hotel in Paris, | 0:16:48 | 0:16:50 | |
where they had special stationery made out. | 0:16:50 | 0:16:54 | |
So... Yes, it's fun. | 0:16:54 | 0:16:56 | |
When you go on the road, it's so boring, | 0:16:56 | 0:16:58 | |
you have to do something to make yourself cheerful. | 0:16:58 | 0:17:01 | |
-So, every time they ring... -I was the Marquis of Minge. | 0:17:01 | 0:17:04 | |
LAUGHTER | 0:17:04 | 0:17:06 | |
It said, for the visit of the Marquis of Minge. | 0:17:09 | 0:17:12 | |
I've still got it. | 0:17:12 | 0:17:13 | |
They made the writing paper up. | 0:17:14 | 0:17:16 | |
You are the real deal. | 0:17:17 | 0:17:19 | |
Growing up, you were the jock, | 0:17:19 | 0:17:21 | |
the sportsman, all of that. | 0:17:21 | 0:17:23 | |
But I have to say, you are on the couch with nerd central. | 0:17:23 | 0:17:27 | |
What? | 0:17:27 | 0:17:29 | |
-Well, no. -Well, yeah. | 0:17:29 | 0:17:31 | |
Tina Fey, you do a lot of material about growing up a nerd, | 0:17:31 | 0:17:33 | |
-but you really were a nerd? -I really was, yeah. | 0:17:33 | 0:17:35 | |
We have photographic evidence. | 0:17:35 | 0:17:37 | |
There we go. This will prove it. | 0:17:37 | 0:17:39 | |
AUDIENCE: OH! | 0:17:39 | 0:17:41 | |
That haircut was done by folding my face in half and cutting around. | 0:17:41 | 0:17:45 | |
LAUGHTER | 0:17:45 | 0:17:47 | |
The worst haircut of all time! | 0:17:47 | 0:17:50 | |
The guy from Spinal Tap. | 0:17:50 | 0:17:52 | |
Who did it? | 0:17:52 | 0:17:53 | |
My mom used to take me to a haircutting school, | 0:17:53 | 0:17:55 | |
because you could get, literally, a 2 haircut. | 0:17:55 | 0:17:59 | |
You were the guinea pig? | 0:17:59 | 0:18:01 | |
The sign outside the school said London, Paris, Upper Darby. | 0:18:01 | 0:18:05 | |
You've talked about your late blossoming, your sexual awakening... | 0:18:09 | 0:18:13 | |
Thank you for bringing that up. I wanted to make sure everybody knew. | 0:18:13 | 0:18:18 | |
Yah, I was a late starter. | 0:18:18 | 0:18:20 | |
For sure, I probably didn't see a penis until I was at least 20, | 0:18:20 | 0:18:25 | |
and that was probably in medical journals. | 0:18:25 | 0:18:28 | |
Didn't see, like, a healthy penis, until well into my late 20s. | 0:18:28 | 0:18:32 | |
LAUGHTER | 0:18:32 | 0:18:34 | |
"Oh, it's not mottled, it's fine." | 0:18:34 | 0:18:38 | |
"Oh!" | 0:18:40 | 0:18:42 | |
Oh, oh, oh! It's still horrible looking. | 0:18:42 | 0:18:45 | |
But then... | 0:18:48 | 0:18:49 | |
This is so weird to be talking to somebody about, but you... | 0:18:49 | 0:18:53 | |
Look at my body language. | 0:18:54 | 0:18:56 | |
You did develop physically quite early? | 0:18:56 | 0:18:58 | |
Again, thank you! | 0:18:58 | 0:19:00 | |
-Yes, I did. You must have read, this is Bossypants. -Yeah, yeah. | 0:19:02 | 0:19:05 | |
I was wearing... Bless my heart. | 0:19:05 | 0:19:08 | |
That haircut and a bra, and my mom taking me to JCPenney | 0:19:08 | 0:19:12 | |
and trying a bra on over my clothes, in the middle of JCPenney. | 0:19:12 | 0:19:16 | |
Just being, "No! No, Mommy! NO!" | 0:19:16 | 0:19:20 | |
There is no turning back. | 0:19:20 | 0:19:24 | |
That was, like, ten. | 0:19:25 | 0:19:26 | |
BOTH: Ten!? | 0:19:26 | 0:19:28 | |
Literally at the same time, 1980, | 0:19:28 | 0:19:30 | |
the same time Kurt was scaring men on the streets of St Louis. | 0:19:30 | 0:19:34 | |
Smash cut to JCPenney. Me going, "No, Mommy, no!" | 0:19:34 | 0:19:37 | |
I have to ask you, David, | 0:19:40 | 0:19:42 | |
because we are in the midst of the Star Wars stuff. | 0:19:42 | 0:19:45 | |
Star Wars, big fan? | 0:19:45 | 0:19:46 | |
Of course. | 0:19:46 | 0:19:47 | |
When I was ten years old, I mean...Princess Leia was always, | 0:19:47 | 0:19:51 | |
for me... You know? | 0:19:51 | 0:19:53 | |
What can I say? | 0:19:53 | 0:19:54 | |
CHEERING | 0:19:54 | 0:19:56 | |
How many times a day? | 0:19:56 | 0:19:57 | |
I said ten years old! Come on! | 0:20:00 | 0:20:03 | |
There were three films. Three films! | 0:20:03 | 0:20:06 | |
But your boys went to see the premiere? | 0:20:06 | 0:20:09 | |
They both came back, and were raving about it... | 0:20:09 | 0:20:12 | |
said it was really incredible. So they had a good time. | 0:20:12 | 0:20:15 | |
Hey! You know what would make your kids really jealous? | 0:20:15 | 0:20:17 | |
What's that? | 0:20:17 | 0:20:18 | |
If you pose, with a light sabre, with Fin. | 0:20:18 | 0:20:22 | |
That would actually make them very jealous. | 0:20:22 | 0:20:24 | |
Do it! I've got one in Manchester United red. | 0:20:24 | 0:20:26 | |
Where is it? I really do. | 0:20:28 | 0:20:30 | |
Where is the blue one? OK, there is the blue one. | 0:20:30 | 0:20:32 | |
Actually, because you are in the new King Arthur film? | 0:20:32 | 0:20:37 | |
-I am, just a small part. -Have you done some sword training? | 0:20:37 | 0:20:40 | |
-I have done some sword training. -Because... | 0:20:40 | 0:20:43 | |
Oh, look at him! Look at this. | 0:20:43 | 0:20:45 | |
AUDIENCE LAUGHTER | 0:20:45 | 0:20:49 | |
OK. You get that to work. | 0:20:49 | 0:20:51 | |
I'm moving well out of the way. | 0:20:51 | 0:20:53 | |
Yeah, can we not kill Kylie? That's all I ask. | 0:20:53 | 0:20:56 | |
Very kind. | 0:20:56 | 0:20:58 | |
Basically, to turn this on, you push... Push that thing. | 0:20:58 | 0:21:02 | |
That one, up. OK? | 0:21:04 | 0:21:06 | |
Oh! | 0:21:06 | 0:21:07 | |
AUDIENCE: Whoa! | 0:21:07 | 0:21:08 | |
-You've gone off. -David Beckham! | 0:21:08 | 0:21:10 | |
-You've gone off! -You have met your match. | 0:21:10 | 0:21:12 | |
ALL: OH! | 0:21:14 | 0:21:15 | |
I just wanted to meet you, mate. | 0:21:20 | 0:21:23 | |
LAUGHTER | 0:21:23 | 0:21:25 | |
CHEERING AND WHISTLING | 0:21:25 | 0:21:27 | |
Well done. Thank you very much. | 0:21:27 | 0:21:28 | |
Now, here's the thing, if people want a picture of Daniel, | 0:21:31 | 0:21:35 | |
you think, I'm never going to meet Daniel Radcliffe, don't worry. | 0:21:35 | 0:21:39 | |
Have you seen this? You like the internet. | 0:21:39 | 0:21:41 | |
Have you seen this thing on Reddit? | 0:21:41 | 0:21:43 | |
I have been made aware of it. Is this time travelling me? | 0:21:43 | 0:21:47 | |
Yeah, the Daniel Radcliffe time traveller. | 0:21:47 | 0:21:50 | |
People post old photographs and then you have to scan them | 0:21:50 | 0:21:53 | |
very carefully to see if you can manage to spot | 0:21:53 | 0:21:57 | |
who in the photograph looks like Daniel Radcliffe. | 0:21:57 | 0:22:01 | |
Can you spot Daniel Radcliffe, the time traveller, in this picture? | 0:22:01 | 0:22:05 | |
Got him! | 0:22:08 | 0:22:09 | |
LAUGHTER | 0:22:10 | 0:22:15 | |
The next one is easier, because there are three people. | 0:22:15 | 0:22:18 | |
Can you see which of the three people is Daniel Radcliffe, | 0:22:18 | 0:22:22 | |
time traveller? | 0:22:22 | 0:22:23 | |
-It's you! -It really is. | 0:22:27 | 0:22:29 | |
That is you! | 0:22:29 | 0:22:31 | |
Pictures of me, particularly when I was younger... that is very, | 0:22:31 | 0:22:33 | |
very close. | 0:22:33 | 0:22:35 | |
If Daniel Radcliffe ever went on Who Do You Think You Are, | 0:22:36 | 0:22:39 | |
at some point, surely, this photograph will come up. | 0:22:39 | 0:22:43 | |
LAUGHTER | 0:22:44 | 0:22:48 | |
Why were you in prison, Chris Hemsworth? | 0:22:52 | 0:22:55 | |
That's the question that you start the show with? | 0:22:56 | 0:22:59 | |
No, it was research. | 0:23:00 | 0:23:01 | |
I did a movie about a guy. It was research. | 0:23:01 | 0:23:04 | |
"I'm in for research." | 0:23:05 | 0:23:07 | |
Why did I go to prison? I was researching a film. | 0:23:08 | 0:23:12 | |
We had to go in and see what the inside of a prison looked like | 0:23:12 | 0:23:16 | |
and speak with prisoners who were willing to talk to us. | 0:23:16 | 0:23:19 | |
I walked in, and I remember thinking... and I had my ponytail, | 0:23:21 | 0:23:26 | |
long blonde hair, and I had a hat on. | 0:23:26 | 0:23:28 | |
LILY LAUGHS | 0:23:28 | 0:23:30 | |
GENERAL LAUGHTER | 0:23:30 | 0:23:31 | |
I think Lily knows where this is going! | 0:23:31 | 0:23:33 | |
So, I spent the night... | 0:23:35 | 0:23:37 | |
The warden said, you can't wear your hat, and so on. I said, no worries. | 0:23:37 | 0:23:41 | |
I thought, "Shit! They're going to know who I am." | 0:23:41 | 0:23:43 | |
Then I thought, they don't get Thor in here. | 0:23:43 | 0:23:45 | |
They're not going to watch movies. | 0:23:45 | 0:23:46 | |
I don't know, I've never been to prison. | 0:23:46 | 0:23:49 | |
So, I assumed that. | 0:23:49 | 0:23:50 | |
The moment I started walking through the cells, and it's like | 0:23:50 | 0:23:53 | |
H Block of this thing. You know, it all kind of... | 0:23:53 | 0:23:56 | |
You know, cell upon cell and so on. | 0:23:56 | 0:23:59 | |
I just start getting heckled. "Yo, Thor is here, man." | 0:23:59 | 0:24:03 | |
"Yo, Thor!" | 0:24:03 | 0:24:04 | |
"Thor! Thor!" | 0:24:04 | 0:24:06 | |
"Where's your hammer, man?" | 0:24:06 | 0:24:08 | |
I'm trying to blend in and research. | 0:24:09 | 0:24:12 | |
Just getting heckled, left and right. | 0:24:12 | 0:24:14 | |
"Come spend some time in my cell, baby!" | 0:24:14 | 0:24:17 | |
LAUGHTER | 0:24:17 | 0:24:19 | |
I've got my long hair. | 0:24:19 | 0:24:21 | |
"You'll do!" | 0:24:21 | 0:24:22 | |
Also, it's quite nice that we sat you beside Dawn. | 0:24:25 | 0:24:28 | |
It's like being at home, sitting on the sofa. | 0:24:28 | 0:24:30 | |
Yes, with the hair and everything. | 0:24:30 | 0:24:33 | |
Well, I think I had the hair first, I have to say. | 0:24:33 | 0:24:36 | |
I'm quite a lot older than his Dawn. | 0:24:36 | 0:24:37 | |
Dawn O'Porter, your wife. | 0:24:37 | 0:24:39 | |
-Yes. -That's her, there now. | 0:24:39 | 0:24:41 | |
-It is the same hair! -Now, look at us. | 0:24:43 | 0:24:45 | |
-Quite similar. -It is, very similar. | 0:24:47 | 0:24:49 | |
This is what you'll be looking at in another 20 years' time. | 0:24:49 | 0:24:52 | |
This is it. | 0:24:52 | 0:24:53 | |
I'll be on wife three by then! | 0:24:53 | 0:24:55 | |
LAUGHTER | 0:24:55 | 0:24:57 | |
Makes you feel so special. | 0:24:57 | 0:24:59 | |
But Dawn might move on, other Dawn, because she likes meeting men, | 0:25:01 | 0:25:06 | |
it seems, even in your presence, Chris? | 0:25:06 | 0:25:09 | |
No... Oh, yes, she does. | 0:25:12 | 0:25:14 | |
-She does! -Well, like anybody would. | 0:25:15 | 0:25:17 | |
We have had a couple of things where... | 0:25:17 | 0:25:19 | |
So, we met Brad Pitt, right? | 0:25:21 | 0:25:23 | |
-See! -At the Baftas, I think it was. | 0:25:23 | 0:25:26 | |
He came over and we were having a chat about something or other. | 0:25:26 | 0:25:30 | |
And um... He was very nice, and I introduced him to Dawn. | 0:25:30 | 0:25:35 | |
They shook hands and we kept on talking, | 0:25:35 | 0:25:37 | |
and then he started talking to somebody else or whatever. | 0:25:37 | 0:25:40 | |
After a while, I looked down and I realised that she was still | 0:25:40 | 0:25:44 | |
holding two of his fingers. | 0:25:44 | 0:25:45 | |
LAUGHTER | 0:25:45 | 0:25:47 | |
I was, like, "We'd better go to our seats." | 0:25:47 | 0:25:50 | |
She was like, "OK." | 0:25:50 | 0:25:52 | |
And she said, "41 seconds." | 0:25:52 | 0:25:55 | |
I said, "What?" "That's how long I held him for." | 0:25:55 | 0:25:57 | |
LAUGHTER | 0:25:57 | 0:26:01 | |
And then a couple of weeks after that, we were up for some | 0:26:01 | 0:26:06 | |
kind of awards dinner. | 0:26:06 | 0:26:08 | |
Bradley Cooper was there. Very nice guy, very personable. | 0:26:08 | 0:26:10 | |
AUDIENCE: HOO! | 0:26:10 | 0:26:12 | |
Yes, a "hoo!" That's how attractive he is. | 0:26:12 | 0:26:16 | |
We were leaving, she was getting her phone out of her bag. | 0:26:16 | 0:26:19 | |
I noticed something sparkling in it. | 0:26:19 | 0:26:23 | |
I realised that she had stolen his fork. | 0:26:23 | 0:26:26 | |
LAUGHTER | 0:26:26 | 0:26:29 | |
And she said that she was going to auction it for charity or something. | 0:26:29 | 0:26:33 | |
Every now and again, at home, I see her eating with it. | 0:26:33 | 0:26:36 | |
It's kind of hard to feel like a sex symbol | 0:26:40 | 0:26:42 | |
when your wife is using another man's cutlery. | 0:26:42 | 0:26:45 | |
So, she only managed, with Brad Pitt, to hold onto his fingers? | 0:26:47 | 0:26:51 | |
That's right. | 0:26:51 | 0:26:52 | |
So, hands up, everybody here, | 0:26:52 | 0:26:54 | |
who has actually been kissed on the lips by Brad Pitt. | 0:26:54 | 0:26:56 | |
ALL: Ooh!! | 0:26:56 | 0:26:58 | |
No, it was just in a dream. | 0:27:01 | 0:27:02 | |
Catherine Zeta-Jones and Michael, obviously married... | 0:27:04 | 0:27:07 | |
-15. -15 years. | 0:27:07 | 0:27:09 | |
Couples, when they've been together a long time, | 0:27:09 | 0:27:11 | |
they have little rituals and ways to keep the relationship fresh. | 0:27:11 | 0:27:14 | |
But you have one involving golf, is that right? | 0:27:14 | 0:27:18 | |
Yeah. That old... Thing. | 0:27:18 | 0:27:20 | |
Yeah! | 0:27:20 | 0:27:21 | |
I don't think I can handle this emotionally. | 0:27:21 | 0:27:24 | |
I can kick his ass at golf, if say so. | 0:27:24 | 0:27:28 | |
Don't you make these bets, when you're playing golf? | 0:27:28 | 0:27:30 | |
Yeah, if he duffs a shot and can't get his ball over the ladies tee, | 0:27:30 | 0:27:35 | |
he has to take his pants off. | 0:27:35 | 0:27:37 | |
Drop 'em! | 0:27:37 | 0:27:39 | |
On the pitch. | 0:27:39 | 0:27:40 | |
On the pitch?! | 0:27:40 | 0:27:41 | |
LAUGHTER | 0:27:41 | 0:27:43 | |
You're worse than I am, even I know that! | 0:27:43 | 0:27:46 | |
On the course! | 0:27:46 | 0:27:48 | |
-On the course. Yeah, on the course. -It's pitch and putt. | 0:27:48 | 0:27:52 | |
Oh, that thing. | 0:27:52 | 0:27:54 | |
Crazy golf. | 0:27:54 | 0:27:56 | |
Expose himself in some way, yeah. | 0:27:56 | 0:27:58 | |
And does he do it? | 0:27:58 | 0:27:59 | |
Not just my husband, it is any man I play with. | 0:27:59 | 0:28:01 | |
SHRIEKS OF LAUGHTER | 0:28:01 | 0:28:04 | |
I have a question... | 0:28:06 | 0:28:09 | |
NO, he doesn't have a question, he was volunteering to play golf! | 0:28:09 | 0:28:13 | |
Drop them on the course? What are paparazzi doing all day? | 0:28:13 | 0:28:17 | |
No, there has been an issue with paparazzi, | 0:28:17 | 0:28:19 | |
but I made him go into the bushes and drop his pants. | 0:28:19 | 0:28:22 | |
Oh, that's fine. | 0:28:22 | 0:28:24 | |
A deal is a deal. | 0:28:24 | 0:28:26 | |
Will, you and Jada, you are a Hollywood couple, | 0:28:26 | 0:28:30 | |
power couple now, married 18 years. | 0:28:30 | 0:28:33 | |
That's my wife. | 0:28:33 | 0:28:34 | |
Still interested, look at that! | 0:28:34 | 0:28:36 | |
Are you looking at her boobs? | 0:28:37 | 0:28:39 | |
That's not a good... That picture? Why did you do that? | 0:28:39 | 0:28:41 | |
I'm looking at her like food. | 0:28:43 | 0:28:45 | |
LAUGHTER | 0:28:46 | 0:28:49 | |
Like I'm still breast-feeding. | 0:28:49 | 0:28:52 | |
It's a good thing that's my wife! | 0:28:56 | 0:29:01 | |
So, selfie, the whole selfie thing, selfies are everywhere, | 0:29:03 | 0:29:06 | |
everyone takes selfies. | 0:29:06 | 0:29:08 | |
There's a new sort of selfie. Are you aware of this thing, nutscaping? | 0:29:08 | 0:29:13 | |
No, but I can't wait. | 0:29:13 | 0:29:15 | |
No, what's that? | 0:29:15 | 0:29:16 | |
-Do you know what nutscaping is? -No. -OK. | 0:29:16 | 0:29:19 | |
So, what you do, you are "oot and aboot" | 0:29:19 | 0:29:24 | |
and you see a wonder of nature, beautiful scenery. | 0:29:24 | 0:29:27 | |
A landscape, as it were. And then you nutscape it. | 0:29:27 | 0:29:31 | |
-Get your nuts out? -Yeah. | 0:29:31 | 0:29:32 | |
Basically, you drop your testicles into the picture. | 0:29:32 | 0:29:36 | |
So, a picture paints a thousand words. | 0:29:38 | 0:29:42 | |
This is the website. | 0:29:42 | 0:29:43 | |
That is it, right there. That is, essentially, it. | 0:29:45 | 0:29:50 | |
Am I crazy, that's one nut? | 0:29:50 | 0:29:53 | |
-That's two nuts? -Oh, two nuts! | 0:29:53 | 0:29:55 | |
-They are outside. -OK. | 0:29:55 | 0:29:57 | |
A lot of them... it's quite chilly. | 0:29:59 | 0:30:01 | |
Look at that... | 0:30:01 | 0:30:03 | |
That's not a nut, that's an eclipse! | 0:30:03 | 0:30:05 | |
That's the same. Oh, look, off to the side there. That's very odd. | 0:30:08 | 0:30:11 | |
-Oh, look at that little one. -Oh! -Oh! -That's not... | 0:30:14 | 0:30:19 | |
-I don't know. Now, I love that. -He needs to get that checked. | 0:30:21 | 0:30:24 | |
There's something wrong with that. | 0:30:28 | 0:30:30 | |
Look at the shadow it's making over the... | 0:30:30 | 0:30:32 | |
It's massive. | 0:30:34 | 0:30:36 | |
That's amazing. | 0:30:37 | 0:30:39 | |
-This is the best thing ever. -Where's my favourite one? | 0:30:39 | 0:30:42 | |
Look at the hair on that one. | 0:30:42 | 0:30:43 | |
Look, look, look! Look at those cows. | 0:30:46 | 0:30:48 | |
"I don't know." | 0:30:48 | 0:30:50 | |
"What do we know? We're cows." | 0:30:51 | 0:30:53 | |
-Oh, my God, I'm crying. -Where is my favourite one? | 0:30:53 | 0:30:55 | |
My favourite one is so beautiful. It's incredibly artistic. | 0:30:55 | 0:30:58 | |
Check that out. | 0:30:58 | 0:31:00 | |
Whoa! | 0:31:00 | 0:31:02 | |
APPLAUSE | 0:31:02 | 0:31:04 | |
That's your nutscape right there. | 0:31:04 | 0:31:06 | |
Beautiful. | 0:31:06 | 0:31:09 | |
Mark Wahlberg, you had an extraordinary gig a few months ago. | 0:31:09 | 0:31:12 | |
-Oh, with the Pope? -Yeah! | 0:31:12 | 0:31:13 | |
LAUGHTER | 0:31:13 | 0:31:16 | |
You hosted the Pope. | 0:31:16 | 0:31:17 | |
-Yes, I did. -Did the Pope recognise you? | 0:31:19 | 0:31:22 | |
Erm, no, he hasn't watched television since the mid-80s. | 0:31:23 | 0:31:27 | |
Except, he does love the Graham Norton Show | 0:31:27 | 0:31:29 | |
and he's going to be appalled at the language. | 0:31:29 | 0:31:33 | |
I already apologised for my language in the movies that I've done. | 0:31:33 | 0:31:37 | |
I didn't know if he was as a movie fan or not. | 0:31:37 | 0:31:39 | |
I was hugging this young boy who has an amazing voice, | 0:31:39 | 0:31:42 | |
I mean, really a gift from God | 0:31:42 | 0:31:44 | |
and, all of a sudden, he comes out and goes, | 0:31:44 | 0:31:46 | |
"I really loved you in Ted." | 0:31:46 | 0:31:48 | |
This kid was like 10, 11 years old. | 0:31:48 | 0:31:49 | |
I said, "That's inappropriate for you to watch that." | 0:31:49 | 0:31:52 | |
And then I had to apologise and explain myself. | 0:31:52 | 0:31:54 | |
And did you hang out in any sense? | 0:31:54 | 0:31:56 | |
No, we had a brief encounter and I was able to say hello | 0:31:56 | 0:32:01 | |
and we exchanged some pleasantries and that was pretty much it. | 0:32:01 | 0:32:05 | |
I've met presidents, | 0:32:05 | 0:32:07 | |
I've never seen so may people from all walks of life. | 0:32:07 | 0:32:10 | |
Two million people were at this event | 0:32:10 | 0:32:12 | |
-to come to see, just to get a glimpse of this man. -Wow. | 0:32:12 | 0:32:16 | |
He was on the move. | 0:32:16 | 0:32:17 | |
Originally he was going to leave | 0:32:17 | 0:32:19 | |
and they started basically cutting bits of the show as we were going. | 0:32:19 | 0:32:23 | |
I'm hosting the show, so they're telling me, | 0:32:23 | 0:32:26 | |
this is going, that's going, but then... | 0:32:26 | 0:32:28 | |
What is his name? That wonderful singer. | 0:32:30 | 0:32:33 | |
-Tony Bennett? -Josh Groban? -No. | 0:32:34 | 0:32:37 | |
Placido Domingo? | 0:32:37 | 0:32:39 | |
Harry from One Direction? | 0:32:39 | 0:32:40 | |
-You're making me make it harder to remember. -Sorry. | 0:32:42 | 0:32:45 | |
-What kind of music? -Opera. | 0:32:45 | 0:32:48 | |
He's a wonderful gentleman, he has a...problem with his eyes. | 0:32:48 | 0:32:52 | |
-AUDIENCE MEMBER: -Andrea Bocelli. -Bocelli, yes. | 0:32:52 | 0:32:55 | |
"A problem with his eyes." | 0:32:55 | 0:32:56 | |
He's blind. | 0:32:58 | 0:32:59 | |
APPLAUSE | 0:33:00 | 0:33:03 | |
"Kept bumping into things. He has a problem." | 0:33:04 | 0:33:07 | |
So, then the Pope decided to stay. | 0:33:07 | 0:33:10 | |
And then Bocelli kept going and singing more | 0:33:12 | 0:33:14 | |
and more songs. And then they had a moment together. | 0:33:14 | 0:33:17 | |
Because he couldn't see the signal to stop. | 0:33:17 | 0:33:20 | |
That's what the lady was doing! | 0:33:22 | 0:33:24 | |
-She was like, "Uh-uh." -I thought she was... | 0:33:24 | 0:33:26 | |
"The Pope left!" | 0:33:28 | 0:33:30 | |
Ladies and gentlemen, 50 Cent, the musician, has returned to us. | 0:33:37 | 0:33:41 | |
-You're back. -I'm back, baby. -Yes, you are. | 0:33:41 | 0:33:44 | |
APPLAUSE | 0:33:44 | 0:33:47 | |
The track on the new album, called 9 Shots, | 0:33:47 | 0:33:51 | |
it goes back to an early, terrible experience | 0:33:51 | 0:33:54 | |
in your life. If you guys aren't familiar with | 0:33:54 | 0:33:56 | |
the story of what happened, it's amazing. Go. | 0:33:56 | 0:33:59 | |
Well... | 0:33:59 | 0:34:01 | |
-No pressure. -I got, you know, shot nine times. | 0:34:01 | 0:34:05 | |
But it was one time. I just didn't see | 0:34:05 | 0:34:08 | |
the person coming, or I would have avoided it. | 0:34:08 | 0:34:11 | |
Well, yes. You would. | 0:34:11 | 0:34:13 | |
This happened, I was trying | 0:34:13 | 0:34:16 | |
to write a song, conceptually, that would | 0:34:16 | 0:34:18 | |
define more of who I am. So I wrote 9 Shots | 0:34:18 | 0:34:22 | |
and just picked nine painful moments that I experienced | 0:34:22 | 0:34:25 | |
in my life. I used the shot as a metaphor. | 0:34:25 | 0:34:28 | |
-Where were you shot? Where? -In front of my grandmother's house. | 0:34:28 | 0:34:32 | |
But where on your body? | 0:34:32 | 0:34:34 | |
APPLAUSE | 0:34:34 | 0:34:37 | |
That's like being in the doctor's office, isn't it? | 0:34:39 | 0:34:42 | |
Most of them in the legs. I got hit in my hand, | 0:34:42 | 0:34:45 | |
I got hit in the face. A fragment, | 0:34:45 | 0:34:50 | |
a portion of it is in my tongue. So it kind of | 0:34:50 | 0:34:51 | |
changed the way I speak a little bit. | 0:34:51 | 0:34:54 | |
-And your rapping as well? -What, is it still in your tongue? | 0:34:54 | 0:34:56 | |
-Can you see it? -Yeah, it's great for oral sex. -IS it? | 0:34:56 | 0:34:59 | |
LAUGHTER | 0:34:59 | 0:35:02 | |
-OK, good to know. -Make sure you keep that bit in the show. | 0:35:02 | 0:35:06 | |
Let me just make a note of that. | 0:35:06 | 0:35:09 | |
-I'm a better man now. -Is it like a lump? | 0:35:09 | 0:35:13 | |
-Can you see it? -Yeah. | 0:35:13 | 0:35:15 | |
Let's have a feel, 50. | 0:35:15 | 0:35:17 | |
LAUGHTER | 0:35:17 | 0:35:20 | |
-I've washed my hands. -We just said oral sex | 0:35:20 | 0:35:23 | |
-and you're going to put your finger in my mouth? -Stop it! | 0:35:23 | 0:35:26 | |
-I'd better not, had I? -Have a look, have a look. | 0:35:30 | 0:35:33 | |
-Well, I'll just have a look. -I need a napkin. -Has anybody got | 0:35:33 | 0:35:37 | |
-a tissue? -A clean one. -Look, these ladies. | 0:35:37 | 0:35:40 | |
Thank you very much. Still hermetically sealed, | 0:35:40 | 0:35:44 | |
thank you very much. There you go, lovely. | 0:35:44 | 0:35:46 | |
How were you prepared? | 0:35:46 | 0:35:48 | |
Did somebody tell you to come with this? | 0:35:48 | 0:35:50 | |
How did that happen? What's the odds of that? | 0:35:51 | 0:35:54 | |
Sitting in the front row with this. | 0:35:54 | 0:35:57 | |
Who does this kind of stuff, right? | 0:35:57 | 0:35:59 | |
It only happens on this programme, honestly. | 0:35:59 | 0:36:02 | |
Yeah, I can feel it. | 0:36:05 | 0:36:07 | |
LAUGHTER AND APPLAUSE | 0:36:07 | 0:36:09 | |
I know whole pages of Heat. | 0:36:18 | 0:36:20 | |
You surprise me(!) | 0:36:20 | 0:36:22 | |
There's this scene in the middle of the film, which you'll be | 0:36:23 | 0:36:26 | |
familiar with, you were there. | 0:36:26 | 0:36:28 | |
The one person you don't need to explain it to. | 0:36:29 | 0:36:32 | |
GRAHAM LAUGHS | 0:36:33 | 0:36:35 | |
-He remembers. -"You were very good in this bit." | 0:36:37 | 0:36:40 | |
There's a scene in the middle of the film, because Al Pacino | 0:36:40 | 0:36:43 | |
and Robert De Niro... He's there! | 0:36:43 | 0:36:47 | |
-Sorry about this! -Don't worry. -They are separated, like a great | 0:36:47 | 0:36:50 | |
thriller, they're separated for the entire film, and they | 0:36:50 | 0:36:53 | |
meet twice, once at the end and once in the middle. | 0:36:53 | 0:36:56 | |
And it takes place at a restaurant in LA. It's a great scene, | 0:36:56 | 0:36:58 | |
it's one of the great pieces of screen acting you can hope to watch. | 0:36:58 | 0:37:02 | |
There it is, there's a picture. It's a mutual recognition of | 0:37:02 | 0:37:06 | |
each other. Anyway, there's a bit where they sit and | 0:37:06 | 0:37:09 | |
have coffee and tea and talk about stuff... I'm going on, I apologise! | 0:37:09 | 0:37:13 | |
Al Pacino says at one point, he goes... | 0:37:13 | 0:37:16 | |
-AS AL PACINO: -"So,..." | 0:37:19 | 0:37:20 | |
LAUGHTER | 0:37:20 | 0:37:22 | |
"We're sitting here like a couple of regular fellas. I mean, you do | 0:37:25 | 0:37:30 | |
"what you do, I do what I've got to do." | 0:37:30 | 0:37:33 | |
"If I'm there and I've got to put you away, I won't like it." | 0:37:34 | 0:37:40 | |
"But if it's between you and some | 0:37:42 | 0:37:45 | |
"poor bastard whose wife you're going to turn | 0:37:45 | 0:37:47 | |
"into a widow, brother, you are going down." | 0:37:47 | 0:37:53 | |
APPLAUSE | 0:37:53 | 0:37:55 | |
And then Michael Mann cuts back | 0:37:57 | 0:37:59 | |
to the esteemed gentlemen at the end of the sofa. | 0:37:59 | 0:38:03 | |
LAUGHTER | 0:38:05 | 0:38:08 | |
-AS DE NIRO: -"What if you do got me boxed in | 0:38:12 | 0:38:14 | |
"and I've got to put YOU down?" | 0:38:14 | 0:38:16 | |
"Face-to-face." | 0:38:18 | 0:38:20 | |
-AS PACINO: -"Yeah, but I will not hesitate, not for a second." | 0:38:21 | 0:38:25 | |
-And that's my... -APPLAUSE | 0:38:27 | 0:38:30 | |
This is so meta! | 0:38:34 | 0:38:37 | |
I feel like I've gone into a parallel universe. | 0:38:37 | 0:38:41 | |
You are playing all these parts! | 0:38:41 | 0:38:44 | |
-Yes, I apologise. -That's great. That was my favourite scene | 0:38:44 | 0:38:47 | |
-in the movie. -Was it your favourite scene? | 0:38:47 | 0:38:49 | |
-Yeah. -Still? | 0:38:49 | 0:38:51 | |
LAUGHTER | 0:38:51 | 0:38:52 | |
Now, listen. Tom Hanks, | 0:38:54 | 0:38:56 | |
you are famous for being lovely to fans. | 0:38:56 | 0:38:58 | |
-You are very nice, you go and see... -I try to be. | 0:38:58 | 0:39:01 | |
David, you are a big fan but someone else in your | 0:39:01 | 0:39:04 | |
family is also a very big fan. | 0:39:04 | 0:39:05 | |
Yes, my mum is a big fan. | 0:39:05 | 0:39:07 | |
We were in a restaurant, The River Cafe, | 0:39:07 | 0:39:09 | |
about seven years ago and my mum had drunk | 0:39:09 | 0:39:11 | |
a bit too much, she suddenly felt a bit ill. | 0:39:11 | 0:39:14 | |
I led her outside and you were sat at one of the tables. | 0:39:14 | 0:39:18 | |
She stopped dead and I had to drag her, | 0:39:18 | 0:39:20 | |
like you would a donkey on a beach, away from you. | 0:39:20 | 0:39:24 | |
She was so excited to see you. | 0:39:24 | 0:39:25 | |
How ill was she? Otherwise she could have stopped by. | 0:39:25 | 0:39:28 | |
She may have thrown up over you! | 0:39:28 | 0:39:30 | |
She's here in the audience. | 0:39:30 | 0:39:32 | |
Let me see if I can figure out who she is. Hmm... | 0:39:32 | 0:39:36 | |
I can see her already, she's blushing, she's smiling. | 0:39:36 | 0:39:39 | |
-Look at her! -Oh, my! Come here, love. | 0:39:39 | 0:39:42 | |
Come here, darling. I see you. | 0:39:42 | 0:39:45 | |
APPLAUSE | 0:39:45 | 0:39:47 | |
-Give me some lovin'. -Aww! -Give me some sugar. | 0:39:52 | 0:39:56 | |
She's going for the hug. | 0:39:57 | 0:39:59 | |
Have you been drinking? You haven't been drinking? | 0:40:01 | 0:40:03 | |
You're totally sober. Have you been smoking? | 0:40:03 | 0:40:06 | |
Haven't been smoking. She's a good mum, isn't she? | 0:40:06 | 0:40:11 | |
Look at your boy. Are you not proud of your lad down there? | 0:40:11 | 0:40:13 | |
-I'm very proud. -42 million books have been sold. | 0:40:13 | 0:40:17 | |
One of these days he just might just win an Oscar! | 0:40:17 | 0:40:20 | |
APPLAUSE | 0:40:22 | 0:40:24 | |
Very lovely, very lovely to meet you. | 0:40:24 | 0:40:27 | |
I like that. Thank you so much, that's so kind of you. | 0:40:30 | 0:40:34 | |
She's a good mum. You've got a very good mum. | 0:40:34 | 0:40:38 | |
LAUGHTER | 0:40:38 | 0:40:41 | |
No respect for your mother! | 0:40:41 | 0:40:44 | |
Would you be up for just matching | 0:40:45 | 0:40:48 | |
-some pictures of otters? -Yeah, I'll return the favour. | 0:40:48 | 0:40:50 | |
It'll go really viral and it'll be great. | 0:40:50 | 0:40:54 | |
People will like the viral pictures of me | 0:40:54 | 0:40:56 | |
and an otter and go and see a film about a gangster! Yay! | 0:40:56 | 0:41:00 | |
-You know how this works. -I'm sort of scared of otters. | 0:41:00 | 0:41:05 | |
You won't be... Actually, this first otter... | 0:41:05 | 0:41:08 | |
This first otter, I'm afraid, | 0:41:08 | 0:41:10 | |
it's the dark side of the otter kingdom. This is angry otter. | 0:41:10 | 0:41:14 | |
It makes you love otters, though. Can you do that? Try it! It's good! | 0:41:19 | 0:41:24 | |
APPLAUSE It's good. Excellent. | 0:41:24 | 0:41:27 | |
APPLAUSE DROWNS OUT SPEECH | 0:41:29 | 0:41:31 | |
OK, this next one is also a slightly aggressive otter. | 0:41:31 | 0:41:35 | |
It's a bit fisty. It's a bit like, "Boy, I oughtta..." | 0:41:35 | 0:41:38 | |
The other way! | 0:41:38 | 0:41:40 | |
These are good. These are good. | 0:41:44 | 0:41:47 | |
They start to get more challenging. | 0:41:47 | 0:41:49 | |
LAUGHTER What the hell? | 0:41:49 | 0:41:52 | |
Can you attempt that? | 0:41:52 | 0:41:54 | |
OK... | 0:41:55 | 0:41:56 | |
So tongue that way. | 0:41:56 | 0:41:58 | |
Mirror things. I go that way and it's the other way. | 0:41:58 | 0:42:01 | |
This is really weird. | 0:42:01 | 0:42:02 | |
Very good. | 0:42:05 | 0:42:06 | |
Now, this is an opportunity for... | 0:42:07 | 0:42:11 | |
-Is this a casting for my next role as an otter? -You're in it. | 0:42:11 | 0:42:16 | |
You're the star. This is an opportunity | 0:42:16 | 0:42:19 | |
for myself and Johnny to channel our inner otter. | 0:42:19 | 0:42:21 | |
This is a nice three shot. | 0:42:21 | 0:42:23 | |
-AUDIENCE: -Aww. | 0:42:23 | 0:42:26 | |
-If you lean in, I'll lean in. -Yeah, exactly. | 0:42:27 | 0:42:30 | |
-To me? -You're in the middle. -What's the face? | 0:42:30 | 0:42:33 | |
LAUGHTER | 0:42:35 | 0:42:38 | |
Adorable, adorable. | 0:42:38 | 0:42:40 | |
And, now... | 0:42:40 | 0:42:43 | |
So... | 0:42:43 | 0:42:45 | |
Then, then, we found this picture. | 0:42:45 | 0:42:48 | |
We found this picture of an otter. | 0:42:48 | 0:42:50 | |
Look at this. Look at this. | 0:42:50 | 0:42:54 | |
Let's have a close-up of the face. | 0:42:54 | 0:42:55 | |
You have never seen a happier creature on planet earth. | 0:42:55 | 0:42:58 | |
Look how happy this otter is with his new teddy bear. | 0:42:58 | 0:43:00 | |
The teddy bear doesn't look very happy. | 0:43:01 | 0:43:03 | |
The teddy bear looks quite depressed. | 0:43:03 | 0:43:06 | |
"I've been given to a mammal?" | 0:43:06 | 0:43:07 | |
I sent out the command. I picked up my phone and I went, | 0:43:09 | 0:43:12 | |
"We'll need a big teddy bear." | 0:43:12 | 0:43:14 | |
However the word "big" is quite relative. | 0:43:14 | 0:43:17 | |
They've gone with | 0:43:18 | 0:43:19 | |
a really enormous teddy bear. It's over there. | 0:43:19 | 0:43:23 | |
HE GASPS | 0:43:23 | 0:43:25 | |
-Wow! -LAUGHTER | 0:43:27 | 0:43:30 | |
This is, this is... | 0:43:33 | 0:43:35 | |
It's going to be fine. It's all right | 0:43:37 | 0:43:40 | |
Isn't that amazing? APPLAUSE | 0:43:40 | 0:43:43 | |
That looks genius. | 0:43:44 | 0:43:47 | |
That is genius. | 0:43:47 | 0:43:49 | |
I've always wanted to... | 0:43:49 | 0:43:52 | |
It's just, there's something about | 0:43:52 | 0:43:55 | |
it that makes me want to kind of do this. | 0:43:55 | 0:43:58 | |
Oh! APPLAUSE | 0:43:58 | 0:44:01 | |
LAUGHTER Don't kick the bear! | 0:44:11 | 0:44:13 | |
You think I'm a cute otter? | 0:44:13 | 0:44:15 | |
APPLAUSE | 0:44:21 | 0:44:24 |